1 00:00:01,632 --> 00:00:04,135 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,135 --> 00:00:06,006 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,006 --> 00:00:08,639 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,639 --> 00:00:10,641 CASTLE. CASTLE. 5 00:00:10,641 --> 00:00:13,314 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,314 --> 00:00:15,216 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,216 --> 00:00:17,388 BECKETT. BECKETT. 8 00:00:17,388 --> 00:00:19,350 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,350 --> 00:00:21,352 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,352 --> 00:00:24,055 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:24,055 --> 00:00:27,128 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,128 --> 00:00:29,800 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:29,800 --> 00:00:33,364 (men) ♪ OH-A-OH-OH ♪ 14 00:00:33,364 --> 00:00:35,306 ♪ OH-A-OH-OH ♪ 15 00:00:35,306 --> 00:00:37,808 I HAVE TO LAUGH AT HER JOKES. SHE'S MY BOSS. 16 00:00:37,808 --> 00:00:40,811 DO YOU HAVE TO STARE AT HER BOOBS, TOO? I WASN'T. SHE HAD A STAIN. 17 00:00:40,811 --> 00:00:43,374 AND YOU WERE TRYING TO MEMORIZE THE SHAPE? 18 00:00:43,374 --> 00:00:45,316 WHAT? NO. I SWEAR. 19 00:00:45,316 --> 00:00:48,649 IF I'M LYING, MY GOD STRIKE ME DOWN-- 20 00:00:48,649 --> 00:00:51,082 OH! AAH! 21 00:00:51,082 --> 00:00:52,283 OH! 22 00:00:54,685 --> 00:00:56,627 AAH! 23 00:01:01,092 --> 00:01:03,834 YEAH, I WANT TO. I JUST--I DON'T KNOW. 24 00:01:03,834 --> 00:01:06,137 YES, I... 25 00:01:06,137 --> 00:01:07,838 (sighs) 26 00:01:07,838 --> 00:01:11,172 I CAN'T TELL HIM. HE'LL FREAK. 27 00:01:11,172 --> 00:01:13,544 HE WILL. 28 00:01:13,544 --> 00:01:15,206 I GOTTA GO. (cell phone beeps) 29 00:01:15,206 --> 00:01:17,108 WHO'LL FREAK? WHAT? 30 00:01:17,108 --> 00:01:20,851 WHO'S GONNA FREAK? OH, UM, SOMEONE FROM SCHOOL. YOU DON'T KNOW THEM. 31 00:01:20,851 --> 00:01:22,813 ARE YOU SURE? 32 00:01:22,813 --> 00:01:24,115 MM-HMM. 33 00:01:24,115 --> 00:01:27,158 BUT I THOUGHT I KNEW ALL YOUR FRIENDS. 34 00:01:27,158 --> 00:01:30,261 HEY, I'M SORRY, DAD, BUT I HAVE A TON OF SCHOOLWORK. 35 00:01:30,261 --> 00:01:31,762 OH, NO. YEAH. 36 00:01:34,625 --> 00:01:36,127 HEY, UH... 37 00:01:36,127 --> 00:01:38,469 YOU KNOW YOU COULD TELL ME ANYTHING, RIGHT? 38 00:01:38,469 --> 00:01:40,100 YEP. 39 00:01:40,100 --> 00:01:42,533 (cell phone rings) 40 00:01:42,533 --> 00:01:43,874 (beeps) 41 00:01:43,874 --> 00:01:45,476 CASTLE. 42 00:01:45,476 --> 00:01:47,308 (siren wailing, camera shutter clicking) 43 00:01:47,308 --> 00:01:49,410 (man) A BODY FALLS OUT OF THE SKY, 44 00:01:49,410 --> 00:01:52,183 AND SOMEHOW THAT'S MY FAULT? UGH! 45 00:01:52,183 --> 00:01:53,684 HEY, CASTLE. 46 00:01:53,684 --> 00:01:56,687 I HOPE WE DIDN'T TAKE YOU AWAY FROM SOMETHING IMPORTANT 47 00:01:56,687 --> 00:01:58,419 OR SOMEONE. 48 00:01:58,419 --> 00:02:00,491 DID YOU EVER KEEP SECRETS FROM YOUR DAD? 49 00:02:00,491 --> 00:02:01,722 SURE. 50 00:02:01,722 --> 00:02:03,224 WHAT KIND? 51 00:02:03,224 --> 00:02:05,226 DO YOU REALLY WANT TO KNOW? 52 00:02:05,226 --> 00:02:07,228 ABOUT YOUR SECRETS? ABSOLUTELY. 53 00:02:07,228 --> 00:02:08,859 ABOUT MY DAUGHTER'S? MM. 54 00:02:08,859 --> 00:02:10,831 YOU KNOW WHAT? I'M SURE IT'S NOTHING. 55 00:02:10,831 --> 00:02:13,534 ALEXIS WOULD NEVER KEEP ANYTHING SERIOUS FROM ME. 56 00:02:13,534 --> 00:02:15,666 I'M THE COOL DAD. UH-HUH. 57 00:02:15,666 --> 00:02:17,338 (camera shutter clicks) 58 00:02:17,338 --> 00:02:20,311 SIR, WHAT ARE YOU DOING HERE? THE VICTIM'S JACK BUCKLEY. 59 00:02:20,311 --> 00:02:23,674 WHO'S JACK BUCKLEY? AN ASSISTANT DISTRICT ATTORNEY. ONE OF THE GOOD GUYS. 60 00:02:23,674 --> 00:02:25,176 BUCKLEY HATED MAKING DEALS, 61 00:02:25,176 --> 00:02:27,278 LOVED PUTTING BAD GUYS BEHIND BARS. 62 00:02:27,278 --> 00:02:30,851 HE'S THE LAWYER EVERY COP WANTED PROSECUTING THEIR CASE. 63 00:02:30,851 --> 00:02:33,554 WELL, LOOKS LIKE HE DIDN'T GO DOWN WITHOUT A FIGHT. 64 00:02:33,554 --> 00:02:35,886 YEAH, HIS JACKET WAS TORN. 65 00:02:35,886 --> 00:02:38,229 WE FOUND HIS BRIEFCASE UP ON THE ROOF 66 00:02:38,229 --> 00:02:39,930 ALONG WITH HIS LEFT SHOE. 67 00:02:39,930 --> 00:02:42,693 C.S.U. IS DOING A FULL SWEEP. 68 00:02:42,693 --> 00:02:44,865 WELL, JACK'S A BIG BOY. WHOEVER DID IT MUST BE STRONG. 69 00:02:44,865 --> 00:02:47,368 WAIT. I KNOW WHAT THIS IS. 70 00:02:47,368 --> 00:02:49,540 LAWYER PUTS CRIMINAL IN JAIL. CRIMINAL FEELS WRONGED. 71 00:02:49,540 --> 00:02:51,802 CRIMINAL KILLS LAWYER. THIS IS "CAPE FEAR." 72 00:02:51,802 --> 00:02:56,207 ANY IDEA WHAT HE WAS DOING UP THERE? NO, I TALKED TO HIS SECRETARY, 73 00:02:56,207 --> 00:02:58,249 AND SHE SAID BUCKLEY LEFT WORK AROUND 8:00, 74 00:02:58,249 --> 00:03:01,552 HEADING STRAIGHT HOME, WHICH IS ON THE WEST SIDE. (Ryan) AND GET THIS. 75 00:03:01,552 --> 00:03:05,356 BUCKLEY WAS A SUBWAY RIDER. HE DIDN'T OWN A CAR. THEN WHAT'S HE DOING 76 00:03:05,356 --> 00:03:07,858 AT A PARKING GARAGE ON THE EAST SIDE? THAT'S A GOOD QUESTION. 77 00:03:07,858 --> 00:03:09,960 WAS BUCKLEY MARRIED? 78 00:03:09,960 --> 00:03:12,623 DIVORCED. EX-WIFE LIVES IN CALIFORNIA. 79 00:03:12,623 --> 00:03:14,625 REACH OUT TO HIS WIFE. LET'S START LOOKING 80 00:03:14,625 --> 00:03:16,897 INTO HIS PERSONAL LIFE AND SEE WHAT WE CAN FIND. 81 00:03:16,897 --> 00:03:18,969 THE MAYOR WANTS THIS SOLVED QUICKLY. 82 00:03:18,969 --> 00:03:21,972 NOBODY KILLS A LAW ENFORCEMENT OFFICER AND GETS AWAY WITH IT. 83 00:03:24,875 --> 00:03:27,538 (woman) I JUST CAN'T BELIEVE THAT HE'S DEAD. 84 00:03:27,538 --> 00:03:30,441 AND YOU HAVE NO IDEA WHY HE WAS IN THE GARAGE? 85 00:03:30,441 --> 00:03:33,544 NO. UH, HERE ARE THE PRINTOUTS OF MR. BUCKLEY'S CASES YOU WANTED. 86 00:03:33,544 --> 00:03:34,885 THANKS. 87 00:03:34,885 --> 00:03:36,887 I'M TELLING, YOU THIS "CAPE FEAR" LIST 88 00:03:36,887 --> 00:03:39,250 IS GONNA BE A GOLD MINE OF SUSPECTS. 89 00:03:39,250 --> 00:03:41,252 CHECK OUT THIS GUY-- ARCHIBALD SPINKS. 90 00:03:41,252 --> 00:03:42,893 FIVE COUNTS OF ATTEMPTED MURDER, 91 00:03:42,893 --> 00:03:45,256 ONE COUNT OF INDECENT EXPOSURE. 92 00:03:45,256 --> 00:03:47,598 YOU DON'T SUPPOSE HE TRIED TO KILL 'EM WITH HIS... 93 00:03:47,598 --> 00:03:48,899 YEAH, THAT WOULDN'T WORK. 94 00:03:48,899 --> 00:03:50,931 HAD MR. BUCKLEY EVER RECEIVED ANY THREATS, 95 00:03:50,931 --> 00:03:53,864 ANY PROSECUTIONS THAT WENT UGLY? WELL, HE DIDN'T THINK HE WAS DOING HIS JOB RIGHT 96 00:03:53,864 --> 00:03:57,608 IF HE WASN'T BEING THREATENED, BUT NOTHING RECENTLY, NO. 97 00:03:57,608 --> 00:04:00,971 HE DID SEEM TO BE UPSET THE PAST FEW DAYS. ANY IDEA WHY? 98 00:04:00,971 --> 00:04:03,974 NO. YOU KNOW, THERE WAS THAT MAN THE POLICE BROUGHT IN. 99 00:04:03,974 --> 00:04:06,947 WHAT MAN? IT WAS RIGHT AFTER LUNCH ON MONDAY. A COP BROUGHT IN 100 00:04:06,947 --> 00:04:10,521 A TOUGH-LOOKING GUY IN HANDCUFFS, TOOK HIM RIGHT IN 101 00:04:10,521 --> 00:04:13,954 TO MR. BUCKLEY'S OFFICE AND THEN WAITED OUTSIDE. YEAH, WE HEARD THEM YELLING THROUGH THE DOOR, 102 00:04:13,954 --> 00:04:16,657 AND THEN THE OFFICER TOOK HIM AWAY. THAT KINDA THING HAPPEN A LOT? 103 00:04:16,657 --> 00:04:19,360 (woman) NEVER. DO YOU REMEMBER THE OFFICER'S NAME? 104 00:04:19,360 --> 00:04:22,963 YEAH. FRANK. UH, FRANK-- FRANK CURTIS. 105 00:04:22,963 --> 00:04:24,735 (Beckett) CURTIS DOESN'T REMEMBER 106 00:04:24,735 --> 00:04:26,737 WHY BUCKLEY ASKED HIM TO BRING THE GUY IN, 107 00:04:26,737 --> 00:04:28,999 BUT HE DOES REMEMBER HIS NAME. JOHN KNOX. 108 00:04:28,999 --> 00:04:31,572 DOZENS OF PRIORS. UNIFORMS ARE BRINGING HIM IN. 109 00:04:31,572 --> 00:04:34,505 I'M GUESSING THIS GUY ISN'T EXACTLY AN ALTAR BOY. 110 00:04:34,505 --> 00:04:36,507 YOU THINK? COME ON. LET'S GO. 111 00:04:36,507 --> 00:04:38,509 YOU'VE GOT QUITE A RECORD, MR. KNOX. 112 00:04:38,509 --> 00:04:40,351 YOUR PARENTS MUST BE PROUD. 113 00:04:40,351 --> 00:04:43,013 YEAH, THEY HANG ALL MY MUG SHOTS ON THE FRIDGE. 114 00:04:43,013 --> 00:04:45,956 CAN WE CUT TO THE CHASE? TWO DAYS AGO, 115 00:04:45,956 --> 00:04:48,459 YOU HAD AN ARGUMENT WITH BUCKLEY IN HIS OFFICE. 116 00:04:48,459 --> 00:04:51,021 LAST NIGHT WE FOUND HIM DEAD. 117 00:04:51,021 --> 00:04:53,894 SO YOU CAN UNDERSTAND OUR INTEREST. SURE, BUT YOU'RE WASTING YOUR TIME. 118 00:04:53,894 --> 00:04:55,896 I DIDN'T KILL THE GUY. REALLY? 119 00:04:55,896 --> 00:04:58,529 BECAUSE IT SAYS HERE THAT YOU HAVE QUITE A HISTORY 120 00:04:58,529 --> 00:05:01,472 OF TRYING TO KILL PEOPLE-- THREE IN THE LAST TWO YEARS, 121 00:05:01,472 --> 00:05:04,435 OR AM I MISSING ANY? I WAS NEVER CONVICTED OF ANYTHING. 122 00:05:04,435 --> 00:05:06,407 THAT'S NOT EXACTLY A DENIAL. 123 00:05:06,407 --> 00:05:08,308 DO YOU WORK OUT? 124 00:05:08,308 --> 00:05:10,310 YOU KNOW, BENCH PRESS, DEAD LIFT? 125 00:05:10,310 --> 00:05:12,643 IT MUST TAKE A LOT OF UPPER BODY STRENGTH 126 00:05:12,643 --> 00:05:14,645 TO THROW A GUY OFF A ROOF. 127 00:05:14,645 --> 00:05:15,946 (laughs) WHO IS THIS GUY? 128 00:05:15,946 --> 00:05:18,749 WHAT DID YOU AND BUCKLEY FIGHT ABOUT? 129 00:05:18,749 --> 00:05:21,452 LOOK, HE HAD IT OUT FOR ME BECAUSE HE PUT ME ON TRIAL 130 00:05:21,452 --> 00:05:23,954 FOR AN ASSAULT I DIDN'T COMMIT AND HE LOST. 131 00:05:23,954 --> 00:05:26,326 AND RATHER THAN BEING A MAN ABOUT IT, 132 00:05:26,326 --> 00:05:28,328 HE DECIDED TO RATTLE MY CAGE, 133 00:05:28,328 --> 00:05:30,330 TO SHOW ME WHO WAS THE ALPHA MALE. 134 00:05:30,330 --> 00:05:32,332 SO, YEAH, IT WAS ANNOYING AND CHILDISH, 135 00:05:32,332 --> 00:05:35,466 BUT NOT SOMETHING YOU KILL A GUY OVER, ESPECIALLY A D.A. 136 00:05:35,466 --> 00:05:39,810 NOW I MAY BE A CRIMINAL, BUT I'M NOT... STUPID. 137 00:05:39,810 --> 00:05:42,543 DO YOU HAVE AN ALIBI FOR BUCKLEY'S MURDER? 138 00:05:42,543 --> 00:05:44,745 I DON'T KNOW. WHAT TIME WAS HE KILLED? 139 00:05:44,745 --> 00:05:47,618 9:30 P.M. I WAS AT AN A.A. MEETING. 140 00:05:47,618 --> 00:05:50,451 ANONYMOUS? THAT'S CUTE. 141 00:05:50,451 --> 00:05:52,883 YOU DON'T BELIEVE ME? MNH-MNH. 142 00:05:52,883 --> 00:05:55,886 WELL, THEN MAYBE YOU'LL BELIEVE MY SPONSOR... 143 00:05:55,886 --> 00:05:58,929 REVEREND DANIEL MILLER. 144 00:05:58,929 --> 00:06:00,761 DID YOU SAY "REVEREND"? 145 00:06:03,093 --> 00:06:05,095 (Montgomery) SO WHERE ARE WE WITH KNOX? 146 00:06:05,095 --> 00:06:06,867 THE ALIBI LOOKS SOLID. 147 00:06:06,867 --> 00:06:08,869 CASTLE AND BECKETT ARE INTERVIEWING 148 00:06:08,869 --> 00:06:11,141 THE GOOD REVEREND RIGHT NOW. WHAT ABOUT FORENSICS? 149 00:06:11,141 --> 00:06:13,874 LOOKS LIKE A BUST, BUT I DID FIND SOMETHING INTERESTING 150 00:06:13,874 --> 00:06:16,647 WHEN I CHECKED INTO BUCKLEY'S METRO CARD HISTORY. 151 00:06:16,647 --> 00:06:18,949 HIS CARD ONLY MADE TWO SWIPES A DAY FOR THE WHOLE MONTH-- 152 00:06:18,949 --> 00:06:21,682 6:00 A.M. AT THE SUBWAY BY HIS APARTMENT, 153 00:06:21,682 --> 00:06:24,655 8:00 P.M. BY HIS OFFICE. BUCKLEY LIVED FOR THE JOB, ESPECIALLY AFTER THE DIVORCE. 154 00:06:24,655 --> 00:06:27,658 PROBABLY TRYING TO LOSE HIMSELF IN THE WORK. ON THE DAY HE WAS KILLED, BUCKLEY DID SOMETHING UNUSUAL. 155 00:06:27,658 --> 00:06:29,960 HE MADE AN EXTRA TRIP UP TO WEST 77th STREET 156 00:06:29,960 --> 00:06:31,662 BEFORE HE WENT TO WORK. 157 00:06:31,662 --> 00:06:34,895 HIS SECRETARY HAS NO IDEA WHY. SEE IF YOU CAN FIND OUT. 158 00:06:34,895 --> 00:06:37,027 YO, CAP. LOOKS LIKE SOMEBODY WAS FOLLOWING OUR BOY BUCKLEY. 159 00:06:37,027 --> 00:06:39,169 THE DOORMAN IN HIS APARTMENT SAID THAT A GUY 160 00:06:39,169 --> 00:06:42,172 CAME IN THERE TWO DAYS AGO DEMANDING TO TALK TO BUCKLEY, 161 00:06:42,172 --> 00:06:44,705 WOULDN'T TAKE NO FOR AN ANSWER. 162 00:06:44,705 --> 00:06:47,077 DOORMAN PRACTICALLY HAD TO THROW THE GUY OUT. 163 00:06:47,077 --> 00:06:49,710 THEN ON THE MORNING OF BUCKLEY'S MURDER, THE DOORMAN SWEARS 164 00:06:49,710 --> 00:06:53,043 THAT HE SAW THE SAME GUY HANGING AROUND OUTSIDE THE BUILDING. 165 00:06:53,043 --> 00:06:57,147 I SNAGGED A PHOTO OFF THE VIDEO SURVEILLANCE. START LOOKING THROUGH SOME MUG SHOT BOOKS. 166 00:06:59,490 --> 00:07:00,991 THANK YOU, REVEREND. 167 00:07:00,991 --> 00:07:02,993 PLEASURE MEETING YOU. THANKS. 168 00:07:02,993 --> 00:07:05,125 IS THIS FOR OUR CASE? 169 00:07:05,125 --> 00:07:08,659 YEAH, THE GUY WHO TRIED TO HASSLE BUCKLEY AT HIS BUILDING. 170 00:07:08,659 --> 00:07:10,901 WAIT A SECOND. I KNOW THIS GUY. 171 00:07:10,901 --> 00:07:13,103 YES. MY "CAPE FEAR" FILE. (rubber band snaps) 172 00:07:13,103 --> 00:07:15,105 OW! 173 00:07:15,105 --> 00:07:17,538 RIGHT HERE. RIGHT... HERE. 174 00:07:17,538 --> 00:07:19,940 HIS NAME IS NORMAN JESSUP. 175 00:07:19,940 --> 00:07:22,743 BUCKLEY GOT HIM FOUR YEARS AGO 176 00:07:22,743 --> 00:07:24,945 ON A BANK ROBBERY WHERE A GUARD GOT SHOT. 177 00:07:24,945 --> 00:07:27,177 SEE? I TOLD YOU THIS FILE WOULD SOLVE THIS CASE. 178 00:07:27,177 --> 00:07:30,050 IT SAYS HERE HE GOT OUT TWO WEEKS AGO 179 00:07:30,050 --> 00:07:31,882 WHEN HIS CONVICTION WAS OVERTURNED 180 00:07:31,882 --> 00:07:33,884 BY THE APPELLATE COURT ON A TECHNICALITY. 181 00:07:33,884 --> 00:07:36,657 THAT SOUNDS LIKE A REASON FOR JESSUP TO CELEBRATE 182 00:07:36,657 --> 00:07:38,789 NOT TO KILL BUCKLEY. YEAH, EXCEPT BUCKLEY ALREADY FILED 183 00:07:38,789 --> 00:07:40,591 AN INTENT TO RETRY. 184 00:07:40,591 --> 00:07:42,933 JESSUP WAS LOOKING AT ANOTHER TWO YEARS IN JAIL 185 00:07:42,933 --> 00:07:45,936 IF BUCKLEY WON. WELL, THAT MIGHT HAVE MADE JESSUP A LITTLE MAD. 186 00:07:45,936 --> 00:07:48,138 RIGHT, AND THEN IT'S ALL... 187 00:07:48,138 --> 00:07:50,741 (as Robert De Niro) "COME OUT, COME OUT WHEREVER YOU ARE." 188 00:07:50,741 --> 00:07:52,673 REALLY? THAT'S YOUR De NIRO? 189 00:07:52,673 --> 00:07:55,145 GET A CURRENT ADDRESS AND A LIST OF KNOWN ASSOCIATES. 190 00:07:55,145 --> 00:07:57,648 I'D LIKE TO HEAR WHAT JESSUP HAS TO SAY. 191 00:07:57,648 --> 00:07:59,650 WAIT. WAIT. YOU GOT IT ALL WRONG. 192 00:07:59,650 --> 00:08:01,652 (man grunts) HEY! 193 00:08:01,652 --> 00:08:04,915 COME ON! POLICE! BREAK IT UP! (men grunting) 194 00:08:04,915 --> 00:08:08,058 ARE YOU GONNA DO SOMETHING? BREAKING UP A BAR FIGHT IS A SURE WAY TO GET HIT. 195 00:08:08,058 --> 00:08:10,060 DON'T WORRY. IT'LL BE OVER IN A MINUTE. 196 00:08:10,060 --> 00:08:12,192 YOU KNOW, I WAS IN A BAR FIGHT ONCE. 197 00:08:12,192 --> 00:08:14,124 REALLY? WHO WON? 198 00:08:14,124 --> 00:08:17,497 OW! AH! OH, LET ME GUESS. (grunts) 199 00:08:17,497 --> 00:08:20,000 NOT YOU. (groaning) 200 00:08:20,000 --> 00:08:24,004 YOU WANT TO FIGHT, MR. JESSUP? YOU CAN FIGHT A MURDER CHARGE. (handcuffs click) 201 00:08:24,004 --> 00:08:30,240 ♪♪ 202 00:08:37,017 --> 00:08:38,518 YO, I'M SORRY, MAN. 203 00:08:38,518 --> 00:08:40,651 I DIDN'T MEAN TO EMBARRASS YOU 204 00:08:40,651 --> 00:08:43,554 IN FRONT OF YOUR GIRLFRIEND THERE. I AM NOT HIS GIRLFRIEND. I AM A HOMICIDE DETECTIVE. 205 00:08:43,554 --> 00:08:46,056 AND YOU SHOULD BE TAKING THIS A LITTLE BIT MORE SERIOUSLY. 206 00:08:46,056 --> 00:08:48,759 HEY, THAT GUY IN THAT BAR, HE STARTED THIS WHOLE THING, OKAY? 207 00:08:48,759 --> 00:08:50,761 HE THOUGHT I WAS HITTING ON HIS GIRLFRIEND, 208 00:08:50,761 --> 00:08:52,763 AND I WAS NOT HITTING ON HIS GIRLFRIEND. 209 00:08:52,763 --> 00:08:55,065 IT WAS JUST A BIG MISUNDERSTANDING. RIGHT. JUST LIKE THE BANK ROBBERY. 210 00:08:55,065 --> 00:08:57,638 EXACTLY. I HAD NO IDEA MY BUDDIES 211 00:08:57,638 --> 00:08:59,710 WERE GONNA ROB THAT BANK-- NO IDEA AT ALL. 212 00:08:59,710 --> 00:09:02,713 THEY SAID THEIR CAR BROKE DOWN AND THEY NEEDED A RIDE. 213 00:09:02,713 --> 00:09:05,315 AND I GAVE THEM A RIDE. AND THAT ARGUMENT DIDN'T SWAY BUCKLEY? 214 00:09:05,315 --> 00:09:09,279 CAN YOU BELIEVE IT? HE TOLD MY LAWYER THAT THE GUARD GOT SHOT, 215 00:09:09,279 --> 00:09:11,281 AND THEREFORE, IN THE EYES OF THE LAW, 216 00:09:11,281 --> 00:09:14,284 I WAS JUST AS RESPONSIBLE AS THE GUY WHO SHOT HIM. THAT MUST HAVE MADE YOU ANGRY. 217 00:09:14,284 --> 00:09:16,286 HOW'D YOU FEEL ABOUT THE FACT THAT BUCKLEY 218 00:09:16,286 --> 00:09:19,159 WAS GONNA RETRY YOUR CASE AND TRY TO MAKE YOU SERVE 219 00:09:19,159 --> 00:09:21,561 THE FINAL TWO YEARS OF YOUR SENTENCE? HONESTLY, LADY? I CRIED LIKE A BABY. 220 00:09:21,561 --> 00:09:25,335 HUH. PRISON IS NOT FUN, OKAY? I DID NOT WANT TO GO BACK. 221 00:09:25,335 --> 00:09:28,238 I FIGURED IF I COULD JUST TALK TO MR. BUCKLEY, 222 00:09:28,238 --> 00:09:31,071 I COULD LET HIM KNOW WHERE I'M COMING FROM. WHICH IS WHAT YOU WERE DOING AT BUCKLEY'S BUILDING. 223 00:09:31,071 --> 00:09:34,274 WHOA. WHOA. I FOLLOWED THE MAN AROUND FOR A FEW DAYS, OKAY? 224 00:09:34,274 --> 00:09:38,348 JUST SO I COULD GET MY COURAGE UP TO TALK TO HIM. YOU WERE STALKING BUCKLEY? 225 00:09:38,348 --> 00:09:40,681 STALKING IS A PRETTY DAMN UGLY WORD. 226 00:09:40,681 --> 00:09:42,252 LET'S NOT USE STALKING, OKAY? 227 00:09:42,252 --> 00:09:44,254 I WAS JUST TRYING TO FEEL THE GUY OUT. 228 00:09:44,254 --> 00:09:46,316 YOU KNOW WHAT I MEAN? TRYING TO CONVINCE HIM, YOU KNOW? 229 00:09:46,316 --> 00:09:48,318 IN CASE YOU GUYS HAVEN'T NOTICED, 230 00:09:48,318 --> 00:09:51,591 I'M SOMEWHAT OF A WORDSMITH, YOU KNOW? (chuckles) 231 00:09:51,591 --> 00:09:53,624 A REAL MASTER OF, YOU KNOW, OF, UH... WORDS? 232 00:09:53,624 --> 00:09:55,365 WHERE WERE YOU BETWEEN 9:00 AND 10:00 LAST NIGHT? 233 00:09:55,365 --> 00:09:58,168 I WAS SITTING IN THE BAR YOU GUYS JUST DRAGGED ME OUT OF. 234 00:09:58,168 --> 00:10:00,170 OKAY. WELL, WE'RE GONNA CHECK INTO YOUR ALIBI. 235 00:10:00,170 --> 00:10:02,172 IN THE MEANTIME, YOU'RE GOING BACK INTO HOLDING 236 00:10:02,172 --> 00:10:05,005 UNTIL WE CAN PROCESS YOU FOR ASSAULT. 237 00:10:05,005 --> 00:10:08,639 OH, OH, COME ON! I SAID I WAS SORRY. (Castle) WAIT. BUCKLEY'S MYSTERY TRIP. 238 00:10:08,639 --> 00:10:11,241 WERE YOU FOLLOWING BUCKLEY UPTOWN YESTERDAY MORNING? 239 00:10:11,241 --> 00:10:13,714 YEAH, YEAH, I WAS. 240 00:10:13,714 --> 00:10:15,716 WHERE DID HE GO? HE MET SOME ASIAN DUDE 241 00:10:15,716 --> 00:10:18,118 OUTSIDE THIS REAL FANCY APARTMENT BUILDING. 242 00:10:18,118 --> 00:10:20,120 THEN THEY STARTED TO ARGUE WITH EACH OTHER. 243 00:10:20,120 --> 00:10:22,793 YOU THINK MAYBE THAT'S THE GUY WHO KILLED HIM? 244 00:10:22,793 --> 00:10:25,095 WOULD YOU RECOGNIZE THE BUILDING IF YOU SAW IT AGAIN? 245 00:10:25,095 --> 00:10:27,658 OH, YEAH. I GET AROUND. 246 00:10:27,658 --> 00:10:29,660 ROAD TRIP. 247 00:10:29,660 --> 00:10:32,933 ♪♪ 248 00:10:32,933 --> 00:10:35,936 HEY, YOU GUYS MIND IF I TAKE THESE THINGS OFF? 249 00:10:35,936 --> 00:10:38,008 I'M STARTING TO FEEL LIKE A STEREOTYPE 250 00:10:38,008 --> 00:10:41,742 RIDING AROUND IN THE BACK OF A POLICE CAR WEARING 'EM. SURE. DO YOU WANT MY KEY? 251 00:10:41,742 --> 00:10:44,815 NO. I GOT IT. THANKS. 252 00:10:44,815 --> 00:10:47,647 (metal clicks) 253 00:10:47,647 --> 00:10:48,418 (exhales) 254 00:10:48,418 --> 00:10:50,120 HOW DID YOU DO THAT? 255 00:10:50,120 --> 00:10:52,282 (chuckles) I'VE ALWAYS BEEN GOOD WITH LOCKS. 256 00:10:52,282 --> 00:10:54,284 WHEN I WAS IN THE JOINT, I WAS THINKING, 257 00:10:54,284 --> 00:10:57,688 HOW CAN I TAKE THIS AND MAKE IT MORE PRODUCTIVE, YOU KNOW? 258 00:10:57,688 --> 00:10:59,690 SO I BEEN APPLYING TO LOCKSMITH SCHOOLS. 259 00:10:59,690 --> 00:11:02,392 BUT, YOU KNOW, THEY WON'T LET ME IN ON ACCOUNT THAT I'M A FELON. 260 00:11:02,392 --> 00:11:05,235 CAN YOU BELIEVE THAT? A FELON WHO WANTS TO BE A LOCKSMITH. 261 00:11:05,235 --> 00:11:08,438 WHAT COULD POSSIBLY GO WRONG THERE? YOU DON'T HAVE TO BE MEAN ABOUT IT. 262 00:11:08,438 --> 00:11:10,440 YEAH, WOW. 263 00:11:10,440 --> 00:11:11,772 ♪♪ 264 00:11:16,006 --> 00:11:18,749 IF YOU'RE GONNA BE A LOCKSMITH, YOU GOTTA LISTEN. 265 00:11:18,749 --> 00:11:21,681 LEFT TO RIGHT, RIGHT OVER LEFT. I THINK I MADE IT TIGHTER. 266 00:11:21,681 --> 00:11:23,383 JESSUP, DO YOU SEE THE BUILDING? 267 00:11:23,383 --> 00:11:26,086 UH, THAT'S A NEGATIVE. NOW BRING IT AROUND... 268 00:11:26,086 --> 00:11:28,388 (cell phone rings and beeps) BECKETT. 269 00:11:28,388 --> 00:11:32,422 OH, HEY. ALEXIS. UH, ARE YOU LOOKING FOR YOUR DAD? 270 00:11:32,422 --> 00:11:34,164 TO ME? 271 00:11:34,164 --> 00:11:36,196 OKAY, WHAT'S UP? 272 00:11:36,196 --> 00:11:38,698 YEAH, YEAH. WE CAN MEET AT SUTTON'S AROUND 7:30. 273 00:11:38,698 --> 00:11:40,400 IS THAT OKAY? 274 00:11:40,400 --> 00:11:42,432 ALL RIGHT, I'LL SEE YOU THEN. (beep) 275 00:11:42,432 --> 00:11:44,404 WAS THAT ALEXIS CALLING YOU? WHY? 276 00:11:44,404 --> 00:11:46,036 SHE NEEDED MY ADVICE. 277 00:11:46,036 --> 00:11:48,708 ABOUT WHAT? 278 00:11:48,708 --> 00:11:51,842 I DON'T KNOW. IT'S PROBABLY NO BIG DEAL. 279 00:11:51,842 --> 00:11:53,844 WHEN YOU KEPT SECRETS FROM YOUR FATHER, 280 00:11:53,844 --> 00:11:56,446 WAS IT NOT A BIG DEAL? 281 00:11:56,446 --> 00:12:00,120 YOU KNOW, I'M NOT EVEN GONNA ASK. 282 00:12:00,120 --> 00:12:02,422 THAT'S THE BUILDING ON THE RIGHT-HAND SIDE. 283 00:12:02,422 --> 00:12:04,855 RIGHT THERE. OKAY. 284 00:12:04,855 --> 00:12:07,397 LET'S GO GET 'EM. NOT YOU. US. 285 00:12:07,397 --> 00:12:10,500 (woman) YEAH, 801. RIGHT THERE. APARTMENT 801? OKAY. THANKS. 286 00:12:10,500 --> 00:12:12,002 SO IT TURNS OUT 287 00:12:12,002 --> 00:12:15,435 THAT THE BUILDING'S ONLY ASIAN TENANT IS PAUL CHO, 288 00:12:15,435 --> 00:12:17,737 WHO JUST HAPPENS TO BE BUCKLEY'S EX-BROTHER-IN-LAW. 289 00:12:17,737 --> 00:12:20,010 OH, WELL, MAYBE IT'S NOT "CAPE FEAR" THEN. (doorbell buzzes) 290 00:12:20,010 --> 00:12:22,412 MAYBE IT'S "FAMILY FEUD." MAYBE BUCKLEY'S BITTER DIVORCE 291 00:12:22,412 --> 00:12:25,415 CAUSED ENOUGH HARD FEELINGS THAT THINGS TURNED VIOLENT? 292 00:12:29,119 --> 00:12:32,983 I DON'T UNDERSTAND. I HAVEN'T SEEN JACK IN MONTHS. 293 00:12:32,983 --> 00:12:35,455 NOT SINCE HE DIVORCED MY SISTER. 294 00:12:35,455 --> 00:12:36,456 REALLY? 295 00:12:36,456 --> 00:12:38,458 BECAUSE I HAVE AN EYEWITNESS 296 00:12:38,458 --> 00:12:41,131 WHO SAW THE TWO OF YOU ARGUING YESTERDAY MORNING. 297 00:12:41,131 --> 00:12:45,465 SO THAT MEANS YOU'RE LYING TO ME. (whispers) SHE HATES BEING LIED TO. 298 00:12:45,465 --> 00:12:47,497 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 299 00:12:47,497 --> 00:12:49,439 GREAT. LET'S GO DOWN TO THE PRECINCT. 300 00:12:49,439 --> 00:12:51,371 I'LL ARRANGE A PERP WALK, 301 00:12:51,371 --> 00:12:54,875 AND YOU CAN PUT ON A SHOW FOR THE CAMERAS. LOVE A GOOD PERP WALK. 302 00:12:54,875 --> 00:12:56,877 WAIT, WAIT, WAIT, WAIT. 303 00:12:59,509 --> 00:13:01,781 THE NIGHT BEFORE LAST, 304 00:13:01,781 --> 00:13:04,354 I WAS ATTACKED BY A MAN IN A SKI MASK. 305 00:13:04,354 --> 00:13:06,857 HE WARNED ME TO TELL BUCKLEY TO BACK OFF DANTON 306 00:13:06,857 --> 00:13:09,519 OR HE WOULD RUIN ME. WHO'S DANTON? 307 00:13:09,519 --> 00:13:11,791 I DON'T KNOW, BUT JACK DEFINITELY KNEW HIM. 308 00:13:11,791 --> 00:13:14,424 HE SAID HE WASN'T GONNA LET HIM GET AWAY WITH THIS. 309 00:13:14,424 --> 00:13:16,897 THAT'S WHY WE WERE FIGHTING. 310 00:13:16,897 --> 00:13:20,330 I TOLD JACK TO LISTEN FOR ONCE IN HIS LIFE. 311 00:13:20,330 --> 00:13:22,332 HE HAD TO PROTECT ME. FROM WHAT? 312 00:13:22,332 --> 00:13:25,105 THAT'S NONE OF YOUR BUSINESS. PERP WALK IT IS. 313 00:13:25,105 --> 00:13:27,878 ALL RIGHT, ALL RIGHT. 314 00:13:27,878 --> 00:13:29,840 I HAVE A... 315 00:13:29,840 --> 00:13:32,542 SLIGHT FONDNESS... 316 00:13:32,542 --> 00:13:36,086 FOR GIRLS. 317 00:13:36,086 --> 00:13:38,418 YOUNG GIRLS? 318 00:13:40,120 --> 00:13:41,591 FAT GIRLS? 319 00:13:44,554 --> 00:13:47,227 SCHOOLGIRLS? 320 00:13:47,227 --> 00:13:49,900 CALL GIRLS. 321 00:13:49,900 --> 00:13:53,603 (whispers) OH. WHO ELSE KNOWS ABOUT THIS FONDNESS? 322 00:13:53,603 --> 00:13:55,906 JUST THE GIRLS. 323 00:13:55,906 --> 00:13:58,438 ACTUALLY, THE GIRLS... AND THEIR PIMP. 324 00:13:58,438 --> 00:14:01,872 WHOSE NAME IS PROBABLY DANTON. 325 00:14:01,872 --> 00:14:04,344 O-OKAY, FINE. BUT I WASN'T REALLY LYING. 326 00:14:04,344 --> 00:14:07,547 I-I'VE ACTUALLY NEVER MET DANTON. 327 00:14:07,547 --> 00:14:10,550 UH, I GOT THE PHONE NUMBER FOR THE AGENCY FROM A FRIEND. 328 00:14:10,550 --> 00:14:13,553 I CALL IT, AND THEN SEND OVER A GIRL. 329 00:14:13,553 --> 00:14:17,958 SO BUCKLEY IS INVESTIGATING DANTON'S CALL GIRL RING. 330 00:14:17,958 --> 00:14:19,459 WHEN DANTON DISCOVERS 331 00:14:19,459 --> 00:14:21,461 THAT BUCKLEY'S BROTHER-IN-LAW IS A CLIENT, 332 00:14:21,461 --> 00:14:24,464 HE SENDS A MESSAGE--BACK OFF OR YOUR FAMILY GETS HURT. 333 00:14:24,464 --> 00:14:26,466 AND THEN WHEN BUCKLEY DOESN'T BACK DOWN, 334 00:14:26,466 --> 00:14:27,968 DANTON KILLS HIM. 335 00:14:27,968 --> 00:14:29,970 SO HOW DO WE FIND DANTON? 336 00:14:29,970 --> 00:14:33,473 WE TALK TO ONE OF THE CALL GIRLS. 337 00:14:35,475 --> 00:14:38,478 CALL THAT NUMBER AND TELL HIM TO BRING ONE OF HIS GIRLS OVER. 338 00:14:38,478 --> 00:14:41,481 AND TELL HER TO WEAR SOMETHING SEXY. 339 00:14:41,481 --> 00:14:44,484 NO REASON WE CAN'T ENJOY THIS INTERVIEW. 340 00:14:44,484 --> 00:14:46,056 (doorbell buzzes) 341 00:14:47,887 --> 00:14:49,389 (woman) HEY, PAUL. 342 00:14:49,389 --> 00:14:51,521 COULDN'T WAIT TO SEE ME, HUH? 343 00:14:56,526 --> 00:14:59,369 ACTUALLY, I'M THE ONE WHO ASKED FOR THE DATE. 344 00:14:59,369 --> 00:15:02,332 ISN'T THAT THE GIRL FROM BUCKLEY'S OFFICE? 345 00:15:03,633 --> 00:15:06,376 DID SHE LOOK LIKE THAT BEFORE? 346 00:15:18,248 --> 00:15:20,250 (Castle) SO HOW EXACTLY DOES A CALL GIRL 347 00:15:20,250 --> 00:15:22,392 END UP WORKING FOR JACK BUCKLEY, SUPER D.A.? 348 00:15:22,392 --> 00:15:23,693 AM I UNDER ARREST? 349 00:15:23,693 --> 00:15:26,596 YOU WILL BE IF YOU DON'T ANSWER THE QUESTION. 350 00:15:26,596 --> 00:15:29,629 JACK WAS A CLIENT. 351 00:15:29,629 --> 00:15:32,402 I-I'M SORRY, SCARLETT. I DON'T BELIEVE THAT. 352 00:15:32,402 --> 00:15:35,265 I STARTED SEEING HIM ABOUT A YEAR AGO. 353 00:15:35,265 --> 00:15:38,638 HE HADN'T BEEN WITH ANYONE SINCE HIS DIVORCE. 354 00:15:38,638 --> 00:15:42,312 HE WAS JUST LONELY, YOU KNOW? 355 00:15:42,312 --> 00:15:46,046 WE'D SPEND MOST OF HIS DATES TALKING. 356 00:15:46,046 --> 00:15:48,478 HE'D TAKE ME TO FANCY RESTAURANTS... 357 00:15:48,478 --> 00:15:51,651 EVEN THOUGH I TOLD HIM HE DIDN'T HAVE TO. 358 00:15:51,651 --> 00:15:53,653 BUT I THINK HE WANTED TO MAKE IT FEEL 359 00:15:53,653 --> 00:15:56,126 AS NORMAL AS POSSIBLE. 360 00:15:56,126 --> 00:15:58,628 THEN ONE NIGHT, HE SAW... 361 00:15:58,628 --> 00:16:00,460 A LAW BOOK IN MY BAG. 362 00:16:00,460 --> 00:16:05,165 I TOLD HIM I WAS ONLY WORKING AS AN ESCORT 363 00:16:05,165 --> 00:16:07,437 TO PAY MY WAY THROUGH LAW SCHOOL. 364 00:16:07,437 --> 00:16:10,540 A FEW MONTHS LATER, HE SAID HE HAD AN INTERNSHIP 365 00:16:10,540 --> 00:16:13,543 OPENING UP IN HIS OFFICE. 366 00:16:13,543 --> 00:16:16,006 WOULD I BE INTERESTED? 367 00:16:16,006 --> 00:16:20,280 HE WANTED TO HELP YOU ESCAPE THE LIFE? 368 00:16:20,280 --> 00:16:21,581 WHO'S DANTON? 369 00:16:21,581 --> 00:16:24,684 I DON'T KNOW. DON'T LIE TO US, SCARLETT. 370 00:16:24,684 --> 00:16:26,386 I'M NOT. 371 00:16:26,386 --> 00:16:30,160 I-I KNOW HE RUNS THE BUSINESS, BUT I'VE NEVER MET HIM. 372 00:16:30,160 --> 00:16:32,562 IT'S NOT LIKE I'M A STREETWALKER 373 00:16:32,562 --> 00:16:36,026 AND HE'S IN A FEDORA AND A LONG FUR COAT. 374 00:16:36,026 --> 00:16:38,628 HE'S ORGANIZED THE ENTIRE OPERATION 375 00:16:38,628 --> 00:16:40,670 TO PROTECT HIS IDENTITY. 376 00:16:40,670 --> 00:16:43,303 THE GIRLS ARE INDEPENDENT CONTRACTORS. 377 00:16:43,303 --> 00:16:45,305 THE CLIENTS ARE ALL GIVEN NUMBERS 378 00:16:45,305 --> 00:16:48,108 SO WE DON'T KNOW THEIR LAST NAMES. 379 00:16:48,108 --> 00:16:50,340 THEY PAY THE BUSINESS BY CREDIT CARD. 380 00:16:50,340 --> 00:16:55,315 AND OUR FEES GET DEPOSITED DIRECTLY INTO OUR BANK ACCOUNTS. 381 00:16:55,315 --> 00:16:56,616 CREATING THE PERFECT FIREWALL 382 00:16:56,616 --> 00:16:58,618 BETWEEN THE GIRLS AND THE MANAGEMENT. 383 00:16:58,618 --> 00:17:01,191 SO THEN WHEN WE ARREST YOU, YOU CAN'T GIVE UP DANTON. 384 00:17:01,191 --> 00:17:03,693 BECAUSE I DON'T KNOW WHO HE IS. 385 00:17:09,059 --> 00:17:12,062 I CAN'T BELIEVE JACK BUCKLEY WAS SEEING PROSTITUTES. 386 00:17:12,062 --> 00:17:14,064 YEAH, WELL, HE WORKED 14 HOURS A DAY, 387 00:17:14,064 --> 00:17:16,066 DIDN'T HAVE A SOCIAL LIFE. 388 00:17:16,066 --> 00:17:18,608 MAYBE HE JUST WANTED A LITTLE EASY COMPANY. 389 00:17:18,608 --> 00:17:21,611 WELL, THE MATH JUST DOESN'T ADD UP, THOUGH. 390 00:17:21,611 --> 00:17:23,613 BUCKLEY WAS WARNED TO BACK OFF DANTON. 391 00:17:23,613 --> 00:17:25,115 WHY WOULD BUCKLEY BE INVESTIGATING 392 00:17:25,115 --> 00:17:27,217 A CALL GIRL SERVICE HE WAS USING? 393 00:17:27,217 --> 00:17:30,450 MAYBE DANTON TRIED TO BLACKMAIL BUCKLEY, AND IT BACKFIRED. 394 00:17:30,450 --> 00:17:34,084 SO THEN DANTON TRIED TO SCARE BUCKLEY 395 00:17:34,084 --> 00:17:36,186 BY THREATENING HIS BROTHER-IN-LAW. 396 00:17:36,186 --> 00:17:38,488 AND THEN WHEN THAT DIDN'T WORK, DANTON KILLED BUCKLEY. ALL RIGHT. 397 00:17:38,488 --> 00:17:41,391 LET'S FIND OUT EVERYTHING WE CAN ABOUT THIS DANTON CHARACTER. 398 00:17:41,391 --> 00:17:44,394 HAVE RYAN AND ESPOSITO REACH OUT TO VICE IN THE MORNING. YES, SIR. 399 00:17:44,394 --> 00:17:47,197 CASTLE, I NEED YOU TO SIGN THESE CHARGES AGAINST JESSUP 400 00:17:47,197 --> 00:17:49,569 SO I CAN SEND HIM DOWNTOWN. 401 00:17:51,601 --> 00:17:53,143 WHAT? 402 00:17:53,143 --> 00:17:54,544 (pen hits clipboard) 403 00:17:54,544 --> 00:17:57,277 NO, DON'T TELL ME YOU'VE GOT A SOFT SPOT FOR THIS GUY. 404 00:17:57,277 --> 00:17:59,809 HE'S A WORDSMITH. 405 00:17:59,809 --> 00:18:02,152 OKAY. FINE. 406 00:18:02,152 --> 00:18:03,683 (clicks keypad buttons) 407 00:18:03,683 --> 00:18:05,385 HI, IT'S BECKETT. 408 00:18:05,385 --> 00:18:07,517 UH, CHARGES ARE BEING DROPPED AGAINST JESSUP. 409 00:18:07,517 --> 00:18:10,620 PROCESS HIM OUT. ALL RIGHT. THANK YOU. (hangs up receiver) 410 00:18:10,620 --> 00:18:13,723 I HOPE THE TWO OF YOU ARE VERY HAPPY TOGETHER. 411 00:18:15,625 --> 00:18:18,168 ARE YOU OKAY? 412 00:18:18,168 --> 00:18:21,601 NO. I... BROKE A HEEL. 413 00:18:21,601 --> 00:18:23,102 LET ME GUESS. 414 00:18:23,102 --> 00:18:25,104 THEY WERE YOUR FAVORITE PAIR, 415 00:18:25,104 --> 00:18:27,106 PASSED THROUGH YOUR FAMILY FOR GENERATIONS. 416 00:18:27,106 --> 00:18:29,108 MY GREAT-GREAT-GRANDMOTHER WORE THEM OVER 417 00:18:29,108 --> 00:18:30,510 ON THE "MAYFLOWER." 418 00:18:30,510 --> 00:18:33,383 I KNEW IT. 419 00:18:33,383 --> 00:18:36,216 SO WHAT'S A NICE GIRL LIKE YOU... 420 00:18:36,216 --> 00:18:39,219 REALLY? THAT'S YOUR LINE? 421 00:18:39,219 --> 00:18:41,651 I'M OLD-FASHIONED. 422 00:18:41,651 --> 00:18:46,526 I CAME TO NEW YORK IN THIS ANCIENT BLUE BEETLE. 423 00:18:46,526 --> 00:18:49,128 THE FLOOR WAS SO RUSTED, 424 00:18:49,128 --> 00:18:51,130 IT LITERALLY SAGGED IN THE MIDDLE. 425 00:18:51,130 --> 00:18:54,204 BUT I CAN STILL REMEMBER COMING OVER THE BRIDGE 426 00:18:54,204 --> 00:18:57,167 AND SEEING THE CITY RIGHT THERE IN FRONT OF ME. 427 00:18:57,167 --> 00:19:00,210 I THOUGHT EVERYTHING WAS GONNA BE PERFECT. 428 00:19:00,210 --> 00:19:03,773 SOMETHING TELLS ME THIS STORY TAKES A TURN FOR THE WORSE. 429 00:19:03,773 --> 00:19:06,846 THE FIRST NIGHT, UH, SOMEBODY BROKE INTO MY CAR 430 00:19:06,846 --> 00:19:09,549 AND STOLE ALL MY STUFF. 431 00:19:09,549 --> 00:19:12,252 THEN THE COLLEGE FRIEND I WAS GONNA STAY WITH 432 00:19:12,252 --> 00:19:15,185 TOLD ME HER BOYFRIEND WAS MOVING IN. 433 00:19:15,185 --> 00:19:17,827 I HAD TO FIND ANOTHER PLACE. OOH. 434 00:19:17,827 --> 00:19:19,829 BUT SOMEHOW, I SURVIVED. 435 00:19:19,829 --> 00:19:22,732 SPENT A YEAR BARELY EATING, 436 00:19:22,732 --> 00:19:24,564 LIVING IN A CLOSET. 437 00:19:24,564 --> 00:19:26,566 WHEN A FRIEND MENTIONED DOING THIS, 438 00:19:26,566 --> 00:19:29,739 I THOUGHT... COULDN'T BE WORSE. 439 00:19:29,739 --> 00:19:31,871 AND IS IT? 440 00:19:31,871 --> 00:19:34,674 MOSTLY NO. 441 00:19:38,448 --> 00:19:40,750 THANKS FOR LISTENING. 442 00:19:45,915 --> 00:19:48,558 GOOD NIGHT, CASTLE. 443 00:19:48,558 --> 00:19:50,560 YOU GOING TO MEET ALEXIS? YEAH. 444 00:19:50,560 --> 00:19:52,922 CAN I COME? NO. 445 00:19:52,922 --> 00:19:55,465 BUT I WANT TO. 446 00:19:55,465 --> 00:19:57,467 WHY ARE YOU SO WORRIED, CASTLE? 447 00:19:57,467 --> 00:20:00,530 I THOUGHT YOU WERE THE COOL DAD. 448 00:20:00,530 --> 00:20:04,304 I AM. 449 00:20:07,437 --> 00:20:09,539 WHAT'S THE SECRET? 450 00:20:09,539 --> 00:20:11,611 ALL IN THE BREATHING, DEAR. 451 00:20:11,611 --> 00:20:13,313 NO, WHAT'S ALEXIS' SECRET 452 00:20:13,313 --> 00:20:15,315 THAT SHE'LL TELL BECKETT ABOUT BUT NOT ME? 453 00:20:15,315 --> 00:20:17,717 I DON'T KNOW. THERE ARE SOME THINGS A WOMAN 454 00:20:17,717 --> 00:20:20,720 WANTS TO TALK TO ANOTHER WOMAN ABOUT. THE "NEW YORK TIMES" 455 00:20:20,720 --> 00:20:22,852 PRAISED THE DEPTH OF MY FEMALE CHARACTERS. 456 00:20:22,852 --> 00:20:25,695 I KNOW. AND I COULDN'T BE PROUDER. 457 00:20:25,695 --> 00:20:27,397 BUT THIS IS REAL LIFE. 458 00:20:27,397 --> 00:20:29,399 AND OBVIOUSLY, ALEXIS LOOKS UP TO BECKETT. 459 00:20:29,399 --> 00:20:32,562 AND BECKETT'S SMART AND STRONG AND INDEPENDENT. SO ARE YOU. 460 00:20:32,562 --> 00:20:34,264 THAT'S SWEET. MM. 461 00:20:34,264 --> 00:20:36,266 I'M ON THE WRONG SIDE OF 40 462 00:20:36,266 --> 00:20:39,569 FOR WHAT ALEXIS IS GOING THROUGH RIGHT NOW. 40? 463 00:20:39,569 --> 00:20:41,671 DEFLECT ALL YOU WANT, KIDDO, 464 00:20:41,671 --> 00:20:43,673 BUT I RECOGNIZE THE FEAR IN YOUR EYES. 465 00:20:43,673 --> 00:20:46,816 YOU'RE AFRAID ALEXIS HAS MORE RICK CASTLE IN HER 466 00:20:46,816 --> 00:20:50,520 THAN YOU THOUGHT. HEY, SWEETIE. HOW DID YOUR TALK WITH BECKETT, GO? 467 00:20:50,520 --> 00:20:52,582 FINE. SHE'S REALLY NICE. 468 00:20:52,582 --> 00:20:54,624 YEAH, SHE IS. 469 00:20:54,624 --> 00:20:57,327 YOU KNOW, SWEETHEART, IF YOU DON'T WANT TO TELL ME 470 00:20:57,327 --> 00:21:00,860 WHAT YOU TALKED ABOUT WITH BECKETT, YOU DON'T HAVE TO. OKAY. THANKS, DAD. 471 00:21:02,692 --> 00:21:05,365 (grunts) WHAT IS THE MATTER WITH YOU? 472 00:21:05,365 --> 00:21:07,637 WHY DIDN'T YOU JUST ASK HER? 473 00:21:07,637 --> 00:21:10,340 BECAUSE THAT WOULD BE PRYING, AND COOL DADS DON'T DO THAT. 474 00:21:10,340 --> 00:21:12,342 AHH. THEY GO BEHIND THEIR DAUGHTER'S BACK, 475 00:21:12,342 --> 00:21:14,644 AND THEY BEG BECKETT TO TELL 'EM. 476 00:21:14,644 --> 00:21:16,646 (elevator bell dings) 477 00:21:16,646 --> 00:21:18,948 YOU EVER HAVE ANY CASES WITH BUCKLEY? A FEW. 478 00:21:18,948 --> 00:21:21,611 GUY WAS WOUND A LITTLE TIGHT IF YOU ASK ME. 479 00:21:21,611 --> 00:21:23,453 SAW HIMSELF AS A CRUSADER FOR JUSTICE. 480 00:21:23,453 --> 00:21:25,755 YO, ESPOSITO. GIL MAZZARA. WHAT'S UP, MAN? 481 00:21:25,755 --> 00:21:29,389 HOW YOU DOING? SO YOU STILL LOOKING AT DIRTY PICTURES UP IN VICE? 482 00:21:29,389 --> 00:21:31,861 YEAH, TELL YOUR MOM TO SEND OVER SOME NEW ONES. 483 00:21:31,861 --> 00:21:34,794 THE ONES I GOT ARE GETTING OLD. (laughs) 484 00:21:34,794 --> 00:21:37,897 YOU KNOW MY PARTNER--RYAN? YEAH. HONEY MILK. NICE TO SEE YOU. 485 00:21:37,897 --> 00:21:40,770 SO, UH, I HEAR YOU'RE LOOKING TO TALK ABOUT DANTON. 486 00:21:40,770 --> 00:21:43,032 YEAH. YOU KNOW HIM? YEAH, I ARRESTED HIM FIVE YEARS AGO. 487 00:21:43,032 --> 00:21:44,604 REAL NAME'S DAN TONELLI. 488 00:21:44,604 --> 00:21:45,975 DAN-TON. 489 00:21:45,975 --> 00:21:48,708 YEAH. HE'S CURRENTLY SERVING 490 00:21:48,708 --> 00:21:50,640 A 7-YEAR STRETCH IN GREEN HAVEN CORRECTIONAL. 491 00:21:50,640 --> 00:21:52,612 WAIT A MINUTE. HE'S STILL IN PRISON? 492 00:21:52,612 --> 00:21:55,515 AND YOUR BOY BUCKLEY PUT HIM THERE. BUCKLEY PROSECUTED DANTON? 493 00:21:55,515 --> 00:21:58,518 YEAH. AND HE WAS ALL OVER US TO MAKE A ROCK-SOLID CASE. 494 00:21:58,518 --> 00:22:01,751 WE GAVE BUCKLEY ENOUGH TO PUT THE GUY AWAY FOR 20 YEARS. 495 00:22:01,751 --> 00:22:04,854 COULD TONELLI STILL BE RUNNING THE OPERATION OUT OF PRISON? NAH. 496 00:22:04,854 --> 00:22:07,427 THESE CALL GIRL RINGS ARE LIKE FRANCHISES. 497 00:22:07,427 --> 00:22:09,759 THE BUSINESS CHANGES HANDS, BUT THE NAME STAYS THE SAME. 498 00:22:09,759 --> 00:22:11,601 SO WHO'S THE NEW DANTON? 499 00:22:11,601 --> 00:22:14,404 I WISH I KNEW. GUY'S LIKE A GHOST. 500 00:22:14,404 --> 00:22:17,066 EVERY TIME WE THINK WE'RE GETTING CLOSE, HE DISAPPEARS. 501 00:22:17,066 --> 00:22:20,069 FIVE WARRANTS IN THE LAST YEAR, AND EVERY TIME WE SHOW UP, 502 00:22:20,069 --> 00:22:23,813 THE PLACE HAS BEEN CLEARED OUT LIKE HE KNEW WE WERE COMING. YOU CALL THE PRISON. GET 'EM TO BRING TONELLI OVER HERE. 503 00:22:31,781 --> 00:22:34,123 HEY. YOU GUYS SEEN BECKETT? 504 00:22:34,123 --> 00:22:37,457 SHE WENT WITH THE CAPTAIN TO UPDATE CITY HALL ON THE CASE. 505 00:22:37,457 --> 00:22:39,459 SHE'LL BE HERE IN A MINUTE. SOMETHING WRONG? 506 00:22:39,459 --> 00:22:41,691 NO. YES. 507 00:22:41,691 --> 00:22:45,094 I THINK MY DAUGHTER MIGHT BE KEEPING SOMETHING FROM ME. 508 00:22:45,094 --> 00:22:47,397 MAYBE SHE GOT KICKED OUTTA SCHOOL. WHAT? 509 00:22:47,397 --> 00:22:50,500 OR SHE'S DOING DRUGS. MM-HMM. TEEN PREGNANCY IS ON THE RISE. 510 00:22:50,500 --> 00:22:53,603 WHOA. ALL RIGHT, YOU'VE MET MY DAUGHTER. 511 00:22:53,603 --> 00:22:55,775 YOU KNOW THAT SHE IS THE CLOSEST THING TO PERFECT 512 00:22:55,775 --> 00:22:57,607 AS HUMANLY POSSIBLE. (snickers) 513 00:22:57,607 --> 00:23:00,510 CASTLE, COME ON. YOU'VE BEEN WITH US LONG ENOUGH TO KNOW 514 00:23:00,510 --> 00:23:02,582 THAT PEOPLE ARE NEVER WHO YOU THINK THEY ARE. 515 00:23:02,582 --> 00:23:04,714 ISN'T IT POSSIBLE YOUR PERFECT DAUGHTER 516 00:23:04,714 --> 00:23:07,056 ISN'T AS PERFECT AS YOU THINK? IS DANTON HERE YET? 517 00:23:07,056 --> 00:23:08,788 YEP. INTERROGATION ROOM ONE. 518 00:23:08,788 --> 00:23:10,960 WAIT, DANTON? 519 00:23:10,960 --> 00:23:13,963 COME ON, CASTLE. KEEP UP. 520 00:23:13,963 --> 00:23:16,966 WE BROUGHT YOU IN HERE TO TALK ABOUT DANTON. 521 00:23:16,966 --> 00:23:18,668 ANCIENT HISTORY. 522 00:23:18,668 --> 00:23:21,501 IT SAYS HERE, BUCKLEY MADE A PLEA DEAL WITH YOU-- 523 00:23:21,501 --> 00:23:22,802 7 YEARS INSTEAD OF 20. 524 00:23:22,802 --> 00:23:24,774 BUT I HEARD BUCKLEY DOESN'T MAKE DEALS. 525 00:23:24,774 --> 00:23:27,106 WHAT COULD I SAY? I GOT LUCKY. 526 00:23:27,106 --> 00:23:29,479 THE ONLY REASON THAT BUCKLEY WOULD AGREE TO A DEAL 527 00:23:29,479 --> 00:23:31,741 IS BECAUSE YOU BROUGHT HIM SOMETHING BIG IN RETURN. 528 00:23:31,741 --> 00:23:33,112 SO WHAT WAS IT? 529 00:23:33,112 --> 00:23:35,645 WHY DON'T YOU ASK HIM? BECAUSE HE'S DEAD. 530 00:23:35,645 --> 00:23:38,017 WHAT? HOW? 531 00:23:38,017 --> 00:23:40,550 HE WAS MURDERED TWO NIGHTS AGO. 532 00:23:40,550 --> 00:23:43,693 WE BELIEVE THAT THE SAME PERSON WHO TOOK OVER YOUR OPERATIONS 533 00:23:43,693 --> 00:23:46,125 KILLED HIM. (laughs) 534 00:23:46,125 --> 00:23:48,498 WHAT'S SO FUNNY? 535 00:23:48,498 --> 00:23:51,160 WELL, YOU SEE, THAT WOULD MAKE IT A SUICIDE. 536 00:23:51,160 --> 00:23:52,702 SUICIDE? WAIT A MINUTE. 537 00:23:52,702 --> 00:23:56,606 YOU'RE SAYING THAT JACK BUCKLEY WAS THE NEW DANTON? 538 00:23:56,606 --> 00:23:58,568 BUCKLEY MADE ME A DEAL. 539 00:23:58,568 --> 00:24:02,041 I PROVIDE HIM WITH MY CLIENT LIST, MY GIRLS, 540 00:24:02,041 --> 00:24:04,674 HE KNOCKS 13 YEARS OFF MY SENTENCE. 541 00:24:04,674 --> 00:24:08,447 IT WAS A NO-BRAINER. OUR D.A. WAS A PIMP. 542 00:24:15,685 --> 00:24:16,986 JACK BUCKLEY WAS DANTON. 543 00:24:16,986 --> 00:24:18,988 THAT'S WHY ALL VICE'S WARRANTS FAILED. 544 00:24:18,988 --> 00:24:20,990 THEY HAD TO GO THROUGH THE D.A's OFFICE, 545 00:24:20,990 --> 00:24:22,692 AND BUCKLEY SAW THEM COMING. 546 00:24:22,692 --> 00:24:24,764 HE WAS IN THE PERFECT POSITION TO PROTECT HIS OPERATION. 547 00:24:24,764 --> 00:24:27,066 BUT WHY WOULD A RESPECTED PROSECUTOR BECOME A PIMP? 548 00:24:27,066 --> 00:24:29,098 THE OUTFITS. (Esposito) IT WAS THE MONEY. 549 00:24:29,098 --> 00:24:31,871 BUCKLEY'S EX-WIFE TOOK HIM TO THE CLEANERS. 550 00:24:31,871 --> 00:24:33,703 BETWEEN ALIMONY AND HIS OWN BILLS, 551 00:24:33,703 --> 00:24:35,705 BUCKLEY WAS BEYOND BROKE. YOU KNOW WHAT? 552 00:24:35,705 --> 00:24:37,707 I'M BETTIN' IT WAS MORE THAN JUST THE MONEY. 553 00:24:37,707 --> 00:24:40,479 EVERYBODY'S TALKING ABOUT HOW GREAT JACK BUCKLEY WAS, 554 00:24:40,479 --> 00:24:41,911 HOW HE WAS THE LAW. 555 00:24:41,911 --> 00:24:43,913 YOU START THINKING LIKE THAT, 556 00:24:43,913 --> 00:24:47,757 SOMETIMES YOU CAN START THINKING MAYBE YOU ARE ABOVE THE LAW, 557 00:24:47,757 --> 00:24:49,889 THAT YOU CAN GET AWAY WITH ANYTHING. 558 00:24:49,889 --> 00:24:52,922 SIR, HOW DID THE MAYOR HANDLE THE NEWS? WHEW. YOU DON'T WANT TO KNOW. 559 00:24:52,922 --> 00:24:55,725 UGH. OKAY, THIS DOESN'T MAKE ANY SENSE. 560 00:24:55,725 --> 00:24:58,928 IF BUCKLEY WAS THE NEW DANTON, THEN WHY WOULD THE MASKED MAN 561 00:24:58,928 --> 00:25:01,000 TELL BUCKLEY TO BACK OFF OF DANTON? 562 00:25:01,000 --> 00:25:03,072 BUCKLEY WOULDN'T THREATEN HIMSELF. 563 00:25:04,804 --> 00:25:07,036 UNLESS BUCKLEY WASN'T THE BOSS ANYMORE. 564 00:25:07,036 --> 00:25:09,178 A HOSTILE TAKEOVER. OF COURSE. 565 00:25:09,178 --> 00:25:11,781 WE KNOW DANTON WAS JUST A BUSINESS NAME. 566 00:25:11,781 --> 00:25:13,512 SO "BACK OFF OF DANTON" 567 00:25:13,512 --> 00:25:15,514 WAS THE NEW BOSS TELLING THE OLD BOSS, 568 00:25:15,514 --> 00:25:17,587 "DON'T RESIST THE TAKEOVER 569 00:25:17,587 --> 00:25:20,519 OR I'LL START RUINING REPUTATIONS." MAKES SENSE IN THEORY, BUT HOW DO YOU PROVE IT? 570 00:25:20,519 --> 00:25:22,822 WE TALK TO THE CALL GIRL. 571 00:25:24,293 --> 00:25:26,295 THERE IS NO WAY 572 00:25:26,295 --> 00:25:29,298 THAT SCARLETT DIDN'T KNOW THAT BUCKLEY WAS IN CHARGE. 573 00:25:31,230 --> 00:25:34,233 NO, SERIOUSLY, WHAT DID ALEXIS TELL YOU LAST NIGHT? 574 00:25:34,233 --> 00:25:36,235 I PROMISED I WOULDN'T SAY. 575 00:25:36,235 --> 00:25:39,569 WELL, AT LEAST TELL ME IF IT WAS BAD. 576 00:25:39,569 --> 00:25:41,671 AND PUT YOU OUT OF YOUR MISERY? 577 00:25:43,743 --> 00:25:46,576 WE'RE LOOKING FOR SCARLETT. SHE'S PACKING HER THINGS. 578 00:25:46,576 --> 00:25:48,848 WE CAN'T HAVE CALL GIRLS WORKING HERE. 579 00:25:48,848 --> 00:25:50,750 NO, ONLY PIMPS. 580 00:25:50,750 --> 00:25:53,322 DETECTIVE. 581 00:25:53,322 --> 00:25:56,826 COULD YOU GIVE US A MOMENT, PLEASE? 582 00:25:59,589 --> 00:26:01,130 SCARLETT, YOU LIED TO US. 583 00:26:01,130 --> 00:26:03,633 BUCKLEY WAS RUNNING THE CALL GIRL RING, 584 00:26:03,633 --> 00:26:06,095 AND THERE'S NO WAY THAT YOU DIDN'T KNOW. 585 00:26:06,095 --> 00:26:07,797 PLEASE. I HAD TO LIE. 586 00:26:07,797 --> 00:26:10,299 HE'D KILL ME IF HE THOUGHT I TOLD YOU ANYTHING. 587 00:26:10,299 --> 00:26:12,842 WHO'D KILL YOU, THE NEW DANTON? 588 00:26:12,842 --> 00:26:15,144 SOMEONE TOOK OVER BUCKLEY'S BUSINESS. WHO WAS IT? 589 00:26:15,144 --> 00:26:18,247 ANSWER ME. HE USED TO WORK FOR BUCKLEY. 590 00:26:18,247 --> 00:26:22,081 HE MADE SURE NO ONE HURT THE GIRLS AND EVERYONE PAID. WHAT WAS HIS NAME? 591 00:26:22,081 --> 00:26:24,854 I CAN'T TELL YOU THAT. SCARLETT, I'M DONE PLAYING. 592 00:26:24,854 --> 00:26:27,857 YOU'VE DONE NOTHING BUT LIE TO US. DON'T THINK THAT I'M NOT 593 00:26:27,857 --> 00:26:30,019 GONNA SEND YOU AWAY FOR OBSTRUCTION OF JUSTICE 594 00:26:30,019 --> 00:26:33,092 AND ANYTHING ELSE THAT I CAN THINK OF. HE'LL KILL ME. 595 00:26:33,092 --> 00:26:35,725 WE WON'T LET THAT HAPPEN. DETECTIVE BECKETT CAN HELP YOU, 596 00:26:35,725 --> 00:26:38,728 BUT YOU HAVE TO HELP US FIRST. AND THEN WHAT HAPPENS TO ME? 597 00:26:38,728 --> 00:26:41,600 YOU THINK I'M GONNA BE A LAWYER NOW? 598 00:26:41,600 --> 00:26:43,873 JACK WAS GONNA WRITE ME A LETTER OF RECOMMENDATION, 599 00:26:43,873 --> 00:26:46,806 PULL SOME STRINGS TO GET ME A JOB. 600 00:26:46,806 --> 00:26:49,138 WHO'S GONNA HELP ME NOW? HONESTLY? NO ONE. 601 00:26:49,138 --> 00:26:51,811 YOU'RE GONNA HAVE TO DO IT BY YOURSELF, SCARLETT. 602 00:26:51,811 --> 00:26:54,784 AND I GOT A FEELING THAT YOU CAN. 603 00:26:54,784 --> 00:26:56,716 TELL US WHO THE NEW BOSS IS... 604 00:26:56,716 --> 00:26:58,788 AND DETECTIVE BECKETT WILL MAKE SURE 605 00:26:58,788 --> 00:27:02,151 NO ONE KNOWS IT WAS YOU WHO TALKED TO US. 606 00:27:02,151 --> 00:27:04,323 YOU PROMISE? 607 00:27:07,697 --> 00:27:09,729 YES. 608 00:27:09,729 --> 00:27:13,362 HIS NAME IS JOHN KNOX. 609 00:27:13,362 --> 00:27:15,665 KNOX? BUT THAT'S-- 610 00:27:15,665 --> 00:27:19,669 THE GUY THAT BUCKLEY DRAGGED IN HERE IN HANDCUFFS. 611 00:27:19,669 --> 00:27:22,812 HOW DOES A PROSECUTOR GET INTO BUSINESS WITH A CRIMINAL? 612 00:27:22,812 --> 00:27:24,814 WELL, IT'S HARD OUT THERE FOR A PIMP... 613 00:27:24,814 --> 00:27:26,816 WHO'S ALSO A D.A. 614 00:27:26,816 --> 00:27:29,849 OOH, THAT'D BE A GOOD CHARACTER FOR A NOVEL. MM. 615 00:27:29,849 --> 00:27:32,021 A STAR PROSECUTOR WHO'S ALWAYS EXCELLED 616 00:27:32,021 --> 00:27:33,382 AT ANYTHING HE'S EVER DONE... 617 00:27:33,382 --> 00:27:35,725 HE COULDN'T POSSIBLY IMAGINE THAT BEING A PIMP 618 00:27:35,725 --> 00:27:38,087 WOULD BE A BIGGER JOB THAN HE COULD HANDLE BY HIMSELF. 619 00:27:38,087 --> 00:27:40,059 BUT ONE DAY HE GETS A CALL-- 620 00:27:40,059 --> 00:27:42,992 ONE OF HIS GIRLS HAS BEEN KNOCKED AROUND BY A CLIENT. 621 00:27:42,992 --> 00:27:45,394 HE REALIZES THERE'S NOTHING HE CAN DO ABOUT IT. 622 00:27:45,394 --> 00:27:47,396 HE'S A VERY PUBLIC FIGURE. MM-HMM. 623 00:27:47,396 --> 00:27:49,769 SO A WHITE-COLLAR PROSECUTOR DECIDES TO HIRE 624 00:27:49,769 --> 00:27:51,901 A BLUE-COLLARED ENFORCER. 625 00:27:51,901 --> 00:27:54,844 CAN'T EXACTLY TAKE OUT AN AD ON craigslist FOR THAT, 626 00:27:54,844 --> 00:27:56,976 BUT FORTUNATELY ENOUGH, HE HAS A BIG STACK 627 00:27:56,976 --> 00:27:59,949 OF QUALIFIED CANDIDATES SITTING RIGHT ON HIS DESK. WHICH IS WHERE HE FOUND JOHN KNOX, 628 00:27:59,949 --> 00:28:02,952 A CRIMINAL WHO MOSTLY MANAGED TO STAY OUT OF PRISON. WHICH MAKES HIM A SMART CRIMINAL. 629 00:28:02,952 --> 00:28:04,714 YEAH. BUCKLEY OFFERS HIM A DEAL-- 630 00:28:04,714 --> 00:28:07,056 "COME WORK FOR ME, I'LL THROW YOUR CASE." 631 00:28:07,056 --> 00:28:08,758 AND KNOX DOES. MM-HMM. 632 00:28:08,758 --> 00:28:10,059 FOR A WHILE, EVERYONE'S HAPPY. 633 00:28:10,059 --> 00:28:11,761 BUT THEN KNOX DECIDES 634 00:28:11,761 --> 00:28:13,763 HE'S NOT HAPPY BEING NUMBER TWO ANYMORE. 635 00:28:13,763 --> 00:28:16,225 HE TAKES BUCKLEY'S CLIENT LIST, TELLS BUCKLEY TO TAKE A HIKE. 636 00:28:16,225 --> 00:28:18,227 KNOWING THAT BUCKLEY CAN'T DO ANYTHING ABOUT IT 637 00:28:18,227 --> 00:28:20,299 WITHOUT RISKING EXPOSURE. MM-HMM. 638 00:28:20,299 --> 00:28:22,972 BUT BUCKLEY'S NEVER BACKED DOWN FROM A FIGHT IN HIS LIFE. 639 00:28:22,972 --> 00:28:25,775 HE GETS THE COPS TO DRAG KNOX DOWN TO HIS OFFICE 640 00:28:25,775 --> 00:28:28,077 TO REMIND HIM WHO'S BOSS. BUT KNOX TOOK IT UP A NOTCH, 641 00:28:28,077 --> 00:28:30,239 SENDING A WARNING SHOT ACROSS BUCKLEY'S BOW 642 00:28:30,239 --> 00:28:33,042 BY THREATENING HIS BROTHER-IN-LAW. AND WHEN BUCKLEY WOULDN'T BACK DOWN, 643 00:28:33,042 --> 00:28:36,746 KNOX THREW HIM OFF THE ROOF OF A PARKING GARAGE. JEEZ, IF ONLY WE HAD SOME PROOF. 644 00:28:36,746 --> 00:28:39,749 (chuckles) WHO NEEDS PROOF? WHAT A GREAT STORY. 645 00:28:39,749 --> 00:28:41,751 OF COURSE, KNOX HAS AN ALIBI. 646 00:28:41,751 --> 00:28:43,923 YOU KNOW, MAYBE YOU'RE RIGHT. 647 00:28:43,923 --> 00:28:47,897 MAYBE KNOX IS SMART. MAYBE HE SENT SOMEONE ELSE. 648 00:28:47,897 --> 00:28:49,899 OOH, I LIKE THE TWIST-- 649 00:28:49,899 --> 00:28:52,061 THE ENFORCER HAS AN ENFORCER. 650 00:28:52,061 --> 00:28:54,003 BUT WHO? 651 00:28:54,003 --> 00:28:56,335 ♪♪ 652 00:28:56,335 --> 00:28:58,307 NO, IT WORKED OUT WELL. IT WAS GOOD. 653 00:28:58,307 --> 00:29:01,510 YOU KNOW, I'LL TALK TO YOU GUYS LATER, OKAY? (men speak indistinctly) 654 00:29:01,510 --> 00:29:03,813 HI. REMEMBER US? 655 00:29:03,813 --> 00:29:06,045 I DEFINITELY REMEMBER YOU. 656 00:29:06,045 --> 00:29:08,317 WE NEED TO ASK YOU A FEW QUESTIONS. 657 00:29:08,317 --> 00:29:09,979 I ALREADY ANSWERED YOUR QUESTIONS. 658 00:29:09,979 --> 00:29:12,882 MAYBE YOU DIDN'T SEE THE BADGE. 659 00:29:12,882 --> 00:29:14,353 OH, I SAW IT. 660 00:29:14,353 --> 00:29:16,786 YOU LADIES READY? EXCELLENT. 661 00:29:16,786 --> 00:29:19,829 YOU TWO HAVE A NICE EVENING. 662 00:29:19,829 --> 00:29:21,891 (Knox) WHO'S HUNGRY? WHAT DO YOU GUYS FEEL LIKE? 663 00:29:21,891 --> 00:29:23,893 AREN'T YOU GONNA STOP HIM? 664 00:29:23,893 --> 00:29:26,866 I CAN'T. UNLESS WE ARREST HIM, 665 00:29:26,866 --> 00:29:29,869 THE LAW SAYS THAT HE DOESN'T HAVE TO TALK TO US, 666 00:29:29,869 --> 00:29:31,871 AND HE KNOWS THAT. SO ARREST HIM. 667 00:29:31,871 --> 00:29:33,172 ON WHAT GROUNDS? 668 00:29:33,172 --> 00:29:36,175 WE PROMISED SCARLETT THAT WE'D KEEP HER OUT OF IT. 669 00:29:36,175 --> 00:29:38,177 SO UNLESS WE GET SOME EVIDENCE, 670 00:29:38,177 --> 00:29:40,179 HE'S GETTING AWAY WITH THIS. 671 00:29:53,022 --> 00:29:54,193 SCARLETT? 672 00:29:55,524 --> 00:29:57,096 YOU'RE HURT. 673 00:29:57,096 --> 00:30:01,370 (voice breaks) I DIDN'T KNOW WHERE ELSE TO GO. 674 00:30:09,438 --> 00:30:11,881 COME. SIT DOWN. 675 00:30:13,242 --> 00:30:15,544 YOU SHOULD GO TO A HOSPITAL. 676 00:30:15,544 --> 00:30:18,487 IT'S JUST A FEW BRUISES. I'LL BE FINE. 677 00:30:18,487 --> 00:30:20,489 HOW DID YOU FIND ME? 678 00:30:20,489 --> 00:30:22,852 A CLIENT IN THE PUBLISHING BUSINESS 679 00:30:22,852 --> 00:30:26,555 GAVE ME YOUR ADDRESS. 680 00:30:26,555 --> 00:30:28,327 DINNER FOR ONE? 681 00:30:28,327 --> 00:30:30,559 YEAH, MY FAMILY IS AT THE THEATER. 682 00:30:30,559 --> 00:30:32,031 GOOD. 683 00:30:32,031 --> 00:30:36,265 I WOULDN'T WANT ANYONE ELSE TO SEE ME LIKE THIS. 684 00:30:38,167 --> 00:30:40,209 DID KNOX DO THIS TO YOU? 685 00:30:40,209 --> 00:30:42,171 (sniffles) IT DOESN'T MATTER. 686 00:30:42,171 --> 00:30:43,873 OF COURSE IT DOES. 687 00:30:43,873 --> 00:30:45,875 DO YOU THINK THAT BY PROTECTING HIM, 688 00:30:45,875 --> 00:30:48,918 YOU'RE SAVING YOURSELF SOMEHOW? BECAUSE YOU'RE NOT. 689 00:30:48,918 --> 00:30:51,520 AND IF YOU DON'T GET OUT FROM UNDER HIS THUMB NOW, 690 00:30:51,520 --> 00:30:54,153 YOU NEVER WILL. 691 00:30:54,153 --> 00:30:56,455 WHY ARE YOU SO NICE TO ME? 692 00:30:56,455 --> 00:30:58,457 HOW DO YOU KNOW I'M NOT THIS NICE 693 00:30:58,457 --> 00:31:01,891 TO ALL THE BEAUTIFUL WOMEN I FIND ON MY DOORSTEP? 694 00:31:01,891 --> 00:31:04,163 YOU REALLY THINK I'M BEAUTIFUL? 695 00:31:04,163 --> 00:31:07,897 LOOK, MAYBE WE SHOULD-- 696 00:31:11,170 --> 00:31:13,402 I'M SORRY. NO. 697 00:31:13,402 --> 00:31:15,905 I SHOULDN'T HAVE DONE THAT. IT'S OKAY. IT'S... 698 00:31:15,905 --> 00:31:19,348 YOU'RE HURT AND YOU'RE SCARED. 699 00:31:19,348 --> 00:31:23,012 BUT YOU DON'T HAVE TO BE THAT PERSON WITH ME. 700 00:31:24,613 --> 00:31:26,515 YOU'RE SAFE HERE. 701 00:31:31,290 --> 00:31:33,622 KNOX KILLED BUCKLEY. 702 00:31:33,622 --> 00:31:36,295 NO. NO, HE HAS AN ALIBI. 703 00:31:38,467 --> 00:31:40,299 (sniffles) 704 00:31:43,302 --> 00:31:45,174 THE REVEREND? 705 00:31:45,174 --> 00:31:47,906 KNOX MADE ME TAKE IT. 706 00:31:47,906 --> 00:31:50,009 REVEREND DANIEL IS A CLIENT. 707 00:31:50,009 --> 00:31:52,681 KNOX IS BLACKMAILING HIM INTO SAYING 708 00:31:52,681 --> 00:31:55,614 THEY WERE TOGETHER WHEN BUCKLEY WAS KILLED. 709 00:31:55,614 --> 00:31:58,487 THANK YOU. 710 00:31:58,487 --> 00:32:01,650 NOW I'M TAKING YOU TO A HOSPITAL. NO ARGUMENTS. 711 00:32:01,650 --> 00:32:03,122 OKAY. 712 00:32:05,554 --> 00:32:06,996 HEY. 713 00:32:06,996 --> 00:32:09,098 I'M THINKING KNOX KILLED BUCKLEY. 714 00:32:09,098 --> 00:32:10,629 KNOX HAS AN ALIBI. 715 00:32:10,629 --> 00:32:12,661 HMM, DOES HE? 716 00:32:12,661 --> 00:32:16,966 REVEREND ALIBI IN THE FLESH-- LOTS OF FLESH... 717 00:32:16,966 --> 00:32:19,268 TOO MUCH FLESH. 718 00:32:19,268 --> 00:32:21,640 WHERE'D YOU GET THIS? SCARLETT PRICE. 719 00:32:21,640 --> 00:32:23,572 YOU SAW HER WITHOUT ME? 720 00:32:23,572 --> 00:32:25,374 UH, WELL, YES. 721 00:32:25,374 --> 00:32:28,217 SHE'S A PERSON OF INTEREST IN OUR INVESTIGATION, 722 00:32:28,217 --> 00:32:30,549 OUR MURDER INVESTIGATION. NO, I KNOW. 723 00:32:30,549 --> 00:32:33,122 WHERE'D YOU SEE HER? UH... MY APARTMENT. 724 00:32:33,122 --> 00:32:35,654 WHAT? WHEN I CAME HOME LAST NIGHT, SHE WAS IN MY HALL, 725 00:32:35,654 --> 00:32:38,988 AND SOMEBODY HAD BEATEN HER UP. AND YOU DIDN'T THINK TO CALL ME? 726 00:32:38,988 --> 00:32:40,429 WELL, I TOOK HER TO THE HOSPITAL. 727 00:32:40,429 --> 00:32:43,732 THE NIGHT KINDA GOT AWAY FROM ME, AND THEN I CAME HERE, 728 00:32:43,732 --> 00:32:47,366 YOU KNOW, TO SURPRISE YOU LIKE--LIKE I DO. WE ARE NOT DONE TALKING ABOUT THIS. 729 00:32:47,366 --> 00:32:49,098 (Beckett) ESPOSITO. 730 00:32:49,098 --> 00:32:51,100 YEAH. HAVE SURVEILLANCE PULL IN KNOX. 731 00:32:51,100 --> 00:32:53,702 ON IT. WHOA. YOU HAD KNOX UNDER SURVEILLANCE 732 00:32:53,702 --> 00:32:57,246 AND YOU DIDN'T TELL ME? AT LEAST I DIDN'T GO OUT ON A DATE WITH HIM. 733 00:32:57,246 --> 00:32:59,248 IT WASN'T A DATE. REALLY? 734 00:32:59,248 --> 00:33:01,180 TROUBLE. KNOX'S APARTMENT IS EMPTY. 735 00:33:01,180 --> 00:33:03,182 HE MUST HAVE SLIPPED OUT DURING THE NIGHT. 736 00:33:03,182 --> 00:33:04,683 SCARLETT... (keypad beeps) 737 00:33:04,683 --> 00:33:06,685 I LEFT HER AT ST. VINCENT'S HOSPITAL. 738 00:33:06,685 --> 00:33:10,189 YES. HELLO. I DROPPED A YOUNG WOMAN OFF THERE LAST NIGHT. 739 00:33:10,189 --> 00:33:12,721 HER NAME IS SCARLETT PRICE. SHE'D BEEN BEATEN UP. 740 00:33:12,721 --> 00:33:15,664 I NEED TO SPEAK TO HER RIGHT AWAY, PLEASE. WHAT? WHEN? 741 00:33:15,664 --> 00:33:17,366 THANK YOU. 742 00:33:17,366 --> 00:33:20,299 A MAN CHECKED HER OUT RIGHT AFTER I LEFT. KNOX. 743 00:33:20,299 --> 00:33:22,301 GET A UNIT OUT TO SCARLETT'S APARTMENT 744 00:33:22,301 --> 00:33:24,773 AND GET AN A.P.B. OUT ON BOTH OF THEM. 745 00:33:24,773 --> 00:33:26,275 (cell phone rings and beeps) 746 00:33:26,275 --> 00:33:28,277 HELLO. (Scarlett) He's got me. 747 00:33:28,277 --> 00:33:30,209 SCARLETT, HANG ON, HANG ON. 748 00:33:30,209 --> 00:33:33,112 (beep) I think he's gonna kill me. 749 00:33:33,112 --> 00:33:35,013 WHERE ARE YOU? I don't know. I... 750 00:33:35,013 --> 00:33:37,786 (Knox) Hey, what are you doing in there?! SCARLETT. 751 00:33:37,786 --> 00:33:39,748 (beep) WHAT DO WE DO? WE HAVE TO DO SOMETHING? 752 00:33:39,748 --> 00:33:42,091 RYAN, GET THE CARRIER ON THE PHONE. 753 00:33:42,091 --> 00:33:44,153 LET 'EM KNOW THAT I'M ABOUT A MINUTE AWAY 754 00:33:44,153 --> 00:33:46,625 FROM GETTING A TRACE WARRANT ON THE FOLLOWING NUMBER-- 755 00:33:46,625 --> 00:33:48,497 212-555-0179. 756 00:33:48,497 --> 00:33:50,629 GOT IT. (cell phone dials) 757 00:33:50,629 --> 00:33:54,533 THIS IS DETECTIVE KATE BECKETT, BADGE NUMBER 4-1-3-1-9. 758 00:33:54,533 --> 00:33:57,166 I NEED TO TALK TO JUDGE BEALL RIGHT AWAY. 759 00:33:57,166 --> 00:33:58,807 SCARLETT'S PHONE TRACED TO THE EAST SIDE 760 00:33:58,807 --> 00:34:00,669 OF THE BUILDING. 761 00:34:00,669 --> 00:34:02,671 HOTEL MANAGER SAID THAT A GUY MATCHING KNOX'S DESCRIPTION 762 00:34:02,671 --> 00:34:05,644 CHECKED INTO ROOM 4-F THIS MORNING. CASTLE, YOU'RE STAYING HERE. 763 00:34:05,644 --> 00:34:08,677 NO, I'M NOT. 764 00:34:08,677 --> 00:34:11,680 OKAY, BUT STAY BEHIND ME. 765 00:34:19,758 --> 00:34:21,590 (Scarlett) STOP! NO! 766 00:34:21,590 --> 00:34:24,563 (gunshots) 767 00:34:31,770 --> 00:34:33,602 (Beckett) POLICE! 768 00:34:39,678 --> 00:34:42,151 OVER THERE. IT'S KNOX. 769 00:34:44,383 --> 00:34:45,754 SCARLETT. 770 00:34:45,754 --> 00:34:47,516 HEY. HEY. 771 00:34:47,516 --> 00:34:50,659 HEY, IT'S OKAY. 772 00:34:50,659 --> 00:34:52,721 I KILLED HIM. 773 00:34:52,721 --> 00:34:54,793 IT'S OKAY. YOU'RE OKAY. 774 00:34:54,793 --> 00:34:56,865 I KILLED KNOX. 775 00:34:56,865 --> 00:34:59,568 HE HEARD A NOISE OUTSIDE, AND WH-- 776 00:34:59,568 --> 00:35:02,331 AND WHEN HE TURNED TO LOOK, I GRABBED HIS GUN. 777 00:35:02,331 --> 00:35:06,275 HE TOLD ME TO GIVE IT BACK. HE CAME AFTER ME. 778 00:35:06,275 --> 00:35:09,838 I TOLD HIM TO STOP, BUT HE WOULDN'T. 779 00:35:09,838 --> 00:35:13,612 WHY WOULDN'T HE STOP? 780 00:35:13,612 --> 00:35:16,715 WHY WOULDN'T HE STOP? 781 00:35:26,355 --> 00:35:28,657 YOU THINK SHE'LL BE OKAY? 782 00:35:28,657 --> 00:35:30,359 WELL, GIVEN THE CIRCUMSTANCES, 783 00:35:30,359 --> 00:35:32,431 I DON'T THINK THE D.A. WILL PRESS CHARGES. 784 00:35:32,431 --> 00:35:35,133 NO, I MEAN, DO YOU THINK SHE'LL BE OKAY? 785 00:35:35,133 --> 00:35:37,206 I DON'T KNOW. 786 00:35:38,667 --> 00:35:40,639 GIRLS IN THE SEX INDUSTRY 787 00:35:40,639 --> 00:35:43,141 USUALLY COME FROM A HISTORY OF CHILDHOOD DYSFUNCTION. 788 00:35:43,141 --> 00:35:45,214 IT'S HARD TO ESCAPE THAT. 789 00:35:45,214 --> 00:35:47,516 BUT IT'S POSSIBLE, RIGHT? 790 00:35:47,516 --> 00:35:49,678 YEAH. 791 00:35:49,678 --> 00:35:51,450 (man) HOLD IT RIGHT THERE! 792 00:35:51,450 --> 00:35:53,682 CASTLE, LITTLE HELP? 793 00:35:53,682 --> 00:35:56,154 OH, YEAH. JULIAN, IT'S FINE. HE'S WITH ME. 794 00:35:56,154 --> 00:35:57,656 YOU ARE OUTTA CONTROL, MAN. 795 00:35:57,656 --> 00:36:00,259 I GOT GOOD NEWS. I FINALLY FOUND A LOCKSMITH SCHOOL 796 00:36:00,259 --> 00:36:02,361 THAT'S WILLING TO ADMIT ME. REALLY? 797 00:36:02,361 --> 00:36:04,863 YEAH. ALL I NEED IS A LETTER OF RECOMMENDATION FROM THE POLICE, 798 00:36:04,863 --> 00:36:08,267 AND I AM IN. WILL YOU WRITE IT FOR ME? NO! 799 00:36:08,267 --> 00:36:10,199 WHAT? COME ON. HAVE A HEART. 800 00:36:10,199 --> 00:36:13,242 HE'S A CRIMINAL. IF I WRITE HIM A LETTER, 801 00:36:13,242 --> 00:36:16,505 I'LL BE RESPONSIBLE FOR HIM. I CANNOT WATCH YOU 24 HOURS A DAY. WAIT A MINUTE. WHAT'D YOU SAY? 802 00:36:16,505 --> 00:36:18,207 I WOULD BE RESPONSIBLE FOR HIM. 803 00:36:18,207 --> 00:36:20,509 NO, NO, NO. YOU CAN'T WATCH HIM... 804 00:36:20,509 --> 00:36:22,711 WHEN DID YOU PUT THE SURVEILLANCE CAR ON KNOX? 805 00:36:22,711 --> 00:36:25,214 RIGHT AFTER WE LEFT THE BAR. AND THEY FOLLOWED HIM ALL NIGHT? 806 00:36:25,214 --> 00:36:28,787 YEAH. HE GOT HOME AROUND 2:00 A.M. THEN HOW COULD HE HAVE BEATEN UP SCARLETT? 807 00:36:28,787 --> 00:36:30,789 YOU GUYS DO KNOW THAT THE DEADBOLT 808 00:36:30,789 --> 00:36:33,692 WASN'T SET ON THIS LOCK WHEN YOU GUYS KICKED IT IN, RIGHT? WHAT? 809 00:36:33,692 --> 00:36:35,864 SEE? IF IT WOULD'VE BEEN, 810 00:36:35,864 --> 00:36:37,866 THIS WHOLE FRAME WOULD'VE BEEN DESTROYED. 811 00:36:37,866 --> 00:36:41,900 LOCKING THE DOOR-- THAT'S HOSTAGE TAKING 101. 812 00:36:41,900 --> 00:36:45,574 UNLESS SCARLETT WASN'T A HOSTAGE. 813 00:36:45,574 --> 00:36:48,737 SHE WAS IN ON IT FROM THE START. BUCKLEY DIDN'T SET HER UP IN HIS OFFICE 814 00:36:48,737 --> 00:36:50,739 OUT OF THE GOODNESS OF HIS HEART. 815 00:36:50,739 --> 00:36:53,612 HE NEEDED SOMEBODY WORKING THERE TO MAN THE CALL GIRL BUSINESS. 816 00:36:53,612 --> 00:36:55,914 NOT REALIZING THAT HE WAS GIVING SCARLETT FULL ACCESS 817 00:36:55,914 --> 00:36:59,818 TO EVERY FACET OF HIS ORGANIZATION. KNOX DIDN'T STEAL THE CLIENT LIST. 818 00:36:59,818 --> 00:37:01,950 SCARLETT GAVE IT TO HIM SO THAT THE TWO OF THEM 819 00:37:01,950 --> 00:37:04,793 COULD GO INTO BUSINESS TOGETHER. AND WHEN BUCKLEY WOULDN'T WALK AWAY, KNOX KILLED HIM, 820 00:37:04,793 --> 00:37:07,796 NEVER THINKING WE'D FIND OUT ABOUT THE CALL GIRL RING. AND THEN WHEN WE DID, SCARLETT REALIZED 821 00:37:07,796 --> 00:37:10,999 THAT THE ONLY WAY TO SAVE HERSELF WAS BY GIVING UP KNOX 822 00:37:10,999 --> 00:37:14,503 BY PLAYING THE ULTIMATE VICTIM, MAKING YOU BELIEVE THAT KNOX 823 00:37:14,503 --> 00:37:16,965 BEAT HER UP SO WE'D THINK SHE KILLED HIM OUT OF SELF-DEFENSE. AND I FELL FOR IT. 824 00:37:16,965 --> 00:37:19,608 WE ALL DID. I DIDN'T. 825 00:37:19,608 --> 00:37:20,909 (cell phone rings and beeps) 826 00:37:20,909 --> 00:37:23,572 HI. HOW CAN I MAKE YOU HAPPY TODAY? 827 00:37:23,572 --> 00:37:26,575 YES, CANDY IS ABSOLUTELY AVAILABLE. (clicks keyboard keys) 828 00:37:26,575 --> 00:37:29,418 HOW WOULD YOU LIKE HER TO LOOK? 829 00:37:29,418 --> 00:37:31,880 GIRL NEXT DOOR SOUNDS PERFECT. 830 00:37:31,880 --> 00:37:34,923 CAN YOU CONFIRM YOUR CLIENT CODE? 831 00:37:34,923 --> 00:37:39,388 AND YOUR CARD INFORMATION IS THE SAME? 832 00:37:39,388 --> 00:37:42,331 GREAT. CANDY WILL SEE YOU AT 7:00. 833 00:37:42,331 --> 00:37:44,793 (beep) 834 00:37:44,793 --> 00:37:46,835 (ring) 835 00:37:46,835 --> 00:37:47,736 (ring) 836 00:37:47,736 --> 00:37:49,698 (beep) 837 00:37:49,698 --> 00:37:52,541 HI. HOW CAN I MAKE YOU HAPPY TODAY? 838 00:37:52,541 --> 00:37:55,374 (Castle) Yes, I'm looking for a girl. 839 00:37:55,374 --> 00:37:57,876 WELL, YOU'VE CERTAINLY COME TO THE RIGHT PLACE. 840 00:37:57,876 --> 00:37:59,378 CAN YOU DESCRIBE HER? 841 00:37:59,378 --> 00:38:01,880 She came to New York in an ancient blue Beetle, 842 00:38:01,880 --> 00:38:04,783 the floor so rusted, it literally sagged in the middle. 843 00:38:04,783 --> 00:38:07,416 CASTLE. HOW DID YOU GET THIS NUMBER? 844 00:38:07,416 --> 00:38:10,859 I have a friend in the publishing business. 845 00:38:10,859 --> 00:38:13,562 I'M SORRY IF I DISAPPOINTED YOU. 846 00:38:13,562 --> 00:38:16,064 I-I JUST NEEDED TO TAKE A FEW MORE JOBS 847 00:38:16,064 --> 00:38:17,766 TO SET MYSELF UP. 848 00:38:17,766 --> 00:38:19,768 You never stop manipulating, do you, Scarlett? 849 00:38:19,768 --> 00:38:21,770 I should be impressed, really, 850 00:38:21,770 --> 00:38:23,772 how easily you played me, 851 00:38:23,772 --> 00:38:27,636 but all I can think about is how sad it is... 852 00:38:27,636 --> 00:38:32,681 all that brains and beauty wasted on a heart gone rotten. 853 00:38:32,681 --> 00:38:35,684 You're so busy building up walls to keep people out, 854 00:38:35,684 --> 00:38:38,647 YOU DON'T EVEN REALIZE THAT YOU'RE THE ONE TRAPPED INSIDE... 855 00:38:38,647 --> 00:38:40,719 ALL ALONE. 856 00:38:44,693 --> 00:38:46,555 WILL YOU STAND UP, PLEASE? 857 00:38:50,028 --> 00:38:52,861 (handcuffs click) 858 00:38:52,861 --> 00:38:54,863 (Ryan) YOU HAVE THE RIGHT TO REMAIN SILENT. 859 00:38:54,863 --> 00:38:58,737 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU... 860 00:38:58,737 --> 00:39:00,338 THANKS. 861 00:39:00,338 --> 00:39:02,040 FOR WHAT? 862 00:39:02,040 --> 00:39:04,873 FOR NOT SAYING I TOLD YOU SO. 863 00:39:04,873 --> 00:39:07,476 OH, THAT STARTS TOMORROW. 864 00:39:07,476 --> 00:39:09,347 ♪♪ 865 00:39:09,347 --> 00:39:10,719 (sighs) 866 00:39:10,719 --> 00:39:12,120 (mouths word) 867 00:39:12,120 --> 00:39:13,922 ♪♪ 868 00:39:13,922 --> 00:39:17,456 (man) ♪ EVERY DAY ♪ 869 00:39:17,456 --> 00:39:20,028 OH! (groans) WHAT WAS THAT FOR? 870 00:39:20,028 --> 00:39:22,030 FOR BEING THE BEST DAD EVER. 871 00:39:22,030 --> 00:39:25,033 IT'S TRUE, YOU KNOW. I HAVE THE NOVELTY MUG TO PROVE IT. 872 00:39:25,033 --> 00:39:27,696 MM. THANKS FOR TRUSTING ME, 873 00:39:27,696 --> 00:39:30,899 FOR NOT PUSHING WHEN YOU KNEW I WAS WORKING SOMETHING OUT. 874 00:39:30,899 --> 00:39:34,843 WELL... I KNEW WHEN YOU WERE READY, YOU WOULD TELL ME. 875 00:39:34,843 --> 00:39:36,845 SO HERE IT IS... 876 00:39:36,845 --> 00:39:39,878 ♪ ...JUST NEXT TO ME ♪ 877 00:39:39,878 --> 00:39:42,010 MY SCHOOL IS STARTING A FOREIGN EXCHANGE PROGRAM 878 00:39:42,010 --> 00:39:44,012 TO FRANCE. 879 00:39:44,012 --> 00:39:46,114 FRANCE? YEAH. 880 00:39:46,114 --> 00:39:48,557 YOU WEREN'T KICKED OUT OF SCHOOL? NO. 881 00:39:48,557 --> 00:39:50,959 (exhales) NO, THE PROGRAM LASTS THREE WEEKS, 882 00:39:50,959 --> 00:39:53,562 AND SO I'D MISS YOUR BIRTHDAY. AND I KNEW THAT BECKETT 883 00:39:53,562 --> 00:39:55,564 HAD SPENT A SEMESTER ABROAD IN COLLEGE, 884 00:39:55,564 --> 00:39:58,697 AND I WANTED TO ASK HER IF THE EXPERIENCE WAS WORTH IT. AND WHAT'D SHE SAY? 885 00:39:58,697 --> 00:40:01,530 SHE SAID THAT I'D BE GOING OFF TO COLLEGE IN A COUPLE OF YEARS, 886 00:40:01,530 --> 00:40:03,802 AND THAT EVERYTHING WAS GONNA CHANGE, 887 00:40:03,802 --> 00:40:07,876 AND MAYBE IT'D BE GOOD IF WE GOT A TASTE OF THAT CHANGE NOW. 888 00:40:07,876 --> 00:40:09,908 WELL... 889 00:40:09,908 --> 00:40:11,680 SHE'S A SMART WOMAN. 890 00:40:11,680 --> 00:40:13,912 YEAH, SHE IS. 891 00:40:13,912 --> 00:40:18,787 BUT I DECIDED NOT TO GO ANYWAY. 892 00:40:18,787 --> 00:40:21,189 BECAUSE TWO YEARS WILL BE HERE SOON ENOUGH, 893 00:40:21,189 --> 00:40:23,522 AND I ALREADY GOT YOU YOUR PRESENT, 894 00:40:23,522 --> 00:40:26,495 AND I WANT TO WATCH YOU OPEN IT. (chuckles) 895 00:40:26,495 --> 00:40:28,497 MM. I SAY WE CELEBRATE WITH ICE CREAM. 896 00:40:28,497 --> 00:40:30,829 WE'D BE FOOLS NOT TO. SERVE ME. 897 00:40:30,829 --> 00:40:32,661 (laughs) CHOCOLATE OR VANILLA? 898 00:40:32,661 --> 00:40:34,062 DUH. CHOCOLATE. 899 00:40:34,062 --> 00:40:36,565 OH, AND WHILE WE'RE EATING, WE CAN TALK ABOUT COLLEGES. 900 00:40:36,565 --> 00:40:38,106 I PICKED UP A COUPLE OF BROCHURES 901 00:40:38,106 --> 00:40:39,808 AT THE GUIDANCE OFFICE, 902 00:40:39,808 --> 00:40:41,940 AND YOU KNOW WHAT LOOKS REALLY COOL? WHAT? 903 00:40:41,940 --> 00:40:43,542 OXFORD. 904 00:40:43,542 --> 00:40:45,644 OXFORD? 905 00:40:45,644 --> 00:40:48,016 YOU KNOW--YOU KNOW THAT'S IN ENGLAND, RIGHT? 906 00:40:48,016 --> 00:40:49,648 YEAH.