1 00:00:01,602 --> 00:00:04,175 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,175 --> 00:00:06,177 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,177 --> 00:00:08,609 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,609 --> 00:00:10,641 CASTLE. CASTLE. 5 00:00:10,641 --> 00:00:13,344 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,344 --> 00:00:15,246 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,246 --> 00:00:17,348 BECKETT. BECKETT. 8 00:00:17,348 --> 00:00:19,350 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,350 --> 00:00:21,352 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,352 --> 00:00:24,024 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:24,024 --> 00:00:27,128 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,128 --> 00:00:29,800 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:29,800 --> 00:00:33,164 (Band of Skulls' "Patterns" playing) 14 00:00:33,164 --> 00:00:36,167 ♪ THERE'S ONE FOR THE MONEY ♪ 15 00:00:36,167 --> 00:00:38,339 ♪ AND TWO FOR THE SIN ♪ 16 00:00:38,339 --> 00:00:42,042 ♪ AND THREE FOR THE TIME WHEN AUTHORITY KICKS IN ♪ 17 00:00:42,042 --> 00:00:43,674 ♪ THERE'S FOUR FOR THE REASON ♪ 18 00:00:43,674 --> 00:00:45,546 ♪ AND FIVE FOR THE TRICKS ♪ 19 00:00:45,546 --> 00:00:51,122 ♪ BUT NOTHING'S GONNA SAVE YOU FROM THE SIX, SIX, SIX ♪ 20 00:00:51,122 --> 00:00:53,824 ♪ OH ♪ 21 00:00:53,824 --> 00:00:56,787 ♪ OH ♪ 22 00:00:56,787 --> 00:01:00,431 FIVE. SIX. SEVEN. EIGHT. 23 00:01:00,431 --> 00:01:03,063 ONE AND TWO. THREE AND F-- WHY YOU ALL BEYONCé THIS MORNING? 24 00:01:03,063 --> 00:01:05,566 YOU GOT A SCHOOL DANCE COMING UP? (laughs) NO. 25 00:01:05,566 --> 00:01:07,568 ASHLEY GAVE ME SOME OF HER CHEER ROUTINE. 26 00:01:07,568 --> 00:01:09,570 SHE'S BEEN ON THE J.V. FOR TWO YEARS, 27 00:01:09,570 --> 00:01:12,443 AND SHE WANTS ME TO TRY OUT FOR THE SQUAD. CHEERLEADING? 28 00:01:12,443 --> 00:01:16,207 YEAH. WHY? WHO ARE YOU AND WHAT HAVE YOU DONE WITH MY DAUGHTER? 29 00:01:16,207 --> 00:01:18,149 WHAT'S WRONG WITH CHEERLEADING? 30 00:01:18,149 --> 00:01:20,281 NO, NO, NOTHING'S-- NOTHING'S... 31 00:01:20,281 --> 00:01:23,784 I'M JUST--I DIDN'T KNOW YOU... WANTED TO BE ONE. 32 00:01:23,784 --> 00:01:25,286 ME EITHER. 33 00:01:25,286 --> 00:01:27,718 BUT I WATCHED ASHLEY PRACTICE, AND IT LOOKS LIKE FUN. 34 00:01:27,718 --> 00:01:30,121 AND MY COLLEGE COUNSELOR, MS. SCHAEFER, 35 00:01:30,121 --> 00:01:32,423 SAID I NEED TO CONSIDER DIVERSIFYING MY ACTIVITIES. 36 00:01:32,423 --> 00:01:35,466 I FIGURE I'M A NATURAL 'CAUSE I ROOT FOR YOU ALL THE TIME. 37 00:01:35,466 --> 00:01:36,827 (chuckles) (cell phone rings) 38 00:01:36,827 --> 00:01:38,869 (beeps) OH, I GOTTA GO. 39 00:01:38,869 --> 00:01:40,871 LOVE YOU. HAVE FUN. 40 00:01:40,871 --> 00:01:43,204 FIVE. SIX. SEVEN. EIGHT. 41 00:01:43,204 --> 00:01:44,875 (whispers) CHEERLEADING? 42 00:01:44,875 --> 00:01:46,637 SO? 43 00:01:46,637 --> 00:01:49,280 WHO-- AH. THE TIME YOU WANTED TO PLAY HOCKEY 44 00:01:49,280 --> 00:01:52,883 BECAUSE ALL THE COOL GUYS IN SCHOOL WERE PLAYING IT? (normal voice) YEAH, BUT I DIDN'T JOIN THE TEAM. 45 00:01:52,883 --> 00:01:54,885 WELL, NO, BECAUSE YOU KNOCKED OUT TWO TEETH 46 00:01:54,885 --> 00:01:56,887 AT THE FIRST PRACTICE. (sucks teeth) 47 00:01:56,887 --> 00:02:01,121 DARLING... LET ALEXIS FIGURE THIS OUT ON HER OWN, HMM? 48 00:02:01,121 --> 00:02:04,124 THIS COMING FROM THE WOMAN WHO JUST LAST WEEK TOLD ME 49 00:02:04,124 --> 00:02:06,797 NOT TO RESERVE A SEAT ON THE SPACE SHUTTLE? 50 00:02:06,797 --> 00:02:09,200 OH. WELL, WE HAVE TO RETHINK THAT. 51 00:02:09,200 --> 00:02:11,202 REALLY? MM-HMM. 52 00:02:11,202 --> 00:02:12,663 (cell phone rings) 53 00:02:12,663 --> 00:02:15,436 (ring) 54 00:02:15,436 --> 00:02:17,468 (camera shutter clicking) 55 00:02:17,468 --> 00:02:20,341 VIC'S A FEMALE, LATE 20s, NO I.D. 56 00:02:20,341 --> 00:02:23,344 SHE WAS FOUND HANGING FROM THE MONKEY BARS 57 00:02:23,344 --> 00:02:26,677 BY A JOGGER JUST AFTER DAWN. IS THAT HONEY? 58 00:02:26,677 --> 00:02:30,281 (Lanie) FROM THE SMELL OF IT, I'D SAY IT'S CARAMEL SAUCE. 59 00:02:30,281 --> 00:02:32,623 BUT I'LL BE TESTING, NOT TASTING. CARAMEL SAUCE? 60 00:02:32,623 --> 00:02:35,286 MAYBE OUR KILLER HAS A SWEET TOOTH. (Beckett) GIVEN HER STATE OF UNDRESS, 61 00:02:35,286 --> 00:02:38,689 I'D SAY IT'S MORE LIKELY HE HAD A SEXUAL FETISH. YEAH, I CAN DO THE CHOCOLATE, 62 00:02:38,689 --> 00:02:41,732 I'LL EVEN DO THE WHIPPED CREAM BIKINI, BUT CARAMEL? 63 00:02:41,732 --> 00:02:44,395 I PREFER SLIPPERY TO STICKY. 64 00:02:44,395 --> 00:02:47,198 DOES SHE KNOW WE CAN HEAR HER? (laughs) 65 00:02:47,198 --> 00:02:49,500 (Beckett) BONDAGE CUFFS, CUSTOM MADE? 66 00:02:49,500 --> 00:02:51,872 LOOKS LIKE OUR KILLER LIKED PUBLIC PLAY. 67 00:02:51,872 --> 00:02:54,645 HOW CAN YOU TELL THE DIFFERENCE BETWEEN CUSTOM AND REGULAR? 68 00:02:54,645 --> 00:02:56,947 THE LEATHER IS TOO HIGH QUALITY TO BE MASS-PRODUCED, 69 00:02:56,947 --> 00:02:58,909 AND IT'S HAND-STITCHED. 70 00:02:58,909 --> 00:03:01,752 NO, I MEAN, HOW CAN YOU TELL THE DIFFERENCE? 71 00:03:01,752 --> 00:03:04,255 (police radio chatter) 72 00:03:04,255 --> 00:03:06,357 SO TIME OF DEATH? FROM BODY TEMPERATURE, 73 00:03:06,357 --> 00:03:08,859 I'D SAY BETWEEN 10:00 AND 11:00 LAST NIGHT, 74 00:03:08,859 --> 00:03:11,222 BUT I'M PRETTY SURE SHE WAS NOT KILLED HERE. 75 00:03:11,222 --> 00:03:13,224 BASED ON LIVIDITY, SHE SPENT SEVERAL HOURS 76 00:03:13,224 --> 00:03:15,366 IN THE FETAL POSITION AFTER SHE DIED. 77 00:03:15,366 --> 00:03:18,369 AND THEN WAS HUNG HERE A FEW HOURS AGO. 78 00:03:18,369 --> 00:03:20,701 PETECHIAL HEMORRHAGING SUGGESTS SHE WAS SUFFOCATED. 79 00:03:20,701 --> 00:03:23,634 AND THEN THERE'S THESE. 80 00:03:23,634 --> 00:03:26,206 WAS SHE RESTRAINED? LOOKS LIKE IT. 81 00:03:26,206 --> 00:03:28,479 YO, BECKETT. 82 00:03:28,479 --> 00:03:30,581 CRIME SCENE'S NEGATIVE FOR ANY SIGNS OF A STRUGGLE. 83 00:03:30,581 --> 00:03:32,583 FOUND ABOUT A DOZEN PARTIAL SHOE IMPRESSIONS, 84 00:03:32,583 --> 00:03:34,885 BUT THE GROUND'S TOO COLD TO GET ANY IMPRINTS. 85 00:03:34,885 --> 00:03:37,818 BUT... WE DID FIND THIS. 86 00:03:37,818 --> 00:03:39,820 WHEEL MARKS, ABOUT 18 INCHES APART. 87 00:03:39,820 --> 00:03:41,452 (police radio chatter) 88 00:03:41,452 --> 00:03:44,555 ROLLING SUITCASE? AND JUDGING BY THE DEPTH OF THE TRACKS, 89 00:03:44,555 --> 00:03:46,757 I'D SAY IT WAS CARRYING SOMETHING HEAVY. 90 00:03:46,757 --> 00:03:48,929 I'M GUESSING AROUND, UH, 105 POUNDS. 91 00:03:48,929 --> 00:03:51,932 SO HE KILLED HER ELSEWHERE AND THEN BROUGHT HER HERE. YEAH, WHICH MEANS 92 00:03:51,932 --> 00:03:55,666 THE CRIME SCENE COULD BE ANYWHERE. THE PSYCHOLOGY DOESN'T MAKE ANY SENSE. 93 00:03:55,666 --> 00:03:57,868 THE CRIME SCENE WAS PRETTY ELABORATELY STAGED, 94 00:03:57,868 --> 00:03:59,570 WHICH SEEMS TO SUGGEST 95 00:03:59,570 --> 00:04:01,642 A SIGNIFICANT AMOUNT OF PREMEDITATION, 96 00:04:01,642 --> 00:04:03,644 BUT THE MURDER ITSELF-- SUFFOCATION-- 97 00:04:03,644 --> 00:04:06,777 MIGHT INDICATE A CRIME OF PASSION. (Ryan) GUY COVERED HER IN CARAMEL. 98 00:04:06,777 --> 00:04:09,720 DO YOU REALLY THINK WE'RE GONNA FIND A LOGICAL EXPLANATION? 99 00:04:09,720 --> 00:04:11,982 ONLY A HANDFUL OF BONDAGE SHOPS IN THE CITY DO CUSTOM WORK. 100 00:04:11,982 --> 00:04:14,925 SO LET'S TAKE PHOTOS OF THOSE CUFFS, SEND IT OUT, 101 00:04:14,925 --> 00:04:17,428 SEE IF ANYONE CAN I.D. WHERE IT CAME FROM. 102 00:04:17,428 --> 00:04:19,029 "ONLY A HANDFUL OF SHOPS"? 103 00:04:19,029 --> 00:04:21,862 OKAY, WHAT AREN'T YOU TELLING ME? 104 00:04:21,862 --> 00:04:25,966 SO MUCH, CASTLE. SO VERY, VERY MUCH. 105 00:04:25,966 --> 00:04:28,969 (techno music playing) 106 00:04:30,541 --> 00:04:32,803 (woman moans) 107 00:04:32,803 --> 00:04:35,546 ♪♪ 108 00:04:35,546 --> 00:04:38,549 IT'S A LITTLE CREEPY DOING THIS WITH YOU BREATHING ON MY NECK. 109 00:04:38,549 --> 00:04:41,051 OH, SORRY, BRO. I MEAN, I'D DO IT ON MINE, 110 00:04:41,051 --> 00:04:43,053 BUT I.A. CHECKS BROWSER HISTORY, SO... 111 00:04:43,053 --> 00:04:44,915 GREAT. THANKS. 112 00:04:44,915 --> 00:04:46,587 WHAT DOES THAT THING DO? 113 00:04:46,587 --> 00:04:48,058 LOOKS LIKE A POTATO PEELER. 114 00:04:48,058 --> 00:04:50,591 (woman screams and moans) YEAH. OH, THAT IS NASTY. 115 00:04:50,591 --> 00:04:51,722 OH. 116 00:04:51,722 --> 00:04:53,394 AND ILLEGAL IN 12 STATES. 117 00:04:53,394 --> 00:04:55,696 YEAH, YOU'RE RIGHT. THAT IS WEIRD. 118 00:04:55,696 --> 00:04:57,698 OKAY. THANK YOU. WHAT'S WEIRD? 119 00:04:57,698 --> 00:05:00,000 LANIE RAN A SART KIT. 120 00:05:00,000 --> 00:05:02,573 THERE'S NO SIGNS OF SEXUAL ASSAULT OR ACTIVITY. 121 00:05:02,573 --> 00:05:05,075 THIS HAS ALL THE MAKINGS OF A SEX CRIME, 122 00:05:05,075 --> 00:05:08,579 BUT THERE'S NO SEX INVOLVED. WELL, MAYBE OUR PSYCHOPATH BELIEVES IN ABSTINENCE. 123 00:05:08,579 --> 00:05:10,911 IT'S MORE LIKELY HE HAS A PERFORMANCE PROBLEM. 124 00:05:10,911 --> 00:05:12,613 AND THERE'S NO I.D. 125 00:05:12,613 --> 00:05:15,315 HER FINGERPRINTS AREN'T IN THE SYSTEM. (Esposito and Ryan) OH! 126 00:05:15,315 --> 00:05:18,619 NO, NO, NO, NO, NO. HOW DO YOU EVEN GET IN THAT POSITION? 127 00:05:18,619 --> 00:05:20,851 I DON'T KNOW, BUT YOU SHOULD TRY THAT WITH YOUR, 128 00:05:20,851 --> 00:05:23,354 UH, GIRLFRIEND, HONEY MILK. AS A MATTER OF FACT, 129 00:05:23,354 --> 00:05:26,457 I THINK I'M GONNA BUY THIS FOR YOU RIGHT NOW. OH, JEEZ. HOW DO YOU EVEN GET IN THAT POSITION? 130 00:05:26,457 --> 00:05:28,028 RIGHT? IT'S NOT EVEN POSSIBLE. 131 00:05:28,028 --> 00:05:31,101 (woman) ALL FOURS. NOW. OH, IT'S POSSIBLE. 132 00:05:31,101 --> 00:05:34,064 ANYTHING ON THE CANVASS? (Esposito) NOTHING YET. 133 00:05:34,064 --> 00:05:36,066 AND NOTHING BACK FROM MISSING PERSONS. 134 00:05:36,066 --> 00:05:38,338 GIVEN THAT IT JUST HAPPENED LAST NIGHT, 135 00:05:38,338 --> 00:05:41,772 IT'S MOST LIKELY NOT GONNA BE REPORTED FOR A COUPLE OF DAYS. WHAT ABOUT THE CUFFS? 136 00:05:41,772 --> 00:05:43,774 WE FOUND SEVEN SHOPS IN MANHATTAN 137 00:05:43,774 --> 00:05:46,046 THAT MAKE CUSTOM BONDAGE GEAR. 138 00:05:46,046 --> 00:05:48,048 AND WHILE WE'RE WAITING TO HEAR BACK, 139 00:05:48,048 --> 00:05:50,751 WE'RE GONNA BUY A GIFT FOR RYAN'S IMAGINARY GIRLFRIEND. 140 00:05:50,751 --> 00:05:52,923 OH, YEAH. WHEN ARE WE GONNA MEET THAT JENNY? 141 00:05:52,923 --> 00:05:55,085 WHEN THE TIME IS RIGHT, I'LL BRING HER AROUND. 142 00:05:55,085 --> 00:05:57,628 I DON'T WANT YOU GUYS SCARING HER OFF. (cell phone rings) 143 00:05:57,628 --> 00:05:59,630 OH, THERE SHE IS NOW. UGH. I DON'T KNOW. 144 00:05:59,630 --> 00:06:02,092 HELLO. DETECTIVE KEVIN RYAN. YOU GUYS, GIVE HIM A BREAK. 145 00:06:02,092 --> 00:06:04,364 I WOULDN'T BRING MY BOYFRIEND AROUND HERE EITHER. 146 00:06:04,364 --> 00:06:06,967 (Ryan speaking indistinctly) BOYFRIEND? DID I MISS SOMETHING? 147 00:06:06,967 --> 00:06:11,101 (cell phone snaps closed) SO THAT WAS BARRY FROM THE LOVE SHACKLE. 148 00:06:11,101 --> 00:06:13,103 HE SAYS THE CUFF MIGHT BE THEIRS, 149 00:06:13,103 --> 00:06:16,146 BUT HE'D HAVE TO EXAMINE 'EM UP CLOSE TO KNOW FOR SURE. 150 00:06:16,146 --> 00:06:18,509 WELL, THEN HAVE EVIDENCE PULL THEM 151 00:06:18,509 --> 00:06:21,011 AND TELL THEM I'M COMING. OH, A FIELD TRIP TO A SEX STORE. 152 00:06:21,011 --> 00:06:23,584 (whispers) I LOVE THIS CASE. 153 00:06:23,584 --> 00:06:25,085 LOOK AT HIM FOLLOWING HER. 154 00:06:25,085 --> 00:06:27,758 WHO'S WHIPPED, HUH, ME OR HIM? 155 00:06:27,758 --> 00:06:30,390 YOU, BRO, HANDS DOWN. 156 00:06:30,390 --> 00:06:31,892 (cell phone chimes) 157 00:06:31,892 --> 00:06:33,093 (chuckles) 158 00:06:34,695 --> 00:06:36,026 (woman) ♪ I'M GETTING HOT ♪ 159 00:06:36,026 --> 00:06:39,500 ♪ UNDER THE COLLAR, BABY, OH, COME ON ♪ 160 00:06:39,500 --> 00:06:42,573 YOU KNOW, WHILE WE'RE HERE, WE SHOULD REALLY PICK UP SOMETHING 161 00:06:42,573 --> 00:06:45,035 FOR THAT NEW IMAGINARY BOYFRIEND OF YOURS. 162 00:06:45,035 --> 00:06:47,708 OH, THIS HIS SPEED? 163 00:06:47,708 --> 00:06:49,510 NO. 164 00:06:49,510 --> 00:06:52,883 BUT IF YOU KEEP TALKING, I'LL PUT YOU IN ONE OF THESE. 165 00:06:52,883 --> 00:06:55,816 HEY, GUYS. LOOKING FOR SOMETHING SPECIAL? YES. 166 00:06:55,816 --> 00:06:57,588 NO. JUST GETTIN' STARTED, HUH? 167 00:06:57,588 --> 00:06:59,990 YEAH, WE GET A LOT OF FIRST TIMERS. 168 00:06:59,990 --> 00:07:02,092 WE CARRY EVERYTHING FROM BONDAGE 101 169 00:07:02,092 --> 00:07:04,625 ALL THE WAY UP TO THE MORE ADVANCED STUFF 170 00:07:04,625 --> 00:07:06,597 FOR YOUR PLEASURE PhD. 171 00:07:06,597 --> 00:07:10,100 BUT IF YOU'RE JUST LOOKING TO DIP YOUR TOE IN THE WATER, 172 00:07:10,100 --> 00:07:12,102 THESE LITTLE GUYS ARE BEST SELLERS. 173 00:07:12,102 --> 00:07:15,105 WANT TO GIVE 'EM A TRY? NO, THANKS. 174 00:07:15,105 --> 00:07:17,708 I'VE ALREADY GOT A PAIR OF MY OWN. 175 00:07:19,970 --> 00:07:23,674 DOUBLE CROSS LAP STITCH ON THE SEAM. 176 00:07:23,674 --> 00:07:25,676 YEAH, THIS IS DEFINITELY ONE OF MINE. 177 00:07:25,676 --> 00:07:27,648 CAN YOU TELL US WHO ORDERED THEM? 178 00:07:27,648 --> 00:07:29,480 YEAH, I REMEMBER THIS KID. 179 00:07:29,480 --> 00:07:30,981 VERY VANILLA. 180 00:07:30,981 --> 00:07:33,123 THEN AGAIN, IT'S ALWAYS THE NORMAL-LOOKING ONES 181 00:07:33,123 --> 00:07:36,957 THAT END UP BEING THE MOST FREAKY, RIGHT? DO YOU HAVE A NAME OR A BILLING ADDRESS? 182 00:07:36,957 --> 00:07:38,959 YEAH. THE CUFFS WERE PURCHASED SIX MONTHS AGO 183 00:07:38,959 --> 00:07:40,631 BY A TYLER BENTON. 184 00:07:40,631 --> 00:07:43,193 HE HAD 'EM SPECIALLY MADE FOR HIS GIRLFRIEND. CUTE GIRL, TOO. 185 00:07:43,193 --> 00:07:46,096 YOU REMEMBER HER? YEAH, BRUNETTE, MID-20s, 186 00:07:46,096 --> 00:07:47,938 ASKED A LOT OF QUESTIONS. 187 00:07:47,938 --> 00:07:51,101 DID SHE BY ANY CHANCE LOOK LIKE THIS? 188 00:07:51,101 --> 00:07:54,004 OH, MY GOD. WE NEED TO TALK TO TYLER BENTON 189 00:07:54,004 --> 00:07:57,107 AND FIND OUT WHAT HE WAS DOING LAST NIGHT. 190 00:07:57,107 --> 00:07:59,149 MY GUESS IS KILLING HIS GIRLFRIEND. 191 00:07:59,149 --> 00:08:04,815 ♪♪ 192 00:08:12,022 --> 00:08:13,994 THAT'S JESSICA. 193 00:08:13,994 --> 00:08:16,727 JESSICA MARGOLIS-- MY GIRLFRIEND. 194 00:08:16,727 --> 00:08:19,199 NEXT WEEK WAS OUR ONE-YEAR ANNIVERSARY. 195 00:08:19,199 --> 00:08:22,032 I WAS GOING TO PROPOSE. WHERE WERE YOU LAST NIGHT, MR. BENTON? 196 00:08:22,032 --> 00:08:24,535 AT THE HOSPITAL. I'M A FIRST YEAR. 197 00:08:24,535 --> 00:08:28,979 I WAS WORKING A 24-HOUR SHIFT. YOU CAN ASK MY ATTENDING. 198 00:08:28,979 --> 00:08:31,982 HAVE YOU EVER SEEN THESE BEFORE? 199 00:08:31,982 --> 00:08:36,817 YEAH, I-I BOUGHT THEM FOR JESSICA A FEW MONTHS AGO. WHY? 200 00:08:36,817 --> 00:08:40,621 SHE WAS FOUND HANGING BY THEM IN THE PARK. 201 00:08:40,621 --> 00:08:43,023 YOU GUYS LIKE TO PLAY? WHAT? 202 00:08:43,023 --> 00:08:45,125 NO. WE NEVER EVEN USED THEM. 203 00:08:45,125 --> 00:08:47,898 THEY WERE--THEY WERE JUST SUPPOSED TO BE A JOKE 204 00:08:47,898 --> 00:08:50,731 BECAUSE OF HER RESEARCH. RESEARCH? 205 00:08:50,731 --> 00:08:53,163 I TRIED TO BE SUPPORTIVE, BUT I SHOULD'VE STOPPED HER. 206 00:08:53,163 --> 00:08:56,266 I SHOULD'VE PUSHED HER TO STUDY SOMETHING ELSE. WHAT WAS SHE STUDYING? 207 00:08:56,266 --> 00:08:58,168 (sighs) 208 00:08:58,168 --> 00:09:02,142 THE SOCIOLOGY OF SEXUAL BONDAGE AND DOMINATION. 209 00:09:02,142 --> 00:09:05,716 SHE SPENT MONTHS MEETING PEOPLE IN THAT WORLD, 210 00:09:05,716 --> 00:09:07,978 TRYING TO UNDERSTAND WHAT MADE THEM TICK. 211 00:09:07,978 --> 00:09:09,980 AND THEY KILLED HER FOR IT. 212 00:09:11,622 --> 00:09:14,084 AND WHERE DID YOU KEEP THESE CUFFS? 213 00:09:14,084 --> 00:09:16,186 I DON'T--I DON'T KNOW. 214 00:09:16,186 --> 00:09:19,059 AT HER PLACE, I GUESS. HER ROOMMATE PROBABLY KNOWS. 215 00:09:19,059 --> 00:09:21,331 THE TWO OF THEM WERE, LIKE, ATTACHED AT THE HIP. 216 00:09:21,331 --> 00:09:24,034 (woman, voice breaking) JESSICA AND I 217 00:09:24,034 --> 00:09:25,996 HAVE BEEN ROOMMATES SINCE FRESHMAN YEAR. 218 00:09:25,996 --> 00:09:29,269 WE'VE LIVED TOGETHER SO LONG, WE'RE PRACTICALLY SISTERS. 219 00:09:29,269 --> 00:09:31,872 TYLER SAID THAT YOU MIGHT KNOW 220 00:09:31,872 --> 00:09:33,974 WHERE SHE KEPT THE CUFFS HE GAVE HER. 221 00:09:33,974 --> 00:09:36,076 OH, SHE SHOWED THEM TO ME WHEN SHE GOT THEM, 222 00:09:36,076 --> 00:09:38,749 BUT I NEVER SAW THEM AFTER THAT. 223 00:09:38,749 --> 00:09:42,252 AND WHEN WAS THE LAST TIME THAT YOU SAW JESSICA? 224 00:09:42,252 --> 00:09:44,054 YESTERDAY MORNING. 225 00:09:44,054 --> 00:09:45,986 (Castle) WHAT ABOUT HER RESEARCH? 226 00:09:45,986 --> 00:09:48,158 DID SHE EVER TALK TO YOU ABOUT WHERE SHE WENT, 227 00:09:48,158 --> 00:09:50,160 UH, THE PEOPLE INVOLVED? 228 00:09:50,160 --> 00:09:52,993 NO, SHE PRETTY MUCH KEPT ALL THAT TO HERSELF. 229 00:09:52,993 --> 00:09:54,294 (Esposito) DETECTIVE BECKETT. 230 00:09:54,294 --> 00:09:56,767 EXCUSE ME. 231 00:09:58,298 --> 00:10:00,831 (sniffles) 232 00:10:02,673 --> 00:10:05,035 SO THE BED HASN'T BEEN SLEPT IN. THERE'S NO SIGNS OF A STRUGGLE. 233 00:10:05,035 --> 00:10:07,908 CELL PHONE, PURSE? NADA. 234 00:10:07,908 --> 00:10:09,910 WHICH MEANS SHE WAS SOMEWHERE ELSE 235 00:10:09,910 --> 00:10:12,042 WHEN SHE WAS KILLED. 236 00:10:12,042 --> 00:10:14,645 OKAY, LET'S PUT A TRACE ON HER CELL PHONE. 237 00:10:14,645 --> 00:10:17,888 IF SHE HAS A GPS LOCATOR, WE MIGHT GET LUCKY. ALL RIGHT. 238 00:10:17,888 --> 00:10:19,189 (Beckett) DID JESSICA EVER MENTION 239 00:10:19,189 --> 00:10:21,191 WHERE SHE WAS GOING TO BE LAST NIGHT? 240 00:10:21,191 --> 00:10:23,253 NO. I-I GOT IN AT AROUND 10:00. 241 00:10:23,253 --> 00:10:25,625 IT DIDN'T LOOK LIKE SHE HAD BEEN HOME. 242 00:10:25,625 --> 00:10:28,128 SINCE TYLER WAS ON CALL, I... 243 00:10:28,128 --> 00:10:30,961 I ASSUMED SHE WAS UP AT THE UNIVERSITY 244 00:10:30,961 --> 00:10:32,963 WORKING ON HER THESIS. 245 00:10:32,963 --> 00:10:35,065 (man) I WISH I COULD HELP YOU, DETECTIVE. 246 00:10:35,065 --> 00:10:37,838 SOMETIMES SHE'D WORK LATE, BUT SHE WASN'T HERE LAST NIGHT. 247 00:10:37,838 --> 00:10:40,310 ARE YOU SURE ABOUT THAT? I WAS HERE TILL 11:00 GRADING PAPERS. 248 00:10:40,310 --> 00:10:43,373 I WOULD'VE SEEN HER. AS HER ADVISOR, HOW MUCH WOULD YOU KNOW 249 00:10:43,373 --> 00:10:46,376 ABOUT THE PEOPLE THAT SHE WAS RESEARCHING? SHE WAS SPENDING A LOT OF TIME WITH A DOMINATRIX 250 00:10:46,376 --> 00:10:49,279 NAMED MISTRESS VENOM. (chuckles) MISTRESS VENOM? 251 00:10:49,279 --> 00:10:53,784 SOUNDS MORE LIKE "PENTHOUSE FORUM" THAN PhD. MR. CASTLE, PEOPLE WHO STUDY SEX-RELATED FIELDS 252 00:10:53,784 --> 00:10:55,756 ARE OFTEN DERIDED WITHIN ACADEMIA. 253 00:10:55,756 --> 00:10:58,088 JESSICA WAS DETERMINED NOT TO BE HELD HOSTAGE 254 00:10:58,088 --> 00:10:59,429 BY THEIR LITTLE MINDS. 255 00:10:59,429 --> 00:11:01,692 VENOM WAS JESSICA'S GUIDE TO THAT WORLD. 256 00:11:01,692 --> 00:11:04,164 IF YOU WANT TO KNOW MORE ABOUT THE PEOPLE JESSICA WAS STUDYING, 257 00:11:04,164 --> 00:11:05,665 YOU'LL HAVE TO ASK VENOM. 258 00:11:05,665 --> 00:11:08,068 (knock on door) KELLY, THIS IS DETECTIVE BECKETT 259 00:11:08,068 --> 00:11:10,140 AND RICHARD CASTLE. 260 00:11:10,140 --> 00:11:12,803 THEY NEED TO SEE JESSICA'S RESEARCH. 261 00:11:12,803 --> 00:11:16,006 (Castle) SHE KEPT HER NOTES LOCKED UP? SHE WAS A FINALIST FOR THE KELLERMAN FELLOWSHIP. 262 00:11:16,006 --> 00:11:17,708 (chuckles) YOU KNOW, 263 00:11:17,708 --> 00:11:20,010 WHEN YOU'RE COMPETING AGAINST OTHER PEOPLE IN THE DEPARTMENT, 264 00:11:20,010 --> 00:11:22,382 THE LAST THING YOU WANT TO DO IS LEAVE YOUR NOTES LYING AROUND. 265 00:11:22,382 --> 00:11:25,085 WELL, IT LOOKS LIKE A LOT OF LATE NIGHTS. WHEN TYLER WAS ON SHIFT, 266 00:11:25,085 --> 00:11:29,089 SHE'D JUST PULL AN ALL-NIGHTER AND GO VISIT HIM ON HIS BREAKS. KELLY, DID YOU HEAR HOW THEY FOUND HER? 267 00:11:29,089 --> 00:11:31,922 MATT-- TIED TO THE MONKEY BARS ON A PLAYGROUND 268 00:11:31,922 --> 00:11:34,094 IN HER UNDERWEAR? MATT, UM, THIS IS DETECTIVE BECKETT. 269 00:11:34,094 --> 00:11:36,226 SHE'S HERE INVESTIGATING JESSICA'S DEATH. 270 00:11:36,226 --> 00:11:39,699 MATT, JESS AND I ALL STARTED THE PhD PROGRAM 271 00:11:39,699 --> 00:11:41,732 AT THE SAME TIME. I CAN TELL YOU WERE CLOSE. 272 00:11:41,732 --> 00:11:45,335 I'M SORRY. IT'S JUST-- KELLY, DID JESSICA HAVE ANY ENEMIES IN THE DEPARTMENT? 273 00:11:45,335 --> 00:11:47,778 ANYONE IN SCHOOL THAT SHE DIDN'T GET ALONG WITH? 274 00:11:47,778 --> 00:11:50,310 JUST BECAUSE WE WERE COMPETING FOR THE SAME FELLOWSHIP 275 00:11:50,310 --> 00:11:54,014 DOESN'T MEAN THAT WE WEREN'T CIVIL. NOT EVERYONE WAS CIVIL. IN THE LAST FEW WEEKS, 276 00:11:54,014 --> 00:11:56,346 JESSICA WAS GETTING THESE PHONE CALLS ON HER OFFICE LINE. 277 00:11:56,346 --> 00:11:58,318 (Beckett) WHAT KIND OF CALLS? 278 00:11:58,318 --> 00:12:00,450 UM, HEAVY BREATHING, MOANING. 279 00:12:00,450 --> 00:12:03,393 MADE YOU WANT TO TAKE A HAND SANITIZER SHOWER. 280 00:12:03,393 --> 00:12:05,926 SEEMS A LITTLE IMMATURE FOR GRAD STUDENTS. LOOK, I'M STUDYING THE IMPACT 281 00:12:05,926 --> 00:12:08,829 OF A.I.D.S. TREATMENTS IN INNER-CITY CLINICS. 282 00:12:08,829 --> 00:12:11,431 KELLY'S IS ABOUT OVERCOMING THE GLASS CEILING. 283 00:12:11,431 --> 00:12:13,433 AND JESSICA WAS WATCHING A DOMINATRIX 284 00:12:13,433 --> 00:12:16,136 DIG HER STILETTO INTO SOME LOSER'S CHEST. 285 00:12:16,136 --> 00:12:19,770 SHE WAS BOUND TO GET SOME GRIEF FOR IT. (man) AH. 286 00:12:19,770 --> 00:12:21,812 (metal rattles and clicks) 287 00:12:25,015 --> 00:12:27,747 HER NOTES ON VENOM'S SESSIONS ARE PRETTY DETAILED. 288 00:12:27,747 --> 00:12:29,749 SHE STUDIED THESE GUYS LIKE LAB RATS. 289 00:12:29,749 --> 00:12:32,482 BUT SHE ONLY IDENTIFIES THEM BY NICKNAME--"LADYBOY," 290 00:12:32,482 --> 00:12:34,785 "PIN CUSHION" AND "SCARED BUNNY." 291 00:12:34,785 --> 00:12:37,157 YOU KNOW, IF THEY DIDN'T KNOW WHAT JESSICA WAS DOING, 292 00:12:37,157 --> 00:12:39,159 AND ONE OF THEM FOUND OUT... 293 00:12:39,159 --> 00:12:42,432 FEAR OF EXPOSURE WOULD BE A STRONG MOTIVE TO KILL. 294 00:12:42,432 --> 00:12:45,095 I WONDER WHAT ATTRACTED HER TO ALL THIS. WELL, ACCORDING TO HER THESIS PROPOSAL, 295 00:12:45,095 --> 00:12:48,038 SHE BECAME INTERESTED IN S&M AFTER WITNESSING 296 00:12:48,038 --> 00:12:50,240 A DYSFUNCTIONAL RELATIONSHIP UP CLOSE. 297 00:12:50,240 --> 00:12:51,842 APPARENTLY HER DISSERTATION 298 00:12:51,842 --> 00:12:54,544 COMPARES THE OVERT EXPRESSIONS OF DOMINANCE IN THE DUNGEON 299 00:12:54,544 --> 00:12:58,308 TO MORE SUBTLE EXPRESSIONS IN REAL-WORLD RELATIONSHIPS... 300 00:12:58,308 --> 00:13:00,210 LIKE WHO DRIVES. 301 00:13:00,210 --> 00:13:02,512 HEY, I WOULD DRIVE IF YOU WOULD LET ME. 302 00:13:02,512 --> 00:13:06,216 THAT ACTUALLY DIDN'T PROVE MY POINT LIKE I THOUGHT IT WOULD. 303 00:13:06,216 --> 00:13:08,218 YOU KNOW, IT SAYS HERE THAT MISTRESS VENOM 304 00:13:08,218 --> 00:13:10,991 WORKS IN A BONDAGE CLUB SOMEWHERE IN DUNGEON ALLEY, 305 00:13:10,991 --> 00:13:12,993 BUT IT DOESN'T SAY WHICH ONE. 306 00:13:12,993 --> 00:13:14,925 DUNGEON ALLEY. 307 00:13:14,925 --> 00:13:16,927 IT'S AN AREA BETWEEN CHELSEA AND MIDTOWN. 308 00:13:16,927 --> 00:13:19,329 THERE'S A WHOLE SLEW OF FETISH CLUBS THERE. 309 00:13:19,329 --> 00:13:21,531 YES, I KNOW WHERE DUNGEON ALLEY IS. 310 00:13:21,531 --> 00:13:24,905 I WANT TO KNOW... HOW DO YOU KNOW? 311 00:13:24,905 --> 00:13:26,206 (drops pen on table) 312 00:13:26,206 --> 00:13:28,208 VICE RAIDED A FEW OF THEM 313 00:13:28,208 --> 00:13:30,210 LOOKING FOR A REASON TO SHUT THEM DOWN. 314 00:13:30,210 --> 00:13:32,312 BUT SINCE THERE'S NO SEXUAL CONTACT 315 00:13:32,312 --> 00:13:36,186 AND THE ACTS ARE ALL CONSENSUAL, IT WAS ALL PERFECTLY LEGAL. 316 00:13:36,186 --> 00:13:39,249 HMM. YOU KNOW, YOU SHOULD MOONLIGHT. 317 00:13:39,249 --> 00:13:42,853 SERIOUSLY, YOU WOULD MAKE A FORTUNE. 318 00:13:42,853 --> 00:13:45,125 COME ON. HAVEN'T YOU EVER WANTED TO DO... 319 00:13:45,125 --> 00:13:50,200 SOMETHING WITH YOUR HANDCUFFS OTHER THAN ARREST CRIMINALS? 320 00:13:50,200 --> 00:13:52,162 NO. 321 00:13:52,162 --> 00:13:55,235 BUT THERE IS ONE HOT... 322 00:13:55,235 --> 00:13:56,937 WILD... 323 00:13:56,937 --> 00:13:59,509 KINKY THING THAT I DO LIKE DOING. 324 00:13:59,509 --> 00:14:00,570 (grunts) 325 00:14:00,570 --> 00:14:04,614 PUTTING KILLERS BEHIND BARS. 326 00:14:04,614 --> 00:14:08,148 SEE? YOU'RE ALREADY A TEASE. YOU'RE HALFWAY THERE. 327 00:14:08,148 --> 00:14:11,021 HEY, WE TRIED TO TRACE THE CREEPY CALLS 328 00:14:11,021 --> 00:14:13,083 THAT JESSICA WAS GETTING AT HER OFFICE. 329 00:14:13,083 --> 00:14:14,384 BUT SINCE THEY WERE ROUTED 330 00:14:14,384 --> 00:14:17,127 THROUGH THE MAIN SWITCHBOARD AT THE COLLEGE, 331 00:14:17,127 --> 00:14:19,129 THERE'S NO WAY TO DETERMINE THEIR SOURCE. WHAT ABOUT THE CELL PHONE? 332 00:14:19,129 --> 00:14:20,430 THE DAY SHE DIED, 333 00:14:20,430 --> 00:14:23,133 SHE PLACED A CALL TO HER BOYFRIEND AT THE HOSPITAL, 334 00:14:23,133 --> 00:14:25,565 SHE PLACED A CALL TO HER VOICE MAIL AT THE OFFICE, 335 00:14:25,565 --> 00:14:29,199 AND SHE PLACED TWO CALLS TO LADY IRENA'S HOUSE OF PAIN. LADY IRENA'S HOUSE OF PAIN? 336 00:14:29,199 --> 00:14:31,471 THAT MUST BE WHERE MISTRESS VENOM WORKS. 337 00:14:31,471 --> 00:14:34,274 DID YOU GET AN ADDRESS? YEAH, AN OFFICE BUILDING ON 38th. 338 00:14:34,274 --> 00:14:37,407 OH, CONVENIENTLY LOCATED FOR ALL YOUR LUNCHTIME SPANKING NEEDS. ALL RIGHT YOU GUYS LOOK THROUGH HER NOTES, 339 00:14:37,407 --> 00:14:39,209 SEE IF THERE'S ANYTHING THAT'S THERE 340 00:14:39,209 --> 00:14:41,411 THAT MIGHT IMPLICATE ONE OF HER CLIENTS. 341 00:14:41,411 --> 00:14:44,154 MEANWHILE, CASTLE AND I WILL GO AND MEET THIS MISTRESS VENOM. (cell phone beeps and dials) 342 00:14:44,154 --> 00:14:46,656 WHIPS, WOMEN AND MURDER-- SOUNDS LIKE MY LUCKY DAY. 343 00:14:46,656 --> 00:14:50,220 (whispers) I'M SO GLAD YOU'RE EXCITED BY THIS. WHOO. 344 00:14:50,220 --> 00:14:52,222 (normal voice) HI, MY NAME IS KATE, 345 00:14:52,222 --> 00:14:56,196 AND MY BOYFRIEND HAS BEEN A VERY BAD BOY. 346 00:14:56,196 --> 00:14:58,328 YES, THAT'S RIGHT. 347 00:14:58,328 --> 00:15:00,900 HIS NAME'S RICKY. (lowered voice) WHAT ARE YOU DOING? 348 00:15:00,900 --> 00:15:04,174 ACTUALLY, A FRIEND OF MINE RECOMMENDED A MISTRESS VENOM. 349 00:15:04,174 --> 00:15:06,206 WAIT. IS SHE AVAILABLE TODAY? 4:00 P.M.? 350 00:15:06,206 --> 00:15:09,079 YOU KNOW WHAT? SURE, THAT'S PERFECT. THANK YOU. 351 00:15:09,079 --> 00:15:12,082 (normal voice) OKAY, THAT'S VERY FUNNY. NOW CALL HER BACK. UNH-UNH, CASTLE. 352 00:15:12,082 --> 00:15:16,246 THIS IS THE PERFECT WAY TO GET VENOM WITHOUT TIPPING OUR HAND. 353 00:15:16,246 --> 00:15:18,518 WHAT'S THE MATTER, CASTLE? 354 00:15:18,518 --> 00:15:20,951 YOU AFRAID OF A LITTLE ROLE PLAY? 355 00:15:20,951 --> 00:15:23,223 (laughs) 356 00:15:26,056 --> 00:15:28,458 YEAH, YOU BETTER RUN. 357 00:15:28,458 --> 00:15:30,200 (elevator bell dings) 358 00:15:30,200 --> 00:15:33,563 (woman) WELCOME TO IRENA'S HOUSE OF PAIN. 359 00:15:33,563 --> 00:15:36,336 (chuckles) 360 00:15:36,336 --> 00:15:39,339 THIS PLACE LOOKS LIKE A LAW FIRM. WHAT'D YOU THINK IT WAS GONNA BE, 361 00:15:39,339 --> 00:15:42,212 TORTURE WHEELS AND WOMEN IN CORSETS? WELL, YEAH. 362 00:15:42,212 --> 00:15:43,713 THAT'S IN THE BACK. 363 00:15:43,713 --> 00:15:45,715 WELCOME TO LADY IRENA'S HOUSE OF PAIN. 364 00:15:45,715 --> 00:15:48,178 HOW CAN I SERVE YOU? 365 00:15:48,178 --> 00:15:50,280 WELL, ANSWER HER! 366 00:15:50,280 --> 00:15:52,582 YOU SEE WHAT I HAVE TO DEAL WITH? 367 00:15:52,582 --> 00:15:55,155 MY BOYFRIEND RICKY HAS AN APPOINTMENT AT 4:00 P.M. 368 00:15:55,155 --> 00:15:56,656 WITH MISTRESS VENOM. 369 00:15:56,656 --> 00:15:59,059 WILL YOU BE JOINING HIM? 370 00:15:59,059 --> 00:16:02,132 OH, YES. I'VE BEEN DYING TO WATCH HIM SQUIRM. 371 00:16:02,132 --> 00:16:05,165 MISTRESS VENOM WOULD BE DELIGHTED TO HAVE AN AUDIENCE. 372 00:16:05,165 --> 00:16:06,997 FOLLOW ME, PLEASE. 373 00:16:06,997 --> 00:16:10,470 (Bree Sharp's "Superconductor" playing) 374 00:16:10,470 --> 00:16:13,203 ♪ HEY! ♪ 375 00:16:13,203 --> 00:16:16,476 DO YOU THINK WE COULD GAG HIM? 376 00:16:16,476 --> 00:16:19,149 REMEMBER, MY SAFE WORD IS "APPLES." 377 00:16:19,149 --> 00:16:22,152 ♪ HEY! I'VE GOT THE FREQUENCY TO TURN YOU ON ♪ 378 00:16:22,152 --> 00:16:25,185 ♪ I'VE GOT THE FREQUENCY TO TURN YOU ON ♪ 379 00:16:25,185 --> 00:16:28,318 ♪ SUPERCONDUCTOR, KEEP IT GOIN' ♪ 380 00:16:28,318 --> 00:16:31,061 ♪ I'VE GOT THE FREQUENCY TO TURN YOU ON ♪ 381 00:16:31,061 --> 00:16:34,164 ♪ HEY THERE, TIN SMILES, I BEEN LOADING DOWN YOUR FILES ♪ 382 00:16:34,164 --> 00:16:36,326 ♪ MOVING UP YOUR DIALS ♪ 383 00:16:36,326 --> 00:16:38,528 YOU SHOULD BRING YOUR NEW BOYFRIEND HERE. 384 00:16:38,528 --> 00:16:41,531 ♪ I AM PROGRAM, CLICKY-CLICK AT YOUR COMMAND ♪ 385 00:16:41,531 --> 00:16:43,203 MISTRESS VENOM? 386 00:16:43,203 --> 00:16:45,205 MISTRESS VENOM IS UNAVAILABLE. 387 00:16:45,205 --> 00:16:48,208 BUT I'M LADY IRENA. I OWN THIS DUNGEON. 388 00:16:48,208 --> 00:16:51,511 I'M SURE WE CAN FIND ANOTHER DOMINATRIX TO SUIT YOUR NEEDS. 389 00:16:51,511 --> 00:16:53,783 I'M AFRAID WE CAN'T. I'M DETECTIVE BECKETT. 390 00:16:53,783 --> 00:16:55,745 I NEED TO SPEAK WITH HER RIGHT NOW 391 00:16:55,745 --> 00:16:57,587 CONCERNING A MURDER INVESTIGATION. 392 00:16:57,587 --> 00:16:59,589 WHO WAS MURDERED? 393 00:16:59,589 --> 00:17:01,321 JESSICA MARGOLIS. 394 00:17:01,321 --> 00:17:04,694 THE PhD STUDENT WHO WAS OBSERVING HER SESSIONS. 395 00:17:04,694 --> 00:17:07,127 THERE WAS NO ONE OBSERVING HER SESSIONS. 396 00:17:07,127 --> 00:17:08,428 ARE YOU SURE? 397 00:17:08,428 --> 00:17:11,301 POSITIVE. PRIVACY IS PARAMOUNT IN MY DUNGEON. 398 00:17:13,463 --> 00:17:15,305 YOU'VE NEVER SEEN THIS GIRL? 399 00:17:18,238 --> 00:17:21,211 OF COURSE I'VE SEEN THAT GIRL. 400 00:17:21,211 --> 00:17:24,274 SHE WASN'T OBSERVING MISTRESS VENOM. 401 00:17:24,274 --> 00:17:26,476 SHE WAS MISTRESS VENOM. 402 00:17:37,687 --> 00:17:40,230 WELL, THIS EXPLAINS THE MARKS ON HER BODY. 403 00:17:40,230 --> 00:17:42,732 JESSICA MUST HAVE BEEN WEARING THIS BEFORE SHE DIED. LIKE CRUEL SHOES, 404 00:17:42,732 --> 00:17:45,135 THESE OUTFITS CAN LEAVE MARKS FOR HOURS AFTER YOU WEAR THEM. 405 00:17:45,135 --> 00:17:47,437 SHE HAD THREE SESSIONS YESTERDAY. 406 00:17:47,437 --> 00:17:51,070 SHE LEFT AROUND 7:30. YOU REALLY HAD NO IDEA THAT JESSICA WAS CONDUCTING 407 00:17:51,070 --> 00:17:54,244 A SOCIOLOGICAL EXPERIMENT OUT OF YOUR DUNGEON? NO. 408 00:17:54,244 --> 00:17:56,376 SHE CAME TO ME ABOUT SIX MONTHS AGO. 409 00:17:56,376 --> 00:17:59,249 QUICKLY BECAME ONE OF MY MOST REQUESTED DOMS. 410 00:17:59,249 --> 00:18:01,181 DID JESSICA HAVE ANY CLIENTS 411 00:18:01,181 --> 00:18:03,253 WHO WERE UNUSUALLY OBSESSED WITH HER? 412 00:18:03,253 --> 00:18:06,085 (chuckles) OF COURSE. I MEAN, THEY ALL WERE. 413 00:18:06,085 --> 00:18:08,087 BUT HER CLIENTS WERE SUBMISSIVE. 414 00:18:08,087 --> 00:18:10,320 KILLING IS AN ACT OF DOMINANCE. 415 00:18:10,320 --> 00:18:12,462 YOU AND I BOTH KNOW THAT PEOPLE AREN'T THAT SIMPLE. 416 00:18:12,462 --> 00:18:14,594 MEN MIGHT COME HERE FOR HUMILIATION AND TORTURE, 417 00:18:14,594 --> 00:18:16,766 BUT IT'S EASY TO IMAGINE THAT ONE OF THEM 418 00:18:16,766 --> 00:18:19,429 MIGHT HAVE BEEN PUSHED TOO FAR AND LASHED OUT. 419 00:18:19,429 --> 00:18:22,101 IF SHE WAS CONCERNED FOR HER SAFETY, SHE WOULD'VE TOLD ME. 420 00:18:22,101 --> 00:18:25,205 DO YOU HAVE A LIST OF JESSICA'S CLIENTS? DETECTIVE... (chuckles) 421 00:18:25,205 --> 00:18:27,207 ALL OF THE SERVICES THAT WE PROVIDE HERE 422 00:18:27,207 --> 00:18:28,508 ARE PERFECTLY LEGAL. 423 00:18:28,508 --> 00:18:30,680 NOW PART OF THAT SERVICE 424 00:18:30,680 --> 00:18:33,613 IS PROTECTING THE PRIVACY OF OUR CLIENT. 425 00:18:33,613 --> 00:18:37,317 I'M NOT ABOUT TO BETRAY THE TRUST THAT THEY'VE PAID FOR 426 00:18:37,317 --> 00:18:39,319 BECAUSE YOU HAVE A HUNCH. 427 00:18:39,319 --> 00:18:42,352 OH, I THINK IT'S MORE THAN JUST A HUNCH. WELL, GEE, I'M SORRY. 428 00:18:42,352 --> 00:18:45,225 UNLESS YOU HAVE A COURT ORDER, MY HANDS ARE TIED, SO TO SPEAK. 429 00:18:45,225 --> 00:18:47,327 YOU'RE PRETTY WELL-VERSED IN LAW FOR A DOMINATRIX. 430 00:18:47,327 --> 00:18:49,299 DON'T LET THE LEATHER FOOL YOU. 431 00:18:49,299 --> 00:18:52,302 I USED TO BE A PARTNER AT A LAW FIRM. WOW. 432 00:18:52,302 --> 00:18:54,204 WHEN YOU DOMINATE AND MANIPULATE MEN 433 00:18:54,204 --> 00:18:56,206 IN EVERY BOARDROOM AND COURTROOM THAT YOU'RE IN, 434 00:18:56,206 --> 00:18:58,308 THIS JUST SEEMED LIKE THE NATURAL PROGRESSION. 435 00:19:02,742 --> 00:19:05,275 (whispers) IT'S CALLED MISTRESS RED. 436 00:19:05,275 --> 00:19:07,217 EXCUSE ME? 437 00:19:07,217 --> 00:19:08,818 MY LIPSTICK. 438 00:19:08,818 --> 00:19:12,322 I NOTICED YOU COULDN'T STOP STARING. 439 00:19:14,924 --> 00:19:17,627 (whispers) SORRY. IT WAS JUST HYPNOTIC. 440 00:19:17,627 --> 00:19:19,629 (whispering) IT'S NOT YOU. IT'S HER. 441 00:19:19,629 --> 00:19:21,631 (normal voice) WELL, IF YOU'RE SO UPSET, 442 00:19:21,631 --> 00:19:25,164 WE COULD FIND SOMEONE FOR YOU TO GO MEDIEVAL ON, 443 00:19:25,164 --> 00:19:27,367 LIKE, UH, HIM PERHAPS. 444 00:19:27,367 --> 00:19:29,369 SHE WANTS TO PROTECT HER CLIENTS? 445 00:19:29,369 --> 00:19:31,241 WHAT ABOUT HER GIRLS? 446 00:19:31,241 --> 00:19:33,743 HEY. YOU THE COP? 447 00:19:33,743 --> 00:19:35,245 (normal voice) I'M DETECTIVE BECKETT. 448 00:19:35,245 --> 00:19:37,607 I'M MISTRESS SAPPHIRE. SO IT'S TRUE? 449 00:19:37,607 --> 00:19:39,849 SHE'S DEAD? 450 00:19:39,849 --> 00:19:43,283 YES. I'M SORRY-- THIS WEIRD THING HAPPENED LAST WEEK 451 00:19:43,283 --> 00:19:45,255 I THINK YOU SHOULD KNOW ABOUT. WITH ONE OF HER CLIENTS? 452 00:19:45,255 --> 00:19:48,218 SORT OF. A FIRST-TIME CLIENT CAME IN 453 00:19:48,218 --> 00:19:51,391 FOR A SESSION, BUT HE LEFT JUST AFTER A FEW MINUTES. 454 00:19:51,391 --> 00:19:54,824 I FOUND HER IN THE LOCKER ROOM, CRYING. DID SHE TELL YOU WHY? 455 00:19:54,824 --> 00:19:57,327 NO. THIS CLIENT, DO YOU REMEMBER ANYTHING ABOUT HIM? 456 00:19:57,327 --> 00:20:00,330 IT WAS A WEEK AGO, AND I ONLY SAW HIM FROM BEHIND. 457 00:20:00,330 --> 00:20:03,273 BUT HE WAS WEARING ONE OF THOSE MEDICAL SHIRTS. SCRUBS? 458 00:20:03,273 --> 00:20:05,705 YES. YOU THINKING WHAT I'M THINKING? 459 00:20:05,705 --> 00:20:08,608 JESSICA'S BOYFRIEND DISCOVERED HER SECRET IDENTITY. 460 00:20:08,608 --> 00:20:11,581 AND INSTEAD OF PROPOSING TO HER, HE KILLS HER. 461 00:20:11,581 --> 00:20:13,583 JESSICA WAS THE LOVE OF MY LIFE. 462 00:20:13,583 --> 00:20:16,286 WHY WOULD I WANT TO HURT HER? BECAUSE SHE HURT YOU. 463 00:20:16,286 --> 00:20:20,290 WHAT THE HELL ARE YOU TALKING ABOUT? YOU SAID SO YOURSELF. YOU WANTED HER TO STOP. 464 00:20:20,290 --> 00:20:23,222 YOU WERE GONNA MAKE HER STUDY SOMETHING ELSE. 465 00:20:23,222 --> 00:20:25,755 IT MUST HAVE BEEN A REAL SHOCKER 466 00:20:25,755 --> 00:20:28,898 WHEN YOU REALIZED SHE WASN'T JUST STUDYING THAT WORLD, 467 00:20:28,898 --> 00:20:31,431 SHE WAS LIVING IT. 468 00:20:31,431 --> 00:20:33,433 WHAT THE HELL IS THIS? 469 00:20:33,433 --> 00:20:37,437 THIS IS CRAZY. YOU'RE TELLING ME THIS IS REAL? 470 00:20:37,437 --> 00:20:41,010 YOU'RE TELLING ME JESSICA WAS ONE OF THEM? WHY DID YOU GO TO THE DUNGEON LAST WEEK? 471 00:20:41,010 --> 00:20:43,773 WAS IT TO CONFRONT HER? THE DUNGEON? 472 00:20:43,773 --> 00:20:46,776 WE HAVE A WITNESS WHO SAW YOU THERE. IT'S COMPLETELY UNDERSTANDABLE. 473 00:20:46,776 --> 00:20:48,778 THE WOMAN THAT YOU LOVED LIED TO YOU? 474 00:20:48,778 --> 00:20:51,351 I COULD SEE HOW YOU COULD LOSE CONTROL 475 00:20:51,351 --> 00:20:53,553 AND GO INTO A JEALOUS RAGE. 476 00:20:53,553 --> 00:20:55,254 AND THEN IN A PANIC, 477 00:20:55,254 --> 00:20:57,287 DECIDE TO STAGE THE BODY IN A MANNER SO UNUSUAL, 478 00:20:57,287 --> 00:20:59,729 WE'D NATURALLY ASSUME IT WAS SOMEONE IN THE BONDAGE WORLD. 479 00:20:59,729 --> 00:21:01,791 I NEVER WENT TO A DUNGEON. 480 00:21:01,791 --> 00:21:05,665 THERE WAS NO JEALOUS RAGE BECAUSE I DIDN'T KNOW! 481 00:21:05,665 --> 00:21:08,368 I WAS GOING TO MARRY HER. 482 00:21:08,368 --> 00:21:11,371 WE JUST SIGNED A LEASE TO MOVE IN TOGETHER 483 00:21:11,371 --> 00:21:12,672 THREE DAYS AGO. 484 00:21:12,672 --> 00:21:16,306 IF I WAS SO ANGRY WITH HER, WHY WOULD I DO THAT? 485 00:21:16,306 --> 00:21:19,879 (camera shutter clicking) 486 00:21:19,879 --> 00:21:23,383 (telephone receiver clatters) (Beckett) HE WAS TELLING THE TRUTH ABOUT THE LEASE. 487 00:21:23,383 --> 00:21:25,385 NOT ONLY DID HE AND JESSICA SIGN THE LEASE, 488 00:21:25,385 --> 00:21:27,657 BUT IT WAS ALSO NOTARIZED. THAT DOESN'T MEAN HE DIDN'T DO IT. 489 00:21:27,657 --> 00:21:29,659 HE COULDA HAD HER SIGN TO HELP HIS ALIBI. 490 00:21:29,659 --> 00:21:31,591 MAYBE SHE WAS AFRAID OF HIM. 491 00:21:31,591 --> 00:21:34,364 I'VE BEEN THINKING-- THE DYSFUNCTIONAL RELATIONSHIP 492 00:21:34,364 --> 00:21:36,366 SHE REFERS TO IN HER RESEARCH-- 493 00:21:36,366 --> 00:21:38,368 THERE'S A PASSAGE WHERE SHE DESCRIBES SUBJECT "A" 494 00:21:38,368 --> 00:21:40,600 AS BEING AFRAID TO TELL SUBJECT "B" THAT SHE'S LEAVING 495 00:21:40,600 --> 00:21:43,302 BECAUSE HE'S BECOME DANGEROUSLY CODEPENDENT. 496 00:21:43,302 --> 00:21:46,376 WHAT IF SHE WAS DESCRIBING TYLER? MAYBE THAT'S WHY SHE BECAME A DOMINATRIX, 497 00:21:46,376 --> 00:21:49,008 TO GIVE HER THE COURAGE TO STAND UP FOR HERSELF. WE HAVE UNIFORMS 498 00:21:49,008 --> 00:21:50,740 COMBING THROUGH HOSPITAL SECURITY FOOTAGE. 499 00:21:50,740 --> 00:21:52,912 IF TYLER LEFT AT ANY POINT THAT NIGHT, 500 00:21:52,912 --> 00:21:55,815 THERE SHOULD BE SOME TRACE. IN THE MEANTIME, LET'S JUST KEEP DIGGING THROUGH THOSE NOTEBOOKS. 501 00:21:55,815 --> 00:21:58,818 WE'RE GONNA NEED MORE THAN SPECULATION 502 00:21:58,818 --> 00:22:01,721 IF WE WANT TO FILE CHARGES. GREAT. 503 00:22:01,721 --> 00:22:04,724 ♪♪ 504 00:22:04,724 --> 00:22:06,656 (woman moans) 505 00:22:06,656 --> 00:22:08,658 (computer beeps) 506 00:22:08,658 --> 00:22:11,000 (woman moans) 507 00:22:11,000 --> 00:22:12,402 (moan) 508 00:22:12,402 --> 00:22:14,834 ♪♪ 509 00:22:14,834 --> 00:22:16,436 (camera shutter fires) 510 00:22:16,436 --> 00:22:18,337 ♪♪ 511 00:22:18,337 --> 00:22:19,969 DAD! (grunts) 512 00:22:19,969 --> 00:22:21,771 (music stops) 513 00:22:21,771 --> 00:22:23,773 DO WE NEED TO TALK ABOUT THIS? 514 00:22:23,773 --> 00:22:25,775 THIS IS RESEARCH FOR A CASE. 515 00:22:25,775 --> 00:22:27,076 OH. 516 00:22:27,076 --> 00:22:30,079 AND WE NEED TO GET YOU SOME NOISIER SHOES. 517 00:22:30,079 --> 00:22:33,623 SERIOUSLY, I-- HEY, YOU MADE THE TEAM. NO. TRYOUTS AREN'T FOR ANOTHER MONTH, 518 00:22:33,623 --> 00:22:35,755 BUT ASHLEY LET ME TAKE HER UNIFORM HOME 519 00:22:35,755 --> 00:22:38,488 TO SEE HOW IT FIT. AND WHAT DO YOU THINK? 520 00:22:38,488 --> 00:22:41,130 I THINK IT'S TOTALLY NOT ME, 521 00:22:41,130 --> 00:22:43,993 WHICH IS WHY I KIND OF LIKE IT. 522 00:22:43,993 --> 00:22:47,997 IT'S NOT YOU, SO YOU LIKE IT? YEAH. 523 00:22:47,997 --> 00:22:49,999 YOU KNOW HOW IN "STORM FALL," 524 00:22:49,999 --> 00:22:52,872 YOU KILLED OFF DERRICK STORM BECAUSE YOU WERE BORED WITH HIM? 525 00:22:52,872 --> 00:22:55,445 YEAH. SOMETIMES I FEEL THAT WAY ABOUT ME, 526 00:22:55,445 --> 00:22:57,447 LIKE I'M HIDING INSIDE MY COMFORT ZONE. 527 00:22:57,447 --> 00:22:59,779 AND MAYBE IT'S TIME TO VENTURE OUT A LITTLE. 528 00:22:59,779 --> 00:23:03,453 WELL, DOES THAT VENTURE HAVE TO INCLUDE POM-POMS? 529 00:23:03,453 --> 00:23:05,154 I DON'T WANT TO LOOK BACK ON HIGH SCHOOL 530 00:23:05,154 --> 00:23:07,657 AND FEEL LIKE I MISSED OUT ON SOMETHING. 531 00:23:07,657 --> 00:23:09,659 SO PROMISE YOU'LL BE SUPPORTIVE. 532 00:23:11,661 --> 00:23:13,523 YEAH, I, UH... 533 00:23:13,523 --> 00:23:15,425 I PROMISE. 534 00:23:15,425 --> 00:23:18,828 GO, DAD! 535 00:23:18,828 --> 00:23:20,730 WHOO! 536 00:23:20,730 --> 00:23:22,432 MOVE, MOVE, MOVE. GET OUT OF THE WAY. 537 00:23:22,432 --> 00:23:25,074 'CAUSE THE BEARS ARE COMIN', AND WE'RE READY TO PLAY. 538 00:23:25,074 --> 00:23:26,576 GO, BEARS! 539 00:23:28,978 --> 00:23:30,980 YOU EVER WANT TO BE A CHEERLEADER? 540 00:23:30,980 --> 00:23:32,982 NO. DID YOU? 541 00:23:32,982 --> 00:23:36,415 NOT ME. ALEXIS. 542 00:23:36,415 --> 00:23:39,489 SHE WANTS TO TRY OUT FOR THE TEAM. SO? 543 00:23:39,489 --> 00:23:41,491 SO? YOU SEE WHAT THEY WEAR? 544 00:23:41,491 --> 00:23:44,894 SHE WANTS TO JOIN A TEAM, WHY NOT JOIN MATHLETES? WHY CAN'T SHE DO BOTH? 545 00:23:44,894 --> 00:23:47,727 BESIDES, KIDS TRY ON PERSONALITIES 546 00:23:47,727 --> 00:23:49,729 THE WAY THEY TRY ON CLOTHES. 547 00:23:49,729 --> 00:23:52,732 IT'S THE WAY THAT THEY FIGURE OUT WHO THEY ARE. 548 00:23:52,732 --> 00:23:56,466 WHAT ARE YOU LOOKING FOR? 549 00:23:56,466 --> 00:23:59,068 ACCORDING TO THE SECURITY FOOTAGE, 550 00:23:59,068 --> 00:24:02,071 THE BOYFRIEND NEVER LEFT THE HOSPITAL DURING HIS SHIFT. 551 00:24:02,071 --> 00:24:05,074 IT WASN'T HIM. MAYBE HE FAKED THE FOOTAGE. 552 00:24:05,074 --> 00:24:07,446 HE'S AN INTERN, NOT JASON BOURNE. 553 00:24:07,446 --> 00:24:10,780 OH. WELL, THERE GOES MY SUBJECT "B" THEORY. 554 00:24:10,780 --> 00:24:13,783 SO JESSICA LEFT THE DUNGEON AT 7:30, 555 00:24:13,783 --> 00:24:17,126 AND SHE WAS KILLED SOMETIME BETWEEN 10:00 AND 11:00. 556 00:24:17,126 --> 00:24:19,228 IF SHE DIDN'T GO HOME OR TO THE UNIVERSITY, 557 00:24:19,228 --> 00:24:21,460 THEN WHERE DID SHE GO? 558 00:24:21,460 --> 00:24:22,492 BECKETT. 559 00:24:22,492 --> 00:24:24,994 SOMETHING IN HERE YOU GOTTA SEE. 560 00:24:24,994 --> 00:24:28,097 IT'S ONE OF JESSICA'S SUBJECTS. 561 00:24:28,097 --> 00:24:29,799 SHE CALLS HIM "SAM-I-AM." 562 00:24:29,799 --> 00:24:32,171 BECAUSE HE HAS A DR. SEUSS FETISH? 563 00:24:32,171 --> 00:24:34,944 BECAUSE HE'S A SAM-- "A SMART-ASSED MASOCHIST." 564 00:24:34,944 --> 00:24:36,676 ACCORDING TO HER NOTES, 565 00:24:36,676 --> 00:24:38,548 A SAM PRETENDS HE WANTS TO BE SUBMISSIVE, 566 00:24:38,548 --> 00:24:41,050 BUT WHAT HE ACTUALLY WANTS TO DO IS DOMINATE HIS MISTRESS, 567 00:24:41,050 --> 00:24:43,553 USUALLY WITH PASSIVE-AGGRESSION. INSTEAD OF ASKING FOR WHAT HE WANTS, 568 00:24:43,553 --> 00:24:46,015 HE MAKES A GAME OUT OF MAKING OTHER PEOPLE UPSET 569 00:24:46,015 --> 00:24:48,518 SO THEY CAN BE PUNISHED. REALLY? THERE'S PEOPLE LIKE THAT? 570 00:24:48,518 --> 00:24:50,219 ONLY THESE SAMS CAN BE DANGEROUS. 571 00:24:50,219 --> 00:24:53,122 SOMETIMES RESORTING TO THREATS TO PROVOKE THEIR RESPONSE. 572 00:24:53,122 --> 00:24:54,624 LISTEN TO THIS. 573 00:24:54,624 --> 00:24:56,626 "HE SAID MISTRESS VENOM WAS THE ONE 574 00:24:56,626 --> 00:24:58,127 "WHO NEEDED TO BE PUNISHED. 575 00:24:58,127 --> 00:25:01,230 "HE SAID HE WAS GOING TO FIND HER, TIE HER UP 576 00:25:01,230 --> 00:25:03,232 "AND DROWN HER, 577 00:25:03,232 --> 00:25:06,205 BUT IN SOMETHING... SWEET, LIKE CARAMEL." SEXUAL OBSESSION 578 00:25:06,205 --> 00:25:09,038 AND A DESCRIPTION OF THE CRIME SCENE. 579 00:25:09,038 --> 00:25:11,781 SOUNDS LIKE OUR GUY TO ME. (Esposito) YEAH, BUT WE ONLY GOT A NICKNAME. 580 00:25:11,781 --> 00:25:14,584 WE HAVE MORE THAN A NICKNAME. WE HAVE ENOUGH 581 00:25:14,584 --> 00:25:17,887 TO FORCE LADY IRENA TO TURN OVER HER CLIENT LIST. JUDGE MARKWAY, PLEASE. 582 00:25:17,887 --> 00:25:21,791 OOH. SOUNDS LIKE SOMEONE'S GONNA GET PUNISHED. (Esposito chuckles) 583 00:25:28,828 --> 00:25:31,300 WILLIAM CARAWAY, AKA "SAM-I-AM." 584 00:25:31,300 --> 00:25:33,532 SENIOR VICE PRESIDENT AT STEWART, CABOT AND SAGANSKY. 585 00:25:33,532 --> 00:25:35,635 THE GLOBAL CONSULTING FIRM? MM-HMM. 586 00:25:35,635 --> 00:25:38,137 (Castle) NO WONDER LADY IRENA WAS PROTECTING HIS IDENTITY. 587 00:25:38,137 --> 00:25:40,269 CASTLE, WHY DON'T YOU SIT THIS ONE OUT? 588 00:25:40,269 --> 00:25:43,042 I THINK MR. CARAWAY WILL RESPOND BETTER TO A STRONG... 589 00:25:43,042 --> 00:25:45,615 FEMALE HAND. 590 00:25:48,177 --> 00:25:51,220 SAM-I-AM... IN A BOX... 591 00:25:51,220 --> 00:25:54,123 WITH A FOX-- WE'RE GONNA NEED SOME POPCORN. 592 00:25:54,123 --> 00:25:55,585 SIT. 593 00:25:55,585 --> 00:25:58,027 FIRST WHY DON'T YOU TELL ME WHY THE HELL I'M HERE? 594 00:25:58,027 --> 00:25:59,328 I GOT A BOARD MEETING-- 595 00:25:59,328 --> 00:26:01,931 I SAID SIT DOWN... NOW. 596 00:26:01,931 --> 00:26:04,864 (folders thud) 597 00:26:04,864 --> 00:26:06,796 GOOD BOY. 598 00:26:06,796 --> 00:26:09,969 YOUR MISTRESS WOULD BE VERY PROUD OF YOU. 599 00:26:09,969 --> 00:26:11,701 EXCUSE ME? 600 00:26:11,701 --> 00:26:13,242 MISTRESS VENOM. 601 00:26:13,242 --> 00:26:16,345 LADY IRENA'S HOUSE OF PAIN. 602 00:26:16,345 --> 00:26:19,809 YOU LIKE TO BE TIED UP, YOU LIKE TO BE SPANKED, 603 00:26:19,809 --> 00:26:23,212 BUT MORE THAN ANYTHING, YOU LIKE TO MAKE THREATS. I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 604 00:26:24,784 --> 00:26:27,116 THERE IS NO DOMINATRIX-CLIENT PRIVILEGE 605 00:26:27,116 --> 00:26:28,888 IN NEW YORK. 606 00:26:28,888 --> 00:26:30,890 AND YOUR MISTRESS WAS VERY THOROUGH 607 00:26:30,890 --> 00:26:34,263 IN DOCUMENTING YOUR DEEPEST, DARKEST DESIRES-- 608 00:26:34,263 --> 00:26:36,265 THE THING WITH THE MATCHES, 609 00:26:36,265 --> 00:26:39,298 HOW YOU LIKED IT MESSY. SHE WROTE THAT DOWN? 610 00:26:39,298 --> 00:26:42,301 SHE ALSO WROTE HOW YOU WANTED TO TURN THE TABLES ON HER, 611 00:26:42,301 --> 00:26:45,204 HOW YOU THREATENED TO TIE HER UP AND DROWN HER IN CARAMEL. 612 00:26:45,204 --> 00:26:46,936 I-IT'S FANTASY. 613 00:26:46,936 --> 00:26:48,778 BUT THE FANTASIES WEREN'T ENOUGH. 614 00:26:48,778 --> 00:26:50,279 (folder thuds) 615 00:26:50,279 --> 00:26:53,282 AND SO YOU HAD TO MAKE YOUR DREAMS COME TRUE. 616 00:26:55,184 --> 00:26:57,346 NO, THAT'S NOT POSSIBLE. 617 00:26:57,346 --> 00:27:00,249 THE MORE SHE SAID NO, THE MORE YOU BECAME OBSESSED. 618 00:27:00,249 --> 00:27:03,122 YOU DIDN'T WANT TO BE THE SUBMISSIVE. 619 00:27:03,122 --> 00:27:04,724 YOU WANTED TO DOMINATE HER, 620 00:27:04,724 --> 00:27:06,896 AND THE ULTIMATE DOMINATION IS MURDER. 621 00:27:06,896 --> 00:27:10,199 NO, I SWEAR. I DIDN'T EVEN KNOW SHE WAS DEAD. YOU WERE VERY SPECIFIC IN YOUR THREATS, 622 00:27:10,199 --> 00:27:12,231 AND THAT'S EXACTLY HOW WE FOUND HER. 623 00:27:12,231 --> 00:27:15,234 DO YOU REALLY EXPECT ME TO BELIEVE THAT THAT WASN'T YOU? 624 00:27:15,234 --> 00:27:17,236 WELL--WELL, SOMEONE MUST HAVE FOUND OUT. 625 00:27:17,236 --> 00:27:18,938 SOMEONE COULD'VE READ HER NOTES. 626 00:27:18,938 --> 00:27:20,940 WHERE WERE YOU TWO NIGHTS AGO? 627 00:27:20,940 --> 00:27:24,844 MR. CARAWAY, WHERE WERE YOU? 628 00:27:26,215 --> 00:27:29,779 I WAS WITH MY WIFE. 629 00:27:29,779 --> 00:27:31,180 IT WAS OUR ANNIVERSARY. 630 00:27:31,180 --> 00:27:33,052 (Esposito) HIS WIFE CONFIRMS IT. 631 00:27:33,052 --> 00:27:35,224 HE WAS WITH HER AT THE ANNIVERSARY PARTY 632 00:27:35,224 --> 00:27:37,656 ALL NIGHT. THIS STAGING WAS WAY TOO SPECIFIC 633 00:27:37,656 --> 00:27:40,359 TO BE JUST A COINCIDENCE. SOMEBODY KNEW. 634 00:27:40,359 --> 00:27:43,763 MAYBE SHE TOLD SOMEONE. MAYBE SOMEONE HAD ACCESS TO THE RESEARCH. 635 00:27:43,763 --> 00:27:45,394 FILING CABINET'S NOT FORT KNOX. 636 00:27:45,394 --> 00:27:48,097 ANYONE WITH ACCESS WOULD'VE READ EXACTLY WHAT WE READ 637 00:27:48,097 --> 00:27:50,439 AND COULD USE IT TO THROW US OFF THEIR TRAIL. 638 00:27:50,439 --> 00:27:53,072 OKAY. YOU AND RYAN GO BACK TO THE DUNGEON. 639 00:27:53,072 --> 00:27:55,875 SEE IF ANY OF THE GIRLS SWAP STORIES AFTER WORK. 640 00:27:55,875 --> 00:27:58,808 MEANWHILE, CASTLE AND I WILL GO TO THE UNIVERSITY 641 00:27:58,808 --> 00:28:01,310 AND SEE WHO HAD ACCESS TO HER RESEARCH. 642 00:28:01,310 --> 00:28:03,112 OKAY. 643 00:28:03,112 --> 00:28:05,154 (woman) ♪ WHEN I WALK ♪ 644 00:28:05,154 --> 00:28:06,786 ♪ I WALK RIGHT ON ♪ 645 00:28:06,786 --> 00:28:08,287 ♪ WHEN I MOVE... ♪ 646 00:28:08,287 --> 00:28:10,790 NO, MISTRESS VENOM NEVER MENTIONED HIM TO ME, 647 00:28:10,790 --> 00:28:13,022 OR ANY OF HER OTHER CLIENTS. 648 00:28:13,022 --> 00:28:15,865 REALLY? COME ON. 649 00:28:15,865 --> 00:28:18,798 YOU GIRLS DON'T SHARE SHOP TALK? 650 00:28:18,798 --> 00:28:21,430 YOU WORK HERE LONG ENOUGH, 651 00:28:21,430 --> 00:28:25,334 AND THE KINKIEST THINGS YOU COULD EVER IMAGINE... 652 00:28:25,334 --> 00:28:27,807 (smack) ARE JUST ANOTHER DAY AT THE OFFICE. 653 00:28:27,807 --> 00:28:30,810 THE ONLY TIME WE TRADE INFO IS IF WE SHARE CLIENTS, 654 00:28:30,810 --> 00:28:32,942 BUT MISTRESS VENOM DIDN'T SHARE. 655 00:28:32,942 --> 00:28:35,344 DO YOU MIND UNSTRAPPING MY BOOT? 656 00:28:35,344 --> 00:28:38,117 (crop smacks three times) 657 00:28:38,117 --> 00:28:39,919 UH, THANK YOU, MISTRESS AMBER? 658 00:28:39,919 --> 00:28:42,351 YES. MISTRESS SCORPION? 659 00:28:42,351 --> 00:28:45,124 OKAY, I GET 'EM CONFUSED. I'M SORRY. 660 00:28:45,124 --> 00:28:47,396 OKAY. (Ryan) DID SHE HAVE ANY CLIENTS THAT MIGHT HAVE BEEN, 661 00:28:47,396 --> 00:28:49,128 UH, ACTING SUSPICIOUS? 662 00:28:49,128 --> 00:28:51,130 (smacks twice) (whispers) FASTER. 663 00:28:51,130 --> 00:28:53,132 IS, UH, IS THERE A POSSIBILITY 664 00:28:53,132 --> 00:28:55,434 THAT SHE MAY HAVE MENTIONED ONE CLIENT'S FETISHES 665 00:28:55,434 --> 00:28:58,037 TO ANOTHER CLIENT? (normal voice) ABSOLUTELY NOT. 666 00:28:58,037 --> 00:29:01,370 LADY IRENA BEATS CONFIDENTIALITY RULES INTO OUR HEADS. 667 00:29:01,370 --> 00:29:03,042 MISTRESS VENOM WASN'T STUPID. 668 00:29:03,042 --> 00:29:04,143 (smack) 669 00:29:04,143 --> 00:29:05,444 IS THERE A PROBLEM? 670 00:29:05,444 --> 00:29:07,446 JUST THIS KNOT. IT'S LIKE AN OCTAGONAL KNOT. 671 00:29:07,446 --> 00:29:10,920 IT'S GOT, LIKE, EIGHT SIDES. I'VE NEVER SEEN A KNOT LIKE-- 672 00:29:10,920 --> 00:29:13,352 DETECTIVE ESPOSITO BRINGING CRIME TO ITS KNEES. SIT. 673 00:29:13,352 --> 00:29:16,055 SO NONE OF THE GIRLS CLAIM THAT THEY REMEMBER JESSICA 674 00:29:16,055 --> 00:29:18,057 TALKING ABOUT ANY OF HER CLIENTS. 675 00:29:18,057 --> 00:29:20,059 BUT I THINK WE MIGHT HAVE AN EXPLANATION 676 00:29:20,059 --> 00:29:23,062 AS TO WHERE SHE WAS BETWEEN THE TIME SHE LEFT WORK 677 00:29:23,062 --> 00:29:24,934 AND WHEN SHE WAS KILLED. 678 00:29:24,934 --> 00:29:26,395 UH, MISTRESS SCORPION THINKS 679 00:29:26,395 --> 00:29:28,798 THAT JESSICA MIGHT HAVE BEEN WORKING OFF THE BOOKS. 680 00:29:28,798 --> 00:29:31,440 WELL, IF SHE WAS, THEN SHE WAS ASKING FOR TROUBLE. 681 00:29:31,440 --> 00:29:33,442 NOTHING UPSETS LADY IRENA MORE THAN SOME GIRL 682 00:29:33,442 --> 00:29:35,774 TRYING TO SCREW HER OUT OF HER 40%. 683 00:29:35,774 --> 00:29:38,047 (smack) OW. 684 00:29:38,047 --> 00:29:41,050 HEY, IRISH, YOU WANT TO HELP OUT YOUR LITTLE BUDDY HERE? 685 00:29:41,050 --> 00:29:44,153 HE SEEMS TO BE ALL THUMBS. (clicks pen) 686 00:29:51,420 --> 00:29:53,863 (Beckett) YOU WERE HER OFFICE MATE, KELLY. 687 00:29:53,863 --> 00:29:56,896 IT WOULD'VE BEEN VERY EASY FOR YOU TO ACCESS HER FILES. NO, IT WOULDN'T. I TOLD YOU. 688 00:29:56,896 --> 00:29:58,898 SHE WAS VERY PRIVATE ABOUT HER WORK. 689 00:29:58,898 --> 00:30:01,470 YOU MEAN TO TELL ME, SHE DIDN'T ONCE SLIP OUT TO THE BATHROOM 690 00:30:01,470 --> 00:30:03,472 AND JUST LEAVE HER NOTES SITTING ON THE DESK? 691 00:30:03,472 --> 00:30:05,875 IF SHE DID, I WOULDN'T BE INTERESTED. 692 00:30:05,875 --> 00:30:08,107 AND THE NIGHT SHE WAS KILLED, 693 00:30:08,107 --> 00:30:11,080 I WAS IN WESTCHESTER WITH MY FOLKS. (Beckett) DOES ANYONE ELSE HAVE ACCESS TO THIS OFFICE? 694 00:30:11,080 --> 00:30:13,112 THE ONLY OTHER PERSON WITH A KEY TO THE OFFICE 695 00:30:13,112 --> 00:30:15,114 IS MAINTENANCE. WHAT ABOUT YOUR KEYS? 696 00:30:15,114 --> 00:30:17,987 DID YOU EVER LOSE THEM OR LEND THEM TO A FRIEND? NO. 697 00:30:17,987 --> 00:30:19,989 I MEAN, I GAVE THEM TO MATT LAST WEEK 698 00:30:19,989 --> 00:30:22,952 BECAUSE HE SAID HE HAD SOME PAPERS HERE. 699 00:30:22,952 --> 00:30:25,895 WHAT, YOU THINK HE BROKE IN TO HER FILING CABINET 700 00:30:25,895 --> 00:30:28,227 AND TOOK HER RESEARCH? THAT IS EXACTLY WHAT I'M THINKING. 701 00:30:28,227 --> 00:30:30,399 YOU SAID IT YOURSELF. IT'S A VERY COMPETITIVE PROGRAM. 702 00:30:30,399 --> 00:30:33,262 AND THEY WERE BOTH FINALISTS FOR THE SAME FELLOWSHIP. 703 00:30:33,262 --> 00:30:35,865 THIS IS, UH, MATT'S PROPOSAL FOR STUDYING 704 00:30:35,865 --> 00:30:38,267 THE EFFECT OF A.I.D.S. ON INNER-CITY CLINICS. 705 00:30:38,267 --> 00:30:40,569 LOOK AT THE PICTURE. HE'S IN SCRUBS. 706 00:30:40,569 --> 00:30:44,443 IT WASN'T TYLER WHO CONFRONTED JESSICA AT THE DUNGEON. IT WAS MATT. 707 00:30:44,443 --> 00:30:47,846 I BORROWED KELLY'S KEYS. THAT DOESN'T PROVE ANYTHING. 708 00:30:47,846 --> 00:30:51,850 WHICH IS WHY WE TOOK A LOOK AT THE WHOLE PICTURE. 709 00:30:51,850 --> 00:30:54,083 THIS IS A LIST OF PHONE CALLS 710 00:30:54,083 --> 00:30:56,255 MADE FROM YOUR CELL PHONE TO THE UNIVERSITY SWITCHBOARD. 711 00:30:56,255 --> 00:30:59,288 EACH ONE COINCIDES WITH A HARASSING CALL TO JESSICA. 712 00:30:59,288 --> 00:31:01,190 YOU MADE THOSE CALLS. 713 00:31:01,190 --> 00:31:03,862 LOOK, IT WAS A JOKE. HOW ABOUT YOUR LITTLE VISIT TO JESSICA 714 00:31:03,862 --> 00:31:05,494 AT THE DUNGEON LAST WEEK? 715 00:31:05,494 --> 00:31:08,297 WAS THAT A JOKE AS WELL? SHE DIDN'T TELL ANYBODY WHERE THE DUNGEON WAS. 716 00:31:08,297 --> 00:31:10,239 SO HOW'D YOU FIND IT? 717 00:31:10,239 --> 00:31:13,002 DID YOU FOLLOW HER OR THE CLUES IN HER RESEARCH? 718 00:31:13,002 --> 00:31:15,444 YOU WERE HER RIVAL FOR A FELLOWSHIP. 719 00:31:15,444 --> 00:31:17,646 YOU NEEDED HER OUT OF THE WAY. 720 00:31:17,646 --> 00:31:20,649 AND WHEN YOU READ HER RESEARCH, YOU SAW YOUR CHANCE. LOOK, I NEEDED THAT FUNDING, OKAY? 721 00:31:20,649 --> 00:31:23,152 MY WORK IS IMPORTANT. I MEAN, COME ON. SERIOUSLY. 722 00:31:23,152 --> 00:31:24,984 I COULDN'T LET HER GET THAT FELLOWSHIP. 723 00:31:24,984 --> 00:31:27,556 AND WHEN I SAW HER RESEARCH, I MEAN, IT READ LIKE FICTION. 724 00:31:27,556 --> 00:31:31,090 SO I WENT TO THE DUNGEON TO FIND OUT. SO YOU BROKE IN TO HER FILING CABINET, 725 00:31:31,090 --> 00:31:32,922 YOU COPIED HER RESEARCH, 726 00:31:32,922 --> 00:31:35,264 AND THEN YOU FOLLOWED HER TO THE DUNGEON. 727 00:31:35,264 --> 00:31:37,266 YOU'RE NOT PUTTING A WHOLE LOT OF CHECKS 728 00:31:37,266 --> 00:31:39,268 IN THE INNOCENT COLUMN HERE, MATT. 729 00:31:39,268 --> 00:31:40,569 (scoffs) THE INNOCENT COLUMN. 730 00:31:40,569 --> 00:31:43,072 LISTEN... (clears throat) I THREATENED HER. 731 00:31:43,072 --> 00:31:45,404 ALL RIGHT? BUT I DID NOT KILL HER. 732 00:31:45,404 --> 00:31:48,107 WHEN I FOUND OUT THAT SHE WAS MISTRESS VENOM, 733 00:31:48,107 --> 00:31:50,109 I TOLD HER THAT IF SHE DIDN'T WITHDRAW 734 00:31:50,109 --> 00:31:53,412 HER FELLOWSHIP APPLICATION, I WAS GONNA TELL HER BOYFRIEND. 735 00:31:53,412 --> 00:31:55,614 AND WHEN THAT DIDN'T WORK, YOU KILLED HER? IT DID WORK. 736 00:31:55,614 --> 00:31:58,517 JESSICA WITHDREW HER APPLICATION THE DAY BEFORE SHE WAS KILLED. 737 00:31:58,517 --> 00:32:01,390 HOW DO YOU KNOW? BECAUSE SHE BLIND COPIED ME ON AN E-MAIL 738 00:32:01,390 --> 00:32:03,392 THAT SHE SENT TO THE HEAD OF THE COMMITTEE. 739 00:32:03,392 --> 00:32:04,693 WE WERE COOL. 740 00:32:04,693 --> 00:32:07,226 WHAT SHE WAS MOST CONCERNED ABOUT WAS GETTING BACK 741 00:32:07,226 --> 00:32:09,228 THIS RESEARCH THAT I COPIED. 742 00:32:09,228 --> 00:32:12,331 SO AS SOON AS SHE WAS OUT OF THE RUNNING, 743 00:32:12,331 --> 00:32:15,264 I BROUGHT IT ALL BACK TO HER APARTMENT. (Castle) YOU KNOW YOU ARE MORALLY CHALLENGED 744 00:32:15,264 --> 00:32:18,937 IF YOUR MURDER ALIBI IS A BLACKMAILING SCHEME. YEAH, BUT IF HE'S TELLING THE TRUTH, 745 00:32:18,937 --> 00:32:22,011 THEN WE HAVE NO MOTIVE. WELL, HELLO, GENTLEMAN. 746 00:32:22,011 --> 00:32:24,013 HOW WAS YOUR TRIP TO THE DUNGEON? 747 00:32:24,013 --> 00:32:27,316 WELL, WE LEARNED THAT ESPOSITO IS NOT VERY GOOD WITH LACES. 748 00:32:27,316 --> 00:32:31,150 THERE WERE A LOT OF LACE-- I-I LOOSENED 'EM FOR YOU. YEAH, SURE. 749 00:32:31,150 --> 00:32:33,152 NONE OF THE GIRLS ADMIT TO JESSICA SHARING 750 00:32:33,152 --> 00:32:36,085 ANY OF HER CLIENT SECRETS WITH 'EM. OH, ONE OF 'EM THOUGHT 751 00:32:36,085 --> 00:32:39,088 THAT SHE MIGHT HAVE BEEN SEEING CLIENTS OUTSIDE OF THE DUNGEON, 752 00:32:39,088 --> 00:32:42,391 WHICH MIGHT EXPLAIN THE HOLE IN OUR TIMELINE. BUT WE RAN THROUGH HER PHONES AND FINANCIALS AGAIN. 753 00:32:42,391 --> 00:32:44,363 WE CAN'T FIND ANY RECORD OF IT. 754 00:32:44,363 --> 00:32:47,366 HOW ABOUT YOU? HEAR YOU HAVE A SUSPECT. 755 00:32:47,366 --> 00:32:49,468 (computer beeps) HAD. MATT WAS TELLING THE TRUTH. 756 00:32:49,468 --> 00:32:51,970 JESSICA PULLED OUT OF THE FELLOWSHIP. 757 00:32:51,970 --> 00:32:54,603 BUT IF HE WAS TELLING THE TRUTH, THEN WHERE'S ALL THE RESEARCH 758 00:32:54,603 --> 00:32:56,605 HE BROUGHT BACK TO HER APARTMENT? 759 00:32:56,605 --> 00:32:58,307 GIVEN HER CONCERNS FOR PRIVACY, 760 00:32:58,307 --> 00:33:00,309 SHE WOULDN'T JUST THROW IT AWAY. 761 00:33:00,309 --> 00:33:03,512 AND WE KNOW SHE DIDN'T TAKE IT BACK TO THE UNIVERSITY. 762 00:33:03,512 --> 00:33:05,214 WELL, MAYBE WE MISSED SOMETHING. 763 00:33:05,214 --> 00:33:07,216 MAYBE SHE HID IT SOMEWHERE. 764 00:33:07,216 --> 00:33:12,121 OR MAYBE MATT IS LYING ABOUT THE RESEARCH. 765 00:33:12,121 --> 00:33:14,723 SO YOU DIDN'T SEE A STACK OF PAPERWORK? 766 00:33:14,723 --> 00:33:17,426 NO, I WOULD'VE NOTICED THAT. 767 00:33:17,426 --> 00:33:20,499 MAYBE SHE TOOK THEM UP TO SCHOOL? NO, IT WASN'T THERE EITHER. 768 00:33:20,499 --> 00:33:23,302 ARE YOU SURE MATT'S TELLING THE TRUTH? 769 00:33:23,302 --> 00:33:25,374 MOST PEOPLE LIE TO AVOID SUSPICION. 770 00:33:25,374 --> 00:33:28,307 NOT A LOT OF PEOPLE LIE TO INCRIMINATE THEMSELVES. THAT NIGHT THAT YOU CAME HOME, 771 00:33:28,307 --> 00:33:30,779 DID YOU NOTICE ANYTHING DIFFERENT OR OUT OF PLACE? 772 00:33:30,779 --> 00:33:34,743 NOW THAT YOU MENTION IT, I DID FIND SOMETHING ODD. 773 00:33:34,743 --> 00:33:37,286 EARLIER TONIGHT I WAS EMPTYING THE DISHWASHER, 774 00:33:37,286 --> 00:33:40,349 AND I FOUND A WINE GLASS WITH LIPSTICK ON IT. 775 00:33:40,349 --> 00:33:42,351 IT DIDN'T SEEM LIKE JESSICA'S SHADE, 776 00:33:42,351 --> 00:33:44,653 AND IT WASN'T ONE OF MINE. 777 00:33:44,653 --> 00:33:47,596 I PUT IT ASIDE TO HAND-WASH IT LATER. 778 00:33:49,198 --> 00:33:52,101 RECOGNIZE THIS SHADE? 779 00:33:53,462 --> 00:33:56,435 IF I'M NOT MISTAKEN, AND I RARELY AM, 780 00:33:56,435 --> 00:33:58,667 THAT'S MISTRESS RED. 781 00:34:07,746 --> 00:34:11,380 DID YOU KNOW THAT LIP PRINTS ARE A LOT LIKE FINGERPRINTS? 782 00:34:11,380 --> 00:34:13,522 NO TWO ARE EXACTLY ALIKE. 783 00:34:13,522 --> 00:34:15,484 HMM. 784 00:34:17,055 --> 00:34:20,489 WE FOUND THIS ON A WINE GLASS 785 00:34:20,489 --> 00:34:22,261 IN JESSICA'S APARTMENT. 786 00:34:23,632 --> 00:34:27,296 WHAT DO YOU THINK WE'LL FIND WHEN WE COMPARE IT TO YOUR LIPS? 787 00:34:27,296 --> 00:34:30,269 THAT STAIN COULD'VE BEEN THERE FOR MONTHS. BUT IT WASN'T. 788 00:34:30,269 --> 00:34:32,371 WE CHECKED WITH YOUR... CAR SERVICE. 789 00:34:32,371 --> 00:34:35,674 THEY SAID THEY DROPPED YOU OFF AT 9:00 P.M. 790 00:34:35,674 --> 00:34:39,508 IN FRONT OF JESSICA'S PLACE THE NIGHT SHE WAS KILLED. YOU WERE THE LAST ONE TO SEE HER ALIVE. 791 00:34:39,508 --> 00:34:43,382 WHAT HAPPENED THAT NIGHT? DID YOU FIND OUT WHO SHE REALLY WAS, 792 00:34:43,382 --> 00:34:45,384 THAT SHE WAS STUDYING HER CLIENTS 793 00:34:45,384 --> 00:34:46,685 WITHOUT THEIR PERMISSION? 794 00:34:46,685 --> 00:34:48,687 I MEAN, IF WORD OF THAT GOT OUT... 795 00:34:48,687 --> 00:34:50,489 THAT WOULD'VE DESTROYED YOUR BUSINESS. 796 00:34:50,489 --> 00:34:53,492 THAT CAN'T HAVE MADE YOU HAPPY. AND YOU'RE GRASPING AT STRAWS, 797 00:34:53,492 --> 00:34:55,824 AND THAT CAN'T MAKE YOU HAPPY. 798 00:34:55,824 --> 00:34:57,596 DETECTIVE, AT THIS TIME, 799 00:34:57,596 --> 00:34:59,598 I'M EXERCISING MY RIGHT TO LEGAL COUNSEL. 800 00:34:59,598 --> 00:35:03,101 I WON'T BE ANSWERING ANY FURTHER QUESTIONS. 801 00:35:20,449 --> 00:35:22,391 YO! 802 00:35:22,391 --> 00:35:24,453 HOW'D IT GO WITH LADY IRENA? 803 00:35:24,453 --> 00:35:26,155 SHE'S LAWYERING UP. 804 00:35:26,155 --> 00:35:28,157 WHAT'D YOU GUYS FIND AT JESSICA'S APARTMENT? 805 00:35:28,157 --> 00:35:30,159 WELL, IT LOOKS LIKE WE FOUND THE CRIME SCENE. 806 00:35:30,159 --> 00:35:32,301 IRENA WAS PRETTY GOOD AT CLEANING UP AFTER HERSELF. 807 00:35:32,301 --> 00:35:34,303 THERE WAS NO TRACE OR BLOOD EVIDENCE, 808 00:35:34,303 --> 00:35:36,305 BUT THE AREA AROUND JESSICA'S BEDSIDE TABLE 809 00:35:36,305 --> 00:35:37,836 LIT UP LIKE A CHRISTMAS TREE. 810 00:35:37,836 --> 00:35:39,838 IT'D BEEN SCRUBBED DOWN WITH BLEACH. 811 00:35:39,838 --> 00:35:42,371 THAT'S WHY WE DIDN'T FIND JESSICA'S RESEARCH. 812 00:35:42,371 --> 00:35:44,673 IRENA GOT RID OF IT ALL. YEAH, BUT SHE DIDN'T QUITE CLEAN EVERYTHING. 813 00:35:44,673 --> 00:35:46,675 ONCE C.S.U. STRIPPED THE BED, THE SWAB TEST 814 00:35:46,675 --> 00:35:48,677 REVEALED DRIED SALIVA IN ONE OF HER PILLOWS 815 00:35:48,677 --> 00:35:50,849 FROM HER SCREAMS AS SHE WAS SMOTHERED. 816 00:35:50,849 --> 00:35:53,552 LOOKS LIKE SHE'D DO ANYTHING TO PROTECT HER BUSINESS, 817 00:35:53,552 --> 00:35:56,555 EVEN KILL. ALL RIGHT, LAWYER OR NOT, LET'S BOOK HER. 818 00:35:56,555 --> 00:35:58,387 LET'S DO IT. 819 00:36:00,589 --> 00:36:02,291 (liquid boiling) 820 00:36:02,291 --> 00:36:04,433 (Martha) HMM. 821 00:36:04,433 --> 00:36:08,197 ARE YOU STRAINING THOSE NOODLES OR JUST MY PATIENCE? 822 00:36:08,197 --> 00:36:09,538 HMM? 823 00:36:09,538 --> 00:36:11,540 OH, I'M... SORRY. JUST... 824 00:36:11,540 --> 00:36:12,801 HMM. THIS CASE. 825 00:36:12,801 --> 00:36:15,444 I KEEP THINKING THAT I'M MISSING SOMETHING. 826 00:36:15,444 --> 00:36:17,206 YEAH, ME, TOO. SALT. 827 00:36:17,206 --> 00:36:19,177 WHOA. W-WHOA. EE. DOH. 828 00:36:19,177 --> 00:36:21,550 CAN YOU DIE FROM SODIUM POISONING? 829 00:36:21,550 --> 00:36:23,482 (door opens) OOH. YOU HAVE A POINT. 830 00:36:23,482 --> 00:36:26,385 (door closes) HEY, THAT SMELLS GOOD. 831 00:36:26,385 --> 00:36:28,487 (Martha) MM. 832 00:36:28,487 --> 00:36:30,589 BUT... I ALREADY ATE? 833 00:36:30,589 --> 00:36:32,721 OH, NO. 834 00:36:32,721 --> 00:36:35,193 SO DID YOU AND ASHLEY DO CHEERLEADING PRACTICE? 835 00:36:35,193 --> 00:36:37,526 UH, NO. TURNS OUT, 836 00:36:37,526 --> 00:36:39,898 CHEERLEADING CONFLICTS WITH MY FENCING SCHEDULE, 837 00:36:39,898 --> 00:36:42,571 MY VIOLIN LESSONS AND FRENCH CLUB. 838 00:36:42,571 --> 00:36:44,773 CHEERLEADING IS MORE OF A LIFESTYLE. 839 00:36:44,773 --> 00:36:46,775 AND AS MUCH AS I LIKE TO VISIT, 840 00:36:46,775 --> 00:36:49,578 IT'S NOT REALLY A PLACE I'D LIKE TO LIVE. 841 00:36:49,578 --> 00:36:51,780 I TOLD YOU SHE'D FIGURE IT OUT. 842 00:36:51,780 --> 00:36:53,782 WELL, WE BOTH LEARNED A VALUABLE LESSON TODAY. 843 00:36:53,782 --> 00:36:56,585 YOU LEARNED THAT YOU CAN EXPAND YOUR HORIZONS AND GROW. 844 00:36:56,585 --> 00:36:59,518 I LEARNED THAT IF THAT INVOLVES SHORT SKIRTS AND BOYS, 845 00:36:59,518 --> 00:37:02,291 I'M NOT GONNA LIKE IT. FAIR ENOUGH. 846 00:37:02,291 --> 00:37:04,823 FINE. NOW THAT YOU'VE BOTH LEARNED YOUR LESSONS, 847 00:37:04,823 --> 00:37:07,326 HOW ABOUT STARTING ON THE DISHES? YOU'RE GONNA NEED A FIRE HOSE TO CLEAN THIS UP. 848 00:37:07,326 --> 00:37:10,929 NO, I COOKED. SOMEONE ELSE CLEANS UP. 849 00:37:10,929 --> 00:37:12,401 CLEAN UP. 850 00:37:12,401 --> 00:37:14,733 WHO WASHED THE PILLOWCASE? WHAT? 851 00:37:14,733 --> 00:37:16,735 ESPOSITO SAID C.S.U. DIDN'T FIND ANYTHING 852 00:37:16,735 --> 00:37:18,437 UNTIL THEY STRIPPED THE BED. 853 00:37:18,437 --> 00:37:20,509 THAT MEANS THERE WAS SALIVA ON THE PILLOW, 854 00:37:20,509 --> 00:37:22,511 BUT NOT ON THE PILLOWCASE. 855 00:37:24,413 --> 00:37:26,815 YOU'RE RIGHT. SOMEONE WASHED THE PILLOWCASE. 856 00:37:26,815 --> 00:37:30,449 BUT THE WASHER-DRYER CYCLE WOULD'VE TAKEN AT LEAST AN HOUR. 857 00:37:30,449 --> 00:37:32,581 AT WHICH POINT, THE ROOMMATE WOULD'VE BEEN HOME. 858 00:37:32,581 --> 00:37:35,284 IRENA COULDN'T HAVE GOTTEN OUT IN TIME. 859 00:37:35,284 --> 00:37:37,986 ONLY ONE PERSON COULD'VE CLEANED THE APARTMENT. 860 00:37:37,986 --> 00:37:39,488 I-I DON'T UNDERSTAND. 861 00:37:39,488 --> 00:37:42,431 I THOUGHT YOU'D CAUGHT THE KILLER. 862 00:37:42,431 --> 00:37:44,693 WE THOUGHT SO, TOO. 863 00:37:44,693 --> 00:37:47,496 IF IT WASN'T HER, THEN WHO? 864 00:37:47,496 --> 00:37:48,997 IT WAS YOU, DANIELLE. 865 00:37:48,997 --> 00:37:51,470 ME? 866 00:37:51,470 --> 00:37:54,673 OH, WHY WOULD I KILL MY BEST FRIEND? 867 00:37:54,673 --> 00:37:57,306 IN HER RESEARCH, 868 00:37:57,306 --> 00:38:00,309 JESSICA DESCRIBES BEING IN A DYSFUNCTIONAL RELATIONSHIP, 869 00:38:00,309 --> 00:38:02,381 ONE SHE WAS SCARED TO LEAVE 870 00:38:02,381 --> 00:38:03,682 BECAUSE THE OTHER PERSON 871 00:38:03,682 --> 00:38:05,684 HAD BECOME SO DANGEROUSLY CODEPENDENT. 872 00:38:05,684 --> 00:38:08,016 AT FIRST WE THOUGHT IT WAS HER BOYFRIEND TYLER. 873 00:38:08,016 --> 00:38:11,660 BUT IT WASN'T, WAS IT? I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 874 00:38:11,660 --> 00:38:14,523 THE RESEARCH THAT MATT DROPPED OFF--HER RESEARCH-- 875 00:38:14,523 --> 00:38:16,365 MUST'VE BEEN VERY HURTFUL 876 00:38:16,365 --> 00:38:18,997 TO READ ALL THE THINGS THAT SHE WROTE ABOUT YOU. 877 00:38:18,997 --> 00:38:21,530 JESSICA LOVED ME. SHE WOULD NEVER HURT ME. 878 00:38:21,530 --> 00:38:24,002 "SUBJECT 'B' SHOWS ALL THE SIGNS OF BEING A MASOCHIST, 879 00:38:24,002 --> 00:38:26,875 COMPLETELY DEPENDENT FOR HER SENSE OF SELF." 880 00:38:26,875 --> 00:38:28,877 WE KNOW YOU READ THE FILES, DANIELLE. 881 00:38:28,877 --> 00:38:31,039 THAT'S WHY YOU STAGED HER BODY THAT WAY. 882 00:38:31,039 --> 00:38:34,843 NO, I DIDN'T READ ANYTHING. THERE WAS NOTHING HERE. BECAUSE YOU GOT RID OF IT ALL. 883 00:38:34,843 --> 00:38:37,315 YOU'RE WRONG. IT HAD TO HAVE BEEN YOU, DANIELLE. 884 00:38:37,315 --> 00:38:39,317 YOU WERE THE ONLY ONE WHO HAD TIME 885 00:38:39,317 --> 00:38:42,451 TO CLEAN UP AFTER YOURSELF. JUDGING FROM HER OFFICE SPACE, 886 00:38:42,451 --> 00:38:44,723 JESSICA WASN'T THE KIND OF GIRL 887 00:38:44,723 --> 00:38:46,725 THAT SCRUBBED HER FLOOR CLEAN WITH BLEACH. 888 00:38:46,725 --> 00:38:50,098 JESSICA TOLD YOU... SHE HAD TO GET AWAY FROM YOU. 889 00:38:50,098 --> 00:38:51,600 (Danielle cries) 890 00:38:51,600 --> 00:38:55,434 SHE TOLD YOU... SHE WAS GONNA LEAVE. 891 00:38:55,434 --> 00:38:57,536 (crying) 892 00:38:57,536 --> 00:38:59,368 SHE... 893 00:38:59,368 --> 00:39:03,572 SHE WAS... EVERYTHING TO ME. 894 00:39:03,572 --> 00:39:06,615 I THOUGHT WE WERE FAMILY. 895 00:39:06,615 --> 00:39:09,578 (sniffles) BUT THEN SHE WROTE THOSE AWFUL THINGS! 896 00:39:09,578 --> 00:39:11,580 SHE HAD NO RIGHT. 897 00:39:11,580 --> 00:39:14,623 WHAT HAPPENED THAT NIGHT? 898 00:39:14,623 --> 00:39:18,587 SHE SAID SHE WAS... GONNA MOVE OUT, 899 00:39:18,587 --> 00:39:22,531 THAT SHE WAS DONE WITH ME. 900 00:39:22,531 --> 00:39:26,635 I PUSHED HER. 901 00:39:26,635 --> 00:39:28,497 SHE FELL. 902 00:39:28,497 --> 00:39:30,669 HER HEAD... HIT THE TABLE. 903 00:39:30,669 --> 00:39:32,941 SHE STARTED TO SCREAM. 904 00:39:32,941 --> 00:39:34,943 SHE SAID--SHE SAID SHE HATED ME! 905 00:39:34,943 --> 00:39:38,977 I TOLD HER TO SHUT UP! I JUST WANTED HER TO SHUT UP. 906 00:39:38,977 --> 00:39:41,149 AND THEN YOU PUT A PILLOW OVER HER HEAD 907 00:39:41,149 --> 00:39:43,151 AND YOU SUFFOCATED HER. 908 00:39:43,151 --> 00:39:45,454 (crying) 909 00:39:45,454 --> 00:39:50,419 I... I DIDN'T MEAN TO KILL HER. 910 00:39:50,419 --> 00:39:54,092 I JUST DIDN'T WANT HER TO GO. 911 00:39:54,092 --> 00:39:57,125 (continues crying) 912 00:40:02,431 --> 00:40:04,433 (Beckett) IN THE END, CASTLE WAS RIGHT. 913 00:40:04,433 --> 00:40:06,875 THE MURDER WAS A CRIME OF PASSION. 914 00:40:06,875 --> 00:40:09,578 THE CUFFS, THE CARAMEL WERE ALL JUST THEATER 915 00:40:09,578 --> 00:40:11,940 TO THROW US OFF. I CAN'T HELP BUT THINK 916 00:40:11,940 --> 00:40:14,513 THAT IF MATT HADN'T COPIED JESSICA'S RESEARCH, 917 00:40:14,513 --> 00:40:17,716 DANIELLE NEVER WOULD'VE READ IT, NONE OF THIS WOULDA HAPPENED. (Montgomery) WELL, NOW HE WON'T GET 918 00:40:17,716 --> 00:40:20,188 HIS PRECIOUS LITTLE FELLOWSHIP OR HIS DEGREE. 919 00:40:20,188 --> 00:40:22,691 WHAT ABOUT LADY IRENA? WHAT WAS SHE DOING AT THE APARTMENT? SOME OF THE GIRLS THOUGHT 920 00:40:22,691 --> 00:40:24,823 THAT JESSICA WAS WORKING OFF THE BOOKS. 921 00:40:24,823 --> 00:40:27,726 SO IRENA CAME BY TO TELL HER TO KNOCK IT OFF. THEY HAD A GLASS OF WINE, AND SHE LEFT. 922 00:40:27,726 --> 00:40:30,829 SHE JUST DID IT ON THE WRONG NIGHT. YEAH, BUT WHY'D SHE GIVE YOU SUCH A HARD TIME, THEN? 923 00:40:30,829 --> 00:40:32,861 BECAUSE SHE'S A LAWYER. 924 00:40:32,861 --> 00:40:35,203 AND A DOMINATRIX. 925 00:40:38,206 --> 00:40:40,569 HEY. YOU MADE IT. 926 00:40:40,569 --> 00:40:43,642 (Lindsey Ray's "Picture Perfect" playing) 927 00:40:45,143 --> 00:40:47,145 ♪ YOU PLAYED YOUR PIANO ♪ 928 00:40:47,145 --> 00:40:49,518 (Ryan) GUYS, UH, I WANT YOU TO MEET... 929 00:40:49,518 --> 00:40:50,579 JENNY. 930 00:40:50,579 --> 00:40:51,880 HI. 931 00:40:51,880 --> 00:40:55,053 WELCOME. WE'VE HEARD WONDERFUL THINGS ABOUT YOU. 932 00:40:55,053 --> 00:40:57,626 OH, THE SAME GOES FOR ALL OF YOU. 933 00:40:57,626 --> 00:40:59,628 I-I FEEL LIKE I KNOW YOU GUYS ALREADY. 934 00:40:59,628 --> 00:41:02,130 YOU ARE SO MUCH PRETTIER THAN YOUR PICTURE IN "COSMO." 935 00:41:02,130 --> 00:41:04,563 KEVIN GAVE ME HIS COPY OF "HEAT WAVE." 936 00:41:04,563 --> 00:41:07,235 I COULD NOT PUT IT DOWN. 937 00:41:07,235 --> 00:41:09,568 AND THANKS FOR BEING SUCH A GREAT PARTNER. 938 00:41:09,568 --> 00:41:13,241 YOU KNOW, MAKE SURE YOU KEEP HIM SAFE OUT THERE. YOU GOT IT. 939 00:41:13,241 --> 00:41:15,243 ♪ LA DA DA DA DA ♪ 940 00:41:15,243 --> 00:41:17,475 (Ryan) WE HAVE A MOVIE TO CATCH. 941 00:41:17,475 --> 00:41:19,107 I'LL SEE YOU GUYS TOMORROW. 942 00:41:19,107 --> 00:41:21,550 YOU GUYS HAVE A GREAT TIME. 943 00:41:21,550 --> 00:41:23,051 ♪ ...WE ARE ♪ 944 00:41:23,051 --> 00:41:27,085 DAMN. IF I HAD A GIRL LIKE THAT, I MIGHT BE WHIPPED BY HER, TOO. 945 00:41:27,085 --> 00:41:30,088 NOW WE KNOW WHY HE DIDN'T BRING HER AROUND SOONER. 946 00:41:30,088 --> 00:41:32,561 SO THE TWO OF YOU DON'T ACT LIKE IDIOTS AROUND HER. 947 00:41:32,561 --> 00:41:35,223 NO, SO WE WOULDN'T TRY TO STEAL HER FROM HIM. 948 00:41:35,223 --> 00:41:37,225 SO WHAT ABOUT THIS IMAGINARY BOYFRIEND OF YOURS? 949 00:41:37,225 --> 00:41:39,227 ARE WE GONNA SEE HIM AROUND HERE 950 00:41:39,227 --> 00:41:41,229 OR IS HE AT HOME TIED TO A BED? 951 00:41:41,229 --> 00:41:43,231 WHAT'S THE MATTER, RICKY? YOU JEALOUS? 952 00:41:43,231 --> 00:41:45,233 NO. YOU ONLY GET TO PUNISH HIM AT NIGHT. 953 00:41:45,233 --> 00:41:47,235 YOU PUNISH ME ALL DAY. WELL, YOU DESERVE IT. 954 00:41:47,235 --> 00:41:49,237 WHAT DID I DO TO YOU? LET'S JUST START... 955 00:41:49,237 --> 00:41:51,580 ♪ JUST THE WAY WE ARE ♪