1 00:00:01,102 --> 00:00:03,034 PREVIOUSLY ON "CASTLE"... 2 00:00:03,034 --> 00:00:06,337 ASK ME WHY I'M HERE. YOU KNOW, I ASK MYSELF THAT QUESTION EVERY DAY. 3 00:00:06,337 --> 00:00:08,339 THAT WAS PAULA, MY AGENT, WITH BIG NEWS 4 00:00:08,339 --> 00:00:11,182 ABOUT MY BOOK, "HEAT WAVE." ARE THEY REALLY MAKING A NIKKI HEAT MOVIE? 5 00:00:11,182 --> 00:00:14,085 DUDE, DID I CALL IT OR WHAT? AND YOU ARE ABOUT TO BE IMMORTALIZED 6 00:00:14,085 --> 00:00:15,416 ON THE SILVER SCREEN. 7 00:00:15,416 --> 00:00:18,018 (man) Yeah, I'd like to report a murder. I did it. 8 00:00:18,018 --> 00:00:21,392 HE CALLED TO REPORT HIS CRIME. IT'S LIKE HE DID THIS FOR FUN. (camera shutter clicks) 9 00:00:21,392 --> 00:00:24,295 NIKKI HEAT. HE DEDICATED THIS MURDER TO ME. 10 00:00:24,295 --> 00:00:27,198 NIKKI HEAT I PRESUME. IT'S BECKETT. 11 00:00:27,198 --> 00:00:30,101 SPECIAL AGENT JORDAN SHAW. TELL ME EVERYTHING YOU KNOW ABOUT JORDAN SHAW. 12 00:00:30,101 --> 00:00:33,104 SHE IS LIKE THE FEDERAL YOU. (Shaw) IF OUR KILLER IS OBSESSED WITH NIKKI HEAT, 13 00:00:33,104 --> 00:00:35,706 THEN SO ARE WE. SO HOW LONG HAVE YOU TWO BEEN SLEEPING TOGETHER? 14 00:00:35,706 --> 00:00:38,809 EXCUSE ME? I AM NOT GOING TO LEAVE YOU ALONE. 15 00:00:38,809 --> 00:00:42,313 WHY DON'T YOU TWO ESCORT THE BODY TO THE MORGUE? 16 00:00:42,313 --> 00:00:44,044 ONCE YOU'RE DRESSED, OF COURSE. 17 00:00:44,044 --> 00:00:46,046 (Lanie) "B-U-R"-- 18 00:00:46,046 --> 00:00:47,778 "BURN." NIKKI WILL BURN. 19 00:00:47,778 --> 00:00:50,651 Somebody always has to die, Nikki. (Castle) IF THE MAN IN THE WINDOW... 20 00:00:50,651 --> 00:00:54,225 (gunshot) WAS BEN CONRAD, HE WOULD'VE SHOT HIMSELF ON THE LEFT SIDE. 21 00:00:54,225 --> 00:00:57,388 BEN'S NOT OUR KILLER. BECKETT. (cell phone rings) 22 00:00:57,388 --> 00:00:59,490 (beeps) WHAT, CASTLE? 23 00:00:59,490 --> 00:01:01,592 IT WASN'T BEN CONRAD. HE'S NOT THE KILLER! 24 00:01:01,592 --> 00:01:05,136 The killer's still alive! The killer's still alive! 25 00:01:05,136 --> 00:01:07,438 (three beeps sound) (male voice) GOOD-BYE, NIKKI. 26 00:01:07,438 --> 00:01:10,201 Good-bye, Nikki. KATE! 27 00:01:10,201 --> 00:01:13,404 (debris clatters) 28 00:01:21,112 --> 00:01:23,354 (Castle) KATE, ARE YOU IN THERE?! 29 00:01:23,354 --> 00:01:24,855 (bangs on door) KATE! 30 00:01:24,855 --> 00:01:26,857 (bangs) 31 00:01:26,857 --> 00:01:28,319 OUCH. 32 00:01:28,319 --> 00:01:31,562 OW! (grunts) 33 00:01:31,562 --> 00:01:33,424 KATE? 34 00:01:33,424 --> 00:01:36,096 KATE! 35 00:01:36,096 --> 00:01:38,799 (debris clattering) 36 00:01:38,799 --> 00:01:42,233 (coughing) 37 00:01:42,233 --> 00:01:45,406 KATE? 38 00:01:45,406 --> 00:01:48,139 (coughing) 39 00:01:48,139 --> 00:01:50,641 KATE. KATE. 40 00:01:50,641 --> 00:01:52,112 (coughing continues) 41 00:01:52,112 --> 00:01:54,145 YOU'RE ALIVE. 42 00:01:54,145 --> 00:01:55,786 WHOA. AND YOU'RE NAKED. 43 00:01:55,786 --> 00:01:57,288 CASTLE, TURN AROUND! 44 00:01:57,288 --> 00:01:58,789 (coughs) 45 00:01:58,789 --> 00:02:01,352 YOU KNOW, YOUR APARTMENT IS ON FIRE. 46 00:02:01,352 --> 00:02:03,854 NOW MIGHT NOT BE THE BEST TIME FOR MODESTY. 47 00:02:03,854 --> 00:02:06,827 CASTLE, HAND ME A TOWEL. 48 00:02:06,827 --> 00:02:09,360 YOUR TOWELS ARE ON FIRE. WELL, WHAT ABOUT THE BATHROBE? 49 00:02:09,360 --> 00:02:12,863 THE... DO YOU HAVE ANYTHING TO WEAR THAT'S NONFLAMMABLE? 50 00:02:12,863 --> 00:02:15,166 CASTLE. SORRY. 51 00:02:15,166 --> 00:02:16,907 GIVE ME YOUR JACKET. 52 00:02:16,907 --> 00:02:18,609 (whispers) OKAY, OKAY. 53 00:02:18,609 --> 00:02:20,911 DON'T LOOK. (normal voice) I'M NOT. 54 00:02:20,911 --> 00:02:22,913 DON'T LOOK. I'M NO-NOT LOOKING. 55 00:02:22,913 --> 00:02:24,315 OKAY. 56 00:02:24,315 --> 00:02:26,847 MM. 57 00:02:26,847 --> 00:02:29,380 ALL RIGHT? YEAH. 58 00:02:29,380 --> 00:02:30,551 OKAY. 59 00:02:30,551 --> 00:02:32,853 I DOVE INTO THE TUB JUST AS IT BLEW. 60 00:02:32,853 --> 00:02:34,655 OKAY. 61 00:02:34,655 --> 00:02:36,156 CAN YOU WALK? 62 00:02:36,156 --> 00:02:39,460 UGH. YEAH, JUST... A LITTLE BANGED UP. 63 00:02:39,460 --> 00:02:41,662 OKAY. COME ON. NICE AND EASY. 64 00:02:41,662 --> 00:02:43,664 YEAH. NICE AND EASY. 65 00:02:43,664 --> 00:02:45,666 (grunts) ARE YOU IN ANY PAIN? 66 00:02:45,666 --> 00:02:48,168 WELL, NOT NEARLY AS MUCH AS YOU. (sirens wailing) 67 00:02:48,168 --> 00:02:51,171 IT'S KILLING YOU, ISN'T IT? WHAT? 68 00:02:51,171 --> 00:02:53,874 (wailing continues) HAVING TO WAIT THIS LONG TO TELL ME 69 00:02:53,874 --> 00:02:57,248 HOW YOU BANGED DOWN THE DOOR. YOU WANT ME TO START FROM THE BEGINNING? 70 00:02:57,248 --> 00:02:59,380 (helicopter blades whirring) 71 00:02:59,380 --> 00:03:02,853 (sirens wailing) 72 00:03:02,853 --> 00:03:04,485 FBI. RIGHT OVER THERE. 73 00:03:04,485 --> 00:03:06,487 (police radio chatter) 74 00:03:06,487 --> 00:03:08,619 BECKETT. HOW YOU DOING? 75 00:03:08,619 --> 00:03:11,392 YEAH, I'M FINE. WHAT'D YOU SEE WHEN YOU CAME HOME? 76 00:03:11,392 --> 00:03:13,594 THE, UH, THE DOORS WERE LOCKED LIKE I LEFT THEM, 77 00:03:13,594 --> 00:03:16,467 THE WINDOWS WERE SHUT AND... I DON'T KNOW. 78 00:03:16,467 --> 00:03:19,630 NOTHING SEEMED OUT OF PLACE. BUT I DON'T KNOW, 79 00:03:19,630 --> 00:03:23,234 YOU KNOW, 'CAUSE I THOUGHT THE CASE WAS DONE. IT'S NOT, BUT YOU ARE. 80 00:03:23,234 --> 00:03:25,536 WHAT? 81 00:03:25,536 --> 00:03:27,938 TILL WE FIND THE RIGHT GUY. 82 00:03:27,938 --> 00:03:30,241 WAIT. THIS IS MY APARTMENT. 83 00:03:30,241 --> 00:03:33,284 OKAY? MY LIFE AND MY CASE. 84 00:03:33,284 --> 00:03:34,785 OKAY, FINE. 85 00:03:34,785 --> 00:03:36,847 MY RULES. 86 00:03:36,847 --> 00:03:38,989 YOU DO WHAT I SAY WHEN I SAY 87 00:03:38,989 --> 00:03:40,991 AND HOW I SAY IT. 88 00:03:40,991 --> 00:03:43,694 AND THERE WILL BE A SECURITY DETAIL ON YOU AT ALL TIMES. 89 00:03:43,694 --> 00:03:45,256 FINE. GOOD. 90 00:03:45,256 --> 00:03:48,259 FIRE'S OUT. YOU CAN HEAD UP NOW IF YOU WANT. 91 00:03:48,259 --> 00:03:51,562 (siren wails) 92 00:03:51,562 --> 00:03:54,735 (camera shutter clicking) (man) ...CONSISTENT WITH THAT PATTERN. 93 00:03:54,735 --> 00:03:56,907 (siren wailing) 94 00:03:56,907 --> 00:03:59,810 (man) CHECKING FOR A SECONDARY DEVICES RIGHT NOW. 95 00:03:59,810 --> 00:04:01,011 (police radio chatter) 96 00:04:01,011 --> 00:04:03,344 DID ANYBODY FIND MY FATHER'S WATCH? 97 00:04:03,344 --> 00:04:07,247 IT'S NOT IN THE HALL. THE DAMAGE ISN'T AS BAD IN YOUR BEDROOM. 98 00:04:07,247 --> 00:04:09,550 BUT YOUR CLOTHES DO SMELL LIKE SMOKE AND EXPLOSIVES. 99 00:04:09,550 --> 00:04:12,453 DOES ANYONE KNOW IF INSURANCE PAYS FOR DRY CLEANING? 100 00:04:12,453 --> 00:04:14,955 I'VE GOT THE BLAST SEAT HERE. (camera shutter clicks) 101 00:04:14,955 --> 00:04:17,428 WELL, IT HAD TO HAVE BEEN A SMALL DEVICE, 102 00:04:17,428 --> 00:04:20,461 OTHERWISE I WOULD'VE SEEN IT. THE LAB WILL HAVE THE BREAKDOWN BY MORNING, 103 00:04:20,461 --> 00:04:22,463 BUT THAT'S CYCLONITE. 104 00:04:22,463 --> 00:04:24,835 SAME THING WE FOUND IN BEN CONRAD'S APARTMENT. 105 00:04:24,835 --> 00:04:26,497 SO WHAT TIPPED YOU? 106 00:04:26,497 --> 00:04:29,900 IT WASN'T ME. IT WAS CASTLE. 107 00:04:29,900 --> 00:04:31,902 UH, WELL, OUR SUPPOSED KILLER, BEN CONRAD, 108 00:04:31,902 --> 00:04:33,704 SHOT HIMSELF WITH HIS RIGHT HAND, 109 00:04:33,704 --> 00:04:35,406 YET THE MAN THAT DETECTIVE BECKETT AND I 110 00:04:35,406 --> 00:04:38,649 SAW IN THE WINDOW WAS HOLDING THE GUN IN HIS LEFT HAND. 111 00:04:38,649 --> 00:04:41,412 THE SHOT WENT OFF JUST AS SOON AS HE STEPPED OUT OF VIEW. 112 00:04:41,412 --> 00:04:43,754 HE WOULDN'T HAVE-- COULDN'T HAVE--HAD TIME 113 00:04:43,754 --> 00:04:45,516 TO SWITCH HANDS THAT FAST. 114 00:04:45,516 --> 00:04:48,018 OUR REAL KILLER SHOT BEN CONRAD, PLACED THE GUN IN HIS HAND, 115 00:04:48,018 --> 00:04:50,921 MAKING IT LOOK LIKE A SUICIDE. WE WERE OUTSIDE THE DOOR. WE HEARD THE SHOT. 116 00:04:50,921 --> 00:04:52,993 GO! (agents) FBI! 117 00:04:52,993 --> 00:04:55,496 THERE'S NO WAY ELSE OUT OF THAT APARTMENT. 118 00:04:55,496 --> 00:04:58,499 SO IF BEN CONRAD DIDN'T KILL HIMSELF... THEN OUR KILLER WAS IN THE APARTMENT THE WHOLE TIME. 119 00:04:58,499 --> 00:05:01,802 HOW THE HELL DID WE MISS HIM? (Castle) LET'S GO FIND OUT. 120 00:05:04,074 --> 00:05:07,037 (knocking on walls) 121 00:05:12,783 --> 00:05:14,915 YOU GUYS. 122 00:05:14,915 --> 00:05:18,048 TAKE A LOOK IN HERE. 123 00:05:18,048 --> 00:05:20,891 I THINK I FOUND SOMETHING. 124 00:05:20,891 --> 00:05:22,893 (Castle) WHAT HAVE YOU GOT? 125 00:05:22,893 --> 00:05:25,426 (grunts) MAYBE HIS HIDING PLACE. 126 00:05:33,734 --> 00:05:35,436 WHOA. 127 00:05:35,436 --> 00:05:37,107 DISCARDED CLOTHING. 128 00:05:37,107 --> 00:05:40,441 (Shaw) THE EXACT SAME OUTFIT 129 00:05:40,441 --> 00:05:42,943 CONRAD WAS WEARING WHEN WE FOUND HIM. 130 00:05:42,943 --> 00:05:45,646 (Beckett) RIGHT DOWN TO A FAKE BEARD TO MATCH CONRAD'S. 131 00:05:45,646 --> 00:05:48,449 THE KILLER WANTED US TO THINK HE WAS CONRAD. 132 00:05:48,449 --> 00:05:51,452 THAT'S WHY THE MAN THAT I SAW IN THE WINDOW, 133 00:05:51,452 --> 00:05:53,454 THE ONE FROM OUR EYEWITNESS ACCOUNTS, 134 00:05:53,454 --> 00:05:55,956 LED US STRAIGHT TO BEN. WHICH MEANS THE REAL BEN CONRAD 135 00:05:55,956 --> 00:05:58,389 WAS BEING HELD HOSTAGE IN HIS OWN APARTMENT 136 00:05:58,389 --> 00:06:00,631 THE ENTIRE CASE. 137 00:06:00,631 --> 00:06:02,993 HE MUST HAVE BEEN BOUND AND DUCT-TAPED, 138 00:06:02,993 --> 00:06:06,637 WITH NO IDEA THAT HE WAS BEING BLAMED FOR THREE MURDERS. 139 00:06:06,637 --> 00:06:08,639 EACH OF OUR VICTIMS WAS CAREFULLY SELECTED 140 00:06:08,639 --> 00:06:10,641 FOR THEIR CONNECTION TO BEN CONRAD, 141 00:06:10,641 --> 00:06:12,473 MAKING HIM THE PERFECT PATSY. 142 00:06:12,473 --> 00:06:14,044 THE KILLER'S A CHAMELEON, 143 00:06:14,044 --> 00:06:17,047 CHANGING HIS IDENTITY TO GET CLOSE TO THE VICTIMS. 144 00:06:17,047 --> 00:06:19,910 HE BECOMES BEN CONRAD, HE BECOMES INVISIBLE. 145 00:06:19,910 --> 00:06:21,912 NOBODY'S LOOKING FOR HIM. AND THEN WE COME HERE, 146 00:06:21,912 --> 00:06:24,485 AND WE FIND EXACTLY WHAT WE EXPECT TO FIND-- 147 00:06:24,485 --> 00:06:26,887 OUR SUSPECT DEAD ON THE GROUND-- CASE CLOSED. 148 00:06:26,887 --> 00:06:28,889 MEANWHILE, OUR KILLER WAS RIGHT HERE, 149 00:06:28,889 --> 00:06:30,721 HIDDEN IN THIS SECRET ROOM. 150 00:06:30,721 --> 00:06:33,764 HE WAS HERE THE WHOLE TIME, AND WE MISSED HIM. 151 00:06:33,764 --> 00:06:35,025 (cell phone ringing) 152 00:06:35,025 --> 00:06:37,027 (Shaw) I'LL GET THE EVIDENCE TEAM DOWN HERE, 153 00:06:37,027 --> 00:06:39,029 SEE WHAT THEY CAN FIND. BECKETT. 154 00:06:39,029 --> 00:06:41,432 (man) You are supposed to be dead. 155 00:06:41,432 --> 00:06:43,874 I'M SORRY TO DISAPPOINT YOU. 156 00:06:43,874 --> 00:06:46,036 (cell phone beeps) It was supposed to be over, Nikki. 157 00:06:46,036 --> 00:06:48,038 It was supposed to be done. 158 00:06:48,038 --> 00:06:50,941 But now... now I have to keep going. (woman) No! No! 159 00:06:50,941 --> 00:06:53,944 (three gunshots) 160 00:06:53,944 --> 00:07:00,420 ♪♪ 161 00:07:10,100 --> 00:07:11,602 HE USED HER CELL PHONE 162 00:07:11,602 --> 00:07:14,605 AND THEN HE LEFT IT ON SO WE COULD TRACE IT. 163 00:07:14,605 --> 00:07:16,006 GLORIA RODRIGUEZ. 164 00:07:16,006 --> 00:07:19,109 THIS IS HER I.D. BADGE FROM A HOTEL IN MIDTOWN. 165 00:07:19,109 --> 00:07:22,072 PROBABLY ON HER WAY HOME FROM WORK. HUH. FOUND A SLUG. 166 00:07:22,072 --> 00:07:23,614 LETTER ETCHING? 167 00:07:23,614 --> 00:07:26,446 (police radio chatter) NO, IT LOOKS CLEAN. 168 00:07:26,446 --> 00:07:29,149 THE OTHER MURDERS WERE PLANNED. 169 00:07:29,149 --> 00:07:31,151 THIS ONE WAS DONE OUT OF ANGER, 170 00:07:31,151 --> 00:07:34,084 WANTING TO BE IN CONTROL. ALL BECAUSE I LIVED. 171 00:07:34,084 --> 00:07:37,187 YOU CAN'T BLAME YOURSELF FOR THAT. 172 00:07:37,187 --> 00:07:40,060 HOW DID HE KNOW YOU LIVED? 173 00:07:40,060 --> 00:07:41,962 (police radio chatter) 174 00:07:41,962 --> 00:07:43,734 HE WAS WATCHING... 175 00:07:43,734 --> 00:07:46,466 AT THE AFTERMATH. 176 00:07:46,466 --> 00:07:48,068 EVERYTHING ABOUT THIS GUY'S PROFILE 177 00:07:48,068 --> 00:07:50,941 TELLS ME HE WAS WATCHING AT THE OTHER CRIME SCENES. 178 00:07:50,941 --> 00:07:53,974 YEAH, BUT THE FIRST THING WE DID WAS COMPARE CRIME SCENE PHOTOS. 179 00:07:53,974 --> 00:07:56,246 YEAH, I KNOW. WE RAN THEM THROUGH FACIAL RECOGNITION. 180 00:07:56,246 --> 00:08:00,080 BUT HE WAS THERE. I KNOW HE WAS THERE. HE WOULDN'T BE IN THE CROWD. 181 00:08:00,080 --> 00:08:02,152 HE'D KNOW THAT'S WHERE WE'D LOOK. 182 00:08:02,152 --> 00:08:05,485 (sirens wailing) NO, HE HIDES IN PLAIN SIGHT. HE'S A CHAMELEON. 183 00:08:05,485 --> 00:08:07,618 WE DIDN'T SEE HIM IN THE CROWD... 184 00:08:07,618 --> 00:08:10,060 BECAUSE HE WAS DRESSED AS ONE OF US. 185 00:08:10,060 --> 00:08:11,992 (Shaw) SAME COP, 30 PHOTOS, 186 00:08:11,992 --> 00:08:14,995 NOT ONE OF THEM HAS A CLEAR SHOT OF HIS FACE. 187 00:08:14,995 --> 00:08:17,528 THAT IS NOT A COINCIDENCE. 188 00:08:17,528 --> 00:08:20,070 HE KNEW WHERE THE CAMERA WAS. HE KNOWS OUR PLAYBOOK. 189 00:08:20,070 --> 00:08:22,903 I'M GONNA GET RYAN AND ESPOSITO TO CANVASS THE OTHER UNIFORMS. 190 00:08:22,903 --> 00:08:26,176 MAYBE THEY CAN GET A DESCRIPTION. NOT THAT IT'LL DO ANY GOOD. 191 00:08:26,176 --> 00:08:28,038 THE LAST SKETCH WE GOT OF THIS GUY, 192 00:08:28,038 --> 00:08:30,881 HE LOOKED LIKE BEN CONRAD. OKAY, DO YOU HAVE A BETTER IDEA? 193 00:08:30,881 --> 00:08:33,513 'CAUSE I AM ALL OUT. 194 00:08:33,513 --> 00:08:37,087 AND IF WE DON'T CATCH HIM SOON, HE'S GONNA KILL AGAIN. YOU CAN'T TAKE THIS PERSONALLY. 195 00:08:37,087 --> 00:08:39,790 THE HELL I CAN'T. HE JUST BLEW UP MY APARTMENT. 196 00:08:39,790 --> 00:08:42,122 I THINK THAT'S PRETTY DAMN PERSONAL. 197 00:08:42,122 --> 00:08:44,825 DO YOU KNOW HOW THEY CAUGHT SON OF SAM? A P-PARKING TICKET. 198 00:08:44,825 --> 00:08:47,157 BERKOWITZ PARKED TOO CLOSE TO A FIRE HYDRANT. 199 00:08:47,157 --> 00:08:49,860 ALL WE NEED TO FIND IS OUR PARKING TICKET, 200 00:08:49,860 --> 00:08:51,862 AND WE CATCH THIS SON OF A BITCH. 201 00:08:51,862 --> 00:08:55,205 AS SMART AS HE IS, HE'S GOT A FATAL FLAW--HUBRIS. 202 00:08:55,205 --> 00:08:58,669 IT'S NOT ENOUGH FOR HIM TO BE SMART. HE WANTS US TO KNOW IT. 203 00:08:58,669 --> 00:09:01,071 HE WANTS US TO KNOW HE FOOLED US. 204 00:09:01,071 --> 00:09:03,013 ALL OF HIS FIRST VICTIMS... 205 00:09:03,013 --> 00:09:05,015 THE PERSONAL INJURY LAWYER, 206 00:09:05,015 --> 00:09:08,118 THE DOG WALKER, THE TAXIDERMIST, 207 00:09:08,118 --> 00:09:13,023 THEY ALL LINK BACK TO THE DEATH OF BEN CONRAD'S DOG. 208 00:09:13,023 --> 00:09:14,825 HOW COULD OUR KILLER 209 00:09:14,825 --> 00:09:17,828 HAVE KNOWN ALL THE PLAYERS IN SOMEONE ELSE'S LIFE? 210 00:09:17,828 --> 00:09:20,090 HE MUST HAVE KNOWN BEN CONRAD. 211 00:09:20,090 --> 00:09:21,892 SO THAT'S WHERE WE START. 212 00:09:21,892 --> 00:09:23,193 WE TREAT BEN CONRAD 213 00:09:23,193 --> 00:09:25,195 AS THE FIRST VICTIM IN THIS CASE. 214 00:09:25,195 --> 00:09:28,138 AND THEN WE FIND OUT WHERE HE INTERSECTED WITH OUR KILLER. 215 00:09:28,138 --> 00:09:31,041 (man) THE EXACT CAUSE OF LAST NIGHT'S EXPLOSION 216 00:09:31,041 --> 00:09:32,903 IN GREENWICH VILLAGE... DAD! 217 00:09:32,903 --> 00:09:35,275 HEY. HEY. OH! HEY. AW, I'M ALL RIGHT. 218 00:09:35,275 --> 00:09:37,908 I'M ALL RIGHT. WHERE'S DETECTIVE BECKETT? 219 00:09:37,908 --> 00:09:39,279 AT THE PRECINCT. 220 00:09:39,279 --> 00:09:42,582 (exhales) I CAN'T IMAGINE HOW SHE SURVIVED THAT EXPLOSION. 221 00:09:42,582 --> 00:09:44,584 WHERE WAS SHE WHEN IT WENT OFF? 222 00:09:44,584 --> 00:09:47,587 SHE WAS THERE. SHE, UH... JUMPED INTO THE BATHTUB. 223 00:09:47,587 --> 00:09:49,589 THE BATHROOM DOOR AND THE CAST-IRON TUB 224 00:09:49,589 --> 00:09:51,591 PROTECTED HER FROM THE BLAST. OH! (blows air) 225 00:09:51,591 --> 00:09:54,725 DAD, WHY IS THAT PERSON GOING AFTER DETECTIVE BECKETT? 226 00:09:54,725 --> 00:09:57,027 WELL, AT THE MOMENT, ALL WE HAVE IS A THEORY. 227 00:09:57,027 --> 00:09:59,830 BUT--BUT WE KNOW MORE NOW, AND WE HAVE A STRATEGY. 228 00:09:59,830 --> 00:10:01,872 DO YOU THINK HE'LL COME AFTER YOU? 229 00:10:01,872 --> 00:10:04,074 OH, SWEETHEART. I'M GONNA BE FINE. 230 00:10:04,074 --> 00:10:07,778 YOU ARE STUCK WITH ME FOR A LONG, LONG TIME. YOU KNOW, I'M SUPPOSED TO MOVE OUT TODAY. 231 00:10:07,778 --> 00:10:10,310 I THINK I SHOULD STAY HERE WITH ALEXIS. WELL, THERE'S NO NEED. 232 00:10:10,310 --> 00:10:12,913 MONTGOMERY HAS SOMEONE KEEPING AN EAGLE EYE ON OUR BUILDING. 233 00:10:12,913 --> 00:10:15,245 BUT ALL THE SAME, WE SHOULD BE ON THE ALERT. 234 00:10:15,245 --> 00:10:17,648 (sniffs) I NEED TO GO CHANGE... 235 00:10:17,648 --> 00:10:20,350 (grunts) AND GO BACK AND HELP. 236 00:10:20,350 --> 00:10:22,252 SEE? 237 00:10:22,252 --> 00:10:24,624 HE'S OKAY. 238 00:10:24,624 --> 00:10:26,626 (man) NO, I APPRECIATE THE INFORMATION. 239 00:10:26,626 --> 00:10:27,998 HEY. 240 00:10:27,998 --> 00:10:29,299 HEY. 241 00:10:29,299 --> 00:10:31,401 WHERE IS EVERYBODY? 242 00:10:31,401 --> 00:10:35,005 RYAN AND ESPOSITO ARE TALKING TO CONRAD'S SISTER, 243 00:10:35,005 --> 00:10:38,238 AND... AGENT SHAW IS BRIEFING THE MAYOR. 244 00:10:38,238 --> 00:10:41,241 OH. I'M SURE HE'LL BE LESS THAN THRILLED 245 00:10:41,241 --> 00:10:43,944 TO LEARN THAT CONRAD IS JUST ANOTHER VICTIM. HMM. 246 00:10:43,944 --> 00:10:45,245 NOTHING LIKE THE THREAT 247 00:10:45,245 --> 00:10:47,247 OF BEING MURDERED BY A SERIAL KILLER 248 00:10:47,247 --> 00:10:49,920 TO STIFLE TOURISM. YEAH, AND IT DOESN'T HELP THAT EVERYONE IN THE CITY 249 00:10:49,920 --> 00:10:51,922 THINKS THAT WE CAUGHT THE GUY. 250 00:10:51,922 --> 00:10:54,054 SPEAKING OF BEN CONRAD, WHAT HAVE YOU FOUND OUT? 251 00:10:54,054 --> 00:10:57,057 34 YEARS OLD, NEVER MARRIED-- 252 00:10:57,057 --> 00:10:59,359 I'M GOING OUT ON A LIMB HERE SAYING, 253 00:10:59,359 --> 00:11:02,192 JUDGING FROM HIS RELATIONSHIP WITH HIS DOG, MR. BUMPKINS, 254 00:11:02,192 --> 00:11:04,194 HE DIDN'T HAVE A GIRLFRIEND. YEAH, WELL, OTHER THAN THE PEOPLE 255 00:11:04,194 --> 00:11:06,837 THAT WE'VE ALREADY RUN DOWN FROM THE DOG PARK, 256 00:11:06,837 --> 00:11:09,369 HE DOESN'T EVEN HAVE FRIENDS. THE MAN STUFFED HIS DOG. 257 00:11:09,369 --> 00:11:12,402 WELL, CONRAD'S SISTER CONFIRMS THAT HE WAS A LONER. 258 00:11:12,402 --> 00:11:15,675 TOLD HER THAT WHEN HE LOST HIS JOB A COUPLE OF MONTHS AGO 259 00:11:15,675 --> 00:11:18,178 THAT HE SPENT HIS DAYS E-MAILING RéSUMéS 260 00:11:18,178 --> 00:11:20,851 AT COFFEE SHOPS THAT OFFER FREE INTERNET. AND OTHER THAN BUMPKINS, 261 00:11:20,851 --> 00:11:23,013 HIS ONLY OTHER JOY IN LIFE WAS THE KNICKS. POOR GUY. 262 00:11:23,013 --> 00:11:25,085 JORDAN SAID THE PROFILE INDICATED THAT 263 00:11:25,085 --> 00:11:28,018 THE KILLER HUNTED CONRAD. IF HE WASN'T A FRIEND, 264 00:11:28,018 --> 00:11:30,220 THEN HE MUST HAVE MET UP WITH HIM SOMEWHERE 265 00:11:30,220 --> 00:11:32,793 WHERE PEOPLE STRIKE UP A CASUAL CONVERSATION. WE FIGURE IF HE CAMPED OUT 266 00:11:32,793 --> 00:11:35,195 WITH HIS LAPTOP AT A COFFEE SHOP, OUR KILLER 267 00:11:35,195 --> 00:11:39,099 COULD'VE SAT DOWN NEXT TO HIM, AND THEY GOT TO TALKING. HIS SISTER SAID THAT HE WAS A KNICKS FAN? 268 00:11:39,099 --> 00:11:41,231 WHAT'S MISSING FROM THESE PICTURES? 269 00:11:41,231 --> 00:11:43,703 GOOD TASTE. AREA RUG. 270 00:11:43,703 --> 00:11:45,205 (Ryan) DECENT LIGHTING. 271 00:11:45,205 --> 00:11:48,208 A TV, WHICH MEANS HE WOULD HAVE TO WALK TO A LOCAL BAR 272 00:11:48,208 --> 00:11:50,440 IN ORDER TO WATCH THE GAMES. YEAH, IF YOU'RE A KNICKS FAN, 273 00:11:50,440 --> 00:11:52,983 YOU GOTTA SHARE YOUR PAIN WITH SOMEBODY. TRUE. 274 00:11:52,983 --> 00:11:55,215 OKAY, YOU TWO TAKE ALL OF THE COFFEE SHOPS 275 00:11:55,215 --> 00:11:57,147 WITHIN A 5-BLOCK RADIUS OF CONRAD'S APARTMENT. 276 00:11:57,147 --> 00:11:59,219 SEE IF ANYONE REMEMBERS HIM TALKING TO A CUSTOMER. 277 00:11:59,219 --> 00:12:02,222 CASTLE AND I WILL TAKE THE BARS. AND IF YOU KEEP QUOTING JORDAN, 278 00:12:02,222 --> 00:12:05,325 I AM GOING TO TURN THE RADIO WAY UP. (singsongy) JEALOUS. 279 00:12:05,325 --> 00:12:07,127 (snickers) 280 00:12:07,127 --> 00:12:10,300 (The Genders) ♪ AND I SAID, HEY, BABY ♪ 281 00:12:10,300 --> 00:12:13,163 YOU KNOW, PUB CRAWLS ARE SUPPOSED TO GREET YOU 282 00:12:13,163 --> 00:12:15,165 WITH A SMILE AND A SHOT OF JAGER, 283 00:12:15,165 --> 00:12:17,968 NOT, "NO, WE'VE NEVER SEEN THE GUY BEFORE. KEEP MOVING." 284 00:12:17,968 --> 00:12:19,970 THIS IS BEGINNING TO FEEL POINTLESS. 285 00:12:19,970 --> 00:12:21,271 BUCK UP, CASTLE. 286 00:12:21,271 --> 00:12:23,273 I GOT A FEELING THIS PLACE IS DIFFERENT. 287 00:12:23,273 --> 00:12:24,975 ♪ LET'S PRETEND ♪ 288 00:12:24,975 --> 00:12:27,247 ♪ LET'S PRETEND ♪ 289 00:12:27,247 --> 00:12:29,279 (Beckett) IT'S STILL AN ONGOING INVESTIGATION. 290 00:12:29,279 --> 00:12:32,752 SO WE'RE GONNA NEED YOU TO TAKE THAT BANNER DOWN. 291 00:12:32,752 --> 00:12:34,754 I WAS JUST TRYING TO WORK AN ANGLE. 292 00:12:34,754 --> 00:12:36,756 YOU SHOULD UNDERSTAND WHAT IT'S LIKE 293 00:12:36,756 --> 00:12:39,229 BEING A WOMAN IN A MAN'S WORLD. 294 00:12:39,229 --> 00:12:42,933 UH, DID BEN CONRAD EVER TALK TO YOU 295 00:12:42,933 --> 00:12:45,265 ABOUT THE RECENT DEATH OF HIS DOG? SURE. 296 00:12:45,265 --> 00:12:48,268 HE LOVED TO FLAP HIS GUMS TO ME ABOUT THAT LITTLE DROPKICK. 297 00:12:48,268 --> 00:12:50,770 ONE TIME, HE CRIED. WELL, WHAT ABOUT THE OTHER CUSTOMERS, 298 00:12:50,770 --> 00:12:53,944 HE EVER TALK TO THEM? HE MOSTLY DRANK ALONE AND WATCHED THE GAMES. 299 00:12:53,944 --> 00:12:55,846 THOUGH A COUPLE OF WEEKS AGO, 300 00:12:55,846 --> 00:12:58,208 HE DID STRIKE IT UP WITH SOME GUY. CAN YOU DESCRIBE HIM? 301 00:12:58,208 --> 00:13:00,951 AVERAGE LOOKING, A BIT OFF, LIKE CONRAD. 302 00:13:00,951 --> 00:13:03,253 THEY SAT AT THAT HIGH TOP OVER THERE. 303 00:13:03,253 --> 00:13:05,255 I FIGURED, HEY, BIRDS OF A FEATHER. 304 00:13:05,255 --> 00:13:09,059 THIS OTHER GUY, DID HE EVER PAY WITH A CREDIT CARD? 305 00:13:09,059 --> 00:13:11,361 THE ONLY TIME HE EVER SAID TWO WORDS TO ME 306 00:13:11,361 --> 00:13:14,224 WAS THE OTHER WEEK WHEN HE ASKED ME TO CALL HIM A CAB. DO YOU REMEMBER WHEN? 307 00:13:14,224 --> 00:13:17,027 I REMEMBER EXACTLY WHEN-- THE KNICKS WERE IN OVERTIME, 308 00:13:17,027 --> 00:13:20,230 AND I MISSED THE END WHILE I WAS ON HOLD. THANKS. 309 00:13:20,230 --> 00:13:22,933 CAB COMPANY SAID THAT THEY SENT A TAXI THERE 310 00:13:22,933 --> 00:13:25,205 10:45, THE NIGHT OF THE KNICKS GAME. 311 00:13:25,205 --> 00:13:27,807 YOU GOT THE DROP-OFF POINT? 312 00:13:27,807 --> 00:13:29,940 YEAH. WEST VILLAGE, CORNER OF VARICK AND DOWNING. 313 00:13:29,940 --> 00:13:32,112 HOME? YOU KNOW, I BET ABOUT 50,000 PEOPLE 314 00:13:32,112 --> 00:13:34,114 LIVE WITHIN WALKING DISTANCE OF THAT CORNER. 315 00:13:34,114 --> 00:13:35,986 WE COULD CANVASS LOCAL BUSINESSES. 316 00:13:35,986 --> 00:13:37,988 FOR AN AVERAGE-LOOKING WHITE GUY? 317 00:13:37,988 --> 00:13:41,221 I MEAN, WE CAN'T EVEN BE SURE WHAT HE LOOKS LIKE. 318 00:13:41,221 --> 00:13:43,894 LOOKS AREN'T THE ONLY METHOD WE HAVE 319 00:13:43,894 --> 00:13:45,595 TO IDENTIFY HIM. 320 00:13:45,595 --> 00:13:48,428 WE ALSO HAVE BEHAVIOR. YOU THINK YOU CAN IDENTIFY HIM THROUGH BEHAVIOR? 321 00:13:48,428 --> 00:13:50,861 WELL, ORIGINALLY, HIS BEHAVIOR SEEMED INCONSISTENT, 322 00:13:50,861 --> 00:13:53,563 BUT THAT WAS BECAUSE HE WAS PRETENDING TO BE SOMEONE ELSE. 323 00:13:53,563 --> 00:13:55,565 WE KNOW A LOT MORE NOW. 324 00:13:55,565 --> 00:13:58,168 HE IS A SHOW-OFF, 325 00:13:58,168 --> 00:14:00,440 A GAME PLAYER WITH AN EXCEPTIONALLY HIGH I.Q. 326 00:14:00,440 --> 00:14:03,343 BUT IT'S NOT ENOUGH TO BE SMART. 327 00:14:03,343 --> 00:14:06,977 HE ALSO HAS A PATHOLOGICAL NEED TO VALIDATE IT, 328 00:14:06,977 --> 00:14:10,180 WHICH TELLS ME THAT HE PROBABLY BELONGS TO AN ORGANIZATION 329 00:14:10,180 --> 00:14:13,123 LIKE MENSA OR PROMETHEUS. 330 00:14:13,123 --> 00:14:15,125 HE IS A CHAMELEON. 331 00:14:15,125 --> 00:14:16,626 SO WE CAN ASSUME 332 00:14:16,626 --> 00:14:19,129 THAT HE IS LIVING UNDER A STOLEN IDENTITY. 333 00:14:19,129 --> 00:14:21,131 AND HE IS... LITERATE. 334 00:14:21,131 --> 00:14:24,164 HE HAS ALREADY SHOWN CERTAIN DISPOSITIONS 335 00:14:24,164 --> 00:14:27,337 IN HIS FASCINATION WITH NIKKI HEAT. 336 00:14:27,337 --> 00:14:30,640 SO WE'VE DRAWN UP A LIST OF PERIODICALS AND MAGAZINES 337 00:14:30,640 --> 00:14:33,303 THAT HE LIKELY SUBSCRIBES TO. 338 00:14:33,303 --> 00:14:35,175 I GET HALF OF THESE. 339 00:14:35,175 --> 00:14:38,308 YES, AND YOU ALSO KILL PEOPLE FOR A LIVING. 340 00:14:38,308 --> 00:14:40,010 IN YOUR BOOKS. 341 00:14:40,010 --> 00:14:42,052 THIS IS A PRETTY WIDE NET. 342 00:14:42,052 --> 00:14:44,054 SO IS VARICK AND DOWNING 343 00:14:44,054 --> 00:14:48,158 AND SO ARE MEMBERSHIPS IN HIGH-I.Q. SOCIETIES. 344 00:14:48,158 --> 00:14:52,062 BUT PUT THEM ALL TOGETHER, AND SOMETIMES WE GET LUCKY. 345 00:14:52,062 --> 00:14:55,495 YOU MEAN LIKE BERKOWITZ'S PARKING TICKET? OH, IT'S NOT ALWAYS THAT NEAT. 346 00:14:55,495 --> 00:14:58,198 YOU JUST KEEP ADDING PIECES OF THE PUZZLE 347 00:14:58,198 --> 00:14:59,499 UNTIL A PICTURE EMERGES. 348 00:14:59,499 --> 00:15:01,201 (Avery) WE COLLATED SUBSCRIPTION INFORMATION 349 00:15:01,201 --> 00:15:02,933 FROM THE PROFILED PERIODICALS 350 00:15:02,933 --> 00:15:05,976 AS WELL AS MEMBER LISTS FROM THE HIGH-I.Q. ORGANIZATIONS 351 00:15:05,976 --> 00:15:08,939 WITHIN A 1-MILE RADIUS OF THE VARICK AND DOWNING AREA. 352 00:15:08,939 --> 00:15:11,141 (computer beeps) WE GOT 17 HITS. 353 00:15:11,141 --> 00:15:13,143 RUN THE NAMES THROUGH OUR DATABASE. 354 00:15:13,143 --> 00:15:16,016 MOST SERIALS HAVE SOME KIND OF INDICATION 355 00:15:16,016 --> 00:15:17,487 OF VIOLENT BEHAVIOR-- 356 00:15:17,487 --> 00:15:20,250 CRIMINAL OR PSYCHIATRIC RECORDS. (beep) 357 00:15:20,250 --> 00:15:24,254 NEGATIVE FOR ANY MATCHES. ALL RIGHT. WELL, AT LEAST WE GAVE IT A SHOT. 358 00:15:24,254 --> 00:15:26,256 I'LL HAVE OUR TEAMS INTERVIEW THESE GUYS-- HUH. 359 00:15:26,256 --> 00:15:28,158 "HUH" WHAT? 360 00:15:28,158 --> 00:15:30,000 THIS ONE HERE-- CHRIS DOHERTY. 361 00:15:30,000 --> 00:15:32,002 WE'VE GOT A RECENT DRIVER'S LICENSE, 362 00:15:32,002 --> 00:15:34,304 BUT ACCORDING TO HIS SOCIAL SECURITY NUMBER, 363 00:15:34,304 --> 00:15:37,507 CHRIS DOHERTY DIED SIX YEARS AGO. 364 00:15:37,507 --> 00:15:40,270 HIS LIVING UNDER A STOLEN IDENTITY. 365 00:15:40,270 --> 00:15:44,274 (Shaw) SO DOES IT SAY WHERE OUR DEAD GUY SUPPOSEDLY LIVED? 366 00:15:46,216 --> 00:15:48,418 (Avery) HIS ADDRESS PUTS HIM HALF A BLOCK 367 00:15:48,418 --> 00:15:51,581 FROM DOWNING AND VARICK. OKAY. NOW I'M OFFICIALLY IMPRESSED. 368 00:15:51,581 --> 00:15:54,484 DON'T BE. NOT UNTIL HE'S IN OUR CUSTODY. 369 00:15:54,484 --> 00:15:57,027 LET'S ROLL. 370 00:16:09,169 --> 00:16:10,340 (whirs) 371 00:16:10,340 --> 00:16:12,402 (crash) (man) GO! GO! GO! 372 00:16:16,306 --> 00:16:18,648 (man) BATHROOM'S CLEAR. (man) BEDROOM'S CLEAR. 373 00:16:18,648 --> 00:16:20,980 ALL CLEAR. 374 00:16:20,980 --> 00:16:23,313 (man speaks indistinctly) 375 00:17:00,350 --> 00:17:01,791 (static and distorted audio) 376 00:17:04,394 --> 00:17:08,198 (static and distorted audio) 377 00:17:08,198 --> 00:17:11,531 (static and distorted audio continue) 378 00:17:25,775 --> 00:17:28,118 (Beckett) HE'S DONE THIS BEFORE. 379 00:17:35,325 --> 00:17:37,287 HEY, I SIGNED THIS. 380 00:17:37,287 --> 00:17:39,659 "TO SCOTT, WRITE WHAT YOU KNOW." 381 00:17:39,659 --> 00:17:41,731 SCOTT? DO YOU REMEMBER HIM? 382 00:17:41,731 --> 00:17:45,235 NO, BUT I SIGN HUNDREDS OF BOOKS. 383 00:17:45,235 --> 00:17:47,066 HIS MANIFESTO? 384 00:17:47,066 --> 00:17:48,738 HIS MANUSCRIPT. "DEAD HEAT"? 385 00:17:48,738 --> 00:17:50,470 "HEAT EXAMINED THE BULLETS, 386 00:17:50,470 --> 00:17:53,343 "EACH OF THEM PERFECTLY ENGRAVED WITH A LETTER. 387 00:17:53,343 --> 00:17:55,275 "SHE REARRANGED THEM LIKE SCRABBLE TILES 388 00:17:55,275 --> 00:17:57,177 UNTIL THEY SPELLED HER NAME." 389 00:17:57,177 --> 00:18:00,210 A BOOK? ALL OF THIS OVER A DAMN BOOK. 390 00:18:00,210 --> 00:18:03,413 HE WAS WRITING ABOUT HIS MURDERS LONG BEFORE NIKKI HEAT. 391 00:18:03,413 --> 00:18:05,115 "NIGHT TERRORS." 392 00:18:05,115 --> 00:18:07,657 LOOKS LIKE IT'S ABOUT KILLING PROSTITUTES IN SEATTLE. 393 00:18:07,657 --> 00:18:09,359 I REMEMBER THAT CASE. 394 00:18:09,359 --> 00:18:11,361 I THOUGHT THEY CAUGHT THAT GUY. 395 00:18:11,361 --> 00:18:13,323 NOT SO MUCH CAUGHT AS FOUND DEAD. 396 00:18:13,323 --> 00:18:15,225 HE HANGED HIMSELF. 397 00:18:15,225 --> 00:18:17,227 ANOTHER PATSY JUST LIKE BEN CONRAD. 398 00:18:17,227 --> 00:18:19,229 HE GETS AWAY WITH MURDER. 399 00:18:19,229 --> 00:18:22,202 WHY WOULD HE WRITE ABOUT IT? WHY RISK IT? 400 00:18:22,202 --> 00:18:25,205 WRITING IS PROBABLY A SYMPTOM OF HIS PSYCHOSIS, 401 00:18:25,205 --> 00:18:27,337 LIKE TAKING A TROPHY. 402 00:18:27,337 --> 00:18:29,339 HE BOTH MEMORIALIZES THE DEED 403 00:18:29,339 --> 00:18:33,343 AND DISTANCES HIMSELF FROM IT BY TURNING FACT INTO FICTION. 404 00:18:33,343 --> 00:18:36,346 AND THEN ALONG COMES NIKKI HEAT... 405 00:18:36,346 --> 00:18:38,348 TAILOR-MADE FOR HIS PSYCHOSIS-- 406 00:18:38,348 --> 00:18:39,849 ONE PART FACT, 407 00:18:39,849 --> 00:18:41,351 ONE PART FICTION, 408 00:18:41,351 --> 00:18:42,852 JUST LIKE HIM. 409 00:18:42,852 --> 00:18:45,355 WHO BETTER FOR HIM TO CHALLENGE? 410 00:18:45,355 --> 00:18:47,657 HE MUST'VE KNOWN, BY GOING AFTER BECKETT, 411 00:18:47,657 --> 00:18:49,699 WE'D REALIZE BEN WASN'T THE KILLER. 412 00:18:49,699 --> 00:18:52,332 WHY TIP HIS HAND? IT'S PART OF THE THRILL. 413 00:18:52,332 --> 00:18:54,664 HE NEEDED TO ESCALATE IN ORDER TO FEEL ALIVE. 414 00:18:54,664 --> 00:18:58,668 OR... HE'S A PSYCHOTIC, OBSESSIVE-COMPULSIVE 415 00:18:58,668 --> 00:19:01,741 AND HAS ALREADY DECIDED HOW IT HAS TO END. 416 00:19:01,741 --> 00:19:04,744 AGENT SHAW, WE DUSTED FOR PRINTS TRYING TO GET AN I.D. 417 00:19:04,744 --> 00:19:07,477 PROBLEM IS, THERE AREN'T ANY. (Beckett) THAT'S NOT POSSIBLE. 418 00:19:07,477 --> 00:19:09,879 YOU CAN'T LIVE IN A PLACE WITHOUT LEAVING PRINTS. 419 00:19:09,879 --> 00:19:13,183 UNLESS HE DOESN'T HAVE ANY. HE LIKES TO PLAY WITH FIRE. 420 00:19:13,183 --> 00:19:16,356 MAYBE HE BURNED THEM OFF. WELL, WITHOUT PRINTS, WE CAN'T GET AN I.D. 421 00:19:16,356 --> 00:19:19,589 WE DON'T NEED AN I.D. PUT THIS BACK WHERE YOU FOUND IT. 422 00:19:19,589 --> 00:19:21,291 LET'S UN-ASS THIS PLACE RIGHT NOW. 423 00:19:21,291 --> 00:19:23,663 HE'S GOTTA COME BACK SOMETIME. 424 00:19:28,268 --> 00:19:29,769 (Avery) Agent Shaw, 425 00:19:29,769 --> 00:19:32,272 my surveillance team is moving into position now. 426 00:19:32,272 --> 00:19:35,845 COPY THAT. STANDING BY. 427 00:19:35,845 --> 00:19:38,248 (Avery) Be advised, 428 00:19:38,248 --> 00:19:42,312 OUR SUBJECT IS A WHITE MALE, 6'2", APPROXIMATELY 200 POUNDS. 429 00:19:42,312 --> 00:19:44,854 PROFILE SUGGESTS HE'S STUDIED OUR TACTICS 430 00:19:44,854 --> 00:19:47,657 and has prepared for contingencies, 431 00:19:47,657 --> 00:19:49,259 so communicate, people. 432 00:19:49,259 --> 00:19:50,790 If he shows, no one, 433 00:19:50,790 --> 00:19:53,363 I repeat, no one is to make a move 434 00:19:53,363 --> 00:19:55,365 until Agent Shaw gives the order. 435 00:19:55,365 --> 00:19:57,827 MAN, IT'S ALL HERE-- THE ENGRAVED BULLETS, 436 00:19:57,827 --> 00:19:59,829 THE CAT-AND-MOUSE PHONE CALLS, THE CIPHER. 437 00:19:59,829 --> 00:20:01,801 ONLY IT'S--IT'S NIKKI HEAT INVESTIGATING, 438 00:20:01,801 --> 00:20:04,474 AND SHE'S ALWAYS ONE STEP BEHIND HIM. TILL NOW. 439 00:20:04,474 --> 00:20:07,977 CASTLE, WHAT PART OF "UN-ASS" DON'T YOU UNDERSTAND? 440 00:20:07,977 --> 00:20:10,310 ALL OF IT. 441 00:20:10,310 --> 00:20:12,312 FOR FUTURE REFERENCE, IT MEANS, 442 00:20:12,312 --> 00:20:14,644 "GET THE HELL OUT AND DON'T TAKE ANYTHING." 443 00:20:14,644 --> 00:20:18,348 "UN-ASS." NICE. (whispers) "UN-ASS." 444 00:20:18,348 --> 00:20:20,650 IS HE ALWAYS LIKE THIS? 445 00:20:20,650 --> 00:20:24,354 CASTLE HAS THE ATTENTION SPAN OF A COCKER SPANIEL. 446 00:20:24,354 --> 00:20:26,396 MM. AND THE LOYALTY... 447 00:20:26,396 --> 00:20:28,398 THE WAY HE FOLLOWS YOU AROUND. 448 00:20:28,398 --> 00:20:30,330 FROM WHAT I'VE OBSERVED, 449 00:20:30,330 --> 00:20:33,403 THIS UNORTHODOX PARTNERSHIP... 450 00:20:33,403 --> 00:20:35,234 WORKS WELL FOR YOU. 451 00:20:35,234 --> 00:20:37,006 FOR NOW. 452 00:20:37,006 --> 00:20:39,339 IS IT ENOUGH? 453 00:20:39,339 --> 00:20:41,671 IS IT ENOUGH FOR YOU TO HOP ON A LEARJET 454 00:20:41,671 --> 00:20:43,373 SIX TIMES A YEAR, 455 00:20:43,373 --> 00:20:45,415 CATCHING SERIAL KILLERS ACROSS THE COUNTRY? 456 00:20:45,415 --> 00:20:48,318 I'D BE LYING IF I SAID IT WAS EASY. 457 00:20:48,318 --> 00:20:50,520 HOW DO YOU MANAGE? 458 00:20:50,520 --> 00:20:52,752 YOU MISS A FEW BIRTHDAYS 459 00:20:52,752 --> 00:20:55,725 AND YOU MAKE A LOT OF PHONE CALLS. 460 00:20:55,725 --> 00:20:57,687 (police radio chatter) 461 00:20:57,687 --> 00:21:00,490 MY HUSBAND TUCKS HER IN EVERY NIGHT, 462 00:21:00,490 --> 00:21:03,993 TELLS HER THAT MOMMY'S OFF SLAYING DRAGONS. 463 00:21:03,993 --> 00:21:07,367 THE TRICK TO THIS KIND OF OPERATION 464 00:21:07,367 --> 00:21:09,439 IS HAVING ENOUGH PERSONNEL IN PLAY 465 00:21:09,439 --> 00:21:11,441 TO TAKE THE TARGET DOWN, 466 00:21:11,441 --> 00:21:14,444 BUT NOT SO MANY THAT HE CAN SMELL A TRAP, 467 00:21:14,444 --> 00:21:17,006 WHICH IS WHY WE HAVE TO GET OUR PEOPLE TO GO DOWNWIND. 468 00:21:17,006 --> 00:21:19,008 AVERY, TELL OUR GUY ON THE ROOF 469 00:21:19,008 --> 00:21:20,510 TO FIND ANOTHER SPOT. 470 00:21:20,510 --> 00:21:23,383 I CAN SEE HIM FROM THE STREET. Say again? 471 00:21:23,383 --> 00:21:25,355 THE GUY ON THE ROOF, SOUTHEAST CORNER. 472 00:21:25,355 --> 00:21:28,758 The one with binocs. WE DON'T HAVE ANYBODY UP THERE. 473 00:21:28,758 --> 00:21:30,760 IT'S HIM. 474 00:21:30,760 --> 00:21:33,863 ALL UNITS, BE ADVISED, WE HAVE CONTACT. 475 00:21:33,863 --> 00:21:36,326 Southeast corner of Bedford and Downing. 476 00:21:36,326 --> 00:21:38,898 Subject is on the roof. 477 00:21:40,470 --> 00:21:42,472 WE'RE BLOWN. WE'RE BLOWN. 478 00:21:42,472 --> 00:21:44,834 All units, go hot now. 479 00:21:44,834 --> 00:21:47,577 (man) I repeat. Subject is not in sight. 480 00:21:47,577 --> 00:21:50,079 STAY IN THE VAN. YOU'RE THE TARGET. 481 00:21:50,079 --> 00:21:51,911 (scoffs) 482 00:21:51,911 --> 00:21:54,384 NOW YOU KNOW WHAT IT'S LIKE FOR ME. 483 00:21:54,384 --> 00:21:56,646 (police radio chatter) 484 00:21:56,646 --> 00:21:58,317 TAKE IT. 485 00:21:58,317 --> 00:22:01,721 (man) ...team, seal off the west side. 486 00:22:03,453 --> 00:22:07,457 THAT'S HIM. HE MUST HAVE JUMPED THE ROOFTOPS. 487 00:22:07,457 --> 00:22:10,460 HE'S GETTING AWAY. 488 00:22:10,460 --> 00:22:12,432 BECKETT, WAIT! 489 00:22:12,432 --> 00:22:14,333 (grunts) OW. 490 00:22:14,333 --> 00:22:16,506 (pants) 491 00:22:16,506 --> 00:22:20,370 (grunting) 492 00:22:20,370 --> 00:22:22,442 I SAID I--OH. 493 00:22:22,442 --> 00:22:23,743 PARDON ME. 494 00:22:23,743 --> 00:22:27,847 (baby crying) 495 00:22:27,847 --> 00:22:29,619 (crying echoes) 496 00:22:29,619 --> 00:22:32,582 NYPD! ON THE GROUND, NOW! 497 00:22:34,784 --> 00:22:36,986 (Beckett) GET DOWN! (grunting) 498 00:22:36,986 --> 00:22:39,459 (horns honks, objects clatter) OH! 499 00:22:42,361 --> 00:22:44,464 STOP! 500 00:22:44,464 --> 00:22:46,636 STOP! POLICE! 501 00:22:46,636 --> 00:22:49,098 OH! WHOA! 502 00:22:49,098 --> 00:22:52,101 (people shout indistinctly) 503 00:22:52,101 --> 00:22:55,475 (person speaking indistinctly over p.a.) 504 00:22:55,475 --> 00:22:57,577 (grunts) OH! 505 00:22:59,579 --> 00:23:02,712 (crowd gasps) (man) WHAT ARE YOU DOING?! 506 00:23:02,712 --> 00:23:05,915 (person speaking indistinctly over p.a.) 507 00:23:07,757 --> 00:23:09,559 (horn honks) 508 00:23:09,559 --> 00:23:11,521 (man) HEY! 509 00:23:11,521 --> 00:23:14,764 WATCH IT, WATCH IT, WATCH IT! 510 00:23:14,764 --> 00:23:18,528 (grunting and yelling) 511 00:23:18,528 --> 00:23:20,770 (man) PLEASE STAND CLEAR OF THE CLOSING DOORS. 512 00:23:20,770 --> 00:23:23,132 (door closing alert chimes) (man) ARE YOU CRAZY?! 513 00:23:23,132 --> 00:23:24,834 (horn honks) 514 00:23:39,489 --> 00:23:40,950 FREEZE IMAGE. 515 00:23:40,950 --> 00:23:42,952 (keyboard keys click, computer beeps) 516 00:23:42,952 --> 00:23:44,454 ZOOM IN. 517 00:23:44,454 --> 00:23:46,095 (beeps) 518 00:23:46,095 --> 00:23:48,498 RUN IT. 519 00:23:48,498 --> 00:23:50,900 (Avery) RUNNING FACIAL RECOGNITION. 520 00:23:50,900 --> 00:23:53,102 (beeping) 521 00:23:53,102 --> 00:23:54,604 SCOTT DUNN. 522 00:23:54,604 --> 00:23:57,136 BUSTED, YOU SMUG JACKHOLE. 523 00:23:57,136 --> 00:23:59,138 (Avery) FOSTER CHILD, SEALED JUVIE RECORD, 524 00:23:59,138 --> 00:24:01,911 3-YEAR STINT IN A BAY AREA PSYCHIATRIC INSTITUTE 525 00:24:01,911 --> 00:24:05,444 AND A SINGLE ARSON CONVICTION. WHERE HE BURNS HIS HANDS IN A FIRE. 526 00:24:05,444 --> 00:24:07,977 HE HIT ALL THE CLICHES. 527 00:24:07,977 --> 00:24:09,849 LAST SEEN FEBRUARY 15, 2004. 528 00:24:09,849 --> 00:24:11,981 SIX YEARS AGO, HE SIMPLY DISAPPEARS. 529 00:24:11,981 --> 00:24:14,854 I WANT EVERY BIT OF RESEARCH YOU HAVE ON THIS GUY 530 00:24:14,854 --> 00:24:17,557 ON MY DESK, HALF AN HOUR. 531 00:24:17,557 --> 00:24:19,458 YOU KNOW, I'LL HAVE MY GUYS CONTACT DUNN'S FAMILY 532 00:24:19,458 --> 00:24:21,460 IN CASE HE REACHES OUT. YOU'RE OUT. 533 00:24:21,460 --> 00:24:23,633 I'M SORRY. WHAT? I TOLD YOU TO STAY IN THE VAN. 534 00:24:23,633 --> 00:24:26,896 I JUST BROKE THIS CASE. I NEED PEOPLE BACKING ME I CAN TRUST. 535 00:24:26,896 --> 00:24:29,198 WHOA. HOLD ON-- SORRY, DETECTIVE. YOU'RE OFF THE CASE. 536 00:24:31,701 --> 00:24:34,203 (Montgomery) SHE'S GOT JURISDICTION, BECKETT. 537 00:24:34,203 --> 00:24:35,875 THERE'S NOTHING I CAN DO. 538 00:24:35,875 --> 00:24:38,247 SIR, THIS IS MY CASE. HE'S COMING AFTER ME. 539 00:24:38,247 --> 00:24:42,481 LIKE IT OR NOT, I'M ALREADY ON THE FRONT LINE. 540 00:24:42,481 --> 00:24:44,854 YOU AND CASTLE FOUND HIM. THAT'S THE HARD PART. 541 00:24:44,854 --> 00:24:47,116 THEY'VE FROZEN HIS FINANCIALS. THEY'VE ALERTED T.S.A. 542 00:24:47,116 --> 00:24:50,119 HIS FACE IS ALL OVER THE NEWS. WE'VE GOT HIM CORNERED. AND YOU'RE THE ONE WHO TAUGHT ME 543 00:24:50,119 --> 00:24:52,592 THAT WHEN YOU HAVE AN ANIMAL CORNERED, 544 00:24:52,592 --> 00:24:54,994 THAT THAT'S WHEN THEY'RE THE MOST UNPREDICTABLE. YES, AND THAT'S ALSO WHEN THEY MAKE MISTAKES. 545 00:24:54,994 --> 00:24:57,496 HE DOES SOMETHING STUPID, AND WE WILL TAKE HIM DOWN. 546 00:24:57,496 --> 00:24:59,829 AND YOU BEEN RUNNING FLAT OUT FOR DAYS. 547 00:24:59,829 --> 00:25:02,902 YOU NEED TO GO HOME AND GET SOME SLEEP. SIR, I DON'T HAVE A HOME. 548 00:25:02,902 --> 00:25:04,904 YES, YOU DO. IT'S A SECURED BUILDING 549 00:25:04,904 --> 00:25:08,037 WITH AN EXTRA BEDROOM, WITH PEOPLE WHO CARE ABOUT YOU, 550 00:25:08,037 --> 00:25:10,039 WITH A FEDERAL DETAIL AT THE DOOR. 551 00:25:10,039 --> 00:25:13,583 IT'S THE SAFEST PLACE IN THE CITY. THANK YOU, CASTLE, BUT I COULDN'T. 552 00:25:13,583 --> 00:25:15,514 YOU CAN AND YOU WILL. 553 00:25:15,514 --> 00:25:17,817 DETECTIVE, I TOOK THAT SECURITY OFF OF YOUR APARTMENT, 554 00:25:17,817 --> 00:25:20,519 AND THAT GAVE HIM AN OPPORTUNITY TO GET TO YOU, 555 00:25:20,519 --> 00:25:23,192 AND I'M NOT GONNA MAKE THE SAME MISTAKE TWICE. 556 00:25:23,192 --> 00:25:25,194 CONSIDER IT AN ORDER. 557 00:25:29,959 --> 00:25:32,131 (Beckett) WELL, WHO WOULD'VE THOUGHT 558 00:25:32,131 --> 00:25:35,805 THAT I WOULD BE HOMELESS AND CASELESS IN ONE DAY? 559 00:25:35,805 --> 00:25:38,267 I KNOW I'M THE KING OF GOING ROGUE, 560 00:25:38,267 --> 00:25:41,711 BUT YOU WERE RIGHT TO CHASE AFTER DUNN. 561 00:25:41,711 --> 00:25:44,574 AND AGENT SHAW WAS RIGHT TO KICK ME OFF THE CASE. 562 00:25:44,574 --> 00:25:47,817 I WOULD'VE DONE THE SAME THING IF I WAS IN HER SPOT. 563 00:25:47,817 --> 00:25:49,949 I'M TOO CLOSE TO IT. 564 00:25:49,949 --> 00:25:51,721 I'M SURE AFTER ALL THIS, 565 00:25:51,721 --> 00:25:54,223 YOU'RE A LITTLE SORRY YOU LET ME FOLLOW YOU AROUND. NO, NOT THIS. 566 00:25:54,223 --> 00:25:57,226 ALL THE OTHER ANNOYING THINGS THAT YOU DO, BUT NOT THIS. HMM. 567 00:25:57,226 --> 00:25:58,287 HMM. 568 00:25:58,287 --> 00:26:00,890 WHAT ABOUT YOU? 569 00:26:00,890 --> 00:26:03,733 ARE YOU SORRY THAT YOU EVER WROTE "HEAT WAVE"? 570 00:26:03,733 --> 00:26:06,736 THE WAY I LOOK AT IT NOW, IF IT WASN'T FOR NIKKI HEAT, 571 00:26:06,736 --> 00:26:08,738 THIS GUY WOULD'VE JUST GONE ON KILLING BECAUSE 572 00:26:08,738 --> 00:26:11,641 HE WOULDN'T HAVE MET ANYONE SMART ENOUGH TO CATCH HIM. 573 00:26:11,641 --> 00:26:13,843 I'M SPEAKING, OF COURSE, ABOUT SPECIAL AGENT SHAW. 574 00:26:16,175 --> 00:26:18,247 NIGHT, CASTLE. 575 00:26:18,247 --> 00:26:19,879 GOOD NIGHT. 576 00:26:19,879 --> 00:26:23,713 FIRST THING IN THE MORNING, I'LL CHECK YOUR HOMEWORK, OKAY? 577 00:26:23,713 --> 00:26:27,186 IT'S TIME FOR YOU TO GET SOME SLEEP. 578 00:26:27,186 --> 00:26:29,689 (laughs) 579 00:26:29,689 --> 00:26:31,260 OKAY. 580 00:26:31,260 --> 00:26:34,824 AW, I LOVE YOU, TOO, SWEETIE. 581 00:26:34,824 --> 00:26:36,325 GOOD NIGHT. 582 00:26:36,325 --> 00:26:38,027 (cell phone beeps) 583 00:26:38,027 --> 00:26:40,299 (car alarm chirps) (sighs) 584 00:26:45,104 --> 00:26:47,606 (engine turns over) 585 00:26:47,606 --> 00:26:49,338 (reverse indicator dings) 586 00:26:49,338 --> 00:26:51,210 (gun clicks) (gasps) 587 00:26:51,210 --> 00:26:54,283 (exhales) HELLO, JORDAN. 588 00:26:56,315 --> 00:26:59,789 (sizzling) 589 00:26:59,789 --> 00:27:01,721 (keys jangle) 590 00:27:01,721 --> 00:27:02,892 (sighs) 591 00:27:02,892 --> 00:27:04,623 MARTHA. 592 00:27:04,623 --> 00:27:06,225 KATE. 593 00:27:06,225 --> 00:27:10,359 I--I'M HERE ON ORDERS FROM THE FBI. 594 00:27:10,359 --> 00:27:13,062 (chuckles) DARLING, I AM HARDLY THE ONE TO JUDGE. 595 00:27:13,062 --> 00:27:15,935 I'M SORRY. I WOULDN'T IMPOSE, BUT MY PLACE IS-- 596 00:27:15,935 --> 00:27:17,937 ASHES. NO, I KNOW. 597 00:27:17,937 --> 00:27:20,810 WELL, THAT EXPLAINS THE PAT DOWN 598 00:27:20,810 --> 00:27:23,242 BY THE HUNKY GUY WITH THE EAR BUD. 599 00:27:23,242 --> 00:27:26,215 I ASSUMED IT WAS RICHARD MAKING A DRAMATIC STATEMENT 600 00:27:26,215 --> 00:27:29,318 ABOUT THE CONDITIONS FOR MY DROPPING BY UNANNOUNCED. MM. 601 00:27:29,318 --> 00:27:31,981 I JUST WOKE UP, AND LITERALLY SMELLED THE COFFEE 602 00:27:31,981 --> 00:27:33,282 AND THE BACON. 603 00:27:33,282 --> 00:27:35,254 (chuckles) DROPPING BY TO RETURN YOUR KEY? 604 00:27:35,254 --> 00:27:37,256 (chuckles) VERY FUNNY. VERY FUNNY. 605 00:27:37,256 --> 00:27:39,729 NO, I AM LOOKING FOR MY AQUA GLOVES 606 00:27:39,729 --> 00:27:41,230 BECAUSE THESE CLASH. 607 00:27:41,230 --> 00:27:42,732 (smacks lips) 608 00:27:42,732 --> 00:27:45,164 WELL, SHE COOKS. MM. MM. 609 00:27:45,164 --> 00:27:47,166 ACTUALLY, MY MOM WAS AN AMAZING COOK. 610 00:27:47,166 --> 00:27:49,168 SHE USED TO MAKE SUNDAY BRUNCH. 611 00:27:49,168 --> 00:27:51,340 AND I WOULD GET THE CHOICE BETWEEN PANCAKES, 612 00:27:51,340 --> 00:27:53,342 OMELETS, WAFFLES. 613 00:27:53,342 --> 00:27:54,874 WOW, THAT'S FUNNY. 614 00:27:54,874 --> 00:27:57,907 EVERY SUNDAY, MY MOM WOULD HAVE ME MAKE HER AN ICE PACK 615 00:27:57,907 --> 00:27:59,909 AND A BLOODY MARY. (Beckett chuckles) 616 00:27:59,909 --> 00:28:01,280 MM. DON'T LISTEN TO HIM. 617 00:28:01,280 --> 00:28:04,153 THAT ONLY HAPPENED TWICE... TOPS. (laughing) 618 00:28:04,153 --> 00:28:06,415 GRAM! THERE'S MY GIRL. 619 00:28:06,415 --> 00:28:08,417 OH! OH, I MISSED YOU. I MISSED YOU. 620 00:28:08,417 --> 00:28:10,119 CHACA-CHACA-CHACA. 621 00:28:10,119 --> 00:28:12,421 YOU'D THINK IT WAS MONTHS. IT'S BEEN A DAY. 622 00:28:12,421 --> 00:28:14,864 (cell phone rings) (chuckles) EXCUSE ME. 623 00:28:14,864 --> 00:28:16,766 (rings and beeps) 624 00:28:16,766 --> 00:28:18,267 BECKETT. 625 00:28:18,267 --> 00:28:20,399 (whispers) HOT. HOT. HOT. 626 00:28:20,399 --> 00:28:23,402 OKAY, I'LL BE RIGHT THERE. OOH-OOH. HEE-HEE. 627 00:28:23,402 --> 00:28:25,775 CASTLE, THAT WAS AGENT AVERY. 628 00:28:25,775 --> 00:28:27,907 JORDAN NEVER MADE IT HOME LAST NIGHT. 629 00:28:38,387 --> 00:28:42,221 SHE LEFT THE PRECINCT JUST AFTER 9:00. 630 00:28:42,221 --> 00:28:44,723 HUSBAND SAID SHE NEVER CAME HOME. WHAT ABOUT THE CAR? 631 00:28:44,723 --> 00:28:46,395 STATIONARY AT THIS LOCATION 632 00:28:46,395 --> 00:28:48,497 SINCE THE TRANSMITTER WAS ACTIVATED 20 MINUTES AGO. 633 00:28:48,497 --> 00:28:52,101 OUR VEHICLE SECURITY TECH SAID THIS WAS HIS WAY IN. 634 00:28:52,101 --> 00:28:54,333 SO HE WAS ALREADY IN THE CAR 635 00:28:54,333 --> 00:28:56,365 WAITING FOR HER WHEN SHE GOT IN. 636 00:28:56,365 --> 00:28:59,368 HER PURSE IS STILL IN HERE. 637 00:28:59,368 --> 00:29:01,740 THERE'S NO BULLET HOLE. 638 00:29:01,740 --> 00:29:03,442 MEDIUM VELOCITY SPATTER. 639 00:29:03,442 --> 00:29:08,247 SO HE LEANS IN FROM BEHIND, SHE ELBOWS HIM IN THE NOSE, 640 00:29:08,247 --> 00:29:10,219 HE RECOILS... 641 00:29:10,219 --> 00:29:13,152 AND A BLOOD TRAIL FLIES FROM THAT DIRECTION. 642 00:29:13,152 --> 00:29:14,453 SHE TOOK HER SHOT. 643 00:29:14,453 --> 00:29:17,156 AND LEFT US SOME BREAD CRUMBS. 644 00:29:21,891 --> 00:29:23,833 HERE'S ANOTHER ONE. 645 00:29:23,833 --> 00:29:25,264 AND ANOTHER ONE HERE. 646 00:29:25,264 --> 00:29:27,266 HIS NOSE IS STILL BLEEDING, 647 00:29:27,266 --> 00:29:29,839 BUT HE HAS JORDAN AT GUNPOINT. 648 00:29:29,839 --> 00:29:31,841 AND HE BRINGS HER TO HERE, 649 00:29:31,841 --> 00:29:34,073 WHERE THERE'S A CAR WAITING. THERE'S TIRE TREADS. 650 00:29:34,073 --> 00:29:37,076 (cell phone ringing) LET'S RUN DOWN REPORTS OF ALL STOLEN VEHICLES 651 00:29:37,076 --> 00:29:38,377 FROM THE PAST 24 HOURS. 652 00:29:38,377 --> 00:29:40,279 (rings and beeps) 653 00:29:40,279 --> 00:29:41,911 BECKETT. 654 00:29:41,911 --> 00:29:44,283 (Dunn) There's nothing like the bond between girlfriends, 655 00:29:44,283 --> 00:29:45,784 is there, Nikki? 656 00:29:45,784 --> 00:29:48,287 You must really miss her. WHERE IS SHE? 657 00:29:48,287 --> 00:29:51,290 Safe for now. IF YOU HURT HER, I WILL-- 658 00:29:51,290 --> 00:29:53,562 Well, that all depends on you, doesn't it? 659 00:29:53,562 --> 00:29:55,995 This is your story, Nikki, not hers. 660 00:29:55,995 --> 00:29:57,997 She's just an extra. 661 00:29:57,997 --> 00:30:00,429 The showdown only works if it's between you and me. 662 00:30:00,429 --> 00:30:02,571 Come to the Battery Park ferry terminal 663 00:30:02,571 --> 00:30:04,403 at midnight tonight, Nikki. 664 00:30:04,403 --> 00:30:06,405 And come alone... or she dies. 665 00:30:06,405 --> 00:30:08,407 HOW CAN I BE SURE SHE'S STILL ALIVE? 666 00:30:08,407 --> 00:30:09,979 I'll send you an e-mail. 667 00:30:09,979 --> 00:30:11,180 (chirps) 668 00:30:11,180 --> 00:30:13,512 (beep) 669 00:30:13,512 --> 00:30:16,485 (horns honking) 670 00:30:16,485 --> 00:30:18,487 SAY HI TO YOUR FRIENDS, AGENT SHAW. 671 00:30:18,487 --> 00:30:20,319 GO TO HELL, DUNN. 672 00:30:20,319 --> 00:30:22,391 I DON'T CARE IF IT'S YOUR STORY, DETECTIVE, 673 00:30:22,391 --> 00:30:24,393 I'M BRINGING HER BACK ALIVE. 674 00:30:24,393 --> 00:30:26,395 IT'S NOT MY STORY. IT'S HIS. 675 00:30:26,395 --> 00:30:30,029 AND IF AGENT SHAW WAS HERE, SHE'D SAY THE SAME THING. 676 00:30:30,029 --> 00:30:33,302 WHATEVER HE'S GOT PLANNED, IT'S A TRAP. IF I DON'T SHOW UP, SHE DIES. 677 00:30:33,302 --> 00:30:36,405 BUT IF YOU DO, YOU BOTH DIE. 678 00:30:36,405 --> 00:30:39,438 WE NEED TO GET TO HIM BEFORE THE EXCHANGE. WE TRACED THE E-MAIL'S I.P. ADDRESS 679 00:30:39,438 --> 00:30:41,310 TO AN INTERNET CAFé IN MIDTOWN. 680 00:30:41,310 --> 00:30:44,613 NOT THAT IT HELPS US FIND HER. 681 00:30:44,613 --> 00:30:46,615 THERE'S NO REFLECTIVE SURFACES 682 00:30:46,615 --> 00:30:49,448 AND THE WINDOWS ARE ALL BLACKED OUT. 683 00:30:49,448 --> 00:30:52,181 NOT ALL OF THEM. LOOK. 684 00:30:52,181 --> 00:30:54,183 WHAT'S OUT THAT WINDOW? 685 00:30:54,183 --> 00:30:57,626 AGENT AVERY, IF YOU DON'T MIND ME REJOINING THIS INVESTIGATION, 686 00:30:57,626 --> 00:30:59,628 I SUGGEST WE TAKE THIS PARTY NEXT DOOR. 687 00:30:59,628 --> 00:31:01,860 (Avery) ZOOM IN. 688 00:31:01,860 --> 00:31:03,362 (beeping) 689 00:31:03,362 --> 00:31:05,364 (Esposito) WHAT ARE THOSE, BUILDINGS? 690 00:31:05,364 --> 00:31:07,366 BRIDGE TOWERS. 691 00:31:07,366 --> 00:31:09,368 CALL UP ALL THE BRIDGES IN THE CITY, 692 00:31:09,368 --> 00:31:11,370 SEE IF OUR PARTIAL VIEW FITS. 693 00:31:11,370 --> 00:31:12,871 (clicks keyboard keys, computer chirps) 694 00:31:12,871 --> 00:31:15,374 (Ryan) AH, THE WHITESTONE. 695 00:31:15,374 --> 00:31:18,877 THAT MEANS WE'RE LOOKING SOUTH AND EAST. BUT WE STILL NEED ANOTHER COORDINATE 696 00:31:18,877 --> 00:31:21,180 TO FIND HIM ON THE AXIS. PLAY THE AUDIO AGAIN, 697 00:31:21,180 --> 00:31:23,182 BUT THIS TIME, WITHOUT THE VOICES. 698 00:31:23,182 --> 00:31:26,115 (computer chirps) (horns honking, vehicles moving) 699 00:31:26,115 --> 00:31:29,218 AND GET RID OF ALL THE TRAFFIC AS WELL. (rumbling) 700 00:31:29,218 --> 00:31:31,320 THAT'S A SUBWAY, 701 00:31:31,320 --> 00:31:33,262 AND NOT JUST ANY SUBWAY. 702 00:31:33,262 --> 00:31:35,294 THOSE ARE ELEVATED TRACKS. 703 00:31:35,294 --> 00:31:37,666 I'LL PULL UP THE SUBWAY MAP. 704 00:31:37,666 --> 00:31:39,368 (keyboard keys click) 705 00:31:39,368 --> 00:31:41,500 (computer chirps and beeps) 706 00:31:41,500 --> 00:31:44,033 (chirp) 707 00:31:44,033 --> 00:31:47,436 THAT'S THE I.R.T. PELHAM LINE. 708 00:31:47,436 --> 00:31:49,408 WHAT'S THE STOP THAT INTERSECTS? 709 00:31:49,408 --> 00:31:50,909 (clicks keyboard keys) 710 00:31:50,909 --> 00:31:52,341 (computer chirps) 711 00:31:52,341 --> 00:31:54,343 (Beckett) ZEREGA AVENUE STATION. 712 00:31:54,343 --> 00:31:55,684 THAT'S YOUR OTHER COORDINATE. 713 00:31:55,684 --> 00:31:57,386 CAN YOU USE IT 714 00:31:57,386 --> 00:31:59,688 TO PLOT A PATHWAY BACK FROM THE OTHER BRIDGE? 715 00:31:59,688 --> 00:32:01,450 (Avery) ALREADY ON IT. 716 00:32:01,450 --> 00:32:03,953 GIVEN THE ANGLE AND INCLINATION OF THE VIEW OUT THE WINDOW, 717 00:32:03,953 --> 00:32:06,455 THIS SHOULD TAKE US RIGHT TO WHERE HE'S HOLDING HER. 718 00:32:06,455 --> 00:32:08,327 (Beckett) 1756 48th AVENUE, THE BRONX. GOT IT. 719 00:32:08,327 --> 00:32:11,360 HAVE HOSTAGE RESCUE TEAM MEET US THERE. 720 00:32:11,360 --> 00:32:13,302 (helicopter blades whirring) 721 00:32:13,302 --> 00:32:15,604 (man) Alpha team in place. Standing by. 722 00:32:15,604 --> 00:32:17,466 (Avery) THIS IS THE PLACE. 723 00:32:17,466 --> 00:32:18,968 BUILDING'S SUPPOSED TO BE ABANDONED. 724 00:32:18,968 --> 00:32:21,340 THERMAL CONFIRMS A HOT SPOT ON THE FOURTH FLOOR. 725 00:32:21,340 --> 00:32:23,342 THAT'S WHERE HE'S HOLDING HER. 726 00:32:23,342 --> 00:32:26,345 MY TEAM'S GONNA ENTER ON THIS BLIND SIDE OF THE BUILDING. THIS IS WRONG. 727 00:32:26,345 --> 00:32:29,318 WHAT'S WRONG? I FEEL LIKE PRINCESS LEIA WHEN THE "MILLENNIUM FALCON" 728 00:32:29,318 --> 00:32:32,421 ESCAPED THE "DEATH STAR"-- IT'S TOO EASY. WHAT DO YOU MEAN, "TOO EASY"? 729 00:32:32,421 --> 00:32:34,723 I MEAN THE SNEAK PEEK OUT THE WINDOW, WAITING TO RECORD 730 00:32:34,723 --> 00:32:37,326 THE MESSAGE JUST AS THE TRAIN WAS GOING BY. HE LED US HERE. 731 00:32:37,326 --> 00:32:40,289 YOU REMEMBER HOW PERFECT EVERYTHING WAS WITH CONRAD? YEAH, I GOT THE TRAP MEMO, TOO. 732 00:32:40,289 --> 00:32:43,092 BUT THAT DOESN'T MEAN I'M GONNA SIT ON MY ASS AND DO NOTHING. 733 00:32:43,092 --> 00:32:44,994 THAT'S MY PARTNER UP THERE. 734 00:32:44,994 --> 00:32:47,166 (man) Alpha team standing by. 735 00:32:47,166 --> 00:32:50,469 SHE'LL BE DEAD THE MOMENT YOU BREACH THAT DOOR. THAT'S WHY WE'RE NOT GONNA BREACH. 736 00:32:50,469 --> 00:32:52,341 HOSTAGE EXCHANGE GOES DOWN AT MIDNIGHT. 737 00:32:52,341 --> 00:32:54,403 THAT MEANS HE HAS TO MOVE HER BEFORE THEN. 738 00:32:54,403 --> 00:32:56,405 WE MOVE IN QUIETLY, TAKE POSITION... 739 00:32:56,405 --> 00:32:59,308 AND THEN AS SOON AS DUNN COMES OUT... I'LL PUT HIM DOWN... 740 00:32:59,308 --> 00:33:00,679 (gun slide clicks) 741 00:33:00,679 --> 00:33:03,512 LIKE THE RABID DOG HE IS. 742 00:33:03,512 --> 00:33:06,315 (man) Entry team's on the move. Go, go, go! 743 00:33:06,315 --> 00:33:08,517 Convene at the south door. 744 00:33:08,517 --> 00:33:12,491 Making entry on the south side. 745 00:33:12,491 --> 00:33:15,224 (man) Be advised, sierra team 746 00:33:15,224 --> 00:33:17,496 moving into the southeast corner. 747 00:33:17,496 --> 00:33:20,529 (man) First floor clear. 748 00:33:20,529 --> 00:33:23,502 (man) Omega team, we have position on the first floor. 749 00:33:23,502 --> 00:33:25,104 (man) Approaching level two. 750 00:33:27,236 --> 00:33:29,608 (man) Level two secure. Moving to three. 751 00:33:29,608 --> 00:33:33,312 (man) We got two doors on the left. 752 00:33:33,312 --> 00:33:35,514 Clear those doors. 753 00:33:35,514 --> 00:33:37,386 (man) Approaching level four. (man) Stairwells are clear. 754 00:33:37,386 --> 00:33:40,349 (beeping) (man) We have thermal images. 755 00:33:40,349 --> 00:33:43,492 Two thermal images. Repeat. We have two thermal images. 756 00:33:43,492 --> 00:33:47,426 (Castle) I DON'T KNOW HOW HE'S DOING IT, BUT HE'S NOT UP THERE. 757 00:33:47,426 --> 00:33:49,398 AND WHAT ARE YOU BASING THAT ON? 758 00:33:49,398 --> 00:33:52,361 I DON'T KNOW HOW I KNOW. I JUST... YOU JUST WHAT? 759 00:33:52,361 --> 00:33:55,364 CASTLE, YOU AND I HAVE KNOWN EACH OTHER LONG ENOUGH 760 00:33:55,364 --> 00:33:58,367 FOR ME TO KNOW THAT SOMETIMES YOUR SILLY THEORIES ARE RIGHT. 761 00:33:58,367 --> 00:34:02,341 SO IF YOU HAVE A REASON TO BELIEVE THAT HE'S NOT UP THERE, 762 00:34:02,341 --> 00:34:04,343 THEN YOU NEED TO TELL ME WHY, NOW. 763 00:34:04,343 --> 00:34:06,215 JUST BECAUSE... 764 00:34:06,215 --> 00:34:08,377 IT'S NOT HOW I WOULD WRITE IT. 765 00:34:08,377 --> 00:34:11,550 WHAT HAPPENS IN YOUR VERSION? 766 00:34:11,550 --> 00:34:14,523 HE LETS US THINK WE FOUND HIM TO LURE US HERE. 767 00:34:14,523 --> 00:34:16,125 LETS THE FBI 768 00:34:16,125 --> 00:34:18,657 CONVERGE ON THE BUILDING, ONLY HE'S NOT IN THERE. 769 00:34:18,657 --> 00:34:22,331 WHERE IS HE? NEARBY, WATCHING. WATCHING IT ALL UNFOLD. 770 00:34:22,331 --> 00:34:24,493 HE'S GOT SOMETHING PLANNED. IF IT WERE ME... 771 00:34:24,493 --> 00:34:27,696 (man) Entry team, hold your position. (Castle) I'D WAIT UNTIL THEY ALL GOT INSIDE, 772 00:34:27,696 --> 00:34:29,738 GOT SETTLED INTO POSITION... (beep) 773 00:34:29,738 --> 00:34:32,341 AND THEN I'D BLOW THE BUILDING. (beep) 774 00:34:32,341 --> 00:34:34,573 WHERE IS HE WATCHING FROM? 775 00:34:34,573 --> 00:34:39,308 I DON'T KNOW. HE WANTS TO SHOW HE'S SMARTER THAN US. 776 00:34:39,308 --> 00:34:42,311 SO HE'LL BE SOMEWHERE CLOSE BY AND OUT OF THE WAY. 777 00:34:42,311 --> 00:34:44,313 (man) Sierra team holding. (Beckett) CASTLE... 778 00:34:44,313 --> 00:34:46,155 IF IT WERE YOU, 779 00:34:46,155 --> 00:34:48,157 WHERE WOULD YOU BE WATCHING FROM? 780 00:34:48,157 --> 00:34:51,260 I WOULDN'T BE WATCHING FROM THIS BUILDING WHERE THEY ARE. 781 00:34:51,260 --> 00:34:53,322 I'D BE WATCHING FROM HERE. 782 00:34:53,322 --> 00:34:56,825 (man) All teams, hold position. 783 00:34:56,825 --> 00:34:59,198 COME ON. 784 00:34:59,198 --> 00:35:01,530 (police radio chatter) 785 00:35:01,530 --> 00:35:03,232 (door opens) 786 00:35:03,232 --> 00:35:05,874 (footsteps retreat) 787 00:35:05,874 --> 00:35:09,378 (object clatters) 788 00:35:09,378 --> 00:35:10,879 HERE. 789 00:35:10,879 --> 00:35:13,842 YOU WANT ME TO HOLD IT WHILE YOU TIE YOUR SHOE? 790 00:35:13,842 --> 00:35:17,716 NO, I WANT YOU TO TAKE IT, JUST IN CASE. 791 00:35:21,220 --> 00:35:23,552 ALL RIGHT. LET'S GO. (gun slide clicks) 792 00:35:23,552 --> 00:35:24,653 (click) 793 00:35:35,864 --> 00:35:40,239 (Dunn) ALL YOUR HAPLESS FBI AGENTS... 794 00:35:40,239 --> 00:35:43,472 GOING INTO THE WRONG BUILDING. (laughs) 795 00:35:43,472 --> 00:35:45,774 (Dunn speaks indistinctly) (whispering) CASTLE, HE'S THERE. 796 00:35:45,774 --> 00:35:48,747 I GOTTA BE HONEST WITH YOU, AGENT SHAW... I'M GONNA DRAW HIM AWAY. 797 00:35:48,747 --> 00:35:51,750 YOU FREE AGENT SHAW AND GET SOME HELP. 798 00:35:51,750 --> 00:35:54,423 CASTLE... YOU'RE MY ONLY BACKUP. (Dunn speaks indistinctly) 799 00:35:54,423 --> 00:35:55,924 OKAY, GO. 800 00:35:55,924 --> 00:35:57,726 (Dunn) DON'T WORRY, AGENT SHAW. 801 00:35:57,726 --> 00:36:00,459 THE BLAST TRAVELS THOUSANDS OF FEET PER SECOND. 802 00:36:00,459 --> 00:36:02,591 YOUR COLLEAGUES WON'T FEEL A THING. 803 00:36:02,591 --> 00:36:06,535 I THOUGHT IT WAS ME YOU WERE AFTER. 804 00:36:09,538 --> 00:36:12,601 NIKKI... 805 00:36:12,601 --> 00:36:15,344 YOU CAME. 806 00:36:22,911 --> 00:36:26,515 PUT YOUR HANDS UP, DUNN, OR I WILL TAKE YOU DOWN. 807 00:36:32,661 --> 00:36:34,963 I'VE GOT A BETTER IDEA, NIKKI. 808 00:36:34,963 --> 00:36:37,266 WHY DON'T YOU PUT YOUR GUN DOWN? 809 00:36:37,266 --> 00:36:39,628 OR I'LL DETONATE THE 19 POUNDS OF CYCLONITE 810 00:36:39,628 --> 00:36:43,402 THAT I HAVE IN THE BUILDING ACROSS THE STREET... 811 00:36:43,402 --> 00:36:45,674 TURNING AGENT AVERY AND HIS ENTRY TEAM INTO MIST. 812 00:36:45,674 --> 00:36:48,607 IF YOU SHOOT ME, NIKKI, 813 00:36:48,607 --> 00:36:50,779 IT MIGHT CAUSE MY THUMB TO TENSE UP 814 00:36:50,779 --> 00:36:52,481 AND PUSH THE BUTTON. 815 00:36:52,481 --> 00:36:55,514 DO YOU REALLY WANT TO TAKE THAT CHANCE? 816 00:36:55,514 --> 00:36:58,487 THEY'RE NOT IN THE BUILDING ANYMORE. 817 00:36:58,487 --> 00:37:01,950 I ONLY SENT THEM IN THERE TO THROW YOU OFF. 818 00:37:03,452 --> 00:37:05,594 YOU'RE LYING. (chuckles) 819 00:37:05,594 --> 00:37:08,226 WHY WOULD THEY BE IN THERE 820 00:37:08,226 --> 00:37:10,529 IF I KNEW THAT YOU WERE IN HERE? 821 00:37:10,529 --> 00:37:14,263 FACE IT, DUNN. I BEAT YOU. 822 00:37:14,263 --> 00:37:16,535 NIKKI HEAT WON. 823 00:37:16,535 --> 00:37:19,568 NO. 824 00:37:19,568 --> 00:37:21,710 NO! NO! 825 00:37:21,710 --> 00:37:23,872 (Shaw grunts) 826 00:37:23,872 --> 00:37:25,574 (Dunn pants) (gunshot) 827 00:37:25,574 --> 00:37:27,576 (gunshot) 828 00:37:33,982 --> 00:37:35,824 (rips) WHERE'S MY PEOPLE? 829 00:37:35,824 --> 00:37:39,388 ACROSS THE STREET, SITTING ON 19 POUNDS OF CYCLONITE. 830 00:37:39,388 --> 00:37:41,690 SHE WAS BLUFFING?! SHE WAS PROFILING. 831 00:37:41,690 --> 00:37:44,493 GO HELP HER. HE COULD FLANK HER. GO! GO! 832 00:37:44,493 --> 00:37:46,395 I'VE GOT THIS. 833 00:37:55,474 --> 00:37:58,977 DUNN... GIVE IT UP. 834 00:38:03,582 --> 00:38:05,754 NOBODY HAS TO DIE. 835 00:38:21,900 --> 00:38:23,031 (thud) 836 00:38:23,031 --> 00:38:25,404 (grunts) 837 00:38:25,404 --> 00:38:27,706 (grunts) OH! 838 00:38:27,706 --> 00:38:29,077 (grunts) 839 00:38:29,077 --> 00:38:30,739 UGH! 840 00:38:30,739 --> 00:38:32,381 AH! 841 00:38:32,381 --> 00:38:33,512 (grunts) 842 00:38:33,512 --> 00:38:35,484 OHH. 843 00:38:35,484 --> 00:38:38,917 THAT'S HOW ALL MY STORIES END, WITH SOMEONE ELSE DEAD. OHH. 844 00:38:38,917 --> 00:38:40,489 NO! 845 00:38:40,489 --> 00:38:42,451 (gunshot) AH! 846 00:38:42,451 --> 00:38:44,493 (grunting) 847 00:38:44,493 --> 00:38:47,596 I BELIEVE THIS IS YOUR COLLAR. 848 00:38:47,596 --> 00:38:48,957 OHH! 849 00:38:48,957 --> 00:38:50,459 (Dunn pants) 850 00:38:50,459 --> 00:38:52,761 THIS ISN'T OVER, HEAT. 851 00:38:52,761 --> 00:38:54,763 IT'S NOT HEAT. (handcuffs click) 852 00:38:54,763 --> 00:38:56,635 IT'S BECKETT. 853 00:38:56,635 --> 00:38:58,336 (Dunn grunts) 854 00:38:58,336 --> 00:39:00,338 YOU HAVE THE RIGHT TO REMAIN SILENT... 855 00:39:00,338 --> 00:39:02,571 SO SHUT THE HELL UP. 856 00:39:02,571 --> 00:39:04,342 (handcuffs click) 857 00:39:05,914 --> 00:39:08,346 THANK YOU. 858 00:39:08,346 --> 00:39:09,578 DITTO. 859 00:39:09,578 --> 00:39:12,551 (breathes heavily) 860 00:39:12,551 --> 00:39:14,753 HELL OF A SHOT, CASTLE. 861 00:39:14,753 --> 00:39:18,026 I WAS AIMING FOR HIS HEAD. 862 00:39:21,430 --> 00:39:24,062 (elevator bell dings) (indistinct conversations) 863 00:39:24,062 --> 00:39:27,065 HEY, WE'RE THINKING MAYBE YOU COULD TALK TO MONTGOMERY 864 00:39:27,065 --> 00:39:29,598 ABOUT FINDING SOME ROOM IN THE BUDGET 865 00:39:29,598 --> 00:39:32,471 FOR THOSE SMART BOARDS. SURE. WHILE THEY'RE AT IT, MAYBE THEY COULD BUY US BATMOBILES. 866 00:39:32,471 --> 00:39:34,503 THAT'D BE COOL. YEAH. 867 00:39:34,503 --> 00:39:37,906 OUR MURDER BOARDS ARE JUST FINE. FOR A CAVEMAN. 868 00:39:37,906 --> 00:39:39,708 (Ryan) MM. 869 00:39:39,708 --> 00:39:42,511 AGENT SHAW. I WAS JUST WRITING YOU A NOTE. 870 00:39:42,511 --> 00:39:44,513 DUNN IS BEING TRANSPORTED TO THE TOMBS, 871 00:39:44,513 --> 00:39:47,516 WHERE HE'LL ENJOY HIS STAY IN THE INTENSIVE MANAGEMENT UNIT 872 00:39:47,516 --> 00:39:50,158 WITH THE STATE'S MOST DANGEROUS CRIMINALS. 873 00:39:50,158 --> 00:39:52,160 WELL, HE'S GETTING HIS 15 MINUTES. 874 00:39:52,160 --> 00:39:55,393 THAT'S WHAT HE WANTED THIS WHOLE TIME. YEAH, BUT IT'LL BE ON OUR TERMS. 875 00:39:57,165 --> 00:39:58,667 I WANT YOU TO KNOW 876 00:39:58,667 --> 00:40:01,500 THAT I LEARNED A LOT FROM YOU ON THIS ONE. 877 00:40:01,500 --> 00:40:03,502 YOU DID MOST OF THE HEAVY LIFTING. 878 00:40:03,502 --> 00:40:05,504 HONESTLY, THE THING THAT IMPRESSED ME MOST 879 00:40:05,504 --> 00:40:07,876 IS THAT YOU CAME IN WITH CASTLE. 880 00:40:07,876 --> 00:40:10,509 YOU KNOW, SOME PEOPLE WOULD CALL THAT FOOLISH. (Avery) I THINK DENZEL SHOULD PLAY ME IN THE MOVIE. 881 00:40:10,509 --> 00:40:13,041 (Castle) URKEL. YOU MADE A TOUGH DECISION ON YOUR FEET, 882 00:40:13,041 --> 00:40:15,013 USED THE RESOURCES AT HAND. 883 00:40:15,013 --> 00:40:17,816 I'D SAY THAT'S HEROIC AND SOMEWHAT POETIC. 884 00:40:17,816 --> 00:40:21,119 I THE END, DUNN DID ACTUALLY FACE NIKKI HEAT. 885 00:40:21,119 --> 00:40:24,853 SHE IS, AFTER ALL, PART YOU, PART CASTLE. 886 00:40:24,853 --> 00:40:27,195 (speaks inaudibly) 887 00:40:27,195 --> 00:40:29,498 HE CARES ABOUT YOU, KATE. 888 00:40:29,498 --> 00:40:32,501 YOU MAY NOT SEE IT. YOU MAY NOT BE READY TO. 889 00:40:32,501 --> 00:40:35,133 BUT HE DOES. 890 00:40:35,133 --> 00:40:39,938 YEAH, WELL, THE SITUATION WITH CASTLE IS... COMPLICATED. 891 00:40:39,938 --> 00:40:41,139 AH. 892 00:40:41,139 --> 00:40:42,641 (Castle) LADIES. 893 00:40:42,641 --> 00:40:45,844 DETECTIVE BECKETT. 894 00:40:45,844 --> 00:40:48,116 IT'S BEEN A PLEASURE. 895 00:40:48,116 --> 00:40:50,118 WE'LL SEE YOU AROUND. 896 00:40:50,118 --> 00:40:52,551 CASTLE. THANK YOU FOR YOUR HELP. 897 00:40:52,551 --> 00:40:56,625 YOU ARE A VALUABLE ASSET TO DETECTIVE BECKETT'S TEAM. 898 00:40:56,625 --> 00:40:59,628 WELL, IT WOULD BE GREAT IF YOU WOULD CALL HER 899 00:40:59,628 --> 00:41:02,090 AND REMIND HER OF THAT FROM TIME TO TIME. (chuckles) 900 00:41:02,090 --> 00:41:03,592 (laughs) 901 00:41:06,234 --> 00:41:08,737 WOW. WHAT'S THIS? 902 00:41:08,737 --> 00:41:10,569 OPEN IT. 903 00:41:15,544 --> 00:41:18,747 MY FATHER'S WATCH. 904 00:41:18,747 --> 00:41:20,649 THANK YOU. 905 00:41:20,649 --> 00:41:22,511 YOU'RE WELCOME. 906 00:41:22,511 --> 00:41:25,984 I FOUND IT IN THE WRECKAGE, HAD IT FIXED. 907 00:41:25,984 --> 00:41:27,686 I'VE GOT GOOD NEWS. 908 00:41:27,686 --> 00:41:29,558 YEAH? I TALKED TO AVERY 909 00:41:29,558 --> 00:41:31,560 ABOUT BUYING ONE OF THOSE INCREDIBLE FED-MOBILES-- 910 00:41:31,560 --> 00:41:33,562 WITHOUT THE WEAPONS, OF COURSE-- 911 00:41:33,562 --> 00:41:35,524 BUT I COULD STOCK IT WITH MY OWN GADGETS. 912 00:41:35,524 --> 00:41:37,926 I COULD GET "WRITER" AIRBRUSHED ACROSS THE BACK WINDOW. 913 00:41:37,926 --> 00:41:39,928 RYAN AND ESPOSITO HAVE A BETTER CAR THAN YOU DO. 914 00:41:39,928 --> 00:41:41,930 I'M JUST--I'M EMBARRASSED TO HAVE CRIMINALS 915 00:41:41,930 --> 00:41:44,633 IN THE BACK OF THAT THING, AND I DON'T KNOW ABOUT YOUR SEAT, 916 00:41:44,633 --> 00:41:47,876 BUT MINE'S GOT A SPRING THAT HITS ME IN THE-- 917 00:41:47,876 --> 00:41:50,579 (laughs) OH, RICHARD, DARLING, YOU'RE JUST IN TIME. 918 00:41:50,579 --> 00:41:51,880 I MADE DINNER. 919 00:41:51,880 --> 00:41:53,882 MOTHER, WHAT ARE YOU DOING HERE? 920 00:41:53,882 --> 00:41:55,584 WELL, WE'RE EATING. 921 00:41:55,584 --> 00:41:58,547 YOU KNOW, SOMETHING FAMILIES DO A COUPLE OF TIMES A DAY. 922 00:41:58,547 --> 00:41:59,848 HI, DAD. 923 00:41:59,848 --> 00:42:02,591 HI. SO, UH, WHAT ABOUT CHET? 924 00:42:02,591 --> 00:42:04,092 WELL, DARLING, I NEVER SAID 925 00:42:04,092 --> 00:42:07,656 I WAS GOING TO BE CHAINED TO THE MAN'S SIDE. 926 00:42:07,656 --> 00:42:09,958 BESIDES, MARTHA RODGERS IS A WOMAN OF MYSTERY. 927 00:42:09,958 --> 00:42:11,960 AND IN ORDER TO MAINTAIN THAT, 928 00:42:11,960 --> 00:42:15,634 I'M GOING TO HAVE TO... DIVIDE MY TIME ACCORDINGLY. 929 00:42:15,634 --> 00:42:18,166 LIKE HAVING DUAL CITIZENSHIP. EXACTLY. 930 00:42:18,166 --> 00:42:21,570 BESIDES, IT'S BETTER FOR MY RELATIONSHIP WITH CHET. 931 00:42:21,570 --> 00:42:25,543 SO IF I HAVE TO EAT A FEW MEALS A WEEK 932 00:42:25,543 --> 00:42:28,216 AND DO ALL OF MY LAUNDRY HERE... (sighs) 933 00:42:28,216 --> 00:42:32,080 I'LL JUST HAVE TO, UM, MAKE THAT WORK. I THINK THAT SOUNDS LIKE A FINE PLAN. 934 00:42:32,080 --> 00:42:34,623 HMM. WELL, I HOPE YOU'LL BE COMFORTABLE 935 00:42:34,623 --> 00:42:37,125 SLEEPING IN THE HOME THEATER CHAIRS 936 00:42:37,125 --> 00:42:39,858 I'M HAVING DELIVERED TO YOUR ROOM. 937 00:42:39,858 --> 00:42:41,559 THEY DO RECLINE. AHH.