1 00:00:02,043 --> 00:00:03,794 Woman: WHITNEY WILLIAMS, 22. SHE WENT INTO CONVULSIONS 2 00:00:03,794 --> 00:00:05,676 ON THE "E" TRAIN -- IN AND OUT OF CONSCIOUSNESS EVER SINCE. 3 00:00:05,676 --> 00:00:07,298 I WANT A CBC AND AN EKG. ANY SIGN OF DRUGS ON HER? 4 00:00:07,298 --> 00:00:09,550 NOTHING. BUT AT ONE POINT, SHE SAID SOMEONE DID THIS TO HER. 5 00:00:09,550 --> 00:00:11,972 WHITNEY, CAN YOU TELL ME WHAT HAPPENED? 6 00:00:11,972 --> 00:00:13,264 DIAMONDBACK. 7 00:00:13,264 --> 00:00:15,186 [ MONITOR BEEPING ] 8 00:00:15,186 --> 00:00:17,638 SHE'S SEIZING. PUSH 4 MILLIGRAMS ATIVAN. 9 00:00:17,638 --> 00:00:20,941 [ GLASS CLINKING ] 10 00:00:20,941 --> 00:00:24,735 FRIENDS, THANK YOU FOR COMING ON SUCH SHORT NOTICE. 11 00:00:24,735 --> 00:00:27,108 WELL, IT'S TIMES LIKE THESE I'M REMINDED OF SHAKESPEARE, 12 00:00:27,108 --> 00:00:29,070 WHO WROTE, "IT'S NOT IN THE STARS --" 13 00:00:29,070 --> 00:00:32,283 AH, AH, AH, HE ALSO SAID, "BREVITY IS THE SOUL OF WIT." 14 00:00:32,283 --> 00:00:33,534 SO GET TO IT, DARLING. 15 00:00:33,534 --> 00:00:34,745 UH, OKAY. 16 00:00:34,745 --> 00:00:38,459 WE JUST RETURNED FROM THE HAMPTONS, AND... 17 00:00:38,459 --> 00:00:40,081 WE GOT MARRIED! WE GOT MARRIED! 18 00:00:40,081 --> 00:00:42,083 Martha: YES! 19 00:00:42,083 --> 00:00:43,084 [ BOTH LAUGH ] 20 00:00:45,336 --> 00:00:46,467 W-WHY DID YOU DO THAT? YOU GUYS SUCK. 21 00:00:46,467 --> 00:00:47,668 HOLD -- HOLD UP. YOU COU-- 22 00:00:47,668 --> 00:00:48,929 NO, NO, NO, NO, NO -- 23 00:00:48,929 --> 00:00:50,721 YOU GUYS JUMPED THE BROOM AND DIDN'T INVITE US? 24 00:00:50,721 --> 00:00:52,012 IT WAS SPUR-OF-THE-MOMENT. SPUR. 25 00:00:52,012 --> 00:00:53,434 Martha: OH, AND IT WAS PERFECTION. 26 00:00:53,434 --> 00:00:55,556 I MEAN, YOU SHOULD HAVE BEEN THERE. 27 00:00:55,556 --> 00:00:56,887 IT WAS FIRE AND LOVE. 28 00:00:56,887 --> 00:00:58,769 AND AT ONE POINT, THERE WERE ALL THESE DOVES 29 00:00:58,769 --> 00:01:00,181 THAT JUST SOARED INTO THE -- GRAM, GRAM... 30 00:01:00,181 --> 00:01:01,312 MAYBE WE DON'T RUB IT IN. INTO THE -- 31 00:01:01,312 --> 00:01:03,604 LET'S GO GET YOU ANOTHER DRINK. OH. DRINK. OKAY. 32 00:01:03,604 --> 00:01:04,605 COME ON. 33 00:01:04,605 --> 00:01:05,816 HOLD THIS. 34 00:01:07,608 --> 00:01:10,111 I AM YOUR MAID OF HONOR. 35 00:01:10,111 --> 00:01:11,362 I HAVEN'T HAD A CARB IN MONTHS, 36 00:01:11,362 --> 00:01:13,404 JUST IN CASE I HAD TO PUT THAT DAMN DRESS BACK ON. 37 00:01:13,404 --> 00:01:16,036 AND YOU LOOK GREAT. SAVE THE FLATTERY. 38 00:01:16,036 --> 00:01:17,077 KATE, YOU OWE ME DINNER. 39 00:01:17,077 --> 00:01:18,539 I'M PICKING THE RESTAURANT, 40 00:01:18,539 --> 00:01:21,081 AND WE'RE ORDERING ALL THE DESSERTS. 41 00:01:21,081 --> 00:01:22,163 OKAY. 42 00:01:22,163 --> 00:01:24,505 OH, GIRL, YOU'RE MARRIED! 43 00:01:24,505 --> 00:01:25,546 COME HERE! 44 00:01:25,546 --> 00:01:26,667 [ BOTH LAUGH ] 45 00:01:27,548 --> 00:01:29,970 AAH! OW. 46 00:01:29,970 --> 00:01:32,133 GUYS. 47 00:01:33,764 --> 00:01:34,885 GUYS, COME ON. 48 00:01:34,885 --> 00:01:36,427 NO. WE WERE REALLY LOOKING FORWARD TO THIS 49 00:01:36,427 --> 00:01:37,678 FOR A LONG TIME, TOO, CASTLE. 50 00:01:37,678 --> 00:01:39,140 WE HAD A SPEECH PREPARED AND EVERYTHING. 51 00:01:39,140 --> 00:01:40,641 OHH, PLUS, WE WROTE THAT SONG. 52 00:01:40,641 --> 00:01:43,224 YEAH. SERIOUSLY, YOU WROTE A SONG? [ CELLPHONE RINGING ] 53 00:01:43,224 --> 00:01:45,186 WE'RE -- WE'RE PLANNING A LITTLE RECEPTION. 54 00:01:45,186 --> 00:01:47,148 YOU GUYS COULD DO THE SONG AT THE RECEPTION. 55 00:01:47,148 --> 00:01:48,899 NO SONG FOR YOU. YOU HAD YOUR CHANCE. 56 00:01:48,899 --> 00:01:51,442 GUYS...WE'RE GONNA HAVE TO CUT THE CELEBRATION SHORT. 57 00:01:51,442 --> 00:01:52,613 THERE'S BEEN A MURDER. 58 00:01:52,613 --> 00:01:55,115 REALLY? WE DIDN'T GET THAT CALL. 59 00:01:55,115 --> 00:01:57,408 ONCE AGAIN, NOT INVITED. CHEERS. 60 00:01:57,408 --> 00:01:59,039 FINE. 61 00:01:59,039 --> 00:02:01,001 WE'LL MEET YOU AT THE PRECINCT. 62 00:02:01,001 --> 00:02:03,374 WELL, IT COULD HAVE BEEN WORSE. 63 00:02:03,374 --> 00:02:04,955 IT STILL MIGHT BE. 64 00:02:04,955 --> 00:02:07,378 I MEAN, WHO KNOWS WHAT THEY'RE DOING TO OUR PLACE RIGHT NOW? 65 00:02:07,378 --> 00:02:08,839 YOU HEAR WHAT YOU JUST SAID? 66 00:02:08,839 --> 00:02:10,211 "OUR PLACE." OUR. WE'RE MARRIED. 67 00:02:10,211 --> 00:02:12,253 WE'RE MARRIED. WE DID IT, MRS. CASTLE! 68 00:02:12,253 --> 00:02:14,175 [ CHUCKLES ] WE CERTAINLY DID, MR. BECKETT. 69 00:02:14,175 --> 00:02:15,676 ALTHOUGH THIS ARGUABLY ISN'T 70 00:02:15,676 --> 00:02:17,718 THE MOST ROMANTIC POST-WEDDING ACTIVITY. 71 00:02:17,718 --> 00:02:20,140 OR PERHAPS IT'S FITTING, CONSIDERING HOW WE MET. 72 00:02:20,140 --> 00:02:22,473 BUT YOU BRING UP AN EXCELLENT POINT -- THE HONEYMOON. 73 00:02:22,473 --> 00:02:25,816 YES. ABOUT THE EXOTIC ISLAND GETAWAY... 74 00:02:25,816 --> 00:02:27,608 I-IT'S GONNA HAVE TO WAIT. 75 00:02:27,608 --> 00:02:29,820 WHY? BECAUSE WHEN YOU WENT MISSING, 76 00:02:29,820 --> 00:02:32,363 I USED UP ALL OF MY VACATION DAYS LOOKING FOR YOU. 77 00:02:32,363 --> 00:02:33,864 SO NO HONEYMOON. 78 00:02:33,864 --> 00:02:36,197 MM, NOT FOR A WHILE, I'M AFRAID. 79 00:02:37,037 --> 00:02:39,830 SO INSTEAD OF MAI TAIS... WE GET MURDER. 80 00:02:40,831 --> 00:02:42,042 GREAT. 81 00:02:42,042 --> 00:02:43,914 NAH, IT'LL BE GREAT. 82 00:02:45,246 --> 00:02:46,837 Dr. Neville: WHITNEY WILLIAMS. 83 00:02:46,837 --> 00:02:48,999 SHE WENT INTO CONVULSIONS, THEN CARDIAC ARREST. 84 00:02:48,999 --> 00:02:50,000 WE COULDN'T BRING HER BACK. 85 00:02:50,000 --> 00:02:51,672 AND HER LAST WORDS WERE "DIAMONDBACK"? 86 00:02:51,672 --> 00:02:53,133 WHAT DOES THAT MEAN? I HAVE NO IDEA. 87 00:02:53,133 --> 00:02:55,426 AND SHE BELIEVED THAT SHE WAS A VICTIM OF FOUL PLAY. 88 00:02:55,426 --> 00:02:56,467 YES, AND SO DO I. 89 00:02:56,467 --> 00:02:57,888 WE RAN A FULL BLOOD WORK-UP, 90 00:02:57,888 --> 00:02:59,800 AND IT CAME BACK WITH HIGH TRACES OF DIGOXIN. 91 00:02:59,800 --> 00:03:01,262 OH, THAT'S A HEART MEDICATION. 92 00:03:01,262 --> 00:03:03,103 DERIVED FROM THE FOXGLOVE PLANT. 93 00:03:03,103 --> 00:03:04,515 ACCORDING TO OUR PATHOLOGIST, 94 00:03:04,515 --> 00:03:08,309 THIS WAS UN-PURIFIED DIGOXIN, TAKEN DIRECTLY FROM THE PLANT. 95 00:03:08,309 --> 00:03:10,190 IT'S LETHAL. SO SHE WAS POISONED. 96 00:03:10,190 --> 00:03:13,404 A-ANY WAY TO TELL HOW LONG AGO SHE INGESTED THE FOXGLOVE? 97 00:03:13,404 --> 00:03:15,696 WE'RE ESTIMATING 10 TO 14 HOURS. 98 00:03:15,696 --> 00:03:17,077 HAVE YOU CONTACTED THE NEXT OF KIN? 99 00:03:17,077 --> 00:03:19,119 I THOUGHT YOU WOULD WANT TO HANDLE THAT. 100 00:03:19,119 --> 00:03:22,162 THIS IS HER IN-CASE-OF-EMERGENCY CARD. 101 00:03:22,162 --> 00:03:24,705 Esposito: THANKS FOR COMING IN, MR. AND MRS. DAGMAR. 102 00:03:24,705 --> 00:03:26,747 WELL, SINCE HER MOM PASSED, I SUPPOSE 103 00:03:26,747 --> 00:03:29,169 WE'RE THE CLOSEST THING TO FAMILY THAT WHITNEY HAS. 104 00:03:29,169 --> 00:03:31,502 SHE WAS OUR FIRST DAGMAR SCHOLAR. 105 00:03:31,502 --> 00:03:32,923 DAGMAR SCHOLAR? 106 00:03:32,923 --> 00:03:34,465 WE SPONSOR DISADVANTAGED CHILDREN, 107 00:03:34,465 --> 00:03:36,136 SEND THEM TO THE FINEST SCHOOLS. 108 00:03:36,136 --> 00:03:39,930 THE POISONING OCCURRED BETWEEN 10 AND 14 HOURS AGO. 109 00:03:39,930 --> 00:03:42,052 DO YOU HAPPEN TO KNOW WHERE WHITNEY WAS 110 00:03:42,052 --> 00:03:43,764 OR WHO SHE WAS WITH AT THE TIME? 111 00:03:43,764 --> 00:03:44,805 NO. 112 00:03:44,805 --> 00:03:46,607 THE LAST TIME WE SAW HER WAS A WEEK AGO 113 00:03:46,607 --> 00:03:48,228 WHEN SHE CAME OVER FOR SUPPER. 114 00:03:48,228 --> 00:03:51,191 DID SHE MENTION IF SHE WAS HAVING PROBLEMS WITH ANYONE, 115 00:03:51,191 --> 00:03:52,273 PERHAPS AT WORK? 116 00:03:52,273 --> 00:03:53,904 SHE DID SAY SHE WAS GOING TO 117 00:03:53,904 --> 00:03:56,657 TAKE SOME TIME OFF FROM HER INTERNSHIP. DO YOU KNOW WHY? 118 00:03:56,657 --> 00:03:58,319 HER MOTHER'S DEATH WAS RECENT. 119 00:03:58,319 --> 00:04:01,121 WHITNEY SAID SHE NEEDED SOME TIME TO GET OVER THE LOSS. 120 00:04:01,121 --> 00:04:04,455 DOES THE WORD "DIAMONDBACK" MEAN ANYTHING TO EITHER OF YOU? 121 00:04:06,787 --> 00:04:08,078 NO, I'M AFRAID NOT. 122 00:04:08,078 --> 00:04:10,000 Castle: OKAY. "DIAMONDBACK." 123 00:04:10,000 --> 00:04:13,133 I'VE WHITTLED IT DOWN TO THREE POSSIBILITIES AS TO WHAT THAT MEANS 124 00:04:13,133 --> 00:04:15,255 AND WHY WHITNEY WOULD UTTER IT WITH HER DYING BREATH. 125 00:04:15,255 --> 00:04:18,048 AND I'M SURE THAT NONE OF THEM WILL BE A WASTE OF MY TIME. 126 00:04:18,048 --> 00:04:20,641 POSSIBILITY NUMBER ONE -- IT'S THE PASSWORD 127 00:04:20,641 --> 00:04:23,594 FOR A MURDEROUS UNDERGROUND SNAKE-HANDLING FIGHT CLUB. 128 00:04:23,594 --> 00:04:26,016 GRANTED, THAT'S PROBABLY NOT WHAT IT MEANS, 129 00:04:26,016 --> 00:04:28,889 BUT IT MIGHT BE THE BASIS FOR MY NEXT NIKKI HEAT NOVEL. 130 00:04:28,889 --> 00:04:31,231 POSSIBILITY NUMBER TWO -- SHE WAS KILLED 131 00:04:31,231 --> 00:04:34,525 BY THE MARVEL CHARACTER DIAMONDBACK, WHOSE SPECIAL SKILL 132 00:04:34,525 --> 00:04:37,738 WAS THROWING DIAMOND-SHAPED SPIKES FILLED WITH POISON. 133 00:04:37,738 --> 00:04:40,110 THIRD POSSIBILITY -- IT'S A DUDE RANCH IN ARIZONA. 134 00:04:40,110 --> 00:04:43,494 WE STRUCK OUT WITH THE DAGMARS, BUT WE FOUND AN E-MAIL 135 00:04:43,494 --> 00:04:46,246 TO WHITNEY FROM A DIAMONDBACK OLD WEST RANCH 136 00:04:46,246 --> 00:04:48,749 CONFIRMING A TWO-WEEK STAY IN BUNKHOUSE NUMBER 14. 137 00:04:48,749 --> 00:04:50,791 OLD WEST DUDE RANCH. THAT'S MY NUMBER THREE. 138 00:04:50,791 --> 00:04:53,043 THAT'S EXACTLY WHAT I WAS GONNA SAY. GOOD WORK, BOYS. 139 00:04:54,174 --> 00:04:55,005 YOU STILL SUCK. 140 00:04:55,005 --> 00:04:57,047 AND YOU OWE US FOR THOSE TUXEDO RENTALS. 141 00:04:57,047 --> 00:04:58,379 RIGHT. 142 00:04:58,379 --> 00:05:01,091 SO, SHE WAS ON VACATION IN ARIZONA FOR TWO WEEKS? 143 00:05:01,091 --> 00:05:03,053 YEP. SHE GO WITH ANYONE? 144 00:05:03,053 --> 00:05:06,096 NO, BUT IT LOOKS LIKE THE WHOLE "CITY SLICKERS" COWBOY THING 145 00:05:06,096 --> 00:05:07,478 DIDN'T REALLY AGREE WITH HER. 146 00:05:07,478 --> 00:05:09,099 WHITNEY CUT HER TRIP SHORT. 147 00:05:09,099 --> 00:05:10,431 AFTER ONLY THREE DAYS THERE, 148 00:05:10,431 --> 00:05:12,393 SHE PAID FOR A LAST-MINUTE TICKET CHANGE 149 00:05:12,393 --> 00:05:14,895 FOR AN 8:00 A.M. FLIGHT OUT OF PHOENIX THIS MORNING. 150 00:05:14,895 --> 00:05:18,399 THIS MORNING? SO SHE WAS POISONED IN ARIZONA 151 00:05:18,399 --> 00:05:22,443 SOMEWHERE BETWEEN 1:00 AND 5:00 A.M. LOCAL TIME. 152 00:05:22,443 --> 00:05:24,615 AND ALL INDICATIONS ARE THAT SHE LEFT IN A BIG HURRY. 153 00:05:24,615 --> 00:05:26,947 SHE EVEN FORGOT TO TURN IN HER BUNKHOUSE KEY. 154 00:05:26,947 --> 00:05:29,119 OKAY, I NEED EVERY DETAIL WE CAN GET ON THAT PLACE. 155 00:05:29,119 --> 00:05:30,451 Castle: WELL, ACCORDING TO THIS, 156 00:05:30,451 --> 00:05:33,123 "DIAMONDBACK OLD WEST RANCH IS A LIVING HISTORY RESORT 157 00:05:33,123 --> 00:05:35,295 "WHERE BOTH STAFF AND GUESTS DRESS IN OLD WEST ATTIRE 158 00:05:35,295 --> 00:05:37,588 AND ENGAGE IN COWBOY ACTIVITIES." 159 00:05:37,588 --> 00:05:39,049 THIS SOUNDS PRETTY COOL! 160 00:05:39,049 --> 00:05:42,092 OR NOT, CONSIDERING WHITNEY MIGHT HAVE BEEN POISONED THERE. 161 00:05:42,092 --> 00:05:44,965 WAIT A MINUTE -- IF WHITNEY FLEW BACK TODAY, 162 00:05:44,965 --> 00:05:47,177 THEN SHE WAS COMING IN ON THE TRAIN FROM JFK 163 00:05:47,177 --> 00:05:48,729 WHEN SHE HAD THAT SEIZURE. 164 00:05:48,729 --> 00:05:51,932 BUT THE ONLY PERSONAL EFFECT THAT WE FOUND AT THE HOSPITAL 165 00:05:51,932 --> 00:05:54,024 WAS HER PURSE, SO WHERE IS HER LUGGAGE? 166 00:05:54,024 --> 00:05:56,356 MAYBE IT WAS LEFT IN THE SUBWAY WHEN THE MEDICS TOOK HER. 167 00:05:56,356 --> 00:05:58,068 WELL, IF SOMETHING HAPPENED AT THAT RANCH, 168 00:05:58,068 --> 00:06:00,070 THERE MIGHT BE EVIDENCE OF IT IN HER SUITCASES. 169 00:06:00,070 --> 00:06:02,282 I'LL LOOK INTO IT. AND I'LL KEEP DIGGING IN HER FINANCIALS. 170 00:06:02,282 --> 00:06:04,114 MAYBE THERE'S SOMEWHERE ELSE SHE WENT IN ARIZONA. 171 00:06:04,114 --> 00:06:05,906 AND I'LL TOUCH BASE WITH THE LOCAL SHERIFF 172 00:06:05,906 --> 00:06:08,118 AND COORDINATE WITH HIM ON THE INVESTIGATION. THANKS, BIG BOY. 173 00:06:08,118 --> 00:06:11,081 LOOK, DETECTIVE [SIGHS] THE WAY I SEE IT, 174 00:06:11,081 --> 00:06:13,333 THIS IS NOT AN ARIZONA MATTER. 175 00:06:13,333 --> 00:06:14,665 SHERIFF, WE HAVE EVIDENCE 176 00:06:14,665 --> 00:06:17,127 THAT WHITNEY WAS POISONED IN YOUR JURISDICTION. 177 00:06:17,127 --> 00:06:19,379 NO, WHAT YOU HAVE IS SPECULATION. 178 00:06:19,379 --> 00:06:22,342 SHE COULD HAVE BEEN POISONED ON THE PLANE OR AT THE AIRPORT. 179 00:06:22,342 --> 00:06:24,344 HELL, I WOULDN'T KNOW WHERE TO BEGIN. 180 00:06:24,344 --> 00:06:26,386 WELL, I-I'M TELLING YOU WHERE TO BEGIN -- 181 00:06:26,386 --> 00:06:27,768 DIAMONDBACK OLD WEST RANCH. 182 00:06:27,768 --> 00:06:31,181 DETECTIVE, YOU GOT TO UNDERSTAND. THAT RESORT -- 183 00:06:31,181 --> 00:06:34,184 THAT'S THE LIFEBLOOD OF OUR LITTLE TOURIST TOWN. 184 00:06:34,184 --> 00:06:36,937 SO THIS IS POLITICAL. NO, IT'S PERSONAL. 185 00:06:36,937 --> 00:06:40,110 LOOK, I'VE GOT PEOPLE HERE -- FOLKS I GREW UP WITH -- 186 00:06:40,110 --> 00:06:43,023 AND I CAN'T JUST GO IN AND DISRUPT BUSINESS 187 00:06:43,023 --> 00:06:45,526 UNTIL THERE'S SOME CONCRETE PROOF. 188 00:06:46,617 --> 00:06:49,159 I'M SORRY. WITHOUT THE SHERIFF'S COOPERATION, 189 00:06:49,159 --> 00:06:50,911 THERE'S ONLY SO MUCH WE CAN DO. 190 00:06:50,911 --> 00:06:52,913 SO WE'RE JUST GONNA LET HIM GET AWAY WITH THIS? 191 00:06:52,913 --> 00:06:54,414 KIND OF LIKE HOW WE LET YOU GET AWAY 192 00:06:54,414 --> 00:06:55,836 WITH NOT INVITING US TO THE WEDDING? 193 00:06:55,836 --> 00:06:58,589 WELL, AT LEAST YOU WERE INVITED TO THE CHAMPAGNE TOAST. 194 00:06:58,589 --> 00:07:00,210 UH... SORRY, SIR. 195 00:07:00,210 --> 00:07:02,883 OH, NO, NO, NO. I'M SURE IT WAS MR. CASTLE'S FAULT. 196 00:07:02,883 --> 00:07:04,885 NOW, REGARDING THE CASE, I'LL CALL THE FEDS 197 00:07:04,885 --> 00:07:06,927 AND SEE IF THEY CAN INTERCEDE ON OUR BEHALF. 198 00:07:06,927 --> 00:07:08,679 SIR, THAT COULD TAKE WEEKS. 199 00:07:08,679 --> 00:07:11,892 BY THEN, ANY EVIDENCE OR WITNESSES COULD BE LONG GONE. 200 00:07:11,892 --> 00:07:15,105 UH, EXCUSE ME, SIR, I CHECKED WHITNEY'S FINANCIALS. 201 00:07:15,105 --> 00:07:16,396 SHE USED A CAR SERVICE 202 00:07:16,396 --> 00:07:18,438 TO GET TO THE AIRPORT IN ARIZONA THIS MORNING. 203 00:07:18,438 --> 00:07:19,980 AND I SPOKE WITH THE DRIVER. 204 00:07:19,980 --> 00:07:22,152 HE SAID SHE SEEMED UPSET WHEN SHE LEFT THE RANCH. 205 00:07:22,152 --> 00:07:24,905 SOMETHING HAPPENED THERE. YEAH, BUT WE HAVE NO WAY TO INVESTIGATE IT. 206 00:07:24,905 --> 00:07:25,986 WAIT. 207 00:07:27,027 --> 00:07:28,368 MAYBE WE DO. 208 00:07:29,660 --> 00:07:32,162 WE DO? WELL, LOOK AT THIS PLACE. 209 00:07:32,162 --> 00:07:33,994 I MEAN, IT'S GOT BEAUTIFUL SKIES, 210 00:07:33,994 --> 00:07:36,497 WIDE-OPEN SPACES, THE THRILL OF THE OLD WEST. 211 00:07:37,838 --> 00:07:40,791 WHAT BETTER PLACE FOR AN IMPROMPTU HONEYMOON? 212 00:07:40,791 --> 00:07:43,253 FOR THE INVESTIGATION, OF COURSE. 213 00:07:43,253 --> 00:07:45,005 WE COULD JUMP ON A PLANE AND BE THERE IN A FEW HOURS. 214 00:07:45,005 --> 00:07:47,087 CASTLE, YOU CANNOT BE SERIOUS. 215 00:07:47,087 --> 00:07:49,089 WE CAN FIND WHITNEY'S KILLER 216 00:07:49,089 --> 00:07:51,802 AND HAVE A HONEYMOON AT THE SAME TIME -- IT'S PERFECT. 217 00:07:51,802 --> 00:07:55,305 NO, CASTLE. WE ARE NOT HAVING A HONEYMOON AT A DUDE RANCH! 218 00:07:55,305 --> 00:07:57,307 WELL, IT -- THEN, IT CAN BE OUR COVER STORY. 219 00:07:57,307 --> 00:07:58,729 WE'RE A-A NEWLYWED COUPLE 220 00:07:58,729 --> 00:08:01,311 WITH A HANKERIN' FOR THE WILD FRONTIER, RIGHT? 221 00:08:01,311 --> 00:08:02,482 AND, LOOK, BECKETT, 222 00:08:02,482 --> 00:08:04,775 I KNOW YOU WANT TO SEE JUSTICE BROUGHT 223 00:08:04,775 --> 00:08:06,987 TO THIS YOUNG WOMAN'S KILLER. 224 00:08:06,987 --> 00:08:09,409 AND THIS... 225 00:08:09,409 --> 00:08:11,071 THIS IS THE ONLY WAY. 226 00:08:14,494 --> 00:08:18,038 I HATE TO SAY THIS, BUT YOUR HUSBAND MAY BE RIGHT. 227 00:08:19,459 --> 00:08:21,712 THIS COULD BE OUR BEST SHOT AT SOLVING THE CASE. 228 00:08:24,384 --> 00:08:25,756 FINE. 229 00:08:25,756 --> 00:08:27,087 EXCELLENT. 230 00:08:27,087 --> 00:08:30,510 SADDLE UP, HONEY, BECAUSE WE ARE HONEYMOONING OUT WEST. 231 00:08:30,510 --> 00:08:34,304 [ WESTERN MUSIC PLAYS ] 232 00:08:34,304 --> 00:08:36,306 YEE-HAW. 233 00:08:48,358 --> 00:08:51,361 [ WESTERN MUSIC PLAYS ] 234 00:09:06,006 --> 00:09:09,219 OH. WHOA. 235 00:09:09,219 --> 00:09:12,092 WOW. IT'S LIKE WE ROLLED RIGHT INTO A JOHN FORD MOVIE. 236 00:09:12,092 --> 00:09:13,804 THANK YOU. OKAY, THERE, HOSS. 237 00:09:13,804 --> 00:09:16,136 JUST REMEMBER WE'RE HERE FOR A REASON -- 238 00:09:16,136 --> 00:09:17,598 TO FIND WHITNEY'S KILLER. 239 00:09:17,598 --> 00:09:18,769 BEST HONEYMOON EVER. 240 00:09:18,769 --> 00:09:19,850 [ SQUISH ] EW. 241 00:09:19,850 --> 00:09:21,561 THIS IS SO NOT OUR HONEYMOON. 242 00:09:21,561 --> 00:09:24,564 I THINK IN THE OLD WEST, THAT WAS A SIGN OF GOOD FORTUNE. 243 00:09:24,564 --> 00:09:26,106 [ CHUCKLES ] LUCKY ME. 244 00:09:26,106 --> 00:09:29,189 SAY, Y'ALL MUST BE THE NEWLYWEDS! 245 00:09:29,189 --> 00:09:32,993 WELL, WELCOME TO THE DIAMONDBACK OLD WEST RANCH, FOLKS. 246 00:09:32,993 --> 00:09:35,195 THEY CALL ME GENTLEMAN JAMES GRADY, 247 00:09:35,195 --> 00:09:38,458 AND I AM THE PROPRIETOR OF THIS HERE ESTABLISHMENT. 248 00:09:38,458 --> 00:09:40,661 I-I AM RICK. THIS IS KATE. 249 00:09:40,661 --> 00:09:43,043 AND MAY I JUST SAY, THIS PLACE IS AMAZING. 250 00:09:43,043 --> 00:09:45,165 YEAH, VERY AUTHENTIC. 251 00:09:45,165 --> 00:09:47,918 OH, THAT'S WHAT YOU JACKEROOS CAME FOR, AIN'T IT -- 252 00:09:47,918 --> 00:09:50,711 THE LEGEND AND, DARE I SAY, ROMANCE OF THE OLD WEST? 253 00:09:50,711 --> 00:09:53,173 NOW, UH, THESE BROCHURES IN YOUR HANDS 254 00:09:53,173 --> 00:09:56,266 DETAIL ALL THE ACTIVITIES THAT WE HAVE TO OFFER HERE, 255 00:09:56,266 --> 00:09:59,059 FROM CATTLE-DRIVING TO NATURE-WALKING. 256 00:09:59,059 --> 00:10:00,560 WE GOT IT ALL! 257 00:10:00,560 --> 00:10:02,813 AND MY FRIENDLY STAFF OF RANCH HANDS -- 258 00:10:02,813 --> 00:10:04,354 UH, THEY'RE THE ONES IN THE RED BANDANAS 259 00:10:04,354 --> 00:10:06,857 IN THE BROCHURE AND ALL AROUND HERE -- 260 00:10:06,857 --> 00:10:10,150 THEY WILL GUIDE YOU THROUGH ANY ADVENTURE YOUR HEARTS DESIRE. 261 00:10:10,150 --> 00:10:11,992 SO, SHALL WE BEGIN? 262 00:10:11,992 --> 00:10:13,904 ACTUALLY, WE JUST GOT IN ON THE RED-EYE 263 00:10:13,904 --> 00:10:15,996 AND WERE KIND OF HOPING TO CHECK IN TO OUR ROOM. 264 00:10:15,996 --> 00:10:18,739 HEY, WELL, NO PROBLEMO. UH, SEEING AS YOU'RE NEWLYWEDS, 265 00:10:18,739 --> 00:10:21,041 I UPGRADED YOU TO A SUITE IN OUR GRAND HOTEL. 266 00:10:21,041 --> 00:10:24,414 OH, WELL, WE'RE MUCH OBLIGED. UH, SURE ARE. BUT... 267 00:10:24,414 --> 00:10:27,627 WE WERE LOOKING FOR A MORE AUTHENTIC EXPERIENCE. 268 00:10:27,627 --> 00:10:31,631 AND WE'RE KIND OF HOPING TO STAY AT ONE OF THE BUNKHOUSE ROOMS. 269 00:10:31,631 --> 00:10:33,173 WHATEVER THE LITTLE LADY WANTS. 270 00:10:33,173 --> 00:10:35,846 I CAN SEE WHO WEARS THE 10-GALLON HAT IN YOUR HOUSE. 271 00:10:35,846 --> 00:10:37,217 [ CHUCKLES ] [ LAUGHS ] 272 00:10:37,217 --> 00:10:39,970 YEAH. AND, UM, MR. GRADY, I KNOW THAT THIS SOUNDS SILLY, 273 00:10:39,970 --> 00:10:43,143 BUT MY LUCKY NUMBER IS 14 -- IS THAT ROOM AVAILABLE? 274 00:10:43,143 --> 00:10:44,394 UH, DAISY MAE! 275 00:10:44,394 --> 00:10:47,067 D-DAISY MAE, W-WE NEED YOU, DEAR! 276 00:10:47,067 --> 00:10:49,319 THAT'S MY MISSUS. UH, LIKE YOURS, 277 00:10:49,319 --> 00:10:51,111 SHE RUNS THE SHOW HERE. [ CHUCKLES ] 278 00:10:51,111 --> 00:10:55,535 UH, HON, UH, THESE LOVEBIRDS WANT TO STAY IN BUNKHOUSE 14. 279 00:10:55,535 --> 00:10:56,947 UH, IS IT VACANT? 280 00:10:56,947 --> 00:10:58,578 WELL, SURE IS, BUT WHY? 281 00:10:58,578 --> 00:11:00,911 IT'S A SINGLE ROOM WITH A TWIN BED. 282 00:11:00,911 --> 00:11:02,913 OH, THAT'S OKAY. WE'RE, UH -- WE'RE CUDDLERS. YEAH. 283 00:11:02,913 --> 00:11:05,085 WELL, ALL RIGHTY, THEN. BUT FIRST, FOLKS, 284 00:11:05,085 --> 00:11:07,838 WE GOT TO GET YOU OUT OF THOSE BIBS AND TUCKERS. 285 00:11:09,089 --> 00:11:11,001 [ FOLK MUSIC PLAYS ] 286 00:11:11,001 --> 00:11:12,963 Grady: OOH-HOO-WHEE! 287 00:11:12,963 --> 00:11:14,795 TAKE A LOOK AT THIS BELVEDERE. 288 00:11:14,795 --> 00:11:16,927 I DO LOOK GOOD, DON'T I? [ LAUGHS ] 289 00:11:16,927 --> 00:11:18,558 [ FOOTSTEPS ] OH. 290 00:11:20,470 --> 00:11:22,562 THIS IS LIKE THREE FANTASIES COMING TRUE ALL AT ONCE. 291 00:11:22,562 --> 00:11:24,064 ONLY THING MISSING IS -- 292 00:11:24,064 --> 00:11:27,267 GENTLEMAN JAMES, WHERE DO WE GET THE REPLICA GUNS, LIKE YOURS? 293 00:11:27,267 --> 00:11:29,860 REPLICA? SON, THIS IS ARIZONA. 294 00:11:29,860 --> 00:11:31,231 IT'S OPEN-CARRY. 295 00:11:31,231 --> 00:11:34,694 SAY, DO EITHER OF YOU TWO KNOW WHAT'S QUICKER THAN LIGHTNING? 296 00:11:34,694 --> 00:11:36,196 WHAT? 297 00:11:39,619 --> 00:11:42,202 THIS GUN TAMED THE WILD WEST. 298 00:11:42,202 --> 00:11:45,125 COLT .45 SINGLE-ACTION PEACEMAKER. 299 00:11:48,038 --> 00:11:50,040 I WANT TO BE HIM WHEN I GROW UP. 300 00:11:50,040 --> 00:11:51,962 WELL, YEAH, IF YOU GROW UP. 301 00:11:51,962 --> 00:11:53,383 IT'S ALL ABOUT PRACTICE, 302 00:11:53,383 --> 00:11:55,796 WHICH YOU CAN DO WITH ONE OF OUR FIREARMS 303 00:11:55,796 --> 00:11:58,218 AVAILABLE FOR PURCHASE AT OUR GIFT SHOP. 304 00:11:58,218 --> 00:12:00,220 IN FACT, WHY DON'T WE MOSEY ON OVER? 305 00:12:00,220 --> 00:12:02,052 YEAH, UH, MR. GRADY, YOU KNOW WHAT? MAYBE LATER. 306 00:12:02,052 --> 00:12:03,894 RIGHT NOW, WE'RE BOTH A BIT KNACKERED, 307 00:12:03,894 --> 00:12:05,185 SO WE WERE HOPING TO GO TO OUR ROOM. 308 00:12:06,847 --> 00:12:09,609 SO GLAD YOU'RE STAYING WITH US. 309 00:12:09,609 --> 00:12:11,191 MUCH OBLIGED, MA'AM. 310 00:12:14,064 --> 00:12:16,066 MUCH OBLIGED, MA'AM. 311 00:12:18,738 --> 00:12:20,200 WE WERE WRONG. 312 00:12:20,200 --> 00:12:22,412 THE KEY THAT WHITNEY HAD WITH HER WASN'T HER ROOM KEY. 313 00:12:22,412 --> 00:12:24,034 WELL, THEN, WHAT DOES IT GO TO? 314 00:12:24,034 --> 00:12:25,075 I DON'T KNOW. 315 00:12:25,075 --> 00:12:26,366 HERE'S 14. 316 00:12:27,998 --> 00:12:29,369 OH, WAIT. 317 00:12:29,369 --> 00:12:32,422 WHETHER WE LIKE IT OR NOT, WE ARE ON OUR HONEYMOON, 318 00:12:32,422 --> 00:12:35,836 SO WE MUST ACT ACCORDINGLY. 319 00:12:37,467 --> 00:12:39,339 OH! [ Laughing ] GEEZ! 320 00:12:41,051 --> 00:12:43,383 AAH! [ LAUGHS ] 321 00:12:45,435 --> 00:12:46,556 OH, YEAH. 322 00:12:46,556 --> 00:12:48,688 SO NOT OUR HONEYMOON. 323 00:12:48,688 --> 00:12:50,310 [ SIGHS ] 324 00:12:52,192 --> 00:12:53,944 ARE YOU LOOKING FOR DISINFECTANT? 325 00:12:53,944 --> 00:12:57,027 CLUES. REMEMBER? WHITNEY WAS STAYING HERE. 326 00:12:57,027 --> 00:12:58,358 I HIGHLY DOUBT 327 00:12:58,358 --> 00:13:01,111 WE'RE GONNA FIND ANYTHING IN THIS ROOM THAT CAN HELP US. 328 00:13:01,111 --> 00:13:02,823 HOWDY, PARTNER. [ CHUCKLES ] 329 00:13:05,205 --> 00:13:07,908 I DON'T KNOW IF IT COMES WITH THE ROOM, 330 00:13:07,908 --> 00:13:11,171 BUT THERE'S A NAKED COWBOY SHAVING IN OUR BATHROOM. 331 00:13:11,171 --> 00:13:12,002 I'M SORRY, WHAT? 332 00:13:14,044 --> 00:13:15,795 MY FAULT. FORGOT TO LOCK THE DOOR. 333 00:13:15,795 --> 00:13:17,297 IT'S A JACK-AND-JILL BATHROOM. 334 00:13:17,297 --> 00:13:19,049 I'M IN THE ROOM ON THE OTHER SIDE. 335 00:13:19,049 --> 00:13:21,221 OH! OKAY. UH, I'M RICK. THIS IS KATE. 336 00:13:21,221 --> 00:13:23,303 WE, UH, JUST CHECKED IN. NEWLYWEDS. 337 00:13:23,303 --> 00:13:25,135 OH, CONGRATULATIONS. I'M TOBIAS. 338 00:13:25,135 --> 00:13:26,766 H-HI. WAIT, DIDN'T MR. GRADY SAY 339 00:13:26,766 --> 00:13:28,979 THAT THERE WAS A WOMAN STAYING IN OUR ROOM BEFORE? 340 00:13:28,979 --> 00:13:30,230 UH, YES. 341 00:13:30,230 --> 00:13:32,562 I'M SURPRISED THEY LET HER STAY IN SO CLOSE WITH MENFOLK, 342 00:13:32,562 --> 00:13:34,144 CONSIDERING THE CUSTOMS OF THE OLD WEST. 343 00:13:34,144 --> 00:13:35,735 WELL, I GUESS WHEN THEY FOUND OUT 344 00:13:35,735 --> 00:13:37,317 ME AND HER BOTH ENJOY CHASING COWBOYS, 345 00:13:37,317 --> 00:13:38,738 THEY FIGURED, "WHAT THE HECK?" 346 00:13:38,738 --> 00:13:40,901 UH, YOU KNOW, WE'RE ABOUT TO BREW SOME COFFEE. 347 00:13:40,901 --> 00:13:42,112 WOULD YOU CARE FOR A CUP? 348 00:13:42,112 --> 00:13:44,614 I LIKE MY COFFEE LIKE I LIKE MY MEN -- 349 00:13:44,614 --> 00:13:45,996 STRONG, BLACK, AND BITTER. 350 00:13:45,996 --> 00:13:49,159 OOH, YOU'RE FUN! I BET YOU AND YOUR OLD BUNKHOUSE MATE 351 00:13:49,159 --> 00:13:50,951 GOT INTO ALL SORTS OF TROUBLE. 352 00:13:50,951 --> 00:13:52,953 NOT ME. BUT WHITNEY, ON THE OTHER HAND -- 353 00:13:52,953 --> 00:13:55,125 NOW, DON'T GET ME WRONG. SHE'S A SWEETHEART, 354 00:13:55,125 --> 00:13:56,716 BUT SHE'S A BIT OF A HELL RAISER. 355 00:13:56,716 --> 00:13:58,048 REALLY? YEAH. 356 00:13:58,048 --> 00:13:59,299 HOW SO? OKAY, LIKE, OUR FIRST DAY HERE, 357 00:13:59,299 --> 00:14:01,261 WE WENT ON A HORSEBACK-RIDING TOUR. 358 00:14:01,261 --> 00:14:03,053 SHE SNUCK OFF IN THE MIDDLE OF IT. 359 00:14:03,053 --> 00:14:04,594 GET OUT. WHERE'D SHE GO? 360 00:14:04,594 --> 00:14:06,346 PROBABLY WENT TO GO HANG OUT WITH HER RANCH HAND -- 361 00:14:06,346 --> 00:14:08,348 ONE OF THE RED-BANDANA BOYS THAT WORK HERE. 362 00:14:08,348 --> 00:14:10,810 SHE USED TO STAY OUT WITH HIM ALL NIGHT, EVERY NIGHT. 363 00:14:10,810 --> 00:14:13,063 SOUNDS LIKE I BETTER KEEP HIM CLEAR OF MY MISSUS. 364 00:14:13,063 --> 00:14:15,065 WHO WAS THIS ROMEO? I DON'T KNOW. SHE WOULDN'T SAY. 365 00:14:15,065 --> 00:14:18,778 SHE JUST SAID HE WAS TALL, DARK, AND HANDSOME...OH, AND MARRIED. 366 00:14:18,778 --> 00:14:20,320 MARRIED?! GET OUT. 367 00:14:20,320 --> 00:14:22,532 YES. OOH, I WONDER IF THERE WAS ANY TROUBLE. 368 00:14:22,532 --> 00:14:24,154 I KIND OF THINK THE REASON THAT WE GOT THIS ROOM 369 00:14:24,154 --> 00:14:25,485 IS BECAUSE WHITNEY LEFT SO EARLY. 370 00:14:25,485 --> 00:14:27,657 SHE SURE DID -- HER LAST NIGHT HERE, 371 00:14:27,657 --> 00:14:29,829 SHE ROLLED IN AT 3:00 A.M., UPSET. 372 00:14:29,829 --> 00:14:32,122 SHE WOKE ME UP WITH ALL HER CRYING. WHAT HAPPENED? 373 00:14:32,122 --> 00:14:34,164 THAT'S WHAT I SAID, BUT SHE DIDN'T WANT TO TALK ABOUT IT. 374 00:14:34,164 --> 00:14:36,756 SHE LEFT BEFORE THE SUN CAME UP. DIDN'T EVEN SAY GOODBYE. 375 00:14:36,756 --> 00:14:38,798 OH. [ INHALES SHARPLY ] I'M LATE FOR CHOW. 376 00:14:38,798 --> 00:14:40,760 THANKS FOR THE COFFEE. SEE Y'ALL AROUND. 377 00:14:40,760 --> 00:14:42,002 OKAY. [ CHUCKLES ] 378 00:14:45,215 --> 00:14:46,766 AN AFFAIR WITH A MARRIED MAN? 379 00:14:46,766 --> 00:14:48,598 YES, AND SHE WAS WITH HIM UNTIL 3:00 A.M. 380 00:14:48,598 --> 00:14:51,101 THAT'S RIGHT IN THE MIDDLE OF HER TIME-OF-POISONING WINDOW. 381 00:14:51,101 --> 00:14:53,353 WE GOT TO FIND THIS GUY. BUT HOW? WE'RE UNDERCOVER. 382 00:14:53,353 --> 00:14:55,395 I CAN'T JUST FLASH MY BADGE AND GET PEOPLE TO TALK. 383 00:14:55,395 --> 00:14:58,188 EXACTLY, WHICH IS WHY WE DON'T APPROACH THIS LIKE COPS. 384 00:14:58,188 --> 00:14:59,359 WE APPROACH THIS LIKE WRITERS. 385 00:14:59,359 --> 00:15:02,022 SO WE PROCRASTINATE AND MAKE STUFF UP? 386 00:15:02,022 --> 00:15:03,283 NO. 387 00:15:03,283 --> 00:15:04,824 WELL, YES. BUT NO. 388 00:15:04,824 --> 00:15:06,286 IN THIS PARTICULAR INSTANCE, 389 00:15:06,286 --> 00:15:09,409 WE APPROACH THE INVESTIGATION LIKE WRITERS BY... 390 00:15:09,409 --> 00:15:11,031 DOING RESEARCH. 391 00:15:11,031 --> 00:15:13,203 NOW, THERE ARE SEVEN RANCH HANDS WHO FIT THE BILL 392 00:15:13,203 --> 00:15:15,665 OF TALL, DARK, AND HANDSOME, BUT IN ORDER TO FIGURE OUT 393 00:15:15,665 --> 00:15:17,497 WHICH ONE WAS FOOLING AROUND WITH WHITNEY, 394 00:15:17,497 --> 00:15:19,839 WE HAVE TO FIRST DETERMINE WHO OF THEM ARE MARRIED. 395 00:15:19,839 --> 00:15:22,002 THAT MEANS WE NEED TO GO ON A WEDDING-RING SEARCH. 396 00:15:22,002 --> 00:15:24,134 AND THESE ARE THE POSSIBILITIES. 397 00:15:24,134 --> 00:15:26,346 SO I SPLIT THEIR CLASSES UP BETWEEN US. 398 00:15:26,346 --> 00:15:27,887 WHOA. HOLD UP. 399 00:15:27,887 --> 00:15:29,639 HARMONICA FOR BEGINNERS? COWBOY SALOON? 400 00:15:29,639 --> 00:15:31,471 HOW COME YOU GET ALL THE COOL ACTIVITIES, 401 00:15:31,471 --> 00:15:34,224 AND I GET HOG-TYING? BECAUSE THIS WAS MY IDEA. 402 00:15:34,224 --> 00:15:35,355 THOUGH IT WILL BE A SHAME 403 00:15:35,355 --> 00:15:37,817 THAT WE'RE SPENDING THE FIRST DAY OF OUR HONEYMOON APART. 404 00:15:37,817 --> 00:15:39,980 EXCEPT WE'RE NOT, BECAUSE THIS IS NOT OUR HONEYMOON. 405 00:15:39,980 --> 00:15:41,691 OKAY. BYE. [ CELLPHONE RINGING ] 406 00:15:41,691 --> 00:15:43,273 BE SAFE. 407 00:15:43,273 --> 00:15:45,115 HEY, RYAN, HOW'S IT GOING? 408 00:15:45,115 --> 00:15:48,118 OH, WONDERFUL. IN FACT, WE WERE JUST DISCUSSING YOUR NUPTIALS. 409 00:15:48,118 --> 00:15:50,070 NOT THE ACTUAL EVENT, SINCE NEITHER OF US WERE THERE. 410 00:15:50,070 --> 00:15:52,872 GUYS, IS THIS REALLY WHY YOU'RE CALLING? 411 00:15:52,872 --> 00:15:53,913 Partly, yes. 412 00:15:53,913 --> 00:15:55,455 AND WE HAVE NEWS. HERE'S THE GOOD. 413 00:15:55,455 --> 00:15:58,788 MTA CAMERAS SHOW THAT WHITNEY'S BAGS WERE LEFT ON THE SUBWAY. 414 00:15:58,788 --> 00:16:01,251 HERE'S THE BAD NEWS -- THEY WERE STOLEN BY A HOMELESS MAN. 415 00:16:01,251 --> 00:16:02,382 BUT WE PUT OUT A BOLO. 416 00:16:02,382 --> 00:16:03,883 Hopefully somebody will recognize him. 417 00:16:03,883 --> 00:16:05,465 Also, Lanie found something during her autopsy. 418 00:16:05,465 --> 00:16:07,887 SHE FOUND TRACES OF A WAX-COVERED CARDBOARD 419 00:16:07,887 --> 00:16:10,800 UNDER WHITNEY'S NAILS AND ON THE WAISTBAND OF HER PANTS. 420 00:16:10,800 --> 00:16:13,053 WAX-COVERED CARDBOARD -- LIKE BUTCHER PAPER? 421 00:16:13,053 --> 00:16:14,684 LANIE SAYS IT'S TOO HARD TO TELL. 422 00:16:14,684 --> 00:16:16,976 WHAT ABOUT YOU AND HOPALONG? LEARN ANYTHING? 423 00:16:16,976 --> 00:16:18,978 UH, WELL, SO FAR, IT LOOKS LIKE OUR VICTIM 424 00:16:18,978 --> 00:16:20,810 WAS HAVING AN AFFAIR WITH A MARRIED MAN. 425 00:16:20,810 --> 00:16:22,982 BUT THE PROBLEM IS, HIS IDENTITY IS A MYSTERY. 426 00:16:22,982 --> 00:16:25,655 WELL, SPEAKING OF MYSTERIES, WE SPOKE WITH WHITNEY'S FRIENDS. 427 00:16:25,655 --> 00:16:27,197 THEY SAID PRIOR TO HER DEPARTURE, 428 00:16:27,197 --> 00:16:30,200 SHE WAS SPENDING A GOOD DEAL OF TIME AT THE HISTORICAL SOCIETY. 429 00:16:30,200 --> 00:16:31,371 DO THEY KNOW WHAT SHE WAS DOING THERE? 430 00:16:31,371 --> 00:16:33,113 WELL, WE'RE STILL LOOKING INTO IT, BUT -- 431 00:16:33,113 --> 00:16:34,324 OKAY, GUYS, I-I-I GOT TO GO. 432 00:16:34,324 --> 00:16:37,117 HEY, KATE. WAIT, ARE YOU GOING TO HOG-TYING CLASS? 433 00:16:37,117 --> 00:16:38,918 MM-HMM. YEAH. ME, TOO. 434 00:16:38,918 --> 00:16:41,121 OH, MY GOD. WE'RE GONNA HAVE SO MUCH FUN! 435 00:16:41,121 --> 00:16:43,083 YEAH, WE SURE ARE. 436 00:16:43,083 --> 00:16:44,884 HOG-TYING. YEE-HAW. 437 00:16:44,884 --> 00:16:46,586 [ CHUCKLES DRYLY ] 438 00:16:46,586 --> 00:16:49,929 [ MID-TEMPO PLAYER PIANO MUSIC PLAYING ] 439 00:17:02,142 --> 00:17:03,193 NO RING. 440 00:17:04,023 --> 00:17:06,196 ONE DOWN. 441 00:17:07,777 --> 00:17:09,989 WHAT'LL IT BE, FELLER? 442 00:17:09,989 --> 00:17:12,152 I'LL TAKE, UH, COFFIN VARNISH. 443 00:17:12,152 --> 00:17:14,114 WHAT? YOU KNOW, GUT-WARMER. 444 00:17:14,114 --> 00:17:16,996 BASE BURNER. NOSE PAINT. COWBOY COCKTAIL. 445 00:17:16,996 --> 00:17:18,037 WHAT -- WHAT DO Y'ALL CALL WHISKEY HERE? 446 00:17:18,037 --> 00:17:20,580 WHISKEY. 447 00:17:20,580 --> 00:17:22,922 [ WHISKEY POURS ] 448 00:17:29,299 --> 00:17:30,510 OOH. 449 00:17:34,384 --> 00:17:37,977 HEY, MISTER. I SURE COULD USE YOUR HELP. 450 00:17:37,977 --> 00:17:40,560 I'M LOOKING FOR THE PEACOCK BOYS. 451 00:17:40,560 --> 00:17:42,942 WELL, I HAVEN'T SEEN THEM, MARSHAL, 452 00:17:42,942 --> 00:17:45,645 BUT I'LL, UH, KEEP AN EYE OUT. [ CHUCKLES ] 453 00:17:50,530 --> 00:17:54,904 YOU JUST GONNA BAT YOUR EYES, MISTER, OR YOU GONNA PLAY? 454 00:17:54,904 --> 00:17:58,198 OH, YEAH. HEY, I'M A -- I'M A SPORTING MAN. 455 00:17:58,198 --> 00:17:59,369 THERE WE GO. 456 00:17:59,369 --> 00:18:01,000 HEY, THERE, PARTNER, COULDN'T HELP BUT NOTICE 457 00:18:01,000 --> 00:18:02,202 YOU GOT A RING ON YOUR FINGER. 458 00:18:02,202 --> 00:18:04,414 JUST HAD MINE PUT ON. NEWLYWED. 459 00:18:04,414 --> 00:18:07,006 THIS ISN'T A RING. IT'S A NOOSE. 460 00:18:07,006 --> 00:18:09,169 [ ALL CHUCKLE ] THAT BAD, HUH? OOH. 461 00:18:09,169 --> 00:18:11,050 YEAH, I SUPPOSE, UH, ONE WOMAN 462 00:18:11,050 --> 00:18:13,673 FOR THE REST OF YOUR LIFE IS A TALL ORDER. 463 00:18:13,673 --> 00:18:16,095 WHAT'S YOUR SECRET? YOU'LL FIGURE IT OUT. 464 00:18:16,095 --> 00:18:17,427 OH, COME ON. WHAT -- 465 00:18:17,427 --> 00:18:20,270 DO YOU GOT A LITTLE LEFT-HANDED MISSUS ON THE SIDE? 466 00:18:20,270 --> 00:18:23,143 I DON'T CHEAT ON MY WIFE, FRIEND. OH. 467 00:18:24,484 --> 00:18:26,936 WELL, THAT'S, UH, NOT WHAT I HEARD. 468 00:18:26,936 --> 00:18:28,938 [ BELL CHIMING ] 469 00:18:31,691 --> 00:18:35,114 YOU NO-GOOD, MANGY CUR! YOU GOT AN ACE UP YOUR SLEEVE! 470 00:18:35,114 --> 00:18:37,737 YOU KNOW WHAT WE DO WITH CARD CHEATS IN HERE, MISTER?! 471 00:18:39,239 --> 00:18:42,162 HOLD IT, BOYS! HEAR THEM BELLS? 472 00:18:42,162 --> 00:18:44,704 IT'S HIGH NOON. THAT MEANS IT'S SHOW TIME. 473 00:18:44,704 --> 00:18:49,128 TAKE IT OUT BACK. TIME FOR A GOOD, OLD-FASHIONED GUNFIGHT. 474 00:18:49,128 --> 00:18:50,670 YEE-HAW! [ CHEERS AND APPLAUSE ] 475 00:18:58,017 --> 00:18:59,559 WHAT DO YOU KNOW?! 476 00:18:59,559 --> 00:19:00,850 HUH? MY WIFE SEND YOU?! 477 00:19:00,850 --> 00:19:02,101 HEY, I'VE NEVER MET YOUR WIFE! 478 00:19:02,101 --> 00:19:04,934 WHO TOLD YOU I WAS A CHEATER?! 479 00:19:04,934 --> 00:19:06,526 WHITNEY DID. 480 00:19:06,526 --> 00:19:08,568 DAMN IT! 481 00:19:08,568 --> 00:19:12,111 I KNEW IT! LOOK, EVERYTHING THAT WOMAN SAID TO YOU WAS A LIE! 482 00:19:12,111 --> 00:19:14,904 OLLIE! WHAT IN TARNATION?! 483 00:19:14,904 --> 00:19:16,075 MISTER, ARE YOU OKAY? 484 00:19:16,075 --> 00:19:18,037 YOU THOUGHT THAT WAS REAL? 485 00:19:18,037 --> 00:19:21,201 YES, OLLIE! UP HIGH! 486 00:19:21,201 --> 00:19:23,082 HE -- YOU ASKED HIM TO THROW YOU OUT? 487 00:19:23,082 --> 00:19:24,994 YEAH, LIKE OLD-WEST STYLE. 488 00:19:24,994 --> 00:19:26,286 OLLIE'S BEEN FANTAS-- 489 00:19:26,286 --> 00:19:28,498 HE'S ALL "YEE-HAW" AND [IMITATES GUNFIRE] 490 00:19:29,999 --> 00:19:31,000 WELL, ALL RIGHTY, THEN. 491 00:19:31,000 --> 00:19:33,132 AS LONG AS YOU'RE ENJOYING YOURSELF. 492 00:19:37,096 --> 00:19:38,848 [ SIGHS ] 493 00:19:38,848 --> 00:19:40,059 DAMN. 494 00:19:40,059 --> 00:19:42,802 THAT COULD HAVE COST ME MY JOB. 495 00:19:42,802 --> 00:19:44,183 LOOK, MISTER, I'M SORRY. 496 00:19:44,183 --> 00:19:46,105 SAVE IT. YOU WANT MY SILENCE? 497 00:19:46,105 --> 00:19:48,978 TELL ME ABOUT WHITNEY. WHAT HAPPENED BETWEEN YOU TWO? 498 00:19:48,978 --> 00:19:50,109 LOOK, SHE CAME ON TO ME, 499 00:19:50,109 --> 00:19:52,572 STARTED FLIRTING, GETTING ALL HANDSY. 500 00:19:52,572 --> 00:19:55,445 A BUNCH OF THE BOYS SAW US AND FIGURED WE HOOKED UP, 501 00:19:55,445 --> 00:19:57,577 BUT WE DIDN'T -- I SWEAR IT. 502 00:19:57,577 --> 00:19:59,949 IN FACT, I THINK SHE WAS JUST AFTER MY RANCH KEY. 503 00:19:59,949 --> 00:20:01,411 RANCH KEY? 504 00:20:01,411 --> 00:20:02,912 IT'S ON A SNAKE KEY CHAIN. 505 00:20:02,912 --> 00:20:05,825 I THINK SHE PICKED IT OFF ME WHEN SHE WAS PAWING AT ME. 506 00:20:05,825 --> 00:20:08,037 WHAT DOES THE KEY OPEN? THE RANCH SHED. 507 00:20:08,037 --> 00:20:10,540 WAIT A MINUTE. Y-YOU'RE SAYING THAT SHE STOLE YOUR KEY 508 00:20:10,540 --> 00:20:11,751 TO OPEN THE RANCH SHED. 509 00:20:11,751 --> 00:20:12,752 WHAT'S IN THE SHED? 510 00:20:12,752 --> 00:20:15,675 NOTHING. JUST RANCH SUPPLIES. 511 00:20:27,517 --> 00:20:28,728 I DON'T GET IT. 512 00:20:28,728 --> 00:20:30,650 WHY WOULD WHITNEY STEAL THE KEY TO THIS PLACE? 513 00:20:30,650 --> 00:20:31,981 I DON'T KNOW. BUT CLEARLY, 514 00:20:31,981 --> 00:20:33,523 IT HAS NOTHING TO DO WITH THE AFFAIR. 515 00:20:33,523 --> 00:20:34,984 RIGHT, SO WHAT WAS SHE AFTER? 516 00:20:34,984 --> 00:20:37,156 CASTLE, DO YOU REMEMBER HOW LANIE SAID 517 00:20:37,156 --> 00:20:40,029 THAT SHE FOUND TRACES OF WAX-COVERED CARDBOARD 518 00:20:40,029 --> 00:20:42,782 UNDER WHITNEY'S NAILS AND IN HER WAISTBAND? 519 00:20:42,782 --> 00:20:43,993 YEAH, SO? 520 00:20:43,993 --> 00:20:47,036 SO, YOU KNOW WHAT'S WRAPPED IN WAX-COVERED CARDBOARD? 521 00:20:48,207 --> 00:20:49,208 DYNAMITE. 522 00:20:50,420 --> 00:20:52,632 SHE BROKE IN HERE TO STEAL STICKS OF THESE. 523 00:20:52,632 --> 00:20:54,754 RANCHERS USE DYNAMITE TO CLEAR THEIR LAND. 524 00:20:54,754 --> 00:20:56,716 WHAT THE HELL WAS WHITNEY USING IT FOR? 525 00:21:02,221 --> 00:21:04,143 IS THERE ANY INDICATION WHY WHITNEY WOULD STEAL DYNAMITE? 526 00:21:04,143 --> 00:21:05,645 BECKETT: Not yet, but Castle and I 527 00:21:05,645 --> 00:21:07,437 HAVE BEEN RE-TRACING EVERY MOVE SHE MADE, 528 00:21:07,437 --> 00:21:09,188 STARTING WITH THAT HORSEBACK-RIDING TOUR 529 00:21:09,188 --> 00:21:10,600 THAT SHE SNUCK AWAY FROM. 530 00:21:10,600 --> 00:21:12,982 WELL, ANY IDEA WHERE SHE WAS GOING? I asked around, 531 00:21:12,982 --> 00:21:15,194 AND APPARENTLY, THE TRAIL THAT SHE TOOK 532 00:21:15,194 --> 00:21:17,066 LED TO THE NATIVE AMERICAN RESERVATION. 533 00:21:18,067 --> 00:21:21,110 WAIT A MINUTE -- IT WASN'T THE YAVAPAI RESERVATION, WAS IT? 534 00:21:21,110 --> 00:21:22,241 YEAH. HOW'D YOU KNOW? 535 00:21:22,241 --> 00:21:23,823 THE HISTORICAL SOCIETY. 536 00:21:23,823 --> 00:21:26,906 WHITNEY WAS LOOKING UP OBSCURE DOCUMENTS AND MAPS 537 00:21:26,906 --> 00:21:28,077 from the late 18th, early 19th century. 538 00:21:28,077 --> 00:21:29,669 Yeah, most of them had to do 539 00:21:29,669 --> 00:21:32,171 WITH THE CONSTRUCTION OF A DAM NEAR THE YAVAPAI RESERVATION. 540 00:21:32,171 --> 00:21:34,794 WELL, DID ANYONE KNOW WHY SHE WAS RESEARCHING THAT AREA? 541 00:21:34,794 --> 00:21:37,046 NO, BUT IT'S PROBABLY THE REASON SHE WENT OUT THERE IN THE FIRST PLACE. 542 00:21:37,046 --> 00:21:39,419 BUT IT DOESN'T EXPLAIN WHY WHITNEY NEEDED DYNAMITE 543 00:21:39,419 --> 00:21:40,680 or why she was poisoned. 544 00:21:40,680 --> 00:21:42,382 LOOK, IT'S ALL GOT TO BE RELATED. 545 00:21:42,382 --> 00:21:44,724 CASTLE AND I ARE HEADED UP TO THE RESERVATION 546 00:21:44,724 --> 00:21:47,136 TO GET SOME ANSWERS... NOW. 547 00:21:47,136 --> 00:21:49,098 UH, G-GUYS, I GOT TO GO. 548 00:21:49,098 --> 00:21:50,640 [ HORSE NEIGHS ] 549 00:21:58,237 --> 00:22:01,070 WHOA, WHOA, THERE! HO, HO. 550 00:22:01,070 --> 00:22:02,442 HEY, THERE! 551 00:22:02,442 --> 00:22:04,364 BECKETT, MEET THE BOYS. THIS ONE'S ESPOSITO. 552 00:22:04,364 --> 00:22:06,446 I'M CALLING THE LITTLE ONE RYAN. ARE YOU READY? 553 00:22:06,446 --> 00:22:08,868 UH, CASTLE, WHEN I ASKED YOU TO FIND US A RIDE, 554 00:22:08,868 --> 00:22:10,249 I WAS THINKING OF SOMETHING 555 00:22:10,249 --> 00:22:12,251 MORE ALONG THE LINES OF A PICKUP TRUCK. 556 00:22:12,251 --> 00:22:16,005 THE RESERVATION'S 15 MILES AWAY. THIS IS GONNA TAKE FOREVER. 557 00:22:16,005 --> 00:22:18,337 YEAH, WELL, WHAT CAN I TELL YOU? 558 00:22:18,337 --> 00:22:21,010 EVERYTHING HERE'S AUTHENTIC OLD WEST. 559 00:22:25,094 --> 00:22:27,136 REALLY? 560 00:22:27,136 --> 00:22:28,768 COULDN'T RESIST, HUH? 561 00:22:28,768 --> 00:22:30,059 JUST HAD TO GET A SIX SHOOTER. 562 00:22:30,059 --> 00:22:31,060 RIGHT? ISN'T IT GREAT? 563 00:22:31,060 --> 00:22:33,933 AND IT GETS BETTER. 564 00:22:33,933 --> 00:22:35,975 I GOT YOU ONE, TOO. IT'S A WEDDING GIFT -- 565 00:22:35,975 --> 00:22:37,477 HIS-AND-HERS MATCHING SET. 566 00:22:37,477 --> 00:22:40,189 AND WHO SAID ROMANCE DIES AFTER YOU SAY "I DO"? 567 00:22:40,189 --> 00:22:41,190 [ LAUGHS ] 568 00:22:41,190 --> 00:22:42,982 ESPOSITO, RYAN! 569 00:22:42,982 --> 00:22:44,283 HYAH! 570 00:22:44,283 --> 00:22:45,655 OOH! 571 00:22:55,124 --> 00:22:58,087 WHOA, WHOA. 572 00:22:58,087 --> 00:23:00,630 SERIOUSLY, YOU'RE ROLLING UP TO THE RESERVATION 573 00:23:00,630 --> 00:23:03,132 DRESSED LIKE EXTRAS FROM A GENE AUTRY MOVIE? 574 00:23:03,132 --> 00:23:05,595 THAT'S SOME REAL CULTURAL INSENSITIVITY. 575 00:23:05,595 --> 00:23:08,267 SORRY, SIR. WE DIDN'T MEAN ANY OFFENSE. 576 00:23:08,267 --> 00:23:11,140 WE'RE -- WE'RE VACATIONING AT DIAMONDBACK. 577 00:23:11,140 --> 00:23:12,472 YEAH, I FIGURED THAT. 578 00:23:12,472 --> 00:23:14,564 I WAS JUST MESSING WITH YOU FOLKS. 579 00:23:14,564 --> 00:23:15,515 RELAX. 580 00:23:15,515 --> 00:23:17,186 [ BOTH LAUGH ] HE GOT ME. YEAH. 581 00:23:17,186 --> 00:23:18,187 WELCOME. WHEW. 582 00:23:19,729 --> 00:23:21,521 YEAH. WELL, I'M RICK. 583 00:23:21,521 --> 00:23:23,443 YES. THIS HERE IS KATE. 584 00:23:23,443 --> 00:23:24,944 OOH. AND WE... 585 00:23:24,944 --> 00:23:26,446 ARE ON OUR HONEYMOON. 586 00:23:26,446 --> 00:23:28,237 AIN'T WE, HONEY? YEAH. WE SURE ARE. 587 00:23:28,237 --> 00:23:30,329 UM, SO, WE MET A GUEST AT DIAMONDBACK. 588 00:23:30,329 --> 00:23:31,531 HER NAME WAS WHITNEY. 589 00:23:31,531 --> 00:23:33,292 SHE SAID THAT SHE CAME OUT HERE, 590 00:23:33,292 --> 00:23:35,665 AND SHE DISCOVERED SOME BREATHTAKING VIEWS. 591 00:23:35,665 --> 00:23:38,037 YEAH, SURE. I REMEMBER WHITNEY. NICE GIRL. 592 00:23:38,037 --> 00:23:40,590 SHE CAME OUT A FEW DAYS AGO RIDING AN APPALOOSA. 593 00:23:40,590 --> 00:23:43,042 BUT SHE WASN'T INTERESTED IN THE SCENERY. 594 00:23:43,042 --> 00:23:46,045 REALLY? WHAT WAS SHE, UH, INTERESTED IN? 595 00:23:46,045 --> 00:23:48,968 DID IT HAVE ANYTHING TO DO WITH DYNAMITE? 596 00:23:48,968 --> 00:23:50,009 DYNAMITE? NO. 597 00:23:50,009 --> 00:23:52,602 SHE JUST HAD A QUESTION ABOUT A YAVAPAI WORD. 598 00:23:52,602 --> 00:23:55,144 WHAT WORD WAS THAT? AHA GAH HEL'LAH. 599 00:23:55,144 --> 00:23:57,517 SHE WANTED TO KNOW IF IT COULD BE MISINTERPRETED. 600 00:23:57,517 --> 00:23:59,899 SEEMS AN ODD QUESTION. NOT REALLY. 601 00:23:59,899 --> 00:24:02,522 MANY OF OUR WORDS CHANGE DEPENDING ON THE CONTEXT. 602 00:24:02,522 --> 00:24:04,113 AHA GAH HEL'LAH MEANS "RIVER," 603 00:24:04,113 --> 00:24:05,565 BUT SOMETIMES, IT MEANS "STREAM." 604 00:24:05,565 --> 00:24:08,327 WHY WOULD SHE WANT TO KNOW ABOUT THAT WORD? 605 00:24:08,327 --> 00:24:09,448 I HAVE NO IDEA. 606 00:24:09,448 --> 00:24:11,240 BUT WHITNEY WAS HAPPY WITH MY ANSWER. 607 00:24:11,240 --> 00:24:12,872 SHE THANKED ME AND LEFT. 608 00:24:12,872 --> 00:24:14,994 AND THAT WAS IT? I DON'T GET IT. 609 00:24:14,994 --> 00:24:16,536 YEAH, WELL, I DON'T GET 610 00:24:16,536 --> 00:24:20,039 NEWLYWEDS DRESSING UP LIKE COWBOYS ON THEIR HONEYMOON, 611 00:24:20,039 --> 00:24:21,881 BUT I TRY NOT TO JUDGE. 612 00:24:23,793 --> 00:24:26,636 YOU KNOW, THE MORE WE LEARN ABOUT WHITNEY, 613 00:24:26,636 --> 00:24:29,218 THE LESS I UNDERSTAND ABOUT WHAT SHE WAS UP TO. 614 00:24:29,218 --> 00:24:31,010 YEAH, I MEAN, THE HISTORICAL SOCIETY, 615 00:24:31,010 --> 00:24:33,052 THE YAVAPAI WORD, THE DYNAMITE -- 616 00:24:33,052 --> 00:24:35,595 HOW DOES ALL OF THAT ADD UP TO SOMEONE POISONING WHITNEY? 617 00:24:35,595 --> 00:24:37,647 IT JUST DOESN'T MAKE SENSE. 618 00:24:37,647 --> 00:24:39,308 YOU KNOW WHAT ELSE DOESN'T MAKE ANY SENSE 619 00:24:39,308 --> 00:24:41,691 IS WE'RE MARRIED, AND... 620 00:24:41,691 --> 00:24:43,192 WE'RE NOT ACTING LIKE IT. 621 00:24:43,192 --> 00:24:45,444 WHAT DO YOU GOT IN MIND, COWBOY? 622 00:24:45,444 --> 00:24:48,027 [ HARMONICA PLAYING ] 623 00:24:56,996 --> 00:24:59,539 ADMIT IT. YOU'RE IMPRESSED. 624 00:24:59,539 --> 00:25:01,961 YEAH, YOU'RE RIGHT. I AM. 625 00:25:01,961 --> 00:25:05,004 THIS IS ACTUALLY... KINDA MAGICAL. 626 00:25:07,046 --> 00:25:11,430 TO US, TO THE JOURNEY, AND TO WHAT LIES AHEAD. 627 00:25:23,983 --> 00:25:26,566 WHAT? 628 00:25:26,566 --> 00:25:27,987 YOU KNOW... 629 00:25:27,987 --> 00:25:30,529 MAYBE THIS IS OUR HONEYMOON. 630 00:25:33,202 --> 00:25:34,203 HMM? 631 00:25:41,000 --> 00:25:43,212 [ CUP CLATTERS ] 632 00:25:50,219 --> 00:25:52,471 CASTLE, DON'T MOVE. 633 00:25:52,471 --> 00:25:54,173 YOUR WISH IS MY COMMAND. 634 00:25:54,173 --> 00:25:57,056 NO, I'M SERIOUS. DON'T MOVE AN INCH. 635 00:25:57,056 --> 00:25:59,098 [ RATTLING ] 636 00:25:59,098 --> 00:26:00,179 [ GUNSHOT ] AAH! 637 00:26:00,179 --> 00:26:01,851 [ HORSES NEIGHING ] 638 00:26:01,851 --> 00:26:04,523 OH. NO! 639 00:26:04,523 --> 00:26:07,066 NO, NO, NO, NO, NO. 640 00:26:07,066 --> 00:26:09,028 ESPO, RYAN, COME BACK! 641 00:26:09,028 --> 00:26:11,570 GUYS! NO, COME BACK! 642 00:26:11,570 --> 00:26:13,402 OHH. [ SIGHS ] 643 00:26:13,402 --> 00:26:15,284 [ EXHALES SHARPLY ] 644 00:26:15,284 --> 00:26:17,697 [ SIGHS ] WELL, YOU WERE RIGHT BEFORE. 645 00:26:17,697 --> 00:26:19,869 THIS IS SO NOT OUR HONEYMOON. 646 00:26:29,128 --> 00:26:30,800 WELL, THANK GOODNESS. [ CHUCKLES ] 647 00:26:30,800 --> 00:26:32,551 WE WERE FIXING TO PUT TOGETHER A POSSE 648 00:26:32,551 --> 00:26:34,093 TO GO SEARCHING FOR THE TWO OF YOU. 649 00:26:34,093 --> 00:26:35,174 YEAH, SORRY, MR. GRADY. 650 00:26:35,174 --> 00:26:36,215 WE TRIED TO CALL YOU, 651 00:26:36,215 --> 00:26:38,597 BUT WE COULDN'T GET A SIGNAL IN THE HILLS. 652 00:26:38,597 --> 00:26:41,560 YOUR HORSES CAME BACK HOURS AGO. WHAT HAPPENED UP THERE? 653 00:26:41,560 --> 00:26:43,352 WE MET A NAMESAKE OF YOUR RANCH. 654 00:26:43,352 --> 00:26:45,184 OH, A RATTLER. YEAH. 655 00:26:45,184 --> 00:26:46,986 WELL, WHY DON'T YOU MOSEY ON OVER TO THE CANTINA 656 00:26:46,986 --> 00:26:49,729 AND STRAP ON A FEED BAG AND GET SOME FRESH JITTER JUICE IN YOU? 657 00:26:49,729 --> 00:26:50,990 YEAH, I THINK WE'LL DO THAT. 658 00:26:50,990 --> 00:26:54,193 YEAH, JUST AS SOON AS WE GET ON SOME FRESH UNION SUITS. 659 00:26:56,235 --> 00:26:57,867 YEE-HAW. 660 00:26:58,948 --> 00:27:00,619 Gates: YOU FOUND OUR VICTIM'S SUITCASES? 661 00:27:00,619 --> 00:27:02,201 Esposito: YES, SIR -- OUR BOLO GOT A HIT 662 00:27:02,201 --> 00:27:05,004 ON THE HOMELESS GUY WHO TOOK THEM FROM THE SUBWAY. 663 00:27:05,004 --> 00:27:06,505 INSIDE IS WHITNEY'S RESEARCH 664 00:27:06,505 --> 00:27:09,088 AND SOMETHING WE HAVEN'T SEEN BEFORE -- A LETTER. 665 00:27:09,088 --> 00:27:11,050 THERE WAS NO RETURN ADDRESS, 666 00:27:11,050 --> 00:27:13,713 BUT IT'S GOT AN ARIZONA POSTMARK DATED 1992. 667 00:27:13,713 --> 00:27:15,214 A 20-YEAR-OLD LETTER? 668 00:27:15,214 --> 00:27:17,596 "SLIM, IN CARE OF REBECCA DOOLIN." 669 00:27:17,596 --> 00:27:20,429 JERSEY ADDRESS. YEAH, WE'RE HOPING TO TRACK DOWN MS. DOOLIN 670 00:27:20,429 --> 00:27:21,470 SO WE CAN GET SOME ANSWERS. 671 00:27:21,470 --> 00:27:23,472 THE LETTER'S FROM A GUY NAMED CLYDE. 672 00:27:23,472 --> 00:27:25,564 WE ASSUME THAT THE PHOTOGRAPH IS HIM. 673 00:27:25,564 --> 00:27:28,227 IT SAYS HERE THAT CLYDE WAS A SEASONAL WORKER AT DIAMONDBACK. 674 00:27:28,227 --> 00:27:30,439 YEAH, 20 YEARS AGO, BEFORE THE PLACE WAS A RESORT. 675 00:27:30,439 --> 00:27:32,481 BUT HERE'S THE INTERESTING PART. 676 00:27:32,481 --> 00:27:34,653 IN THE LETTER, CLYDE GOES ON ABOUT 677 00:27:34,653 --> 00:27:36,235 HOW HE AND A GUY NAMED DUTCH 678 00:27:36,235 --> 00:27:38,988 WERE CLOSE TO FIGURING OUT SOME BIG SECRET. 679 00:27:38,988 --> 00:27:39,989 WHAT BIG SECRET? 680 00:27:39,989 --> 00:27:42,872 RYAN: It doesn't say, but Clyde wrote, 681 00:27:42,872 --> 00:27:45,084 "I just need a few more weeks. 682 00:27:45,084 --> 00:27:47,046 "SLIM, DUTCH, AND I ARE SO CLOSE. 683 00:27:47,046 --> 00:27:49,588 "IT ALL COMES DOWN TO A MISTRANSLATION 684 00:27:49,588 --> 00:27:52,051 of a Yavapai word." LET ME GUESS. 685 00:27:52,051 --> 00:27:54,673 AHA GAH HEL'LAH. YEAH, HOW'D YOU KNOW? 686 00:27:54,673 --> 00:27:57,346 IT'S THE SAME WORD WHITNEY WAS ASKING THE YAVAPAI ELDER ABOUT. 687 00:27:57,346 --> 00:27:58,928 Well, Clyde goes on to write, 688 00:27:58,928 --> 00:28:01,060 "I CAN HARDLY BELIEVE THAT ONE LITTLE, OLD WORD 689 00:28:01,060 --> 00:28:03,262 "IS THE KEY TO THE SECRET OF THE PEACOCK BOYS. 690 00:28:03,262 --> 00:28:07,106 As soon as I find it, I'm coming on home to you. Love, Clyde." 691 00:28:07,106 --> 00:28:09,148 THE PEACOCK BOYS -- HOW DO I KNOW... 692 00:28:11,270 --> 00:28:13,112 THEY'RE WANTED MEN. 693 00:28:13,112 --> 00:28:14,814 CORNELIUS AND PERCY PEA... 694 00:28:16,655 --> 00:28:18,077 ...COCK. 695 00:28:18,077 --> 00:28:20,659 HEY, RYAN, ANY IDEA WHO THOSE PEOPLE IN THE LETTER ARE? 696 00:28:20,659 --> 00:28:22,281 No, but Javi's trying to track down the lady 697 00:28:22,281 --> 00:28:23,412 who the letter was sent to. 698 00:28:23,412 --> 00:28:24,493 I'll keep you posted. 699 00:28:24,493 --> 00:28:25,534 YES, POSTED. K-KEEP -- 700 00:28:25,534 --> 00:28:27,496 POST-- KEEP -- KEEP -- KEEP US PO-- 701 00:28:27,496 --> 00:28:28,748 THANK YOU. THANK YOU, RYAN. 702 00:28:28,748 --> 00:28:30,499 EYES BACK IN THEIR SOCKETS, COWBOY. 703 00:28:30,499 --> 00:28:32,131 WE GOT A MURDER TO SOLVE. RIGHT. 704 00:28:32,131 --> 00:28:34,043 NOW, WHO IS THIS CLYDE FELLOW, 705 00:28:34,043 --> 00:28:36,215 AND WHY DID OUR VICTIM HAVE HIS LETTER? 706 00:28:36,215 --> 00:28:38,928 AND WHAT DOES ANY OF THIS HAVE TO DO WITH THE PEACOCK BOYS? 707 00:28:38,928 --> 00:28:41,180 GOOD QUESTIONS. AND I KNOW WHO HAS THE ANSWERS. 708 00:28:41,180 --> 00:28:42,932 YOU DO? 709 00:28:42,932 --> 00:28:45,724 THE SAME PERSON WHO ALWAYS HAS THE ANSWERS IN WESTERNS -- 710 00:28:45,724 --> 00:28:47,476 THE AFFABLE, ALL-KNOWING BARKEEP. 711 00:28:47,476 --> 00:28:49,148 TRAIN ROBBERS. 712 00:28:49,148 --> 00:28:51,981 HELD UP THE SOUTHERN PACIFIC BACK IN 1893. 713 00:28:51,981 --> 00:28:54,774 MADE OFF WITH 50 BARS OF U.S. TREASURY GOLD. 714 00:28:54,774 --> 00:28:56,155 GOLD? 715 00:28:56,155 --> 00:28:58,067 24-CARAT A.U., FELLER. 716 00:28:58,067 --> 00:29:01,410 THEM PEACOCK BOYS -- THEY OUTRUN A WHOLE SQUAD OF SOLDIERS 717 00:29:01,410 --> 00:29:03,242 BY TRAVERSING DEADMAN'S GORGE. 718 00:29:03,242 --> 00:29:06,415 TWO DAYS LATER, THEY WAS GUNNED DOWN JUST OUTSIDE OF PHOENIX. 719 00:29:06,415 --> 00:29:07,827 BUT THE GOLD WAS GONE. 720 00:29:07,827 --> 00:29:10,079 AND NO ONE KNOWS ANYTHING ABOUT IT? 721 00:29:10,079 --> 00:29:11,580 THERE WERE RUMORS. 722 00:29:11,580 --> 00:29:14,253 1947, THE MISSIONARIES STARTED WRITING DOWN 723 00:29:14,253 --> 00:29:17,256 THE OLD STORIES OF THE YAVAPAI PEOPLE. 724 00:29:17,256 --> 00:29:19,879 ONE OF THEM WAS ABOUT BLACK FOX -- 725 00:29:19,879 --> 00:29:22,761 JUST A KID, ABDUCTED BY THEM PEACOCK BOYS. 726 00:29:22,761 --> 00:29:24,093 FORCED HIM TO BE THEIR GUIDE. 727 00:29:24,093 --> 00:29:26,976 BUT DURING THEIR JOURNEY, THEY STOPPED, 728 00:29:26,976 --> 00:29:29,518 AND THEY TIED POOR BLACK FOX TO A TREE 729 00:29:29,518 --> 00:29:31,150 JUST SOUTH OF THE RIVER, 730 00:29:31,150 --> 00:29:33,853 AND THEY RODE OFF IN THEIR GOLD-LADEN WAGON. 731 00:29:33,853 --> 00:29:36,605 BUT WHEN THEY RETURNED... 732 00:29:36,605 --> 00:29:38,197 IT WAS EMPTY. 733 00:29:38,197 --> 00:29:40,529 THE PEACOCK BROTHERS STASHED THE GOLD. 734 00:29:40,529 --> 00:29:42,201 THAT'S WHAT EVERYBODY THOUGHT. 735 00:29:42,201 --> 00:29:44,073 WHEN THIS STORY SURFACED, TREASURE HUNTERS -- 736 00:29:44,073 --> 00:29:45,534 THEY CAME A-COMING. 737 00:29:45,534 --> 00:29:47,246 ANYBODY EVER FIND IT? NOPE. 738 00:29:47,246 --> 00:29:51,620 AND THAT'S WHY THIS IS JUST ANOTHER LEGEND OF THE OLD WEST. 739 00:29:51,620 --> 00:29:54,043 Castle: WHITNEY WAS AFTER THE GOLD. 740 00:29:54,043 --> 00:29:56,836 WHAT IF, WHEN THOSE MISSIONARIES WROTE DOWN BLACK FOX'S STORY, 741 00:29:56,836 --> 00:29:58,177 THEY WROTE IT DOWN INCORRECTLY? 742 00:29:58,177 --> 00:30:00,219 THAT YAVAPAI WORD HAS TWO MEANINGS, REMEMBER? 743 00:30:00,219 --> 00:30:03,182 WHAT IF THE PEACOCKS DIDN'T STASH THE GOLD NEAR A RIVER? 744 00:30:03,182 --> 00:30:05,344 WHAT IF THEY STASHED IT NEAR A STREAM? 745 00:30:05,344 --> 00:30:06,475 CASTLE... 746 00:30:06,475 --> 00:30:09,138 LOOK AT THESE MAPS FROM WHITNEY'S RESEARCH. 747 00:30:09,138 --> 00:30:12,932 IN 1893, THERE WAS A SMALL STREAM NORTH OF THE RIVER. 748 00:30:12,932 --> 00:30:15,604 AND THEN, IN 1920, IT WAS DAMMED OFF. 749 00:30:15,604 --> 00:30:16,986 WAIT, THAT MEANS ALL THOSE YEARS, 750 00:30:16,986 --> 00:30:18,067 EVERYONE WAS LOOKING FOR THE GOLD 751 00:30:18,067 --> 00:30:19,738 IN THE WRONG PLACE. IN THE WRONG PLACE! 752 00:30:19,738 --> 00:30:21,700 THAT'S WHY WHITNEY NEEDED THE DYNAMITE -- 753 00:30:21,700 --> 00:30:23,863 TO BLAST OPEN WHATEVER HIDING PLACE IT WAS IN. 754 00:30:23,863 --> 00:30:26,245 BUT WHAT DO YOU DO WHEN YOU DISCOVER 50 BARS OF GOLD -- 755 00:30:26,245 --> 00:30:28,157 FLY IT HOME IN YOUR CARRY-ON? 756 00:30:28,157 --> 00:30:30,079 'COURSE NOT. SO SHE LEFT IT THERE. 757 00:30:30,079 --> 00:30:32,161 SHE WENT BACK TO NEW YORK FOR HELP. 758 00:30:32,161 --> 00:30:34,043 BUT PERHAPS THE KILLER CAUGHT ON TO HER, 759 00:30:34,043 --> 00:30:35,294 POISONED HER TO SILENCE HER 760 00:30:35,294 --> 00:30:37,336 AND TO KEEP THE GOLD FOR THEMSELVES. 761 00:30:37,336 --> 00:30:39,258 WHEN WHITNEY WENT HOME, SHE WAS UPSET. 762 00:30:39,258 --> 00:30:41,840 DOES THAT SOUND LIKE SOMEONE WHO'D JUST FOUND GOLD? 763 00:30:41,840 --> 00:30:43,172 OKAY. 764 00:30:43,172 --> 00:30:44,423 MM, YOU GOT ME THERE. 765 00:30:44,423 --> 00:30:47,056 BUT IF WHITNEY WAS SEARCHING FOR THE GOLD 766 00:30:47,056 --> 00:30:49,388 AND THE KILLER TRACKED HER, THERE COULD BE CLUES. 767 00:30:49,388 --> 00:30:51,520 YOU KEEP ASSUMING THAT THE GOLD'S STILL OUT THERE. 768 00:30:51,520 --> 00:30:53,732 DON'T FORGET -- CLYDE AND DUTCH WERE LOOKING FOR IT. 769 00:30:53,732 --> 00:30:56,435 THEY MIGHT HAVE FOUND IT. NOT IF THEY DIDN'T HAVE THOSE OLD MAPS THAT WHITNEY HAD. 770 00:30:56,435 --> 00:30:58,027 YOU JUST WANT TO GO AFTER THE GOLD. 771 00:30:58,027 --> 00:31:00,439 OF COURSE I WANT TO GO AFTER THE GOLD! IT'S GOLD! 772 00:31:00,439 --> 00:31:01,981 OKAY, LOOK. 773 00:31:01,981 --> 00:31:04,693 IF WE USE WHITNEY'S RESEARCH, 774 00:31:04,693 --> 00:31:07,576 WE MAY FIND WHITNEY'S KILLER, TOO. 775 00:31:08,827 --> 00:31:10,539 COME ON, BECKETT. WHAT DO YOU SAY? 776 00:31:12,491 --> 00:31:16,835 YEAH, THAT'S ME. BUT I HAVEN'T LIVED AT THIS ADDRESS IN YEARS. 777 00:31:16,835 --> 00:31:18,297 REBECCA, WHO IS SLIM? 778 00:31:18,297 --> 00:31:20,049 SHE WAS A FRIEND OF MINE. 779 00:31:20,049 --> 00:31:21,630 HER REAL NAME'S VIRGINIA WILLIAMS. 780 00:31:21,630 --> 00:31:23,712 WAIT, DID SHE HAVE A DAUGHTER NAMED WHITNEY? 781 00:31:23,712 --> 00:31:27,056 WELL, VIRGINIA WAS PREGNANT WITH WHITNEY WHEN SHE STAYED WITH ME. 782 00:31:27,056 --> 00:31:30,009 VIRGINIA WAS A REAL MESS BACK THEN. HOW SO? 783 00:31:30,009 --> 00:31:32,681 KNOCKED UP, NO MONEY, NO PROSPECTS. 784 00:31:32,681 --> 00:31:36,065 VIRGINIA GOT SO FED UP WITH GETTING LETTERS LIKE THESE, 785 00:31:36,065 --> 00:31:38,817 SHE FINALLY WROTE CLYDE A "DEAR JOHN" LETTER AND MOVED ON. 786 00:31:38,817 --> 00:31:42,151 WAIT, ARE YOU SAYING THAT CLYDE IS WHITNEY'S FATHER? MM-HMM. 787 00:31:42,151 --> 00:31:44,403 DO YOU HAVE ANY IDEA WHERE CLYDE IS NOW? 788 00:31:44,403 --> 00:31:48,197 IT'S BEEN 20 YEARS. HOW WOULD I KNOW? 789 00:31:48,197 --> 00:31:51,160 Beckett: WHITNEY MUST HAVE FOUND CLYDE'S LETTERS AFTER HER MOTHER PASSED. 790 00:31:51,160 --> 00:31:53,532 YEAH, AND THAT'S WHAT STARTED HER QUEST. 791 00:31:53,532 --> 00:31:55,204 NOW, ACCORDING TO THE MAP... 792 00:31:55,204 --> 00:31:58,207 THE STREAM USED TO BE RIGHT AROUND HERE... 793 00:31:58,207 --> 00:32:00,539 I THINK. 794 00:32:01,710 --> 00:32:02,801 MAYBE. 795 00:32:02,801 --> 00:32:04,843 I-I DON'T KNOW. 796 00:32:06,385 --> 00:32:08,217 CASTLE, WHAT ARE YOU DOING? 797 00:32:08,217 --> 00:32:11,010 I AM TRACKING WHITNEY'S PATH TO THE GOLD. 798 00:32:11,010 --> 00:32:13,392 AND HOW ARE YOU DOING THAT? 799 00:32:13,392 --> 00:32:15,644 BY STARING AT THE DIRT. 800 00:32:15,644 --> 00:32:18,397 THAT'S HOW THEY DO IT IN ALL THE OLD WESTERNS. 801 00:32:18,397 --> 00:32:20,609 YES, BECAUSE THEY'RE COWBOYS. YOU'RE A NEW YORKER. 802 00:32:20,609 --> 00:32:23,272 AN EASTERNER. A CITY SLICKER. YES. 803 00:32:23,272 --> 00:32:25,484 AND BECAUSE I'M A CITY SLICKER, I CAN TELL YOU, 804 00:32:25,484 --> 00:32:27,486 WITH ABSOLUTE CERTAINTY, WHITNEY WAS HERE. 805 00:32:27,486 --> 00:32:29,198 HOW? YOU DON'T KNOW HOW TO READ TRACKS. 806 00:32:29,198 --> 00:32:31,160 [ Chuckling ] NO, NO, BUT BECAUSE I'M A NEW YORKER, 807 00:32:31,160 --> 00:32:33,702 I KNOW HOW TO READ LITTER. 808 00:32:33,702 --> 00:32:35,284 CHECK THIS OUT. 809 00:32:35,284 --> 00:32:38,337 CHARRED WAX-COVERED CARDBOARD. 810 00:32:38,337 --> 00:32:41,080 WHITNEY MUST HAVE DETONATED THE DYNAMITE NEARBY. 811 00:32:41,080 --> 00:32:42,211 WE'RE CLOSE. 812 00:32:44,133 --> 00:32:45,924 AH. MORE THERE. 813 00:32:47,216 --> 00:32:49,088 BECKETT, LOOK AT THIS. 814 00:32:51,430 --> 00:32:53,142 THERE'S GOLD IN THEM THAR HILLS. 815 00:32:58,057 --> 00:33:00,019 YOU GO FIRST. CHECK FOR SNAKES. 816 00:33:01,690 --> 00:33:02,771 [ LAUGHS ] 817 00:33:02,771 --> 00:33:05,234 THIS PLACE IS OLD! 818 00:33:05,234 --> 00:33:06,735 THIS MINE MUST HAVE BEEN ABANDONED 819 00:33:06,735 --> 00:33:08,367 BEFORE THE PEACOCK BOYS STASHED THEIR LOOT. 820 00:33:08,367 --> 00:33:09,608 [ SIGHS ] SLOW DOWN, CASTLE. 821 00:33:09,608 --> 00:33:11,280 JUST BE CAREFUL. ARE YOU KIDDING? 822 00:33:11,280 --> 00:33:13,452 THERE'S TREASURE IN HERE. WHITNEY FOUND THE GOLD. 823 00:33:13,452 --> 00:33:16,745 OR CLYDE FOUND THE GOLD AND SPLIT IT WITH HIS BUDDY DUTCH 824 00:33:16,745 --> 00:33:19,078 AND SIMPLY ABANDONED WHITNEY AND HER MOM. 825 00:33:19,078 --> 00:33:22,000 I'M ABSOLUTELY POSITIVE CLYDE DIDN'T FIND THE GOLD. 826 00:33:22,000 --> 00:33:24,623 AND HOW CAN YOU BE SO SURE, HUH? 827 00:33:24,623 --> 00:33:28,087 BECAUSE IT'S STILL HERE. 828 00:33:28,087 --> 00:33:31,680 FOR OVER A CENTURY, 50 INGOTS OF PURE GOLD 829 00:33:31,680 --> 00:33:35,684 HAVE BEEN TRAPPED IN THIS COLD, DARK TOMB, 830 00:33:35,684 --> 00:33:38,937 WAITING PATIENTLY TO BE RESCUED. 831 00:33:40,399 --> 00:33:42,141 YOU HEAR THAT, BECKETT? 832 00:33:42,141 --> 00:33:44,643 DO YOU HEAR THEM CALLING? 833 00:33:44,643 --> 00:33:45,854 [ SCOFFS ] 834 00:33:45,854 --> 00:33:48,987 CALLING TO ME. 835 00:33:48,987 --> 00:33:51,530 YOUR WAIT IS OVER, MY GOLDEN FRIENDS. 836 00:33:51,530 --> 00:33:53,112 I'M HERE TO SAVE YOU. 837 00:33:54,203 --> 00:33:55,494 [ CASTLE SCREAMS ] 838 00:33:55,494 --> 00:33:56,535 OKAY! 839 00:33:57,616 --> 00:33:58,787 THAT'S NOT GOLD! 840 00:34:02,831 --> 00:34:04,753 THAT'S BLUNT-FORCE TRAUMA. YEP. AND GIVEN THIS HAT, 841 00:34:04,753 --> 00:34:07,045 I'M PRETTY SURE I KNOW WHO THE VICTIM IS. 842 00:34:07,045 --> 00:34:08,427 IT'S CLYDE. YEP. 843 00:34:08,427 --> 00:34:09,798 CASTLE, DO YOU THINK 844 00:34:09,798 --> 00:34:11,630 THAT WHITNEY CAME OUT HERE TO FIND HER DAD? 845 00:34:11,630 --> 00:34:13,972 WELL, THAT EXPLAINS WHY SHE WAS SO UPSET WHEN SHE LEFT. 846 00:34:13,972 --> 00:34:15,804 YOU WERE RIGHT. CLYDE FOUND THE TREASURE YEARS AGO. 847 00:34:15,804 --> 00:34:18,097 YEAH, BUT THEN HIS BUDDY DUTCH DOUBLE-CROSSED HIM. 848 00:34:18,097 --> 00:34:19,678 DUTCH TOOK THE GOLD FOR HIMSELF, 849 00:34:19,678 --> 00:34:21,890 LEFT HIS BLOOD-STAINED SHIRT BEHIND. 850 00:34:21,890 --> 00:34:23,772 AND IF HE KILLED ONCE, WHAT'S TO STOP HIM 851 00:34:23,772 --> 00:34:25,644 FROM KILLING AGAIN TO PROTECT HIS SECRET? 852 00:34:26,735 --> 00:34:28,987 WAIT, IF WHITNEY FOUND HER MURDERED FATHER, 853 00:34:28,987 --> 00:34:31,069 WHY NOT JUST GO STRAIGHT TO THE SHERIFF? 854 00:34:31,069 --> 00:34:33,282 WHY TAKE THE FIRST FLIGHT HOME? 855 00:34:33,282 --> 00:34:37,156 TO CONFRONT HER FATHER'S KILLER. DUTCH WAS JUST HIS NICKNAME. 856 00:34:37,156 --> 00:34:39,788 CASTLE, LOOK. THERE'S A LAUNDRY TAG ON THIS SHIRT. 857 00:34:39,788 --> 00:34:42,701 IT HAS THE INITIALS "P.D." 858 00:34:42,701 --> 00:34:43,702 PHILIP DAGMAR. 859 00:34:45,043 --> 00:34:47,336 I HAD NOTHING TO DO WITH WHITNEY'S DEATH. 860 00:34:47,336 --> 00:34:49,258 ARE YOU SURE ABOUT THAT, MR. DAGMAR... 861 00:34:49,258 --> 00:34:50,919 OR SHOULD WE CALL YOU DUTCH? 862 00:34:52,591 --> 00:34:54,133 WE CHECKED YOUR PHONE RECORDS. 863 00:34:54,133 --> 00:34:56,175 THERE WAS A CALL FROM THE RANCH PAY PHONE 864 00:34:56,175 --> 00:34:58,767 TO YOUR CELLPHONE THE MORNING OF WHITNEY'S MURDER. 865 00:34:58,767 --> 00:35:00,929 Esposito: SHE CALLED YOU, DIDN'T SHE? 866 00:35:01,980 --> 00:35:04,062 WHAT DID SHE SAY? 867 00:35:04,062 --> 00:35:06,395 THAT SHE WAS FLYING HOME, 868 00:35:06,395 --> 00:35:08,187 AND SHE NEEDED TO SPEAK WITH ME IN PERSON. 869 00:35:08,187 --> 00:35:09,938 WHY DIDN'T YOU TELL US THIS BEFORE? 870 00:35:09,938 --> 00:35:12,941 BECAUSE IT MAKES ME LOOK GUILTY. YOU'RE RIGHT. IT DOES. 871 00:35:12,941 --> 00:35:14,323 I BET YOU'VE STILL GOT CONNECTIONS 872 00:35:14,323 --> 00:35:15,784 IN THAT ONE-HORSE TOWN, DON'T YOU? 873 00:35:15,784 --> 00:35:16,865 WHY WOULD I KILL WHITNEY? 874 00:35:16,865 --> 00:35:18,617 BECAUSE SHE KNEW ABOUT YOUR SECRET, DUTCH. 875 00:35:18,617 --> 00:35:20,829 WE FOUND CLYDE'S SKELETON. 876 00:35:20,829 --> 00:35:24,873 THE SKELETON THAT YOU LEFT WHEN YOU TOOK THOSE 50 BARS OF GOLD. 877 00:35:26,044 --> 00:35:27,836 Grady: SO YOU'RE SAYING THAT THE STORY 878 00:35:27,836 --> 00:35:30,169 ABOUT THE PEACOCK BOYS AND THE GOLD IS TRUE? 879 00:35:30,169 --> 00:35:32,211 YEAH, AND SOMEONE FOUND OUT THE HARD WAY. 880 00:35:32,211 --> 00:35:34,383 WELL, THAT'S NOT GONNA BE GOOD FOR BUSINESS. 881 00:35:34,383 --> 00:35:35,964 NOW, DON'T YOU WORRY NONE. 882 00:35:35,964 --> 00:35:38,257 ALL THAT NONSENSE IS FROM LONG BEFORE Y'ALL BOUGHT THE PLACE. 883 00:35:38,257 --> 00:35:40,639 IT'S NOT GONNA SCARE ANYONE OFF. AND I'LL MAKE SURE OF IT. 884 00:35:40,639 --> 00:35:42,100 WE APPRECIATE THAT, SHERIFF. 885 00:35:42,100 --> 00:35:44,223 JIMMY, I SURE COULD USE THE RANCH'S ATVs 886 00:35:44,223 --> 00:35:45,434 TO GET UP TO THIS MINE. 887 00:35:45,434 --> 00:35:47,145 'COURSE. WE GOT TWO OF THEM. THEY'RE ALL YOURS. 888 00:35:47,145 --> 00:35:49,648 COME ON. I'LL TAKE YOU TO THEM. 889 00:35:49,648 --> 00:35:52,150 DETECTIVE, WOULD YOU MIND SHOWING ME THE WAY? 890 00:35:52,150 --> 00:35:53,111 NOT A PROBLEM. 891 00:35:53,111 --> 00:35:55,234 TRY TO STAY OUT OF TROUBLE WHILE I'M GONE, CASTLE. 892 00:35:55,234 --> 00:35:57,115 WHERE'S THE FUN IN THAT? 893 00:35:57,115 --> 00:35:59,328 SOUNDS LIKE YOU HAD A HELL OF A DAY, SON. 894 00:35:59,328 --> 00:36:03,041 WANT TO BEND AN ELBOW AND TELL ME ALL ABOUT IT? 895 00:36:03,041 --> 00:36:05,204 DRINKS ARE ON ME. 896 00:36:05,204 --> 00:36:08,497 I DID THE BEST I COULD FOR WHITNEY ALL THESE YEARS. 897 00:36:08,497 --> 00:36:11,460 BUT SHE WANTED TO FIND OUT WHAT HAPPENED TO HER FATHER. 898 00:36:11,460 --> 00:36:14,843 GOD, I CAN'T BELIEVE SHE FOUND HIM. 899 00:36:14,843 --> 00:36:18,006 AND WHEN SHE DID, YOU KNEW EXACTLY WHAT TO DO, DIDN'T YOU? 900 00:36:18,006 --> 00:36:22,010 SO YOU HIRED SOMEONE TO POISON HER, AND -- NO, I-I DIDN'T KILL WHITNEY. 901 00:36:22,010 --> 00:36:24,933 BUT I THINK I KNOW WHO DID. COME ON, DUTCH. WE KNOW IT WAS YOU. 902 00:36:24,933 --> 00:36:27,686 CLYDE AND I COULDN'T FIND THE LOCATION OF THE OLD STREAM. 903 00:36:27,686 --> 00:36:32,190 SO WE ENLISTED THE HELP OF SOMEONE WHO GREW UP IN THE TOWN. 904 00:36:32,190 --> 00:36:34,943 CLYDE AND I PLANNED TO TURN IN THE GOLD 905 00:36:34,943 --> 00:36:38,617 AND COLLECT THE FINDER'S FEE FROM THE TREASURY. 906 00:36:38,617 --> 00:36:40,319 BUT OUR NEW PARTNER DISAGREED. 907 00:36:40,319 --> 00:36:42,241 THEY FOUGHT, 908 00:36:42,241 --> 00:36:44,743 AND THEN CLYDE FELL, LANDED ON A ROCK, 909 00:36:44,743 --> 00:36:46,665 AND HIT HIS HEAD. 910 00:36:46,665 --> 00:36:48,497 HE WAS DEAD IN MINUTES. 911 00:36:48,497 --> 00:36:50,879 THAT'S WHEN I SOLD MY SOUL... 912 00:36:50,879 --> 00:36:54,633 FOR 25 BARS OF GOLD. 913 00:36:54,633 --> 00:36:58,176 MR. DAGMAR, WHO WAS YOUR OTHER PARTNER? 914 00:37:04,393 --> 00:37:05,434 SMOOTH. I KNOW. 915 00:37:05,434 --> 00:37:07,976 [ CELLPHONE RINGS ] OH. EXCUSE ME. 916 00:37:07,976 --> 00:37:10,269 AH. 917 00:37:10,269 --> 00:37:12,771 RYAN, THEY DIDN'T HAVE MOBILE PHONES IN THE OLD WEST, 918 00:37:12,771 --> 00:37:14,983 SO YOU'RE KIND OF KILLING THE VIBE AND MY BUZZ. 919 00:37:14,983 --> 00:37:17,155 [ CHUCKLES ] RYAN: Listen, is Beckett with you? 920 00:37:17,155 --> 00:37:18,567 NO, WHY? 921 00:37:18,567 --> 00:37:20,319 I'VE BEEN CALLING AND TEXTING. SHE'S NOT ANSWERING. 922 00:37:20,319 --> 00:37:21,620 Oh, she's on an ATV. 923 00:37:21,620 --> 00:37:23,952 SHE PROBABLY CAN'T HEAR HER PHONE. WHAT'S UP? 924 00:37:23,952 --> 00:37:26,074 THERE WAS A THIRD PARTNER. HE'S THE KILLER. 925 00:37:26,074 --> 00:37:27,956 THE SHERIFF? 926 00:37:27,956 --> 00:37:30,208 No, it's James Grady. 927 00:37:39,758 --> 00:37:42,010 WELL, I GUESS THIS IS GOODBYE. 928 00:37:46,765 --> 00:37:47,886 GRADY, STOP. 929 00:37:56,695 --> 00:37:59,067 WHO'S GONNA MAKE ME, SON? YOU? 930 00:38:13,672 --> 00:38:16,375 L-LOOK, GRADY, YOU, UH... 931 00:38:16,375 --> 00:38:18,126 YOU KILL ME, THAT'S JUST ANOTHER MURDER 932 00:38:18,126 --> 00:38:19,798 YOU'RE GONNA HAVE TO ANSWER FOR. 933 00:38:19,798 --> 00:38:22,090 NOT IF I MAKE IT TO MEXICO FIRST. 934 00:38:22,090 --> 00:38:24,222 I CAN'T LET THAT HAPPEN. 935 00:38:24,222 --> 00:38:25,093 [ CHUCKLES ] 936 00:38:25,093 --> 00:38:27,926 YOU GOT SAND, BOY. I'LL GIVE YOU THAT MUCH. 937 00:38:27,926 --> 00:38:31,189 WHY DON'T YOU JUST SIT ON DOWN AND HAVE ANOTHER DRINK? 938 00:38:31,189 --> 00:38:33,271 COME ON, SON. 939 00:38:33,271 --> 00:38:34,433 THINK OF YOUR WIFE. 940 00:38:34,433 --> 00:38:36,355 I AM. 941 00:38:36,355 --> 00:38:38,066 FINE. 942 00:38:38,066 --> 00:38:41,029 IF YOU GOT A HANKERING FOR A RESIDENCE 943 00:38:41,029 --> 00:38:42,280 IN THE BONE ORCHARD, 944 00:38:42,280 --> 00:38:43,822 I'LL ACCOMMODATE YOU. 945 00:38:46,365 --> 00:38:48,747 ANY LAST WORDS? 946 00:38:48,747 --> 00:38:49,998 YEAH. 947 00:38:49,998 --> 00:38:52,751 IF I SURVIVE THIS... 948 00:38:52,751 --> 00:38:55,043 I'M GIVING THIS PLACE A SCATHING REVIEW ON YELP. 949 00:39:30,989 --> 00:39:32,040 HEY! 950 00:39:33,371 --> 00:39:35,494 I, UH -- I GUESS YOU GOT RYAN'S MESSAGE. 951 00:39:35,494 --> 00:39:37,666 CASTLE, I LEAVE YOU ALONE FOR FIVE MINUTES, 952 00:39:37,666 --> 00:39:39,087 AND YOU END UP IN A SHOWDOWN? 953 00:39:39,087 --> 00:39:40,999 YEAH, WELL... 954 00:39:40,999 --> 00:39:43,381 GOOD THING I MARRIED THE, UH, FASTEST GUN FROM THE EAST. 955 00:39:47,215 --> 00:39:50,138 GIVEN THAT WHITNEY CHECKED IN UNDER HER OWN NAME, 956 00:39:50,138 --> 00:39:53,141 GRADY MAY HAVE BEEN ONTO HER FROM THE MOMENT SHE ARRIVED. 957 00:39:53,141 --> 00:39:55,684 PROBABLY DIDN'T TAKE HIM LONG TO FIGURE OUT WHY SHE CAME. 958 00:39:55,684 --> 00:39:58,437 AND WHEN HE DID, HE MUST HAVE FOLLOWED HER TO THE MINE 959 00:39:58,437 --> 00:40:00,439 AND SEEN WHAT SHE DISCOVERED. YEP. ON THE MORNING SHE LEFT, 960 00:40:00,439 --> 00:40:04,022 GRADY MADE SPECIFIC INTERNET SEARCHES ON FOXGLOVE POISONING. 961 00:40:04,022 --> 00:40:05,904 SOUNDS LIKE YOU GOT HIM DEAD TO RIGHTS, SHERIFF. 962 00:40:05,904 --> 00:40:08,156 WELL, WITH WHAT YOU DID HERE, WE SURE DO. 963 00:40:08,156 --> 00:40:09,908 DETECTIVE, I'M IN YOUR DEBT. 964 00:40:09,908 --> 00:40:11,830 Y'ALL TAKE CARE OF YOURSELVES. 965 00:40:11,830 --> 00:40:13,121 THANK YOU, SHERIFF. 966 00:40:13,121 --> 00:40:14,242 [ ENGINE TURNS OVER ] 967 00:40:14,242 --> 00:40:18,036 WELL, I GUESS WE CLEANED UP THIS TOWN. 968 00:40:18,036 --> 00:40:20,208 YEAH, I RECKON WE DID. 969 00:40:22,090 --> 00:40:25,343 SO GUESS IT'S, UH, TIME TO GO HOME. 970 00:40:31,009 --> 00:40:33,642 Esposito: NO, NO, BUT, WELL, YOU KNOW WHAT REALLY GETS ME 971 00:40:33,642 --> 00:40:36,605 IS THAT THEY SAID THEY ONLY INVITED IMMEDIATE FAMILY. 972 00:40:36,605 --> 00:40:38,767 WHAT? WE'RE NOT FAMILY? 973 00:40:38,767 --> 00:40:39,978 MORE LIKE POOR RELATIONS. 974 00:40:39,978 --> 00:40:41,059 AND WE'RE PROBABLY THE REASON 975 00:40:41,059 --> 00:40:43,021 THAT THEY FELL IN LOVE IN THE FIRST PLACE. RIGHT? 976 00:40:43,021 --> 00:40:46,735 YOU KNOW, I'VE BEEN LISTENING TO YOUR BELLYACHING 977 00:40:46,735 --> 00:40:48,487 FOR THE LAST FEW DAYS, AND I HAVE TO ASK -- 978 00:40:48,487 --> 00:40:50,028 WHAT THE HELL'S WRONG WITH YOU TWO? 979 00:40:50,028 --> 00:40:52,070 COME ON, SIR. IT DOESN'T BOTHER YOU? 980 00:40:52,070 --> 00:40:54,162 YOU REALLY WANT TO KNOW WHAT I THINK, DETECTIVES? 981 00:40:54,162 --> 00:40:57,035 I THINK THAT THE TWO OF YOU SHOULD STOP WHINING 982 00:40:57,035 --> 00:41:00,078 LIKE TWO LITTLE SCHOOLGIRLS WHO WEREN'T INVITED TO THE DANCE 983 00:41:00,078 --> 00:41:02,881 AND BE HAPPY THAT YOUR FRIENDS, YOUR VERY DEAR FRIENDS, 984 00:41:02,881 --> 00:41:04,633 HAVE FOUND A WAY TO MAKE IT WORK, 985 00:41:04,633 --> 00:41:07,756 ESPECIALLY AFTER ALL THE HELL THOSE TWO HAVE BEEN THROUGH. 986 00:41:07,756 --> 00:41:08,967 NOW, THAT'S WHAT I THINK. 987 00:41:10,138 --> 00:41:13,301 WELL, WHEN YOU PUT IT THAT WAY... 988 00:41:13,301 --> 00:41:16,014 YEAH, I MEAN, I GUESS IN SOME OPINIONS, 989 00:41:16,014 --> 00:41:18,356 WE HAVE BEEN KIND OF JERKS ABOUT IT. I GUESS. 990 00:41:18,356 --> 00:41:20,098 YEAH. YOU HAVE. 991 00:41:20,098 --> 00:41:22,941 BUT IF YOU'RE INTERESTED, 992 00:41:22,941 --> 00:41:25,904 THERE MIGHT BE SOMETHING YOU COULD DO TO MAKE IT UP TO THEM. 993 00:41:29,447 --> 00:41:31,489 WELL, RICK, SORRY TO SEE YOU GUYS GO. 994 00:41:31,489 --> 00:41:34,072 OH, YEAH, ME, TOO, BUT, UH, IT COULDN'T BE HELPED. 995 00:41:35,994 --> 00:41:37,205 Beckett: HEY, THERE, COWBOY. 996 00:41:37,205 --> 00:41:38,326 WHERE YOU OFF TO IN SUCH A HURRY? 997 00:41:38,326 --> 00:41:39,958 BECKETT, WHAT ARE YOU DOING? 998 00:41:39,958 --> 00:41:42,000 WE'RE GONNA MISS OUR FLIGHT. YOU GOT TO BE IN THE OFFICE BY MORNING. 999 00:41:42,000 --> 00:41:44,422 NO, I DON'T. YEAH, YOU DO. 1000 00:41:44,422 --> 00:41:46,925 YOU DON'T HAVE ANY PERSONAL DAYS LEFT. ACTUALLY, I KIND OF DO. 1001 00:41:46,925 --> 00:41:49,007 FOR OUR WEDDING GIFT, RYAN AND ESPOSITO 1002 00:41:49,007 --> 00:41:53,181 HAVE BOTH AGREED TO GIVE ME TWO OF THEIR VACATION DAYS EACH. 1003 00:41:53,181 --> 00:41:55,223 THEY DID? YEAH. 1004 00:41:55,223 --> 00:41:56,685 SO, NOW WE HAVE FOUR DAYS 1005 00:41:56,685 --> 00:42:01,399 TO DO WHATEVER...WE...WANT. 1006 00:42:01,399 --> 00:42:03,692 AND YOU WANT TO STAY HERE? 1007 00:42:03,692 --> 00:42:05,193 OF COURSE I WANT TO STAY. 1008 00:42:05,193 --> 00:42:07,145 AFTER ALL, THIS IS OUR HONEYMOON. 1009 00:42:09,237 --> 00:42:12,280 OH, WAIT. WE'RE GONNA STILL GO TO THAT ISLAND GETAWAY, RIGHT? 1010 00:42:12,280 --> 00:42:13,742 YES. ABSOLUTELY. OKAY, GOOD.