1 00:00:01,602 --> 00:00:04,175 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,175 --> 00:00:06,177 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,177 --> 00:00:08,609 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,609 --> 00:00:10,641 CASTLE. CASTLE. 5 00:00:10,641 --> 00:00:13,344 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,344 --> 00:00:15,216 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,216 --> 00:00:17,348 BECKETT. BECKETT. 8 00:00:17,348 --> 00:00:19,350 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,350 --> 00:00:21,352 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,352 --> 00:00:24,024 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:24,024 --> 00:00:27,128 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,128 --> 00:00:29,800 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:29,800 --> 00:00:32,533 (The Voluntary Butler Scheme) ♪ I WANT TO TRADE... ♪ 14 00:00:32,533 --> 00:00:34,805 OH, EXCUSE ME, BABY. OH, BOY. 15 00:00:34,805 --> 00:00:38,038 AH, HOME SWEET HOME. 16 00:00:38,038 --> 00:00:40,811 CAN WE GET MIDNIGHT FROM THE KENNEL NOW? 17 00:00:40,811 --> 00:00:43,444 WE'LL GET HIM AS SOON AS WE'RE SETTLED, OKAY? I'M HUNGRY. 18 00:00:43,444 --> 00:00:45,146 LET MOMMY GET SITUATED, 19 00:00:45,146 --> 00:00:48,048 THEN I'LL MAKE YOU A BOWL OF HOT CEREAL, OKAY? OKAY. 20 00:00:48,048 --> 00:00:50,821 COME HERE. 21 00:00:50,821 --> 00:00:53,684 HONEY, YOU SAID YOU WERE GONNA WASH THE DISHES 22 00:00:53,684 --> 00:00:55,326 BEFORE WE LEFT. 23 00:00:55,326 --> 00:00:57,328 DIDN'T YOU MAKE THE BED BEFORE WE LEFT? 24 00:00:57,328 --> 00:00:59,330 SOMEONE'S BEEN SLEEPING IN OUR BED. 25 00:00:59,330 --> 00:01:01,392 SOMEONE'S BEEN SLEEPING IN MY BED, TOO, 26 00:01:01,392 --> 00:01:03,094 AND HE'S STILL THERE. 27 00:01:03,094 --> 00:01:05,696 WHAT? BABY, GO WAIT IN OUR ROOM. 28 00:01:05,696 --> 00:01:07,498 (girl) IS HE ASLEEP? 29 00:01:11,472 --> 00:01:13,544 (Castle) OH, YEAH! 30 00:01:13,544 --> 00:01:15,376 THAT'S WHAT I'M TALKING ABOUT. 31 00:01:15,376 --> 00:01:18,649 DARLING, MUST YOU TALK SO LOUD? SOME OF US ARE STILL WAKING UP. 32 00:01:18,649 --> 00:01:20,311 WHAT'S ALL THE EXCITEMENT ABOUT? 33 00:01:20,311 --> 00:01:22,283 ONLY THE "NEW YORK LEDGER'S" 34 00:01:22,283 --> 00:01:24,555 ANNUAL TEN MOST ELIGIBLE BACHELOR'S LIST, 35 00:01:24,555 --> 00:01:27,087 AND GUESS WHO'S ON IT. WHO? 36 00:01:27,087 --> 00:01:29,420 I DON'T KNOW, BUT HE MUST BE THE PRESIDENT OF 37 00:01:29,420 --> 00:01:32,163 THE REALLY-GOOD-LOOKING CLUB. HUH. RANKED NUMBER 9. 38 00:01:32,163 --> 00:01:34,565 WEREN'T YOU NUMBER 7 LAST YEAR? YES, AND THANK YOU 39 00:01:34,565 --> 00:01:37,698 FOR POINTING OUT MY SHORTCOMINGS ONCE AGAIN, MOTHER. AH, THAT'S MY JOB. 40 00:01:37,698 --> 00:01:39,700 LUCKILY ALL MY FRIENDS ARE BEYOND PRINT MEDIA. 41 00:01:39,700 --> 00:01:41,372 WHAT ABOUT THIS IS EMBARRASSING? 42 00:01:41,372 --> 00:01:43,834 NOTHING. IT'S THE SECRET DREAM OF EVERY 16 YEAR OLD 43 00:01:43,834 --> 00:01:45,676 TO HAVE THEIR FATHER CROWNED 44 00:01:45,676 --> 00:01:47,878 ONE OF THE MOST AVAILABLE HOTTIES OF THE YEAR. WELL, ACCORDING TO THIS, 45 00:01:47,878 --> 00:01:50,641 YOUR FATHER MAY NOT BE ON THE MARKET. 46 00:01:50,641 --> 00:01:54,185 YOU DIDN'T READ THE BLURB HERE? MNH-MNH. 47 00:01:54,185 --> 00:01:57,588 "THOUGH CLAIMING TO BE SINGLE, RICHARD CASTLE IS RUMORED TO BE 48 00:01:57,588 --> 00:02:00,851 ROMANTICALLY INVOLVED WITH NYPD DETECTIVE KATE BECKETT"... WHAT?! 49 00:02:00,851 --> 00:02:03,224 "THE INSPIRATION FOR NIKKI HEAT, 50 00:02:03,224 --> 00:02:04,855 "THE HEROINE OF HIS LATEST BEST-SELLING NOVEL. 51 00:02:04,855 --> 00:02:10,161 BACHELOR NUMBER 9 MAY NOT BE ELIGIBLE FOR NEXT YEAR'S LIST." 52 00:02:10,161 --> 00:02:12,333 WHAT? WHERE DID THEY GET THAT? WAIT. LET ME SEE. 53 00:02:12,333 --> 00:02:15,236 I DIDN'T SAY ANYTHING LIKE THAT IN MY INTERVIEW. 54 00:02:15,236 --> 00:02:18,409 DETECTIVE BECKETT IS NOT GOING TO LOVE THIS. 55 00:02:18,409 --> 00:02:21,412 WELL, MAYBE SHE'LL JUST LAUGH IT OFF. (Alexis and Martha chuckle) 56 00:02:21,412 --> 00:02:23,844 HOW IS IT, FOR A MAN WHO IS SURROUNDED BY WOMEN, 57 00:02:23,844 --> 00:02:25,846 THAT YOU KNOW SO LITTLE ABOUT US? (cell phone ringing) 58 00:02:25,846 --> 00:02:27,678 SPEAK OF THE DEVIL. 59 00:02:27,678 --> 00:02:30,681 OKAY, EITHER BECKETT'S CALLING BECAUSE THERE'S A DEAD BODY 60 00:02:30,681 --> 00:02:33,624 OR BECAUSE SHE READ THE ARTICLE. PRAY FOR MURDER. 61 00:02:33,624 --> 00:02:35,656 (ring) 62 00:02:35,656 --> 00:02:36,827 (beep) 63 00:02:36,827 --> 00:02:39,890 GOOD MORNING. 64 00:02:39,890 --> 00:02:42,233 DEAD BODY. I'M GOOD. 65 00:02:42,233 --> 00:02:45,236 (Esposito) NO ONE ELSE HAD ACCESS TO IT, YOUR MAID... 66 00:02:45,236 --> 00:02:48,369 (woman) NO. OR ANYTHING LIKE THAT? OKAY. 67 00:02:48,369 --> 00:02:50,471 (indistinct conversations) 68 00:02:50,471 --> 00:02:52,403 YOUR DAUGHTER'S SCHOOL, THEY KNEW ABOUT... 69 00:02:52,403 --> 00:02:55,646 THEY KNEW ABOUT YOU GUYS GOING OUT OF TOWN? 70 00:02:55,646 --> 00:02:59,210 (police radio chatter) 71 00:03:05,556 --> 00:03:07,258 WHAT? 72 00:03:07,258 --> 00:03:09,520 WHAT, WHAT? 73 00:03:09,520 --> 00:03:11,522 SO WHAT HAVE WE GOT? 74 00:03:11,522 --> 00:03:13,964 YOUR GUESS IS AS GOOD AS MINE. JOHN DOE, NO I.D. 75 00:03:13,964 --> 00:03:16,927 APPROXIMATE TIME OF DEATH IS BETWEEN 9:00 LAST NIGHT 76 00:03:16,927 --> 00:03:20,801 AND 1:00 THIS MORNING. THE FAMILY FOUND HIM AFTER RETURNING FROM VACATION. 77 00:03:20,801 --> 00:03:22,933 APPARENTLY HE MADE HIMSELF QUITE AT HOME. 78 00:03:22,933 --> 00:03:25,205 HOW SO? WELL, WE FOUND 79 00:03:25,205 --> 00:03:27,308 HIS FOOD IN THE FRIDGE, TOILETRIES IN THE BATHROOM, 80 00:03:27,308 --> 00:03:30,981 EVEN SOME OF HIS CLOTHES IN THE DRYER. A REAL-LIFE GOLDILOCKS. 81 00:03:30,981 --> 00:03:33,914 MM-HMM. IT LOOKS AS THOUGH HE EVEN SLEPT IN THE PARENTS' BED. WELL, OF COURSE. 82 00:03:33,914 --> 00:03:35,616 THAT ONE WAS TOO HARD, 83 00:03:35,616 --> 00:03:37,618 AND BABY BEAR'S BED WAS JUST RIGHT. 84 00:03:37,618 --> 00:03:39,550 LOOKS LIKE HE STRUGGLED. UNSUCCESSFULLY. 85 00:03:39,550 --> 00:03:42,623 HERE. YOU SEE THAT? IT'S A NEEDLE MARK FROM A SYRINGE. 86 00:03:42,623 --> 00:03:44,955 PROBABLY WAS INJECTED WITH SOMETHING 87 00:03:44,955 --> 00:03:46,797 THAT STOPPED HIS HEART. 88 00:03:46,797 --> 00:03:48,759 I'LL RUN TOXICOLOGY. 89 00:03:48,759 --> 00:03:51,262 AS SOON AS I CAN PINPOINT A C.O.D., I'LL GIVE YOU A CALL. GREAT. THANK YOU. 90 00:03:51,262 --> 00:03:52,403 MM-HMM. 91 00:03:52,403 --> 00:03:53,564 HEY. 92 00:03:53,564 --> 00:03:55,466 (police radio chatter) 93 00:03:55,466 --> 00:03:57,408 YOU KNOW WHO KILLS WITH SYRINGES? 94 00:03:57,408 --> 00:03:58,969 MAD DOCTORS AND B-MOVIE NAZIS. 95 00:03:58,969 --> 00:04:01,011 WHY NOT JUST USE A GUN? GUNS ARE LOUD. 96 00:04:01,011 --> 00:04:03,013 I'VE SEEN SQUATTERS IN ABANDONED BUILDINGS, 97 00:04:03,013 --> 00:04:04,945 BUT NOTHING LIKE THIS. 98 00:04:04,945 --> 00:04:07,848 AND THEN SOMEONE SNEAKS IN AND KILLS HIM WITH A NEEDLE. 99 00:04:07,848 --> 00:04:09,920 WEIRD. MM-HMM. HOW ARE THE DYSONS DOING? 100 00:04:09,920 --> 00:04:12,753 MOM AND DAD ARE PRETTY SHAKEN UP. 101 00:04:12,753 --> 00:04:15,586 LITTLE GIRL DOESN'T REALLY KNOW WHAT'S GOING ON. DID ANYONE KNOW THEY WERE LEAVING TOWN? 102 00:04:15,586 --> 00:04:17,588 UH, JUST PEOPLE FROM WORK, DAUGHTER'S SCHOOL, 103 00:04:17,588 --> 00:04:20,260 STUFF LIKE THAT. WE'RE RUNNING IT DOWN. HEY, CHECK THIS OUT. 104 00:04:20,260 --> 00:04:22,262 DYSONS FOUND THIS IN THE KITCHEN, 105 00:04:22,262 --> 00:04:23,934 SAID IT'S NOT THEIRS. 106 00:04:23,934 --> 00:04:25,936 (beeps) 107 00:04:25,936 --> 00:04:26,937 (beep) 108 00:04:26,937 --> 00:04:29,039 THIS IS HERE. 109 00:04:29,039 --> 00:04:30,901 (Ryan) YEAH, WEIRD, HUH? 110 00:04:30,901 --> 00:04:32,803 WHY WOULD HE TAKE PICTURES? 111 00:04:32,803 --> 00:04:35,005 SO HE COULD PUT EVERYTHING BACK THE WAY HE FOUND IT. 112 00:04:35,005 --> 00:04:37,047 HE WAS HOPING NOBODY WOULD KNOW THAT HE WAS HERE. 113 00:04:37,047 --> 00:04:39,980 ALMOST AS THOUGH HE WAS HIDING. ALL RIGHT, HAVE A TECH PULL THE MEMORY CARD. 114 00:04:39,980 --> 00:04:42,753 SEE IF ANY OF THE DELETED PHOTOS CAN TELL US WHO HE IS. 115 00:04:42,753 --> 00:04:45,756 OOH, SHE IS GONNA KILL HIM. HE'S DEAD. 116 00:04:45,756 --> 00:04:50,421 SO, CASTLE, IS IT TRUE? ARE YOU FINALLY OFF THE MARKET? 117 00:04:50,421 --> 00:04:52,923 YOU GUYS, IF EITHER OF YOU BREATHE A WORD OF THIS... 118 00:04:52,923 --> 00:04:56,397 (whispers) I SWEAR, I WILL MAKE YOU PAY. MONTGOMERY'S UP TO SPEED. ANYTHING BACK FROM 119 00:04:56,397 --> 00:04:59,430 THE DYSONS' WORKPLACE OR THE KID'S... SCHOOL? (Esposito) I RAN BACKGROUND CHECKS 120 00:04:59,430 --> 00:05:02,433 ON EVERYONE WHO KNEW THE FAMILY WAS GONNA BE OUT OF TOWN. 121 00:05:02,433 --> 00:05:04,435 SO FAR EVERYONE'S COME BACK CLEAN, 122 00:05:04,435 --> 00:05:07,007 BUT I'M GONNA KEEP DIGGING. ANYTHING ON THE CANVASS? 123 00:05:07,007 --> 00:05:09,380 A WHOLE LOT OF NOTHING. NO DOORMAN ON THE BUILDING. 124 00:05:09,380 --> 00:05:11,482 NONE OF THE DYSON'S NEIGHBORS NOTICED ANYTHING 125 00:05:11,482 --> 00:05:14,545 OUT OF THE ORDINARY. SHOCKER. I'VE LIVED IN MY SPOT EIGHT YEARS. 126 00:05:14,545 --> 00:05:17,047 I COULDN'T PICK MY NEIGHBORS OUT OF A LINEUP. WELL, THAT'S MANHATTAN FOR YOU. 127 00:05:17,047 --> 00:05:19,350 (cell phone ringing) NOBODY NOTICES ANYTHING UNLESS IT AFFECTS THEM DIRECTLY. 128 00:05:19,350 --> 00:05:22,453 UNLESS IT'S IN THE PAPER. EXCUSE ME. BECKETT. 129 00:05:22,453 --> 00:05:24,395 GREAT. OKAY, GOOD. 130 00:05:24,395 --> 00:05:26,827 GOT A HIT OFF OF JOHN DOE'S FINGERPRINTS. 131 00:05:26,827 --> 00:05:28,959 DOUGLASS BISHOP. HE'S IN THE SYSTEM. 132 00:05:28,959 --> 00:05:30,761 (keyboard keys clicking) 133 00:05:30,761 --> 00:05:32,102 (computer chirps) DOUGLASS BISHOP... 134 00:05:32,102 --> 00:05:35,506 ARRESTED ONCE TEN YEARS AGO-- 135 00:05:35,506 --> 00:05:37,107 MISDEMEANOR DRUNK AND DISORDERLY. 136 00:05:37,107 --> 00:05:39,810 CHARGES WERE DROPPED. BESIDES THAT, HE'S CLEAN. 137 00:05:39,810 --> 00:05:41,842 ALL RIGHT, FIND THE NEXT OF KIN. 138 00:05:41,842 --> 00:05:44,344 AFTER THEY I.D. THE BODY, MAYBE THEY CAN TELL US 139 00:05:44,344 --> 00:05:46,777 WHAT THE HELL HE WAS DOING IN THAT APARTMENT. 140 00:05:46,777 --> 00:05:49,079 (Lanie) I GOT THE RESULTS BACK FROM THE LAB. 141 00:05:49,079 --> 00:05:51,081 HE WAS INJECTED WITH AN ANESTHETIC--KETAMINE. 142 00:05:51,081 --> 00:05:53,984 SPECIAL "K"? HE WAS KILLED BY A CLUB DRUG? 143 00:05:53,984 --> 00:05:55,686 NOT IN THIS DOSE. 144 00:05:55,686 --> 00:05:58,789 WHOEVER SHOT UP MR. BISHOP WAS NOT LOOKING TO GET HIM HIGH. 145 00:05:58,789 --> 00:06:01,932 GAVE HIM ENOUGH TO PUT DOWN A HORSE. 146 00:06:01,932 --> 00:06:03,964 THE VICTIM'S SISTER IS HERE. 147 00:06:03,964 --> 00:06:05,666 I'M DETECTIVE BECKETT. 148 00:06:05,666 --> 00:06:08,569 THANK YOU SO MUCH FOR COMING DOWN. 149 00:06:08,569 --> 00:06:10,000 IS--IS THAT HIM? 150 00:06:10,000 --> 00:06:13,043 IS THAT DOUG? 151 00:06:13,043 --> 00:06:16,507 THAT'S WHAT WE'LL NEED YOU TO VERIFY. 152 00:06:19,009 --> 00:06:21,381 (gasps) 153 00:06:21,381 --> 00:06:24,054 (cries) 154 00:06:24,054 --> 00:06:26,557 (man) NONE OF THIS MAKES ANY SENSE. 155 00:06:26,557 --> 00:06:29,089 I MEAN, WHY WOULD DOUG BE LIVING IN THESE PEOPLE'S APARTMENT? 156 00:06:29,089 --> 00:06:32,062 HE'S GOT HIS OWN PLACE OUT IN HOBOKEN. IS IT POSSIBLE THAT YOUR BROTHER WAS IN TROUBLE, 157 00:06:32,062 --> 00:06:34,064 THAT HE WAS HIDING FROM SOMEONE? 158 00:06:34,064 --> 00:06:36,096 NO. EVERYBODY LOVED DOUG. 159 00:06:36,096 --> 00:06:38,799 DID HE OWE ANYBODY MONEY 160 00:06:38,799 --> 00:06:40,871 OR HAVE ANY FINANCIAL PROBLEMS? 161 00:06:40,871 --> 00:06:42,533 NOT THAT I KNOW OF. 162 00:06:42,533 --> 00:06:44,535 I-I MEAN, HIS HOURS AT THE TRAVEL AGENCY 163 00:06:44,535 --> 00:06:46,006 GOT CUT BACK, 164 00:06:46,006 --> 00:06:47,878 BUT HE WAS GETTING BY. 165 00:06:47,878 --> 00:06:49,880 TRAVEL AGENCY. 166 00:06:49,880 --> 00:06:53,413 MAYBE THAT'S HOW HE KNEW THE DYSONS WERE OUT OF TOWN. BUT IF HE WERE IN TROUBLE, 167 00:06:53,413 --> 00:06:56,186 HE WOULD'VE RAIDED HIS SCUBA FUND. YEAH. 168 00:06:56,186 --> 00:06:59,720 HE WAS ALWAYS SAYING THAT SOMEDAY WHEN HIS SHIP CAME IN, 169 00:06:59,720 --> 00:07:01,792 HE WAS GONNA GET HIMSELF A LITTLE-- 170 00:07:01,792 --> 00:07:04,795 A LITTLE SCUBA SHOP DOWN IN JAMAICA. DOUG WAS SAVING UP FOR IT. 171 00:07:04,795 --> 00:07:06,797 HE WOULD PUT A PORTION OF HIS PAYCHECK 172 00:07:06,797 --> 00:07:09,029 IN AN ACCOUNT EVERY MONTH. 173 00:07:09,029 --> 00:07:11,532 WHEN WAS THE LAST TIME YOU SAW YOUR BROTHER? 174 00:07:11,532 --> 00:07:13,534 NOT SINCE THE HOLIDAY PARTY. 175 00:07:13,534 --> 00:07:16,767 DOUG'S AGENCY THREW IT OUT BY THE AIRPORT, 176 00:07:16,767 --> 00:07:19,670 WHICH IS WHERE STAN WORKS, SO WE ALL WENT. 177 00:07:19,670 --> 00:07:22,673 YOU JUST NEVER THINK SOMETHING LIKE THIS IS GONNA HAPPEN. 178 00:07:22,673 --> 00:07:25,876 SO YOU DON'T MAKE TIME. (cries) 179 00:07:25,876 --> 00:07:27,217 OKAY, THANK YOU. 180 00:07:30,080 --> 00:07:32,823 THAT WAS THE TRAVEL AGENCY. 181 00:07:32,823 --> 00:07:34,755 IF DOUG WAS HIDING FROM SOMEONE, 182 00:07:34,755 --> 00:07:36,757 HE WASN'T DOING A VERY GOOD JOB. 183 00:07:36,757 --> 00:07:39,490 APPARENTLY HE HASN'T MISSED A DAY OF WORK UNTIL YESTERDAY. 184 00:07:39,490 --> 00:07:42,162 WHAT ABOUT THE DYSONS' TRIP? THEY BOOKED IT THROUGH A DIFFERENT AGENCY. 185 00:07:42,162 --> 00:07:44,164 THE SCUBA FUND? DIDN'T TOUCH IT. 186 00:07:44,164 --> 00:07:47,167 SO HE WASN'T IN HIDING, HE DIDN'T OWE ANYBODY ANY MONEY 187 00:07:47,167 --> 00:07:49,670 AND HE HAD NO DISCERNABLE WAY 188 00:07:49,670 --> 00:07:52,773 OF KNOWING WHEN THE DYSONS WOULD BE OUT OF TOWN. (Ryan) HEY, BECKETT. 189 00:07:52,773 --> 00:07:54,775 THE GEEKS MANAGED TO PULL THE DELETED PHOTOS FROM 190 00:07:54,775 --> 00:07:57,808 OUR SQUATTER'S MEMORY CARD. CARE TO TAKE A LOOK? 191 00:07:57,808 --> 00:08:01,151 (Ryan) STUFF ON COUNTERS, INSIDE CABINETS. 192 00:08:01,151 --> 00:08:02,753 THAT'S NOT THE DYSONS' PLACE. 193 00:08:02,753 --> 00:08:05,015 HE'S DONE THIS BEFORE, BUT IN OTHER APARTMENTS. 194 00:08:05,015 --> 00:08:08,589 MAYBE HE DOES IT FOR THE THRILL. MAYBE SOMEONE FOUND OUT AND GOT MAD. 195 00:08:08,589 --> 00:08:12,092 YEAH, BUT HE'D STILL HAVE TO KNOW WHEN THEY WERE AWAY. 196 00:08:12,092 --> 00:08:15,095 UNLESS DOUG BISHOP ISN'T OUR SQUATTER. 197 00:08:15,095 --> 00:08:17,097 THAT'S DEFINITELY NOT DOUG BISHOP. 198 00:08:17,097 --> 00:08:20,000 WHO IS HE? 199 00:08:20,000 --> 00:08:22,533 HE'S PROBABLY OUR KILLER. 200 00:08:22,533 --> 00:08:25,235 ♪♪ 201 00:08:34,745 --> 00:08:36,747 WHAT KIND OF PSYCHOPATH 202 00:08:36,747 --> 00:08:39,720 TAKES PICTURES OF HIMSELF AND HIS MURDER WEAPONS? SOME KILLERS KEEP TROPHIES. 203 00:08:39,720 --> 00:08:42,753 IN HIS DEFENSE, HE DID DELETE THESE PHOTOS. 204 00:08:42,753 --> 00:08:46,226 .45 WITH A SILENCER. WONDER WHAT HE HAD LINED UP FOR THIS? 205 00:08:46,226 --> 00:08:48,559 NOTHING GOOD. HAS C.S.U. PULLED THE PRINTS 206 00:08:48,559 --> 00:08:51,061 OFF OF THE CAMERA AND PERSONAL EFFECTS? YEAH, THEY DON'T MATCH DOUG BISHOP 207 00:08:51,061 --> 00:08:53,063 AND THEY'RE NOT IN THE SYSTEM. 208 00:08:53,063 --> 00:08:55,866 WHICH MEANS HE DOESN'T HAVE A RECORD. WELL, IF DOUG WASN'T OUR SQUATTER, 209 00:08:55,866 --> 00:08:57,868 WHAT WAS HE DOING IN THE DYSONS' APARTMENT? 210 00:08:57,868 --> 00:09:00,671 HE HAD TO HAVE KNOWN THE SQUATTER SOMEHOW. IF THIS SQUATTER WAS SO METICULOUS 211 00:09:00,671 --> 00:09:02,973 ABOUT PUTTING THINGS BACK, WHY'D HE LEAVE ALL THIS 212 00:09:02,973 --> 00:09:05,976 FOR US TO FIND? YOU'RE RIGHT. IT--IT MAKES NO SENSE. 213 00:09:05,976 --> 00:09:08,949 WHAT? NO GRAND THEATRICAL THEORY TO SPIN FOR US? 214 00:09:08,949 --> 00:09:10,921 HONESTLY, I-I GOT NOTHING. 215 00:09:10,921 --> 00:09:13,253 MORE IMPORTANTLY, WE DON'T HAVE ANY PRINTS OR LEADS. 216 00:09:13,253 --> 00:09:16,627 HOW ARE WE GONNA CATCH A GHOST? BY FINDING OUT HOW HE HAUNTS. 217 00:09:16,627 --> 00:09:19,229 IF WE CAN FIGURE OUT HOW THE SQUATTER KNEW 218 00:09:19,229 --> 00:09:22,192 HIS MARKS WERE OUT OF TOWN, FIND SOMETHING THAT CONNECTS HIM 219 00:09:22,192 --> 00:09:24,665 TO THE OTHER PLACES THAT HE STAYED, 220 00:09:24,665 --> 00:09:27,167 THEN MAYBE WE CAN NARROW DOWN THE FIELD. WE'LL KEEP GOING THROUGH THESE. 221 00:09:27,167 --> 00:09:29,600 WITH ANY LUCK, WE'LL FIND SOMETHING THAT CAN TELL US 222 00:09:29,600 --> 00:09:32,002 WHOSE APARTMENTS THESE ARE. OKAY, GREAT. THANK YOU. 223 00:09:32,002 --> 00:09:34,875 (Castle sighs) 224 00:09:39,049 --> 00:09:41,281 (crashes into desk) HEY. 225 00:09:41,281 --> 00:09:43,283 HEY. WHAT ARE YOU DOING? 226 00:09:43,283 --> 00:09:46,857 I'M LOOKING TO SEE WHO WON THE GAME LAST NIGHT. OH, WE WON. 227 00:09:46,857 --> 00:09:49,820 DO YOU EVEN KNOW WHAT GAME I'M TALKING ABOUT? SURE I DO. THE BIG GAME. 228 00:09:49,820 --> 00:09:51,662 (drops paper on desk) 229 00:09:51,662 --> 00:09:53,694 OKAY, CASTLE. WHAT'S GOING ON? 230 00:09:53,694 --> 00:09:55,766 (Esposito) YO, BECKETT. CHECK THIS OUT. 231 00:09:55,766 --> 00:09:59,700 HE TOOK A PICTURE OF THE INSIDE OF SOMEONE'S MEDICINE CABINET. YOU CAN ALMOST 232 00:09:59,700 --> 00:10:03,003 MAKE OUT THE NAME ON THESE PRESCRIPTION BOTTLES. HAVE I.S. TAKE A LOOK AT IT, 233 00:10:03,003 --> 00:10:05,005 SEE IF THEY CAN ENHANCE THE PHOTO. 234 00:10:08,879 --> 00:10:10,340 (woman) OH, GOD. 235 00:10:10,340 --> 00:10:12,743 HE WENT THROUGH MY MEDICINE CABINET? 236 00:10:12,743 --> 00:10:15,045 (gasps) PLEASE TELL ME HE DIDN'T GO THROUGH MY DIARY. 237 00:10:15,045 --> 00:10:17,047 OH, WE'RE NOT SURE, MS. LANGFORD. 238 00:10:17,047 --> 00:10:19,349 ARE YOU SURE YOU DON'T RECOGNIZE HIM? YEAH, I'M POSITIVE. 239 00:10:19,349 --> 00:10:22,322 AND YOU DON'T KNOW THE DYSONS? NO. 240 00:10:22,322 --> 00:10:25,195 THE ONLY PERSON THAT KNEW I WAS EVEN OUT OF TOWN WAS MY MOTHER. 241 00:10:25,195 --> 00:10:27,297 EVERYONE ELSE THOUGHT I WAS ON SICK LEAVE. 242 00:10:27,297 --> 00:10:29,930 YOU WON'T TELL MY BOSS THAT, WILL YOU? 243 00:10:29,930 --> 00:10:32,933 DID YOU NOTICE ANYTHING UNUSUAL WHEN YOU RETURNED? 244 00:10:32,933 --> 00:10:36,166 OH, THAT TOTALLY EXPLAINS IT. 245 00:10:36,166 --> 00:10:39,169 (Castle and Beckett) WHAT? MY FAUCET. FOR WEEKS, I'VE BEEN ASKING MY SUPER 246 00:10:39,169 --> 00:10:41,371 TO FIX MY LEAKY FAUCET, BUT HE NEVER CAME. 247 00:10:41,371 --> 00:10:43,373 AND THEN WHEN I GOT BACK, IT WAS FIXED. 248 00:10:43,373 --> 00:10:46,046 SO I JUST ASSUMED THAT HE FINALLY DID IT, 249 00:10:46,046 --> 00:10:49,249 BUT THEN LATER, WHEN I SAW HIM ON THE STAIRS, 250 00:10:49,249 --> 00:10:52,182 HE DIDN'T EVEN KNOW WHAT I WAS TALKING ABOUT. THE SQUATTER FIXED YOUR SINK? 251 00:10:52,182 --> 00:10:54,054 YEAH. AND THERE WAS THIS BOTTLE OF, UM, 252 00:10:54,054 --> 00:10:56,426 LIKE WEIRD STRAWBERRY CHAMPAGNE IN THE FRIDGE. 253 00:10:56,426 --> 00:11:00,130 AND I JUST ASSUMED THAT ONE OF MY FRIENDS HAD LEFT IT 254 00:11:00,130 --> 00:11:03,663 DURING A DINNER PARTY I HAD BEFORE I LEFT, BUT... 255 00:11:03,663 --> 00:11:05,966 NONE OF MY FRIENDS WOULD'VE BOUGHT SUCH A-- 256 00:11:05,966 --> 00:11:07,998 CHEAP BOTTLE OF BOOZE. EXACTLY. 257 00:11:07,998 --> 00:11:10,140 SO HE MAKES REPAIRS, 258 00:11:10,140 --> 00:11:13,243 LEAVES HOSTESS GIFTS-- HE'S THE GENTLEMAN SQUATTER. 259 00:11:13,243 --> 00:11:15,946 WHO KILLED A MAN, SO DON'T MAKE HIM OUT TO BE 260 00:11:15,946 --> 00:11:17,277 THE HOUSEGUEST OF THE YEAR. 261 00:11:17,277 --> 00:11:21,111 THANK YOU FOR COMING IN, MS. LANGFORD. BY THE WAY, 262 00:11:21,111 --> 00:11:23,313 THAT PHOTO IN THE PAPER DID YOU NO JUSTICE. 263 00:11:23,313 --> 00:11:26,857 YOU'RE MUCH BETTER LOOKING IN PERSON. THERE'S A PICTURE OF YOU IN THE PAPER? 264 00:11:26,857 --> 00:11:29,760 SO ARE YOU THE DETECTIVE GIRLFRIEND? 265 00:11:29,760 --> 00:11:31,391 I'M SORRY, THE WHAT? 266 00:11:31,391 --> 00:11:34,765 HE... IS SUCH A CATCH. 267 00:11:34,765 --> 00:11:35,926 DON'T. 268 00:11:35,926 --> 00:11:38,428 SHOW ME. NOW. 269 00:11:38,428 --> 00:11:41,832 "ROMANTICALLY INVOLVED"? "RUMORED TO BE." 270 00:11:41,832 --> 00:11:44,474 WHAT DID YOU TELL THEM? NOTHING! WHY WOULD I DO THAT? 271 00:11:44,474 --> 00:11:47,007 DO YOU HAVE ANY IDEA WHAT THIS DOES TO MY REPUTATION? 272 00:11:47,007 --> 00:11:49,409 YOUR REPUTATION? WHAT ABOUT MY REPUTATION? 273 00:11:49,409 --> 00:11:53,083 I AM JUST AS UPSET AS YOU ARE. I'M ON YOUR TEAM. 274 00:11:53,083 --> 00:11:54,845 THIS IS SHODDY JOURNALISM, 275 00:11:54,845 --> 00:11:58,188 AND I AM TWO SECONDS AWAY FROM CANCELING MY SUBSCRIPTION. 276 00:11:58,188 --> 00:12:01,051 MY SUBSCRIPTION. DO YOU HAVE ANY IDEA HOW HARD IT IS TO BE A FEMALE COP? 277 00:12:01,051 --> 00:12:04,154 THE LAST THING I NEED IS FOR YOU TO GIVE THEM MORE AMMO TO-- YES, THE "NEW YORK LEDGER," PLEASE. 278 00:12:04,154 --> 00:12:06,156 WHAT ARE YOU DOING? LANGFORD SAID THAT THE ONLY PERSON 279 00:12:06,156 --> 00:12:09,299 WHO KNEW SHE WAS ON VACATION WAS HER MOTHER, BUT THAT'S NOT TRUE. 280 00:12:09,299 --> 00:12:11,301 IF SHE WAS ACTUALLY PRETENDING TO BE SICK, 281 00:12:11,301 --> 00:12:14,835 THE LAST THING SHE'D WANT IS NEWSPAPERS PILING UP 282 00:12:14,835 --> 00:12:17,307 AT HER FRONT DOOR. SHE HAD THE PAPERS HELD. 283 00:12:17,307 --> 00:12:19,309 YES, YOUR SUBSCRIPTION DEPARTMENT, PLEASE. 284 00:12:19,309 --> 00:12:22,372 ANYONE WITH ACCESS TO VACATION HOLD INFORMATION WOULD KNOW 285 00:12:22,372 --> 00:12:25,245 EXACTLY WHO'S OUT OF TOWN AND FOR EXACTLY HOW LONG. 286 00:12:25,245 --> 00:12:28,148 YES, I WOULD LIKE TO VERIFY VACATION HOLD INFORMATION 287 00:12:28,148 --> 00:12:30,150 ON TWO OF YOUR SUBSCRIBERS, PLEASE. 288 00:12:30,150 --> 00:12:32,252 WHO AM I? I... I... 289 00:12:32,252 --> 00:12:35,886 I SOMETIMES FORGET I'M NOT ACTUALLY A COP. I DON'T. 290 00:12:35,886 --> 00:12:38,428 HI. THIS IS DETECTIVE KATE BECKETT WITH THE NYPD. 291 00:12:38,428 --> 00:12:40,430 I'D LIKE TO SPEAK WITH YOUR SUPERVISOR, PLEASE. 292 00:12:40,430 --> 00:12:42,362 I CAN'T REALLY SAY HE LOOKS FAMILIAR, 293 00:12:42,362 --> 00:12:45,065 BUT YOU GOTTA UNDERSTAND, WE HAVE HUNDREDS OF EMPLOYEES. 294 00:12:45,065 --> 00:12:47,067 WELL, HOW MANY OF THEM HAD ACCESS 295 00:12:47,067 --> 00:12:48,468 TO VACATION HOLD INFORMATION? 296 00:12:48,468 --> 00:12:51,201 WELL, YOU GOT ABOUT A DOZEN IN SUBSCRIPTIONS, 297 00:12:51,201 --> 00:12:52,843 ANOTHER HANDFUL IN BILLING, 298 00:12:52,843 --> 00:12:55,205 AND, OF COURSE, THE NEWSPAPERBOYS THEMSELVES. 299 00:12:55,205 --> 00:12:58,208 I'M GONNA NEED TO SEE A LIST OF THEIR NAMES. 300 00:12:58,208 --> 00:13:01,211 SURE. FOLLOW ME. 301 00:13:06,316 --> 00:13:08,088 DONNA. 302 00:13:08,088 --> 00:13:11,561 RICHARD. WHAT ARE YOU DOING HERE? 303 00:13:11,561 --> 00:13:13,563 UH, YOU'RE NOT MAD ABOUT NUMBER 9, ARE YOU? 304 00:13:13,563 --> 00:13:15,795 I TOLD MY EDITOR TO KEEP YOU AT 7. 305 00:13:15,795 --> 00:13:18,498 NO, NO, IT'S NOT THAT. I DON'T CARE ABOUT THAT... MUCH. 306 00:13:18,498 --> 00:13:21,501 IT'S--I JUST--WHY DID YOU SAY I WAS DATING DETECTIVE BECKETT? 307 00:13:21,501 --> 00:13:24,234 OH. WELL, I JUST ASSUMED. 308 00:13:24,234 --> 00:13:26,336 YOU KEPT BRINGING HER UP DURING THE INTERVIEW. 309 00:13:26,336 --> 00:13:29,880 NO, I DIDN'T. SURE YOU DID. YOU WENT ON AND ON ABOUT HER. 310 00:13:29,880 --> 00:13:32,342 "BECKETT SAID THE FUNNIEST THIS, SHE'S THE BEST THAT." 311 00:13:32,342 --> 00:13:36,016 REALLY? I DID THAT? LAST YEAR ALL YOU DID WAS TALK ABOUT YOURSELF. 312 00:13:36,016 --> 00:13:38,188 WELL, DONNA, I AM VERY, VERY SINGLE. 313 00:13:38,188 --> 00:13:40,891 REALLY? BECAUSE IF YOU AREN'T INVOLVED, 314 00:13:40,891 --> 00:13:43,193 BACHELORETTE NUMBER 3 ASKED ABOUT YOU THIS MORNING. 315 00:13:43,193 --> 00:13:46,196 DID YOU SEE HER? NO? 316 00:13:46,196 --> 00:13:48,929 OR ARE YOU ONE OF THOSE PEOPLE WHO NEVER GOES BELOW THE FOLD? 317 00:13:48,929 --> 00:13:51,401 OH, I GO BELOW THE FOLD. 318 00:13:51,401 --> 00:13:53,934 IT'S JUST, LATELY I'VE BEEN VERY BUSY 319 00:13:53,934 --> 00:13:58,068 WITH MY SECOND NIKKI HEAT NOVEL, AND I N--OH, MY GOD. MM-HMM. AMANDA LIVINGSTON. 320 00:13:58,068 --> 00:14:00,971 SO DO YOU WANT HER NUMBER? 'CAUSE SHE WANTS YOURS. 321 00:14:04,174 --> 00:14:06,616 HEY, WE GOT A MATCH. 322 00:14:06,616 --> 00:14:09,179 MICKEY CARLSON, DELIVERY BOY. 323 00:14:09,179 --> 00:14:10,981 BOTH THE DYSONS 324 00:14:10,981 --> 00:14:13,153 AND MICHELE LANGFORD ARE ON HIS ROUTE. DELIVERY BOY. KNEW IT. 325 00:14:13,153 --> 00:14:14,624 ANYWAY, HE DIDN'T SHOW THIS MORNING. 326 00:14:14,624 --> 00:14:16,126 ANOTHER CARRIER HAD TO COVER. 327 00:14:16,126 --> 00:14:19,129 YOU KNOW, THERE'S NO ADDRESS ON THIS APPLICATION. 328 00:14:19,129 --> 00:14:21,591 DO YOU HAVE ONE ON FILE? NAH. HE NEVER GAVE US ONE, AND NOW I KNOW WHY. 329 00:14:21,591 --> 00:14:24,134 IT SAYS THERE THAT PAYDAY IS TOMORROW. 330 00:14:24,134 --> 00:14:26,536 DOES MICKEY DO DIRECT DEPOSIT OR DOES-- 331 00:14:26,536 --> 00:14:28,538 PICK UP HIS OWN CHECK? LIKE CLOCKWORK. 332 00:14:28,538 --> 00:14:31,241 PAYROLL COMES IN AT 10:00 IN THE MORNING, 333 00:14:31,241 --> 00:14:33,173 MICKEY'S HERE AT 10:01. 334 00:14:33,173 --> 00:14:35,145 (Ryan) A DELIVERY BOY 335 00:14:35,145 --> 00:14:37,507 WITH A SILENCER AND SYRINGES FULL OF KETAMINE? 336 00:14:37,507 --> 00:14:40,150 (Beckett) HIS JOB'S JUST A FRONT 337 00:14:40,150 --> 00:14:42,412 FOR WHATEVER BUSINESS HE'S REALLY IN. 338 00:14:42,412 --> 00:14:44,614 HERE'S A LIST OF ALL OF THE VACATION HOLDS ON HIS ROUTE. 339 00:14:44,614 --> 00:14:47,287 HE COULD BE SQUATTING AT ANY ONE OF THEM. 340 00:14:47,287 --> 00:14:49,519 HE'S ARMED, SO MAKE SURE YOUR TEAMS USE EXTREME CAUTION. 341 00:14:49,519 --> 00:14:52,993 CASTLE AND I WILL SET UP AT THE PAPER IN CASE HE SHOWS. IF HE'S OUT THERE, WE'LL FIND HIM. 342 00:14:52,993 --> 00:14:54,564 IT'S IRONIC, YOU KNOW. 343 00:14:54,564 --> 00:14:58,098 PEOPLE PUT IN VACATION HOLDS TO AVOID BREAK-INS. GOOD USE OF IRONY. 344 00:15:00,030 --> 00:15:03,133 SO WHO'S YOUR FRIEND AT THE PAPER? OH, DONNA VINCENNES? 345 00:15:03,133 --> 00:15:06,136 MM-HMM. SHE'S THE ONE WHO WROTE THE BLURB ABOUT US. 346 00:15:06,136 --> 00:15:08,979 THERE IS NO "US." I KNOW THAT. 347 00:15:08,979 --> 00:15:11,211 DID YOU TELL HER THAT? YES, I DID, 348 00:15:11,211 --> 00:15:13,683 WHICH WORKED OUT, ACTUALLY, REALLY WELL FOR ME. 349 00:15:13,683 --> 00:15:16,316 AS IT TURNS OUT, 350 00:15:16,316 --> 00:15:18,318 MOST ELIGIBLE BACHELORETTE NUMERO TRES-- 351 00:15:18,318 --> 00:15:19,950 VERY INTERESTED IN MEETING ME. 352 00:15:19,950 --> 00:15:22,252 ONCE THE INFO-TAINERS GET AHOLD OF HER WITH ME, 353 00:15:22,252 --> 00:15:24,624 THEY'RE GONNA FORGET ALL ABOUT YOU AND I. 354 00:15:24,624 --> 00:15:26,626 I CAN JUST SEE THE HEADLINES NOW-- 355 00:15:26,626 --> 00:15:29,459 "9 MEETS 3 AT DINNER FOR 2." 356 00:15:29,459 --> 00:15:31,161 (chuckles) BELIEVE IT OR NOT, 357 00:15:31,161 --> 00:15:33,133 THERE'S A LOT OF WOMEN IN THIS TOWN 358 00:15:33,133 --> 00:15:36,136 WHO LIKE THE IDEA OF BEING ROMANTICALLY LINKED TO ME. 359 00:15:45,345 --> 00:15:47,717 (footsteps approach) 360 00:15:47,717 --> 00:15:49,249 I HAVE NO LIFE. 361 00:15:49,249 --> 00:15:53,053 NO, MR. BISHOP HAS NO LIFE. THAT'S WHY HE'S ON MY TABLE. 362 00:15:53,053 --> 00:15:55,555 I NEED A DATE. 363 00:15:55,555 --> 00:15:57,257 WHAT? 364 00:15:57,257 --> 00:16:00,630 A DATE. A... GUY. A... MAN. 365 00:16:00,630 --> 00:16:03,133 YOU'RE ALWAYS TRYING TO SET ME UP WITH PEOPLE. 366 00:16:03,133 --> 00:16:05,365 SO HERE I AM. I'M GAME. WHAT DO YOU GOT? 367 00:16:05,365 --> 00:16:07,067 OKAY. 368 00:16:07,067 --> 00:16:08,698 WHAT'S GOTTEN INTO YOU? 369 00:16:08,698 --> 00:16:11,341 I GET SO WRAPPED UP IN WORK, ALL I WANT TO DO 370 00:16:11,341 --> 00:16:14,344 IS GO HOME WHERE IT'S QUIET, AND I'M SO TIRED OF QUIET. 371 00:16:14,344 --> 00:16:17,177 I WANT... LOUD. 372 00:16:17,177 --> 00:16:19,379 OKAY. 373 00:16:19,379 --> 00:16:22,982 (clicks pen) I HAVE THE PERFECT PRESCRIPTION FOR YOU. 374 00:16:25,285 --> 00:16:28,118 BRADEKKER? 375 00:16:28,118 --> 00:16:30,060 NO, NO, BABY. THAT'S BRAD DEKKER. 376 00:16:30,060 --> 00:16:32,492 THAT FIREFIGHTER I WANTED TO SET YOU UP WITH. 377 00:16:32,492 --> 00:16:34,994 IS HE CUTE? HE WAS MR. JULY 378 00:16:34,994 --> 00:16:37,297 IN LAST YEAR'S NEW YORK FIREFIGHTERS CALENDAR. 379 00:16:37,297 --> 00:16:40,070 JULY. HUH. MM-HMM. 380 00:16:40,070 --> 00:16:44,274 THEY ALWAYS PUT THE REALLY HOT ONES IN THE SUMMER MONTHS. EXACTLY. 381 00:16:44,274 --> 00:16:47,077 WELL, THEN SHOULD WE SAY AROUND 8:00? 382 00:16:47,077 --> 00:16:48,538 ALL RIGHT. ME, TOO. 383 00:16:48,538 --> 00:16:51,041 GOOD NIGHT, AMANDA. 384 00:16:51,041 --> 00:16:53,313 AHH. SORRY I MISSED DINNER. 385 00:16:53,313 --> 00:16:55,185 THERE'S QUICHE IF YOU'RE HUNGRY. 386 00:16:55,185 --> 00:16:57,487 SWEET. OR SAVORY, ACTUALLY. 387 00:16:57,487 --> 00:17:00,450 SO... HOW WAS YOUR DAY? 388 00:17:00,450 --> 00:17:05,455 I HAD A TRULY GREAT DAY. I GOT PULLED OUT OF CLASS 389 00:17:05,455 --> 00:17:07,457 AND CALLED TO THE VICE PRINCIPAL'S OFFICE. 390 00:17:07,457 --> 00:17:10,260 WHY? WHAT DID SHE WANT? YOU. 391 00:17:10,260 --> 00:17:12,302 HERE'S HER NUMBER. HER NUMBER? 392 00:17:12,302 --> 00:17:14,464 OH, AND MY GERMAN TEACHER, FRAULEIN SONNENBERG, 393 00:17:14,464 --> 00:17:16,466 WANTED ME TO TELL YOU, AUF DEUTSCH, 394 00:17:16,466 --> 00:17:18,438 "DU HAST SEX-APPEAL." 395 00:17:18,438 --> 00:17:21,711 SHE'S TWO YEARS FROM ORDERING OFF THE SENIOR MENU, 396 00:17:21,711 --> 00:17:24,314 BUT HERE'S HER NUMBER, TOO. FRAULEIN SONNENBERG? 397 00:17:24,314 --> 00:17:27,347 TOO OLD? THAT'S OKAY 'CAUSE MY FRIEND SLOAN 398 00:17:27,347 --> 00:17:29,379 THINKS YOU'RE "REAL CHOICE." 399 00:17:29,379 --> 00:17:32,282 SHE'S 17, BUT SHE'LL BE LEGAL IN 3 MONTHS. 400 00:17:32,282 --> 00:17:36,055 HEY. MAYBE WE COULD DOUBLE. OH, YOU HATE ME A LITTLE BIT RIGHT NOW, DON'T YOU? 401 00:17:36,055 --> 00:17:39,129 JUST A LITTLE. WHAT DID BECKETT SAY? 402 00:17:39,129 --> 00:17:41,131 OH, I'M SURE SHE'LL BE FINE WITH IT. 403 00:17:41,131 --> 00:17:43,263 MAYBE EVEN A LITTLE FLATTERED. 404 00:17:43,263 --> 00:17:45,135 (fork clatters) 405 00:17:45,135 --> 00:17:46,396 FLATTERED? 406 00:17:46,396 --> 00:17:49,299 I WAS GONNA... 407 00:17:49,299 --> 00:17:51,571 EAT THAT. 408 00:17:51,571 --> 00:17:53,343 (whirring) 409 00:17:53,343 --> 00:17:57,347 (Castle) 10:15. MICKEY'S A NO-SHOW. (Beckett) PATIENCE, CASTLE. 410 00:17:57,347 --> 00:18:00,350 HEY, HAVE YOU EVER HEARD OF DRAGO? YEAH. 411 00:18:00,350 --> 00:18:02,712 IT'S ON THE "LEDGER'S" TOP TEN MOST ROMANTIC RESTAURANTS. 412 00:18:02,712 --> 00:18:05,715 IT'S PRICEY AND IMPOSSIBLE TO GET A TABLE, 413 00:18:05,715 --> 00:18:07,357 UNLESS YOU KNOW SOMEONE. 414 00:18:07,357 --> 00:18:09,159 WHY? 415 00:18:09,159 --> 00:18:11,161 JUST LOOKING FOR A PLACE TO GO. 416 00:18:11,161 --> 00:18:14,224 WHAT, LIKE ON A DATE? YES, ON A DATE. 417 00:18:14,224 --> 00:18:16,466 WHY DO YOU SOUND SO SURPRISED? NO, I-- 418 00:18:16,466 --> 00:18:19,369 NO, I JUST, UH, NEVER FIGURED YOU FOR A DRAGO KIND OF GIRL. 419 00:18:19,369 --> 00:18:22,632 REALLY? AND WHAT KIND OF A GIRL DO YOU FIGURE ME FOR, CASTLE? 420 00:18:22,632 --> 00:18:24,304 I... IT-- 421 00:18:24,304 --> 00:18:26,136 OH! THERE'S YOUR BOY. 422 00:18:27,607 --> 00:18:29,879 MICKEY CARLSON, I'M--HEY! 423 00:18:29,879 --> 00:18:31,341 HEY! 424 00:18:31,341 --> 00:18:33,143 (forklift beeping) 425 00:18:33,143 --> 00:18:35,215 (brakes squeal) (grunts) 426 00:18:35,215 --> 00:18:37,387 (grunts) MICKEY CARLSON... 427 00:18:37,387 --> 00:18:40,290 OH! YOU'RE UNDER ARREST FOR THE MURDER OF DOUGLASS BISHOP. 428 00:18:47,397 --> 00:18:49,399 THIS IS THE KETAMINE THAT YOU USED TO KILL DOUG BISHOP. 429 00:18:49,399 --> 00:18:53,163 WHOA. NO, NO, THAT'S NOT MINE. PRETTY SMART NOT USING THE GUN, MICKEY. 430 00:18:53,163 --> 00:18:56,336 THAT WOULD'VE BEEN TOO MESSY. THAT'S NOT MY GUN. LOOK, I DIDN'T KILL ANYBODY. I SWEAR. 431 00:18:56,336 --> 00:18:59,509 I'M NOT A CRIMINAL, ALL RIGHT? I WAS JUST SQUATTING THERE. WELL, TECHNICALLY, SQUATTING IS A CRIME. 432 00:18:59,509 --> 00:19:02,542 YEAH, A VICTIMLESS CRIME, ESPECIALLY THE WAY I DO IT. 433 00:19:02,542 --> 00:19:04,774 IF YOU DIDN'T KILL DOUG BISHOP, 434 00:19:04,774 --> 00:19:07,917 THEN HOW DID HE END UP DEAD IN THE DYSONS' APARTMENT? THE GUY FROM THE MAITLANDS' APARTMENT 435 00:19:07,917 --> 00:19:11,381 MUST HAVE KILLED HIM. AND WHO ARE THE MAITLANDS? 436 00:19:11,381 --> 00:19:14,384 THE PEOPLE WHOSE APARTMENT I STAYED IN BEFORE THE DYSONS. OKAY, WHY DON'T YOU START FROM THE BEGINNING, 437 00:19:14,384 --> 00:19:17,757 AND TAKE US THROUGH IT FROM THERE? THE MAITLANDS PUT A WEEK HOLD ON THEIR PAPER, 438 00:19:17,757 --> 00:19:21,291 WHICH I WAS PSYCHED ABOUT, 'CAUSE THEY LIVE ON EAST 27th, 439 00:19:21,291 --> 00:19:23,263 WHICH HAS AMAZING INDIAN RESTAURANTS. 440 00:19:23,263 --> 00:19:25,695 SO I PICK THE LOCK, I START TAKING PICTURES 441 00:19:25,695 --> 00:19:27,937 SO I CAN RETURN EVERYTHING TO ITS ORIGINAL STATE. 442 00:19:27,937 --> 00:19:30,300 I'M TAKING PICTURES WHEN I FIND THESE SYRINGES ON THE TABLE. 443 00:19:30,300 --> 00:19:32,902 KINDA WEIRD, BUT I'M THINKING, MAYBE ONE OF THE MAITLANDS 444 00:19:32,902 --> 00:19:35,345 MUST BE DIABETIC OR SOMETHING, RIGHT? 445 00:19:35,345 --> 00:19:37,747 SO I KEEP GOING. THEN BAM--IT HITS ME. 446 00:19:37,747 --> 00:19:39,949 WHAT'S A GUN WITH A SILENCER DOING OUT ON THE BED? 447 00:19:39,949 --> 00:19:42,352 AND NEXT TO IT, I SEE ALL THIS GEAR. GEAR? 448 00:19:42,352 --> 00:19:43,713 MOUNTAIN CLIMBING EQUIPMENT. 449 00:19:43,713 --> 00:19:46,416 AT THIS POINT, I SEEN ENOUGH. I DECIDE TO GET OUTTA THERE. 450 00:19:46,416 --> 00:19:48,418 BUT JUST AS I'M GRABBING MY STUFF, 451 00:19:48,418 --> 00:19:49,759 I HEAR THE DOOR UNLOCK. 452 00:19:49,759 --> 00:19:51,891 AND I BARELY REACH THE CLOSET IN TIME. 453 00:19:51,891 --> 00:19:54,664 I COULD SEE 'EM THROUGH THE SLATS. IT WAS THREE OF 'EM. 454 00:19:54,664 --> 00:19:57,267 IT WAS, UH, THIS GUY, A PLAIN-LOOKING DUDE 455 00:19:57,267 --> 00:19:58,728 AND TOUGH-LOOKING S.O.B. 456 00:19:58,728 --> 00:20:01,801 MAN, HE HAD A SCAR ON HIS FACE LOOKED LIKE A CRESCENT MOON. 457 00:20:01,801 --> 00:20:03,303 A CRESCENT MOON? 458 00:20:03,303 --> 00:20:05,235 I KNOW, RIGHT? IT'S CRAZY. 459 00:20:05,235 --> 00:20:07,407 ANYWAY, THEY HEAD INTO THE BACK. 460 00:20:07,407 --> 00:20:08,708 I TAKE THE OPPORTUNITY 461 00:20:08,708 --> 00:20:11,341 TO GRAB MY STUFF AND GET THE HELL OUTTA THERE. 462 00:20:11,341 --> 00:20:13,713 I END UP AT THE DYSONS'. TAKE A LOAD OFF, I GET COMFORTABLE, 463 00:20:13,713 --> 00:20:15,715 WHEN OUTTA NOWHERE, THE FRONT DOOR OPENS, 464 00:20:15,715 --> 00:20:18,448 AND HIM AND HIS FRIEND COME IN. WHO, CRESCENT-MOON SCAR FACE? 465 00:20:18,448 --> 00:20:20,550 NO, THE--THE OTHER GUY. THE PLAIN ONE. 466 00:20:20,550 --> 00:20:23,623 THEY GRAB ME AND DEMAND THAT I GIVE THEM THEIR PHONE BACK. 467 00:20:23,623 --> 00:20:26,996 THEIR PHONE? ARE YOU MAKING THIS UP AS YOU GO? 468 00:20:26,996 --> 00:20:29,659 NO, NO, NO, SEE, IN MY RACE TO GET OUT OF THE MAITLANDS', 469 00:20:29,659 --> 00:20:32,302 I MUST HAVE GRABBED ONE OF THEIR JACKETS, 470 00:20:32,302 --> 00:20:35,305 WHICH HAD THEIR PHONE IN IT, BUT I DON'T KNOW HOW THEY KNEW. 471 00:20:35,305 --> 00:20:37,937 NEWER PHONES HAVE GPS. THEY COULD TRACK IT ON THE WEB. HUH? 472 00:20:37,937 --> 00:20:40,640 WELL, I DIDN'T WANT THEIR PHONE AND I TRIED TO GIVE IT BACK. 473 00:20:40,640 --> 00:20:43,673 THE GUY PULLS OUT A SYRINGE AND IS READY TO STAB ME WITH IT. 474 00:20:43,673 --> 00:20:45,475 BUT THANK GOD FOR DOUG. OH, MAN. 475 00:20:45,475 --> 00:20:47,577 DOUG SAYS, "I DIDN'T SIGN UP FOR MURDER." 476 00:20:47,577 --> 00:20:50,680 THEN THEY START ARGUING, AND THEN THE SYRINGE GUY SAYS, 477 00:20:50,680 --> 00:20:54,324 "WE'VE GOT 3 MIL ON THE LINE. HE'S SEEN TOO MUCH." 478 00:20:54,324 --> 00:20:56,326 NEXT THING I KNOW, THEY'RE FIGHTING. 479 00:20:56,326 --> 00:20:59,329 SO I RAN OUTTA THERE. (Castle) I'M JUST SAYING, 480 00:20:59,329 --> 00:21:01,391 IT'S A REALLY GOOD STORY. COME ON. 481 00:21:01,391 --> 00:21:03,563 MYSTERIOUS BAD GUYS, CRESCENT-SHAPED SCARS, 482 00:21:03,563 --> 00:21:07,266 HIDING IN A CLOSET? IT SOUNDS LIKE FICTION BECAUSE IT PROBABLY IS. 483 00:21:07,266 --> 00:21:09,369 WELL, THAT'S TOO BAD. HE'S A NICE GUY. 484 00:21:09,369 --> 00:21:10,870 SO WAS JEFFREY DAHMER. 485 00:21:10,870 --> 00:21:12,942 DIDN'T STOP HIM FROM EATING PEOPLE. 486 00:21:12,942 --> 00:21:16,406 WHERE ARE WE ON THESE MAITLANDS? THEY'RE ON A CRUISE SHIP, BUT WE'RE GETTING 487 00:21:16,406 --> 00:21:18,908 THE SHIP'S SECURITY TO TRACK 'EM DOWN RIGHT NOW. ALL RIGHT, HAVE 'EM TRACK FASTER. 488 00:21:18,908 --> 00:21:21,351 I NEED THEIR PERMISSION TO GET INTO THE PLACE. CAN'T WE JUST GET A WARRANT? 489 00:21:21,351 --> 00:21:24,013 ON THE WORD OF A POSSIBLE MURDER SUSPECT? 490 00:21:24,013 --> 00:21:26,386 NOT EXACTLY PROBABLE CAUSE. 491 00:21:26,386 --> 00:21:28,388 BUT ONCE WE DISPROVE MR. CARLSON'S STORY, 492 00:21:28,388 --> 00:21:30,990 WE'LL BE ABLE TO PRESS CHARGES FOR MURDER. (cell phone rings) 493 00:21:30,990 --> 00:21:32,362 (beeps) 494 00:21:32,362 --> 00:21:34,424 BECKETT. 495 00:21:34,424 --> 00:21:37,427 OH, HI, BRAD. 496 00:21:37,427 --> 00:21:40,470 UH, UH, NO. NO, NO, NO, IT'S NOT TOO LAST-MINUTE. 497 00:21:40,470 --> 00:21:42,772 ACTUALLY, MY PLANS FOR TONIGHT JUST FELL THROUGH. 498 00:21:42,772 --> 00:21:44,634 WHO'S BRAD? (laughs) 499 00:21:44,634 --> 00:21:46,636 MM. MUST BE LANIE'S FRIEND. 500 00:21:46,636 --> 00:21:48,338 YOU KNOW HIM? 501 00:21:48,338 --> 00:21:50,440 YEAH, MET HIM ONCE. GOOD GUY. 502 00:21:50,440 --> 00:21:52,882 FIREMAN. I COULD BE THERE IN A COUPLE OF HOURS. 503 00:21:52,882 --> 00:21:55,985 HE WAS IN THE F.D.N.Y. CALENDAR. CHISELED GOOD LOOKS. 504 00:21:55,985 --> 00:21:57,747 ROCK-HARD ABS. 505 00:21:57,747 --> 00:22:00,550 OH, AND GET THIS-- ONCE DURING A FIRE, 506 00:22:00,550 --> 00:22:02,792 AFTER SAVING THE PARENTS AND THE KIDS, 507 00:22:02,792 --> 00:22:05,995 HE WENT BACK IN FOR THE PUPPIES. 508 00:22:05,995 --> 00:22:08,097 SEE YOU THEN. DID SHE JUST FLIP HER HAIR? 509 00:22:08,097 --> 00:22:10,430 (laughs) I'M TELLING YOU, BRO, PUPPIES... 510 00:22:10,430 --> 00:22:12,732 GETS 'EM EVERY TIME. PUPPIES. 511 00:22:12,732 --> 00:22:14,634 (cell phone beeps) 512 00:22:17,437 --> 00:22:19,369 (Ryan) YES, MR. MAITLAND? WHAT? 513 00:22:19,369 --> 00:22:22,111 YOU'RE SMILING. SO? 514 00:22:22,111 --> 00:22:24,844 GOOD-BYE. HEY. WE GOT THE MAITLANDS. 515 00:22:24,844 --> 00:22:28,418 WE'RE GOOD TO ENTER. THEY'RE CALLING THE SUPER RIGHT NOW. OKAY, LET'S GO. 516 00:22:31,451 --> 00:22:34,484 (Ryan) WAIT HERE, PLEASE. 517 00:22:37,827 --> 00:22:40,890 WE'LL CHECK THE BACK. OKAY. 518 00:22:46,135 --> 00:22:47,837 WELL, SURPRISE, SURPRISE. 519 00:22:47,837 --> 00:22:50,940 NOTHING HERE TO VERIFY MICKEY'S VERSION. 520 00:22:50,940 --> 00:22:53,573 OH, WOW. LOOK AT THIS. 521 00:22:53,573 --> 00:22:55,445 DID YOU FIND SOMETHING? 522 00:22:55,445 --> 00:22:57,607 YEAH, IT'S AN OLD-FASHIONED DUMBWAITER. 523 00:22:57,607 --> 00:22:59,378 YOU DON'T SEE THESE AROUND ANYMORE. 524 00:22:59,378 --> 00:23:01,551 GENIUS, TOO. THE MAITLANDS HAVE CONVERTED IT 525 00:23:01,551 --> 00:23:03,853 INTO A HIDDEN STEREO COMPONENT CUPBOARD. 526 00:23:03,853 --> 00:23:07,116 I BET THEY HAVE AN R.F. REMOTE SOMEWHERE. WE'RE NOT HERE TO ADMIRE THE PLACE, CASTLE. 527 00:23:07,116 --> 00:23:10,389 HOW CAN YOU NOT? I MEAN, LOOK AT THIS PLACE. 528 00:23:10,389 --> 00:23:12,892 THIS APARTMENT IS PREWAR, LATE 1800s. 529 00:23:12,892 --> 00:23:14,393 OH, YOU SEE THIS MOLDING? 530 00:23:14,393 --> 00:23:16,926 THAT IS THE ORIGINAL WOOD. GORGEOUS. 531 00:23:16,926 --> 00:23:19,899 I BET THE BATHROOMS HAVE MARBLE WAINSCOTING. 532 00:23:19,899 --> 00:23:22,101 (laughs) YOU'RE SUCH A METROSEXUAL. 533 00:23:22,101 --> 00:23:24,934 YES. WELL, BETTER THAN BEING A PINUP BOY. 534 00:23:24,934 --> 00:23:27,076 SO YOU HEARD? AND IT'S PINUP MAN, CASTLE. 535 00:23:27,076 --> 00:23:28,938 PINUP... MAN. 536 00:23:28,938 --> 00:23:30,910 YES. WELL, HAVE FUN WITH YOUR HOSE JOCKEY 537 00:23:30,910 --> 00:23:32,912 WHILST I GO OUT WITH NUEVO YORK'S 538 00:23:32,912 --> 00:23:34,584 MOST ELIGIBLE BACHELORETTE NUMBER 3. 539 00:23:34,584 --> 00:23:37,186 OH, I GUESS THAT MEANS SHE MUST BE SLUMMING IT, 540 00:23:37,186 --> 00:23:40,149 HER BEING NUMBER 3 AND YOU BEING A LOWLY NUMBER 9. 541 00:23:40,149 --> 00:23:42,752 WHAT NUMBER WERE YOU AGAIN? OH. 542 00:23:42,752 --> 00:23:44,454 PLACE IS CLEAR. 543 00:23:44,454 --> 00:23:47,557 NO GUN, NO KETAMINE, NO MOUNTAIN CLIMBING EQUIPMENT. 544 00:23:47,557 --> 00:23:49,158 THERE IS NOTHING HERE. 545 00:23:49,158 --> 00:23:50,830 YES, THERE IS. 546 00:23:50,830 --> 00:23:52,732 AN ICEBOX, CIRCA LATE 1800s. 547 00:23:52,732 --> 00:23:55,465 YOU SEE, BEFORE THE INVENTION 548 00:23:55,465 --> 00:23:56,906 OF MODERN HOUSEHOLD REFRIGERATION, 549 00:23:56,906 --> 00:23:59,909 PEOPLE USED TO KEEP THEIR PERISHABLE ITEMS IN A BOX 550 00:23:59,909 --> 00:24:01,841 THAT HELD ICE. 551 00:24:01,841 --> 00:24:05,114 HENCE--AN ICEBOX. IT'S NOT AN OPEN HOUSE, CASTLE. 552 00:24:05,114 --> 00:24:07,116 OH, THE MAITLANDS WERE VERY CLEVER. 553 00:24:07,116 --> 00:24:09,849 THEY CONVERTED THIS INTO A CUPBOARD. 554 00:24:09,849 --> 00:24:12,752 MEANWHILE, IT'S RIGHT NEXT TO THEIR FRIDGE--AAH! 555 00:24:12,752 --> 00:24:17,186 OOH! (clears throat) 556 00:24:17,186 --> 00:24:20,960 I DID NOT EXPECT THAT. CRESCENT-SHAPED SCAR. 557 00:24:20,960 --> 00:24:24,133 LOOKS LIKE THERE WAS SOME TRUTH TO MICKEY'S TALE AFTER ALL. 558 00:24:34,604 --> 00:24:37,146 (Ryan) HIS NAME IS ANTON FRANCIS. MR. FRANCIS HERE, 559 00:24:37,146 --> 00:24:39,809 NOT WANTING TO WASTE SUCH A SINISTER LOOKING SCAR 560 00:24:39,809 --> 00:24:41,681 DECIDE TO ROUND OUT THE STEREOTYPE 561 00:24:41,681 --> 00:24:43,683 WITH A LAUNDRY LIST OF CRIMINAL ACTIVITY, 562 00:24:43,683 --> 00:24:45,084 INCLUDING FENCING STOLEN PROPERTY, 563 00:24:45,084 --> 00:24:47,587 STICKUPS AND A SMASH AND GRAB. 564 00:24:47,587 --> 00:24:50,520 DO WE HAVE TIME OF DEATH? YES, BETWEEN 1:00 AND 4:00 A.M. THIS MORNING, 565 00:24:50,520 --> 00:24:52,922 WHICH RULES OUT MICKEY CARLSON. 566 00:24:52,922 --> 00:24:55,695 WE VERIFIED THAT HE STAYED IN A HOMELESS SHELTER LAST NIGHT. SO IF MICKEY WAS TELLING US THE TRUTH, 567 00:24:55,695 --> 00:24:57,527 THEN DOUG AND MR. FRANCIS 568 00:24:57,527 --> 00:25:00,169 CLEARLY GOT MORE THAN THEY BARGAINED FOR. 569 00:25:00,169 --> 00:25:02,231 ALL BY THE MURDEROUS HAND OF THEIR PARTNER-- 570 00:25:02,231 --> 00:25:04,233 THE GUY WHO KILLED DOUG WITH THE SYRINGE-- 571 00:25:04,233 --> 00:25:06,606 OUR MYSTERIOUS 3rd MAN. LET'S GET PHOTOS OF 572 00:25:06,606 --> 00:25:08,908 ALL OF ANTON'S KNOWN ASSOCIATES AND FORMER CELL MATES. 573 00:25:08,908 --> 00:25:10,940 IF MICKEY SAW HIS FACE, 574 00:25:10,940 --> 00:25:14,113 HE SHOULD BE ABLE TO I.D. HIM FOR US. SO HOW DOES A MAN LIKE DOUGLASS BISHOP-- 575 00:25:14,113 --> 00:25:15,685 WITH NO CRIMINAL RECORD-- 576 00:25:15,685 --> 00:25:17,516 GET INVOLVED WITH HARDENED CRIMINALS? 577 00:25:17,516 --> 00:25:19,518 SIMPLE. THEY NEEDED HIM. 578 00:25:19,518 --> 00:25:21,921 IT SEEMED CONVENIENT TO ME THAT THE MAITLANDS WERE OUT OF TOWN 579 00:25:21,921 --> 00:25:24,223 WHEN ALL THIS WENT DOWN, SO I DID SOME DIGGING. 580 00:25:24,223 --> 00:25:26,225 TURNS OUT THAT CRUISE THEY'RE ON, 581 00:25:26,225 --> 00:25:28,227 THEY WON IT IN A CONTEST. 582 00:25:28,227 --> 00:25:30,600 ONLY THERE IS NO CONTEST. 583 00:25:30,600 --> 00:25:32,101 A PHONY AWARD LETTER? 584 00:25:32,101 --> 00:25:34,103 YEAH, WHEN THEY GOT THAT AND THE TICKETS, 585 00:25:34,103 --> 00:25:37,567 THEY FIGURED, WHY LOOK A GIFT HORSE IN THE MOUTH. 586 00:25:37,567 --> 00:25:40,039 SO GUESS WHERE THE TICKETS CAME FROM. DOUG BISHOP'S TRAVEL AGENCY. 587 00:25:40,039 --> 00:25:41,911 SO THE CRUISE WAS JUST A SCAM 588 00:25:41,911 --> 00:25:43,913 TO GET THE MAITLANDS OUT OF TOWN. 589 00:25:43,913 --> 00:25:46,075 THE LETTER SAYS THAT THE CRUISE HAD TO BE THIS WEEK. 590 00:25:46,075 --> 00:25:48,077 WHY THIS WEEK? AND WHY THE MAITLANDS? 591 00:25:48,077 --> 00:25:50,549 WELL, UNLESS OUR BAD GUYS ARE INTO PREWAR ARCHITECTURE, 592 00:25:50,549 --> 00:25:52,551 THERE'S REALLY NOTHING IN THAT APARTMENT THAT'S WORTH ANYTHING 593 00:25:52,551 --> 00:25:54,123 EXCEPT FOR THE AUDIO/VISUAL EQUIPMENT, 594 00:25:54,123 --> 00:25:56,125 WHICH WAS STILL THERE. WHY GO THROUGH SO MUCH TROUBLE 595 00:25:56,125 --> 00:25:57,887 TO GET IN THE MAITLANDS' APARTMENT? 596 00:25:57,887 --> 00:26:00,890 MAYBE WHAT THEY WANTED WASN'T IN THE MAITLANDS' APARTMENT. 597 00:26:00,890 --> 00:26:03,092 MAYBE THEY WERE GONNA ROB SOMEONE ELSE, 598 00:26:03,092 --> 00:26:05,094 BUT JUST NEEDED ACCESS. 599 00:26:05,094 --> 00:26:08,137 THE AUDIO/VISUAL EQUIPMENT. 600 00:26:08,137 --> 00:26:10,169 ACCESS. 601 00:26:10,169 --> 00:26:13,272 THE MAITLANDS LIVE ON THE SECOND FLOOR. 602 00:26:13,272 --> 00:26:16,275 RUNNING PERPENDICULAR TO THEM AND WHATEVER'S BELOW 603 00:26:16,275 --> 00:26:18,207 IS THE OLD DUMBWAITER SHAFT. 604 00:26:18,207 --> 00:26:20,309 IN "GATHERING STORM," I HAD DERRICK STORM 605 00:26:20,309 --> 00:26:23,683 CLIMB UP THE DUMBWAITER SHAFT TO BYPASS THE CZECH ASSASSIN 606 00:26:23,683 --> 00:26:25,685 IN ORDER TO SAVE THE SWISS AMBASSADOR'S DAUGHTER. 607 00:26:25,685 --> 00:26:28,357 MAYBE OUR BAD GUYS ARE USING THE DUMBWAITER 608 00:26:28,357 --> 00:26:31,260 TO BYPASS THE SECURITY OF WHATEVER'S BELOW THEM. 609 00:26:31,260 --> 00:26:33,623 WHICH WOULD EXPLAIN THE ROPES AND THE CLIMBING GEAR. 610 00:26:33,623 --> 00:26:35,725 SO WHAT'S BELOW THE MAITLANDS' APARTMENT? 611 00:26:35,725 --> 00:26:38,367 (Castle) A PET SHOP. 612 00:26:38,367 --> 00:26:41,200 WHY DON'T YOU COME DOWN AND HAVE A LOOK AT THEM? 613 00:26:41,200 --> 00:26:44,203 I HAVE THE LARGEST SELECTION OF REPTILES IN THE CITY. 614 00:26:44,203 --> 00:26:46,105 THEY'RE MY SPECIALTY. 615 00:26:46,105 --> 00:26:47,707 MY PLEASURE. 616 00:26:47,707 --> 00:26:50,609 OKAY. THANK YOU. BYE-BYE. 617 00:26:50,609 --> 00:26:54,213 AH, HOW IS IT? CAN I, UH, CAN I HELP YOU? 618 00:26:54,213 --> 00:26:56,215 AND YOU'RE SURE NOTHING WAS STOLEN? 619 00:26:56,215 --> 00:26:59,248 YA. I MEAN, WHAT IS THERE TO STEAL? 620 00:27:01,190 --> 00:27:03,292 THIS DUMBWAITER HAS BEEN OPENED RECENTLY. 621 00:27:03,292 --> 00:27:05,224 IT WAS OPEN? 622 00:27:05,224 --> 00:27:08,227 MICKEY TOLD US HIS ATTACKER SAID THERE WAS MILLIONS AT STAKE. 623 00:27:08,227 --> 00:27:12,161 MR. du PREEZ, WHAT'S ON THE OTHER SIDE OF THAT WALL? 28th STREET. EASTSIDE BANK AND TRUST. 624 00:27:12,161 --> 00:27:13,703 (Castle) A BANK HEIST. 625 00:27:13,703 --> 00:27:16,235 IT LOOKS LIKE THE PLAN WAS TO CUT INTO THE BACK WALL 626 00:27:16,235 --> 00:27:18,407 TO GET INTO THE BANK VAULT ON THE OTHER SIDE. 627 00:27:18,407 --> 00:27:20,409 WE CALLED THE BANK MANAGER, THE FBI, 628 00:27:20,409 --> 00:27:24,043 BUT OUR GUYS NEVER MADE IT THAT FAR. WHAT WENT WRONG? 629 00:27:24,043 --> 00:27:26,015 WE DON'T KNOW. IT COULD'VE BEEN GREED, PANIC. 630 00:27:26,015 --> 00:27:28,748 IT LOOKS LIKE OUR VICTIMS MIGHT HAVE BEEN BETRAYED 631 00:27:28,748 --> 00:27:31,050 BY THEIR PARTNER. IN THE OLD DAYS, 632 00:27:31,050 --> 00:27:33,352 YOU KILLED YOUR PARTNERS AFTER YOU GOT THE MONEY. 633 00:27:33,352 --> 00:27:36,355 ANY LEADS ON THIS, UH, THIRD MAN? NO. WE HAD OUR SQUATTER TAKE A LOOK AT MUG SHOTS 634 00:27:36,355 --> 00:27:38,728 OF ANTON FRANCIS' ASSOCIATES, AND WE DIDN'T FIND HIM. 635 00:27:38,728 --> 00:27:40,730 WHAT IF THE CONNECTION TO THE THIRD MAN 636 00:27:40,730 --> 00:27:42,431 ISN'T THROUGH SCAR FACE? 637 00:27:42,431 --> 00:27:45,134 WHAT IF IT'S THROUGH DOUG? THE TRAVEL AGENT? I THOUGHT WE WENT THROUGH HIM. 638 00:27:45,134 --> 00:27:47,937 WE DID. WE CHECKED HIS FAMILY, HIS FRIENDS, HIS COWORKERS. 639 00:27:47,937 --> 00:27:49,268 BUT NOT HIS CLIENTS. 640 00:27:49,268 --> 00:27:51,240 THINK ABOUT IT. MAYBE THAT'S IT. 641 00:27:51,240 --> 00:27:54,073 THE THIRD MAN BOOKS A TRIP THROUGH DOUG. 642 00:27:54,073 --> 00:27:56,345 DOUG STARTS TALKING, TELLS HIM ABOUT HIS DREAM 643 00:27:56,345 --> 00:27:58,347 OF OWNING A SCUBA SHOP IN THE ISLANDS. 644 00:27:58,347 --> 00:28:01,811 THE THIRD MAN SENSES HIS FRUSTRATION. THAT'S HIS IN. 645 00:28:01,811 --> 00:28:04,183 HE TELLS DOUG IT'LL BE EASY. 646 00:28:04,183 --> 00:28:07,316 IT'S A VICTIMLESS CRIME, NOBODY WILL GET HURT, 647 00:28:07,316 --> 00:28:08,818 INSURANCE WILL PAY, 648 00:28:08,818 --> 00:28:11,290 KNOWING THE WHOLE TIME, IF THE POLICE INVESTIGATE, 649 00:28:11,290 --> 00:28:14,693 THEY'LL TRACK THE TICKETS BACK THROUGH TO DOUG, NOT TO HIM. 650 00:28:14,693 --> 00:28:17,466 THE THIRD MAN REMAINS INVISIBLE SO LONG AS DOUG IS DEAD. THAT ALMOST MAKES SENSE. 651 00:28:17,466 --> 00:28:20,699 LET'S RUN DOUG'S CLIENT LIST FOR THE PAST SIX MONTHS. 652 00:28:20,699 --> 00:28:23,332 IF ANYTHING POPS, WE'LL SHOW IT TO MICKEY. OKAY. 653 00:28:23,332 --> 00:28:27,306 YOU KNOW, MAYBE I SHOULD CANCEL TONIGHT. YOU'RE GONNA CANCEL ON THE GUY 654 00:28:27,306 --> 00:28:30,309 THAT RISKED HIS LIFE FOR A BUNCH OF PUPPIES? SIR, YOU KNOW ABOUT MY DATE? 655 00:28:30,309 --> 00:28:32,381 YES, AND--AND DESPITE WHAT YOU MIGHT THINK, 656 00:28:32,381 --> 00:28:33,983 THE WORLD'S NOT GONNA END 657 00:28:33,983 --> 00:28:36,315 JUST BECAUSE YOU DISAPPEAR FOR A NIGHT. 658 00:28:36,315 --> 00:28:39,819 AND IF IT DOES, I'M SURE THAT THOSE TWO CAN HANDLE IT. 659 00:28:39,819 --> 00:28:42,792 YEAH. GO AHEAD. YEAH, I NEED THE OVERTIME. 660 00:28:42,792 --> 00:28:46,295 OKAY, BUT CALL ME IF ANYTHING TURNS UP. YEAH, YEAH, YEAH, YEAH. HAVE FUN. 661 00:28:46,295 --> 00:28:50,229 YOU SEE HOW READY SHE WAS TO CANCEL ON THAT DATE? 662 00:28:50,229 --> 00:28:53,362 WHAT'S IT TO YOU, CASTLE? YEAH, WHY DO YOU CARE? 663 00:28:53,362 --> 00:28:55,935 I'M JUST SAYIN'. LOOK OUT 'CAUSE, UH... 664 00:28:57,236 --> 00:29:00,169 (Tim Hanauer's "Dream a Better Way" playing) 665 00:29:00,169 --> 00:29:02,271 NEITHER OF THOSE. 666 00:29:02,271 --> 00:29:03,412 HMM? 667 00:29:03,412 --> 00:29:06,876 MM. LOOK. 668 00:29:06,876 --> 00:29:09,278 OH, YOU'RE GOOD. 669 00:29:09,278 --> 00:29:11,280 HEY... 670 00:29:11,280 --> 00:29:15,354 I KNOW THAT THIS CAN BE WEIRD FOR YOU, 671 00:29:15,354 --> 00:29:18,087 HOW PARENTS AREN'T SUPPOSED TO DATE. I KNOW YOU DATE, DAD. 672 00:29:18,087 --> 00:29:20,089 I KNOW YOU PROBABLY DO OTHER THINGS 673 00:29:20,089 --> 00:29:22,091 THAT I AM NOT GOING TO THINK ABOUT, 674 00:29:22,091 --> 00:29:24,093 AND THAT WE'LL NEVER, EVER MENTION. 675 00:29:24,093 --> 00:29:26,535 FAIR ENOUGH. SO... WHAT'S WRONG? 676 00:29:26,535 --> 00:29:28,237 I DON'T KNOW. 677 00:29:28,237 --> 00:29:30,239 I MEAN, I'M NOT GONNA BE HERE FOREVER. 678 00:29:30,239 --> 00:29:32,241 AND THEN WHO'S GONNA LOOK AFTER YOU THEN, 679 00:29:32,241 --> 00:29:33,542 BACHELORETTE NUMBER 3? 680 00:29:33,542 --> 00:29:36,245 (laughs) SLOW DOWN THERE. 681 00:29:36,245 --> 00:29:38,247 LET'S NOT GO BUYING RINGS ANYTIME SOON. 682 00:29:38,247 --> 00:29:40,249 IT'S JUST A DATE. I KNOW. 683 00:29:40,249 --> 00:29:43,212 AND SHE SEEMS NICE AND ALL, BUT... IF THAT'S WHO YOU DATE, 684 00:29:43,212 --> 00:29:45,214 I MEAN, ARE YOU REALLY GONNA FIND HAPPINESS 685 00:29:45,214 --> 00:29:48,317 WITH THE KIND OF PERSON WHO'S A NUMBER ON A LIST? WELL, I ALREADY HAVE. 686 00:29:48,317 --> 00:29:51,220 YOU'RE NUMBER ONE ON MINE. 687 00:29:51,220 --> 00:29:53,222 LOOK, IT'S MY JOB TO WORRY ABOUT YOU, 688 00:29:53,222 --> 00:29:55,064 NOT THE OTHER WAY AROUND. 689 00:29:55,064 --> 00:29:57,226 I'LL BE FINE. YEAH. 690 00:29:57,226 --> 00:30:00,399 THAT'S WHAT YOU SAID WHEN YOU TRIED TO DEEP-FRY A TURKEY. 691 00:30:00,399 --> 00:30:02,801 AND WE ALL KNOW HOW THAT TURNED OUT. 692 00:30:02,801 --> 00:30:05,134 I JUST DON'T WANT YOU TO GET HURT... 693 00:30:05,134 --> 00:30:08,337 OR BURN YOUR EYEBROWS OFF... AGAIN. 694 00:30:08,337 --> 00:30:12,381 ♪♪ 695 00:30:12,381 --> 00:30:14,583 I'M GLAD THEY GREW BACK. 696 00:30:14,583 --> 00:30:17,046 THEY'RE FINALLY MATCHING. 697 00:30:17,046 --> 00:30:19,018 (chuckles) 698 00:30:23,893 --> 00:30:26,956 I'VE HEARD THIS PLACE IS IMPOSSIBLE TO GET INTO. 699 00:30:26,956 --> 00:30:28,557 EXCUSE ME. 700 00:30:28,557 --> 00:30:30,559 RICKY. FRANKIE! COME HERE. 701 00:30:30,559 --> 00:30:33,102 IT'S NICE TO SEE YOU AGAIN. AND YOU. 702 00:30:33,102 --> 00:30:35,104 UM, YOUR TABLE WILL BE READY MOMENTARILY. 703 00:30:35,104 --> 00:30:37,166 CASTLE? 704 00:30:38,507 --> 00:30:41,170 BECKETT? 705 00:30:50,119 --> 00:30:52,551 I TAKE IT YOU TWO KNOW EACH OTHER? UH, YEAH. 706 00:30:52,551 --> 00:30:57,256 BRAD, THIS IS RICHARD CASTLE. WE WORK TOGETHER. UH, AMANDA, THIS IS KATE BECKETT. WE WORK TOGETHER. 707 00:30:57,256 --> 00:30:58,627 HI. NICE TO MEET YOU. 708 00:30:58,627 --> 00:31:01,060 AH. WHAT ARE YOU DOING HERE? 709 00:31:01,060 --> 00:31:04,063 YOU KNEW THAT I WAS COMING HERE. I KNEW YOU WANTED TO COME HERE. 710 00:31:04,063 --> 00:31:06,966 I DIDN'T THINK YOU COULD GET A TABLE LAST-MINUTE. YOU GOT A TABLE LAST-MINUTE. 711 00:31:06,966 --> 00:31:10,369 YEAH. I'VE GOT CONNECTIONS. SO DO I. CITY HEALTH INSPECTOR. 712 00:31:10,369 --> 00:31:13,072 WOW. NICE ABUSE OF POWER. 713 00:31:13,072 --> 00:31:15,304 SO, RICHARD, YOU A COP, TOO? 714 00:31:15,304 --> 00:31:17,646 NO. HE'S A NOVELIST WHO'S BEEN SHADOWING ME 715 00:31:17,646 --> 00:31:21,650 ON MY MURDER CASES. OH, I DO A LITTLE MORE THAN SHADOWING. 716 00:31:21,650 --> 00:31:24,053 YOUR TABLE IS READY. 717 00:31:24,053 --> 00:31:26,355 (cork pops) 718 00:31:26,355 --> 00:31:29,118 SO YOU TWO WORKING A HOMICIDE? 719 00:31:29,118 --> 00:31:30,889 UM, A DOUBLE HOMICIDE. 720 00:31:30,889 --> 00:31:34,123 IT'S ACTUALLY A RATHER TRICKY CASE BECAUSE THE KILLER IS... 721 00:31:34,123 --> 00:31:36,295 I LIKE TO CALL HIM THE THIRD MAN. 722 00:31:36,295 --> 00:31:38,627 VERY MYSTERIOUS. IT SOUNDS LIKE ONE OF YOUR BOOKS. 723 00:31:38,627 --> 00:31:40,399 YEAH, IT KINDA DOES. 724 00:31:40,399 --> 00:31:43,902 ANYWAY, HE AND HIS TWO PARTNERS... WERE GONNA ROB A BANK, 725 00:31:43,902 --> 00:31:46,435 ONLY HE TURNED ON THE OTHER TWO AND KILLED THEM 726 00:31:46,435 --> 00:31:48,377 BEFORE THEY EVEN FINISHED THE JOB. 727 00:31:48,377 --> 00:31:51,080 I MEAN, IT DOESN'T EVEN MAKE ANY SENSE. 728 00:31:51,080 --> 00:31:53,242 USUALLY YOU'D WAIT UNTIL YOU GOT THE MONEY 729 00:31:53,242 --> 00:31:55,644 BEFORE YOU DOUBLE-CROSSED YOUR PARTNERS. I MEAN, THEY DIDN'T EVEN HAVE THE RIGHT EQUIPMENT 730 00:31:55,644 --> 00:31:58,317 TO ROB A BANK. WELL, I'M SURE YOU'LL FIGURE IT OUT EVENTUALLY. 731 00:31:58,317 --> 00:32:00,589 YOU KNOW, SPEAKING OF GREAT MYSTERIES, 732 00:32:00,589 --> 00:32:03,392 I SAW AN INCREDIBLE PLAY OFF BROADWAY THE OTHER NIGHT. I JUST WISH I COULD FIGURE OUT 733 00:32:03,392 --> 00:32:05,394 WHAT THEY WERE DOING WITH THE KETAMINE. 734 00:32:05,394 --> 00:32:08,427 MAYBE IT HAD SOMETHING TO DO WITH THE PET STORE. 735 00:32:08,427 --> 00:32:10,229 YOU GONNA EAT THAT? 736 00:32:10,229 --> 00:32:12,431 IT'S NOT LIKE THERE WAS REALLY ANYTHING TO STEAL THERE. 737 00:32:12,431 --> 00:32:15,504 UNLESS THE PET STORE WAS JUST A FRONT FOR SOMETHING ELSE. 738 00:32:17,606 --> 00:32:21,440 WAITER. COULD I HAVE ANOTHER GLASS OF WINE, PLEASE? 739 00:32:21,440 --> 00:32:24,443 IN WHICH CASE, THE OWNER MIGHT HAVE BEEN LYING 740 00:32:24,443 --> 00:32:27,376 WHEN HE SAID THAT NOTHING WAS STOLEN. YOU WANT TO HAVE SEX WITH ME LATER? 741 00:32:27,376 --> 00:32:31,350 I'M SORRY. WOULD YOU MIND IF I MADE A TELEPHONE CALL? NAH. 742 00:32:31,350 --> 00:32:32,481 THANKS. 743 00:32:35,424 --> 00:32:39,328 UM... THE BATHROOMS ARE UP BY THE FRONT, RIGHT? 744 00:32:39,328 --> 00:32:41,991 PARDON ME. 745 00:32:41,991 --> 00:32:43,692 (cell phone beeps) 746 00:32:43,692 --> 00:32:46,695 HAVE YOU GOT SOMETHING? I WAS JUST HAVING RYAN AND ESPOSITO 747 00:32:46,695 --> 00:32:49,068 RUN SOMETHING DOWN FOR ME. THE PET SHOP. 748 00:32:49,068 --> 00:32:51,570 YES! HOW DID YOU KNOW? I WAS THINKING THE EXACT SAME THING. 749 00:32:51,570 --> 00:32:54,303 IT'S PROBABLY A FRONT FOR SOMETHING. OKAY, SO THEY'RE GONNA DIG UP 750 00:32:54,303 --> 00:32:56,475 EVERYTHING THEY CAN ON THE OWNER. 751 00:32:56,475 --> 00:32:58,977 IT COULD BE THAT HE'S HIDING SOMETHING. RIGHT. 752 00:32:58,977 --> 00:33:01,650 WELL, I SHOULD GET BACK TO THIS DATE. HOW'S YOURS GOING? 753 00:33:01,650 --> 00:33:03,382 GREAT. YOURS? FANTASTIC. 754 00:33:03,382 --> 00:33:06,455 WELL, I'LL, UH, SEE YOU. 755 00:33:06,455 --> 00:33:08,757 THE PHEASANT IS AMAZING. 756 00:33:11,390 --> 00:33:14,993 (cell phone buzzes) 757 00:33:14,993 --> 00:33:17,296 (buzz) I'M SORRY. THAT'S THE STATION. 758 00:33:17,296 --> 00:33:18,767 (Brad) YEAH. GO AHEAD. 759 00:33:20,299 --> 00:33:22,031 WOULD YOU PARDON ME? 760 00:33:22,031 --> 00:33:25,074 BATHROOM AGAIN? (chuckles) 761 00:33:31,510 --> 00:33:33,512 SO WHAT'D THEY FIND OUT? 762 00:33:33,512 --> 00:33:35,514 (cell phone beeps) (Esposito) Yo. 763 00:33:35,514 --> 00:33:37,516 WE RAN THE PET SHOP OWNER-- NOEL du PREEZ. 764 00:33:37,516 --> 00:33:39,388 HE CAME UP CLEAN. REALLY? 765 00:33:39,388 --> 00:33:42,020 WHAT ABOUT IN THE PAST COUPLE OF DAYS? 766 00:33:42,020 --> 00:33:44,323 Anything unusual? THE DAY BEFORE YESTERDAY, 767 00:33:44,323 --> 00:33:46,195 CUSTOMS HAS HIM TAKING POSSESSION 768 00:33:46,195 --> 00:33:48,197 OF A HALF A DOZEN AFRICAN GRAY PARROTS, 769 00:33:48,197 --> 00:33:50,099 four baboon spiders 770 00:33:50,099 --> 00:33:52,101 and two black-tailed pythons, 771 00:33:52,101 --> 00:33:55,164 ALL FROM SOUTH AFRICA. Wait a minute. Did you-- 772 00:33:55,164 --> 00:33:57,536 DID YOU SAY BLACK-TAILED PYTHONS FROM SOUTH AFRICA? 773 00:33:57,536 --> 00:34:00,369 YEAH. WHY? Because black-tailed pythons, 774 00:34:00,369 --> 00:34:02,371 ALSO KNOWN AS INDIAN ROCK PYTHONS, 775 00:34:02,371 --> 00:34:04,543 ARE NOT INDIGENOUS TO THAT AREA. 776 00:34:04,543 --> 00:34:06,615 WHY WOULD THEY BE COMING FROM AFRICA? WHY DO YOU CARE ABOUT SOME MOTHERFREAKING SNAKES 777 00:34:06,615 --> 00:34:09,518 ON A MOTHERFREAKING PLANE? BECAUSE AS A MURDER MYSTERY NOVELIST, 778 00:34:09,518 --> 00:34:12,050 I AM HIGHLY PAID TO THINK LIKE A BAD GUY. 779 00:34:12,050 --> 00:34:14,253 Here are a few fun facts about snakes. 780 00:34:14,253 --> 00:34:16,755 THEY ARE COLD-BLOODED, THEY SWALLOW HUGE AMOUNTS, 781 00:34:16,755 --> 00:34:19,057 AND THEY DIGEST THEIR FOOD VERY SLOWLY. 782 00:34:19,057 --> 00:34:22,161 PERFECT FOR SMUGGLING. And it wouldn't be the first time. 783 00:34:22,161 --> 00:34:24,333 If these snakes are coming in from South Africa... 784 00:34:24,333 --> 00:34:26,635 THERE ARE TWO THINGS IN ABUNDANCE IN SOUTH AFRICA-- 785 00:34:26,635 --> 00:34:29,598 RACIAL HATRED AND DIAMONDS. 786 00:34:29,598 --> 00:34:33,702 SMUGGLING DIAMONDS IN LIVE SNAKES. Mickey's attacker said that there were millions at stake. 787 00:34:33,702 --> 00:34:36,705 (Castle) And the dumbwaiter goes right down into the pet store. 788 00:34:36,705 --> 00:34:39,378 That's why the Maitlands' trip had to be this week. 789 00:34:39,378 --> 00:34:42,381 THEY KNEW THE SHIPMENT WAS COMING IN. AND THE KETAMINE-- WAS TO DOPE THE SNAKES 790 00:34:42,381 --> 00:34:44,653 SO THEY COULD TAKE 'EM UP THE SHAFT WITHOUT A FIGHT, 791 00:34:44,653 --> 00:34:47,586 AND THEN WHEN WE CAME TO THE STORE-- THE OWNER COULDN'T SAY A WORD, 792 00:34:47,586 --> 00:34:50,289 OTHERWISE HE'D IMPLICATE HIMSELF IN SMUGGLING. SO WE FIND OUT WHO ROBBED HIM-- 793 00:34:50,289 --> 00:34:53,462 WE FIND THE THIRD MAN. DO THEY KNOW THEY'RE FINISHING EACH OTHER'S SENTENCES? 794 00:34:53,462 --> 00:34:56,595 Have uniforms pick up the owner. We'll meet you at the store. 795 00:34:56,595 --> 00:34:59,097 HEY, IS THIS SEAT TAKEN? 796 00:34:59,097 --> 00:35:01,099 (Beckett) WHAT SHOULD WE TELL THEM? 797 00:35:01,099 --> 00:35:03,232 THIS IS GONNA BE AWKWARD. 798 00:35:04,703 --> 00:35:07,136 THEY'LL BE OKAY. 799 00:35:07,136 --> 00:35:10,409 (Brad and Amanda speak indistinctly) 800 00:35:16,485 --> 00:35:18,487 IS THE OWNER IN CUSTODY? 801 00:35:18,487 --> 00:35:20,489 WIFE SAID HE WAS HERE WORKING LATE. 802 00:35:20,489 --> 00:35:23,352 PLACE LOOKS CLOSED. OKAY, CASTLE, HOLD MY PURSE. 803 00:35:23,352 --> 00:35:26,325 FOLLOW ME. 804 00:35:34,803 --> 00:35:37,636 READY? LET'S GO. 805 00:35:40,739 --> 00:35:43,572 (Esposito) ROOM ALL CLEAR. 806 00:35:43,572 --> 00:35:45,514 (Ryan) HERE, TOO. 807 00:35:47,346 --> 00:35:48,847 (gunshot) WHOA! 808 00:35:48,847 --> 00:35:51,520 (Beckett) NYPD! (Esposito) DROP YOUR WEAPON! DROP YOUR WEAPON! 809 00:35:51,520 --> 00:35:53,752 (Ryan) DROP THE GUN! DROP YOUR WEAPON! DROP THE GUN! 810 00:35:53,752 --> 00:35:56,455 DROP THE GUN! GET DOWN! DOWN! 811 00:35:57,656 --> 00:36:00,529 HEY. YOU OKAY? 812 00:36:00,529 --> 00:36:02,231 OH, YEAH. YEAH, YEAH. 813 00:36:02,231 --> 00:36:04,233 IT TAKES A LOT MORE THAN THAT TO SCARE ME. 814 00:36:04,233 --> 00:36:07,366 WHAT ABOUT A BIG, HAIRY SPIDER ON YOUR SHOULDER? YEAH, THAT WOULD DO IT. 815 00:36:10,399 --> 00:36:12,441 (groans) 816 00:36:19,378 --> 00:36:21,350 I DIDN'T KNOW YOU WERE THE POLICE. 817 00:36:21,350 --> 00:36:23,582 I HAVE A RIGHT TO DEFEND MY STORE. 818 00:36:23,582 --> 00:36:26,655 DEFEND FROM WHO, MR. du PREEZ? 819 00:36:26,655 --> 00:36:28,357 ACCORDING TO CUSTOMS, 820 00:36:28,357 --> 00:36:30,759 YOU TOOK POSSESSION OF TWO BLACK-TAILED PYTHONS. 821 00:36:30,759 --> 00:36:33,322 WHICH IS NOT A CRIME. 822 00:36:33,322 --> 00:36:35,594 NO, BUT BLACK-TAILED PYTHONS ARE INDIGENOUS TO INDIA. 823 00:36:35,594 --> 00:36:37,596 SO WHY SHIP THEM IN FROM SOUTH AFRICA? 824 00:36:37,596 --> 00:36:38,897 MY SUPPLIERS ARE THERE. 825 00:36:38,897 --> 00:36:41,430 THERE'S NOTHING ILLEGAL ABOUT MY BUSINESS. 826 00:36:41,430 --> 00:36:43,272 THEN WHERE ARE THE SNAKES? 827 00:36:43,272 --> 00:36:44,733 THEY WEREN'T IN THE STORE, 828 00:36:44,733 --> 00:36:47,306 AND WE DIDN'T FIND ANY INVOICES INDICATING THAT THEY WERE SOLD. 829 00:36:47,306 --> 00:36:49,578 YOU KNOW WHAT WE DID FIND? 830 00:36:49,578 --> 00:36:53,442 A COLOR GRADER, A U.V. LAMP AND A CARAT WEIGHT SCALE. ALL TOOLS OF THE DIAMOND TRADE. 831 00:36:53,442 --> 00:36:55,284 SO WHAT HAPPENED, MR. du PREEZ? 832 00:36:55,284 --> 00:36:58,317 BECAUSE WE THINK SOMEONE BROKE INTO YOUR STORE, 833 00:36:58,317 --> 00:36:59,918 CAME DOWN THE DUMBWAITER SHAFT 834 00:36:59,918 --> 00:37:02,691 AND STOLE YOUR SHIPMENT OF DIAMONDS. 835 00:37:02,691 --> 00:37:04,823 NOW THAT'S YOUR PROBLEM. 836 00:37:04,823 --> 00:37:08,497 MY PROBLEM IS THAT THEY LEFT TWO BODIES BEHIND. 837 00:37:10,959 --> 00:37:12,961 OKAY, FINE. YOU DON'T WANT TO IMPLICATE YOURSELF. 838 00:37:12,961 --> 00:37:14,463 I GET IT. 839 00:37:14,463 --> 00:37:19,508 SO I'M SIMPLY GONNA ASK, WHO KNEW ABOUT THE SHIPMENT? 840 00:37:19,508 --> 00:37:22,541 COME ON, MR. du PREEZ. DON'T YOU WANT US TO FIND THEM? 841 00:37:22,541 --> 00:37:25,574 WHO KNEW? WHO DID YOU TELL? I TOLD NO ONE. 842 00:37:25,574 --> 00:37:28,877 MR. du PREEZ-- I PICKED UP MY CARGO AT THE AIRPORT PERSONALLY, 843 00:37:28,877 --> 00:37:32,421 AND I LOCKED 'EM IN MY OFFICE. 844 00:37:32,421 --> 00:37:35,023 THE NEXT DAY, THEY WERE GONE. 845 00:37:38,487 --> 00:37:40,559 DO YOU RECOGNIZE EITHER OF THESE MEN? 846 00:37:40,559 --> 00:37:44,793 NO. I'VE NEVER SEEN ANY OF THEM IN MY LIFE. 847 00:37:44,793 --> 00:37:46,895 IT'S THE TRUTH. 848 00:37:46,895 --> 00:37:49,598 ROBBING A SMUGGLER. IT'S ALMOST A PERFECT CRIME. 849 00:37:49,598 --> 00:37:51,600 THE VICTIM CAN'T GO TO THE POLICE 850 00:37:51,600 --> 00:37:53,602 WITHOUT ADMITTING HIS OWN CRIME. 851 00:37:53,602 --> 00:37:55,574 SOMEONE KNEW THAT SHIPMENT WAS COMING IN. 852 00:37:55,574 --> 00:37:58,577 SOMEONE HAD IT PLANNED. 853 00:37:58,577 --> 00:38:00,679 WHERE ARE WE ON DOUG'S CLIENT LIST? 854 00:38:00,679 --> 00:38:02,911 WE RAN EVERY CLIENT DOUG EVER HAD, AND WE GOT NADA. 855 00:38:02,911 --> 00:38:05,283 JUST TO BE THOROUGH, WE SHOWED THEIR D.M.V. PHOTOS TO MICKEY. 856 00:38:05,283 --> 00:38:07,456 NONE OF THEM WERE OUR MYSTERIOUS THIRD MAN. 857 00:38:07,456 --> 00:38:10,319 WELL, IT HAD TO BE SOMEONE du PREEZ WOULD NEVER EXPECT. 858 00:38:10,319 --> 00:38:12,321 SOMEONE CONNECTED TO HIS PET STORE IN SOME CAPACITY, 859 00:38:12,321 --> 00:38:13,922 AN OLD EMPLOYEE PERHAPS? 860 00:38:13,922 --> 00:38:17,626 HE WOULD HAVE TO KNOW WHEN THE SHIPMENT WAS COMING IN. 861 00:38:17,626 --> 00:38:19,628 YEAH, SOMEONE WHO KNEW HIS TIMETABLE. 862 00:38:19,628 --> 00:38:22,331 MAYBE SOMEONE du PREEZ HAD SENT TO THE AIRPORT PREVIOUSLY 863 00:38:22,331 --> 00:38:24,603 TO PICK UP A SHIPMENT. OUT TO THE AIRPORT. 864 00:38:24,603 --> 00:38:27,636 WHAT WAS THAT? RUN ALL OF THE PAPERWORK FROM du PREEZ'S LAST SHIPMENT-- 865 00:38:27,636 --> 00:38:31,510 CUSTOMS, FISH AND WILDLIFE, SHIPPING COMPANY, EVERYTHING. 866 00:38:31,510 --> 00:38:34,543 I WANT TO KNOW WHO KNEW WHAT AND WHEN. YOU THINK SOMEONE AT THE AIRPORT 867 00:38:34,543 --> 00:38:36,545 CAUGHT ON TO du PREEZ'S SMUGGLING, 868 00:38:36,545 --> 00:38:40,519 DECIDED TO ROB HIM INSTEAD OF REPORT HIM? NOT ONLY THAT. I THINK I KNOW WHO. 869 00:38:40,519 --> 00:38:43,321 (Beckett) MR. AND MRS. KOPEK, THANK YOU FOR COMING IN SO LATE. 870 00:38:43,321 --> 00:38:45,994 PLEASE. OH, SORRY IT TOOK SO LONG. 871 00:38:45,994 --> 00:38:47,996 STAN WAS AT WORK WHEN YOU CALLED. 872 00:38:47,996 --> 00:38:49,528 OH, RIGHT. 873 00:38:49,528 --> 00:38:52,961 YOU SAID THAT THE LAST TIME THAT YOU SAW YOUR BROTHER 874 00:38:52,961 --> 00:38:56,405 WAS AT THE AGENCY'S PARTY AROUND WHERE STAN WORKS? THAT'S RIGHT. 875 00:38:56,405 --> 00:38:58,407 COULD YOU REFRESH MY MEMORY, MR. KOPEK? 876 00:38:58,407 --> 00:39:00,469 WHERE IS IT THAT YOU WORK? IT--IT'S LATE. 877 00:39:00,469 --> 00:39:03,111 COULD--COULD YOU JUST PLEASE TELL US WHAT YOU FOUND OUT? 878 00:39:03,111 --> 00:39:05,113 WELL, I DIDN'T REALLY PUT EVERYTHING TOGETHER 879 00:39:05,113 --> 00:39:07,115 UNTIL I REMEMBERED 880 00:39:07,115 --> 00:39:09,778 YOUR WIFE'S STORY ABOUT THE PARTY 881 00:39:09,778 --> 00:39:12,350 AT THE AIRPORT. 882 00:39:12,350 --> 00:39:14,122 WHAT'S THIS? 883 00:39:14,122 --> 00:39:16,525 IT'S A CUSTOMS FORM, MR. KOPEK, 884 00:39:16,525 --> 00:39:18,457 AUTHORIZING THE RELEASE OF CARGO 885 00:39:18,457 --> 00:39:20,389 TO A MR. NOEL du PREEZ, 886 00:39:20,389 --> 00:39:21,690 SIGNED BY YOU. 887 00:39:21,690 --> 00:39:24,563 YEAH. SO? I-I WORK FOR CUSTOMS. 888 00:39:24,563 --> 00:39:26,565 WHAT'S-- WHAT'S THE BIG DEAL? 889 00:39:26,565 --> 00:39:28,497 WHAT'S GOING ON, STAN? 890 00:39:28,497 --> 00:39:30,599 I HAVE NO IDEA. SURE YOU DO. 891 00:39:30,599 --> 00:39:32,771 WHEN YOU REALIZED WHAT MR. du PREEZ WAS DOING-- 892 00:39:32,771 --> 00:39:34,773 SMUGGLING DIAMONDS-- YOU SAID TO YOURSELF, 893 00:39:34,773 --> 00:39:37,576 "WHY SHOULD I GIVE HIM UP TO THOSE UNGRATEFUL BASTARDS? 894 00:39:37,576 --> 00:39:40,609 WHY NOT JUST TAKE CARE OF IT MYSELF?" STAN-- 895 00:39:40,609 --> 00:39:42,611 (Castle) THEN ALL YOU NEEDED TO DO 896 00:39:42,611 --> 00:39:44,613 WAS PULL THE IMPORT PERMITS FROM FISH AND WILDLIFE 897 00:39:44,613 --> 00:39:47,055 TO DETERMINE WHEN THE NEXT SHIPMENT WOULD BE. 898 00:39:47,055 --> 00:39:49,057 BUT YOU NEEDED SOMEONE WITH CONNECTIONS 899 00:39:49,057 --> 00:39:50,589 TO FENCING STOLEN GOODS. 900 00:39:50,589 --> 00:39:53,021 AND SO YOU CONTACTED ANTON FRANCIS-- 901 00:39:53,021 --> 00:39:55,023 A CON MAN AND AN OLD HIGH SCHOOL BUDDY 902 00:39:55,023 --> 00:39:57,065 WHO'D BEEN IN AND OUT OF JAIL FOR YEARS. 903 00:39:57,065 --> 00:39:59,798 THE EASY SCORE WAS MONEY TO HIS EARS, 904 00:39:59,798 --> 00:40:02,400 BUT YOU NEEDED TO GET THE MAITLANDS OUT OF TOWN 905 00:40:02,400 --> 00:40:05,504 FOR A COUPLE OF DAYS FIRST. AND THAT'S WHEN YOUR BROTHER-IN-LAW DOUG CAME IN. 906 00:40:05,504 --> 00:40:07,606 WHAT DID YOU DO, STAN? 907 00:40:07,606 --> 00:40:10,609 DID YOU PLAY ON HIS DREAMS, TELL HIM HE COULD FINALLY AFFORD 908 00:40:10,609 --> 00:40:14,513 THAT SCUBA SHOP HE ALWAYS WANTED? STAN, WHAT DID YOU DO? 909 00:40:14,513 --> 00:40:16,715 NOTHING. NOTHING. I-I DON'T KNOW-- 910 00:40:16,715 --> 00:40:18,717 MRS. KOPEK, YOUR HUSBAND KILLED YOUR BROTHER. 911 00:40:18,717 --> 00:40:21,119 THAT'S RI-- STAN... 912 00:40:21,119 --> 00:40:24,523 THEY'RE LYING. THAT'S-- THAT'S RIDICULOUS. WE HAVE A WITNESS, MR. KOPEK. 913 00:40:24,523 --> 00:40:26,625 THE SQUATTER YOU TRIED TO KILL 914 00:40:26,625 --> 00:40:28,527 IDENTIFIED YOU FROM A PHOTO ARRAY 915 00:40:28,527 --> 00:40:30,859 LESS THAN AN HOUR AGO. OH, GOD. 916 00:40:30,859 --> 00:40:33,602 NO, NO, IT WAS--IT WASN'T SUPPOSED TO HAPPEN LIKE THIS. 917 00:40:33,602 --> 00:40:35,604 N-NO ONE WAS SUPPOSED TO GET HURT. 918 00:40:35,604 --> 00:40:38,667 I MEAN, DOUG--HE JUST-- HE WOULDN'T LISTEN. 919 00:40:38,667 --> 00:40:40,569 AND I-I DIDN'T MEAN... 920 00:40:40,569 --> 00:40:42,811 AND--AND ANTON, HE CAME AFTER ME. 921 00:40:42,811 --> 00:40:46,515 HE--THAT WAS SELF-DEFENSE. I'M NOT--I'M NOT A KILLER. 922 00:40:46,515 --> 00:40:48,877 WE HAVE TWO BODIES THAT PROVE OTHERWISE. 923 00:40:48,877 --> 00:40:51,820 IT JUST GOT OUT OF HAND. THINGS JUST SPUN OUT OF CONTROL. 924 00:40:51,820 --> 00:40:54,753 GET HIM AWAY FROM ME. HONEY, IT'S-- 925 00:40:54,753 --> 00:40:57,455 (handcuffs rattle) 926 00:40:57,455 --> 00:40:59,157 (Esposito) ON YOUR FEET. 927 00:40:59,157 --> 00:41:00,989 (handcuffs click) 928 00:41:00,989 --> 00:41:02,631 I DID IT FOR US. 929 00:41:02,631 --> 00:41:04,132 (click) 930 00:41:04,132 --> 00:41:06,495 IT WAS ALL FOR US, BABY. 931 00:41:06,495 --> 00:41:07,796 THIS WAY. 932 00:41:09,598 --> 00:41:12,601 AND YOU GUYS THOUGHT I MADE THE WHOLE THING UP. 933 00:41:12,601 --> 00:41:15,504 I BELIEVED YOU THE WHOLE TIME. 934 00:41:15,504 --> 00:41:17,646 SO WHAT--WHAT HAPPENS TO ME NOW? 935 00:41:17,646 --> 00:41:19,948 I'LL GO BACK TO THE HOLDING CELL 936 00:41:19,948 --> 00:41:22,811 OR AM I HEADED TO THE TOMBS? NEITHER. FOR YOUR COOPERATION IN THE APPREHENSION 937 00:41:22,811 --> 00:41:25,684 OF STAN KOPEK, THE A.D.A. HAS AGREED TO A DEAL. 938 00:41:25,684 --> 00:41:28,587 FIVE YEARS PROBATION FOR ALL YOUR SINS. NO JAIL TIME? 939 00:41:28,587 --> 00:41:31,820 YOU HAVE A SHOT AT A SECOND CHANCE, MICKEY. DON'T BLOW IT. 940 00:41:31,820 --> 00:41:34,563 (exhales) I WON'T. HEY, THANKS FOR EVERYTHING. 941 00:41:34,563 --> 00:41:36,895 REALLY, THANK YOU. ALL RIGHT. 942 00:41:39,668 --> 00:41:41,530 WHEW. 943 00:41:41,530 --> 00:41:44,703 OH, MAN. I CAN'T WAIT TO GO HOME 944 00:41:44,703 --> 00:41:47,005 AND JUST SLIP INTO A WARM BATH AND-- I-- 945 00:41:47,005 --> 00:41:48,807 DON'T. PLEASE DON'T. 946 00:41:48,807 --> 00:41:51,710 I WAS JUST GOING TO SAY, I'M STARVING. 947 00:41:51,710 --> 00:41:54,212 WE LEFT THE RESTAURANT BEFORE I HAD A CHANCE 948 00:41:54,212 --> 00:41:56,585 TO FINISH MY ENTREE. OH, YEAH. WELL, IT WOULDN'T HAVE MATTERED IF YOU DID. 949 00:41:56,585 --> 00:41:59,017 THE PORTIONS THERE WERE TINY. UGH. 950 00:41:59,017 --> 00:42:01,089 YOU KNOW, REMY'S IS OPEN ALL NIGHT. 951 00:42:01,089 --> 00:42:03,121 THEY'VE GOT THOSE BURGERS... 952 00:42:03,121 --> 00:42:04,893 OH, AND THOSE SHAKES... 953 00:42:09,297 --> 00:42:11,560 OH, WHY NOT? 954 00:42:11,560 --> 00:42:12,801 MM. 955 00:42:14,663 --> 00:42:16,665 SO HOW DID YOUR DATE GO? 956 00:42:16,665 --> 00:42:18,667 SHE WAS KIND OF BORING. 957 00:42:18,667 --> 00:42:20,669 DIDN'T TALK MUCH. OH. 958 00:42:20,669 --> 00:42:22,671 MR. JULY? 959 00:42:22,671 --> 00:42:24,943 A LITTLE SELF-ABSORBED. LOOKED IT. 960 00:42:24,943 --> 00:42:26,945 REALLY? YOU CAN TELL. 961 00:42:26,945 --> 00:42:29,948 SOME PEOPLE JUST DON'T KNOW HOW TO BEHAVE ON A DATE. 962 00:42:29,948 --> 00:42:33,181 ESPECIALLY ON A FIRST DATE. EXACTLY.