1 00:00:01,472 --> 00:00:03,634 ♪♪ 2 00:00:03,634 --> 00:00:05,376 (woman) ♪ HEY ♪ 3 00:00:05,376 --> 00:00:08,479 ♪ HEY ♪ ♪ COME ON ♪ 4 00:00:08,479 --> 00:00:10,481 ♪ COME ON, COME ON, COME ON ♪ 5 00:00:10,481 --> 00:00:13,244 ♪ HEY ♪ 6 00:00:15,186 --> 00:00:16,387 HEY. 7 00:00:16,387 --> 00:00:19,790 HEY. I WAS--I WAS JUST... 8 00:00:19,790 --> 00:00:22,053 TRYING ON MY HALLOWEEN COSTUME. 9 00:00:22,053 --> 00:00:25,526 WHAT EXACTLY ARE YOU SUPPOSED TO BE? SPACE COWBOY. 10 00:00:25,526 --> 00:00:27,728 OKAY, "A," THERE ARE NO COWS IN SPACE. 11 00:00:27,728 --> 00:00:30,801 "B," DIDN'T YOU WEAR THAT, LIKE, FIVE YEARS AGO? 12 00:00:30,801 --> 00:00:33,104 SO? SO DON'T YOU THINK YOU SHOULD MOVE ON? 13 00:00:33,104 --> 00:00:36,537 I LIKE IT. WHAT ARE YOU DOING UP SO LATE ANYWAY? 14 00:00:36,537 --> 00:00:38,038 HALLOWEEN HOMEWORK-- 15 00:00:38,038 --> 00:00:40,541 "THE PIT & THE PENDULUM," THE ORIGINAL "SAW." 16 00:00:40,541 --> 00:00:43,314 HAVE YOU DECIDED WHAT YOU'RE GONNA DRESS UP AS THIS YEAR? 17 00:00:43,314 --> 00:00:46,377 PERHAPS INDIRA GANDHI, AMELIA EARHART? OH! HERMIONE? 18 00:00:46,377 --> 00:00:48,519 I THINK I'M GONNA SKIP IT. 19 00:00:48,519 --> 00:00:50,821 SKIP HALLOWEEN? 20 00:00:50,821 --> 00:00:54,085 WELL, DRESSING UP. I'LL STILL HAND OUT CANDY AT THE DOOR, 21 00:00:54,085 --> 00:00:56,687 BUT I'M TOO OLD TO GO TRICK-OR-TREATING ANYMORE. 22 00:00:56,687 --> 00:00:59,190 AND YOU KNOW HOW I FEEL WHEN THE BIG KIDS COME. 23 00:00:59,190 --> 00:01:02,763 I DON'T WANT TO BE THAT KID. BUT YOU HAVE TO GO WITH ME. YOU ARE MY CANDY BEARD. 24 00:01:02,763 --> 00:01:06,367 SORRY, DAD. YOU'RE JUST GONNA HAVE TO GET ANOTHER BEARD. 25 00:01:06,367 --> 00:01:08,599 THIS DISCUSSION IS NOT OVER. 26 00:01:08,599 --> 00:01:11,172 SO... HAVE YOU COME UP WITH A NAME 27 00:01:11,172 --> 00:01:13,604 FOR YOUR PARENTING PROJECT BABY EGG YET? 28 00:01:13,604 --> 00:01:16,747 WAIT. LET--LET ME GUESS. ZAC EGGFRON? 29 00:01:16,747 --> 00:01:18,849 NO. EGG BEGLEY JR.? 30 00:01:18,849 --> 00:01:21,452 I WENT DICKENSIAN. PAIGE AND I ARE CALLING HIM FEGGIN. 31 00:01:21,452 --> 00:01:23,554 GET IT? FEGGIN? 32 00:01:23,554 --> 00:01:26,417 FAKE BABY EGG. WOULDN'T THAT BE FA-KEGG? 33 00:01:26,417 --> 00:01:28,619 (cell phone rings and beeps) 34 00:01:28,619 --> 00:01:32,293 BECKETT, WHAT ARE YOU DOING UP SO LATE? 35 00:01:32,293 --> 00:01:35,566 (Castle) AH, I JUST LOVE THIS TIME OF YEAR-- 36 00:01:35,566 --> 00:01:38,129 CRUNCHY LEAVES UNDERFOOT, THE CRISP, CLEAN AIR, 37 00:01:38,129 --> 00:01:40,131 THE SMELL OF JACK-O'-LANTERNS ALL AFLAME. 38 00:01:40,131 --> 00:01:43,134 YEAH, WELL, YOU WOULDN'T SAY THAT IF YOU WERE A COP. 39 00:01:43,134 --> 00:01:46,137 HALLOWEEN'S ONE OF THE WORST WEEKS OF THE YEAR FOR US. 40 00:01:46,137 --> 00:01:47,838 HMM. THE BODY'S ALREADY IN A GRAVEYARD. 41 00:01:47,838 --> 00:01:49,840 SOMEONE WAS TRYING TO SAVE SOME TIME. 42 00:01:49,840 --> 00:01:52,413 I DO LOVE WALKING THROUGH CEMETERIES. 43 00:01:52,413 --> 00:01:55,286 I LOVE THEIR STORIES. CHECK OUT THIS ONE. 44 00:01:55,286 --> 00:01:58,849 "ELIZABETH DRYDEN, DECEMBER 3, 1962-?" 45 00:01:58,849 --> 00:02:01,192 IF THEY DON'T EVEN KNOW WHEN SHE DIED, 46 00:02:01,192 --> 00:02:03,494 WHAT'S BURIED HERE? 47 00:02:03,494 --> 00:02:06,697 ARE YOU WEARING SUSPENDERS? OH, YEAH. I'M TRYING ON COSTUMES 48 00:02:06,697 --> 00:02:08,729 FOR MY ANNUAL HALLOWEEN PARTY. COSTUMES ARE MANDATORY. 49 00:02:08,729 --> 00:02:10,661 WHAT'S THE STORY, YOU GUYS? 50 00:02:10,661 --> 00:02:12,663 (Lanie) TAKE A LOOK. (Castle) WOWCH. 51 00:02:12,663 --> 00:02:16,307 (Beckett) ARE YOU KIDDING ME? IS THAT A STAKE IN HIS HEART? 52 00:02:16,307 --> 00:02:18,769 LOOKS LIKE BUFFY'S VISITED THE BIG APPLE. 53 00:02:18,769 --> 00:02:21,872 SOMEONE THOUGHT HE WAS A VAMPIRE. SO DID HE. 54 00:02:21,872 --> 00:02:24,215 AND THEY'RE NOT PLASTIC POP-INS EITHER. 55 00:02:24,215 --> 00:02:26,677 ARE YOU TELLING ME THOSE ARE REAL? OR HIGH-END VENEERS. 56 00:02:26,677 --> 00:02:28,779 OR HE'S A VAMPIRE. NO I.D. NO PHONE. 57 00:02:28,779 --> 00:02:31,622 WE GOT GUYS SWEEPIN' THE AREA FOR ANYTHING THEY CAN FIND. 58 00:02:31,622 --> 00:02:34,625 NO WITNESSES EITHER. (Lanie) LOOKS LIKE HE STRUGGLED. 59 00:02:34,625 --> 00:02:36,857 I'M THINKING HE HIT HIS HEAD ON THIS STONE 60 00:02:36,857 --> 00:02:40,561 OR SOMEONE KNOCKED HIM IN THE HEAD BEFORE HE WAS STABBED. 61 00:02:40,561 --> 00:02:43,294 WHO WOULD GO TO THE TROUBLE OF KILLING SOMEONE THAT WAY? LYCANS. 62 00:02:43,294 --> 00:02:45,296 THEY'VE BEEN AT WAR WITH THE VAMPIRES 63 00:02:45,296 --> 00:02:48,239 EVER SINCE LUCIAN WAS MURDERED IN THE 15th CENTURY... 64 00:02:48,239 --> 00:02:51,502 AGAIN, THIS IS JUST THEORY. 65 00:02:51,502 --> 00:02:54,505 (police radio chatter) 66 00:03:02,253 --> 00:03:05,456 WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA! 67 00:03:05,456 --> 00:03:07,288 WHAT IS WRONG? 68 00:03:07,288 --> 00:03:09,290 IF HE'S A VAMPIRE AND YOU PULL THAT OUT, 69 00:03:09,290 --> 00:03:12,463 HE COMES BACK TO LIFE. IF HE DOES, THEN WE CAN ALL GO HOME EARLY. 70 00:03:12,463 --> 00:03:15,526 (squishing sound) OH. 71 00:03:15,526 --> 00:03:20,231 ANY IDEA AS TO WHO OR... WHAT HE IS? 72 00:03:20,231 --> 00:03:23,234 HE'S HUMAN, AND THE FANGS ARE CERAMIC VENEERS. 73 00:03:23,234 --> 00:03:27,578 BUT HE HAS TWO FRESH AVULSIONS NEAR THE FEMORAL ARTERY. BITE MARKS ON HIS THIGH? 74 00:03:27,578 --> 00:03:29,640 AND I FOUND THESE ON HIS BODY. 75 00:03:29,640 --> 00:03:32,483 THEY'RE SYNTHETIC. YOUR KILLER WAS WEARING A WIG. 76 00:03:32,483 --> 00:03:34,315 IT CAN'T BE EASY 77 00:03:34,315 --> 00:03:36,387 TO DRIVE A STAKE THROUGH SOMEONE'S CHEST. 78 00:03:36,387 --> 00:03:39,790 TO BREAK THE RIB CAGE, YOU'D HAVE TO POUND IT IN WITH A ROCK. 79 00:03:39,790 --> 00:03:42,653 SOMEONE DIDN'T WASH THEIR HANDS BEFORE THE STABBING. 80 00:03:42,653 --> 00:03:45,656 CHECK OUT THESE BLACK SMUDGES. 81 00:03:45,656 --> 00:03:48,259 YOU KNOW, HAVE C.S.U. RUN THE STAKE. 82 00:03:48,259 --> 00:03:50,431 ANY MATCH ON THE VIC'S PRINTS? 83 00:03:50,431 --> 00:03:53,264 NOTHING IN THE SYSTEM, NO HITS WITH MISSING PERSONS, 84 00:03:53,264 --> 00:03:55,606 NO I.D. BUT HE HAS PROFESSIONAL VENEERS. 85 00:03:55,606 --> 00:03:58,469 YEAH. SO? I KNOW THE BEST FANGMASTER IN THE CITY. 86 00:03:58,469 --> 00:04:01,642 MAYBE HE COULD IDENTIFY HIM. FANGMASTER? 87 00:04:01,642 --> 00:04:04,875 ♪♪ 88 00:04:07,878 --> 00:04:09,620 (buzzes) 89 00:04:09,620 --> 00:04:13,854 ♪♪ 90 00:04:13,854 --> 00:04:16,727 (Beckett) I HOPE THIS IS FOR REAL, CASTLE, 91 00:04:16,727 --> 00:04:19,730 BECAUSE IF IT'S NOT, WE'RE SHORTCHANGING OUR JOHN DOE. OH, TRUST ME. 92 00:04:19,730 --> 00:04:21,732 I CAN'T BELIEVE YOU'VE NEVER HEARD OF THIS PLACE. 93 00:04:21,732 --> 00:04:23,734 I GET ALL MY COSTUMES HERE. (gasps) 94 00:04:23,734 --> 00:04:25,566 WE CAN USE THIS OPPORTUNITY 95 00:04:25,566 --> 00:04:27,898 TO FIND YOU ONE FOR MY HALLOWEEN PARTY. 96 00:04:27,898 --> 00:04:30,270 HOW ABOUT... SLUTTY NURSE? FANTASIZE ALL YOU WANT, CASTLE. 97 00:04:30,270 --> 00:04:32,272 I AM NOT TRYING ON COSTUMES FOR YOU. 98 00:04:32,272 --> 00:04:34,305 NO? WHY NOT? YOU ALREADY GOT ONE? 99 00:04:34,305 --> 00:04:37,378 WHO SAYS I'M EVEN COMING TO YOUR PARTY? (ding) 100 00:04:37,378 --> 00:04:39,580 RICHARD CASTLE. CHANGE YOUR MIND? 101 00:04:39,580 --> 00:04:43,013 I'D LOVE TO FIT YOU WITH A NICE SET OF DOUBLES. UH, OFFICIAL POLICE BUSINESS TODAY, DOC. 102 00:04:43,013 --> 00:04:45,916 DETECTIVE BECKETT, I WOULD LIKE TO INTRODUCE YOU 103 00:04:45,916 --> 00:04:48,018 TO DR. BARRY FRANK-- DENTAL GENIUS 104 00:04:48,018 --> 00:04:50,391 AND FANGMASTER EXTRAORDINAIRE. 105 00:04:50,391 --> 00:04:52,963 HE DID, UH, BRAD PITT'S VENEERS FOR "INTERVIEW WITH A VAMPIRE." 106 00:04:52,963 --> 00:04:55,966 SO WHAT CAN I DO FOR YOU? THE MASTER IS IN. WE'RE INVESTIGATING A HOMICIDE, 107 00:04:55,966 --> 00:04:58,329 AND OUR VICTIM HAD SOME WORK DONE. 108 00:04:58,329 --> 00:05:00,401 WE WERE HOPING YOU COULD HELP IDENTIFY HIM. 109 00:05:00,401 --> 00:05:02,933 OH. THAT'S CROW. 110 00:05:02,933 --> 00:05:06,407 I DID HIS VENEERS ABOUT, UH, I DON'T KNOW, TWO MONTHS AGO. 111 00:05:06,407 --> 00:05:09,079 CROW? OH, PEOPLE IN THE VAMPIRE FETISH COMMUNITY, 112 00:05:09,079 --> 00:05:11,712 THEY GIVE UP THEIR MUNDANE NAMES. 113 00:05:11,712 --> 00:05:13,984 YOU'RE NOT GONNA FIND ANY DAVES OR CHUCKS OR MEGS HERE. 114 00:05:13,984 --> 00:05:16,987 HE SEEMED LIKE A NICE KID. WHAT HAPPENED? THAT'S WHAT WE'RE TRYING TO FIGURE OUT. 115 00:05:16,987 --> 00:05:19,620 WE WERE HOPING YOU WOULD HAVE A LEGAL NAME 116 00:05:19,620 --> 00:05:22,322 OR A BILLING ADDRESS. SURE. JUST, UH, LET ME LOOK IT UP. 117 00:05:22,322 --> 00:05:25,325 THANK YOU. CASTLE, WHAT ARE YOU DOING? 118 00:05:25,325 --> 00:05:28,729 (muffled voice) DO THESE MAKE ME LOOK IMMORTAL? 119 00:05:28,729 --> 00:05:31,101 DO YOU WANT TO, UH, GO GET SOMETHING PIERCED? 120 00:05:31,101 --> 00:05:33,834 NO. DO YOU? UH, WOW. 121 00:05:33,834 --> 00:05:37,007 (woman) THIS IS MATTHEW'S APARTMENT. 122 00:05:37,007 --> 00:05:39,009 YOU'D THINK HE'D BE TROUBLE, 123 00:05:39,009 --> 00:05:41,512 BUT MATTHEW WAS A QUIET KID, SHY. 124 00:05:41,512 --> 00:05:43,013 HAD, YOU, UH, HEARD 125 00:05:43,013 --> 00:05:45,045 OR SEEN ANYTHING UNUSUAL LATELY? 126 00:05:45,045 --> 00:05:47,548 THE VAMPIRE THING WAS A LITTLE WEIRD, 127 00:05:47,548 --> 00:05:49,980 BUT MY FIRST HUSBAND WAS A CIVIL WAR REENACTOR. 128 00:05:49,980 --> 00:05:52,623 SO YOU TELL ME, WHICH IS WEIRDER? 129 00:05:52,623 --> 00:05:54,625 (Castle) AH, HE WAS QUITE THE ARTIST. 130 00:05:54,625 --> 00:05:56,627 (woman) YEAH, BUT MOSTLY COMIC BOOKS. 131 00:05:56,627 --> 00:05:58,959 IT REMINDS ME OF EARLY FRANK MILLER. 132 00:05:58,959 --> 00:06:02,493 WHICH FRANK--EPIC COMIC OR DARK HORSE YEARS? OH, MY GOD. 133 00:06:02,493 --> 00:06:04,535 THAT IS THE SEXIST THING I EVER HEARD YOU SAY. 134 00:06:04,535 --> 00:06:06,797 I HAD NO IDEA YOU WERE INTERESTED IN COMIC BOOKS. 135 00:06:06,797 --> 00:06:09,039 OH, CASTLE. THE THINGS YOU DON'T KNOW ABOUT ME 136 00:06:09,039 --> 00:06:12,102 COULD FILL A BOOK. 137 00:06:12,102 --> 00:06:13,804 HEY. 138 00:06:13,804 --> 00:06:15,646 CHECK THIS OUT. 139 00:06:15,646 --> 00:06:18,649 HE WAS DEVELOPING A GRAPHIC NOVEL. 140 00:06:22,413 --> 00:06:24,555 HE'S TALENTED. 141 00:06:24,555 --> 00:06:27,387 DID CROW EVER TALK ABOUT HIS FAMILY? 142 00:06:27,387 --> 00:06:29,389 WELL, HE NEVER MENTIONED ANY. 143 00:06:29,389 --> 00:06:32,823 I JUST FIGURED HE WAS PRETTY MUCH ON HIS OWN, A LONER. 144 00:06:32,823 --> 00:06:36,797 IT LOOKS LIKE HE WENT TO THE BARKER SCHOOL OF DESIGN. 145 00:06:36,797 --> 00:06:39,630 THERE'S ONLY A PARTIAL SOCIAL. 146 00:06:39,630 --> 00:06:43,003 BUT WE SHOULD BE ABLE TO TRACK DOWN HIS NEXT OF KIN 147 00:06:43,003 --> 00:06:45,836 THROUGH THE SCHOOL. HE EVER HAVE ANY FRIENDS OR VISITORS TO HIS APARTMENT? 148 00:06:45,836 --> 00:06:48,078 HE BROUGHT A GIRL HERE ONCE OR TWICE. 149 00:06:48,078 --> 00:06:49,910 SHE WAS ONE OF THEM. 150 00:06:49,910 --> 00:06:53,413 YOU COULD SEE THEM WHEN SHE SMILED. 151 00:06:53,413 --> 00:06:56,046 THEY DID HAVE A BIG FIGHT THE OTHER NIGHT. 152 00:06:56,046 --> 00:06:59,720 SHE WAS SCREAMING BLOODY MURDER. WHAT DID SHE LOOK LIKE? 153 00:06:59,720 --> 00:07:01,822 UH, SHE HAD LONG BLACK HAIR, TO HER TUSH-- 154 00:07:01,822 --> 00:07:03,824 LONG BLACK HAIR? YEAH. 155 00:07:03,824 --> 00:07:05,826 DID YOU GET A NAME? 156 00:07:05,826 --> 00:07:09,460 NO. HE TOLD ME THAT SHE WAS FAMOUS OR SOMETHING. 157 00:07:09,460 --> 00:07:13,433 UH, HE SAID SHE HAD HER OWN WEB SITE ON THE INTERNET. WELL, WE COULD CHECK HIS BROWSER HISTORY. 158 00:07:13,433 --> 00:07:16,106 (Bach's "Toccata and Fugue in D minor" playing) 159 00:07:16,106 --> 00:07:18,569 HMM. YOU THINK THEY'RE REAL? 160 00:07:18,569 --> 00:07:20,571 UH, THE FANGS, I MEAN. 161 00:07:20,571 --> 00:07:22,072 (Ryan) VAMPIRE MISTRESS VIXEN. 162 00:07:22,072 --> 00:07:24,074 HER COVEN IS CALLED THE DEN OF INIQUITY. 163 00:07:24,074 --> 00:07:27,918 COVEN? YEAH, A VAMPIRE COVEN IS LIKE JOINING A CHURCH OR A CLUB. 164 00:07:27,918 --> 00:07:30,220 YOU LIKE TO PLAY GOLF. I LIKE TO PLAY GOLF. 165 00:07:30,220 --> 00:07:33,453 YOU LIKE TO DRINK BLOOD. I LIKE TO DRINK BLOOD. 166 00:07:33,453 --> 00:07:35,085 WHAT? I... 167 00:07:35,085 --> 00:07:38,659 I USED TO GO OUT WITH A GIRL WHO WAS INTO THE LIFESTYLE. 168 00:07:38,659 --> 00:07:41,091 WHAT HAPPENED? DID THE RELATIONSHIP SUCK? (Castle) OH! (laughs) 169 00:07:41,091 --> 00:07:44,034 (laughs) THE DEAL BREAKER? SHE WANTED TO HAVE SEX IN A COFFIN. 170 00:07:44,034 --> 00:07:47,097 I'M OPEN-MINDED. I'M NOT THAT OPEN-MINDED. (Beckett) ALL RIGHT. 171 00:07:47,097 --> 00:07:49,570 DID OUR MISTRESS OF THE NIGHT HAVE A PHONE NUMBER 172 00:07:49,570 --> 00:07:51,471 OR AN ADDRESS? UH, ONLY AN E-MAIL. 173 00:07:51,471 --> 00:07:54,474 HOWEVER, THERE IS INFORMATION ON THE COVEN'S NEXT GATHERING, 174 00:07:54,474 --> 00:07:56,807 WHICH MEETS TONIGHT. (beep) 175 00:07:56,807 --> 00:07:58,809 DAMN. YOU NEED A PASSWORD. 176 00:07:58,809 --> 00:08:02,012 OR AN OLD GIRLFRIEND. 177 00:08:02,012 --> 00:08:06,917 (laughs) HEY. WHOA. I HAVEN'T SEEN HER IN, LIKE, A YEAR. 178 00:08:09,590 --> 00:08:12,122 FINE, BUT I AM NOT SLEEPING WITH HER. 179 00:08:12,122 --> 00:08:14,064 ♪♪ 180 00:08:14,064 --> 00:08:17,698 (man) ♪ I DON'T WANT TO BE HERE WAITING ♪ 181 00:08:17,698 --> 00:08:22,002 ♪ INSIDE MISERY ♪ 182 00:08:22,002 --> 00:08:25,636 ♪ JUST WAITING ALONE, AND I TRY TO... ♪ 183 00:08:25,636 --> 00:08:28,078 ♪ BE ALONE WITH YOU ♪ 184 00:08:28,078 --> 00:08:31,211 I'M LOOKING FOR VIXEN. 185 00:08:31,211 --> 00:08:34,114 COMING BY. PARDON ME. EXCUSE ME. 186 00:08:34,114 --> 00:08:39,690 ♪ INSIDE MISERY... ♪ 187 00:08:39,690 --> 00:08:41,892 (laughs) 188 00:08:41,892 --> 00:08:46,126 ♪♪ 189 00:08:46,126 --> 00:08:49,029 (exhales and chuckles) 190 00:08:52,062 --> 00:08:57,808 ♪♪ 191 00:09:07,177 --> 00:09:09,580 YOU'RE, UH, SANGUINARIANS? 192 00:09:09,580 --> 00:09:11,081 BLOOD DRINKERS. 193 00:09:11,081 --> 00:09:13,984 ALL OF OUR BLOOD PLAY IS LEGAL AND CONSENSUAL. 194 00:09:13,984 --> 00:09:16,857 WE'RE NOT HERE ABOUT THE CLUB. 195 00:09:16,857 --> 00:09:19,289 DO YOU KNOW SOMEBODY NAMED MATTHEW FREEMAN? WHO? 196 00:09:19,289 --> 00:09:21,592 CROW. 197 00:09:21,592 --> 00:09:24,865 CROW? SURE. WHY? IS HE IN SOME KIND OF TROUBLE? 198 00:09:24,865 --> 00:09:27,137 WE FOUND HIM IN A CEMETERY. 199 00:09:27,137 --> 00:09:29,139 SOMEONE PUT A STAKE THROUGH HIS HEART. 200 00:09:29,139 --> 00:09:32,002 (scoffs) WHAT IS THIS, SOME KIND OF JOKE? 201 00:09:32,002 --> 00:09:34,104 LET'S GO MAKE FUN OF THE VAMPIRES? 202 00:09:34,104 --> 00:09:36,276 IT'S NOT A JOKE. 203 00:09:36,276 --> 00:09:39,049 NO WAY. WHAT? 204 00:09:39,049 --> 00:09:42,953 (voice breaks) WHO WOULD WANT TO KILL CROW LIKE THAT? 205 00:09:42,953 --> 00:09:44,985 WE WERE HOPING YOU COULD TELL US? 206 00:09:44,985 --> 00:09:47,958 WHERE WERE YOU LAST NIGHT BETWEEN 11:00 P.M. AND MIDNIGHT? (normal voice) I WAS HERE. 207 00:09:47,958 --> 00:09:50,020 W-WAIT. YOU DON'T THINK I'M RESPONSIBLE? 208 00:09:50,020 --> 00:09:53,123 WE FOUND SYNTHETIC HAIRS ON HIS BODY FROM A BLACK WIG 209 00:09:53,123 --> 00:09:55,726 AND BITES ON HIS THIGH. 210 00:09:55,726 --> 00:09:58,899 BUT I DIDN'T KILL HIM. HE WAS ONE OF MY LOVERS. 211 00:09:58,899 --> 00:10:01,601 SO YOU SAW HIM YESTERDAY? 212 00:10:01,601 --> 00:10:03,603 MID-AFTERNOON. HE LEFT AT 3:30. 213 00:10:03,603 --> 00:10:05,605 OH, MY GOD. IT'S SO AWFUL. 214 00:10:05,605 --> 00:10:07,908 VIXEN. HE'S REALLY DEAD? 215 00:10:07,908 --> 00:10:09,910 WE HAVE A WITNESS WHO TOLD US 216 00:10:09,910 --> 00:10:12,643 THAT YOU WERE FIGHTING RECENTLY. 217 00:10:12,643 --> 00:10:15,345 YEAH, BECAUSE HE'D BEEN SEEING SOMEONE ELSE. 218 00:10:15,345 --> 00:10:18,348 ULTIMATELY, WE FORGAVE HIM. YESTERDAY, WE WERE... MAKING UP. 219 00:10:18,348 --> 00:10:20,320 THAT'S WHY YOU FOUND MY HAIR ON HIM. 220 00:10:20,320 --> 00:10:23,724 YOU SAID HE WAS SEEING SOMEONE ELSE. DAEMON. 221 00:10:23,724 --> 00:10:26,957 DAEMON FELL IN LOVE WITH CROW AND HIS ART 222 00:10:26,957 --> 00:10:28,959 AND TALKED HIM INTO WRITING A GRAPHIC NOVEL. 223 00:10:28,959 --> 00:10:30,630 THAT'S WHY HE'S DEAD. 224 00:10:30,630 --> 00:10:33,804 THEIR GRAPHIC NOVEL, "BLOOD EVERLASTING," 225 00:10:33,804 --> 00:10:36,006 IS ABOUT A VAMPIRE IN NEW YORK CITY. 226 00:10:36,006 --> 00:10:38,168 ONLY THE GUY THAT THEY WERE BASING IT ON WAS REAL 227 00:10:38,168 --> 00:10:40,070 AND DANGEROUS. 228 00:10:40,070 --> 00:10:41,872 A REAL VAMPIRE? 229 00:10:41,872 --> 00:10:44,414 HE THINKS HE IS. HIS NAME'S MORGAN LOCKERBY. 230 00:10:44,414 --> 00:10:46,747 HE WAS AN ORIGINAL MEMBER OF THIS COVEN, 231 00:10:46,747 --> 00:10:48,749 BUT SOMETHING HAPPENED TO HIM. 232 00:10:48,749 --> 00:10:50,751 HE LOST ALL HOLD OF REALITY. 233 00:10:50,751 --> 00:10:53,323 HE STARTED BELIEVING THAT THIS WAS REAL. 234 00:10:53,323 --> 00:10:56,286 N-NOW HE ONLY COMES OUT AT NIGHT AND HANGS OUT AT THE CEMETERY. 235 00:10:56,286 --> 00:10:59,159 (sighs) IT WAS JUST CRAZY. 236 00:10:59,159 --> 00:11:01,231 HOW DO WE FIND THIS LOCKERBY? 237 00:11:01,231 --> 00:11:03,363 HE'S HOMELESS, BUT DAEMON PROBABLY KNOWS. 238 00:11:03,363 --> 00:11:05,766 DAEMON HAVE A LAST NAME? 239 00:11:05,766 --> 00:11:07,768 I DON'T KNOW HIS REAL NAME. 240 00:11:07,768 --> 00:11:09,870 HE WAS CROW'S BOYFRIEND, NOT MINE. 241 00:11:11,802 --> 00:11:14,044 YOU KNOW, WHAT IS IT WITH THESE PEOPLE 242 00:11:14,044 --> 00:11:16,046 AND THEIR DRESSING UP LIKE VAMPIRES-- 243 00:11:16,046 --> 00:11:17,708 THE COVENS, THE--THE DRAMA? 244 00:11:17,708 --> 00:11:20,210 WELL, IT'S NOT ABOUT THE COSTUMES OR THE MAKEUP. 245 00:11:20,210 --> 00:11:22,983 A LOT OF THE PEOPLE WHO ARE COMMITTED TO THE FANTASY 246 00:11:22,983 --> 00:11:24,454 ARE A LITTLE DIFFERENT. 247 00:11:24,454 --> 00:11:27,357 THEY'RE JUST LOOKING FOR A PLACE TO FIT IN. 248 00:11:27,357 --> 00:11:29,059 OKAY, THAT I GET. 249 00:11:29,059 --> 00:11:31,321 IT'S JUST THIS WHOLE FASCINATION WITH THE MACABRE-- 250 00:11:31,321 --> 00:11:34,294 THE DRINKING OF THE BLOOD, THE SHARING OF THE BLOOD, 251 00:11:34,294 --> 00:11:36,827 THE, UH, HAVING SEX IN COFFINS. MM. 252 00:11:36,827 --> 00:11:39,399 PSYCHOLOGY 101--THEY PROBABLY HAD SOMETHING HAPPEN TO THEM 253 00:11:39,399 --> 00:11:41,101 WHEN THEY WERE YOUNGER. 254 00:11:41,101 --> 00:11:43,403 MAYBE THEY SAW THEIR DOG GET HIT BY A CAR, 255 00:11:43,403 --> 00:11:45,475 ATTENDED AN OPEN-CASKET FUNERAL, 256 00:11:45,475 --> 00:11:48,078 HAD A LOSS OF A CHILDHOOD FRIEND 257 00:11:48,078 --> 00:11:50,440 OR... PARENT. 258 00:11:50,440 --> 00:11:52,342 (police radio chatter) 259 00:11:52,342 --> 00:11:56,186 SOME PEOPLE BECOME VAMPIRES. SOME PEOPLE BECOME COPS. 260 00:11:56,186 --> 00:11:58,148 OKAY. THEN WHERE DID YOUR FASCINATION 261 00:11:58,148 --> 00:11:59,850 WITH THE MACABRE COME FROM? 262 00:11:59,850 --> 00:12:01,351 WHAT HAPPENED TO YOU? 263 00:12:01,351 --> 00:12:04,224 (Esposito) YO. THAT ART SCHOOL REGISTRATION INFO? 264 00:12:04,224 --> 00:12:06,496 COURT ORDER FROM BARKER CAME THROUGH FOR MATTHEW FREEMAN, 265 00:12:06,496 --> 00:12:08,198 A.K.A. CROW. 266 00:12:08,198 --> 00:12:11,301 HIS FAMILY'S IN CONNECTICUT. PHONE NUMBER'S THERE. 267 00:12:11,301 --> 00:12:14,734 HOW'D IT GO AT THE CLUB? UM, MORGAN LOCKERBY. RUN HIM AND SEE WHAT YOU CAN FIND. 268 00:12:14,734 --> 00:12:17,407 AND SEE IF YOU CAN FIND CROW'S FRIEND DAEMON. 269 00:12:17,407 --> 00:12:20,370 DOES HE HAVE A LAST NAME? I'M NOT EVEN SURE THAT'S HIS REAL FIRST NAME. 270 00:12:20,370 --> 00:12:21,972 (mutters) 271 00:12:21,972 --> 00:12:24,274 WHAT? YOU GUYS ARE DETECTIVES. DETECT. 272 00:12:24,274 --> 00:12:26,316 GOOD LUCK. 273 00:12:26,316 --> 00:12:27,317 THANKS. 274 00:12:31,381 --> 00:12:34,054 ARE YOU OKAY? 275 00:12:34,054 --> 00:12:36,056 I-I HATE THIS PART. 276 00:12:36,056 --> 00:12:39,389 IT'S THE, UH, PHONE CALL THAT CHANGES EVERYTHING. 277 00:12:39,389 --> 00:12:41,932 I COULD STAY IF YOU LIKE. 278 00:12:41,932 --> 00:12:43,763 OH, NO. THANK YOU. 279 00:12:43,763 --> 00:12:47,197 SOMETIMES IT'S EASIER WITHOUT AN AUDIENCE. 280 00:12:54,875 --> 00:12:57,307 (Beckett) MR. AND MRS. FREEMAN, 281 00:12:57,307 --> 00:13:00,510 DO YOU HAVE ANY IDEA WHO WOULD TRY TO HARM YOUR SON? 282 00:13:00,510 --> 00:13:03,814 NO. MATTHEW WAS VERY PRIVATE ABOUT HIS LIFE. 283 00:13:03,814 --> 00:13:07,818 THERE WAS LITTLE WE KNEW ABOUT HIS SO-CALLED FRIENDS. 284 00:13:07,818 --> 00:13:09,960 MOM. (man) I KNEW THOSE PEOPLE WERE DANGEROUS. 285 00:13:09,960 --> 00:13:12,392 I SHOULDA STOPPED HIM FROM GETTING INVOLVED. ALAN. 286 00:13:12,392 --> 00:13:15,095 HE WAS REGISTERED AT THE BARKER SCHOOL OF DESIGN. 287 00:13:15,095 --> 00:13:16,796 DID HE EVER ATTEND? 288 00:13:16,796 --> 00:13:18,798 NO. HE--HE DROPPED OUT. 289 00:13:18,798 --> 00:13:21,471 AND WHEN WAS THE LAST TIME YOU SAW MATTHEW? 290 00:13:21,471 --> 00:13:23,834 IT'S BEEN MONTHS SINCE WE'VE SEEN MATTHEW. 291 00:13:23,834 --> 00:13:26,436 NO, IT WAS CROW NOW. 292 00:13:26,436 --> 00:13:29,279 HE CAME HOME. HE WAS DRESSED IN BLACK. 293 00:13:29,279 --> 00:13:31,581 HE HAD SKULLS TATTOOED ON HIS ARM... 294 00:13:31,581 --> 00:13:35,145 (voice breaking) EYELINER ON HIS EYES, FANGS. 295 00:13:35,145 --> 00:13:37,918 I SHOULDA GOTTEN TOUGHER ON HIM. 296 00:13:37,918 --> 00:13:43,093 SEE? HE WAS JUST A... A NORMAL LITTLE BOY. 297 00:13:43,093 --> 00:13:46,156 AND THEN HE FELL IN LOVE WITH ART. 298 00:13:46,156 --> 00:13:48,999 (sniffles) THEN HE GOT MOODY AND--AND... (sniffles) 299 00:13:48,999 --> 00:13:51,331 HE STARTED HANGING OUT WITH THOSE PEOPLE. 300 00:13:51,331 --> 00:13:53,303 WHEN DID YOU HEAR FROM HIM LAST? 301 00:13:53,303 --> 00:13:57,307 HE CALLED A COUPLE OF DAYS AGO AND HE LEFT A MESSAGE. 302 00:13:57,307 --> 00:14:00,140 (crying) AND HE SOUNDED UPSET. 303 00:14:00,140 --> 00:14:03,313 (Alan) BUT WE NEVER FOUND OUT WHY. 304 00:14:05,175 --> 00:14:06,476 (Esposito) TOUGH ONE? 305 00:14:06,476 --> 00:14:08,348 YEAH. THEY'RE ALL TOUGH. 306 00:14:08,348 --> 00:14:09,849 SO YOU GOT ANYTHING? 307 00:14:09,849 --> 00:14:11,851 YEAH, VIXEN'S ALIBI CHECKED OUT. 308 00:14:11,851 --> 00:14:13,853 WE'VE BEEN TALKING TO CROW'S COVEN FRIENDS 309 00:14:13,853 --> 00:14:15,855 AND SEARCHING THROUGH VAMPIRE WEB SITES. 310 00:14:15,855 --> 00:14:17,357 SO FAR, NO DAEMON. 311 00:14:17,357 --> 00:14:18,858 WHAT ABOUT LOCKERBY? 312 00:14:18,858 --> 00:14:21,331 MORGAN LOCKERBY-- PSYCHIATRIC DISORDER, 313 00:14:21,331 --> 00:14:23,333 35, COMMITTED BY THE STATE. 314 00:14:23,333 --> 00:14:24,864 THAT'S THE GOOD NEWS. 315 00:14:24,864 --> 00:14:27,367 BAD NEWS IS, HE ESCAPED A FEW YEARS BACK. 316 00:14:27,367 --> 00:14:30,270 NOBODY'S SEEN HIM SINCE. GOT AN ADDRESS ON FILE? 317 00:14:30,270 --> 00:14:33,103 NO. HE'S COMPLETELY OFF GRID. 318 00:14:33,103 --> 00:14:35,045 WHAT'S YOUR SHADOW DOING? 319 00:14:35,045 --> 00:14:37,007 I DON'T KNOW. LAST TIME I SAW HIM, 320 00:14:37,007 --> 00:14:40,210 HE WAS SIFTING THROUGH EVIDENCE FROM CROW'S APARTMENT. HMM. SO ARE YOU GOING? 321 00:14:40,210 --> 00:14:42,552 TO WHAT? HIS HALLOWEEN PARTY. 322 00:14:42,552 --> 00:14:46,386 I DON'T KNOW. HE THROWS A LOT OF PARTIES. YOU? 323 00:14:46,386 --> 00:14:49,389 ARE YOU KIDDING? I'M ALL OVER THAT. HMM. WHAT ARE YOU GONNA WEAR? 324 00:14:49,389 --> 00:14:51,091 YOU WANT TO KNOW? 325 00:14:51,091 --> 00:14:53,994 YOU GOTTA SHOW... TO SEE WHAT I GOT GOING ON. 326 00:14:58,368 --> 00:15:00,370 HOT ON THE CASE, CASTLE? 327 00:15:00,370 --> 00:15:03,974 ON THE CASE OF A GOOD READ. IT'S ACTUALLY NOT BAD. 328 00:15:03,974 --> 00:15:07,607 ESPOSITO FOUND MORGAN LOCKERBY. 329 00:15:07,607 --> 00:15:09,509 YOU MEAN... 330 00:15:09,509 --> 00:15:11,181 MORLOCK. 331 00:15:13,613 --> 00:15:16,416 VIXEN WAS RIGHT. 332 00:15:16,416 --> 00:15:19,289 YOU SMELL LIKE CHERRIES. 333 00:15:19,289 --> 00:15:22,092 HEY, WE GOT A HIT ON THE... 334 00:15:22,092 --> 00:15:24,494 ARE WE INTERRUPTING SOMETHING? 335 00:15:24,494 --> 00:15:26,596 YES. NO. 336 00:15:26,596 --> 00:15:29,559 OKAY. 337 00:15:29,559 --> 00:15:32,432 WH-WHAT'D YOU GET A HIT ON? (clears throat) 338 00:15:32,432 --> 00:15:36,136 THE, UH, PRINTS FROM THE STAKE IN CROW'S HEART. 339 00:15:36,136 --> 00:15:38,508 YOUR GIRL VIXEN WAS RIGHT. MORGAN LOCKERBY. 340 00:15:38,508 --> 00:15:41,541 ONLY THING IS, HE'S ONE OF THE GREAT UNFINDABLES. 341 00:15:41,541 --> 00:15:44,244 NO ADDRESS, NO PHONE NUMBER, NO TRAIL. 342 00:15:44,244 --> 00:15:46,016 MAYBE NOT. HERE. 343 00:15:46,016 --> 00:15:48,648 RECOGNIZE THAT CORNER? 344 00:15:48,648 --> 00:15:51,181 THAT'S BROOME AND CLINTON, LOWER EAST SIDE. 345 00:15:51,181 --> 00:15:54,684 I THINK CROW MAY HAVE DRAWN US A ROAD MAP TO MORLOCK. 346 00:16:14,504 --> 00:16:16,406 (whispers) IT'S THAT WAY. 347 00:16:23,653 --> 00:16:28,218 YOU GOTTA BE KIDDING ME. 348 00:16:28,218 --> 00:16:30,220 (Ryan) YOU THINK HE'S IN THERE? 349 00:16:30,220 --> 00:16:31,521 (Esposito) IT IS DAYTIME. 350 00:16:31,521 --> 00:16:34,464 IF HE THINKS HE'S A VAMPIRE, THAT'S WHERE HE'D BE. 351 00:16:38,368 --> 00:16:40,030 I'LL COVER YOU. 352 00:16:40,030 --> 00:16:41,631 TOGETHER? 353 00:16:41,631 --> 00:16:44,074 ALL RIGHT. ON THREE. 354 00:16:44,074 --> 00:16:45,435 OKAY. 355 00:16:45,435 --> 00:16:48,278 ONE... ONE... 356 00:16:48,278 --> 00:16:50,040 TWO... TWO... 357 00:16:50,040 --> 00:16:52,412 THREE. THREE. 358 00:16:52,412 --> 00:16:54,514 IT'S EMPTY. (laughs) 359 00:16:54,514 --> 00:16:57,487 (Ryan) YOU SEE HIM JUMP? (laughs) REAL MACHO, CASTLE. 360 00:16:57,487 --> 00:16:59,049 (laughs) 361 00:16:59,049 --> 00:17:01,421 HEY! HEY, HEY, HEY, HEY! 362 00:17:01,421 --> 00:17:03,653 GET HIM OFF! GET HIM OFF! 363 00:17:03,653 --> 00:17:05,425 GET HIM OFF ME! 364 00:17:05,425 --> 00:17:07,097 GET HIM OFF OF HIM. 365 00:17:07,097 --> 00:17:08,728 AAH! HE BIT ME. 366 00:17:08,728 --> 00:17:10,800 LOOK! HE IS A VAMPIRE. 367 00:17:10,800 --> 00:17:14,634 (groaning) 368 00:17:21,171 --> 00:17:24,674 (muttering) 369 00:17:24,674 --> 00:17:26,676 HE'S NOT A VAMPIRE. 370 00:17:26,676 --> 00:17:28,678 BUT HIS SKIN BURNED WHEN THE LIGHT HIT HIM. 371 00:17:28,678 --> 00:17:31,751 HE HAS PORPHYRIA. SOME PEOPLE CALL IT THE VAMPIRE DISEASE. 372 00:17:31,751 --> 00:17:35,485 ITS SYMPTOMS INCLUDE EXTREME PHOTOSENSITIVITY. (muttering continues) 373 00:17:35,485 --> 00:17:38,158 THE SKIN BLISTERS WHEN IT'S EXPOSED TO THE SUN. 374 00:17:38,158 --> 00:17:41,561 VICTIMS ARE PRONE TO HALLUCINATIONS, PARANOIA. 375 00:17:41,561 --> 00:17:43,533 THAT EXPLAINS HIS PSYCH DIAGNOSIS. 376 00:17:43,533 --> 00:17:45,495 EXACTLY HOW CONTAGIOUS IS IT? 377 00:17:45,495 --> 00:17:47,066 IT'S A GENETIC DISEASE. 378 00:17:47,066 --> 00:17:49,739 BESIDES, I PUT ENOUGH ANTIBIOTICS ON THAT BITE 379 00:17:49,739 --> 00:17:52,142 TO KILL A SMALL ANIMAL. 380 00:17:52,142 --> 00:17:54,644 NOW IF WE'RE DONE HERE, I GOTTA HEAD BACK TO THE SLAB 381 00:17:54,644 --> 00:17:57,807 AND SEE A MAN ABOUT A CORPSE. THANK YOU, DR. PARISH. CASTLE WAS TOTALLY FREAKED OUT. 382 00:17:57,807 --> 00:18:00,850 YOU WANT TO BITE ME? YOU BUY ME DINNER. 383 00:18:00,850 --> 00:18:04,584 (Morgan muttering) 384 00:18:08,758 --> 00:18:12,462 (muttering continues) 385 00:18:14,564 --> 00:18:16,666 MR. LOCKERBY. (mutters) 386 00:18:22,402 --> 00:18:24,634 (muttering) 387 00:18:24,634 --> 00:18:27,607 MORLOCK, DO YOU KNOW SOMEBODY NAMED CROW? 388 00:18:27,607 --> 00:18:29,609 HEARTLESS BITCH! 389 00:18:29,609 --> 00:18:31,781 SPOTS ALL OVER. 390 00:18:31,781 --> 00:18:33,883 S-SPOTS ALL OVER. 391 00:18:33,883 --> 00:18:36,886 WERE YOU IN THE CEMETERY WITH CROW? BLOOD ALL OVER! 392 00:18:36,886 --> 00:18:38,648 BLOOD ALL OVER. 393 00:18:38,648 --> 00:18:40,590 THERE'S BEEN A MURDER, MR. LOCKERBY. 394 00:18:40,590 --> 00:18:42,592 DO YOU UNDERSTAND THAT? 395 00:18:42,592 --> 00:18:44,854 (mutters) WERE YOU IN THE CEMETERY WITH CROW? 396 00:18:44,854 --> 00:18:47,857 WE FOUND A WOODEN STAKE WITH YOUR FINGERPRINTS ALL OVER IT. 397 00:18:47,857 --> 00:18:50,560 AH! THE CAT CREEPS IN TO KILL THE BIRD. 398 00:18:50,560 --> 00:18:52,562 I SHOULD'VE BURIED YOU THEN, WICKED BOY. 399 00:18:52,562 --> 00:18:54,804 I SHOULD'VE BURIED YOU THEN. 400 00:18:54,804 --> 00:18:57,867 CAN--I DIDN'T SEE. I DIDN'T SEE. I DIDN'T SEE. 401 00:18:57,867 --> 00:19:00,139 I DON'T WANT TO TELL THE PUBLIC DEFENDER 402 00:19:00,139 --> 00:19:01,911 HOW TO DO HER JOB, BUT I'M GONNA SAY 403 00:19:01,911 --> 00:19:03,913 THAT THE INSANITY PLEA MIGHT BE APPROPRIATE. 404 00:19:03,913 --> 00:19:06,616 MAYBE THE STATE PSYCHIATRIST CAN HELP US MAKE SENSE 405 00:19:06,616 --> 00:19:09,479 OUT OF MORLOCK'S RANTINGS BEFORE THEY TAKE HIM AWAY. (telephone rings) 406 00:19:09,479 --> 00:19:11,921 BECKETT. 407 00:19:11,921 --> 00:19:13,623 OKAY. 408 00:19:13,623 --> 00:19:15,655 THANKS. THAT WAS THE LAB. 409 00:19:15,655 --> 00:19:18,157 THEY WERE CALLING ME TO TELL ME 410 00:19:18,157 --> 00:19:20,690 THAT THE SMUDGE ON THE STAKE WAS INDIA INK. 411 00:19:20,690 --> 00:19:22,692 MORLOCK MUST HAVE GOTTEN SOME ON HIS HANDS 412 00:19:22,692 --> 00:19:25,695 GOING THROUGH A DUMPSTER. INDIA INK? 413 00:19:25,695 --> 00:19:28,838 YEAH. WHY? INDIA INK, OR CHINESE INK, 414 00:19:28,838 --> 00:19:31,641 HAS BEEN USED SINCE 4th CENTURY B.C. 415 00:19:31,641 --> 00:19:33,743 WHEN IT WAS CALLED MASI. 416 00:19:33,743 --> 00:19:36,646 IT'S WATER-RESISTANT, SO IT WON'T SMUDGE WHEN COLORED OVER. 417 00:19:36,646 --> 00:19:39,349 IT'S ALSO THE INK USED BY LETTERERS IN COMIC BOOKS. 418 00:19:39,349 --> 00:19:42,352 SO IF CROW WAS THE ILLUSTRATOR... THEN CROW'S FRIEND DAEMON WAS THE LETTERER. 419 00:19:42,352 --> 00:19:46,256 BUT WHAT WOULD THE INK BE DOING ON THE STAKE? WHAT INDEED. 420 00:19:46,256 --> 00:19:48,688 YOU GUYS, WHERE ARE WE ON THE FRIEND? WE'RE WORKING ON IT. 421 00:19:48,688 --> 00:19:51,721 YEAH? WELL, COULD YOU WORK A LITTLE FASTER? HEY, CASTLE, YOU WANNA HELP? 422 00:19:51,721 --> 00:19:53,693 I WOULD LOVE TO, 423 00:19:53,693 --> 00:19:57,627 BUT I HAVE GOT BIGGER PUMPKINS TO CARVE. 424 00:19:57,627 --> 00:20:00,970 (man) ♪ IT WAS HALLOWEEN NIGHT AT THE CASTLE HALL ♪ 425 00:20:00,970 --> 00:20:04,404 ♪ AND EVERYBODY CAME TO THE MONSTER'S BALL ♪ 426 00:20:04,404 --> 00:20:06,436 (tool whirring) 427 00:20:06,436 --> 00:20:08,978 HOW'S YOUR NOSFERATU COMING? 428 00:20:08,978 --> 00:20:10,980 THE KEY TO A GOOD JACK-O'-LANTERN 429 00:20:10,980 --> 00:20:13,583 IS UNDERSTANDING NEGATIVE SPACE. 430 00:20:13,583 --> 00:20:16,486 IT'S NOT WHAT'S THERE. IT'S WHAT'S NOT THERE. 431 00:20:16,486 --> 00:20:18,948 AH, I HAVE TAUGHT YOU WELL, GRASSHOPPER. 432 00:20:18,948 --> 00:20:21,691 OH. WHAT ARE MY TWO PUMPKIN MASTERS CARVING 433 00:20:21,691 --> 00:20:23,553 FOR THIS YEAR'S PARTY? 434 00:20:23,553 --> 00:20:25,555 I AM CARVING THE TRADITIONAL JACK-O'-LANTERN-- 435 00:20:25,555 --> 00:20:27,797 MR. SCARY PUMPKIN FACE. 436 00:20:27,797 --> 00:20:30,400 AW. 437 00:20:30,400 --> 00:20:33,002 AND I AM CARVING MAX SCHRECK IN HIS ROLE AS COUNT ORLOK. 438 00:20:33,002 --> 00:20:36,866 DAD'S A LITTLE VAMPIRE OBSESSED BECAUSE OF HIS CASE. MM-HMM. 439 00:20:36,866 --> 00:20:40,340 OR MAYBE IT'S BECAUSE OF THE BITE. 440 00:20:40,340 --> 00:20:42,342 I SWEAR, YOU HAVE MISSED YOUR CALLING. 441 00:20:42,342 --> 00:20:44,774 I DON'T EVEN KNOW WHY YOU BOTHER TO WRITE. 442 00:20:44,774 --> 00:20:47,747 HEY, YOU WANT TO CARVE WITH US? OH, CAN'T. I'M OFF TO A MASQUERADE BALL. 443 00:20:47,747 --> 00:20:50,350 PERHAPS I'LL MEET MY GATSBY. 444 00:20:50,350 --> 00:20:52,752 OH. OH! MOTHER, I'M IMPRESSED. 445 00:20:52,752 --> 00:20:55,655 YOU STILL FIT INTO YOUR PROM DRESS. OH, THANK YOU, DARLING. 446 00:20:55,655 --> 00:20:59,789 (lowered voice) HAVE YOU ASKED HIM YET? (lowered voice) I WAS WAITING FOR THE RIGHT MOMENT. 447 00:20:59,789 --> 00:21:01,561 OH. (lowered voice) ASKED ME WHAT? 448 00:21:01,561 --> 00:21:04,464 (normal voice) PAIGE AND I GOT INVITED TO A PARTY TOMORROW-- 449 00:21:04,464 --> 00:21:07,497 THE NIGHT BEFORE HALLOWEEN-- BY SENIORS. BY YOUR GRANDMOTHER'S FRIENDS? 450 00:21:07,497 --> 00:21:10,770 NO, DAD. TWELFTH GRADERS. BUT IT'LL BE SUPERVISED. 451 00:21:10,770 --> 00:21:13,743 (sighs) THIS IS ONE OF THOSE CROSSROADS MOMENTS, ISN'T IT? 452 00:21:13,743 --> 00:21:15,044 OH, LET HER GO. 453 00:21:15,044 --> 00:21:18,047 SHE'S FAR MORE RESPONSIBLE THAN YOU EVER WERE. 454 00:21:18,047 --> 00:21:19,809 YES, YOU CAN GO. 455 00:21:19,809 --> 00:21:22,582 BUT IF ANYTHING HAPPENS THAT MAKES YOU FEEL UNCOMFORTABLE, 456 00:21:22,582 --> 00:21:26,456 ANYTHING AT ALL, YOU CALL ME. I DON'T CARE WHAT IT IS. 457 00:21:26,456 --> 00:21:28,618 AND THERE'LL BE NO PUNISHMENTS, NO RECRIMINATIONS, 458 00:21:28,618 --> 00:21:31,321 NOTHING, I PROMISE, JUST SO LONG AS YOU CALL. OKAY. 459 00:21:31,321 --> 00:21:33,993 YEAH, YEAH, I WILL, I PROMISE. BUT NOTHING'S GONNA HAPPEN. 460 00:21:33,993 --> 00:21:36,326 BUT THERE'S ONE MORE THING, THOUGH. YES. 461 00:21:36,326 --> 00:21:38,468 WILL YOU WATCH FEGGIN? WHY, IS HE GONNA HATCH? 462 00:21:38,468 --> 00:21:40,930 NO. OUR HEALTH TEACHER SAYS WE CAN'T LEAVE HIM ALONE. 463 00:21:40,930 --> 00:21:43,433 THAT'S CONSIDERED EGG ABUSE. 464 00:21:43,433 --> 00:21:45,835 AND SINCE PAIGE AND I ARE CO-PARENTING, 465 00:21:45,835 --> 00:21:47,777 AND WE'RE BOTH GOING TO THE PARTY 466 00:21:47,777 --> 00:21:51,511 AND HER PARENTS ARE GOING OUT, WE NEED A SITTER. OH, NO. SORRY. UH, PLANS. 467 00:21:51,511 --> 00:21:53,813 YEAH, OKAY. SURE. I'LL WATCH YOUR LITTLE EGG CHILD. 468 00:21:53,813 --> 00:21:57,787 BUT I WANT YOU TO KNOW, I'M FAR TOO YOUNG TO BE A GRANDPARENT. 469 00:21:57,787 --> 00:22:00,520 AND IF, UH, ANY OF THOSE SENIOR BOYS BOTHER YOU... 470 00:22:00,520 --> 00:22:02,822 (imitates Norman Bates) FATHER WON'T BE QUITE HIMSELF. 471 00:22:02,822 --> 00:22:04,824 (tool whirring) 472 00:22:04,824 --> 00:22:08,828 (laughs evilly) 473 00:22:10,930 --> 00:22:13,563 (coughs) (Beckett) HE MUMBLES, 474 00:22:13,563 --> 00:22:15,565 HE SHOUTS, HE THROWS HIMSELF AGAINST THE BARS, 475 00:22:15,565 --> 00:22:17,567 BUT THERE'S JUST SOMETHING ABOUT IT. 476 00:22:17,567 --> 00:22:19,739 ALTHOUGH SOMEONE LIKE MR. LOCKERBY 477 00:22:19,739 --> 00:22:22,742 WILL PRESENT AS COMPLETELY NON COMPOS MENTIS... MM-HMM. 478 00:22:22,742 --> 00:22:25,515 HE COULD STILL HAVE MOMENTS OF LUCIDITY. 479 00:22:25,515 --> 00:22:27,517 THE DIFFICULTY 480 00:22:27,517 --> 00:22:30,349 IS SEPARATING THE FANTASY FROM THE REALITY. 481 00:22:30,349 --> 00:22:32,121 WELL, THESE WERE DRAWN BY OUR VICTIM. 482 00:22:32,121 --> 00:22:34,123 I WAS WONDERING IF THEY SUGGESTED ANYTHING 483 00:22:34,123 --> 00:22:37,086 ABOUT HIS RELATIONSHIP WITH MR. LOCKERBY. 484 00:22:40,129 --> 00:22:43,032 I'D HAVE TO STUDY THEM MORE TO GIVE YOU A DIAGNOSIS, 485 00:22:43,032 --> 00:22:45,395 BUT THESE ARE MORE ABOUT THE WOMAN IN THE DRAWINGS 486 00:22:45,395 --> 00:22:47,437 THAN LOCKERBY. WHAT DO YOU MEAN? 487 00:22:47,437 --> 00:22:49,539 HE DRAWS HER AS AN ANGEL, 488 00:22:49,539 --> 00:22:51,841 BUT ALWAYS IN THE CONTEXT OF AN ACT OF VIOLENCE. 489 00:22:51,841 --> 00:22:55,074 HONESTLY? IT LOOKS TO ME LIKE THE WORK OF SOMEONE 490 00:22:55,074 --> 00:22:58,708 WHO WAS ONCE TRAUMATIZED. UH, CHILDHOOD TRAUMA. WHAT'D I TELL YOU? 491 00:22:58,708 --> 00:23:00,850 DOC HOLLOWAY, THIS IS RICHARD CASTLE. 492 00:23:00,850 --> 00:23:03,583 DR. HOLLOWAY. SAY HELLO TO THE NICE PSYCHIATRIST, FEGGIN. 493 00:23:03,583 --> 00:23:04,884 HELLO. 494 00:23:06,816 --> 00:23:09,058 I WILL ARRANGE FOR SOMEONE 495 00:23:09,058 --> 00:23:11,991 FROM SOCIAL SERVICES TO COME GET MR. LOCKERBY. 496 00:23:11,991 --> 00:23:15,495 AND IF YOU WANT, I CAN HAVE SOMEONE GET HIM, TOO. (whispers) YES, PLEASE. 497 00:23:15,495 --> 00:23:17,497 (normal voice) ARE YOU GONNA EAT THAT? 498 00:23:17,497 --> 00:23:19,999 EAT MY OWN GRANDCHILD? WHAT AM I, A MONSTER? 499 00:23:19,999 --> 00:23:22,001 MAYBE THAT BITE WAS CATCHING. 500 00:23:22,001 --> 00:23:24,003 IT'S A SCHOOL HEALTH SCIENCES PROJECT-- 501 00:23:24,003 --> 00:23:26,105 HELPING DE-ROMANTICIZE HAVING A FAMILY 502 00:23:26,105 --> 00:23:28,738 BEFORE YOU'RE READY TO TAKE RESPONSIBILITY. MM. 503 00:23:28,738 --> 00:23:31,140 ALEXIS AND PAIGE ARE GOING TO 504 00:23:31,140 --> 00:23:33,913 THEIR FIRST SENIOR PARTY TONIGHT, SO I'M BABYSITTING. 505 00:23:33,913 --> 00:23:35,745 EGG-SITTING. SENIOR PARTY, HUH? 506 00:23:35,745 --> 00:23:37,817 WHAT? 507 00:23:37,817 --> 00:23:40,119 (telephone rings) 508 00:23:40,119 --> 00:23:42,421 BECKETT. (mouths word) 509 00:23:42,421 --> 00:23:44,854 We showed Crow's picture around the neighborhood. 510 00:23:44,854 --> 00:23:46,856 WE GOT A LEAD ON HIS FRIEND DAEMON. 511 00:23:46,856 --> 00:23:49,529 YOU'RE NOT GONNA BELIEVE THIS. THE GUY IS DEAD. 512 00:23:49,529 --> 00:23:51,901 Shot right through the heart, and his place has been tossed. 513 00:23:51,901 --> 00:23:55,735 OH... AND, UH... 514 00:23:55,735 --> 00:23:58,568 HE'S A WEREWOLF. 515 00:24:07,116 --> 00:24:09,448 SILVER BULLET? 516 00:24:09,448 --> 00:24:12,922 NO, 9 MILLIMETER. THEN I GUESS HE'S NOT A REAL WEREWOLF. 517 00:24:12,922 --> 00:24:16,085 NICE. THE HAIRS ON HIS FACE AND HANDS ARE SYNTHETIC, 518 00:24:16,085 --> 00:24:18,187 ATTACHED WITH SPIRIT GUM. 519 00:24:18,187 --> 00:24:21,891 IT'S A HALLOWEEN COSTUME. ACCORDING TO HIS DRIVER'S LICENSE, 520 00:24:21,891 --> 00:24:24,494 DAEMON'S REAL NAME WAS JONAS WESTFALL. 521 00:24:24,494 --> 00:24:26,596 HE'S A GRADUATE STUDENT-- N.Y.U.-- 522 00:24:26,596 --> 00:24:28,538 IN FORENSIC ANTHROPOLOGY. 523 00:24:28,538 --> 00:24:30,870 THEN THAT EXPLAINS THE BONES. 524 00:24:30,870 --> 00:24:32,872 CASTLE, DON'T TOUCH. I KNOW. 525 00:24:32,872 --> 00:24:35,074 (Ryan) CANVASSED THE BUILDING. 526 00:24:35,074 --> 00:24:37,847 NEIGHBOR REMEMBERS HEARING SOMETHING THE OTHER DAY, 527 00:24:37,847 --> 00:24:40,049 BUT THOUGHT IT WAS A CAR BACKFIRING. THE OTHER DAY? 528 00:24:40,049 --> 00:24:42,111 BASED ON DETERIORATION AND LIVIDITY 529 00:24:42,111 --> 00:24:44,113 AND THE SMELL OF THAT OLD THAI FOOD, 530 00:24:44,113 --> 00:24:47,186 WOLF BOY WAS KILLED THE SAME DAY AS OUR VAMPIRE. 531 00:24:47,186 --> 00:24:49,158 I'D SAY A COUPLE OF HOURS BEFORE. 532 00:24:49,158 --> 00:24:51,160 RYAN, TRACK DOWN THE DELIVERY GUY. 533 00:24:51,160 --> 00:24:53,563 FIND OUT WHEN THIS WAS DELIVERED 534 00:24:53,563 --> 00:24:56,165 AND WHETHER ANYONE ELSE WAS UP HERE WHEN HE BROUGHT IT. 535 00:24:56,165 --> 00:24:58,728 "COME AS YOUR ALTER EGO"? 536 00:24:58,728 --> 00:25:02,001 "OCTOBER 27th AT 7:00 P.M." OUR GUY WAS GOING TO THIS PARTY. 537 00:25:02,001 --> 00:25:04,634 SAME DAY THAT CROW WAS KILLED. 538 00:25:04,634 --> 00:25:06,876 (Lanie) I ASSUME THERE'S A CONNECTION. (Castle) HEY. 539 00:25:06,876 --> 00:25:08,237 INDIA INK, 540 00:25:08,237 --> 00:25:11,210 WHICH MEANS CROW'S KILLER WAS IN THE APARTMENT, TOO. 541 00:25:11,210 --> 00:25:13,783 (Beckett) BUT WHAT WERE THEY LOOKING FOR? 542 00:25:16,546 --> 00:25:18,217 CASTLE. 543 00:25:20,049 --> 00:25:21,751 MORLOCK? 544 00:25:21,751 --> 00:25:24,694 HE COMES HERE, SHOOTS DAEMON, GRABS A STAKE 545 00:25:24,694 --> 00:25:27,997 GOES OFF AND KILLS CROW. AND IN THE STRUGGLE, THE INK BOTTLE IS BROKEN. 546 00:25:27,997 --> 00:25:32,231 WASN'T MORLOCK. THIS VICTIM WAS KILLED DURING THE DAY. 547 00:25:32,231 --> 00:25:35,134 MORLOCK HAD PORPHYRIA. HE WOULD'VE BURNT TO A CRISP. 548 00:25:35,134 --> 00:25:38,638 SO IF HE DIDN'T KILL OUR WEREWOLF... THEN CHANCES ARE HE DIDN'T KILL OUR VAMPIRE. 549 00:25:38,638 --> 00:25:42,041 WELL, THEN HOW DID THE PRINTS GET ON THE STAKE? MAYBE HE WAS TRYING TO HELP HIM. 550 00:25:42,041 --> 00:25:44,674 MAYBE HE WAS TRYING TO SAVE HIS FRIEND. 551 00:25:44,674 --> 00:25:47,246 ARE YOU SURE ABOUT THE TIME OF DEATH? 552 00:25:47,246 --> 00:25:50,319 HIS WATCH BROKE WHEN HE FELL. IT SAYS 4:00, OCTOBER 27th. 553 00:25:50,319 --> 00:25:52,652 WELL, THEN IF IT WASN'T MORLOCK, WHO WAS IT? 554 00:25:52,652 --> 00:25:55,124 AND WHAT WERE THEY LOOKING FOR? 555 00:25:55,124 --> 00:25:57,827 UH... I DON'T KNOW WHAT THEY WERE LOOKING FOR, 556 00:25:57,827 --> 00:26:00,830 BUT I THINK I KNOW WHAT OUR VIC WAS HIDING. 557 00:26:08,598 --> 00:26:11,100 SO JONAS WESTFALL, A.K.A. DAEMON, 558 00:26:11,100 --> 00:26:13,803 WAS INCHES AWAY FROM GETTING HIS MASTER'S 559 00:26:13,803 --> 00:26:16,075 IN FORENSIC SCIENCE FROM N.Y.U. 560 00:26:16,075 --> 00:26:18,207 THIS ALL LOOKS LIKE PART OF HIS RESEARCH. 561 00:26:18,207 --> 00:26:20,209 I WENT THROUGH A BONE COLLECTING PHASE 562 00:26:20,209 --> 00:26:22,682 WHEN I WAS A KID. 563 00:26:22,682 --> 00:26:25,214 SO WHATEVER HAPPENED TO YOU HAPPENED WHEN YOU WERE YOUNG. 564 00:26:25,214 --> 00:26:28,217 WHAT WAS IT, CASTLE? DID YOU WITNESS A MURDER? 565 00:26:28,217 --> 00:26:30,920 OR DID YOU SKIN YOUR KNEE AND IT BLED? 566 00:26:30,920 --> 00:26:32,221 HMM. SPEAKING OF TRAUMA, 567 00:26:32,221 --> 00:26:35,224 I WONDER HOW LATE ALEXIS IS GONNA BE AT HER PARTY. 568 00:26:35,224 --> 00:26:37,226 POOR FEGGIN IS SUFFERING FROM SEPARATION ISSUES. 569 00:26:37,226 --> 00:26:39,769 COME ON, CASTLE. YOU KNOW MINE. TIT FOR TAT. 570 00:26:39,769 --> 00:26:41,771 JUST BECAUSE I'VE SEEN YOUR TAT 571 00:26:41,771 --> 00:26:44,103 DOESN'T MEAN I'M GONNA SHOW YOU MY... 572 00:26:44,103 --> 00:26:47,276 CHECK THIS OUT. UH, DATED TWO YEARS AGO-- 573 00:26:47,276 --> 00:26:49,879 "A MURDERED WOMAN WAS UNEARTHED IN THE PENNSYLVANIA WOODS 574 00:26:49,879 --> 00:26:51,911 "ABOVE LEHIGH RIVER LATE SUNDAY NIGHT. 575 00:26:51,911 --> 00:26:53,312 "INVESTIGATORS SAY 576 00:26:53,312 --> 00:26:56,615 SHE'D BEEN BURIED IN THE SHALLOW GRAVE FOR YEARS." AND? 577 00:26:56,615 --> 00:26:58,387 "BASED ON THE REMAINS, INVESTIGATORS HAVE ATTEMPTED 578 00:26:58,387 --> 00:27:00,950 A FORENSIC RECONSTRUCTION OF THE MURDERED WOMAN'S FACE." 579 00:27:00,950 --> 00:27:03,122 THAT'S THE WOMAN FROM CROW'S DRAWINGS. 580 00:27:03,122 --> 00:27:05,154 YET IN THE GRAPHIC NOVEL, 581 00:27:05,154 --> 00:27:08,297 SHE CONSISTENTLY APPEARS AS THE ANGEL OF DEATH. 582 00:27:08,297 --> 00:27:10,800 OKAY, SO CROW BECAME OBSESSED WITH DAEMON'S CASE STUDY. 583 00:27:10,800 --> 00:27:13,302 WHY WOULD THEY GO TO THIS MUCH TROUBLE TO HIDE IT? 584 00:27:13,302 --> 00:27:16,135 WHY WOULD SOMEONE KILL TO FIND IT? 585 00:27:16,135 --> 00:27:18,337 CASTLE. 586 00:27:18,337 --> 00:27:20,209 HMM? 587 00:27:20,209 --> 00:27:22,842 THESE SKETCHES WERE DRAWN FOUR YEARS AGO. 588 00:27:22,842 --> 00:27:24,143 NO, NO, THAT'S IMPOSSIBLE. 589 00:27:24,143 --> 00:27:26,415 THIS BODY WASN'T DISCOVERED UNTIL TWO YEARS AGO. 590 00:27:26,415 --> 00:27:28,347 SO EITHER CROW IS PSYCHIC OR... 591 00:27:28,347 --> 00:27:31,180 OR HE KNEW THIS WOMAN BEFORE SHE DIED. 592 00:27:31,180 --> 00:27:35,154 (cell phone rings and beeps) HEY, ALEXIS. HOW YOU DOING? EVERYTHING OKAY? 593 00:27:35,154 --> 00:27:36,786 NO, DAD. IT'S PAIGE. 594 00:27:36,786 --> 00:27:39,288 I THINK THE PUNCH IS SPIKED, AND SHE HAD TOO MUCH TO DRINK. 595 00:27:39,288 --> 00:27:42,431 I'M AFRAID SOMETHING'S GONNA HAPPEN TO HER. I'M ON MY WAY. 596 00:27:47,136 --> 00:27:49,268 OH, MY GOD. IS SHE ALL RIGHT? 597 00:27:49,268 --> 00:27:51,941 I DON'T KNOW. SHE WAS SWAPPING DRINKS FOR KISSES, 598 00:27:51,941 --> 00:27:54,944 AND I TRIED TO PULL HER AWAY, BUT SHE WOULDN'T LET ME. 599 00:27:54,944 --> 00:27:58,207 WOULD YOU GET ME A GLASS OF WATER? (Paige, slurring words) LEAVE ME ALONE, 'LEXIS. 600 00:27:58,207 --> 00:28:00,679 PAIGE. NOW YOU'RE SURE SHE HASN'T BEEN THROWING UP OR UNCONSCIOUS? 601 00:28:00,679 --> 00:28:03,082 NO, JUST FALLING DOWN. ALL RIGHT. CALL HER PARENTS. 602 00:28:03,082 --> 00:28:06,355 (slurring) DON'T DO IT. OH, MY 'RENTS... 'URDER ME. 603 00:28:06,355 --> 00:28:09,919 DON' DO IT, MR. CASTLE. JUS' LET ME SLEEP OVER. 604 00:28:09,919 --> 00:28:11,690 WHAT IS SHE SAYING? IT'S JUST DRUNK TALK. 605 00:28:11,690 --> 00:28:13,793 SHE SAYS DON'T CALL HER PARENTS OR THEY'LL MURDER HER. 606 00:28:13,793 --> 00:28:16,025 JUST LET HER SLEEP OVER. DO WE HAVE TO CALL HER PARENTS? 607 00:28:16,025 --> 00:28:19,028 WE DO. GET ME THEIR NUMBER. SHE'LL GET IN SO MUCH TROUBLE. 608 00:28:19,028 --> 00:28:21,030 LESS THAN IF YOU HAD LEFT HER THERE. 609 00:28:21,030 --> 00:28:23,773 (mouths word) NOW. 610 00:28:23,773 --> 00:28:27,176 (keypad beeps) 611 00:28:27,176 --> 00:28:30,880 TRY TO GET HER TO DRINK THAT. PLEASE. 612 00:28:40,089 --> 00:28:43,923 ADORA. THAT'S WHAT HE CALLED HER. 613 00:28:43,923 --> 00:28:46,826 WE'VE SEEN HER IN MATTHEW'S ARTWORK FOR YEARS. 614 00:28:46,826 --> 00:28:49,098 DO YOU KNOW WHO SHE IS? 615 00:28:49,098 --> 00:28:52,101 NO, WE JUST ASSUMED THAT SHE WAS A FIGMENT OF HIS IMAGINATION. 616 00:28:52,101 --> 00:28:55,765 HE CALLED HER HIS OWN PERSONAL GHOST. 617 00:28:55,765 --> 00:28:58,507 HE SAID SHE APPEARED IN HIS DREAMS AND NIGHTMARES. 618 00:28:58,507 --> 00:29:01,740 WELL, SHE'S NOT A FIGMENT. 619 00:29:01,740 --> 00:29:03,242 SHE'S VERY REAL. 620 00:29:07,746 --> 00:29:10,980 ARE YOU SURE YOU DON'T RECOGNIZE HER? 621 00:29:10,980 --> 00:29:12,982 BECAUSE SHE COULD BE ANYBODY. 622 00:29:12,982 --> 00:29:15,754 SHE COULD BE A TEACHER, A NEIGHBOR. NO, I-I'M CERTAIN. 623 00:29:15,754 --> 00:29:17,756 WE'VE ONLY SEEN HER IN HIS ART. 624 00:29:17,756 --> 00:29:20,429 DO YOU KNOW IF YOUR SON EXPERIENCED ANYTHING TRAUMATIC 625 00:29:20,429 --> 00:29:22,892 WHEN HE WAS YOUNGER? WHAT DO YOU MEAN? 626 00:29:22,892 --> 00:29:24,894 I SHOWED SOME OF MATTHEW'S DRAWINGS 627 00:29:24,894 --> 00:29:28,167 TO ONE OF OUR THERAPISTS, AND HE SAID THAT IT LOOKED LIKE 628 00:29:28,167 --> 00:29:30,439 HE MIGHT HAVE WITNESSED SOMETHING DISTURBING, 629 00:29:30,439 --> 00:29:32,441 SEEN SOMETHING VERY VIOLENT. 630 00:29:32,441 --> 00:29:35,945 I-I REALLY CAN'T THINK OF ANYTHING. 631 00:29:35,945 --> 00:29:39,148 DO YOU HAVE ANY OF MATTHEW'S EARLIER DRAWINGS 632 00:29:39,148 --> 00:29:40,850 OF THIS WOMAN? 633 00:29:40,850 --> 00:29:43,552 NO. HE TOOK IT ALL WITH HIM WHEN HE LEFT. YEAH. 634 00:29:43,552 --> 00:29:45,784 UM, YOU MIGHT WANT TO CHECK THE PORTFOLIO 635 00:29:45,784 --> 00:29:48,087 WITH HIS APPLICATION FOR BARKER. 636 00:29:48,087 --> 00:29:52,091 ALL THE WORK HE CARED ABOUT, HE PUT IN THERE. THANK YOU, ROSIE. WE'LL LOOK INTO IT. 637 00:29:57,566 --> 00:29:59,128 WHAT, NO CASTLE? 638 00:29:59,128 --> 00:30:03,002 UH, NO. HE HAD A LATE NIGHT. WHAT'S UP? 639 00:30:03,002 --> 00:30:05,004 I WAS TALKING TO THE PENNSYLVANIA STATE POLICE 640 00:30:05,004 --> 00:30:07,006 ABOUT OUR VICTIM'S MYSTERY WOMAN, AND THEY SAID 641 00:30:07,006 --> 00:30:10,009 I WAS THE SECOND PERSON TO CALL IN THE LAST TWO WEEKS 642 00:30:10,009 --> 00:30:13,082 ABOUT THE WOMAN THEY FOUND IN THE WOODS. DID THEY TELL YOU WHO ELSE CALLED? 643 00:30:13,082 --> 00:30:14,884 JONAS WESTFALL. 644 00:30:14,884 --> 00:30:16,886 DAEMON. YEP, OUR WEREWOLF. 645 00:30:16,886 --> 00:30:19,018 AND THEIR FORENSICS EXPERT DETERMINED THAT 646 00:30:19,018 --> 00:30:22,021 THE WOMAN DIED 18 YEARS AGO FROM A GUNSHOT WOUND TO THE CHEST 647 00:30:22,021 --> 00:30:25,524 FROM A 9-MILLIMETER HANDGUN, SAME AS DAEMON. 648 00:30:25,524 --> 00:30:28,827 SO I THOUGHT, WHAT THE HELL? COMPARE THE BALLISTICS. 649 00:30:28,827 --> 00:30:30,900 THE BULLETS... ARE A MATCH. 650 00:30:30,900 --> 00:30:33,903 TWO MURDERS THAT MANY YEARS APART? 651 00:30:33,903 --> 00:30:35,905 ANYTHING ON THE MYSTERY WOMAN? 652 00:30:35,905 --> 00:30:38,567 MNH-MNH. STILL HAVEN'T I.D.'ed HER. 653 00:30:38,567 --> 00:30:40,569 YOU KNOW, CROW WOULD'VE BEEN 2 YEARS OLD 654 00:30:40,569 --> 00:30:42,171 WHEN THAT WOMAN WAS KILLED. 655 00:30:42,171 --> 00:30:45,174 DO YOU REMEMBER ANYTHING FROM WHEN YOU WERE THAT YOUNG? 656 00:30:45,174 --> 00:30:46,876 BECKETT. 657 00:30:46,876 --> 00:30:48,377 CROW'S PORTFOLIO? 658 00:30:48,377 --> 00:30:49,919 YEAH. 659 00:30:49,919 --> 00:30:53,222 AND THERE'S SOMETHING YOU GOTTA SEE. 660 00:30:53,222 --> 00:30:55,955 (Ryan) LOOK FAMILIAR? 661 00:31:00,930 --> 00:31:02,932 (Beckett) IT'S THE SAME TREE, 662 00:31:02,932 --> 00:31:04,994 JUST LIKE WHERE THE BODY WAS FOUND. 663 00:31:04,994 --> 00:31:07,266 YOU DON'T DRAW SOMETHING WITH THAT PRECISION FROM A DREAM. 664 00:31:07,266 --> 00:31:09,538 HE'S REMEMBERING IT. 665 00:31:09,538 --> 00:31:12,541 CROW WITNESSED THAT WOMAN'S MURDER WHEN HE WAS 2 YEARS OLD. 666 00:31:12,541 --> 00:31:14,643 HE HAD TO HAVE BEEN WITH SOMEONE--A SITTER 667 00:31:14,643 --> 00:31:17,346 OR A FAMILY MEMBER OR MAYBE EVEN THE KILLER. 668 00:31:17,346 --> 00:31:19,348 RUN A BACKGROUND CHECK ON THE FREEMANS. 669 00:31:19,348 --> 00:31:21,911 FIND OUT WHERE THEY WERE LIVING 18 YEARS AGO. YOU GOT IT. 670 00:31:23,652 --> 00:31:27,116 HEY, CASTLE. ALEXIS OKAY? 671 00:31:27,116 --> 00:31:30,289 SHE'S, UH... SHE'S A SMART KID. 672 00:31:30,289 --> 00:31:32,461 YOU TOOK CARE OF FEGGIN. 673 00:31:32,461 --> 00:31:35,894 YEAH, WELL, HE WAS... EASY. 674 00:31:35,894 --> 00:31:38,627 HE DIDN'T EVEN FUSS WHEN I PUT HIM TO BED. 675 00:31:38,627 --> 00:31:42,972 YO. READY FOR MORE TALES OF THE WEIRD AND STRANGELY ODD? 676 00:31:42,972 --> 00:31:44,633 WE LOOKED INTO THE FREEMAN FAMILY HISTORY. 677 00:31:44,633 --> 00:31:46,976 FREEMAN IS JANICE'S MAIDEN NAME. 678 00:31:46,976 --> 00:31:49,308 WHEN SHE AND ALAN GOT MARRIED, ALAN TOOK HER NAME 679 00:31:49,308 --> 00:31:51,310 AND SO DID MATTHEW. 680 00:31:51,310 --> 00:31:53,682 WELL, HE'S EITHER A FEMINIST OR HE'S HIDING SOMETHING. 681 00:31:53,682 --> 00:31:57,947 WHAT'S ALAN'S ORIGINAL LAST NAME? McGINTY. AND I THINK HE WAS HIDING SOMETHING. 682 00:31:57,947 --> 00:32:00,119 ALAN'S FIRST WIFE, ELIZABETH McGINTY, 683 00:32:00,119 --> 00:32:01,951 WENT MISSING FROM SUMMIT, NEW JERSEY, 684 00:32:01,951 --> 00:32:03,993 18 YEARS AGO. 685 00:32:03,993 --> 00:32:05,624 SHE WAS NEVER FOUND. 686 00:32:05,624 --> 00:32:07,926 ALAN LIED TO US. 687 00:32:07,926 --> 00:32:09,999 HE KNEW EXACTLY WHO HIS SON WAS DRAWING. 688 00:32:09,999 --> 00:32:12,661 HE WAS DRAWING HIS REAL MOTHER. 689 00:32:12,661 --> 00:32:15,564 AND SUMMIT'S ONLY A COUPLE OF HOURS 690 00:32:15,564 --> 00:32:17,706 FROM WHERE THE BODY WAS FOUND. ELIZABETH McGINTY, MAIDEN NAME DRYDEN. 691 00:32:17,706 --> 00:32:20,139 DRYDEN? 692 00:32:20,139 --> 00:32:21,971 ELIZABETH DRYDEN. 693 00:32:21,971 --> 00:32:24,273 WHAT? QUESTION MARK. 694 00:32:24,273 --> 00:32:26,675 REMEMBER WHAT I TOLD YOU ABOUT GRAVESTONES TELLING STORIES? 695 00:32:26,675 --> 00:32:29,678 (Beckett) CROW CAME HERE FOR A REASON. 696 00:32:29,678 --> 00:32:32,381 SO CEMETERY MANAGEMENT SAID THAT THE FAMILY 697 00:32:32,381 --> 00:32:34,383 HAD A MEMORIAL SERVICE FOR THEIR DAUGHTER 698 00:32:34,383 --> 00:32:36,986 ABOUT FIVE YEARS AFTER SHE WENT MISSING. DAEMON MUST HAVE LOOKED 699 00:32:36,986 --> 00:32:39,989 AT HUNDREDS OF RECONSTRUCTED FACES RESEARCHING HIS THESIS. 700 00:32:39,989 --> 00:32:42,731 I CAN'T IMAGINE THE SHOCK WHEN HE RECOGNIZED ONE 701 00:32:42,731 --> 00:32:45,264 AS THE WOMAN FROM CROW'S DRAWINGS. AND CROW MUST HAVE REALIZED 702 00:32:45,264 --> 00:32:47,696 HIS FAMILY HAD BEEN LYING TO HIM ALL THESE YEARS. 703 00:32:47,696 --> 00:32:50,369 (Beckett) HUH. FRESH FLOWERS ON HER GRAVE. 704 00:32:50,369 --> 00:32:52,371 CROW BROUGHT HIS FATHER HERE 705 00:32:52,371 --> 00:32:54,573 TO CONFRONT HIM WITH HIS MOTHER'S GRAVE. 706 00:33:02,981 --> 00:33:04,483 ALL OF THESE YEARS, 707 00:33:04,483 --> 00:33:06,485 YOU KNEW YOUR SON WAS DRAWING HIS MOTHER, 708 00:33:06,485 --> 00:33:09,158 AND YOU NEVER SAID ANYTHING. I WAS PROTECTING MY FAMILY. 709 00:33:09,158 --> 00:33:11,760 YOU WERE PROTECTING YOURSELF. YOU'RE A COLD-BLOODED KILLER. 710 00:33:11,760 --> 00:33:14,523 YOU KILLED YOUR WIFE, AND THEN YOU REPORTED HER MISSING, 711 00:33:14,523 --> 00:33:16,765 AND THEN 18 YEARS LATER WHEN YOUR SON FOUND OUT, 712 00:33:16,765 --> 00:33:20,199 YOU KILLED HIM AS WELL. YOU DON'T HAVE TO RESPOND TO THAT. 713 00:33:20,199 --> 00:33:23,502 NO, NO, NO, NO. SHE'S ACCUSING ME OF KILLING MY SON. 714 00:33:23,502 --> 00:33:26,575 YES, I LIED TO MATTHEW, BUT I DID IT TO PROTECT HIM. 715 00:33:26,575 --> 00:33:29,678 I THOUGHT HE WAS TOO YOUNG TO UNDERSTAND. YOU WERE A SUSPECT. 716 00:33:29,678 --> 00:33:32,281 OF COURSE I WAS A SUSPECT. I WAS HER HUSBAND. 717 00:33:32,281 --> 00:33:35,644 THERE WASN'T ANY EVIDENCE THAT TIED ME TO HER DISAPPEARANCE 718 00:33:35,644 --> 00:33:38,387 'CAUSE I HAD NOTHING TO DO WITH IT. 719 00:33:38,387 --> 00:33:42,351 WHEN JANICE AND I GOT MARRIED, IT WAS LIKE A CHANCE... 720 00:33:42,351 --> 00:33:44,653 A CHANCE AT A FRESH START. 721 00:33:44,653 --> 00:33:47,056 AND SO AS SOON AS YOU WERE LEGALLY ABLE, 722 00:33:47,056 --> 00:33:49,798 YOU MARRIED YOUR NANNY. 723 00:33:49,798 --> 00:33:52,101 JANICE WAS THERE FOR US 724 00:33:52,101 --> 00:33:55,104 DURING A VERY DARK TIME IN OUR LIVES. 725 00:33:55,104 --> 00:33:57,106 WE HAD PRESS ON THE LAWN. 726 00:33:57,106 --> 00:33:59,108 THERE WERE DAYS WITHOUT SLEEP. 727 00:33:59,108 --> 00:34:02,071 I WAS HANDING OUT FLYERS WITH LIZZY'S PICTURE ON IT. 728 00:34:02,071 --> 00:34:05,544 AND JANICE KEPT IT TOGETHER, AND SHE PROTECTED MATTHEW. 729 00:34:05,544 --> 00:34:09,248 THEN WHY WOULD YOU LIE TO US? YOU TOLD US IN FRONT OF OUR DAUGHTER. 730 00:34:09,248 --> 00:34:10,679 WHAT DID YOU WANT ME TO DO, 731 00:34:10,679 --> 00:34:13,382 TELL HER THAT EVERYTHING SHE THOUGHT WAS A LIE? 732 00:34:13,382 --> 00:34:16,555 ROSIE ADORED MATTHEW. SHE HAD JUST FOUND OUT HE DIED. 733 00:34:16,555 --> 00:34:19,288 WHAT WOULD YOU HAVE DONE? 734 00:34:19,288 --> 00:34:21,430 I WOULD'VE TOLD HER THE TRUTH. 735 00:34:24,193 --> 00:34:27,536 HE WAS 9 YEARS OLD WHEN HE FIRST DREW HER FACE. 736 00:34:29,568 --> 00:34:32,501 HE SHOWED IT TO ME. I THOUGHT I WAS SEEING A GHOST. 737 00:34:32,501 --> 00:34:35,774 I FIGURED... SHE WAS STILL SOMEWHERE IN HIS HEAD 738 00:34:35,774 --> 00:34:39,378 FROM HIS EARLY MEMORIES. 739 00:34:39,378 --> 00:34:42,381 BUT WE'D BEEN LIVING A LIE FOR SO LONG, 740 00:34:42,381 --> 00:34:44,653 IT HAD BECOME THE TRUTH. 741 00:34:44,653 --> 00:34:47,786 SO HOW COULD I POSSIBLY TELL HIM THAT JANICE WASN'T HIS MOTHER, 742 00:34:47,786 --> 00:34:50,689 THAT HIS REAL MOTHER RAN AWAY? 743 00:34:50,689 --> 00:34:53,722 ARE WE THROUGH HERE, DETECTIVE? NOT BY A LONG SHOT, LAWSON. 744 00:34:53,722 --> 00:34:55,724 THE CONNECTICUT STATE POLICE 745 00:34:55,724 --> 00:34:57,826 FOUND A 9-MILLIMETER HANDGUN IN YOUR CLIENT'S HOME, 746 00:34:57,826 --> 00:35:00,829 AND I AM JUST BETTING THAT THAT IS THE SAME GUN THAT KILLED 747 00:35:00,829 --> 00:35:02,831 ELIZABETH DRYDEN McGINTY AND JONAS WESTFALL. 748 00:35:02,831 --> 00:35:06,335 NO, I-- DON'T SAY ANYTHING, ALAN. 749 00:35:06,335 --> 00:35:09,138 OH, YEAH. AND THERE'S ALSO THIS. 750 00:35:09,138 --> 00:35:13,242 YOUR SON WITNESSED HIS MOTHER'S MURDER. 751 00:35:21,690 --> 00:35:23,522 NO. 752 00:35:23,522 --> 00:35:27,856 THAT'S NOT POSSIBLE. 753 00:35:29,628 --> 00:35:33,862 HOW... HOW IS THIS POSSIBLE? 754 00:35:33,862 --> 00:35:35,564 HERE. THANK YOU. 755 00:35:35,564 --> 00:35:37,606 AHEM. EXCUSE ME. 756 00:35:37,606 --> 00:35:40,609 UM, HOW MUCH LONGER ARE YOU PEOPLE GONNA KEEP US WAITING 757 00:35:40,609 --> 00:35:42,811 WITHOUT LETTING US KNOW WHAT IS GOING ON? 758 00:35:42,811 --> 00:35:46,315 WE ARE TRYING TO FIND THE ANSWERS, MRS. FREEMAN. 759 00:35:46,315 --> 00:35:48,577 (scoffs) 760 00:35:54,283 --> 00:35:56,585 SPOTS. WHAT? 761 00:35:56,585 --> 00:35:58,587 "SPOTS ALL OVER. BLOOD ALL OVER. 762 00:35:58,587 --> 00:36:01,460 I SHOULD'VE BURIED YOU THEN, YOU WICKED BOY." WHAT ARE YOU TALKING ABOUT? 763 00:36:01,460 --> 00:36:02,761 MORLOCK'S CRAZY TALK. 764 00:36:02,761 --> 00:36:04,763 IT'S JUST LIKE PAIGE'S DRUNK TALK. 765 00:36:04,763 --> 00:36:06,735 YOU HAVE TO TRANSLATE IT. 766 00:36:06,735 --> 00:36:09,198 IS MORLOCK STILL IN HOLDING? YEAH. 767 00:36:09,198 --> 00:36:11,670 MRS. FREEMAN, I AM SO SORRY THIS IS TAKING SO LONG. 768 00:36:11,670 --> 00:36:13,672 BUT AS LONG AS YOU HAVE TO WAIT, 769 00:36:13,672 --> 00:36:15,774 YOU MIGHT AS WELL BE COMFORTABLE. 770 00:36:15,774 --> 00:36:17,746 HAVE YOU SEEN OUR VENDING MACHINES? 771 00:36:17,746 --> 00:36:20,579 UH, STRAIGHT THROUGH HERE. RIGHT. JUST TO THE LEFT HERE. 772 00:36:20,579 --> 00:36:23,712 PERFECT. RIGHT IN THERE. EXCELLENT. STRAIGHT THROUGH. 773 00:36:23,712 --> 00:36:27,716 OH, WRONG TURN-- AAH! HEARTLESS BITCH! SPOTS MURDERED THE CROW! 774 00:36:27,716 --> 00:36:29,418 MURDERER! MURDERER! 775 00:36:29,418 --> 00:36:31,690 WHAT A SMALL WORLD. (sobs) 776 00:36:31,690 --> 00:36:34,263 (groans and whimpers) 777 00:36:34,263 --> 00:36:35,564 (Beckett) HERE YOU GO. 778 00:36:35,564 --> 00:36:37,326 THANK YOU. 779 00:36:41,930 --> 00:36:43,402 WHY? 780 00:36:43,402 --> 00:36:45,404 SHE KILLED ELIZABETH 781 00:36:45,404 --> 00:36:47,406 SO THAT SHE COULD HAVE YOU TO HERSELF. 782 00:36:47,406 --> 00:36:50,409 AND THEN SHE MURDERED MATTHEW AND HIS FRIEND DAEMON 783 00:36:50,409 --> 00:36:52,611 SO THAT YOU WOULD NEVER FIND OUT. 784 00:36:52,611 --> 00:36:54,613 MATTHEW DIDN'T KNOW WHO TO TRUST, 785 00:36:54,613 --> 00:36:56,685 SO HE ASKED DAEMON TO HIDE THE EVIDENCE, 786 00:36:56,685 --> 00:36:59,488 WHICH ENDED UP BEING SMARTER THAN HE EVER REALIZED. 787 00:36:59,488 --> 00:37:02,351 SHE KNEW THAT IT WAS ONLY A MATTER OF TIME 788 00:37:02,351 --> 00:37:04,353 BEFORE THEY FIGURED OUT THE TRUTH 789 00:37:04,353 --> 00:37:06,355 ABOUT WHAT SHE HAD DONE. 790 00:37:06,355 --> 00:37:09,458 SO SHE FOLLOWED DAEMON TO HIS APARTMENT AND SHOT HIM. 791 00:37:09,458 --> 00:37:13,231 SHE USED THE SAME GUN THAT SHE USED TO KILL YOUR FIRST WIFE. 792 00:37:13,231 --> 00:37:15,534 WHAT ABOUT MY SON? 793 00:37:15,534 --> 00:37:17,536 (clears throat) 794 00:37:17,536 --> 00:37:19,608 HE WAS ON HIS WAY TO THE CEMETERY 795 00:37:19,608 --> 00:37:24,873 TO, UH... LAY DOWN FLOWERS AT HIS MOTHER'S GRAVE. 796 00:37:24,873 --> 00:37:27,576 AND WHEN SHE SAW THE STAKES IN DAEMON'S APARTMENT, 797 00:37:27,576 --> 00:37:30,579 SHE FIGURED THAT SHE COULD LAY BLAME 798 00:37:30,579 --> 00:37:34,523 ON THE PEOPLE IN YOUR SON'S LIFE THAT YOU ALREADY HATED. 799 00:37:34,523 --> 00:37:37,556 (voice breaking) SHE RAISED HIM. 800 00:37:37,556 --> 00:37:40,859 SHE WAS LIKE HIS MOTHER. 801 00:37:43,362 --> 00:37:47,396 HE WAS A CONSTANT REMINDER OF WHAT SHE HAD DONE. 802 00:37:47,396 --> 00:37:49,538 AND WHEN HE TURNED ON HER... 803 00:37:49,538 --> 00:37:51,970 SHE WASN'T HIS MOTHER ANYMORE. 804 00:37:51,970 --> 00:37:54,973 (crying) 805 00:38:00,749 --> 00:38:02,951 DADDY! OH, SWEETIE. 806 00:38:02,951 --> 00:38:04,653 OH. 807 00:38:04,653 --> 00:38:06,284 IT'S--IT'S OKAY. 808 00:38:06,284 --> 00:38:09,287 (Rosie crying) 809 00:38:09,287 --> 00:38:11,790 IT'S GONNA BE FINE. IT'S OKAY. 810 00:38:11,790 --> 00:38:15,494 WE'RE GONNA BE FINE, SWEETHEART. EVERYTHING'S GONNA BE OKAY. 811 00:38:15,494 --> 00:38:18,597 I HOPE THIS DOESN'T DESTROY HER. IT WILL FOR A LITTLE WHILE. 812 00:38:18,597 --> 00:38:20,599 AND THEN ONE DAY, SHE'LL WAKE UP, 813 00:38:20,599 --> 00:38:22,631 AND IT'LL JUST BE A PART OF HER LIFE. 814 00:38:22,631 --> 00:38:24,773 WHO KNOWS? MAYBE SHE'LL BECOME A WRITER. 815 00:38:24,773 --> 00:38:26,775 OR A COP. 816 00:38:28,377 --> 00:38:30,379 YOU KNOW, YOU HAVEN'T TOLD ME 817 00:38:30,379 --> 00:38:33,612 WHERE YOUR FASCINATION WITH MURDER CAME FROM. 818 00:38:35,614 --> 00:38:39,518 I WAS 5 YEARS OLD. WE WERE SUMMERING IN THE HAMPTONS. 819 00:38:39,518 --> 00:38:42,791 I WAS PRETTY MUCH LEFT TO MY OWN DEVICES. 820 00:38:42,791 --> 00:38:43,952 MM-HMM. 821 00:38:43,952 --> 00:38:46,655 THIS ONE DAY, I WAS WALKING ALONG THE BEACH. 822 00:38:46,655 --> 00:38:49,628 I WAS MILES FROM WHERE I HAD STARTED. 823 00:38:49,628 --> 00:38:52,060 I WAS JUST ABOUT TO TURN BACK 824 00:38:52,060 --> 00:38:55,103 WHEN I SAW SOMETHING HAD WASHED UP ON THE BEACH. 825 00:38:55,103 --> 00:38:57,636 I THOUGHT, MAYBE IT'S A-A WHALE 826 00:38:57,636 --> 00:39:00,068 OR A TURTLE OR A SEA LION. 827 00:39:00,068 --> 00:39:02,511 SO I RAN OVER TO SEE WHAT IT WAS. 828 00:39:02,511 --> 00:39:04,042 WHAT WAS IT? 829 00:39:05,974 --> 00:39:09,618 IT WAS A BOY... MY AGE. 830 00:39:09,618 --> 00:39:12,651 IT WAS OUR HOUSEKEEPER'S SON. 831 00:39:12,651 --> 00:39:17,756 IT MUST HAVE JUST HAPPENED... 832 00:39:17,756 --> 00:39:20,459 'CAUSE THE TIDE HADN'T WASHED AWAY THE BLOOD. 833 00:39:22,090 --> 00:39:25,794 WE HAD JUST PLAYED HIDE AND GO SEEK THE DAY BEFORE. 834 00:39:25,794 --> 00:39:28,767 WHAT HAPPENED TO HIM? 835 00:39:30,699 --> 00:39:32,771 THEY NEVER FOUND OUT. 836 00:39:34,703 --> 00:39:37,576 I'M SO SORRY, CASTLE. 837 00:39:42,110 --> 00:39:44,613 YOU MADE THAT UP? 838 00:39:44,613 --> 00:39:48,717 (laughs) IT'S WHAT I DO! YOU KNOW WHAT? YOU ARE SO GETTING IT FOR THAT ONE. 839 00:39:48,717 --> 00:39:50,719 THE PARTY IS AT 9:00. 840 00:39:50,719 --> 00:39:53,792 I CANNOT WAIT TO SEE WHAT YOU'RE WEARING. 841 00:39:59,598 --> 00:40:02,601 (man) ♪ SMALL HANDS ♪ 842 00:40:02,601 --> 00:40:05,774 HEY. YOU'RE... YOU'RE NOT IN YOUR COSTUME. 843 00:40:05,774 --> 00:40:07,776 (voice breaking) I'M GONNA STAY UPSTAIRS. 844 00:40:07,776 --> 00:40:10,509 NOT REALLY IN A PARTY MOOD. 845 00:40:10,509 --> 00:40:12,911 ♪ SUCH A THING IS FOREVER ♪ 846 00:40:12,911 --> 00:40:14,543 WHAT'S WRONG? 847 00:40:14,543 --> 00:40:16,615 ♪♪ 848 00:40:16,615 --> 00:40:18,617 PAIGE WAS SO ANGRY WITH ME, 849 00:40:18,617 --> 00:40:20,619 SHE SABOTAGED OUR SCIENCE PROJECT. 850 00:40:20,619 --> 00:40:23,191 SHE KILLED FEGGIN. 851 00:40:23,191 --> 00:40:26,194 SHE SAID IT WAS AN ACCIDENT, BUT I KNOW SHE DID IT ON PURPOSE 852 00:40:26,194 --> 00:40:28,527 TO GET BACK AT ME. 853 00:40:28,527 --> 00:40:31,730 OH, THAT IS SO WRONG ON SO MANY LEVELS. 854 00:40:31,730 --> 00:40:34,733 HOW COULD SHE TAKE CARE OF HIM THE WAY WE DID 855 00:40:34,733 --> 00:40:36,865 AND THEN JUST DESTROY HIM? 856 00:40:36,865 --> 00:40:38,867 I DON'T KNOW. I THINK THAT'S... 857 00:40:38,867 --> 00:40:41,640 THAT'S ONE REASON WHY I WRITE ABOUT IT. 858 00:40:41,640 --> 00:40:46,545 THE WAY SOME PEOPLE BEHAVE JUST... BEWILDERS ME. 859 00:40:46,545 --> 00:40:48,777 I'LL TELL YOU THIS, THOUGH. 860 00:40:48,777 --> 00:40:51,880 THERE IS NOTHING YOU COULD DO THAT WOULD STOP ME 861 00:40:51,880 --> 00:40:55,554 FROM PROTECTING YOU OR SUPPORTING YOU. 862 00:40:55,554 --> 00:40:57,986 EVEN IF I GET A "D" IN SCIENCE? 863 00:40:57,986 --> 00:41:00,659 EVEN IF YOU GET AN "F." 864 00:41:00,659 --> 00:41:01,960 (sniffles) 865 00:41:01,960 --> 00:41:04,733 NOW... GO GET CHANGED. 866 00:41:04,733 --> 00:41:06,635 (dramatic voice) THE GOBLINS AND GHOULS 867 00:41:06,635 --> 00:41:08,066 SHALL BE ARRIVING SOON. 868 00:41:08,066 --> 00:41:10,739 (normal voice) YOU GOT A SPIDER ON YOU. AAH! 869 00:41:10,739 --> 00:41:12,901 (woman) ♪ COME ON ♪ 870 00:41:12,901 --> 00:41:14,643 ♪ OH ♪ 871 00:41:14,643 --> 00:41:19,748 ♪ YOU KNOW THAT YOU WANT IT NOW, COME ON ♪ 872 00:41:19,748 --> 00:41:22,751 CAREFUL. THAT IS A POTION OF MY OWN CONCOCTION. 873 00:41:22,751 --> 00:41:25,754 DRINK IT, AND WHO KNOWS WHO OR WHAT YOU MIGHT BECOME. 874 00:41:25,754 --> 00:41:28,587 ALSO, YOU MIGHT WONDER WHAT HAPPENED TO YOUR PANTS. 875 00:41:28,587 --> 00:41:30,589 OOH. SOUNDS LIKE MY KIND OF PARTY. (laughs) 876 00:41:30,589 --> 00:41:32,591 (chuckles) YOU THROW A GREAT SHINDIG 877 00:41:32,591 --> 00:41:35,894 FOR A 19th-CENTURY POET, MR. POE. (Martha) WELL, I'VE ALWAYS TOLD HIM, 878 00:41:35,894 --> 00:41:37,896 "DARLING, IF YOU'RE GONNA DO SOMETHING, 879 00:41:37,896 --> 00:41:40,969 DO IT BIG OR DON'T DO IT AT ALL." IS THAT WHY YOU CHOSE THAT HAT? 880 00:41:40,969 --> 00:41:43,501 OH, REALLY. 881 00:41:43,501 --> 00:41:46,274 HEY, CASTLE. WHO YOU LOOKIN' FOR--BECKETT? 882 00:41:46,274 --> 00:41:49,077 NO. WHY? (mouth full) SHE SAID SHE WASN'T SURE SHE'D MAKE IT. 883 00:41:49,077 --> 00:41:51,710 SHE HAD SOME PAPERWORK TO FINISH UP. 884 00:41:51,710 --> 00:41:53,141 BUT IT'S STILL EARLY. HMM. 885 00:41:53,141 --> 00:41:56,244 HEY, POE. LOOKING FOR ME? 886 00:41:56,244 --> 00:41:57,686 YOU'RE YOU. 887 00:41:57,686 --> 00:41:59,848 YOU SOUND SO DISAPPOINTED, CASTLE. 888 00:41:59,848 --> 00:42:02,651 I SAID COSTUMES MANDATORY. I MEAN, DRESS UP. 889 00:42:02,651 --> 00:42:05,123 YOU KNOW, BE A LITTLE SCARY. 890 00:42:05,123 --> 00:42:07,525 YEAH, WELL, I WAS GOING FOR SEXY. 891 00:42:07,525 --> 00:42:10,699 ♪♪ 892 00:42:12,961 --> 00:42:14,202 JEEZ! OOH. 893 00:42:14,202 --> 00:42:15,904 NOW WE'RE EVEN. 894 00:42:15,904 --> 00:42:17,736 ♪♪ 895 00:42:17,736 --> 00:42:20,008 I'M GIVING YOU THE BIRD. 896 00:42:20,008 --> 00:42:22,841 (laughing) 897 00:42:22,841 --> 00:42:24,012 ♪ COME ON ♪