1 00:00:02,043 --> 00:00:04,465 ♪ RUNNING WITH ALL OF MY BROTHERS ♪ 2 00:00:04,465 --> 00:00:07,888 ♪ I ALWAYS WONDERED HOW FAR WE COULD GO ♪ 3 00:00:07,888 --> 00:00:11,052 ♪ IF WE COULD BREAK THROUGH THE CEILING ABOVE US ♪ 4 00:00:11,052 --> 00:00:14,225 ♪ THERE'D BE NO POINT OF US LOOKING BELOW ♪ 5 00:00:14,225 --> 00:00:20,811 ♪ WE COULD BE FREE ♪ 6 00:00:20,811 --> 00:00:23,984 ♪ FINALLY ♪ 7 00:00:23,984 --> 00:00:27,238 ♪ WE COULD BE FREE ♪ 8 00:00:27,238 --> 00:00:30,281 ♪ I'VE BEEN THROUGH THE DARKEST OF CAVES AND SUFFERED ♪ 9 00:00:30,281 --> 00:00:32,493 HAVEN'T WE MET SOMEWHERE BEFORE? 10 00:00:32,493 --> 00:00:34,915 REALLY? THAT'S YOUR LINE? 11 00:00:34,915 --> 00:00:36,417 IT'S NOT A LINE. 12 00:00:36,417 --> 00:00:38,709 I SAW YOU THIS MORNING AT THE COFFEE BEAN, 13 00:00:38,709 --> 00:00:43,834 AND THEN THIS AFTERNOON AT THE GYM, AND NOW HERE. 14 00:00:43,834 --> 00:00:45,296 WHY ARE YOU FOLLOWING ME? 15 00:00:45,296 --> 00:00:47,298 ♪ WE COULD BE FREE ♪ 16 00:00:47,298 --> 00:00:51,011 ♪ FINALLY ♪ SO I COULD DO THIS. 17 00:00:51,011 --> 00:00:52,633 ♪ WE COULD BE FREE ♪ 18 00:00:54,555 --> 00:00:56,597 ♪ I AIN'T AT HOME ♪ 19 00:00:56,597 --> 00:00:58,139 ♪ HOME'S WHERE I'M GOING ♪ 20 00:00:58,139 --> 00:01:01,021 ♪ I CLOSE MY EYES TO SEE ♪ 21 00:01:01,021 --> 00:01:04,815 ♪ I'LL TAKE MY THRONE, LAY IT ON A MOUNTAIN ♪ [ GRUNTS ] 22 00:01:04,815 --> 00:01:07,858 ♪ AND MAKE MYSELF A KING ♪ 23 00:01:07,858 --> 00:01:10,691 ♪ I SAID, "WHOA, OH, OH, WHOA, OH-OH-OH-OH-OH" ♪ [ GASPING ] 24 00:01:10,691 --> 00:01:13,494 SHH. SHH, SHH, SHH. IT'S OKAY. 25 00:01:13,494 --> 00:01:16,747 YOUR AORTA'S BEEN SEVERED, SO THIS WILL ALL BE OVER VERY SOON. 26 00:01:16,747 --> 00:01:18,959 DON'T FIGHT IT. 27 00:01:18,959 --> 00:01:24,375 JUST LOOK INTO THESE PRETTY BROWN EYES AND DRIFT AWAY. 28 00:01:24,375 --> 00:01:27,548 ♪ SEARCHING FOR SMOKE IN A STILL-WATER POND ♪ 29 00:01:27,548 --> 00:01:30,761 ♪ A NOTHING KING THEY CALLED A DREAMER ♪ 30 00:01:30,761 --> 00:01:34,135 ♪ THIS IS MY LIFE, AND I CALL IT A SONG ♪ 31 00:01:34,135 --> 00:01:37,178 ♪ WE COULD BE FREE ♪ 32 00:01:46,567 --> 00:01:49,190 BABE, DID YOU SET YOUR HAIR ON FIRE AGAIN? 33 00:01:49,190 --> 00:01:51,402 THAT WAS ONE TIME. AND NO. NO, NO. 34 00:01:51,402 --> 00:01:54,034 I'M JUST, UH, SO GOOD-LOOKING, I'M LITERALLY SMOKING HOT. 35 00:01:54,034 --> 00:01:55,826 OKAY, WHAT DO YOU HAVE? 36 00:01:55,826 --> 00:01:57,498 THAT...IS JUST, UH... LET ME SEE. 37 00:01:57,498 --> 00:01:59,079 JUST A LITTLE -- WAIT A SECOND. 38 00:01:59,079 --> 00:02:00,661 ALL RIGHT. OKAY. 39 00:02:00,661 --> 00:02:02,122 [ GRUNTS ] 40 00:02:02,122 --> 00:02:03,294 AH! 41 00:02:03,294 --> 00:02:04,505 HA! 42 00:02:04,505 --> 00:02:06,207 OH, MY GOD. 43 00:02:06,207 --> 00:02:08,339 FIRST DAY. HOW ARE YOU FEELING? 44 00:02:08,339 --> 00:02:11,672 UM...EXHILARATED AND FRIGHTENED AND EVERYTHING IN BETWEEN. 45 00:02:11,672 --> 00:02:13,133 I WISH THAT YOU WERE COMING WITH ME. 46 00:02:13,133 --> 00:02:15,346 OH, SWEETIE, WE TALKED ABOUT THIS. WHAT AM I GONNA DO? 47 00:02:15,346 --> 00:02:16,757 SIT OUTSIDE YOUR OFFICE AND FETCH YOU COFFEE? 48 00:02:16,757 --> 00:02:19,930 YEAH, YOU'RE GREAT AT FETCHING. I'VE TRAINED YOU WELL. 49 00:02:19,930 --> 00:02:22,393 THIS IS A GOOD CHANGE FOR US. 50 00:02:22,393 --> 00:02:23,394 IS IT? 51 00:02:23,394 --> 00:02:24,435 YES. ABSOLUTELY. 52 00:02:24,435 --> 00:02:26,267 AND BESIDES, WITH ALL THE MONEY I SPENT 53 00:02:26,267 --> 00:02:27,608 ON THE REMODELING OF MY P.I. OFFICE, 54 00:02:27,608 --> 00:02:29,610 I GOT TO TAKE SOME CASES SO I CAN WRITE THAT PLACE OFF. 55 00:02:29,610 --> 00:02:30,441 [ SCOFFS ] 56 00:02:31,902 --> 00:02:34,154 NOW, COME ON. DIG IN. 57 00:02:34,154 --> 00:02:36,697 NO, I'M SO NERVOUS I COULDN'T EAT. 58 00:02:36,697 --> 00:02:39,410 WHO SAID ANYTHING ABOUT EATING? I SAID, "DIG IN." 59 00:02:42,243 --> 00:02:43,834 OKAY. 60 00:02:43,834 --> 00:02:46,046 [ SIGHS ] 61 00:02:46,046 --> 00:02:47,458 LIKE "DIG" DIG IN, RIGHT? 62 00:02:47,458 --> 00:02:48,879 YEAH, YEAH, YEAH. OKAY. ALL RIGHT. UM... 63 00:02:48,879 --> 00:02:51,592 FULL ON. 64 00:02:51,592 --> 00:02:53,594 KEEP GOING. 65 00:02:56,056 --> 00:02:57,718 LIKE THAT. 66 00:02:57,718 --> 00:03:00,180 WOW. 67 00:03:00,180 --> 00:03:01,262 [ GASPS ] 68 00:03:01,262 --> 00:03:02,763 WHAT? 69 00:03:02,763 --> 00:03:04,355 THAT WAS SUPPOSED TO BE A DECODER RING. 70 00:03:04,355 --> 00:03:08,068 OH, MY GOD. THIS IS SO BEAUTIFUL. 71 00:03:09,810 --> 00:03:10,981 [ CELLPHONE RINGS ] 72 00:03:10,981 --> 00:03:12,903 UM, WOULD YOU MIND GETTING THAT? 73 00:03:12,903 --> 00:03:14,194 YEAH, YEAH. HERE. 74 00:03:14,194 --> 00:03:15,616 THANKS. 75 00:03:15,616 --> 00:03:17,818 OH, MY GOD. [ BEEP ] 76 00:03:17,818 --> 00:03:18,989 CAPTAIN BECKETT'S PHONE. 77 00:03:18,989 --> 00:03:20,821 [ CHUCKLES ] 78 00:03:20,821 --> 00:03:22,032 MAN: Uh...Katherine Beckett, please. 79 00:03:22,032 --> 00:03:24,124 OF COURSE. PLEASE WAIT JUST ONE MOMENT. 80 00:03:24,124 --> 00:03:26,086 TRADE YOU. THANK YOU. HERE YOU GO. 81 00:03:26,086 --> 00:03:28,329 YEAH, THIS IS BECKETT. 82 00:03:28,329 --> 00:03:29,420 UH-HUH. 83 00:03:30,291 --> 00:03:32,753 OKAY. UNDERSTOOD. 84 00:03:32,753 --> 00:03:34,134 YEAH. YOU KNOW WHAT? 85 00:03:34,134 --> 00:03:36,887 I'M NOT INTERESTED, SO WHY DON'T YOU TAKE ME OFF THE LIST? 86 00:03:36,887 --> 00:03:38,719 THANKS. [ BEEP ] 87 00:03:38,719 --> 00:03:40,180 TELEMARKETERS. 88 00:03:40,180 --> 00:03:42,603 I SWEAR THERE SHOULD BE TOUGHER LAWS AGAINST THEM. 89 00:03:42,603 --> 00:03:44,184 WELL, IF YOU HADN'T TURNED DOWN THE CHANCE 90 00:03:44,184 --> 00:03:48,729 TO RUN FOR STATE SENATE, YOU COULD HAVE PASSED SOME. 91 00:03:48,729 --> 00:03:51,982 WOW. I LOVE THIS. I'M GONNA CHERISH THIS. 92 00:03:51,982 --> 00:03:53,564 THANK YOU. 93 00:03:53,564 --> 00:03:54,855 MM. 94 00:03:54,855 --> 00:03:58,319 OKAY, I HAVE GOT A MEETING AT 1PP. 95 00:03:58,319 --> 00:03:59,490 KNOCK 'EM DEAD. THANKS. 96 00:03:59,490 --> 00:04:03,534 ♪♪ 97 00:04:08,919 --> 00:04:10,711 BRO, WHAT ARE YOU DOING? 98 00:04:10,711 --> 00:04:12,293 YOU KNOW I GOT DIBS ON BECKETT'S DESK. 99 00:04:12,293 --> 00:04:14,465 I WILL PLAY YOU KNIFE, GUN, KEVLAR FOR IT. 100 00:04:14,465 --> 00:04:16,297 LET'S DO THIS. 101 00:04:16,297 --> 00:04:17,588 KNIFE. GUN. 102 00:04:17,588 --> 00:04:19,970 YOU FOOL, YOU BROUGHT A KNIFE TO A GUN FIGHT? 103 00:04:19,970 --> 00:04:21,261 BLAM. 104 00:04:21,261 --> 00:04:22,973 TWO OUT OF THREE. NO WAY. KICK ROCKS. 105 00:04:25,686 --> 00:04:27,308 JAVI, WE'RE PATHETIC. 106 00:04:27,308 --> 00:04:29,890 NO, YOU'RE PATHETIC. YOU'RE THE ONE WHO GOT THE CRAPPY DESK. 107 00:04:29,890 --> 00:04:32,443 NO, LOOK, I MEAN, HERE WE ARE MOVING DESKS. 108 00:04:32,443 --> 00:04:34,194 EVERYONE ELSE IS MOVING UP. 109 00:04:34,194 --> 00:04:36,026 GATES, SHE'S THE NEW DEPUTY CHIEF, 110 00:04:36,026 --> 00:04:36,857 BECKETT, SHE'S THE NEW CAPTAIN. 111 00:04:36,857 --> 00:04:38,198 SO? 112 00:04:38,198 --> 00:04:39,450 SO WHEN'S IT GONNA BE OUR TURN? 113 00:04:39,450 --> 00:04:42,072 GET PROMOTED, MAKE MORE MONEY? 114 00:04:42,072 --> 00:04:44,495 BRO, WHERE'S THIS COMING FROM? 115 00:04:44,495 --> 00:04:46,497 JENNY'S PREGNANT AGAIN. WE FOUND OUT LAST NIGHT. 116 00:04:46,497 --> 00:04:49,289 OH, WOW! THAT'S GREAT! CONGRATULATIONS! 117 00:04:49,289 --> 00:04:50,501 [ SIGHS ] 118 00:04:50,501 --> 00:04:52,913 THAT IS GREAT, RIGHT? 119 00:04:52,913 --> 00:04:54,915 YEAH! YEAH, YEAH, YEAH. IT'S WONDERFUL. 120 00:04:54,915 --> 00:04:57,087 BUT IT'S ALSO ANOTHER MOUTH TO FEED, 121 00:04:57,087 --> 00:04:58,509 ANOTHER BODY TO CLOTHE, 122 00:04:58,509 --> 00:05:00,130 AND DON'T GET ME STARTED ON COLLEGE TUITION. 123 00:05:00,130 --> 00:05:02,553 KEVIN, CA-CAN'T YOU JUST FOR ONE SECOND... [ CELLPHONE CHIMES ] 124 00:05:02,553 --> 00:05:04,224 ...CELEBRATE BEFORE YOU START STRESSING ABOUT MONEY AGAIN? 125 00:05:04,224 --> 00:05:05,476 SOMETIMES IT'S GOOD TO JUST BREATHE -- YES! 126 00:05:05,476 --> 00:05:07,598 GOT OURSELVES A HOMICIDE. 127 00:05:07,598 --> 00:05:09,139 FINGERS CROSSED FOR OVERTIME PAY. 128 00:05:09,139 --> 00:05:11,191 BRO, THERE'S SOMETHING WRONG WITH YOU. 129 00:05:11,191 --> 00:05:13,023 ♪♪ 130 00:05:18,068 --> 00:05:19,860 [ KEYS JINGLE ] 131 00:05:19,860 --> 00:05:21,031 [ DOOR CREAKS ] 132 00:05:25,656 --> 00:05:27,327 CAN I HELP YOU? 133 00:05:27,327 --> 00:05:28,409 [ DOOR CLOSES ] YOU SURE AS HELL CAN, BUDDY. 134 00:05:29,870 --> 00:05:31,582 I'M FRANCO MANCINI! 135 00:05:31,582 --> 00:05:33,544 NICE TO FINALLY MEET YOU. BRING IT ON IN. 136 00:05:33,544 --> 00:05:34,715 COME HERE. 137 00:05:34,715 --> 00:05:35,716 [ GASPING ] 138 00:05:35,716 --> 00:05:37,257 GREAT NEWS, HUH, RICKY? 139 00:05:37,257 --> 00:05:38,379 MY WIFE'S SLEEPING WITH MY BROTHER, 140 00:05:38,379 --> 00:05:40,921 NOT MY PERSONAL CHEF -- WHAT A RELIEF. 141 00:05:40,921 --> 00:05:43,514 UH, I'M SORRY. Y-Y-YOUR WIFE IS HAVING AN AFFAIR 142 00:05:43,514 --> 00:05:45,265 WITH YOUR BROTHER AND YOU'RE HAPPY ABOUT IT? 143 00:05:45,265 --> 00:05:46,677 HELL, I GOT FOUR OTHER BROTHERS, 144 00:05:46,677 --> 00:05:48,098 BUT MY CHEF IS ONE IN A MILLION. 145 00:05:48,098 --> 00:05:49,770 HIS SPICY CLAMS ARE TO DIE FOR. 146 00:05:49,770 --> 00:05:51,972 THANKS AGAIN FOR SOLVING MY CASE, RICKY. 147 00:05:51,972 --> 00:05:53,734 YOU AND YOUR ASSOCIATE. 148 00:05:53,734 --> 00:05:55,526 [ DOOR OPENS ] 149 00:05:55,526 --> 00:05:56,647 ASSOCIATE? [ DOOR CLOSES ] 150 00:05:58,739 --> 00:06:02,192 COULD YOU WAIT OUT IN RECEPTION? I'LL BE WITH YOU IN A SEC. 151 00:06:02,192 --> 00:06:03,984 UH, ALEXIS, I DON'T WANT TO SAY 152 00:06:03,984 --> 00:06:07,367 YOU HAVE SOME EXPLAINING TO DO, BUT I THINK 153 00:06:07,367 --> 00:06:09,369 YOU HAVE SOME EXPLAINING TO DO. 154 00:06:09,369 --> 00:06:10,491 WAIT, DID I FORGET TO TELL YOU 155 00:06:10,491 --> 00:06:12,292 I'VE BEEN WORKING P.I. CASES FOR YOU? 156 00:06:12,292 --> 00:06:13,544 MUST HAVE SLIPPED YOUR MIND. 157 00:06:13,544 --> 00:06:15,335 HEY, DIDN'T THE GUYS DO A FANTASTIC JOB 158 00:06:15,335 --> 00:06:16,336 REMODELING THE PLACE? 159 00:06:16,336 --> 00:06:18,128 I KNOW, RIGHT?! 160 00:06:18,128 --> 00:06:19,550 BUT YOU'RE CHANGING THE SUBJECT. 161 00:06:19,550 --> 00:06:20,961 I KNOW. BUT CHECK IT OUT. 162 00:06:20,961 --> 00:06:23,764 PULL ON "THE COMPLETE WORKS OF EDGAR ALLAN POE," AND... 163 00:06:23,764 --> 00:06:25,846 [ WHIRRING ] 164 00:06:25,846 --> 00:06:28,969 ♪♪ 165 00:06:32,603 --> 00:06:34,224 OH, MY GOD! 166 00:06:34,224 --> 00:06:37,187 THIS TURNED OUT SO MUCH COOLER THAN I THOUGHT IT WOULD! 167 00:06:37,187 --> 00:06:39,940 WAIT, DID THEY DO THE THING ON THE DESK WITH THE...? 168 00:06:39,940 --> 00:06:41,361 MM-HMM. 169 00:06:48,408 --> 00:06:52,202 OBVIOUSLY THE SPRING HAS A TRAJECTORY -- 170 00:06:52,202 --> 00:06:53,413 I'LL MAKE THE -- OKAY, BACK TO YOU. 171 00:06:53,413 --> 00:06:55,165 WHY -- WHY ARE YOU WORKING MY CASES? 172 00:06:55,165 --> 00:06:57,087 TRUTH IS, IT'S ALL YOUR FAULT. 173 00:06:57,087 --> 00:06:59,670 YOU SET UP SHOP IN MY OFFICE BEHIND MY BACK, 174 00:06:59,670 --> 00:07:02,132 AND IT'S MY FAULT? EXACTLY. 175 00:07:02,132 --> 00:07:03,714 A MONTH AGO, WHEN YOU SENT ME HERE TO OPEN THE PLACE 176 00:07:03,714 --> 00:07:05,756 FOR YOUR FOREMAN, A POTENTIAL CLIENT CAME BY. 177 00:07:05,756 --> 00:07:08,348 I WAS INTRIGUED, SO I SORT OF SAID I WAS YOUR ASSOCIATE, 178 00:07:08,348 --> 00:07:09,510 AND THEN I KIND OF SOLVED THE CASE. 179 00:07:09,510 --> 00:07:11,221 SINCE THEN, I'VE CLOSED THREE OTHERS. 180 00:07:11,221 --> 00:07:14,184 ALEXIS, YOU CAN'T JUST -- YOU CLOSED FOUR CASES? 181 00:07:14,184 --> 00:07:15,766 THAT'S MORE THAN I HAVE. 182 00:07:15,766 --> 00:07:17,518 I KNOW. STEP YOUR GAME UP. 183 00:07:17,518 --> 00:07:19,319 W-WHAT ABOUT YOUR COLLEGE COURSES? 184 00:07:19,319 --> 00:07:20,731 OH, PLEASE. I'VE GOT THAT HANDLED. 185 00:07:20,731 --> 00:07:22,362 PLUS, I FORGED YOUR SIGNATURE 186 00:07:22,362 --> 00:07:23,484 TO MAKE SURE I GOT SCHOOL CREDIT FOR BEING AN INTERN. 187 00:07:23,484 --> 00:07:24,775 [ BEEP ] 188 00:07:24,775 --> 00:07:26,657 OKAY, THAT'S ESPOSITO. I HAVE TO TAKE THIS. 189 00:07:26,657 --> 00:07:27,828 BUT WE ARE NOT DONE TALKING. [ BEEP ] 190 00:07:27,828 --> 00:07:29,369 GOOD, WE NEED TO DISCUSS 191 00:07:29,369 --> 00:07:30,991 MY PROFIT PARTICIPATION IN THE COMPANY. 192 00:07:30,991 --> 00:07:33,123 ESPOSITO: Castle? UH, E-ESPOSITO. 193 00:07:33,123 --> 00:07:35,285 How you doing, buddy? How's the new boss lady treating you? 194 00:07:35,285 --> 00:07:36,286 SHE'S IGNORING ME. 195 00:07:36,286 --> 00:07:37,708 JUST LIKE EVERY OTHER WOMAN IN HIS LIFE. 196 00:07:37,708 --> 00:07:39,289 SHUT UP. 197 00:07:39,289 --> 00:07:41,752 SO, YOUR WIFE IS NOT ANSWERING HER CELL, 198 00:07:41,752 --> 00:07:43,173 AND WE NEED HER AUTHORIZATION FOR MORE OFFICERS DOWN HERE. 199 00:07:43,173 --> 00:07:44,545 IS SHE WITH YOU? 200 00:07:44,545 --> 00:07:46,967 OH, I'M SORRY. SHE'S AT A MEETING AT 1PP. WHAT'S GOING ON? 201 00:07:46,967 --> 00:07:48,889 WE'RE WORKING ON A CASE. YOU INTERESTED? 202 00:07:48,889 --> 00:07:50,470 I'D LOVE TO, BUT I'M A LITTLE BUSY 203 00:07:50,470 --> 00:07:52,092 WITH MY THRIVING P.I. BUSINESS. 204 00:07:52,092 --> 00:07:54,264 NOT REALLY. I CLOSED ALL THE CASES. 205 00:07:54,264 --> 00:07:56,767 BUT SINCE YOU'RE DESPERATE, I'LL REARRANGE MY HECTIC SCHEDULE... 206 00:07:56,767 --> 00:07:58,519 [ SNORTS ] ...AND, UH, LEND YOU MY EXPERTISE. 207 00:07:58,519 --> 00:08:01,481 [ BEEP ] COME ON. 208 00:08:01,481 --> 00:08:03,063 ♪♪ 209 00:08:03,063 --> 00:08:04,274 [ CAMERA SHUTTER CLICKING ] 210 00:08:04,274 --> 00:08:06,316 WHOA! 211 00:08:06,316 --> 00:08:09,319 LOOKS LIKE A TARANTINO FILM CAME TO LIFE IN HERE. 212 00:08:09,319 --> 00:08:14,494 YEAH. NOW MEET OUR STARS. THIS IS GREG MINOSO. 213 00:08:14,494 --> 00:08:16,957 OVER HERE, WE GOT JAKE FITZ. 214 00:08:16,957 --> 00:08:20,581 AND FINALLY, WE COME TO DUSTIN CHAMBERS. 215 00:08:20,581 --> 00:08:24,044 AND CHECK THIS OUT. THEY WERE EACH PACKING IDENTICAL .40 CALS. 216 00:08:24,044 --> 00:08:25,756 I TAKE IT THEY WEREN'T PART OF THE CONSTRUCTION CREW. 217 00:08:25,756 --> 00:08:28,048 NO. RENOVATION'S NOT SCHEDULED TO BEGIN TILL NEXT WEEK. 218 00:08:28,048 --> 00:08:30,260 OKAY. SO, WHAT HAPPENED? 219 00:08:30,260 --> 00:08:31,972 TRUTH IS, WE'RE NOT SURE YET. 220 00:08:31,972 --> 00:08:35,095 WHAT WE DO KNOW IS THAT GUNFIRE WAS HEARD AROUND 9:07 A.M. 221 00:08:35,095 --> 00:08:36,937 AND CONTINUED FOR A MINUTE OR TWO. 222 00:08:36,937 --> 00:08:38,769 SO THEY SHOT EACH OTHER? 223 00:08:38,769 --> 00:08:40,731 NOPE, THEIR WOUNDS ARE FROM A DOWNWARD ANGLE, 224 00:08:40,731 --> 00:08:42,733 MAYBE 45 DEGREES, WHICH MEANS 225 00:08:42,733 --> 00:08:46,356 THEY PROBABLY ALL WERE SHOT FROM UP THERE. 226 00:08:46,356 --> 00:08:50,951 YEP. THE SHOOTER WAS DEFINITELY UP HERE. 227 00:08:50,951 --> 00:08:54,745 9 MILLIMETER. 228 00:08:54,745 --> 00:08:56,076 ALL RIGHT. 229 00:08:56,076 --> 00:08:57,497 MUST HAVE CAPPED THEM FROM UP HERE, 230 00:08:57,497 --> 00:08:59,790 BOOM, BOOM, BOOM, AND THEN BOOGIED OUT THAT EXIT. 231 00:08:59,790 --> 00:09:01,001 [ SQUISH ] 232 00:09:01,001 --> 00:09:03,043 EW. GUYS. 233 00:09:06,837 --> 00:09:08,629 OH. 234 00:09:08,629 --> 00:09:10,090 LOOKS LIKE OUR SHOOTER TOOK A BULLET 235 00:09:10,090 --> 00:09:11,722 FROM ONE OF THE DEAD GUYS DOWN THERE, 236 00:09:11,722 --> 00:09:13,934 FALLS BACK UP AGAINST THE WALL, GRABBING THE DROP CLOTH, 237 00:09:13,934 --> 00:09:15,515 PULLING IT DOWN WITH HIM. 238 00:09:15,515 --> 00:09:18,849 LET'S CONTACT HOSPITALS, SEE IF ANYBODY CAME IN... 239 00:09:20,851 --> 00:09:21,852 THIS IS BECKETT'S. 240 00:09:23,353 --> 00:09:26,566 WAIT. WHAT DID YOU JUST SAY? 241 00:09:26,566 --> 00:09:28,318 I GAVE IT TO HER THIS MORNING. 242 00:09:29,990 --> 00:09:32,653 SHE WAS HERE. 243 00:09:32,653 --> 00:09:35,826 ♪♪ 244 00:09:42,793 --> 00:09:45,505 and brought to you by Ford. We go further, so you can. 245 00:09:48,799 --> 00:09:51,842 ♪♪ 246 00:09:57,177 --> 00:09:59,519 TELL ME. 247 00:09:59,519 --> 00:10:02,062 LANIE SAID THAT BLOOD WAS A MATCH TO BECKETT'S. 248 00:10:02,062 --> 00:10:05,686 BUT THERE WAS SO MUCH BLOOD. 249 00:10:05,686 --> 00:10:07,527 O-OKAY. 250 00:10:07,527 --> 00:10:10,280 OKAY, BUT THIS IS...THIS IS BECKETT WE'RE TALKING ABOUT. 251 00:10:10,280 --> 00:10:11,441 YEAH, YEAH. SHE'S AS TOUGH AS THEY COME. 252 00:10:11,441 --> 00:10:14,364 EXACTLY. SO, SHE MUST HAVE SHOT THOSE THREE GUYS. 253 00:10:14,364 --> 00:10:16,196 AND SINCE SHE HASN'T CONTACTED US, 254 00:10:16,196 --> 00:10:17,537 WE CAN ASSUME THAT THEIR PARTNERS ABDUCTED HER. 255 00:10:17,537 --> 00:10:18,618 BUT WHY? 256 00:10:18,618 --> 00:10:19,790 WE NEED TO DIG INTO THE BACKGROUNDS 257 00:10:19,790 --> 00:10:21,241 OF THOSE DEAD SHOOTERS. 258 00:10:21,241 --> 00:10:22,743 WE NEED TO FIND OUT WHO THEY'RE WORKING WITH. 259 00:10:22,743 --> 00:10:25,375 THAT'S THE THING. WE CAN'T. THEIR I.D.s ARE ALL FAKE. 260 00:10:25,375 --> 00:10:26,667 AND THEIR PRINTS AREN'T IN THE SYSTEM. 261 00:10:26,667 --> 00:10:28,628 CASTLE, DO YOU HAVE ANY IDEA WHAT BECKETT WAS DOING 262 00:10:28,628 --> 00:10:29,629 AT THAT THEATER? 263 00:10:29,629 --> 00:10:30,801 SHE WAS SUPPOSED TO BE AT 1PP. 264 00:10:30,801 --> 00:10:32,302 I TALKED TO GATES. 265 00:10:32,302 --> 00:10:35,555 BECKETT DIDN'T HAVE ANYTHING ON THE BOOKS. 266 00:10:35,555 --> 00:10:37,057 SO SHE LIED TO ME? 267 00:10:37,057 --> 00:10:39,259 GUYS, I GOT A HIT ON ONE OF THE DEAD SHOOTER'S CREDIT CARDS. 268 00:10:39,259 --> 00:10:41,601 HE RENTED A SHORT-TERM APARTMENT THROUGH AN ONLINE SITE. 269 00:10:41,601 --> 00:10:45,565 ♪♪ 270 00:10:45,565 --> 00:10:48,108 NYPD! 271 00:10:56,406 --> 00:10:58,989 RYAN, I GOT DEAD SPACE. 272 00:10:58,989 --> 00:11:00,410 CASTLE, STAY PUT. 273 00:11:00,410 --> 00:11:02,662 NYPD! 274 00:11:12,252 --> 00:11:13,714 [ GRUNTS ] 275 00:11:13,714 --> 00:11:14,965 WAIT! 276 00:11:14,965 --> 00:11:16,006 AAH! WHERE IS SHE?! 277 00:11:16,006 --> 00:11:17,097 [ GRUNTS ] WHERE'S BECKETT? 278 00:11:17,097 --> 00:11:18,388 [ GRUNTS ] 279 00:11:18,388 --> 00:11:20,140 AAH! 280 00:11:20,140 --> 00:11:22,512 [ GUNS COCK ] -NYPD! DON'T MOVE! -GET ON THE FLOOR RIGHT NOW! 281 00:11:22,512 --> 00:11:24,394 -ON THE GROUND! -ON THE FLOOR RIGHT NOW! 282 00:11:24,394 --> 00:11:25,475 [ CHUCKLES ] 283 00:11:25,475 --> 00:11:27,147 [ British accent ] HAVE YOU SEEN THE FLOOR? 284 00:11:27,147 --> 00:11:29,689 IF IT'S ALL THE SAME TO YOU, BOYS, LET'S DO THE STANDING. 285 00:11:29,689 --> 00:11:30,861 [ CASTLE COUGHING, WHEEZING ] 286 00:11:30,861 --> 00:11:32,652 ♪♪ 287 00:11:36,867 --> 00:11:37,868 [ TELEPHONE RINGING ] 288 00:11:43,413 --> 00:11:45,035 Esposito: HAVE A SEAT, MISS SHIPTON. 289 00:11:45,035 --> 00:11:47,667 OH, NO, PLEASE, CALL MY HAYLEY. 290 00:11:47,667 --> 00:11:50,250 I INSIST THAT ANYONE WHO'S FRISKED ME USE MY GIVEN NAME. 291 00:11:50,250 --> 00:11:52,923 OKAY, HAYLEY, MY PARTNER AND I REALLY ENJOYED 292 00:11:52,923 --> 00:11:54,214 READING YOUR FILE. 293 00:11:54,214 --> 00:11:57,217 OH, SWEETIE, I'M SO MUCH MORE THAN WORDS ON PAPER. 294 00:11:57,217 --> 00:11:59,219 BORN AND RAISED IN EAST LONDON, 295 00:11:59,219 --> 00:12:00,841 OVER IN THE BOROUGH OF HACKNEY. 296 00:12:00,841 --> 00:12:02,472 ROUGH AREA. 297 00:12:02,472 --> 00:12:04,644 DON'T THEY HAVE A STREET NICKNAMED "THE MURDER MILE"? 298 00:12:04,644 --> 00:12:07,227 WELL, YES. BUT IT'S NOT WITHOUT ITS CHARMS. 299 00:12:07,227 --> 00:12:08,979 JUST LIKE YOU. LOVE YOUR ACCENT, BY THE WAY. 300 00:12:08,979 --> 00:12:10,440 VERY POSH. 301 00:12:10,440 --> 00:12:12,022 WHERE DID YOU LEARN TO SPEAK LIKE THAT? 302 00:12:12,022 --> 00:12:13,113 NOT FROM THE SLUMS SHE GREW UP IN. 303 00:12:13,113 --> 00:12:14,314 AND DEFINITELY NOT FROM YOUR MOM, 304 00:12:14,314 --> 00:12:16,316 WHO'S AT THE TAIL END OF A 20-YEAR PRISON BID. 305 00:12:16,316 --> 00:12:18,698 OH, THEN NOT WANTING TO FOLLOW IN MUM'S FOOTSTEPS, 306 00:12:18,698 --> 00:12:21,281 YOU JOINED THE METROPOLITAN POLICE SERVICE. 307 00:12:21,281 --> 00:12:23,573 AND THAT WAS AN EPIC FAIL. YEAH, THEY BOOTED YOU OUT 308 00:12:23,573 --> 00:12:24,454 BECAUSE OF YOUR TENDENCY TO CUT LEGAL CORNERS. 309 00:12:24,454 --> 00:12:25,745 ALLEGEDLY. 310 00:12:25,745 --> 00:12:27,127 YOU HUNG A DEALER OUT OF A WINDOW 311 00:12:27,127 --> 00:12:28,538 IN ORDER TO GET A CONFESSION? 312 00:12:28,538 --> 00:12:29,960 DID I HANG HIM OUT THE WINDOW? 313 00:12:29,960 --> 00:12:32,252 OR DID I SAVE HIM FROM FALLING OUT SAID WINDOW? 314 00:12:32,252 --> 00:12:34,424 IT'S HARD TO TELL. IT'S EVEN HARDER TO PROVE. 315 00:12:34,424 --> 00:12:36,256 WELL, LUCKY FOR US, WE DON'T HAVE TO PROVE 316 00:12:36,256 --> 00:12:37,427 THAT YOU WERE HIDING IN THAT APARTMENT. 317 00:12:37,427 --> 00:12:39,049 HIDING? NO. LOST. 318 00:12:39,049 --> 00:12:41,301 I WAS LOOKING FOR A STARBUCKS, ACTUALLY. 319 00:12:41,301 --> 00:12:43,473 USUALLY THEY'RE SO EASY TO FIND. 320 00:12:43,473 --> 00:12:45,145 HOW DO YOU KNOW THE GUY WHO RENTED THAT APARTMENT? 321 00:12:45,145 --> 00:12:48,098 UNLIKE THE IMBECILES WHO USUALLY SIT IN THIS CHAIR, 322 00:12:48,098 --> 00:12:50,020 I KNOW MY RIGHTS, SO I WOULD LIKE TO LEAVE NOW. 323 00:12:50,020 --> 00:12:52,943 NO. I DON'T THINK SO. [ THUD ] 324 00:12:52,943 --> 00:12:55,695 WE GOT A MISSING NYPD CAPTAIN, AS WELL AS THREE DEAD BODIES, 325 00:12:55,695 --> 00:12:57,107 SO YOU SHOULD START TALKING RIGHT NOW. 326 00:12:57,107 --> 00:12:58,488 WHOA, WHOA, WHOA, WHOA. I DON'T KNOW ANYTHING -- 327 00:12:58,488 --> 00:13:00,030 HEY, COME ON, HAYLEY. YOU CAN DO BETTER THAN THAT. 328 00:13:00,030 --> 00:13:03,323 LOOK, I AM JUST A FREELANCE SECURITY SPECIALIST. 329 00:13:03,323 --> 00:13:05,705 I WAS HIRED BY AN INSURANCE COMPANY TO CATCH A HACKER 330 00:13:05,705 --> 00:13:07,327 WHO'S BEEN STEALING SOCIAL-SECURITY NUMBERS 331 00:13:07,327 --> 00:13:09,169 FROM THEIR SYSTEM. WHY WERE YOU IN THAT APARTMENT? 332 00:13:09,169 --> 00:13:12,172 I HAVE BEEN FOLLOWING FAKE I.D.s 333 00:13:12,172 --> 00:13:14,214 MADE FROM THE STOLEN SOCIAL-SECURITY NUMBERS. 334 00:13:14,214 --> 00:13:16,376 AND LAST NIGHT, I GOT AN ALERT THAT FIVE OF THEM 335 00:13:16,376 --> 00:13:18,418 HAD BEEN USED TOGETHER IN NEW YORK CITY. 336 00:13:18,418 --> 00:13:20,590 CAUGHT MY ATTENTION, SO I FLEW IN TO INVESTIGATE. 337 00:13:20,590 --> 00:13:23,263 FIVE I.D.s. YOU SURE IT WAS FIVE? 338 00:13:23,263 --> 00:13:25,515 FOUR MEN AND A WOMAN. 339 00:13:25,515 --> 00:13:29,429 GREG MINOSO, JAKE FITZ, TY DADE, DUSTIN CHAMBERS, 340 00:13:29,429 --> 00:13:30,730 AND SUSAN EMORY. 341 00:13:30,730 --> 00:13:32,142 WHERE WERE YOU AT 9:00 A.M. THIS MORNING? 342 00:13:32,142 --> 00:13:33,773 ON FINAL APPROACH TO JFK, 343 00:13:33,773 --> 00:13:35,775 AND MY FLIGHT DIDN'T LAND UNTIL 9:30. 344 00:13:35,775 --> 00:13:37,147 AND THAT IS ALL I KNOW. 345 00:13:37,147 --> 00:13:39,199 NOW GO AND CHECK MY ALIBI 346 00:13:39,199 --> 00:13:40,360 SO THAT I CAN GET THE HELL OUT OF HERE. 347 00:13:40,360 --> 00:13:43,653 ♪♪ 348 00:13:46,246 --> 00:13:47,908 [ INDISTINCT CONVERSATIONS ] 349 00:13:52,712 --> 00:13:55,335 THANKS. 350 00:13:55,335 --> 00:13:56,546 SHE'S HIDING SOMETHING. 351 00:13:56,546 --> 00:13:58,338 I KNOW. 352 00:13:58,338 --> 00:14:00,380 WE CAN'T JUST LET HER LEAVE. 353 00:14:00,380 --> 00:14:02,422 HER ALIBI IS SOLID. WE HAVE TO. 354 00:14:02,422 --> 00:14:03,423 RYAN. 355 00:14:03,423 --> 00:14:06,386 YEAH. 356 00:14:08,598 --> 00:14:11,521 UGH. I PUT YOU DOWN ONCE. I WON'T HESITATE TO DO IT AGAIN. 357 00:14:11,521 --> 00:14:15,065 MY NAME IS RICHARD CASTLE. THAT MISSING CAPTAIN IS MY WIFE. 358 00:14:15,065 --> 00:14:17,437 I DIDN'T KNOW. I'M SORRY. 359 00:14:17,437 --> 00:14:20,070 KEEP YOUR SORRY. JUST GIVE ME YOUR HELP. 360 00:14:20,070 --> 00:14:22,442 THERE'S MORE TO THIS STORY THAN YOU'RE TELLING US. 361 00:14:22,442 --> 00:14:24,074 NOW SHE'S BEEN INJURED AND ABDUCTED. 362 00:14:24,074 --> 00:14:26,366 I DON'T KNOW ANYTHING ABOUT THAT. 363 00:14:26,366 --> 00:14:29,159 NAME YOUR PRICE. ANYTHING YOU SAY, I'LL PAY IT. 364 00:14:29,159 --> 00:14:30,991 I JUST WANT MY WIFE BACK. 365 00:14:30,991 --> 00:14:33,623 [ ELEVATOR BELL DINGS ] 366 00:14:33,623 --> 00:14:35,585 I HOPE YOU FIND HER. 367 00:14:35,585 --> 00:14:37,587 ♪♪ 368 00:14:39,499 --> 00:14:43,673 YO, UNIs FOUND A STOLEN VAN WITH BLOOD IN IT 369 00:14:43,673 --> 00:14:45,505 BY A DRY-CLEANER'S ON 23rd STREET. 370 00:14:45,505 --> 00:14:47,887 ANY SIGN OF BECKETT? NO. OFFICERS FOUND THE OWNER LOCKED IN THE BACK. 371 00:14:47,887 --> 00:14:50,971 THEY SAID A WOMAN MATCHING BECKETT'S DESCRIPTION WAS THERE. 372 00:14:53,063 --> 00:14:54,894 HI. I'M DETECTIVE RYAN. 373 00:14:54,894 --> 00:14:56,476 THIS IS DETECTIVE ESPOSITO. THIS IS MR. CASTLE. 374 00:14:56,476 --> 00:14:58,318 CAN YOU TELL US WHAT HAPPENED HERE? 375 00:14:58,318 --> 00:15:01,111 A LADY AND MAN BURST IN. SHE SAID SHE WAS COP. 376 00:15:01,111 --> 00:15:02,822 BLEEDING EVERYWHERE. BIG MESS. 377 00:15:02,822 --> 00:15:04,945 THOSE ARE HER CLOTHES. 378 00:15:04,945 --> 00:15:06,236 SHE TOLD MAN TO LOCK ME IN BATHROOM, 379 00:15:06,236 --> 00:15:07,697 HE DID, AND THAT WAS IT. 380 00:15:07,697 --> 00:15:10,700 WAIT, SHE TOLD HIM? 381 00:15:10,700 --> 00:15:12,492 YOU'RE SAYING THAT SHE WAS HERE OF HER OWN VOLITION? 382 00:15:12,492 --> 00:15:13,533 NOT AS A HOSTAGE? 383 00:15:13,533 --> 00:15:15,875 I WAS HOSTAGE. SHE WAS IN CHARGE. 384 00:15:15,875 --> 00:15:18,168 YEAH, IT'S HER. 385 00:15:18,168 --> 00:15:19,919 OKAY, THIS MAN THAT SHE WAS WITH, 386 00:15:19,919 --> 00:15:21,381 CAN YOU DESCRIBE HIM? 387 00:15:21,381 --> 00:15:24,804 UH...LATE 20s, EAST INDIAN, HAD BEARD. 388 00:15:24,804 --> 00:15:26,426 DID YOU CATCH HIS NAME? 389 00:15:26,426 --> 00:15:29,429 NO. BUT HE WAS IN KIND OF BAD SHAPE, TOO. 390 00:15:29,429 --> 00:15:32,602 HEADACHES, DIZZY, SAID HE NEEDED TO EAT. 391 00:15:32,602 --> 00:15:34,934 SHE TOLD HIM HE PROBABLY SHOULD HAVE GOTTEN BREAKFAST 392 00:15:34,934 --> 00:15:37,557 INSTEAD OF CALLING HER. 393 00:15:37,557 --> 00:15:39,649 BECKETT GOT A CALL FROM SOME GUY THIS MORNING. 394 00:15:39,649 --> 00:15:40,860 DO YOU KNOW WHO SHE WAS TALKING TO? 395 00:15:40,860 --> 00:15:42,152 SHE SAID IT WAS A TELEMARKETER. 396 00:15:43,823 --> 00:15:46,526 WHAT IS SHE DOING? 397 00:15:48,778 --> 00:15:50,700 WHAT THE HELL IS GOING ON? 398 00:15:53,953 --> 00:15:55,875 ♪♪ 399 00:15:55,875 --> 00:15:58,078 ALL RIGHT, LET'S THINK. 400 00:15:58,078 --> 00:15:59,629 BECKETT GETS A CALL FROM A MYSTERY MAN. 401 00:15:59,629 --> 00:16:00,840 CAN WE TRACE THE PHONE? 402 00:16:00,840 --> 00:16:03,043 ALREADY CHECKED. CALL CAME FROM A BURNER PHONE. 403 00:16:03,043 --> 00:16:05,425 OH, DAMN IT. ALL RIGHT. 404 00:16:05,425 --> 00:16:07,847 SHE MUST HAVE MET THIS GUY AT THE THEATER. 405 00:16:07,847 --> 00:16:11,261 CLEARLY THEY WERE AMBUSHED. BECKETT GETS SHOT. 406 00:16:11,261 --> 00:16:12,432 BUT SHE MANAGES TO TAKE THREE OF THEM OUT, 407 00:16:12,432 --> 00:16:13,513 AND THEN SHE AND THE MAN ESCAPE. 408 00:16:13,513 --> 00:16:14,894 BUT SHE DIDN'T CALL FOR BACKUP. 409 00:16:14,894 --> 00:16:16,936 YEAH. WHY WOULDN'T SHE REACH OUT TO US? 410 00:16:16,936 --> 00:16:18,518 GUYS, THE WOMAN JUST SEWED HERSELF UP 411 00:16:18,518 --> 00:16:19,519 WITH A NEEDLE AND THREAD. 412 00:16:19,519 --> 00:16:20,600 CLEARLY SOMETHING'S GOING ON, 413 00:16:20,600 --> 00:16:22,362 AND SHE'S AFRAID TO CONTACT ANYONE. 414 00:16:22,362 --> 00:16:23,523 BUT WHAT? I ME-- I MEAN, WHAT COULD IT BE 415 00:16:23,523 --> 00:16:24,944 THAT WOULD CAUSE HER TO REACT LIKE THIS? 416 00:16:24,944 --> 00:16:26,946 WHATEVER IT IS, IT HAS TO DO WITH THIS MAN. 417 00:16:26,946 --> 00:16:29,109 WE FIND THE MAN, WE FIND BECKETT. 418 00:16:29,109 --> 00:16:31,281 ALL RIGHT, I'LL HAVE CSU DUST THIS PLACE FOR PRINTS. 419 00:16:31,281 --> 00:16:32,322 MAYBE WE GET AN I.D. ON THIS GUY. 420 00:16:32,322 --> 00:16:33,323 RIGHT. [ CELLPHONE RINGS ] 421 00:16:33,323 --> 00:16:34,324 Esposito: I'LL GET THE DRY-CLEANER 422 00:16:34,324 --> 00:16:36,326 TO SIT WITH A SKETCH ARTIST. [ BEEP ] 423 00:16:36,326 --> 00:16:37,747 HEY, ALEXIS, LISTEN, SOMET-- 424 00:16:37,747 --> 00:16:39,079 ALEXIS: Dad, come back to the office now. 425 00:16:39,079 --> 00:16:40,710 WHAT'S GOING ON? 426 00:16:40,710 --> 00:16:42,082 Just hurry. And come alone. 427 00:16:42,082 --> 00:16:43,543 RIGHT. [ BEEP ] 428 00:16:43,543 --> 00:16:44,504 UH, I'LL -- I'LL MEET YOU BACK AT THE STATION. 429 00:16:44,504 --> 00:16:45,585 ALL RIGHT. 430 00:16:45,585 --> 00:16:47,087 ♪♪ 431 00:16:47,087 --> 00:16:48,508 ALEXIS? 432 00:16:48,508 --> 00:16:50,510 Alexis: DAD, WE'RE IN HERE. 433 00:16:50,510 --> 00:16:51,891 "WE"? 434 00:16:51,891 --> 00:16:54,134 BECKETT. 435 00:16:54,134 --> 00:16:55,725 Hayley: THAT'S IT. THAT IS IT. YEAH? 436 00:16:55,725 --> 00:16:57,057 YES. OKAY. WHAT THE HELL'S GOING ON HERE? 437 00:16:57,057 --> 00:16:58,478 OH, I HOPE YOU DON'T MIND. 438 00:16:58,478 --> 00:16:59,849 I'M JUST GIVING HER SOME P.I. LESSONS. 439 00:16:59,849 --> 00:17:02,102 HAYLEY WAS TEACHING ME THE ART OF MANIPULATING MEN. 440 00:17:02,102 --> 00:17:03,523 IT'S ALL ABOUT CONFIDENCE AND EYE CONTACT. 441 00:17:03,523 --> 00:17:05,485 YEAH, IF YOU CAN ENTICE A MAN WITH YOUR GAZE, 442 00:17:05,485 --> 00:17:07,777 YOU CAN LIE, STEAL, CHEAT, WHAT HAVE YOU. 443 00:17:07,777 --> 00:17:09,359 MY WIFE IS OUT THERE FIGHTING FOR HER LIFE. 444 00:17:09,359 --> 00:17:11,111 WHY ARE YOU WASTING MY TIME? 445 00:17:11,111 --> 00:17:13,493 WAIT, WHAT? WHY DIDN'T YOU TELL ME? 446 00:17:13,493 --> 00:17:15,034 SORRY. I FIGURED IT WASN'T MY PLACE. 447 00:17:15,034 --> 00:17:18,368 NOW, LOOK, RICK. YOU ASKED FOR MY HELP. YOU WANT IT OR NOT? 448 00:17:18,368 --> 00:17:19,659 WHAT'S THE CATCH? 449 00:17:19,659 --> 00:17:21,871 'CAUSE I'M THINKING, WITH YOU, THERE'S ALWAYS A CATCH. 450 00:17:21,871 --> 00:17:23,623 THERE'S ONLY ONE -- NO COPS. 451 00:17:23,623 --> 00:17:26,256 WHY NOT? DIFFERING AGENDAS. 452 00:17:26,256 --> 00:17:27,217 THE COPS SERVE AND PROTECT THE CITY. 453 00:17:27,217 --> 00:17:28,007 I SERVE AND PROTECT ME. 454 00:17:29,969 --> 00:17:32,302 FINE. NO COPS. 455 00:17:32,302 --> 00:17:36,306 DAD. WHAT HAPPENED TO BECKETT? 456 00:17:36,306 --> 00:17:37,937 SHE'S HURT, AND SHE'S ON THE RUN? 457 00:17:37,937 --> 00:17:39,639 FROM WHOM? 458 00:17:39,639 --> 00:17:41,271 I DON'T KNOW. IT HAS SOMETHING TO DO WITH A MAN SHE'S WITH. 459 00:17:41,271 --> 00:17:43,733 WHAT MAN? 460 00:17:43,733 --> 00:17:46,486 LOOK, I'M HERE, AREN'T I? YOU'VE GOT TO GIVE TO GET. 461 00:17:46,486 --> 00:17:47,817 WHO'S THIS MYSTERY MAN? 462 00:17:47,817 --> 00:17:52,692 HE'S EAST INDIAN, IN HIS LATE 20s. HE MIGHT BE SICK. 463 00:17:52,692 --> 00:17:55,655 HE WAS DIZZY, HAD A HEADACHE, SAID HE NEEDED SOMETHING TO EAT. 464 00:17:55,655 --> 00:17:58,077 I DON'T KNOW. WHAT ABOUT YOU, HAYLEY? 465 00:17:58,077 --> 00:17:59,829 I KNOW YOU'RE HOLDING BACK ON SOMETHING. 466 00:17:59,829 --> 00:18:02,542 I HAVE A LEAD ON THE LAST TWO SHOOTERS. 467 00:18:02,542 --> 00:18:04,624 HOW? 468 00:18:04,624 --> 00:18:08,418 WELL, I HAVEN'T JUST BEEN CHASING RANDOM IDENTITIES. 469 00:18:08,418 --> 00:18:11,010 A HACKER STOLE 100,000 SOCIAL-SECURITY NUMBERS, 470 00:18:11,010 --> 00:18:13,012 THEN BUNDLED THEM INTO SMALLER GROUPINGS. 471 00:18:13,012 --> 00:18:14,424 AND WHO'S HE SELLING THE BUNDLES TO? 472 00:18:14,424 --> 00:18:16,926 MAFIA, DRUG CARTELS, TERRORISTS. TAKE YOUR PICK. 473 00:18:16,926 --> 00:18:19,309 HOWEVER, FROM THE BUNDLE OF THOSE FIVE SHOOTERS, 474 00:18:19,309 --> 00:18:20,890 I'VE JUST UNCOVERED THAT A NEW IDENTITY'S BEEN USED. 475 00:18:20,890 --> 00:18:22,932 CAN YOU TRACK IT? 476 00:18:22,932 --> 00:18:24,434 I ALREADY HAVE. 477 00:18:24,434 --> 00:18:27,187 IT WAS USED TO LEASE A STORAGE LOCKER A FEW DAYS AGO. 478 00:18:27,187 --> 00:18:29,439 AND HOW DOES THIS HELP ME FIND BECKETT? 479 00:18:29,439 --> 00:18:33,032 IT DOESN'T, BUT THERE ARE STILL TWO KILLERS HUNTING HER. 480 00:18:33,032 --> 00:18:34,404 IF WE CAN TRACK THEM DOWN, 481 00:18:34,404 --> 00:18:36,035 I GET ONE STEP CLOSER TO MY HACKER, 482 00:18:36,035 --> 00:18:37,827 AND YOU GET YOUR WIFE OUT OF HARM'S WAY. 483 00:18:37,827 --> 00:18:40,740 THIS WAY, WE BOTH GET WHAT WE WANT. 484 00:18:40,740 --> 00:18:42,372 ALL RIGHT. LET'S GO. 485 00:18:42,372 --> 00:18:45,124 Alexis: DAD, DID YOU NOTICE ANY CANDY WRAPPERS OR FRUIT JUICE, 486 00:18:45,124 --> 00:18:47,086 ANYTHING WITH SUGAR, AT THE DRY-CLEANER'S? 487 00:18:47,086 --> 00:18:49,128 UH, AN EMPTY SODA CAN. WHY? 488 00:18:49,128 --> 00:18:50,710 I THINK BECKETT'S MYSTERY MAN MIGHT HAVE BEEN HAVING 489 00:18:50,710 --> 00:18:52,011 A DIABETIC INCIDENT. 490 00:18:52,011 --> 00:18:53,803 BUT BASED ON HIS SYMPTOMS, SUGAR IS NOT ENOUGH. 491 00:18:53,803 --> 00:18:56,015 YOU NEED INSULIN TO REGULATE -- HONEY, I NEED TO GO. 492 00:18:56,015 --> 00:18:57,257 LET'S TALK ABOUT THIS LATER, THOUGH, OKAY? 493 00:18:59,179 --> 00:19:01,391 RED, DON'T WAIT FOR THE OLD MAN. 494 00:19:01,391 --> 00:19:02,852 IF YOU'VE GOT SOMETHING, FOLLOW UP ON IT. 495 00:19:02,852 --> 00:19:04,224 LOOK, BECKETT'S ON THE RUN. 496 00:19:04,224 --> 00:19:05,815 SHE CAN'T GO TO A DOCTOR, CAN'T GO TO A HOSPITAL, 497 00:19:05,815 --> 00:19:07,267 SO HOW DOES SHE GET HER HANDS ON INSULIN? 498 00:19:07,267 --> 00:19:09,028 SHE WOULD HAVE TO GET CREATIVE. 499 00:19:09,028 --> 00:19:10,650 THERE YOU GO. 500 00:19:10,650 --> 00:19:12,532 ♪♪ 501 00:19:16,656 --> 00:19:20,119 WHY DID WE PARK BACK HERE? 502 00:19:20,119 --> 00:19:22,332 HAYLEY, WE CAN JUST WALK STRAIGHT THROUGH THE FRONT DOOR. 503 00:19:22,332 --> 00:19:23,703 THERE'S NO BOLT CUTTERS REQUIRED. 504 00:19:23,703 --> 00:19:26,666 OH, YOU'VE BEEN PLAYING AT BEING A COP TOO LONG, RICK. 505 00:19:26,666 --> 00:19:29,249 AS A P.I., YOU DON'T HAVE A BADGE, DON'T HAVE SEARCH WARRANTS. 506 00:19:29,249 --> 00:19:31,421 YOU'VE GOT TO GET CREATIVE, LIE, CHEAT. 507 00:19:31,421 --> 00:19:33,002 AND THE OCCASIONAL B&E, APPARENTLY? 508 00:19:33,002 --> 00:19:34,554 YEAH, IF THAT'S WHAT IT TAKES. 509 00:19:35,755 --> 00:19:37,096 SO, WHAT'S IT GONNA BE? 510 00:19:39,299 --> 00:19:41,641 YEAH. 511 00:19:41,641 --> 00:19:44,724 [ METAL SNAPS ] 512 00:19:44,724 --> 00:19:46,105 ♪♪ 513 00:19:59,279 --> 00:20:03,202 HI. MY NAME'S ALE-- STRYKER. CLARA STRYKER. 514 00:20:03,202 --> 00:20:05,785 I'M AN AUDITOR WITH EMERGENCY SERVICES. 515 00:20:05,785 --> 00:20:07,667 UM...WHAT CAN I DO FOR YOU, MS. STRYKER? 516 00:20:07,667 --> 00:20:09,499 I'M LOOKING INTO A BOGUS 911 CALL 517 00:20:09,499 --> 00:20:11,881 MADE NEAR A DRY-CLEANER'S ON 2nd AND 23rd STREET. 518 00:20:11,881 --> 00:20:14,794 YEAH. UH, RIGHT. WE REPORTED THAT AS A PRANK. 519 00:20:14,794 --> 00:20:17,176 THEN I'M SURE YOU PERFORMED A COMPLETE INVENTORY AFTERWARD. 520 00:20:19,839 --> 00:20:21,891 I TAKE IT YOU DIDN'T KNOW YOU NEEDED TO? 521 00:20:21,891 --> 00:20:24,264 DON'T WORRY. WE CAN DO IT NOW. 522 00:20:24,264 --> 00:20:27,477 LOOK, MS. STRYKER, I'M JUST A PROBATIONARY E.M.T. 523 00:20:27,477 --> 00:20:29,228 MY SUPERVISOR'S GONNA BE BACK ANY MINUTE NOW. 524 00:20:29,228 --> 00:20:30,149 CAN'T THIS WAIT? 525 00:20:32,732 --> 00:20:36,526 WELL, LOOKS LIKE EVERYTHING'S IN ITS PLACE. 526 00:20:36,526 --> 00:20:38,528 WHERE DO YOU KEEP THE INSULIN? 527 00:20:38,528 --> 00:20:39,569 UH... 528 00:20:39,569 --> 00:20:42,622 SHOOT. 529 00:20:42,622 --> 00:20:43,413 WE'RE MISSING TWO VIALS. 530 00:20:44,624 --> 00:20:46,456 DO YOU HAVE A MONITOR FOR THE CAMERA? 531 00:20:46,456 --> 00:20:48,247 YEAH. 532 00:20:48,247 --> 00:20:50,249 PLAY BACK THE TIME OF THE CALL. 533 00:20:50,249 --> 00:20:54,334 ♪♪ 534 00:20:58,548 --> 00:20:59,469 WHAT THE HELL? 535 00:21:21,991 --> 00:21:22,992 FREEZE IT. 536 00:21:22,992 --> 00:21:24,033 [ CLICK ] 537 00:21:26,366 --> 00:21:27,907 [ CAMERA SHUTTER CLICKS ] 538 00:21:27,907 --> 00:21:31,080 MS. STRYKER, AM I GONNA GET IN TROUBLE FOR THIS? 539 00:21:31,080 --> 00:21:33,172 WE'LL KEEP IT OUR LITTLE SECRET. 540 00:21:33,172 --> 00:21:36,586 [ RATTLING ] 541 00:21:36,586 --> 00:21:39,218 WHO THE HELL ARE THESE PEOPLE? 542 00:21:39,218 --> 00:21:42,802 JUST LOOK FOR ANYTHING THAT WE CAN USE TO TRACK THESE GUYS. 543 00:21:46,596 --> 00:21:48,227 THESE ARE THE SAME .40-CALIBERS 544 00:21:48,227 --> 00:21:50,019 THE SHOOTERS IN THE THEATER HAD. 545 00:21:53,933 --> 00:21:54,934 [ CELLPHONE CHIMES ] 546 00:21:54,934 --> 00:21:56,356 WHO DID YOU JUST TEXT? 547 00:21:56,356 --> 00:21:59,148 THE COPS? WE HAD A DEAL. 548 00:21:59,148 --> 00:22:00,360 YOU SHOOK ON IT. 549 00:22:00,360 --> 00:22:01,861 IF YOU WANTED A BINDING AGREEMENT, 550 00:22:01,861 --> 00:22:02,822 WE SHOULD HAVE PINKY-SWEARED. 551 00:22:02,822 --> 00:22:05,204 WHAT ARE YOU, 4? 552 00:22:05,204 --> 00:22:06,786 [ CLATTER ] 553 00:22:06,786 --> 00:22:10,289 ♪♪ 554 00:22:36,776 --> 00:22:38,187 [ GRUNTS ] 555 00:22:40,740 --> 00:22:42,321 AAH! 556 00:22:44,323 --> 00:22:46,155 [ BOTH GRUNTING ] 557 00:23:00,550 --> 00:23:02,462 [ GROANS ] 558 00:23:04,964 --> 00:23:06,806 [ RAPID FOOTSTEPS ] 559 00:23:06,806 --> 00:23:07,717 HEY. WHOA. HEY! 560 00:23:07,717 --> 00:23:08,928 [ SIGHS ] 561 00:23:08,928 --> 00:23:10,720 HAYLEY, WHAT HAPPENED? 562 00:23:10,720 --> 00:23:12,271 OOH. I GOT MY ASS KICKED. 563 00:23:12,271 --> 00:23:13,272 [ CELLPHONE RINGS ] 564 00:23:13,272 --> 00:23:15,104 OH. YEAH. 565 00:23:15,104 --> 00:23:16,776 [ BEEP ] HEY. WHAT'S UP? 566 00:23:16,776 --> 00:23:19,609 DAD, I WAS ABLE TO TRACK BECKETT AND THAT MYSTERY MAN TO A TAXI. 567 00:23:19,609 --> 00:23:22,442 YOU ARE THE BEST. OKAY. UM... 568 00:23:22,442 --> 00:23:23,983 NOW ALL WE HAVE TO DO IS CALL THE CAB COMPANY, 569 00:23:23,983 --> 00:23:25,615 FIGURE OUT WHERE THEY WENT. 570 00:23:25,615 --> 00:23:27,907 ALREADY DID. THEY WENT TO A PRISON UPSTATE. 571 00:23:27,907 --> 00:23:30,119 REALLY? IS SHE STILL THERE? 572 00:23:30,119 --> 00:23:33,292 NO, BUT SHE VISITED AN INMATE -- WILLIAM BRACKEN. 573 00:23:33,292 --> 00:23:36,125 BRACKEN? 574 00:23:36,125 --> 00:23:38,998 OKAY, WHY IS YOUR WIFE VISITING A DISGRACED FORMER SENATOR? 575 00:23:38,998 --> 00:23:41,130 THEY HAVE HISTORY. 576 00:23:41,130 --> 00:23:42,842 WHAT KIND OF HISTORY? 577 00:23:42,842 --> 00:23:44,714 HE HAD BECKETT'S MOTHER KILLED. 578 00:23:45,885 --> 00:23:47,467 IT'S WHY SHE BECAME A COP. 579 00:23:47,467 --> 00:23:50,009 SHE DEDICATED HER LIFE TO HUNTING HIM. 580 00:23:50,009 --> 00:23:51,971 OKAY, SO, WHAT'S WITH THE REUNION? 581 00:23:51,971 --> 00:23:54,013 AND WHY TODAY OF ALL DAYS? 582 00:23:54,013 --> 00:23:56,395 BECAUSE BRACKEN'S BEHIND THIS. 583 00:23:56,395 --> 00:23:58,397 I KNOW HE WAS A POWERFUL MAN, 584 00:23:58,397 --> 00:24:00,019 BUT THAT SORT OF INFLUENCE DRIES UP 585 00:24:00,019 --> 00:24:01,230 WHEN YOU'RE SERVING LIFE IN PRISON. 586 00:24:01,230 --> 00:24:02,822 YOU DON'T KNOW THE KIND OF PEOPLE 587 00:24:02,822 --> 00:24:03,983 BRACKEN WAS ALIGNED WITH -- 588 00:24:03,983 --> 00:24:06,776 MERCENARIES, DEALERS, THE WORST OF THE WORST. 589 00:24:06,776 --> 00:24:08,568 HE MADE A LOT OF PEOPLE RICH. 590 00:24:08,568 --> 00:24:12,281 A LOT OF WHOM MAY STILL OWE HIM FAVORS. 591 00:24:12,281 --> 00:24:14,373 YOU'RE SAYING THAT WILLIAM BRACKEN ORDERED 592 00:24:14,373 --> 00:24:15,575 A HIT ON YOUR WIFE? 593 00:24:15,575 --> 00:24:20,169 BECKETT RUINED HIS SO-CALLED LEGACY, HIS LIFE. 594 00:24:20,169 --> 00:24:23,342 HE'S OUT FOR PAYBACK. 595 00:24:26,586 --> 00:24:29,008 ♪♪ 596 00:24:32,642 --> 00:24:34,854 YOU REALLY THINK BRACKEN'S BEHIND THIS? 597 00:24:34,854 --> 00:24:36,475 THE STORY TRACKS. 598 00:24:36,475 --> 00:24:38,097 BRACKEN IS A MEGALOMANIAC 599 00:24:38,097 --> 00:24:39,689 WHO BLAMES BECKETT FOR RUINING HIS LIFE 600 00:24:39,689 --> 00:24:42,942 EVEN THOUGH IT WAS JUSTICE FOR WHAT HE DID TO HER MOTHER. 601 00:24:42,942 --> 00:24:45,364 YOU GONNA BE HERE WHEN I COME OUT? 602 00:24:45,364 --> 00:24:48,157 NO. BECAUSE I TEXTED RYAN AND ESPOSITO? 603 00:24:48,157 --> 00:24:49,368 I SAID NO COPS. 604 00:24:49,368 --> 00:24:50,780 YOU'D RATHER THERE BE 605 00:24:50,780 --> 00:24:52,702 A STORAGE LOCKER FULL OF GUNS OUT THERE? 606 00:24:52,702 --> 00:24:53,913 IT'S NOT MY PROBLEM. [ SCOFFS ] 607 00:24:53,913 --> 00:24:56,455 LOOK, RICK, IF YOU WANT TO BE A REAL P.I. 608 00:24:56,455 --> 00:24:57,997 AND NOT JUST PLAY DRESS-UP, 609 00:24:57,997 --> 00:24:59,789 YOU'RE GONNA HAVE TO MAKE SOME CHANGES IN HOW YOU OPERATE. 610 00:24:59,789 --> 00:25:01,210 CHANGES LIKE LYING TO MY FRIENDS? 611 00:25:01,210 --> 00:25:02,542 YEAH, SOMETIMES. 612 00:25:02,542 --> 00:25:04,754 AND SOMETIMES YOU'RE EVEN GONNA HAVE TO SCREW THEM OVER. 613 00:25:04,754 --> 00:25:06,295 YEAH. NO, THANKS. 614 00:25:06,295 --> 00:25:08,047 LOOK, NICE GUYS DON'T JUST FINISH LAST 615 00:25:08,047 --> 00:25:08,968 IN THIS BUSINESS, CASTLE. 616 00:25:08,968 --> 00:25:11,180 THEY END UP DEAD. 617 00:25:11,180 --> 00:25:13,182 I'LL SEE YOU AROUND. 618 00:25:13,182 --> 00:25:14,724 YOU REALLY LOVE HER, DON'T YOU? 619 00:25:14,724 --> 00:25:17,557 LIKE A HOUSE ON FIRE. 620 00:25:17,557 --> 00:25:19,769 MUST BE NICE. 621 00:25:21,851 --> 00:25:23,693 [ BEEP ] SPEED DIAL 5. 622 00:25:23,693 --> 00:25:24,483 [ Ringing ] 623 00:25:26,986 --> 00:25:27,737 WOMAN: Go. IT'S ME. 624 00:25:27,737 --> 00:25:29,569 What do you need? 625 00:25:29,569 --> 00:25:32,281 TELL THE LAB I'M COMING IN WITH SOMETHING FOR THEM TO TEST. 626 00:25:32,281 --> 00:25:34,614 GONNA NEED IT I.D.'d RIGHT AWAY. 627 00:25:34,614 --> 00:25:37,246 ♪♪ 628 00:25:45,585 --> 00:25:46,836 [ BUZZER ] 629 00:25:46,836 --> 00:25:48,798 [ DOOR OPENS ] 630 00:25:48,798 --> 00:25:51,260 NO. NO, NO, NO, NO. 631 00:25:51,260 --> 00:25:52,722 FORGET IT. I GOT NOTHING TO SAY TO YOU. 632 00:25:52,722 --> 00:25:54,383 OH, TOUGH. 633 00:25:54,383 --> 00:25:56,345 I KNOW BECKETT WAS HERE, AND I KNOW WHY. 634 00:25:56,345 --> 00:25:58,017 SO YOU'RE GONNA CALL OFF YOUR DOGS RIGHT NOW. 635 00:25:58,017 --> 00:25:59,518 OR WHAT? 636 00:25:59,518 --> 00:26:01,270 ARE YOU GONNA WRITE SOMETHING MEAN ABOUT ME? 637 00:26:01,270 --> 00:26:03,142 OR I'M GONNA START A SCHOLARSHIP IN YOUR NAME 638 00:26:03,142 --> 00:26:05,354 AND OFFER IT TO THE CHILDREN OF THE FIRST INMATE 639 00:26:05,354 --> 00:26:07,146 WHO SHANKS YOU IN THE PRISON LAUNDRY. 640 00:26:07,146 --> 00:26:08,317 YOU'LL BE WASTING YOUR MONEY. 641 00:26:08,317 --> 00:26:09,819 OH, FORGIVE ME IF I DON'T TAKE YOUR WORD FOR IT. 642 00:26:09,819 --> 00:26:11,611 [ BUZZER IN DISTANCE ] 643 00:26:11,611 --> 00:26:12,902 [ LAUGHS ] 644 00:26:14,323 --> 00:26:15,494 WHAT'S SO FUNNY? 645 00:26:15,494 --> 00:26:18,497 YOU. 646 00:26:18,497 --> 00:26:23,913 YOU COME IN HERE ALL ON FIRE ABOUT YOUR WIFE. 647 00:26:23,913 --> 00:26:26,916 YOU DON'T EVEN KNOW WHO SHE IS. 648 00:26:26,916 --> 00:26:29,508 16 YEARS, KATE BECKETT'S BEEN OBSESSED 649 00:26:29,508 --> 00:26:31,550 WITH SOLVING HER MOTHER'S MURDER. 650 00:26:31,550 --> 00:26:34,053 YOU REALLY THINK SHE CAN TURN OFF THAT KIND OF OBSESSION? 651 00:26:35,975 --> 00:26:37,767 ARE YOU SAYING THIS IS HER FAULT? 652 00:26:37,767 --> 00:26:42,141 I'M SAYING SHE'S NEVER GONNA BE HAPPY JUST BEING MRS. CASTLE. 653 00:26:42,141 --> 00:26:44,483 SHE NEEDS TO TILT AT WINDMILLS. 654 00:26:44,483 --> 00:26:47,937 IT'S IN HER DNA, LIKE A MOTH TO THE FLAME. 655 00:26:47,937 --> 00:26:51,901 AND WE ALL KNOW WHAT HAPPENS TO THE MOTH IN THE END. 656 00:26:51,901 --> 00:26:53,693 ♪♪ 657 00:26:53,693 --> 00:26:55,735 [ TAP ] 658 00:27:00,499 --> 00:27:03,002 LET ME OUT OF HERE. [ BUZZER ] 659 00:27:05,454 --> 00:27:10,249 HEY. STORAGE UNIT WAS RENTED WITH A STOLEN I.D. 660 00:27:10,249 --> 00:27:11,380 WHO DO WE KNOW WHO'S BEEN CHASING THOSE? 661 00:27:11,380 --> 00:27:12,712 HAYLEY SHIPTON. 662 00:27:12,712 --> 00:27:15,054 SHE MUST HAVE A LIST OF ALL STOLEN I.D.s IN THAT BUNDLE. 663 00:27:15,054 --> 00:27:16,515 USED IT TO TRACK OUR SHOOTERS HERE. 664 00:27:16,515 --> 00:27:18,637 AND TO CONVINCE CASTLE TO RUN WITH HER INSTEAD OF US. 665 00:27:18,637 --> 00:27:20,810 WHAT THE HELL'S HE THINKING? HE'S NOT. 666 00:27:20,810 --> 00:27:22,181 HE'S REACTING, 667 00:27:22,181 --> 00:27:23,182 TRYING WHATEVER HE CAN TO FIND BECKETT. 668 00:27:23,182 --> 00:27:24,473 IT'S GONNA GET HIM KILLED. 669 00:27:25,685 --> 00:27:27,566 LOOK AT ALL THIS STUFF. IT'S ALL NEXT-GEN WEAPONRY. 670 00:27:27,566 --> 00:27:29,899 PISTON-DRIVEN, TRICKED OUT WITH THERMAL SCOPES, 671 00:27:29,899 --> 00:27:31,901 SOUND SUPPRESSORS. PROBABLY SOME KIND OF 672 00:27:31,901 --> 00:27:33,032 PROFESSIONAL HIT SQUAD OR SOMETHING. 673 00:27:33,032 --> 00:27:34,653 YEAH, BUT WHO'S PAYING THEM? 674 00:27:34,653 --> 00:27:36,365 AND HOW DO THEY CONNECT TO BECKETT? 675 00:27:36,365 --> 00:27:37,406 [ CELLPHONE CHIMES ] 676 00:27:37,406 --> 00:27:39,408 [ BEEP ] 677 00:27:39,408 --> 00:27:41,450 I.D. SKETCH FROM THE DRY-CLEANER'S CAME BACK. 678 00:27:41,450 --> 00:27:43,492 THE GUY RUNNING WITH BECKETT. 679 00:27:43,492 --> 00:27:44,834 LET'S PRIORITY-ONE THIS THROUGH THE SYSTEM 680 00:27:44,834 --> 00:27:46,665 AND HOPE THAT AN I.D. ON THIS GUY GETS US SOME CLARITY. 681 00:27:46,665 --> 00:27:48,207 ♪♪ 682 00:27:52,792 --> 00:27:55,384 [ GUN COCKS ] KEEP WALKING. HEAD FOR THE BLUE VAN. 683 00:27:55,384 --> 00:27:57,426 OH, JUST THE PERSON I WAS LOOKING FOR. 684 00:27:57,426 --> 00:27:58,928 YOU KNOW, MOST PEOPLE REACT DIFFERENTLY 685 00:27:58,928 --> 00:28:00,469 TO A GUN IN THEIR SIDE. 686 00:28:00,469 --> 00:28:02,181 YEAH, WELL, THIS SORT OF THING HAPPENS TO ME A LOT. 687 00:28:03,763 --> 00:28:05,684 SO, I WAS JUST IN THERE VISITING WITH YOUR BOSS. 688 00:28:05,684 --> 00:28:07,356 I DON'T KNOW HOW MUCH HE'S PAYING YOU, 689 00:28:07,356 --> 00:28:08,517 BUT IT CAN'T BE WORTH YOUR LIFE. 690 00:28:08,517 --> 00:28:10,900 YOU REALLY HAVE NO IDEA WHAT'S GOING ON, DO YOU? 691 00:28:10,900 --> 00:28:13,312 SO ENLIGHTEN ME. 692 00:28:13,312 --> 00:28:15,444 NOT MY JOB. 693 00:28:15,444 --> 00:28:16,235 OPEN IT. 694 00:28:18,487 --> 00:28:20,079 OH! 695 00:28:20,079 --> 00:28:21,450 [ GROANING ] 696 00:28:25,084 --> 00:28:26,746 [ CELLPHONE CLATTERS ] 697 00:28:26,746 --> 00:28:28,127 [ GLASS SHATTERS ] 698 00:28:28,127 --> 00:28:29,919 SLEEP WELL. 699 00:28:29,919 --> 00:28:31,791 DAD'S MISSING! WE HAVE TO FIND HIM! 700 00:28:31,791 --> 00:28:33,672 WHOA, WHOA. WHOA. SLOW DOWN. 701 00:28:33,672 --> 00:28:35,214 WHAT ARE YOU -- WHAT ARE YOU TALKING ABOUT? 702 00:28:35,214 --> 00:28:36,425 I'VE BEEN TRACKING HIS CELLPHONE ON THE SLY. 703 00:28:36,425 --> 00:28:38,047 THAT WAY, IF HE EVER DISAPPEARED AGAIN, I'D KNOW. 704 00:28:38,047 --> 00:28:39,338 AND AN HOUR AGO, HIS PHONE SUDDENLY WENT DEAD. 705 00:28:39,338 --> 00:28:40,509 OKAY, MAYBE THE BATTERY JUST DIED. 706 00:28:40,509 --> 00:28:41,680 NO. NOT WITH WHERE HE WENT. 707 00:28:41,680 --> 00:28:43,262 AND WHERE'S THAT? 708 00:28:43,262 --> 00:28:45,304 WINTERKILL CORRECTIONAL. I TRACKED BECKETT THERE EARLIER. 709 00:28:45,304 --> 00:28:47,306 WINTERKILL. THAT'S WHERE BRACKEN IS. 710 00:28:47,306 --> 00:28:49,688 HE'S CONNECTED TO THIS SOMEHOW. THAT'S WHY DAD WENT TO SEE HIM. 711 00:28:49,688 --> 00:28:52,271 WITHOUT TELLING US. BUT I BET HAYLEY WENT ALONG, HUH? 712 00:28:52,271 --> 00:28:53,352 YEAH, BUT WHEN I CALLED HER, 713 00:28:53,352 --> 00:28:54,523 SHE SAID SHE LEFT HIM AT THE PRISON. 714 00:28:54,523 --> 00:28:55,614 HASN'T HEARD FROM HIM SINCE. 715 00:28:55,614 --> 00:28:56,946 ALL RIGHT, I'LL REACH OUT TO THE PRISON, 716 00:28:56,946 --> 00:28:57,947 GET THEIR EXTERNAL SURVEILLANCE FEED. 717 00:28:57,947 --> 00:28:59,618 ALL RIGHT. WHERE ARE YOU GOING? 718 00:28:59,618 --> 00:29:00,780 TO GET HAYLEY. 719 00:29:00,780 --> 00:29:02,701 ♪♪ 720 00:29:02,701 --> 00:29:07,076 YOU CAN QUIT FAKING. THE DOSE I GAVE YOU WORE OFF BY NOW. 721 00:29:07,076 --> 00:29:08,667 WELL, YOU CAN'T BLAME A GUY FOR TRYING. 722 00:29:08,667 --> 00:29:10,369 YOU MIGHT WANT TO TRY SOMETHING A LITTLE MORE ORIGINAL 723 00:29:10,369 --> 00:29:12,461 THAN THE TRICK DERRICK STORM PULLED IN "STORMFALL." 724 00:29:12,461 --> 00:29:14,253 YOU READ MY BOOKS? 725 00:29:14,253 --> 00:29:15,795 LOT OF DOWNTIME IN MY LINE OF WORK. 726 00:29:15,795 --> 00:29:17,256 YOUR EARLIER STUFF WAS BETTER. 727 00:29:17,256 --> 00:29:19,138 YOU GOT SOFT ONCE YOU MET THE SKIRT. 728 00:29:19,138 --> 00:29:20,639 EVERYONE'S A CRITIC. SIT. 729 00:29:25,224 --> 00:29:27,436 OUCH! 730 00:29:27,436 --> 00:29:29,148 AH. 731 00:29:29,148 --> 00:29:31,690 [ GASPING ] 732 00:29:31,690 --> 00:29:35,274 CAN'T HELP BUT THINK YOU'VE DONE THIS BEFORE. 733 00:29:38,357 --> 00:29:44,163 HEY. RICHARD CASTLE. I'D SHAKE HANDS, BUT... 734 00:29:44,163 --> 00:29:45,995 YOU THINK THIS IS FUNNY? NO. NO, NO. 735 00:29:45,995 --> 00:29:48,167 I JUST FELT LIKE YOU'D BE SERIOUS ENOUGH 736 00:29:48,167 --> 00:29:49,498 FOR THE BOTH OF US. 737 00:29:49,498 --> 00:29:51,290 WELL, HOW'S THIS FOR SERIOUS? 738 00:29:51,290 --> 00:29:52,912 YOU EITHER TELL ME WHERE YOUR WIFE IS... 739 00:29:52,912 --> 00:29:54,623 [ GUN COCKS ] ...OR I'M GONNA KILL YOU. 740 00:29:54,623 --> 00:29:57,506 ♪♪ 741 00:30:01,300 --> 00:30:02,591 THIS IS A SIMPLE QUESTION. 742 00:30:02,591 --> 00:30:03,802 WHERE'S KATE BECKETT? 743 00:30:03,802 --> 00:30:05,224 I DON'T KNOW. 744 00:30:05,224 --> 00:30:07,686 AND EVEN IF I DID KNOW, I WOULDN'T TELL YOU. 745 00:30:07,686 --> 00:30:09,058 [ CHUCKLES ] 746 00:30:09,058 --> 00:30:10,769 YOU KNOW, IT'S AMAZING. THEY ALL SAY THAT. 747 00:30:10,769 --> 00:30:13,352 AND YET THEY ALL END UP TALKING IN THE END. 748 00:30:13,352 --> 00:30:14,733 YOU KNOW, SINCE WE'RE ASKING QUESTIONS, 749 00:30:14,733 --> 00:30:16,735 MAYBE YOU GUYS COULD FILL IN A FEW BLANKS FOR ME. 750 00:30:16,735 --> 00:30:20,990 FOR EXAMPLE, IF BRACKEN ISN'T YOUR BOSS, THEN WHO IS? 751 00:30:20,990 --> 00:30:23,152 YOU KNOW WHAT, I DON'T THINK HE'S TAKING THIS SERIOUSLY. 752 00:30:23,152 --> 00:30:25,364 MAYBE A LITTLE PAIN WILL HELP HIM FOCUS. 753 00:30:25,364 --> 00:30:27,076 PASS. BUT YOU KNOW WHAT? 754 00:30:27,076 --> 00:30:29,248 I WOULD KILL FOR A NICE CAPPUCCINO RIGHT NOW, 755 00:30:29,248 --> 00:30:30,329 EXTRA FROTH. 756 00:30:30,329 --> 00:30:33,002 YOU EXPECT US TO BELIEVE THAT YOUR WIFE 757 00:30:33,002 --> 00:30:36,005 IS KEEPING YOU IN THE DARK? 758 00:30:36,005 --> 00:30:38,667 LOOK, THIS ISN'T WORKING. HOW DO YOU WANT TO DO THIS? 759 00:30:38,667 --> 00:30:40,339 START BY CUTTING OFF HIS FINGERS UNTIL HE TALKS 760 00:30:40,339 --> 00:30:41,670 OR JUMP STRAIGHT FOR THE WEDDING VEGETABLES? 761 00:30:41,670 --> 00:30:43,302 YOU KNOW, ACTUALLY, I WAS THINKING SOMETHING 762 00:30:43,302 --> 00:30:46,886 MAYBE A LITTLE MORE, UH, PSYCHOLOGICAL. 763 00:30:46,886 --> 00:30:49,468 ♪♪ 764 00:30:57,606 --> 00:31:00,569 I'M GONNA BE HONEST WITH YOU. THAT DOESN'T LOOK THAT SCARY. 765 00:31:00,569 --> 00:31:02,691 WELL, WHY DON'T YOU LOOK AGAIN? 766 00:31:09,408 --> 00:31:10,659 [ GASPS ] 767 00:31:10,659 --> 00:31:12,041 OKAY, I MIGHT PUKE. 768 00:31:13,252 --> 00:31:14,543 [ WHIMPERS ] 769 00:31:20,549 --> 00:31:22,171 WHERE IS SHE, CASTLE? 770 00:31:22,171 --> 00:31:23,462 I DON'T KNOW. 771 00:31:23,462 --> 00:31:25,764 HMM? 772 00:31:25,764 --> 00:31:27,596 [ CRIES ] 773 00:31:27,596 --> 00:31:29,008 WHERE IS SHE? 774 00:31:29,008 --> 00:31:31,310 I DON'T KNOW! [ GRUNTS ] 775 00:31:34,063 --> 00:31:35,854 [ GRUNTS ] WHERE IS SHE? 776 00:31:35,854 --> 00:31:37,066 I DON'T KNOW ANYTHING. 777 00:31:37,066 --> 00:31:39,278 THE LAST TIME I SAW CASTLE WAS OUTSIDE THE PRISON. 778 00:31:39,278 --> 00:31:40,439 YOU'D THINK AN EX-COP WOULD UNDERSTAND 779 00:31:40,439 --> 00:31:41,570 OBSTRUCTION OF JUSTICE. 780 00:31:41,570 --> 00:31:43,362 YEAH, ESPECIALLY SINCE ARRESTING HER FOR IT 781 00:31:43,362 --> 00:31:45,364 WILL TORPEDO HER INVESTIGATOR'S LICENSE. 782 00:31:45,364 --> 00:31:46,825 YOU'RE NOT SCARING ME, GUYS. 783 00:31:46,825 --> 00:31:48,447 YOU THINK WE'RE PLAYING? 784 00:31:48,447 --> 00:31:50,239 CASTLE'S ONE OF US, WHICH MEANS YOU BETTER 785 00:31:50,239 --> 00:31:52,491 COME CLEAN RIGHT NOW, OR EVERY COP IN THIS CITY 786 00:31:52,491 --> 00:31:53,912 IS GONNA MAKE IT THEIR MISSION TO JAM YOU UP. 787 00:31:53,912 --> 00:31:55,494 I UNDERSTAND THE PASSION. 788 00:31:55,494 --> 00:31:57,496 BUT I HAVE A REPUTATION TO UPHOLD. 789 00:31:57,496 --> 00:31:59,038 MY CLIENTS THINK THAT I ROLL OVER 790 00:31:59,038 --> 00:32:00,379 EVERY TIME A COP SAYS "BOO," 791 00:32:00,379 --> 00:32:01,961 I'M LOOKING FOR A NEW LINE OF WORK. 792 00:32:01,961 --> 00:32:03,462 DAMN IT, MY DAD'S IN TROUBLE! 793 00:32:03,462 --> 00:32:05,464 IF YOU KNOW ANYTHING ABOUT WHERE HE IS, YOU HAVE TO TELL US. 794 00:32:05,464 --> 00:32:08,677 ALEXIS, IT'S NOT THAT SIMPLE. 795 00:32:08,677 --> 00:32:10,179 YES, IT IS. 796 00:32:11,760 --> 00:32:13,682 PLEASE. [ SNIFFLES ] 797 00:32:17,146 --> 00:32:20,149 OKAY, THERE IS SOMETHING I KEPT TO MYSELF, 798 00:32:20,149 --> 00:32:21,110 BUT IT'S NOT GONNA HELP YOU. 799 00:32:21,110 --> 00:32:22,231 IT'S A DEAD END. 800 00:32:22,231 --> 00:32:24,233 SPILL. 801 00:32:24,233 --> 00:32:25,944 THERE WAS A WOMAN AT THE STORAGE LOCKER. 802 00:32:25,944 --> 00:32:27,656 WE MIXED IT UP A LITTLE. 803 00:32:27,656 --> 00:32:30,449 WHEN SHE KICKED ME, SOMETHING TRANSFERRED FROM HER BOOT. 804 00:32:30,449 --> 00:32:32,701 I HAD A LAB TEST IT. IT'S CREOSOTE. 805 00:32:32,701 --> 00:32:34,373 IT'S A FORM OF COAL TAR 806 00:32:34,373 --> 00:32:36,415 PRIMARILY USED TO TREAT RAILWAY TIES. 807 00:32:36,415 --> 00:32:39,338 THERE ARE TENS OF THOUSANDS OF THOSE TIES USED IN THE SUBWAY. 808 00:32:39,338 --> 00:32:40,919 YOU GET A COPY OF THE LAB REPORT? 809 00:32:40,919 --> 00:32:44,383 YEAH. 810 00:32:46,295 --> 00:32:47,346 NO, TIE'S NOT FROM THE SUBWAY. 811 00:32:47,346 --> 00:32:48,637 WHAT? HOW DO YOU KNOW? 812 00:32:48,637 --> 00:32:50,639 NO TRACES OF ANY STEEL DUST OR ANY OTHER POLLUTANTS. 813 00:32:50,639 --> 00:32:52,471 MY GUESS IS THAT THE RAILROAD TIE'S NEW. 814 00:32:52,471 --> 00:32:54,393 I'LL CALL MTA. SEE WHERE THEY STORE THOSE THINGS. 815 00:32:57,016 --> 00:32:59,768 THANK YOU. 816 00:32:59,768 --> 00:33:02,101 Brooks: WHERE IS SHE? 817 00:33:05,194 --> 00:33:06,605 WHERE'S YOUR WIFE, CASTLE? 818 00:33:06,605 --> 00:33:07,986 I DON'T KNOW! I SWEAR! 819 00:33:09,658 --> 00:33:12,571 THAT IS THE WRONG ANSWER. 820 00:33:15,744 --> 00:33:17,496 [ SPIDERS SQUIRMING ] 821 00:33:20,039 --> 00:33:23,172 [ GRUNTING ] 822 00:33:23,172 --> 00:33:25,624 TELL ME WHERE YOUR WIFE IS. 823 00:33:25,624 --> 00:33:27,546 TELL ME WHERE SHE IS. 824 00:33:27,546 --> 00:33:29,758 [ MUFFLED SCREAMING ] 825 00:33:29,758 --> 00:33:31,720 WHERE IS SHE? 826 00:33:31,720 --> 00:33:33,132 I DON'T KNOW! 827 00:33:33,132 --> 00:33:34,553 COME ON, CASTLE. NO WOMAN IS WORTH DYING FOR. 828 00:33:34,553 --> 00:33:37,726 COME ON. WHERE IS SHE?! 829 00:33:37,726 --> 00:33:39,268 [ SCREAMS ] 830 00:33:47,986 --> 00:33:49,608 [ GRUNTS ] 831 00:33:49,608 --> 00:33:50,819 [ GASPS ] 832 00:33:50,819 --> 00:33:53,412 I BELIEVE THAT YOU'RE TELLING THE TRUTH. I DO. 833 00:33:53,412 --> 00:33:54,783 I BELIEVE THAT YOU'RE TELLING ME THE TRUTH. 834 00:33:54,783 --> 00:33:56,745 BUT UNFORTUNATELY, THAT MEANS IT'S TIME FOR YOU TO DIE. 835 00:33:56,745 --> 00:33:57,786 SORRY ABOUT THAT. 836 00:34:00,579 --> 00:34:02,291 [ GRUNTS ] 837 00:34:02,291 --> 00:34:05,164 ♪♪ 838 00:34:10,759 --> 00:34:12,551 [ GUNSHOTS ] 839 00:34:14,933 --> 00:34:18,727 [ MUFFLED FOOTSTEPS ] 840 00:34:38,036 --> 00:34:39,158 HEY. 841 00:34:50,339 --> 00:34:52,341 LIGHTS OUT. 842 00:34:52,341 --> 00:34:53,512 [ GUNSHOTS ] 843 00:34:53,512 --> 00:34:54,923 AAH! 844 00:34:54,923 --> 00:34:56,595 [ GUNFIRE ] 845 00:35:12,731 --> 00:35:14,153 [ GUN CLATTERS ] 846 00:35:16,995 --> 00:35:20,239 CASTLE. ARE YOU OKAY? 847 00:35:20,239 --> 00:35:22,741 WHERE HAVE YOU BEEN? WHY HAVEN'T YOU CALLED? 848 00:35:22,741 --> 00:35:25,334 I COULDN'T. 849 00:35:25,334 --> 00:35:27,456 KATE, WHAT'S GOING ON? 850 00:35:27,456 --> 00:35:29,878 I... 851 00:35:31,840 --> 00:35:33,962 [ SIRENS WAIL IN DISTANCE ] I'VE GOT TO GO. 852 00:35:33,962 --> 00:35:35,754 NO, NO! NO, KATE -- KATE, WHY ARE YOU SHUTTING ME OUT? 853 00:35:35,754 --> 00:35:37,596 CASTLE, I LOVE YOU. 854 00:35:40,429 --> 00:35:42,140 KATE. KATE. 855 00:35:42,140 --> 00:35:45,224 KATE. 856 00:35:45,224 --> 00:35:46,435 [ GRUNTS ] 857 00:35:53,071 --> 00:35:55,194 CASTLE! HEY, MAN, YOU OKAY? 858 00:35:55,194 --> 00:35:57,326 BECKETT -- SHE WAS HERE. SHE WAS HERE! 859 00:35:57,326 --> 00:35:58,947 WHAT? WHERE? 860 00:35:58,947 --> 00:36:00,539 [ INDISTINCT SHOUTING ] 861 00:36:00,539 --> 00:36:02,160 Alexis: DAD! 862 00:36:04,283 --> 00:36:07,246 HEY. HEY, HEY, HEY. I'M OKAY. I'M OKAY. 863 00:36:07,246 --> 00:36:08,957 IT'S OKAY. 864 00:36:08,957 --> 00:36:11,500 Man: NO SIGN OF KATHERINE BECKETT, SIR. 865 00:36:11,500 --> 00:36:14,593 ♪♪ 866 00:36:16,054 --> 00:36:18,847 E.S.U. SAYS THE BUILDING IS SECURE. 867 00:36:18,847 --> 00:36:19,928 THERE'S NO SIGN OF BECKETT. 868 00:36:29,228 --> 00:36:30,689 WHY DOESN'T BECKETT TRUST ME? 869 00:36:30,689 --> 00:36:32,941 SHE DOES. 870 00:36:32,941 --> 00:36:34,483 THEN WHY IS SHE KEEPING ME IN THE DARK? 871 00:36:34,483 --> 00:36:36,865 I DON'T NEED PROTECTING. YES, YOU DO. 872 00:36:36,865 --> 00:36:38,907 YOU'RE A WRITER, DAD. 873 00:36:38,907 --> 00:36:41,530 AND YOU AND BECKETT ARE MAGIC TOGETHER. 874 00:36:41,530 --> 00:36:44,993 BUT YOU DON'T HAVE HER TRAINING OR HER SKILL SET. 875 00:36:44,993 --> 00:36:47,536 WHEN YOU DISAPPEARED LAST YEAR... 876 00:36:49,378 --> 00:36:54,793 ...I THOUGHT YOU WERE DEAD FOR TWO MONTHS. 877 00:36:54,793 --> 00:36:57,796 AND THEN YOU WENT MISSING TODAY, AND I WAS SO SCARED. 878 00:36:57,796 --> 00:36:59,798 HONEY -- 879 00:36:59,798 --> 00:37:01,840 BECKETT HAS A REASON FOR KEEPING QUIET. 880 00:37:01,840 --> 00:37:05,724 IF YOU LOVE HER, YOU HAVE TO TRUST HER. 881 00:37:05,724 --> 00:37:07,185 [ DOOR OPENS ] 882 00:37:08,767 --> 00:37:11,730 FINALLY. WHAT ARE WE WAITING FOR? LET'S GO GIVE HER HELL. 883 00:37:11,730 --> 00:37:14,152 CASTLE, WAIT. WE GOT A POSITIVE I.D. ON THE GUY RUNNING WITH BECKETT. 884 00:37:14,152 --> 00:37:15,444 GREAT. WHO IS HE? 885 00:37:15,444 --> 00:37:17,025 HIS NAME IS VIKRAM SINGH. 886 00:37:17,025 --> 00:37:18,567 HE'S A LOW-LEVEL ANALYST 887 00:37:18,567 --> 00:37:20,569 FOR THE ATTORNEY GENERAL'S INVESTIGATIVE OFFICE. 888 00:37:20,569 --> 00:37:22,120 IN D.C.? 889 00:37:22,120 --> 00:37:23,912 THAT'S WHERE BECKETT WORKED. 890 00:37:23,912 --> 00:37:25,324 YEAH, BUT THAT WAS TWO YEARS AGO, 891 00:37:25,324 --> 00:37:26,785 AND SHE NEVER MENTIONED ANYONE NAMED VIKRAM. 892 00:37:26,785 --> 00:37:28,537 YEAH, AS FAR AS WE CAN TELL, THEIR PATHS NEVER CROSSED. 893 00:37:28,537 --> 00:37:30,369 HE'S ONLY BEEN ON THE JOB A FEW MONTHS. 894 00:37:30,369 --> 00:37:32,581 THEN HOW WOULD BECKETT KNOW HIM? 895 00:37:32,581 --> 00:37:34,833 WE NEED TO CALL RACHEL McCORD. SHE WAS BECKETT'S PARTNER. 896 00:37:34,833 --> 00:37:36,875 McCORD'S DEAD, CASTLE. 897 00:37:36,875 --> 00:37:39,177 KILLED YESTERDAY IN AN AUTOMOBILE ACCIDENT, 898 00:37:39,177 --> 00:37:40,178 ALONG WITH THREE OTHER MEMBERS OF HER TEAM. 899 00:37:41,430 --> 00:37:43,592 THAT CAN'T BE A COINCIDENCE. 900 00:37:43,592 --> 00:37:45,183 IT'S NOT. 901 00:37:45,183 --> 00:37:46,685 THE LAST MEMBER OF HER TEAM WAS STABBED TO DEATH 902 00:37:46,685 --> 00:37:47,976 AT A CLUB THAT SAME NIGHT. 903 00:37:47,976 --> 00:37:51,480 WITNESSES SAW HIM FLIRTING WITH A HOT BRUNETTE. 904 00:37:51,480 --> 00:37:53,892 THIS DOESN'T MAKE ANY SENSE. 905 00:37:53,892 --> 00:37:55,023 WHAT DOES ANY OF THIS HAVE TO DO WITH BRACKEN? 906 00:37:55,023 --> 00:37:57,025 WELL, LET'S GO ASK HER. 907 00:37:59,988 --> 00:38:02,661 FOR SOMEONE WHO SAYS THEY'VE GOT A LOT OF DOWNTIME, 908 00:38:02,661 --> 00:38:04,863 YOU SURE HAVE BEEN A BUSY GIRL. 909 00:38:04,863 --> 00:38:07,326 STAGING CAR ACCIDENTS, STABBINGS IN D.C., 910 00:38:07,326 --> 00:38:10,078 KIDNAPPING ME AT GUNPOINT IN NEW YORK. 911 00:38:10,078 --> 00:38:12,411 TELL ME, DO ASSASSINS GET FREQUENT-FLIER MILES? 912 00:38:12,411 --> 00:38:14,413 Ryan: AH, BUT YOU DIDN'T FLY COMMERCIAL, DID YOU? 913 00:38:14,413 --> 00:38:16,675 WE RAN YOUR PHOTO AGAINST EVERY FLIGHT FROM D.C. 914 00:38:16,675 --> 00:38:19,758 SO YOU EITHER ROAD-TRIPPED IT OR YOU TOOK A PRIVATE JET. 915 00:38:19,758 --> 00:38:20,879 AND GIVEN YOUR ARSENAL, 916 00:38:20,879 --> 00:38:22,721 YOU PEOPLE CLEARLY HAVE THE RESOURCES. 917 00:38:24,222 --> 00:38:26,805 I'M NOT REALLY SURE WHAT YOU'RE EXPECTING HERE. 918 00:38:26,805 --> 00:38:30,429 A TEARFUL CONFESSION? NOT GONNA HAPPEN. 919 00:38:30,429 --> 00:38:32,771 WELL, WE ARE EXPECTING THAT YOU'RE SMART ENOUGH TO KNOW 920 00:38:32,771 --> 00:38:35,233 THAT IT'S C.Y.A. TIME. 921 00:38:35,233 --> 00:38:41,029 LOOK, UNLESS YOU'VE GOT A BAG OF SPIDERS, WE'RE DONE HERE. 922 00:38:41,029 --> 00:38:44,783 YOU KNOW, YOU TOLD ME I HAD NO IDEA WHAT WAS GOING ON, 923 00:38:44,783 --> 00:38:46,615 AND YOU WERE RIGHT. 924 00:38:46,615 --> 00:38:48,036 BUT NOW I'VE GOT THE EDGE OF IT, 925 00:38:48,036 --> 00:38:49,618 AND I'M GONNA KEEP ON PEELING IT BACK 926 00:38:49,618 --> 00:38:53,662 UNTIL I KNOW EVERYTHING, WITH OR WITHOUT YOUR HELP. 927 00:38:53,662 --> 00:38:56,004 I'LL RECOMMEND THE "WITH." IT COMES WITH LESS PRISON TIME. 928 00:38:56,004 --> 00:38:57,666 [ SCOFFS ] 929 00:38:57,666 --> 00:39:00,258 PRISON'S A PICNIC COMPARED TO WHAT HAPPENS TO ME IF I TALK. 930 00:39:02,300 --> 00:39:03,882 YOU NEED TO MAKE YOUR PEACE WITH THE FACT THAT 931 00:39:03,882 --> 00:39:05,634 YOUR WIFE ISN'T LONG FOR THIS WORLD. 932 00:39:05,634 --> 00:39:09,678 DON'T BE SO SURE. YOUR TEAM STARTED OUT WITH FIVE. 933 00:39:09,678 --> 00:39:11,349 THREE OF YOU ARE DEAD, AND YOU'RE SITTING RIGHT HERE. 934 00:39:11,349 --> 00:39:13,432 THAT LEAVES ONE -- YOUR BOSS. 935 00:39:13,432 --> 00:39:16,475 AND BECKETT AGAINST ONE GUY? I LIKE THOSE ODDS. 936 00:39:19,277 --> 00:39:22,320 WHAT MAKES YOU THINK THERE'S ONLY ONE TEAM IN PLAY? 937 00:39:22,320 --> 00:39:25,113 ♪♪ 938 00:39:25,113 --> 00:39:28,076 [ SIGHS ] 939 00:39:33,081 --> 00:39:35,704 [ TIRES SCREECH ] 940 00:39:47,716 --> 00:39:51,219 ALL RIGHT. 941 00:39:55,063 --> 00:39:57,105 Esposito: HEY. 942 00:39:57,105 --> 00:39:59,778 I JUST GOT OFF THE PHONE WITH AN ASSISTANT A.G. IN D.C., 943 00:39:59,778 --> 00:40:01,189 AN ALLISON HYDE. 944 00:40:01,189 --> 00:40:02,731 SHE'S LEADING THE INVESTIGATION IN THE DEATHS OF HER PEOPLE. 945 00:40:02,731 --> 00:40:04,362 SHE'S UP ON THE FIRST PLANE IN THE MORNING 946 00:40:04,362 --> 00:40:06,364 TO TAKE OUR HITTER INTO FEDERAL CUSTODY. 947 00:40:06,364 --> 00:40:08,116 DOES SHE HAVE ANY IDEA OF THIS VIKRAM GUY'S CONNECTION 948 00:40:08,116 --> 00:40:09,237 TO BECKETT? 949 00:40:09,237 --> 00:40:10,869 NO, BUT SHE'S PULLING HIS RECORDS. 950 00:40:10,869 --> 00:40:12,621 SO, WE'RE NOWHERE. 951 00:40:25,253 --> 00:40:26,755 GUN! Man: GUN! GUN! 952 00:40:26,755 --> 00:40:28,176 EVERYBODY, GET DOWN! 953 00:40:28,176 --> 00:40:29,808 LOOK OUT! 954 00:40:43,772 --> 00:40:45,564 I'M GONNA DO SOMETHING. DON'T BE STUPID. 955 00:40:45,564 --> 00:40:47,155 WHERE'S THE FUN IN THAT? 956 00:40:56,785 --> 00:40:57,996 SHOOTER'S DOWN! 957 00:40:57,996 --> 00:40:59,998 [ POLICE RADIO CHATTER ] ARE YOU OKAY? 958 00:40:59,998 --> 00:41:01,500 Alexis: YEAH. 959 00:41:01,500 --> 00:41:03,672 [ INDISTINCT SHOUTING ] COME ON. 960 00:41:03,672 --> 00:41:06,004 L.T. STAY DOWN. 961 00:41:06,004 --> 00:41:07,546 Man: WE GOT TWO OFFICERS DOWN. 962 00:41:07,546 --> 00:41:09,798 HURRY UP! 963 00:41:09,798 --> 00:41:10,969 OH, SWEETIE, DON'T LOOK. 964 00:41:10,969 --> 00:41:12,430 WHY DID SHE DO IT? 965 00:41:12,430 --> 00:41:14,142 THERE'S NO WAY SHE THOUGHT SHE COULD ESCAPE. 966 00:41:14,142 --> 00:41:16,394 IT WASN'T ABOUT ESCAPE. 967 00:41:16,394 --> 00:41:18,396 SHE KNEW HER FATE WAS SEALED AS SOON AS SHE GOT CAUGHT. 968 00:41:18,396 --> 00:41:20,058 THAT'S WHY SHE WENT OUT ON HER OWN TERMS. 969 00:41:20,058 --> 00:41:22,020 AND MADE SURE WE STAY IN THE DARK. 970 00:41:26,064 --> 00:41:28,817 DAMN IT, KATE. WHERE ARE YOU? 971 00:41:28,817 --> 00:41:31,870 ♪♪ 972 00:42:06,645 --> 00:42:09,858 [ GUNS COCK ]