1 00:00:02,213 --> 00:00:03,834 ♪ TAP, TAP, YOU MAKE MY SOUL CLAP WHEN OUR BODIES SNAP ♪ 2 00:00:03,834 --> 00:00:05,296 ♪ SNAP, SNAP, THAT'S A WRAP ♪ 3 00:00:05,296 --> 00:00:06,467 [ RINGING ] 4 00:00:06,467 --> 00:00:08,049 ♪ TAP, TAP, YOU MAKE MY SOUL CLAP ♪ 5 00:00:08,049 --> 00:00:09,340 HEY. 6 00:00:09,340 --> 00:00:12,133 I NEED TO BE AT THE CLUB BY 11:00, SO I CAN'T REALLY TALK. 7 00:00:12,133 --> 00:00:15,226 UH [SCOFFS] SKIP IT? 8 00:00:15,226 --> 00:00:17,228 BUT EVERYONE WHO'S ANYONE IS GONNA BE THERE. 9 00:00:17,228 --> 00:00:20,231 MM. I KNOW. 10 00:00:20,231 --> 00:00:22,063 LOOK, I REALLY GOT TO GO. 11 00:00:22,063 --> 00:00:24,315 BUT I'LL BE THINKING ABOUT YOU. 12 00:00:24,315 --> 00:00:27,198 I'LL TAKE A PIC AND SEND IT TO YOU TO PROVE IT. 13 00:00:29,410 --> 00:00:32,653 [ FLOOR CREAKS ] 14 00:00:35,116 --> 00:00:37,658 HELLO? 15 00:00:37,658 --> 00:00:40,161 IS SOMEONE THERE? 16 00:00:48,469 --> 00:00:50,221 [ CELLPHONE CHIMES ] 17 00:00:59,640 --> 00:01:00,731 AAH! 18 00:01:00,731 --> 00:01:02,943 AHH! 19 00:01:02,943 --> 00:01:04,485 EXCELLENT. NOW HUM. 20 00:01:04,485 --> 00:01:05,686 MMM. MMM. 21 00:01:05,686 --> 00:01:07,648 VIBRATE, VIBRATE, VIBRATE, VIBRATE. 22 00:01:07,648 --> 00:01:08,689 [ BABBLING ] OKAY. 23 00:01:08,689 --> 00:01:10,531 NOW, BREATHING -- OKAY, NO, I THINK -- 24 00:01:10,531 --> 00:01:12,193 I THINK THAT'S -- MY VOCAL CORDS ARE ABOUT AS WARMED UP AS THEY'RE GONNA GET. 25 00:01:12,193 --> 00:01:13,494 THANK YOU SO MUCH. 26 00:01:13,494 --> 00:01:14,955 I THOUGHT YOU SAID YOU WERE JUST COMING TO WATCH, ANYWAY. 27 00:01:14,955 --> 00:01:16,076 WELL, THAT WAS THE PLAN, 28 00:01:16,076 --> 00:01:17,958 BUT THEN I DISCOVERED MY EXPERTISE WAS NEEDED. 29 00:01:17,958 --> 00:01:19,370 AND DON'T MISS HIS FOREHEAD, HONEY. 30 00:01:19,370 --> 00:01:21,001 IT'S SHINY. WHAT ABOUT THIS JACKET, DEAR? 31 00:01:21,001 --> 00:01:22,623 DID YOU CHOOSE -- YES. I-I'M GOOD. I'M -- Y-- 32 00:01:22,623 --> 00:01:24,084 I PICKED THAT OUT MYSELF, THANK YOU. BECAUSE -- 33 00:01:24,084 --> 00:01:25,626 [ STAMMERS ] I'VE DONE THIS BEFORE, MOTHER. 34 00:01:25,626 --> 00:01:26,757 I KNOW EXACTLY WHAT I'M DOING. 35 00:01:26,757 --> 00:01:29,130 THANK YOU. GO AHEAD AND JUST PUT ONE MORE. 36 00:01:29,130 --> 00:01:30,211 JUST ANOTHER LAYER. 37 00:01:30,211 --> 00:01:31,472 STACK THEM RIGHT UP ON TOP OF THERE. 38 00:01:31,472 --> 00:01:32,713 I THINK IT'LL BE GREAT. 39 00:01:32,713 --> 00:01:34,715 THERE'S A BOY OVER THERE FILMING YOU WITH HIS PHONE. 40 00:01:34,715 --> 00:01:36,177 YEAH, THAT'S JUST BEHIND-THE-SCENES STUFF. 41 00:01:36,177 --> 00:01:37,718 OH. YEAH. 42 00:01:37,718 --> 00:01:40,100 IT'S ALL PART OF THE CAMPAIGN. JUST TAPPING INTO 43 00:01:40,100 --> 00:01:43,184 THAT WHOLE 360-DEGREE DIGITAL-MEDIA ENVIRONMENT. 44 00:01:43,184 --> 00:01:44,225 UH-HUH. OKAY. 45 00:01:44,225 --> 00:01:45,356 Director: OKAY. 46 00:01:45,356 --> 00:01:46,607 MR. CASTLE, WE'RE READY. 47 00:01:46,607 --> 00:01:47,608 EXCELLENT. WANT TO GO SIT WITH MOE? 48 00:01:47,608 --> 00:01:48,609 WHOO-HOO, MOE. PERFECT. 49 00:01:52,283 --> 00:01:54,195 WE'RE ROLLING. ALL RIGHT. 50 00:01:54,195 --> 00:01:55,996 AND ACTION! 51 00:01:55,996 --> 00:01:58,289 HI. 52 00:01:58,289 --> 00:01:59,580 I'M RICHARD CASTLE. 53 00:01:59,580 --> 00:02:02,082 ARE YOU LOOKING FOR A BONE-CHILLING, 54 00:02:02,082 --> 00:02:05,085 SPINE-TINGLING THRILLER FULL OF TWISTS AND TURNS? 55 00:02:05,085 --> 00:02:06,837 IF YOU ARE, LOOK NO FURTHER 56 00:02:06,837 --> 00:02:09,129 THAN MY LATEST NOVEL, "RAGING HEAT." 57 00:02:09,129 --> 00:02:10,551 WHY DON'T YOU DOWNLOAD YOUR COPY TODAY? 58 00:02:10,551 --> 00:02:12,052 BECAUSE WETHER YOU GET IT ON THE DOWNLOAD, 59 00:02:12,052 --> 00:02:14,965 BUY A HARD COPY, OR JUST LISTEN TO THE AUDIO VERSION, 60 00:02:14,965 --> 00:02:16,177 I PROMISE YOU, 61 00:02:16,177 --> 00:02:18,018 IT'LL KEEP YOU HOOKED TILL THE VERY LAST WORD. 62 00:02:22,183 --> 00:02:23,354 OOPS. 63 00:02:23,354 --> 00:02:25,976 THAT MUST HAVE BEEN KIND OF EMBARRASSING. 64 00:02:25,976 --> 00:02:27,858 IT WAS A MINOR BLOW TO MY EGO. 65 00:02:27,858 --> 00:02:30,481 BUT AFTER THAT, I HAD TO CHANNEL MY INNER CASTLE. 66 00:02:30,481 --> 00:02:32,483 BUT ONCE I DID, NAILED IT. 67 00:02:32,483 --> 00:02:34,985 WOW, YOU NAILED PLAYING YOURSELF. 68 00:02:34,985 --> 00:02:36,076 THAT'S IMPRESSIVE. 69 00:02:36,076 --> 00:02:37,328 EH, MOCK IF YOU WILL, 70 00:02:37,328 --> 00:02:39,830 BUT PRETTY SOON, YOU'RE GONNA SEE MY IMAGE 71 00:02:39,830 --> 00:02:41,912 SPLASHED ACROSS MULTIPLE PLATFORMS. 72 00:02:41,912 --> 00:02:43,664 IT'S GONNA BE CASTLE 2.0. 73 00:02:43,664 --> 00:02:45,996 IT'S GONNA BE CASTLE IN THE CLOUD. 74 00:02:45,996 --> 00:02:48,088 WAIT A MINUTE. MULTIPLE PLATFORMS? 75 00:02:48,088 --> 00:02:50,791 I THOUGHT THAT THIS WAS A TV COMMERCIAL. 76 00:02:50,791 --> 00:02:53,003 NO, BETTER -- IT'S A WEBMERCIAL. 77 00:02:53,003 --> 00:02:54,054 AND ONCE IT DROPS IN A FEW DAYS, 78 00:02:54,054 --> 00:02:56,136 MY PUBLISHER ASSURES ME THAT BOTH "RAGING HEAT" AND I 79 00:02:56,136 --> 00:02:57,137 WILL GO VIRAL. 80 00:02:57,137 --> 00:02:59,059 IT'S TIME I LET TECHNOLOGY WRAP ME 81 00:02:59,059 --> 00:03:01,352 IN ITS WARM YET LUCRATIVE EMBRACE. 82 00:03:01,352 --> 00:03:02,433 HUH. GENTLEMEN. 83 00:03:02,433 --> 00:03:04,725 IS THERE AN ELEVATOR? IS THIS A WALK-UP? 84 00:03:04,725 --> 00:03:05,976 HOPE IT'S AN ELEVATOR. 85 00:03:07,438 --> 00:03:09,810 Esposito: VICTIM'S NAME IS ABBY SMITH. 86 00:03:09,810 --> 00:03:11,021 SHE'S 23 YEARS OLD. 87 00:03:11,021 --> 00:03:13,153 A MAINTENANCE WORKER FOUND HER EARLY THIS MORNING. 88 00:03:13,153 --> 00:03:15,115 WE'RE DEALING WITH SOMETHING MESSED UP HERE. 89 00:03:15,115 --> 00:03:18,369 YOU GOT THAT RIGHT, STARTING OFF WITH THESE STAB WOUNDS. 90 00:03:18,369 --> 00:03:21,031 THEY'RE ROUND. WHAT WAS THE MURDER WEAPON? 91 00:03:21,031 --> 00:03:23,123 Lanie: HARD TO TELL. 92 00:03:23,123 --> 00:03:25,456 A KNITTING NEEDLE, MAYBE, OR AN ICE PICK. 93 00:03:25,456 --> 00:03:26,997 YOUR GUESS IS AS GOOD AS MINE. 94 00:03:29,250 --> 00:03:31,382 HER ATTACKER KNEW ABOUT ANATOMY. 95 00:03:31,382 --> 00:03:34,505 HE PIERCED HER CAROTID AND HER SUBCLAVIAN ARTERIES. 96 00:03:34,505 --> 00:03:36,257 SHE BLED OUT IN MINUTES. WHICH MEANS OUR KILLER 97 00:03:36,257 --> 00:03:38,719 MIGHT HAVE HAD A MEDICAL BACKGROUND. 98 00:03:38,719 --> 00:03:41,392 YOU KNOW, THERE ARE NO SIGNS OF FORCED ENTRY. 99 00:03:41,392 --> 00:03:43,514 DO WE KNOW HOW THIS KILLER CAME IN? 100 00:03:43,514 --> 00:03:45,185 WELL, WE'RE NOT REALLY SURE. 101 00:03:45,185 --> 00:03:48,108 BUT HE DEFINITELY WANTED ABBY TO KNOW THAT HE WAS HERE. 102 00:03:48,108 --> 00:03:49,520 SHE WAS TEXTED THIS PHOTO AT 10:33, 103 00:03:49,520 --> 00:03:51,312 RIGHT AROUND TIME OF DEATH. 104 00:03:51,312 --> 00:03:53,063 Beckett: THE KILLER SENT THIS? 105 00:03:53,063 --> 00:03:55,566 RIGHT BEFORE HE MURDERED HER. 106 00:03:55,566 --> 00:03:57,067 HE WAS WATCHING HER. MM. 107 00:03:57,067 --> 00:03:58,819 AND THEN HE SENT THAT TO TERRORIZE HER. 108 00:03:58,819 --> 00:04:00,120 THIS WAS PERSONAL. 109 00:04:00,120 --> 00:04:01,862 WELL, SO MUCH FOR THE WARM EMBRACE OF TECHNOLOGY. 110 00:04:01,862 --> 00:04:02,993 IS THERE ANY WAY TO TRACE THE TEXT? 111 00:04:02,993 --> 00:04:05,035 WELL, WE'LL TRY, BUT IT WAS SENT FROM A BURNER PHONE. 112 00:04:05,035 --> 00:04:06,537 UM, MEANWHILE, WE'LL CHECK WITH THE NEIGHBORS 113 00:04:06,537 --> 00:04:07,628 AND SEE IF THEY SAW ANYTHING. 114 00:04:07,628 --> 00:04:09,129 OKAY, AND TALK TO FRIENDS AND FAMILY. 115 00:04:09,129 --> 00:04:10,631 IF THIS WAS PERSONAL, THEY MIGHT HAVE AN IDEA 116 00:04:10,631 --> 00:04:11,632 AS TO WHO WAS BEHIND THIS. 117 00:04:11,632 --> 00:04:12,673 WHY DON'T WE START WITH THIS GUY? 118 00:04:12,673 --> 00:04:14,004 CARLOS. 119 00:04:14,004 --> 00:04:15,005 SHE WAS ON THE PHONE WITH HIM 120 00:04:15,005 --> 00:04:16,837 RIGHT BEFORE SHE RECEIVED THE TEXT MESSAGE. 121 00:04:16,837 --> 00:04:19,009 JUDGING BY THEIR CALL HISTORY, HE LOOKS TO BE THE BOYFRIEND. 122 00:04:20,010 --> 00:04:22,092 Carlos: I CAN'T BELIEVE THIS HAPPENED. 123 00:04:22,092 --> 00:04:24,094 I SHOULD'VE BEEN THERE TO PROTECT HER. 124 00:04:24,094 --> 00:04:25,846 WE HAVE TO ASK YOU, CARLOS, 125 00:04:25,846 --> 00:04:28,058 WHO ELSE HAD A KEY TO ABBY'S PLACE? 126 00:04:28,058 --> 00:04:29,480 NOBODY. 127 00:04:29,480 --> 00:04:30,731 JUST THE LANDLORD. 128 00:04:30,731 --> 00:04:32,983 YOU KNOW IF SHE WAS EXPECTING ANY VISITORS? 129 00:04:32,983 --> 00:04:34,024 NO. 130 00:04:34,024 --> 00:04:36,106 SHE WAS ACTUALLY HEADING OUT TO CLUB DOOM. 131 00:04:36,106 --> 00:04:38,989 SHE HAD BOOKED A PERSONAL APPEARANCE THERE. 132 00:04:38,989 --> 00:04:40,991 UH... ABBY WAS A CELEBRITY? 133 00:04:40,991 --> 00:04:43,033 SHE WAS HUGE ON SOCIAL MEDIA. 134 00:04:43,033 --> 00:04:44,995 SO, WAS SHE AN ACTRESS OR A SINGER OR WHAT? 135 00:04:44,995 --> 00:04:46,537 NO. SHE POSTED PICS ON SNAPPAMATIC -- 136 00:04:46,537 --> 00:04:48,118 YOU KNOW, THE PHOTO-SHARING APP. 137 00:04:48,118 --> 00:04:49,790 "SNAPPAMATIC REVIEWS," SHE CALLED THEM. 138 00:04:49,790 --> 00:04:52,252 AND THAT GOT HER PERSONAL APPEARANCES? 139 00:04:52,252 --> 00:04:53,624 YEAH, AND SPONSORS, TOO, 140 00:04:53,624 --> 00:04:55,756 ESPECIALLY WHEN SHE HIT HALF A MILLION FOLLOWERS. 141 00:04:55,756 --> 00:04:57,007 WHAT DID ABBY REVIEW, EXACTLY? 142 00:04:57,007 --> 00:04:59,129 THEY WERE, LIKE, JOKE REVIEWS. 143 00:04:59,129 --> 00:05:01,842 SHE CAME TO NEW YORK TO BE A COMEDIAN, 144 00:05:01,842 --> 00:05:05,265 AND, UM, THIS... IS HOW SHE HIT IT BIG. 145 00:05:06,427 --> 00:05:07,978 "THESE GYROS CAME RIGHT BACK UP. 146 00:05:07,978 --> 00:05:09,810 THAT'S A TWO-FOR-ONE SPECIAL YOU DON'T WANT." 147 00:05:09,810 --> 00:05:12,102 THIS PIC WENT VIRAL AND... 148 00:05:12,102 --> 00:05:14,194 OVERNIGHT, SHE WAS A STAR, 149 00:05:14,194 --> 00:05:17,197 WITH FOLLOWERS AND FANS, ALL THIS ATTENTION. 150 00:05:17,197 --> 00:05:18,989 I-I FELT LIKE I WAS LOSING HER. 151 00:05:18,989 --> 00:05:21,071 LIKE THERE WAS NO ROOM LEFT FOR THE TWO OF US. 152 00:05:21,071 --> 00:05:23,203 DO YOU THINK SHE HAD ANY STALKERS? 153 00:05:23,203 --> 00:05:26,206 IF SHE DID, I'M NOT SURE SHE WOULD HAVE TOLD ME. 154 00:05:26,206 --> 00:05:27,618 DID ANY OF THESE REVIEWEES 155 00:05:27,618 --> 00:05:29,500 GET UPSET ABOUT THE PICTURES SHE POSTED? 156 00:05:29,500 --> 00:05:32,252 ACTUALLY, YEAH. 157 00:05:32,252 --> 00:05:34,004 THERE WAS A GUY -- HE MADE THREATENING CALLS. 158 00:05:34,004 --> 00:05:35,255 WHAT WAS HIS NAME? 159 00:05:35,255 --> 00:05:36,547 Esposito: EDWARD HAN. 160 00:05:36,547 --> 00:05:37,838 HE'S AN ACUPUNCTURIST. 161 00:05:37,838 --> 00:05:39,840 HIS CELLPHONE RECORDS SHOW THAT HE CALLED ABBY 162 00:05:39,840 --> 00:05:41,962 A DOZEN TIMES IN THE DAYS BEFORE HER MURDER. 163 00:05:41,962 --> 00:05:43,674 AND WHO BETTER THAN AN ACUPUNCTURIST 164 00:05:43,674 --> 00:05:47,057 TO KILL WITH ACCURATE PUNCTURES, PERHAPS WITH A GIANT NEEDLE? 165 00:05:47,057 --> 00:05:48,639 Beckett: AND HE HAS THE ANATOMICAL TRAINING 166 00:05:48,639 --> 00:05:49,640 TO KNOW WHERE TO STRIKE. 167 00:05:49,640 --> 00:05:50,971 NOT TO MENTION BEEF WITH ABBY. 168 00:05:50,971 --> 00:05:52,062 CHECK THIS OUT. 169 00:05:52,062 --> 00:05:54,184 THIS WAS POSTED ALL OVER THE PLACE, 170 00:05:54,184 --> 00:05:56,647 AND I BET IT PUT A DAMPER ON HAN'S PRACTICE. 171 00:05:56,647 --> 00:05:58,238 "DO NOT LET THIS GUY POKE YOU." I DON'T GET IT. 172 00:05:58,238 --> 00:06:01,071 POSTING DUMB-ASS PHOTOS ALL OVER THE PLACE -- 173 00:06:01,071 --> 00:06:02,903 HOW DID SHE HAVE A FAN BASE? 174 00:06:02,903 --> 00:06:04,194 HOW DID THIS BECOME A CAREER? 175 00:06:04,194 --> 00:06:05,826 WELCOME TO THE SHARING ECONOMY. 176 00:06:05,826 --> 00:06:07,367 YEAH, MORE LIKE OVER-SHARING. 177 00:06:07,367 --> 00:06:09,830 REALLY? AND YOU'RE OPPOSED TO ALL PHOTOS OF OVER-SHARING WOMEN? 178 00:06:09,830 --> 00:06:12,162 THAT'S DIFFERENT. 179 00:06:12,162 --> 00:06:13,914 Ryan: HEY. 180 00:06:13,914 --> 00:06:15,255 HAN'S STARTING TO LOOK GOOD FOR THIS. 181 00:06:15,255 --> 00:06:17,418 ONE OF ABBY'S NEIGHBORS SAW HIM AT HER APARTMENT YESTERDAY. 182 00:06:17,418 --> 00:06:18,709 AT HER APARTMENT? 183 00:06:18,709 --> 00:06:20,000 DOING WHAT? 184 00:06:20,000 --> 00:06:21,922 SCREAMING AT HER, THREATENING TO "MAKE HER PAY" 185 00:06:21,922 --> 00:06:23,213 TILL SHE SLAMMED THE DOOR IN HIS FACE. 186 00:06:23,213 --> 00:06:26,006 SO MAYBE HE WENT BACK TO GET THE LAST WORD. 187 00:06:26,006 --> 00:06:27,137 I NEVER WENT BACK. 188 00:06:27,137 --> 00:06:29,179 I ADMIT, I WAS AT HER APARTMENT 189 00:06:29,179 --> 00:06:31,141 AND I MAY HAVE SAID THOSE THINGS. 190 00:06:31,141 --> 00:06:32,853 YOU WERE ANGRY ABOUT THIS REVIEW. 191 00:06:32,853 --> 00:06:34,104 REVIEW? 192 00:06:34,104 --> 00:06:36,276 THAT BIMBO WAS NEVER EVEN A CLIENT. 193 00:06:36,276 --> 00:06:39,149 SHE POSTED THAT PICTURE, AND MY WALK-INS DROPPED OFF. 194 00:06:39,149 --> 00:06:41,782 HER LITTLE JOKE WAS COSTING ME MY BUSINESS. 195 00:06:41,782 --> 00:06:43,694 YEAH, WELL, IN OUR BUSINESS, WE CALL THAT MOTIVE. 196 00:06:43,694 --> 00:06:46,286 WHERE WERE YOU LAST NIGHT AT 10:30? 197 00:06:46,286 --> 00:06:47,988 OFF DROWNING MY SORROWS. 198 00:06:47,988 --> 00:06:50,991 I SWEAR TO YOU, I DID NOT DO THIS. 199 00:06:50,991 --> 00:06:52,533 BUT I KNOW WHO DID. 200 00:06:52,533 --> 00:06:53,994 SHE HAD A STALKER. 201 00:06:53,994 --> 00:06:56,166 YEAH, I KNOW. WE'RE LOOKING AT HIM. 202 00:06:56,166 --> 00:06:58,629 NOT ME. THAT'S WHAT ABBY THOUGHT, TOO -- THAT I WAS STALKING HER. 203 00:06:58,629 --> 00:07:00,000 NOW, WHY WOULD SHE THINK THAT? 204 00:07:00,000 --> 00:07:01,922 MAYBE BECAUSE YOU WERE CALLING HER ALL THE TIME, 205 00:07:01,922 --> 00:07:03,423 SHOWING UP AT HER PLACE? 206 00:07:03,423 --> 00:07:04,845 ABBY SAID SOMEONE HAD BEEN FOLLOWING HER 207 00:07:04,845 --> 00:07:06,096 FOR THE LAST MONTH, 208 00:07:06,096 --> 00:07:07,758 BUT I DIDN'T TRACK HER DOWN TILL A WEEK AGO. 209 00:07:07,758 --> 00:07:09,429 SO THE STALKER COULDN'T HAVE BEEN ME. 210 00:07:09,429 --> 00:07:11,221 MR. HAN, DO YOU HAVE EVIDENCE 211 00:07:11,221 --> 00:07:13,013 THAT THIS OTHER PERSON ACTUALLY EXISTS? 212 00:07:13,013 --> 00:07:18,108 THERE'S A NOTE ON A POSTCARD. 213 00:07:18,108 --> 00:07:19,439 WHAT NOTE? A THREAT. 214 00:07:19,439 --> 00:07:20,440 SHE GOT IT THAT DAY. 215 00:07:20,440 --> 00:07:21,692 SHE WAVED IT IN MY FACE. 216 00:07:21,692 --> 00:07:23,984 SHE ACCUSED ME OF SLIPPING IT UNDER HER DOOR. 217 00:07:23,984 --> 00:07:26,196 WHOEVER LEFT THAT NOTE -- THAT'S WHO DID THIS. 218 00:07:26,196 --> 00:07:27,197 IT HAS TO BE. 219 00:07:31,121 --> 00:07:33,123 HAN'S ALIBI CHECKS OUT. 220 00:07:33,123 --> 00:07:35,205 BARTENDER SAID HE WAS WELL INTO HIS FOURTH MAI TAI 221 00:07:35,205 --> 00:07:36,787 AT THE TIME OF THE MURDER. 222 00:07:36,787 --> 00:07:38,579 UPON REFLECTION, IT'S JUST AS WELL 223 00:07:38,579 --> 00:07:40,210 FROM A STORYTELLING STANDPOINT. 224 00:07:40,210 --> 00:07:42,382 I MEAN, "DO NOT LET THIS GUY POKE YOU," 225 00:07:42,382 --> 00:07:44,845 THEN THE ACUPUNCTURIST STABS HER WITH A GIANT NEEDLE. 226 00:07:44,845 --> 00:07:46,256 IT'S JUST A LITTLE TOO OBVIOUS. 227 00:07:46,256 --> 00:07:48,849 WHICH MEANS WE'RE LOOKING FOR SOMEONE ELSE WITH MOTIVE, 228 00:07:48,849 --> 00:07:50,801 BUT SO FAR, NO ONE STICKS OUT. 229 00:07:50,801 --> 00:07:52,012 MAYBE ABBY'S FAMILY HAS SOME INSIGHT. 230 00:07:52,012 --> 00:07:54,645 THEY DON'T. SHE WASN'T VERY CLOSE TO THEM. 231 00:07:54,645 --> 00:07:57,307 LOOKS LIKE HAN WAS TELLING THE TRUTH ABOUT THAT THREAT. 232 00:07:57,307 --> 00:08:00,811 C.S.U. FOUND THIS POSTCARD IN ABBY'S DRESSER DRAWER. 233 00:08:02,152 --> 00:08:04,525 Beckett: "THE BRIGHTEST STARS BURN QUICKEST." 234 00:08:04,525 --> 00:08:07,658 SHE GOT THIS ON THE SAME DAY SHE WAS MURDERED? 235 00:08:07,658 --> 00:08:09,700 WAIT, IS THIS A FINGERPRINT? 236 00:08:09,700 --> 00:08:10,871 NO. 237 00:08:10,871 --> 00:08:12,993 THAT'S A SMUDGE, BUT IT MIGHT MEAN SOMETHING. 238 00:08:12,993 --> 00:08:14,705 THE LAB SAYS THAT IT'S WOOD VARNISH. 239 00:08:14,705 --> 00:08:16,617 HEY, GUYS. CHECK THIS OUT. 240 00:08:20,080 --> 00:08:22,753 I WAS LOOKING THROUGH ABBY'S FOLLOWERS, 241 00:08:22,753 --> 00:08:25,005 AND ONE OF THEM POSTED PICTURES OF HER ON THEIR ACCOUNT. 242 00:08:29,129 --> 00:08:30,180 CRIME-SCENE PHOTOS? 243 00:08:30,180 --> 00:08:31,181 BUT NOT OURS. 244 00:08:31,181 --> 00:08:33,013 THE KILLER TOOK THESE PHOTOS 245 00:08:33,013 --> 00:08:35,185 BEFORE WE GOT TO THE CRIME SCENE. 246 00:08:35,185 --> 00:08:36,727 "THIS STAR'S 15 SECONDS ARE OVER." 247 00:08:36,727 --> 00:08:38,188 WHOSE ACCOUNT IS THIS? 248 00:08:38,188 --> 00:08:39,850 USERNAME IS "NET SLAYER." 249 00:08:53,574 --> 00:08:55,656 HE KILLS HER, THEN POSTS HER PICTURE. 250 00:08:55,656 --> 00:08:57,037 WHY WOULD HE DO THAT? 251 00:08:57,037 --> 00:08:59,539 WELL, TEAR DOWN THE VICTIM, ADD INSULT TO INJURY. 252 00:08:59,539 --> 00:09:02,042 "THIS STAR'S 15 SECONDS ARE OVER." 253 00:09:02,042 --> 00:09:03,624 MAYBE THAT'S WHY HE KILLED ABBY, 254 00:09:03,624 --> 00:09:05,165 BECAUSE SHE WAS A WEB CELEBRITY. 255 00:09:05,165 --> 00:09:06,426 Ryan: OR HE WANTS TO BECOME ONE HIMSELF. 256 00:09:06,426 --> 00:09:08,128 ABBY DID HAVE HALF A MILLION FOLLOWERS. 257 00:09:08,128 --> 00:09:10,260 KILLING HER WOULD GIVE HIM INSTANT HIGH PROFILE. 258 00:09:10,260 --> 00:09:12,052 Beckett: OR HE COULD JUST BE USING SOCIAL MEDIA 259 00:09:12,052 --> 00:09:14,344 TO HIDE HIS TRUE MOTIVES FOR KILLING HER. 260 00:09:14,344 --> 00:09:16,847 Beckett: EITHER WAY, MAYBE THESE PHOTOS COULD HELP US FIND HIM. 261 00:09:16,847 --> 00:09:18,268 YEAH, I'LL GET WITH TORY. WE'LL ANALYZE THE PHOTOS, 262 00:09:18,268 --> 00:09:19,980 SEE IF WE CAN PULL SOME IMAGES OFF THE REFLECTIONS. 263 00:09:19,980 --> 00:09:21,602 AND I'LL GO THROUGH HIS ACCOUNT, 264 00:09:21,602 --> 00:09:24,354 SEE IF HE POSTED ANYTHING ELSE THAT COULD HELP US I.D. HIM. 265 00:09:24,354 --> 00:09:25,445 WHERE YOU GUYS GOING? 266 00:09:25,445 --> 00:09:26,737 STRAIGHT TO THE SOURCE -- 267 00:09:26,737 --> 00:09:28,819 MAYBE SNAPPAMATIC CAN GIVE US AN IDEA 268 00:09:28,819 --> 00:09:30,530 WHO HE IS OR WHERE TO FIND HIM. 269 00:09:33,193 --> 00:09:35,245 ACTUALLY, I.D.'ing AND LOCATING USERS 270 00:09:35,245 --> 00:09:37,197 ARE TWO THINGS WE JUST CAN'T DO. 271 00:09:37,197 --> 00:09:38,328 CAN'T OR WON'T? 272 00:09:38,328 --> 00:09:39,329 Oren: CAN'T. 273 00:09:39,329 --> 00:09:41,872 SNAPPAMATIC WAS DESIGNED FOR PRIVACY. 274 00:09:41,872 --> 00:09:43,624 IT RUNS ON A SOFTWARE PLATFORM 275 00:09:43,624 --> 00:09:45,585 THAT ANONYMIZES ALL OF OUR USERS. 276 00:09:45,585 --> 00:09:47,207 I BET THAT WAS A REAL SELLING POINT FOR THE KILLER. 277 00:09:47,207 --> 00:09:51,672 LOOK, NO ONE IS MORE UPSET ABOUT THIS THAN WE ARE. 278 00:09:51,672 --> 00:09:53,013 I BET ABBY SMITH WAS. 279 00:09:53,013 --> 00:09:55,846 ONE OF YOUR USERS KILLED HER, 280 00:09:55,846 --> 00:09:57,427 AND YOU'RE TRYING TO TELL ME THAT YOU CAN'T HELP US. 281 00:09:57,427 --> 00:09:59,640 WE'RE TRYING. EVAN'S COMBING THE GUY'S ACCOUNT, 282 00:09:59,640 --> 00:10:02,182 BUT ALL YOU NEED TO REGISTER IS A VALID E-MAIL ADDRESS. 283 00:10:02,182 --> 00:10:05,065 WHICH ISN'T VALID ANYMORE, BY THE WAY, SO NO HELP THERE. 284 00:10:05,065 --> 00:10:08,028 WHAT WE CAN DO IS SUSPEND HIS ACCOUNT SO HE CAN'T POST. 285 00:10:08,028 --> 00:10:10,030 UH, WELL, THE REASON HE'S POSTING IN THE FIRST PLACE 286 00:10:10,030 --> 00:10:10,991 IS BECAUSE HE WANTS ATTENTION. 287 00:10:10,991 --> 00:10:13,073 HE NEEDS TO COMMUNICATE. EXACTLY. 288 00:10:13,073 --> 00:10:14,404 HE LIKES TO SHARE, SO LET HIM. 289 00:10:14,404 --> 00:10:17,037 MAYBE HE'S GONNA SHARE SOMETHING THAT HE DIDN'T INTEND TO. 290 00:10:17,037 --> 00:10:20,000 NOW, TAKE THE PICTURES DOWN BUT LEAVE THE ACCOUNT UP. 291 00:10:20,000 --> 00:10:22,332 W-WE'D RATHER NOT HAVE THE SNAPPAMATIC BRAND 292 00:10:22,332 --> 00:10:24,204 ASSOCIATED WITH A MURDERER. 293 00:10:24,204 --> 00:10:25,585 IT ALREADY IS. 294 00:10:25,585 --> 00:10:27,457 IT'S OUR PIPELINE DIRECTLY TO THE KILLER. 295 00:10:27,457 --> 00:10:28,669 THE ACCOUNT STAYS OPEN. 296 00:10:28,669 --> 00:10:30,801 Castle: CONSIDER THE BRIGHT SIDE, GENTLEMEN -- 297 00:10:30,801 --> 00:10:33,213 THE TRAFFIC FOR YOUR SITE WILL BE THROUGH THE ROOF. 298 00:10:34,675 --> 00:10:36,556 I THINK I GOT SOMETHING. 299 00:10:38,558 --> 00:10:40,260 I WAS DIGGING THROUGH THE METADATA 300 00:10:40,260 --> 00:10:42,763 AND FOUND A GEOTAG ANOMALY ON ONE OF THE PICTURES. 301 00:10:42,763 --> 00:10:44,224 WHAT KIND OF AN ANOMALY? 302 00:10:44,224 --> 00:10:46,146 OKAY, SO, THE GEOTAG HOLDS GPS COORDINATES, 303 00:10:46,146 --> 00:10:48,228 USUALLY OF WHERE A PHOTO WAS TAKEN. 304 00:10:48,228 --> 00:10:49,649 USUALLY BUT NOT ALWAYS? 305 00:10:49,649 --> 00:10:52,072 NOT IF THE CAMERA LOSES ITS GPS SIGNAL. 306 00:10:52,072 --> 00:10:52,983 IN THAT CASE, 307 00:10:52,983 --> 00:10:55,115 A GEOTAG IS ASSIGNED WHEN THE PHOTO IS UPLOADED. 308 00:10:55,115 --> 00:10:57,738 SO, THE KILLER LOST HIS GPS SIGNAL, DIDN'T NOTICE... 309 00:10:57,738 --> 00:11:00,240 AND THEN WHEN HE POSTED HIS PHOTOS ONTO SNAPPAMATIC, 310 00:11:00,240 --> 00:11:02,042 HE ACCIDENTALLY REVEALED HIS LOCATION. 311 00:11:02,042 --> 00:11:03,834 WH-WHAT ARE THE COORDINATES? 312 00:11:03,834 --> 00:11:05,706 Esposito: TORY PLOTTED THE LONGITUDE AND LATITUDE OF THE GEOTAG, 313 00:11:05,706 --> 00:11:07,167 AND WE GOT AN ADDRESS IN DOWNTOWN MANHATTAN. 314 00:11:07,167 --> 00:11:09,209 AND WHAT'S THERE? 315 00:11:09,209 --> 00:11:11,171 IT'S A VINTAGE FURNITURE STORE. 316 00:11:11,171 --> 00:11:12,292 W-W-WOOD -- WOOD -- WOOD VARNISH. 317 00:11:12,292 --> 00:11:13,844 THAT EXPLAINS THE SMUDGE ON THE NOTE. 318 00:11:13,844 --> 00:11:16,006 OKAY, LET'S GET THE NAMES OF EVERYONE THAT WORKS THERE. 319 00:11:16,006 --> 00:11:17,057 We already did. 320 00:11:17,057 --> 00:11:19,429 IT'S A ONE-MAN SHOP OWNED BY ONE BILL GARRETT. 321 00:11:19,429 --> 00:11:20,600 Turns out he used to be a cop 322 00:11:20,600 --> 00:11:22,062 until he had a nervous breakdown. 323 00:11:22,062 --> 00:11:24,264 AND GET THIS -- HE WORKED IN THE CYBER DIVISION. 324 00:11:24,264 --> 00:11:25,685 WHICH MEANS HE WOULD KNOW 325 00:11:25,685 --> 00:11:27,567 HIS WAY AROUND THE WEB AND SOCIAL MEDIA. 326 00:11:27,567 --> 00:11:29,229 BRING HIM IN. 327 00:11:29,229 --> 00:11:31,862 [ SIREN WAILS ] 328 00:11:31,862 --> 00:11:34,074 BILL GARRETT. NYPD. 329 00:11:34,074 --> 00:11:35,235 KEEP YOUR HANDS WHERE WE CAN SEE THEM. 330 00:11:35,235 --> 00:11:37,407 ON YOUR KNEES. YOU KNOW THE DRILL. 331 00:11:47,037 --> 00:11:49,089 GETTING BROUGHT IN HERE 332 00:11:49,089 --> 00:11:51,211 IS NO WAY TO TREAT A FELLOW OFFICER. 333 00:11:51,211 --> 00:11:54,214 MR. GARRETT, WE FOUND THESE WHEN WE SEARCHED YOUR SHOP. 334 00:11:56,096 --> 00:11:58,638 I RE-FINISH FURNITURE. OF COURSE I HAVE AWLS. 335 00:11:58,638 --> 00:12:01,551 AWLS THAT MATCH THE STAB WOUNDS IN HER NECK? 336 00:12:02,803 --> 00:12:04,765 [ SCOFFS ] IF YOU THINK I MURDERED THIS GIRL, 337 00:12:04,765 --> 00:12:06,016 YOU'RE OUT OF YOUR MIND. 338 00:12:06,016 --> 00:12:08,058 WE ALSO FOUND THIS CELLPHONE. 339 00:12:08,058 --> 00:12:09,269 KEEP IT FOR EMERGENCIES. 340 00:12:09,269 --> 00:12:10,400 EMERGENCIES? 341 00:12:10,400 --> 00:12:12,402 LIKE, UH, SNAPPING PHOTOS? 342 00:12:14,614 --> 00:12:18,408 YOU SEE, EVEN WHEN YOU DELETE THEM, 343 00:12:18,408 --> 00:12:20,410 THEY CAN STILL BE RECOVERED. 344 00:12:20,410 --> 00:12:22,122 ALL RIGHT, WHAT IS THIS? I DIDN'T TAKE THOSE. 345 00:12:22,122 --> 00:12:23,864 THEN HOW DID THEY END UP ON YOUR PHONE? 346 00:12:23,864 --> 00:12:27,167 AND WHY WERE THEY UPLOADED TO SNAPPAMATIC 347 00:12:27,167 --> 00:12:28,328 USING YOUR WIFI NETWORK? 348 00:12:28,328 --> 00:12:29,539 I DON'T UPLOAD PHOTOS. 349 00:12:29,539 --> 00:12:31,631 I DON'T EVEN GO NEAR THE WEB UNLESS I HAVE TO. 350 00:12:31,631 --> 00:12:33,003 AND THEN THERE'S THE TEXT TO ABBY 351 00:12:33,003 --> 00:12:34,925 AND THE WOOD VARNISH ON THIS NOTE, 352 00:12:34,925 --> 00:12:37,377 WHICH WE'RE GONNA TRACE RIGHT BACK TO YOUR SHOP. 353 00:12:37,377 --> 00:12:38,508 IT'S OVER. 354 00:12:38,508 --> 00:12:41,381 YOUR BEST BET IS TO CUT A DEAL. 355 00:12:41,381 --> 00:12:44,474 THIS IS A MISTAKE. 356 00:12:45,976 --> 00:12:49,189 WORKING CYBER UNIT MUST HAVE TAKEN ITS TOLL. 357 00:12:49,189 --> 00:12:51,231 IT HAD TO HAVE BEEN DIFFICULT. 358 00:12:51,231 --> 00:12:52,732 SEEING THE DARKEST SIDE OF THE WEB -- 359 00:12:52,732 --> 00:12:54,064 THAT MUST HAVE CHANGED YOU. 360 00:12:54,064 --> 00:12:56,817 MAYBE THAT'S WHY YOU LEFT AND DID WHAT YOU DID. 361 00:12:56,817 --> 00:12:58,198 I DIDN'T DO ANYTHING. 362 00:12:58,198 --> 00:13:01,241 AND I QUIT CYBER BECAUSE A FRAT BOY DATE-RAPED A GIRL, 363 00:13:01,241 --> 00:13:02,863 POSTED THE PHOTOS ONLINE, AND GOT AWAY WITH IT, 364 00:13:02,863 --> 00:13:05,665 SO I FLIPPED OUT AND I PUT HIM IN THE HOSPITAL. 365 00:13:05,665 --> 00:13:08,038 I DID NOT HURT THIS GIRL. 366 00:13:08,038 --> 00:13:09,910 I DO NOT KNOW HER. 367 00:13:09,910 --> 00:13:11,461 WHERE WERE YOU AT 10:30 P.M.? 368 00:13:11,461 --> 00:13:13,543 I WAS AT HOME. WITH WHO? 369 00:13:13,543 --> 00:13:15,335 NOBODY. 370 00:13:15,335 --> 00:13:18,128 I WAS ALONE. 371 00:13:18,128 --> 00:13:20,470 [ CELLPHONE BUZZES ] 372 00:13:29,139 --> 00:13:32,772 THIS WAS JUST POSTED TO THE NET SLAYER'S ACCOUNT. 373 00:13:34,064 --> 00:13:38,028 THAT'S YOU GUYS ARRESTING GARRETT. 374 00:13:38,028 --> 00:13:40,150 WAIT, WHAT'S THIS? 375 00:13:41,281 --> 00:13:43,153 "WRONG SUSPECT, NYPD. 376 00:13:43,153 --> 00:13:44,704 "I'M STILL HERE. 377 00:13:44,704 --> 00:13:46,656 WHAT WILL I DO NEXT?" 378 00:13:46,656 --> 00:13:48,158 SO, EITHER GARRETT WAS FRAMED... 379 00:13:48,158 --> 00:13:49,619 OR SOMEHOW, HE PULLED THIS OFF 380 00:13:49,619 --> 00:13:51,371 TO MAKE IT LOOK LIKE HE WAS FRAMED. 381 00:13:51,371 --> 00:13:54,334 WHOEVER THIS IS, HE JUST TOOK THIS TO A WHOLE NEW LEVEL. 382 00:13:54,334 --> 00:13:56,756 HE'S TAUNTING US. [ COMPUTER CHIMES ] 383 00:13:56,756 --> 00:13:57,757 MORE PICTURES ARE COMING IN. 384 00:13:57,757 --> 00:14:00,010 BODY PARTS? 385 00:14:01,421 --> 00:14:04,634 [ COMPUTER CHIMING ] 386 00:14:08,388 --> 00:14:10,680 BODY PARTS, SAUSAGES, A DATE. 387 00:14:10,680 --> 00:14:11,892 WHAT THE HELL IS THIS? 388 00:14:11,892 --> 00:14:12,973 "THE GAME IS ON." 389 00:14:12,973 --> 00:14:14,104 THAT'S A CHALLENGE. THOSE ARE CLUES. 390 00:14:14,104 --> 00:14:15,105 CLUES TO WHAT? 391 00:14:15,105 --> 00:14:17,437 HIS NEXT MURDER. 392 00:14:24,074 --> 00:14:28,868 BODY PARTS, SAUSAGE, NOVEMBER 12th. 393 00:14:28,868 --> 00:14:32,872 BODY PARTS BEING MADE INTO SAUSAGE. 394 00:14:32,872 --> 00:14:37,167 HUMAN SAUSAGES IN NOVEMBER. 395 00:14:37,167 --> 00:14:39,049 I AM NOT GETTING ANYWHERE WITH THIS. 396 00:14:39,049 --> 00:14:42,172 AND YOU'RE SURE? OKAY. THANKS. 397 00:14:42,172 --> 00:14:43,883 GARRETT'S ALIBI CHECKS OUT. 398 00:14:43,883 --> 00:14:46,967 HE ACTIVATED HIS ALARM SYSTEM WHEN HE GOT HOME LAST NIGHT, 399 00:14:46,967 --> 00:14:49,389 AND NO ONE ENTERED OR EXITED UNTIL MORNING. 400 00:14:49,389 --> 00:14:52,272 SO THE KILLER SET HIM UP JUST TO TOY WITH US. 401 00:14:52,272 --> 00:14:56,106 DETECTIVE, THE NEWS MEDIA'S CALLING FOR COMMENT. 402 00:14:56,106 --> 00:14:57,517 1PP WANTS TO KNOW WHAT WE THINK THIS IS. 403 00:14:57,517 --> 00:14:58,939 WE'RE NOT SURE. 404 00:14:58,939 --> 00:15:02,572 THIS COULD BE A CLUE AS TO HIS NEXT VICTIM OR VICTIMS. 405 00:15:02,572 --> 00:15:04,404 EACH IMAGE COULD REPRESENT A DIFFERENT PERSON. 406 00:15:04,404 --> 00:15:05,735 OR IT COULD BE A PICTOGRAM, 407 00:15:05,735 --> 00:15:08,028 WHERE THE IMAGES ADD UP TO A MESSAGE. 408 00:15:08,028 --> 00:15:11,161 TORY'S TRYING TO ANALYZE EACH IMAGE, FIND THEIR SOURCES. 409 00:15:11,161 --> 00:15:12,993 BUT WE THINK THAT THIS COLLAGE 410 00:15:12,993 --> 00:15:16,376 IS FROM ONE PHOTO OF A WOMAN, CAUCASIAN, IN HER 20s. 411 00:15:16,376 --> 00:15:17,958 SO SHE COULD BE OUR NEXT TARGET. 412 00:15:17,958 --> 00:15:19,209 AND GIVEN THE KILLER'S BEHAVIOR, 413 00:15:19,209 --> 00:15:21,131 SHE'S MOST LIKELY SOMEONE WITH A HIGH INTERNET PROFILE, 414 00:15:21,131 --> 00:15:22,882 LIKE ABBY SMITH. 415 00:15:22,882 --> 00:15:23,883 YO. 416 00:15:23,883 --> 00:15:25,545 SO, WE I.D.'d THAT GRILL AS A FOWLER. 417 00:15:25,545 --> 00:15:27,427 WE'RE CHECKING INTO ANYBODY NAMED FOWLER 418 00:15:27,427 --> 00:15:29,049 WHO MIGHT BE BIG ON SOCIAL MEDIA. 419 00:15:29,049 --> 00:15:33,643 AND THAT DATE, NOVEMBER 12th -- ANY SPECIAL SIGNIFICANCE? 420 00:15:33,643 --> 00:15:36,106 WELL, FOR STARTERS, IT TURNS OUT IT IS WORLD PNEUMONIA DAY. 421 00:15:36,106 --> 00:15:38,268 BUT WE'RE ALSO CHECKING INTO ANY NEWS EVENTS, 422 00:15:38,268 --> 00:15:40,400 BIRTHS, DEATHS THAT OCCURRED ON THAT DAY. 423 00:15:40,400 --> 00:15:42,192 Castle: IF IT EVEN IS A DATE. 424 00:15:42,192 --> 00:15:44,274 11, 12, 13 COULD BE PART OF A NUMBER SEQUENCE. 425 00:15:44,274 --> 00:15:45,655 YES, CASTLE, WE'RE ALSO LOOKING INTO THAT, 426 00:15:45,655 --> 00:15:48,448 AS WELL AS ANYONE GARRETT PUT AWAY WHILE HE WAS IN CYBER. 427 00:15:48,448 --> 00:15:49,659 DETECTIVE BECKETT? 428 00:15:51,161 --> 00:15:54,124 I WAS ABLE TO IDENTIFY ONE OF THE IMAGES. 429 00:15:57,747 --> 00:15:58,999 [ COMPUTER BEEPS ] 430 00:15:58,999 --> 00:16:01,081 IT WAS CROPPED FROM THIS PHOTO OF A FOOD BLOGGER 431 00:16:01,081 --> 00:16:02,632 NAMED MARY FUCHS. 432 00:16:02,632 --> 00:16:04,044 WHERE DID YOU FIND THAT PHOTO? 433 00:16:04,044 --> 00:16:07,007 SHE POSTED IT ON HER SNAPPAMATIC FEED A FEW DAYS AGO. 434 00:16:07,007 --> 00:16:10,720 SO MARY FUCHS IS A SNAPPAMATIC USER, JUST LIKE ABBY SMITH. 435 00:16:10,720 --> 00:16:11,931 SHE COULD BE NEXT. 436 00:16:11,931 --> 00:16:13,763 WE NEED TO FIND HER AND BRING HER IN HERE. 437 00:16:13,763 --> 00:16:15,095 I DON'T UNDERSTAND. 438 00:16:15,095 --> 00:16:18,228 WHY WOULD SOMEONE POST PART OF MY PICTURE? 439 00:16:18,228 --> 00:16:20,360 MS. FUCHS, DO THESE IMAGES MEAN ANYTHING TO YOU? 440 00:16:20,360 --> 00:16:22,062 OR THIS DATE? 441 00:16:22,062 --> 00:16:24,364 [ SIGHS ] NO. 442 00:16:24,364 --> 00:16:27,027 I MEAN, I DON'T THINK SO. 443 00:16:27,027 --> 00:16:28,908 WHAT ABOUT ABBY SMITH? DO YOU KNOW HER? 444 00:16:28,908 --> 00:16:31,491 DO YOU HAVE ANY CONNECTION TO HER? 445 00:16:31,491 --> 00:16:33,993 I-I'D NEVER EVEN HEARD OF HER 446 00:16:33,993 --> 00:16:36,116 TILL IT WAS ALL OVER THE NEWS THAT SHE DIED. 447 00:16:36,116 --> 00:16:38,748 IS WHOEVER KILLED HER AFTER ME? 448 00:16:38,748 --> 00:16:40,210 WELL, HAS ANYONE BEEN FOLLOWING YOU? 449 00:16:40,210 --> 00:16:42,001 HAVE YOU RECEIVED ANY THREATENING MESSAGES? 450 00:16:42,001 --> 00:16:44,334 NO, NOTHING LIKE THAT. 451 00:16:44,334 --> 00:16:45,755 YOU'RE A BLOGGER, RIGHT? 452 00:16:45,755 --> 00:16:46,926 WHAT DO YOU BLOG ABOUT? 453 00:16:46,926 --> 00:16:48,218 UH, GERMAN CUISINE. 454 00:16:48,218 --> 00:16:50,180 GERMAN CUISINE? 455 00:16:50,180 --> 00:16:53,223 I'M GERMAN, SO I REVIEW GERMAN RESTAURANTS, 456 00:16:53,223 --> 00:16:56,936 AND I POST RECIPES FOR CLASSIC DISHES LIKE STRUDEL AND -- 457 00:16:56,936 --> 00:17:00,520 AND THE BRATWURST THAT I'M GRILLING IN THE PICTURE. 458 00:17:00,520 --> 00:17:04,854 SO, YOUR SNAPPAMATIC PAGE SAYS THAT YOU HAVE... 459 00:17:04,854 --> 00:17:06,066 47 FOLLOWERS? 460 00:17:06,066 --> 00:17:07,697 YEAH. 461 00:17:07,697 --> 00:17:09,199 I THINK THAT'S PRETTY GOOD, CONSIDERING I JOINED LAST WEEK. 462 00:17:09,199 --> 00:17:10,200 [ CHUCKLES ] 463 00:17:11,281 --> 00:17:12,822 Castle: I DON'T GET IT. 464 00:17:12,822 --> 00:17:16,246 KILLING ABBY PUT THE NET SLAYER ONTO THE BIG STAGE. 465 00:17:16,246 --> 00:17:19,289 TAUNTING THE POLICE ABOUT IT JUST TURNED ON THE KLIEG LIGHTS. 466 00:17:19,289 --> 00:17:21,000 WHY TARGET A NO-NAME LIKE HER? 467 00:17:21,000 --> 00:17:25,165 MAYBE HE'S TRYING TO SEND A MESSAGE THAT NO ONE'S SAFE, 468 00:17:25,165 --> 00:17:28,508 NOT WEB CELEBS OR OBSCURE GERMAN-FOOD BLOGGERS. 469 00:17:28,508 --> 00:17:30,800 WELL, YOU BETTER ADD ARTISTS TO THAT LIST, AS WELL. 470 00:17:30,800 --> 00:17:31,881 TORY JUST I.D.'d ANOTHER ONE OF OUR IMAGES. 471 00:17:31,881 --> 00:17:33,263 IS IT FROM SNAPPAMATIC? 472 00:17:33,263 --> 00:17:35,725 YEAH, FROM THE FEED OF A PAINTER NAMED DANIEL LEEK. 473 00:17:35,725 --> 00:17:39,139 THE IMAGE IS FROM A PHOTO HE TOOK OF ONE OF HIS PIECES. 474 00:17:39,139 --> 00:17:41,141 SEE, THE, UH, EXPIRATION DATE 475 00:17:41,141 --> 00:17:43,853 IS CROPPED FROM THE TOP OF THIS MILK CARTON. 476 00:17:43,853 --> 00:17:47,026 BUT LEEK'S PRETTY LOW ON THE SNAPPAMATIC TOTEM POLE. 477 00:17:47,026 --> 00:17:48,948 HE ONLY HAS ABOUT 2,000 FOLLOWERS. 478 00:17:48,948 --> 00:17:50,110 HECK, MY BLOG HAS MORE THAN THAT. 479 00:17:50,110 --> 00:17:52,112 YOU HAVE A BLOG? 480 00:17:52,112 --> 00:17:54,194 YEAH, YEAH. THE -- THE -- "THE RYAN REPORT." 481 00:17:54,194 --> 00:17:56,696 IT'S THE MUSINGS OF A HOMICIDE DETECTIVE. 482 00:17:56,696 --> 00:17:57,957 YOU HAVEN'T READ IT. 483 00:17:57,957 --> 00:17:59,749 I DON'T -- I -- OH, THE RYAN REPORT! 484 00:17:59,749 --> 00:18:01,161 YEAH, I JUST -- I C-- I THOUGHT, BECAUSE I DIDN'T -- 485 00:18:01,161 --> 00:18:03,463 WELL, IN SPITE OF LEEK'S FOLLOWING, 486 00:18:03,463 --> 00:18:05,004 LET'S TRY TO GET HIM IN. 487 00:18:05,004 --> 00:18:06,166 WELL, THAT'S GOING TO BE DIFFICULT. 488 00:18:06,166 --> 00:18:07,547 HE'S AT AN ART OPENING IN SEATTLE. 489 00:18:07,547 --> 00:18:08,878 HE DOESN'T LIVE IN NEW YORK. 490 00:18:08,878 --> 00:18:10,840 IF HE'S IN SEATTLE, HOW IS HE A POSSIBLE VICTIM? 491 00:18:10,840 --> 00:18:12,882 HE'S NOT. 492 00:18:12,882 --> 00:18:14,013 ROTTEN FRUIT, EXPIRATION DATE. 493 00:18:14,013 --> 00:18:15,014 WHAT'S THE NAME OF THAT PAINTING? 494 00:18:15,014 --> 00:18:17,217 UH, "SPOILED," I THINK. 495 00:18:17,217 --> 00:18:19,389 I KNOW WHAT THE CLUES MEAN. 496 00:18:23,062 --> 00:18:28,858 EXPIRATION DATE ON SPOILED MILK PLUS... 497 00:18:28,858 --> 00:18:34,734 GRILLED BRATWURST EQUALS SPOILED BRATS. 498 00:18:34,734 --> 00:18:37,157 THAT'S THE MESSAGE. YOU GETTING IT? 499 00:18:37,157 --> 00:18:39,329 THAT'S WHAT THE IMAGES MEAN, LEADING US TO...? 500 00:18:39,329 --> 00:18:41,661 SERIOUSLY? 501 00:18:41,661 --> 00:18:43,002 ANYONE HERE BESIDES ME 502 00:18:43,002 --> 00:18:45,205 A CONSUMER OF VAPID ONLINE MAGAZINES? 503 00:18:45,205 --> 00:18:46,206 All: NO. 504 00:18:46,206 --> 00:18:49,209 OKAY. SPOILED BRATS, 505 00:18:49,209 --> 00:18:51,381 AS IN "THE SPOILED BRATS OF SNAPPAMATIC." 506 00:18:51,381 --> 00:18:53,253 FEATURE ARTICLE FROM TWO WEEKS AGO. 507 00:18:53,253 --> 00:18:55,715 IT'S ALL ABOUT RICH KIDS WHO POST PICTURES 508 00:18:55,715 --> 00:18:58,258 OF THEIR EXTRAVAGANT LIFESTYLES ON SNAPPAMATIC. 509 00:18:58,258 --> 00:19:00,760 THAT'S THE KEY TO SOLVING THE CASE. 510 00:19:00,760 --> 00:19:03,393 THE KILLER HAS GIVEN US A PICTOGRAM, AS I PREDICTED, 511 00:19:03,393 --> 00:19:05,525 POINTING US TO THAT ARTICLE. 512 00:19:05,525 --> 00:19:07,187 YEAH, MAYBE, BUT WHAT ABOUT THE THIRD IMAGE? 513 00:19:07,187 --> 00:19:08,688 THE COLLAGE? THIS IS IT. 514 00:19:08,688 --> 00:19:10,270 THIS IS THE PHOTO. 515 00:19:10,270 --> 00:19:12,071 THOSE ARE TATIANA FISHER'S BODY PARTS 516 00:19:12,071 --> 00:19:13,733 FROM THIS PHOTO THAT SHE TOOK 517 00:19:13,733 --> 00:19:15,735 WITH HER BOYFRIEND, CAM MAGANI. 518 00:19:15,735 --> 00:19:18,157 HE POSTED IT ON HIS SNAPPAMATIC FEED. 519 00:19:18,157 --> 00:19:20,990 SPOILED BRAT TATIANA. 520 00:19:20,990 --> 00:19:23,413 SHE HAS OVER A MILLION FOLLOWERS. 521 00:19:23,413 --> 00:19:26,706 GOING AFTER HER WOULD RAISE THE KILLER'S INFAMY TO NEW HEIGHTS. 522 00:19:26,706 --> 00:19:27,997 SHE'S THE NEXT VICTIM. 523 00:19:31,090 --> 00:19:32,091 [ SIRENS WAILING ] 524 00:19:32,091 --> 00:19:34,254 [ TIRES SCREECH ] 525 00:19:38,218 --> 00:19:39,299 TATIANA FISHER. 526 00:19:39,299 --> 00:19:41,391 NYPD. 527 00:19:41,391 --> 00:19:43,223 WE'VE BEEN TRYING TO GET AHOLD OF YOU AND CAM MAGANI. 528 00:19:43,223 --> 00:19:44,724 WE HAVE REASON TO BELIEVE 529 00:19:44,724 --> 00:19:46,896 THAT YOU MIGHT BE THE NET SLAYER'S NEXT TARGET. 530 00:19:46,896 --> 00:19:49,309 THAT'S INSANE. HE WOULDN'T DARE. 531 00:19:49,309 --> 00:19:51,611 W-WELL, MAYBE NOT, BUT WE NEED TO TAKE YOU BACK TO THE PRECINCT. 532 00:19:51,611 --> 00:19:53,443 I'M NOT GOING ANYWHERE WITH YOU. 533 00:19:53,443 --> 00:19:54,864 I HAVE A PARTY ON FIRE ISLAND, SO... 534 00:19:54,864 --> 00:19:56,486 MA'AM, THIS IS A POTENTIALLY DANGEROUS SITUATION. 535 00:19:56,486 --> 00:19:58,197 DID YOU JUST CALL ME "MA'AM"? 536 00:19:58,197 --> 00:20:00,660 LOOK, I'LL MAKE IT SIMPLE FOR YOU, OKAY? 537 00:20:00,660 --> 00:20:02,161 CAN YOU FORCE ME TO GO WITH YOU, YES OR NO? 538 00:20:03,663 --> 00:20:05,084 NO. 539 00:20:05,084 --> 00:20:06,996 WELL, THEN. BYE-BYE. 540 00:20:06,996 --> 00:20:08,918 WAIT, MISS FISHER. 541 00:20:08,918 --> 00:20:12,171 MISS FISHER, PLEASE, JUST GIVE US -- 542 00:20:12,171 --> 00:20:14,043 AAH! 543 00:20:14,043 --> 00:20:15,385 OH, MY GOD, CAM! 544 00:20:22,141 --> 00:20:23,433 Female reporter: THE INTERNET IS ABUZZ TODAY 545 00:20:23,433 --> 00:20:24,844 WITH NEWS OF A SERIAL KILLER STALKING SOCIAL MEDIA. 546 00:20:24,844 --> 00:20:26,266 Male reporter: REPRESENTATIVES OF SNAPPAMATIC, 547 00:20:26,266 --> 00:20:28,107 THE ONLINE PHOTO-SHARING APP, HAVE RELEASED A STATEMENT 548 00:20:28,107 --> 00:20:31,060 SAYING THAT THEY ARE COOPERATING WITH AUTHORITIES. 549 00:20:31,060 --> 00:20:33,112 SOCIALITE CAM MAGANI'S BODY WAS FOUND MURDERED 550 00:20:33,112 --> 00:20:36,025 IN THE VEHICLE YOU SEE BEHIND ME. 551 00:20:36,025 --> 00:20:39,028 MAGANI MAY BE THE LATEST VICTIM OF NET SLAYER, 552 00:20:39,028 --> 00:20:40,700 THE MYSTERIOUS ONLINE FIGURE 553 00:20:40,700 --> 00:20:44,163 WHO CLAIMED RESPONSIBILITY FOR THE MURDER OF ABBY SMITH, 554 00:20:44,163 --> 00:20:47,166 THEN POSTED GRUESOME IMAGES OF HER BODY. 555 00:20:47,166 --> 00:20:50,460 WITH THE CITY AND INTERNET ROILING WITH FEAR, 556 00:20:50,460 --> 00:20:54,464 MANY ARE ASKING, "WHO WILL THIS SERIAL KILLER STRIKE NEXT, 557 00:20:54,464 --> 00:20:57,136 AND WHEN WILL AUTHORITIES STOP HIM?" 558 00:20:57,136 --> 00:21:01,180 THIS GUY IS GETTING EXACTLY WHAT HE WANTED -- ATTENTION. 559 00:21:01,180 --> 00:21:03,593 AND IT'S MAKING HIM BOLDER. 560 00:21:03,593 --> 00:21:05,184 SO WHERE DO WE STAND? 561 00:21:05,184 --> 00:21:07,146 SIR, IT LOOKS LIKE THE KILLER HID IN THE BACKSEAT OF CAM'S CAR, 562 00:21:07,146 --> 00:21:09,729 WAITED FOR HIM TO GET IN, AND THEN SLIT HIS THROAT. 563 00:21:09,729 --> 00:21:11,190 HOW DID HE GET IN THE CAR? 564 00:21:11,190 --> 00:21:12,692 WELL, WE'RE NOT SURE, 565 00:21:12,692 --> 00:21:14,814 BUT C.S.U. FOUND PLASTIC FRAGMENTS INSIDE THE DOOR LOCK. 566 00:21:14,814 --> 00:21:15,985 MIGHT BE FROM A LOCK PICK. 567 00:21:15,985 --> 00:21:17,487 Esposito: SO FAR, THERE'S NO PRINTS OR DNA, 568 00:21:17,487 --> 00:21:20,199 AND ALL WE KNOW FOR SURE IS THAT THE KILLER WAS RIGHT-HANDED. 569 00:21:20,199 --> 00:21:22,742 AND WE PAID TOO HIGH A COST FOR THAT KNOWLEDGE. 570 00:21:22,742 --> 00:21:24,744 DETECTIVE, BRING ME SOME GOOD NEWS 571 00:21:24,744 --> 00:21:25,995 BEFORE WE LOSE ANOTHER ONE. 572 00:21:25,995 --> 00:21:28,167 YES, SIR. 573 00:21:28,167 --> 00:21:31,711 CAN'T HELP BUT THINK IF ONLY I'D FIGURED IT OUT SOONER, 574 00:21:31,711 --> 00:21:33,122 MAYBE HE'D STILL BE ALIVE. 575 00:21:33,122 --> 00:21:34,374 IT WOULDN'T HAVE MATTERED. 576 00:21:34,374 --> 00:21:35,835 THE GAME WAS RIGGED FROM THE START. 577 00:21:35,835 --> 00:21:37,216 WE NEVER HAD A CHANCE. 578 00:21:37,216 --> 00:21:38,548 THE KILLER JUST WANTED US TO THINK WE DID. 579 00:21:38,548 --> 00:21:40,550 AND NOW THE NET SLAYER IS GONNA GAIN MORE NOTORIETY 580 00:21:40,550 --> 00:21:41,971 AND MORE FOLLOWERS. 581 00:21:41,971 --> 00:21:43,132 HE ALREADY HAS. 582 00:21:43,132 --> 00:21:45,595 HE'S AT OVER HALF A MILLION SO FAR, 583 00:21:45,595 --> 00:21:47,016 ADDING THOUSANDS MORE BY THE MINUTE. 584 00:21:48,428 --> 00:21:50,770 DETECTIVE BECKETT, TWO MORE PICTURES JUST CAME IN. 585 00:21:50,770 --> 00:21:53,062 SOMETHING DIFFERENT THIS TIME. 586 00:21:53,062 --> 00:21:55,775 THIS ONE WAS UPLOADED FIRST. 587 00:21:55,775 --> 00:21:57,397 PROOF OF DEATH, I GUESS YOU'D CALL IT. 588 00:21:57,397 --> 00:21:59,198 THEN HE SENT THIS ONE. 589 00:22:01,320 --> 00:22:05,074 Beckett: CASTLE, IT'S US BEFORE THE FIRST CRIME SCENE. 590 00:22:06,826 --> 00:22:08,788 Castle: "NYPD IS ON THE CASE. 591 00:22:08,788 --> 00:22:11,871 "FEEL SAFE, NEW YORK? YOU SHOULDN'T. 592 00:22:11,871 --> 00:22:13,252 I'M NOT DONE." 593 00:22:13,252 --> 00:22:15,755 HE'S BEEN WATCHING US FROM THE BEGINNING. 594 00:22:15,755 --> 00:22:18,257 THIS GUY HAS BEEN AHEAD OF US THE WHOLE TIME. 595 00:22:18,257 --> 00:22:20,800 DETECTIVE BECKETT, A WORD? 596 00:22:26,055 --> 00:22:30,179 1PP SAW THAT PICTURE, TOO, AND THEY CALLED ME, 597 00:22:30,179 --> 00:22:32,562 CONCERNED ABOUT YOUR COMMITMENT TO THIS CASE. 598 00:22:32,562 --> 00:22:34,734 SIR, THEY'RE TAKING THAT PHOTO OUT OF CONTEXT. 599 00:22:34,734 --> 00:22:36,185 THE TRUTH DOESN'T MATTER, KATE. 600 00:22:36,185 --> 00:22:38,067 IT'S A PUBLIC-RELATIONS PROBLEM NOW. 601 00:22:38,067 --> 00:22:40,109 THE KILLER JUST TURNED YOU INTO THE POSTER CHILD 602 00:22:40,109 --> 00:22:41,981 FOR THESE MURDERS NOT BEING SOLVED. 603 00:22:41,981 --> 00:22:43,152 SO...WHAT? 604 00:22:43,152 --> 00:22:44,363 THEY WANT TO TAKE ME OFF THE CASE? 605 00:22:44,363 --> 00:22:45,615 I TOLD THEM NO. 606 00:22:45,615 --> 00:22:49,118 I WON'T LET OUR SUSPECT SABOTAGE THIS INVESTIGATION 607 00:22:49,118 --> 00:22:50,830 BY MANIPULATING THE NARRATIVE. 608 00:22:50,830 --> 00:22:54,544 SO, GO HOME, CLEAR YOUR HEAD. 609 00:22:54,544 --> 00:22:58,087 YOU GET BACK HERE AND YOU TAKE HIS ASS DOWN. 610 00:23:05,635 --> 00:23:07,216 THIS IS WHY I HATE SOCIAL MEDIA. 611 00:23:07,216 --> 00:23:09,639 ONCE SOMETHING IS OUT THERE, YOU HAVE NO CONTROL. 612 00:23:09,639 --> 00:23:11,180 PEOPLE CAN TAKE A PRIVATE MOMENT 613 00:23:11,180 --> 00:23:12,852 AND CREATE THEIR OWN CONTEXT. 614 00:23:12,852 --> 00:23:14,974 I MEAN, WE WEREN'T EVEN INVESTIGATING THE MURDER YET, 615 00:23:14,974 --> 00:23:16,776 AND THEY MADE US LOOK LIKE WE WERE BAD COPS. 616 00:23:16,776 --> 00:23:18,277 OR WORSE, LIKE WE DIDN'T CARE. 617 00:23:18,277 --> 00:23:19,278 COME ON, BECKETT. 618 00:23:19,278 --> 00:23:21,150 IT'S THE INTERNET. 619 00:23:21,150 --> 00:23:22,942 NO ONE'S GONNA TAKE THAT PICTURE SERIOUSLY. 620 00:23:22,942 --> 00:23:24,233 1PP DID. 621 00:23:24,233 --> 00:23:26,155 LOOK, IT'S GONNA BLOW OVER, OKAY? 622 00:23:26,155 --> 00:23:28,948 WITH MILLIONS OF ITEMS BEING POSTED EVERY MINUTE, 623 00:23:28,948 --> 00:23:31,370 THIS IS BUT A BLIP ON THE NET CONTINUUM. 624 00:23:33,082 --> 00:23:34,123 [ INHALES SHARPLY ] 625 00:23:34,123 --> 00:23:36,125 YOU KNOW THE PROBLEM WITH ANONYMITY? 626 00:23:36,125 --> 00:23:38,167 THERE IS NO ACCOUNTABILITY. 627 00:23:38,167 --> 00:23:40,379 IT EMPOWERS COWARDS TO BECOME BULLIES, 628 00:23:40,379 --> 00:23:41,671 JUST LIKE THIS GUY. 629 00:23:43,132 --> 00:23:44,844 YOU KNOW WHAT? 630 00:23:45,965 --> 00:23:49,178 MOST BULLIES STARTED OUT AS VICTIMS THEMSELVES. 631 00:23:49,178 --> 00:23:50,810 MAYBE THIS GUY'S LASHING OUT ON THE INTERNET 632 00:23:50,810 --> 00:23:52,181 BECAUSE IT WAS USED AGAINST HIM. 633 00:23:52,181 --> 00:23:54,313 HE WAS A VICTIM OF CYBER CRIME. 634 00:23:54,313 --> 00:23:56,476 AND BILL GARRETT WAS A CYBER COP. 635 00:23:56,476 --> 00:23:58,768 IT CAN'T BE A COINCIDENCE THAT THE KILLER TARGETED HIM. 636 00:23:58,768 --> 00:24:00,980 WE'VE BEEN LOOKING AT PEOPLE GARRETT PUT AWAY... 637 00:24:00,980 --> 00:24:03,943 WHEN WE SHOULD HAVE BEEN LOOKING AT VICTIMS OF HIS CYBER CASES. 638 00:24:03,943 --> 00:24:05,114 OKAY, I'LL GET AHOLD OF GARRETT. 639 00:24:05,114 --> 00:24:06,365 I'LL HAVE HIM LOOK INTO HIS OLD CASE FILES. 640 00:24:06,365 --> 00:24:08,367 OUR KILLER'S GOT TO BE IN THERE SOMEWHERE. 641 00:24:08,367 --> 00:24:10,159 STILL, HOW DID HE GET INTO GARRETT'S SHOP 642 00:24:10,159 --> 00:24:13,032 TO PLANT THE EVIDENCE, OR CAM'S CAR? 643 00:24:13,032 --> 00:24:15,124 Ryan: I'LL TELL YOU HOW -- WITH A KEY. 644 00:24:15,124 --> 00:24:17,166 A KEY THAT HE MADE. 645 00:24:17,166 --> 00:24:18,377 3-D PRINTER. YEAH. 646 00:24:18,377 --> 00:24:20,289 REMEMBER THE FRAGMENTS THAT WE FOUND 647 00:24:20,289 --> 00:24:22,081 IN THE LOCK OF CAM'S ROLLS-ROYCE? 648 00:24:22,081 --> 00:24:23,583 WELL, THEY'RE P.L.A. -- 649 00:24:23,583 --> 00:24:26,045 IT'S A BIOPLASTIC USED IN 3-D PRINTING. 650 00:24:26,045 --> 00:24:29,509 C.S.U. FOUND P.L.A. IN THE LOCKS AT ABBY'S APARTMENT, 651 00:24:29,509 --> 00:24:31,300 AS WELL AS GARRETT'S SHOP. 652 00:24:31,300 --> 00:24:33,012 HOW COULD THE KILLER MAKE A COPY OF THE KEY 653 00:24:33,012 --> 00:24:34,223 WITHOUT THE ORIGINAL? 654 00:24:34,223 --> 00:24:36,435 TURNS OUT, ALL YOU NEED IS A PICTURE. 655 00:24:36,435 --> 00:24:39,438 WHEN CAM BOUGHT THE ROLLS, HE BRAGGED ABOUT IT 656 00:24:39,438 --> 00:24:43,983 BY POSTING A PHOTO OF THE KEY THAT ANYONE COULD THEN DIGITIZE. 657 00:24:43,983 --> 00:24:46,365 SO, JUST AS THE KILLER DID, 658 00:24:46,365 --> 00:24:51,611 I UPLOADED THE PHOTO TO THE PRINTER AND... 659 00:24:52,992 --> 00:24:54,283 ...VOILà. 660 00:24:54,283 --> 00:24:55,414 OUTSTANDING. 661 00:24:55,414 --> 00:24:57,997 IF BY "OUTSTANDING" YOU MEAN "HORRIFYING." 662 00:24:57,997 --> 00:25:01,210 THE KILLER SNAPPED A PHOTO OF THIS KEY 663 00:25:01,210 --> 00:25:02,712 AND THEN MADE A 3-D DUPLICATE OF IT. 664 00:25:02,712 --> 00:25:05,124 WELCOME TO THE FUTURE. 665 00:25:05,124 --> 00:25:06,676 STILL, I GOT TO GET ONE OF THESE. 666 00:25:08,127 --> 00:25:10,089 IS THERE ANY WAY OF FINDING OUT WHERE THE KILLER GOT HIS? 667 00:25:10,089 --> 00:25:11,470 WELL, WE'RE CHECKING. 668 00:25:11,470 --> 00:25:13,302 BUT BETWEEN BRICK-AND-MORTAR AND ONLINE STORES, 669 00:25:13,302 --> 00:25:15,094 WE GOT HUNDREDS OF VENDORS. 670 00:25:15,094 --> 00:25:17,186 WELL, THIS EXPLAINS HOW HE GOT CAM'S KEY, 671 00:25:17,186 --> 00:25:19,939 BUT NOT GARRETT AND ABBY'S. 672 00:25:19,939 --> 00:25:22,692 UH, ABBY NEVER POSTED PHOTOS OF HER KEYS. 673 00:25:22,692 --> 00:25:24,774 A-AND SHE WAS CAREFUL. IT'S NOT LIKE SHE LEFT THEM LYING AROUND. 674 00:25:24,774 --> 00:25:26,145 DID SHE EVER VALET PARK HER CAR? 675 00:25:26,145 --> 00:25:28,317 NO, SHE DIDN'T EVEN DRIVE IT EXCEPT TO GET OUT OF THE CITY. 676 00:25:28,317 --> 00:25:30,149 ANY OF HER FRIENDS HAVE KEYS TO HER PLACE? 677 00:25:30,149 --> 00:25:31,150 NO. 678 00:25:31,150 --> 00:25:32,451 SHE NEVER LET ANYBODY CRASH THERE? 679 00:25:32,451 --> 00:25:35,955 ACTUALLY...ABBY USED TO RENT OUT HER APARTMENT ONLINE 680 00:25:35,955 --> 00:25:37,286 THROUGH A TRAVEL SITE. 681 00:25:37,286 --> 00:25:39,368 THE PEOPLE WHO STAYED -- HOW'D THEY GET HER KEYS? 682 00:25:39,368 --> 00:25:42,371 SHE'D LEAVE THEM UNDER A LOOSE BRICK ON HER STOOP. 683 00:25:42,371 --> 00:25:44,964 SO, I'VE BEEN RUNNING THE PEOPLE THAT RENTED ABBY'S APARTMENT. 684 00:25:44,964 --> 00:25:48,257 WHY WOULD ANYONE LET COMPLETE STRANGERS STAY IN THEIR PLACE? 685 00:25:48,257 --> 00:25:49,548 EXTRA MONEY. 686 00:25:49,548 --> 00:25:53,092 AFTER THIS, I DON'T THINK I'LL BE DOING IT ANYMORE. 687 00:25:53,092 --> 00:25:55,264 SO, ALL THE RENTERS CHECKED OUT, 688 00:25:55,264 --> 00:25:58,728 EXCEPT FOR ONE GUY WHO BOOKED AND NEVER SHOWED UP. 689 00:25:58,728 --> 00:26:01,140 THIS IS FROM AN A.T.M. ACROSS FROM ABBY'S APARTMENT 690 00:26:01,140 --> 00:26:02,812 ON THE DAY HE WAS SUPPOSED TO STAY THERE. 691 00:26:02,812 --> 00:26:04,944 TURNS OUT A GUY DID SHOW UP. CHECK THIS OUT. 692 00:26:04,944 --> 00:26:07,356 [ COMPUTER BEEPING ] 693 00:26:12,281 --> 00:26:14,193 HE TOOK A PICTURE OF HER KEY. 694 00:26:14,193 --> 00:26:15,995 IT'S THE NET SLAYER. IT'S GOT TO BE. 695 00:26:15,995 --> 00:26:18,197 IT'S TOO FAR AWAY AND TOO LOW-RES TO BLOW UP, 696 00:26:18,197 --> 00:26:19,789 BUT WATCH THIS AS HE WALKS AWAY. 697 00:26:21,580 --> 00:26:22,752 THERE. 698 00:26:25,164 --> 00:26:27,376 AND NOW WE HAVE A FACE. 699 00:26:33,592 --> 00:26:35,675 OKAY. WHERE ARE WE ON FINDING THIS MAN? 700 00:26:35,675 --> 00:26:37,216 WE'RE DISTRIBUTING HIS PICTURE. 701 00:26:37,216 --> 00:26:38,768 SO FAR, NONE OF THE VICTIMS' FAMILIES 702 00:26:38,768 --> 00:26:40,099 OR NEIGHBORS RECOGNIZE HIM. 703 00:26:40,099 --> 00:26:42,061 SIR, I'D LIKE TO RELEASE HIS PHOTO TO THE PRESS 704 00:26:42,061 --> 00:26:43,222 AND SOCIAL MEDIA. 705 00:26:43,222 --> 00:26:45,184 LET'S TURN THE TABLES ON THIS GUY. 706 00:26:45,184 --> 00:26:46,936 HE'S TRYING TO HIDE IT, 707 00:26:46,936 --> 00:26:49,028 BUT SOMEONE OUT THERE'S GONNA RECOGNIZE HIS FACE. 708 00:26:49,028 --> 00:26:51,070 YOU'RE RIGHT, AND THAT SOMEONE IS ME. 709 00:26:52,231 --> 00:26:53,943 I WAS GOING OVER HIS CASE FILES 710 00:26:53,943 --> 00:26:55,364 WHEN THE OFFICER SHOWED ME HIS PHOTO. 711 00:26:55,364 --> 00:26:56,946 WHO IS HE? 712 00:26:56,946 --> 00:26:58,738 HIS NAME'S ADAM LANE. 713 00:26:58,738 --> 00:27:00,119 Gates: YOU ARRESTED HIM? 714 00:27:00,119 --> 00:27:01,661 HE WASN'T A CRIMINAL WHEN WE MET. HE WAS A VICTIM. 715 00:27:02,742 --> 00:27:04,874 AND DO YOU HAVE ANY IDEA WHERE HE IS NOW? 716 00:27:04,874 --> 00:27:06,505 I HAVEN'T SEEN OR HEARD FROM LANE IN SIX YEARS. 717 00:27:06,505 --> 00:27:08,507 TOOK ME A MINUTE TO RECOGNIZE HIM 718 00:27:08,507 --> 00:27:10,629 WITH THAT FAKE BEARD HE'S WEARING. 719 00:27:10,629 --> 00:27:11,751 OKAY. 720 00:27:11,751 --> 00:27:13,753 I'LL GET READY TO RELEASE ADAM LANE'S NAME 721 00:27:13,753 --> 00:27:15,174 AND PICTURE TO THE MEDIA. 722 00:27:15,174 --> 00:27:17,216 THERE'S NO CURRENT ADDRESS FOR LANE. 723 00:27:17,216 --> 00:27:18,387 TRY TO FIND ONE. 724 00:27:18,387 --> 00:27:20,179 REACH OUT TO HIS FAMILY AND ANYONE ELSE THAT KNOWS HIM. 725 00:27:20,179 --> 00:27:22,221 IN THE MEANTIME, YOU NEED TO TELL US EVERYTHING YOU KNOW ABOUT ADAM LANE. 726 00:27:25,895 --> 00:27:28,187 LANE WAS IN HIGH SCHOOL BACK THEN. 727 00:27:28,187 --> 00:27:30,029 IT WAS A CYBER-BULLYING CASE. 728 00:27:30,029 --> 00:27:31,901 WHO WAS BULLYING HIM? 729 00:27:31,901 --> 00:27:33,863 HE WAS TAKING A SHOWER WHEN THIS MEATHEAD FOOTBALL PLAYER, 730 00:27:33,863 --> 00:27:35,865 TIM WITHERSPOON, STOLE HIS CLOTHES. 731 00:27:35,865 --> 00:27:37,827 NOW, THIS HAS HAPPENED TO LANE HIS WHOLE LIFE, 732 00:27:37,827 --> 00:27:39,198 BUT THIS TIME, HE WENT BALLISTIC. 733 00:27:39,198 --> 00:27:40,489 THERE HE WAS, BUCK NAKED, 734 00:27:40,489 --> 00:27:42,281 SCREAMING AT WITHERSPOON IN A LOCKER ROOM. 735 00:27:42,281 --> 00:27:43,703 I THINK I KNOW WHERE THE CYBER PART COMES IN. 736 00:27:43,703 --> 00:27:45,084 YEAH, WITHERSPOON SECRETLY RECORDED IT 737 00:27:45,084 --> 00:27:47,626 AND POSTED IT ON HIS MYSPACE PAGE. 738 00:27:47,626 --> 00:27:49,628 [ SIGHS ] SO HE WAS PUBLICLY HUMILIATED. 739 00:27:49,628 --> 00:27:51,460 YEAH, BUT IT WASN'T JUST HUMILIATION. 740 00:27:51,460 --> 00:27:53,592 AFTER THE VIDEO, THE KIDS TURNED ON HIM. 741 00:27:53,592 --> 00:27:57,176 THEY INUNDATED HIM WITH THESE AWFUL, HATEFUL E-MAILS, 742 00:27:57,176 --> 00:27:59,298 AND NO ONE WAS HELD ACCOUNTABLE. 743 00:27:59,298 --> 00:28:00,760 WHY NOT? 744 00:28:00,760 --> 00:28:02,301 THE CYBER-BULLYING LAWS AT THE TIME WERE WEAK. 745 00:28:02,301 --> 00:28:03,803 I GOT THEM TO TAKE THE VIDEO DOWN, 746 00:28:03,803 --> 00:28:07,146 BUT I COULDN'T CONVINCE THE D.A. TO PRESS CHARGES. 747 00:28:07,146 --> 00:28:08,728 I SHOULD'VE TRIED HARDER. 748 00:28:08,728 --> 00:28:10,359 WHAT HAPPENED TO LANE? 749 00:28:10,359 --> 00:28:12,311 EVERYONE HAS THEIR BREAKING POINT, RIGHT? 750 00:28:12,311 --> 00:28:14,363 QUIT SCHOOL, WITHDREW FROM LIFE. 751 00:28:14,363 --> 00:28:15,444 IT RUINED HIM. 752 00:28:15,444 --> 00:28:17,116 Castle: AND NOW HE'S GETTING REVENGE 753 00:28:17,116 --> 00:28:19,278 BY GOING AFTER THE POPULAR KIDS ON SOCIAL MEDIA. 754 00:28:19,278 --> 00:28:21,660 AND TARGETING ME BECAUSE I DIDN'T PROTECT HIM. 755 00:28:21,660 --> 00:28:22,992 NOT JUST YOU -- ALL OF US. 756 00:28:26,125 --> 00:28:27,626 DID HE HAVE ANY FRIENDS? 757 00:28:27,626 --> 00:28:29,749 WAS THERE ANYWHERE HE LIKED TO HANG OUT? 758 00:28:29,749 --> 00:28:32,041 NAH, HE WAS A LONER. COMPUTER GEEK. 759 00:28:32,041 --> 00:28:33,793 HE DIDN'T HAVE ANY FRIENDS. 760 00:28:33,793 --> 00:28:36,926 THAT'S PRETTY MUCH ALL I KNOW. 761 00:28:36,926 --> 00:28:37,967 HEY. 762 00:28:37,967 --> 00:28:40,139 HAVING NO LUCK TRACKING DOWN ADAM LANE. 763 00:28:40,139 --> 00:28:42,181 IT'S LIKE HE WENT OFF THE GRID. 764 00:28:42,181 --> 00:28:46,806 NO TAX RETURNS, NO DRIVER'S LICENSE, NO JOB, 765 00:28:46,806 --> 00:28:49,148 EXCEPT FOR A STINT AT A FUNERAL HOME THREE YEARS AGO. 766 00:28:49,148 --> 00:28:50,689 THAT MUST BE HOW HE KNOWS ABOUT ANATOMY. 767 00:28:50,689 --> 00:28:51,730 WHAT ABOUT HIS PARENTS? 768 00:28:51,730 --> 00:28:53,192 UH, FATHER WASN'T IN THE PICTURE. 769 00:28:53,192 --> 00:28:54,733 MOTHER DIED ABOUT A YEAR AGO. 770 00:28:54,733 --> 00:28:56,155 Esposito: HEY, GET THIS -- 771 00:28:56,155 --> 00:28:57,987 I RAN DOWN TIM WITHERSPOON, LANE'S BULLY. 772 00:28:57,987 --> 00:29:00,659 TURNS OUT HE'S DEAD. 773 00:29:00,659 --> 00:29:01,861 UNSOLVED HOMICIDE. 774 00:29:01,861 --> 00:29:04,363 HE WAS STABBED IN HIS APARTMENT 10 MONTHS AGO. 775 00:29:04,363 --> 00:29:05,664 THAT'S RIGHT AFTER LANE'S MOTHER DIED. 776 00:29:05,664 --> 00:29:06,866 MAYBE THAT'S WHAT TRIGGERED HIM. 777 00:29:06,866 --> 00:29:09,708 SO, HE MURDERED WITHERSPOON, TOOK HIS REVENGE, 778 00:29:09,708 --> 00:29:11,791 BUT THAT WASN'T ENOUGH FOR HIM. 779 00:29:11,791 --> 00:29:13,042 WHERE DID LANE AND HIS MOM LIVE? 780 00:29:13,042 --> 00:29:14,834 WELL, THE APARTMENT SOLD WHEN SHE DIED, 781 00:29:14,834 --> 00:29:17,006 BUT THEY LIVED ON AVENUE C AT EAST 5th. 782 00:29:17,006 --> 00:29:19,048 Esposito: THAT'S THE LOWER EAST SIDE. 783 00:29:19,048 --> 00:29:20,379 EVER SINCE WE RELEASED LANE'S PHOTO, 784 00:29:20,379 --> 00:29:22,591 WE'VE HAD MULTIPLE TIPS THAT HE'D BEEN SEEN IN THAT AREA. 785 00:29:22,591 --> 00:29:25,014 ANTI-SOCIAL KID LIKE LANE WHO'S NEVER MADE HIS WAY IN THE WORLD 786 00:29:25,014 --> 00:29:27,226 IS GONNA STAY WITH WHAT'S FAMILIAR. 787 00:29:27,226 --> 00:29:29,228 LOWER EAST SIDE'S THE ONLY NEIGHBORHOOD HE'S EVER KNOWN. 788 00:29:29,228 --> 00:29:30,890 WHO BOUGHT HIS MOTHER'S PLACE? 789 00:29:30,890 --> 00:29:32,601 UH... OLD RUSSIAN COUPLE. 790 00:29:32,601 --> 00:29:34,854 BUT THE BASEMENT IS A RENTAL UNIT. 791 00:29:34,854 --> 00:29:37,026 WHO WANTS TO BET LANE'S STILL LIVING THERE? 792 00:29:53,252 --> 00:29:56,005 ADAM LANE, YOU'RE UNDER ARREST FOR MURDER. 793 00:29:57,626 --> 00:29:59,178 Lane: [ LAUGHS ] 794 00:29:59,178 --> 00:30:00,469 WHAT'S SO FUNNY? 795 00:30:00,469 --> 00:30:03,132 YOU'LL SEE. [ CELLPHONE BUZZES ] 796 00:30:09,058 --> 00:30:11,060 BECKETT. 797 00:30:11,060 --> 00:30:13,062 WE GOT A PROBLEM. BECKETT: What's the problem? 798 00:30:13,062 --> 00:30:14,643 WE GOT ADAM LANE IN CUSTODY. 799 00:30:14,643 --> 00:30:16,195 ESPOSITO: Well, he's got people in custody, too. 800 00:30:16,195 --> 00:30:17,987 It just showed up on the Net Slayer feed. 801 00:30:17,987 --> 00:30:19,028 WHAT PEOPLE? 802 00:30:19,028 --> 00:30:21,490 OREN AND KENT WILDER FROM SNAPPAMATIC. 803 00:30:23,152 --> 00:30:26,155 [ COMPUTER CHIMING ] 804 00:30:28,287 --> 00:30:29,708 THEY'RE ABOUT TO BE HIS NEXT VICTIMS. 805 00:30:41,090 --> 00:30:42,091 [ COMPUTER CHIMES ] 806 00:30:42,091 --> 00:30:43,132 Castle: "LIKE ME OR I DIE." 807 00:30:43,132 --> 00:30:45,014 IT'S A POPULARITY CONTEST. 808 00:30:45,014 --> 00:30:46,015 AND KENT IS LOSING. 809 00:30:46,015 --> 00:30:47,226 [ COMPUTER CHIMES ] 810 00:30:47,226 --> 00:30:49,228 THESE GUYS' PHOTOS UPDATE EVERY FIVE SECONDS, 811 00:30:49,228 --> 00:30:50,019 ALONG WITH THEIR VOTES. 812 00:30:50,019 --> 00:30:51,850 THEY'RE BOTH ATTACHED TO ELECTRICAL LEADS. 813 00:30:51,850 --> 00:30:53,272 WHICH PROBABLY LEAD TO A POWER SUPPLY 814 00:30:53,272 --> 00:30:54,393 CONTROLLED BY A COMPUTER. 815 00:30:54,393 --> 00:30:56,605 THAT COUNTDOWN STARTED AT ONE HOUR. 816 00:30:56,605 --> 00:30:58,027 ONCE IT REACHES ZERO... 817 00:30:58,027 --> 00:30:59,278 WHICHEVER BROTHER HAS THE LEAST VOTES 818 00:30:59,278 --> 00:31:00,569 GETS HIS HEART STOPPED. 819 00:31:00,569 --> 00:31:01,860 OR THEY BOTH DO. 820 00:31:01,860 --> 00:31:03,032 [ SIGHS ] 821 00:31:03,032 --> 00:31:04,984 IT'S THE ULTIMATE ATTACK ON SOCIAL MEDIA. 822 00:31:04,984 --> 00:31:06,115 AND US. 823 00:31:06,115 --> 00:31:08,037 HE WANTS US TO FEEL POWERLESS. 824 00:31:08,037 --> 00:31:11,080 THOSE GUYS ARE GONNA DIE EVEN THOUGH HE'S IN CUSTODY. 825 00:31:11,080 --> 00:31:12,041 NOT IF WE GET TO THEM FIRST. 826 00:31:12,041 --> 00:31:13,042 Esposito: IN 37 MINUTES? 827 00:31:13,042 --> 00:31:15,164 HOW ARE WE GONNA DO THAT? 828 00:31:15,164 --> 00:31:16,835 THEY'RE IN FRONT OF TARPS. 829 00:31:16,835 --> 00:31:18,497 THERE'S NO BACKGROUND DETAIL. 830 00:31:18,497 --> 00:31:21,090 THESE GUYS COULD BE ANYWHERE. 831 00:31:21,090 --> 00:31:22,301 MAYBE EVEN IN SEPARATE PLACES. 832 00:31:22,301 --> 00:31:23,762 GO TO THE SNAPPAMATIC OFFICES. 833 00:31:23,762 --> 00:31:25,344 MAYBE THEY'LL HELP US TRACK DOWN THE SOURCE OF THESE PHOTOS 834 00:31:25,344 --> 00:31:27,466 NOW THAT KENT AND OREN'S LIVES ARE AT STAKE. 835 00:31:28,847 --> 00:31:31,720 WHAT ARE YOU GONNA DO? 836 00:31:31,720 --> 00:31:34,013 I'M GONNA MAKE ADAM LANE TALK. 837 00:31:46,695 --> 00:31:49,448 SO, WHO'S AHEAD, OREN OR KENT? 838 00:31:49,448 --> 00:31:52,201 TIME ISN'T JUST RUNNING OUT FOR THEM, ADAM. 839 00:31:52,201 --> 00:31:54,583 IT'S RUNNING OUT FOR YOU, AS WELL. 840 00:31:54,583 --> 00:31:57,036 YOUR ONE AND ONLY WINDOW OF OPPORTUNITY 841 00:31:57,036 --> 00:31:58,337 IS ABOUT TO CLOSE. 842 00:31:58,337 --> 00:32:01,630 GOT NOTHING TO SAY. 843 00:32:01,630 --> 00:32:03,342 LOOK, I'M NOT GONNA LIE TO YOU. 844 00:32:03,342 --> 00:32:04,923 YOU ARE GOING TO PRISON. 845 00:32:04,923 --> 00:32:07,006 BUT IF YOU TELL ME WHERE KENT AND OREN ARE, 846 00:32:07,006 --> 00:32:10,009 THEN YOU CAN STILL CONTROL WHAT KIND OF PRISON. 847 00:32:10,009 --> 00:32:12,551 WHAT'S THE EXPRESSION? 848 00:32:12,551 --> 00:32:14,974 THREE HOTS AND A COT? 849 00:32:14,974 --> 00:32:16,515 WORKS FOR ME. 850 00:32:16,515 --> 00:32:19,058 YEAH, WELL, YOU'RE NOT GONNA BE SAYING THAT 851 00:32:19,058 --> 00:32:20,980 IF YOU GET SENT TO THE SUPERMAX UNIT, 852 00:32:20,980 --> 00:32:24,943 WHERE WE PUT OUR MOST DANGEROUS AND VIOLENT INMATES. 853 00:32:24,943 --> 00:32:28,988 YOU'LL BE ON LOCKDOWN THERE 24/7 FOR THE REST OF YOUR LIFE. 854 00:32:28,988 --> 00:32:32,161 CAN'T BE ANY WORSE THAN HIGH SCHOOL. 855 00:32:32,161 --> 00:32:33,162 REALLY? 856 00:32:33,162 --> 00:32:35,995 AND YOU THINK THAT YOU WERE BULLIED? 857 00:32:35,995 --> 00:32:40,339 WELL, PRISON IS GOING TO TAKE YOU PLACES 858 00:32:40,339 --> 00:32:43,042 THAT YOU CAN'T IMAGINE. 859 00:32:43,042 --> 00:32:46,635 GUY LIKE YOU, YOUNG, TEACHABLE. 860 00:32:46,635 --> 00:32:48,427 DOESN'T MATTER. 861 00:32:48,427 --> 00:32:50,219 I ALREADY HAVE WHAT I WANT. 862 00:32:50,219 --> 00:32:52,351 AND WHAT DO YOU THINK YOU HAVE? 863 00:32:52,351 --> 00:32:54,513 A LEGACY. 864 00:32:54,513 --> 00:32:57,096 THE INTERNET IS PERMANENT. 865 00:32:57,096 --> 00:33:00,099 THE NET SLAYER WILL LIVE FOREVER. 866 00:33:00,099 --> 00:33:02,151 I'LL BE MENTIONED IN THE SAME BREATH 867 00:33:02,151 --> 00:33:03,442 AS MANSON AND THE ZODIAC. 868 00:33:03,442 --> 00:33:08,407 AND...IF I COMMIT A MURDER WHILE IN POLICE CUSTODY, 869 00:33:08,407 --> 00:33:11,490 WHILE LOOKING YOU IN THE EYE, 870 00:33:11,490 --> 00:33:14,993 I COULD ARGUE I DID THEM ONE BETTER. 871 00:33:14,993 --> 00:33:18,997 THERE'S NOTHING YOU CAN DO TO STOP ME. 872 00:33:18,997 --> 00:33:21,290 ADAM, YOU NEED HELP. 873 00:33:21,290 --> 00:33:22,671 YOU'RE SICK. 874 00:33:22,671 --> 00:33:25,044 LET ME GET YOU -- I'M SICK? 875 00:33:26,885 --> 00:33:28,177 [ SCOFFS ] 876 00:33:28,177 --> 00:33:31,130 NOBODY HAD TO FOLLOW ME. 877 00:33:31,130 --> 00:33:34,053 NO ONE HAS TO VOTE FOR KENT OR OREN. 878 00:33:34,053 --> 00:33:35,094 BUT THEY CAN'T HELP THEMSELVES. 879 00:33:35,094 --> 00:33:36,595 THEY -- THEY WANT TO BE A PART OF IT. 880 00:33:36,595 --> 00:33:41,019 THEY HAVE TO WATCH. SO...WHO IS REALLY SICK? 881 00:33:43,602 --> 00:33:46,065 HE WASN'T ALWAYS LIKE THAT. 882 00:33:46,065 --> 00:33:47,816 IF I COULD GO BACK AND DO IT OVER AGAIN... 883 00:33:47,816 --> 00:33:50,109 YOU DIDN'T MAKE HIM THIS WAY. 884 00:33:50,109 --> 00:33:51,240 YEAH, BUT I DIDN'T STOP IT. 885 00:33:51,240 --> 00:33:52,991 AND NOW I CAN'T STOP THESE TWO GUYS FROM DYING. 886 00:33:52,991 --> 00:33:57,035 IF ANYONE CAN BREAK HIM, IT'S DETECTIVE BECKETT. 887 00:33:57,035 --> 00:34:00,119 AND THERE'S STILL A CHANCE SNAPPAMATIC CAN HELP US. 888 00:34:04,163 --> 00:34:05,003 HOW WE DOING? 889 00:34:05,003 --> 00:34:06,755 CODING'S NOT LIKE FLIPPING A SWITCH. 890 00:34:06,755 --> 00:34:08,006 IT TAKES A LITTLE WHILE. 891 00:34:08,006 --> 00:34:09,668 WE DON'T HAVE A WHILE, EVAN. 892 00:34:09,668 --> 00:34:12,131 WE HAVE...15 MINUTES TO FIND THESE GUYS. 893 00:34:12,131 --> 00:34:13,552 I'M GOING AS FAST AS I CAN. 894 00:34:13,552 --> 00:34:15,094 KENT WAS WORKING ON A SOFTWARE PATCH 895 00:34:15,094 --> 00:34:17,015 THAT WOULD DISABLE THE PROGRAM'S PRIVACY PROTOCOLS. 896 00:34:17,015 --> 00:34:18,137 AND IF WE DISABLE THE PROTOCOLS, 897 00:34:18,137 --> 00:34:20,179 WE CAN TRACK WHERE THESE PHOTOS ARE COMING FROM? 898 00:34:20,179 --> 00:34:21,180 YES. YEAH. 899 00:34:21,180 --> 00:34:22,231 I MEAN, IN THEORY. 900 00:34:22,231 --> 00:34:23,522 THE THING IS, WE'VE NEVER DONE IT BEFORE. 901 00:34:23,522 --> 00:34:24,813 I DON'T KNOW IF IT'LL WORK. 902 00:34:28,066 --> 00:34:31,650 OUR CANVASS DIDN'T TURN UP A SINGLE WITNESS TO THE ABDUCTION. 903 00:34:31,650 --> 00:34:33,152 WE'RE NOWHERE, BRO. 904 00:34:33,152 --> 00:34:34,323 TELL ME YOU GOT SOMETHING. 905 00:34:34,323 --> 00:34:36,115 ABOUT TO FIND OUT. 906 00:34:36,115 --> 00:34:38,537 OKAY, LET'S DO THIS. 907 00:34:41,460 --> 00:34:44,833 [ COMPUTERS BEEPING, WHIRRING ] 908 00:34:44,833 --> 00:34:46,335 WHAT HAPPENED? 909 00:34:46,335 --> 00:34:49,168 SYSTEM CRASH. WE'RE LOCKED OUT. 910 00:34:49,168 --> 00:34:50,669 WELL, GET IT BACK UP. 911 00:34:50,669 --> 00:34:52,301 WE GOT 15 MINUTES BEFORE THESE GUYS ARE DEAD. 912 00:34:52,301 --> 00:34:54,973 IT TAKES 20 MINUTES TO REBOOT. 913 00:34:58,056 --> 00:34:59,348 Garrett: WHAT JUST HAPPENED? 914 00:34:59,348 --> 00:35:01,850 WHATEVER THEY WERE TRYING DIDN'T GO WELL. THE SITE JUST CRASHED. 915 00:35:01,850 --> 00:35:03,722 SO THERE'S NO WAY TO TRACE THOSE FEEDS OF OREN AND KENT 916 00:35:03,722 --> 00:35:05,144 AND THE TIMER WILL JUST KEEP COUNTING DOWN 917 00:35:05,144 --> 00:35:07,776 UNTIL ONE OF THEM IS DEAD? 918 00:35:07,776 --> 00:35:10,399 IT'S ALL UP TO BECKETT NOW. 919 00:35:10,399 --> 00:35:12,030 ADAM, JUST ANSWER ONE QUESTION, 920 00:35:12,030 --> 00:35:13,282 AND IT MIGHT SAVE YOUR LIFE. 921 00:35:13,282 --> 00:35:16,155 WHERE ARE OREN AND KENT? 922 00:35:16,155 --> 00:35:19,117 [ CHUCKLES ] AH. 923 00:35:19,117 --> 00:35:21,740 IF YOU COPS WERE CAPABLE OF DOING YOUR JOBS, YOU'D KNOW. 924 00:35:21,740 --> 00:35:22,911 AND, LOOKING BACK, 925 00:35:22,911 --> 00:35:25,003 MAYBE NONE OF THIS WOULD HAVE EVER HAPPENED. 926 00:35:25,003 --> 00:35:27,166 LOOK, A HORRIBLE THING WAS DONE TO YOU. 927 00:35:27,166 --> 00:35:31,590 BUT HOW IS KILLING TWO MORE PEOPLE GOING TO FIX THAT? 928 00:35:31,590 --> 00:35:33,922 HOW IS THAT GONNA HEAL YOU? IT WON'T. 929 00:35:33,922 --> 00:35:36,965 IT WILL. 930 00:35:36,965 --> 00:35:40,138 DON'T YOU SEE THAT I'VE ALREADY WON? 931 00:35:40,138 --> 00:35:42,221 I'LL TELL YOU WHAT -- 932 00:35:42,221 --> 00:35:46,565 ADMIT THAT I'VE WON AND I'LL GIVE YOU A HINT. 933 00:35:46,565 --> 00:35:49,528 I'LL GIVE YOU A CHANCE TO FIND KENT OR OREN BEFORE... 934 00:35:49,528 --> 00:35:50,649 BZZZZZT! 935 00:35:55,614 --> 00:35:57,115 FINE. 936 00:35:57,115 --> 00:35:58,867 YOU WON. 937 00:36:01,450 --> 00:36:03,332 NOW GIVE ME THE HINT. 938 00:36:04,413 --> 00:36:06,205 CHANGED MY MIND. 939 00:36:08,247 --> 00:36:09,588 SEVEN MINUTES LEFT. 940 00:36:09,588 --> 00:36:11,250 SHE'S GOT TO MAKE A MOVE, SHAKE HIM UP SOMEHOW. 941 00:36:11,250 --> 00:36:12,421 SHE WILL. 942 00:36:12,421 --> 00:36:14,793 Beckett: NET SLAYER. 943 00:36:14,793 --> 00:36:17,346 THAT'S EVOCATIVE. 944 00:36:17,346 --> 00:36:20,759 I COULD -- I COULD SEE HOW YOU WOULD PICK THAT. 945 00:36:20,759 --> 00:36:24,513 I PICTURE A-A HOODED FIGURE IN ALL BLACK, 946 00:36:24,513 --> 00:36:28,307 TALL, MUSCULAR, MAYBE CARRYING AN AX. 947 00:36:28,307 --> 00:36:30,979 BUT YOU KNOW WHAT I DON'T PICTURE, ADAM? 948 00:36:30,979 --> 00:36:32,571 WHAT NOBODY PICTURES? 949 00:36:35,023 --> 00:36:36,615 YOU. 950 00:36:37,696 --> 00:36:39,408 YOU THINK THAT YOU WON? 951 00:36:39,408 --> 00:36:41,990 YOU HAVEN'T. EVERYONE ELSE HAS. 952 00:36:41,990 --> 00:36:43,242 WHAT DO YOU MEAN, "EVERYONE ELSE"? 953 00:36:43,242 --> 00:36:45,123 EVERYONE WHO EVER BULLIED YOU, 954 00:36:45,123 --> 00:36:48,537 WHO EVER HURT YOU, BELITTLED YOU, 955 00:36:48,537 --> 00:36:53,041 WHO THOUGHT THAT YOU WERE WEAK AND WORTHLESS AND SMALL. 956 00:36:53,041 --> 00:36:55,043 AND YOU KNOW WHAT, ADAM? 957 00:36:55,043 --> 00:36:56,214 THEY WERE RIGHT. 958 00:36:56,214 --> 00:36:57,215 NO, THEY WEREN'T. 959 00:36:57,215 --> 00:36:58,507 I AM NOT ANY OF THOSE THINGS. 960 00:36:58,507 --> 00:37:00,098 YOU'RE ALL OF THEM AND WORSE. 961 00:37:00,098 --> 00:37:02,180 I AM WHAT PEOPLE MADE ME. 962 00:37:02,180 --> 00:37:05,264 YOU WERE BORN THIS WAY, OR YOUR MOMMY MADE YOU. 963 00:37:05,264 --> 00:37:08,056 BUT TIM WITHERSPOON AND THE REST OF THE KIDS AT SCHOOL, 964 00:37:08,056 --> 00:37:10,479 THEY DIDN'T BREAK YOU. 965 00:37:10,479 --> 00:37:12,561 YOU WERE ALREADY BROKEN. 966 00:37:12,561 --> 00:37:14,773 THEY ONLY SENSED WHAT YOU WERE 967 00:37:14,773 --> 00:37:17,025 AND WHAT YOU WERE ABOUT TO BECOME. 968 00:37:17,025 --> 00:37:18,317 SO YOU KNOW WHAT? 969 00:37:18,317 --> 00:37:23,161 IN A WAY, THEIR BULLYING WASN'T ENOUGH. 970 00:37:23,161 --> 00:37:25,454 HOW CAN YOU SAY THAT TO ME? 971 00:37:25,454 --> 00:37:27,035 I'M THE VICTIM HERE. 972 00:37:27,035 --> 00:37:28,827 AND YOU'RE ALWAYS GONNA BE A VICTIM. 973 00:37:28,827 --> 00:37:30,539 YOU THINK THAT HIDING BEHIND A USERNAME 974 00:37:30,539 --> 00:37:33,211 AND KILLING IS GOING TO CHANGE THAT? 975 00:37:33,211 --> 00:37:35,043 THAT WON'T GET YOU RESPECT. 976 00:37:35,043 --> 00:37:36,755 YOU'RE ALWAYS GONNA BE 977 00:37:36,755 --> 00:37:39,137 THE SAME PATHETIC LOSER THAT YOU WERE! 978 00:37:39,137 --> 00:37:40,218 I'M NOT A LOSER! 979 00:37:40,218 --> 00:37:41,970 AND WHEN YOU ABDUCTED KENT AND OREN, 980 00:37:41,970 --> 00:37:44,883 I BET THE TWO OF THEM LOOKED AT EACH OTHER AND THOUGHT, 981 00:37:44,883 --> 00:37:46,515 "ARE WE BEING PUNK'D HERE?" 982 00:37:46,515 --> 00:37:47,596 BELIEVE ME, THEY DIDN'T. 983 00:37:47,596 --> 00:37:49,227 THEY THINK IT'S A JOKE. THEY'RE AFRAID. 984 00:37:49,227 --> 00:37:50,389 THEY'RE -- THEY'RE TERRIFIED. 985 00:37:50,389 --> 00:37:54,062 THEY'RE SHARING A LAUGH RIGHT NOW ABOUT YOU. 986 00:37:54,062 --> 00:37:56,775 THEY ARE NOT LAUGHING! 987 00:37:56,775 --> 00:37:59,067 SHE JUST GOT HIM TO SAY THAT THEY'RE TOGETHER. 988 00:37:59,067 --> 00:38:00,779 OH, THEY'RE LAUGHING. 989 00:38:00,779 --> 00:38:02,280 THEY'RE LAUGHING RIGHT NOW. 990 00:38:02,280 --> 00:38:03,952 Lane: WELL, NOT FOR LONG. 991 00:38:03,952 --> 00:38:05,574 THAT CLOCK WILL HIT ZERO, 992 00:38:05,574 --> 00:38:08,747 AND THEIR SCREAMS WILL ECHO OFF THE TILED WALLS 993 00:38:08,747 --> 00:38:11,960 AS THEY TAKE IN THEIR LAST BREATH OF STALE AIR. 994 00:38:11,960 --> 00:38:16,174 AND THEN THEY'LL BOTH FRY. 995 00:38:16,174 --> 00:38:18,967 TILED WALLS AND STALE AIR? 996 00:38:18,967 --> 00:38:20,969 THAT WAS HOW HE TALKED ABOUT THE LOCKER ROOM AT HIS SCHOOL. 997 00:38:20,969 --> 00:38:22,631 WHERE WITHERSPOON PUT HIM ON VIDEO. 998 00:38:22,631 --> 00:38:24,383 HE'S BRINGING THIS THING FULL CIRCLE. 999 00:38:24,383 --> 00:38:25,634 WHAT WAS THE NAME OF THAT HIGH SCHOOL? 1000 00:38:25,634 --> 00:38:27,095 HARDING HIGH, BUT THEY MOVED TO A NEW CAMPUS. 1001 00:38:27,095 --> 00:38:29,768 THE ORIGINAL BUILDING IS SHUT DOWN. 1002 00:38:29,768 --> 00:38:31,139 BECKETT! 1003 00:38:42,030 --> 00:38:43,862 [ BEEPING ] 1004 00:38:43,862 --> 00:38:45,153 [ MUFFLED SCREAMING ] 1005 00:38:56,254 --> 00:38:57,876 JAVI, THE WIRES! 1006 00:38:59,838 --> 00:39:01,760 [ BREATHING HEAVILY ] 1007 00:39:01,760 --> 00:39:03,382 YOU OKAY? 1008 00:39:06,094 --> 00:39:07,966 OKAY? 1009 00:39:09,848 --> 00:39:12,230 [ MUFFLED SOBBING ] 1010 00:39:18,186 --> 00:39:20,859 I JUST WANTED TO SAY THANKS FOR LETTING ME PITCH IN. 1011 00:39:20,859 --> 00:39:22,070 ARE YOU KIDDING ME? WE COULDN'T HAVE DONE THIS WITHOUT YOU. 1012 00:39:22,070 --> 00:39:25,033 YEAH, OREN AND KENT ARE ALIVE BECAUSE OF YOUR HELP. 1013 00:39:25,033 --> 00:39:27,325 WELL, IT'S ALWAYS GOOD TO GET A WIN. 1014 00:39:30,409 --> 00:39:32,120 WELL, SEE YA AROUND. 1015 00:39:32,120 --> 00:39:33,291 SEE YA AROUND. 1016 00:39:33,291 --> 00:39:35,994 SEE YA. 1017 00:39:35,994 --> 00:39:40,048 YOU KNOW, THERE USED TO BE SOME FINALITY TO ALL OF THIS. 1018 00:39:40,048 --> 00:39:43,131 YOU TOOK A PHOTO, DUMP IT IN THE BOX, 1019 00:39:43,131 --> 00:39:45,764 AND YOU NEVER SEE THAT FACE AGAIN. 1020 00:39:45,764 --> 00:39:47,175 NOT ANYMORE. 1021 00:39:47,175 --> 00:39:49,968 YEAH, ADAM LANE IS GONNA BE ON THE NEWS EVERY NIGHT, 1022 00:39:49,968 --> 00:39:53,141 BE ON THE WEB FOR WEEKS -- MONTHS. 1023 00:39:53,141 --> 00:39:54,563 GEEZ, YEARS. 1024 00:39:54,563 --> 00:39:56,775 IRONIC THAT BY CATCHING HIM, 1025 00:39:56,775 --> 00:40:00,108 WE'RE GIVING HIM EXACTLY WHAT HE WANTED -- MORE FOLLOWERS. 1026 00:40:00,108 --> 00:40:03,281 WELL, AFTER THIS CASE, I THINK I'M READY TO UNPLUG, 1027 00:40:03,281 --> 00:40:05,073 STAY OFF THE INTERNET FOR A WHILE. 1028 00:40:05,073 --> 00:40:06,324 YES, BUT BEFORE YOU DO, 1029 00:40:06,324 --> 00:40:10,078 WE HAVE ONE LAST PIECE OF INTERNET BUSINESS. 1030 00:40:10,078 --> 00:40:11,079 COME IN, YOU GUYS. COME IN. 1031 00:40:11,079 --> 00:40:12,451 RIGHT THIS WAY. RIGHT THIS WAY. 1032 00:40:12,451 --> 00:40:13,452 Martha: OKAY. 1033 00:40:13,452 --> 00:40:15,243 AFTER YOU. HA HA! 1034 00:40:15,243 --> 00:40:17,205 ALL RIGHT, MY PUBLISHER JUST SENT ME THE LINK 1035 00:40:17,205 --> 00:40:19,167 FOR THE WEBMERCIAL FOR "RAGING HEAT." 1036 00:40:19,167 --> 00:40:24,302 PREPARE FOR GREATNESS IN THREE, TWO, ONE. 1037 00:40:24,302 --> 00:40:26,715 HI. I'M RICHAR-- I'VE GOT GUM. 1038 00:40:26,715 --> 00:40:28,717 I'M GONNA PUT MY GUM OUT. 1039 00:40:28,717 --> 00:40:30,348 [ TECHNO MUSIC PLAYS ] [ Auto-tuned ] ♪ HI, I'M RICHARD CASTLE ♪ 1040 00:40:32,430 --> 00:40:35,143 ♪ HI, I'M CRICHARD RATCHEL ♪ [ CLEARS THROAT ] 1041 00:40:35,143 --> 00:40:37,055 [ LAUGHS ] ♪ I'M RICHARD CASTLE ♪ 1042 00:40:37,055 --> 00:40:39,107 ♪ HI, I'M RICHARD CASTLE ♪ 1043 00:40:39,107 --> 00:40:41,520 [ BOOKS TUMBLE, CASTLE CLEARS THROAT ] 1044 00:40:41,520 --> 00:40:43,942 ♪ HI, I'M CRICHARD RATCHEL ♪ [ CLEARS THROAT ] 1045 00:40:43,942 --> 00:40:45,734 [ LAUGHS ] ♪ I'M RICHARD CASTLE ♪ 1046 00:40:45,734 --> 00:40:48,657 ♪ FOR A SPINE-TINGLING, BONE-CHILLING ADVENTURE ♪ 1047 00:40:48,657 --> 00:40:50,028 ♪ "RAGING HEAT" ♪ 1048 00:40:50,028 --> 00:40:53,161 ♪ FOR A SPINE-TINGLING, BONE-CHILLING ADVENTURE ♪ 1049 00:40:53,161 --> 00:40:54,703 ♪ "RAGING HEAT" ♪ 1050 00:40:54,703 --> 00:40:57,455 ♪ FOR A SPINE-TINGLING, BONE-CHILLING ADVENTURE ♪ 1051 00:40:57,455 --> 00:40:59,077 ♪ "RAGING HEAT" ♪ 1052 00:40:59,077 --> 00:41:00,499 ♪ FOR A SP-- ♪ 1053 00:41:00,499 --> 00:41:02,170 IT'S NOT AN ADVENTURE. IT'S A THRILLER. 1054 00:41:02,170 --> 00:41:03,792 WHY DON'T YOU DOWNLOAD YOUR COPY TODAY? 1055 00:41:03,792 --> 00:41:05,423 ♪ HI, I'M RICHARD CASTLE ♪ 1056 00:41:05,423 --> 00:41:08,176 [ BOOKS TUMBLE ] 1057 00:41:08,176 --> 00:41:09,968 ♪ HI, I'M CRICHARD RATCHEL ♪ 1058 00:41:09,968 --> 00:41:10,969 [ CLEARS THROAT, LAUGHS ] 1059 00:41:10,969 --> 00:41:12,350 ♪ I'M RICHARD CASTLE ♪ 1060 00:41:12,350 --> 00:41:14,182 ♪ HI, I'M RICHARD CASTLE ♪ 1061 00:41:16,304 --> 00:41:18,767 [ CLEARS THROAT ] ♪ HI, I'M CRICHARD RATCHEL ♪ 1062 00:41:18,767 --> 00:41:20,769 [ CLEARS THROAT, LAUGHS ] ♪ I'M RICHARD CASTLE ♪ 1063 00:41:20,769 --> 00:41:23,982 [ LAUGHTER ] 1064 00:41:28,156 --> 00:41:30,028 WHAT THE HELL WAS THAT? 1065 00:41:30,028 --> 00:41:31,950 DAD, YOU'VE GOTTEN OVER A MILLION HITS. 1066 00:41:31,950 --> 00:41:33,071 A MILLION PEOPLE HAVE SEEN THAT? 1067 00:41:33,071 --> 00:41:34,573 YEAH. WELL, IT'S GONE VIRAL, DARLING. 1068 00:41:34,573 --> 00:41:35,614 ISN'T THAT WHAT YOU WANTED? 1069 00:41:35,614 --> 00:41:37,205 NOT LIKE THIS. OH, DON'T WORRY, CASTLE. 1070 00:41:37,205 --> 00:41:38,116 IT'LL BLOW OVER. 1071 00:41:38,116 --> 00:41:41,379 THIS IS BUT A BLIP ON THE NET CONTINUUM. 1072 00:41:41,379 --> 00:41:44,543 BUT WE SO NEED TO WATCH THIS ONE AGAIN. 1073 00:41:44,543 --> 00:41:46,334 OH. HI.