1 00:00:01,572 --> 00:00:04,075 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,075 --> 00:00:06,177 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,177 --> 00:00:08,539 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,539 --> 00:00:10,611 CASTLE. CASTLE. 5 00:00:10,611 --> 00:00:13,284 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,284 --> 00:00:15,186 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,186 --> 00:00:17,348 BECKETT. BECKETT. 8 00:00:17,348 --> 00:00:19,350 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,350 --> 00:00:21,352 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,352 --> 00:00:23,794 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:23,794 --> 00:00:27,058 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,058 --> 00:00:30,161 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:30,161 --> 00:00:32,463 (man) ♪ I GET UP IN THE MORNING ♪ 14 00:00:32,463 --> 00:00:34,605 ♪ 'BOUT A QUARTER TO 5:00 ♪ 15 00:00:34,605 --> 00:00:38,038 ♪ WORK THIS DAMN JOB JUST TO STAY ALIVE, YEAH ♪ 16 00:00:38,038 --> 00:00:41,142 ♪ OH, I GO TO BED ABOUT A QUARTER TO 10:00 ♪ 17 00:00:41,142 --> 00:00:45,816 ♪ GOT TO GO AND DO IT ALL OVER AGAIN ♪ 18 00:01:04,064 --> 00:01:06,097 AAH! 19 00:01:06,097 --> 00:01:08,569 (whistles) "A SCREAM PIERCED THE AIR, 20 00:01:08,569 --> 00:01:12,203 FALLING ONLY ON THE DEAF EARS OF THE DEAD." 21 00:01:12,203 --> 00:01:15,476 REALLY? A LITTLE TOO OVER THE TOP? 22 00:01:15,476 --> 00:01:18,149 I THINK YOU'VE BEEN WRITING TOO LONG 23 00:01:18,149 --> 00:01:21,112 NOT TO KNOW THAT IT'S "I" BEFORE "E" EXCEPT AFTER "C." 24 00:01:21,112 --> 00:01:22,783 EVER HEARD OF SPELL-CHECK? YES, OF COURSE. 25 00:01:22,783 --> 00:01:25,116 SHE'S GOT RED HAIR, SHE'S WISE BEYOND HER YEARS, 26 00:01:25,116 --> 00:01:27,118 AND SHE'S ABOUT TO TELL HER DAD WHAT SHE THINKS 27 00:01:27,118 --> 00:01:29,120 OF THE LATEST CHAPTER OF HIS NEW BOOK. 28 00:01:29,120 --> 00:01:31,122 I LOVED IT, ESPECIALLY THE PART 29 00:01:31,122 --> 00:01:33,124 WITH NIKKI AND ROOK IN THE AIRCRAFT CARRIER. 30 00:01:33,124 --> 00:01:35,766 AWESOME. STOP IT. YOU'RE EMBARRASSING ME. 31 00:01:35,766 --> 00:01:37,468 I DO HAVE ONE NOTE, THOUGH. 32 00:01:37,468 --> 00:01:39,470 THIS NEW CHARACTER, THE, UH, ROBBERY DETECTIVE... 33 00:01:39,470 --> 00:01:41,302 SCHLEMMING. WHAT ABOUT HIM? 34 00:01:41,302 --> 00:01:44,104 WELL, HE SEEMS LIKE HE KINDA CAME UP OUT OF NOWHERE. 35 00:01:44,104 --> 00:01:46,106 YEAH, WELL, I CAN'T ARGUE WITH THAT. 36 00:01:46,106 --> 00:01:49,180 HE'S COMING OFF A BIT LIKE A DOOFUS. YOU THINK? 37 00:01:49,180 --> 00:01:51,882 I THINK YOU SHOULD LOSE HIM. 38 00:01:51,882 --> 00:01:54,485 IF ONLY IT WAS THIS EASY. 39 00:01:54,485 --> 00:01:56,487 THANK YOU FOR YOUR HELP, SWEETIE. 40 00:01:56,487 --> 00:01:58,489 I AM SO BEHIND ON MY DEADLINE. 41 00:01:58,489 --> 00:02:01,222 THAT'S 'CAUSE YOU ALWAYS FIND NEW WAYS TO PROCRASTINATE. (door opens) 42 00:02:01,222 --> 00:02:03,224 OR THEY FIND ME. HELLO, MOTHER. 43 00:02:03,224 --> 00:02:05,226 OH, HI, GUYS. I CAN'T STAY. 44 00:02:05,226 --> 00:02:07,228 I'M JUST PICKING UP A DRESS. 45 00:02:07,228 --> 00:02:10,201 CHET'S TAKING ME TO THE THEATER THIS EVENING. OH, WHAT ARE YOU SEEING? 46 00:02:10,201 --> 00:02:13,234 NEW PETROFSKY PLAY, "EDGE OF AWAKENING." 47 00:02:13,234 --> 00:02:15,806 WAIT A MINUTE. DIDN'T YOU AUDITION FOR THAT? UH-HUH, YES. 48 00:02:15,806 --> 00:02:18,209 AND THAT WONDERFUL ACTRESS MADGE VANCE GOT MY PART, 49 00:02:18,209 --> 00:02:21,842 THE WAY SHE USUALLY DOES. WELL, SHE'S NOT EVEN REALLY YOUR FRIEND. 50 00:02:21,842 --> 00:02:24,175 IT'S NICE THAT YOU GO AND SUPPORT HER. I KNOW. 51 00:02:24,175 --> 00:02:26,177 AND... I HAVE TO GO SOON, BECAUSE IT'S CLOSING. 52 00:02:26,177 --> 00:02:29,320 THE CRITICS ARE SAYING IT'S A... (whispers) "TRAIN WRECK." 53 00:02:29,320 --> 00:02:31,322 OH, THERE'S THE MARTHA RODGERS I KNOW. (cell phone rings) 54 00:02:31,322 --> 00:02:33,324 AH, BECKETT. (beeps) 55 00:02:33,324 --> 00:02:35,326 PLEASE TELL ME THERE'S BEEN A MURDER, 56 00:02:35,326 --> 00:02:37,328 OTHERWISE, I'LL HAVE TO CONTINUE WRITING. 57 00:02:37,328 --> 00:02:40,761 (camera shutter clicking) 58 00:02:43,864 --> 00:02:47,167 PEOPLE ALWAYS SAY THEY WANT TO DIE IN THEIR SLEEP. 59 00:02:47,167 --> 00:02:50,170 WHAT YOU WANT IS A GOOD, CLEAN SHOT TO TAKE YOU OUT 60 00:02:50,170 --> 00:02:52,673 BEFORE YOU KNOW WHAT HIT YOU. NOT THIS POOR GUY. 61 00:02:52,673 --> 00:02:56,477 BULLET MISSED THE HEART. HE DIDN'T DIE FOR QUITE A WHILE. (Castle) LOOKS LIKE HE WAS 62 00:02:56,477 --> 00:02:59,410 REACHING FOR THE PHONE TO CALL FOR HELP. 63 00:02:59,410 --> 00:03:01,452 UNTIL OUR DOER TOOK THAT TO HIS HEAD. 64 00:03:01,452 --> 00:03:02,953 PROBABLY DIDN'T WANT TO RISK 65 00:03:02,953 --> 00:03:05,216 THE NEIGHBORS HEARING A SECOND SHOT, 66 00:03:05,216 --> 00:03:07,588 AND SO HE GRABBED THE NEAREST THING AND FINISHED HIM OFF. 67 00:03:07,588 --> 00:03:10,221 THERE'S BLOOD SPATTER ON THE CLOCK--MUST HAVE BEEN 68 00:03:10,221 --> 00:03:12,223 KNOCKED OFF THE NIGHTSTAND DURING THE ATTACK. 69 00:03:12,223 --> 00:03:14,225 10:34. AT LEAST WE KNOW WHAT TIME 70 00:03:14,225 --> 00:03:16,227 THE FESTIVITIES STARTED. THERE'S NO SIGNS OF FORCED ENTRY. 71 00:03:16,227 --> 00:03:17,868 HE PROBABLY LEFT THIS OPEN 72 00:03:17,868 --> 00:03:20,271 SO HE COULD GET A BREATH OF FRESH AIR. 73 00:03:20,271 --> 00:03:22,733 AND THERE'S NO SECURITY CAMERAS EITHER. 74 00:03:22,733 --> 00:03:25,306 AND I DIDN'T SEE ANY ON THE WAY IN. MM. 75 00:03:25,306 --> 00:03:27,238 CLEANING LADY FOUND HIM THIS MORNING. 76 00:03:27,238 --> 00:03:29,240 SHE SAID THAT USUALLY, WILDER WOULD'VE LEFT FOR WORK 77 00:03:29,240 --> 00:03:31,382 BY THE TIME SHE GOT HERE. WILDER? DAMIAN WILDER? 78 00:03:31,382 --> 00:03:33,384 (Esposito) YEAH, YOU KNOW HIM? I KNOW OF HIM. 79 00:03:33,384 --> 00:03:35,386 THIS IS A PHOTO FROM ONE OF HIS AD CAMPAIGNS. 80 00:03:35,386 --> 00:03:37,648 HE--HE RUNS A LINE OF BOUTIQUE MEN'S SKINCARE PRODUCTS. 81 00:03:37,648 --> 00:03:39,920 YOU MEAN, LIKE, BATHROOM STUFF? 82 00:03:39,920 --> 00:03:41,952 HE HAS GOT A TONER, TOTALLY ALCOHOL-FREE, 83 00:03:41,952 --> 00:03:43,494 FANTASTIC. 84 00:03:43,494 --> 00:03:46,297 HE'S GOT A SHAVING CREAM THAT IS RIDICULOUS. 85 00:03:46,297 --> 00:03:48,929 I'M GOOD WITH THE DRUG STORE STUFF, MAN. NO, NO, NO, NO, NO. HANG ON. 86 00:03:48,929 --> 00:03:50,931 THIS STUFF WILL CHANGE YOUR LIFE. 87 00:03:50,931 --> 00:03:52,433 IT'S HOT. IT'S HOT. 88 00:03:52,433 --> 00:03:54,265 IT'S HOT? IT'S HOT. 89 00:03:54,265 --> 00:03:57,838 IT'S HOT. HOW DO THEY DO THAT? MAGIC OF MODERN CHEMISTRY. 90 00:03:57,838 --> 00:03:59,840 IT'S LIKE GETTING A SHAVE FROM A BARBER. 91 00:03:59,840 --> 00:04:02,943 MATTER OF FACT, THAT'S THE TAGLINE--BARBER IN A CAN. HUH. 92 00:04:02,943 --> 00:04:06,246 SO IT'S PROBABLY EXPENSIVE, HUH? IT'S 50 BUCKS A POP, BUT IT'S SO WORTH IT. 93 00:04:06,246 --> 00:04:07,548 ABSOLUTELY. TOTALLY. 94 00:04:07,548 --> 00:04:10,351 YEAH. GUYS... A MAN HAS BEEN MURDERED HERE. 95 00:04:10,351 --> 00:04:13,684 AND WE ARE... HONORING HIS LEGACY. 96 00:04:13,684 --> 00:04:15,686 MM. IT'S LIKE "SEX AND THE CITY," 97 00:04:15,686 --> 00:04:16,987 ONLY WITH BOYS. 98 00:04:16,987 --> 00:04:18,989 MAYBE YOU GUYS CAN CHECK IN WITH THE NEIGHBORS, 99 00:04:18,989 --> 00:04:21,332 SEE IF THEY SAW OR HEARD ANYTHING? 100 00:04:21,332 --> 00:04:22,893 OH, YEAH. ALL OVER IT. 101 00:04:22,893 --> 00:04:25,496 YEAH, I'M ON IT. COME ON, CASTLE. LET ME SHOW YOU WHAT I FOUND. 102 00:04:25,496 --> 00:04:28,699 (police radio chatter) 103 00:04:28,699 --> 00:04:32,002 SOMETHING WAS STOLEN FROM THESE CASES. 104 00:04:32,002 --> 00:04:33,904 HMM. THOSE ARE HUMIDITY CONTROLS. 105 00:04:33,904 --> 00:04:36,276 WELL, WHATEVER IT WAS WAS VERY VALUABLE, 106 00:04:36,276 --> 00:04:38,278 BECAUSE THE KILLER PASSED UP THE PLASMA TV 107 00:04:38,278 --> 00:04:39,610 AND THE BLU-RAY PLAYER. 108 00:04:39,610 --> 00:04:41,011 ROBBERY GONE WRONG? 109 00:04:41,011 --> 00:04:42,953 LOOKS THAT WAY, DOESN'T IT? 110 00:04:42,953 --> 00:04:45,656 AND THEN THERE'S THIS. 111 00:04:45,656 --> 00:04:47,588 (police radio chatter) 112 00:04:47,588 --> 00:04:49,720 IS THAT AN "E" OR AN "O"? 113 00:04:49,720 --> 00:04:51,822 "MURDERO," IS THAT SPANISH FOR MURDER? 114 00:04:51,822 --> 00:04:54,395 "MURDERE." THE KILLER WAS FRENCH. 115 00:04:54,395 --> 00:04:56,367 THE THING I DON'T GET ABOUT IT 116 00:04:56,367 --> 00:04:58,569 IS WHY WOULD A THIEF TAKE THE TIME 117 00:04:58,569 --> 00:05:00,631 TO WRITE A MESSAGE OUT OF OUR VIC'S BLOOD? 118 00:05:00,631 --> 00:05:02,973 ESPECIALLY THAT MESSAGE. I MEAN, WE KNOW IT'S MURDER. 119 00:05:02,973 --> 00:05:05,936 THE DEAD BODY'S KIND OF A GIVEAWAY. SO WE'RE STILL CANVASSING, 120 00:05:05,936 --> 00:05:09,079 BUT I THOUGHT YOU'D WANT TO HEAR THIS--NEIGHBOR SAID 121 00:05:09,079 --> 00:05:11,942 SHE WAS ON HER TREADMILL LAST NIGHT LISTENING TO MUSIC. SO SHE DIDN'T HEAR THE SHOT. 122 00:05:11,942 --> 00:05:13,944 NO, BUT SHE DID OPEN HER BACK DOOR TO LET THE CAT IN, 123 00:05:13,944 --> 00:05:16,046 AND SHE SAW SOMEONE HOPPING OVER THE FENCE 124 00:05:16,046 --> 00:05:19,089 ON THEIR WAY OUT OF WILDER'S YARD. YOU GET A DESCRIPTION? 125 00:05:19,089 --> 00:05:21,091 YEAH, "A FOOT DISAPPEARING OVER THE FENCE." 126 00:05:21,091 --> 00:05:24,094 DID YOU GET A TIME AT ALL? 10:52 ON THE BUTTON. IT WAS STILL ON HER ALARM BOX. 127 00:05:24,094 --> 00:05:26,096 SHE FORGET SHE'D SET IT WHEN SHE OPENED THE DOOR. 128 00:05:26,096 --> 00:05:28,899 SO NOW WE KNOW WHAT TIME LAST NIGHT'S FESTIVITIES ENDED. 129 00:05:28,899 --> 00:05:31,902 10:52. ALL RIGHT, HAVE C.S.U. SWEEP FOR PRINTS AND FIBERS 130 00:05:31,902 --> 00:05:35,005 AND MAKE SURE THEY HIT THE BACKYARD AS WELL. YOU GOT IT. 131 00:05:35,005 --> 00:05:36,837 (police radio chatter) 132 00:05:36,837 --> 00:05:38,609 (camera shutter clicks) 133 00:05:40,771 --> 00:05:43,774 (indistinct conversations) 134 00:05:48,649 --> 00:05:49,620 DEMMING. 135 00:05:49,620 --> 00:05:51,051 CASTLE. 136 00:05:54,755 --> 00:05:57,928 YOU GUYS USE, UH, BOARDS DOWN IN ROBBERY? 137 00:05:57,928 --> 00:06:00,060 SURE, YEAH. 138 00:06:00,060 --> 00:06:01,932 WELL, COME BACK TOMORROW. 139 00:06:01,932 --> 00:06:04,965 IT'LL BE FULL OF ALL SORTS OF MURDER-Y STUFF. 140 00:06:04,965 --> 00:06:08,138 BECKETT ASKED ME TO ASSIST IN THE INVESTIGATION, SO... 141 00:06:08,138 --> 00:06:11,371 REALLY? YEAH, BECAUSE OF THE ROBBERY COMPONENT. 142 00:06:11,371 --> 00:06:12,873 OF COURSE. 143 00:06:12,873 --> 00:06:15,145 I TRACKED DOWN WILDER'S NEXT OF KIN, HIS COUSIN BLAKE. 144 00:06:15,145 --> 00:06:18,809 HE'S IN THE INTERVIEW LOUNGE. 145 00:06:18,809 --> 00:06:20,751 (clicks pen cap, pen clatters) 146 00:06:20,751 --> 00:06:23,754 YOU KNOW HOW HE GOT IN THE BUSINESS HE DID? ACNE. 147 00:06:23,754 --> 00:06:26,757 AS A TEENAGER, HE HAD IT SOMETHING TERRIBLE. 148 00:06:26,757 --> 00:06:29,389 WHEN HE ASKED ME TO LEND HIM MONEY TO START UP A BUSINESS, 149 00:06:29,389 --> 00:06:31,391 I WAS HAPPY TO DO IT. HE... (chuckles) 150 00:06:31,391 --> 00:06:33,994 HE WAS ONE OF THE GOOD ONES. 151 00:06:33,994 --> 00:06:37,998 I MEAN, WHY SOMEBODY WOULD DO SOMETHING LIKE THIS, I... MM. 152 00:06:37,998 --> 00:06:40,170 (Beckett) BLAKE, 153 00:06:40,170 --> 00:06:42,833 WE WERE HOPING THAT YOU COULD HELP US WITH SOMETHING. 154 00:06:42,833 --> 00:06:44,835 THE DISPLAY CASES IN THE LIVING ROOM 155 00:06:44,835 --> 00:06:47,077 WERE BROKEN INTO AND THEIR CONTENTS WERE MISSING. 156 00:06:47,077 --> 00:06:49,079 WELL, THAT'S WHERE HE KEPT HIS BOOKS. 157 00:06:49,079 --> 00:06:50,981 HE WAS A COLLECTOR-- RARE PRINTINGS, 158 00:06:50,981 --> 00:06:52,983 SIGNED FIRST EDITIONS, THINGS LIKE THAT. 159 00:06:52,983 --> 00:06:55,085 THOSE COULD RUN INTO THE THOUSANDS, 160 00:06:55,085 --> 00:06:57,718 EVEN TENS OF THOUSANDS. SO IT WAS ROBBERY? 161 00:06:57,718 --> 00:06:59,850 SOMEBODY KILLED HIM TO TAKE HIS BOOKS? 162 00:06:59,850 --> 00:07:01,922 WELL, IT'S POSSIBLE THERE'S ANOTHER MOTIVE. 163 00:07:01,922 --> 00:07:04,625 WE FOUND A MESSAGE WRITTEN ON THE WALL. THAT'S ODD. 164 00:07:04,625 --> 00:07:07,127 WE'RE STILL WORKING ON THAT. WHAT WE COULD REALLY USE 165 00:07:07,127 --> 00:07:09,129 YOUR HELP ON IS WITH THE MISSING BOOKS. 166 00:07:09,129 --> 00:07:11,832 DID HE HAVE A CATALOG OF HIS COLLECTION? SURE. DAMIAN LOOKED TO ME 167 00:07:11,832 --> 00:07:14,204 TO HELP HIM OUT WITH THE BUSINESS SIDE OF THINGS. 168 00:07:14,204 --> 00:07:16,206 THE INSURER HE USED IS A FRIEND OF MINE. 169 00:07:16,206 --> 00:07:19,069 HE'LL HAVE A CATALOG. WELL, AS FAR AS WE KNOW, 170 00:07:19,069 --> 00:07:21,071 THE ONLY THING MISSING WERE THE BOOKS, WHICH SUGGESTS 171 00:07:21,071 --> 00:07:23,514 THE PERPETRATOR WENT THERE KNOWING WHAT HE WAS LOOKING FOR. 172 00:07:23,514 --> 00:07:26,046 COULD BE HE HAD AN OPPORTUNITY TO CASE THE APARTMENT. WELL, THE KITCHEN-- 173 00:07:26,046 --> 00:07:29,019 I MEAN, DAMIAN HAD THE ENTIRE THING RENOVATED. 174 00:07:29,019 --> 00:07:31,852 THE PLACE WAS CRAWLING WITH WORKERS FOR WEEKS. 175 00:07:31,852 --> 00:07:34,925 KILLED FOR A FORTUNE IN STOLEN BOOKS. 176 00:07:34,925 --> 00:07:38,058 SO I'LL RUN THE WORK CREWS AND SEE IF ANYBODY HAS PRIORS. 177 00:07:38,058 --> 00:07:40,791 THANKS, TOM. I APPRECIATE YOUR HELP ON THIS. 178 00:07:40,791 --> 00:07:43,133 I'LL LET YOU KNOW IF ANYTHING TURNS UP. 179 00:07:43,133 --> 00:07:45,966 I'M NOT SURE WHY EVERYBODY'S JUMPING TO THE CONCLUSION 180 00:07:45,966 --> 00:07:47,968 THAT THIS MURDER WAS ABOUT THE STOLEN BOOKS. 181 00:07:47,968 --> 00:07:49,900 MAYBE BECAUSE THEY'RE MISSING. 182 00:07:49,900 --> 00:07:52,903 THE MESSAGE ON THE MIRROR SUGGESTS AN INTENTION TO KILL, 183 00:07:52,903 --> 00:07:54,505 A MOTIVE OF SOME KIND. 184 00:07:54,505 --> 00:07:57,808 STEALING BOOKS-- JUST A CRIME OF OPPORTUNITY. 185 00:07:57,808 --> 00:08:00,150 AND NOW WHO'S JUMPING TO CONCLUSIONS? 186 00:08:00,150 --> 00:08:02,753 I JUST HATE TO SEE ANYBODY WASTE THEIR TIME. 187 00:08:02,753 --> 00:08:05,215 THE KEY HERE IS THE MESSAGE, NOT THE BOOKS. 188 00:08:05,215 --> 00:08:08,018 I THINK WE SHOULD PURSUE BOTH LINES OF INVESTIGATION. 189 00:08:08,018 --> 00:08:10,891 WELL, HE'S YOUR BOYFRIEND. EXCUSE ME? 190 00:08:10,891 --> 00:08:13,063 I'M SORRY. AM I JUMPING TO CONCLUSIONS AGAIN? 191 00:08:13,063 --> 00:08:14,865 IT'S NONE OF YOUR BUSINESS. 192 00:08:14,865 --> 00:08:16,997 (Esposito) YO. 193 00:08:16,997 --> 00:08:19,600 RAN A BACKGROUND CHECK ON WILDER. 194 00:08:19,600 --> 00:08:21,101 FOUND THIS INCIDENT REPORT 195 00:08:21,101 --> 00:08:23,173 THAT HE FILED WITH THE POLICE THREE DAYS AGO. 196 00:08:23,173 --> 00:08:26,607 SOMEBODY VANDALIZED HIS APARTMENT. POURED RED PAINT ALL OVER HIS STOOP. 197 00:08:26,607 --> 00:08:29,209 YEAH, IT TURNS OUT THAT, UH, HIS COMPANY WAS BEING PICKETED 198 00:08:29,209 --> 00:08:31,041 BY ANIMAL RIGHTS PROTESTORS. 199 00:08:31,041 --> 00:08:32,983 BUT ALL OF HIS STUFF IS LABELED "NO ANIMAL TESTING." 200 00:08:32,983 --> 00:08:36,216 THE PROBLEM WAS WITH, UH, ONE OF HIS SUBCONTRACTORS, 201 00:08:36,216 --> 00:08:38,889 WHO WAS DOING SOME OF THE MANUFACTURING FOR HIM. 202 00:08:38,889 --> 00:08:41,992 WILDER DIDN'T EVEN KNOW ABOUT IT. THAT'S WHAT THE MESSAGE WAS. 203 00:08:41,992 --> 00:08:44,855 IT WASN'T MISSPELLED. IT WAS UNFINISHED. 204 00:08:44,855 --> 00:08:46,657 THEY WERE WRITING "MURDERER." SO YOU THINK 205 00:08:46,657 --> 00:08:48,899 THAT ONE OF THE ANIMAL RIGHTS ACTIVISTS KILLED HIM. 206 00:08:48,899 --> 00:08:51,562 SURE. ONE OF THEM HAD ENOUGH WITH THE FAKE BLOOD, DECIDED, 207 00:08:51,562 --> 00:08:54,565 "I'M GONNA SEND A MESSAGE USING THE REAL THING." MAYBE WE SHOULD PAY WILDER'S OFFICE A VISIT 208 00:08:54,565 --> 00:08:57,668 AND FIND OUT MORE ABOUT THOSE PROTESTORS. 209 00:09:04,815 --> 00:09:10,020 ♪♪ 210 00:09:16,827 --> 00:09:20,290 ♪♪ 211 00:09:20,290 --> 00:09:23,664 (camera shutter clicking) 212 00:09:23,664 --> 00:09:25,966 ♪♪ 213 00:09:25,966 --> 00:09:27,798 WE WERE LOOKING FOR ANOTHER MANUFACTURER 214 00:09:27,798 --> 00:09:29,800 TO REPLACE THE ONE WE HAD BEEN USING. 215 00:09:29,800 --> 00:09:31,802 BUT APPARENTLY, WE WEREN'T DOING IT FAST ENOUGH 216 00:09:31,802 --> 00:09:35,005 FOR THESE PROTESTORS. MR. WILDER WANTED TO DO THE RIGHT THING. 217 00:09:35,005 --> 00:09:37,978 HE REALLY DID. HE JUST NEEDED A LITTLE MORE TIME. 218 00:09:37,978 --> 00:09:40,280 THE PAINT THROWING INCIDENT AT DAMIAN'S HOUSE THURSDAY NIGHT 219 00:09:40,280 --> 00:09:42,182 WAS THE LAST STRAW. 220 00:09:42,182 --> 00:09:44,214 HE SCHEDULED A PRESS CONFERENCE FOR THIS MORNING. 221 00:09:44,214 --> 00:09:47,788 HE HADN'T TOLD ANYBODY, BUT HE WAS PLANNING TO ANNOUNCE 222 00:09:47,788 --> 00:09:50,120 A SUBSTANTIAL DONATION TO THE ANIMAL RIGHTS MOVEMENT 223 00:09:50,120 --> 00:09:52,763 AS A SIGN OF THE COMPANY'S GOOD FAITH. 224 00:09:52,763 --> 00:09:55,165 THEY GOT EVERYTHING THEY WANTED, 225 00:09:55,165 --> 00:09:57,167 BUT THEY KILLED HIM ANYWAY. 226 00:09:57,167 --> 00:10:00,300 WELL, TO BE FAIR, MS. JENKINS, WE DON'T KNOW THAT DEFINITIVELY. 227 00:10:00,300 --> 00:10:02,973 THE INCIDENT ON THURSDAY, WAS THAT THE FIRST TIME 228 00:10:02,973 --> 00:10:04,975 THAT MR. WILDER HAD BEEN TARGETED PERSONALLY? 229 00:10:04,975 --> 00:10:08,178 USUALLY, THEY JUST PICKET OUTSIDE THE BUILDING. IT GOT SO BAD, 230 00:10:08,178 --> 00:10:10,641 WE ACTUALLY HIRED A PRIVATE SECURITY FIRM FOR A WHILE 231 00:10:10,641 --> 00:10:13,944 TO RUN DOWN SOME OF THE THREATS WE GOT IN THE MAIL. 232 00:10:13,944 --> 00:10:15,916 IS THERE A CHANCE WE COULD TAKE A LOOK 233 00:10:15,916 --> 00:10:19,149 AT THE INFORMATION THEY DEVELOPED? IT COULD BE HELPFUL. OF COURSE. YEAH. 234 00:10:19,149 --> 00:10:22,152 DAPHNE WILL PUT IT TOGETHER FOR YOU. WE'LL ALSO NEED TO SEE A COPY OF MR. WILDER'S DATE BOOK 235 00:10:22,152 --> 00:10:24,154 FOR THE LAST COUPLE OF WEEKS. 236 00:10:24,154 --> 00:10:27,627 ABSOLUTELY. ANYTHING YOU NEED. 237 00:10:27,627 --> 00:10:29,299 HERE YOU GO, SIR. 238 00:10:29,299 --> 00:10:32,002 I CANNOT BELIEVE THAT YOU ASKED FOR SAMPLES. 239 00:10:32,002 --> 00:10:33,704 SHE SAID ANYTHING WE NEEDED. 240 00:10:33,704 --> 00:10:36,136 (scoffs) BESIDES, IT'S NOT FOR ME. IT'S FOR RYAN AND ESPOSITO. 241 00:10:36,136 --> 00:10:38,138 DON'T YOU MEAN CHARLOTTE AND MIRANDA? 242 00:10:38,138 --> 00:10:40,140 WAIT A MINUTE. THAT WOULD MAKE ME CARRIE. 243 00:10:40,140 --> 00:10:43,143 YOU'RE SO METROSEXUAL FOR EVEN KNOWING THAT. I ONLY WATCHED THAT SHOW 244 00:10:43,143 --> 00:10:46,146 OUT OF THE CORNER OF MY EYE WHEN MY MOTHER HAD IT ON. 245 00:10:46,146 --> 00:10:48,679 THAT SO DID NOT COME OUT RIGHT. 246 00:10:48,679 --> 00:10:51,181 ACCORDING TO THESE NOTES FROM THE PRIVATE SECURITY FIRM, 247 00:10:51,181 --> 00:10:53,283 MOST OF THESE FOLKS SEEM LIKE AVERAGE, EVERYDAY, 248 00:10:53,283 --> 00:10:54,985 TREE-HUGGING VEGETARIANS. 249 00:10:54,985 --> 00:10:56,987 I MEAN, SO FAR, THE WORST ANY OF THEM HAS DONE 250 00:10:56,987 --> 00:10:59,189 IS BREAK INTO A LAB TO FREE A BUNCH OF MICE. 251 00:10:59,189 --> 00:11:02,062 YOU COME UP WITH ANYTHING? THERE ARE A HANDFUL OF RECENT ENTRIES 252 00:11:02,062 --> 00:11:04,064 IN WILDER'S CALENDAR FOR SOMEONE NAMED NATASHA. 253 00:11:04,064 --> 00:11:06,867 COULD BE SOMEONE THAT HE STARTED DATING. 254 00:11:06,867 --> 00:11:08,238 HEY. HEY. 255 00:11:08,238 --> 00:11:10,741 SO I RAN THE WORKMEN WHO RENOVATED YOUR VIC'S KITCHEN. 256 00:11:10,741 --> 00:11:12,743 AND ONE OF 'EM POPPED. 257 00:11:12,743 --> 00:11:14,044 MEET JAKE CABRESE. 258 00:11:14,044 --> 00:11:15,746 TWO OF THE APARTMENTS 259 00:11:15,746 --> 00:11:18,078 HE WORKED ON IN THE PAST YEAR WERE LATER ROBBED. 260 00:11:18,078 --> 00:11:20,150 HE WAS A PERSON OF INTEREST IN BOTH INVESTIGATIONS, 261 00:11:20,150 --> 00:11:22,212 BUT NEITHER OF THEM MADE. SOUNDS LIKE SOMEONE WE SHOULD TALK TO. 262 00:11:22,212 --> 00:11:25,886 WELL, WE'RE RUNNING DOWN HIS WHEREABOUTS AS WE SPEAK. AHA! MEET LANCE NEWMAN-- 263 00:11:25,886 --> 00:11:28,258 ARRESTED FIVE TIMES FOR VIOLENT AGITATION. 264 00:11:28,258 --> 00:11:31,321 HIS FAVORITE TOOL OF PROTEST-- THE BUCKET OF FAKE BLOOD. 265 00:11:31,321 --> 00:11:35,195 ISN'T FAKE BLOOD KIND OF A STAPLE WITH THESE TYPES? LAST MONTH, HE PAINTED THE WORD "MURDERER" 266 00:11:35,195 --> 00:11:38,198 ON A CONGRESSMAN'S CAR BECAUSE HE VOTED AGAINST A FISHING BAN. 267 00:11:38,198 --> 00:11:40,200 WHEN THE DRIVER TRIED TO STOP HIM, NEWMAN BASHED HIM 268 00:11:40,200 --> 00:11:42,702 IN THE SIDE OF THE HEAD WITH HIS PAINT BUCKET. 269 00:11:42,702 --> 00:11:45,375 YOU KNOW, I'D LIKE HIM MORE IF WE COULD FIND SOMETHING 270 00:11:45,375 --> 00:11:49,209 THAT WOULD CONNECT HIM WITH OUR VIC. YOU MEAN LIKE THE STRING OF VIOLENT LETTERS 271 00:11:49,209 --> 00:11:51,211 HE WROTE TO WILDER... SENT TO HIS HOME ADDRESS? 272 00:11:51,211 --> 00:11:53,944 NICE JOB, CASTLE. LET'S GO PICK HIM UP. 273 00:11:53,944 --> 00:11:55,886 YEAH. LET'S. 274 00:11:55,886 --> 00:11:58,188 MM. (chuckles) 275 00:12:00,420 --> 00:12:03,123 YOU'VE GOT THE WRONG GUY. LAST THURSDAY NIGHT, 276 00:12:03,123 --> 00:12:05,255 SOMEONE POURS FAKE BLOOD ALL OVER WILDER'S STOOP. 277 00:12:05,255 --> 00:12:07,227 THREE DAYS LATER, HE ENDS UP DEAD. 278 00:12:07,227 --> 00:12:10,200 IT DOES NOT TAKE A GENIUS TO MAKE THE CONNECTION. YEAH, BUT I DIDN'T KILL HIM. 279 00:12:10,200 --> 00:12:11,932 LOOK, I-I TOLD YOU ALREADY. 280 00:12:11,932 --> 00:12:13,934 I WENT TO THE MOVIES SUNDAY NIGHT. 281 00:12:13,934 --> 00:12:17,267 YES, YES, YES. WE HAVE SOMEONE RUNNING DOWN THAT ALIBI. 282 00:12:17,267 --> 00:12:20,871 WHAT ABOUT THURSDAY? YOU GOT ONE FOR THEN, TOO? THURSDAY... I DON'T REMEMBER. 283 00:12:20,871 --> 00:12:23,173 WELL, THEN HOW ABOUT YOU SPEND THE NIGHT IN LOCKUP? 284 00:12:23,173 --> 00:12:25,245 MIGHT REFRESH YOUR MEMORY. 285 00:12:25,245 --> 00:12:28,248 LAST THURSDAY, I WENT OVER THERE WITH THE PAINT-- 286 00:12:28,248 --> 00:12:30,250 BAM! SO YOU ADMIT THAT IT WAS YOU 287 00:12:30,250 --> 00:12:32,452 WHO VANDALIZED WILDER'S APARTMENT? (whispers) CASTLE. 288 00:12:32,452 --> 00:12:36,456 YES. OKAY. I-I THREW PAINT ON HIS STOOP, 289 00:12:36,456 --> 00:12:38,158 WHICH IS THEN WHEN I HEARD HIM 290 00:12:38,158 --> 00:12:40,290 FIGHTING WITH SOMEONE INSIDE, A WOMAN. 291 00:12:40,290 --> 00:12:42,262 THEY WERE THROWING STUFF, 292 00:12:42,262 --> 00:12:45,796 AND I REALLY THOUGHT THEY WERE GONNA KILL EACH OTHER. DID YOU SEE WHO SHE WAS? 293 00:12:45,796 --> 00:12:48,338 NO. I JUST HEARD THEM YELLING. AND WHAT EXACTLY DID YOU OVERHEAR? 294 00:12:48,338 --> 00:12:52,172 SHE SAID SOMETHING ABOUT BEING HUMILIATED, 295 00:12:52,172 --> 00:12:55,175 AND HE SAID SOMETHING ABOUT A GUN. 296 00:12:55,175 --> 00:12:56,446 A GUN? 297 00:12:56,446 --> 00:12:59,309 "YOU PUT A GUN TO MY HEAD," I THINK IT WAS. 298 00:12:59,309 --> 00:13:01,551 OKAY, NOW YOU'RE JUST MAKING STUFF UP. 299 00:13:01,551 --> 00:13:03,253 (door closes) 300 00:13:03,253 --> 00:13:05,856 (whispers indistinctly) 301 00:13:05,856 --> 00:13:08,088 WELL, MR. NEWMAN, GOOD THING YOU USED 302 00:13:08,088 --> 00:13:10,490 THE AUTOMATED TICKET BOOTH AT THE THEATER SUNDAY NIGHT. 303 00:13:10,490 --> 00:13:12,092 YOUR ALIBI CHECKED OUT. 304 00:13:12,092 --> 00:13:14,394 REALLY? REALLY? 305 00:13:14,394 --> 00:13:15,465 REALLY. 306 00:13:18,268 --> 00:13:19,569 OKAY, THANKS. 307 00:13:19,569 --> 00:13:22,172 CHECK THIS OUT. ACCORDING TO HIS CALENDAR, 308 00:13:22,172 --> 00:13:24,935 WILDER HAD DINNER WITH THIS NATASHA PERSON THURSDAY NIGHT. 309 00:13:24,935 --> 00:13:27,277 COULD BE THAT SHE'S THE PERSON 310 00:13:27,277 --> 00:13:31,111 OUR ANIMAL-LOVING FRIEND WAS TALKING ABOUT. I THOUGHT YOU SAID THAT HE WAS MAKING ALL THAT UP. 311 00:13:31,111 --> 00:13:34,414 (inhales) THAT WAS-- THAT WAS WILDER'S ASSISTANT ON THE PHONE. 312 00:13:34,414 --> 00:13:36,446 APPARENTLY... 313 00:13:36,446 --> 00:13:40,590 WILDER AND NATASHA PIPER HAD STARTED DATING RECENTLY. 314 00:13:40,590 --> 00:13:43,593 THE GIRL FROM THE PRINT ADS? YEP. AND SHE SAID SHE WAS A REAL PIECE OF WORK. 315 00:13:43,593 --> 00:13:47,097 TORE UP A SET AT A PHOTO SHOOT A COUPLE OF WEEKS AGO 316 00:13:47,097 --> 00:13:50,060 BECAUSE THEY HAD THE WRONG BOTTLED WATER FOR HER. WELL, IT SEEMS LIKE A GOOD BET SHE WAS THE ONE 317 00:13:50,060 --> 00:13:52,502 FIGHTING WITH WILDER THURSDAY NIGHT. YEAH. COULD BE SHE WENT BACK ON SUNDAY 318 00:13:52,502 --> 00:13:54,865 TO GET ONE LAST WORD IN. 319 00:13:54,865 --> 00:13:57,067 I SHOULD PICK HER UP IN THE MORNING. (Demming) HEY. 320 00:13:57,067 --> 00:13:59,539 HEY, HOW DID THINGS GO WITH THE WORKMAN? 321 00:13:59,539 --> 00:14:01,611 WELL, FOUND HIM SITTING IN HIS GARAGE 322 00:14:01,611 --> 00:14:05,175 ON A COUPLE OF G's WORTH OF STOLEN POWER TOOLS, BUT... 323 00:14:05,175 --> 00:14:07,377 THE NIGHT OF THE MURDER, IT TURNS OUT 324 00:14:07,377 --> 00:14:10,951 HE WAS WATCHING HIS KIDS IN A PLAY AT CHURCH, SO... YEAH, IT'S BEEN THAT KIND OF A DAY. 325 00:14:10,951 --> 00:14:13,423 YEAH. YOU READY TO GO? READY. 326 00:14:13,423 --> 00:14:15,625 THOUGHT WE WERE KNOCKING IT OFF FOR THE NIGHT. 327 00:14:15,625 --> 00:14:18,458 WE ARE. WE'RE JUST, UM, SHARING A CAB. 328 00:14:18,458 --> 00:14:20,160 NIGHT, CASTLE. 329 00:14:20,160 --> 00:14:22,332 NIGHT. NIGHT. 330 00:14:27,337 --> 00:14:29,139 (jangles keys) 331 00:14:29,139 --> 00:14:31,441 HEY. HOW WAS THE PLAY? 332 00:14:31,441 --> 00:14:33,143 OH, AWFUL. 333 00:14:33,143 --> 00:14:35,145 WELL, THAT MUST'VE MADE YOU HAPPY. 334 00:14:35,145 --> 00:14:37,147 YOU KNOW WHAT THE WORST PART WAS? 335 00:14:37,147 --> 00:14:39,179 IT'S BADNESS MADE MADGE'S PERFORMANCE 336 00:14:39,179 --> 00:14:40,480 ALL THAT MUCH BETTER. 337 00:14:40,480 --> 00:14:42,182 (voice breaking) SHE WAS WONDERFUL. 338 00:14:42,182 --> 00:14:44,584 SHE WAS... LIKE A REVELATION. 339 00:14:44,584 --> 00:14:46,656 OH, MOTHER. I'M SORRY. 340 00:14:46,656 --> 00:14:48,258 THANK YOU. 341 00:14:48,258 --> 00:14:51,221 (normal voice) YOU KNOW, I WENT INTO THE THEATER THINKING, 342 00:14:51,221 --> 00:14:54,424 YEAH, SHE KINDA SNAKED THAT PART OUT FROM UNDER ME. 343 00:14:54,424 --> 00:14:56,426 BUT THEN I... I HATE TO ADMIT IT. 344 00:14:56,426 --> 00:14:58,228 SHE DESERVED TO GET IT. 345 00:14:58,228 --> 00:15:00,600 I'M SURE YOU WOULD'VE BEEN TERRIFIC IN THAT ROLE. 346 00:15:00,600 --> 00:15:02,902 AW, YOU ARE SO SWEET. 347 00:15:02,902 --> 00:15:04,204 BUT YOU KNOW SOMETHING, DARLING? 348 00:15:04,204 --> 00:15:06,906 IN LIFE, YOU JUST HAVE TO ACCEPT THE FACT 349 00:15:06,906 --> 00:15:09,239 THAT NOT EVERYTHING IS GONNA GO YOUR WAY. 350 00:15:17,387 --> 00:15:20,390 (Beckett) THANK YOU SO MUCH FOR COMING IN, MS. PIPER. 351 00:15:22,953 --> 00:15:26,156 FIRST OF ALL, LET ME SAY THAT I AM SO SORRY FOR YOUR LOSS. 352 00:15:26,156 --> 00:15:28,198 YEAH. DON'T BE. 353 00:15:28,198 --> 00:15:31,201 UH, HOW LONG HAD THE TWO OF YOU BEEN SEEING EACH OTHER? 354 00:15:31,201 --> 00:15:35,105 I DON'T KNOW. TWO MONTHS? DOES IT REALLY MATTER? 355 00:15:35,105 --> 00:15:37,267 APPARENTLY NOT. 356 00:15:37,267 --> 00:15:40,370 IF YOU ASK ME, HE GOT EXACTLY WHAT HE DESERVED. REALLY? 357 00:15:40,370 --> 00:15:42,642 YEAH. REALLY. 358 00:15:42,642 --> 00:15:44,444 BULLET IN THE CHEST. 359 00:15:44,444 --> 00:15:47,217 DON'T FORGET ABOUT THE BLUDGEONING PART. OH, HOW COULD I? 360 00:15:47,217 --> 00:15:49,279 RIGHT UPSIDE HIS LITTLE HEAD. 361 00:15:49,279 --> 00:15:51,381 SO WHY DID YOU DO IT? 362 00:15:51,381 --> 00:15:53,623 YOU SERIOUSLY THINK I DID THIS? 363 00:15:53,623 --> 00:15:56,626 I READ ABOUT IT IN THE PAPER, BUT HE DID HAVE IT COMING. 364 00:15:56,626 --> 00:15:58,558 CAN YOU BELIEVE THAT THAT LITTLE TOAD 365 00:15:58,558 --> 00:16:01,361 WAS CHEATING ON ME? ME? 366 00:16:01,361 --> 00:16:05,495 OKAY, SO WHY DON'T WE JUST START FROM THE BEGINNING? 367 00:16:05,495 --> 00:16:09,299 WHERE WERE YOU THE NIGHT THAT HE WAS KILLED? ON SUNDAY, I WAS IN THE HAMPTONS. 368 00:16:09,299 --> 00:16:11,271 I TOOK THE JITNEY OUT IN THE MORNING 369 00:16:11,271 --> 00:16:14,074 AND SAT NEXT TO PEREZ HILTON OF ALL PEOPLE. 370 00:16:14,074 --> 00:16:17,447 HE BLOGGED ALL ABOUT IT. YOU CAN CHECK YOURSELF. WELL, WE HAVE A WITNESS 371 00:16:17,447 --> 00:16:19,279 WHO SAYS THAT MR. WILDER ARGUED WITH A WOMAN 372 00:16:19,279 --> 00:16:22,152 IN HIS APARTMENT ON THURSDAY. WAS THAT YOU? 373 00:16:22,152 --> 00:16:24,084 NO, THAT WASN'T ME. 374 00:16:24,084 --> 00:16:26,386 SO IT PROBABLY MEANS THAT HE WAS WITH HER. 375 00:16:26,386 --> 00:16:29,289 THE BITCH THAT HE WAS TWO-TIMING ME WITH, THE ONE FROM THE MOTEL. 376 00:16:29,289 --> 00:16:31,761 WHAT MOTEL? AH, HE DID BLOG ABOUT IT. 377 00:16:31,761 --> 00:16:34,624 YOU TWO ATE AT THE SOUTHAMPTON GRILL? 378 00:16:34,624 --> 00:16:37,327 I LOVE THAT PLACE. CASTLE. 379 00:16:37,327 --> 00:16:40,300 WHAT MOTEL? THE ONE IN JERSEY 380 00:16:40,300 --> 00:16:42,332 THAT I FOLLOWED HIM TO THURSDAY MORNING. 381 00:16:42,332 --> 00:16:45,004 I WAS RIGHT. HE WAS CHEATING ON ME. 382 00:16:45,004 --> 00:16:46,676 WITH WHO? I DON'T KNOW. 383 00:16:46,676 --> 00:16:49,679 HE WENT UP TO THE CORNER ROOM ON THE SECOND FLOOR. 384 00:16:49,679 --> 00:16:52,182 I DIDN'T STICK AROUND TO WATCH. SO YOU CAN'T BE SURE 385 00:16:52,182 --> 00:16:55,315 THAT IT WAS A WOMAN THAT HE WAS MEETING WITH. NO, BUT WHY ELSE WOULD HE BE THERE? 386 00:16:55,315 --> 00:16:57,347 AND JUST FOR THE RECORD, SHE'S GOTTA BE 387 00:16:57,347 --> 00:17:00,590 SOME KIND OF DIRTY SKANK, 'CAUSE THAT PLACE WAS A DUMP. 388 00:17:02,222 --> 00:17:05,095 A CHEAP SKANK... AT A RUNDOWN MOTEL 389 00:17:05,095 --> 00:17:08,558 IS ACTUALLY A BETTER LEAD THAN AN ANGRY EX-GIRLFRIEND. 390 00:17:08,558 --> 00:17:11,561 (lowered voice) AND A MUCH BETTER LEAD THAN STOLEN BOOKS. 391 00:17:11,561 --> 00:17:14,104 WHAT WAS THAT? 392 00:17:14,104 --> 00:17:16,306 (normal voice) I SAID... MY, DON'T YOU GENTLEMEN 393 00:17:16,306 --> 00:17:18,308 LOOK CLEAN-SHAVEN TODAY? (Esposito) YEAH, SWEET STUFF, BRO. 394 00:17:18,308 --> 00:17:21,311 YEAH, JENNY SAID MY FACE NEVER FELT SO SMOOTH. BARBER IN A CAN. 395 00:17:21,311 --> 00:17:23,273 (Ryan) MM-HMM. OKAY, GUYS. GOT IT. 396 00:17:23,273 --> 00:17:24,774 COMES OUT HOT. CASE? 397 00:17:24,774 --> 00:17:28,518 OH, YEAH, UH, NOTHING UNUSUAL IN WILDER'S FINANCIALS. 398 00:17:28,518 --> 00:17:30,680 HIS CALL RECORDS WERE CLEAN, TOO. 399 00:17:30,680 --> 00:17:33,183 NO CALLS EXCEPT TO PLACES YOU WOULD EXPECT. BALLISTICS REPORT CAME BACK NEGATIVE. 400 00:17:33,183 --> 00:17:35,325 NO UNUSUAL FIBERS OR FINGERPRINTS 401 00:17:35,325 --> 00:17:37,787 IN THE APARTMENT OR BACKYARD EITHER. ALL RIGHT, TALK TO THE NEIGHBORS AGAIN. 402 00:17:37,787 --> 00:17:40,260 FIND OUT IF ANY OF THEM REMEMBER SEEING HIM 403 00:17:40,260 --> 00:17:42,232 WITH A WOMAN THURSDAY NIGHT. OKAY. DUDE... 404 00:17:42,232 --> 00:17:44,234 (Ryan whispers) HEY. 405 00:17:44,234 --> 00:17:46,736 I'M WONDERING WHY A MAN AS WEALTHY AS WILDER 406 00:17:46,736 --> 00:17:50,240 WOULD CHOOSE A CHEAP MOTEL IN JERSEY TO HAVE A TRYST. 407 00:17:50,240 --> 00:17:53,373 MAYBE THERE'S MORE GOING ON THAN JUST A TRYST. 408 00:18:01,151 --> 00:18:03,553 (Castle) HIS NAME IS DAMIAN WILDER. 409 00:18:03,553 --> 00:18:06,856 NEVER SEEN HIM BEFORE. BUT I WASN'T ON DUTY. 410 00:18:06,856 --> 00:18:09,319 BENNY WAS. WELL, I'D LIKE TO TALK WITH BENNY. 411 00:18:09,319 --> 00:18:11,321 SO WOULD I. HE DIDN'T SHOW UP FOR WORK TODAY, 412 00:18:11,321 --> 00:18:13,493 WHICH IS WHY I'M HERE COVERING ON MY DAY OFF. 413 00:18:13,493 --> 00:18:16,126 DO YOU HAVE CONTACT INFO FOR HIM? 414 00:18:16,126 --> 00:18:17,527 THE CORNER ROOM, SECOND FLOOR, 415 00:18:17,527 --> 00:18:19,529 WHO STAYED IN THERE LAST THURSDAY? 416 00:18:19,529 --> 00:18:23,203 OH, LET'S SEE. (sighs) PAID CASH UP FRONT, FOUR NIGHTS. 417 00:18:23,203 --> 00:18:25,875 NAME WAS... SCARLETT O'HARA. 418 00:18:25,875 --> 00:18:28,838 SCARLETT O'HARA? 419 00:18:28,838 --> 00:18:31,611 SHE'S... A FICTIONAL CHARACTER. 420 00:18:31,611 --> 00:18:35,515 IT'S THAT KIND OF PLACE. 421 00:18:35,515 --> 00:18:37,547 OKAY. THANKS. (receiver clatters) 422 00:18:37,547 --> 00:18:40,720 BENNY'S ROOMMATE SAID THAT HE CAME HOME FROM HIS SHIFT, 423 00:18:40,720 --> 00:18:44,224 PACKED A BAG AND LEFT IN A HURRY. IS IT JUST ME, OR IS THE TIMING A LITTLE SUSPICIOUS? 424 00:18:44,224 --> 00:18:46,896 I'M GONNA PUT A WANT OUT FOR HIM IN THE SYSTEM. 425 00:18:46,896 --> 00:18:48,898 HE'S GOTTA BE OUT THERE SOMEWHERE. YOU KNOW, THE CLERK SAID 426 00:18:48,898 --> 00:18:51,201 OUR MYSTERY WOMAN RENTED THE ROOM FOR FOUR NIGHTS. 427 00:18:51,201 --> 00:18:54,364 WILDER'S CALENDAR WAS PRETTY PACKED THE WHOLE TIME. 428 00:18:54,364 --> 00:18:57,237 IT'S HARD TO FIGURE HIM GETTING BACK OUT THERE TO SEE HER. SO WHY DID SHE RENT IT FOR THAT LONG? 429 00:18:57,237 --> 00:18:59,869 WHAT WAS GOING ON OUT THERE? BREAKING NEWS. 430 00:18:59,869 --> 00:19:02,272 GUESS WHAT JUST TURNED UP FOR SALE ONLINE? 431 00:19:02,272 --> 00:19:04,714 A FIRST EDITION "CATCHER IN THE RYE" 432 00:19:04,714 --> 00:19:08,548 AND A SIGNED "FOR WHOM THE BELL TOLLS." I TAKE IT THOSE ARE BOTH ITEMS IN WILDER'S COLLECTION. 433 00:19:08,548 --> 00:19:11,881 BINGO. THE SITE BELONGED TO A RARE BOOK DEALER. 434 00:19:11,881 --> 00:19:14,784 GOES BY THE NAME OF LUKAS CANBY. HE'S GOT A JACKET 435 00:19:14,784 --> 00:19:17,257 FOR DEALING IN STOLEN PROPERTY AND LAST MONTH, 436 00:19:17,257 --> 00:19:19,429 HE WAS ARRESTED FOR ASSAULTING ANOTHER BOOK DEALER 437 00:19:19,429 --> 00:19:22,362 AT AN AUCTION THAT DIDN'T GO HIS WAY. SO HE'S GOT A HISTORY OF VIOLENCE 438 00:19:22,362 --> 00:19:25,335 AND POSSESSION OF OUR VIC'S PROPERTY. YOU CARE TO SIT IN 439 00:19:25,335 --> 00:19:29,168 WHILE I GET HIM TO CONFESS TO WILDER'S MURDER? DON'T MIND IF I DO. 440 00:19:33,443 --> 00:19:35,445 (imitating Demming) YOU CARE TO SIT IN 441 00:19:35,445 --> 00:19:38,878 WHILE I GET HIM TO CONFESS TO WILDER'S MURDER? 442 00:19:46,185 --> 00:19:48,187 (Demming) $50,000 WORTH OF BOOKS 443 00:19:48,187 --> 00:19:50,620 GOES MISSING FROM A DEAD MAN'S APARTMENT, 444 00:19:50,620 --> 00:19:52,422 TURNS UP IN YOUR POSSESSION. 445 00:19:52,422 --> 00:19:54,564 YOU CAN SEE HOW THAT'S A PROBLEM, CAN'T YOU, LUKAS? 446 00:19:54,564 --> 00:19:57,267 (Beckett) YOU WANT TO EXPLAIN WHAT HAPPENED? (Lukas) SURE. 447 00:19:57,267 --> 00:19:58,728 BUT YOU'LL NEVER BELIEVE ME. 448 00:19:58,728 --> 00:20:00,600 TRY US. 449 00:20:00,600 --> 00:20:03,603 I BOUGHT 'EM FROM SOME GUY IN THE PARK. 450 00:20:03,603 --> 00:20:05,305 IN THE PARK? 451 00:20:05,305 --> 00:20:07,477 NEAR THE 76th STREET ENTRANCE. 452 00:20:07,477 --> 00:20:10,480 THIS HOMELESS LOOKING GUY HAD 'EM LAID OUT ON A BLANKET. 453 00:20:10,480 --> 00:20:13,313 DIDN'T HAVE A CLUE WHAT THEY WERE WORTH. 454 00:20:13,313 --> 00:20:15,545 GAVE HIM 100 BUCKS FOR THE WHOLE LOT. 455 00:20:15,545 --> 00:20:19,319 MAN, WAS I FEELING LUCKY THAT DAY. YEAH, THAT'S HOW I FELT WHEN I FOLLOWED THAT LEPRECHAUN 456 00:20:19,319 --> 00:20:20,790 TO HIS POT OF GOLD. 457 00:20:20,790 --> 00:20:22,792 MM. I DIDN'T STEAL THOSE BOOKS, 458 00:20:22,792 --> 00:20:24,954 AND I MOST CERTAINLY DIDN'T KILL ANYBODY. 459 00:20:24,954 --> 00:20:27,327 IT WAS THIS HOMELESS GUY. HAD TO BE. (Beckett) REALLY? 460 00:20:27,327 --> 00:20:30,460 YEAH. YOU EXPECT US TO BELIEVE THAT HE BROKE IN TO WILDER'S APARTMENT, 461 00:20:30,460 --> 00:20:33,633 KILLED HIM FOR $50,000 WORTH OF BOOKS 462 00:20:33,633 --> 00:20:36,636 JUST TO SELL IT TO YOU FOR 100 BUCKS? DOESN'T ADD UP, PAL. 463 00:20:36,636 --> 00:20:38,808 WHERE WERE YOU SUNDAY NIGHT? 464 00:20:38,808 --> 00:20:40,570 HOME... ALONE. 465 00:20:40,570 --> 00:20:44,644 WELL, I WOULDN'T WORRY. YOU WON'T BE ALONE IN YOUR CELL. 466 00:20:44,644 --> 00:20:48,278 RIKERS IS OVERCROWDED THESE DAYS. 467 00:20:52,522 --> 00:20:54,023 (Beckett) LET'S HAVE C.S.U. 468 00:20:54,023 --> 00:20:56,255 TAKE SAMPLES FROM LUKAS' APARTMENT AND OFFICE, 469 00:20:56,255 --> 00:20:58,257 RUN THEM AGAINST WHAT THEY RECOVERED. 470 00:20:58,257 --> 00:21:00,860 MIGHT BE SOMETHING THAT PUTS HIM AT THE CRIME SCENE, YEAH. IN THE MEANTIME, 471 00:21:00,860 --> 00:21:03,993 WE SHOULD CHECK ON HIS STORY ABOUT THE HOMELESS GUY, 472 00:21:03,993 --> 00:21:06,996 JUST IN CASE. IT'S A NICE DAY TO BE OUT IN THE PARK. 473 00:21:06,996 --> 00:21:08,998 CAN I BUY YOU A HOT DOG? 474 00:21:08,998 --> 00:21:11,901 (Castle) THEY'RE SUPPOSED TO BE FINDING THAT HOMELESS GUY. 475 00:21:11,901 --> 00:21:13,903 I DON'T KNOW HOW THEY'RE GONNA DO THAT 476 00:21:13,903 --> 00:21:16,906 WHEN ALL THEY CAN DO IS MAKE GOO-GOO EYES AT EACH OTHER. BECKETT'S A GOOD COP. 477 00:21:16,906 --> 00:21:19,909 SHE CAN CANVASS AND MAKE GOO-GOO EYES AT THE SAME TIME. MAYBE WE SHOULD CALL THE MOTEL, SEE IF BENNY'S TURNED UP. 478 00:21:19,909 --> 00:21:22,412 I JUST CALLED TEN MINUTES AGO. BESIDES, CHANCE ARE, 479 00:21:22,412 --> 00:21:25,415 THIS BOOK GUY THAT DEMMING'S GOT IN THE LOCKUP DID IT. OH, DON'T SAY THAT. 480 00:21:25,415 --> 00:21:27,787 WHAT? OH. 481 00:21:27,787 --> 00:21:29,819 YOU WANT TO BE THE ONE TO CRACK IT, 482 00:21:29,819 --> 00:21:32,422 NOT DEMMING, RIGHT? WELL, THE GUY IS NOT EVEN HOMICIDE. 483 00:21:32,422 --> 00:21:34,424 DOESN'T THAT BUG YOU JUST A LITTLE? 484 00:21:34,424 --> 00:21:35,725 MAYBE A LITTLE. 485 00:21:35,725 --> 00:21:38,328 BUT THAT'S NOT WHY IT BUGS YOU, IS IT? 486 00:21:38,328 --> 00:21:41,401 YO. JUST HEARD BACK FROM THE PHONE COMPANY. 487 00:21:41,401 --> 00:21:43,733 ONLY ONE CALL CAME INTO THE MOTEL ROOM 488 00:21:43,733 --> 00:21:46,376 DURING THE FOUR DAYS THAT IT WAS RENTED TO SCARLETT O'HARA. OOH, LET ME GUESS. RHETT BUTLER, RIGHT? 489 00:21:46,376 --> 00:21:48,378 RHETT BUTLER? SEE WHAT I DID THERE? 490 00:21:48,378 --> 00:21:50,780 CALL LASTED TWO MINUTES. CAME IN AROUND THE SAME TIME 491 00:21:50,780 --> 00:21:53,643 THAT WILDER'S EX SAID HE WENT UP TO THE ROOM. WELL, THE ONLY ONE WHO WOULD'VE KNOWN WILDER WAS THERE 492 00:21:53,643 --> 00:21:55,745 WOULD'VE BEEN THE WOMAN PLANNING TO MEET HIM. 493 00:21:55,745 --> 00:21:58,518 MAYBE SHE CALLED TO SAY SHE WAS RUNNING LATE. YEAH, WELL, HERE'S THE MONEY PART... 494 00:21:58,518 --> 00:22:00,420 (can drops) THE CALL CAME... 495 00:22:00,420 --> 00:22:03,823 FROM WILDER'S COMPANY. HE WAS HAVING AN AFFAIR WITH SOMEONE FROM WORK. 496 00:22:03,823 --> 00:22:06,826 YEAH, BUT UNFORTUNATELY, THE WAY THAT THEY ROUTE THE CALLS, 497 00:22:06,826 --> 00:22:09,599 WE WERE ONLY ABLE TO NARROW IT DOWN TO AN EXTENSION 498 00:22:09,599 --> 00:22:12,362 ON THE THIRD FLOOR OF HIS BUILDING. WELL, AND WE CAN RULE OUT ALL THE MEN, 499 00:22:12,362 --> 00:22:14,834 SINCE WE KNOW SCARLETT WAS A WOMAN. YEAH, AND MOST LIKELY, IT WAS THE WOMAN 500 00:22:14,834 --> 00:22:17,937 THAT WILDER WAS FIGHTING WITH AT HIS APARTMENT. THERE'S GOTTA BE A WAY WE CAN FIGURE OUT WHO IT WAS. 501 00:22:17,937 --> 00:22:19,939 WE COULD DO A SOUND LINEUP. MM. 502 00:22:19,939 --> 00:22:22,672 SOUND LINEUP? YEAH, WE BRING IN THE GUY WHO OVERHEARD THE ARGUMENT, 503 00:22:22,672 --> 00:22:25,344 HAVE HIM LISTEN TO VOICE SAMPLES FROM ALL THE WOMEN 504 00:22:25,344 --> 00:22:27,847 ON THE THIRD FLOOR, SEE IF HE RECOGNIZES ANY OF 'EM. YOU CAN DO THAT? 505 00:22:27,847 --> 00:22:30,850 MM-HMM. WE DON'T EVEN NEED TO BRING ANY OF THE WOMEN IN. 506 00:22:30,850 --> 00:22:33,923 WE CAN PATCH INTO THE VOICE MAIL SYSTEM, PULL SAMPLES FROM THERE. YOU GUYS, IF THIS WORKS, 507 00:22:33,923 --> 00:22:36,926 I'LL KEEP YOU BOTH IN SHAVE CREAM FOR A YEAR. DEAL. 508 00:22:36,926 --> 00:22:38,558 MM-HMM. YO. 509 00:22:43,132 --> 00:22:44,834 YOU FOUND HIM? 510 00:22:44,834 --> 00:22:46,135 TAKE A SEAT. 511 00:22:46,135 --> 00:22:49,068 YEAH, WE GOT LUCKY. APPARENTLY, MARTY THE JUNKIE HERE, 512 00:22:49,068 --> 00:22:51,601 IS A PERMANENT FIXTURE IN THAT PART OF THE PARK. 513 00:22:51,601 --> 00:22:53,603 HE WAS PANHANDLING RIGHT ABOUT WHERE LUKAS SAID 514 00:22:53,603 --> 00:22:56,676 HE BOUGHT THE BOOKS. WHICH MARTY'S ALREADY ADMITTED TO SELLING TO HIM 515 00:22:56,676 --> 00:22:59,909 FOR 100 BUCKS. HAS HE ADMITTED TO BREAKING INTO WILDER'S APARTMENT? 516 00:22:59,909 --> 00:23:01,511 WELL, THAT'S WHERE THINGS GET INTERESTING. 517 00:23:01,511 --> 00:23:03,653 HIS ALIBI FOR THE BREAK-IN IS SOLID. 518 00:23:03,653 --> 00:23:05,915 HE PICKED UP A FEW EXTRA BUCKS AT A SOUP KITCHEN, 519 00:23:05,915 --> 00:23:08,688 CLEANING UP AFTER HOURS. CLAIMS HE FOUND THE BOOKS IN A GARBAGE CAN. 520 00:23:08,688 --> 00:23:10,820 SAYS HE SAW SOMEBODY DUMPING THEM THERE 521 00:23:10,820 --> 00:23:14,063 A COUPLE HOURS AFTER OUR MURDER. WHICH, PRETTY GOOD BET, THAT IS OUR KILLER. 522 00:23:14,063 --> 00:23:17,396 I'M GONNA SIT HIM DOWN WITH A SKETCH ARTIST NOW. 523 00:23:17,396 --> 00:23:20,930 COME ON, MARTY. 524 00:23:20,930 --> 00:23:23,402 ANY LEADS ON OUR MYSTERY WOMAN? 525 00:23:23,402 --> 00:23:26,405 ACTUALLY, YES. 526 00:23:26,405 --> 00:23:27,707 Hey, you've reached Katie Marks. 527 00:23:27,707 --> 00:23:29,709 I'm not at my desk right now. 528 00:23:29,709 --> 00:23:32,712 Leave a message, and I'll get back to you as soon as I can. (beep) 529 00:23:32,712 --> 00:23:35,945 THAT'S NOT HER. OKAY. I WILL CUE TO THE NEXT ONE. 530 00:23:35,945 --> 00:23:38,918 SO DID MARTY THE JUNKIE SAY HE GOT A GOOD LOOK 531 00:23:38,918 --> 00:23:41,891 AT WHO IT WAS THAT TOSSED THE BOOKS? PRETTY GOOD, YEAH. 532 00:23:41,891 --> 00:23:45,094 HOPEFULLY, ONE OF THESE TWO LEADS WILL PAN OUT. (voice mail messages play back indistinctly) 533 00:23:45,094 --> 00:23:48,127 YEAH, HOPEFULLY. (Beckett) I'M GONNA GO AND CHECK ON THAT SKETCH. 534 00:23:48,127 --> 00:23:52,732 (woman) Leave a message or try my cell. 535 00:23:52,732 --> 00:23:54,734 (Ryan) OKAY, HOW ABOUT THIS ONE? 536 00:23:54,734 --> 00:23:56,165 Hi, this is Jane. 537 00:23:56,165 --> 00:23:59,609 I'm away from my desk, so please leave a message. 538 00:23:59,609 --> 00:24:03,643 (Ryan) NO DICE, HUH? You've reached Sophie. I can't take your call right now, 539 00:24:03,643 --> 00:24:07,016 so leave your name and number and I'll get back to you. (whispers) NEXT ONE. 540 00:24:07,016 --> 00:24:09,118 ONLY THREE MORE. (clicks keyboard key) 541 00:24:09,118 --> 00:24:11,120 Hi, this is Lisa Jenkins. 542 00:24:11,120 --> 00:24:14,123 If you've reached this, that means I'm out of the office. 543 00:24:14,123 --> 00:24:17,487 Please leave a message. THAT'S HER. 544 00:24:17,487 --> 00:24:19,489 LISA JENKINS? THAT'S THE WOMAN WE INTERVIEWED. 545 00:24:19,489 --> 00:24:20,860 YOU SURE? 546 00:24:20,860 --> 00:24:23,533 YEAH, I'M POSITIVE. 547 00:24:23,533 --> 00:24:25,464 REMEMBER OUR DEAL, CASTLE. 548 00:24:25,464 --> 00:24:27,466 IT WAS LISA JENKINS. 549 00:24:27,466 --> 00:24:29,599 WILDER WAS FIGHTING WITH LISA... 550 00:24:29,599 --> 00:24:31,240 THAT'S A PRETTY SOLID LIKENESS. YEAH, RIGHT? 551 00:24:31,240 --> 00:24:32,802 WHAT? 552 00:24:32,802 --> 00:24:34,504 OH, IT'S MARTY'S SKETCH 553 00:24:34,504 --> 00:24:36,576 OF THE MAN HE SAW TOSSING THE BOOKS... 554 00:24:36,576 --> 00:24:40,249 WILDER'S COUSIN--BLAKE. 555 00:24:50,560 --> 00:24:53,022 SO WE HAVE A WITNESS WHO SAYS THAT HE HEARD LISA JENKINS 556 00:24:53,022 --> 00:24:55,024 IN A KNOCK-DOWN-DRAG-OUT WITH WILDER, 557 00:24:55,024 --> 00:24:56,526 AND ANOTHER ONE SAYS 558 00:24:56,526 --> 00:24:58,528 THAT HE SAW WILDER'S COUSIN DUMPING HIS BOOKS. 559 00:24:58,528 --> 00:25:00,930 BUT WHAT WE DON'T HAVE FROM EITHER SUSPECT IS MOTIVE. 560 00:25:00,930 --> 00:25:03,733 EASY. LISA'S AFFAIR WITH WILDER WENT SOUTH. 561 00:25:03,733 --> 00:25:05,775 THEY COULD NO LONGER WORK TOGETHER SIDE BY SIDE, 562 00:25:05,775 --> 00:25:08,738 AND SHE DIDN'T WANT TO HAVE TO QUIT HER JOB. 563 00:25:08,738 --> 00:25:11,741 DETECTIVE DEMMING? OH, YOU KNOW, IT COULD BE ANYTHING. 564 00:25:11,741 --> 00:25:14,013 I DON'T KNOW. MAYBE BLAKE DIDN'T LIKE THE FACT 565 00:25:14,013 --> 00:25:16,546 THAT WILDER GREW UP TO BE MORE SUCCESSFUL THAN HIM. 566 00:25:16,546 --> 00:25:18,548 MAYBE HE WAS SICK OF GETTING BEAT AT GOLF. 567 00:25:18,548 --> 00:25:19,849 (laughs) 568 00:25:19,849 --> 00:25:22,622 GOLF, REALLY? TO BE HONEST WITH YOU, 569 00:25:22,622 --> 00:25:25,224 I'M NOT THAT CONCERNED ABOUT A MOTIVE RIGHT NOW. 570 00:25:25,224 --> 00:25:27,226 I'VE GOT AN EYEWITNESS THAT SAW HIM TOSSING HIS COUSIN'S 571 00:25:27,226 --> 00:25:30,199 PRIZE BOOK COLLECTION THE NIGHT OF THE MURDER. I HAVE A WITNESS, TOO. 572 00:25:30,199 --> 00:25:32,261 THAT HEARD WILDER FIGHT WITH SOMEONE THREE DAYS AGO. 573 00:25:32,261 --> 00:25:34,163 IT DOESN'T MEAN ANYTHING. GUYS-- 574 00:25:34,163 --> 00:25:36,235 AT LEAST I HAVE A MOTIVE. YEAH, BUT CAN'T PUT YOUR SUSPECT AT THE SCENE. 575 00:25:36,235 --> 00:25:38,537 GUYS-- DID I MISS THE PART WHERE YOU HAD A MOTIVE? 576 00:25:38,537 --> 00:25:41,170 YOU DON'T NEED A MOTIVE-- GUYS. THIS ISN'T A COMPETITION. 577 00:25:41,170 --> 00:25:42,942 WE'VE GOT TWO GOOD SUSPECTS. 578 00:25:42,942 --> 00:25:45,044 SEEMS TO ME THAT WE SHOULD BRING THEM IN 579 00:25:45,044 --> 00:25:47,546 AND SEE WHAT THEY SAY. 580 00:25:47,546 --> 00:25:50,019 (Lisa) OKAY, FINE. 581 00:25:50,019 --> 00:25:52,021 DAMIAN AND I HAD AN ARGUMENT 582 00:25:52,021 --> 00:25:54,123 AT HIS APARTMENT ON THURSDAY NIGHT. 583 00:25:54,123 --> 00:25:56,225 BUT I WAS NOT HAVING AN AFFAIR WITH HIM, 584 00:25:56,225 --> 00:25:58,928 AND I NEVER WENT TO NEW JERSEY TO MEET HIM IN ANY MOTEL. OUR WITNESS SAID 585 00:25:58,928 --> 00:26:00,990 THAT HE HEARD THINGS BEING THROWN, 586 00:26:00,990 --> 00:26:03,963 AND THAT WILDER SAID SOMETHING ABOUT HAVING A GUN TO HIS HEAD. 587 00:26:03,963 --> 00:26:06,866 NO, NO. HE WAS TALKING ABOUT THE PROTESTORS. 588 00:26:06,866 --> 00:26:10,039 YOU SEE, DAMIAN WAS UNHAPPY BECAUSE IT WAS TAKING SO LONG 589 00:26:10,039 --> 00:26:12,041 FOR US TO FIND A NEW MANUFACTURER. 590 00:26:12,041 --> 00:26:15,304 AND AS HEAD OF PRODUCTION, HE FELT THAT WAS ON ME. 591 00:26:15,304 --> 00:26:17,276 I DIDN'T THINK IT WAS FAIR, 592 00:26:17,276 --> 00:26:20,009 AND... THINGS GOT A LITTLE HEATED. 593 00:26:20,009 --> 00:26:22,712 COULD YOU TELL US WHERE YOU WERE SUNDAY NIGHT? 594 00:26:22,712 --> 00:26:25,284 I WAS OUT FOR DINNER WITH SOME FRIENDS. 595 00:26:25,284 --> 00:26:28,287 AFTER DINNER? CAN YOU BE A LITTLE MORE SPECIFIC? 596 00:26:28,287 --> 00:26:31,020 YEAH, I CAN BE A LOT MORE SPECIFIC. 597 00:26:31,020 --> 00:26:33,993 UH, LET'S SAY BETWEEN 10:34 AND 10:52. 598 00:26:33,993 --> 00:26:37,326 I WAS HOME... ALONE. 599 00:26:37,326 --> 00:26:40,700 THOUGH I DID STEP OUT AT SOME POINT. 600 00:26:40,700 --> 00:26:43,703 MY NEIGHBORHOOD HAS ALTERNATE SIDE OF THE STREET PARKING, 601 00:26:43,703 --> 00:26:46,706 AND I HAD TO MOVE MY CAR, FIND A DIFFERENT SPACE. 602 00:26:46,706 --> 00:26:49,278 DID ANYONE SEE YOU? 603 00:26:49,278 --> 00:26:52,281 NOT THAT I KNOW OF. (Beckett) AND WHAT TIME WAS THAT? 604 00:26:52,281 --> 00:26:54,143 UH... 10:15 MAYBE? 605 00:26:54,143 --> 00:26:56,145 YOU LIVE, WHAT, TEN BLOCKS DOWN LEX 606 00:26:56,145 --> 00:26:58,788 FROM WHERE WILDER LIVED? 607 00:26:58,788 --> 00:27:01,751 AT THAT HOUR, THAT DRIVE WOULD TAKE YOU TWO MINUTES. 608 00:27:01,751 --> 00:27:03,252 I SUPPOSE. 609 00:27:03,252 --> 00:27:05,895 I'VE NEVER REALLY TIMED IT. 610 00:27:05,895 --> 00:27:07,897 DID YOU SEE HOW SQUIRRELLY SHE GOT 611 00:27:07,897 --> 00:27:09,899 WHEN YOU ASKED HER WHERE SHE WAS SUNDAY NIGHT? 612 00:27:09,899 --> 00:27:11,861 I'LL HAVE ESPOSITO TALK TO HER DOORMAN. 613 00:27:11,861 --> 00:27:15,004 THERE MIGHT BE SECURITY CAM FOOTAGE THAT MIGHT NAIL DOWN 614 00:27:15,004 --> 00:27:18,768 HOW LONG SHE WAS GONE FROM HER APARTMENT. (whispers) OKAY. 615 00:27:18,768 --> 00:27:20,269 CAN I SIT IN? 616 00:27:20,269 --> 00:27:22,341 (laughs, normal voice) YEAH, RIGHT. 617 00:27:26,415 --> 00:27:29,248 I CAN'T BELIEVE THAT YOU GUYS ARE DRAGGING ME DOWN HERE 618 00:27:29,248 --> 00:27:31,250 ON THE WORD OF SOME BUM, 619 00:27:31,250 --> 00:27:34,223 AND THEN ACCUSING ME OF MURDERING MY OWN COUSIN. WELL, BELIEVE ME. 620 00:27:34,223 --> 00:27:37,787 WE'D LIKE NOTHING MORE THAN TO BE ABLE TO RULE YOU OUT. 621 00:27:37,787 --> 00:27:40,089 SO TELL ME AGAIN. YOU SAID YOU WERE MEETING SOME FRIENDS 622 00:27:40,089 --> 00:27:42,331 FOR A DRINK SUNDAY NIGHT? YEAH, A-AT McDUGAN'S, AFTER 11:00. 623 00:27:42,331 --> 00:27:46,095 THAT'S ABOUT A BLOCK AWAY FROM YOUR COUSIN'S PLACE. YEAH. 624 00:27:46,095 --> 00:27:48,397 AND YOU SAY YOU WERE AT HOME UNTIL YOU WENT OUT 625 00:27:48,397 --> 00:27:50,399 TO MEET YOUR FRIENDS? YES. (sighs) 626 00:27:50,399 --> 00:27:53,402 ARE YOU SURE ABOUT THAT? BECAUSE I'M GONNA TALK TO YOUR DOORMAN. 627 00:27:53,402 --> 00:27:56,305 I-I DON'T HAVE ONE. WELL, I'M GONNA TALK TO YOUR NEIGHBORS. 628 00:27:56,305 --> 00:27:58,247 I'M GONNA CHECK YOUR CREDIT CARD RECEIPTS. 629 00:27:58,247 --> 00:28:00,409 IF YOU WEREN'T HOME WHEN YOU SAY YOU WERE, 630 00:28:00,409 --> 00:28:03,783 I AM GONNA FIND OUT ABOUT IT. ALL RIGHT, ALL RIGHT, FINE. I DIDN'T GO STRAIGHT TO THE BAR. 631 00:28:03,783 --> 00:28:06,085 I WENT TO A NEWSSTAND. I BOUGHT SOME CIGARETTES, ALL RIGHT? 632 00:28:06,085 --> 00:28:08,287 MY FRIENDS THINK THAT I QUIT, BUT EVERY ONCE IN A WHILE, 633 00:28:08,287 --> 00:28:10,860 I GET A CRAVING THAT I CAN'T PUT OFF. 634 00:28:10,860 --> 00:28:13,292 SO I WENT TO THE ATM, I GOT SOME CASH. 635 00:28:13,292 --> 00:28:17,026 I BOUGHT A PACK, SMOKED A FEW, THREW THE REST AWAY. WHAT TIME WAS THAT? 636 00:28:17,026 --> 00:28:19,929 I DON'T REMEMBER. WELL, YOUR ATM WILL. 637 00:28:19,929 --> 00:28:21,400 YOU CAN TAKE A SEAT. 638 00:28:21,400 --> 00:28:23,372 EXCUSE US. 639 00:28:23,372 --> 00:28:26,135 (door opens) 640 00:28:26,135 --> 00:28:29,408 YEAH, AT A NEWSSTAND, CORNER OF 32nd AND LEX? 641 00:28:29,408 --> 00:28:33,042 YEAH, YEAH, GO AHEAD. I'LL HOLD. 642 00:28:33,042 --> 00:28:35,314 AH, THERE SHE IS, LEAVING HER BUILDING. 643 00:28:35,314 --> 00:28:38,017 (Esposito) WELL, THE TIME STAMP SAYS 10:18. 644 00:28:38,017 --> 00:28:39,348 (Castle) WHICH WOULD GIVE HER 645 00:28:39,348 --> 00:28:41,350 PLENTY OF TIME TO JUMP IN HER CAR 646 00:28:41,350 --> 00:28:44,023 AND GET DOWN TO WILDER'S PLACE BY 10:34. 647 00:28:44,023 --> 00:28:47,026 WELL, WE KNOW THAT THE KILLER LEFT THE CRIME SCENE AT 10:52. 648 00:28:47,026 --> 00:28:50,029 SO THE QUESTION IS, WHEN DID SHE GET BACK? 649 00:28:50,029 --> 00:28:51,730 (Demming) YEAH, GOT IT. THANKS. 650 00:28:51,730 --> 00:28:55,504 SO THE BANK CONFIRMED BLAKE'S ATM WITHDRAWAL. 651 00:28:55,504 --> 00:28:56,735 AND? 652 00:28:56,735 --> 00:28:58,267 10:39 P.M. 653 00:28:58,267 --> 00:29:01,270 RIGHT SMACK IN THE MIDDLE OF OUR TIMELINE. 654 00:29:01,270 --> 00:29:03,943 SO THAT MEANS IT WASN'T HIM. (pen clatters) 655 00:29:03,943 --> 00:29:06,946 OH. HERE SHE IS COMING HOME. LET ME JUST REWIND A LITTLE BIT. 656 00:29:06,946 --> 00:29:09,849 AND WHAT DOES THE TIME STAMP SAY? 657 00:29:09,849 --> 00:29:11,420 (Beckett) 10:47. 658 00:29:11,420 --> 00:29:14,323 THAT'S INSIDE OUR TIMELINE. THAT'S IMPOSSIBLE. 659 00:29:14,323 --> 00:29:16,525 IT WASN'T HER EITHER. 660 00:29:16,525 --> 00:29:18,757 I WAS SO SURE. 661 00:29:18,757 --> 00:29:21,230 TELL ME ABOUT IT. 662 00:29:21,230 --> 00:29:23,232 (sighs) YOU KNOW WHAT, GUYS? IT'S LATE. 663 00:29:23,232 --> 00:29:26,065 WHY DON'T WE JUST CALL IT A NIGHT? 664 00:29:26,065 --> 00:29:27,496 NIGHT. 665 00:29:31,901 --> 00:29:33,442 HEY THERE. HI. 666 00:29:33,442 --> 00:29:35,374 WHAT ARE YOU DOING HERE? 667 00:29:35,374 --> 00:29:37,877 OH, CHET HAD ONE OF HIS GHASTLY POLITICAL FUNCTIONS. 668 00:29:37,877 --> 00:29:39,809 I NEEDED MY STATIONERY. 669 00:29:39,809 --> 00:29:41,811 I'M WRITING A NOTE TO MADGE 670 00:29:41,811 --> 00:29:44,814 TO TELL HER HOW BRILLIANT HER PERFORMANCE WAS. OH, DON'T DO THAT. 671 00:29:44,814 --> 00:29:46,816 WHY NOT? MOTHER, SHE'S YOUR RIVAL. 672 00:29:46,816 --> 00:29:50,059 YOU SHOULD BE CRUSHING HER, NOT GIVING HER COMFORT. 673 00:29:50,059 --> 00:29:52,491 ARE YOU ALL RIGHT? 674 00:29:52,491 --> 00:29:53,792 YES. 675 00:29:56,926 --> 00:29:58,527 NO. 676 00:30:00,199 --> 00:30:01,971 GIVE MADGE MY BEST. 677 00:30:01,971 --> 00:30:04,333 UH... 678 00:30:04,333 --> 00:30:07,376 (elevator bell dings) 679 00:30:07,376 --> 00:30:09,508 OH, GOOD. YOU'RE JUST IN TIME. 680 00:30:09,508 --> 00:30:12,211 LOOKS LIKE WE CAUGHT A BREAK ON OUR SCARLETT O'HARA. 681 00:30:12,211 --> 00:30:14,213 YOU FOUND HER? FOUND THE NEXT BEST THING-- 682 00:30:14,213 --> 00:30:16,215 THE CLERK WHO CHECKED HER IN TO THE MOTEL. 683 00:30:16,215 --> 00:30:18,217 POLICE PICKED HIM UP IN ATLANTIC CITY 684 00:30:18,217 --> 00:30:20,920 FOR CHARGES OF DISORDERLY CONDUCT. 685 00:30:20,920 --> 00:30:22,051 (grunts) 686 00:30:22,051 --> 00:30:24,123 MORNING, SUNSHINE. 687 00:30:26,155 --> 00:30:29,158 (Beckett) WHY'D YOU LEAVE TOWN IN SUCH A HURRY, BENNY? I WAS FEELING LUCKY. 688 00:30:29,158 --> 00:30:32,301 WANTED TO GET TO THE CRAPS TABLE FAST AS I COULD. 689 00:30:32,301 --> 00:30:35,164 DID YOU HAVE A GOOD TIME DOWN THERE, BENNY? DUDE. (laughs) 690 00:30:35,164 --> 00:30:37,166 I APPRECIATE YOU GUYS INTERVEJECTING 691 00:30:37,166 --> 00:30:39,408 WITH THE POLICE DOWN THERE ON MY BEHEST. 692 00:30:39,408 --> 00:30:42,071 WELL, WE WANTED TO TALK WITH YOU. WELL, I'M HAPPY TO HELP. 693 00:30:42,071 --> 00:30:45,044 ONE FAVOR, THOUGH. COULD YOU NOT TALK SO LOUD? 694 00:30:45,044 --> 00:30:46,545 MY HEAD IS KILLING ME. 695 00:30:49,078 --> 00:30:51,080 LAST THURSDAY, YOU WERE ON DUTY 696 00:30:51,080 --> 00:30:54,523 WHEN A SCARLETT O'HARA CHECKED IN. 697 00:30:54,523 --> 00:30:56,956 YEAH. YEAH, I THINK I REMEMBER. 698 00:30:56,956 --> 00:31:00,459 WHAT DID SHE LOOK LIKE? I WOULDA DONE HER. 699 00:31:00,459 --> 00:31:02,291 ANYTHING ELSE? 700 00:31:02,291 --> 00:31:06,595 UM... SHE WAS SMALL FOR HER SIZE. 701 00:31:06,595 --> 00:31:08,337 DO YOU RECOGNIZE THIS MAN? 702 00:31:08,337 --> 00:31:12,401 (laughs) YEAH. THAT GUY'S A TOTAL NUT BAR. 703 00:31:12,401 --> 00:31:15,404 LAST WEEK--THINK IT WAS THURSDAY, MATTER OF FACT-- 704 00:31:15,404 --> 00:31:18,477 HE PULLS INTO THE MOTEL IN A FANCY FOREIGN JOB. 705 00:31:18,477 --> 00:31:20,179 HE GOES STRAIGHT UP 706 00:31:20,179 --> 00:31:22,211 TO THE CORNER ROOM ON THE SECOND FLOOR. 707 00:31:22,211 --> 00:31:24,053 COUPLE MINUTES LATER, HE CHARGES DOWN, 708 00:31:24,053 --> 00:31:27,016 STARTS ASKING ME ALL THE SAME QUESTIONS YOU WERE ASKING ME. 709 00:31:27,016 --> 00:31:29,358 WHO RENTED THE ROOM, WHAT DID SHE LOOK LIKE? 710 00:31:29,358 --> 00:31:31,420 HE DIDN'T KNOW? 711 00:31:31,420 --> 00:31:33,022 THAT'S WHAT I SAID. 712 00:31:33,022 --> 00:31:36,095 I TOLD HIM, IF HE HAD TO ASK ME WHOSE ROOM IT WAS, 713 00:31:36,095 --> 00:31:38,597 HE SHOULDN'T BE GOING IN THERE IN THE FIRST PLACE. 714 00:31:38,597 --> 00:31:42,371 HE STOMPED OFF, GOT IN HIS CAR. HE LEFT. BOOM! 715 00:31:42,371 --> 00:31:44,203 NEVER SAW HIM AGAIN. 716 00:31:44,203 --> 00:31:47,676 AND YOU WON'T EITHER. HE WAS MURDERED SUNDAY NIGHT. 717 00:31:47,676 --> 00:31:50,539 WITH THAT KINDA ATTITUDE, THIS IS NOT SURPRISING. 718 00:31:50,539 --> 00:31:52,241 WELL, IF I'VE ANSWERED 719 00:31:52,241 --> 00:31:55,144 ALL YOUR QUERIES TO YOUR SATISFACTION, AM I FREE TO GO? 720 00:31:55,144 --> 00:31:56,545 JUST ONE MORE QUERY IF YOU DON'T MIND. 721 00:31:56,545 --> 00:32:00,189 ACCORDING TO THE ATLANTIC CITY POLICE, YOU WERE ARRESTED 722 00:32:00,189 --> 00:32:02,251 IN THE DIAMOND LOUNGE OF A STRIP CLUB 723 00:32:02,251 --> 00:32:04,253 FOR TRYING TO SET A RODEO CLOWN ON FIRE. 724 00:32:04,253 --> 00:32:06,425 THAT WAS A MISUNDERSTANDING AND-- MY QUESTION IS, 725 00:32:06,425 --> 00:32:08,427 HOW DOES A $9-AN-HOUR HOTEL CLERK 726 00:32:08,427 --> 00:32:11,400 PAY FOR A $500-AN-HOUR V.I.P. LOUNGE? 727 00:32:11,400 --> 00:32:13,102 I WON AT CRAPS. 728 00:32:13,102 --> 00:32:16,135 LIKE I SAID, I WAS FEELING LUCKY. 729 00:32:16,135 --> 00:32:18,067 WHOA, WHOA, WHOA, WHOA, WHOA. 730 00:32:18,067 --> 00:32:20,239 THAT'S A DAMIAN WILDER BAG. 731 00:32:20,239 --> 00:32:23,242 WHO? THAT'S THE GUY WHO WAS KILLED. WHERE'D YOU GET THAT? 732 00:32:23,242 --> 00:32:25,274 UM... WHERE'D YOU GET IT, BENNY? 733 00:32:25,274 --> 00:32:28,277 UM, PLEASE, JUST NOT SO LOUD. (loud voice) WHERE DID YOU GET IT-- 734 00:32:28,277 --> 00:32:31,080 I FOUND IT IN THE ROOM. SCARLETT O'HARA'S ROOM? 735 00:32:31,080 --> 00:32:33,322 (sighs) AFTER CHECKOUT ON THE FOURTH DAY, 736 00:32:33,322 --> 00:32:36,385 I WENT UP THERE ON ACCOUNT OF, SHE NEVER RETURNED THE KEY. 737 00:32:36,385 --> 00:32:38,157 THE ROOM WAS LIKE NOBODY'D EVEN BEEN THERE. 738 00:32:38,157 --> 00:32:40,389 THE BED WAS MADE, TOWELS WERE ON THE RACK. 739 00:32:40,389 --> 00:32:42,461 I GAVE IT A QUICK ONCE-OVER, 740 00:32:42,461 --> 00:32:45,164 FIGURED I'D TELL HOUSEKEEPING NOT TO BOTHER GOING IN. 741 00:32:45,164 --> 00:32:46,965 I FOUND THE BAG UNDER THE BED. 742 00:32:46,965 --> 00:32:49,298 AND WHAT WAS IN IT? (groans) 743 00:32:49,298 --> 00:32:51,300 (loud voice) WHAT WAS IN IT? 744 00:32:51,300 --> 00:32:54,443 AAH! THERE WAS MONEY... LOTS OF IT. 745 00:32:54,443 --> 00:32:56,475 (normal voice) HOW MUCH? (sighs) 746 00:32:56,475 --> 00:32:58,577 (inhales) 75 GRAND. 747 00:32:58,577 --> 00:33:00,279 THERE. 748 00:33:00,279 --> 00:33:02,651 DID YOU BLOW IT ALL, BENNY? 749 00:33:02,651 --> 00:33:05,354 IT WAS THE BEST THREE DAYS OF MY LIFE. 750 00:33:05,354 --> 00:33:07,356 A DUFFEL BAG FULL OF CASH 751 00:33:07,356 --> 00:33:10,219 AN ANONYMOUS HOTEL ROOM AND AN ANGRY WILDER-- 752 00:33:10,219 --> 00:33:12,721 ALL OF THAT ADDS UP TO ONLY ONE THING. BLACKMAIL. 753 00:33:12,721 --> 00:33:15,364 IT'S THE ONLY SCENARIO THAT MAKES SENSE. 754 00:33:15,364 --> 00:33:18,067 SO THE BLACKMAILER CONTACTS WILDER WITH INSTRUCTIONS 755 00:33:18,067 --> 00:33:21,530 TO MEET AT THE MOTEL AT A CERTAIN TIME. PROBABLY TO 756 00:33:21,530 --> 00:33:24,133 SHOW HIM PROOF OF WHATEVER IT IS SHE HAS AGAINST HIM. BUT SHE DOESN'T WANT HIM TO KNOW WHO SHE IS 757 00:33:24,133 --> 00:33:26,505 OR THAT SHE WORKS AT HIS COMPANY. 758 00:33:26,505 --> 00:33:29,338 SO SHE CALLS IN TO THE ROOM, MAKES HER DEMANDS BY PHONE. HE CONFRONTS THE CLERK, 759 00:33:29,338 --> 00:33:33,042 TRYING TO FIGURE OUT WHO IT IS THAT'S EXTORTING HIM. AT SOME POINT IN TIME, 760 00:33:33,042 --> 00:33:36,014 WILDER RETURNS TO THE ROOM WITH THE DUFFEL BAG FULL OF CASH, 761 00:33:36,014 --> 00:33:38,517 PUTS IT UNDER THE BED AS INSTRUCTED. ONLY BENNY MAKES OFF WITH THE MONEY 762 00:33:38,517 --> 00:33:41,720 BEFORE THE BLACKMAILER'S HAD A CHANCE TO PICK IT UP. MAKING FOR ONE ANGRY BLACKMAILER. 763 00:33:41,720 --> 00:33:43,452 ANGRY ENOUGH TO KILL. 764 00:33:45,294 --> 00:33:46,595 (mouths word) 765 00:33:54,063 --> 00:33:56,065 NO, NOT HER EITHER. MAN, THIS DEAD GUY HAD 766 00:33:56,065 --> 00:33:58,367 A LOT OF GOOD-LOOKING BABES WORKING FOR HIM. 767 00:33:58,367 --> 00:34:00,739 ANY OF THEM OUR SCARLETT O'HARA? UH, NOT HER... 768 00:34:00,739 --> 00:34:03,172 OR HER, BUT I'D DO HER. 769 00:34:03,172 --> 00:34:06,545 NOT HER, WHO I WOULD NOT DO. 770 00:34:06,545 --> 00:34:09,178 (paper rustles) NOT HER. 771 00:34:09,178 --> 00:34:11,480 I WOULD MAYBE DO HER. 772 00:34:11,480 --> 00:34:14,383 HEY, LOOK. IT'S HER. 773 00:34:14,383 --> 00:34:18,287 YOU'RE SURE THIS IS THE WOMAN WHO RENTED THE ROOM? YES. 774 00:34:18,287 --> 00:34:21,330 REBECCA STRONG. SHE'S A LAB TECH AT THE COMPANY. 775 00:34:21,330 --> 00:34:24,363 OH, SHE'S GOT CRUEL EYES. 776 00:34:24,363 --> 00:34:27,096 I'LL BET SHE ENJOYED WATCHING WILDER SUFFER. 777 00:34:27,096 --> 00:34:30,099 (crying and speaking indistinctly 778 00:34:33,102 --> 00:34:36,375 WHAT DID SHE SAY? "WHAT WAS I THINKING? I SHOULD'VE STAYED OUT OF IT." 779 00:34:36,375 --> 00:34:39,408 IT'S CRY TALK. THERE'S NOT A GIRL ALIVE WHO HASN'T HEARD IT 780 00:34:39,408 --> 00:34:41,780 FROM A SOBBING, HEARTBROKEN GIRLFRIEND. 781 00:34:41,780 --> 00:34:45,314 WHAT SHOULD YOU HAVE STAYED OUT OF, REBECCA, THE BLACKMAIL? 782 00:34:45,314 --> 00:34:47,486 (continues crying and speaking indistinctly) 783 00:34:47,486 --> 00:34:50,489 YOU TRIED TO DO THE RIGHT THING? (whimpers) 784 00:34:50,489 --> 00:34:53,492 WELL, WHO WOULDN'T LISTEN? DID YOU HAVE AN ACCOMPLICE? 785 00:34:53,492 --> 00:34:56,395 WAS JUST ME. (crying) WELL, THEN WHAT IS THIS ALL ABOUT? 786 00:34:56,395 --> 00:34:59,828 BENZOPHYOSOPHEME. (sobbing) 787 00:34:59,828 --> 00:35:02,631 I'M SORRY. I DIDN'T GET THAT ONE. 788 00:35:02,631 --> 00:35:04,403 (sobs) BENZOPHYOSOPHEME. 789 00:35:04,403 --> 00:35:06,805 THAT'S NOT CRY TALK. IT SOUNDS LIKE A CHEMICAL COMPOUND. 790 00:35:06,805 --> 00:35:09,578 YOU WORK IN PRODUCT TESTING, RIGHT? 791 00:35:09,578 --> 00:35:12,541 WERE THEY USING BENZOPHYOSOPHEME IN A COMPANY PRODUCT? 792 00:35:12,541 --> 00:35:14,683 IS THERE SOME KIND OF PROBLEM WITH IT? 793 00:35:14,683 --> 00:35:17,516 IS THAT WHAT THE BLACKMAIL WAS ABOUT? SO THEN WHEN YOU SAID 794 00:35:17,516 --> 00:35:19,518 THAT YOU WERE TRYING TO DO THE RIGHT THING, 795 00:35:19,518 --> 00:35:21,750 DID YOU APPROACH YOUR SUPERIORS ABOUT THE PROBLEM? YES. 796 00:35:21,750 --> 00:35:24,553 AND DID WILDER DO ANYTHING ABOUT IT? NO. 797 00:35:24,553 --> 00:35:26,255 HE CAME OUT WITH A PRODUCT 798 00:35:26,255 --> 00:35:28,527 THAT HAS BENZOPHYOSOPHEME IN IT ANYWAY. (crying) EXACTLY. 799 00:35:28,527 --> 00:35:31,360 WELL, HOW BAD IS THIS STUFF? 800 00:35:31,360 --> 00:35:33,832 IT CAN CAUSE CAPILLARY DAMAGE IF YOU USE IT LONG ENOUGH. 801 00:35:33,832 --> 00:35:36,505 SO THEN YOU FIGURED, IF THEY WEREN'T GONNA LISTEN TO YOU, 802 00:35:36,505 --> 00:35:38,867 WHY NOT CASH IN ON IT? 803 00:35:38,867 --> 00:35:41,410 AND THEN YOU THREATENED TO MAKE IT PUBLIC 804 00:35:41,410 --> 00:35:43,472 IF WILDER DIDN'T GIVE YOU $75,000. 805 00:35:43,472 --> 00:35:47,246 YES. WELL, YOU WERE IN OVER YOUR HEAD, REBECCA. 806 00:35:47,246 --> 00:35:49,818 I KNOW, AND I WANT TO MAKE THINGS RIGHT IF I CAN. 807 00:35:49,818 --> 00:35:52,851 IT'S TOO LATE FOR THAT NOW. I--WHAT IF I GAVE IT BACK? 808 00:35:52,851 --> 00:35:54,583 YOU KILLED A MAN. I STILL HAVE THE MONEY. 809 00:35:54,583 --> 00:35:56,725 YOU STILL HAVE THE MONEY? I KILLED A MAN? 810 00:35:56,725 --> 00:35:59,688 DAMIAN WILDER. I DIDN'T KILL MR. WILDER. 811 00:35:59,688 --> 00:36:03,862 YOU HAVE THE MONEY? IT'S STILL IN THE DUFFEL BAG THAT I GOT FROM UNDER THE BED. 812 00:36:03,862 --> 00:36:06,395 WAIT. THE MONEY FROM THE MOTEL ROOM? 813 00:36:06,395 --> 00:36:08,697 $75,000. 814 00:36:08,697 --> 00:36:11,940 (crying) WELL, THEN THE MONEY THAT BENNY FOUND... 815 00:36:11,940 --> 00:36:13,642 WHERE DID IT COME FROM? 816 00:36:13,642 --> 00:36:16,345 (thud) $75,000. 817 00:36:16,345 --> 00:36:18,777 IT WAS IN HER HALL CLOSET JUST LIKE SHE SAID IT'D BE. 818 00:36:18,777 --> 00:36:21,410 TWO BLACKMAIL PAYOFFS? I DON'T GET IT. 819 00:36:21,410 --> 00:36:23,452 REBECCA MUST HAVE MISSED THE SECOND DUFFEL BAG 820 00:36:23,452 --> 00:36:26,184 UNDER THE BED WHEN SHE WENT TO PICK UP THE MONEY. 821 00:36:26,184 --> 00:36:28,717 WHICH IS WHY BENNY FOUND IT WHEN HE WENT BACK THERE LATER. YEAH, BUT WE LOOKED THROUGH WILDER'S FINANCIALS 822 00:36:28,717 --> 00:36:31,760 WITH A FINE-TOOTH COMB. THERE WAS NOTHING IN THERE 823 00:36:31,760 --> 00:36:35,794 TO SUGGEST THAT HE PULLED THAT KIND OF CASH. IT'S HARD TO IMAGINE HE HAD IT JUST LYING AROUND. 824 00:36:35,794 --> 00:36:39,498 WHAT WOULD HAPPEN IF WILDER DIDN'T PAY THE BLACKMAILER? WELL, THAT WOULD MEAN 825 00:36:39,498 --> 00:36:41,970 LETTING THE CAPILLARY DAMAGE ISSUE GO PUBLIC. WHAT IF HE DIDN'T CARE? 826 00:36:41,970 --> 00:36:43,972 WHAT IF HE WANTED TO DO THE RIGHT THING 827 00:36:43,972 --> 00:36:46,505 AND PULL THE PRODUCT, EVEN IF IT MEANT 828 00:36:46,505 --> 00:36:49,278 A HUGE FINANCIAL HIT AND POSSIBLE LITIGATION? 829 00:36:49,278 --> 00:36:51,580 THEN ANYONE WITH A FINANCIAL STAKE IN THE COMPANY 830 00:36:51,580 --> 00:36:54,212 WOULD HAVE INCENTIVE TO KEEP THAT FROM HAPPENING. 831 00:36:54,212 --> 00:36:56,485 AND THE SUREST WAY TO DO THAT WOULD BE TO KILL WILDER 832 00:36:56,485 --> 00:37:00,489 AND PAY OFF THE BLACKMAILER. SO THE COUSIN WOULD HAVE COMPANY STOCK WORTH A FORTUNE 833 00:37:00,489 --> 00:37:02,651 FROM WHEN HE LENT WILDER THE START-UP MONEY. YEAH, BUT WE KNOW HE DIDN'T DO IT. 834 00:37:02,651 --> 00:37:04,793 AND THEN LISA JENKINS COULD BE LOOKING 835 00:37:04,793 --> 00:37:06,955 AT CRIMINAL LIABILITY IF IT GOT OUT THAT 836 00:37:06,955 --> 00:37:09,798 SHE LET A DANGEROUS PRODUCT GO TO MARKET. YEAH, BUT WE KNOW SHE DIDN'T DO IT EITHER. 837 00:37:09,798 --> 00:37:12,531 WELL, SOMETHING DOESN'T MAKE SENSE HERE. (Esposito) CASTLE. 838 00:37:12,531 --> 00:37:13,862 (chuckles) HEY. 839 00:37:13,862 --> 00:37:17,235 MNH-MNH. COME HERE. 840 00:37:17,235 --> 00:37:20,539 (chuckles) HEY. UH, WHAT'S WRONG, GUYS? 841 00:37:22,971 --> 00:37:25,844 BENZOPHYOSOPHEME. 842 00:37:25,844 --> 00:37:28,016 OH, NO. NOT THE SHAVE CREAM. 843 00:37:28,016 --> 00:37:30,579 YEAH, IN THE SHAVE CREAM. IT SAYS HERE RIGHT ON THE CAN. 844 00:37:30,579 --> 00:37:33,582 AH. THAT'S HOW THEY GET IT TO COME OUT HOT. 845 00:37:33,582 --> 00:37:36,355 MIGHT AS WELL JUST BE SHAVING WITH NAPALM, BRO. 846 00:37:36,355 --> 00:37:38,427 WELL, SHE SAID IT ONLY DOES DAMAGE LONG TERM. 847 00:37:38,427 --> 00:37:40,429 YOU GUYS HAVE ONLY USED IT THE ONE TIME. 848 00:37:40,429 --> 00:37:42,291 I'M STILL ON MY FIRST CAN. 849 00:37:42,291 --> 00:37:44,633 COULDA ENDED UP WITH IRREVERSIBLE CAPILLARY DAMAGE. 850 00:37:44,633 --> 00:37:45,994 I WAS... 851 00:37:45,994 --> 00:37:48,497 THE TIMELINE'S WRONG. 852 00:37:48,497 --> 00:37:50,569 EXACTLY. THERE WASN'T TIME TO DO ANY DAMAGE. 853 00:37:50,569 --> 00:37:52,971 NO, FOR THE MURDER. WHAT ARE YOU TALKING ABOUT? 854 00:37:52,971 --> 00:37:54,743 WHAT IS SHE TALKING ABOUT? 855 00:37:54,743 --> 00:37:56,975 I DON'T KNOW. WHERE YOU GOING? 856 00:37:56,975 --> 00:37:59,548 WILDER'S APARTMENT. I KNOW WHO DID IT. 857 00:37:59,548 --> 00:38:00,779 I KNOW WHO KILLED HIM. 858 00:38:00,779 --> 00:38:03,352 WHO? WHO? 859 00:38:15,624 --> 00:38:18,797 I JUST SHOT DAMIAN WILDER IN THE CHEST, 860 00:38:18,797 --> 00:38:20,899 AND HE'S BLEEDING OUT. 861 00:38:20,899 --> 00:38:23,332 IT'S DARK. 862 00:38:23,332 --> 00:38:26,935 BUT I STILL MANAGE TO SOP UP SOME OF THE BLOOD 863 00:38:26,935 --> 00:38:29,478 AND I HEAD OVER HERE 864 00:38:29,478 --> 00:38:31,680 TO START WRITING THE MESSAGE, 865 00:38:31,680 --> 00:38:33,542 IMPLICATING THE PROTESTORS. 866 00:38:33,542 --> 00:38:35,544 BUT IT TAKES LONGER THAN I THOUGHT IT WOULD 867 00:38:35,544 --> 00:38:38,547 BECAUSE I KEEP HAVING TO GO BACK IN ORDER TO GET MORE BLOOD. 868 00:38:38,547 --> 00:38:41,750 AND THEN ALL OF A SUDDEN, I HEAR A NOISE OUT THE BACK. 869 00:38:41,750 --> 00:38:44,653 SO I STOP AND I THINK TO MYSELF, 870 00:38:44,653 --> 00:38:47,095 YOU KNOW WHAT? I BETTER GET THE HELL OUTTA HERE. 871 00:38:47,095 --> 00:38:49,598 HOLD ON. YOU'RE FORGETTING ABOUT THE BLUDGEONING PART. 872 00:38:49,598 --> 00:38:53,602 I WALK OUT THE FRONT DOOR AND I LET IT LOCK BEHIND ME. 873 00:38:53,602 --> 00:38:56,104 I RACE ACROSS THE STREET, I HAIL A CAB, 874 00:38:56,104 --> 00:38:58,467 AND IT'S ABOUT 10:40. 875 00:38:58,467 --> 00:39:01,810 YEAH, BUT NOW YOU'RE FORGETTING ABOUT THE STOLEN BOOKS. (Castle) THE NOISE OUTSIDE. 876 00:39:01,810 --> 00:39:05,474 YOU'RE THINKING THERE WAS SOMEONE ELSE. SOMEONE WHO HAD NO IDEA 877 00:39:05,474 --> 00:39:07,546 THAT WILDER HAD ALREADY BEEN SHOT. 878 00:39:07,546 --> 00:39:09,578 SOMEONE WHO CAME IN THROUGH THE BACK 879 00:39:09,578 --> 00:39:10,879 INTO THE BEDROOM, 880 00:39:10,879 --> 00:39:12,881 AND IN THE DARK, FOUND A HEAVY OBJECT 881 00:39:12,881 --> 00:39:16,024 AND BLUDGEONED HIM IN HIS BED. (Demming) TWO KILLERS. 882 00:39:16,024 --> 00:39:18,527 SO IT'S THE SECOND KILLER WHO STEALS THE BOOKS. 883 00:39:18,527 --> 00:39:20,529 AND THEN GETTING THOSE BOOKS 884 00:39:20,529 --> 00:39:22,591 OUT OF THIS DISPLAY CASE 885 00:39:22,591 --> 00:39:23,892 TAKES A FEW MINUTES, 886 00:39:23,892 --> 00:39:27,035 AFTER WHICH, IT'S OUT THE DOOR, 887 00:39:27,035 --> 00:39:28,837 AND IT'S 10:52. 888 00:39:28,837 --> 00:39:31,840 GIVING THE FIRST KILLER MORE THAN ENOUGH TIME TO GET HOME, 889 00:39:31,840 --> 00:39:35,373 WHERE SHE CAN BE SEEN BY, LET'S SAY, A SECURITY CAMERA. AND THE SECOND KILLER 890 00:39:35,373 --> 00:39:37,646 WOULDN'T APPEAR TO BE INVOLVED IF HE WAS, SAY, 891 00:39:37,646 --> 00:39:40,579 BUYING CIGARETTES WHEN THE GUNSHOT WENT OFF. 892 00:39:40,579 --> 00:39:44,382 LISA AND BLAKE CAME HERE SEPARATELY TO KILL WILDER, 893 00:39:44,382 --> 00:39:46,515 AND BY DOING THAT, 894 00:39:46,515 --> 00:39:49,017 THEY BOTH INADVERTENTLY ALIBIED EACH OTHER OUT. THEY BOTH KNEW IT WAS THEIR ONLY CHANCE 895 00:39:49,017 --> 00:39:51,460 TO STOP WILDER BEFORE HE STEPPED FORWARD. 896 00:39:51,460 --> 00:39:53,522 THE PRESS CONFERENCE HE HAD CALLED... 897 00:39:53,522 --> 00:39:55,524 IT WAS NOT ABOUT ANIMAL RIGHTS. 898 00:39:55,524 --> 00:39:57,526 HE WAS ABOUT TO ANNOUNCE A PRODUCT RECALL. 899 00:39:57,526 --> 00:40:00,699 (Demming) AND THEY EACH DECIDED THEY COULDN'T LET THAT HAPPEN. 900 00:40:00,699 --> 00:40:03,832 THEY BOTH KILLED HIM, AND THEY BOTH PAID THE BLACKMAILER. 901 00:40:03,832 --> 00:40:06,835 WHICH MEANS THEY BOTH HAD TO RAISE A LOT OF MONEY 902 00:40:06,835 --> 00:40:09,037 IN NOT A LOT OF TIME. 903 00:40:11,580 --> 00:40:13,582 WE FOUND WITHDRAWALS FROM BANK ACCOUNTS, 904 00:40:13,582 --> 00:40:15,584 MONEY MARKET FUNDS, EVEN 401(k)s, 905 00:40:15,584 --> 00:40:19,618 ALL OF IT TOTALING $75,000 FROM EACH ONE OF THEM. 906 00:40:19,618 --> 00:40:22,551 THEY DIDN'T COVER THEIR TRACKS BECAUSE THEY DIDN'T THINK 907 00:40:22,551 --> 00:40:26,595 ANYONE WOULD GET ON TO THE BLACKMAIL AND COME LOOKING. IT TURNS OUT BLAKE WAS LEVERAGED IN DEBT UP TO HIS EYEBALLS. 908 00:40:26,595 --> 00:40:29,498 IF THE COMPANY STOCK HAD TAKEN A HIT, 909 00:40:29,498 --> 00:40:31,460 THE WHOLE HOUSE OF CARDS WOULD'VE FALLEN. AND HER? 910 00:40:31,460 --> 00:40:33,462 SHE DIDN'T WANT TO SERVE TIME. 911 00:40:33,462 --> 00:40:35,604 SHE'S THE ONE WHO SAT ON INITIAL REPORTS 912 00:40:35,604 --> 00:40:38,106 THAT THERE WERE PROBLEMS WITH THE SHAVING CREAM. POOR WILDER. 913 00:40:38,106 --> 00:40:40,669 TRIED TO DO THE RIGHT THING AND GETS HIMSELF KILLED. MM-HMM. 914 00:40:40,669 --> 00:40:44,072 CASTLE AND DEMMING WERE RIGHT ABOUT THE TWO OF THEM ALL ALONG. NICE OF YOU TO GIVE THEM BOTH 915 00:40:44,072 --> 00:40:46,044 THE SATISFACTION OF TAKING DOWN THEIR SUSPECT. 916 00:40:46,044 --> 00:40:48,216 OH, WELL, IT'S THE LEAST I CAN DO... 917 00:40:48,216 --> 00:40:51,179 MALE VANITY BEING WHAT IT IS. 918 00:41:02,491 --> 00:41:04,092 HEY. 919 00:41:04,092 --> 00:41:05,664 HEY. 920 00:41:05,664 --> 00:41:08,537 SO LISTEN, THANKS... 921 00:41:08,537 --> 00:41:10,839 THANKS FOR YOUR HELP ON THIS ONE. 922 00:41:10,839 --> 00:41:14,142 OH, YOU KNOW, SAME TEAM. (chuckles) 923 00:41:17,005 --> 00:41:19,007 GUESS I'LL SEE YOU AROUND. 924 00:41:19,007 --> 00:41:21,049 YEAH. 925 00:41:21,049 --> 00:41:24,683 (Lifehouse's "Crash and Burn" playing) 926 00:41:29,788 --> 00:41:31,790 ONE MURDER, TWO KILLERS. 927 00:41:31,790 --> 00:41:33,792 THAT'S SOMETHING YOU DON'T SEE EVERY DAY. 928 00:41:33,792 --> 00:41:36,865 YEAH. THAT'S DEFINITELY ANOTHER ONE FOR THE RECORD BOOKS. 929 00:41:36,865 --> 00:41:38,867 YOU GUYS SEEN BECKETT? I WANTED TO CONGRATULATE HER. 930 00:41:38,867 --> 00:41:41,700 SHE'S THE ONE WHO CRACKED THIS ONE OPEN. 931 00:41:41,700 --> 00:41:44,933 I THINK SHE'S IN THE BACK PROCESSING THE CHARGES. THANKS. 932 00:41:44,933 --> 00:41:47,576 (laughs) MAKE ALL DAY. 933 00:41:47,576 --> 00:41:48,877 NOTHING BUT NET, THOUGH. 934 00:41:48,877 --> 00:41:50,579 ♪ ...WAITING HERE ♪ 935 00:41:50,579 --> 00:41:53,682 ♪ I NEED YOUR HELP ♪ 936 00:41:55,884 --> 00:41:58,687 ♪ DON'T LEAVE ME DOWN HERE ♪ 937 00:41:58,687 --> 00:42:03,051 ♪ ALL BY MYSELF ♪ 938 00:42:05,894 --> 00:42:08,126 ♪ AND IF I FALL ♪ 939 00:42:08,126 --> 00:42:10,899 ♪ AND CRASH AND BURN ♪ 940 00:42:10,899 --> 00:42:12,901 ♪ AT LEAST WE BOTH KNOW ♪ 941 00:42:12,901 --> 00:42:15,634 ♪ THAT I TRIED ♪ 942 00:42:15,634 --> 00:42:17,606 ♪ AND AS I CRAWL ♪ 943 00:42:17,606 --> 00:42:20,208 ♪ THOSE LESSONS LEARNED ♪ 944 00:42:20,208 --> 00:42:22,070 ♪ YEAH, THEY REMIND ME ♪ 945 00:42:22,070 --> 00:42:24,773 ♪ I SURVIVED ♪ 946 00:42:24,773 --> 00:42:27,676 ♪ AND I BEEN HURT AND I BEEN SCARRED ♪ 947 00:42:27,676 --> 00:42:28,847 CASTLE. 948 00:42:28,847 --> 00:42:30,849 WHAT ARE YOU STILL DOING HERE? 949 00:42:30,849 --> 00:42:32,851 HEY. JUST ABOUT TO LEAVE MYSELF. 950 00:42:32,851 --> 00:42:35,083 GOOD JOB CLOSING THE CASE. 951 00:42:35,083 --> 00:42:37,285 YEAH. WELL, WE MAKE A GOOD TEAM. 952 00:42:37,285 --> 00:42:39,557 YEAH. GOOD NIGHT. 953 00:42:39,557 --> 00:42:41,630 THANKS. NIGHT. 954 00:42:41,630 --> 00:42:44,062 ♪ ...THAT I TRIED ♪