1 00:00:01,502 --> 00:00:03,334 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:03,334 --> 00:00:05,406 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:05,406 --> 00:00:08,039 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,039 --> 00:00:10,081 CASTLE. CASTLE. 5 00:00:10,081 --> 00:00:12,583 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:12,583 --> 00:00:14,445 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:14,445 --> 00:00:16,587 BECKETT. BECKETT. 8 00:00:16,587 --> 00:00:18,589 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:18,589 --> 00:00:20,591 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:20,591 --> 00:00:23,254 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:23,254 --> 00:00:26,327 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:26,327 --> 00:00:29,430 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:29,430 --> 00:00:31,802 (cheers and applause) (man) AND DID YOU HEAR? 14 00:00:31,802 --> 00:00:34,465 OUR FAVORITE GOLFER IS IN THE NEWS AGAIN. 15 00:00:34,465 --> 00:00:36,767 MISSED A CHARITY TOURNAMENT OVER THE WEEKEND. 16 00:00:36,767 --> 00:00:38,269 REALLY UNFORTUNATE 17 00:00:38,269 --> 00:00:41,342 THE WORLD'S TOP GOLFER HAD TO PULL OUT. 18 00:00:41,342 --> 00:00:44,175 IN FACT, IT'S THE FIRST TIME HE'S PULLED OUT OF ANYTHING 19 00:00:44,175 --> 00:00:46,747 IN FIVE YEARS. (boos and scattered laughter) 20 00:00:46,747 --> 00:00:49,420 OUCH. OUCH. WHAT DO YOU THINK, HANK? SHOULD I TAKE A MULLIGAN? 21 00:00:49,420 --> 00:00:52,353 NO, PLAY THROUGH, BOBBY. PLAY THROUGH. I WILL, MY FRIEND. 22 00:00:52,353 --> 00:00:54,355 WE HAVE A GREAT SHOW FOR YOU TONIGHT. 23 00:00:54,355 --> 00:00:56,757 MR. CASTLE. ELLIE MONROE IS HERE. SHE HAS A NEW MOVIE OPENING TOMORROW. 24 00:00:56,757 --> 00:00:58,489 HI, I'M KAYLA. PLEASE FOLLOW ME. SURE. 25 00:00:58,489 --> 00:01:01,432 AND MY FAVORITE WRITER RICHARD CASTLE'S JOINING US. (cheering) 26 00:01:01,432 --> 00:01:03,334 HERE YOU GO, MR. CASTLE. 27 00:01:03,334 --> 00:01:06,267 DEB, THE MAKEUP ARTIST, WILL TAKE CARE OF YOU FROM HERE. THANK YOU, KAYLA. 28 00:01:06,267 --> 00:01:09,170 AND YOU'RE UP RIGHT AFTER MS. MONROE. 29 00:01:09,170 --> 00:01:10,841 HI, IT'S ELLIE. 30 00:01:10,841 --> 00:01:12,343 RICK. 31 00:01:12,343 --> 00:01:14,345 CAN I JUST SAY... (exhales) WOW. 32 00:01:14,345 --> 00:01:16,677 LIKE, I CAN'T BELIEVE I'M MEETING YOU RIGHT NOW. REALLY? 33 00:01:16,677 --> 00:01:19,180 WELL, YOU'RE, LIKE, MY FAVORITE AUTHOR EVER. 34 00:01:19,180 --> 00:01:21,412 I MEAN, I'VE READ "HEAT WAVE" AT LEAST THREE TIMES. 35 00:01:21,412 --> 00:01:24,255 CAN I TELL YOU, I HAVE SEEN EVERY MOVIE YOU'VE EVER BEEN IN? REALLY? 36 00:01:24,255 --> 00:01:26,457 OH. NOT "VIPER MOUNTAIN" I HOPE. 37 00:01:26,457 --> 00:01:28,219 YES, "VIPER MOUNTAIN." UGH. 38 00:01:28,219 --> 00:01:30,321 YOU WERE THE BEST THING IN THAT MOVIE. 39 00:01:30,321 --> 00:01:33,224 AS SOON AS THAT SNAKE ATE YOU, WHOLE MOVIE FELL APART. (laughs) 40 00:01:33,224 --> 00:01:35,826 FOLKS, PLEASE HELP ME IN WELCOMING RICHARD CASTLE. 41 00:01:35,826 --> 00:01:39,500 RICK CASTLE. (cheers and applause) 42 00:01:39,500 --> 00:01:41,202 OH-HO-HO-HO. WHOO! 43 00:01:41,202 --> 00:01:42,533 OH, HE LOOKS GOOD. 44 00:01:42,533 --> 00:01:45,176 WELCOME. THANK YOU. 45 00:01:45,176 --> 00:01:47,178 FIRST OF ALL, CONGRATULATIONS ON "HEAT WAVE"-- 46 00:01:47,178 --> 00:01:49,380 "NEW YORK TIMES" BEST SELLER. THANK YOU. AND YOU KNOW WHAT? 47 00:01:49,380 --> 00:01:51,382 I REALLY LOVED WRITING IT. 48 00:01:51,382 --> 00:01:54,345 WELL, THE PAPERBACK COMES OUT, UH, JULY 27th, RIGHT? JULY 27th. THAT'S RIGHT. 49 00:01:54,345 --> 00:01:57,688 AND IT'S BEING MADE INTO A MOVIE. NICE. 50 00:01:57,688 --> 00:02:00,591 (applause) NOW YOU WORKED WITH ACTUAL NYPD HOMICIDE DETECTIVES 51 00:02:00,591 --> 00:02:02,293 TO RESEARCH "HEAT WAVE." 52 00:02:02,293 --> 00:02:04,124 YES, YES, I DID. 53 00:02:04,124 --> 00:02:07,127 AND--AND THEY STILL WON'T LET ME CARRY A GUN. (rimshot plays) 54 00:02:07,127 --> 00:02:10,130 (audience laughs) I DIDN'T KNOW YOU WORKED WITH LAW ENFORCEMENT. 55 00:02:10,130 --> 00:02:12,132 IT'S KINDA MY WEAK SPOT. (Bobby) HELLO. 56 00:02:12,132 --> 00:02:14,465 WAITER, CHECK PLEASE. (laughter) 57 00:02:14,465 --> 00:02:17,768 WELL, YOU GUYS ARE SINGLE, RIGHT? WELL, ACTUALLY, NOT ANYMORE, BOBBY. 58 00:02:17,768 --> 00:02:20,441 THANK YOU VERY MUCH. OH. 59 00:02:20,441 --> 00:02:23,444 (audience laughing) WOW. THE CAMERA REALLY DOES ADD 10 POUNDS... 60 00:02:23,444 --> 00:02:25,476 TO HIS EGO. CALL ME OLD-FASHIONED-- 61 00:02:25,476 --> 00:02:27,448 WHEN A BEAUTIFUL MOVIE STAR IS IMPRESSED WITH 62 00:02:27,448 --> 00:02:29,620 MY FAKE LAW ENFORCEMENT CREDENTIALS, I'M IN. 63 00:02:29,620 --> 00:02:33,324 DO YOU THINK HE'S ASKED HER OUT YET? (scoffs) YOUR FATHER, PRETTY GIRL LIKE THAT? 64 00:02:33,324 --> 00:02:35,426 HE MAY HAVE PROPOSED BY NOW. 65 00:02:35,426 --> 00:02:37,428 AND THAT'S OUR SHOW FOR TONIGHT. 66 00:02:37,428 --> 00:02:39,660 STAY TUNED FOR "LATE TALK WITH MICKEY REED." 67 00:02:39,660 --> 00:02:41,492 I'M BOBBY MANN. REMEMBER, FOLKS... 68 00:02:41,492 --> 00:02:43,794 (Bobby and audience) THE BOYS'LL BE BACK ON DUTY TOMORROW NIGHT. 69 00:02:43,794 --> 00:02:45,436 (theme music playing) 70 00:02:45,436 --> 00:02:47,498 (cheers and applause) 71 00:02:47,498 --> 00:02:50,371 (Alexis) I ALWAYS WONDER WHAT THEY'RE SAYING 72 00:02:50,371 --> 00:02:52,273 WHEN THEY LEAN IN LIKE THAT. 73 00:02:52,273 --> 00:02:53,804 THANK YOU. THANK YOU FOR COMING. 74 00:02:53,804 --> 00:02:55,806 (whispers) THEY WANT ME DEAD. 75 00:02:55,806 --> 00:02:58,449 I'M SORRY. WHAT? (normal voice) I'M SERIOUS. 76 00:02:58,449 --> 00:03:01,582 YOU WORK WITH COPS, RIGHT? THEY WANT-- (woman) THAT WAS A GREAT SHOW, GUYS. 77 00:03:01,582 --> 00:03:03,484 I'M SO SORRY ABOUT SEGMENT THREE. 78 00:03:03,484 --> 00:03:05,686 NEXT TIME WE PUT THE EMU IN A DIAPER. MM-HMM. 79 00:03:05,686 --> 00:03:08,359 (whispers) I'LL CALL YOU. OH, THE BOX-IN-BOX WITH JUSTIN... 80 00:03:08,359 --> 00:03:10,361 (Bobby, normal voice) YEAH. LOOKED GREAT. I LOVED IT. 81 00:03:10,361 --> 00:03:12,693 GOOD, GOOD. LISTEN, I THINK WE SHOULD... 82 00:03:16,627 --> 00:03:21,402 UM... YOU'RE GOING ORIENTEERING NOT LIBRARYING. 83 00:03:21,402 --> 00:03:23,904 YOU SURE YOU WANT TO TAKE THAT MANY BOOKS? 84 00:03:23,904 --> 00:03:25,906 OVERAMBITIOUS FOR A 5-DAY TRIP? 85 00:03:25,906 --> 00:03:28,409 YOU'RE GONNA BE RESPONSIBLE FOR YOUR OWN PACK. 86 00:03:28,409 --> 00:03:30,911 I THINK YOU'RE SUPPOSED TO BE MORE SACAGAWEA 87 00:03:30,911 --> 00:03:32,713 THAN A SCHOLARLY READER. 88 00:03:32,713 --> 00:03:34,745 BESIDES, LOOK AT ALL THOSE PAGES. 89 00:03:34,745 --> 00:03:38,489 THE TREES MIGHT WANT REVENGE. RICHARD. 90 00:03:38,489 --> 00:03:40,451 WHAT'S WRONG? 91 00:03:40,451 --> 00:03:42,893 BOBBY MANN IS DEAD. 92 00:03:42,893 --> 00:03:44,395 WHAT? WHAT HAPPENED? 93 00:03:44,395 --> 00:03:46,857 THEY'RE SAYING HE HAD A HEART ATTACK. 94 00:03:51,932 --> 00:03:54,565 I'M TELLING YOU, THE GUY SAID THAT SOMEBODY WANTED HIM DEAD, 95 00:03:54,565 --> 00:03:57,268 AND THEN HE ENDS UP DEAD. THAT CAN'T BE A COINCIDENCE. 96 00:03:57,268 --> 00:03:59,270 BOBBY MANN HAD A HISTORY OF HEART DISEASE, 97 00:03:59,270 --> 00:04:00,971 AND ON THE AUTOPSY REPORTS, 98 00:04:00,971 --> 00:04:03,974 IT STATES THAT THE CAUSE OF DEATH WAS A HEART ATTACK. 99 00:04:03,974 --> 00:04:05,976 THAT CAN'T BE A COINCIDENCE EITHER. 100 00:04:05,976 --> 00:04:07,448 DID LANIE DO THE AUTOPSY? 101 00:04:07,448 --> 00:04:09,450 NO, BUT SHE SENT IT TO ME. 102 00:04:09,450 --> 00:04:11,452 OKAY, A GUY WAS WALKING HIS DOG, 103 00:04:11,452 --> 00:04:14,385 SAW MR. MANN COLLAPSE ON THE SIDEWALK ALONE. 104 00:04:14,385 --> 00:04:16,827 BUT THERE'S NO PUNCTURE WOUNDS, NO BRUISING, 105 00:04:16,827 --> 00:04:19,460 AND THE TOX PANEL CAME BACK NEGATIVE. 106 00:04:19,460 --> 00:04:20,991 THERE'S NO FOUL PLAY, CASTLE. 107 00:04:20,991 --> 00:04:22,493 (pours liquid) 108 00:04:22,493 --> 00:04:24,495 I TALKED TO HIS PRODUCER THIS MORNING. 109 00:04:24,495 --> 00:04:26,937 SHE SAID THAT MANN LEFT THE STUDIO AT 12:45 110 00:04:26,937 --> 00:04:29,440 IN HIS BUGATTI VEYRON. THAT'S A $2-MILLION CAR. 111 00:04:29,440 --> 00:04:32,343 HE COLLAPSED ON FOOT A FEW BLOCKS FROM HIS HOUSE 112 00:04:32,343 --> 00:04:34,775 AT 4:50. SO? 113 00:04:34,775 --> 00:04:36,747 SO WHERE'S THE CAR? 114 00:04:36,747 --> 00:04:38,449 HE'S, LIKE, A GAZILLIONAIRE, CASTLE. 115 00:04:38,449 --> 00:04:40,981 HE PROBABLY JUST PARKED IT AND EXPECTED SOMEONE ELSE 116 00:04:40,981 --> 00:04:42,983 TO PICK IT UP THE NEXT MORNING. 117 00:04:42,983 --> 00:04:44,985 IN MY BOOK "GATHERING STORM," THE FORMER KGB OFFICIAL 118 00:04:44,985 --> 00:04:46,987 KILLED WITH AN UNDETECTABLE POISON 119 00:04:46,987 --> 00:04:48,619 THAT STOPPED THE HEART. 120 00:04:48,619 --> 00:04:50,621 WHAT IF THAT'S WHAT HAPPENED TO MANN? 121 00:04:50,621 --> 00:04:53,023 NEED I REMIND YOU THAT YOU MAKE UP STUFF FOR A LIVING, 122 00:04:53,023 --> 00:04:54,995 AND THERE IS NO SUCH POISON IN REAL LIFE, 123 00:04:54,995 --> 00:04:57,898 AND IF THERE WAS, THERE WOULD BE A WHOLE SLEW 124 00:04:57,898 --> 00:05:00,371 OF ANGRY SPOUSES WHO'D BE GETTING AWAY WITH MURDER? 125 00:05:00,371 --> 00:05:03,003 COULD YOU JUST HAVE LANIE TAKE A CLOSER LOOK? 126 00:05:03,003 --> 00:05:05,836 PLEASE. 127 00:05:05,836 --> 00:05:08,409 YOU KNOW HOW MANY STRINGS I HAD TO PULL 128 00:05:08,409 --> 00:05:10,080 FOR THIS, CASTLE? 129 00:05:10,080 --> 00:05:12,413 IF I'M WRONG, I'LL REIMBURSE THE CITY. 130 00:05:12,413 --> 00:05:14,915 TO HELL WITH THE CITY. IT'S ME YOU'RE GONNA OWE. 131 00:05:14,915 --> 00:05:16,917 I TAKE SPA CERTIFICATES, JEWELRY AND CASH. 132 00:05:16,917 --> 00:05:18,549 DULY NOTED. WHAT'S THAT? 133 00:05:18,549 --> 00:05:21,592 THE CONTENTS OF BOBBY MANN'S POCKETS WHEN HE WAS BROUGHT IN. 134 00:05:21,592 --> 00:05:23,594 I'M GONNA GO CHECK ON THE LABS. 135 00:05:23,594 --> 00:05:25,656 OKAY. 136 00:05:25,656 --> 00:05:27,358 WHAT ARE YOU DOING? 137 00:05:27,358 --> 00:05:30,030 IT'S CALLED INVESTIGATING. YOU SHOULD TRY IT. 138 00:05:30,030 --> 00:05:32,032 I USUALLY WAIT UNTIL THERE'S A CRIME. 139 00:05:32,032 --> 00:05:34,865 CELL PHONE, MONEY CLIP. 140 00:05:34,865 --> 00:05:36,937 HE STUCK A PIECE OF GUM TO A PAPER 141 00:05:36,937 --> 00:05:39,440 BEFORE HE PUT IT IN HIS POCKET. 142 00:05:39,440 --> 00:05:42,873 ONE OF HIS LAST ACTS WAS NOT LITTERING. YES, BUT THERE'S A WORD ON THIS PAPER--"TORY." 143 00:05:42,873 --> 00:05:44,875 COULD BE A MYSTERY WOMAN. 144 00:05:44,875 --> 00:05:47,077 WOW, CASTLE. CRACKING THIS CASE WIDE OPEN. 145 00:05:47,077 --> 00:05:48,879 HEY, IT'S HIS IDEA NOTEPAD. 146 00:05:48,879 --> 00:05:51,382 THIS IS A JOKE FROM LAST NIGHT. "CHARITY GOLF. 147 00:05:51,382 --> 00:05:53,824 FIRST TIME HE'S PULLED OUT IN YEARS." DO YOU REALIZE 148 00:05:53,824 --> 00:05:56,727 THAT YOU ARE NOW INVESTIGATING A HEART ATTACK? 149 00:05:56,727 --> 00:05:58,058 HMM. 150 00:05:58,058 --> 00:05:59,430 WHAT? 151 00:05:59,430 --> 00:06:01,432 HIS SIGNATURE LINE OF 20 YEARS, 152 00:06:01,432 --> 00:06:03,594 "THE BOYS'LL BE BACK ON DUTY TOMORROW NIGHT," 153 00:06:03,594 --> 00:06:06,437 LOOKS LIKE HE WAS THINKING OF CHANGING IT. 154 00:06:06,437 --> 00:06:08,669 "THE CREW WILL BE BACK ON DUTY TOMORROW NIGHT." 155 00:06:08,669 --> 00:06:10,671 MAYBE HE WAS TRYING TO MAKE IT HIPPER. 156 00:06:10,671 --> 00:06:11,842 MM. 157 00:06:11,842 --> 00:06:14,545 (gasps) WE SHOULD HAVE A SIGNATURE LINE. 158 00:06:14,545 --> 00:06:16,577 SHE'S ARMED, HE'S DANGEROUS. 159 00:06:16,577 --> 00:06:18,509 (inhales sharply) 160 00:06:18,509 --> 00:06:19,510 NO. 161 00:06:19,510 --> 00:06:20,811 NO. HOW ABOUT 162 00:06:20,811 --> 00:06:22,813 A WHOLE NEW CHAPTER IN CRIME SOLVING? 163 00:06:22,813 --> 00:06:23,814 OOH. 164 00:06:23,814 --> 00:06:25,516 CHAPTER. GET IT? 165 00:06:25,516 --> 00:06:26,687 NO. 166 00:06:26,687 --> 00:06:29,089 OKAY, I RAN EVERY EXTRA TOX SCREEN 167 00:06:29,089 --> 00:06:31,562 OUTSIDE OF STANDARD PROTOCOL. 168 00:06:31,562 --> 00:06:33,964 ALL NEGATIVE, NO TRACE OF ANY KNOWN POISONOUS SUBSTANCE. 169 00:06:33,964 --> 00:06:35,696 (Beckett) OKAY, CASTLE? 170 00:06:35,696 --> 00:06:38,699 DON'T FORGET TO TIP YOUR M.E. ON THE WAY OUT. AH, NOT SO FAST. 171 00:06:38,699 --> 00:06:40,571 SECONDARY TOX PANEL 172 00:06:40,571 --> 00:06:43,073 DETECTED TRACES OF TYRAMINE, WHICH IS HARMLESS, 173 00:06:43,073 --> 00:06:46,076 BUT IT'S PRESENCE RAISED A RED FLAG FOR ME. 174 00:06:46,076 --> 00:06:49,440 SO I RAN SOME MORE TESTS. 175 00:06:49,440 --> 00:06:51,942 BOBBY MANN WAS TAKING PHENELZINE. PHENELZINE? 176 00:06:51,942 --> 00:06:54,014 A PRESCRIPTION DRUG FOR DEPRESSION. SO? 177 00:06:54,014 --> 00:06:56,016 SO PHENELZINE IS IN A CLASS OF DRUGS 178 00:06:56,016 --> 00:06:57,748 CALLED M.A.O. INHIBITORS 179 00:06:57,748 --> 00:06:59,920 THAT HAVE POWERFUL CONTRA-INDICATORS. YOU MEAN DRUG INTERACTIONS? 180 00:06:59,920 --> 00:07:02,422 IN THIS CASE, INTERACTIONS THAT CAN KILL. 181 00:07:02,422 --> 00:07:04,755 M.A.O. INHIBITORS CONTRA-INDICATE 182 00:07:04,755 --> 00:07:07,758 WITH ANYTHING FERMENTED-- WINE, BEER, 183 00:07:07,758 --> 00:07:09,460 CERTAIN KIND OF CHEESES. 184 00:07:09,460 --> 00:07:12,062 EVEN THE SMALLEST AMOUNT CAN TRIGGER A HYPERTENSIVE CRISIS. 185 00:07:12,062 --> 00:07:14,705 OH! ALMOST LIKE AN UNDETECTABLE POISON THAT STOPS THE HEART. 186 00:07:14,705 --> 00:07:16,707 WHICH DOESN'T MEAN THAT HE WAS MURDERED. 187 00:07:16,707 --> 00:07:19,540 HE COULD'VE ACCIDENTALLY EATEN OR DRANK SOMETHING 188 00:07:19,540 --> 00:07:22,442 HE SHOULDN'T HAVE. THAT'S WHAT I THOUGHT. SO I RAN THE CONTENTS OF HIS INTESTINES. 189 00:07:22,442 --> 00:07:24,775 IN THE HOURS PRIOR TO HIS DEATH, 190 00:07:24,775 --> 00:07:26,477 HE INGESTED THREE SUBSTANCES-- 191 00:07:26,477 --> 00:07:29,580 SOMETHING SUGARY, LIKE HARD CANDY... OR CHEWING GUM. 192 00:07:29,580 --> 00:07:31,081 THERE YOU GO. 193 00:07:31,081 --> 00:07:34,084 ALSO CRANBERRY JUICE AND BALSAMIC VINEGAR. WHICH IS FERMENTED. 194 00:07:34,084 --> 00:07:36,056 AND THERE WAS NO TRACE OF ANYTHING 195 00:07:36,056 --> 00:07:37,558 THAT YOU WOULD FIND BALSAMIC ON-- 196 00:07:37,558 --> 00:07:40,531 NO CHICKEN, NO FISH NO PASTA. 197 00:07:40,531 --> 00:07:42,192 JUST THE CRANBERRY JUICE. 198 00:07:42,192 --> 00:07:44,194 WHICH COULD'VE EASILY MASKED THE COLOR 199 00:07:44,194 --> 00:07:46,196 AND THE TASTE OF THE BALSAMIC VINEGAR. SO YOU'RE SAYING 200 00:07:46,196 --> 00:07:48,569 THAT SOMEBODY KNEW ABOUT BOBBY MANN'S CONDITION, 201 00:07:48,569 --> 00:07:50,901 SLIPPED BALSAMIC VINEGAR INTO HIS CRANBERRY JUICE, 202 00:07:50,901 --> 00:07:52,903 KNOWING THAT IT WOULD KILL HIM? 203 00:07:52,903 --> 00:07:55,546 THIS WAS NO ACCIDENT. BOBBY MANN WAS MURDERED. 204 00:07:55,546 --> 00:07:58,008 (Castle) WELL, BOBBY, YOU WERE RIGHT. 205 00:07:58,008 --> 00:08:03,253 ♪♪ 206 00:08:10,791 --> 00:08:12,793 NO CRIME SCENE, NO CLEAR PLACE 207 00:08:12,793 --> 00:08:14,625 TO BEGIN THE INVESTIGATION. 208 00:08:14,625 --> 00:08:16,527 DON'T YOU JUST LOVE POISONINGS? 209 00:08:16,527 --> 00:08:18,529 ESPECIALLY A POISONING WITHOUT POISON. 210 00:08:18,529 --> 00:08:20,531 WHOEVER DID THIS WAS VERY SMART. 211 00:08:20,531 --> 00:08:22,533 THEY CHOSE A MURDER WEAPON THAT'S PROBABLY 212 00:08:22,533 --> 00:08:24,805 IN HALF THE KITCHENS IN THE CITY. GOOD THING WE'RE SMART, TOO. 213 00:08:24,805 --> 00:08:26,807 THANKS. THAT WAS LANIE. 214 00:08:26,807 --> 00:08:29,239 BASED ON POSSIBLE RATES OF FATAL M.A.O.I. INTERACTIONS, 215 00:08:29,239 --> 00:08:31,942 SHE WAS ABLE TO NARROW THE WINDOW OF POISONING DOWN 216 00:08:31,942 --> 00:08:34,915 BETWEEN 1:30 AND 4:30 IN THE MORNING. THAT MAKES... 217 00:08:34,915 --> 00:08:38,248 THIS... 218 00:08:38,248 --> 00:08:40,120 OUR KILL ZONE-- 219 00:08:40,120 --> 00:08:43,523 1:30 TO 4:30. 220 00:08:43,523 --> 00:08:46,597 WHAT ELSE? WELL, THE LAB SAID THAT THERE WAS NO TRACES OF CRANBERRY JUICE 221 00:08:46,597 --> 00:08:48,859 OR BALSAMIC VINEGAR IN THE GUM WE FOUND IN MANN'S POCKET. 222 00:08:48,859 --> 00:08:51,131 SO HE MUST HAVE CHEWED THAT BEFORE HE WAS POISONED. 223 00:08:51,131 --> 00:08:54,164 (Castle) WELL, WE KNOW HE LEFT THE STUDIO AT 12:45. WHICH MEANS HE WASN'T POISONED THERE. 224 00:08:54,164 --> 00:08:56,637 AND WE KNOW THAT HIS HOME SECURITY RECORDS 225 00:08:56,637 --> 00:09:00,210 SHOW THAT HE NEVER MADE IT THERE. 12:45 TO 4:50 IN THE MORNING, 226 00:09:00,210 --> 00:09:02,312 LEAVES IN HIS CAR, IS FOUND ON FOOT. 227 00:09:02,312 --> 00:09:04,575 SO WHAT WAS HE DOING THAT WHOLE TIME? 228 00:09:04,575 --> 00:09:06,546 SO THE VEHICLE LOCATOR 229 00:09:06,546 --> 00:09:08,548 IN MANN'S BUGATTI IS NOT SENDING A SIGNAL. 230 00:09:08,548 --> 00:09:11,221 PROBABLY IN AN UNDERGROUND PARKING GARAGE. WHICH MEANS IT COULD BE ANYWHERE. 231 00:09:11,221 --> 00:09:13,624 CHECK HIS CELL PHONE, SEE IF HE MADE ANY CALLS LAST NIGHT, 232 00:09:13,624 --> 00:09:15,926 AND THEN GO TO HIS BROWNSTONE. CASTLE AND I WILL HEAD 233 00:09:15,926 --> 00:09:18,228 TO THE STUDIO AND SEE WHAT WE CAN DIG UP THERE. 234 00:09:18,228 --> 00:09:20,560 OH, GUYS. YEAH. 235 00:09:20,560 --> 00:09:22,332 NO TALK OF MURDER. THE LONGER WE CAN KEEP THIS 236 00:09:22,332 --> 00:09:24,995 AWAY FROM THE PRESS, THE BETTER OFF WE'LL BE. 237 00:09:24,995 --> 00:09:26,336 (woman) I'M SORRY. 238 00:09:26,336 --> 00:09:28,899 I DON'T KNOW WHERE HE WENT AFTER THE SHOW LAST NIGHT. 239 00:09:28,899 --> 00:09:30,901 WHAT IS THIS ABOUT ANYWAY? I THOUGHT BOBBY... 240 00:09:30,901 --> 00:09:32,943 (sighs) DIED OF A HEART ATTACK, RIGHT? 241 00:09:32,943 --> 00:09:35,676 WE'RE JUST TYING UP LOOSE ENDS FOR THE CORONER. 242 00:09:35,676 --> 00:09:37,177 HOW WAS MR. MANN ACTING RECENTLY? 243 00:09:37,177 --> 00:09:39,650 DID YOU NOTICE ANYTHING UNUSUAL? 244 00:09:39,650 --> 00:09:41,011 NO. HE WAS GREAT. 245 00:09:41,011 --> 00:09:43,313 UH... EXCEPT YESTERDAY. 246 00:09:43,313 --> 00:09:46,016 WHAT HAPPENED YESTERDAY? I DON'T KNOW. 247 00:09:46,016 --> 00:09:48,689 I MEAN, HE SPENT THE MORNING LOCKED UP IN HIS OFFICE ALONE. 248 00:09:48,689 --> 00:09:50,691 AND THEN THE REST OF THE DAY, HE WAS AGITATED 249 00:09:50,691 --> 00:09:52,292 AND HE WAS ACTING WEIRD. 250 00:09:52,292 --> 00:09:54,695 WEIRD HOW? PARANOID. 251 00:09:54,695 --> 00:09:57,027 AT ONE POINT HE ASKED ME IF I HAD HEARD ANYTHING, 252 00:09:57,027 --> 00:10:00,030 AND I SAID, "ABOUT WHAT?" AND HE JUST SHRUGGED IT OFF. 253 00:10:00,030 --> 00:10:02,733 WERE YOU AWARE THAT HE WAS ON POWERFUL ANTIDEPRESSANTS? 254 00:10:02,733 --> 00:10:06,106 I MEAN, HE TRIED TO BE VERY PRIVATE ABOUT IT, 255 00:10:06,106 --> 00:10:08,739 BUT WHEN HE WENT ON THEM, HE HAD TO QUIT DRINKING, 256 00:10:08,739 --> 00:10:11,041 AND PEOPLE WONDERED WHY. SO WORD GOT AROUND. 257 00:10:11,041 --> 00:10:13,884 YOU DON'T THINK THAT'S WHAT KILLED HIM, DO YOU? 258 00:10:13,884 --> 00:10:16,286 SOMETHING HE ATE OR-- OR DRANK? 259 00:10:16,286 --> 00:10:20,050 HE WAS VERY CAREFUL. LIKE I SAID, WE'RE JUST FOLLOWING UP. 260 00:10:20,050 --> 00:10:23,253 I KEEP LOOKING OVER AT THAT CURTAIN, YOU KNOW, 261 00:10:23,253 --> 00:10:26,626 WAITING FOR HIM TO WALK THROUGH... 262 00:10:26,626 --> 00:10:29,730 LIKE THIS WAS ALL ONE BIG PUBLICITY STUNT. 263 00:10:29,730 --> 00:10:32,362 THE TWO OF YOU WERE CLOSE, RIGHT? SINCE BEFORE ALL THIS. 264 00:10:32,362 --> 00:10:35,365 SINCE WE WERE JUST KIDS TOGETHER BACK IN 'NAM. 265 00:10:35,365 --> 00:10:38,038 SO HE WOULD'VE TOLD YOU IF THERE WAS ANYTHING WRONG? 266 00:10:38,038 --> 00:10:42,112 LIKE WHAT? LIKE IF HE WAS CONCERNED FOR HIS WELL-BEING. 267 00:10:42,112 --> 00:10:43,413 WHAT'S THIS ALL ABOUT? 268 00:10:43,413 --> 00:10:45,876 I-I THOUGHT HE DIED OF A HEART ATTACK. 269 00:10:45,876 --> 00:10:47,377 JUST ROUTINE QUESTIONING, MR. McPHEE. 270 00:10:47,377 --> 00:10:49,379 YOU KNOW, SOME OF THE PEOPLE SAID THAT HE SEEMED 271 00:10:49,379 --> 00:10:51,381 A LITTLE AGITATED RECENTLY. 272 00:10:51,381 --> 00:10:53,884 (sighs) COME TO THINK OF IT, HE WAS A LITTLE PREOCCUPIED. 273 00:10:53,884 --> 00:10:56,156 I ASKED HIM ABOUT IT AFTER THE SHOW LAST NIGHT, 274 00:10:56,156 --> 00:10:58,328 BUT HE INSISTED HE WAS FINE. 275 00:10:58,328 --> 00:11:00,130 (man) HANK. 276 00:11:00,130 --> 00:11:02,062 MAN, I AM SO SORRY. 277 00:11:02,062 --> 00:11:03,794 (Hank) AW. 278 00:11:03,794 --> 00:11:06,666 NIGHTMARES REALLY HAPPEN. HUH? YEAH. YOU KNOW MICKEY-- 279 00:11:06,666 --> 00:11:08,438 HOST OF "LATE TALK," RIGHT AFTER OUR SHOW? 280 00:11:08,438 --> 00:11:10,440 YES, OF COURSE. I'M A BIG FAN. 281 00:11:10,440 --> 00:11:12,773 I LOVE YOUR WHOLE "BOOTY ROULETTE" GAG. 282 00:11:12,773 --> 00:11:15,675 THAT'S GREAT. I'M RICK. CASTLE. YEAH. SAW YOU ON THE SHOW LAST NIGHT. 283 00:11:15,675 --> 00:11:17,878 I'M DETECTIVE KATE BECKETT. NICE TO MEET YOU. 284 00:11:17,878 --> 00:11:20,781 SO DO EITHER OF YOU KNOW WHERE BOBBY WENT 285 00:11:20,781 --> 00:11:22,282 AFTER THE SHOW LAST NIGHT? 286 00:11:22,282 --> 00:11:24,885 WE'RE TRYING TO TRACK HIS LAST HOURS FOR THE CORONER'S REPORT. 287 00:11:24,885 --> 00:11:26,386 NO CLUE. 288 00:11:26,386 --> 00:11:28,458 I THINK HE SAID SOMETHING ABOUT GOING TO SEE HIS EX-WIFE. 289 00:11:28,458 --> 00:11:30,961 DID HE SAY WHICH ONE? MNH-MNH. 290 00:11:30,961 --> 00:11:33,023 HOW MANY EX-WIVES DID HE HAVE? 291 00:11:33,023 --> 00:11:37,427 6, RANGING IN AGES FROM 25 TO 50. 292 00:11:37,427 --> 00:11:40,901 IT SEEMS EVERY FIVE YEARS, HE TRADED IN FOR THE LATEST MODEL. 293 00:11:40,901 --> 00:11:43,133 SO HE DIDN'T SO MUCH MARRY THEM AS LEASE THEM. 294 00:11:43,133 --> 00:11:45,475 SO I RAN ALL THEIR NAMES THROUGH THE SYSTEM, 295 00:11:45,475 --> 00:11:47,707 AND GUESS WHAT POPPED UP. 296 00:11:47,707 --> 00:11:49,980 SEEMS WIFE NUMBER FIVE HERE WAS ARRESTED 297 00:11:49,980 --> 00:11:53,013 OVER AN ALTERCATION WITH BOBBY AT A RESTAURANT UPTOWN. SHE'S GOT CRAZY EYES. 298 00:11:53,013 --> 00:11:56,246 WELL, THERE'S MORE. ACCORDING TO THE DOORMAN IN HER BUILDING, 299 00:11:56,246 --> 00:11:58,488 BOBBY MANN WAS THERE LAST NIGHT AFTER THE SHOW. 300 00:11:58,488 --> 00:12:02,092 MRS. MANN, WHEN WAS THE LAST TIME YOU SAW YOUR EX-HUSBAND? 301 00:12:02,092 --> 00:12:04,454 ABOUT A YEAR AGO... 302 00:12:04,454 --> 00:12:05,926 IN COURT. 303 00:12:05,926 --> 00:12:08,728 HE TOOK OUT A RESTRAINING ORDER AGAINST ME. 304 00:12:08,728 --> 00:12:10,400 WELL, ACCORDING TO THE COMPLAINT, 305 00:12:10,400 --> 00:12:12,362 YOU DID THREATEN TO KILL HIM. 306 00:12:12,362 --> 00:12:15,305 WELL, I DON'T REALLY REMEMBER WHAT WAS SAID. 307 00:12:15,305 --> 00:12:17,367 "I WISH YOU WERE DEAD, YOU LITTLE WEASEL." 308 00:12:17,367 --> 00:12:21,441 HE WAS DATING A YOUNGER WOMAN, AND SHE LOOKED JUST LIKE ME. 309 00:12:21,441 --> 00:12:23,213 TELL THAT TO HIS PREVIOUS WIFE. 310 00:12:23,213 --> 00:12:25,215 WERE YOU AWARE OF HIS DIETARY RESTRICTIONS? SURE. 311 00:12:25,215 --> 00:12:27,978 NOTHING FERMENTED OR IT COULD GIVE HIM A HEART ATTACK. 312 00:12:27,978 --> 00:12:31,381 WHY? YOU THINK I HAD SOMETHING TO DO WITH IT? 313 00:12:31,381 --> 00:12:33,954 YOU TELL ME, MRS. MANN. ACCORDING TO YOUR DOORMAN, 314 00:12:33,954 --> 00:12:36,286 BOBBY SHOWED UP AT YOUR BUILDING LAST NIGHT. 315 00:12:36,286 --> 00:12:38,829 HE DID? CINDY, WE KNOW YOU SAW HIM. 316 00:12:38,829 --> 00:12:41,331 HOW DO YOU KNOW HE WASN'T THERE TO SEE BARBARA? 317 00:12:41,331 --> 00:12:42,532 BARBARA? 318 00:12:42,532 --> 00:12:44,234 HIS FIRST WIFE. 319 00:12:44,234 --> 00:12:47,167 SHE'S GOT AN APARTMENT IN THE BUILDING, TOO. 320 00:12:47,167 --> 00:12:49,800 WE BOTH GOT 'EM IN THE DIVORCE SETTLEMENT. 321 00:12:49,800 --> 00:12:51,341 BOBBY CO-OWNED THE BUILDING. 322 00:12:51,341 --> 00:12:53,373 (woman) YEAH, I SAW BOBBY LAST NIGHT. 323 00:12:53,373 --> 00:12:55,345 HE CAME BY AROUND 1:00 IN THE MORNING, 324 00:12:55,345 --> 00:12:57,277 WOKE ME UP AS USUAL. 325 00:12:57,277 --> 00:13:00,280 DID HE OFTEN SURPRISE YOU IN THE MIDDLE OF THE NIGHT? 326 00:13:00,280 --> 00:13:03,283 I WAS THE ONE WOMAN WHO FELL IN LOVE WITH HIM 327 00:13:03,283 --> 00:13:05,285 BEFORE ALL THE FAME AND THE MONEY. 328 00:13:05,285 --> 00:13:07,787 WHENEVER HE FELT INSECURE, HE CAME AROUND. 329 00:13:07,787 --> 00:13:10,861 MOSTLY IT WAS THE SAME OLD STUFF-- 330 00:13:10,861 --> 00:13:15,495 HIS RATINGS WERE DOWN OR... HE WAS GETTING OLD. 331 00:13:15,495 --> 00:13:17,467 BUT LAST NIGHT... 332 00:13:17,467 --> 00:13:19,029 WHAT? 333 00:13:19,029 --> 00:13:21,031 IT WAS DIFFERENT. 334 00:13:21,031 --> 00:13:23,303 HE LOOKED... HAUNTED. 335 00:13:23,303 --> 00:13:25,405 HE SAID SOMETHING WAS GOING ON, 336 00:13:25,405 --> 00:13:27,037 SOMETHING AWFUL. 337 00:13:27,037 --> 00:13:30,040 WHAT WAS GOING ON? HE WOULDN'T TELL ME. 338 00:13:30,040 --> 00:13:33,543 HE ASKED ME IF I THOUGHT HE WAS A GOOD PERSON. 339 00:13:33,543 --> 00:13:36,316 AND I HELD HIS HAND AND I SAID, "BOBBY, 340 00:13:36,316 --> 00:13:38,148 "YOU'RE A LOUSY HUSBAND, 341 00:13:38,148 --> 00:13:40,450 BUT YOU'RE A HELL OF A MAN." 342 00:13:42,422 --> 00:13:44,354 THEN HE LEFT. 343 00:13:44,354 --> 00:13:46,496 AT WHAT TIME? 344 00:13:46,496 --> 00:13:49,229 AROUND QUARTER AFTER 1:00. 345 00:13:49,229 --> 00:13:52,362 DID HE SAY WHERE HE WAS GOING? 346 00:13:52,362 --> 00:13:54,064 NO. 347 00:13:55,465 --> 00:13:58,468 I THOUGHT HE WAS GOING HOME. 348 00:13:58,468 --> 00:14:00,370 (Beckett) SOMETHING AWFUL WAS GOING ON. 349 00:14:00,370 --> 00:14:02,372 HE KNEW SOMEONE WAS AFTER HIM. 350 00:14:02,372 --> 00:14:05,075 BUT HE DOESN'T TELL HIS EX-WIFE OR HIS BEST FRIEND. 351 00:14:05,075 --> 00:14:07,217 INSTEAD HE TELLS ME. 352 00:14:07,217 --> 00:14:10,080 MAYBE IT'S BECAUSE HE KNEW YOU WERE WORKING WITH THE COPS. 353 00:14:10,080 --> 00:14:13,553 TELL ME I'M A GOOD PERSON? LIKE HE WAS DOING SOMETHING HE WAS ASHAMED OF. 354 00:14:13,553 --> 00:14:15,926 MM-HMM. (Ryan) OKAY. 355 00:14:15,926 --> 00:14:17,928 NEIGHBORS CONFIRM BARBARA MANN'S STORY. 356 00:14:17,928 --> 00:14:21,531 ONE OF THEM SAW BOBBY LEAVE HER APARTMENT AT 1:15 A.M. 357 00:14:21,531 --> 00:14:23,593 THAT'S OUTSIDE OF OUR KILL ZONE, WHICH MEANS 358 00:14:23,593 --> 00:14:26,166 WE NEED TO FIGURE OUT WHERE HE WENT TO NEXT. 359 00:14:26,166 --> 00:14:28,068 LET'S CANVASS ALL THE GARAGES IN THE AREA, 360 00:14:28,068 --> 00:14:30,270 SEE IF WE CAN FIND MANN'S CAR. 361 00:14:30,270 --> 00:14:32,272 AND LET'S ALSO LOOK INTO HIS FINANCIALS 362 00:14:32,272 --> 00:14:35,175 FOR THE USUAL SECRETS-- DRUGS, GAMBLING, PROSTITUTION. YEAH. 363 00:14:35,175 --> 00:14:37,277 (cell phone rings) OKAY. 364 00:14:37,277 --> 00:14:38,408 (beep) 365 00:14:38,408 --> 00:14:40,080 HELLO. 366 00:14:40,080 --> 00:14:41,982 ELLIE? HI. 367 00:14:41,982 --> 00:14:43,984 (whispers) ELLIE MONROE, FROM THE SHOW. 368 00:14:43,984 --> 00:14:46,416 (normal voice) YEAH. NO, I KNOW. 369 00:14:46,416 --> 00:14:48,558 I UNDERSTAND. 370 00:14:48,558 --> 00:14:51,121 NO, I THINK THAT'S A-A GREAT IDEA. 371 00:14:51,121 --> 00:14:52,292 YEAH. 372 00:14:52,292 --> 00:14:54,094 OKAY, I'LL MEET YOU THERE. 373 00:14:54,094 --> 00:14:55,265 BYE. 374 00:14:55,265 --> 00:14:56,426 (beep) 375 00:14:56,426 --> 00:14:58,068 ELLIE MONROE, HUH? 376 00:14:58,068 --> 00:15:01,331 YEAH, SHE'S PRETTY UPSET ABOUT THIS WHOLE BOBBY MANN THING, 377 00:15:01,331 --> 00:15:03,333 THAT WE WERE HIS LAST GUESTS. 378 00:15:03,333 --> 00:15:05,435 SHE THINKS IT WOULD BE COMFORTING 379 00:15:05,435 --> 00:15:07,437 IF WE WERE TO BE TOGETHER. "COMFORTING"? 380 00:15:07,437 --> 00:15:10,480 IS THAT WHAT THE COOL KIDS CALL IT THESE DAYS? 381 00:15:10,480 --> 00:15:12,242 WOW. 382 00:15:12,242 --> 00:15:14,444 YOU ARE SO CYNICAL. 383 00:15:14,444 --> 00:15:16,646 YOU KNOW, SOMETIMES AFTER A TRAGEDY, 384 00:15:16,646 --> 00:15:19,619 TWO HUMAN BEINGS JUST NEED TO--TO BE WITH EACH OTHER 385 00:15:19,619 --> 00:15:22,692 JUST FOR NO OTHER REASON THAN TO SHOW EACH OTHER 386 00:15:22,692 --> 00:15:25,255 SOME UNDERSTANDING AND SUPPORT. 387 00:15:25,255 --> 00:15:27,097 MM! MM. MM. 388 00:15:27,097 --> 00:15:28,928 MM. 389 00:15:28,928 --> 00:15:32,562 MM. I'M JUST GLAD I CAN BE COMFORTING. 390 00:15:32,562 --> 00:15:34,064 AHH. (grunts) 391 00:15:34,064 --> 00:15:35,235 (purrs) 392 00:15:35,235 --> 00:15:36,636 OH! YES. 393 00:15:39,409 --> 00:15:44,244 GOOD MORNING, DETECTIVE. 394 00:15:44,244 --> 00:15:45,976 REALLY? 395 00:15:45,976 --> 00:15:47,177 WHAT? 396 00:15:47,177 --> 00:15:49,349 LOSE THE "I JUST GOT LAID" VOICE, ALL RIGHT? 397 00:15:49,349 --> 00:15:51,251 WHAT ARE YOU TALKING ABOUT? 398 00:15:51,251 --> 00:15:55,225 I AM A TRAINED DETECTIVE, SO DON'T BOTHER DENYING IT. OKAY, FINE. 399 00:15:55,225 --> 00:15:57,627 OH, SO NOW YOU'RE NOT DENYING IT? 400 00:15:57,627 --> 00:16:01,992 YOU JUST TOLD ME NOT TO. 401 00:16:01,992 --> 00:16:04,564 HEY, GUYS. ANY NEWS ON THE CAR? 402 00:16:04,564 --> 00:16:07,297 NOTHING AT ANY OF THE GARAGES NEAR BARBARA MANN'S BUILDING. 403 00:16:07,297 --> 00:16:09,439 SO WE CHECKED RESTAURANT VALETS IN THE AREA. 404 00:16:09,439 --> 00:16:11,501 BOBBY PAID THE GUY AT MOZART'S 100 BUCKS 405 00:16:11,501 --> 00:16:14,274 TO KEEP IT CLOSE WHILE HE RAN UP TO HIS EX. 406 00:16:14,274 --> 00:16:17,007 WITNESS SAYS HE LEFT A LITTLE BEFORE 1:30. 407 00:16:17,007 --> 00:16:22,452 61st AND CENTRAL PARK WEST. 408 00:16:22,452 --> 00:16:25,355 WHERE DID HE GO AFTER THAT? 409 00:16:25,355 --> 00:16:27,187 (Esposito) MAYBE CHECK TRAFFIC CAMS IN THE AREA. 410 00:16:27,187 --> 00:16:29,589 A GUY IN A SPORTS CAR LIKE THAT 411 00:16:29,589 --> 00:16:32,222 MIGHT HAVE BLASTED THROUGH SOME RED LIGHTS. YEAH. IT'S A BIT OF A HAIL MARY, BUT IT'S WORTH A TRY. 412 00:16:32,222 --> 00:16:34,064 MAYBE WE DON'T NEED TRAFFIC CAMS. 413 00:16:34,064 --> 00:16:36,066 WHY NOT JUST THE MAN ON THE STREET? 414 00:16:36,066 --> 00:16:38,468 I MEAN, A CELEBRITY IN A BUGATTI VEYRON? COME ON. 415 00:16:38,468 --> 00:16:40,170 PEOPLE AREN'T JUST GONNA NOTICE THAT. 416 00:16:40,170 --> 00:16:42,272 THEY ARE GOING TO TALK ABOUT IT, OR MORE SPECIFICALLY, TWEET. 417 00:16:42,272 --> 00:16:43,573 AND... (cell phone chirps) 418 00:16:43,573 --> 00:16:44,474 BOOYAH. 419 00:16:44,474 --> 00:16:47,237 "1:37 A.M. BOBBY MANN F.T.W. 420 00:16:47,237 --> 00:16:49,479 "JUST SAW HIM DRIVING SOME SPACESHIP CAR 421 00:16:49,479 --> 00:16:52,612 INTO A GARAGE AT BROADWAY AND 57th." 422 00:16:52,612 --> 00:16:54,184 OOH. ON IT. 423 00:16:54,184 --> 00:16:57,117 "F.T.W."? "FOR THE WIN." 424 00:16:57,117 --> 00:16:59,249 IT MEANS, UH, "MY TWEET KICKS YOUR TWEET'S BUTT." 425 00:16:59,249 --> 00:17:02,052 COME ON, BECKETT. YOU GOTTA KEEP UP. HANG WITH THE COOL KIDS. 426 00:17:02,052 --> 00:17:03,553 (Ambrosia) ♪ HOW MUCH I FEEL ♪ 427 00:17:03,553 --> 00:17:05,055 ♪ FEEL FOR YOU, BABY... ♪ 428 00:17:05,055 --> 00:17:07,157 I BELIEVE THIS IS FOR YOU. 429 00:17:07,157 --> 00:17:08,498 (laughs) 430 00:17:08,498 --> 00:17:11,531 UM, I'LL JUST-- UM, I'LL JUST TAKE THAT. 431 00:17:11,531 --> 00:17:14,033 I'M JUST GONNA... TAKE THAT. MM-HMM. 432 00:17:14,033 --> 00:17:16,035 (beeps) (whispers) PARDON ME ONE SEC. 433 00:17:16,035 --> 00:17:18,208 (normal voice) HEY, ELLIE. 434 00:17:18,208 --> 00:17:19,509 (chuckles) YES, YES. 435 00:17:19,509 --> 00:17:22,372 LAST NIGHT WAS GREAT, WASN'T IT? 436 00:17:22,372 --> 00:17:24,514 YEAH, I'D LOVE TO. 437 00:17:24,514 --> 00:17:26,376 TONIGHT? SURE. 438 00:17:26,376 --> 00:17:28,648 ALL RIGHT. I'LL SEE YOU THEN. 439 00:17:28,648 --> 00:17:29,819 (beep) 440 00:17:29,819 --> 00:17:32,422 MORE COMFORTING? 441 00:17:32,422 --> 00:17:33,583 UH-- 442 00:17:33,583 --> 00:17:35,585 PARKING GARAGE AT 1525 BROADWAY CONFIRMS 443 00:17:35,585 --> 00:17:37,527 BOBBY MANN PULLED IN AT 1:37 A.M. 444 00:17:37,527 --> 00:17:39,429 AND HE NEVER CAME BACK FOR HIS CAR. 445 00:17:39,429 --> 00:17:41,191 AND WHAT'S AT 1525 BROADWAY? 446 00:17:41,191 --> 00:17:43,193 THE PARK-VIEW PENTHOUSE OF MICKEY REED, 447 00:17:43,193 --> 00:17:45,565 THE GREGARIOUS AND AFFABLE HOST OF "LATE TALK." 448 00:17:45,565 --> 00:17:47,797 OH, MICKEY... NOT SO FINE. 449 00:17:47,797 --> 00:17:50,640 DOORMAN LET BOBBY UP TO HIS PLACE AT 1:45 A.M. 450 00:17:50,640 --> 00:17:52,572 NEIGHBORS COMPLAINED OF A LOUD ARGUMENT. 451 00:17:52,572 --> 00:17:54,574 BOBBY LEFT A LITTLE AFTER 2:00. 452 00:17:54,574 --> 00:17:56,276 SO MICKEY LIED TO US. 453 00:17:56,276 --> 00:17:59,349 HE SAW BOBBY SOMEWHERE RIGHT IN THE MIDDLE OF OUR KILL ZONE. 454 00:17:59,349 --> 00:18:01,351 YOU THINK HE WAS A GOOD HOST, 455 00:18:01,351 --> 00:18:03,653 OFFERED BOBBY A DRINK? 456 00:18:15,695 --> 00:18:18,228 (Mickey) THIS SET LOOKS LIKE AN OLD-AGE HOME. 457 00:18:18,228 --> 00:18:21,531 AND GET RID OF THIS COUCH. MY GRANDMOTHER DON'T WANT THIS ONE. 458 00:18:21,531 --> 00:18:24,174 EVERYTHING NEEDS TO BE UPDATED--NO PURPLE, NO SUEDE, 459 00:18:24,174 --> 00:18:28,178 NO FAUX FINISH--AND GET RID OF THIS STUPID THING. MEASURING DRAPES ALREADY, MR. REED? 460 00:18:28,178 --> 00:18:30,210 LIKE IT OR NOT, DETECTIVE, 461 00:18:30,210 --> 00:18:32,111 THE NETWORK WANTS ME TO TAKE OVER 462 00:18:32,111 --> 00:18:34,244 BOBBY'S TIME SLOT NEXT WEEK RIGHT AFTER THE TRIBUTE. 463 00:18:34,244 --> 00:18:36,246 I KNOW IT SEEMS CALLOUS, 464 00:18:36,246 --> 00:18:38,548 BUT IT'S WHAT BOBBY WOULD'VE WANTED. 465 00:18:38,548 --> 00:18:41,151 EVEN OVER HIS DEAD BODY? EXCUSE ME? 466 00:18:41,151 --> 00:18:43,893 WHY DID YOU LIE TO US ABOUT SEEING MANN THE OTHER NIGHT? 467 00:18:43,893 --> 00:18:45,895 (clears throat) 468 00:18:45,895 --> 00:18:47,597 (lowered voice) OKAY. 469 00:18:47,597 --> 00:18:49,599 LOOK, I'M SORRY, 470 00:18:49,599 --> 00:18:51,901 BUT I LIED BECAUSE I DIDN'T WANT IT GETTING OUT. 471 00:18:51,901 --> 00:18:55,735 THAT YOU TWO WERE FIGHTING? IT'S HARD ENOUGH FILLING THE MAN'S SHOES AROUND HERE. 472 00:18:55,735 --> 00:18:58,738 I DON'T NEED THE TABLOIDS WRITING ABOUT US GETTING INTO IT 473 00:18:58,738 --> 00:19:00,240 ON THE NIGHT HE DIED. 474 00:19:00,240 --> 00:19:03,773 SO I LIED. SO WHAT? SO YOU LIED TO A COP. 475 00:19:03,773 --> 00:19:05,775 (chuckles) LET'S BE REALISTIC. 476 00:19:05,775 --> 00:19:08,918 THE GUY DIED FROM A HEART ATTACK, RIGHT? 477 00:19:08,918 --> 00:19:11,381 WHAT? IT WAS A HEART ATTACK THAT WAS A RESULT 478 00:19:11,381 --> 00:19:13,883 OF TOXINS IN HIS SYSTEM, TOXINS THAT HE INGESTED 479 00:19:13,883 --> 00:19:16,226 SOMEWHERE AROUND THE TIME THAT YOU SAW HIM. 480 00:19:16,226 --> 00:19:20,490 (scoffs) SO YOU GUYS ARE SAYING I KILLED BOBBY? 481 00:19:20,490 --> 00:19:22,492 WHY? WELL, IT'S NO SECRET, 482 00:19:22,492 --> 00:19:24,334 YOU WERE SUPPOSED TO GET HIS 11:30 SLOT, 483 00:19:24,334 --> 00:19:26,336 BUT BOBBY EXTENDED HIS CONTRACT. 484 00:19:26,336 --> 00:19:27,897 MAYBE YOU COULDN'T WAIT. 485 00:19:27,897 --> 00:19:30,640 YOU SOUND AS DEMENTED AS BOBBY. WHAT DO YOU MEAN? 486 00:19:30,640 --> 00:19:32,942 LAST TIME I SAW HIM, WE'RE BEST OF PALS, RIGHT? 487 00:19:32,942 --> 00:19:35,475 THE OTHER NIGHT HE COMES OVER, HE'S RANTING AND RAVING, 488 00:19:35,475 --> 00:19:37,807 TALKING ABOUT WHAT A DISLOYAL PUNK I'VE BEEN. 489 00:19:37,807 --> 00:19:39,509 WHY? MAN, I DON'T KNOW. 490 00:19:39,509 --> 00:19:42,352 ALL HE KEPT SAYING WAS, HE KNEW THINGS. 491 00:19:42,352 --> 00:19:45,184 AND I'M LIKE, "BOBBY, WHAT ARE YOU TALKING ABOUT?" 492 00:19:45,184 --> 00:19:47,517 HE STORMS OUT SAYING I KNEW WHAT I'D DONE. 493 00:19:49,188 --> 00:19:52,191 C.S.U.'s AT MICKEY'S APARTMENT RUNNING A SWEEP FOR OUR TOXIN. 494 00:19:52,191 --> 00:19:54,324 KILLING THE KING OF LATE-NIGHT TO TAKE HIS THRONE-- 495 00:19:54,324 --> 00:19:56,326 IT'S VERY "RICHARD III." (man yelling indistinctly) 496 00:19:56,326 --> 00:19:59,329 IT APPEALS TO THE WRITER IN ME. DID YOU WANT A BITE OF THIS? 497 00:19:59,329 --> 00:20:02,602 HELL, I'LL SICK GOD ON YOU! AND YOU? 498 00:20:02,602 --> 00:20:04,904 I DON'T EVER WANT TO SEE YOU ON MY NETWORK AGAIN. 499 00:20:04,904 --> 00:20:07,237 YOU'RE BANNED! AND YOU?! 500 00:20:07,237 --> 00:20:10,209 I DON'T KNOW YOU. 501 00:20:10,209 --> 00:20:12,982 YOU'RE ALL A BUNCH OF NOBODIES! I COULD BUY THIS PRECINCT! 502 00:20:15,315 --> 00:20:17,347 HOWARD WEISBERG, PRESIDENT OF THE NETWORK. 503 00:20:17,347 --> 00:20:18,948 HE JUST FOUND OUT ABOUT THE SEARCH WARRANT 504 00:20:18,948 --> 00:20:20,720 FOR MICKEY REED. 505 00:20:20,720 --> 00:20:23,453 AND HE ALSO FOUND OUT THAT WE THINK BOBBY MANN WAS MURDERED. HOW? 506 00:20:23,453 --> 00:20:25,525 BREAKING NEWS ON A DIFFERENT NETWORK. 507 00:20:25,525 --> 00:20:28,328 THE GUY GOT SCOOPED ON HIS OWN STAR'S MURDER. (chuckles) 508 00:20:28,328 --> 00:20:31,761 SO MUCH FOR KEEPING THE PRESS OUT. YOU TWO BETTER BE RIGHT ABOUT ALL THIS. 509 00:20:31,761 --> 00:20:33,803 (cell phone chimes) 510 00:20:33,803 --> 00:20:34,934 (laughs) 511 00:20:34,934 --> 00:20:37,367 TEXT GIGGLING? REALLY? 512 00:20:37,367 --> 00:20:40,370 IT'S ALEXIS. SHE JUST SAW A LOON FEEDING. 513 00:20:40,370 --> 00:20:42,312 FUNNY. SO DID I. 514 00:20:42,312 --> 00:20:44,814 HEY. SO... MANN'S BUGATTI IS STILL IN THE GARAGE. 515 00:20:44,814 --> 00:20:46,946 THEY WON'T LET US TOUCH IT WITHOUT A SEARCH WARRANT. 516 00:20:46,946 --> 00:20:48,648 $2-MILLION CAR. 517 00:20:48,648 --> 00:20:50,820 APPARENTLY, IT'S WORTH MORE THAN THEIR INSURANCE POLICY. 518 00:20:50,820 --> 00:20:52,952 (chuckles) YOU SURE THEY AREN'T JOYRIDING? 519 00:20:52,952 --> 00:20:55,024 ALL RIGHT, CHECK WITH THE JUDGE. MM-HMM. 520 00:20:55,024 --> 00:20:57,687 (Esposito) OKAY. IF HIS CAR IS STILL IN THE GARAGE, 521 00:20:57,687 --> 00:21:00,360 WHERE'D HE GO AFTER MICKEY'S PLACE? 522 00:21:00,360 --> 00:21:02,962 WELL, IT COULDN'T HAVE BEEN VERY FAR. 523 00:21:02,962 --> 00:21:05,865 HEY, RYAN. DID MICKEY'S DOORMAN MENTION 524 00:21:05,865 --> 00:21:08,037 WHAT DIRECTION MANN WAS HEADED WHEN HE LEFT? 525 00:21:08,037 --> 00:21:10,039 UH... SOUTH. 526 00:21:10,039 --> 00:21:11,571 SOUTH. 527 00:21:11,571 --> 00:21:14,043 SOUTH ON BROADWAY FROM 57th. 528 00:21:14,043 --> 00:21:17,276 THAT'S THE THEATER DISTRICT. AT 2:00 IN THE MORNING? THERE'S NOTHING PLAYING THEN. 529 00:21:17,276 --> 00:21:19,349 WELL, THERE'S DINERS, THERE'S CLUBS, 530 00:21:19,349 --> 00:21:21,711 THERE'S RESTAURANTS. WELL, OTHER THAN THE POISON AND THE GUM, 531 00:21:21,711 --> 00:21:23,713 WE KNOW HE DIDN'T EAT OR DRINK ANYTHING. 532 00:21:25,014 --> 00:21:28,287 MAYBE "TORY" IS A PLACE HE WENT. 533 00:21:28,287 --> 00:21:31,861 UH, CONSERVATORY, INVENTORY, PURGATORY-- 534 00:21:31,861 --> 00:21:34,764 FACTORY! THE COMIC FACTORY. MANN WAS A COMEDIAN. 535 00:21:34,764 --> 00:21:38,328 HE WENT TO A COMEDY CLUB. COMIC FACTORY IS ON, UH, 55th AND BROADWAY. 536 00:21:38,328 --> 00:21:40,700 THAT'S TWO BLOCKS SOUTH. HE PUT HIS GUM IN A-- 537 00:21:40,700 --> 00:21:43,302 IN A PIECE OF PAPER FROM A COMIC FACTORY FLYER. 538 00:21:43,302 --> 00:21:46,376 YOU'RE RIGHT. THEN FROM THE FORENSICS, WE KNOW HE DIDN'T HAVE THE CRANBERRY 539 00:21:46,376 --> 00:21:50,540 OR THE BALSAMIC BEFORE HE SPIT IT OUT. SO HE WAS POISONED EITHER AT OR AFTER THE CLUB. 540 00:21:50,540 --> 00:21:53,012 THEN MICKEY REED DIDN'T KILL BOBBY. 541 00:21:53,012 --> 00:21:55,044 HE'S NOT OUR GUY. 542 00:21:55,044 --> 00:21:56,586 HEY, GUYS. 543 00:21:56,586 --> 00:21:59,449 HOW DO YOU FEEL ABOUT GOING TO SEE A LITTLE COMEDY? 544 00:21:59,449 --> 00:22:03,322 THE GUY'S GOT THE MOST RECOGNIZABLE FACE IN COMEDY. YEAH, I KNOW. 545 00:22:03,322 --> 00:22:05,324 LOOK, I GOT A CALL ON THE CLUB PHONE. 546 00:22:05,324 --> 00:22:06,856 THE CALLER I.D.'s FROM BOBBY'S SHOW. 547 00:22:06,856 --> 00:22:08,628 A GUY ASKS ABOUT ONE OF MY COMEDIANS. 548 00:22:08,628 --> 00:22:11,330 COUPLE HOURS LATER, GUY SHOWS UP TO SEE THAT COMEDIAN, 549 00:22:11,330 --> 00:22:13,332 BUT HE'S GOT A FUNNY LOOKING MOUSTACHE 550 00:22:13,332 --> 00:22:15,865 AND HE'S WEARING A BASEBALL CAP. IT LOOKED LIKE BOBBY. 551 00:22:15,865 --> 00:22:19,639 DID HE TALK TO ANYONE? DID HE HAVE A DRINK? NO. HE SAT IN THE BACK, 552 00:22:19,639 --> 00:22:21,971 LEFT HIS DRINK TICKET, AND BOLTED OUT THE SIDE 553 00:22:21,971 --> 00:22:24,043 AFTER WATCHING THE COMEDIAN HE CAME TO SEE. 554 00:22:24,043 --> 00:22:26,115 ANYTHING SPECIAL ABOUT THIS PARTICULAR COMEDIAN? 555 00:22:26,115 --> 00:22:28,077 ANGEL SANTANA, 556 00:22:28,077 --> 00:22:30,119 THE PROVERBIAL RISING STAR? (woman speaking indistinctly) 557 00:22:30,119 --> 00:22:33,823 I'M ASSUMING YOU KNOW ABOUT THE INCIDENT THAT NIGHT? 558 00:22:33,823 --> 00:22:36,025 WHAT INCIDENT? (applause and laughter) 559 00:22:36,025 --> 00:22:39,389 I'M ANGEL SANTANA. GOOD NIGHT, Y'ALL. 560 00:22:39,389 --> 00:22:41,691 (crowd cheering) 561 00:22:41,691 --> 00:22:43,032 MS. SANTANA. 562 00:22:43,032 --> 00:22:46,065 I'M DETECTIVE ESPOSITO. THIS IS DETECTIVE RYAN. HEY. 563 00:22:46,065 --> 00:22:47,767 OH, HEY. THANKS FOR COMING. 564 00:22:47,767 --> 00:22:49,939 THE OFFICER I TALKED TO DID NOT INSTILL A LOT OF CONFIDENCE. 565 00:22:49,939 --> 00:22:53,072 YOU WANT TO TELL US ABOUT IT? NOT MUCH TO TELL. DURING MY SET THAT NIGHT, 566 00:22:53,072 --> 00:22:54,774 SOMEONE SMASHED MY BIKE'S TAILLIGHT, 567 00:22:54,774 --> 00:22:56,145 BANGED UP THE FENDERS 568 00:22:56,145 --> 00:22:58,608 AND SCRATCHED "LATE-NIGHT BITCH" INTO THE TANK. 569 00:22:58,608 --> 00:23:00,610 I MEAN, WHAT DOES THAT EVEN MEAN? 570 00:23:00,610 --> 00:23:02,752 (Ryan) ACTUALLY, WE'RE NOT HERE ABOUT YOUR BIKE. 571 00:23:02,752 --> 00:23:05,515 MS. SANTANA, DID YOU KNOW BOBBY MANN? 572 00:23:05,515 --> 00:23:07,417 YOU MEAN PERSONALLY? NO. WHY? 573 00:23:07,417 --> 00:23:09,419 WELL, BECAUSE HE CAME TO SEE YOUR ACT 574 00:23:09,419 --> 00:23:12,021 ON THE NIGHT HE WAS KILLED. ANY IDEA WHY? WOW. 575 00:23:12,021 --> 00:23:14,964 HE PROBABLY TRASHED MY BIKE. I'VE HEARD STORIES ABOUT HIM. 576 00:23:14,964 --> 00:23:17,096 I KNOW GUYS HE'S BLACKBALLED JUST BECAUSE THEY DID 577 00:23:17,096 --> 00:23:20,700 HIS COMPETITORS' SHOW. IS THERE ANY REASON WHY HE MIGHT HAVE WANTED TO COME AFTER YOU? 578 00:23:20,700 --> 00:23:22,702 HIS PRODUCER TRIED TO BOOK ME ON HIS SHOW LAST MONTH, 579 00:23:22,702 --> 00:23:24,534 BUT MICKEY REED WANTED ME, TOO. 580 00:23:24,534 --> 00:23:28,137 I HAD TO PICK. MICKEY FELT MORE LIKE MY VIBE. 581 00:23:28,137 --> 00:23:31,010 (Esposito) CLUB OWNER SAID BOBBY LEFT AT 2:30, 582 00:23:31,010 --> 00:23:33,783 AND THE BARTENDER CONFIRMS HE DIDN'T DRINK ANYTHING. 583 00:23:33,783 --> 00:23:37,416 WHICH LEAVES US... TWO HOURS LEFT TO ACCOUNT FOR 584 00:23:37,416 --> 00:23:40,520 AND A WHOLE LOT OF STRANGE BEHAVIOR. 585 00:23:40,520 --> 00:23:42,522 WHY WOULD BOBBY GO SEE A COMEDIAN 586 00:23:42,522 --> 00:23:45,154 WHO DIDN'T WANT TO DO HIS SHOW AND THEN BUST UP HER BIKE? 587 00:23:45,154 --> 00:23:48,598 AREN'T FAMOUS PEOPLE CRAZY AND NARCISSISTIC? I DON'T KNOW. GOTTA ASK CASTLE. 588 00:23:48,598 --> 00:23:50,560 WHERE IS CASTLE ANYWAY? 589 00:23:50,560 --> 00:23:52,562 MM. MM. (grunts) MM. 590 00:23:52,562 --> 00:23:55,705 AH. MM. 591 00:23:55,705 --> 00:23:57,707 (grunts) I'M GONNA NEED SOME NEW SHIRTS. 592 00:23:57,707 --> 00:23:59,168 NO SHIRTS. 593 00:23:59,168 --> 00:24:00,710 (grunts) 594 00:24:00,710 --> 00:24:02,171 (laughs) MM. MM. 595 00:24:04,113 --> 00:24:05,975 (somber voice) GOOD MORNING. 596 00:24:05,975 --> 00:24:07,977 IT'S OKAY, CASTLE. YOU DON'T HAVE TO PRETEND 597 00:24:07,977 --> 00:24:10,780 TO NOT BE IN A GOOD MOOD FOR MY SAKE. 598 00:24:10,780 --> 00:24:12,982 (normal voice) WHY SHOULD I BE IN A GOOD MOOD? 599 00:24:12,982 --> 00:24:15,525 I MEAN... I'M A WRITER. 600 00:24:15,525 --> 00:24:17,787 WE... FAMOUSLY BROOD. 601 00:24:17,787 --> 00:24:20,059 WE... I SHOULD BROOD MORE. 602 00:24:20,059 --> 00:24:22,031 YOU WANT TO BROOD? 603 00:24:22,031 --> 00:24:25,064 FORENSICS ON ANGEL SANTANA'S MOTORCYCLE 604 00:24:25,064 --> 00:24:26,566 ARE A BUST. 605 00:24:26,566 --> 00:24:28,738 THERE'S NO FINGERPRINTS. NOTHING. 606 00:24:28,738 --> 00:24:31,000 WE HAVE NO IDEA WHERE MANN WAS AFTER 2:30. 607 00:24:31,000 --> 00:24:32,702 WHAT ABOUT HIS CAR? 608 00:24:32,702 --> 00:24:35,174 RYAN AND ESPOSITO GOT A WARRANT THIS MORNING. 609 00:24:35,174 --> 00:24:37,677 BUT SEEING THAT HE WAS POISONED AFTER HE PARKED IT, 610 00:24:37,677 --> 00:24:40,249 CHANCES ARE WE WON'T FIND ANYTHING. 611 00:24:40,249 --> 00:24:41,951 AND HIS FINANCIALS WERE CLEAR. 612 00:24:41,951 --> 00:24:43,553 HE PAYS MORE IN ALIMONY 613 00:24:43,553 --> 00:24:46,015 IN A DAY THAN I MAKE IN AN ENTIRE YEAR. 614 00:24:46,015 --> 00:24:47,957 THERE'S NO RED FLAGS ON HIS PHONE RECORDS. 615 00:24:47,957 --> 00:24:49,959 AND I REINTERVIEWED ALL OF HIS COLLEAGUES. 616 00:24:49,959 --> 00:24:52,261 NO ONE HAS ANY IDEA WHY HE WAS ACTING SO PARANOID. 617 00:24:52,261 --> 00:24:55,194 (cell phone rings) YOU'RE NOT PARANOID IF SOMEONE'S ACTUALLY TRYING TO KILL YOU. 618 00:24:55,194 --> 00:24:56,265 (beep) 619 00:24:56,265 --> 00:24:59,869 HEY, TONY! HOW'S MY FAVORITE MOVIE MOGUL? 620 00:24:59,869 --> 00:25:01,801 YES. RIGHT? 621 00:25:01,801 --> 00:25:03,903 (lowered voice) SHE'D BE PERFECT FOR NIKKI. 622 00:25:03,903 --> 00:25:06,075 (normal voice) YES. PERFECT. 623 00:25:06,075 --> 00:25:08,107 THANK YOU. 624 00:25:08,107 --> 00:25:09,939 (beep) 625 00:25:09,939 --> 00:25:12,982 THAT'S A "HEAT WAVE" PRODUCER. 626 00:25:12,982 --> 00:25:15,084 THAT WASN'T ABOUT ELLIE MONROE, WAS IT? 627 00:25:15,084 --> 00:25:18,047 YEAH, WHY? OH. 628 00:25:18,047 --> 00:25:19,589 WHAT? 629 00:25:19,589 --> 00:25:21,591 THAT'S WHY SHE WAS THROWING HERSELF AT YOU. 630 00:25:21,591 --> 00:25:25,054 SHE WANTED YOU TO RECOMMEND HER FOR THE PART. WHAT? 631 00:25:25,054 --> 00:25:27,226 OH, AND FOR THE RECORD, SHE'S NOTHING LIKE NIKKI HEAT. 632 00:25:27,226 --> 00:25:30,099 OH, YOU JUST CAN'T STAND IT THAT A BEAUTIFUL ACTRESS 633 00:25:30,099 --> 00:25:32,732 IS ACTUALLY INTERESTED IN ME. WHY WOULD I CARE? 634 00:25:32,732 --> 00:25:35,104 EXACTLY. THAT'S A GOOD QUESTION. WHY WOULD YOU CARE? 635 00:25:35,104 --> 00:25:37,737 I DON'T. FINE. I'M GONNA GO GET SOME COFFEE. 636 00:25:37,737 --> 00:25:41,641 FINE. I'VE GOT WORK TO DO. 637 00:25:41,641 --> 00:25:43,573 (snaps fingers) BREAK ROOM'S THAT WAY. 638 00:25:43,573 --> 00:25:45,114 DESK. (Esposito) BECKETT. 639 00:25:45,114 --> 00:25:47,116 CASTLE. CHECK THIS OUT. 640 00:25:47,116 --> 00:25:49,919 WE JUST FINISHED THE SWEEP OF BOBBY'S CAR. MM-HMM. 641 00:25:49,919 --> 00:25:52,181 FIRST OFF, THE BUGATTI-- HOLY SHIFT. 642 00:25:52,181 --> 00:25:54,754 WHEN YOU START THIS THING, YOU CAN FEEL IT RIGHT IN-- 643 00:25:54,754 --> 00:25:56,756 BUT AS EXCITING AS THE CAR IS, 644 00:25:56,756 --> 00:25:59,058 I THINK WE FIGURED OUT WHY BOBBY MANN WAS SO TWEAKED. 645 00:25:59,058 --> 00:26:01,060 WE FOUND THIS IN HIS GLOVE COMPARTMENT. 646 00:26:01,060 --> 00:26:05,064 THAT'S KAYLA. SHE'S AN INTERN AT BOBBY'S SHOW. 647 00:26:05,064 --> 00:26:07,266 (Ryan) LOOKS LIKE SHE WAS DOING MORE THAN INTERNING. 648 00:26:07,266 --> 00:26:09,669 YOU SHOULD CHECK OUT THE BACK. 649 00:26:09,669 --> 00:26:11,270 (Castle) "IF THEY FIND OUT, YOU'RE DEAD." 650 00:26:11,270 --> 00:26:13,643 BLACKMAIL, DEATH THREATS AND SCANDAL. 651 00:26:13,643 --> 00:26:17,576 THAT EXPLAINS WHY HIS BEHAVIOR WAS SO ERRATIC. AND PROBABLY WHY HE WAS KILLED. 652 00:26:23,783 --> 00:26:25,284 IT WAS LAST WEEK. 653 00:26:25,284 --> 00:26:27,917 I STAYED LATE TO HELP BOBBY WITH SOME BITS. 654 00:26:27,917 --> 00:26:30,089 DO YOU HAVE ANY IDEA WHO TOOK THAT, KAYLA? 655 00:26:30,089 --> 00:26:32,622 MUST BE SOMEONE WHO WORKS ON THE SHOW. 656 00:26:32,622 --> 00:26:34,864 WHO JUST HAPPENED TO HAVE A CAMERA 657 00:26:34,864 --> 00:26:37,166 AND MANAGED TO CATCH THE TWO OF YOU IN THE ACT? 658 00:26:37,166 --> 00:26:39,869 OR WERE THEY TIPPED OFF MAYBE? 659 00:26:39,869 --> 00:26:41,600 WERE YOU BLACKMAILING BOBBY? 660 00:26:41,600 --> 00:26:43,903 OH, MY GOD. NO. HE'S THREE TIMES YOUR AGE, 661 00:26:43,903 --> 00:26:46,135 AND YOU ARE AN INTERN ON THE SHOW. 662 00:26:46,135 --> 00:26:48,738 THAT ADDS UP TO EMBARRASSMENT AND SCANDAL, 663 00:26:48,738 --> 00:26:50,740 WHICH I'M SURE HE'D PAY A LOT TO AVOID. 664 00:26:50,740 --> 00:26:53,643 NO, I WOULD NEVER DO THAT. 665 00:26:53,643 --> 00:26:54,984 WE WERE IN LOVE. 666 00:26:54,984 --> 00:26:56,686 IN LOVE? REALLY? 667 00:26:56,686 --> 00:26:59,789 AND... HOW LONG WERE THE TWO OF YOU TOGETHER? 668 00:26:59,789 --> 00:27:02,652 THREE WEEKS THIS PAST MONDAY. 669 00:27:02,652 --> 00:27:04,393 UM... 670 00:27:04,393 --> 00:27:06,355 WHO ELSE KNEW? 671 00:27:06,355 --> 00:27:09,859 NO ONE. BOBBY AND I KEPT IT A SECRET. 672 00:27:09,859 --> 00:27:12,231 WE DIDN'T WANT MY MOM TO FIND OUT. 673 00:27:12,231 --> 00:27:14,103 YOUR MOM? 674 00:27:14,103 --> 00:27:15,865 WHO'S YOUR MOM? 675 00:27:15,865 --> 00:27:18,337 HE WAS BANGING MY DAUGHTER RIGHT UNDER MY NOSE? 676 00:27:18,337 --> 00:27:20,710 I WILL KILL HIM! HE'S ALREADY DEAD. 677 00:27:20,710 --> 00:27:22,211 WELL, I WILL KILL HIM AGAIN. 678 00:27:22,211 --> 00:27:24,643 I DON'T CARE. WHERE'S THE CORPSE? MS. MARKS, WE JUST-- 679 00:27:24,643 --> 00:27:28,247 KAYLA, MY OFFICE, NOW! MOVE IT! MOM, YOU DON'T UNDERSTAND-- 680 00:27:28,247 --> 00:27:30,249 (Ms. Marks speaking indistinctly) YOU REALIZE, IF THIS GETS OUT, 681 00:27:30,249 --> 00:27:31,851 IT'LL DESTROY BOBBY'S REPUTATION. 682 00:27:31,851 --> 00:27:34,754 WE'RE NOT TRYING TO ADD TO AN ALREADY DIFFICULT SITUATION. 683 00:27:34,754 --> 00:27:37,126 WE'RE JUST TRYING TO FIND THE KILLER. BOBBY WASN'T AN ANGEL, 684 00:27:37,126 --> 00:27:39,128 BUT YOU LOOK AT THE MAN IN HIS ENTIRETY. 685 00:27:39,128 --> 00:27:41,660 HE DESERVES TO BE REMEMBERED WITH GRACE. 686 00:27:41,660 --> 00:27:44,934 THIS BUSINESS GETS CLOUDED BY MONEY, FAME, AMBITION. 687 00:27:44,934 --> 00:27:47,436 THE ONLY THING THAT BOBBY REALLY CARED ABOUT 688 00:27:47,436 --> 00:27:49,398 WAS MAKING PEOPLE LAUGH. 689 00:27:49,398 --> 00:27:51,901 WELL, WHOEVER TOOK THIS EITHER WORKS FOR THIS SHOW 690 00:27:51,901 --> 00:27:54,103 OR HAD ACCESS TO THIS BUILDING. 691 00:27:54,103 --> 00:27:55,805 AND MAYBE IT WAS SOMEONE IN A FINANCIAL JAM 692 00:27:55,805 --> 00:27:58,147 WHO WAS LOOKING TO SCORE A QUICK BUCK. 693 00:27:58,147 --> 00:28:00,780 OR MAYBE IT'S SOMEONE WITH A GRUDGE AGAINST BOBBY. 694 00:28:00,780 --> 00:28:02,812 I CAN'T IMAGINE ANYONE DOING THAT. 695 00:28:02,812 --> 00:28:05,785 HE WAS A GREAT BOSS. EVERYONE LOVED HIM. 696 00:28:05,785 --> 00:28:08,087 YEAH, AND APPARENTLY, HE LOVED THEM BACK. 697 00:28:08,087 --> 00:28:10,389 OKAY. UH, JANINE CAN GET YOU A LIST OF EVERYONE ON THE CREW 698 00:28:10,389 --> 00:28:12,391 ONCE SHE'S DONE YELLING AT KAYLA. 699 00:28:12,391 --> 00:28:14,924 (cell phone rings) POOR KID. WHO KNOWS? 700 00:28:14,924 --> 00:28:17,997 SHE MIGHT HAVE ENDED UP BEING NUMBER SEVEN. EXCUSE ME. 701 00:28:17,997 --> 00:28:19,468 BECKETT. 702 00:28:19,468 --> 00:28:22,171 WHAT HAVE WE GOT? 703 00:28:22,171 --> 00:28:24,974 WELL, ONCE WE SUSPECTED BLACKMAIL, 704 00:28:24,974 --> 00:28:27,807 I RAN THROUGH HIS FINANCIALS AGAIN. I THOUGHT THEY WERE CLEAN. 705 00:28:27,807 --> 00:28:30,940 WELL, THEY WERE, BUT GOING BACK, WE FOUND THIS. 706 00:28:32,882 --> 00:28:34,884 HE SPENT 100 GRAND ON A KITCHEN RENO. 707 00:28:34,884 --> 00:28:38,717 TOTALLY LEGITIMATE, BUT WE SEARCHED HIS BROWNSTONE-- 708 00:28:38,717 --> 00:28:40,920 AND HE WASN'T RENOVATING HIS KITCHEN. 709 00:28:40,920 --> 00:28:43,152 SO WHO WAS ON THE RECEIVING END OF THE 100 GRAND? 710 00:28:43,152 --> 00:28:44,723 ZACH ROBINSON. 711 00:28:44,723 --> 00:28:47,196 OOH. GOOD BAD-GUY NAME. 712 00:28:47,196 --> 00:28:49,799 SNAKEY "Z," HARD "K." EVEN HAS "ROB" IN IT. 713 00:28:49,799 --> 00:28:52,031 GOOD BAD-GUY RAP SHEET, TOO. 714 00:28:52,031 --> 00:28:55,034 FORMER LOWLIFE PRIVATE INVESTIGATOR. I REMEMBER THIS GUY. 715 00:28:55,034 --> 00:28:57,266 HE HAD SOME CELEBRITY CLIENTS BACK IN THE DAY. 716 00:28:57,266 --> 00:28:59,268 HE WAS KNOWN FOR DIGGING UP DIRT ON FOLKS 717 00:28:59,268 --> 00:29:01,871 AND TURNING IT INTO A PERSONAL PAYDAY. 718 00:29:01,871 --> 00:29:03,943 HE DID A NICKEL ON MULTIPLE COUNTS OF EXTORTION, 719 00:29:03,943 --> 00:29:06,375 WIRE TAPPING, RACKETEERING AND BLACKMAIL. 720 00:29:06,375 --> 00:29:08,918 WELL, ROBINSON MUST HAVE GOTTEN THE PICTURE 721 00:29:08,918 --> 00:29:11,380 FROM SOMEBODY ON THE INSIDE. SURE. FIGURED IT WAS WORTH A FAST BUCK. 722 00:29:11,380 --> 00:29:13,382 BUT IF BOBBY PAID, WHY WOULD HE KILL HIM? 723 00:29:13,382 --> 00:29:15,754 BOBBY FIGURED OUT THAT ROBINSON WAS A BLACKMAILER, 724 00:29:15,754 --> 00:29:19,088 AND THEN HE THREATENED TO TAKE HIM TO THE COPS. BOBBY PUSHES, ROBINSON PUSHES BACK HARDER. 725 00:29:19,088 --> 00:29:21,360 LET'S GO PICK HIM UP. EASIER SAID THAN DONE. 726 00:29:21,360 --> 00:29:23,362 ESPOSITO ALREADY RAN DOWN HIS LAST KNOWN ADDRESS. 727 00:29:23,362 --> 00:29:24,964 ROBINSON'S IN THE WIND. 728 00:29:24,964 --> 00:29:26,966 WELL, LET'S KEEP LOOKING. 729 00:29:26,966 --> 00:29:28,337 YEAH. 730 00:29:28,337 --> 00:29:31,040 YOU ARE A BAD MAN, ZACH ROBINSON. 731 00:29:31,040 --> 00:29:35,244 A DIRTY, NAUGHTY, NO-GOOD BLACKMAILER. 732 00:29:35,244 --> 00:29:37,246 DO YOU DO ALL YOUR INTERROGATIONS IN BED, 733 00:29:37,246 --> 00:29:40,049 DETECTIVE HEAT? YOU THINK THIS IS FUNNY, ROBINSON? 734 00:29:40,049 --> 00:29:41,811 HMM? (coughs and laughs) OKAY, OKAY. 735 00:29:41,811 --> 00:29:43,813 NO, I'LL DO WHATEVER YOU WANT, NIKKI. 736 00:29:43,813 --> 00:29:46,315 OKAY. THAT'S MORE LIKE IT. 737 00:29:46,315 --> 00:29:47,486 (laughs) 738 00:29:47,486 --> 00:29:48,918 MM. 739 00:29:48,918 --> 00:29:49,989 (chuckles) 740 00:29:49,989 --> 00:29:52,221 OH. 741 00:29:52,221 --> 00:29:54,864 (sighs) MM. 742 00:29:54,864 --> 00:29:57,827 MM. YOU ARE SO SWEET. 743 00:29:57,827 --> 00:29:58,868 (chuckles) 744 00:29:58,868 --> 00:30:00,369 AND BRILLIANT. 745 00:30:00,369 --> 00:30:01,901 GUILTY. 746 00:30:01,901 --> 00:30:04,403 MM. WHAT ARE YOU THINKING? 747 00:30:04,403 --> 00:30:06,275 NOTHING. 748 00:30:06,275 --> 00:30:08,437 IT'S RIDICULOUS. 749 00:30:08,437 --> 00:30:11,440 WHAT? COME ON. TELL ME. I WANT TO KNOW WHAT GOES ON 750 00:30:11,440 --> 00:30:13,442 INSIDE THAT INCREDIBLE MIND OF YOURS. 751 00:30:13,442 --> 00:30:16,815 WELL, SINCE YOU PUT IT THAT WAY. 752 00:30:16,815 --> 00:30:19,849 I HAVE THIS... FRIEND AT WORK 753 00:30:19,849 --> 00:30:22,852 WHO THINKS THAT THE ONLY REASON YOU'RE WITH ME IS, 754 00:30:22,852 --> 00:30:26,856 YOU KNOW... FOR THE PART IN THE MOVIE. 755 00:30:26,856 --> 00:30:28,858 WOW. 756 00:30:28,858 --> 00:30:32,301 (scoffs) REALLY? 757 00:30:32,301 --> 00:30:35,935 WHAT DOES THIS FRIEND OF YOURS BASE THAT ON? 758 00:30:35,935 --> 00:30:38,267 YOU KNOW WHAT? I'M-- I'M SORRY. 759 00:30:38,267 --> 00:30:40,339 I SHOULDN'T HAVE REPEATED THAT. 760 00:30:40,339 --> 00:30:42,341 DOES THIS FRIEND KNOW ME? NO. 761 00:30:42,341 --> 00:30:44,573 HAS HE READ ANYTHING ABOUT ME THAT WOULD MAKE HIM THINK 762 00:30:44,573 --> 00:30:46,615 THAT I WOULD PROSTITUTE MYSELF FOR A ROLE? 763 00:30:46,615 --> 00:30:48,847 NO. OF COURSE NOT. 764 00:30:48,847 --> 00:30:50,920 YOU--I--HE'S AN IDIOT. 765 00:30:50,920 --> 00:30:52,922 DO YOU HAVE ANY IDEA HOW HARD IT IS 766 00:30:52,922 --> 00:30:55,054 TO BE A WOMAN IN HOLLYWOOD? 767 00:30:57,456 --> 00:30:59,558 ELLIE. 768 00:30:59,558 --> 00:31:00,930 I-- 769 00:31:00,930 --> 00:31:02,461 (Ellie sobs) 770 00:31:02,461 --> 00:31:03,632 (sighs) 771 00:31:05,334 --> 00:31:06,996 (Ellie cries) 772 00:31:06,996 --> 00:31:08,968 (whispers) BECKETT. 773 00:31:16,245 --> 00:31:18,307 OH, YEAH. 774 00:31:18,307 --> 00:31:20,649 HE LOOKS LIKE A ZACH ROBINSON. 775 00:31:20,649 --> 00:31:22,151 WHERE'D YOU FIND HIM? 776 00:31:22,151 --> 00:31:24,153 THE BOYS CAUGHT UP WITH HIM 777 00:31:24,153 --> 00:31:26,385 AT A CRAPS TABLE AT MOHEGAN SUN. 778 00:31:26,385 --> 00:31:28,557 ALREADY GAMBLING AWAY HIS HARD-EARNED BLACKMAIL MONEY? 779 00:31:28,557 --> 00:31:32,962 SO HOW WAS YOUR DATE WITH YOUR LITTLE STARLET? HOW CAN YOU TELL THIS TIME? 780 00:31:32,962 --> 00:31:35,664 LIKE I SAID, CASTLE... TRAINED DETECTIVE. 781 00:31:35,664 --> 00:31:38,897 WELL... IT WENT LOVELY 782 00:31:38,897 --> 00:31:40,599 NO THANKS TO YOU. 783 00:31:40,599 --> 00:31:43,572 WHAT DID I HAVE TO DO WITH IT? YOU PULLED YOUR JEDI MIND TRICK ON ME. 784 00:31:43,572 --> 00:31:46,205 YOU MADE ME DOUBT ELLIE'S HONESTY. 785 00:31:46,205 --> 00:31:48,907 FOOLISHLY, I TOLD HER WHAT YOU SAID, MADE HER CRY. 786 00:31:48,907 --> 00:31:51,910 CASTLE... SHE'S AN ACTRESS, 787 00:31:51,910 --> 00:31:53,943 A PROFESSIONAL LIAR. 788 00:31:53,943 --> 00:31:56,315 SHE'S PAID TO CRY ON CUE. 789 00:31:59,949 --> 00:32:01,590 NO. 790 00:32:01,590 --> 00:32:03,922 I'VE NEVER SEEN THIS PICTURE BEFORE. 791 00:32:03,922 --> 00:32:05,194 REALLY? 792 00:32:05,194 --> 00:32:07,696 YOU SURE YOU DIDN'T USE IT TO BLACKMAIL BOBBY MANN? 793 00:32:07,696 --> 00:32:09,428 BLACKMAIL? 794 00:32:09,428 --> 00:32:12,231 YOU'RE FISHING IN THE WRONG POND, DETECTIVE. 795 00:32:12,231 --> 00:32:14,303 (folder thuds on table) (Beckett) WHAT ABOUT THE 100 GRAND 796 00:32:14,303 --> 00:32:16,505 FROM BOBBY MANN IN YOUR BANK ACCOUNT? 797 00:32:16,505 --> 00:32:19,008 AM I IN THE RIGHT POND NOW? 798 00:32:19,008 --> 00:32:22,611 THAT WAS FOR... SERVICES RENDERED. 799 00:32:22,611 --> 00:32:24,613 I DON'T THINK WEBSTER'S DEFINES "BLACKMAILING" 800 00:32:24,613 --> 00:32:26,545 AS A SERVICE. 801 00:32:26,545 --> 00:32:30,279 MORE LIKE A COERCIVE THREAT, MR. ROB-INSON. 802 00:32:30,279 --> 00:32:32,951 NO, NO. NO, NO. I NEVER THREATENED BOBBY. 803 00:32:32,951 --> 00:32:34,723 HE HIRED ME. 804 00:32:34,723 --> 00:32:36,425 TO DO WHAT? 805 00:32:36,425 --> 00:32:38,387 (blows air) 806 00:32:40,329 --> 00:32:42,331 MY GUYS SAY THAT YOU DON'T HAVE AN ALIBI 807 00:32:42,331 --> 00:32:44,233 FOR THE NIGHT THAT MANN WAS MURDERED. 808 00:32:44,233 --> 00:32:46,495 YOU CAN'T BE SERIOUS. 809 00:32:46,495 --> 00:32:49,498 I GUESS IT'LL COME OUT WHEN WE GO TO THE MURDER TRIAL. 810 00:32:49,498 --> 00:32:51,640 HAVE A NICE LIFE... SENTENCE. 811 00:32:51,640 --> 00:32:54,343 WHAT? NO, NO. NO, NO. NO, NO, NO, NO, NO, NO. 812 00:32:54,343 --> 00:32:58,077 LOOK, HE REACHED OUT TO ME. SAID HE NEEDED SOME WORK DONE. 813 00:32:58,077 --> 00:33:00,179 WHAT KIND OF WORK? 814 00:33:00,179 --> 00:33:02,651 THE KIND THAT YOU GET PAID A LOT EXTRA TO DO. 815 00:33:02,651 --> 00:33:04,083 SOMETHING ILLEGAL. 816 00:33:04,083 --> 00:33:06,085 W-WELL... 817 00:33:07,686 --> 00:33:10,389 OKAY, LOOK, HE THOUGHT THAT SOMEBODY WAS OUT TO GET HIM. 818 00:33:10,389 --> 00:33:12,391 HE SAID HE NEEDED TO KNOW, 819 00:33:12,391 --> 00:33:15,094 AND SO HE PAID ME TO BUG A GUY'S OFFICE. 820 00:33:15,094 --> 00:33:17,026 WHO? 821 00:33:17,026 --> 00:33:19,668 HOWARD WEISBERG. THE PRESIDENT OF THE NETWORK? 822 00:33:19,668 --> 00:33:22,401 EASY GIG, TOO. BOBBY GOT ME INTO THE BUILDING. 823 00:33:22,401 --> 00:33:24,333 WHEN WAS THIS? 824 00:33:24,333 --> 00:33:27,076 WEEK AGO. WHAT DID YOU DO WITH THE RECORDINGS? 825 00:33:27,076 --> 00:33:29,708 I DELIVERED THE CDs TO BOBBY. WHEN? 826 00:33:29,708 --> 00:33:32,081 YOU KNOW... 827 00:33:32,081 --> 00:33:34,083 THE MORNING BEFORE HE DIED. 828 00:33:34,083 --> 00:33:36,345 (lowered voice) BOBBY'S PRODUCER SAID 829 00:33:36,345 --> 00:33:38,317 HE LOCKED HIMSELF IN HIS OFFICE THAT MORNING. 830 00:33:38,317 --> 00:33:40,319 HE WAS LISTENING TO THE RECORDINGS. (lowered voice) AND THEN 831 00:33:40,319 --> 00:33:44,053 THEY SAID HE STARTED ACTING PARANOID AFTER THAT, 832 00:33:44,053 --> 00:33:45,354 SO WHAT DID HE HEAR? 833 00:33:45,354 --> 00:33:47,696 (lowered voice) AM I GOOD TO GO? 834 00:33:50,729 --> 00:33:54,063 WE FOUND THE RECORDINGS IN MANN'S OFFICE 835 00:33:54,063 --> 00:33:56,065 MIXED IN WITH HIS DVD COLLECTION. 836 00:33:56,065 --> 00:33:58,337 HEARD ANYTHING YET THAT WOULD EXPLAIN 837 00:33:58,337 --> 00:34:01,510 WHY MANN WAS LISTENING IN ON HIS BOSS? NAH, JUST A BUNCH OF TALK ABOUT SETTING UP BREAKFASTS, 838 00:34:01,510 --> 00:34:04,173 LUNCHES, DINNERS AND DRINKS WITH WRITERS, ACTORS AND DIRECTORS. 839 00:34:04,173 --> 00:34:06,815 WHERE ARE WE ON THE BLACKMAIL? OH, WE GOT UNIFORMS RUNNING DOWN ALL SHOW EMPLOYEES 840 00:34:06,815 --> 00:34:09,448 WHO COULD'VE HAD ACCESS TO THE STUDIO TO TAKE THAT PHOTO. 841 00:34:09,448 --> 00:34:12,821 YO. YOU GUYS ARE GONNA WANT TO HEAR THIS. 842 00:34:12,821 --> 00:34:15,324 (Howard) YOU KNOW WHAT? TO HELL WITH BOBBY MANN. 843 00:34:15,324 --> 00:34:17,756 WE'RE LOSING MONEY ON HIM EVERY DAMN NIGHT. 844 00:34:17,756 --> 00:34:20,829 I WANT HIM OUT! (man) OUR HANDS OUR TIED. YOU CAN'T FIRE HIM. 845 00:34:20,829 --> 00:34:24,093 HE'S GOT FIVE YEARS LEFT ON HIS CONTRACT. WHAT IF HE DROPS DEAD, HUH? 846 00:34:24,093 --> 00:34:26,765 SERIOUSLY. THE GUY HAS GOT A BAD HEART. 847 00:34:26,765 --> 00:34:29,238 HOW HARD WOULD IT BE TO MAKE HIM GO AWAY? 848 00:34:29,238 --> 00:34:31,240 I MEAN, HELL, I GOT MICKEY REED TELLING ME EVERY DAY, 849 00:34:31,240 --> 00:34:33,242 HE'S READY TO STEP IN 850 00:34:33,242 --> 00:34:36,105 IF WE COULD JUST GET BOBBY MANN OUT THE DAMN DOOR. 851 00:34:36,105 --> 00:34:39,108 WELL, NO WONDER BOBBY THOUGHT MICKEY WAS DISLOYAL. AND NO WONDER HE THOUGHT SOMEONE WANTED HIM DEAD. 852 00:34:39,108 --> 00:34:41,480 SOMEONE DID. 853 00:34:41,480 --> 00:34:43,712 WHAT IF HE DROPS DEAD, HUH? 854 00:34:43,712 --> 00:34:45,714 SERIOUSLY. THE GUY HAS GOT A BAD HEART. 855 00:34:45,714 --> 00:34:48,257 HOW HARD WOULD IT BE TO MAKE HIM GO AWAY? 856 00:34:48,257 --> 00:34:50,489 (button clicks) LOOKS LIKE YOU GOT YOUR WISH, MR. WEISBERG. 857 00:34:50,489 --> 00:34:52,591 DETECTIVE, NONE OF THE RECORDINGS 858 00:34:52,591 --> 00:34:54,092 ARE ADMISSIBLE IN COURT. 859 00:34:54,092 --> 00:34:56,465 OH, RELAX, BURT. I DIDN'T KILL ANYONE, OKAY? 860 00:34:56,465 --> 00:34:58,467 SAVE IT FOR WHEN I ACTUALLY DO. 861 00:34:58,467 --> 00:35:00,799 DETECTIVE, I WASN'T SERIOUS. BOBBY THOUGHT YOU WERE. 862 00:35:00,799 --> 00:35:02,871 WELL, THEN MAYBE HE SHOULDN'T HAVE BEEN BUGGING MY OFFICE. 863 00:35:02,871 --> 00:35:05,874 HELL, IN PRIVATE, I ISSUE A DOZEN DEATH SENTENCES A DAY 864 00:35:05,874 --> 00:35:09,408 ON UNDERPERFORMING, OVERPAID JACKASSES AT MY NETWORK. 865 00:35:09,408 --> 00:35:11,680 NOW WHAT I WANTED WAS MICKEY REED PULLED TO 11:30. 866 00:35:11,680 --> 00:35:13,682 BUT BOBBY HAD AN $80-MILLION PENALTY 867 00:35:13,682 --> 00:35:17,146 ON HIS CONTRACT. WHICH STILL HAD ANOTHER FIVE YEARS LEFT ON IT. 868 00:35:17,146 --> 00:35:20,889 YEAH. NOW WHAT I DID WAS LEAN ON BOBBY FOR A FEW MONTHS 869 00:35:20,889 --> 00:35:22,851 TO APPEAL TO A YOUNGER AUDIENCE. 870 00:35:22,851 --> 00:35:25,324 BUT THE WORST THING THAT I DID WAS THREATEN TO FIRE HIM 871 00:35:25,324 --> 00:35:26,825 AND PAY HIM THE $80 MIL. 872 00:35:26,825 --> 00:35:29,828 MR. WEISBERG, WHERE WERE YOU BETWEEN 1:30 AND 4:30 A.M. 873 00:35:29,828 --> 00:35:32,361 THE NIGHT OF THE MURDER? (pen clicks) 874 00:35:32,361 --> 00:35:35,334 YOU DON'T HAVE TO ANSWER THAT. IT'S FINE, BURT. CHILL OUT. 875 00:35:35,334 --> 00:35:38,207 I WAS AT THE ESSEX HOUSE HOTEL. WERE YOU WITH ANYONE? 876 00:35:38,207 --> 00:35:41,210 AS A MATTER OF FACT I WAS. THIS ACTRESS I WAS SCREWING 877 00:35:41,210 --> 00:35:43,212 WANTED A PART ON ONE OF MY SITCOMS. 878 00:35:43,212 --> 00:35:45,514 I MET HER AFTER BOBBY'S SHOW. 879 00:35:45,514 --> 00:35:47,776 I'M GONNA NEED A NAME. 880 00:35:47,776 --> 00:35:49,878 SURE. ELLIE MONROE. 881 00:35:49,878 --> 00:35:52,881 (coughing) 882 00:36:01,230 --> 00:36:03,232 THANK YOU FOR COMING BY MS. MONROE. 883 00:36:03,232 --> 00:36:04,733 OF COURSE. 884 00:36:11,670 --> 00:36:13,872 WEISBERG'S ALIBI... 885 00:36:13,872 --> 00:36:15,944 IS GOOD. 886 00:36:15,944 --> 00:36:17,906 OH, GO ON. YOU CAN SAY IT. 887 00:36:17,906 --> 00:36:19,778 "I TOLD YOU SO." 888 00:36:19,778 --> 00:36:22,281 NO, THANKS. I'M ACTUALLY NOT IN THE GLOATING MOOD. 889 00:36:22,281 --> 00:36:24,883 HIS ALIBI SETS US BACK TO SQUARE ONE... 890 00:36:24,883 --> 00:36:28,557 WHICH MEANS WE HAVE NO IDEA WHO THE BLACKMAILER IS 891 00:36:28,557 --> 00:36:31,260 AND WE DON'T KNOW WHY MANN WENT TO THE COMEDY CLUB 892 00:36:31,260 --> 00:36:33,262 AND TRASHED ANGEL SANTANA'S BIKE. 893 00:36:33,262 --> 00:36:35,624 AND WE HAVE NO IDEA WHO THE KILLER IS. 894 00:36:35,624 --> 00:36:37,866 WELL, THE GOOD NEWS IS, I CAN WORK ALL NIGHT. 895 00:36:37,866 --> 00:36:39,798 NO PLANS. 896 00:36:39,798 --> 00:36:42,931 YOU KNOW, IT'S LATE, AND I'M KINDA TIRED. 897 00:36:42,931 --> 00:36:46,275 HOW ABOUT WE PICK THIS UP IN THE MORNING? ALL RIGHTY, THEN. 898 00:36:46,275 --> 00:36:48,777 AND THE BOYS'LL BE BACK ON DUTY TOMORROW, 899 00:36:48,777 --> 00:36:51,340 TO COIN A PHRASE... 900 00:36:51,340 --> 00:36:54,343 WHICH WOULD BE INACCURATE... 901 00:36:54,343 --> 00:36:57,346 BECAUSE YOU ARE NOT A BOY. 902 00:36:57,346 --> 00:36:59,588 IS THIS SOME KIND OF A WEIRD COME-ON? 903 00:36:59,588 --> 00:37:02,921 I THINK I KNOW WHAT BOBBY MANN WAS DOING AT THAT COMEDY CLUB. 904 00:37:02,921 --> 00:37:05,524 I THINK I KNOW WHY HE THOUGHT HE WAS AN AWFUL PERSON. 905 00:37:05,524 --> 00:37:08,226 AND... I THINK I KNOW WHO KILLED HIM. 906 00:37:08,226 --> 00:37:09,558 (Beckett) MR. McPHEE? 907 00:37:09,558 --> 00:37:10,899 AH. 908 00:37:10,899 --> 00:37:13,762 I WAS JUST GOING OVER MY NOTES FOR THE TRIBUTE. 909 00:37:13,762 --> 00:37:16,365 35 YEARS OF FRIENDSHIP-- 910 00:37:16,365 --> 00:37:19,768 IT'S KINDA HARD TO FIND JUST THE RIGHT STORY TO TELL. 911 00:37:19,768 --> 00:37:21,540 WHAT CAN I DO FOR YOU? 912 00:37:21,540 --> 00:37:23,272 WE JUST CAME BY TO GIVE YOU THIS. 913 00:37:23,272 --> 00:37:25,514 BOBBY'S IDEA BOOK-- WE THOUGHT YOU MIGHT LIKE IT. 914 00:37:25,514 --> 00:37:29,278 THANKS. WE DID HAVE A QUESTION ABOUT WHAT HE WROTE ON THE LAST PAGE. 915 00:37:29,278 --> 00:37:30,779 (paper rustles) 916 00:37:30,779 --> 00:37:33,522 "THE BOYS'LL BE BACK ON DUTY TOMORROW NIGHT." 917 00:37:33,522 --> 00:37:35,023 ACTUALLY, HE CROSSED OUT "BOYS" 918 00:37:35,023 --> 00:37:37,255 AND WROTE "GANG, POSSE" AND "CREW." 919 00:37:37,255 --> 00:37:40,389 ANY IDEA WHY? 920 00:37:40,389 --> 00:37:42,631 I GUESS WE'LL NEVER KNOW. 921 00:37:42,631 --> 00:37:44,963 I WOULDN'T BE TOO SURE ABOUT THAT. 922 00:37:44,963 --> 00:37:47,696 THE NETWORK WAS PRESSURING BOBBY TO MAKE A CHANGE. 923 00:37:47,696 --> 00:37:50,769 THEY THREATENED TO CANCEL HIM UNLESS HE DID. AND THE NIGHT THAT HE WAS MURDERED, 924 00:37:50,769 --> 00:37:52,941 HE TOLD BARBARA THAT SOMETHING AWFUL WAS GOING ON. 925 00:37:52,941 --> 00:37:55,444 HE ASKED HER IF HE WAS A GOOD PERSON. 926 00:37:55,444 --> 00:37:57,506 WHY WOULD HE SAY THAT? 927 00:37:57,506 --> 00:37:59,808 BECAUSE OF KAYLA. 928 00:37:59,808 --> 00:38:01,810 NOT KAYLA, HANK. 929 00:38:01,810 --> 00:38:05,414 BECAUSE OF YOU. HE KNEW THAT HE HAD TO FIRE YOU. 930 00:38:05,414 --> 00:38:07,886 HE KNEW HE NEEDED TO FIND SOMEONE YOUNGER AND HIPPER 931 00:38:07,886 --> 00:38:09,388 IF HE WAS GONNA SURVIVE. 932 00:38:09,388 --> 00:38:11,560 SOMEONE LIKE ANGEL SANTANA. 933 00:38:11,560 --> 00:38:14,563 WEISBERG CONFIRMED THAT SHE WAS ON THE NETWORK'S SHORT LIST. 934 00:38:14,563 --> 00:38:16,565 THAT'S WHY IT WASN'T "BOYS" ANYMORE, HANK. 935 00:38:16,565 --> 00:38:18,797 'CAUSE ANGEL'S A GIRL. 936 00:38:18,797 --> 00:38:20,799 THIS IS RIDICULOUS. BOBBY WOULD NEVER FIRE ME. 937 00:38:20,799 --> 00:38:23,301 THEN WHY DID YOU KILL HIM? (laughs) I DIDN'T. 938 00:38:23,301 --> 00:38:25,303 WE RAN YOUR CREDIT CARDS, HANK. 939 00:38:25,303 --> 00:38:27,305 THE NIGHT THAT HE WAS MURDERED, YOU WENT 940 00:38:27,305 --> 00:38:29,908 TO A 24-HOUR GROCERY STORE AND BOUGHT TWO THINGS-- 941 00:38:29,908 --> 00:38:31,710 CRANBERRY JUICE AND BALSAMIC VINEGAR. 942 00:38:31,710 --> 00:38:34,583 IT'S TIME STAMPED. 1:56 A.M. 943 00:38:34,583 --> 00:38:37,416 AND I'M BETTING IF WE TEST YOUR KEYS, 944 00:38:37,416 --> 00:38:39,818 WE'LL FIND METAL FROM ANGEL SANTANA'S MOTORCYCLE 945 00:38:39,818 --> 00:38:41,920 WHERE YOU SCRATCHED IN "LATE-NIGHT BITCH." 946 00:38:41,920 --> 00:38:44,753 (sighs) 947 00:38:47,025 --> 00:38:49,398 HE TOLD ME... (exhales deeply) 948 00:38:49,398 --> 00:38:52,831 THAT NIGHT JUST BEFORE HE LEFT THE STUDIO... 949 00:38:55,063 --> 00:38:56,935 HOW HE'D HEARD WEISBERG SAY 950 00:38:56,935 --> 00:38:59,908 THEY WERE GONNA BURY HIM UNLESS HE MADE A CHANGE. 951 00:38:59,908 --> 00:39:01,970 35 YEARS, I HAD HIS BACK. 952 00:39:01,970 --> 00:39:05,774 HE WAS GONNA TOSS ME ASIDE LIKE ONE OF HIS EX-WIVES, 953 00:39:05,774 --> 00:39:08,517 HUMILIATE ME IN FRONT OF THE WHOLE COUNTRY. 954 00:39:08,517 --> 00:39:11,620 I KNEW IT WAS COMING. I SAW ALL THE LITTLE SIGNS, 955 00:39:11,620 --> 00:39:14,823 THE AWKWARD MOMENTS IN THE HALL. 956 00:39:14,823 --> 00:39:16,825 I SENT HIM THAT PICTURE OF HIM AND KAYLA 957 00:39:16,825 --> 00:39:18,957 TO REMIND HIM OF ALL THE SECRETS I KEPT. 958 00:39:18,957 --> 00:39:21,129 YOU KNOW WHAT HE SAID? 959 00:39:21,129 --> 00:39:24,092 THE SCANDAL WOULD ONLY HELP HIS RATINGS. 960 00:39:24,092 --> 00:39:25,964 YOU BOUGHT YOUR POISON 961 00:39:25,964 --> 00:39:28,036 AND YOU FOLLOWED HIM TO THE CLUB. 962 00:39:28,036 --> 00:39:30,038 I CONFRONTED HIM WHEN HE CAME OUT. 963 00:39:30,038 --> 00:39:32,971 I TOLD HIM NOT TO THROW AWAY EVERYTHING WE'D BUILT. 964 00:39:32,971 --> 00:39:35,003 HE TOLD ME HE COULDN'T SAVE ME. 965 00:39:35,003 --> 00:39:37,946 WEISBERG WAS GOING YOUNGER WITH OR WITHOUT HIM. 966 00:39:37,946 --> 00:39:40,979 WELL, IF YOU KNEW HE DIDN'T HAVE A CHOICE, WHY DID YOU KILL HIM? 967 00:39:40,979 --> 00:39:43,151 BECAUSE HE DID HAVE ANOTHER CHOICE. 968 00:39:43,151 --> 00:39:45,714 GO DOWN WITH THE SHIP! 969 00:39:45,714 --> 00:39:47,516 WE BOTH GO OUT GRACEFULLY, 970 00:39:47,516 --> 00:39:49,988 AND BOBBY GETS 80 MILLION BUCKS 971 00:39:49,988 --> 00:39:55,023 INSTEAD OF HIM CONTINUING THE SHOW WITH SOME KID. 972 00:39:55,023 --> 00:39:58,396 I GAVE HIM OVER 4,000 SHOWS, 973 00:39:58,396 --> 00:40:00,929 LAUGHING AT EVERY LOUSY JOKE HE CRACKED, 974 00:40:00,929 --> 00:40:04,002 WHETHER THEY WERE FUNNY OR NOT. 975 00:40:04,002 --> 00:40:05,974 JEEZ. 976 00:40:05,974 --> 00:40:08,677 (Beckett) SO HOW DID YOU MANAGE IT? 977 00:40:10,038 --> 00:40:12,741 WHEN I KNEW I COULDN'T CHANGE HIS MIND, 978 00:40:12,741 --> 00:40:14,412 I TOLD HIM... 979 00:40:14,412 --> 00:40:16,044 I UNDERSTOOD. 980 00:40:16,044 --> 00:40:19,087 WE WALKED OVER TO THE WEST SIDE HIGHWAY, 981 00:40:19,087 --> 00:40:23,021 SAT ON A BENCH, LOOKED OUT AT THE WATER, 982 00:40:23,021 --> 00:40:26,094 TALKED ABOUT WHAT A GREAT RUN WE'D HAD. 983 00:40:27,856 --> 00:40:30,529 THEN I OFFERED HIM A DRINK. 984 00:40:30,529 --> 00:40:33,732 HE WAS MY BEST FRIEND. 985 00:40:33,732 --> 00:40:37,065 YOU DON'T DO THAT TO YOUR FRIEND. 986 00:40:39,968 --> 00:40:41,970 (Castle) YET ANOTHER EXAMPLE OF 987 00:40:41,970 --> 00:40:44,513 WHY YOU SHOULDN'T MIX BUSINESS WITH PLEASURE, 988 00:40:44,513 --> 00:40:45,944 EVEN SHOW BUSINESS. 989 00:40:45,944 --> 00:40:48,677 ARE YOU TALKING ABOUT THE CASE OR YOURSELF? 990 00:40:48,677 --> 00:40:50,148 (laughs) YEAH. 991 00:40:50,148 --> 00:40:51,650 TOUCHé, DETECTIVE. 992 00:40:51,650 --> 00:40:53,652 SO YOU WANT TO GO FOR A VICTORY LAP 993 00:40:53,652 --> 00:40:55,754 AND GRAB A BURGER? 994 00:40:55,754 --> 00:40:58,226 OH, CAN'T. GOTTA GO. BIG DATE. YOU'RE KIDDING, RIGHT? 995 00:40:58,226 --> 00:41:00,589 YOU'RE GOING OUT WITH ELLIE MONROE EVEN THOUGH 996 00:41:00,589 --> 00:41:03,131 YOU KNOW THE ONLY REASON THAT SHE WAS INTERESTED IN YOU 997 00:41:03,131 --> 00:41:04,633 WAS FOR A PART? 998 00:41:04,633 --> 00:41:07,936 HAVE YOU LOST ALL SENSE OF HUMAN DECENCY 999 00:41:07,936 --> 00:41:09,998 AND SELF-RES--WHAT? 1000 00:41:09,998 --> 00:41:13,001 MY BIG DATE... IS WITH ALEXIS. 1001 00:41:13,001 --> 00:41:15,043 SHE'S GETTING BACK FROM HER TRIP. 1002 00:41:15,043 --> 00:41:18,006 OH. 1003 00:41:25,754 --> 00:41:30,218 ♪♪ 1004 00:41:33,121 --> 00:41:35,093 (doorbell buzzes) 1005 00:41:35,093 --> 00:41:38,096 RIGHT ON TIME, ALEXIS. 1006 00:41:38,096 --> 00:41:40,599 OH, SACAGAWEA... 1007 00:41:40,599 --> 00:41:43,101 HAS RETURNED! 1008 00:41:43,101 --> 00:41:45,103 AND YOU ARE NOT SACAGAWEA, 1009 00:41:45,103 --> 00:41:47,005 BUT COME IN. 1010 00:41:47,005 --> 00:41:48,206 THANKS. 1011 00:41:48,206 --> 00:41:50,038 (sighs) 1012 00:41:50,038 --> 00:41:52,040 I'M HEADED BACK TO L.A. 1013 00:41:52,040 --> 00:41:55,283 AND I JUST WANTED TO... SAY SORRY. 1014 00:41:55,283 --> 00:41:57,986 THANKS. BUT THE TRUTH IS, 1015 00:41:57,986 --> 00:42:00,589 I'VE NEVER HAD SO MUCH FUN BEING USED. 1016 00:42:00,589 --> 00:42:03,151 YOU FEEL FREE TO HAVE AT ME ANYTIME. 1017 00:42:03,151 --> 00:42:05,794 WELL, I GUESS YOU'LL RESCIND YOUR RECOMMENDATION OF ME 1018 00:42:05,794 --> 00:42:09,127 TO YOUR PRODUCERS, AND THAT IS THE LEAST I DESERVE-- NO, TONY THINKS YOU ARE GREAT FOR IT, AND SO DO I. 1019 00:42:09,127 --> 00:42:11,029 YOU ARE A BETTER ACTRESS THAN I THOUGHT 1020 00:42:11,029 --> 00:42:13,161 WHEN I RECOMMENDED YOU. 1021 00:42:13,161 --> 00:42:15,203 WELL, YOU SHOULD KNOW, I WASN'T ACTING THE WHOLE TIME. 1022 00:42:15,203 --> 00:42:17,906 (whispers) ME NEITHER. (laughs) 1023 00:42:17,906 --> 00:42:19,608 THANKS, RICK. 1024 00:42:19,608 --> 00:42:21,640 TAKE CARE. 1025 00:42:21,640 --> 00:42:23,141 (normal voice) YOU, TOO. 1026 00:42:23,141 --> 00:42:24,042 BYE. 1027 00:42:24,042 --> 00:42:25,273 HI. 1028 00:42:25,273 --> 00:42:26,975 DAD, WAS THAT-- 1029 00:42:26,975 --> 00:42:28,276 MY SACAGAWEA HAS RETURNED! 1030 00:42:28,276 --> 00:42:30,979 OH, MY GOD. MY BEST GIRL. I MISSED YOU SO MUCH. 1031 00:42:30,979 --> 00:42:33,221 OH, MY GOD. I'M SO GLAD YOU'RE HOME. 1032 00:42:33,221 --> 00:42:36,054 I MISSED YOU, TOO, DAD. 1033 00:42:36,054 --> 00:42:38,326 YOU'RE NOT JUST SAYING THAT, ARE YOU? WHAT-- 1034 00:42:38,326 --> 00:42:40,859 NO, DON'T. TELL ME YOU'RE HUNGRY. I'M STARVING. 1035 00:42:40,859 --> 00:42:42,731 COME WITH ME. TELL ME EVERYTHING. I WILL.