1
00:00:01,632 --> 00:00:04,135
THERE ARE TWO KINDS OF FOLKS
WHO SIT AROUND THINKING ABOUT

2
00:00:04,135 --> 00:00:06,006
HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.

3
00:00:06,006 --> 00:00:08,639
I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.

4
00:00:08,639 --> 00:00:10,641
CASTLE.
CASTLE.

5
00:00:10,641 --> 00:00:13,314
I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,

6
00:00:13,314 --> 00:00:15,216
AND I'VE FOUND MINE.
DETECTIVE KATE BECKETT.

7
00:00:15,216 --> 00:00:17,388
BECKETT.
BECKETT.

8
00:00:17,388 --> 00:00:19,350
NIKKI HEAT?
THE CHARACTER
HE'S BASING ON YOU.

9
00:00:19,350 --> 00:00:21,352
AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,

10
00:00:21,352 --> 00:00:24,055
I GET TO BE ON HER CASE.
I WOULD BE HAPPY
TO LET YOU SPANK ME.

11
00:00:24,055 --> 00:00:27,128
AND TOGETHER,
WE CATCH KILLERS.
WE MAKE A PRETTY GOOD TEAM,
YOU KNOW?

12
00:00:27,128 --> 00:00:29,800
LIKE STARSKY AND HUTCH,
TURNER AND HOOCH.
YOU DO REMIND ME
A LITTLE OF HOOCH.

13
00:00:29,800 --> 00:00:32,103
(siren whoops)

14
00:00:32,103 --> 00:00:34,505
(police radio chatter)

15
00:00:34,505 --> 00:00:37,768
YOU DRIVE, I'LL RIDE.
ALL RIGHT.

16
00:00:37,768 --> 00:00:42,173
(making kissing noises)

17
00:00:42,173 --> 00:00:44,175
ON ONE KNEE?
YES, THAT'S A GOOD GIRL.

18
00:00:44,175 --> 00:00:46,677
WHAT'S UP, CASTLE,
YOU PROPOSING?

19
00:00:46,677 --> 00:00:48,819
OH, NO.
JUST WAITING FOR YOU.

20
00:00:48,819 --> 00:00:51,722
THAT'S TOO BAD.
YOU TWO MAKE A CUTE COUPLE.

21
00:00:51,722 --> 00:00:54,054
YEAH. HEY, YOU THINK
I SHOULD GET A DOG?

22
00:00:54,054 --> 00:00:56,357
WHAT AM I, YOUR WIFE?
YEAH, YOU'RE MY WORK-WIFE.

23
00:00:56,357 --> 00:00:59,390
NO, I'M NOT YOUR WORK-WIFE.
I COULD GET A BLOODHOUND.
I COULD NAME HIM SHERLOCK,

24
00:00:59,390 --> 00:01:02,563
AND THEN I COULD--I COULD
BRING HIM TO CRIME SCENES.
NO, YOU COULDN'T.

25
00:01:02,563 --> 00:01:04,435
OH, WHAT? IT'D BE ADORABLE.

26
00:01:04,435 --> 00:01:07,238
I COULD GET HIM TO WEAR
A LITTLE SHERLOCK HAT,

27
00:01:07,238 --> 00:01:09,800
TRAIN HIM HOW TO CARRY
A LITTLE MAGNIFYING GLASS.

28
00:01:09,800 --> 00:01:11,402
OH, SEE? RIGHT THERE.

29
00:01:11,402 --> 00:01:13,844
DISAPPROVING, JUDGMENTAL--
YOU'RE TOTALLY MY WORK-WIFE.

30
00:01:13,844 --> 00:01:16,647
OH, THE BLOOD'S BOLD,
BUT IT WORKS.

31
00:01:16,647 --> 00:01:19,410
NOT SURE HE'D AGREE.

32
00:01:19,410 --> 00:01:22,213
(camera shutter clicking)

33
00:01:22,213 --> 00:01:24,385
MM.

34
00:01:24,385 --> 00:01:28,159
WELL, OBVIOUSLY, HE WAS
INTO ART.

35
00:01:28,159 --> 00:01:29,620
(Esposito) VICTOR FINK,

36
00:01:29,620 --> 00:01:31,562
43, GALLERY OWNER.

37
00:01:31,562 --> 00:01:34,195
THERE'S NO SIGN
OF FORCED ENTRY.

38
00:01:34,195 --> 00:01:36,597
TENANT UPSTAIRS CALLED IN
GUNSHOTS TO 9-1-1 AT 10:14 P.M.

39
00:01:36,597 --> 00:01:39,700
ANY IDEA WHAT HE WAS
DOING HERE SO LATE?
NO, BUT ACCORDING TO
HIS ASSISTANT,

40
00:01:39,700 --> 00:01:42,533
DARIUS LANGLEY, THEY CLOSE
AT 8:00. FAR AS HE CAN TELL,

41
00:01:42,533 --> 00:01:46,307
THERE'S NOTHING MISSING OFF
THE WALLS OR FROM THE BACK.
ANYTHING OFF THOSE
SECURITY CAMERAS?

42
00:01:46,307 --> 00:01:48,879
FAKE. NOT EVEN HOOKED UP.
LUCKY BREAK FOR THE GUY.

43
00:01:48,879 --> 00:01:51,442
UNLESS HE KNEW, JUST LIKE
HE KNEW FINK WAS WORKING LATE.

44
00:01:51,442 --> 00:01:53,844
OR MADE PLANS TO MEET HIM HERE.
CHECK WITH THE ASSISTANT.

45
00:01:53,844 --> 00:01:56,487
RIGHT.
(Lanie) HE HAD
SOME FIGHT IN HIM.

46
00:01:56,487 --> 00:01:59,290
ABRASIONS ON THE FOREARMS,
ON THE HANDS.

47
00:01:59,290 --> 00:02:02,523
AND THEN HE MADE A RUN
FOR THE STAIRS.
ONLY TO BE SHOT IN THE BACK.

48
00:02:02,523 --> 00:02:05,856
TWICE, 9 MILLIMETER.

49
00:02:05,856 --> 00:02:08,559
SHOOTER FIRED FROM OVER HERE.
(Esposito) IS IT POSSIBLE

50
00:02:08,559 --> 00:02:12,132
HE MIGHT HAVE BEEN
MEETING SOMEBODY?
IF HE WAS MEETING SOMEONE,
HE DIDN'T TELL ME.

51
00:02:12,132 --> 00:02:13,804
EXCUSE ME
FOR A MINUTE.

52
00:02:13,804 --> 00:02:16,867
HE'D ALREADY LEFT BY THE TIME
I LOCKED UP AT 8:00.
MR. LANGLEY,

53
00:02:16,867 --> 00:02:18,539
I'M DETECTIVE KATE BECKETT.

54
00:02:18,539 --> 00:02:21,172
HOW LONG HAVE YOU BEEN
MR. FINK'S ASSISTANT?
TWO MONTHS.

55
00:02:21,172 --> 00:02:24,144
I'M AN ART STUDENT.
I TAKE NIGHT CLASSES AT TISCH.

56
00:02:24,144 --> 00:02:26,146
IS THAT
WHERE YOU WERE TONIGHT?

57
00:02:26,146 --> 00:02:28,279
YEAH, MR. FINK TOTALLY
SUPPORTED ME BEING IN SCHOOL.

58
00:02:28,279 --> 00:02:30,221
HE'D LET ME LEAVE EARLY
TO MAKE CLASSES.

59
00:02:30,221 --> 00:02:32,223
THAT'S WHERE I WAS
WHEN YOU GUYS CALLED.

60
00:02:32,223 --> 00:02:34,855
DO YOU KNOW IF MR. FINK
HAD ANY ENEMIES,

61
00:02:34,855 --> 00:02:37,528
ANY UNHAPPY CLIENTS
OR ARTISTS?

62
00:02:37,528 --> 00:02:39,390
NOTHING
OUT OF THE ORDINARY.

63
00:02:39,390 --> 00:02:42,863
I CAN GET YOU A CONTACT LIST
IF YOU LIKE.
YES, PLEASE.

64
00:02:42,863 --> 00:02:44,865
(Darius) OKAY.
YOU KNOW WHAT?

65
00:02:44,865 --> 00:02:47,498
HEY, WE GOT
A LITTLE PROBLEM.
MM-HMM.

66
00:02:47,498 --> 00:02:50,501
WE DUG THESE TWO SLUGS
OUT OF THE WALL.

67
00:02:50,501 --> 00:02:52,643
THEY'RE NOT VERY FRAGMENTED.
SEE IF BALLISTICS

68
00:02:52,643 --> 00:02:55,646
CAN RUN A MATCH ON ANY OF
THE OTHER SHOOTINGS IN THE CITY.

69
00:02:55,646 --> 00:02:57,408
SURE, BUT THAT'S NOT
THE PROBLEM.

70
00:02:57,408 --> 00:02:59,510
WE DUG THESE TWO
OUT OF THE WALL,

71
00:02:59,510 --> 00:03:02,383
AND DR. PARISH HAS ANOTHER TWO
IN OUR VIC HERE.
SO OUR PERP'S
NOT A SHARPSHOOTER.

72
00:03:02,383 --> 00:03:04,585
BUT WE'VE ONLY FOUND
FOUR BULLETS,

73
00:03:04,585 --> 00:03:08,489
AND THERE ARE 1, 2, 3, 4, 5
SHELL CASINGS ON THE GROUND.

74
00:03:08,489 --> 00:03:11,462
THERE'S NO BLOOD TRAIL
LEADING OUT OF HERE.
EXACTLY,
AND NOT A DROP OF BLOOD

75
00:03:11,462 --> 00:03:14,265
OUTSIDE OF THE SPATTER
FROM OUR VIC HERE.

76
00:03:14,265 --> 00:03:16,967
SO THERE'S NO SECOND VICTIM?
SO WHERE'S THE FIFTH BULLET?

77
00:03:19,800 --> 00:03:21,872
THE BULLET WAS MADE OF ICE.

78
00:03:21,872 --> 00:03:23,874
OKAY, GREAT.
YEAH, SEND HER UP.

79
00:03:23,874 --> 00:03:26,377
FINK'S WIFE
IS ON HER WAY UP.

80
00:03:26,377 --> 00:03:29,940
FIRES THE BULLET. IT MELTS
BEFORE WE CAN FIND IT.

81
00:03:29,940 --> 00:03:31,942
AN ICE BULLET.

82
00:03:31,942 --> 00:03:35,416
HELLO. AN ICE BULLET, ARE YOU
EVEN PAYING ATTENTION TO ME?

83
00:03:35,416 --> 00:03:38,619
NO. YOU AREN'T SAYING ANYTHING
WORTH PAYING ATTENTION TO.

84
00:03:38,619 --> 00:03:41,292
YO. UNIFORMS
ARE STILL CANVASSING,

85
00:03:41,292 --> 00:03:43,794
BUT SO FAR, THEY STILL
HAVEN'T FOUND ANY BLOOD TRAILS

86
00:03:43,794 --> 00:03:47,258
OUTSIDE THE GALLERY.
AND C.S.U.'s
RESWEPT THE SCENE TWICE.

87
00:03:47,258 --> 00:03:49,330
NO SIGN
OF OUR FIFTH BULLET.
I'M TELLING YOU,

88
00:03:49,330 --> 00:03:52,433
ICE BULLET.
NAH, BRO. AN ICE BULLET WOULD
STILL MAKE A BULLET HOLE.

89
00:03:52,433 --> 00:03:54,305
YOU MEAN ICE HOLE.
WHAT'D YOU JUST CALL ME?

90
00:03:54,305 --> 00:03:56,807
GUYS, WHAT ELSE?
WE CHECKED
FINK'S CELL PHONE RECORDS.

91
00:03:56,807 --> 00:04:00,010
HE GOT A CALL AT 9:19 P.M.,
AN HOUR BEFORE HE WAS KILLED,

92
00:04:00,010 --> 00:04:02,613
FROM A BLOCKED
CELL PHONE NUMBER.
PHONE RECORDS INDICATE

93
00:04:02,613 --> 00:04:04,615
THAT THE CALL ORIGINATED
HERE IN NEW YORK,

94
00:04:04,615 --> 00:04:06,617
BUT IT WAS AN INTERNATIONAL
CELL--SATTELITE PHONE--

95
00:04:06,617 --> 00:04:08,949
REGISTERED TO
BAHRAIN CELLULAR.
WELL, GOOD LUCK
GETTING A WARRANT

96
00:04:08,949 --> 00:04:10,521
FROM THE GOVERNMENT
OF BAHRAIN.

97
00:04:10,521 --> 00:04:12,523
RUN DOWN FINK'S CLIENT
AND ARTIST LIST,

98
00:04:12,523 --> 00:04:15,386
SEE IF ANY OF THEM HAD
INTERNATIONAL NUMBERS,

99
00:04:15,386 --> 00:04:18,028
AND WATCH YOUR MOUTH.
(elevator bell dings)

100
00:04:18,028 --> 00:04:19,960
I'M GONNA GO 10-1.

101
00:04:19,960 --> 00:04:21,992
HEY, RYAN. GOT A SEC?

102
00:04:21,992 --> 00:04:23,734
WITNESS?

103
00:04:23,734 --> 00:04:26,266
NOT EXACTLY.
HANG HERE, BUDDY, OKAY?

104
00:04:26,266 --> 00:04:27,698
OF COURSE.

105
00:04:27,698 --> 00:04:30,671
I FOUND HIM ON THE CANVASS
BY THE ART GALLERY.

106
00:04:30,671 --> 00:04:32,973
I MEAN, THE GUY'S GOT
NO WALLET, NO I.D.

107
00:04:32,973 --> 00:04:34,975
OKAY, DID YOU ASK HIM
HIS NAME?

108
00:04:34,975 --> 00:04:38,048
YEAH, I ASKED HIM HIS NAME.
I ASKED HIM WHERE HE LIVED.

109
00:04:38,048 --> 00:04:40,511
YOU KNOW, BUT--BUT HERE'S
THE FUNNY PART--

110
00:04:40,511 --> 00:04:42,012
GUY SAYS HE DON'T REMEMBER.

111
00:04:42,012 --> 00:04:45,886
DID MY HUSBAND HAVE ENEMIES?
YEAH, HE HAD ENEMIES.

112
00:04:45,886 --> 00:04:49,019
EVERY ARTIST WHO COULDN'T
GET IN HIS GALLERY

113
00:04:49,019 --> 00:04:51,662
AND EVERY ARTIST
WHO WAS IN HIS GALLERY.

114
00:04:51,662 --> 00:04:52,963
HE'D SELL, LIKE, FIVE PIECES,

115
00:04:52,963 --> 00:04:55,826
AND THEY'D WANT TO KNOW
WHY HE DIDN'T SELL SIX.

116
00:04:55,826 --> 00:04:57,728
MRS. FINK,
I KNOW YOU'RE UPSET--

117
00:04:57,728 --> 00:05:00,030
NO, WHAT AM I SUPPOSED
TO DO WITH THESE, HUH?

118
00:05:00,030 --> 00:05:02,473
I DIDN'T WANT 'EM.

119
00:05:02,473 --> 00:05:04,975
I DID IT FOR HIM,
AND NOW HE'S DEAD.

120
00:05:04,975 --> 00:05:07,077
MRS. FINK,
CAN YOU THINK OF ANYONE

121
00:05:07,077 --> 00:05:09,079
WHO WOULD HATE
YOUR HUSBAND ENOUGH

122
00:05:09,079 --> 00:05:12,583
TO SHOOT HIM IN COLD BLOOD
IN THE BACK?
ROCCO.

123
00:05:12,583 --> 00:05:14,815
ROCCO? WAS THAT
ONE OF THE ARTISTS?
HIS ASSISTANT.

124
00:05:14,815 --> 00:05:16,987
I THOUGHT DARIUS
WAS HIS ASSISTANT.

125
00:05:16,987 --> 00:05:19,920
HIS OLD ASSISTANT. VICTOR FIRED
ROCCO A FEW MONTHS BACK.

126
00:05:19,920 --> 00:05:21,392
WHY?

127
00:05:21,392 --> 00:05:23,794
HE FIRED THAT LITTLE INSECT
OVER MONEY.

128
00:05:23,794 --> 00:05:26,657
BOY, DID ROCCO GO CRAZY,
MAKING ALL KINDS OF THREATS.

129
00:05:26,657 --> 00:05:28,759
"I'M GONNA GET YOU, FINK."
BUT YOU KNOW WHAT?

130
00:05:28,759 --> 00:05:31,762
NO. ROCCO? HE WASN'T EVEN A MAN.
HE WAS MORE LIKE A FLEA.

131
00:05:31,762 --> 00:05:34,104
VICTOR DIDN'T EVEN
THINK TWICE ABOUT IT.

132
00:05:34,104 --> 00:05:36,637
YOU SUPPOSE THE FLEA
HAD A GUN,

133
00:05:36,637 --> 00:05:38,639
A TINY GUN
WITH VANISHING BULLETS?

134
00:05:38,639 --> 00:05:40,441
ICE BULLETS
AND FLEAS WITH GUNS--

135
00:05:40,441 --> 00:05:42,443
DO YOU HAVE
WRITER'S BLOCK AGAIN?
STEPHEN KING WROTE STORIES

136
00:05:42,443 --> 00:05:45,075
OF BLOODTHIRSTY CARS
AND SOLD MILLIONS OF COPIES.

137
00:05:45,075 --> 00:05:48,619
I FIGURE, WHY BE LIMITED
BY LOGIC?
ROCCO JONES--
FINK'S OLD ASSISTANT.

138
00:05:48,619 --> 00:05:50,781
THE WIFE SAID
THAT ROCCO CALLED

139
00:05:50,781 --> 00:05:52,783
AND LEFT THREATENING MESSAGES
FOR FINK.

140
00:05:52,783 --> 00:05:55,125
SEE WHAT YOU CAN FIND.
I'M ON IT.

141
00:05:55,125 --> 00:05:57,928
ESPOSITO,
WHAT'S UP WITH RYAN?
MUGGING CASE.

142
00:05:57,928 --> 00:06:00,661
THE GUY GOT HIT IN THE HEAD
AND CAN'T REMEMBER WHO HE IS.

143
00:06:00,661 --> 00:06:03,564
OH, MISSING BULLETS ARE COOL.
AMNESIA IS EVEN COOLER.

144
00:06:04,965 --> 00:06:07,498
I'M SURE YOU HAVE
BETTER THINGS TO DO.

145
00:06:07,498 --> 00:06:09,540
I'M SURE I DO, TOO.

146
00:06:09,540 --> 00:06:11,141
HUH.

147
00:06:11,141 --> 00:06:13,544
AN INHALER.
YOU'RE ASTHMATIC.

148
00:06:13,544 --> 00:06:15,846
AWESOME.

149
00:06:15,846 --> 00:06:18,509
Y-YOU SHOULD PROBABLY
HANG ON TO THAT.

150
00:06:18,509 --> 00:06:20,380
INHALER, GROCERY BAG,
KEYS--

151
00:06:20,380 --> 00:06:22,553
ARE YOU TELLING ME
YOU DON'T REMEMBER AT ALL

152
00:06:22,553 --> 00:06:24,515
WHAT ANY OF THAT IS FOR?
YEAH.

153
00:06:24,515 --> 00:06:26,687
HOW RIDICULOUS IS THAT?
(chuckles)

154
00:06:26,687 --> 00:06:29,420
HEY.
HEY.

155
00:06:29,420 --> 00:06:31,562
(lowered voice) SO HAS HE, UH,
REALLY GOT AMNESIA?

156
00:06:31,562 --> 00:06:34,495
YEAH, BUT APPARENTLY,
MY HEARING'S FINE.

157
00:06:34,495 --> 00:06:36,026
WELL, THAT'S GOOD.
RICHARD CASTLE.

158
00:06:36,026 --> 00:06:38,529
HEY. I... I'D INTRODUCE
MYSELF, TOO, BUT--

159
00:06:38,529 --> 00:06:42,002
YEAH, WE'RE JUST
TRYING TO FIND SOMETHING

160
00:06:42,002 --> 00:06:44,404
THAT COULD TELL US WHO HE IS.

161
00:06:44,404 --> 00:06:47,037
OH, AND APPARENTLY I'VE BEEN
READING AS WELL.

162
00:06:47,037 --> 00:06:49,139
AH, "CRIME AND PUNISHMENT,"
DOSTOYEVSKY. CLASSIC.

163
00:06:49,139 --> 00:06:51,512
YOU HAVE EXCELLENT TASTE.
CASTLE.

164
00:07:02,092 --> 00:07:04,725
9 MILLIMETER.

165
00:07:04,725 --> 00:07:07,558
I THINK WE JUST FOUND
OUR FIFTH BULLET.

166
00:07:12,432 --> 00:07:17,838
♪♪

167
00:07:24,975 --> 00:07:26,917
YOU KNOW WHAT?
IF WE GOT A DOG,

168
00:07:26,917 --> 00:07:29,850
I COULD BUY HIM
LITTLE SADDLEBAGS,

169
00:07:29,850 --> 00:07:32,523
AND THEN HE COULD CARRY
YOUR BOOKS TO SCHOOL,

170
00:07:32,523 --> 00:07:35,155
AND YOU WOULDN'T HAVE TO WORRY
ABOUT GETTING SCOLIOSIS.
CONCEPTUALLY, I'D LIKE A DOG
AS MUCH AS YOU WOULD.

171
00:07:35,155 --> 00:07:38,088
IN REALITY, I'M NOT SEEING
THE GUY WHOSE DISHES

172
00:07:38,088 --> 00:07:40,090
NEVER MAKE IT TO THE SINK
BENDING OVER

173
00:07:40,090 --> 00:07:42,933
TO SCOOP POOP IN HUDSON PARK.
OH. I BET I COULD TRAIN HIM
TO USE A TOILET.

174
00:07:42,933 --> 00:07:45,766
UH-HUH. GRAM. I THOUGHT
YOU WERE SLEEPING IN.

175
00:07:45,766 --> 00:07:48,098
I WAS, JUST NOT IN MY ROOM.

176
00:07:48,098 --> 00:07:50,601
YOU KNOW WHAT?
WE ALL SHARE WAY TOO MUCH.

177
00:07:50,601 --> 00:07:52,142
OH, I'M SORRY, KIDDO.

178
00:07:52,142 --> 00:07:54,144
MWAH. BUT MY HAPPINESS
CANNOT BE CONTAINED.

179
00:07:54,144 --> 00:07:56,146
HEE! HEE!
I'M GOING TO SCHOOL.

180
00:07:56,146 --> 00:07:58,078
YES.
I'M GLAD YOU HAD
A NICE DATE.

181
00:07:58,078 --> 00:07:59,780
...THREE AND FOUR AND FIVE.

182
00:07:59,780 --> 00:08:01,852
I AM ASSUMING
FROM THIS WALK OF SHAME...
AH.

183
00:08:01,852 --> 00:08:03,854
THAT YOU AND YOUR
HIGH SCHOOL SWEETHEART CHET

184
00:08:03,854 --> 00:08:06,116
HAD A LOVELY NIGHT
ALL NIGHT TALKING.

185
00:08:06,116 --> 00:08:08,989
AMONG OTHER THINGS.
MM. IT'S A BEEN A FEW WEEKS.

186
00:08:08,989 --> 00:08:11,862
DO I NEED TO SIT HIM DOWN
AND ASK HIM HIS INTENTIONS?

187
00:08:11,862 --> 00:08:14,925
I AM HAVING WAY TOO MUCH FUN
TO WORRY ABOUT HIS INTENTIONS.

188
00:08:14,925 --> 00:08:18,869
OKAY, TOOK ME FOR
LOVELY CANDLELIGHT DINNER...

189
00:08:18,869 --> 00:08:21,872
HORSE AND CARRIAGE RIDE
THROUGH CENTRAL PARK,

190
00:08:21,872 --> 00:08:24,875
WHERE WE WATCHED THE SUNRISE
OVER THE SAME BOULDER

191
00:08:24,875 --> 00:08:27,578
WHERE WE SHARED
OUR FIRST KISS.

192
00:08:27,578 --> 00:08:29,880
AHH.
WAIT. THAT'S STILL
HIS MAKE-OUT SPOT?

193
00:08:29,880 --> 00:08:31,511
MOTHER, THAT'S A RED FLAG.

194
00:08:31,511 --> 00:08:34,915
HONEY, NOTHING YOU COULD SAY
CAN SPOIL THIS FOR ME.

195
00:08:34,915 --> 00:08:36,917
I HAVEN'T
FELT THIS WAY SINCE...

196
00:08:36,917 --> 00:08:38,989
(sighs)
I CAN'T REMEMBER WHEN.

197
00:08:38,989 --> 00:08:40,991
AH, AMNESIA.
IT'S GOING AROUND.

198
00:08:40,991 --> 00:08:43,924
SPEAKING OF WHICH, I'M OFF.

199
00:08:43,924 --> 00:08:45,926
I'D TELL YOU NOT TO WAIT UP,

200
00:08:45,926 --> 00:08:48,158
BUT CLEARLY,
THERE WOULD BE NO POINT.

201
00:08:48,158 --> 00:08:51,231
HIS FINGERPRINTS
AREN'T IN THE SYSTEM,

202
00:08:51,231 --> 00:08:54,735
AND WE DON'T HAVE ANY HITS
ON MISSING PERSONS.
THIS IS CRAZY. WE ACTUALLY
FIND A WITNESS TO OUR MURDER,

203
00:08:54,735 --> 00:08:57,768
WE DON'T KNOW WHO HE IS, AND HE
DOESN'T REMEMBER WHAT HE SAW.

204
00:08:57,768 --> 00:09:00,070
WHERE ARE WE ON ROCCO?
FINK'S OLD ASSISTANT?

205
00:09:00,070 --> 00:09:03,073
UNIFORMS ARE
BRINGING HIM IN NOW.
BALLISTICS CONFIRMS
THAT THE BULLETS CAME FROM

206
00:09:03,073 --> 00:09:05,776
THE SAME GUN
AS THE OTHERS.

207
00:09:05,776 --> 00:09:08,779
WHATEVER HAPPENED IN
THE GALLERY, HE WAS THERE.
NOT ONLY WAS HE THERE,

208
00:09:08,779 --> 00:09:10,851
BUT SOMEONE TRIED
TO KILL HIM AS WELL.

209
00:09:10,851 --> 00:09:13,584
GOOD THING HE READS.
GOOD THING HE READS
RUSSIAN LITERATURE.

210
00:09:13,584 --> 00:09:16,086
IF THE GUY WAS
A NICHOLAS SPARKS' FAN,

211
00:09:16,086 --> 00:09:19,189
HE'D BE DEAD.
HAVE C.S.U. CHECK THE COAT
FOR GUNPOWDER RESIDUE,

212
00:09:19,189 --> 00:09:22,092
BLOOD, FIBERS. MAYBE IT CAN TELL
US WHAT HAPPENED THAT NIGHT.

213
00:09:22,092 --> 00:09:25,035
AND CHECK PHOTO I.D.s
ON FINK'S ARTISTS AND CLIENTS.
YOU THINK HE MIGHT BE
ON OF 'EM?

214
00:09:25,035 --> 00:09:27,037
A GIRL CAN DREAM.

215
00:09:27,037 --> 00:09:28,669
AH!
OOH!

216
00:09:28,669 --> 00:09:29,900
OH!

217
00:09:29,900 --> 00:09:32,302
I BROUGHT YOU COFFEE.

218
00:09:32,302 --> 00:09:36,046
THANK YOU, CASTLE.

219
00:09:36,046 --> 00:09:38,078
WE ALL HAVE THREE DIFFERENT
TYPES OF MEMORY.

220
00:09:38,078 --> 00:09:40,080
GENERAL KNOWLEDGE,
LIKE LANGUAGE AND FACTS,

221
00:09:40,080 --> 00:09:41,782
IS CALLED SEMANTIC MEMORY.

222
00:09:41,782 --> 00:09:43,583
YOURS DOESN'T SEEM
TO BE AFFECTED.

223
00:09:43,583 --> 00:09:46,817
THEN THERE'S PROCEDURAL MEMORY,
ALSO OFTEN CALLED MUSCLE MEMORY.

224
00:09:46,817 --> 00:09:49,159
THAT INCLUDES ANY ACTIONS
OR SKILLS THAT YOU'VE REPEATED

225
00:09:49,159 --> 00:09:51,962
OVER AND OVER
AND FORMED NEURAL PATHWAYS FOR,

226
00:09:51,962 --> 00:09:53,293
LIKE, UH, RIDING A BIKE.

227
00:09:53,293 --> 00:09:55,325
NOW I KNOW YOURS IS INTACT

228
00:09:55,325 --> 00:09:57,798
BECAUSE YOU'VE BEEN
WALKING AROUND.
SO WHAT'S THE PROBLEM, DOC?

229
00:09:57,798 --> 00:09:59,870
THE PROBLEM
IS IN EPISODIC MEMORY.

230
00:09:59,870 --> 00:10:02,172
THAT'S ANY EXPERIENCE
YOU'VE EVER HAD--

231
00:10:02,172 --> 00:10:04,004
CONVERSATIONS,
MOVIES YOU'VE SEEN,

232
00:10:04,004 --> 00:10:07,237
THE PEOPLE IN YOUR LIFE,
EVEN YOUR OWN NAME.

233
00:10:07,237 --> 00:10:09,239
SO, LIKE, IF I WERE
A BETTING MAN,

234
00:10:09,239 --> 00:10:14,084
WHICH I HAVE NO IDEA
IF I AM,

235
00:10:14,084 --> 00:10:17,347
WOULD I PUT MY MONEY
ON MY MEMORY COMING BACK

236
00:10:17,347 --> 00:10:19,049
OR NOT?

237
00:10:19,049 --> 00:10:20,921
THERE'S NO WAY TO TELL.

238
00:10:20,921 --> 00:10:22,923
YOU MIGHT EVENTUALLY
GET IT ALL BACK

239
00:10:22,923 --> 00:10:25,756
OR NONE OF IT
OR ANYTHING IN BETWEEN.

240
00:10:25,756 --> 00:10:28,128
DO WE KNOW WHY
THIS WOULD'VE HAPPENED?

241
00:10:28,128 --> 00:10:30,701
HE'S GOT A BUMP
ON THE BACK OF HIS HEAD.

242
00:10:30,701 --> 00:10:32,703
IT'S USUALLY
A BLOW TO THE HEAD

243
00:10:32,703 --> 00:10:34,705
COUPLED WITH
PSYCHOLOGICAL TRAUMA

244
00:10:34,705 --> 00:10:36,867
WHICH LEADS TO AMNESIA.
TRAUMA?

245
00:10:36,867 --> 00:10:39,810
YOU DID GET SHOT.
COULD THAT BE IT?

246
00:10:39,810 --> 00:10:43,073
IF HE BELIEVED HE WAS
GOING TO DIE, THEN SURE.

247
00:10:43,073 --> 00:10:46,116
IF WE TOOK HIM BACK
TO THE SCENE OF THE CRIME,

248
00:10:46,116 --> 00:10:48,879
COULD THAT JOG HIS MEMORY?
POSSIBLY.

249
00:10:48,879 --> 00:10:51,121
BUT AMNESIA'S
A TRICKY CONDITION.

250
00:10:51,121 --> 00:10:54,154
I'D LIKE TO TAKE HIM
BACK TO ST. VINCENT'S,

251
00:10:54,154 --> 00:10:56,787
RUN SOME TESTS AND SCANS,
JUST TO BE SAFE.

252
00:10:56,787 --> 00:10:59,790
OF COURSE. I'LL NEED TO ASK
A FEW QUESTIONS FIRST.

253
00:10:59,790 --> 00:11:02,893
(clears throat)
MISTER...

254
00:11:02,893 --> 00:11:04,935
I'M SORRY. I DON'T EVEN
KNOW WHAT TO CALL YOU.

255
00:11:04,935 --> 00:11:07,698
I DON'T KNOW
WHAT TO CALL ME EITHER.

256
00:11:07,698 --> 00:11:11,071
YOU SAID HIS PROCEDURAL MEMORY
IS INTACT.
YES.

257
00:11:11,071 --> 00:11:13,043
MAY I?

258
00:11:13,043 --> 00:11:14,374
SURE.

259
00:11:14,374 --> 00:11:18,008
JUST SIGN AT THE BOTTOM.

260
00:11:19,679 --> 00:11:23,113
THAT'S FREAKY. HOW'D I--
HOW'D I DO THAT?

261
00:11:23,113 --> 00:11:25,886
THAT LOOKS LIKE
A REAL SIGNATURE.
WELL, IT PROBABLY IS.

262
00:11:25,886 --> 00:11:29,760
YOU'VE SIGNED YOUR NAME
SO MANY TIMES--
YOU'VE FORMED NEURAL PATHWAYS,
PROCEDURAL MEMORY.

263
00:11:29,760 --> 00:11:32,392
SO HE CAN'T REMEMBER HIS NAME,
BUT HE CAN SIGN IT?

264
00:11:32,392 --> 00:11:35,265
MYSTERIES OF THE BRAIN.
IT'S ILLEGIBLE.

265
00:11:35,265 --> 00:11:39,029
MAYBE YOU'RE A DOCTOR.
THIS FIRST INITIAL
LOOKS LIKE A "J."

266
00:11:39,029 --> 00:11:41,371
DOES THAT RING A BELL?
NO. UNH-UNH.

267
00:11:41,371 --> 00:11:44,104
MAYBE WE SHOULD
JUST CALL YOU JAY.

268
00:11:46,206 --> 00:11:50,180
JAY. THAT'S AS GOOD
AS ANYTHING, I GUESS.

269
00:11:52,712 --> 00:11:54,815
DO YOU RECOGNIZE
THIS MAN?

270
00:11:54,815 --> 00:11:56,116
NO. SHOULD I?

271
00:11:56,116 --> 00:11:58,248
HIS NAME IS VICTOR FINK.

272
00:11:58,248 --> 00:12:01,992
HE OWNED THE ART GALLERY
WHERE YOU WERE SHOT.
HE WAS THERE WITH ME?

273
00:12:01,992 --> 00:12:04,154
HE WAS SHOT AND KILLED.

274
00:12:04,154 --> 00:12:06,126
GOD.

275
00:12:06,126 --> 00:12:08,258
WHAT ABOUT THIS MAN?
ROCCO JONES.

276
00:12:08,258 --> 00:12:11,031
HE USED TO WORK
AT THE GALLERY.

277
00:12:12,763 --> 00:12:14,965
GUYS, I FEEL SO USELESS.

278
00:12:14,965 --> 00:12:18,138
LOOK, I'M REALLY...
I'M REALLY SORRY.

279
00:12:18,138 --> 00:12:20,140
I-I JUST DON'T KNOW HIM.

280
00:12:20,140 --> 00:12:22,943
(man) After all I did
for you, Fink?

281
00:12:22,943 --> 00:12:24,945
I wasn't
just your assistant, man.

282
00:12:24,945 --> 00:12:26,947
I broke the law for you.

283
00:12:26,947 --> 00:12:29,319
And you think
you can just fire me?

284
00:12:29,319 --> 00:12:32,522
I should kill you, man.
Just pop you right in the back.

285
00:12:32,522 --> 00:12:34,124
Bang! And you're dead.

286
00:12:34,124 --> 00:12:36,987
(line disconnects,
dial tone drones)
WHEW. WOW.

287
00:12:36,987 --> 00:12:40,330
(beep)
SO YOU FINALLY GET THE COURAGE
TO DO IT, THERE, ROCCO?

288
00:12:40,330 --> 00:12:42,032
DUDE, COME ON.

289
00:12:42,032 --> 00:12:44,364
I WAS MAD.
I WAS JUST BLOWING OFF STEAM.

290
00:12:44,364 --> 00:12:47,267
YOU SAID YOU BROKE THE LAW
FOR HIM.

291
00:12:47,267 --> 00:12:48,799
HOW?

292
00:12:52,772 --> 00:12:54,104
FINE BY ME, PAL.

293
00:12:54,104 --> 00:12:56,106
YOU HAVE A NICE TRIAL.

294
00:12:56,106 --> 00:12:59,279
COME ON. WHAT--WHAT THE HELL
ARE YOU TALKING ABOUT?
YOU THREATENED A GUY,

295
00:12:59,279 --> 00:13:01,051
THEN HE TURNS UP DEAD.

296
00:13:01,051 --> 00:13:03,213
DO THE MATH.

297
00:13:03,213 --> 00:13:05,816
FORGERIES.

298
00:13:07,487 --> 00:13:09,219
FINK PAID ME

299
00:13:09,219 --> 00:13:11,391
TO PAINT FORGERIES
OF HIGH-END PAINTINGS.

300
00:13:11,391 --> 00:13:14,324
LOOK, I WAS STRUGGLING, MAN.
I NEEDED THE DOUGH.

301
00:13:14,324 --> 00:13:17,067
WHAT'D HE DO
WITH THE COPIES?

302
00:13:17,067 --> 00:13:18,468
SOLD THEM.

303
00:13:18,468 --> 00:13:21,371
PASSED THEM ALONG TO THE BUYER
LIKE THEY WERE THE REAL THING.

304
00:13:21,371 --> 00:13:23,803
WHO DID HE SELL TO?

305
00:13:23,803 --> 00:13:25,906
(Esposito) BAHIR HARUN.

306
00:13:25,906 --> 00:13:27,908
HE'S AN ATTACHé
AT THE BAHRAIN CONSULATE.

307
00:13:27,908 --> 00:13:30,210
BAHRAIN? SO HE'S THE ONE
WHO TALKED TO FINK

308
00:13:30,210 --> 00:13:31,982
AN HOUR BEFORE
HE WAS MURDERED.

309
00:13:31,982 --> 00:13:34,945
MAYBE HE FIGURED OUT
FINK WAS SELLING FAKES

310
00:13:34,945 --> 00:13:38,188
AND DECIDED TO GET EVEN.
DOESN'T MATTER. THE GUY HAS
FULL DIPLOMATIC IMMUNITY.

311
00:13:38,188 --> 00:13:39,549
GREAT.

312
00:13:39,549 --> 00:13:42,292
SO I CHECKED
ALL THE PHOTO I.D.s

313
00:13:42,292 --> 00:13:44,194
OF ALL OF FINK'S CLIENTS
AND ARTISTS.

314
00:13:44,194 --> 00:13:47,097
OUR FRIEND JAY
ISN'T ONE OF THEM.

315
00:13:47,097 --> 00:13:49,960
THEN WHAT WAS HE DOING
AT THE GALLERY?
HOLLOWAY CALLED FROM
THE HOSPITAL.

316
00:13:49,960 --> 00:13:51,962
ASIDE FROM A MINOR HEAD BUMP,
JAY'S GOT

317
00:13:51,962 --> 00:13:54,865
A CLEAN BILL OF HEALTH. WELL,
OTHER THAN THE MEMORY LOSS.

318
00:13:54,865 --> 00:13:57,067
YOU KNOW WHAT? WHY DON'T
YOU GUYS GRAB JAY, TAKE HIM

319
00:13:57,067 --> 00:13:59,910
DOWN TO THE CRIME SCENE,
SEE IF THAT SPARKS HIS MEMORY?

320
00:13:59,910 --> 00:14:01,912
AND GET AHOLD OF
FINK'S ASSISTANT DARIUS.

321
00:14:01,912 --> 00:14:03,874
TELL HIM
TO MEET YOU DOWN THERE

322
00:14:03,874 --> 00:14:05,876
WITH EVERY FILE HE HAS
ON BAHIR HARUN.

323
00:14:13,053 --> 00:14:15,255
AND YOU'RE SURE
I WAS HERE?

324
00:14:15,255 --> 00:14:18,458
TAKE YOUR TIME.
NO PRESSURE.

325
00:14:22,162 --> 00:14:25,165
ISN'T THIS SUPPOSED TO BE
WHERE I GET A HEADACHE

326
00:14:25,165 --> 00:14:27,167
AND FLASHES OF MEMORY
START OVERWHELMING ME

327
00:14:27,167 --> 00:14:30,070
UNTIL ALL THE PIECES
COME TOGETHER?

328
00:14:30,070 --> 00:14:32,072
OKAY, YOU'VE SEEN
TOO MANY MOVIES.

329
00:14:32,072 --> 00:14:34,074
YEAH, THAT I CAN'T REMEMBER.

330
00:14:34,074 --> 00:14:37,477
WOW. THAT'S VERY...
CHICKEN/EGG.

331
00:14:37,477 --> 00:14:39,509
WELCOME TO MY WORLD.

332
00:14:39,509 --> 00:14:41,051
WEIRD...

333
00:14:41,051 --> 00:14:45,185
THAT SOMEONE CAN JUST
LOSE HIS MIND LIKE THAT.

334
00:14:45,185 --> 00:14:48,258
(Esposito) ARE YOU SURE
YOU DON'T RECOGNIZE HIM?
I DON'T THINK SO.

335
00:14:48,258 --> 00:14:50,260
BUT I'VE ONLY BEEN HERE
A FEW MONTHS.

336
00:14:50,260 --> 00:14:54,124
ANYWAY, HERE'S EVERYTHING
I COULD FIND ON MR. HARUN.

337
00:14:54,124 --> 00:14:58,428
ALL PURCHASES,
GOING BACK THREE YEARS.

338
00:15:00,200 --> 00:15:04,304
I STILL CAN'T BELIEVE FINK
WAS TRAFFICKING IN FORGERIES.

339
00:15:04,304 --> 00:15:07,077
HARUN'S PURCHASES
FROM FINK.

340
00:15:07,077 --> 00:15:10,040
THAT'S DOZENS OF PAINTINGS.
YEAH, AND ACCORDING TO
FINK'S OLD ASSISTANT ROCCO,

341
00:15:10,040 --> 00:15:12,983
ANY AND ALL OF THESE
COULD'VE BEEN FORGERIES.

342
00:15:12,983 --> 00:15:15,986
THIS IS A JULES MATTERSON.
THIS IS WORTH $100,000 EASY.

343
00:15:15,986 --> 00:15:18,248
YEAH, BUT YOU ONLY PAY ROCCO
A GRAND TO KNOCK IT OFF.

344
00:15:18,248 --> 00:15:21,251
FINK COULD'VE RIPPED HARUN OFF
FOR MILLIONS.
WHO SAYS CRIME DOESN'T PAY?

345
00:15:21,251 --> 00:15:24,154
SOMEONE TOOK ME FOR THAT MUCH,
I COULD SEE

346
00:15:24,154 --> 00:15:27,097
PUTTING A BULLET IN HIS BACK.
WELL, THAT EXPLAINS
WHY HARUN WENT AFTER FINK,

347
00:15:27,097 --> 00:15:30,000
BUT WHAT ABOUT JAY?
WE NEED TO TALK TO HARUN.

348
00:15:30,000 --> 00:15:31,301
BECKETT, I HATE
DIPLOMATIC IMMUNITY

349
00:15:31,301 --> 00:15:33,303
AS MUCH AS THE NEXT COP,

350
00:15:33,303 --> 00:15:35,305
BUT AS FAR AS YOU'RE CONCERNED,
FORGET THE GUY.

351
00:15:35,305 --> 00:15:37,607
I PUT IN
THE INTERVIEW REQUEST.

352
00:15:37,607 --> 00:15:40,610
NOW IT'S IN THE STATE
DEPARTMENT'S HANDS, PERIOD.
FINE, BUT, SIR, WHAT ABOUT
THE OTHER VICTIM?

353
00:15:40,610 --> 00:15:43,313
THE GUY WITH AMNESIA. SO?
HE HAS NOWHERE
TO GO TONIGHT.

354
00:15:43,313 --> 00:15:45,675
WELL, TURN HIM OVER
TO SOCIAL SERVICES.

355
00:15:45,675 --> 00:15:48,348
IT'S THE STATE'S PROBLEM,
NOT OURS.
I KNOW, SIR, BUT HE'LL PROBABLY
END UP IN A HOMELESS SHELTER.

356
00:15:48,348 --> 00:15:51,051
HE'S A PERSON OF INTEREST
AND A POTENTIAL WITNESS.

357
00:15:51,051 --> 00:15:54,324
(elevator bell dings)
I WOULD HATE TO LOSE HIM
TO THE SYSTEM.

358
00:15:54,324 --> 00:15:58,328
(sighs) OKAY.
BUT MY COUCH IS OFF-LIMITS.

359
00:15:58,328 --> 00:16:00,330
(ding)
THANK YOU, SIR.

360
00:16:00,330 --> 00:16:02,362
IT'S NOT THE PLAZA.

361
00:16:02,362 --> 00:16:05,065
BUT I HAVE SNUCK MANY
A POWER NAP ON THIS COUCH

362
00:16:05,065 --> 00:16:06,366
OVER THE YEARS.

363
00:16:06,366 --> 00:16:08,368
YOU SHOULD SLEEP JUST FINE.

364
00:16:08,368 --> 00:16:11,341
I'M GRATEFUL NOT TO HAVE TO
GO ANYWHERE WITH STRANGERS.

365
00:16:11,341 --> 00:16:13,343
IT'S NOT A PROBLEM.

366
00:16:13,343 --> 00:16:15,345
YOU KNOW,
IT'S TERRIFYING TO THINK

367
00:16:15,345 --> 00:16:17,347
THAT SOMEONE ACTUALLY TRIED
TO KILL ME

368
00:16:17,347 --> 00:16:20,180
AND I DON'T KNOW WHO IT WAS
OR WHY.

369
00:16:20,180 --> 00:16:22,352
AND THEY'RE STILL OUT THERE.

370
00:16:22,352 --> 00:16:25,055
THAT'S WHY WE'RE GONNA
CATCH THE BASTARD.

371
00:16:25,055 --> 00:16:27,487
BUT TO DO THAT, WE NEED
TO FIND OUT WHO YOU ARE.

372
00:16:27,487 --> 00:16:29,989
SO WE'RE GONNA RELEASE
YOUR PHOTOGRAPH TO THE MEDIA

373
00:16:29,989 --> 00:16:31,991
TOMORROW MORNING.

374
00:16:31,991 --> 00:16:34,294
AND WHAT IF
NOBODY RECOGNIZES IT?

375
00:16:34,294 --> 00:16:36,466
I'M SURE SOMEONE WILL.

376
00:16:36,466 --> 00:16:39,399
BUT WHAT IF NO ONE DOES
AND I DON'T REMEMBER?

377
00:16:39,399 --> 00:16:41,101
THEN WHO AM I?

378
00:16:43,173 --> 00:16:47,307
I PROMISE YOU,
WE WON'T GIVE UP ON YOU.

379
00:16:56,346 --> 00:16:58,348
MY SCIENCE TEACHER SAYS

380
00:16:58,348 --> 00:17:00,050
THAT CHOCOLATE
CONTAINS CHEMICALS

381
00:17:00,050 --> 00:17:02,252
THAT ARE PROVEN
TO RELIEVE DEPRESSION.
AH, IT'S GOOD,

382
00:17:02,252 --> 00:17:06,296
BUT I PREFER GRAPE--AGED,
BOTTLED AND CORKED. (laughs)

383
00:17:06,296 --> 00:17:08,298
YOU'RE HAVING
AN ICE CREAM TASTING,

384
00:17:08,298 --> 00:17:11,361
AND NO ONE CALLED,
TEXTED OR TWEETED.
GRAM BROKE IT OFF WITH CHET.

385
00:17:11,361 --> 00:17:13,463
SO I SUGGESTED SUGAR THERAPY.

386
00:17:13,463 --> 00:17:16,306
WHAT HAPPENED TO SUNRISE
IN CENTRAL PARK?

387
00:17:16,306 --> 00:17:18,308
OH, WHO AM I KIDDING?
IT'S A FAIRY TALE.

388
00:17:18,308 --> 00:17:20,410
AND WHAT WOMAN DOESN'T WANT
A FAIRY TALE?

389
00:17:20,410 --> 00:17:23,513
HE'S NOT
WHO I THOUGHT HE WAS.
HOW SO?

390
00:17:23,513 --> 00:17:26,616
MILLION DIFFERENT
LITTLE THINGS--YOU KNOW,

391
00:17:26,616 --> 00:17:28,218
HE DOESN'T DRIVE, HE'S SKINNY,

392
00:17:28,218 --> 00:17:30,220
OH, AND HE HAS THIS LAUGH
LIKE... WAH-UM.

393
00:17:30,220 --> 00:17:32,752
I CAN'T EVEN DO IT. IT'S LIKE
A HONKING GOOSE KIND OF...
(laughs)

394
00:17:32,752 --> 00:17:35,785
THESE ARE SITCOM REASONS
FOR BREAKING UP.

395
00:17:35,785 --> 00:17:40,430
THIS MORNING YOU WERE IN LOVE.
WHAT POSSIBLY COULD'VE HAPPENED?
DAD, BACK OFF.
THE SPARK DIED.

396
00:17:40,430 --> 00:17:42,192
SHE'S OBVIOUSLY
RECONSIDERED.

397
00:17:42,192 --> 00:17:43,733
THAT'S RIGHT,

398
00:17:43,733 --> 00:17:46,596
AND NOW WE'RE GOING THROUGH
THE FIVE FLAVORS OF GRIEVING.

399
00:17:46,596 --> 00:17:50,270
OH. IS THE FIRST STAGE
ACCEPTING THE ICE CREAM?

400
00:17:50,270 --> 00:17:52,502
EXACTLY.
THEN I'M IN.

401
00:17:54,444 --> 00:17:57,547
(siren wails)

402
00:17:57,547 --> 00:17:59,709
(elevator bell dings)

403
00:18:02,152 --> 00:18:05,084
HEY, MORNING.
HEY. HOW WAS HE LAST NIGHT?

404
00:18:05,084 --> 00:18:06,386
HE SLEPT LIKE A ROCK.

405
00:18:06,386 --> 00:18:08,388
DOC HOLLOWAY
STOPPED BY THIS MORNING

406
00:18:08,388 --> 00:18:11,161
TO GIVE HIM A COGNITIVE
ABILITIES TEST.

407
00:18:11,161 --> 00:18:14,164
SCORED THROUGH THE ROOF
ON THE QUANTITATIVE PART.
HE'S GOOD AT MATH.

408
00:18:14,164 --> 00:18:18,128
MAYBE HE WAS AN ENGINEER
OR IN ACCOUNTING OR FINANCING.
OR JUST GOOD AT MATH.

409
00:18:18,128 --> 00:18:20,300
CASTLE IS TESTING
HIS DRAWING ABILITIES,

410
00:18:20,300 --> 00:18:21,771
SEE IF HE'S AN ARTIST.

411
00:18:21,771 --> 00:18:24,274
MAYBE HE WAS TRYING TO CONVINCE
FINK TO SHOW HIS WORK.

412
00:18:24,274 --> 00:18:27,337
I SUPPOSE WE SHOULD BE THANKFUL
HE DIDN'T OFFER TO POSE NUDE.
YEAH, THANKS FOR THAT.

413
00:18:27,337 --> 00:18:31,381
HEY, ANY IDEA IF WE'RE GONNA GET
TO TALK TO THAT ATTACHé HARUN?

414
00:18:31,381 --> 00:18:34,814
RADIO SILENCE.
WE GOTTA I.D. JAY.
RIGHT.

415
00:18:34,814 --> 00:18:38,618
SPEAK OF THE DEVIL.
YEAH, THEY BEEN SHOWING IT
ALL MORNING.

416
00:18:38,618 --> 00:18:40,350
ANY CALLS YET?
NO.

417
00:18:40,350 --> 00:18:43,293
WELL, UNTIL WE FIGURE OUT
WHO HE IS, WE'VE GOT NOTHING.

418
00:18:43,293 --> 00:18:46,326
SO WHAT'S THE VERDICT?

419
00:18:51,231 --> 00:18:52,402
WOW.

420
00:18:52,402 --> 00:18:55,235
YOU REALLY CAPTURED
HIS SOUL.

421
00:18:55,235 --> 00:18:57,507
OKAY,
SO YOU'RE NOT AN ARTIST.

422
00:18:57,507 --> 00:19:00,270
I'M SURE YOU HAVE
MANY OTHER TALENTS.

423
00:19:00,270 --> 00:19:02,342
JUST NOT A TALENT
FOR REMEMBERING THEM.
(Castle chuckles)

424
00:19:02,342 --> 00:19:05,315
OH, THAT'S HIM! OH, MY GOD!
THAT'S HIM! OH, THANK GOD.
CAN I HELP YOU?

425
00:19:05,315 --> 00:19:08,418
I THINK WE'RE ABOUT TO
FIND OUT WHO YOU ARE?
DO YOU RECOGNIZE HER?

426
00:19:08,418 --> 00:19:11,751
(woman) YES, IT'S HIM.
NO, BUT THEN AGAIN, I DON'T
RECOGNIZE MYSELF ON THE MIRROR.

427
00:19:11,751 --> 00:19:14,284
GO AHEAD, MA'AM.
THANKS. OH, JOEL!

428
00:19:14,284 --> 00:19:15,885
OH, MY GOD. MM.

429
00:19:15,885 --> 00:19:19,289
TORY WESTCHESTER, WIFE.

430
00:19:19,289 --> 00:19:21,231
OH, I WAS SO SCARED
I LOST YOU.

431
00:19:21,231 --> 00:19:23,263
OH, SWEETIE.

432
00:19:23,263 --> 00:19:27,597
SO IT'S TRUE, YOU REALLY
DON'T REMEMBER ANYTHING?

433
00:19:27,597 --> 00:19:29,299
HE'S SUFFERING
FROM AMNESIA.

434
00:19:29,299 --> 00:19:32,802
I KNEW SOMETHING WAS WRONG.
I KNEW IT.
JAY, ARE YOU CRYING?

435
00:19:32,802 --> 00:19:34,844
UH, I THINK I AM.

436
00:19:36,246 --> 00:19:39,409
DO YOU FEEL A CONNECTION?

437
00:19:39,409 --> 00:19:40,910
YEAH.

438
00:19:40,910 --> 00:19:42,912
IT'S ACTUALLY
PRETTY OVERWHELMING.

439
00:19:42,912 --> 00:19:44,954
OF COURSE IT IS, BABY.

440
00:19:44,954 --> 00:19:46,756
I LOVE YOU SO MUCH.

441
00:19:46,756 --> 00:19:50,420
WE WILL GET THROUGH THIS,
WHATEVER IT TAKES.

442
00:19:50,420 --> 00:19:52,962
MS. WESTCHESTER, HOW LONG HAVE
THE TWO OF YOU BEEN MARRIED?

443
00:19:52,962 --> 00:19:55,265
TWO YEARS
THIS PAST OCTOBER.

444
00:19:55,265 --> 00:19:57,267
AND YOU SAID HIS NAME
WAS JOEL...

445
00:19:57,267 --> 00:19:59,198
WESTCHESTER.

446
00:19:59,198 --> 00:20:01,301
OH, HONEY, LOOK AT YOU.

447
00:20:01,301 --> 00:20:03,433
YOU DO REMEMBER ME.

448
00:20:03,433 --> 00:20:04,574
MM.

449
00:20:06,476 --> 00:20:08,738
(coughing)

450
00:20:08,738 --> 00:20:11,341
OH, LOVE CONQUERS ALL!
OH, IT'S ALL GOING TO BE FINE!

451
00:20:11,341 --> 00:20:13,283
ARE YOU OKAY?

452
00:20:13,283 --> 00:20:15,285
OH, WHAT IS IT?
WHAT IS IT, MY DARLING?

453
00:20:15,285 --> 00:20:17,247
I THINK HE'S HAVING
AN ASTHMA ATTACK.

454
00:20:17,247 --> 00:20:21,291
YOU HAVE AN INHALER
IN YOUR POCKET. GET IT.
(wheezes)

455
00:20:21,291 --> 00:20:23,323
(inhales deeply,
inhaler hisses)

456
00:20:23,323 --> 00:20:25,255
MS. WESTCHESTER,
DO YOU HAVE CATS?

457
00:20:25,255 --> 00:20:27,427
EIGHT, LIKE JON AND KATE.

458
00:20:27,427 --> 00:20:29,259
(hisses)

459
00:20:29,259 --> 00:20:31,301
I THINK JOEL HERE
IS ALLERGIC TO CATS.

460
00:20:31,301 --> 00:20:33,503
(wheezing)
REALLY?

461
00:20:33,503 --> 00:20:37,807
MS. WESTCHESTER, YOU'RE NOT
REALLY MARRIED TO HIM, ARE YOU?

462
00:20:37,807 --> 00:20:39,739
I COULD BE.

463
00:20:39,739 --> 00:20:43,313
I SO COULD BE. WHY THE HELL
SHOULDN'T I BE?!

464
00:20:43,313 --> 00:20:45,475
SHE'S BEEN IN AND OUT
OF MENTAL FACILITIES

465
00:20:45,475 --> 00:20:46,976
FOR MORE THAN TEN YEARS.

466
00:20:46,976 --> 00:20:49,949
EVERY PERSONALITY DISORDER
IN THE BOOK.

467
00:20:49,949 --> 00:20:54,524
SORRY ABOUT THAT.
JUST ANOTHER CONTESTANT ON "WHO
WANTS TO MARRY AN AMNESIAC?"

468
00:20:54,524 --> 00:20:57,757
BECKETT, YOUR ATTACHé,
MR. HARUN, HE'S ON HIS WAY DOWN.

469
00:20:57,757 --> 00:20:59,729
HE AGREED TO TALK.

470
00:21:02,532 --> 00:21:04,263
HE JUST SHOWED UP
VOLUNTARILY?

471
00:21:04,263 --> 00:21:06,366
(Castle) HE WANTS
TO STAY IN CONTROL.

472
00:21:06,366 --> 00:21:09,399
THIS COULD BE OUR ONLY SHOT.
LET'S MAKE SURE THAT HARUN

473
00:21:09,399 --> 00:21:12,342
GETS A GOOD LOOK
AT OUR FRIEND JAY.
INADVERTENT, OF COURSE.

474
00:21:12,342 --> 00:21:14,874
IF HARUN THINKS THAT HE KILLED
JAY, THEN HIS REACTION

475
00:21:14,874 --> 00:21:18,508
COULD TELL US EVERYTHING
WE NEED TO KNOW. LET'S GO.

476
00:21:18,508 --> 00:21:21,511
(Beckett) MR. HARUN, YOU WERE
A CLIENT OF MR. FINK'S?

477
00:21:21,511 --> 00:21:23,012
THAT'S CORRECT.

478
00:21:23,012 --> 00:21:26,015
YOU BOUGHT A SIGNIFICANT NUMBER
OF WORKS FROM HIM.
YES.

479
00:21:26,015 --> 00:21:29,519
WELL, WE BELIEVE THAT MANY OF
THOSE WORKS WERE FORGERIES.
THAT'S CORRECT.

480
00:21:29,519 --> 00:21:31,861
SO YOU'RE SAYING THAT
YOU KNEW THEY WERE FAKES?

481
00:21:31,861 --> 00:21:34,364
OF COURSE I KNEW.
AND YOU BOUGHT THEM ANYWAY?

482
00:21:34,364 --> 00:21:37,497
I HAVE MANY FRIENDS BACK HOME
WHOSE WIVES ARE,

483
00:21:37,497 --> 00:21:40,500
HOW SHALL WE SAY,
UH, DEMANDING.

484
00:21:40,500 --> 00:21:43,533
AND WHAT DO DEMANDING WIVES
HAVE TO DO WITH ANY OF THIS?

485
00:21:43,533 --> 00:21:45,535
WELL, WE ALL KNOW
THAT THE FAIRER SEX

486
00:21:45,535 --> 00:21:47,837
CAN BE SHALLOW.

487
00:21:47,837 --> 00:21:49,509
NOT YOU, OF COURSE,
DETECTIVE--

488
00:21:49,509 --> 00:21:51,481
A SMART, LIBERATED
AMERICAN WOMAN.

489
00:21:51,481 --> 00:21:53,312
BUT MY FRIENDS' WIVES,

490
00:21:53,312 --> 00:21:56,686
THEY WANT A BAG
THAT SAYS, UM, "GUCCI."

491
00:21:56,686 --> 00:21:58,688
THEY DON'T CARE
WHO MADE THE BAG

492
00:21:58,688 --> 00:22:01,391
AS LONG AS IT HAS
THAT SIGNATURE.

493
00:22:01,391 --> 00:22:03,393
AND IT'S THE SAME
WITH PAINTINGS.

494
00:22:03,393 --> 00:22:05,395
THEY ARE MORE APPRECIATIVE
OF--OF THE SIGNATURE

495
00:22:05,395 --> 00:22:07,397
THAN OF THE--
THE WORK ITSELF.

496
00:22:07,397 --> 00:22:10,099
AND MY FRIENDS DON'T ALWAYS
WANT TO SPEND TOP DOLLAR

497
00:22:10,099 --> 00:22:12,402
ON AUTHENTIC PIECES, SO VICTOR
WOULD COMMISSION A COPY.

498
00:22:12,402 --> 00:22:14,934
MY FRIENDS SAVE MONEY,
I GET RICH...

499
00:22:14,934 --> 00:22:17,937
HEY, MOVE TO YOUR LEFT
JUST A DROP.
AND THE WIVES GET TO THINK

500
00:22:17,937 --> 00:22:20,740
THEY HAVE EXTRAVAGANT ARTWORK
ON THEIR WALL.
YEAH.

501
00:22:20,740 --> 00:22:23,112
EVERYONE'S HAPPY, AND NO ONE'S
BROKEN THE LAW.
YEAH.

502
00:22:23,112 --> 00:22:25,114
(Castle) SO YOU ONLY
BOUGHT FAKES FROM FINK?

503
00:22:25,114 --> 00:22:27,116
NO. HE WOULD ALSO
SOURCE ORIGINALS

504
00:22:27,116 --> 00:22:29,018
FOR THOSE HUSBANDS WITH TASTE.

505
00:22:29,018 --> 00:22:31,951
I WAS HAPPY TO PROVIDE, EVEN
THOUGH ORIGINALS PAY LESS...
HE LOOK FAMILIAR?

506
00:22:31,951 --> 00:22:35,625
WHAT, WITH EVERYONE WANTING
FAIR MARKET VALUE AND ALL.
NO, SORRY.

507
00:22:35,625 --> 00:22:37,627
THE NIGHT THAT MR. FINK
WAS MURDERED,

508
00:22:37,627 --> 00:22:40,089
YOU CALLED HIM NOT LONG
BEFORE HE WAS KILLED.
THAT'S CORRECT, DETECTIVE.

509
00:22:40,089 --> 00:22:43,092
HE--HE TOLD ME TO COME BY,
THAT HE HAD A PAINTING FOR ME.

510
00:22:43,092 --> 00:22:45,565
I SHOWED UP AROUND 9:45,
BUT HE SENT ME AWAY.

511
00:22:45,565 --> 00:22:48,898
SENT YOU AWAY?
YES, HE WAS ARGUING
WITH A MAN.

512
00:22:48,898 --> 00:22:51,100
ABOUT WHAT?
I HAVE NO IDEA.

513
00:22:51,100 --> 00:22:54,774
I RESPECTED HIS WISHES
AND WENT FOR DINNER AT NOBU.

514
00:22:54,774 --> 00:22:57,777
DO YOU THINK YOU COULD
DESCRIBE THIS MAN?

515
00:22:57,777 --> 00:22:58,978
PLEASE.

516
00:22:58,978 --> 00:23:02,051
MUST WE CONTINUE WITH
THIS RIDICULOUS CHARADE

517
00:23:02,051 --> 00:23:05,154
WHEN WE BOTH KNOW
HE IS STANDING RIGHT THERE?

518
00:23:08,818 --> 00:23:11,461
NOW IF THAT IS ALL...

519
00:23:11,461 --> 00:23:13,893
MR. HARUN,
I'M NOT QUITE DONE YET.

520
00:23:13,893 --> 00:23:17,066
AH, BUT I AM.

521
00:23:17,066 --> 00:23:20,169
HAVE A NICE DAY.

522
00:23:20,169 --> 00:23:22,101
(Esposito) THANKS.

523
00:23:22,101 --> 00:23:24,103
FOR A GUY WITH
DIPLOMATIC IMMUNITY,

524
00:23:24,103 --> 00:23:25,605
HE WASN'T VERY DIPLOMATIC.

525
00:23:25,605 --> 00:23:27,106
HARUN'S HIDING BEHIND
HIS IMMUNITY.

526
00:23:27,106 --> 00:23:29,679
HE KNOWS MORE
THAN HE'S SAYING.
MAYBE.

527
00:23:29,679 --> 00:23:31,180
BUT HIS ALIBI IS GOOD.

528
00:23:31,180 --> 00:23:34,413
NOBU HAS HIM ON SECURITY VIDEO
ENTERING AT 9:55 P.M.,

529
00:23:34,413 --> 00:23:37,186
19 MINUTES BEFORE THE 9-1-1 CALL
ABOUT SHOTS FIRED.

530
00:23:37,186 --> 00:23:40,049
HE'S NOT OUR GUY.
WELL, JUST BECAUSE
HE DIDN'T PULL THE TRIGGER

531
00:23:40,049 --> 00:23:42,492
DOESN'T MEAN HE WASN'T INVOLVED.
AND JUST BECAUSE JAY WAS SHOT

532
00:23:42,492 --> 00:23:44,524
DOESN'T MEAN HE WASN'T
INTO SOMETHING SHADY.

533
00:23:44,524 --> 00:23:48,127
IT COULD BE THE REASON
HE WAS SHOT.
HARUN SAID HE SAW JAY
ARGUING WITH FINK.

534
00:23:48,127 --> 00:23:53,703
WE NEED TO FIGURE OUT
WHY JAY WAS AT THE GALLERY.
AND WE CAN'T DO THAT IF WE
DON'T KNOW WHO THE HELL HE IS.

535
00:23:53,703 --> 00:23:55,835
WE'VE BEEN THROUGH THIS.
IT'S JUST A BUNCH OF JUNK.

536
00:23:55,835 --> 00:23:57,837
BUT IF WE TAKE A LOOK
AT EVERYTHING

537
00:23:57,837 --> 00:24:01,511
WE KNOW ABOUT HIM COLLECTIVELY,
MAYBE A PICTURE WILL EMERGE.
(keys jangle)

538
00:24:01,511 --> 00:24:04,113
NOTHING DISTINCTIVE
ABOUT THESE KEYS.

539
00:24:04,113 --> 00:24:07,847
YEAH, AND THAT PLASTIC BAG
REALLY NARROWS IT DOWN.
OKAY, HE'S GOT ASTHMA,

540
00:24:07,847 --> 00:24:10,219
HE'S ALLERGIC TO CATS,
HE READS--

541
00:24:10,219 --> 00:24:12,622
AND HE'S GOOD AT MATH
AND HE CAN'T DRAW.

542
00:24:12,622 --> 00:24:15,685
PUT IT TOGETHER,
HE'S YOUR AVERAGE MATHLETE

543
00:24:15,685 --> 00:24:17,687
WITH A BUNCH OF CRAP
IN HIS POCKET.
DETECTIVE.

544
00:24:17,687 --> 00:24:19,188
THANK YOU.
IT'S FROM LANIE.

545
00:24:19,188 --> 00:24:21,460
IT'S THE FORENSICS REPORT
ON HIS COAT.

546
00:24:21,460 --> 00:24:24,133
MAYBE HIS DRIVER'S LICENSE
WAS SEWN INTO THE LINING.

547
00:24:24,133 --> 00:24:25,695
GUNPOWDER RESIDUE.

548
00:24:25,695 --> 00:24:27,697
SO HE WAS SHOT
AT CLOSE RANGE.

549
00:24:27,697 --> 00:24:30,169
MM-HMM. COFFEE STAINS, SUGAR
GRANULES, TRACES OF MILK.

550
00:24:30,169 --> 00:24:32,642
WELL, WE KNOW HOW HE TAKES
HIS COFFEE.
ANIMAL HAIRS.

551
00:24:32,642 --> 00:24:34,604
NOT CAT HAIRS.

552
00:24:34,604 --> 00:24:37,146
HOW COULD I HAVE MISSED THIS?
MISSED WHAT?

553
00:24:37,146 --> 00:24:39,148
DO YOU KNOW WHAT THIS IS?
YEAH, IT'S A GROCERY BAG.

554
00:24:39,148 --> 00:24:41,511
NO, IT'S NOT
JUST A GROCERY BAG.

555
00:24:41,511 --> 00:24:44,153
IT'S THE BAG THAT'S GONNA
TELL US EXACTLY WHO JAY IS.

556
00:24:51,621 --> 00:24:53,963
WHY ARE YOU DRAGGING ME
BACK TO THE ART GALLERY?

557
00:24:53,963 --> 00:24:56,896
NOT TO THE ART GALLERY,
TO THE STREET. AH, IT'S GONE.
WHAT'S GONE?

558
00:24:56,896 --> 00:24:58,998
THE DOG. THAT'S WHY
HE HAD THE BAG,

559
00:24:58,998 --> 00:25:01,230
TO CLEAN UP AFTER HIS DOG.
HOW DO YOU KNOW
IT WAS HIS DOG?

560
00:25:01,230 --> 00:25:03,573
WELL, WHY ELSE
WOULD HE HAVE A BAG?

561
00:25:03,573 --> 00:25:05,575
WHY ELSE WOULD THERE BE
A DOG TIED UP

562
00:25:05,575 --> 00:25:08,277
OUTSIDE A COMMERCIAL BUILDING
AFTER MIDNIGHT?

563
00:25:08,277 --> 00:25:10,279
MAYBE SOMEONE STOLE IT.
GET ME ANIMAL CONTROL.

564
00:25:10,279 --> 00:25:13,282
ALL THE CANINES WITH I.D. TAGS
WE PICKED UP IN THE LAST 24.

565
00:25:13,282 --> 00:25:15,284
MOSTLY THEIR OWNERS
LOST 'EM ACCIDENTALLY

566
00:25:15,284 --> 00:25:18,287
AND ARE RELIEVED WHEN WE CALL.
CASTLE.

567
00:25:18,287 --> 00:25:22,251
OH. WHO'S A GOOD GIRL?

568
00:25:22,251 --> 00:25:25,294
THAT ONE'S FROM
148 WEST 26th.

569
00:25:25,294 --> 00:25:27,627
THAT'S FINK'S GALLERY.

570
00:25:27,627 --> 00:25:29,058
LUCY.

571
00:25:29,058 --> 00:25:31,060
YOUR NAME
IS JEREMY PRESWICK.

572
00:25:31,060 --> 00:25:33,963
WE CHECKED IT AGAINST
YOUR D.M.V. PHOTO,

573
00:25:33,963 --> 00:25:36,606
AND IT'S A POSITIVE I.D.
JEREMY PRESWICK.

574
00:25:36,606 --> 00:25:38,067
YOU ARE 34 YEARS OLD,

575
00:25:38,067 --> 00:25:40,870
AND YOU LIVE AT
82 WARREN STREET IN TRIBECA.

576
00:25:40,870 --> 00:25:42,772
YOU DON'T REALLY HAVE
ANY FAMILY.

577
00:25:42,772 --> 00:25:44,774
YOUR PARENTS PASSED AWAY
A FEW YEARS AGO,

578
00:25:44,774 --> 00:25:46,976
AND YOU DON'T HAVE
ANY SIBLINGS.

579
00:25:46,976 --> 00:25:50,279
BUT WE DID MANAGE TO GET AHOLD
OF YOUR EX-WIFE, EMMA CARNES.
EX-WIFE?

580
00:25:50,279 --> 00:25:52,181
UH-HUH.
I'M DIVORCED?

581
00:25:52,181 --> 00:25:53,723
YEAH.

582
00:25:53,723 --> 00:25:55,224
SORRY.

583
00:25:55,224 --> 00:25:58,928
YOUR EX SOUNDED
PRETTY CONCERNED.

584
00:25:58,928 --> 00:26:00,960
AND WE FIGURED THAT WOULD BE
THE FASTEST WAY

585
00:26:00,960 --> 00:26:02,962
OF PUTTING TOGETHER
THE DETAILS,

586
00:26:02,962 --> 00:26:05,294
WHICH WOULD BE GREAT FOR YOU
AND FOR OUR INVESTIGATION.

587
00:26:05,294 --> 00:26:08,197
IF YOU THINK IT'LL HELP.

588
00:26:08,197 --> 00:26:11,140
OKAY.

589
00:26:11,140 --> 00:26:13,873
I HAVE AN EX-WIFE
THAT I CAN'T REMEMBER.

590
00:26:13,873 --> 00:26:17,807
HEY, SOME MEN
WOULD CONSIDER YOU LUCKY.

591
00:26:17,807 --> 00:26:19,308
HERE YOU GO.

592
00:26:19,308 --> 00:26:20,179
THANKS.

593
00:26:24,854 --> 00:26:27,316
HELLO, JEREMY.

594
00:26:27,316 --> 00:26:30,820
HEY. THANK YOU FOR COMING.
I APPRECIATE IT.

595
00:26:30,820 --> 00:26:32,692
SURE.

596
00:26:32,692 --> 00:26:35,324
SO WE'RE DIVORCED.

597
00:26:35,324 --> 00:26:37,967
YEAH.

598
00:26:37,967 --> 00:26:42,231
MUST BE WEIRD, COMING HERE
TO TRY TO HELP ME OUT, HUH?

599
00:26:42,231 --> 00:26:44,233
A LITTLE.

600
00:26:44,233 --> 00:26:46,736
PLEASE TAKE A SEAT.

601
00:26:48,938 --> 00:26:51,340
SO WHAT HAPPENED TO HIM?

602
00:26:51,340 --> 00:26:55,014
THAT'S WHAT WE ARE TRYING
TO FIGURE OUT.

603
00:26:55,014 --> 00:26:57,216
IS THERE ANYTHING YOU
CAN TELL US ABOUT JEREMY?

604
00:26:57,216 --> 00:26:58,948
WELL, LIKE WHAT?

605
00:26:58,948 --> 00:27:01,020
LIKE, UH, WHERE HE WORKS.

606
00:27:01,020 --> 00:27:04,193
WELL, AS FAR AS I KNOW,
HE DOESN'T ANYMORE.

607
00:27:04,193 --> 00:27:07,797
OKAY, THIS IS WEIRD WITH YOU
SITTING RIGHT THERE.
TELL ME ABOUT IT.

608
00:27:10,029 --> 00:27:12,301
YOU HAVE A PhD IN ECONOMICS
FROM WHARTON.

609
00:27:12,301 --> 00:27:14,834
UH, YOU HAD
A CONSULTING BUSINESS

610
00:27:14,834 --> 00:27:18,237
IN CHANNEL ECONOMICS
AND STRATEGY.

611
00:27:18,237 --> 00:27:20,369
(sighs) YOU'RE SMART.

612
00:27:20,369 --> 00:27:23,072
LIKE, CRAZY SMART.

613
00:27:23,072 --> 00:27:24,714
HAD A BUSINESS?

614
00:27:24,714 --> 00:27:27,376
YEAH, YEAH,
HE SOLD IT LAST YEAR.
DO YOU KNOW WHY?

615
00:27:27,376 --> 00:27:30,680
NO. I THOUGHT IT WAS WEIRD.
HE LOVED THE BUSINESS.

616
00:27:30,680 --> 00:27:32,351
WHY'D WE SPLIT UP?

617
00:27:32,351 --> 00:27:34,924
(chuckles)

618
00:27:34,924 --> 00:27:36,355
WOW.

619
00:27:36,355 --> 00:27:39,388
I'VE RANTED FOR HOURS
TO GIRLFRIENDS ABOUT THAT.

620
00:27:39,388 --> 00:27:42,391
(chuckles) I'M GUESSING I DON'T
COME OFF SO WELL IN THAT RANT.

621
00:27:42,391 --> 00:27:43,262
(laughs)

622
00:27:43,262 --> 00:27:46,435
(chuckles)
YOU WERE A JERK.

623
00:27:46,435 --> 00:27:48,037
AH.

624
00:27:48,037 --> 00:27:49,969
BUT SO WAS I.

625
00:27:49,969 --> 00:27:51,971
I MEAN, THE TRUTH IS,

626
00:27:51,971 --> 00:27:54,173
WE PROBABLY
GOT MARRIED TOO YOUNG.

627
00:27:58,377 --> 00:28:00,950
LOOK, I'M SORRY
THAT I DON'T RECOGNIZE YOU.

628
00:28:00,950 --> 00:28:04,213
BUT YOU SEEM INCREDIBLY NICE
AND YOU'RE GORGEOUS,

629
00:28:04,213 --> 00:28:06,786
AND I'M CERTAIN THAT IT WAS
ENTIRELY MY FAULT

630
00:28:06,786 --> 00:28:09,088
THAT OUR MARRIAGE FELL APART.
SEE? THAT.

631
00:28:09,088 --> 00:28:10,289
THAT'S...

632
00:28:10,289 --> 00:28:12,291
THE GUY
I FELL IN LOVE WITH--

633
00:28:12,291 --> 00:28:14,393
FUNNY, SWEET,
SELF-DEPRECATING.

634
00:28:14,393 --> 00:28:16,866
HEY. (chuckles)

635
00:28:16,866 --> 00:28:18,297
DO YOU KNOW WHAT JEREMY

636
00:28:18,297 --> 00:28:21,700
HAD BEEN DOING
WITH HIMSELF RECENTLY?
AS FAR AS I KNOW,

637
00:28:21,700 --> 00:28:24,133
HE WAS DATING THE YOUNGEST,
HOTTEST WOMEN HE COULD FIND

638
00:28:24,133 --> 00:28:26,976
AND NOT BOTHERING TO PUT
THE TOILET SEAT DOWN.
(laughs)

639
00:28:26,976 --> 00:28:29,238
AND DO YOU HAVE ANY IDEA
WHAT HE MIGHT HAVE BEEN DOING

640
00:28:29,238 --> 00:28:32,441
AT THE VICTOR FINK GALLERY
IN CHELSEA?

641
00:28:32,441 --> 00:28:36,285
NO, I'M SORRY. BUT WE HAVEN'T
EVEN SPOKEN IN ALMOST A YEAR.

642
00:28:36,285 --> 00:28:38,447
UM, WELL, WE'RE ON OUR WAY
TO JEREMY'S APARTMENT

643
00:28:38,447 --> 00:28:40,449
TO SEE IF IT SPARKS ANYTHING.

644
00:28:40,449 --> 00:28:42,952
WOULD YOU MIND
COMING ALONG?

645
00:28:42,952 --> 00:28:46,756
YOU MIGHT BE ABLE TO PUT
THINGS IN SOME CONTEXT.

646
00:28:54,033 --> 00:28:55,865
LOOK FAMILIAR?

647
00:28:55,865 --> 00:28:57,436
NOPE.

648
00:28:57,436 --> 00:29:01,170
YOU CAN SAY IT.
I'M THE WORST WITNESS EVER.

649
00:29:01,170 --> 00:29:02,772
AH, YOU'RE DOING FINE.

650
00:29:02,772 --> 00:29:04,914
HMM.

651
00:29:04,914 --> 00:29:06,745
A WALLET.

652
00:29:06,745 --> 00:29:10,179
WELL, I DON'T THINK
YOU WERE MUGGED.

653
00:29:10,179 --> 00:29:13,182
DO YOU MIND IF I POKE AROUND,
OPEN SOME DRAWERS?

654
00:29:13,182 --> 00:29:16,085
MI CASA QUE NO RECUERDO
ES TU CASA.

655
00:29:16,085 --> 00:29:19,058
HEY, LOOK AT THAT.
ROCKIN' THE SPANISH.

656
00:29:19,058 --> 00:29:21,791
WE DID JUNIOR YEAR
IN MADRID.
THAT SOUNDS NICE.

657
00:29:21,791 --> 00:29:25,364
HERE'S THE REST OF YOUR
RUSSIAN LITERATURE COLLECTION.

658
00:29:25,364 --> 00:29:28,868
YOU ARE A VERY AMBITIOUS READER,
MR. PRESWICK.

659
00:29:28,868 --> 00:29:31,370
YOU ALWAYS WANTED MORE TIME
TO READ.

660
00:29:31,370 --> 00:29:34,143
I GUESS I'M GONNA HAVE TO
START OVER NOW.

661
00:29:34,143 --> 00:29:36,145
(Castle)
AH, IT'S NOT SUCH A BAD THING.

662
00:29:36,145 --> 00:29:38,447
WHAT I WOULDN'T GIVE TO READ
"THE CASK OF AMONTILLADO"

663
00:29:38,447 --> 00:29:41,410
FOR THE FIRST TIME...
OR ANY STEPHEN KING.

664
00:29:41,410 --> 00:29:44,313
AH, SILVER LINING--
YOU GET TO READ ALL MY BOOKS

665
00:29:44,313 --> 00:29:47,316
FOR THE FIRST TIME AGAIN.

666
00:29:47,316 --> 00:29:48,357
ANYTHING?

667
00:29:48,357 --> 00:29:50,419
IT'S PRETTY SPARSE.

668
00:29:50,419 --> 00:29:53,022
LIKE A GUY WHO SPENT
A LOT OF TIME ALONE.

669
00:29:53,022 --> 00:29:55,794
YEAH, I THOUGHT YOU'D HAVE
MORE OF A SLICK PAD

670
00:29:55,794 --> 00:29:57,426
DONE UP WITH MORE STUFF.

671
00:29:57,426 --> 00:29:59,198
(Castle) HEY. TAGLIA.

672
00:29:59,198 --> 00:30:01,871
THIS IS
A PRETTY PRICEY PAINTING.

673
00:30:01,871 --> 00:30:04,373
EMMA, DO YOU KNOW IF JEREMY
BOUGHT THAT PAINTING

674
00:30:04,373 --> 00:30:07,406
AT A GALLERY IN THE CITY?
NO, WE...

675
00:30:07,406 --> 00:30:10,409
BOUGHT THAT TOGETHER
ON OUR HONEYMOON IN SIENA.

676
00:30:10,409 --> 00:30:12,341
I CAN'T BELIEVE
YOU STILL HAVE IT.
WHY?

677
00:30:12,341 --> 00:30:15,144
WELL, PART OF
THE DIVORCE SETTLEMENT

678
00:30:15,144 --> 00:30:17,046
WAS TO SELL IT
AND SPLIT THE CASH.

679
00:30:17,046 --> 00:30:20,389
IT APPRAISED FOR OVER 200 GRAND.
YOU SENT ME MY HALF.

680
00:30:20,389 --> 00:30:22,221
THAT'S FUNNY.

681
00:30:22,221 --> 00:30:25,394
THERE'S SOMETHING ABOUT IT
THAT'S SO FAMILIAR.

682
00:30:25,394 --> 00:30:28,257
OR MAYBE I JUST LIKE IT.

683
00:30:28,257 --> 00:30:29,428
CASTLE.

684
00:30:33,402 --> 00:30:36,305
IT'S A 9 MILLIMETER...

685
00:30:39,538 --> 00:30:41,340
WITH FIVE BULLETS MISSING.

686
00:30:41,340 --> 00:30:43,372
(clicks clip into gun)

687
00:30:53,352 --> 00:30:54,884
SO BALLISTICS CONFIRMED

688
00:30:54,884 --> 00:30:57,156
THAT THE GUN FOUND
IN JEREMY'S APARTMENT

689
00:30:57,156 --> 00:30:59,158
WAS THE SAME ONE THAT WAS USED
TO KILL FINK,

690
00:30:59,158 --> 00:31:01,390
AND WE JUST TO NEED TO KNOW

691
00:31:01,390 --> 00:31:05,064
IF IT'S POSSIBLE
THAT JEREMY WAS THE SHOOTER.
C.S.U. DID FIND GUN RESIDUE
ON HIS COAT.

692
00:31:05,064 --> 00:31:07,436
WELL, THAT JUST MEANS THAT
HE WAS SHOT AT CLOSE RANGE.

693
00:31:07,436 --> 00:31:09,498
LIKE IF JEREMY
WERE HOLDING THE GUN,

694
00:31:09,498 --> 00:31:12,501
STRUGGLED WITH FINK, FINK
MANAGED TO TURN THE GUN AROUND

695
00:31:12,501 --> 00:31:14,343
AND IT WENT OFF?

696
00:31:14,343 --> 00:31:16,875
WELL, THESE ABRASIONS
ON FINK'S WRISTS

697
00:31:16,875 --> 00:31:19,648
ARE CERTAINLY
CONSISTENT WITH THAT.
WELL, THEN WHY WOULD HE HAVE
LEFT THE GUN IN HIS APARTMENT?

698
00:31:19,648 --> 00:31:22,181
DOC HOLLOWAY SAID HE WAS
PROBABLY IN A FUGUE STATE,

699
00:31:22,181 --> 00:31:24,984
LIKE SLEEPWALKING.
HE COULD'VE DROPPED THE GUN OFF

700
00:31:24,984 --> 00:31:27,987
AND THEN WENT BACK OUT AGAIN.
OKAY, AM I
MISSING SOMETHING?

701
00:31:27,987 --> 00:31:30,219
I THOUGHT YOU WERE
SUPPOSED TO BE HAPPY

702
00:31:30,219 --> 00:31:32,161
AFTER YOU CAUGHT THE KILLER.

703
00:31:32,161 --> 00:31:34,393
WHY'D I DO IT?

704
00:31:34,393 --> 00:31:37,426
WE DON'T KNOW WHY.

705
00:31:37,426 --> 00:31:39,428
YOU'LL BE APPOINTED A LAWYER.

706
00:31:39,428 --> 00:31:42,131
I KNOW THAT EMMA WANTS
TO HELP HIRE SOMEONE,

707
00:31:42,131 --> 00:31:44,473
AND I DON'T THINK MONEY
WILL BE AN ISSUE.

708
00:31:44,473 --> 00:31:46,535
WELL, THANK YOU.

709
00:31:46,535 --> 00:31:49,538
I DON'T KNOW WHY YOU'RE
THANKING ME, MR. PRESWICK.

710
00:31:49,538 --> 00:31:53,012
WE JUST ARRESTED YOU
FOR MURDER.
YEAH, WELL,
IT'S NOT YOUR FAULT.

711
00:31:53,012 --> 00:31:55,084
YOU GUYS HAVE BEEN NOTHING
BUT INCREDIBLY NICE

712
00:31:55,084 --> 00:31:58,147
TO A BABBLING IDIOT
WHO THOUGHT HE WAS A VICTIM.

713
00:31:58,147 --> 00:32:00,489
IT'S LIKE I TRICKED YOU.

714
00:32:00,489 --> 00:32:02,091
GOOD LUCK, JEREMY.

715
00:32:08,127 --> 00:32:09,458
HEY...

716
00:32:09,458 --> 00:32:12,431
IF YOU FIGURE IT OUT,
WOULD YOU LET ME KNOW?

717
00:32:12,431 --> 00:32:14,433
OF COURSE.

718
00:32:14,433 --> 00:32:18,367
I JUST THINK IT WOULD BE EASIER
KNOWING WHY.

719
00:32:22,441 --> 00:32:24,473
(buzzer sounds)

720
00:32:24,473 --> 00:32:26,515
(door clatters)

721
00:32:26,515 --> 00:32:30,249
(sighs)

722
00:32:37,556 --> 00:32:41,590
THE GUY IS GUILTY OF A MURDER
HE CAN'T REMEMBER.

723
00:32:41,590 --> 00:32:44,233
THAT JUST SUCKS.

724
00:32:44,233 --> 00:32:46,635
I MEAN, IF YOU'RE GONNA
KILL SOMEONE, GET CAUGHT,

725
00:32:46,635 --> 00:32:49,468
SPEND THE REST OF YOUR LIFE
IN PRISON, AT LEAST YOU HAVE

726
00:32:49,468 --> 00:32:51,470
THE SATISFACTION OF KNOWING
WHY YOU DID IT--

727
00:32:51,470 --> 00:32:54,473
HATRED, REVENGE, HELL, MAYBE
EVEN CUT YOU OFF ON THE HIGHWAY.

728
00:32:54,473 --> 00:32:58,977
BUT JEREMY WON'T EVEN HAVE THAT
EVEN IF WE DO FIND MOTIVE

729
00:32:58,977 --> 00:33:01,980
BECAUSE HE WON'T REMEMBER
WHY IT MEANT ANYTHING TO HIM.

730
00:33:01,980 --> 00:33:04,713
I'M WITH YOU, CASTLE.
IT SUCKS.

731
00:33:04,713 --> 00:33:07,356
SO WHAT NEXT?

732
00:33:07,356 --> 00:33:09,358
WE, UH, SUBMIT THE PAPERWORK
TO THE D.A.

733
00:33:09,358 --> 00:33:11,460
BUT THE D.A.
WILL NEED MOTIVE, RIGHT?

734
00:33:11,460 --> 00:33:13,462
NO. EVIDENCE SPEAKS.

735
00:33:13,462 --> 00:33:15,464
SMOKING GUN.

736
00:33:15,464 --> 00:33:18,097
BUT DON'T YOU WANT TO KNOW
WHY HE DID IT?

737
00:33:18,097 --> 00:33:21,500
YEAH, BUT THE TRUTH IS,
IS THAT WE DON'T NEED IT.

738
00:33:21,500 --> 00:33:23,502
THE D.A. DOESN'T NEED IT.

739
00:33:23,502 --> 00:33:26,075
BUT YOU AND ME?

740
00:33:26,075 --> 00:33:28,437
I KNOW I COULDN'T SLEEP
LAST NIGHT. COULD YOU?

741
00:33:30,479 --> 00:33:33,011
THERE'S GOTTA BE
AN ANSWER HERE,

742
00:33:33,011 --> 00:33:36,014
SOMETHING IN HIS LIFE
THAT MAKES IT ALL MAKE SENSE.

743
00:33:36,014 --> 00:33:37,746
(object clatters)

744
00:33:40,419 --> 00:33:42,451
HANDS! SHOW 'EM.
OOH!

745
00:33:42,451 --> 00:33:44,553
(metal clanks)
OH, THAT GETS
THE HEART RATE GOING.

746
00:33:44,553 --> 00:33:47,056
MS. CARNES,
WHAT ARE YOU DOING HERE?

747
00:33:47,056 --> 00:33:48,397
GETTING LUCY'S THINGS.

748
00:33:48,397 --> 00:33:51,360
PRESCRIPTION.
MM.

749
00:33:51,360 --> 00:33:54,503
I GUESS
I HAVE CUSTODY NOW.

750
00:33:54,503 --> 00:33:59,108
I'M SORRY TO SURPRISE YOU.
WE DIDN'T KNOW YOU'D BE HERE.

751
00:34:01,170 --> 00:34:04,373
ARE YOU OKAY?
(chuckles) YEAH.

752
00:34:04,373 --> 00:34:06,745
I GUESS I JUST THOUGHT
FOR HALF A SECOND

753
00:34:06,745 --> 00:34:09,748
THAT THIS WOULD BE A BIZARRE
SECOND CHANCE FOR JER AND ME.

754
00:34:09,748 --> 00:34:11,750
STUPID, RIGHT?

755
00:34:11,750 --> 00:34:14,323
NO, IT'S NOT STUPID.

756
00:34:14,323 --> 00:34:17,086
AND TO FIND OUT
THAT HE'S A MURDERER...

757
00:34:17,086 --> 00:34:19,057
WHEN I SAW HIM AGAIN, I...

758
00:34:19,057 --> 00:34:21,530
ALL THOSE YEARS OF PETTY
ARGUMENTS THAT TORE US APART

759
00:34:21,530 --> 00:34:24,493
DIDN'T SEEM TO MATTER.

760
00:34:24,493 --> 00:34:26,495
IT WAS--IT WAS LIKE
WE FIRST MET.

761
00:34:26,495 --> 00:34:28,497
YOU KNOW, I FELT THAT THING.

762
00:34:28,497 --> 00:34:32,441
AND THEN WE CAME HERE AND I SAW
THAT HE DIDN'T SELL IT,

763
00:34:32,441 --> 00:34:35,404
AND I THOUGHT MAYBE HE STILL
HAD FEELINGS FOR ME, TOO.

764
00:34:35,404 --> 00:34:38,147
DO YOU MEAN THE PAINTING
THAT YOU TWO OF YOU BOUGHT

765
00:34:38,147 --> 00:34:41,350
ON YOUR HONEYMOON?
YEAH, WE DIDN'T BUY IT BECAUSE
WE WANTED TO. WE HAD TO.

766
00:34:41,350 --> 00:34:45,284
WE WERE IN THE ARTIST'S STUDIO
IN SIENA

767
00:34:45,284 --> 00:34:48,417
AND JEREMY PICKED IT UP
OFF THE EASEL.

768
00:34:48,417 --> 00:34:51,420
HE WAS ALWAYS GOOFING AROUND.
THE ARTIST WENT CRAZY.

769
00:34:51,420 --> 00:34:53,262
IT WAS STILL DRYING.

770
00:34:53,262 --> 00:34:56,425
WE LAUGHED FOR A WEEK
ABOUT OUR LITTLE LOVE SMUDGE.

771
00:34:56,425 --> 00:34:59,428
AND THEN WHEN I SAW THAT
HE DIDN'T SELL IT, I THOUGHT,

772
00:34:59,428 --> 00:35:02,231
MAYBE... (sighs)

773
00:35:02,231 --> 00:35:04,633
BUT I WAS KIDDING MYSELF.

774
00:35:04,633 --> 00:35:06,535
WHAT DO YOU MEAN?

775
00:35:06,535 --> 00:35:10,209
NO THUMBPRINT.
IT SHOULD BE RIGHT HERE.

776
00:35:10,209 --> 00:35:12,541
HE SOLD OURS.
THIS ONE'S JUST A COPY.

777
00:35:12,541 --> 00:35:14,483
MS. CARNES,
ARE YOU SURE?

778
00:35:14,483 --> 00:35:15,714
OF COURSE I'M SURE.

779
00:35:15,714 --> 00:35:17,416
IT'S A FAKE.

780
00:35:17,416 --> 00:35:19,448
AND WE KNOW
WHO DEALT IN FAKES.

781
00:35:19,448 --> 00:35:21,790
THAT'S GOTTA BE
JEREMY'S CONNECTION TO FINK.

782
00:35:21,790 --> 00:35:24,493
THAT'S GOTTA BE WHY JEREMY
WAS AT THE GALLERY.

783
00:35:24,493 --> 00:35:27,226
AND IF JEREMY AND FINK WERE
ARGUING LIKE HARUN SAID,

784
00:35:27,226 --> 00:35:30,529
MAYBE IT WAS OVER
THE ORIGINAL.
AND IF THAT'S A FAKE,
THEN WHERE IS THE ORIGINAL?

785
00:35:30,529 --> 00:35:32,501
(speaking foreign language)

786
00:35:32,501 --> 00:35:34,533
ABSOLUTELY, AND, UH--

787
00:35:34,533 --> 00:35:36,335
CAREFUL WITH THAT ONE.

788
00:35:36,335 --> 00:35:38,537
OUI. OUI, MERCI.
à BIENTôT.

789
00:35:38,537 --> 00:35:40,269
(speaks indistinctly)

790
00:35:40,269 --> 00:35:42,271
LEAVING US SO SOON,
MR. HARUN?

791
00:35:42,271 --> 00:35:45,574
OH, WHAT NOW?
I HAVE A PLANE TO CATCH.

792
00:35:45,574 --> 00:35:48,917
MAKE ANY INTERESTING ART
ACQUISITIONS ON THIS TRIP?
ACTUALLY, YES.

793
00:35:48,917 --> 00:35:51,680
MIND IF WE TAKE A LOOK?
I'M SORRY.
I JUST DON'T HAVE THE TIME.

794
00:35:51,680 --> 00:35:54,753
MAKE TIME.
WHAT PART
OF "DIPLOMATIC IMMUNITY"

795
00:35:54,753 --> 00:35:56,825
ARE YOU NOT CLEAR ON?

796
00:35:56,825 --> 00:35:58,827
SEE, EVERY TIME YOU SAY
SOMETHING LIKE THAT,

797
00:35:58,827 --> 00:36:01,730
IT MAKES ME THINK THAT
YOU HAVE SOMETHING TO HIDE.

798
00:36:01,730 --> 00:36:04,893
IT'S TOO BAD THAT YOU WILL
NEVER FIND OUT.

799
00:36:04,893 --> 00:36:07,396
LICENSE AND REGISTRATION,
PLEASE.

800
00:36:07,396 --> 00:36:09,638
WHAT? WHY?

801
00:36:09,638 --> 00:36:13,472
YOU ARE DOUBLE PARKED.
THIS IS NEW YORK.
EVERYONE DOUBLE PARKS.

802
00:36:13,472 --> 00:36:15,744
IS HE RESISTING ARREST?
I BELIEVE SO.

803
00:36:15,744 --> 00:36:17,546
STEP OVER HERE.
OH.

804
00:36:17,546 --> 00:36:19,948
WE'RE GONNA HAVE TO
SEARCH YOUR CAR.

805
00:36:19,948 --> 00:36:22,411
YOU HAVE NO RIGHT
TO DO THIS.

806
00:36:22,411 --> 00:36:25,484
I DON'T SEE
ANY DIPLOMATIC PLATES.

807
00:36:25,484 --> 00:36:29,458
AND IMMUNITY DOESN'T EXTEND
TO A CAR SERVICE.

808
00:36:45,274 --> 00:36:47,606
MR. HARUN, THIS CAN GO
ONE OF TWO WAYS,

809
00:36:47,606 --> 00:36:49,908
YOU CAN EITHER COOPERATE
AND TELL ME WHAT I NEED TO KNOW

810
00:36:49,908 --> 00:36:51,910
OR I CAN CALL
THE STATE DEPARTMENT

811
00:36:51,910 --> 00:36:54,613
AND INFORM THEM THAT YOU HAVE
A PIECE OF ARTWORK

812
00:36:54,613 --> 00:36:57,646
THAT'S AT THE CENTER OF
OUR MURDER INVESTIGATION.
AND THE LAST I CHECKED,
THE NEW YORK TABLOIDS

813
00:36:57,646 --> 00:36:59,618
COULD GIVE A RAT'S ASS
ABOUT YOUR DIPLOMATIC STATUS.

814
00:36:59,618 --> 00:37:01,850
THEY'LL JUST PRINT
YOUR PHOTOGRAPH WITH A HEADLINE

815
00:37:01,850 --> 00:37:04,793
THAT SAYS
"DIPLOMATIC DOUCHE BAG."
FINE. WHAT WOULD
YOU LIKE TO KNOW?

816
00:37:04,793 --> 00:37:06,795
THERE'S A FAKE VERSION
OF THIS PAINTING

817
00:37:06,795 --> 00:37:08,997
FOUND IN ONE OF OUR
SHOOTING VICTIM'S APARTMENTS.

818
00:37:08,997 --> 00:37:11,730
CAN YOU TELL US
HOW IT GOT THERE?
HOW WOULD I KNOW THIS?

819
00:37:11,730 --> 00:37:13,432
BECAUSE THE FAKE PAINTING

820
00:37:13,432 --> 00:37:15,964
IS WHERE THE REAL PAINTING
USED TO BE

821
00:37:15,964 --> 00:37:18,537
AND NOW YOU HAVE
THE REAL PAINTING.
ALL I KNOW IS THAT
I ASKED FINK TO ACQUIRE IT

822
00:37:18,537 --> 00:37:21,540
FOR A CLIENT OF MINE.
WHEN HE SAID HE HAD IT,

823
00:37:21,540 --> 00:37:24,543
I ASSUMED HE'D TRACKED DOWN
THE OWNER AND MADE A DEAL.

824
00:37:24,543 --> 00:37:27,546
BUT WHEN I WENT TO THE GALLERY
THAT EVENING, HE SENT ME AWAY,

825
00:37:27,546 --> 00:37:29,247
JUST LIKE I TOLD YOU.

826
00:37:29,247 --> 00:37:31,550
(Beckett)
THAT'S A GREAT STORY, MR. HARUN,

827
00:37:31,550 --> 00:37:33,552
BUT IF FINK
SENT YOU AWAY EMPTY-HANDED,

828
00:37:33,552 --> 00:37:36,555
WHY DO YOU HAVE THE PAINTING?
BECAUSE I GOT A CALL
FROM A MAN THIS MORNING

829
00:37:36,555 --> 00:37:39,528
THAT SAID HE HAD IT
FOR A PRICE.

830
00:37:39,528 --> 00:37:41,029
WHO WAS IT?

831
00:37:41,029 --> 00:37:43,562
IT WAS FINK'S NEW ASSISTANT
DARIUS.

832
00:37:43,562 --> 00:37:45,263
THIS IS CRAZY.

833
00:37:45,263 --> 00:37:46,565
I TOLD YOU ALREADY,

834
00:37:46,565 --> 00:37:49,698
I WAS IN CLASS
WHEN MR. FINK WAS KILLED.

835
00:37:49,698 --> 00:37:52,541
NOBODY REMEMBERS
SEEING YOU THERE.
I SAT IN THE BACK.

836
00:37:52,541 --> 00:37:54,543
THE NAUGHTY KIDS
ALWAYS DO.

837
00:37:54,543 --> 00:37:56,545
YOU WERE AT THE GALLERY
THE NIGHT THAT JEREMY

838
00:37:56,545 --> 00:37:58,577
CONFRONTED FINK
ABOUT THE PAINTING.

839
00:37:58,577 --> 00:38:01,680
LISTEN, THERE'S OBVIOUSLY BEEN
SOME KIND OF MISUNDERSTANDING.

840
00:38:01,680 --> 00:38:04,753
WAS THIS A MISUNDERSTANDING
AS WELL?

841
00:38:06,885 --> 00:38:10,459
IT'S A SIGNED STATEMENT FROM
THE SUPER AT PRESWICK'S BUILDING

842
00:38:10,459 --> 00:38:12,621
ADMITTING THAT HE TOOK
A $1,000 BRIBE FROM YOU

843
00:38:12,621 --> 00:38:15,624
TO ALLOW YOU
INTO JEREMY'S APARTMENT

844
00:38:15,624 --> 00:38:17,626
SO THAT YOU COULD SWITCH OUT
THE PAINTINGS.

845
00:38:17,626 --> 00:38:20,629
I'M SORRY. SHOULDA COME CLEAN
FROM THE START.

846
00:38:20,629 --> 00:38:23,572
FINK WANTED THE PAINTING.

847
00:38:23,572 --> 00:38:25,574
HE TOLD ME
TO BUY IT FROM PRESWICK,

848
00:38:25,574 --> 00:38:26,935
BUT THE GUY WOULDN'T SELL.

849
00:38:26,935 --> 00:38:29,538
SO FINK HAD ME PAINT A FAKE.

850
00:38:29,538 --> 00:38:34,743
AND, YEAH, I-I BRIBED
THE SUPER TO...

851
00:38:34,743 --> 00:38:36,745
SWITCH IT
WITH THE REAL THING.

852
00:38:36,745 --> 00:38:38,447
IT WAS STUPID,

853
00:38:38,447 --> 00:38:41,089
BUT... FINK THREATENED
TO FIRE ME IF I DIDN'T.

854
00:38:41,089 --> 00:38:43,852
IT WAS ALL YOU, DARIUS.

855
00:38:43,852 --> 00:38:46,355
YOU SWITCHED OUT THE PAINTINGS,
YOU POCKETED THE MONEY

856
00:38:46,355 --> 00:38:48,357
THAT FINK GAVE YOU
TO BUY IT.

857
00:38:48,357 --> 00:38:50,359
IT WAS FINK.
HE MANIPULATED ME.

858
00:38:50,359 --> 00:38:53,602
NO, THAT IS JUST A LIE.

859
00:38:53,602 --> 00:38:57,636
AND YOU KNOW WHAT ELSE
IS A LIE? YOUR NAME.

860
00:38:57,636 --> 00:39:00,509
DARIUS LANGLEY
IS YOUR ROOMMATE.

861
00:39:00,509 --> 00:39:03,341
PRETTY SMART,
USING HIS IDENTITY

862
00:39:03,341 --> 00:39:05,414
TO LAND A JOB
AT THE GALLERY.

863
00:39:05,414 --> 00:39:07,746
THOUGH I GUESS IT'D BE
PRETTY TOUGH TO GET HIRED

864
00:39:07,746 --> 00:39:10,379
WITH TWO FELONY COUNTS
OF COUNTERFEITING, THOUGH,

865
00:39:10,379 --> 00:39:11,680
ISN'T IT, GEORGE?

866
00:39:11,680 --> 00:39:14,753
YOU'VE GOT QUITE
A RAP SHEET, MR. HELLER.

867
00:39:14,753 --> 00:39:17,055
HMM. ONE MORE STRIKE,
YOU GO AWAY FOR A LONG TIME.

868
00:39:17,055 --> 00:39:19,558
WHICH IS WHY YOU COULDN'T AFFORD
PRESWICK CALLING THE COPS

869
00:39:19,558 --> 00:39:22,090
WHEN HE FOUND OUT THE TRUTH,
AND SO YOU SHOT HIM.

870
00:39:22,090 --> 00:39:25,764
AND THEN WHEN HE WENT DOWN,
YOU SHOT FINK AS WELL.

871
00:39:25,764 --> 00:39:28,667
YOU THINK YOU'RE GONNA
PIN THIS MURDER ON ME?

872
00:39:28,667 --> 00:39:31,540
(laughs) NO WAY.

873
00:39:31,540 --> 00:39:33,542
YOU DON'T GOT JACK.

874
00:39:33,542 --> 00:39:36,074
READ CAREFULLY.

875
00:39:36,074 --> 00:39:39,047
YOU BRIBED THE SUPER...
TWICE.

876
00:39:39,047 --> 00:39:41,650
AND THE SECOND TIME
WAS FOUR HOURS AFTER

877
00:39:41,650 --> 00:39:44,753
DETECTIVES RYAN AND ESPOSITO
BROUGHT PRESWICK TO THE GALLERY

878
00:39:44,753 --> 00:39:47,856
AND YOU REALIZED
THAT HE HAD LOST HIS MEMORY.

879
00:39:47,856 --> 00:39:50,559
YOU PLANTED THE GUN.

880
00:39:50,559 --> 00:39:52,561
SWING AND A MISS.

881
00:39:52,561 --> 00:39:55,123
STRIKE THREE. YOU'RE OUT.

882
00:39:58,567 --> 00:40:01,099
(Ryan) AH, IT'S A BEAUT.

883
00:40:01,099 --> 00:40:03,572
ISN'T IT?
I ESPECIALLY LOVE
THE FINGERPRINT.

884
00:40:03,572 --> 00:40:06,575
ME, TOO.
EVEN IF I CAN'T REMEMBER,

885
00:40:06,575 --> 00:40:09,438
IT STILL SOMEHOW FEELS
A PART OF ME.

886
00:40:09,438 --> 00:40:12,581
(whimpers and pants)

887
00:40:12,581 --> 00:40:14,082
HEY, JER.

888
00:40:14,082 --> 00:40:16,485
READY TO ROCK?

889
00:40:16,485 --> 00:40:17,846
THANKS FOR COMING.

890
00:40:17,846 --> 00:40:19,648
YOU REMEMBER LUCY?

891
00:40:19,648 --> 00:40:21,590
NO.

892
00:40:21,590 --> 00:40:23,752
SHE CERTAINLY REMEMBERS YOU.

893
00:40:23,752 --> 00:40:25,894
WELL, HEY, THANKS, GUYS.

894
00:40:25,894 --> 00:40:29,057
YOU MADE GETTING ARRESTED
FOR MURDER REALLY NOT SO BAD.
(laughs)

895
00:40:29,057 --> 00:40:31,530
THANK YOU.
MM-HMM.

896
00:40:31,530 --> 00:40:34,563
SO ARE YOU TWO GONNA...
CASTLE.

897
00:40:34,563 --> 00:40:37,466
IT'S OKAY.
THE ANSWER IS...

898
00:40:37,466 --> 00:40:39,938
WHO KNOWS? I LIKE HIM
AND HE LIKES ME.

899
00:40:39,938 --> 00:40:41,670
AND RIGHT NOW, THAT'S ENOUGH.
WELL, SEE YOU.

900
00:40:41,670 --> 00:40:45,614
I GUESS IF I EVER LOSE MY MEMORY
AGAIN, I'LL KNOW WHERE TO COME.

901
00:40:45,614 --> 00:40:47,516
(laughs)

902
00:40:47,516 --> 00:40:50,018
RIGHT.
SEE YA.

903
00:40:50,018 --> 00:40:51,780
(man)
♪ I WANT TO FLY SO HIGH ♪

904
00:40:51,780 --> 00:40:55,554
(Ryan) ONE OF 'EM HAS
15 YEARS OF BAGGAGE--

905
00:40:55,554 --> 00:40:59,187
MARRIAGE, DIVORCE--
THE OTHER'S ON A FIRST DATE.

906
00:40:59,187 --> 00:41:01,990
HOW LONG YOU THINK
THAT'LL LAST?
HOPEFULLY FOR A LONG TIME.

907
00:41:01,990 --> 00:41:03,962
WHY, DETECTIVE BECKETT.

908
00:41:03,962 --> 00:41:06,695
I HAD NO IDEA
YOU WERE A ROMANTIC.

909
00:41:06,695 --> 00:41:10,098
I ALSO SLEEP WITH A GUN.
BET YOU DIDN'T KNOW THAT EITHER.

910
00:41:10,098 --> 00:41:13,101
WHAT ABOUT YOU, CASTLE?
HOW LONG YOU THINK IT'LL LAST?

911
00:41:13,101 --> 00:41:15,103
WELL, I GUESS IT'S JUST
THE WRITER IN ME,

912
00:41:15,103 --> 00:41:18,046
BUT I'M HOPING
FOR A HAPPY ENDING.

913
00:41:18,046 --> 00:41:19,548
OOH, WELL, WELL, WELL.

914
00:41:19,548 --> 00:41:21,850
LOOK WHO'S DOING
THE WALK OF SHAME NOW.

915
00:41:21,850 --> 00:41:24,553
I WAS WITH BECKETT.
REALLY?

916
00:41:24,553 --> 00:41:26,515
UH, WRAPPING UP A CASE.

917
00:41:26,515 --> 00:41:27,916
AHA.

918
00:41:27,916 --> 00:41:31,520
WELL, YOU SHOULD KISS THAT GIRL
WHILE YOU'RE BOTH YOUNG.

919
00:41:31,520 --> 00:41:35,163
WHAT'S GOING ON WITH YOU?
WHAT HAVE YOU GOT THERE?

920
00:41:35,163 --> 00:41:37,526
OH, IT'S FROM CHET.
ISN'T IT ROMANTIC?

921
00:41:37,526 --> 00:41:40,669
CHET SENT YOU A DEAD FLOWER?
IT IS THE MOST ROMANTIC THING

922
00:41:40,669 --> 00:41:42,671
THAT ANYONE
HAS EVER DONE FOR ME.

923
00:41:42,671 --> 00:41:46,104
I'VE BEEN UP ALL NIGHT,
SO I MIGHT BE A LITTLE SLOW.

924
00:41:46,104 --> 00:41:48,637
WELL, IT'S THE BOUTONNIERE
I GAVE HIM PROM NIGHT.

925
00:41:48,637 --> 00:41:50,809
HE SAVED IT,
TUCKED IT INTO A YEARBOOK,

926
00:41:50,809 --> 00:41:54,683
AND HE SENT IT OVER LAST NIGHT
WITH A NOTE...

927
00:41:54,683 --> 00:41:58,086
SAYING...
WOULD I GIVE...

928
00:41:58,086 --> 00:42:01,590
GIVE HIM A SECOND CHANCE.

929
00:42:01,590 --> 00:42:04,853
WELL, THERE'S A LOT OF THAT
GOING AROUND THESE DAYS.

930
00:42:04,853 --> 00:42:06,695
(sighs)

931
00:42:06,695 --> 00:42:08,897
AND I'M SCARED.

932
00:42:08,897 --> 00:42:11,259
I MEAN,
WHAT IF IT DOESN'T WORK OUT?

933
00:42:11,259 --> 00:42:14,563
WHAT IF IT DOES? (chuckles)

934
00:42:14,563 --> 00:42:16,965
THAT'S THE COST OF LIVING.

935
00:42:16,965 --> 00:42:19,568
I JUST DON'T WANT
TO RUIN THIS.

936
00:42:19,568 --> 00:42:21,039
(Amy Stroup) ♪ THE ONE ♪

937
00:42:21,039 --> 00:42:22,540
EE.

938
00:42:22,540 --> 00:42:25,714
AH. THIS... IS DEAD.

939
00:42:25,714 --> 00:42:27,015
♪ YEAH, YOU ARE THE ONE ♪

940
00:42:27,015 --> 00:42:29,648
YOU ARE NOT.

941
00:42:29,648 --> 00:42:31,580
TIME TO START MAKING
SOME NEW MEMORIES.

942
00:42:31,580 --> 00:42:34,583
BOY, HOW DID YOU GET
SO SMART?

943
00:42:34,583 --> 00:42:35,924
MUST BE MY DAD.

944
00:42:35,924 --> 00:42:37,856
YOU. BOOP. YOUR DAD.

945
00:42:37,856 --> 00:42:39,728
(laughs)

946
00:42:39,728 --> 00:42:41,029
♪ CHIN UP, BOY ♪

947
00:42:41,029 --> 00:42:44,863
♪ YEAH, YOU ARE THE ONE I LOVE,
THE ONE ♪