1 00:00:01,602 --> 00:00:04,135 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,135 --> 00:00:06,177 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,177 --> 00:00:08,609 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,609 --> 00:00:10,611 CASTLE. CASTLE. 5 00:00:10,611 --> 00:00:13,314 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,314 --> 00:00:15,216 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,216 --> 00:00:17,348 BECKETT. BECKETT. 8 00:00:17,348 --> 00:00:19,350 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,350 --> 00:00:21,352 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,352 --> 00:00:24,024 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:24,024 --> 00:00:27,128 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,128 --> 00:00:29,800 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:29,800 --> 00:00:31,162 SOPHIE! 14 00:00:31,162 --> 00:00:33,164 SOPHIE, ARE YOU IN THERE? 15 00:00:33,164 --> 00:00:36,307 SOPHIE, THE PROCESSION STARTS IN 15 MINUTES. 16 00:00:36,307 --> 00:00:39,610 IF THAT GIRL RUINS YOUR WEDDING-- I'M NOT WORRIED ABOUT THE WEDDING, MOTHER. 17 00:00:39,610 --> 00:00:41,142 I'M WORRIED ABOUT SOPHIE. 18 00:00:41,142 --> 00:00:44,145 IF I HAD AS MUCH CHAMPAGNE AS SHE DID LAST NIGHT, 19 00:00:44,145 --> 00:00:47,047 I'D PROBABLY BE LATE FOR FEBRUARY. OH, HEY. 20 00:00:47,047 --> 00:00:50,050 CAN YOU OPEN THIS DOOR FOR US? IT'S AN EMERGENCY. PLEASE. 21 00:00:50,050 --> 00:00:52,183 THANK YOU. 22 00:00:52,183 --> 00:00:55,186 (man) ♪ AH, IT'S A CRYING... ♪ 23 00:00:55,186 --> 00:00:57,057 SOPHIE. 24 00:00:57,057 --> 00:00:58,489 SOPHIE. 25 00:00:58,489 --> 00:01:01,061 THE BED HASN'T BEEN SLEPT IN. 26 00:01:01,061 --> 00:01:04,064 ♪ IT'S A CRYING SHAME THAT THE LOVE FEELS LAME ♪ 27 00:01:04,064 --> 00:01:05,766 SHE'S NOT IN THE BATHROOM. 28 00:01:05,766 --> 00:01:08,799 GO AND SEE IF HER DRESS IS STILL HERE. 29 00:01:08,799 --> 00:01:11,472 ♪ THE LOVE... ♪ 30 00:01:11,472 --> 00:01:13,073 AAH! 31 00:01:15,146 --> 00:01:17,378 MAKE SURE IT'S NICE AND TIGHT. 32 00:01:17,378 --> 00:01:19,180 YES, SIR. 33 00:01:19,180 --> 00:01:21,512 WHAT ON EARTH ARE YOU TWO DOING? 34 00:01:21,512 --> 00:01:24,084 RESEARCH. DAD HAS NIKKI HEAT DUCT-TAPED TO A CHAIR 35 00:01:24,084 --> 00:01:25,586 IN HIS NEXT CHAPTER, 36 00:01:25,586 --> 00:01:27,818 AND HE DOESN'T KNOW HOW TO GET HER OUT OF IT. 37 00:01:27,818 --> 00:01:30,361 I THOUGHT, WHAT BETTER WAY TO FIGURE IT OUT 38 00:01:30,361 --> 00:01:33,264 THAN TO GET INTO THE MIND OF MY CHARACTER. I DON'T KNOW. 39 00:01:33,264 --> 00:01:36,297 I SUPPOSE YOU COULD JUST USE YOUR IMAGINATION. WELL, I WANT IT TO BE AUTHENTIC. HANDS. 40 00:01:36,297 --> 00:01:39,870 MM. WELL, HURRY TAPING UP YOUR FATHER. 41 00:01:39,870 --> 00:01:42,603 WE DON'T WANT TO BE LATE. 42 00:01:42,603 --> 00:01:46,277 OH, GOD. I CAN'T BELIEVE I JUST SAID THAT. WHERE ARE YOU TWO OFF TO? 43 00:01:46,277 --> 00:01:49,380 GRAM'S GOT A DRESS REHEARSAL. I THOUGHT I'D GO WATCH. WATCH ME 44 00:01:49,380 --> 00:01:52,383 OR WATCH THE ADORABLE DELIVERY BOY IN THE SECOND ACT? (giggles) 45 00:01:52,383 --> 00:01:54,845 TOO TIGHT? PERFECT. 46 00:01:54,845 --> 00:01:57,448 AND YOU'RE SURE ABOUT YOUR MOUTH? 47 00:01:57,448 --> 00:02:00,691 LIKE I SAID, AUTHENTIC. (tape rips) 48 00:02:00,691 --> 00:02:02,193 MM. 49 00:02:02,193 --> 00:02:05,196 NOD IF YOU'RE OKAY. OKAY. 50 00:02:05,196 --> 00:02:07,458 WE'RE OFF, AND AFTER, WE MIGHT GO SHOPPING. 51 00:02:07,458 --> 00:02:09,460 SO... 52 00:02:09,460 --> 00:02:12,533 YOU DON'T MIND, RIGHT? 53 00:02:12,533 --> 00:02:14,305 MM. OH, COME ON, DAD. 54 00:02:14,305 --> 00:02:17,338 WE BOTH KNOW YOU'D HAVE NO RESPECT FOR ME IF I DIDN'T. 55 00:02:17,338 --> 00:02:19,670 HAVE FUN AND GOOD LUCK. (chuckles) 56 00:02:19,670 --> 00:02:22,873 I DON'T KNOW WHERE SHE GETS IT FROM. HONESTLY, I DON'T. 57 00:02:22,873 --> 00:02:24,875 BYE. ADIOS. 58 00:02:24,875 --> 00:02:26,377 (door opens and closes) 59 00:02:26,377 --> 00:02:29,220 (cell phone rings) MM. 60 00:02:29,220 --> 00:02:31,622 (ring) 61 00:02:31,622 --> 00:02:34,154 (ring) 62 00:02:34,154 --> 00:02:35,786 (laughs) 63 00:02:35,786 --> 00:02:37,458 (ring) 64 00:02:37,458 --> 00:02:40,631 (ring) 65 00:02:40,631 --> 00:02:42,333 (chair creaks, cell phone rings) MM. 66 00:02:42,333 --> 00:02:44,365 MM. OH! (groans) 67 00:02:44,365 --> 00:02:46,237 (cell phone rings) (beep) 68 00:02:46,237 --> 00:02:47,798 VICTIM IS SOPHIE RONSON, 35. 69 00:02:47,798 --> 00:02:50,501 SHE'S IN FROM L.A. FOR THE WEDDING. WAS SHE A GUEST? 70 00:02:50,501 --> 00:02:52,203 MNH-MNH. BRIDESMAID. 71 00:02:54,475 --> 00:02:56,176 THE BRIDE CAME LOOKING 72 00:02:56,176 --> 00:02:59,179 WHEN MS. RONSON DIDN'T SHOW UP FOR HER HAIR AND MAKEUP. 73 00:02:59,179 --> 00:03:02,213 FOUND HER STUFFED IN THAT ARMOIRE. 74 00:03:02,213 --> 00:03:04,915 WHAT DO YOU SEE? PRELIMINARY CAUSE IS ASPHYXIATION. 75 00:03:04,915 --> 00:03:07,588 AND FROM THE WAY HER WINDPIPE IS CRUSHED, 76 00:03:07,588 --> 00:03:10,721 I'D SAY THE KILLER CHOKED HER FROM BEHIND. 77 00:03:10,721 --> 00:03:13,594 WE'VE GOT CONTUSIONS ON HER THROAT, 78 00:03:13,594 --> 00:03:15,566 ONE OF HER EARRINGS IS MISSING. 79 00:03:15,566 --> 00:03:17,868 IT LOOKS LIKE IT WAS YANKED FROM HER LOBE. 80 00:03:17,868 --> 00:03:21,201 WE SEARCHED THE ROOM. THE EARRING'S NOT HERE. GET C.S.U. TO PRINT OUT A PICTURE 81 00:03:21,201 --> 00:03:23,704 SO THAT UNIFORMS CAN START SEARCHING THE HOTEL. YEAH. 82 00:03:23,704 --> 00:03:26,277 TIME OF DEATH? BASED ON TEMPERATURE AND LIVIDITY, 83 00:03:26,277 --> 00:03:29,310 I'D SAY BETWEEN 3:00 AND 5:00 A.M. THIS MORNING. 84 00:03:29,310 --> 00:03:31,242 THANK YOU. MM-HMM. 85 00:03:31,242 --> 00:03:32,883 LET'S TALK TO HOTEL SECURITY. 86 00:03:32,883 --> 00:03:34,885 I WANT TO SEE SURVEILLANCE TAPES 87 00:03:34,885 --> 00:03:36,887 AND A LIST OF ALL REGISTERED HOTEL GUESTS. 88 00:03:36,887 --> 00:03:39,390 AND GET RECORDS FOR HER ROOM PHONE AND HER CELL. I'M ON IT. 89 00:03:39,390 --> 00:03:42,393 UH-HUH. HOTEL SAYS ONLY ONE KEY CARD WAS ISSUED TO THE VICTIM. 90 00:03:42,393 --> 00:03:45,396 IT WAS LAST USED TO ENTER THE VICTIM'S ROOM AT 3:18 A.M. OKAY, WELL, THAT COINCIDES WITH TIME OF DEATH. 91 00:03:45,396 --> 00:03:48,399 WHERE ARE THE BRIDE AND GROOM? BRIDAL SUITE AT THE END OF THE HALL. 92 00:03:48,399 --> 00:03:50,961 UH, GREG AND KYRA. OKAY, HAVE UNIFORMS ASSEMBLE THE WEDDING GUESTS 93 00:03:50,961 --> 00:03:53,604 IN THE BAR TO BE INTERVIEWED. WHERE'S CASTLE? 94 00:03:53,604 --> 00:03:55,906 I DON'T KNOW. I FIGURED THE DEATH OF A BRIDESMAID 95 00:03:55,906 --> 00:03:59,340 WOULD BE RIGHT UP HIS ALLEY. HE HEARD "WEDDING" AND PROBABLY GOT COLD FEET. 96 00:04:00,911 --> 00:04:02,273 HMM. 97 00:04:02,273 --> 00:04:05,316 (grunts) 98 00:04:05,316 --> 00:04:06,477 (ripping sound) 99 00:04:06,477 --> 00:04:10,321 (laughs) 100 00:04:10,321 --> 00:04:11,722 HUH. 101 00:04:11,722 --> 00:04:13,253 (grunts) 102 00:04:13,253 --> 00:04:15,956 ATTABOY, RICK. 103 00:04:15,956 --> 00:04:18,028 HUH. 104 00:04:21,292 --> 00:04:23,794 WHEN WAS THE LAST TIME THAT YOU SAW SOPHIE? 105 00:04:23,794 --> 00:04:25,796 AT THE REHEARSAL DINNER LAST NIGHT. 106 00:04:25,796 --> 00:04:27,938 I DON'T EVEN THINK I TALKED TO HER. 107 00:04:27,938 --> 00:04:29,900 SHE CAME ALL THIS WAY FOR US, 108 00:04:29,900 --> 00:04:31,972 AND I DON'T THINK I EVEN SAID HELLO. 109 00:04:31,972 --> 00:04:35,546 IT'S NOT YOUR FAULT, KYRA. IT WAS A CRAZY DAY. 110 00:04:35,546 --> 00:04:37,978 DID YOU TALK TO HER AFTER I WENT UP TO BED? 111 00:04:37,978 --> 00:04:41,281 NO. YOU KNOW HOW UNCLE TEDDY IS. 112 00:04:41,281 --> 00:04:43,714 HE WOULDN'T LET ME LEAVE WITHOUT DOING TEQUILA SHOTS. 113 00:04:43,714 --> 00:04:45,716 I ESCAPED UP TO MY ROOM AROUND 1:00. 114 00:04:45,716 --> 00:04:48,359 I'M NOT SURE IF SOPHIE WAS STILL AT THE BAR. 115 00:04:48,359 --> 00:04:50,821 THE TWO OF YOU WEREN'T IN THE SAME ROOM LAST NIGHT? NO. 116 00:04:50,821 --> 00:04:53,324 IT'S BAD LUCK TO SEE THE BRIDE BEFORE THE WEDDING. 117 00:04:53,324 --> 00:04:57,067 IS THERE ANYTHING ELSE YOU CAN TELL ME ABOUT SOPHIE? 118 00:04:57,067 --> 00:05:00,431 WAS SHE IN A RELATIONSHIP? DID SHE HAVE ANY ENEMIES? 119 00:05:00,431 --> 00:05:01,932 I DON'T KNOW. 120 00:05:01,932 --> 00:05:05,876 SHE LIVED IN L.A., AND WE-- WE WERE NEVER SUPER CLOSE. 121 00:05:05,876 --> 00:05:10,781 SOPHIE INTRODUCED US. SHE'S THE REASON WE'RE TOGETHER. SO WHEN WE WERE PLANNING THE WEDDING, 122 00:05:10,781 --> 00:05:12,783 WE THOUGHT SHE SHOULD BE THERE. 123 00:05:12,783 --> 00:05:15,085 BUT THE ENGAGEMENT PARTY WAS THE FIRST TIME WE'D SEEN HER 124 00:05:15,085 --> 00:05:18,419 IN A COUPLE OF YEARS, AND NOW SHE'S DEAD. 125 00:05:18,419 --> 00:05:20,951 (sniffs) WHO WOULD DO SOMETHING LIKE THIS? 126 00:05:20,951 --> 00:05:23,323 THAT'S WHAT WE'RE HERE TO FIND OUT. 127 00:05:23,323 --> 00:05:24,825 (man) HERE YOU GO. 128 00:05:24,825 --> 00:05:26,397 THANKS, JOE. THAT'S GREAT. 129 00:05:26,397 --> 00:05:27,898 HOTEL SECURITY? 130 00:05:27,898 --> 00:05:29,900 YEAH. THEY DO BACKGROUND CHECKS ON ALL THEIR EMPLOYEES. 131 00:05:29,900 --> 00:05:32,062 SEEMED PRETTY SURE THERE WASN'T A KILLER AMONG THEM, 132 00:05:32,062 --> 00:05:34,465 BUT HE GAVE ME THE LIST. 133 00:05:34,465 --> 00:05:35,966 HE'S ALSO PULLING THE SURVEILLANCE TAPES. 134 00:05:35,966 --> 00:05:39,410 GOOD NEWS IS, THE ELEVATORS ARE ALL WIRED. BAD NEWS IS, 135 00:05:39,410 --> 00:05:41,812 THE STAIRWELLS AND HALLWAYS AREN'T. (elevator bell dings) 136 00:05:41,812 --> 00:05:44,775 OH, LOOK WHO IT IS. WE WERE ABOUT TO SEND OUT A SEARCH PARTY. WHERE YOU BEEN? 137 00:05:44,775 --> 00:05:47,077 UH, I GOT A LITTLE TIED UP WITH WORK. HMM. 138 00:05:47,077 --> 00:05:49,620 WHICH WAY TO THE CRIME SCENE? SIXTH FLOOR. 139 00:05:49,620 --> 00:05:51,382 THANK YOU. MM-HMM. HEY. 140 00:05:51,382 --> 00:05:54,385 BRO... IS THAT DUCT TAPE ON YOUR PANTS? 141 00:05:54,385 --> 00:05:56,727 HMM. 142 00:05:56,727 --> 00:05:59,930 YES. YES, IT IS. 143 00:06:01,532 --> 00:06:03,534 SO A BRIDESMAID, HUH? 144 00:06:03,534 --> 00:06:05,035 WHAT HAPPENED? 145 00:06:05,035 --> 00:06:07,037 WOULDN'T GET CAUGHT DEAD IN THAT DRESS? 146 00:06:07,037 --> 00:06:09,540 (chuckles) THEY'RE ACTUALLY NOT THAT BAD. 147 00:06:09,540 --> 00:06:12,002 A SUBTLE MAUVE CHIFFON. DUDE, REALLY? MAUVE? 148 00:06:12,002 --> 00:06:13,704 WHAT? I HAVE SISTERS. 149 00:06:13,704 --> 00:06:15,706 YOU SHOULD'VE SEEN THEIR DRESSES--HIDEOUS. 150 00:06:15,706 --> 00:06:18,108 AH, BRIDESMAID DRESSES ARE SUPPOSED TO BE HIDEOUS. REALLY, WHY? 151 00:06:18,108 --> 00:06:21,682 SO THAT THE BRIDE LOOKS MORE BEAUTIFUL IN COMPARISON. AH, SEE? 152 00:06:21,682 --> 00:06:24,485 NOT A WOMAN ALIVE WHO DOESN'T THINK ABOUT HER WEDDING DAY, 153 00:06:24,485 --> 00:06:26,657 NOT EVEN KATE BECKETT. 154 00:06:26,657 --> 00:06:29,019 TELL ME YOU NEVER TORE A PICTURE OF A WEDDING GOWN 155 00:06:29,019 --> 00:06:31,722 OUT OF A MAGAZINE. I'VE NEVER TORN A PICTURE OF A WEDDING GOWN 156 00:06:31,722 --> 00:06:34,565 OUT OF A MAGAZINE. YOU'RE LYING. 157 00:06:34,565 --> 00:06:36,066 SHE'S LYING. MM-HMM. 158 00:06:36,066 --> 00:06:37,628 MM-HMM. 159 00:06:43,033 --> 00:06:44,905 (speaking indistinctly) 160 00:06:44,905 --> 00:06:46,477 SO WHO'S THE UNLUCKY BRIDE? 161 00:06:46,477 --> 00:06:49,039 (Ryan) UH, HER NAME IS... 162 00:06:49,039 --> 00:06:51,041 KYRA? 163 00:06:54,685 --> 00:06:55,986 RICK? 164 00:06:58,018 --> 00:07:00,921 RICK CASTLE. 165 00:07:00,921 --> 00:07:02,893 YOU TWO KNOW EACH OTHER? 166 00:07:02,893 --> 00:07:05,556 THAT WOULD BE AN UNDERSTATEMENT. 167 00:07:05,556 --> 00:07:11,762 ♪♪ 168 00:07:17,608 --> 00:07:19,970 I READ SOMEWHERE THAT YOU WERE WORKING WITH THE POLICE, 169 00:07:19,970 --> 00:07:22,873 BUT I-I NEVER WOULD'VE EXPECTED TO... HOW LONG HAS IT BEEN? 170 00:07:22,873 --> 00:07:26,677 TOO LONG. YOU LOOK EXACTLY THE SAME. 171 00:07:26,677 --> 00:07:29,920 AND YOU'VE IMPROVED. 172 00:07:29,920 --> 00:07:33,854 YOU ALWAYS DID KNOW HOW TO TURN A PHRASE. 173 00:07:33,854 --> 00:07:36,226 (laughs) THIS IS... 174 00:07:36,226 --> 00:07:38,028 SO SURREAL. 175 00:07:38,028 --> 00:07:39,790 IT'S MY WEDDING DAY, 176 00:07:39,790 --> 00:07:42,763 AND YOU... SHOW UP. 177 00:07:42,763 --> 00:07:46,196 (cell phone beeps) CASTLE, LANIE'S GOT SOMETHING FOR US. 178 00:07:46,196 --> 00:07:48,238 I'LL CATCH UP. 179 00:07:48,238 --> 00:07:51,471 HMM. OKAY. 180 00:07:53,604 --> 00:07:55,976 WHAT'D YOU FIND? 181 00:07:55,976 --> 00:07:57,978 ONCE I TURNED HER OVER, 182 00:07:57,978 --> 00:07:59,980 I SAW THESE ABRASIONS ACROSS HER UPPER BACK. 183 00:07:59,980 --> 00:08:02,012 THEY WERE DEFINITELY MADE BEFORE SHE DIED, 184 00:08:02,012 --> 00:08:05,015 PROBABLY DURING THE STRUGGLE. ANY IDEA WHAT MADE THEM? 185 00:08:05,015 --> 00:08:07,117 NO, BUT THERE'S AN ODD SHAPE TO THE WOUNDS. 186 00:08:07,117 --> 00:08:10,120 I'LL HAVE A BETTER IDEA ONCE I GET HER BACK TO THE LAB. 187 00:08:10,120 --> 00:08:12,492 OKAY. SO HOW'S EVERYTHING GOING IN THE BRIDAL SUITE? 188 00:08:12,492 --> 00:08:14,525 NOT THE DAY THEY HAD PLANNED. 189 00:08:14,525 --> 00:08:16,496 YEAH, OR THE SURPRISE GUEST. 190 00:08:16,496 --> 00:08:18,729 APPARENTLY CASTLE HAS A HISTORY WITH THE BRIDE. 191 00:08:18,729 --> 00:08:20,170 ANCIENT, MODERN OR SEXUAL? 192 00:08:20,170 --> 00:08:22,172 SEEMS LIKE ALL OF THE ABOVE. 193 00:08:22,172 --> 00:08:24,635 YOU'RE OKAY WITH THAT? 194 00:08:24,635 --> 00:08:26,877 YEAH. WHY WOULDN'T I BE? 195 00:08:26,877 --> 00:08:28,939 JUST KEEP ME POSTED ON THE LABS. 196 00:08:28,939 --> 00:08:31,782 MM-HMM. 197 00:08:31,782 --> 00:08:33,784 SO WHAT HAPPENED TO THE GIRL 198 00:08:33,784 --> 00:08:35,786 WHO SAID THAT MARRIAGE WAS A JURASSIC INSTITUTION? 199 00:08:35,786 --> 00:08:37,087 SHE GREW UP. 200 00:08:37,087 --> 00:08:39,950 MM. DOES THAT MEAN THE GROOM IS A GROWN-UP, TOO? 201 00:08:39,950 --> 00:08:41,622 ALL WORK AND NO PLAY. 202 00:08:41,622 --> 00:08:43,253 NO. HE PLAYS JUST ENOUGH. 203 00:08:43,253 --> 00:08:45,125 HE'S A LUCKY MAN. 204 00:08:45,125 --> 00:08:47,097 EXCEPT TODAY. 205 00:08:47,097 --> 00:08:50,000 ALL THE THINGS 206 00:08:50,000 --> 00:08:52,633 YOU WORRY ABOUT GOING WRONG AT YOUR WEDDING... 207 00:08:52,633 --> 00:08:54,134 I'M SORRY. 208 00:08:54,134 --> 00:08:56,567 HEY, HONEY. 209 00:08:56,567 --> 00:08:58,308 GREG. 210 00:08:58,308 --> 00:09:00,540 THIS IS RICK CASTLE. RICK CASTLE. 211 00:09:00,540 --> 00:09:03,173 YOUR EX. 212 00:09:03,173 --> 00:09:06,046 OH, YES. NO-- IT'S NICE TO MEET YOU. 213 00:09:06,046 --> 00:09:08,048 RICK'S WORKING WITH THE POLICE NOW. 214 00:09:08,048 --> 00:09:10,921 DO THEY THINK THE MURDERER IS STILL IN THE HOTEL? 215 00:09:10,921 --> 00:09:13,023 WELL, THAT DEPENDS ON WHETHER THE ATTACK WAS RANDOM 216 00:09:13,023 --> 00:09:15,225 OR SOMEONE SHE KNEW. 217 00:09:15,225 --> 00:09:18,759 SO YOU THINK ONE OF THE GUESTS COULD'VE KILLED HER? WE HAVE TO CONSIDER EVERY POSSIBILITY. 218 00:09:18,759 --> 00:09:20,230 YOU'LL HAVE TO EXCUSE US. 219 00:09:20,230 --> 00:09:23,193 WE HAVE PEOPLE ARRIVING DOWNSTAIRS. OF COURSE. 220 00:09:27,968 --> 00:09:31,071 KYRA BLAINE. 221 00:09:31,071 --> 00:09:32,242 WOW. 222 00:09:32,242 --> 00:09:36,747 I TAKE IT SHE WAS SOMEONE VERY SPECIAL. 223 00:09:36,747 --> 00:09:38,809 SHE'S THE ONE THAT GOT AWAY. 224 00:09:38,809 --> 00:09:40,811 COULD YOU PLEASE TELL ME YOUR NAME 225 00:09:40,811 --> 00:09:44,354 AND RELATIONSHIP TO THE BRIDE AND GROOM? SHEILA BLAINE, MOTHER OF THE BRIDE. 226 00:09:44,354 --> 00:09:46,987 KEITH MURPHY. I'M THE BROTHER OF THE GROOM. 227 00:09:46,987 --> 00:09:49,019 LAURIE HILL, MAID OF HONOR, FRIEND OF THE BRIDE. 228 00:09:49,019 --> 00:09:51,091 TED MURPHY, GROOM'S UNCLE. 229 00:09:51,091 --> 00:09:53,964 RUBY OSIRIS-SCHWARTZMAN. I WAS ONCE MARRIED TO KYRA'S FATHER'S 230 00:09:53,964 --> 00:09:55,595 BROTHER'S UNCLE TWICE REMOVED. 231 00:09:55,595 --> 00:09:58,098 AND, BOY, WAS THAT A MISTAKE. IS THE BAR OPEN YET? 232 00:09:58,098 --> 00:10:01,131 DO YOU HAVE ANY IDEA WHO MIGHT HAVE KILLED HER? OF COURSE NOT. 233 00:10:01,131 --> 00:10:03,273 NO. NO. NO. 234 00:10:03,273 --> 00:10:05,776 I HEARD THAT SOPHIE ALMOST DIDN'T COME TO THE WEDDING. 235 00:10:05,776 --> 00:10:07,778 SHE CALLED KYRA UP AND TRIED TO BACK OUT 236 00:10:07,778 --> 00:10:10,380 OF BEING A BRIDESMAID. BUT THEN SHE CALLED AND SAID SHE CHANGED HER MIND. 237 00:10:10,380 --> 00:10:12,082 I WARNED KYRA. 238 00:10:12,082 --> 00:10:15,085 THAT GIRL WAS TOO UNRELIABLE TO BE PUT IN A WEDDING PARTY. 239 00:10:15,085 --> 00:10:17,988 BUT DID SHE LISTEN TO ME? NO. THANK YOU VERY MUCH. NEXT! 240 00:10:17,988 --> 00:10:19,289 (Esposito) THAT'S EVERYONE, RIGHT? 241 00:10:19,289 --> 00:10:20,991 (Ryan) I THINK SO. 242 00:10:20,991 --> 00:10:23,994 WAIT. THERE'S A GROOMSMAN THAT'S NOT CHECKED OFF. 243 00:10:23,994 --> 00:10:25,295 MIKE WEITZ. 244 00:10:25,295 --> 00:10:28,128 HMM. I DIDN'T TALK TO HIM. YOU? 245 00:10:28,128 --> 00:10:30,200 NO. 246 00:10:30,200 --> 00:10:32,362 MR. MURPHY. 247 00:10:32,362 --> 00:10:34,034 HAVE YOU SEEN MIKE WEITZ? 248 00:10:34,034 --> 00:10:36,907 NO, ACTUALLY. HAS ANYBODY SEEN MIKE? 249 00:10:36,907 --> 00:10:39,109 OH, GOD. HE WAS WITH SOPHIE AT THE REHEARSAL DINNER. 250 00:10:39,109 --> 00:10:41,912 SHE'S RIGHT. I SAW THEM TOGETHER IN THE BAR AFTER. 251 00:10:41,912 --> 00:10:44,815 YOU DON'T THINK SOMETHING HAPPENED TO HIM, TOO, DO YOU? 252 00:10:44,815 --> 00:10:46,817 NONE OF THE GUESTS HAVE SEEN MIKE SINCE LAST NIGHT. 253 00:10:46,817 --> 00:10:48,819 WE CHECKED HIS ROOM. THE BED'S MADE. 254 00:10:48,819 --> 00:10:50,821 HIS TUX IS STILL HANGING IN THE CLOSET. 255 00:10:50,821 --> 00:10:53,083 AND HIS KEY CARD SHOWS HIS LAST ENTRY AT 2:00 A.M. 256 00:10:53,083 --> 00:10:56,056 2:00 A.M. ALL RIGHT. ANY SIGNS OF FOUL PLAY? 257 00:10:56,056 --> 00:11:00,130 NO, BUT HIS TOOTHBRUSH AND BAGS ARE STILL THERE. HAVE HOTEL SECURITY START SEARCHING THE PREMISES. 258 00:11:00,130 --> 00:11:03,033 YOU THINK WE'RE GONNA FIND ANOTHER BODY? MORE LIKELY, MIKE'S OUR KILLER, 259 00:11:03,033 --> 00:11:05,736 AND HE RAN OFF AFTER STRANGLING SOPHIE. 260 00:11:05,736 --> 00:11:07,037 SO PUT AN A.P.B. OUT. 261 00:11:07,037 --> 00:11:09,339 GET MIKE'S PHOTOS TO ALL AIRPORTS AND TRAIN STATIONS. 262 00:11:09,339 --> 00:11:12,272 I'LL CHECK BACK WITH THE WEDDING GUESTS, SEE IF I 263 00:11:12,272 --> 00:11:15,275 CAN GET A CLEAR PICTURE OF MIKE AND SOPHIE'S INTERACTIONS. OKAY, THANK YOU. 264 00:11:15,275 --> 00:11:18,178 OR... WE COULD WATCH LAST NIGHT'S FESTIVITIES 265 00:11:18,178 --> 00:11:21,011 FOR OURSELVES... 266 00:11:21,011 --> 00:11:23,954 ON THESE HANDY-DANDY DIGITAL VIDEO CAMERAS. 267 00:11:26,016 --> 00:11:28,018 THERE WE ARE, RUNNING FOR OUR LIVES, RIGHT... 268 00:11:28,018 --> 00:11:30,020 (Beckett) THAT'S MIKE GIVING A SPEECH. 269 00:11:30,020 --> 00:11:32,723 (Castle) AND THAT'S SOPHIE LOOKING AWAY FROM US. 270 00:11:32,723 --> 00:11:35,165 SERPENTINED DOWN THE HALLWAY. (guests laugh) 271 00:11:35,165 --> 00:11:37,167 AND THAT'S WHEN-- THAT'S WHEN KEITH DECIDES... 272 00:11:37,167 --> 00:11:40,170 (cell phone rings) HE'S GONNA SLOW HIM DOWN A LITTLE BIT. 273 00:11:40,170 --> 00:11:42,172 SO HE GRABS A FIRE EXTINGUISHER... 274 00:11:42,172 --> 00:11:45,035 (scoffs) WHO TAKES A CALL DURING A SPEECH? RIGHT? RUDE. 275 00:11:45,035 --> 00:11:47,237 AND HE'S YELLING, "I CAN'T SEE! I CAN'T SEE!" 276 00:11:47,237 --> 00:11:50,210 WONDER WHO SHE'S TALKING TO. AND HIM AND GREG ARE FALLING OVER EACH OTHER, 277 00:11:50,210 --> 00:11:54,014 AND THAT'S WHEN UNCLE TEDDY SHOWS UP TO SAVE THE DAY... PAUSE THAT. 278 00:11:54,014 --> 00:11:56,446 IN A GOLF... DOES ANYONE ELSE FIND IT ODD THAT SOPHIE WOULD LEAVE 279 00:11:56,446 --> 00:11:58,448 IN THE MIDDLE OF MIKE'S SPEECH? 280 00:11:58,448 --> 00:12:01,391 MAYBE WHOEVER CALLED WANTED TO MEET. YEAH, BUT WHO? 281 00:12:01,391 --> 00:12:04,094 EVERYONE AT THE REHEARSAL DINNER IS SITTING IN THAT ROOM. 282 00:12:04,094 --> 00:12:06,056 WELL, ACCORDING TO THE TIME CODE, 283 00:12:06,056 --> 00:12:08,058 THAT CALL CAME IN AT ABOUT 7:41. 284 00:12:08,058 --> 00:12:12,202 SOPHIE'S CELL PHONE HISTORY SHOWS THE CALL CAME FROM... 285 00:12:12,202 --> 00:12:14,905 THE HOTEL LOBBY. 286 00:12:14,905 --> 00:12:16,937 (Beckett) CHECK WITH THE HOTEL. 287 00:12:16,937 --> 00:12:18,939 SEE IF THEY HAVE ANY SECURITY CAMERAS 288 00:12:18,939 --> 00:12:20,911 COVERING THE PHONES. 289 00:12:20,911 --> 00:12:22,372 (elevator bell dings) 290 00:12:22,372 --> 00:12:26,046 THAT'S PERFECT. THANKS. 291 00:12:28,418 --> 00:12:30,951 WAIT A MINUTE. I KNOW THIS GUY. 292 00:12:30,951 --> 00:12:32,482 UH, GAMBLE. 293 00:12:32,482 --> 00:12:34,985 BOYD GAMBLE. SO HE'S A DEALER? 294 00:12:34,985 --> 00:12:36,987 MOSTLY WEED AND COKE BACK IN THE DAY. 295 00:12:36,987 --> 00:12:39,089 DID A COUPLE OF YEARS FOR ASSAULTING ANOTHER DRUG DEALER 296 00:12:39,089 --> 00:12:41,061 WHO WAS TRYING TO MUSCLE IN ON HIS TURF. 297 00:12:41,061 --> 00:12:43,433 BEAT HIM UP REAL BAD, TOO. SOUNDS LIKE HE'S GOT A BAD TEMPER. 298 00:12:43,433 --> 00:12:45,265 MAYBE HE'S GRADUATED TO MURDER. 299 00:12:45,265 --> 00:12:46,967 (elevator bell dings) 300 00:12:46,967 --> 00:12:49,239 GREAT. GO PICK HIM UP. 301 00:12:49,239 --> 00:12:51,071 WAS THAT ABOUT MIKE? 302 00:12:51,071 --> 00:12:53,173 UH, NO. JUST FOLLOWING UP ON A LEAD. 303 00:13:03,083 --> 00:13:05,115 YOUR DRESS IS LOVELY, BY THE WAY. 304 00:13:05,115 --> 00:13:07,217 OH, THANK YOU SO MUCH. 305 00:13:07,217 --> 00:13:09,059 IT--IT'S KATE, RIGHT? 306 00:13:09,059 --> 00:13:11,061 YEAH. I FEEL LIKE I KNOW YOU A LITTLE... 307 00:13:11,061 --> 00:13:14,164 FROM NIKKI HEAT, THE DEDICATION. OH. 308 00:13:14,164 --> 00:13:16,326 I STILL READ ALL OF RICK'S BOOKS. 309 00:13:16,326 --> 00:13:19,169 YEAH, WELL, MOST OF THAT BOOK IS JUST A RESULT 310 00:13:19,169 --> 00:13:21,171 OF CASTLE'S OVERACTIVE IMAGINATION. 311 00:13:21,171 --> 00:13:25,205 IT'S FUNNY THAT YOU CALL HIM THAT. 312 00:13:25,205 --> 00:13:26,506 CASTLE. 313 00:13:26,506 --> 00:13:28,879 WHEN I KNEW HIM, HE WAS JUST RICK, 314 00:13:28,879 --> 00:13:31,241 FRESH OFF HIS FIRST BEST SELLER. 315 00:13:31,241 --> 00:13:32,943 (floor indicator bell dings) 316 00:13:32,943 --> 00:13:36,286 WELL, OVERACTIVE IMAGINATION OR NOT, 317 00:13:36,286 --> 00:13:38,288 I KNOW HE ONLY DEDICATES HIS BOOKS... 318 00:13:38,288 --> 00:13:40,991 (elevator bell dings) TO PEOPLE HE REALLY CARES FOR. 319 00:13:44,895 --> 00:13:46,997 (man) MURDER? 320 00:13:46,997 --> 00:13:50,000 WHAT, ARE YOU NUTS? WE KNOW YOU MET SOPHIE AT THE HOTEL, BOYD. 321 00:13:50,000 --> 00:13:52,202 A COUPLE HOURS LATER, SHE TURNS UP DEAD. 322 00:13:52,202 --> 00:13:55,936 YOU WANT TO TELL US HOW THAT HAPPENED? SHE MET ME IN THE PARK. 323 00:13:55,936 --> 00:13:58,408 WE HAD A MUTUAL ACQUAINTANCE WHO RECOMMENDED MY SERVICES. 324 00:13:58,408 --> 00:14:01,571 SE KNEW I COULD GET HER WHAT SHE NEEDED. WHY DIDN'T YOU JUST SELL HER THE DRUGS AND BE DONE WITH IT? 325 00:14:01,571 --> 00:14:03,573 WHY DID YOU SHOW UP AT THE HOTEL? 326 00:14:03,573 --> 00:14:05,916 BECAUSE SHE NEEDED A SPECIALTY ITEM. 327 00:14:05,916 --> 00:14:08,919 I DIDN'T HAVE ANY ON ME, SO I TOLD HER I'D CALL HER 328 00:14:08,919 --> 00:14:12,022 WHEN I DID. WHAT SPECIALTY ITEM? 329 00:14:12,022 --> 00:14:15,085 FLUNITRAZEPAM. 330 00:14:15,085 --> 00:14:16,326 ROOFIES? 331 00:14:16,326 --> 00:14:18,328 WHY WOULD A BRIDESMAID NEED ROOFIES? 332 00:14:18,328 --> 00:14:20,330 YOU WANT TO TAKE ADVANTAGE OF A GUY, 333 00:14:20,330 --> 00:14:23,033 KNOCKING HIM UNCONSCIOUS KIND OF DEFEATS THE PURPOSE. 334 00:14:23,033 --> 00:14:25,035 THE BEST WAY--JUST ASK. OH. 335 00:14:25,035 --> 00:14:28,138 (woman) I'LL TAKE CARE OF IT FOR YOU. HELLO, SHEILA. 336 00:14:28,138 --> 00:14:30,400 NO PROBLEM. RICHARD. 337 00:14:30,400 --> 00:14:33,073 FIGURES YOU'D BE AT THE HEART OF THIS MESS. 338 00:14:33,073 --> 00:14:35,075 DETECTIVE BECKETT, THIS IS SHEILA BLAINE, 339 00:14:35,075 --> 00:14:36,947 MOTHER OF THE BRIDE. 340 00:14:36,947 --> 00:14:39,249 SO I GUESS I DIDN'T END UP HOMELESS OR TEACHING 341 00:14:39,249 --> 00:14:41,982 AT A THIRD-RATE COLLEGE IN NEW HAMPSHIRE AFTER ALL. 342 00:14:41,982 --> 00:14:45,956 THERE'S STILL TIME. I'VE MISSED OUR SPECIAL TALKS. 343 00:14:45,956 --> 00:14:48,088 SHEILA DIDN'T APPROVE OF STRUGGLING ARTISTS. 344 00:14:48,088 --> 00:14:50,991 YOU MUST LIKE GREG, THOUGH. HE'S FROM MONEY, RIGHT? 345 00:14:50,991 --> 00:14:52,993 IT WAS NEVER ABOUT THE MONEY, RICHARD. 346 00:14:52,993 --> 00:14:54,494 IT WAS ABOUT CHARACTER. 347 00:14:54,494 --> 00:14:57,567 AND YOU WOULD KNOW THAT IF YOU HAD ANY. 348 00:14:59,399 --> 00:15:01,501 WOW. 349 00:15:01,501 --> 00:15:03,503 JUST IMAGINE-- IF THINGS HAD WORKED OUT... 350 00:15:03,503 --> 00:15:06,406 (cell phone rings) YOU'D BE SPENDING THANKSGIVINGS WITH HER. 351 00:15:06,406 --> 00:15:07,577 (beep) 352 00:15:07,577 --> 00:15:09,539 BECKETT. OKAY, GREAT. 353 00:15:09,539 --> 00:15:12,482 THEY THINK THEY FOUND MIKE. 354 00:15:12,482 --> 00:15:14,484 (knocking on door) (man) HELP! 355 00:15:14,484 --> 00:15:17,147 ANYBODY! HELP! 356 00:15:17,147 --> 00:15:19,990 (panting) 357 00:15:19,990 --> 00:15:22,292 MR. WEITZ? MIKE. 358 00:15:22,292 --> 00:15:25,525 WHERE'S THAT BITCH SOPHIE? I'LL KILL HER. 359 00:15:25,525 --> 00:15:28,198 TIMING--VERY POOR. 360 00:15:28,198 --> 00:15:29,499 WHAT HAPPENED? 361 00:15:29,499 --> 00:15:32,462 THAT LITTLE FREAK DRUGGED ME. 362 00:15:39,709 --> 00:15:41,371 ALL RIGHT, MIKE. 363 00:15:41,371 --> 00:15:44,174 WALK ME THROUGH WHAT HAPPENED WITH YOU AND SOPHIE LAST NIGHT. 364 00:15:44,174 --> 00:15:46,176 MM. SHE CAME ON TO ME IS WHAT HAPPENED. 365 00:15:46,176 --> 00:15:49,119 ACTED ALL FLIRTY, BROUGHT ME A DRINK. 366 00:15:49,119 --> 00:15:51,381 A DRINK SPIKED WITH ROOFIES. YEAH, NUTS, RIGHT? 367 00:15:51,381 --> 00:15:54,484 I MEAN, WHO ROOFIES A GUY? ALL A GIRL HAS TO DO IS ASK. 368 00:15:54,484 --> 00:15:56,386 MM. 369 00:15:56,386 --> 00:15:58,488 DID THE TWO OF YOU HAVE HISTORY? 370 00:15:58,488 --> 00:16:00,560 NO. I MEAN, I-I SAW HER LAST YEAR 371 00:16:00,560 --> 00:16:03,133 AT GREG AND KYRA'S ENGAGEMENT PARTY. 372 00:16:03,133 --> 00:16:05,565 SHE WAS DEFINITELY THE KIND OF GIRL YOU NOTICED. 373 00:16:05,565 --> 00:16:08,568 BUT, UH, NO, I-I DON'T THINK WE SO MUCH AS EVEN TALKED. 374 00:16:08,568 --> 00:16:11,471 ANY IDEA WHY SHE'D WANT TO DRUG YOU? NO CLUE. 375 00:16:11,471 --> 00:16:14,474 DID SHE SEEM ANGRY, NERVOUS OR SCARED? 376 00:16:14,474 --> 00:16:18,578 NO. SHE SEEMED... DETERMINED. 377 00:16:18,578 --> 00:16:21,751 GUESS I SHOULD'VE KNOWN IT WAS TOO GOOD TO BE TRUE, HUH? 378 00:16:21,751 --> 00:16:26,086 IF YOU CAN THINK OF ANYTHING ELSE, LET US KNOW. OKAY. 379 00:16:28,588 --> 00:16:30,590 WHAT WAS SOPHIE UP TO LAST NIGHT? 380 00:16:30,590 --> 00:16:33,293 SHE WENT OUT OF HER WAY TO GET THOSE DRUGS. 381 00:16:33,293 --> 00:16:35,295 SHE DEFINITELY HAD A PLAN. 382 00:16:35,295 --> 00:16:37,297 TO ROOFIE MIKE AND LOCK HIM IN A CLOSET? 383 00:16:37,297 --> 00:16:39,299 WHAT KIND OF A BIZARRE PLAN IS THAT? 384 00:16:39,299 --> 00:16:42,172 MAYBE... 385 00:16:42,172 --> 00:16:43,473 NO, I GOT NOTHING. 386 00:16:43,473 --> 00:16:46,406 (Ryan) OH, DUDE. CATERING. GRAB IT. OH, I'M SO HUNGRY. 387 00:16:46,406 --> 00:16:48,408 WHAT IS THAT? THANKS. MMM. 388 00:16:48,408 --> 00:16:50,510 MM-HMM. 389 00:16:50,510 --> 00:16:52,282 WHAT ARE YOU GUYS DOING? 390 00:16:52,282 --> 00:16:54,614 HAVEN'T EATEN ALL DAY. OH. 391 00:16:54,614 --> 00:16:56,186 THESE POTATO PANCAKES ARE INCREDIBLE. 392 00:16:56,186 --> 00:16:59,018 YOU KNOW WHAT ELSE IS INCREDIBLE? HMM? 393 00:16:59,018 --> 00:17:00,750 HOW MUCH INFORMATION WE'RE GONNA FIND 394 00:17:00,750 --> 00:17:03,223 ONCE WE START INVESTIGATING OUR VICTIM'S LIFE. 395 00:17:03,223 --> 00:17:05,795 I WANT TO KNOW EVERYTHING ABOUT SOPHIE RONSON 396 00:17:05,795 --> 00:17:08,128 FROM THE MOMENT THAT HER PLANE LANDED IN NEW YORK 397 00:17:08,128 --> 00:17:10,130 TO THE MOMENT SHE WAS FOUND DEAD-- 398 00:17:10,130 --> 00:17:13,363 WHO SHE CALLED, WHAT SHE DID AND WHERE SHE ATE. 399 00:17:13,363 --> 00:17:15,365 (sighs) THIS IS DETECTIVE KATE BECKETT. 400 00:17:15,365 --> 00:17:19,269 I NEED A WARRANT ON FINANCIALS FOR A SOPHIE RONSON. 401 00:17:19,269 --> 00:17:21,271 YEAH, IT'S RYAN. HEY, SARAH. 402 00:17:21,271 --> 00:17:23,573 YEAH. YEAH, I NEED YOU TO REACH OUT TO ALL THE TAXI DISPATCHERS... 403 00:17:23,573 --> 00:17:25,575 DO ME A FAVOR. UM... 404 00:17:25,575 --> 00:17:29,219 I NEED THE CELL RECORDS ON SOPHIE RONSON. UH, IN ABOUT AN HOUR. ALL RIGHT. 405 00:17:40,390 --> 00:17:44,194 COULDN'T LET IT GO TO WASTE. 406 00:17:44,194 --> 00:17:45,535 HOW DID YOU FIND ME? 407 00:17:45,535 --> 00:17:47,537 I JUST FIGURED, WHAT WAS THE ONE PLACE 408 00:17:47,537 --> 00:17:50,370 WHERE NO ONE WOULD THINK TO LOOK FOR YOU? AT A WEDDING. 409 00:17:50,370 --> 00:17:52,502 AT YOUR WEDDING. (chuckles) 410 00:17:52,502 --> 00:17:54,744 WHERE'S... GREG. 411 00:17:54,744 --> 00:17:56,706 RIGHT. HE'S TAKING CARE OF THINGS. 412 00:17:56,706 --> 00:17:58,408 HE'S GOOD AT THAT. 413 00:18:00,110 --> 00:18:02,712 SO IF YOU DON'T GET MARRIED, 414 00:18:02,712 --> 00:18:05,255 IS IT JUST A REGULAR OLD CAKE? 415 00:18:05,255 --> 00:18:07,257 IT'S STILL WEDDING CAKE. 416 00:18:07,257 --> 00:18:11,321 IT'S TIERED, CUT FLOWERS, IT'S IN A BALLROOM. 417 00:18:11,321 --> 00:18:12,692 MM. 418 00:18:12,692 --> 00:18:15,665 IF THINGS HAD GONE AS PLANNED TODAY, 419 00:18:15,665 --> 00:18:18,168 I WOULD BE TWIRLING AROUND 420 00:18:18,168 --> 00:18:21,301 ON THE DANCE FLOOR WITH MY HUSBAND RIGHT ABOUT NOW. 421 00:18:21,301 --> 00:18:24,834 DO YOU REMEMBER THE LAST TIME WE DANCED? 422 00:18:24,834 --> 00:18:29,239 UNDER THE CLOCK AT GRAND CENTRAL STATION. 423 00:18:29,239 --> 00:18:32,212 YOU WERE ON YOUR WAY TO J.F.K. TO CATCH A FLIGHT TO LONDON. 424 00:18:32,212 --> 00:18:35,585 YOU WERE SUPPOSED TO FOLLOW ME. YOU SAID YOU NEEDED SPACE. 425 00:18:35,585 --> 00:18:39,289 (sighs) I DIDN'T MEAN FOREVER. 426 00:18:45,355 --> 00:18:48,658 SO YOU'VE DONE ALL OF THIS BEFORE. 427 00:18:48,658 --> 00:18:50,300 TWICE. 428 00:18:50,300 --> 00:18:54,234 AND EACH TIME, DID YOU THINK THAT SHE WAS THE ONE? 429 00:18:54,234 --> 00:18:57,437 IT SEEMED LIKE THE RIGHT THING TO DO AT THE TIME. 430 00:18:57,437 --> 00:19:00,139 BUT IT WASN'T, WAS IT? 431 00:19:02,372 --> 00:19:06,476 SOME GIRLS WOULD THINK WHAT HAPPENED TODAY IS A SIGN. 432 00:19:06,476 --> 00:19:08,318 THE MURDER? 433 00:19:08,318 --> 00:19:10,420 AND YOU. 434 00:19:12,582 --> 00:19:14,454 (Beckett) CASTLE. 435 00:19:17,587 --> 00:19:20,860 WE'RE ON OUR WAY. I THOUGHT YOU MIGHT NEED A RIDE. 436 00:19:20,860 --> 00:19:22,732 I SHOULD GO UPSTAIRS. 437 00:19:22,732 --> 00:19:25,495 THEY'LL BE LOOKING FOR ME. 438 00:19:39,549 --> 00:19:41,351 CAKE? 439 00:19:41,351 --> 00:19:43,753 NO, THANK YOU. 440 00:19:48,258 --> 00:19:49,959 (floor indicator bell dings) 441 00:19:52,322 --> 00:19:54,324 WE MET IN COLLEGE. 442 00:19:54,324 --> 00:19:57,367 WE WERE TOGETHER NEARLY THREE YEARS. 443 00:19:57,367 --> 00:19:59,198 I DIDN'T ASK. 444 00:19:59,198 --> 00:20:02,302 YES, YOU WERE NOT ASKING VERY LOUDLY. 445 00:20:02,302 --> 00:20:04,704 SHE'S DIFFERENT FROM YOUR EX-WIVES. 446 00:20:04,704 --> 00:20:07,277 WHAT DO YOU MEAN? 447 00:20:07,277 --> 00:20:10,240 SHE'S REAL. 448 00:20:10,240 --> 00:20:12,712 I DIDN'T THINK YOU WENT FOR REAL. 449 00:20:12,712 --> 00:20:15,345 (ding) 450 00:20:15,345 --> 00:20:16,846 TOUGH BREAKUP? 451 00:20:16,846 --> 00:20:18,888 (elevator bell dings) 452 00:20:18,888 --> 00:20:21,521 IT WAS A LONG TIME AGO. 453 00:20:26,426 --> 00:20:28,428 HEY. HEY. 454 00:20:28,428 --> 00:20:30,430 YOU CALLED? YES. 455 00:20:30,430 --> 00:20:34,003 I FOUND TRACES OF METAL IN THE ABRASIONS ON SOPHIE'S BACK. 456 00:20:34,003 --> 00:20:36,005 WHAT KIND OF METAL? I HAVE NO IDEA. 457 00:20:36,005 --> 00:20:38,007 BUT I SENT A SAMPLE OVER TO THE F.B.I. LAB 458 00:20:38,007 --> 00:20:40,270 TO SEE IF THEY CAN NARROW DOWN THE CHEMICAL SIGNATURE. 459 00:20:40,270 --> 00:20:43,313 WE SHOULD HAVE THE RESULTS TOMORROW. IF I FIND THE OBJECT THAT MADE THE WOUNDS, 460 00:20:43,313 --> 00:20:45,345 YOU'LL BE ABLE TO MATCH IT? ABSOLUTELY. 461 00:20:45,345 --> 00:20:46,846 GREAT. ANYTHING ELSE? 462 00:20:46,846 --> 00:20:48,748 YOU TELL ME. 463 00:20:48,748 --> 00:20:50,580 WHAT? 464 00:20:50,580 --> 00:20:53,323 DON'T "WHAT" ME. CASTLE'S LOST LOVE. 465 00:20:53,323 --> 00:20:54,724 YEAH. WHAT ABOUT IT? 466 00:20:54,724 --> 00:20:56,255 GIRL, I'M GONNA SMACK YOU. 467 00:20:56,255 --> 00:20:59,258 YOU WORK SIDE BY SIDE EVERY DAY. 468 00:20:59,258 --> 00:21:01,331 HE WRITES A SEX SCENE IN HIS BOOK ABOUT YOU 469 00:21:01,331 --> 00:21:03,333 THAT HAD ME REACHING FOR ICE WATER. 470 00:21:03,333 --> 00:21:04,794 NOW LITTLE MISS BRIDE SHOWS UP. 471 00:21:04,794 --> 00:21:07,667 DON'T TELL ME YOU'RE NOT THE LEAST BIT JEALOUS. OH, PLEASE. 472 00:21:07,667 --> 00:21:09,869 YOU HAVE BEEN INHALING TOO MANY AUTOPSY FLUIDS. 473 00:21:09,869 --> 00:21:13,343 HONEY, JUST BECAUSE YOU CAN'T SEE WHAT'S GOING ON 474 00:21:13,343 --> 00:21:16,275 DOESN'T MEAN EVERYONE ELSE DOESN'T SEE WHAT'S GOING ON. 475 00:21:16,275 --> 00:21:18,277 (singsongy) SHUT UP. 476 00:21:18,277 --> 00:21:20,550 MM-HMM. 'CAUSE I SEE IT. 477 00:21:20,550 --> 00:21:22,712 YOU MAY NOT, BUT I DO. 478 00:21:22,712 --> 00:21:25,054 THERE'S A LOT OF DETAIL IN THIS LOVE SCENE. 479 00:21:25,054 --> 00:21:27,487 AREN'T YOU GUYS SUPPOSED TO BE RUNNING BACKGROUND CHECKS? 480 00:21:27,487 --> 00:21:28,988 WE ARE. ON THE BRIDE. 481 00:21:28,988 --> 00:21:31,821 ALL DAY YESTERDAY, I KEPT FEELING LIKE 482 00:21:31,821 --> 00:21:33,793 I'D HEARD THE NAME KYRA BLAINE BEFORE. 483 00:21:33,793 --> 00:21:35,294 AND THEN IT HITS ME-- 484 00:21:35,294 --> 00:21:37,296 THE DEDICATION OF CASTLE'S SECOND BOOK, 485 00:21:37,296 --> 00:21:39,429 "A ROSE FOR EVER AFTER." 486 00:21:39,429 --> 00:21:41,971 "FOR KYRA BLAINE, YOU MAKE THE STARS SHINE." 487 00:21:43,773 --> 00:21:46,776 WHEN I'M NOT HERE, DO YOU GUYS BRAID EACH OTHER'S HAIR 488 00:21:46,776 --> 00:21:49,779 AND DEBATE WHO'S THE COOLEST JONAS BROTHER? NO, BUT IT'S TOTALLY NICK. 489 00:21:49,779 --> 00:21:51,781 ABSOLUTELY NICK. YEP. KEVIN'S THE TALENTED ONE. 490 00:21:51,781 --> 00:21:54,784 YEAH, NICK'S THE CUTE ONE. JOE? 491 00:22:00,049 --> 00:22:02,321 (elevator bell dings) THE KEY CARD. 492 00:22:02,321 --> 00:22:03,793 MIKE'S KEY CARD! 493 00:22:03,793 --> 00:22:05,795 HOTEL RECORDS INDICATE THAT MIKE'S KEY CARD 494 00:22:05,795 --> 00:22:08,458 LAST ACCESSED HIS HOTEL ROOM AT 2:00 A.M. YESTERDAY MORNING. 495 00:22:08,458 --> 00:22:11,030 (panting) ONLY HE WAS BUSY PASSED OUT IN A SUPPLY CLOSET 496 00:22:11,030 --> 00:22:14,934 WITH A BELLYFUL OF ROOFIES. SO WHO SWIPED INTO MIKE'S ROOM? 497 00:22:14,934 --> 00:22:18,468 MIKE SAID HIS KEY CARD WAS MISSING WHEN HE WOKE UP. 498 00:22:18,468 --> 00:22:21,871 WELL, SOPHIE MUST HAVE STOLEN IT. BUT WHY? 499 00:22:21,871 --> 00:22:24,343 THANK YOU. 500 00:22:24,343 --> 00:22:26,846 DIDN'T UNIFORMS ALREADY SEARCH THIS ROOM 501 00:22:26,846 --> 00:22:28,448 WHEN HE WENT MISSING? 502 00:22:28,448 --> 00:22:31,421 YEAH. MIKE SAID HE DIDN'T NOTICE ANYTHING OUT OF PLACE. 503 00:22:31,421 --> 00:22:33,923 SO WHAT COULD BE SO IMPORTANT IN THIS ROOM 504 00:22:33,923 --> 00:22:37,356 IT'D BE WORTH THE TROUBLE OF DRUGGING A MAN? 505 00:22:39,729 --> 00:22:43,393 MAYBE IT WASN'T THIS ROOM SHE WAS TRYING TO GET IN TO. 506 00:22:43,393 --> 00:22:45,134 THE ONLY REASON 507 00:22:45,134 --> 00:22:49,098 TO UNLOCK THE DOOR ADJACENT TO YOURS IS IF... 508 00:22:49,098 --> 00:22:51,901 (door creaks) YOU KNEW WHO YOUR NEIGHBOR WAS. 509 00:22:54,073 --> 00:22:56,776 MAYBE SOPHIE ONLY WANTED TO GET IN TO MIKE'S ROOM 510 00:22:56,776 --> 00:22:58,778 SO SHE COULD GET IN TO THIS ONE. 511 00:22:58,778 --> 00:23:00,710 SO WHOSE ROOM IS THIS? 512 00:23:07,386 --> 00:23:08,618 CASTLE. 513 00:23:17,627 --> 00:23:20,800 SOPHIE'S MISSING EARRING. 514 00:23:20,800 --> 00:23:23,002 THIS COULD BE WHERE SHE WAS KILLED. 515 00:23:23,002 --> 00:23:25,835 (door opens and closes) 516 00:23:25,835 --> 00:23:29,078 HEY, WHAT ARE YOU DOING IN MY ROOM? 517 00:23:43,453 --> 00:23:46,456 (sighs) THIS IS CRAZY. I DID NOT KILL SOPHIE RONSON. 518 00:23:46,456 --> 00:23:49,599 THEN HOW DID HER EARRING END UP IN YOUR ROOM? 519 00:23:49,599 --> 00:23:51,661 YOU HAVE A CHANCE TO COME CLEAN HERE, GREG. 520 00:23:51,661 --> 00:23:55,004 IF I WERE YOU, I WOULD TAKE IT. 521 00:23:55,004 --> 00:23:57,436 I GOT BACK TO THE ROOM AROUND 1:00. 522 00:23:57,436 --> 00:23:58,738 I WAS PRETTY DRUNK. 523 00:23:58,738 --> 00:24:01,440 NEXT THING I KNOW, IT WAS 2:00 IN THE MORNING, 524 00:24:01,440 --> 00:24:03,212 AND SOMEBODY WAS IN BED WITH ME, 525 00:24:03,212 --> 00:24:05,845 AND THEY HAD THEIR HANDS DOWN MY PANTS. 526 00:24:05,845 --> 00:24:08,878 I THOUGHT IT WAS KYRA. I-I-I FIGURED SHE CHANGED HER MIND 527 00:24:08,878 --> 00:24:11,881 ABOUT SPENDING THE NIGHT APART. BUT IT WASN'T. IT WAS SOPHIE. 528 00:24:11,881 --> 00:24:14,854 AND YOU FIGURED, WHAT THE HELL? LOVE THE ONE YOU'RE WITH. NO. 529 00:24:14,854 --> 00:24:17,056 OH, COME ON, GREG. SOPHIE'S A BEAUTIFUL GIRL, 530 00:24:17,056 --> 00:24:19,458 AND YOU WERE HOURS AWAY FROM STRAPPING ON 531 00:24:19,458 --> 00:24:23,092 THE BALL AND CHAIN FOR LIFE. NO. I LOVE KYRA. I WOULD NEVER CHEAT ON HER, 532 00:24:23,092 --> 00:24:25,164 ESPECIALLY WITH SOPHIE. 533 00:24:25,164 --> 00:24:28,638 WHY ESPECIALLY WITH SOPHIE? 534 00:24:28,638 --> 00:24:31,470 HAD YOU SLEPT WITH HER BEFORE? 535 00:24:31,470 --> 00:24:35,204 WHY IS HE HERE? HE'S A WRITER, NOT A COP. 536 00:24:35,204 --> 00:24:39,008 ANSWER THE QUESTION, GREG. DID YOU EVER SLEEP WITH SOPHIE? 537 00:24:39,008 --> 00:24:41,811 ONCE OR TWICE. 538 00:24:41,811 --> 00:24:44,113 BUT IT WAS BEFORE KYRA AND I EVEN MET, 539 00:24:44,113 --> 00:24:47,116 AND WE BOTH KNEW THAT IT WAS A MISTAKE. A MISTAKE THAT SOPHIE TRIED TO REPEAT. 540 00:24:47,116 --> 00:24:48,958 OR MAYBE SHE SUCCEEDED. 541 00:24:48,958 --> 00:24:51,260 NO. WHEN I SAW HER, I FREAKED. 542 00:24:51,260 --> 00:24:53,492 I SHOVED HER AWAY. SHE FELL ON THE FLOOR. 543 00:24:53,492 --> 00:24:55,965 THAT MUST HAVE BEEN WHEN HER EARRING CAME OFF. 544 00:24:55,965 --> 00:24:58,828 BEFORE I COULD DO ANYTHING ELSE, SHE RAN OUT THE DOOR. 545 00:24:58,828 --> 00:25:01,531 I-I MEAN IT ALL HAPPENED SO FAST, IT DIDN'T-- 546 00:25:01,531 --> 00:25:03,533 IT DIDN'T EVEN SEEM LIKE IT WAS REAL. 547 00:25:03,533 --> 00:25:05,034 WHY DIDN'T YOU SAY ANYTHING 548 00:25:05,034 --> 00:25:07,777 WHEN YOU FOUND OUT THAT SOPHIE WAS MURDERED? 549 00:25:07,777 --> 00:25:09,779 BECAUSE I KNEW HOW IT WOULD SOUND. 550 00:25:09,779 --> 00:25:12,211 PRETTY MUCH LIKE IT SOUNDS RIGHT NOW, LIKE A LIE. 551 00:25:12,211 --> 00:25:15,114 OKAY, THAT'S IT. I WANT HIM GONE. 552 00:25:15,114 --> 00:25:17,887 HE'S CLEARLY GOT IT OUT FOR ME 553 00:25:17,887 --> 00:25:20,990 'CAUSE HE WANTS TO GET BACK IN MY FIANCéE'S PANTS. I'M NOT THE MURDER SUSPECT HERE. 554 00:25:20,990 --> 00:25:23,693 I AM DONE ANSWERING QUESTIONS UNTIL HE IS GONE. YOU DON'T MAKE DEMANDS HERE, GREG. 555 00:25:23,693 --> 00:25:25,194 CASTLE. 556 00:25:25,194 --> 00:25:28,227 GO AND SEE IF RYAN AND ESPOSITO HAVE COME BACK 557 00:25:28,227 --> 00:25:31,300 WITH THE FORENSICS FROM GREG'S HOTEL ROOM. 558 00:25:38,137 --> 00:25:41,741 NOW WALK ME THROUGH WHAT HAPPENED AGAIN. 559 00:25:41,741 --> 00:25:45,074 (indistinct conversations) 560 00:25:46,846 --> 00:25:48,848 HEY, DON'T YOU WORRY ABOUT THIS, GREG. 561 00:25:48,848 --> 00:25:50,149 I GOT YOUR BACK COVERED. 562 00:25:50,149 --> 00:25:52,151 THANKS, UNCLE TEDDY. 563 00:25:55,284 --> 00:25:58,187 CAN'T BELIEVE YOU'RE LETTING HIM JUST WALK OUT OF HERE. 564 00:25:58,187 --> 00:26:01,591 YEAH, WELL, I DON'T HAVE ENOUGH EVIDENCE TO CONVICT HIM. OH, DON'T TELL ME YOU BELIEVE THAT STORY. 565 00:26:01,591 --> 00:26:03,993 IT'S LIKE A PORN MOVIE GONE WRONG. 566 00:26:03,993 --> 00:26:07,136 EXACTLY, AND IF YOU WERE GONNA MAKE UP A STORY, 567 00:26:07,136 --> 00:26:10,139 WOULD YOU MAKE UP SOMETHING LIKE THAT? SO? THE GUY IS A SUIT, NOT A STORYTELLER. 568 00:26:10,139 --> 00:26:13,242 IT DOESN'T MAKE HIM ANY LESS GUILTY. LOOK, DON'T GET ME WRONG. HE'S STILL OUR BEST SUSPECT. 569 00:26:13,242 --> 00:26:15,745 I'M JUST NOT AS READY TO CONVICT HIM OF MURDER 570 00:26:15,745 --> 00:26:18,307 AS YOU SEEM TO BE. IS THAT WHY YOU KICKED ME OUT OF THE INTERROGATION? 571 00:26:18,307 --> 00:26:21,310 IT WAS CLEAR THAT I WAS GONNA GET MORE OUT OF GREG ALONE. 572 00:26:21,310 --> 00:26:23,983 YOU'RE JUST TOO CLOSE TO THIS CASE TO SEE THAT. 573 00:26:23,983 --> 00:26:25,985 YOU MEAN I'M TOO CLOSE TO HER. 574 00:26:25,985 --> 00:26:28,658 YES, AND DO YOU KNOW HOW I KNOW THAT? 575 00:26:28,658 --> 00:26:31,320 IF YOU WEREN'T, YOU'D BE ALL OVER THE POSSIBILITY 576 00:26:31,320 --> 00:26:34,293 THAT KYRA COULD'VE KILLED SOPHIE. THAT'S IMPOSSIBLE. 577 00:26:34,293 --> 00:26:36,626 SEE, THAT'S NOT WHAT RICHARD CASTLE WOULD SAY. 578 00:26:36,626 --> 00:26:40,169 HE WOULD PAINT A PICTURE ABOUT THE NIGHT BEFORE THE WEDDING, 579 00:26:40,169 --> 00:26:42,601 ABOUT HOW KYRA COULDN'T FALL ASLEEP, 580 00:26:42,601 --> 00:26:44,603 AND SO SHE WENT DOWN TO SEE GREG 581 00:26:44,603 --> 00:26:46,906 ONLY TO FIND SOPHIE EMERGING FROM HIS ROOM, 582 00:26:46,906 --> 00:26:49,679 AND THE THOUGHT THAT HER FIANCé COULD CHEAT ON HER 583 00:26:49,679 --> 00:26:52,111 THE NIGHT BEFORE THEIR WEDDING WAS TOO MUCH. 584 00:26:52,111 --> 00:26:55,114 AND SO SHE FOLLOWS SOPHIE TO HER ROOM AND CONFRONTS HER. 585 00:26:55,114 --> 00:26:58,147 AND WHEN THINGS GET VIOLENT, SOPHIE ENDS UP DEAD. 586 00:27:00,349 --> 00:27:02,351 YOU HAVE TO STAY AWAY FROM HER, CASTLE, 587 00:27:02,351 --> 00:27:04,794 UNTIL THIS CASE IS CLOSED. 588 00:27:29,749 --> 00:27:33,422 RICHARD CASTLE, WHAT THE HELL ARE YOU DOING? 589 00:27:33,422 --> 00:27:35,054 NOTHING. 590 00:27:35,054 --> 00:27:38,427 SHE'S GETTING MARRIED TO ANOTHER MAN. IT'S JUST A PICTURE. 591 00:27:38,427 --> 00:27:40,830 NO, IT'S A LOADED GUN. (cell phone rings) 592 00:27:40,830 --> 00:27:41,991 (beeps) 593 00:27:41,991 --> 00:27:43,192 CASTLE. 594 00:27:43,192 --> 00:27:45,134 IS EVERYBODY'S WEDDING LIKE THIS? 595 00:27:45,134 --> 00:27:46,295 KYRA. 596 00:27:46,295 --> 00:27:48,738 SO MY BRIDESMAID'S DEAD, 597 00:27:48,738 --> 00:27:50,970 uh, my fiancé might be a murderer, 598 00:27:50,970 --> 00:27:54,373 AND THEN THERE'S YOU. YOU'VE JUST BEEN THROUGH A BAD SHOCK. THAT'S ALL. 599 00:27:54,373 --> 00:27:57,206 WILL YOU COME MEET ME SOMEWHERE? 600 00:27:57,206 --> 00:27:59,809 I DON'T THINK THAT'D BE A GOOD IDEA. PLEASE. 601 00:27:59,809 --> 00:28:02,812 I JUST NEED TO GET OUT OF THE HOTEL FOR A LITTLE WHILE. 602 00:28:02,812 --> 00:28:05,284 I-IF I HAVE TO LISTEN TO MY MOTHER JUDGE ME ANYMORE, 603 00:28:05,284 --> 00:28:07,286 I MIGHT START TAKING HOSTAGES. 604 00:28:07,286 --> 00:28:10,219 I UNDERSTAND COMPLETELY. 605 00:28:10,219 --> 00:28:12,421 HOW ABOUT THE ROOF? 606 00:28:12,421 --> 00:28:15,094 OUR SECRET ROOF. 607 00:28:15,094 --> 00:28:16,926 THAT'S PERFECT. 608 00:28:16,926 --> 00:28:18,868 Thank you. 609 00:28:18,868 --> 00:28:20,329 (beep) 610 00:28:20,329 --> 00:28:22,031 OH, BROTHER. 611 00:28:22,031 --> 00:28:24,734 I HOPE YOU KNOW WHAT YOU'RE DOING, KIDDO. 612 00:28:26,475 --> 00:28:29,138 YEAH... 613 00:28:29,138 --> 00:28:31,811 ME, TOO. 614 00:28:41,220 --> 00:28:43,722 HOW DID YOU KNOW THE DOOR WOULD STILL BE UNLOCKED 615 00:28:43,722 --> 00:28:45,724 AFTER ALL THESE YEARS? 616 00:28:45,724 --> 00:28:47,256 SOME THINGS NEVER CHANGE. 617 00:28:47,256 --> 00:28:49,098 ♪♪ 618 00:28:49,098 --> 00:28:52,501 WE SPENT SO MUCH TIME UP HERE THAT SUMMER. 619 00:28:52,501 --> 00:28:56,235 YOU WOULD COME OVER AFTER I GOT OUT OF CLASS, 620 00:28:56,235 --> 00:29:00,309 BAG OF FOOD IN ONE HAND, AND THAT NOTEBOOK IN THE OTHER. 621 00:29:00,309 --> 00:29:04,343 AND THEN I WOULD WRITE, AND YOU WOULD PRETEND TO STUDY. 622 00:29:04,343 --> 00:29:07,476 I WASN'T PRETENDING. OH? 623 00:29:07,476 --> 00:29:09,478 (laughs) OKAY, WELL, I JUST HAD A HARD TIME 624 00:29:09,478 --> 00:29:12,281 KEEPING MY HANDS OFF OF YOU. 625 00:29:15,224 --> 00:29:17,426 DOES GREG KNOW YOU'RE HERE? 626 00:29:17,426 --> 00:29:20,359 HE TOLD ME ABOUT SOPHIE IN HIS ROOM 627 00:29:20,359 --> 00:29:25,194 AND ABOUT, UH, HIM AND SOPHIE... BEFORE. 628 00:29:25,194 --> 00:29:28,968 ♪♪ 629 00:29:28,968 --> 00:29:31,300 HE SAID HE WAS SORRY HE DIDN'T TELL ME. 630 00:29:31,300 --> 00:29:34,503 DO YOU BELIEVE HIM? 631 00:29:34,503 --> 00:29:38,107 ♪♪ 632 00:29:39,879 --> 00:29:42,381 I JUST DON'T WANT TO SEE YOU GET HURT. 633 00:29:42,381 --> 00:29:45,384 HMM. TOO LATE. 634 00:29:50,559 --> 00:29:54,293 ♪♪ 635 00:29:57,466 --> 00:29:59,829 I MISSED YOU, RICK. 636 00:29:59,829 --> 00:30:03,873 AND I DIDN'T REALIZE HOW MUCH UNTIL I SAW YOU YESTERDAY. 637 00:30:07,536 --> 00:30:10,139 I MISSED YOU, TOO. 638 00:30:10,139 --> 00:30:13,142 ♪♪ 639 00:30:40,839 --> 00:30:43,542 WHAT DID I TELL YOU? 640 00:30:43,542 --> 00:30:45,114 WHAT? 641 00:30:45,114 --> 00:30:49,178 DID I OR DID I NOT MAKE MYSELF CLEAR? 642 00:30:49,178 --> 00:30:51,180 YES. 643 00:30:51,180 --> 00:30:53,522 DO YOU KNOW HOW MUCH IT ANNOYS ME, KNOWING WHAT YOU'RE DOING-- 644 00:30:53,522 --> 00:30:55,885 TOUCHING THINGS THAT SHOULDN'T BE TOUCHED, 645 00:30:55,885 --> 00:30:58,257 YANKING ON THINGS THAT SHOULDN'T BE YANKED? 646 00:30:58,257 --> 00:31:01,060 NO ONE--NO, NO, NOBODY YANKED ON ANYTHING. 647 00:31:01,060 --> 00:31:03,462 REALLY? THEN HOW DO YOU EXPLAIN THIS? 648 00:31:05,264 --> 00:31:07,967 HUH? OH, DON'T GIVE ME THAT LOOK. 649 00:31:07,967 --> 00:31:11,400 I'VE TOLD YOU A MILLION TIMES NOT TO MESS WITH MY CHAIR. (air hisses) 650 00:31:11,400 --> 00:31:13,042 RIGHT. NO. 651 00:31:13,042 --> 00:31:14,503 I'M SORRY. 652 00:31:14,503 --> 00:31:16,505 AND IT-- IT WON'T HAPPEN AGAIN. 653 00:31:29,188 --> 00:31:31,460 I SAW HER LAST NIGHT. 654 00:31:36,295 --> 00:31:37,997 I KNOW. 655 00:31:37,997 --> 00:31:39,898 WHAT? 656 00:31:53,912 --> 00:31:55,945 YOU HAD ME UNDER SURVEILLANCE? 657 00:31:55,945 --> 00:31:59,188 NOT YOU. KYRA. WHY WOULD YOU HAVE KYRA UNDER SURVEILLANCE? 658 00:31:59,188 --> 00:32:00,489 SHE'S A MURDER SUSPECT. 659 00:32:00,489 --> 00:32:02,491 OH, NO, NO, SEE, SOPHIE'S MURDER 660 00:32:02,491 --> 00:32:04,693 WAS AN ISOLATED CRIME OF PASSION. 661 00:32:04,693 --> 00:32:06,655 WATCHING KYRA AFTER THE FACT 662 00:32:06,655 --> 00:32:08,657 WOULD BE A WASTE OF POLICE RESOURCES, 663 00:32:08,657 --> 00:32:11,330 WHICH WE BOTH KNOW YOU WOULD NOT DO. 664 00:32:11,330 --> 00:32:14,663 I HAD TO MAKE SURE THAT YOU DIDN'T DO ANYTHING STUPID, 665 00:32:14,663 --> 00:32:17,306 WHICH YOU DID. WE JUST KISSED. THAT'S ALL THAT HAPPENED. 666 00:32:17,306 --> 00:32:19,468 THAT'S ALL THAT HAPPENED FOR NOW. 667 00:32:19,468 --> 00:32:21,410 HEY, THE FINANCIAL... 668 00:32:21,410 --> 00:32:23,372 EVERYTHING OKAY? 669 00:32:23,372 --> 00:32:25,514 YEAH. NO. 670 00:32:25,514 --> 00:32:26,945 OKAY. 671 00:32:26,945 --> 00:32:30,219 FINANCIALS CAME IN ON OUR GROOM. NO RED FLAGS. 672 00:32:30,219 --> 00:32:33,382 HE ACTUALLY LIVES PRETTY MODEST FOR SOMEONE WITH A TRUST FUND. ANYTHING BACK FROM THE LAB? 673 00:32:33,382 --> 00:32:34,683 NOTHING USEFUL. 674 00:32:34,683 --> 00:32:37,656 GREG'S HAIR AND FIBER SAMPLES CAME BACK NEGATIVE. 675 00:32:37,656 --> 00:32:39,658 OTHER THAN THE EARRING, THERE'S NO PHYSICAL EVIDENCE 676 00:32:39,658 --> 00:32:43,062 TYING HIM TO THE MURDER. SO I RETRACED SOPHIE'S STEPS LEADING UP TO THE WEDDING. 677 00:32:43,062 --> 00:32:45,234 SHE CHECKED INTO THE BEAUMONT ON FRIDAY, 678 00:32:45,234 --> 00:32:49,168 BUT SHE FLEW IN TO THE CITY ON THURSDAY MORNING. WHAT WAS SHE DOING ALL DAY THURSDAY? 679 00:32:49,168 --> 00:32:52,041 I DON'T KNOW. I DIDN'T EVEN SEE HER UNTIL THE REHEARSAL DINNER, 680 00:32:52,041 --> 00:32:53,742 AND WE DIDN'T EVEN TALK. 681 00:32:53,742 --> 00:32:57,206 I'M AFRAID I CAN'T HELP YOU. I, UH, I BARELY KNEW THE GIRL. 682 00:32:57,206 --> 00:32:59,178 NO, THE FIRST TIME I SAW SOPHIE 683 00:32:59,178 --> 00:33:01,180 WAS AT THE WEDDING BREAKFAST ON FRIDAY MORNING. 684 00:33:01,180 --> 00:33:03,182 I HAVE NO IDEA WHAT SOPHIE WAS DOING, 685 00:33:03,182 --> 00:33:05,984 BUT I'M SURE IT WAS NOTHING GOOD. 686 00:33:05,984 --> 00:33:08,987 DID YOU KNOW THAT SHE CALLED ME AFTER THE ENGAGEMENT PARTY 687 00:33:08,987 --> 00:33:11,090 TO ASK ME TO PAY FOR HER FLIGHT? 688 00:33:11,090 --> 00:33:13,462 AND DID YOU? OF COURSE NOT. 689 00:33:13,462 --> 00:33:16,465 I TOLD HER, PEOPLE HAVE TO MAKE THEIR OWN WAY. 690 00:33:16,465 --> 00:33:19,128 SO YOU HAVE NO IDEA WHAT SOPHIE DID ON THURSDAY? 691 00:33:19,128 --> 00:33:21,430 NO. BUT GUESS WHAT SHE WAS DOING ON FRIDAY 692 00:33:21,430 --> 00:33:23,672 WHEN I FIRST SAW HER. 693 00:33:23,672 --> 00:33:26,675 WHAT'S THAT? SHOPPING AT THE HOTEL STORE. 694 00:33:26,675 --> 00:33:30,109 (scoffs) HERE SHE IS TELLING EVERYBODY HOW BROKE SHE IS, 695 00:33:30,109 --> 00:33:34,383 AND SOMEHOW... OH, SUDDENLY, SHE HAS MONEY TO BURN. 696 00:33:34,383 --> 00:33:37,586 BETWEEN THE SHOES, THE DRESS, THE HOTEL AND THE FLIGHT, 697 00:33:37,586 --> 00:33:40,549 SOPHIE MUST HAVE DROPPED 3 GRAND ON THIS WEEKEND, EASY. 698 00:33:40,549 --> 00:33:42,791 I DON'T KNOW HOW. HER BANK BALANCE IS $18 699 00:33:42,791 --> 00:33:45,494 AND HER CREDIT CARDS ARE MAXED OUT. 700 00:33:45,494 --> 00:33:47,726 HOW MUCH DID THE DRUG DEALER SAY SHE PAID FOR THE ROOFIES? 701 00:33:47,726 --> 00:33:50,559 200 BUCKS CASH. THE PROBLEM IS, 702 00:33:50,559 --> 00:33:53,031 SOPHIE WITHDREW HER LAST $100 TO FLY TO NEW YORK. 703 00:33:53,031 --> 00:33:56,435 AS FAR AS I CAN TELL, SHE DIDN'T HAVE THE 200 BUCKS TO GIVE. SO WHO PAID FOR THE DRUGS? 704 00:33:56,435 --> 00:33:59,138 FORGET THE DRUGS. I'VE BEEN A BRIDESMAID SIX TIMES. 705 00:33:59,138 --> 00:34:02,371 HOW DID SHE PAY FOR THE DRESS? 706 00:34:02,371 --> 00:34:05,074 OKAY, THANK YOU. 707 00:34:05,074 --> 00:34:07,576 SO NOT ONLY DID SOPHIE PAY FOR HER FLIGHT IN CASH, 708 00:34:07,576 --> 00:34:11,120 BUT SHE ALSO MADE HER LAST THREE RENT PAYMENTS IN CASH AS WELL. 709 00:34:11,120 --> 00:34:13,522 ANY IDEA WHERE IT ALL CAME FROM? NOT YET. 710 00:34:13,522 --> 00:34:17,326 SO... SIX TIMES A BRIDESMAID, HUH? 711 00:34:17,326 --> 00:34:21,190 YOU WOULDN'T HAPPEN TO HAVE ANY PICTURES, WOULD YOU? 712 00:34:21,190 --> 00:34:23,432 WHO FEELS LIKE WATCHING A LITTLE BRIDAL SHOP SURVEILLANCE VIDEO? 713 00:34:23,432 --> 00:34:25,834 IS IT GOOD? WILL--WILL I BE SHOCKED? 714 00:34:25,834 --> 00:34:30,099 OH, YOU DEFINITELY DID NOT SEE THIS ONE COMING. 715 00:34:30,099 --> 00:34:32,201 OKAY, THERE'S SOPHIE. 716 00:34:34,673 --> 00:34:37,106 (speaks inaudibly) 717 00:34:37,106 --> 00:34:39,108 GREG'S UNCLE TEDDY. HE SAID HE BARELY KNEW HER. 718 00:34:39,108 --> 00:34:40,549 OH, HE DEFINITELY KNEW HER. 719 00:34:40,549 --> 00:34:42,551 ACCORDING TO THE BRIDAL SHOP OWNER, 720 00:34:42,551 --> 00:34:44,783 WHEN TEDDY WAS PAYING FOR THE DRESS, SOPHIE TOLD HIM 721 00:34:44,783 --> 00:34:47,656 SHE WASN'T SURE IF SHE COULD GO THROUGH WITH IT. BUT TEDDY SAID, AFTER ALL HE'D DONE FOR HER, 722 00:34:47,656 --> 00:34:50,659 SHE COULDN'T BACK OUT NOW. NOW I'VE HEARD OF BRIDES GETTING COLD FEET. BUT BRIDESMAIDS? 723 00:34:50,659 --> 00:34:54,293 DID HE PAY FOR THE DRESS IN CASH? YEP. HOW'D YOU KNOW? 724 00:34:54,293 --> 00:34:56,425 ALL THAT CASH MEANS THAT UNCLE SUGAR DADDY DIDN'T WANT 725 00:34:56,425 --> 00:34:57,726 A PAPER TRAIL 726 00:34:57,726 --> 00:35:00,199 TYING HIM TO WHATEVER SOPHIE WAS DOING FOR HIM. 727 00:35:00,199 --> 00:35:03,132 YEAH, BUT WHAT COULD IT BE? AND WHY WAS IT SO IMPORTANT 728 00:35:03,132 --> 00:35:05,574 FOR SOPHIE TO GO TO GREG'S WEDDING? 729 00:35:12,881 --> 00:35:14,343 THIS IS RIDICULOUS. 730 00:35:14,343 --> 00:35:16,845 YOU DON'T HAVE ENOUGH TO BUILD A CASE AGAINST ME, 731 00:35:16,845 --> 00:35:20,149 SO YOU GO AFTER SOMEONE ELSE IN MY FAMILY? WE'RE TRYING TO GET TO THE TRUTH. 732 00:35:20,149 --> 00:35:21,590 BY HAULING IN MY UNCLE? 733 00:35:21,590 --> 00:35:23,752 FOR GOD SAKES, HE BARELY KNEW SOPHIE. 734 00:35:23,752 --> 00:35:25,754 AND YET HE PAID FOR HER $700 DRESS 735 00:35:25,754 --> 00:35:29,158 AND HER PLANE TICKET OUT HERE. HE BOUGHT HER DRESS? 736 00:35:29,158 --> 00:35:31,560 IF HE BARELY KNEW HER, WHY WOULD HE DO THAT? 737 00:35:31,560 --> 00:35:33,262 WE HEARD THROUGH THE GRAPEVINE 738 00:35:33,262 --> 00:35:35,764 THAT SOPHIE MIGHT HAVE SOME TROUBLE MAKING THE MONEY 739 00:35:35,764 --> 00:35:37,806 TO COME OUT HERE TO THE WEDDING. 740 00:35:37,806 --> 00:35:40,769 MAYBE TEDDY WAS TRYING TO HELP HER OUT FOR US. THAT DOESN'T EXPLAIN THE $1,500 741 00:35:40,769 --> 00:35:43,442 THAT HE PAID HER THE LAST THREE MONTHS. HE WAS--HE WAS PAYING HER? 742 00:35:43,442 --> 00:35:44,913 MM-HMM. FOR WHAT? 743 00:35:44,913 --> 00:35:46,915 SOME KIND OF DEAL THEY GOT GOING ON. 744 00:35:46,915 --> 00:35:48,917 WE THINK IT COULD HAVE SOMETHING TO DO 745 00:35:48,917 --> 00:35:51,520 WITH THE WAY SHE WAS BEHAVING THE NIGHT BEFORE YOUR WEDDING. YEAH, SURE. 746 00:35:51,520 --> 00:35:53,782 UH, HE--HE PAID SOPHIE TO ROOFIE A GROOMSMAN 747 00:35:53,782 --> 00:35:56,355 AND THEN TO CLIMB INTO BED WITH ME. LOOK, WE KNOW HOW THIS SOUNDS-- 748 00:35:56,355 --> 00:35:59,528 IT SOUNDS LIKE SOMETHING OUT OF ONE OF RICK'S LITTLE BOOKS. LITTLE BOOKS? 749 00:35:59,528 --> 00:36:01,390 WHAT WOULD EVEN BE THE POINT OF THAT 750 00:36:01,390 --> 00:36:03,532 EXCEPT TO MESS UP THE WEDDING? 751 00:36:03,532 --> 00:36:06,235 WHY THE HELL WOULD TEDDY WANT THAT? THAT'S WHAT WE'RE TRYING TO FIND OUT. 752 00:36:06,235 --> 00:36:08,597 OH, MY GOD. FOR GOD SAKES. NEXT YOU'RE GONNA TELL ME 753 00:36:08,597 --> 00:36:11,400 THAT HE'S IN LOVE WITH KYRA, TOO. WHAT IS THAT SUPPOSED TO MEAN? 754 00:36:11,400 --> 00:36:13,702 YOU GUYS-- YOU KNOW DAMN WELL WHAT IT'S SUPPOSED TO MEAN. 755 00:36:13,702 --> 00:36:16,375 WHOA. NO, GREG, I DON'T. IF YOU'VE GOT SOMETHING TO SAY TO ME, 756 00:36:16,375 --> 00:36:19,878 WHY DON'T YOU JUST SAY IT? I LOVE KYRA, RICK. SHE MEANS THE WORLD TO ME. 757 00:36:19,878 --> 00:36:22,881 MAYBE YOU CAN'T SEE IT. MAYBE YOU DON'T CARE. 758 00:36:22,881 --> 00:36:25,484 BUT TEDDY HAS BEEN NOTHING BUT SUPPORTIVE OF US 759 00:36:25,484 --> 00:36:27,416 THE WHOLE WAY. 760 00:36:27,416 --> 00:36:30,359 HE FILED OUR WEDDING LICENSE. HE HELPED US WRITE OUR PRENUP. 761 00:36:30,359 --> 00:36:32,461 HE ALWAYS LOOKS AFTER... 762 00:36:34,393 --> 00:36:35,524 WHAT? 763 00:36:35,524 --> 00:36:37,766 I GOTTA MAKE A CALL. 764 00:36:37,766 --> 00:36:40,929 (door opens and closes) 765 00:36:45,434 --> 00:36:48,437 DO YOU KNOW HOW LONG I'VE BEEN SITTING IN HERE? 766 00:36:48,437 --> 00:36:51,710 I'M SORRY FOR THE WAIT. I HADN'T HAD ANYTHING TO EAT. 767 00:36:51,710 --> 00:36:53,712 WE COULDN'T DECIDE ON A RESTAURANT. 768 00:36:53,712 --> 00:36:56,385 WHAT DO YOU THINK THIS IS, FUNNY? 769 00:36:56,385 --> 00:36:58,717 DO YOU RECOGNIZE THESE FILES, MR. MURPHY? 770 00:36:58,717 --> 00:37:01,750 YOU WENT TO MY OFFICE? WE GOT A WARRANT FIRST. DON'T WORRY. 771 00:37:01,750 --> 00:37:04,553 LOOK, A LAYMAN LIKE YOU COULDN'T POSSIBLY UNDERSTAND 772 00:37:04,553 --> 00:37:06,955 THE FINANCIAL AND THE LEGAL COMPLICATIONS 773 00:37:06,955 --> 00:37:08,657 OF AN ESTATE LIKE GREG'S. 774 00:37:08,657 --> 00:37:11,560 I THINK HE JUST CALLED YOU STUPID. 775 00:37:11,560 --> 00:37:14,463 GREG'S GRANDPARENTS ESTABLISHED A TRUST FUND 776 00:37:14,463 --> 00:37:17,636 THAT HE WAS GOING TO RECEIVE ON HIS WEDDING DAY, 777 00:37:17,636 --> 00:37:20,339 AND NAMED YOU EXECUTOR. HOW AM I DOING SO FAR? 778 00:37:20,339 --> 00:37:22,341 AND FOR THE PAST FIVE YEARS, 779 00:37:22,341 --> 00:37:24,413 YOU HAVE BEEN STEALING FROM THAT FUND 780 00:37:24,413 --> 00:37:25,914 TO FUEL YOUR EXPENSIVE LIFESTYLE-- 781 00:37:25,914 --> 00:37:27,816 A HOUSE IN THE HAMPTONS, A FERRARI. 782 00:37:27,816 --> 00:37:29,978 A PAIR OF TOP-OF-THE-LINE BREAST IMPLANTS. 783 00:37:29,978 --> 00:37:31,980 I'M ASSUMING THOSE AREN'T FOR YOU, THOUGH. 784 00:37:31,980 --> 00:37:35,624 MY PERSONAL LIFE IS NONE OF YOUR BUSINESS. IT IS WHEN IT LEADS TO A MURDER. 785 00:37:35,624 --> 00:37:38,287 YOU LOST A TON OF MONEY IN THE MARKET. 786 00:37:38,287 --> 00:37:39,588 EVERYBODY DID. 787 00:37:39,588 --> 00:37:42,461 BUT NOT EVERYBODY HAD ACCESS TO GREG'S TRUST FUND. 788 00:37:42,461 --> 00:37:44,463 WHEN YOU RAN OUT OF YOUR OWN MONEY, YOU STARTED USING HIS. 789 00:37:44,463 --> 00:37:47,396 BURNED THROUGH ALMOST THE ENTIRE $2 MILLION, 790 00:37:47,396 --> 00:37:49,398 AND THEN WHEN HE CALLED YOU TO TELL YOU HE WAS GETTING ENGAGED, 791 00:37:49,398 --> 00:37:50,799 YOU PANICKED 792 00:37:50,799 --> 00:37:52,841 BECAUSE YOU DIDN'T HAVE ENOUGH EQUITY TO PUT IT BACK. 793 00:37:52,841 --> 00:37:54,703 YOU REALIZED THE ONLY WAY TO AVOID DETECTION 794 00:37:54,703 --> 00:37:56,705 WAS TO PUT A STOP TO THE WEDDING, BUT HOW? 795 00:37:56,705 --> 00:37:59,578 GREG WAS CLEARLY IN LOVE WITH KYRA. 796 00:37:59,578 --> 00:38:02,050 KYRA WAS IN LOVE WITH HIM. AND THEN YOU MET SOPHIE AT THE ENGAGEMENT PARTY, 797 00:38:02,050 --> 00:38:04,052 AND YOU REALIZED THAT SHE WAS THE PERFECT INSTRUMENT 798 00:38:04,052 --> 00:38:05,654 TO SABOTAGE GREG'S WEDDING 799 00:38:05,654 --> 00:38:08,016 BECAUSE SHE WAS SO DESPERATE FOR MONEY. THAT'S RIDICULOUS. 800 00:38:08,016 --> 00:38:10,719 THE FACT THAT SHE STILL CARRIED A TORCH FOR GREG 801 00:38:10,719 --> 00:38:12,691 MADE IT THAT MUCH EASIER TO CONVINCE HER 802 00:38:12,691 --> 00:38:15,424 TO SNEAK INTO GREG'S ROOM IN THE MIDDLE OF THE NIGHT... 803 00:38:15,424 --> 00:38:18,427 WITH THIS-- SOPHIE'S VIDEO CAMERA. 804 00:38:18,427 --> 00:38:21,830 WE FOUND THIS IN YOUR LUGGAGE IN THE HOTEL. 805 00:38:21,830 --> 00:38:24,603 IT STILL HAS SOPHIE'S FINGERPRINTS ALL OVER IT. 806 00:38:24,603 --> 00:38:27,606 ONLY SHE DIDN'T QUITE GET THE FOOTAGE YOU WERE HOPING FOR, 807 00:38:27,606 --> 00:38:29,307 DID SHE? 808 00:38:29,307 --> 00:38:30,739 WHEN GREG REFUSED SOPHIE'S ADVANCES, 809 00:38:30,739 --> 00:38:32,911 SHE HAD A CHANGE OF HEART. 810 00:38:32,911 --> 00:38:36,545 SHE RAN BACK TO HER ROOM, WHERE YOU WERE THERE, WAITING FOR HER. WHAT HAPPENED, MR. MURPHY? 811 00:38:36,545 --> 00:38:38,587 DID SHE THREATEN TO EXPOSE YOU, 812 00:38:38,587 --> 00:38:40,919 TO TELL EVERYBODY WHAT YOU ASKED HER TO DO? YOU COULDN'T LET THAT HAPPEN. 813 00:38:40,919 --> 00:38:43,452 AND THEN YOU REALIZED THERE WAS ANOTHER WAY 814 00:38:43,452 --> 00:38:46,094 TO SABOTAGE GREG'S WEDDING-- KILL A BRIDESMAID. 815 00:38:46,094 --> 00:38:48,557 WOW. WHAT A STORY. 816 00:38:48,557 --> 00:38:50,559 AND VERY WELL TOLD, I MIGHT ADD. 817 00:38:50,559 --> 00:38:54,933 BUT THAT'S ALL IT IS... A STORY. REALLY? 818 00:38:54,933 --> 00:38:57,536 MM-HMM. DO YOU REMEMBER HOW I TOLD YOU 819 00:38:57,536 --> 00:38:59,538 THAT WE WENT THROUGH YOUR LUGGAGE? 820 00:38:59,538 --> 00:39:02,641 WE FOUND THIS TIE TACK. 821 00:39:02,641 --> 00:39:05,343 PLATINUM, RIGHT? 822 00:39:05,343 --> 00:39:08,447 DID YOU KNOW THAT WE FOUND TRACE EVIDENCE OF PLATINUM 823 00:39:08,447 --> 00:39:11,550 IN THE WOUNDS IN SOPHIE'S BACK? 824 00:39:11,550 --> 00:39:13,552 YOU PROBABLY DIDN'T EVEN REALIZE YOU WERE MAKING THEM 825 00:39:13,552 --> 00:39:16,555 WHEN YOU WERE CHOKING HER FORM BEHIND. WHICH IS WHY IT NEVER OCCURRED TO YOU 826 00:39:16,555 --> 00:39:18,687 TO GET RID OF THE ONE PIECE OF PHYSICAL EVIDENCE 827 00:39:18,687 --> 00:39:22,030 THAT TIED YOU TO THE CRIME. WE'RE SORRY WE KEPT YOU WAITING. 828 00:39:24,032 --> 00:39:26,034 (Greg) SOPHIE, WHAT ARE YOU DOING? 829 00:39:26,034 --> 00:39:28,036 COME ON, GREG. YOU AND ME, ONE LAST TIME. 830 00:39:28,036 --> 00:39:29,598 WE WERE GOOD TOGETHER. 831 00:39:29,598 --> 00:39:32,471 NO. STOP IT. COME ON. IT'LL BE FUN. 832 00:39:32,471 --> 00:39:34,473 NO. WHAT'S THE MATTER WITH YOU? 833 00:39:34,473 --> 00:39:36,975 I JUST THOUGHT-- I'M GETTING MARRIED TOMORROW, OKAY, 834 00:39:36,975 --> 00:39:39,448 TO THE WOMAN THAT I LOVE. (button clicks) 835 00:39:39,448 --> 00:39:41,450 TEDDY'S PLAN WOULD'VE WORKED, TOO, 836 00:39:41,450 --> 00:39:44,983 IF IT WEREN'T FOR THE ONE THING HE DIDN'T COUNT ON. 837 00:39:44,983 --> 00:39:48,016 GREG. 838 00:39:48,016 --> 00:39:51,389 HE'S A GOOD MAN, KYRA. 839 00:39:51,389 --> 00:39:54,763 HE'S AN HONORABLE MAN. 840 00:39:54,763 --> 00:39:56,925 AND HE LOVES YOU. 841 00:39:56,925 --> 00:40:01,399 I KNOW. 842 00:40:01,399 --> 00:40:03,602 AND I LOVE HIM, TOO. 843 00:40:05,403 --> 00:40:07,105 BUT THAT DOES NOT MEAN 844 00:40:07,105 --> 00:40:10,108 THAT I'M NOT GONNA THINK ABOUT YOU FROM TIME TO TIME. 845 00:40:10,108 --> 00:40:12,611 YOU BETTER. 846 00:40:15,514 --> 00:40:17,516 OF ALL THE MURDERS 847 00:40:17,516 --> 00:40:20,449 IN ALL THE CITIES AT ALL THE WEDDINGS... 848 00:40:20,449 --> 00:40:23,421 AND YOU WALK INTO MINE. 849 00:40:23,421 --> 00:40:25,423 I'M GLAD I DID. 850 00:40:32,961 --> 00:40:35,604 (whispers) THANK YOU, RICK. 851 00:40:48,517 --> 00:40:50,579 HE'S ALL YOURS. 852 00:40:58,627 --> 00:41:00,789 (woman) ♪ MOVING CLOSER ♪ 853 00:41:00,789 --> 00:41:02,791 ♪ MOVING QUICKER ♪ 854 00:41:02,791 --> 00:41:05,734 ♪ IT'S LIKE A LOVE SONG, IT'S TOO BIG TO MISS ♪ 855 00:41:05,734 --> 00:41:07,235 ♪ I WANT TO LIVE... ♪ 856 00:41:07,235 --> 00:41:09,237 IF ANY PERSON CAN SHOW JUST CAUSE 857 00:41:09,237 --> 00:41:11,740 AS TO WHY THESE TWO MAY NOT BE JOINED TOGETHER, 858 00:41:11,740 --> 00:41:14,603 LET THEM SPEAK NOW OR FOREVER HOLD THEIR PEACE. 859 00:41:14,603 --> 00:41:17,506 ♪ I WANT TO FEEL LIKE ♪ 860 00:41:17,506 --> 00:41:19,477 ♪ YOU'RE TOUCHING MY HEART ♪ 861 00:41:19,477 --> 00:41:21,479 ♪ I WANT TO LOVE, LOVE, LOVE... ♪ 862 00:41:21,479 --> 00:41:24,482 BY THE POWER VESTED IN ME BY THE STATE OF NEW YORK, 863 00:41:24,482 --> 00:41:26,484 I NOW PRONOUNCE YOU HUSBAND AND WIFE. 864 00:41:26,484 --> 00:41:28,817 YOU MAY KISS THE BRIDE. 865 00:41:28,817 --> 00:41:30,559 ♪ ONE STEP FORWARD ♪ 866 00:41:30,559 --> 00:41:32,561 ♪ TWO STEPS SIDE ♪ 867 00:41:32,561 --> 00:41:34,963 ♪ BUT EVERY TIME GOES SLOW ♪ 868 00:41:34,963 --> 00:41:37,966 ♪ YEAH, WHEN MY HEART BEATS QUICKER ♪ 869 00:41:37,966 --> 00:41:41,269 ♪ THERE'S NOTHING ASSURED OF BEING BIGGER THAN THIS ♪ 870 00:41:41,269 --> 00:41:43,501 ♪ I WANT TO LIVE LIKE ♪ 871 00:41:43,501 --> 00:41:45,534 ♪ THERE'S SOMETHING TO SHOW ♪ 872 00:41:45,534 --> 00:41:47,606 ♪ I WANT TO LOOK LIKE ♪ 873 00:41:47,606 --> 00:41:50,208 ♪ I FIGURED IT OUT ♪ 874 00:41:50,208 --> 00:41:53,782 ♪ I WANT TO LOVE, LOVE, LOVE, LOVE, LOVE ♪ 875 00:41:53,782 --> 00:41:55,544 ♪ I WANT TO LOVE ♪