1 00:00:01,622 --> 00:00:04,925 ♪♪ 2 00:00:08,429 --> 00:00:12,303 ♪ A LUCKY, LUCKY ONE ♪ 3 00:00:12,303 --> 00:00:13,394 [ SIGHS ] 4 00:00:13,394 --> 00:00:15,896 ♪ A LUCKY, LUCKY ONE ♪ 5 00:00:17,558 --> 00:00:20,731 ♪ A LUCKY, LUCKY ONE ♪ 6 00:00:20,731 --> 00:00:22,313 [ TIRES SCREECHING ] 7 00:00:30,651 --> 00:00:34,034 ♪ A LUCKY, LUCKY ONE ♪ 8 00:00:35,746 --> 00:00:38,789 ♪ A LUCKY, LUCKY ONE ♪ 9 00:00:38,789 --> 00:00:39,830 [ MUSIC STOPS ] 10 00:01:04,445 --> 00:01:05,646 [ GUNSHOT ] 11 00:01:05,646 --> 00:01:06,947 [ GASPING ] 12 00:01:08,649 --> 00:01:09,690 OH, GOD. 13 00:01:09,690 --> 00:01:11,612 [ ELEVATOR BELL DINGS ] 14 00:01:11,612 --> 00:01:13,454 [ GUNSHOT ] 15 00:01:16,247 --> 00:01:17,288 [ SCREAMS ] 16 00:01:20,541 --> 00:01:22,753 [ GASPING ] 17 00:01:24,335 --> 00:01:26,417 [ ELEVATOR BELL DINGS ] OH, NO, NO, NO, NO. 18 00:01:28,088 --> 00:01:31,472 [ As Ricky Ricardo ] LUCY, I'M HOME! 19 00:01:31,472 --> 00:01:34,305 -RICKY. -HELLO, DARLING. 20 00:01:34,305 --> 00:01:35,976 LUCY, YOU SHOULD HAVE TOLD ME WE HAD COMPANY. 21 00:01:35,976 --> 00:01:37,518 THAT COSTS EXTRA. 22 00:01:37,518 --> 00:01:40,481 WELL, ACCORDING TO YOUR LITTLE, MECHANICAL FRIEND HERE, 23 00:01:40,481 --> 00:01:43,644 YOU HAVE BEEN DROWNING YOUR SORROWS IN FROZEN PIZZA, 24 00:01:43,644 --> 00:01:45,146 ONLINE SHOPPING... 25 00:01:45,146 --> 00:01:46,727 AND DOLPH LUNDGREN MARATHONS. 26 00:01:46,727 --> 00:01:48,359 ET TU, LUCY? 27 00:01:48,359 --> 00:01:50,231 IS NOTHING PRIVATE? 28 00:01:50,231 --> 00:01:50,991 NOT WITHOUT THE PROPER SETTING. 29 00:01:50,991 --> 00:01:52,233 DARLING, I-I MEAN, 30 00:01:52,233 --> 00:01:54,575 I KNOW IT'S DIFFICULT FOR YOU WITHOUT KATHERINE, 31 00:01:54,575 --> 00:01:57,328 BUT REALLY, ISN'T IT A LITTLE EARLY IN THE DAY FOR THIS? 32 00:01:57,328 --> 00:01:59,500 THESE ARE FOR RYAN AND ESPOSITO. 33 00:01:59,500 --> 00:02:02,373 THEY GET THE RESULTS OF THEIR SERGEANT'S EXAM TODAY, 34 00:02:02,373 --> 00:02:03,914 SO I THOUGHT I'D DROP DOWN TO THE PRECINCT, 35 00:02:03,914 --> 00:02:05,706 SURPRISE THEM A LITTLE LATER ON. 36 00:02:05,706 --> 00:02:07,127 AND IF BECKETT HAPPENS TO BE THERE... 37 00:02:07,127 --> 00:02:09,920 ALL THE MORE REASON TO CELEBRATE. 38 00:02:09,920 --> 00:02:12,213 [ POLICE RADIO CHATTER ] 39 00:02:12,213 --> 00:02:14,965 HEY, SO, ANY WORD ON THE EXAM? 40 00:02:14,965 --> 00:02:16,016 STOP IT. YOU'RE GONNA JINX IT. 41 00:02:16,016 --> 00:02:17,218 OKAY, OKAY. 42 00:02:17,218 --> 00:02:18,429 DONE. 43 00:02:18,429 --> 00:02:19,680 HEY, LANIE. 44 00:02:19,680 --> 00:02:21,061 -HEY. -SO, WHO IS THIS? 45 00:02:21,061 --> 00:02:23,184 Lanie: JUSTIN FLETCHER, 38. 46 00:02:23,184 --> 00:02:25,936 TWO GSWs TO THE CHEST, CLOSE RANGE. 47 00:02:25,936 --> 00:02:27,728 ANY IDEA WHEN THIS HAPPENED? 48 00:02:27,728 --> 00:02:29,190 AROUND 10:14 A.M. 49 00:02:29,190 --> 00:02:31,272 WOW. THAT'S PRETTY SPECIFIC. 50 00:02:31,272 --> 00:02:34,154 THAT'S WHEN 911 RECEIVED AN ANONYMOUS CALL FROM A WITNESS. 51 00:02:34,154 --> 00:02:36,116 TECH'S TRYING TO TRACE IT NOW. 52 00:02:36,116 --> 00:02:36,987 SO THAT'S OUR VICTIM'S CAR? 53 00:02:36,987 --> 00:02:38,739 YEAH. KEYS WERE IN HIS POCKET. 54 00:02:38,739 --> 00:02:39,950 WE'RE JUST DIGGING INTO IT. 55 00:02:39,950 --> 00:02:41,372 THEN THIS WASN'T A CARJACKING. 56 00:02:41,372 --> 00:02:42,453 OR A ROBBERY. 57 00:02:42,453 --> 00:02:44,585 VICTIM STILL HAS CASH AND WALLET ON HIM. 58 00:02:44,585 --> 00:02:46,667 THESE ARE BULLETPROOF WINDOWS, HUH? 59 00:02:46,667 --> 00:02:48,128 THAT'S NOT THE ONLY UPGRADE. 60 00:02:48,128 --> 00:02:49,670 THESE TIRES ARE REINFORCED RUN-FLAT, 61 00:02:49,670 --> 00:02:51,632 AND THERE ARE KEVLAR PANELS IN THESE DOORS. 62 00:02:53,173 --> 00:02:54,295 SO WHAT DO YOU THINK? 63 00:02:54,295 --> 00:02:56,056 MAYBE HE WAS CORPORATE SECURITY? 64 00:02:56,056 --> 00:02:57,598 NOT WITH THAT TINY BACKSEAT. 65 00:02:59,600 --> 00:03:02,263 I MEAN, THERE'S NO ROOM FOR A GUY TO GET IN THERE. 66 00:03:02,263 --> 00:03:03,604 OH. 67 00:03:03,604 --> 00:03:05,065 I'M JUST GONNA STOP TALKING. YEAH, OKAY. 68 00:03:09,610 --> 00:03:11,522 NOW THE PLOT THICKENS. 69 00:03:14,775 --> 00:03:16,867 ESPO, WHY DON'T YOU GET CSU TO SWEEP THIS? 70 00:03:16,867 --> 00:03:18,949 MAYBE THEY CAN TELL US WHAT OUR VICTIM WAS HIDING HERE. 71 00:03:18,949 --> 00:03:20,080 MIGHT BE WHAT HE WAS KILLED FOR. 72 00:03:20,080 --> 00:03:22,953 [ CELLPHONE RINGS ] 73 00:03:22,953 --> 00:03:23,744 IS THAT THE TEST RESULTS? 74 00:03:23,744 --> 00:03:25,246 [ CELLPHONE BEEPS ] 75 00:03:25,246 --> 00:03:27,087 NO, NO. 76 00:03:27,087 --> 00:03:30,251 TECH GOT A NAME AND ADDRESS ON THAT ANONYMOUS 911 CALL. 77 00:03:30,251 --> 00:03:31,592 MIA LASZLO. 78 00:03:31,592 --> 00:03:33,093 ADDRESS IN BATTERY PARK. 79 00:03:33,093 --> 00:03:34,965 ALL RIGHT, PICK HER UP. 80 00:03:36,297 --> 00:03:38,048 YES? 81 00:03:38,048 --> 00:03:40,100 MS. LASZLO, I'M DETECTIVE ESPOSI-- 82 00:03:41,642 --> 00:03:42,843 YEAH. 83 00:03:44,475 --> 00:03:46,727 DETECTIVE ESPOSITO. THIS IS DETECTIVE RYAN. 84 00:03:46,727 --> 00:03:47,938 WE WANT TO ASK YOU A FEW QUESTIONS 85 00:03:47,938 --> 00:03:49,149 ABOUT THAT MURDER YOU REPORTED. 86 00:03:49,149 --> 00:03:50,851 CAN WE COME IN? NO. 87 00:03:51,902 --> 00:03:53,354 [ LOCK ENGAGES ] 88 00:03:53,354 --> 00:03:55,696 EXCUSE ME, MA'AM! WE STILL NEED TO TALK TO YOU! 89 00:03:55,696 --> 00:03:59,360 THERE IS A REASON IT WAS AN ANONYMOUS CALL. 90 00:03:59,360 --> 00:04:02,202 YOU WITNESSED A MURDER, SO YOU EITHER LET US IN TO TALK, 91 00:04:02,202 --> 00:04:03,624 OR WE CAN DRAG YOU DOWN TO THE STATION. 92 00:04:03,624 --> 00:04:05,826 JUST A MINUTE. 93 00:04:06,577 --> 00:04:07,498 [ SIGHS ] 94 00:04:12,503 --> 00:04:14,585 OKAY, LISTEN CLOSELY. HERE'S HOW THIS IS GOING TO GO. 95 00:04:14,585 --> 00:04:16,377 I RIDE IN THE BACKSEAT, ALONE, 96 00:04:16,377 --> 00:04:18,509 AND THE WINDOWS STAY DOWN THE WHOLE WAY. 97 00:04:18,509 --> 00:04:21,512 ♪♪ 98 00:04:26,056 --> 00:04:28,519 CAN YOU THINK OF ANYONE WHO WOULD HAVE WANTED TO KILL YOUR BROTHER? 99 00:04:28,519 --> 00:04:31,151 NO. EVERYONE LOVED JUSTIN. HE WAS SUCH A GOOD GUY. 100 00:04:31,151 --> 00:04:35,025 HE LEFT THE ARMY TO TAKE CARE OF ME AFTER OUR PARENTS DIED. 101 00:04:35,025 --> 00:04:36,897 HE MADE SURE THAT I WENT TO COLLEGE. 102 00:04:36,897 --> 00:04:38,949 HE, UH -- HE PAID FOR ALL OF IT, EVEN THOUGH HE -- 103 00:04:38,949 --> 00:04:40,661 HE HAD A HARD TIME FINDING A JOB AT FIRST. 104 00:04:40,661 --> 00:04:42,573 AND WHAT DID HE DO EXACTLY? 105 00:04:42,573 --> 00:04:45,456 HE WAS A HIGH-END DRIVER, MADE A LOT OF DELIVERIES. 106 00:04:45,456 --> 00:04:46,667 ANYTHING ILLEGAL? 107 00:04:46,667 --> 00:04:48,869 I DON'T KNOW. WHY? 108 00:04:48,869 --> 00:04:51,251 WE FOUND A SECRET COMPARTMENT IN HIS CAR, 109 00:04:51,251 --> 00:04:53,624 AND WE THINK THAT HE MIGHT HAVE BEEN KILLED BECAUSE OF WHAT WAS INSIDE. 110 00:04:53,624 --> 00:04:55,295 DO YOU HAVE ANY IDEA WHAT HE KEPT IN THERE 111 00:04:55,295 --> 00:04:57,338 OR MAYBE WHAT HE WAS DOING IN THE GARAGE THIS MORNING? 112 00:04:57,338 --> 00:04:58,679 NO. 113 00:04:58,679 --> 00:05:01,472 THE LAST TIME THAT I SPOKE TO HIM WAS YESTERDAY. 114 00:05:01,472 --> 00:05:03,424 HE SAID THAT HE HAD TO GO MEET SOMEONE NAMED FALCON. 115 00:05:05,095 --> 00:05:07,017 RYAN: Hey, Beckett! 116 00:05:07,017 --> 00:05:08,018 Beckett, Beckett, Beckett, Beckett, Beckett. 117 00:05:09,139 --> 00:05:10,431 [ CLEARS THROAT ] 118 00:05:13,063 --> 00:05:14,024 DO I SMELL? 119 00:05:14,024 --> 00:05:14,895 WHAT? 120 00:05:14,895 --> 00:05:16,607 OUR WITNESS IS THREATENING 121 00:05:16,607 --> 00:05:19,360 TO FILE A COMPLAINT AGAINST ME FOR ASSAULT WITH A DEADLY ODOR. 122 00:05:19,360 --> 00:05:22,112 SAYS THAT I SMELL LIKE SOILED BABY DIAPERS 123 00:05:22,112 --> 00:05:25,706 AND JAVI'S COLOGNE IS "SATAN'S BUTT SWEAT." 124 00:05:25,706 --> 00:05:28,369 I MEAN, YEAH, IT IS PRETTY STRONG, BUT... 125 00:05:33,714 --> 00:05:35,586 CAN YOU INTERVIEW HER? 126 00:05:35,586 --> 00:05:37,047 YOU ALWAYS SMELL SO PRETTY. 127 00:05:38,509 --> 00:05:39,550 CAPTAIN. 128 00:05:39,550 --> 00:05:41,842 OKAY, FINE. 129 00:05:41,842 --> 00:05:44,134 YOU AND ESPO DIG INTO JUSTIN'S LIFE, THOUGH, 130 00:05:44,134 --> 00:05:46,887 SEE IF YOU CAN FIND A CONNECTION TO SOMEONE NAMED FALCON. 131 00:05:48,809 --> 00:05:51,231 [ DOOR OPENS ] 132 00:05:51,231 --> 00:05:53,604 I'M CAPTAIN BECKETT. 133 00:05:53,604 --> 00:05:55,936 THANK YOU SO MUCH FOR COMING IN, MS. LASZLO. 134 00:05:55,936 --> 00:05:57,277 LET'S JUST GET THIS OVER WITH. 135 00:05:59,980 --> 00:06:03,404 UH, SO, WHAT DO YOU REMEMBER ABOUT THE MURDER THIS MORNING? 136 00:06:03,404 --> 00:06:04,985 NOT MUCH. 137 00:06:04,985 --> 00:06:06,657 I HEARD TWO GUNSHOTS, 138 00:06:06,657 --> 00:06:09,450 AND THEN A GUY WITH A SKI MASK GOT ON THE ELEVATOR WITH ME. 139 00:06:09,450 --> 00:06:12,292 I THOUGHT HE WAS GONNA KILL ME, BUT HE DIDN'T. MM-HMM. 140 00:06:12,292 --> 00:06:14,455 INSTEAD, HE GOT OFF AT THE GROUND LEVEL. 141 00:06:14,455 --> 00:06:15,756 I CALLED 911 AND LEFT. 142 00:06:15,756 --> 00:06:17,207 CAN I GO HOME NOW? 143 00:06:17,207 --> 00:06:18,999 -UH, NO. -WHY NOT? 144 00:06:18,999 --> 00:06:23,053 BECAUSE I'M NOT DONE ASKING YOU QUESTIONS JUST...YET. 145 00:06:23,053 --> 00:06:24,845 DO YOU ALWAYS EAT KALE FOR BREAKFAST? 146 00:06:24,845 --> 00:06:26,386 'CAUSE THAT IS JUST WRONG. 147 00:06:26,386 --> 00:06:28,559 HOW DID YOU KNOW THAT I HAD KALE THIS MORNING? 148 00:06:28,559 --> 00:06:30,310 YOU REEK OF IT. 149 00:06:32,012 --> 00:06:35,275 LIKE, THIS ROOM STINKS OF GRADE-"D" GREEK FOOD. 150 00:06:35,275 --> 00:06:37,608 YOU'RE VERY SENSITIVE TO SMELL. 151 00:06:37,608 --> 00:06:39,940 OH, YOU SHOULD CHANGE YOUR NAME TO CAPTAIN OBVIOUS. 152 00:06:39,940 --> 00:06:42,232 IT'S CALLED HYPEROSMIA. 153 00:06:42,232 --> 00:06:43,524 LOOK IT UP. 154 00:06:43,524 --> 00:06:47,738 OKAY, UH, SO, WHAT DID OUR KILLER SMELL LIKE? 155 00:06:47,738 --> 00:06:48,869 GOSH, I DON'T KNOW. 156 00:06:48,869 --> 00:06:52,453 IT WAS EITHER PUPPIES OR GUNPOWDER. 157 00:06:52,453 --> 00:06:53,994 ARE YOU ALWAYS THIS UNPLEASANT? 158 00:06:53,994 --> 00:06:54,875 YEP. 159 00:06:54,875 --> 00:06:56,296 HUH. 160 00:06:56,296 --> 00:06:57,588 IS THERE ANYTHING ELSE THAT YOU REMEMBER 161 00:06:57,588 --> 00:06:58,499 ABOUT THE GUY IN THE ELEVATOR? 162 00:06:58,499 --> 00:07:00,541 [ SIGHS ] 163 00:07:00,541 --> 00:07:01,962 HE WAS A WHITE GUY. 164 00:07:01,962 --> 00:07:04,885 HE WAS ABOUT SIX FEET TALL, DARK CLOTHES, 165 00:07:04,885 --> 00:07:06,637 AND HE WAS CARRYING A SILVER BRIEFCASE 166 00:07:06,637 --> 00:07:08,138 THAT HE GOT OFF OF THAT DEAD GUY. 167 00:07:08,138 --> 00:07:10,050 Esposito: ALL RIGHT. THANK YOU VERY MUCH. 168 00:07:10,050 --> 00:07:12,553 WELL, THE OWNER CONFIRMS IT. 169 00:07:12,553 --> 00:07:14,144 THE GARAGE HAS NO CAMERAS. 170 00:07:14,144 --> 00:07:16,817 AND I GOT UNIFORMS PULLING FOOTAGE FROM SURROUNDING AREAS. 171 00:07:16,817 --> 00:07:18,649 LIKE A WELL-OILED MACHINE. 172 00:07:18,649 --> 00:07:20,150 [ CELLPHONES CHIME, VIBRATE ] WHAT'S THAT? 173 00:07:21,401 --> 00:07:22,903 IT'S THE EXAM RESULTS. 174 00:07:22,903 --> 00:07:24,114 MOMENT OF TRUTH. 175 00:07:24,114 --> 00:07:25,946 YEP. 176 00:07:25,946 --> 00:07:27,488 ALL RIGHT, BRO. ON THREE. 177 00:07:27,488 --> 00:07:29,029 1, 2... 178 00:07:30,741 --> 00:07:33,494 [ CHUCKLES ] YES. 179 00:07:33,494 --> 00:07:34,665 SERGEANT ESPOSITO RIGHT HERE. 180 00:07:37,127 --> 00:07:38,539 DAMN. SORRY, BRO. 181 00:07:38,539 --> 00:07:39,540 I DON'T UNDERSTAND. 182 00:07:39,540 --> 00:07:40,460 HOW DID YOU PASS AND I DIDN'T? 183 00:07:40,460 --> 00:07:42,462 OH, HEY. 184 00:07:42,462 --> 00:07:45,005 RYAN, NEXT TIME, PAL. 185 00:07:45,005 --> 00:07:46,006 HEY. 186 00:07:46,006 --> 00:07:47,387 ESPO, WAY TO GO! 187 00:07:47,387 --> 00:07:48,639 HEY! 188 00:07:48,639 --> 00:07:50,511 [ LAUGHS ] NICE. 189 00:07:50,511 --> 00:07:51,722 YOU KNOW. 190 00:07:51,722 --> 00:07:52,723 HEY. 191 00:07:52,723 --> 00:07:54,434 HEY. HOW YOU DOING? 192 00:07:54,434 --> 00:07:56,937 I'M, UH, GOOD. 193 00:07:56,937 --> 00:07:59,189 UM, YOU KNOW, IF -- IF YOU JUST WAIT BY THE ELEVATORS, 194 00:07:59,189 --> 00:08:01,401 RYAN AND ESPO WILL TAKE YOU HOME. 195 00:08:01,401 --> 00:08:05,526 I'D RATHER FRENCH KISS A CORPSE. 196 00:08:05,526 --> 00:08:06,987 A UNIFORM WILL DRIVE YOU. 197 00:08:10,490 --> 00:08:12,703 SHE SEEMS NICE. WHAT'S WITH THE NOSE THING? 198 00:08:12,703 --> 00:08:14,414 MM, LONG STORY. 199 00:08:14,414 --> 00:08:17,878 UM, LISTEN, I WAS -- I WAS PLANNING ON CALLING YOU. 200 00:08:17,878 --> 00:08:20,330 REALLY? WELL, HERE I AM. 201 00:08:20,330 --> 00:08:22,422 ROGUISHLY HANDSOME AND AT YOUR SERVICE. 202 00:08:22,422 --> 00:08:23,503 WHAT DO YOU NEED? 203 00:08:23,503 --> 00:08:25,425 [ CHUCKLES ] 204 00:08:25,425 --> 00:08:29,429 UM, I WAS JUST HOPING I COULD STOP BY THE LOFT LATER ON 205 00:08:29,429 --> 00:08:31,762 'CAUSE I NEED TO PICK UP THE REST OF MY STUFF. 206 00:08:32,893 --> 00:08:35,345 UH, ABSOLUTELY. YEAH, ANYTIME. 207 00:08:35,345 --> 00:08:37,437 OKAY. THANKS. 208 00:08:37,437 --> 00:08:40,230 ♪♪ 209 00:08:47,277 --> 00:08:49,239 SHE'S CLEARLY GOT THE HOTS FOR YOU. 210 00:08:50,490 --> 00:08:51,742 WHO? 211 00:08:51,742 --> 00:08:54,955 CAPTAIN HOOCHIE MAMA. 212 00:08:54,955 --> 00:08:57,417 HER PHEROMONE OUTPUT WENT THROUGH THE ROOF WHEN SHE SAW YOU. 213 00:08:57,417 --> 00:08:58,999 AND YOU KNOW THIS HOW? 214 00:08:58,999 --> 00:09:01,331 I CAN SMELL IT, LIKE I CAN SMELL 215 00:09:01,331 --> 00:09:03,584 THAT YOU WASHED YOUR HAIR WITH SHAVING CREAM THIS MORNING, 216 00:09:03,584 --> 00:09:07,087 AND YOU CHOSE DAY-OLD TACOS OVER BRUSHING YOUR TEETH. 217 00:09:07,087 --> 00:09:08,629 ARE YOU A WIZARD? 218 00:09:08,629 --> 00:09:10,170 A CURSED ONE. 219 00:09:10,170 --> 00:09:12,132 WAIT. YOU HAVE HYPEROSMIA. 220 00:09:12,132 --> 00:09:14,054 JUST HOW HEIGHTENED IS YOUR OLFACTORY ACUITY? 221 00:09:14,054 --> 00:09:15,475 IT'S OFF THE CHARTS. HOW DO YOU -- 222 00:09:15,475 --> 00:09:16,887 I READ A LOT. 223 00:09:16,887 --> 00:09:18,388 YOU'RE TELLING ME YOU CAN TELL 224 00:09:18,388 --> 00:09:20,180 EXACTLY HOW BECKETT FEELS ABOUT ME JUST BY HER SMELL? 225 00:09:20,180 --> 00:09:21,441 YES. 226 00:09:22,813 --> 00:09:24,144 TELL YOU WHAT. 227 00:09:24,144 --> 00:09:25,816 I HAVE A BRAND-NEW FERRARI DOWNSTAIRS. 228 00:09:25,816 --> 00:09:27,858 SMELLS LIKE HEAVEN. 229 00:09:27,858 --> 00:09:29,569 HOW ABOUT I GIVE YOU A RIDE HOME 230 00:09:29,569 --> 00:09:31,531 AND YOU CAN TELL ME A LITTLE MORE? 231 00:09:31,531 --> 00:09:34,074 OR OFFICER JULIAN HERE CAN GIVE YOU A RIDE HOME, 232 00:09:34,074 --> 00:09:36,196 AND HIS FAVORITE MEAL IS SAUSAGES AND CHOCOLATE MILK. 233 00:09:36,196 --> 00:09:39,039 UM... 234 00:09:39,039 --> 00:09:40,621 THAT'S WHAT I THOUGHT. 235 00:09:40,621 --> 00:09:42,703 [ ELEVATOR BELL DINGS ] JULIAN, I GOT THIS. THANKS. 236 00:09:42,703 --> 00:09:44,414 HAYLEY, WHAT ARE YOU DOING HERE? 237 00:09:44,414 --> 00:09:46,296 WORKING. 238 00:09:46,296 --> 00:09:48,298 SHE LIKES ME A LOT, TOO. YOU CAN PROBABLY TELL -- 239 00:09:48,298 --> 00:09:49,840 NO. 240 00:09:51,171 --> 00:09:52,422 WE'RE STILL LOOKING INTO 241 00:09:52,422 --> 00:09:54,514 OUR VICTIM'S PHONE RECORDS AND SOCIAL MEDIA, 242 00:09:54,514 --> 00:09:56,887 BUT SO FAR, WE HAVEN'T FOUND ANYONE NAMED FALCON. 243 00:09:56,887 --> 00:09:58,518 BUT WE DID FIND A POSSIBLE LINK 244 00:09:58,518 --> 00:10:00,390 TO A COMPANY CALLED THE FALCON UNIT. 245 00:10:00,390 --> 00:10:01,812 [ DOOR OPENS ] WE'RE CHECKING THEM OUT NOW. 246 00:10:01,812 --> 00:10:03,223 WHY BOTHER WHEN I COULD JUST TELL YOU WHO THEY ARE? 247 00:10:03,223 --> 00:10:04,564 SOMEBODY KNOWS HOW TO MAKE AN ENTRANCE. 248 00:10:04,564 --> 00:10:06,066 HELLO, ALL. 249 00:10:06,066 --> 00:10:06,937 WHAT'S UP, GIRL? HOW YOU DOING? 250 00:10:06,937 --> 00:10:07,988 NICE TO SEE YOU AGAIN. GREAT PANTS. 251 00:10:09,940 --> 00:10:12,442 ANYWAY, YOU WERE SAYING? 252 00:10:12,442 --> 00:10:14,574 THE FALCON UNIT, IT'S A PRIVATE COMPANY 253 00:10:14,574 --> 00:10:16,867 THAT SPECIALIZES IN TRANSPORTING SENSITIVE 254 00:10:16,867 --> 00:10:19,409 AND OCCASIONALLY ILLEGAL ITEMS FOR WEALTHY CLIENTS. 255 00:10:19,409 --> 00:10:22,042 SO OUR VICTIM WAS A TRANSPORTER, LIKE THE MOVIE? 256 00:10:22,042 --> 00:10:25,085 THAT EXPLAINS THE ARMORED SPORTS CAR AND SECRET COMPARTMENT. 257 00:10:25,085 --> 00:10:26,707 SO, WHAT WAS IN THE BRIEFCASE? 258 00:10:26,707 --> 00:10:30,130 I'M AFRAID THE ANSWER TO THAT COMES WITH A PRICE. 259 00:10:30,130 --> 00:10:31,842 I WANT IN ON THE INVESTIGATION. 260 00:10:31,842 --> 00:10:33,754 AND WHAT'S IN THIS FOR YOU? 261 00:10:33,754 --> 00:10:37,517 THE ITEM IN THE BRIEFCASE HAS A RATHER LARGE INSURANCE POLICY. 262 00:10:37,517 --> 00:10:39,179 THE INSURANCE COMPANY HAS HIRED ME TO RECOVER IT. 263 00:10:39,179 --> 00:10:40,851 YOU KNOW, THIS ISN'T A TREASURE HUNT. 264 00:10:40,851 --> 00:10:42,522 WE'RE TRYING TO SOLVE A HOMICIDE. 265 00:10:42,522 --> 00:10:44,434 AND YOUR VICTIM WAS KILLED FOR THAT BRIEFCASE, 266 00:10:44,434 --> 00:10:46,646 SO YOU FIND YOUR KILLER, I FIND MY MISSING ITEM. 267 00:10:46,646 --> 00:10:48,028 EVERYONE GOES HOME HAPPY, HMM? 268 00:10:49,189 --> 00:10:50,691 OKAY. 269 00:10:50,691 --> 00:10:53,033 SO, WHAT WAS OUR VICTIM HIRED TO TRANSPORT? 270 00:10:53,033 --> 00:10:55,195 A VAN GOGH, LOST SINCE WORLD WAR II, 271 00:10:55,195 --> 00:10:59,279 PURCHASED AT AUCTION 3 WEEKS AGO FOR $65 MILLION. 272 00:11:09,629 --> 00:11:11,752 LONG-LOST VAN GOGH SOLD FOR A FORTUNE. 273 00:11:11,752 --> 00:11:13,213 HOW COME THIS WASN'T ON THE INTERNET? 274 00:11:13,213 --> 00:11:15,295 THE PAINTING HAS A COMPLICATED HISTORY. 275 00:11:15,295 --> 00:11:17,257 IT WAS LOOTED SEVERAL TIMES DURING THE WAR, 276 00:11:17,257 --> 00:11:19,760 WHICH MADE AN ABOVEBOARD SALE IMPOSSIBLE, 277 00:11:19,760 --> 00:11:21,561 SO IT WAS AUCTIONED SECRETLY IN ZURICH, 278 00:11:21,561 --> 00:11:23,353 WITH POTENTIAL BUYERS BIDDING REMOTELY. 279 00:11:23,353 --> 00:11:25,015 WE SHOULD GET A LIST OF THE OTHER BIDDERS. 280 00:11:25,015 --> 00:11:26,476 MAYBE ONE OF THE LOSERS TRIED TO STEAL IT. 281 00:11:26,476 --> 00:11:28,568 I ALREADY TRIED. AUCTION HOUSE ISN'T PLAYING BALL. 282 00:11:28,568 --> 00:11:29,730 I MEAN, THEY GIVE UP THEIR CLIENTS, 283 00:11:29,730 --> 00:11:31,361 THEY LOSE THEIR BUSINESS. 284 00:11:31,361 --> 00:11:33,073 YOU KNOW WHAT? I'LL REACH OUT TO THE STATE DEPARTMENT, 285 00:11:33,073 --> 00:11:34,274 SEE IF THEY CAN APPLY A LITTLE PRESSURE. 286 00:11:34,274 --> 00:11:36,026 I THINK I FOUND OUR KILLER. 287 00:11:36,026 --> 00:11:37,407 AN ATM CAMERA CAUGHT A GUY 288 00:11:37,407 --> 00:11:39,119 MATCHING OUR WITNESS' DESCRIPTION 289 00:11:39,119 --> 00:11:40,991 EXITING THE PARKING GARAGE AT 10:30. 290 00:11:40,991 --> 00:11:42,372 THAT'S 15 MINUTES AFTER THE MURDER. 291 00:11:42,372 --> 00:11:43,703 HOW COME HE WAS STILL AROUND? 292 00:11:43,703 --> 00:11:45,035 PROBABLY STASHING THE BRIEFCASE. 293 00:11:45,035 --> 00:11:46,536 TWO MINUTES LATER, A SUBWAY CAM CAUGHT HIM 294 00:11:46,536 --> 00:11:47,878 HOPPING THE "F" TRAIN. 295 00:11:47,878 --> 00:11:50,290 NOW, HIS METRO CARD WAS PURCHASED WITH A CREDIT CARD 296 00:11:50,290 --> 00:11:52,883 BELONGING TO A FREDDY STARK, A LOW-LEVEL DIRTBAG 297 00:11:52,883 --> 00:11:54,885 WITH A HISTORY OF B&E AND VIOLENT ASSAULT. 298 00:11:54,885 --> 00:11:57,297 NICE JOB, SARGE. [ CHUCKLES ] 299 00:11:57,297 --> 00:12:00,300 SO, BECKETT AND I HAD BEEN MARRIED ALMOST A YEAR, 300 00:12:00,300 --> 00:12:01,892 AND -- AND THINGS WERE GOING GREAT, 301 00:12:01,892 --> 00:12:04,054 AND THEN, SUDDENLY, SHE SAYS SHE NEEDS SPACE. 302 00:12:04,054 --> 00:12:05,265 WHY IS THAT MY PROBLEM? 303 00:12:05,265 --> 00:12:07,647 OH, IT'S NOT, BUT I-I WAS JUST THINKING, 304 00:12:07,647 --> 00:12:09,609 YOU'RE SO ATTUNED TO PHEROMONE OUTPUT, 305 00:12:09,609 --> 00:12:12,152 YOU COULD HELP ME WITH MY INTERACTIONS WITH BECKETT, 306 00:12:12,152 --> 00:12:14,064 LET ME KNOW WHEN I'M BEING CHARMING, 307 00:12:14,064 --> 00:12:15,856 LET ME KNOW WHEN I'M ANNOYING HER. 308 00:12:15,856 --> 00:12:16,947 YOU MEAN LIKE THIS? 309 00:12:16,947 --> 00:12:18,568 HEY, CASTLE, YOU'RE BEING ANNOYING. 310 00:12:18,568 --> 00:12:20,320 YES, ONLY I'M THINKING 311 00:12:20,320 --> 00:12:22,572 MORE LIKE A SECRET HAND GESTURE SO SHE DOESN'T... 312 00:12:22,572 --> 00:12:24,034 YOU MEAN RIGHT NOW? 313 00:12:24,034 --> 00:12:25,665 YEAH. 314 00:12:25,665 --> 00:12:29,499 LISTEN, YOU ARE ACTUALLY FAIRLY INOFFENSIVE ON AN ODOR LEVEL, 315 00:12:29,499 --> 00:12:31,331 BUT I AM NOT A PEOPLE PERSON 316 00:12:31,331 --> 00:12:33,874 AND HAVE ZERO INTEREST IN BECOMING ONE. 317 00:12:33,874 --> 00:12:35,465 LET ME IN. LET ME CONVINCE YOU. 318 00:12:35,465 --> 00:12:37,677 FORGET IT. NO ONE GOES INSIDE BUT ME. 319 00:12:37,677 --> 00:12:39,930 WELL, THAT SOUNDS LONELY. 320 00:12:41,431 --> 00:12:42,472 IT'S NOT. 321 00:12:42,472 --> 00:12:44,054 UH, NO. I-I-I'M NOT -- 322 00:12:44,054 --> 00:12:45,265 FIVE MINUTES. 323 00:12:45,265 --> 00:12:46,436 IF I HAVEN'T CONVINCED YOU, 324 00:12:46,436 --> 00:12:47,727 YOU CAN JUST KICK ME OUT. 325 00:12:47,727 --> 00:12:49,149 FINE. 326 00:12:49,149 --> 00:12:51,771 BUT YOU HAVE TO BE DECONTAMINATED. 327 00:12:51,771 --> 00:12:53,443 SOUNDS LIKE FUN. 328 00:12:54,444 --> 00:12:55,235 [ DOOR CLOSES ] 329 00:13:00,360 --> 00:13:01,822 WHOA! 330 00:13:01,822 --> 00:13:03,994 [ SCREAMING ] 331 00:13:05,285 --> 00:13:06,666 WOW! 332 00:13:06,666 --> 00:13:08,248 WHOA! 333 00:13:19,049 --> 00:13:20,550 AH. YOU WORK FROM HOME. 334 00:13:20,550 --> 00:13:23,974 I CONSULT FOR A PERFUME COMPANY AS A PROFESSIONAL NOSE, 335 00:13:23,974 --> 00:13:27,767 SPECIALIZING IN PRIMAL ATTRACTION. 336 00:13:27,767 --> 00:13:30,600 AND YET YOU LIVE ALONE AND NEVER HAVE VISITORS. 337 00:13:30,600 --> 00:13:32,272 I SEE PEOPLE. 338 00:13:32,272 --> 00:13:35,485 I GO INTO THE OFFICE ONCE A WEEK. 339 00:13:35,485 --> 00:13:36,776 THAT'S ALL I CAN HANDLE. 340 00:13:36,776 --> 00:13:38,358 AND BESIDES, LOOK WHAT HAPPENS WHEN YOU LEAVE. 341 00:13:38,358 --> 00:13:41,441 YOU WIND UP RIDING AN ELEVATOR WITH A SWEATY KILLER. 342 00:13:41,441 --> 00:13:43,203 YOU COULD SMELL HIS SWEAT. 343 00:13:43,203 --> 00:13:44,204 AND HIS GUN. 344 00:13:44,204 --> 00:13:45,155 WHAT ELSE? 345 00:13:46,246 --> 00:13:48,328 NOTHING. 346 00:13:48,328 --> 00:13:50,450 BULL. YOU'RE LIKE A BLOODHOUND. 347 00:13:50,450 --> 00:13:52,082 YOU JUST DON'T WANT TO GET INVOLVED. 348 00:13:52,082 --> 00:13:53,663 BUT I'M BETTING YOU COULD IDENTIFY THIS KILLER 349 00:13:53,663 --> 00:13:55,125 IF YOU SMELLED HIM AGAIN. 350 00:13:57,047 --> 00:13:58,508 THAT'S NICE. 351 00:13:58,508 --> 00:14:00,550 YOU AN ART FAN, FREDDY? I LIKE COMIC BOOKS. 352 00:14:00,550 --> 00:14:02,632 HOW ABOUT VAN GOGH? I NEVER HEARD OF HIM. 353 00:14:02,632 --> 00:14:05,095 WHERE WERE YOU AT 10:15 THIS MORNING? 354 00:14:05,095 --> 00:14:07,597 I WAS UPTOWN, WALKING MY CAT. 355 00:14:07,597 --> 00:14:09,139 AND YET WE HAVE PROOF THAT YOU WERE IN THE EAST VILLAGE, 356 00:14:09,139 --> 00:14:10,230 COMMITTING A HOMICIDE. 357 00:14:10,230 --> 00:14:11,471 NEVER HAPPENED. 358 00:14:11,471 --> 00:14:13,353 MY CAT HATES THE EAST VILLAGE. [ KNOCK ON DOOR ] 359 00:14:13,353 --> 00:14:14,774 UH, CAPTAIN? 360 00:14:17,898 --> 00:14:20,780 UM, IT'S CASTLE. HE'S ON THE PHONE. 361 00:14:20,780 --> 00:14:22,242 -HE SAYS HE'S GOT A BREAK IN THE CASE. -WHAT CASE? 362 00:14:24,034 --> 00:14:26,326 -THIS CASE? -[ CLEARS THROAT ] 363 00:14:26,326 --> 00:14:28,788 HOW DOES HE EVEN KNOW ABOUT THIS CASE? 364 00:14:28,788 --> 00:14:30,120 NOW, IS THAT ANY WAY TO TALK TO THE MAN 365 00:14:30,120 --> 00:14:31,201 WHO CAN I.D. YOUR KILLER? 366 00:14:31,201 --> 00:14:32,832 WAIT. YOU CAN I.D. HIM? 367 00:14:33,954 --> 00:14:35,545 -WELL, NO, BUT MIA CAN. -NO, I CAN'T. 368 00:14:36,586 --> 00:14:37,587 WHO'S MIA? 369 00:14:37,587 --> 00:14:39,129 SHE'S AN EYEWITNESS -- 370 00:14:39,129 --> 00:14:42,092 WELL, TECHNICALLY, SHE'S A...NOSE-WITNESS. 371 00:14:42,092 --> 00:14:43,133 PLEASE PUT THAT DOWN. 372 00:14:43,133 --> 00:14:45,005 SHE SHARED AN ELEVATOR WITH OUR KILLER, 373 00:14:45,005 --> 00:14:47,557 WHO WAS WEARING A MASK. 374 00:14:47,557 --> 00:14:51,351 THAT DOESN'T MATTER BECAUSE SHE CAN I.D. HIM BY HIS SMELL. 375 00:14:51,351 --> 00:14:53,974 Yeah, she said that he smelled like gunpowder. 376 00:14:53,974 --> 00:14:55,145 LOOK, I'M GONNA HANG UP. 377 00:14:55,145 --> 00:14:56,776 THIS ISN'T TIME FOR PARTY GAMES. 378 00:14:56,776 --> 00:14:59,109 IT'S NOT A PARTY GAME. 379 00:14:59,109 --> 00:15:01,861 OKAY, THEN TELL US SOMETHING UNIQUE ABOUT THE KILLER'S SCENT. 380 00:15:01,861 --> 00:15:03,443 YEAH. 381 00:15:03,443 --> 00:15:06,576 THERE WAS A HINT OF NAIL-POLISH REMOVER. 382 00:15:08,658 --> 00:15:12,452 A SIX-FOOT-TALL GUY WHO SMELLS LIKE NAIL-POLISH REMOVER. 383 00:15:12,452 --> 00:15:14,124 THIS IS A WASTE OF TIME. 384 00:15:14,124 --> 00:15:15,535 HANG ON. TELL HER THE THING. 385 00:15:15,535 --> 00:15:17,167 OKAY, HOW ABOUT THIS? 386 00:15:17,167 --> 00:15:19,299 THERE WAS AN OLD OIL PAINTING IN THAT BRIEFCASE. 387 00:15:21,251 --> 00:15:22,882 BOOM. 388 00:15:22,882 --> 00:15:24,504 HOW DO YOU KNOW THAT? 389 00:15:24,504 --> 00:15:26,506 ARE YOU SLOW? I SMELLED IT. 390 00:15:26,506 --> 00:15:28,008 Are you sure you want her back? 391 00:15:28,008 --> 00:15:29,549 'CAUSE I THINK YOU CAN DO BETTER. 392 00:15:29,549 --> 00:15:31,221 THIS -- UH, UH, BECKETT, WE'RE GONNA COME DOWN TO THE PRECINCT. 393 00:15:31,221 --> 00:15:32,512 NO! CASTLE -- [ CELLPHONE BEEPS ] 394 00:15:32,512 --> 00:15:34,394 I'M NOT GOING. 395 00:15:34,394 --> 00:15:35,725 YES, YOU ARE. 396 00:15:35,725 --> 00:15:38,228 WHY? BECAUSE YOU THINK I CAN HELP YOU GET YOUR WIFE BACK? 397 00:15:38,228 --> 00:15:41,401 NO. WELL, Y-YES. 398 00:15:41,401 --> 00:15:45,565 BUT BECAUSE A MAN WAS MURDERED THIS MORNING, 399 00:15:45,565 --> 00:15:48,118 AND THAT MAN DESERVES JUSTICE. 400 00:15:48,118 --> 00:15:50,410 YOU KNOW, YOU SEE YOUR HYPEROSMIA AS A CURSE, 401 00:15:50,410 --> 00:15:52,702 WHEN, REALLY, YOU'VE BEEN GIVEN A GREAT GIFT. 402 00:15:52,702 --> 00:15:54,494 AND WITH YOUR HELP, 403 00:15:54,494 --> 00:15:57,787 THE POLICE CAN PUT AWAY A COLD-BLOODED KILLER. 404 00:15:57,787 --> 00:16:00,500 NOW, ISN'T THAT WORTH PUTTING YOURSELF OUT THERE? 405 00:16:02,252 --> 00:16:03,713 NO. 406 00:16:03,713 --> 00:16:05,635 AND THERE IS NOTHING YOU CAN DO 407 00:16:05,635 --> 00:16:07,547 TO MAKE ME LEAVE MY APARTMENT. 408 00:16:07,547 --> 00:16:08,508 NOTHING? 409 00:16:08,508 --> 00:16:09,929 NOTHING. 410 00:16:17,687 --> 00:16:18,978 UGH! 411 00:16:18,978 --> 00:16:20,360 -I'M SORRY. -OH, MY GOD. 412 00:16:20,360 --> 00:16:22,732 EW! DESPERATE TIMES CALL FOR DESPERATE MEASURES. 413 00:16:22,732 --> 00:16:24,524 -[ GASPS ] -WHOA. 414 00:16:24,524 --> 00:16:26,196 OH, YOU WERE RIGHT ABOUT THOSE TACOS. 415 00:16:28,528 --> 00:16:32,242 ♪♪ 416 00:16:48,838 --> 00:16:50,510 [ SNIFFING ] 417 00:17:22,582 --> 00:17:24,124 [ BUZZER ] 418 00:17:28,668 --> 00:17:31,301 HE'S NOT THE KILLER. 419 00:17:31,301 --> 00:17:33,883 IF WORD GETS OUT THAT I AUTHORIZED A SMELL LINEUP -- 420 00:17:33,883 --> 00:17:36,055 THEY HAVE VISUAL LINEUPS FOR PEOPLE WHO HAVE SEEN KILLERS, 421 00:17:36,055 --> 00:17:38,228 VOICE LINEUPS FOR PEOPLE WHO HAVE HEARD THEM. 422 00:17:38,228 --> 00:17:43,983 BUT REGARDLESS, WE KNOW FREDDY WAS AT THE GARAGE, 423 00:17:43,983 --> 00:17:45,735 AND HE'S CLEARLY LYING, SO -- 424 00:17:45,735 --> 00:17:47,647 SO WE LIE TO HIM, TELL HIM THAT OUR WITNESS I.D.'d HIM. 425 00:17:47,647 --> 00:17:48,648 AND WATCH HIM TALK. 426 00:17:48,648 --> 00:17:50,190 [ SNIFFING ] 427 00:17:52,742 --> 00:17:54,324 I DIDN'T KILL HIM! 428 00:17:54,324 --> 00:17:55,785 THAT'S NOT WHAT OUR WITNESS SAYS. 429 00:17:55,785 --> 00:17:57,407 WHAT KIND OF LINEUP WAS THAT, ANYWAY? 430 00:17:57,407 --> 00:17:58,998 THE WITNESS DIDN'T EVEN LOOK AT MY FACE! 431 00:17:58,998 --> 00:18:00,700 -WHERE'S THE PAINTING? -I DON'T HAVE IT. 432 00:18:00,700 --> 00:18:02,162 CUT THE CRAP, FREDDY. 433 00:18:02,162 --> 00:18:04,124 YOU GOT ONE CHANCE TO CONVINCE ME 434 00:18:04,124 --> 00:18:05,835 THAT YOU'RE NOT THE MURDERER. 435 00:18:05,835 --> 00:18:07,797 OKAY, LISTEN, I WAS AT THE GARAGE, 436 00:18:07,797 --> 00:18:09,299 BUT NOT TO KILL THE GUY. 437 00:18:09,299 --> 00:18:11,010 -I WAS HIRED TO RETRIEVE THE PAINTING. -BY WHO? 438 00:18:11,010 --> 00:18:12,472 TOM GILLIAM. HEAD OF THE FALCON UNIT. 439 00:18:12,472 --> 00:18:14,304 THAT'S WHO HIRED JUSTIN TO TRANSPORT IT. 440 00:18:14,304 --> 00:18:16,306 WHY WOULD THEY WANT YOU TO STEAL IT FROM HIM? 441 00:18:16,306 --> 00:18:17,307 I DON'T KNOW. 442 00:18:17,307 --> 00:18:18,678 BUT GILLIAM WAS REALLY UPSET 443 00:18:18,678 --> 00:18:20,350 WHEN HE HIRED ME TO HUNT JUSTIN DOWN, 444 00:18:20,350 --> 00:18:22,432 TOLD ME TO DO WHATEVER IT TOOK TO GET THE PAINTING BACK. 445 00:18:22,432 --> 00:18:24,354 SO I HACKED THE GPS IN JUSTIN'S CAR 446 00:18:24,354 --> 00:18:25,855 AND FOLLOWED HIM TO THE GARAGE. 447 00:18:25,855 --> 00:18:27,227 BUT BY THE TIME I GOT THERE, 448 00:18:27,227 --> 00:18:30,320 HE WAS ALREADY DEAD AND THE PAINTING WAS GONE. 449 00:18:30,320 --> 00:18:31,861 WHAT TIME DID YOU GET THERE? 450 00:18:31,861 --> 00:18:33,363 DIDN'T GET TO THE GARAGE TILL 10:20. 451 00:18:36,196 --> 00:18:37,237 Esposito: ALL RIGHT, THANKS. 452 00:18:37,237 --> 00:18:40,119 CAPTAIN CONFIRMS FREDDY'S STORY. 453 00:18:40,119 --> 00:18:43,163 SO HE ARRIVED AFTER MIA CALLED 911. 454 00:18:43,163 --> 00:18:44,834 WHICH MEANS HE AIN'T OUR GUY. 455 00:18:44,834 --> 00:18:46,666 SO, HOW DO YOU WANT TO GO AT THIS FALCON UNIT DUDE? 456 00:18:46,666 --> 00:18:47,917 I SAY WE HIT HIM HARD. 457 00:18:47,917 --> 00:18:50,129 GUYS LIKE THIS ONLY RESPOND TO INTIMIDATION. 458 00:18:50,129 --> 00:18:51,711 IS THAT THE WAY IT'S GONNA BE NOW? 459 00:18:51,711 --> 00:18:54,133 "I GET THIS BIG PROMOTION, AND I SAY WE DO IT THIS WAY." 460 00:18:54,133 --> 00:18:56,346 HEY, HEY, NO. WE CAN DO IT YOUR WAY. 461 00:18:56,346 --> 00:18:57,967 HOW DO YOU WANT TO PLAY IT? 462 00:19:00,220 --> 00:19:01,391 I SAY WE GO AT HIM HARD. 463 00:19:01,391 --> 00:19:03,142 EXCUSE ME! 464 00:19:03,142 --> 00:19:04,724 TOM GILLIAM, I'M DETECTIVE RYAN. 465 00:19:04,724 --> 00:19:05,815 THIS IS DETECTIVE ESPOSITO. 466 00:19:05,815 --> 00:19:07,227 WE JUST HAVE A FEW QUESTIONS 467 00:19:07,227 --> 00:19:09,028 ABOUT THE MURDER OF JUSTIN FLETCHER. 468 00:19:09,028 --> 00:19:12,031 A REAL TRAGEDY, BUT I DON'T KNOW ANYTHING ABOUT IT. 469 00:19:12,031 --> 00:19:13,693 THAT'S FUNNY, 'CAUSE FREDDY STARK SAYS YOU DO. 470 00:19:22,282 --> 00:19:23,743 HOW CAN I HELP YOU? 471 00:19:23,743 --> 00:19:26,165 WELL, YOU CAN START BY TELLING US WHY YOU HIRED FREDDY 472 00:19:26,165 --> 00:19:28,548 TO STEAL THAT PAINTING BACK FROM YOUR OWN EMPLOYEE. 473 00:19:28,548 --> 00:19:29,549 YOU GOT IT ALL WRONG. 474 00:19:29,549 --> 00:19:30,750 I DIDN'T HIRE FREDDY TO STEAL IT. 475 00:19:30,750 --> 00:19:32,292 I HIRED HIM TO RETRIEVE IT. 476 00:19:32,292 --> 00:19:33,713 JUSTIN STOLE IT FROM US. 477 00:19:33,713 --> 00:19:35,134 Esposito: THAT DOESN'T MAKE SENSE. 478 00:19:35,134 --> 00:19:36,966 YOU HIRED JUSTIN TO TRANSPORT THE PAINTING. 479 00:19:36,966 --> 00:19:39,389 NO. I HIRED SOMEONE ELSE. 480 00:19:39,389 --> 00:19:43,182 TRANSPORTERS WORK ON COMMISSION, PAYABLE UPON DELIVERY, 481 00:19:43,182 --> 00:19:46,566 AND THE COMMISSION FOR THAT PAINTING WAS SIX FIGURES. 482 00:19:46,566 --> 00:19:48,728 JUSTIN MUST HAVE GOTTEN GREEDY AND JUMPED THE JOB. 483 00:19:48,728 --> 00:19:51,150 WE DIDN'T REALIZE UNTIL THE REAL TRANSPORTER ARRIVED 484 00:19:51,150 --> 00:19:53,443 TO PICK UP THE PAINTING, AND IT WAS GONE. 485 00:19:54,734 --> 00:19:56,236 THEN WHO'S THE REAL TRANSPORTER? 486 00:19:57,367 --> 00:20:01,531 LIAM HOLLISTER, EX-BRITISH MERCENARY. 487 00:20:01,531 --> 00:20:03,743 KICKED OUT OF THE FRENCH FOREIGN LEGION FOR BEING TOO VIOLENT. 488 00:20:03,743 --> 00:20:05,204 ACCORDING TO HAYLEY, 489 00:20:05,204 --> 00:20:07,036 LIAM IS FALCON'S GO-TO GUY FOR BIG-MONEY JOBS. 490 00:20:07,036 --> 00:20:08,588 I DON'T THINK HE'D TAKE TOO KINDLY 491 00:20:08,588 --> 00:20:10,089 TO JUSTIN STEALING HIS COMMISSION. 492 00:20:10,089 --> 00:20:11,090 MIGHT GO ROGUE. 493 00:20:11,090 --> 00:20:12,922 SO HE TRACKED JUSTIN TO THAT GARAGE 494 00:20:12,922 --> 00:20:14,754 AND TRADED TWO BULLETS FOR THAT PAINTING. 495 00:20:14,754 --> 00:20:16,546 YOU'D THINK HE'D BE ROLLING AROUND IN SOMETHING 496 00:20:16,546 --> 00:20:18,298 A LITTLE MORE SUBTLE AFTER COMMITTING MURDER. 497 00:20:18,298 --> 00:20:19,299 YEAH. 498 00:20:19,299 --> 00:20:22,602 HEY, BRO... ARE WE GOOD? 499 00:20:22,602 --> 00:20:24,764 YEAH, YEAH. OF COURSE. 500 00:20:24,764 --> 00:20:26,396 WHY DO YOU EVEN ASK? 501 00:20:26,396 --> 00:20:27,647 'CAUSE YOU'VE BEEN ACTING WEIRD ALL DAY. 502 00:20:27,647 --> 00:20:29,729 AND I KNOW THAT YOU'RE BUMMED, 503 00:20:29,729 --> 00:20:32,191 BUT YOU NEVER EVEN GAVE ME PROPS FOR PASSING. 504 00:20:32,191 --> 00:20:36,276 YEAH. JAVI, YOU'RE RIGHT, MAN. 505 00:20:36,276 --> 00:20:39,068 CONGRATULATIONS, MAN. REALLY. 506 00:20:39,068 --> 00:20:40,820 THANKS, BRO. 507 00:20:44,744 --> 00:20:45,865 HERE WE GO. 508 00:20:46,826 --> 00:20:48,958 [ CAR DOORS CLOSE ] 509 00:20:50,370 --> 00:20:51,461 HEY! 510 00:20:51,461 --> 00:20:52,752 HEY! HEY. 511 00:20:54,374 --> 00:20:57,377 [ PEOPLE GASPING, MAN SHOUTING INDISTINCTLY ] 512 00:20:57,377 --> 00:20:59,929 ♪♪ 513 00:21:06,976 --> 00:21:08,598 GO LEFT. 514 00:21:08,598 --> 00:21:09,889 [ GROANS ] 515 00:21:21,661 --> 00:21:22,952 [ GUNSHOT ] 516 00:21:26,456 --> 00:21:27,497 [ GUNSHOT ] 517 00:21:33,172 --> 00:21:35,004 [ GUNSHOT ] [ SCREAM ] 518 00:21:37,837 --> 00:21:38,878 JAVI, YOU OKAY? 519 00:21:38,878 --> 00:21:42,181 NO! YOU SHOT ME IN THE ASS! 520 00:21:42,181 --> 00:21:43,593 OW! 521 00:21:43,593 --> 00:21:45,385 [ WHIMPERING ] 522 00:21:45,385 --> 00:21:46,766 [ GROANS ] 523 00:21:50,810 --> 00:21:51,811 YOU SHOT YOUR PARTNER. Hayley: IN THE ASS. 524 00:21:51,811 --> 00:21:53,192 IT WAS AN ACCIDENT. 525 00:21:53,192 --> 00:21:55,485 THE HOSPITAL SAYS HE'S GONNA BE FINE. 526 00:21:55,485 --> 00:21:56,856 JUST NEEDS A FEW STITCHES. 527 00:21:56,856 --> 00:21:58,528 AND A NEW PAIR OF TROUSERS. 528 00:21:58,528 --> 00:21:59,989 ANY SIGN OF LIAM? 529 00:21:59,989 --> 00:22:03,653 NO, BUT HE FLED IN HIS ROLLS, 530 00:22:03,653 --> 00:22:06,996 SO WE'VE GOT VIKRAM MONITORING EVERY STREET CAM 531 00:22:06,996 --> 00:22:08,368 AT EVERY CROSSING IN THE CITY, 532 00:22:08,368 --> 00:22:09,999 WHICH MEANS IF HE TRIES TO GET OUT OF MANHATTAN, 533 00:22:09,999 --> 00:22:11,040 WE WILL FIND HIM. 534 00:22:11,040 --> 00:22:13,082 WELL, I WILL COORDINATE WITH HIM, 535 00:22:13,082 --> 00:22:15,214 START DIGGING INTO LIAM'S LIFE, 536 00:22:15,214 --> 00:22:17,957 TRY AND FIGURE OUT WHERE HE MIGHT GO TO GROUND. 537 00:22:17,957 --> 00:22:19,879 [ DOOR OPENS, CLOSES ] 538 00:22:19,879 --> 00:22:21,671 YOU KNOW LIAM'S GONNA DITCH THE CAR, RIGHT? 539 00:22:21,671 --> 00:22:23,092 I KNOW. 540 00:22:23,092 --> 00:22:24,554 A RIDE LIKE THAT WOULD FETCH TOP DOLLAR. 541 00:22:24,554 --> 00:22:27,136 IF LIAM'S BOLTING, HE MIGHT WANT SOME QUICK CASH. 542 00:22:27,136 --> 00:22:28,057 WHO ARE YOU CALLING? 543 00:22:28,057 --> 00:22:29,969 YOUR HUSBAND. 544 00:22:29,969 --> 00:22:31,771 I RECKON THAT HE MIGHT HAVE SOME FRIENDS 545 00:22:31,771 --> 00:22:34,143 WHO WOULD KNOW WHERE TO SELL A HOT ROLLS IN A HURRY. 546 00:22:35,815 --> 00:22:37,397 WHY ARE YOU STILL HERE? 547 00:22:37,397 --> 00:22:38,528 THE CASE ISN'T OVER YET. 548 00:22:38,528 --> 00:22:39,739 IT IS FOR ME. 549 00:22:39,739 --> 00:22:41,190 I SAW YOU BACK AT THE PRECINCT. 550 00:22:41,190 --> 00:22:42,692 YOU WERE HAVING FUN. 551 00:22:42,692 --> 00:22:43,693 NO, I WASN'T. 552 00:22:43,693 --> 00:22:44,984 [ CELLPHONE RINGS ] 553 00:22:44,984 --> 00:22:46,155 [ CELLPHONE BEEPS ] 554 00:22:46,155 --> 00:22:47,246 RICHARD CASTLE. 555 00:22:48,367 --> 00:22:50,580 I'LL ASK AROUND. OKAY. 556 00:22:50,580 --> 00:22:51,791 ALL RIGHT, WE HAVE A NEW MISSION -- 557 00:22:51,791 --> 00:22:52,952 TO FIND WHERE OUR SUSPECT 558 00:22:52,952 --> 00:22:54,954 MIGHT SELL A HIGH-END ROLLS-ROYCE. 559 00:22:54,954 --> 00:22:56,666 I CAN'T HELP YOU WITH THAT. 560 00:22:56,666 --> 00:22:59,258 BUT YOU CAN I.D. HIM ONCE WE GET THERE. 561 00:22:59,258 --> 00:23:02,211 WHA-- WHY ARE YOU DOING THIS TO ME? 562 00:23:02,211 --> 00:23:04,594 BECAUSE YOU HELPED ME OUT, AND NOW I'M RETURNING THE FAVOR. 563 00:23:04,594 --> 00:23:05,885 BY TORTURING ME? 564 00:23:07,306 --> 00:23:09,218 NO. 565 00:23:09,218 --> 00:23:10,600 MIA, YOU'RE -- YOU'RE NOT LIVING. 566 00:23:10,600 --> 00:23:12,602 YOU'RE HIDING. 567 00:23:12,602 --> 00:23:15,394 I KNOW YOU FIND THE WORLD A LITTLE OVERWHELMING, 568 00:23:15,394 --> 00:23:17,727 BUT OUT HERE, THIS IS WHERE LIFE HAPPENS. 569 00:23:17,727 --> 00:23:21,150 SO...LET'S GO. 570 00:23:25,485 --> 00:23:26,526 [ ELEVATOR BELL DINGS ] 571 00:23:28,578 --> 00:23:31,581 [ SCATTERED LAUGHTER ] 572 00:23:31,581 --> 00:23:33,583 [ APPLAUSE ] 573 00:23:37,587 --> 00:23:40,169 HEY, PARTNER, LET ME HELP YOU WITH THAT. 574 00:23:40,169 --> 00:23:42,001 -[ GROANS ] -I CAN HANDLE IT MYSELF. 575 00:23:42,001 --> 00:23:43,923 JAVI, IT WAS AN ACCIDENT. 576 00:23:46,005 --> 00:23:48,598 HEY, WHAT ARE YOU DOING HERE? GO HOME. 577 00:23:48,598 --> 00:23:50,309 NO. I'M HERE TO WORK. 578 00:23:50,309 --> 00:23:52,472 BUT YOU WERE SHOT. IT'S JUST A FLESH WOUND. 579 00:23:52,472 --> 00:23:54,183 IF HE'S WORKING, THEN I'M WORKING. 580 00:23:54,183 --> 00:23:56,726 SO, I JUST GOT LIAM'S PHONE RECORDS. 581 00:23:56,726 --> 00:23:59,268 HE CALLED HAWTHORNE CARTER LESS THAN HALF AN HOUR AGO. 582 00:23:59,268 --> 00:24:00,860 WHY IS THAT NAME SO FAMILIAR? 583 00:24:00,860 --> 00:24:03,062 HE'S A HEDGE-FUND BILLIONAIRE WHOSE HOBBIES INCLUDE 584 00:24:03,062 --> 00:24:06,155 WORLD DOMINATION AND ART COLLECTION. 585 00:24:06,155 --> 00:24:08,157 TELL HIM THE ONLY WAY I'LL SELL 586 00:24:08,157 --> 00:24:10,530 IS IF HE LETS ME COME DOWN AND PUNCH HIM IN THE FACE. 587 00:24:10,530 --> 00:24:11,701 NO, THE DRAPES ARE GREAT. 588 00:24:11,701 --> 00:24:13,833 MR. CARTER, YOU NEED TO GET OFF THE PHONES. 589 00:24:13,833 --> 00:24:14,784 NOW. 590 00:24:14,784 --> 00:24:16,335 FINE. I'LL CALL YOU BACK. 591 00:24:17,577 --> 00:24:18,668 BOTH PHONES, PLEASE. 592 00:24:18,668 --> 00:24:20,169 UH, HEY! GOODBYE. 593 00:24:21,000 --> 00:24:22,542 SIT DOWN 594 00:24:22,542 --> 00:24:24,924 OR I WILL ARREST YOU FOR CONSPIRACY TO COMMIT MURDER. 595 00:24:27,677 --> 00:24:29,639 LORENZO, WHAT IS SHE TALKING ABOUT? 596 00:24:29,639 --> 00:24:31,010 THE VAN GOGH, SIR. 597 00:24:31,010 --> 00:24:33,352 THREE WEEKS AGO, YOU BID ON IT AT AN AUCTION, AND YOU LOST. 598 00:24:33,352 --> 00:24:34,764 THIS MORNING, IT WAS STOLEN, 599 00:24:34,764 --> 00:24:36,686 AND A MAN WAS FOUND SHOT TO DEATH. 600 00:24:36,686 --> 00:24:38,477 MR. CARTER JUST GOT BACK FROM SINGAPORE THIS AFTERNOON. 601 00:24:38,477 --> 00:24:39,939 NO, WE DON'T THINK YOU KILLED HIM. 602 00:24:39,939 --> 00:24:41,561 BUT YOU ARE IN CONTACT WITH THE MAN WHO DID. 603 00:24:41,561 --> 00:24:44,023 LIAM HOLLISTER, THE TRANSPORTER. 604 00:24:44,023 --> 00:24:45,234 ACCORDING TO THE FALCON UNIT, 605 00:24:45,234 --> 00:24:46,736 YOU'VE ENGAGED HIS SERVICES NUMEROUS TIMES. 606 00:24:46,736 --> 00:24:48,487 YEAH. HE CALLED, LOOKING TO UNLOAD THE PAINTING. 607 00:24:48,487 --> 00:24:50,109 I ONLY BID ON IT 'CAUSE LORENZO THOUGHT 608 00:24:50,109 --> 00:24:51,661 IT WOULD LOOK GREAT HANGING IN MY G5. 609 00:24:51,661 --> 00:24:53,613 SO YOU'RE SAYING YOU DIDN'T AGREE TO BUY IT? HELL NO! 610 00:24:53,613 --> 00:24:55,825 I ALREADY BOUGHT A JACKSON POLLOCK TO HANG IN THERE. 611 00:24:55,825 --> 00:24:57,957 DO YOU HAVE ANY IDEA WHERE HE IS NOW? 612 00:24:57,957 --> 00:25:00,289 NOPE, BUT WHEN I SAID NO TO THE PAINTING, 613 00:25:00,289 --> 00:25:02,922 HE ASKED IF I HAD ANY INTEREST IN A USED ROLLS-ROYCE. 614 00:25:09,218 --> 00:25:11,050 YES, SIR? HOW CAN I HELP YOU? 615 00:25:11,050 --> 00:25:15,434 YES. UH... MONTY SENT ME. 616 00:25:15,434 --> 00:25:17,396 I SEE. 617 00:25:17,396 --> 00:25:19,559 SO YOUR FERRARI WAS STOLEN? 618 00:25:19,559 --> 00:25:21,520 YES, AND I'M AFRAID MY POOR INSURANCE COMPANY 619 00:25:21,520 --> 00:25:24,193 IS GOING TO HAVE TO PAY OUT A FORTUNE WHEN I REPORT IT. 620 00:25:24,193 --> 00:25:26,315 NOW, HOW MUCH EXTRA CAN I LOOK FORWARD TO MAKING? 621 00:25:26,315 --> 00:25:27,857 WELL, GONNA HAVE TO RUN SOME NUMBERS, 622 00:25:27,857 --> 00:25:29,609 BUT I'LL SEE WHAT OUR FOREIGN BUYERS MIGHT PAY FOR IT. 623 00:25:29,609 --> 00:25:30,650 THANK YOU. 624 00:25:33,072 --> 00:25:35,074 RIGHT. THAT LOOKS LIKE LIAM'S CAR RIGHT THERE. 625 00:25:35,074 --> 00:25:36,535 LET'S GO. 626 00:25:36,535 --> 00:25:37,577 LOVE IT. 627 00:25:37,577 --> 00:25:39,288 WANT IT. 628 00:25:39,288 --> 00:25:40,289 NEED IT. 629 00:25:40,289 --> 00:25:42,001 UH. CONVERTIBLE -- YUCK. 630 00:25:42,001 --> 00:25:43,963 ALL RIGHT, WHY DON'T YOU, UH, POP THE TRUNK? 631 00:25:43,963 --> 00:25:45,504 O-OKAY. 632 00:25:59,599 --> 00:26:01,230 WHAT THE HELL ARE YOU DOING? 633 00:26:01,230 --> 00:26:02,441 OH! JUST TAKING A LOOK AT THE CAR. 634 00:26:02,441 --> 00:26:03,853 -YEAH, BACK UP. -HEY, NO PROBLEM. 635 00:26:03,853 --> 00:26:04,944 YES. 636 00:26:04,944 --> 00:26:07,316 [ ENGINE TURNS OVER ] 637 00:26:07,316 --> 00:26:09,278 HEY! GET OUT OF THERE! 638 00:26:09,278 --> 00:26:11,490 UH, WHOA, WHOA, WHOA, WHOA! NO NEED FOR THAT. 639 00:26:12,321 --> 00:26:13,532 MIA! 640 00:26:13,532 --> 00:26:16,155 [ TIRES SCREECH ] 641 00:26:16,155 --> 00:26:17,496 AAH! 642 00:26:18,828 --> 00:26:20,660 DID I DO OKAY? 643 00:26:20,660 --> 00:26:22,622 YOU DID PERFECTLY! 644 00:26:27,416 --> 00:26:29,258 I GIVE UP. 645 00:26:29,258 --> 00:26:31,550 HOW THE HELL DID THE TWO OF YOU TRAP LIAM IN HIS OWN TRUNK? 646 00:26:31,550 --> 00:26:33,382 BECAUSE WE'RE AWESOME AND YOU TWO SUCK. NEXT QUESTION. 647 00:26:33,382 --> 00:26:35,214 [ LAUGHS ] 648 00:26:35,214 --> 00:26:36,886 WHAT -- WHAT HAPPENED TO YOU?! 649 00:26:36,886 --> 00:26:38,347 INJURED IN THE LINE OF DUTY. 650 00:26:38,347 --> 00:26:39,809 REALLY? HOW? 651 00:26:39,809 --> 00:26:42,772 I... ACCIDENTALLY SHOT HIM 652 00:26:42,772 --> 00:26:43,773 IN THE GLUTEUS MAXIMUS. 653 00:26:43,773 --> 00:26:46,025 IN THE ASS?! [ LAUGHS ] 654 00:26:46,025 --> 00:26:48,988 WELL, MAYBE I SHOULD GIVE THIS TO YOU. 655 00:26:48,988 --> 00:26:50,279 I'M SORRY. THIS IS SO NOT FUNNY. 656 00:26:50,279 --> 00:26:51,901 [ LAUGHS ] YOU'RE RIGHT. IT'S HILARIOUS. 657 00:26:51,901 --> 00:26:54,073 [ Laughing ] IT'S HILARIOUS! 658 00:26:54,073 --> 00:26:55,905 COME ON, MIA. LET'S MAKE WAY FOR, UH, 659 00:26:55,905 --> 00:26:57,616 CRACK-SHOT RYAN AND ASSPOSITO. 660 00:26:57,616 --> 00:26:59,699 [ LAUGHS ] "ASSPOSITO." 661 00:27:04,834 --> 00:27:06,836 Esposito: LIAM, NYPD. 662 00:27:06,836 --> 00:27:08,878 WE'RE ABOUT TO OPEN THIS TRUNK, SO DON'T DO ANYTHING STUPID. 663 00:27:14,674 --> 00:27:16,515 IT WASN'T ME! 664 00:27:16,515 --> 00:27:18,257 SO I GUESS IT WASN'T YOU WHO HAD THE STOLEN PAINTING 665 00:27:18,257 --> 00:27:19,258 IN THE SILVER BRIEFCASE. 666 00:27:19,258 --> 00:27:20,559 I SUPPOSE IT ALSO WASN'T YOU 667 00:27:20,559 --> 00:27:22,311 WHO TRIED TO KILL US IN THAT BUILDING. 668 00:27:22,311 --> 00:27:25,104 OH, TRUST ME, IF I WAS TRYING TO KILL YOU, YOU'D BE DEAD. 669 00:27:25,104 --> 00:27:28,227 WOW. I WAS LAYING DOWN A SUPPRESSIVE FIRE IN ORDER TO GET AWAY. 670 00:27:28,227 --> 00:27:30,649 I AIMED TO MISS, UNLIKE YOU, MATE, 671 00:27:30,649 --> 00:27:33,402 WHO SHOT YOUR OWN PARTNER IN THE ASS. 672 00:27:33,402 --> 00:27:35,614 [ LAUGHS ] OKAY, L-LET'S NOT CONCERN OURSELVES 673 00:27:35,614 --> 00:27:37,486 WITH WHO SHOT DETECTIVE ASSP-- ES-- 674 00:27:37,486 --> 00:27:39,328 -[ LAUGHS ] -ESPO-- DETECTIVE ESPOSITO. 675 00:27:39,328 --> 00:27:41,741 SIT DOWN NOW! SIT DOWN OR I'M LOCKING YOU UP! 676 00:27:42,742 --> 00:27:44,543 OH. 677 00:27:44,543 --> 00:27:45,995 OVER THERE. 678 00:27:45,995 --> 00:27:48,547 RATHER, LET'S DISCUSS HOW YOU SHOT JUSTIN. 679 00:27:48,547 --> 00:27:50,129 I'M TELLING YOU IT WASN'T ME. 680 00:27:50,129 --> 00:27:52,131 LOOK, I GET IT. YOU WERE PISSED. 681 00:27:52,131 --> 00:27:54,093 HE JUMPED YOU ON THAT TRANSPORTER JOB, 682 00:27:54,093 --> 00:27:55,965 SCREWED YOU OUT OF A BIG COMMISSION. 683 00:27:55,965 --> 00:27:57,096 AND THEN YOU TRACKED HIM DOWN, 684 00:27:57,096 --> 00:27:58,217 AND YOU CONFRONTED HIM IN THAT GARAGE. 685 00:27:58,217 --> 00:27:59,638 YOU PROBABLY DIDN'T EVEN MEAN TO KILL. 686 00:27:59,638 --> 00:28:00,599 I DIDN'T SHOOT JUSTIN. 687 00:28:00,599 --> 00:28:02,011 CUT THAT CRAP. 688 00:28:02,011 --> 00:28:03,893 ALL THE EVIDENCE POINTS TO YOU. 689 00:28:03,893 --> 00:28:05,895 WHICH IS WHY I RAN FROM YOU GUYS. 690 00:28:05,895 --> 00:28:08,267 LOOK, I WAS AT THAT PARKING GARAGE, 691 00:28:08,267 --> 00:28:10,399 BUT WHEN I LEFT, JUSTIN WAS ALIVE. 692 00:28:10,399 --> 00:28:12,021 IT'S LIKE YOU SAID, 693 00:28:12,021 --> 00:28:14,023 I CONFRONTED JUSTIN, BUT HE APOLOGIZED. 694 00:28:14,023 --> 00:28:15,314 HE KNEW HE DID ME WRONG, 695 00:28:15,314 --> 00:28:17,737 SO HE GAVE ME BACK THE PAINTING, AND I LEFT. 696 00:28:17,737 --> 00:28:20,619 AND SOMEONE ELSE MUST HAVE COME AFTER ME AND SHOT HIM. 697 00:28:20,619 --> 00:28:22,451 DO YOU REALLY EXPECT US TO BELIEVE THAT? 698 00:28:22,451 --> 00:28:23,873 NO. 699 00:28:24,914 --> 00:28:26,285 BUT IT'S THE TRUTH. 700 00:28:31,831 --> 00:28:34,503 THIS CASE AGAINST LIAM IS PRETTY CIRCUMSTANTIAL. 701 00:28:34,503 --> 00:28:35,714 WELL, HOPEFULLY, BALLISTICS CAN MATCH 702 00:28:35,714 --> 00:28:36,465 HIS GUN TO THE MURDER WEAPON. 703 00:28:36,465 --> 00:28:37,797 Mia: YAWN! 704 00:28:37,797 --> 00:28:40,339 I NEED FOOD NOW. 705 00:28:40,339 --> 00:28:42,511 AND JUST SO YOU KNOW, WHEN HUNGRY, 706 00:28:42,511 --> 00:28:44,934 I DO HAVE A TENDENCY TO BECOME IRRITABLE. 707 00:28:44,934 --> 00:28:46,685 YOU IRRITABLE? I DON'T BELIEVE IT. 708 00:28:46,685 --> 00:28:48,727 BEAUTIFUL, ISN'T IT? 709 00:28:48,727 --> 00:28:50,649 HOW LONG BEFORE I CAN RETURN IT TO MY EMPLOYER? 710 00:28:50,649 --> 00:28:51,941 WELL, THAT'S UP TO THE D.A. 711 00:28:51,941 --> 00:28:53,112 IT'S A FORGERY, YOU KNOW? 712 00:28:53,112 --> 00:28:55,154 -WHAT? -HOW DO YOU KNOW? 713 00:28:55,154 --> 00:28:56,856 YOU CAN SMELL IT. 714 00:28:56,856 --> 00:29:00,529 OIL PAINT TAKES MANY YEARS TO BECOME FULLY DRY. 715 00:29:00,529 --> 00:29:03,823 THAT SMELLS WAY TOO FRESH TO BE FROM THE 19th CENTURY. 716 00:29:03,823 --> 00:29:05,204 THAT'S DEFINITELY NOT THE PAINTING 717 00:29:05,204 --> 00:29:06,916 THAT WAS IN THE KILLER'S BRIEFCASE. 718 00:29:06,916 --> 00:29:08,707 MAYBE LIAM WAS TELLING THE TRUTH? 719 00:29:08,707 --> 00:29:10,169 Ryan: IF HE WAS, IT WOULD EXPLAIN 720 00:29:10,169 --> 00:29:11,290 WHY JUSTIN GAVE UP THE PAINTING SO EASILY. 721 00:29:11,290 --> 00:29:12,631 HE KNEW IT WAS A FAKE. 722 00:29:12,631 --> 00:29:14,673 WHICH MEANS THE REAL KILLER IS STILL OUT THERE, 723 00:29:14,673 --> 00:29:16,085 WITH THE REAL PAINTING. 724 00:29:16,085 --> 00:29:17,877 OH, I LOVE IT WHEN THERE'S A TWIST. 725 00:29:17,877 --> 00:29:19,718 AND I LOVE IT WHEN MY BELLY'S FULL. 726 00:29:19,718 --> 00:29:21,510 I-I'M GETTING TAKEOUT RIGHT NOW. 727 00:29:21,510 --> 00:29:22,681 RESTAURANT FOOD? 728 00:29:22,681 --> 00:29:24,804 HELL NO! 729 00:29:24,804 --> 00:29:27,186 HOME COOKING ONLY. 730 00:29:27,186 --> 00:29:29,598 EVERYTHING HAS TO BE STEAMED WITH ZERO -- 731 00:29:29,598 --> 00:29:31,730 AND I MEAN ZERO -- SEASONING. 732 00:29:31,730 --> 00:29:33,772 IF I EVEN SMELL OR SEE A SPECK OF SALT, 733 00:29:33,772 --> 00:29:35,604 SOMEBODY IS GONNA GET HURT. 734 00:29:35,604 --> 00:29:38,067 YOU'RE MY RIDE, CASTLE. LET'S GO. 735 00:29:38,067 --> 00:29:39,358 BON APPéTIT, BABE. 736 00:29:41,320 --> 00:29:43,112 MAN. 737 00:29:43,112 --> 00:29:45,664 MIA, IF YOU HAVE A HANKERING FOR A BLAND MEAL, 738 00:29:45,664 --> 00:29:47,867 I HAVE A TREAT FOR YOU -- MY MOTHER'S COOKING. 739 00:29:47,867 --> 00:29:49,288 Martha: I HEARD THAT, RICHARD. 740 00:29:49,288 --> 00:29:51,080 I THINK GRATITUDE WOULD BE APPROPRIATE, 741 00:29:51,080 --> 00:29:54,543 SINCE I AM STEAMING THIS RIDICULOUS MEAL FOR YOU. 742 00:29:54,543 --> 00:29:56,175 MARTHA RODGERS. 743 00:29:56,175 --> 00:29:57,626 YES. 744 00:29:57,626 --> 00:29:58,677 I'M SORRY. HAVE WE MET? 745 00:29:58,677 --> 00:30:02,301 UH, MAY 19, 1999. 746 00:30:02,301 --> 00:30:04,223 I SAW YOU PERFORM IN "PIPPIN." 747 00:30:04,223 --> 00:30:05,224 [ GASPS ] 748 00:30:05,224 --> 00:30:07,476 OH, MY GO-- YOU REMEMBER THAT? 749 00:30:07,476 --> 00:30:09,768 OH, YEAH. OFF-OFF-BROADWAY. 750 00:30:09,768 --> 00:30:11,230 UH, MOTHER, THAT WAS NEW JERSEY. 751 00:30:11,230 --> 00:30:14,273 OFF-OFF-BROADWAY, AS I SAID. 752 00:30:14,273 --> 00:30:16,936 WELL, ISN'T THIS NICE? 753 00:30:16,936 --> 00:30:17,987 SO YOU LIKED THE PRODUCTION? 754 00:30:17,987 --> 00:30:20,069 NO. HATED IT. 755 00:30:20,069 --> 00:30:21,700 PLUS, THE THEATER SMELLED LIKE 756 00:30:21,700 --> 00:30:23,492 LIMBURGER GRAVY ON A HOT SUMMER'S DAY. 757 00:30:23,492 --> 00:30:27,406 BUT YOU -- YOU WERE AMAZING. 758 00:30:27,406 --> 00:30:30,709 REALLY? SO ALL DAY WITH A BEST-SELLING AUTHOR, NOTHING. 759 00:30:30,709 --> 00:30:32,081 20 SECONDS WITH MY MOTHER, 760 00:30:32,081 --> 00:30:33,332 YOU'RE A TWEENER AT A TAYLOR SWIFT CONCERT? 761 00:30:33,332 --> 00:30:35,504 DON'T BE A HATER, RICHARD. 762 00:30:35,504 --> 00:30:36,835 IT'S THE POWER OF THEATER. 763 00:30:36,835 --> 00:30:39,218 GO ON, GO ON. YOU WERE RAVING. 764 00:30:39,218 --> 00:30:41,630 YOUR PERFORMANCE -- IT WAS SO MOVING. 765 00:30:41,630 --> 00:30:46,765 I COMPLETELY FORGOT HOW HORRIBLE MY REAL LIFE WAS. 766 00:30:46,765 --> 00:30:49,728 IT WAS JUST -- IT WAS THE BEST DAY EVER. 767 00:30:49,728 --> 00:30:52,141 OH! SWEETHEART. 768 00:30:52,141 --> 00:30:56,685 OH! AND YOU BARELY STINK. OH! 769 00:30:56,685 --> 00:30:57,977 OH, COMING FROM HER, THAT'S HIGH PRAISE. 770 00:30:57,977 --> 00:30:59,028 [ CHUCKLES ] 771 00:31:00,689 --> 00:31:03,192 -HEY, BECKETT, I GOT SOMETHING. -WE'VE GOT SOMETHING. 772 00:31:03,192 --> 00:31:04,533 YEAH, THAT'S WHAT I SAID. 773 00:31:04,533 --> 00:31:06,405 -THAT'S NOT WHAT YOU SAID. -OKAY, IT'S WHAT I MEANT. 774 00:31:06,405 --> 00:31:07,746 OKAY, YOU BOTH GET GOLD STARS FOR THE DAY 775 00:31:07,746 --> 00:31:08,988 IF JUST ONE OF YOU CAN TELL ME WHAT'S GOING ON. 776 00:31:08,988 --> 00:31:11,450 WE DID SOME DIGGING 777 00:31:11,450 --> 00:31:13,752 INTO THIS PAINTING'S TORTURED HISTORY. 778 00:31:13,752 --> 00:31:14,994 STOLEN DURING WORLD WAR II. 779 00:31:14,994 --> 00:31:16,295 IT ENDED UP IN A PRIVATE COLLECTION 780 00:31:16,295 --> 00:31:17,836 BEFORE COMING UP FOR AUCTION. 781 00:31:17,836 --> 00:31:19,418 APPARENTLY, STOLEN ARTWORK LIKE THIS 782 00:31:19,418 --> 00:31:21,550 RARELY ENDS UP IN THE HANDS OF ITS OWNER. 783 00:31:21,550 --> 00:31:23,052 WHAT DOES ANY OF THIS HAVE TO DO WITH JUSTIN'S MURDER? 784 00:31:23,052 --> 00:31:24,303 EVERYTHING. 785 00:31:24,303 --> 00:31:26,215 THE VAN GOGH IS CONNECTED TO SOMEBODY WE KNOW. 786 00:31:26,215 --> 00:31:28,387 WHO? TWO YEARS AGO, THERE WAS A FAILED LEGAL CLAIM 787 00:31:28,387 --> 00:31:30,639 ON BEHALF OF THE FAMILY THAT THE PAINTING WAS STOLEN FROM. 788 00:31:30,639 --> 00:31:31,850 AND GUESS WHO FILED IT. 789 00:31:33,812 --> 00:31:36,936 OH, SO GLAD YOU WANTED A SECOND HELPING. 790 00:31:36,936 --> 00:31:39,148 THANK YOU, MARTHA. IT'S PERFECT. 791 00:31:39,148 --> 00:31:40,189 I THINK MY PALATE FELL ASLEEP. 792 00:31:40,189 --> 00:31:41,941 [ KNOCK ON DOOR ] 793 00:31:41,941 --> 00:31:43,522 OH. THAT WILL BE THE TAKEOUT FOR YOU AND ME. 794 00:31:43,522 --> 00:31:44,523 WELL DONE. 795 00:31:44,523 --> 00:31:46,525 MMM! 796 00:31:46,525 --> 00:31:48,907 HEL-- 797 00:31:50,329 --> 00:31:52,741 MOTHER, WHAT EXACTLY DID YOU ORDER? 798 00:31:56,495 --> 00:31:57,586 MR. CASTLE, YOU'RE COMING WITH ME. 799 00:31:57,586 --> 00:31:59,248 OH, NO, HE IS NOT. 800 00:31:59,248 --> 00:32:00,379 OH, MOTHER, IT'S -- IT'S ALL RIGHT. 801 00:32:00,379 --> 00:32:02,461 OKAY, SO, UH, WHO ARE YOU? 802 00:32:02,461 --> 00:32:04,133 WHO I AM'S NOT IMPORTANT. 803 00:32:04,133 --> 00:32:05,924 IT'S WHO YOU ARE THAT IS. 804 00:32:05,924 --> 00:32:08,307 YOU'RE MARRIED TO THE CAPTAIN OF THE 12th PRECINCT, 805 00:32:08,307 --> 00:32:10,639 WHERE A CERTAIN WORK OF ART IS BEING HELD. 806 00:32:10,639 --> 00:32:11,890 YOU'RE GOING TO GO AND GET IT FOR ME. 807 00:32:11,890 --> 00:32:13,762 GIVE ME ONE GOOD REASON WHY I SHOULD. 808 00:32:13,762 --> 00:32:15,224 I'LL GIVE YOU TWO. 809 00:32:15,224 --> 00:32:16,475 OH! OH, MY GOD! 810 00:32:16,475 --> 00:32:18,017 OKAY, OKAY. PUT -- PUT THE GUN BACK -- BACK TO ME. 811 00:32:18,017 --> 00:32:19,148 POINT IT AT ME. 812 00:32:19,148 --> 00:32:21,230 LOOK, THAT PAINTING BELONGS TO MY FAMILY. 813 00:32:21,230 --> 00:32:23,522 MY FATHER SPENT HIS LIFE TRYING TO FIND IT. 814 00:32:23,522 --> 00:32:25,114 HE DIED A BROKEN MAN. 815 00:32:25,114 --> 00:32:26,365 THERE'S NO WAY I'M GOING TO LET IT 816 00:32:26,365 --> 00:32:29,028 SIT IN SOME BILLIONAIRE'S MAN CAVE. 817 00:32:29,028 --> 00:32:31,700 OKAY, I GET IT. I DO. 818 00:32:31,700 --> 00:32:35,914 AND I WANT TO HELP YOU, HONESTLY. 819 00:32:35,914 --> 00:32:38,707 BUT I CAN'T GET THAT PAINTING EVEN IF I TRIED. 820 00:32:38,707 --> 00:32:40,129 AND WHY IS THAT? 821 00:32:40,129 --> 00:32:41,840 LUCY'S NOT GONNA LET ME. 822 00:32:41,840 --> 00:32:43,542 WHO THE HELL'S LUCY? 823 00:32:43,542 --> 00:32:44,543 SHE'S RIGHT BEHIND YOU. 824 00:32:44,543 --> 00:32:46,045 TECHNICALLY, I AM TO HIS LEFT. 825 00:32:48,427 --> 00:32:49,298 OH! 826 00:32:53,512 --> 00:32:54,893 AAH! OH! 827 00:32:56,185 --> 00:32:58,477 DID YOU SEE THAT?! KNOCKED HIM OUT WITH ONE PUNCH! 828 00:32:58,477 --> 00:32:59,978 [ GROANS ] AND HE WASN'T THE ONLY ONE. 829 00:32:59,978 --> 00:33:02,361 OW! AAH! 830 00:33:02,361 --> 00:33:04,523 Oops. 831 00:33:16,495 --> 00:33:18,827 RICK, ARE YOU OKAY? 832 00:33:18,827 --> 00:33:21,210 [ SIGHS ] FAR FROM IT. 833 00:33:21,210 --> 00:33:23,001 [ SIGHS ] I THINK MIA IS GONNA SUE US 834 00:33:23,001 --> 00:33:24,463 FOR EVERYTHING WE'VE GOT. 835 00:33:24,463 --> 00:33:26,125 [ Nasally ] YEAH. HE BROKE MY MONEY-MAKER. 836 00:33:26,125 --> 00:33:28,217 I SAID I WAS SORRY. 837 00:33:28,217 --> 00:33:29,678 WELL, UH, THERE'S MORE BAD NEWS. 838 00:33:29,678 --> 00:33:32,971 LORENZO'S NOT OUR KILLER. I SPOKE WITH HIS CO-WORKERS. 839 00:33:32,971 --> 00:33:34,763 HE'S GOT A ROCK-SOLID ALIBI. 840 00:33:34,763 --> 00:33:35,804 WELL, THAT MAKES SENSE. 841 00:33:35,804 --> 00:33:37,096 IF HE WAS WILLING TO KILL JUSTIN, 842 00:33:37,096 --> 00:33:38,397 HE'D ALREADY HAVE THE VAN GOGH 843 00:33:38,397 --> 00:33:39,558 AND HE WOULDN'T HAVE ASKED ME TO STEAL THE FAKE ONE. 844 00:33:39,558 --> 00:33:42,981 HOLD ON. THE VAN GOGH YOU RECOVERED IS THE FORGERY? 845 00:33:42,981 --> 00:33:45,234 HOW DO YOU KNOW ABOUT THE FORGERY? 846 00:33:45,234 --> 00:33:47,146 LORENZO, YOU ARE IN A WORLD OF TROUBLE. 847 00:33:47,146 --> 00:33:50,199 YOUR BEST BET IS TO TELL US EVERYTHING YOU KNOW NOW. 848 00:33:50,199 --> 00:33:52,321 I HAVE SPENT MY ENTIRE ADULT LIFE 849 00:33:52,321 --> 00:33:54,073 SEARCHING FOR THAT PAINTING. 850 00:33:54,073 --> 00:33:55,414 WHEN I HEARD IT WAS COMING UP FOR AUCTION, 851 00:33:55,414 --> 00:33:56,575 I TRIED TO GET MY BOSS TO BUY IT. 852 00:33:56,575 --> 00:33:58,327 BUT HE WOULDN'T. 853 00:33:58,327 --> 00:34:01,250 NO, BUT I KNEW JUSTIN FROM SOME OF HIS DELIVERIES. 854 00:34:01,250 --> 00:34:03,872 I DID SOME RESEARCH, LEARNED THAT WE HAD THREE WEEKS 855 00:34:03,872 --> 00:34:05,334 BEFORE THE PAINTING WAS TO BE MOVED, 856 00:34:05,334 --> 00:34:07,296 SO WE HATCHED A PLAN. 857 00:34:07,296 --> 00:34:09,758 JUSTIN WOULD JUMP LIAM'S TRANSPORTER JOB 858 00:34:09,758 --> 00:34:11,930 AND SWITCH THE VAN GOGH WITH THE FAKE. 859 00:34:11,930 --> 00:34:14,093 AND YOU PROVIDED THE FORGERY? 860 00:34:14,093 --> 00:34:17,306 NO, FROM THE VERY BEGINNING, JUSTIN SAID HE KNEW A GUY. 861 00:34:17,306 --> 00:34:19,888 THAT'S WHY HE WENT TO THE PARKING GARAGE -- 862 00:34:19,888 --> 00:34:21,600 TO PICK UP THE FORGED PAINTING. 863 00:34:21,600 --> 00:34:23,142 Beckett. 864 00:34:24,603 --> 00:34:27,106 WHOEVER FORGED THAT PAINTING IS THE KILLER. 865 00:34:27,106 --> 00:34:28,647 HE KILLED JUSTIN FOR THE REAL VAN GOGH. 866 00:34:28,647 --> 00:34:30,609 BUT JUSTIN GAVE LIAM THE FAKE IN THE PARKING GARAGE. 867 00:34:30,609 --> 00:34:32,111 YEAH, SO? 868 00:34:32,111 --> 00:34:34,743 SO, THE EXCHANGE HAPPENED BEFORE LIAM EVEN ARRIVED. 869 00:34:34,743 --> 00:34:36,034 THAT DOESN'T MEAN THE KILLER WAS GONE. 870 00:34:36,034 --> 00:34:37,536 HE COULD HAVE JUST BEEN HIDING. 871 00:34:37,536 --> 00:34:40,699 WHAT IF LIAM DROVE UP JUST AS THE SWAP WAS TAKING PLACE? 872 00:34:40,699 --> 00:34:42,331 THEN THE KILLER WOULD TAKE COVER. 873 00:34:42,331 --> 00:34:44,663 RIGHT. SO LIAM DRIVES AWAY WITH THE FORGERY, 874 00:34:44,663 --> 00:34:46,505 KILLER COMES BACK OUT, KILLS JUSTIN FOR THE REAL ONE. 875 00:34:46,505 --> 00:34:48,417 THAT'S A POSSIBILITY. 876 00:34:48,417 --> 00:34:52,971 THEN THE QUESTION IS, HOW DO WE IDENTIFY THIS MYSTERY MAN? 877 00:34:52,971 --> 00:34:54,633 BY HIS SMELL. 878 00:34:54,633 --> 00:34:56,094 WELL, THAT'S A GREAT IDEA, CASTLE, 879 00:34:56,094 --> 00:34:57,886 BUT YOU LITERALLY JUST BROKE THE NOSE. 880 00:35:00,479 --> 00:35:01,810 WELL, THEN, IT'S UP TO US. 881 00:35:04,393 --> 00:35:06,145 ♪♪ 882 00:35:06,145 --> 00:35:08,727 JUSTIN PARKED HERE TO MEET WITH THE FORGER, 883 00:35:08,727 --> 00:35:11,320 WHICH MEANS LIAM MUST HAVE DRIVEN IN FROM OVER THERE. 884 00:35:11,320 --> 00:35:13,692 SO THE KILLER MUST HAVE HEADED AWAY FROM HERE 885 00:35:13,692 --> 00:35:16,074 TO AVOID BEING SPOTTED. 886 00:35:16,074 --> 00:35:17,826 [ MACHINERY WHIRRING ] BUT, YOU KNOW, THE STAIRWELL'S THE BEST OPTION, 887 00:35:17,826 --> 00:35:19,498 BUT THAT'S ON THE OPPOSITE SIDE. 888 00:35:19,498 --> 00:35:22,040 MIA SAID THE KILLER SMELLED LIKE NAIL-POLISH REMOVER. 889 00:35:22,040 --> 00:35:24,122 YEAH, WHICH IS UNUSUAL. 890 00:35:24,122 --> 00:35:26,165 WHAT IS THAT NOISE? 891 00:35:26,165 --> 00:35:27,296 IT SOUNDS LIKE AN AIR-CONDITIONING UNIT 892 00:35:27,296 --> 00:35:28,837 ON ITS LAST LEGS. 893 00:35:28,837 --> 00:35:30,879 THAT'S IT. WHAT'S IT? 894 00:35:30,879 --> 00:35:32,801 NAIL-POLISH REMOVER. 895 00:35:32,801 --> 00:35:34,213 SMELLS LIKE NAIL-POLISH REMOVER 896 00:35:34,213 --> 00:35:36,755 BECAUSE OF ITS ACTIVE INGREDIENT, ACETONE. 897 00:35:36,755 --> 00:35:38,177 AIR-CONDITIONING UNITS LEAK. 898 00:35:38,177 --> 00:35:40,309 SPECIFICALLY, THEY LEAK FREON. 899 00:35:40,309 --> 00:35:41,470 FREON SMELLS... 900 00:35:41,470 --> 00:35:42,971 Both: LIKE ACETONE. 901 00:35:42,971 --> 00:35:46,525 THE KILLER MUST HAVE BEEN STANDING NEXT TO A FREON LEAK. 902 00:35:46,525 --> 00:35:49,027 HE PROBABLY SQUEEZED UP AGAINST THIS PILLAR, 903 00:35:49,027 --> 00:35:51,570 AND THAT'S HOW HE GOT THE FREON TRANSFERRED ONTO HIM. 904 00:35:51,570 --> 00:35:54,773 AND, UH, THIS... 905 00:35:54,773 --> 00:35:57,986 MAY VERY WELL BE HIS HAIR. 906 00:35:57,986 --> 00:35:59,948 WE HAVE THE KILLER'S DNA. 907 00:36:05,374 --> 00:36:06,835 THANKS FOR COMING BACK IN, GRAHAM. NOT A PROBLEM. 908 00:36:06,835 --> 00:36:08,046 SO, THERE WAS AN UPDATE TO MY BROTHER'S CASE? 909 00:36:08,046 --> 00:36:10,128 YEAH, UH...JUSTIN. 910 00:36:10,128 --> 00:36:13,462 NOW, HE PAID YOUR COLLEGE TUITION, 911 00:36:13,462 --> 00:36:15,554 DIDN'T HE, AT THE ART INSTITUTE? 912 00:36:15,554 --> 00:36:18,006 WHAT'S THAT HAVE TO DO WITH ANYTHING? 913 00:36:18,006 --> 00:36:19,638 WELL, WE HEARD THAT YOU WERE AN AMAZING PAINTER. 914 00:36:19,638 --> 00:36:22,471 UH, GIFTED, ACCORDING TO YOUR PROFESSORS. 915 00:36:22,471 --> 00:36:23,852 BUT A LOUSY GAMBLER. 916 00:36:25,564 --> 00:36:27,266 YEAH. WE CHECKED. 917 00:36:27,266 --> 00:36:29,478 YOU HAD MARKERS AND I.O.U.s ALL OVER THE CITY. 918 00:36:29,478 --> 00:36:31,520 AT UNDERGROUND CASINOS -- THE KIND OF ESTABLISHMENTS 919 00:36:31,520 --> 00:36:34,192 THAT DON'T TAKE KINDLY WHEN YOU CAN'T PAY UP. 920 00:36:34,192 --> 00:36:35,654 I BET YOU THOUGHT IT WAS YOUR LUCKY DAY 921 00:36:35,654 --> 00:36:37,696 WHEN YOUR BROTHER ASKED YOU TO FORGE THAT VAN GOGH. 922 00:36:37,696 --> 00:36:39,778 JUSTIN WAS GONNA SELL THE ORIGINAL PAINTING. 923 00:36:39,778 --> 00:36:41,450 THE TWO OF YOU WOULD SPLIT THE PROFITS, 924 00:36:41,450 --> 00:36:43,992 BUT WHEN YOU FOUND OUT THAT HE WAS JUST GONNA 925 00:36:43,992 --> 00:36:45,954 GIVE THAT PAINTING AWAY, YOU GOT A LITTLE PISSED. 926 00:36:45,954 --> 00:36:47,626 THAT'S RIDICULOUS. 927 00:36:47,626 --> 00:36:49,207 I-IT DOESN'T PROVE THAT I KILLED HIM, EITHER. 928 00:36:49,207 --> 00:36:51,250 NO, BUT THE HAIR AT THE CRIME SCENE DOES. 929 00:36:51,250 --> 00:36:53,091 WE RAN THE DNA. 930 00:36:53,091 --> 00:36:55,544 IT'S A MATCH TO YOUR BROTHER BY 54% -- 931 00:36:55,544 --> 00:36:58,176 ALSO KNOWN AS A SIBLING MATCH. 932 00:36:58,176 --> 00:37:01,049 NOW, YOU'RE A GAMBLING MAN, RIGHT? 933 00:37:01,049 --> 00:37:04,803 SO HOW MUCH DO YOU WANT TO BET THAT WHEN WE RUN THAT HAIR 934 00:37:04,803 --> 00:37:08,146 AGAINST THE DNA FROM THIS GLASS... 935 00:37:08,146 --> 00:37:09,978 IT'S GONNA BE AN EXACT MATCH? 936 00:37:11,770 --> 00:37:13,812 AND WE HAVE A WARRANT FOR YOUR PLACE. 937 00:37:13,812 --> 00:37:15,984 NOW, WHAT ARE WE GONNA FIND THERE? 938 00:37:15,984 --> 00:37:18,527 THE GUN THAT YOU USED? 939 00:37:18,527 --> 00:37:19,988 THE ORIGINAL VAN GOGH? 940 00:37:23,121 --> 00:37:26,074 H-HE WAS MY BROTHER. I-I-I DIDN'T WANT TO KILL HIM. 941 00:37:26,074 --> 00:37:28,287 I JUST -- I-I NEEDED THE MONEY. 942 00:37:33,211 --> 00:37:35,043 SO, CAN YOU TELL THE DIFFERENCE? [ SCOFFS ] 943 00:37:36,004 --> 00:37:40,178 UH...NO. NOT AT ALL. [ CHUCKLES ] 944 00:37:40,178 --> 00:37:42,220 OH, I, UH, SPOKE TO THE CURRENT OWNER, 945 00:37:42,220 --> 00:37:44,723 TOLD HIM THE WHOLE STORY, AND HE PLEDGED 946 00:37:44,723 --> 00:37:46,515 THAT HE'S GOING TO GIVE IT TO THE STATE MUSEUM 947 00:37:46,515 --> 00:37:48,387 WHILE LORENZO'S FAMILY'S ISSUE IS BEING ADJUDICATED. 948 00:37:48,387 --> 00:37:50,519 SO, BIT OF A HAPPY ENDING. 949 00:37:50,519 --> 00:37:52,601 WELL, IT WAS A PLEASURE WORKING WITH YOU. 950 00:37:52,601 --> 00:37:55,023 YEAH. YOU TOO. 951 00:37:55,023 --> 00:37:57,736 YOU'RE NOT SO BAD FOR A COP. 952 00:37:57,736 --> 00:38:01,490 THANK YOU. YOU'RE NOT SO BAD FOR A-A... 953 00:38:01,490 --> 00:38:03,241 WHAT -- WHAT EXACTLY DO YOU DO? 954 00:38:03,241 --> 00:38:04,282 MM. 955 00:38:06,905 --> 00:38:08,667 HEY, YOU NEED ANY HELP? 956 00:38:08,667 --> 00:38:09,868 NOT FROM YOU. 957 00:38:09,868 --> 00:38:11,410 JAVI, LOOK... 958 00:38:14,623 --> 00:38:16,375 ...COULD YOU FIND IT IN YOUR HEART TO FORGIVE ME? 959 00:38:22,300 --> 00:38:23,762 ALL RIGHT. 960 00:38:23,762 --> 00:38:25,594 WE'RE COOL? 961 00:38:25,594 --> 00:38:26,885 YEAH. 962 00:38:30,018 --> 00:38:31,770 OW! OH! 963 00:38:31,770 --> 00:38:33,311 I'M SORRY. [ GROANS ] 964 00:38:33,311 --> 00:38:34,773 I'M SORRY. 965 00:38:34,773 --> 00:38:36,314 WHAT, LIKE YOU DIDN'T MEAN TO DO THAT? 966 00:38:36,314 --> 00:38:37,646 TH-THAT WAS AN ACCIDENT! 967 00:38:37,646 --> 00:38:39,438 WELL, IT SEEMS LIKE THERE'S BEEN A LOT OF ACCIDENTS 968 00:38:39,438 --> 00:38:41,780 AROUND HERE LATELY, DETECTIVE. 969 00:38:41,780 --> 00:38:45,574 OH. OH, IT'S GONNA BE LIKE THAT, SARGE? 970 00:38:45,574 --> 00:38:47,746 OKAY. 971 00:38:47,746 --> 00:38:49,448 LET'S MAKE IT EVEN THEN. 972 00:38:49,448 --> 00:38:52,751 EYE FOR AN EYE, CHEEK FOR A CHEEK. 973 00:38:52,751 --> 00:38:54,503 GET YOUR REVENGE, OKAY? 974 00:38:54,503 --> 00:38:55,794 SHOOT ME IN THE ASS. 975 00:38:55,794 --> 00:38:57,796 GO. NOW. 976 00:38:57,796 --> 00:38:59,958 SHOOT ME IN THE ASS. COME ON. 977 00:38:59,958 --> 00:39:01,550 DO IT RIGHT NOW. HEY, MAN. GET UP. 978 00:39:01,550 --> 00:39:03,091 LET'S SQUASH THIS RIGHT NOW! JUST A QUICK POP! 979 00:39:03,091 --> 00:39:04,553 HE'S -- HE'S PLAYING. RIGHT IN THE BUTT, GO! 980 00:39:04,553 --> 00:39:07,345 HEY! YOU'RE EMBARRASSING ME. 981 00:39:07,345 --> 00:39:08,807 KNOCK IT OFF! 982 00:39:08,807 --> 00:39:10,429 WELL, HE STARTED IT WITH HIS -- YOU KNOW WHAT? 983 00:39:10,429 --> 00:39:12,100 IF THE TWO OF YOU CAN'T FIGURE THIS OUT ON YOUR OWN, 984 00:39:12,100 --> 00:39:13,892 THEN YOU'RE DOING IT IN THERAPY, AND THAT'S AN ORDER -- 985 00:39:13,892 --> 00:39:14,893 NO IFs, ANDs, OR BUTs. 986 00:39:16,645 --> 00:39:17,776 I DIDN'T MEAN IT LIKE THAT. 987 00:39:20,318 --> 00:39:22,360 HOW -- HI. 988 00:39:22,360 --> 00:39:25,444 HOW ARE YOU FEELING -- OR, RATHER, HOW ARE YOU SMELLING? 989 00:39:25,444 --> 00:39:28,196 OH, THE DOCTOR SAID MY SCHNOZ SHOULD GO BACK TO NORMAL 990 00:39:28,196 --> 00:39:29,448 ONCE THE SWELLING GOES DOWN. [ SIGHS ] 991 00:39:29,448 --> 00:39:31,289 THOSE FOR ME? 992 00:39:31,289 --> 00:39:33,752 YEAH. THEY'RE PAPER SO YOU DON'T HAVE TO SMELL. 993 00:39:33,752 --> 00:39:36,545 I-I-I-I'M SO SORRY FOR EVERYTHING. 994 00:39:36,545 --> 00:39:38,206 DON'T. COME ON. 995 00:39:38,206 --> 00:39:40,919 I DID SOME PRETTY EXTRAORDINARY THINGS YESTERDAY. 996 00:39:43,051 --> 00:39:45,173 AND YOU WERE RIGHT. I HAVEN'T BEEN LIVING. 997 00:39:45,173 --> 00:39:46,885 AND THANKS TO YOU, NOW I WILL. 998 00:39:49,387 --> 00:39:51,389 WELL, THEN, I THINK YOU'RE GONNA LIKE THAT CARD. 999 00:39:51,389 --> 00:39:53,141 OH. 1000 00:39:53,141 --> 00:39:56,645 IT'S A COUPLE OF TICKETS TO MY MOTHER'S NEW PLAY. 1001 00:39:56,645 --> 00:39:57,646 AH! 1002 00:39:57,646 --> 00:40:00,018 [ GASPS ] 1003 00:40:00,018 --> 00:40:01,730 MIA, I JUST THINK THE WORLD'S A BETTER PLACE 1004 00:40:01,730 --> 00:40:03,321 WITH YOU RUNNING AROUND IN IT. 1005 00:40:09,948 --> 00:40:11,830 YOU KNOW WHAT? YOU'RE EASIER TO BE AROUND 1006 00:40:11,830 --> 00:40:14,162 WHEN I CAN'T SMELL YOU. 1007 00:40:14,162 --> 00:40:15,293 THANKS. 1008 00:40:19,878 --> 00:40:22,541 BECKETT STILL LOVES YOU... 1009 00:40:22,541 --> 00:40:25,714 WITH A PASSION, 1010 00:40:25,714 --> 00:40:28,637 AND YOU DON'T HAVE TO MEASURE PHEROMONES TO SENSE THAT. 1011 00:40:28,637 --> 00:40:35,103 ♪ I CAN'T EXPLAIN ♪ 1012 00:40:35,103 --> 00:40:39,357 ♪ THE SLOWING OF MY BRAIN ♪ 1013 00:40:39,357 --> 00:40:41,940 Mia: I'VE SPENT MY CAREER 1014 00:40:41,940 --> 00:40:43,732 MANUFACTURING THE AROMAS OF LOVE... 1015 00:40:43,732 --> 00:40:47,866 ♪ THE UNDERLYING VEIN ♪ ...FOR PERFUMES AND COLOGNES, 1016 00:40:47,866 --> 00:40:49,367 BUT THEY'RE ALL JUST FORGERIES... 1017 00:40:49,367 --> 00:40:52,621 ♪ THAT FLOWS ♪ ...LIKE THAT PAINTING. 1018 00:40:52,621 --> 00:40:59,337 ♪ RIGHT INTO YOU ♪ 1019 00:41:08,256 --> 00:41:18,356 ♪ IT FLOWS RIGHT INTO YOU ♪ 1020 00:41:18,356 --> 00:41:25,483 ♪ RIGHT THROUGH THE TOMB ♪ 1021 00:41:25,483 --> 00:41:30,318 ♪ BELOW WHAT'S NEW ♪ WHAT YOU AND BECKETT HAVE -- 1022 00:41:30,318 --> 00:41:32,661 NOW THAT'S THE GENUINE ARTICLE. 1023 00:41:32,661 --> 00:41:42,250 ♪ RIGHT INTO YOU ♪ 1024 00:41:44,422 --> 00:41:46,084 BECKETT? 1025 00:41:57,395 --> 00:42:04,693 ♪ LA, LA, LA ♪ 1026 00:42:04,693 --> 00:42:11,610 ♪ LA, LA, LA-LA ♪ 1027 00:42:11,610 --> 00:42:18,156 ♪ LA, LA, LA ♪ 1028 00:42:18,156 --> 00:42:23,752 ♪ LA, LA, LA-LA ♪