1 00:00:01,602 --> 00:00:04,175 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,175 --> 00:00:06,177 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,177 --> 00:00:08,609 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,609 --> 00:00:10,611 CASTLE. CASTLE. 5 00:00:10,611 --> 00:00:13,344 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,344 --> 00:00:15,246 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,246 --> 00:00:17,348 BECKETT. BECKETT. 8 00:00:17,348 --> 00:00:19,350 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,350 --> 00:00:21,352 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,352 --> 00:00:24,024 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:24,024 --> 00:00:27,128 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,128 --> 00:00:29,800 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:29,800 --> 00:00:33,204 (woman) ♪ OH, OH ♪ 14 00:00:36,537 --> 00:00:38,709 EVERYBODY, SETTLE DOWN. QUIET DOWN, PLEASE. 15 00:00:38,709 --> 00:00:41,712 COME TO THE FRONT. YOU KNOW YOUR ASSIGNED SEATS. 16 00:00:41,712 --> 00:00:43,814 (children speaking indistinctly) CAREFUL. 17 00:00:43,814 --> 00:00:46,447 TAKE YOUR SEATS. 18 00:00:46,447 --> 00:00:48,149 NOW LISTEN, 19 00:00:48,149 --> 00:00:51,152 IF YOU REMEMBER, THE LAST TIME WE SPOKE WITH FLETCHER, 20 00:00:51,152 --> 00:00:53,154 HE HAD JUST ENTERED THE POLAR ICE CAP 21 00:00:53,154 --> 00:00:54,525 FROM GREENLAND, RIGHT HERE, 22 00:00:54,525 --> 00:00:55,826 HEADED TOWARD THE NORTH POLE. 23 00:00:55,826 --> 00:00:57,788 REMEMBER? 24 00:00:57,788 --> 00:01:01,061 NOW HE WAS SUPPOSED TO SKI ABOUT 10 MILES A DAY, 25 00:01:01,061 --> 00:01:04,565 WHICH WOULD HAVE PUT HIM RIGHT ABOUT HERE. 26 00:01:04,565 --> 00:01:06,066 (tv beeps, snow hisses) 27 00:01:06,066 --> 00:01:08,569 OH, GOOD. RIGHT ON TIME. NOW LISTEN, EVERYONE. 28 00:01:08,569 --> 00:01:12,543 REMEMBER, FLETCHER CAN'T HEAR US, RIGHT? 29 00:01:12,543 --> 00:01:14,375 SO NO YELLING OUT QUESTIONS, 30 00:01:14,375 --> 00:01:17,108 ESPECIALLY YOU, KAHLIL. 31 00:01:17,108 --> 00:01:19,079 HEY, KIDS. 32 00:01:19,079 --> 00:01:21,312 (children) HI, MR. FLETCHER. 33 00:01:21,312 --> 00:01:24,285 I DON'T KNOW IF YOU CAN TELL, BUT A BLIZZARD JUST BLEW IN 34 00:01:24,285 --> 00:01:25,786 ABOUT AN HOUR AGO. 35 00:01:25,786 --> 00:01:28,519 AND LET ME TELL YOU, IT WASN'T EASY SETTING UP CAMP 36 00:01:28,519 --> 00:01:30,321 IN 50-MILE-AN-HOUR WINDS. 37 00:01:30,321 --> 00:01:33,264 (children) OOH. GOOD THING I WAS ABLE TO BUY SUCH A STRONG TENT 38 00:01:33,264 --> 00:01:35,266 WITH ALL THE, UH, MONEY-- (thud) 39 00:01:35,266 --> 00:01:36,767 MONEY YOU RAISED. 40 00:01:36,767 --> 00:01:39,370 MUST BE A POLAR BEAR OUT THERE 41 00:01:39,370 --> 00:01:41,532 LOOKING FOR A LITTLE BIT OF TROUBLE, HUH? 42 00:01:41,532 --> 00:01:44,535 ANYWAY, I WANT TO TELL YOU ABOUT THIS HERD OF CARIBOU 43 00:01:44,535 --> 00:01:46,537 I SAW YESTERDAY WHILE I WAS OUT SKIING. 44 00:01:46,537 --> 00:01:48,539 THERE WERE 12 OF 'EM, INCLUDING 4 CALVES 45 00:01:48,539 --> 00:01:51,542 WHO HAD JUST STARTED TO GROW THE VELVET ON THEIR HORNS. 46 00:01:51,542 --> 00:01:52,843 OH, TALK ABOUT CUTE. 47 00:01:52,843 --> 00:01:54,885 SO THERE I AM, 48 00:01:54,885 --> 00:01:57,748 AND I'M TRYING TO PULL OUT MY CAMERA WHEN ALL-- 49 00:01:57,748 --> 00:01:59,650 WAIT, WHAT ARE YOU... 50 00:01:59,650 --> 00:02:03,154 NO. NO, NO, DON'T. DON'T! DON'T! AAH! (gunshot) 51 00:02:06,897 --> 00:02:11,202 (doorbell buzzes) 52 00:02:11,202 --> 00:02:14,465 (buzz) 53 00:02:18,209 --> 00:02:19,910 HI. I'M DYLAN. I'M HERE FOR ALEXIS. 54 00:02:21,712 --> 00:02:23,914 I'M HER NEW VIOLIN TEACHER. 55 00:02:23,914 --> 00:02:27,147 DYLAN, HI. THANKS FOR COMING. 56 00:02:27,147 --> 00:02:29,149 DAD, LET HIM IN. 57 00:02:29,149 --> 00:02:31,222 YEAH. 58 00:02:34,185 --> 00:02:35,486 (mutters) 59 00:02:35,486 --> 00:02:37,488 (lowered voice) WHAT HAPPENED TO OLGA? 60 00:02:37,488 --> 00:02:39,490 (lowered voice) SHE RETIRED. SO YOU WENT MALE MODEL? 61 00:02:39,490 --> 00:02:41,862 DYLAN GOES TO JUILLIARD. HE'S A MUSICAL PRODIGY. 62 00:02:41,862 --> 00:02:43,864 I WAS LUCKY TO GET A LESSON WITH HIM. 63 00:02:43,864 --> 00:02:47,238 PRODIGIES ARE SUPPOSED TO BE ALL NERDY AND AWKWARD, 64 00:02:47,238 --> 00:02:49,169 NOT... THAT. 65 00:02:49,169 --> 00:02:52,543 (hums) WELL, HELLO THERE. I'M MARTHA. 66 00:02:52,543 --> 00:02:54,505 HI. DYLAN. 67 00:02:54,505 --> 00:02:58,178 DYLAN. OH, ALEXIS TELLS ME YOU'RE VERY TALENTED. (chuckles) 68 00:02:58,178 --> 00:03:00,551 AND VERY STRONG, I MIGHT ADD. UH, GRAM. 69 00:03:00,551 --> 00:03:02,613 OOH. QUITE A GRIP. (laughs) 70 00:03:02,613 --> 00:03:05,616 UH, WHY DON'T WE GET STARTED? I CAN ASSESS WHERE YOU ARE, 71 00:03:05,616 --> 00:03:07,958 AND THEN TOMORROW WE CAN START YOUR LESSONS. 72 00:03:07,958 --> 00:03:10,461 DOES THAT SOUND GOOD? YEAH, MY ROOM'S UPSTAIRS. 73 00:03:10,461 --> 00:03:13,464 LEAD THE WAY. UH, WH-WHY DON'T YOU DO IT DOWN HERE? 74 00:03:13,464 --> 00:03:15,566 YOU KNOW HOW I LOVE WATCHING YOU PLAY. 75 00:03:15,566 --> 00:03:16,867 NONSENSE. 76 00:03:16,867 --> 00:03:19,370 SHE NEEDS PRIVACY, NOT A PERFORMANCE. 77 00:03:19,370 --> 00:03:21,872 SPOKEN WITH TRUE ARTISTIC INSIGHT. 78 00:03:21,872 --> 00:03:23,374 WELL, THANK YOU. 79 00:03:23,374 --> 00:03:25,376 I'M AN ACTOR, SO IT STANDS TO REASON. 80 00:03:25,376 --> 00:03:27,408 WELL... (Dylan) SO HOW HAVE YOU BEEN? 81 00:03:27,408 --> 00:03:29,940 HE'S A CHARMING YOUNG MAN. 82 00:03:29,940 --> 00:03:31,942 WELL, I'M OFF. 83 00:03:31,942 --> 00:03:33,914 SEE YOU LATER, DARLING. 84 00:03:33,914 --> 00:03:35,586 I LIKED OLGA. 85 00:03:35,586 --> 00:03:36,887 (cell phone rings and beeps) 86 00:03:36,887 --> 00:03:38,589 CASTLE. 87 00:03:41,652 --> 00:03:43,223 (whispers) HEY, MIKE. 88 00:03:43,223 --> 00:03:46,226 (normal voice) WHERE'S THE BODY? YOU DIDN'T TELL HIM? 89 00:03:46,226 --> 00:03:49,500 TELL ME WHAT? AND RUIN THE SURPRISE? 90 00:03:49,500 --> 00:03:50,901 WHAT SURPRISE? (tv beeps) 91 00:03:50,901 --> 00:03:52,763 HEY, KIDS. 92 00:03:52,763 --> 00:03:55,666 I DON'T KNOW IF YOU CAN TELL, BUT A BLIZZARD JUST BLEW IN 93 00:03:55,666 --> 00:03:57,237 ABOUT AN HOUR AGO... 94 00:03:57,237 --> 00:04:00,240 DO WE HAVE JURISDICTION IN THE NORTH POLE? WAIT FOR IT. 95 00:04:00,240 --> 00:04:02,513 ...50-MILE-AN-HOUR WINDS. GOOD THING THAT-- 96 00:04:02,513 --> 00:04:05,015 (video fast forwards) ...OF CARIBOU I SAW YESTERDAY WHILE I WAS OUT SKIING. 97 00:04:05,015 --> 00:04:08,018 (Beckett) OKAY, THERE COMES THE GUY. THERE WERE 12 OF 'EM, INCLUDING 4 CALVES... 98 00:04:08,018 --> 00:04:10,981 (Castle) WHOA. WHO HAD JUST STARTED TO GROW THE VELVET ON THEIR HORNS. 99 00:04:10,981 --> 00:04:13,684 WE SEE THE GUN. I'M TRYING TO PULL OUT MY CAMERA WHEN ALL-- 100 00:04:13,684 --> 00:04:15,025 WAIT, WHAT ARE YOU... 101 00:04:15,025 --> 00:04:17,688 NO. NO, NO, DON'T. DON'T! DON'T! (gunshot) 102 00:04:17,688 --> 00:04:21,031 THAT WAS AWESOME! I MEAN, WELL, OBVIOUSLY IT WAS HORRIBLE, BUT-- 103 00:04:21,031 --> 00:04:24,635 THAT'S NOT THE ARCTIC. THAT'S AN APARTMENT. BUT WHERE? WAIT A SEC. 104 00:04:24,635 --> 00:04:26,737 RYAN, REWIND IT. 105 00:04:26,737 --> 00:04:28,939 I THOUGHT I SAW SOMETHING WHEN THE CAMERA WAS FALLING. 106 00:04:28,939 --> 00:04:30,641 STOP. RIGHT THERE. 107 00:04:30,641 --> 00:04:32,973 OUT THE WINDOW IN THE BACKGROUND. 108 00:04:32,973 --> 00:04:36,947 THAT'S CLASSIC UPPER WEST SIDE ARCHITECTURE. 109 00:04:36,947 --> 00:04:39,950 TAKE A PICTURE OF IT. SEND IT TO THE PRECINCT. 110 00:04:39,950 --> 00:04:41,952 SEE IF ANY OF THE BEAT COPS RECOGNIZE IT. 111 00:04:41,952 --> 00:04:45,055 (camera shutter clicks) ON IT. 112 00:04:45,055 --> 00:04:47,918 MR. WHEELER, I'M DETECTIVE KATE BECKETT. 113 00:04:47,918 --> 00:04:49,820 THIS IS RICK CASTLE. 114 00:04:49,820 --> 00:04:51,322 I JUST DON'T UNDERSTAND. 115 00:04:51,322 --> 00:04:53,324 EVERYTHING SEEMED ON THE UP AND UP. 116 00:04:53,324 --> 00:04:57,027 HE HAD A YALE PhD. WHEN WAS THE FIRST TIME THAT YOU MET MR. FLETCHER? 117 00:04:57,027 --> 00:04:59,370 A FEW MONTHS AGO. HE CAME INTO THE SCHOOL 118 00:04:59,370 --> 00:05:01,572 AND MADE A PRESENTATION TO THE SCHOOL BOARD-- 119 00:05:01,572 --> 00:05:03,604 A MONTH-LONG, ONE-MAN TRIP TO THE NORTH POLE. 120 00:05:03,604 --> 00:05:05,606 WE AGREED TO HELP FUND THE EXPEDITION. 121 00:05:05,606 --> 00:05:07,408 IN EXCHANGE, FLETCHER SAID HE WOULD GIVE 122 00:05:07,408 --> 00:05:09,810 A UNIQUE EDUCATIONAL EXPERIENCE FOR THE KIDS, 123 00:05:09,810 --> 00:05:13,614 INCLUDING WEEKLY VIDEO REPORTS FROM THE ARCTIC CIRCLE. HOW MUCH DID YOU RAISE? 124 00:05:13,614 --> 00:05:16,487 BETWEEN OUR SCHOOL AND OTHERS IN THE AREA, AROUND $50,000. HMM. 125 00:05:16,487 --> 00:05:19,089 (whistles) THAT'S A LOT OF PEMMICAN. WOW. 126 00:05:19,089 --> 00:05:21,692 A BASIC STAPLE OF THE, UH, POLAR EXPLORER DIET. 127 00:05:21,692 --> 00:05:24,455 HIGH IN FAT AND PROTEIN-- BASICALLY, IT'S BEEF AND GREASE 128 00:05:24,455 --> 00:05:26,997 KIND OF MELTED TOGETHER INTO A JERKY. 129 00:05:26,997 --> 00:05:29,500 YOU THINK IT'D BE DISGUSTING, BUT SURPRISINGLY... 130 00:05:29,500 --> 00:05:32,663 I'LL FILL YOU IN LATER. WHEN WAS THE LAST TIME YOU SAW MR. FLETCHER? 131 00:05:32,663 --> 00:05:34,935 HE CAME BY THE SCHOOL TWO WEEKS AGO TO PICK UP 132 00:05:34,935 --> 00:05:37,768 A STACK OF LETTERS THE KIDS WROTE TO HIM FOR HIS TRIP. 133 00:05:37,768 --> 00:05:39,610 HE WAS SUPPOSED TO GET ON 134 00:05:39,610 --> 00:05:42,012 THE PLANE TO GREENLAND THE NEXT DAY. WE GOT AN I.D. ON THE BUILDING. 135 00:05:42,012 --> 00:05:44,675 79th AND AMSTERDAM. ALL RIGHT, TELL LANIE THAT WE'LL MEET HER THERE. 136 00:05:44,675 --> 00:05:45,976 (police radio chatter) 137 00:05:45,976 --> 00:05:47,678 (camera shutter clicking) 138 00:05:47,678 --> 00:05:50,751 UNIFORMS SAID THE DOOR WAS UNLOCKED WHEN THEY GOT HERE. 139 00:05:50,751 --> 00:05:53,824 EITHER THE VICTIM LEFT IT THAT WAY OR, UH-- OR THE KILLER HAD A KEY. 140 00:05:53,824 --> 00:05:55,786 MM-HMM. ALL RIGHT, TALK TO THE NEIGHBORS. 141 00:05:55,786 --> 00:05:57,958 SEE IF FLETCHER HAD ANY REGULAR VISITORS. 142 00:05:57,958 --> 00:06:02,362 BUT FIRST, I'M THINKING OUR VIC MIGHT HAVE BEEN A SQUIRREL. MM. I'LL CHECK THE BEDROOM. 143 00:06:02,362 --> 00:06:03,864 I'M SORRY, A SQUIRREL? 144 00:06:03,864 --> 00:06:06,366 LIKES TO HIDE HIS NUTS FOR THE WINTER. 145 00:06:06,366 --> 00:06:07,998 AND BY "NUTS" YOU MEAN? 146 00:06:07,998 --> 00:06:10,000 VALUABLES... AH. 147 00:06:10,000 --> 00:06:12,002 SECRETS, ANYTHING A GUY LIVING A LIE 148 00:06:12,002 --> 00:06:14,004 WOULDN'T WANT SOMEONE TO FIND. 149 00:06:14,004 --> 00:06:17,648 (chuckles) OH, YEAH. 150 00:06:17,648 --> 00:06:20,651 (police radio chatter) 151 00:06:20,651 --> 00:06:21,952 (camera shutter clicking) 152 00:06:21,952 --> 00:06:24,655 THIS REMINDS ME OF THAT MOVIE "CAPRICORN ONE," 153 00:06:24,655 --> 00:06:27,017 BUT WITH, LIKE, A WINTERLAND TWIST. 154 00:06:29,059 --> 00:06:30,991 LANIE, WHAT DO WE GOT? 155 00:06:30,991 --> 00:06:34,064 VICTIM WAS SHOT ONCE IN THE FACE WITH A LARGE CALIBER BULLET. 156 00:06:34,064 --> 00:06:37,898 OUCH. OH, I DON'T THINK HE FELT MUCH WITH A BULLET THAT SIZE. 157 00:06:37,898 --> 00:06:41,401 FACE SHOTS USUALLY INDICATE A DEEP ANGER IN THE SHOOTER. 158 00:06:41,401 --> 00:06:44,705 LITERALLY TRYING TO ERASE WHAT MAKES THE VICTIM A PERSON. 159 00:06:44,705 --> 00:06:47,578 WELL, CON MEN DO LEAVE A WAKE OF ANGRY PEOPLE. 160 00:06:47,578 --> 00:06:49,980 IT'S AMAZING THAT THIS IS ALL IT TOOK 161 00:06:49,980 --> 00:06:52,683 TO FAKE TWO WEEKS IN THE ARCTIC. MM-HMM. THE WONDERS OF MODERN TECHNOLOGY. 162 00:06:52,683 --> 00:06:54,685 A LOT OF CRIMINALS TODAY DON'T TAKE ADVANTAGE. 163 00:06:54,685 --> 00:06:57,117 I BLAME THE PARENTS. 164 00:06:57,117 --> 00:07:02,092 I'LL GIVE THIS TO FLETCHER-- HE DID DO HIS HOMEWORK. 165 00:07:02,092 --> 00:07:04,094 OH! THIS IS A LIBRARY BOOK. 166 00:07:04,094 --> 00:07:08,829 SOMETHING TELLS ME HE WASN'T PLANNING ON RETURNING IT. 167 00:07:08,829 --> 00:07:10,661 YOU WERE RIGHT. 168 00:07:10,661 --> 00:07:13,664 LOOK WHAT OUR LITTLE SQUIRREL WAS HIDING IN THE AIR VENT. 169 00:07:15,506 --> 00:07:17,608 SOMETHING TELLS ME OUR STEVEN FLETCHER 170 00:07:17,608 --> 00:07:20,110 WASN'T ACTUALLY STEVEN FLETCHER. HMM. 171 00:07:20,110 --> 00:07:23,113 MULTIPLE I.D.s USUALLY INDICATES MULTIPLE CONS. 172 00:07:23,113 --> 00:07:25,145 I'D SAY OUR KILLER IS SOMEONE WHO FLETCHER DUPED. 173 00:07:25,145 --> 00:07:28,078 FROM THE HEIGHT OF THE BULLET HOLE IN THE TENT, 174 00:07:28,078 --> 00:07:31,121 I'D SAY OUR SHOOTER WAS ANYWHERE BETWEEN 5'3" AND 6". MM-HMM. 175 00:07:31,121 --> 00:07:34,124 I GUESS THAT RULES OUT THE FIRST GRADERS. UNLESS ONE WAS STANDING ON ANOTHER ONE'S SHOULDERS. 176 00:07:34,124 --> 00:07:36,927 HIDING INSIDE OF A TRENCH COAT, MAYBE. (Castle snaps fingers) 177 00:07:36,927 --> 00:07:39,459 DIABOLICAL. I LIKE IT. THANK YOU. 178 00:07:39,459 --> 00:07:41,461 LANIE, I'M GONNA NEED A RUSH ON THE FINGERPRINTS. 179 00:07:41,461 --> 00:07:44,464 WE'RE GONNA NEED TO KNOW WHO OUR VICTIM REALLY WAS. OKAY. 180 00:07:44,464 --> 00:07:48,098 LET'S BAG ALL OF THIS, GET IT BACK TO THE STATION. RIGHT ON. 181 00:07:48,098 --> 00:07:50,470 (Ryan) MM-HMM. JUST LIKE CAMP, HUH? (Esposito) IF I CLIMBED IN THE TENT, 182 00:07:50,470 --> 00:07:52,102 MAYBE IT'D BE LIKE CAMP, AND WE COULD PLAY... 183 00:07:52,102 --> 00:07:54,805 (Beckett) COUPLE OF U.S. PASSPORTS. 184 00:07:54,805 --> 00:07:56,106 HMM. SEE YA. 185 00:07:56,106 --> 00:07:58,108 SEE YA. OH, OH, OH, OH. 186 00:07:58,108 --> 00:07:59,810 OH, THANK YOU. 187 00:07:59,810 --> 00:08:01,882 SO HAVE YOU READ IT? READ WHAT? 188 00:08:01,882 --> 00:08:04,114 THE BOOK. WHAT BOOK? 189 00:08:04,114 --> 00:08:08,058 OH, YOUR BOOK. "HEAT WAVE." 190 00:08:08,058 --> 00:08:10,591 (sighs) 191 00:08:10,591 --> 00:08:12,593 WELL? 192 00:08:12,593 --> 00:08:16,226 I HAVEN'T GOTTEN TO IT YET. WHAT DO YOU MEAN, YOU HAVEN'T GOTTEN TO IT YET? 193 00:08:16,226 --> 00:08:18,999 I'M SORRY. I'VE JUST BEEN SO BUSY WITH WORK. 194 00:08:18,999 --> 00:08:22,202 I HAVEN'T HAD TIME. YOU WERE ALL OVER ME TO GET A COPY OF THAT BOOK. 195 00:08:22,202 --> 00:08:25,205 DO YOU HAVE ANY IDEA HOW MANY HOOPS I HAD TO JUMP THROUGH 196 00:08:25,205 --> 00:08:27,678 JUST SO MY EDITOR WOULDN'T SEND AN ARMED GUARD 197 00:08:27,678 --> 00:08:29,880 TO WATCH OVER YOU WHILE YOU READ IT? 198 00:08:29,880 --> 00:08:32,082 THE LEAST YOU COULD DO IS TO... 199 00:08:32,082 --> 00:08:35,045 OH. (chuckles) OH. I SEE WHAT YOU'RE DOING. 200 00:08:35,045 --> 00:08:37,548 I'M NOT DOING ANYTHING. OH, YES, YOU ARE. YES, YOU ARE. 201 00:08:37,548 --> 00:08:39,119 YOU'RE TRYING TO PUSH MY BUTTONS, 202 00:08:39,119 --> 00:08:41,852 BUT IT'S NOT GONNA WORK. REALLY? 203 00:08:41,852 --> 00:08:43,023 MM-HMM. 204 00:08:43,023 --> 00:08:45,926 'CAUSE IT SEEMS TO BE WORKING JUST GREAT. 205 00:08:45,926 --> 00:08:48,158 NOW IF YOU'LL EXCUSE ME, I HAVE TO INPUT THESE I.D.s 206 00:08:48,158 --> 00:08:51,562 INTO Vi-CAP TO SEE IF ANY OF FLETCHER'S OTHER IDENTITIES 207 00:08:51,562 --> 00:08:55,235 HAVE BEEN FLAGGED. WHERE DO YOU WANT ALL THIS STUFF FROM FLETCHER'S APARTMENT? 208 00:08:55,235 --> 00:08:58,108 RIGHT HERE. HOW COME YOU HAVE TO CARRY EVERYTHING? 209 00:08:58,108 --> 00:08:59,740 RYAN HURT HIS BACK. 210 00:08:59,740 --> 00:09:02,142 (groans) WE CHECKED WITH ALL OF FLETCHER'S NEIGHBORS. 211 00:09:02,142 --> 00:09:04,815 NONE OF 'EM COULD REMEMBER SEEING ANYONE BUT FLETCHER 212 00:09:04,815 --> 00:09:06,817 COMING AND GOING FROM THE APARTMENT. AH. 213 00:09:06,817 --> 00:09:09,079 AND WE CALLED YALE. TURNS OUT STEVEN FLETCHER 214 00:09:09,079 --> 00:09:11,922 DOES HAVE A PhD IN WILDLIFE BIOLOGY, ONLY-- 215 00:09:11,922 --> 00:09:15,055 ONLY THEIR STEVEN FLETCHER IS A 7-FOOT-TALL ALBINO. 216 00:09:15,055 --> 00:09:17,257 NO, 300-POUND HAWAIIAN, BUT CLOSE. 217 00:09:17,257 --> 00:09:19,329 (Ryan) YOU KNOW WHAT I DON'T GET? MM-HMM. 218 00:09:19,329 --> 00:09:21,992 WHY GO TO SO MUCH TROUBLE TO CREATE SUCH AN ELABORATE SCAM? 219 00:09:21,992 --> 00:09:23,894 FLETCHER MUST HAVE SPENT WEEKS 220 00:09:23,894 --> 00:09:27,067 GOING THROUGH ALL THE PREP WORK. I CAN GIVE YOU 50,000 REASONS WHY. 221 00:09:27,067 --> 00:09:30,140 YEAH, BUT FOR CON MEN, IT'S NOT JUST ABOUT THE MONEY. 222 00:09:30,140 --> 00:09:32,142 I MEAN, FOR THEM, IT'S ABOUT THE GAME. 223 00:09:32,142 --> 00:09:35,005 THE--THE THRILL THEY GET FROM PULLING A CON? 224 00:09:35,005 --> 00:09:37,207 IT'S LIKE A DRUG HIGH. CON MAN WAS ON DRUGS? 225 00:09:37,207 --> 00:09:39,650 NO, SIR. CASTLE IS JUST GIVING US PSYCHOLOGICAL INSIGHT 226 00:09:39,650 --> 00:09:42,683 BASED ON HIS EXTENSIVE EXPERIENCE AS A FRAUD. (whispers) MEOW. 227 00:09:42,683 --> 00:09:44,815 WELL, I JUST FIELDED SEVERAL PHONE CALLS 228 00:09:44,815 --> 00:09:47,818 FROM SOME VERY EMBARRASSED PRIVATE SCHOOLS, 229 00:09:47,818 --> 00:09:50,090 AND THEY WANT THIS SOLVED QUICKLY AND QUIETLY. UNFORTUNATELY, IT LOOKS LIKE OUR CON MAN 230 00:09:50,090 --> 00:09:52,092 WAS RUNNING A WHOLE SLEW OF CONS. 231 00:09:52,092 --> 00:09:54,064 UNRAVELING ALL OF THEM AND FINDING THE KILLER 232 00:09:54,064 --> 00:09:56,627 IS GONNA TAKE SOME TIME. (beeps) 233 00:09:56,627 --> 00:09:59,229 OR MAYBE NOT. (beep) 234 00:09:59,229 --> 00:10:01,972 ONE OF FLETCHER'S ALIASES CONNED A WOMAN NAMED PATTY SCHULTZ 235 00:10:01,972 --> 00:10:04,705 OUT OF HER LIFE SAVINGS ABOUT A YEAR AGO. SOUNDS LIKE A MOTIVE FOR MURDER TO ME. 236 00:10:04,705 --> 00:10:07,007 APPARENTLY MS. SCHULTZ HAS SPENT SEVERAL STINTS 237 00:10:07,007 --> 00:10:10,040 IN GREYSTONE PARK PSYCHIATRIC HOSPITAL, 238 00:10:10,040 --> 00:10:14,244 AND NONE OF THEM VOLUNTARY. 239 00:10:14,244 --> 00:10:16,146 STRAIGHTJACKET. 240 00:10:16,146 --> 00:10:21,752 ♪♪ 241 00:10:29,860 --> 00:10:31,862 MRS. SCHULTZ, I'M DETECTIVE BECKETT. 242 00:10:31,862 --> 00:10:34,865 IS THIS ABOUT SANCHEZ? 'CAUSE, YOU KNOW, I ONLY HIT HIM 243 00:10:34,865 --> 00:10:36,867 BECAUSE HE WAS DRILLING HOLES IN THE WALL 244 00:10:36,867 --> 00:10:39,139 TO WATCH ME EXERCISE. 245 00:10:39,139 --> 00:10:42,142 THIS ISN'T ABOUT SANCHEZ. THIS IS ABOUT HIM. 246 00:10:42,142 --> 00:10:45,245 STEVEN FLETCHER-- ALSO KNOWN AS STEVEN MILES. 247 00:10:45,245 --> 00:10:47,077 ARE YOU ARRESTING ME? 248 00:10:47,077 --> 00:10:49,780 WHY WOULD WE ARREST YOU? 249 00:10:49,780 --> 00:10:52,052 BECAUSE I KILLED HIM. 250 00:10:52,052 --> 00:10:54,284 UM, MRS. SCHULTZ, YOU'VE JUST CONFESSED TO A CRIME. 251 00:10:54,284 --> 00:10:57,828 I'M GONNA READ YOU YOUR-- IN MY MIND. 252 00:10:57,828 --> 00:11:00,731 DID YOU JUST SAY YOU KILLED HIM IN YOUR MIND? 253 00:11:00,731 --> 00:11:04,134 I MEDITATE-- AN HOUR EVERY DAY. 254 00:11:04,134 --> 00:11:05,435 IT--DOCTOR'S ORDERS. 255 00:11:05,435 --> 00:11:09,770 AND ALL I THINK ABOUT ARE MY CATS... 256 00:11:09,770 --> 00:11:12,843 AND KILLING THIS SON OF A BITCH. 257 00:11:12,843 --> 00:11:16,106 AND IT FINALLY WORKED, DIDN'T IT? WELL, I'M NOT SURE. 258 00:11:16,106 --> 00:11:18,108 HOW DID YOU KILL HIM IN YOUR MIND? 259 00:11:18,108 --> 00:11:19,710 WITH A BELT SANDER. 260 00:11:19,710 --> 00:11:22,082 WHERE WERE YOU AT 9:00 A.M. THIS MORNING? 261 00:11:22,082 --> 00:11:23,854 AT THE VET. 262 00:11:23,854 --> 00:11:26,857 MR. MUFFINS HAS HIGH CHOLESTEROL, SO-- OKAY. THANK YOU. WE'RE DONE. 263 00:11:26,857 --> 00:11:29,259 HOW DID--HOW DID MR. FLETCHER CON YOU? 264 00:11:29,259 --> 00:11:31,261 HE SAID HE WAS A CRYOGENIST 265 00:11:31,261 --> 00:11:33,423 AND THAT HE WOULD FREEZE ME AND MY CATS 266 00:11:33,423 --> 00:11:35,325 SO WE COULD BE RESURRECTED 267 00:11:35,325 --> 00:11:37,968 ONCE SCIENCE HAD CONQUERED THE DEATH BARRIER. 268 00:11:37,968 --> 00:11:40,771 AND YOU BELIEVED HIM? HAVE YOU EVER BEEN DUPED? 269 00:11:40,771 --> 00:11:42,202 I'VE BEEN MARRIED TWICE. 270 00:11:42,202 --> 00:11:45,205 YOU THINK I GOT SUCKERED BECAUSE I'M CRAZY. 271 00:11:45,205 --> 00:11:47,437 WELL, YOU'RE WRONG. 272 00:11:47,437 --> 00:11:49,439 I HAVE PARANOID PERSONALITY DISORDER, 273 00:11:49,439 --> 00:11:51,441 WHICH MAKES ME THE MOST SUSPICIOUS PERSON 274 00:11:51,441 --> 00:11:53,814 YOU'VE EVER MET. 275 00:11:53,814 --> 00:11:57,117 STEVEN JUST MADE ME FEEL SAFE FOR THE FIRST TIME IN YEARS. 276 00:11:57,117 --> 00:12:01,221 AND THEN HE VANISHED WITH $60,000 OF MY MONEY. 277 00:12:03,023 --> 00:12:05,926 THAT MAN COULD SELL SAND TO A CAMEL. 278 00:12:05,926 --> 00:12:08,398 THANK YOU... 279 00:12:08,398 --> 00:12:11,201 FOR COMING. 280 00:12:13,804 --> 00:12:17,137 CAN I SEE HIS BODY? 281 00:12:17,137 --> 00:12:19,269 UH... 282 00:12:19,269 --> 00:12:22,172 NO. 283 00:12:22,172 --> 00:12:24,044 (whimpers) 284 00:12:24,044 --> 00:12:27,047 YOU KNOW, I CAN'T HELP BUT BE A LITTLE IMPRESSED 285 00:12:27,047 --> 00:12:29,349 WITH OUR BOY FLETCHER. PLEASE TELL ME YOU'RE KIDDING. 286 00:12:29,349 --> 00:12:32,052 NOT ON A PERSONAL LEVEL. JUST MORE OF A PROFESSIONAL ONE. 287 00:12:32,052 --> 00:12:34,054 I MEAN, ONE STORYTELLER TO ANOTHER. 288 00:12:34,054 --> 00:12:36,056 THE GUY'S A MASTER. HE'S A LEECH. 289 00:12:36,056 --> 00:12:38,058 HE PREYS ON INNOCENT VICTIMS AND RUINS THEIR LIVES. 290 00:12:38,058 --> 00:12:40,430 WELL, IT LOOKS OUR LEECH HAS JUMPED UP TO THE MAJOR LEAGUES. 291 00:12:40,430 --> 00:12:44,034 WHAT DO YOU MEAN? ONE OF FLETCHER'S IDENTITIES WAS RECENTLY ENGAGED TO BE MARRIED. 292 00:12:44,034 --> 00:12:46,867 (Esposito) TO ELISE FINNEGAN. WAIT. FINNEGAN. WHY DO I KNOW THAT NAME? 293 00:12:46,867 --> 00:12:48,869 HER FAMILY OWNS HALF OF PARK AVENUE SOUTH. 294 00:12:48,869 --> 00:12:51,972 OUR LOVELY BRIDE-TO-BE IS WORTH A COOL 100 MILLION BUCKS. 295 00:12:51,972 --> 00:12:53,974 (whistles) OOH. NOW I'M REALLY IMPRESSED. 296 00:12:53,974 --> 00:12:57,077 (woman) HE WASN'T A CON MAN. (Beckett) I'M AFRAID HE WAS, ELISE. 297 00:12:57,077 --> 00:12:59,079 WE'VE ALREADY UNCOVERED TWO OTHER SCAMS, 298 00:12:59,079 --> 00:13:01,551 AND I'M CERTAIN WE'LL FIND MORE. 299 00:13:01,551 --> 00:13:04,414 NO. NO. I DON'T BELIEVE YOU. ELISE-- 300 00:13:04,414 --> 00:13:07,357 (woman) IT'S OKAY, SUE. THEY WERE GETTING MARRIED NEXT WEEKEND. 301 00:13:07,357 --> 00:13:09,189 ELISE WAS SO EXCITED. 302 00:13:09,189 --> 00:13:12,792 HOW LONG DID SHE KNOW FLETCHER? SIX MONTHS. 303 00:13:12,792 --> 00:13:15,966 THAT'S QUITE THE WHIRLWIND ROMANCE. IT WAS LOVE AT FIRST SIGHT FOR BOTH OF THEM. 304 00:13:15,966 --> 00:13:18,098 SO THERE WERE NO CLUES THAT HE WAS SETTING HER UP? 305 00:13:18,098 --> 00:13:21,231 STORIES THAT DIDN'T ADD UP OR BILLS HE COULDN'T PAY? 306 00:13:21,231 --> 00:13:23,874 HE INSISTED ON, UH, PAYING FOR THE WEDDING 307 00:13:23,874 --> 00:13:26,977 EVEN THOUGH THE COST WAS SUBSTANTIAL. 308 00:13:26,977 --> 00:13:30,540 HE SEEMED TO LIVE TO MAKE HER HAPPY. 309 00:13:30,540 --> 00:13:33,383 THAT'S BECAUSE MAKING HER HAPPY WAS VITAL TO HIS CON. 310 00:13:33,383 --> 00:13:35,245 YOU'RE WRONG. 311 00:13:35,245 --> 00:13:38,118 I HAVE BEEN RICH MY WHOLE LIFE, DETECTIVE. 312 00:13:38,118 --> 00:13:41,091 SO IF THERE'S ONE THING I'VE LEARNED, IT'S HOW TO SPOT 313 00:13:41,091 --> 00:13:44,594 A MAN WHO'S ONLY INTERESTED IN ME FOR MY MONEY. 314 00:13:44,594 --> 00:13:46,596 STEVEN WASN'T LIKE THAT. 315 00:13:46,596 --> 00:13:48,558 HE... HE LOVED ME FOR ME. 316 00:13:48,558 --> 00:13:51,331 I CAN'T BELIEVE HOW NAIVE SHE'S BEING. 317 00:13:51,331 --> 00:13:54,334 EVEN WITH OVERWHELMING EVIDENCE THAT HER FIANCé WAS A CON MAN, 318 00:13:54,334 --> 00:13:56,336 SHE STILL BELIEVES HE LOVED HER. 319 00:13:56,336 --> 00:13:58,338 PEOPLE SEE WHAT THEY WANT TO SEE. 320 00:13:58,338 --> 00:14:01,271 IT'S WHAT CON ARTISTS PREY ON. IT'S REALLY KIND OF A PSYCHOPATHY-- 321 00:14:01,271 --> 00:14:04,274 TO BE SO COLD THAT YOU CAN LOOK SOMEONE IN THE EYE, 322 00:14:04,274 --> 00:14:07,277 TELL THEM THAT YOU LOVE THEM AND THEN ROB THEM BLIND 323 00:14:07,277 --> 00:14:08,578 WITHOUT THE SLIGHTEST REMORSE. 324 00:14:08,578 --> 00:14:11,181 WHOA. I JUST FLASHED BACK TO THE EIGHTH GRADE. 325 00:14:11,181 --> 00:14:13,253 SHERRY ORT--BROKE MY HEART, STOLE MY LUNCH MONEY. 326 00:14:13,253 --> 00:14:15,255 (cell phone rings and beeps) BECKETT. 327 00:14:15,255 --> 00:14:18,428 THEN SHE LAUGHED ABOUT IT WITH HER FRIENDS. ALL RIGHT. THANKS. 328 00:14:18,428 --> 00:14:19,859 WELL? 329 00:14:19,859 --> 00:14:21,861 NO MATCH ON FLETCHER'S FINGERPRINTS. 330 00:14:21,861 --> 00:14:24,194 WE STILL DON'T KNOW HIS REAL IDENTITY. 331 00:14:24,194 --> 00:14:27,497 (Montgomery) WHAT YOU GOT? TRYING TO FIND A CLUE TO THE CON THAT KILLED FLETCHER, 332 00:14:27,497 --> 00:14:30,540 BUT IT LOOKS LIKE OUR GUY WAS A CRIMINAL OVERACHIEVER. 333 00:14:30,540 --> 00:14:32,943 (Ryan laughs) WHAT? 334 00:14:32,943 --> 00:14:35,445 OH, YOU KNOW THOSE NIGERIAN E-MAIL SCAMS? 335 00:14:35,445 --> 00:14:39,149 OH, FLETCHER DIDN'T PULL ONE OF THOSE? NO. IT LOOKS LIKE SOMEONE TRIED TO PULL ONE ON HIM. 336 00:14:39,149 --> 00:14:41,651 FLETCHER CONNED THE GUY OUT OF 10 GRAND. (Montgomery laughs) 337 00:14:41,651 --> 00:14:43,653 MAN, OUR BOY WAS GOOD. DAMN GOOD. 338 00:14:43,653 --> 00:14:46,356 DON'T BE SO IMPRESSED. THE GUY WAS A CRIMINAL. 339 00:14:46,356 --> 00:14:48,358 OH, NO, THERE'S SOMETHING ABOUT A-A WELL-PLAYED CON 340 00:14:48,358 --> 00:14:51,421 THAT JUST MAKES YOU WANT TO TIP YOUR HAT, THOUGH. 341 00:14:51,421 --> 00:14:53,163 AND THEY HAVE SUCH GREAT NAMES-- THE SPANISH PRISONER, 342 00:14:53,163 --> 00:14:56,126 THE PIG IN THE POKE, THE PIGEON DROP. 343 00:14:56,126 --> 00:14:58,128 OH, I LOVE A GOOD CON MOVIE-- 344 00:14:58,128 --> 00:15:00,130 "HOUSE OF GAMES," "CATCH ME IF YOU CAN." 345 00:15:00,130 --> 00:15:03,033 (mouth full) "OCEAN'S ELEVEN," BABY. "DIRTY ROTTEN SCOUNDRELS." 346 00:15:03,033 --> 00:15:05,075 (imitates Steve Martin) "MOTHER?" (imitates Steve Martin) "NOT MOTHER?" 347 00:15:05,075 --> 00:15:07,107 (Montgomery laughs) 348 00:15:07,107 --> 00:15:10,280 FOR MY MONEY, IT STARTS AND IT ENDS WITH "THE STING." OH. 349 00:15:10,280 --> 00:15:12,912 HOW ABOUT YOU, BECKETT? WHAT'S YOUR FAVORITE? I HATE CON MOVIES. 350 00:15:12,912 --> 00:15:16,116 (Castle and Esposito) WHAT? REALLY? 351 00:15:16,116 --> 00:15:18,588 HOW CAN YOU HATE "THE STING"? IT, LIKE, WHAT, TOOK 20 OSCARS? SOMETHING LIKE THAT. 352 00:15:18,588 --> 00:15:21,091 (Ryan) AT LEAST. BECAUSE THE ONLY PEOPLE THAT GET CONNED 353 00:15:21,091 --> 00:15:23,253 IN A CON MOVIE ARE THE AUDIENCE MEMBERS. 354 00:15:23,253 --> 00:15:26,396 YOU CAN'T INVEST IN ANYTHING BECAUSE NOTHING IS REAL. 355 00:15:26,396 --> 00:15:30,160 THAT'S WHAT MAKES IT FUN. WELL, IT WASN'T FUN TO THESE KIDS-- 356 00:15:30,160 --> 00:15:32,462 THE ONES FROM WHEELER'S CLASS WHO WROTE TO FLETCHER? 357 00:15:32,462 --> 00:15:35,505 "DEAR MR. FLETCHER, WHEN DO POLAR BEARS SLEEP?" 358 00:15:35,505 --> 00:15:38,668 "DEAR MR. FLETCHER, DO PENGUINS REALLY WEAR TUXEDOS?" 359 00:15:38,668 --> 00:15:42,272 PENGUINS ARE SOUTH POLE. HEY, THESE ARE 6-YEAR-OLD KIDS. 360 00:15:42,272 --> 00:15:43,974 AND HE SCAMMED THEM. 361 00:15:43,974 --> 00:15:46,416 YOU GUYS STILL IMPRESSED BY THIS DIRTBAG? 362 00:15:46,416 --> 00:15:49,279 IF YOU WERE JUST SCAMMING THESE KIDS, 363 00:15:49,279 --> 00:15:52,382 WHY WOULD YOU WRITE THEM BACK? 'CAUSE IT'S ALL A PART OF THE CON. 364 00:15:52,382 --> 00:15:54,084 YEAH... I'M NOT SURE. 365 00:15:54,084 --> 00:15:56,526 I MEAN, IF YOU WERE JUST A GREEDY MONSTER, 366 00:15:56,526 --> 00:15:59,729 WOULD YOU REALLY BOTHER WRITING BACK TO ALL OF THEM? HE'S GOT A POINT. 367 00:15:59,729 --> 00:16:03,163 (Esposito) YEAH. OH, NOW WHO'S THE SUCKER? 368 00:16:03,163 --> 00:16:04,294 SIR. 369 00:16:04,294 --> 00:16:06,236 SUCKER OR NO SUCKER, 370 00:16:06,236 --> 00:16:08,438 CLEARLY THERE'S MORE TO THIS GUY THAN MEETS THE EYE. 371 00:16:10,200 --> 00:16:12,172 (Ryan) BUSTED. 372 00:16:12,172 --> 00:16:15,375 (clicks tongue) SHUT UP, ESPOSITO. 373 00:16:15,375 --> 00:16:18,008 ALL RIGHT, I'M GONNA LEAVE YOU GUYS TO IT. 374 00:16:18,008 --> 00:16:19,279 WHERE YOU GOING? IT'S EARLY. 375 00:16:19,279 --> 00:16:22,652 I GOT PLANS. OH, YOU HAVE A DATE, DON'T YOU? 376 00:16:22,652 --> 00:16:25,315 NO. YOU LIAR. WHO'S THE UNLUCKY GUY? 377 00:16:25,315 --> 00:16:28,158 HA HA. YEAH, RIGHT. SEE YOU GUYS IN THE MORNING. ALL RIGHT, SEE YOU TOMORROW. 378 00:16:28,158 --> 00:16:30,120 (Ryan) YEAH, SEE YA. CAREFUL. 379 00:16:30,120 --> 00:16:31,491 OKAY, SO WHO IS IT? 380 00:16:31,491 --> 00:16:34,324 I DON'T KNOW. GOT ME. 381 00:16:34,324 --> 00:16:37,027 SO SHE HASN'T MENTIONED ANYONE? IN CASE YOU HAVEN'T NOTICED, 382 00:16:37,027 --> 00:16:39,269 BECKETT ISN'T EXACTLY WHAT YOU'D CALL A "SHARER." 383 00:16:39,269 --> 00:16:41,331 WHY DO YOU CARE ANYWAY, CASTLE? 384 00:16:41,331 --> 00:16:44,604 DO YOU HAVE SOME UNRESOLVED FEELINGS? MM. 385 00:16:44,604 --> 00:16:46,606 FOR BECKETT? (Esposito) YEAH. 386 00:16:46,606 --> 00:16:49,309 THE WOMAN HATES CON MOVIES. 387 00:16:49,309 --> 00:16:52,312 (MoZella's "Can't Stop" playing) 388 00:16:56,686 --> 00:17:01,351 ♪ SPEAK TO ME ♪ 389 00:17:01,351 --> 00:17:05,225 ♪ READ MY MIND ♪ 390 00:17:05,225 --> 00:17:08,598 ♪ FILL YOUR MOUTH ♪ 391 00:17:08,598 --> 00:17:11,231 ♪ WITH FLESH ♪ 392 00:17:11,231 --> 00:17:12,602 ♪ AND WINE ♪ 393 00:17:12,602 --> 00:17:16,206 ♪ AND I'LL BE YOURS ♪ 394 00:17:16,206 --> 00:17:18,338 ♪ JUST GIVE ♪ 395 00:17:18,338 --> 00:17:20,270 ♪ ME TIME ♪ 396 00:17:20,270 --> 00:17:21,811 ♪ MM ♪ 397 00:17:24,214 --> 00:17:29,079 ♪ GIVE ME TIME ♪ 398 00:17:29,079 --> 00:17:33,323 ♪ AND I JUST CAN'T STOP ♪ 399 00:17:33,323 --> 00:17:36,086 ♪ LORD, I CAN'T STOP ♪ 400 00:17:36,086 --> 00:17:37,627 ♪ MYSELF ♪ 401 00:17:37,627 --> 00:17:41,361 ♪ I CAN'T STOP ♪ 402 00:17:41,361 --> 00:17:44,234 ♪ LORD, I CAN'T STOP ♪ 403 00:17:44,234 --> 00:17:46,236 ♪ MYSELF ♪ 404 00:17:46,236 --> 00:17:49,499 ♪ NOW ♪ 405 00:17:51,301 --> 00:17:54,304 (violin music playing) 406 00:17:59,078 --> 00:18:01,481 I THOUGHT SHE SAID HER LESSON WAS TOMORROW. 407 00:18:01,481 --> 00:18:03,183 OH, DYLAN HAD A CANCELLATION. 408 00:18:03,183 --> 00:18:05,315 ALEXIS BEGGED HIM TO LET HER TAKE THE SLOT. 409 00:18:05,315 --> 00:18:09,219 (Alexis) SO IT'S B-FLAT AND C-SHARP, RIGHT? (Dylan speaks indistinctly) 410 00:18:09,219 --> 00:18:12,162 WHAT ARE YOU DOING? NOTHING. 411 00:18:12,162 --> 00:18:14,524 (Dylan) REST. BEAUTIFUL. (Alexis) RIGHT, I KNOW. I KEEP FORGETTING THAT REST. 412 00:18:14,524 --> 00:18:16,296 VERY NICE. (song ends) 413 00:18:16,296 --> 00:18:18,298 WHY'D IT JUST GET SO QUIET? 414 00:18:18,298 --> 00:18:20,300 MAYBE HE'S TEACHING HER SOMETHING. 415 00:18:20,300 --> 00:18:22,672 MAYBE HE'S FILLING HER HEAD FULL OF LIES. 416 00:18:22,672 --> 00:18:24,874 WHAT ARE YOU TALKING ABOUT? 417 00:18:24,874 --> 00:18:27,307 ALL RIGHT, THAT'S IT. I'M GOING UP THERE. 418 00:18:27,307 --> 00:18:29,209 OH. (clicks tongue) 419 00:18:29,209 --> 00:18:32,242 SO WHEN I START THE PIECE, SHOULD IT BE UP-BOW? 420 00:18:32,242 --> 00:18:33,813 UH, YEAH, I WOULD. OKAY. 421 00:18:33,813 --> 00:18:37,217 OH, HEY, YOU GUYS. I HAD NO IDEA YOU WERE EVEN HERE. 422 00:18:37,217 --> 00:18:39,189 WELL, SHE'S A VERY TALENTED GIRL 423 00:18:39,189 --> 00:18:40,620 AND A REAL HARD WORKER. 424 00:18:40,620 --> 00:18:42,322 SO, UM, PRACTICE YOUR SAUTILLé, 425 00:18:42,322 --> 00:18:44,324 AND WE'LL TAKE ANOTHER STAB AT BRAHMS NEXT WEEK. 426 00:18:44,324 --> 00:18:46,326 OKAY, GREAT. ALL RIGHT. HAVE A GOOD NIGHT. 427 00:18:46,326 --> 00:18:48,328 (Castle) YOU, TOO. NIGHT, DYLAN. 428 00:18:48,328 --> 00:18:50,360 (Dylan) BYE. 429 00:18:50,360 --> 00:18:52,532 YOU BE SAFE. 430 00:18:52,532 --> 00:18:54,404 (door closes) 431 00:18:54,404 --> 00:18:56,406 I DON'T TRUST HIM. 432 00:18:56,406 --> 00:18:59,739 WHAT? WHY? WHAT DO WE REALLY KNOW ABOUT THIS GUY? 433 00:18:59,739 --> 00:19:01,711 I KNOW THAT HE'S AN AMAZING VIOLINIST 434 00:19:01,711 --> 00:19:04,714 AND A REALLY GREAT TEACHER. OLGA WAS A GREAT TEACHER. 435 00:19:04,714 --> 00:19:06,716 OLGA KEPT A TISSUE UP HER SLEEVE 436 00:19:06,716 --> 00:19:09,319 AND SMELLED LIKE HARD CANDY. 437 00:19:09,319 --> 00:19:11,551 WHAT'S THIS ABOUT, DAD? I JUST DON'T THINK THAT YOU REALIZE 438 00:19:11,551 --> 00:19:13,683 THAT WHAT YOU SEE IS NOT ALWAYS WHAT YOU GET. 439 00:19:13,683 --> 00:19:16,456 I MEAN, HOW DO YOU KNOW THAT DYLAN REALLY GOES TO JUILLIARD? 440 00:19:16,456 --> 00:19:18,458 DID YOU CALL THE SCHOOL? NO. 441 00:19:18,458 --> 00:19:20,760 CHECK HIS TRANSCRIPTS? NO, BUT, DAD, I-- 442 00:19:20,760 --> 00:19:22,892 OKAY, I DON'T THINK YOU SHOULD TAKE ANY MORE LESSONS 443 00:19:22,892 --> 00:19:24,894 FROM THIS GUY UNTIL HE'S BEEN PROPERLY VETTED. 444 00:19:24,894 --> 00:19:27,737 I WANT CREDIT CHECK, SCHOOL REPORTS, MAYBE EVEN A POLYGRAPH. 445 00:19:27,737 --> 00:19:30,300 OKAY, YOU'RE OFFICIALLY OUT OF CONTROL. NO, I'M NOT. AND BACK ME UP HERE. 446 00:19:30,300 --> 00:19:32,902 YOU WANT HER VIOLIN TEACHER TO TAKE A LIE DETECTOR TEST? 447 00:19:32,902 --> 00:19:35,745 YOU'RE OFF THE RESERVATION, KIDDO. OKAY, YOU KNOW WHAT? YOU'RE CUT OFF. 448 00:19:35,745 --> 00:19:37,407 OH. DAD. 449 00:19:37,407 --> 00:19:39,879 NO, YOU KNOW WHAT? I AM THE GROWN-UP HERE. OH, THIS IS SCARY. 450 00:19:39,879 --> 00:19:42,252 AND I SAY NO MORE LESSONS FROM THIS GUY 451 00:19:42,252 --> 00:19:44,354 UNTIL WE'VE GOT HIM CHECKED OUT. 452 00:19:44,354 --> 00:19:47,317 WHAT? I FINALLY FIND A TEACHER THAT I CONNECT WITH, 453 00:19:47,317 --> 00:19:50,360 WHO'S AS EXCITED ABOUT MUSIC AS I AM. 454 00:19:50,360 --> 00:19:53,763 WHY ARE YOU TRYING TO RUIN IT? I'M NOT. I'M JUST... 455 00:19:53,763 --> 00:19:55,565 HEY. 456 00:19:55,565 --> 00:19:56,926 (sighs) 457 00:19:56,926 --> 00:19:59,629 WHAT'S GOING ON WITH HER? 458 00:19:59,629 --> 00:20:03,403 BESIDES YOUR UNREASONABLENESS? HORMONES. 459 00:20:03,403 --> 00:20:05,575 WHAT'S YOUR EXCUSE? 460 00:20:13,783 --> 00:20:16,716 OKAY, CASTLE, WHAT WAS SO IMPORTANT 461 00:20:16,716 --> 00:20:19,719 THAT YOU HAD TO CUT MY SPARRING SESSION SHORT? 462 00:20:19,719 --> 00:20:22,452 JUST THAT I CRACKED THIS CASE WIDE OPEN. 463 00:20:22,452 --> 00:20:25,425 YOU KNOW, THE THOUGHT OF YOU FIGHTING IN A RING 464 00:20:25,425 --> 00:20:27,957 WITH ANOTHER WOMAN-- STRANGELY AROUSING. 465 00:20:27,957 --> 00:20:30,600 WHO SAYS I WAS SPARRING WITH A WOMAN? OH, YOUR MYSTERY DATE. 466 00:20:30,600 --> 00:20:32,762 OH, DO I DETECT SOME JEALOUSY? 467 00:20:32,762 --> 00:20:34,564 ME, JEALOUS? HA! 468 00:20:34,564 --> 00:20:36,306 DOUBLE HA! 469 00:20:36,306 --> 00:20:39,739 WHAT IF I TOLD YOU THAT MY DATE 470 00:20:39,739 --> 00:20:41,741 WAS WITH YOUR BOOK? 471 00:20:41,741 --> 00:20:42,772 REALLY? 472 00:20:42,772 --> 00:20:44,444 NO. 473 00:20:44,444 --> 00:20:46,446 GOD, YOU'RE EASY. 474 00:20:46,446 --> 00:20:48,448 GIVE ME YOUR CASE-BREAKING INFORMATION 475 00:20:48,448 --> 00:20:50,450 SO I CAN GET A CUP OF COFFEE. 476 00:20:50,450 --> 00:20:52,822 WELL, I WENT A LITTLE "DADDY DEAREST" ON ALEXIS, 477 00:20:52,822 --> 00:20:54,324 AND IT GOT ME THINKING. 478 00:20:54,324 --> 00:20:56,456 IF I CAN GO THIS CRAZY OVER A VIOLIN TEACHER, 479 00:20:56,456 --> 00:20:58,458 HOW CRAZY WOULD I GO IF MY DAUGHTER 480 00:20:58,458 --> 00:21:00,830 WAS ABOUT TO MARRY A SCAM ARTIST? 481 00:21:00,830 --> 00:21:03,032 CRAZY ENOUGH TO KILL, MAYBE? THAT IS-- 482 00:21:03,032 --> 00:21:04,694 INSPIRED? BRILLIANT? NO. MNH-MNH. 483 00:21:04,694 --> 00:21:06,396 GENIUS? WHAT? UNH-UNH. THIN. 484 00:21:06,396 --> 00:21:08,398 OH. WE DON'T HAVE THE SLIGHTEST INDICATION 485 00:21:08,398 --> 00:21:11,341 THAT ELISE'S FATHER KNEW THAT FLETCHER WAS A CON ARTIST. 486 00:21:11,341 --> 00:21:13,843 MAYBE NOT, BUT CASTLE HERE SUGGESTED THAT WE CHECK 487 00:21:13,843 --> 00:21:16,976 GUN REGISTRATION RECORDS FOR GERRY FINNEGAN. AND GUESS WHO HAPPENS TO OWN 488 00:21:16,976 --> 00:21:19,479 THE SAME CALIBER HANDGUN AS OUR MURDER WEAPON. WHO? 489 00:21:19,479 --> 00:21:21,451 GERRY FINNEGAN. SHUT THE FRONT DOOR. 490 00:21:21,451 --> 00:21:23,513 NO TIME FOR DIRTY TALK. GO GET CHANGED. 491 00:21:31,290 --> 00:21:33,292 I KEEP IT LOCKED IN THE SAFE. 492 00:21:33,292 --> 00:21:35,294 HASN'T BEEN FIRED IN YEARS. 493 00:21:35,294 --> 00:21:37,296 DID ANYONE ELSE HAVE THE COMBINATION? 494 00:21:37,296 --> 00:21:39,399 NO ONE. 495 00:21:39,399 --> 00:21:41,401 HASN'T BEEN FIRED RECENTLY 496 00:21:41,401 --> 00:21:43,302 OR CLEANED. 497 00:21:43,302 --> 00:21:46,305 I'D LIKE TO TAKE IT TO THE LAB IF YOU DON'T MIND. 498 00:21:46,305 --> 00:21:48,478 CERTAINLY. MR. FINNEGAN. 499 00:21:48,478 --> 00:21:50,480 HMM? ONE FATHER TO ANOTHER, 500 00:21:50,480 --> 00:21:53,683 I JUST CAN'T BELIEVE THAT YOU NEVER HAD THE URGE 501 00:21:53,683 --> 00:21:55,845 TO CHECK OUT YOUR FUTURE SON-IN-LAW. 502 00:21:55,845 --> 00:21:57,847 I MEAN, YOU NEVER THOUGHT FOR A MOMENT THAT MAYBE 503 00:21:57,847 --> 00:22:00,390 FLETCHER WASN'T WHAT HE WAS MAKING HIMSELF OUT TO BE? 504 00:22:00,390 --> 00:22:02,321 I DIDN'T THINK. I KNEW. 505 00:22:02,321 --> 00:22:04,394 TWO WEEKS AGO, 506 00:22:04,394 --> 00:22:08,057 I HIRED A PRIVATE INVESTIGATOR TO LOOK INTO STEVEN. 507 00:22:08,057 --> 00:22:10,059 NOT THAT I WAS SUSPICIOUS. I WASN'T. 508 00:22:10,059 --> 00:22:12,802 I JUST THOUGHT, BETTER SAFE THAN SORRY. 509 00:22:12,802 --> 00:22:15,465 I WAS SHOCKED WHEN HE CALLED TO TELL ME 510 00:22:15,465 --> 00:22:17,837 THAT STEVEN WAS A FRAUD. 511 00:22:17,837 --> 00:22:20,610 THEN I GOT ANGRY. PLEASE. 512 00:22:20,610 --> 00:22:22,472 I CONFRONTED STEVEN. 513 00:22:22,472 --> 00:22:25,475 I TOLD HIM I WAS GOING TO EXPOSE HIM 514 00:22:25,475 --> 00:22:27,477 AND HAVE THE WEDDING CALLED OFF. 515 00:22:27,477 --> 00:22:29,479 WELL, HE BEGGED ME NOT TO. 516 00:22:29,479 --> 00:22:33,823 HE SAID HE WAS HEAD OVER HEELS IN LOVE WITH ELISE, 517 00:22:33,823 --> 00:22:36,826 WANTED TO SPEND THE REST OF HIS LIFE WITH HER. 518 00:22:36,826 --> 00:22:41,360 (chuckles) I TOLD HIM I WASN'T BUYING IT. 519 00:22:41,360 --> 00:22:44,564 BUT HE PROMISED THAT HE WAS DONE WITH CONS, 520 00:22:44,564 --> 00:22:47,136 THAT THE ONLY REASON THAT HE WAS STILL PRETENDING 521 00:22:47,136 --> 00:22:49,939 TO BE A POLAR EXPLORER WAS FOR THE KIDS. 522 00:22:49,939 --> 00:22:51,941 HE DIDN'T WANT TO LET THEM DOWN. 523 00:22:51,941 --> 00:22:54,103 HE WAS A PROFESSIONAL LIAR, MR. FINNEGAN. 524 00:22:54,103 --> 00:22:56,105 YES, I KNOW THAT. 525 00:22:56,105 --> 00:22:59,509 BUT WHAT ULTIMATELY CONVINCED ME WAS THE PRENUP. 526 00:22:59,509 --> 00:23:02,652 HE SAID I COULD DRAW UP ANY DOCUMENT, 527 00:23:02,652 --> 00:23:05,655 CUT HIM OUT OF OUR FORTUNE ENTIRELY IF I WANTED, 528 00:23:05,655 --> 00:23:08,718 AND HE WOULD SIGN IT. 529 00:23:08,718 --> 00:23:10,720 AFTER A LIFETIME OF GREED, HE SAID, 530 00:23:10,720 --> 00:23:13,092 HE'D FINALLY FOUND SOMETHING MORE IMPORTANT THAN MONEY-- 531 00:23:13,092 --> 00:23:14,594 LOVE. 532 00:23:14,594 --> 00:23:17,396 AND YOU BELIEVED HIM? YES, I DID. 533 00:23:17,396 --> 00:23:21,631 SO I NEVER SAID A WORD ABOUT IT TO ANYBODY. 534 00:23:21,631 --> 00:23:24,103 AND THEN WHEN YOU SHOWED UP HERE YESTERDAY, 535 00:23:24,103 --> 00:23:27,406 I... I-I JUST COULDN'T TELL ELISE. 536 00:23:27,406 --> 00:23:29,408 THE PRIVATE INVESTIGATOR THAT YOU HIRED, 537 00:23:29,408 --> 00:23:31,410 DID HE TAKE ANY PHOTOGRAPHS? 538 00:23:31,410 --> 00:23:33,713 YES. HE FOLLOWED STEVEN FOR A WEEK. 539 00:23:33,713 --> 00:23:36,145 HE OFFERED ME THE PHOTOS, BUT I SAID 540 00:23:36,145 --> 00:23:39,919 I DIDN'T WANT THEM IN THE HOUSE WERE ELISE MIGHT SEE THEM. 541 00:23:39,919 --> 00:23:41,551 WHAT ARE YOU THINKING? 542 00:23:41,551 --> 00:23:43,422 THAT FLETCHER'S KILLER 543 00:23:43,422 --> 00:23:45,194 MIGHT BE IN ONE OF THOSE PHOTOGRAPHS. 544 00:23:45,194 --> 00:23:46,896 YOU THINK IT'S POSSIBLE 545 00:23:46,896 --> 00:23:48,898 THAT FLETCHER WAS TELLING GERRY THE TRUTH? 546 00:23:48,898 --> 00:23:51,901 THAT HE'S SUDDENLY A CON MAN WITH A HEART OF GOLD? NO. 547 00:23:51,901 --> 00:23:53,202 THAT'S JUST ANOTHER CON. 548 00:23:53,202 --> 00:23:55,505 WHOA, WHOA. YOU DON'T THINK PEOPLE CAN CHANGE? 549 00:23:55,505 --> 00:23:57,507 NO. 550 00:23:57,507 --> 00:23:59,509 I'VE SEEN TOO MANY REPEAT OFFENDERS 551 00:23:59,509 --> 00:24:02,071 TO BELIEVE FOR ONE SECOND THAT A GUY WHO PROMISES 552 00:24:02,071 --> 00:24:04,173 NEVER TO BEAT HIS WIFE AGAIN ACTUALLY WON'T. 553 00:24:04,173 --> 00:24:06,115 THAT'S A PRETTY BLEAK ATTITUDE. 554 00:24:06,115 --> 00:24:08,678 NOT BLEAK. REALISTIC. 555 00:24:10,750 --> 00:24:12,451 AFTER MR. FINNEGAN HIRED ME, 556 00:24:12,451 --> 00:24:14,453 I FOLLOWED YOUR BOY NIGHT AND DAY. 557 00:24:14,453 --> 00:24:17,056 IT BECAME CLEAR PRETTY FAST HE WAS A GRIFTER. 558 00:24:17,056 --> 00:24:18,187 HELLO. 559 00:24:18,187 --> 00:24:21,130 WHAT? 560 00:24:21,130 --> 00:24:22,632 ISN'T THAT-- 561 00:24:22,632 --> 00:24:25,995 JIM WHEELER. FIRST GRADE TEACHER EXTRAORDINAIRE. 562 00:24:25,995 --> 00:24:28,467 WHEN WAS THIS TAKEN? TEN DAYS AGO. 563 00:24:28,467 --> 00:24:30,940 WHEN FLETCHER WAS SUPPOSED TO BE IN THE ARCTIC. 564 00:24:30,940 --> 00:24:33,573 LOOKS LIKE MR. WHEELER WAS IN ON THE SCAM. 565 00:24:38,477 --> 00:24:41,511 UM... 566 00:24:41,511 --> 00:24:44,013 OKAY, I... I'M NOT GONNA LIE TO YOU. 567 00:24:44,013 --> 00:24:46,485 REALLY? 'CAUSE CLEARLY, YOU'RE PRETTY GOOD AT IT. 568 00:24:46,485 --> 00:24:49,088 (sighs) LISTEN, I REALIZED THAT FLETCHER WAS FAKING IT 569 00:24:49,088 --> 00:24:52,491 WHEN I DISCOVERED THAT THE PICTURES 570 00:24:52,491 --> 00:24:54,493 IN HIS PROMOTIONAL BOOKLET WERE PHOTOSHOPPED. 571 00:24:54,493 --> 00:24:56,495 SO YOU FIGURED YOU'D MAKE A FEW BUCKS 572 00:24:56,495 --> 00:24:58,698 RATHER THAN, I DON'T KNOW, PROTECT YOUR STUDENTS? 573 00:24:58,698 --> 00:25:00,770 NO. I-I KNOW THIS SOUNDS CRAZY, 574 00:25:00,770 --> 00:25:02,672 BUT... THE KIDS WERE LEARNING. 575 00:25:02,672 --> 00:25:04,874 FLETCHER LOVED THOSE KIDS, AND THEY LOVED HIM. 576 00:25:04,874 --> 00:25:06,876 SURE, HE WAS FAKING THE TRIP, TECHNICALLY, 577 00:25:06,876 --> 00:25:08,608 BUT HE WENT OUT OF HIS WAY 578 00:25:08,608 --> 00:25:10,580 TO PROVIDE A DYNAMIC, FACT-FILLED PRESENTATION. 579 00:25:10,580 --> 00:25:12,912 I JUST FIGURED, IF HE WAS MAKING MONEY ON IT, 580 00:25:12,912 --> 00:25:14,914 WHY SHOULDN'T I? NOBODY WAS GETTING HURT. 581 00:25:14,914 --> 00:25:17,917 HE WAS SCAMMING LITTLE KIDS, AND YOU WERE HIS ACCOMPLICE. 582 00:25:17,917 --> 00:25:20,620 ANY JURY IN THE WORLD WOULD CONVICT YOU OF THAT. 583 00:25:20,620 --> 00:25:22,091 JURY? I DIDN'T KILL HIM. 584 00:25:22,091 --> 00:25:24,293 I WAS STANDING RIGHT HERE WHEN HE WAS MURDERED. 585 00:25:24,293 --> 00:25:27,026 DOESN'T MEAN I WON'T PROSECUTE YOU FOR CRIMINAL FRAUD. 586 00:25:27,026 --> 00:25:29,659 NOW YOU WANT TO STAY OUT OF JAIL, 587 00:25:29,659 --> 00:25:31,731 YOU BETTER POINT US TOWARDS FLETCHER'S KILLER. 588 00:25:31,731 --> 00:25:34,904 LISTEN, I-I SWEAR, I DON'T KNOW WHO KILLED HIM. 589 00:25:34,904 --> 00:25:37,206 HAVE YOU SPOKEN TO HIS PARTNER? (Castle and Beckett) PARTNER? 590 00:25:37,206 --> 00:25:40,269 I GUESS THAT'S WHO SHE WAS. 591 00:25:40,269 --> 00:25:43,272 SHE WAS WITH HIM AT THE CAFé WHEN I MET HIM. 592 00:25:43,272 --> 00:25:45,775 SHE'S IN THE PICTURE. WHERE? 593 00:25:47,546 --> 00:25:50,549 HARD TO SEE. DO YOU HAVE A MAGNIFYING GLASS? 594 00:25:50,549 --> 00:25:51,951 BETTER. 595 00:25:56,285 --> 00:25:58,788 (beep) 596 00:26:01,290 --> 00:26:04,634 (Beckett) THAT'S ELISE FINNEGAN, FLETCHER'S FIANCéE. 597 00:26:04,634 --> 00:26:07,597 WHO IS CONNING WHOM HERE? 598 00:26:14,944 --> 00:26:16,976 HELP ME OUT HERE, ELISE. 599 00:26:16,976 --> 00:26:18,678 FIRST YOU TELL ME 600 00:26:18,678 --> 00:26:20,680 THAT YOU HAVE NO IDEA THAT FLETCHER IS A CON MAN. 601 00:26:20,680 --> 00:26:22,682 AND THEN I FIND A PICTURE OF YOU 602 00:26:22,682 --> 00:26:25,855 WITNESSING HIM MAKE A PAYOFF DURING ONE OF HIS SCAMS. THAT'S NOT WHAT IT WAS. 603 00:26:25,855 --> 00:26:27,917 THEN WHAT WAS IT. I CAN'T... 604 00:26:29,258 --> 00:26:32,361 ELISE, THE MAN THAT YOU LOVED IS DEAD. 605 00:26:32,361 --> 00:26:34,994 I AM TRYING TO FIND HIS KILLER. 606 00:26:34,994 --> 00:26:37,266 HELP ME. 607 00:26:40,369 --> 00:26:42,371 STEVEN WASN'T A CON MAN. 608 00:26:42,371 --> 00:26:45,034 ELISE, WE-- HE WASN'T. 609 00:26:45,034 --> 00:26:46,676 HE WAS IN THE CIA. 610 00:26:46,676 --> 00:26:49,178 (lowered voice) THIS IS THE BEST CASE EVER. SHUT UP. 611 00:26:49,178 --> 00:26:51,681 WHAT MAKES YOU THINK HE WAS IN THE CIA? 612 00:26:51,681 --> 00:26:53,683 A MONTH AFTER WE STARTED DATING, 613 00:26:53,683 --> 00:26:56,145 HE TOLD ME THAT HE COULDN'T BEAR LYING TO ME ANYMORE. 614 00:26:56,145 --> 00:26:58,287 HE WASN'T REALLY A CORPORATE LAWYER. 615 00:26:58,287 --> 00:27:02,051 HE WAS A CIA AGENT ON A TOP-SECRET CASE. 616 00:27:02,051 --> 00:27:04,754 AND WHAT PART OF THIS CASE INVOLVES CONNING FIRST GRADERS? 617 00:27:04,754 --> 00:27:06,926 WELL, THAT WAS PART OF HIS MISSION. 618 00:27:06,926 --> 00:27:08,898 NEXT YOU'RE GONNA TELL ME 619 00:27:08,898 --> 00:27:11,230 THAT WHEELER WAS ALSO A SECRET AGENT. 620 00:27:11,230 --> 00:27:13,903 OH, COME ON. THINK ABOUT IT. 621 00:27:13,903 --> 00:27:16,305 WHEELER WORKS AT THE INTERNATIONAL SCHOOL. 622 00:27:16,305 --> 00:27:18,307 HALF OF THOSE STUDENTS ARE THE CHILDREN 623 00:27:18,307 --> 00:27:21,240 OF U.N. DIPLOMATS-- SYRIA, CHINA, 624 00:27:21,240 --> 00:27:22,912 THE MIDDLE EAST. 625 00:27:22,912 --> 00:27:25,915 GETTING CLOSE TO THEIR KIDS ALLOWED STEVEN UNIQUE ACCESS 626 00:27:25,915 --> 00:27:28,317 TO SOME OF OUR COUNTRY'S WORST ENEMIES. 627 00:27:28,317 --> 00:27:30,219 THAT IS-- 628 00:27:30,219 --> 00:27:32,682 PRETTY SMART. 629 00:27:32,682 --> 00:27:34,353 STEVEN WASN'T KILLED 630 00:27:34,353 --> 00:27:36,355 FOR BEING A CON MAN. 631 00:27:36,355 --> 00:27:39,959 HE WAS KILLED FOR HIS INTELLIGENCE WORK. 632 00:27:39,959 --> 00:27:41,290 NO. 633 00:27:41,290 --> 00:27:43,262 I'M JUST SAYING-- NO. 634 00:27:43,262 --> 00:27:45,264 YOU CAN'T DENY THERE'S A POSSIBILITY-- 635 00:27:45,264 --> 00:27:48,267 HE IS NOT IN THE CIA. 636 00:27:48,267 --> 00:27:51,100 I'LL BET YOU $1. 637 00:27:51,100 --> 00:27:53,142 ALL RIGHT. YOU'RE ON. 638 00:27:53,142 --> 00:27:54,443 (keypad beeping) 639 00:27:54,443 --> 00:27:56,145 WHO ARE YOU CALLING? 640 00:27:56,145 --> 00:27:57,446 MY GUY IN THE CIA. 641 00:27:57,446 --> 00:27:59,448 YOU HAVE A GUY IN THE CIA? 642 00:27:59,448 --> 00:28:02,411 WHEN ARE YOU GONNA LEARN? I'VE GOT A GUY EVERYWHERE. 643 00:28:02,411 --> 00:28:04,814 THAI FOOD IS PLEASING TO THE TONGUE. 644 00:28:04,814 --> 00:28:06,255 (beep) 645 00:28:06,255 --> 00:28:08,257 SECRET CODE. 646 00:28:08,257 --> 00:28:10,259 HE'LL CALL ME BACK. 647 00:28:12,461 --> 00:28:15,464 I MET AGENT GRAY WHEN I WAS RESEARCHING "STORM WARNING." 648 00:28:15,464 --> 00:28:17,466 NOW THIS GUY WAS INVALUABLE 649 00:28:17,466 --> 00:28:19,468 FOR THE REALLY HARD-CORE SECRET AGENT STUFF. 650 00:28:19,468 --> 00:28:21,871 THIS GUY IS A MACHINE. 651 00:28:21,871 --> 00:28:24,834 I'VE INTERVIEWED SERIAL KILLERS, HIT MEN. 652 00:28:24,834 --> 00:28:26,335 AGENT GRAY? 653 00:28:26,335 --> 00:28:27,406 MM-HMM. 654 00:28:27,406 --> 00:28:30,179 BY FAR THE DEADLIEST MAN I'VE EVER MET. 655 00:28:30,179 --> 00:28:32,181 HE ONCE KILLED A NORTH KOREAN AGENT 656 00:28:32,181 --> 00:28:33,482 WITH A MELON BALLER. 657 00:28:33,482 --> 00:28:36,185 IT WAS AN ICE CREAM SCOOP, CASTLE. 658 00:28:36,185 --> 00:28:39,148 AND THAT INFORMATION WAS SUPPOSED TO REMAIN PRIVATE. 659 00:28:39,148 --> 00:28:40,820 SORRY. AGENT GRAY. 660 00:28:40,820 --> 00:28:43,993 NOT QUITE WHAT I PICTURED BASED ON CASTLE'S DESCRIPTION. 661 00:28:43,993 --> 00:28:46,996 I LIVE IN A WORLD WHERE NOTHING IS AS IT SEEMS, DETECTIVE, 662 00:28:46,996 --> 00:28:48,297 FOR GOOD REASON. 663 00:28:48,297 --> 00:28:50,399 TRANSPARENCY GETS YOU KILLED. 664 00:28:50,399 --> 00:28:52,361 DIDN'T YOU USE THAT LINE IN "STORM WARNING"? 665 00:28:52,361 --> 00:28:55,134 YEAH. I USE SOME OF YOUR LINES IN "HEAT WAVE," TOO, 666 00:28:55,134 --> 00:28:57,106 WHICH YOU'D KNOW IF YOU'D READ IT. 667 00:28:57,106 --> 00:28:58,437 I READ IT. 668 00:28:58,437 --> 00:29:00,940 I THOUGHT IT WAS TERRIFIC, ESPECIALLY THAT SEX SCENE. 669 00:29:00,940 --> 00:29:02,241 TALK ABOUT RACY. 670 00:29:02,241 --> 00:29:04,313 WAIT. THERE'S A SEX SCENE IN THE BOOK? 671 00:29:04,313 --> 00:29:06,015 BETWEEN US? 672 00:29:06,015 --> 00:29:08,317 THERE'S A SEX SCENE IN THE BOOK BETWEEN NIKKI HEAT 673 00:29:08,317 --> 00:29:10,319 AND THE ROGUISHLY HANDSOME REPORTER WHO'S HELPING HER. 674 00:29:10,319 --> 00:29:13,022 OH, GOOD. SO HE'S NOTHING LIKE YOU. FUNNY. 675 00:29:13,022 --> 00:29:16,255 WAIT, HOW DID--HOW DID YOU GET A COPY OF THE BOOK? 676 00:29:16,255 --> 00:29:19,528 LOOK... CAN YOU JUST TELL US THAT FLETCHER WASN'T A SPOOK 677 00:29:19,528 --> 00:29:22,391 SO WE CAN GET ON WITH THE CASE? 678 00:29:22,391 --> 00:29:24,293 NOT HERE. 679 00:29:31,440 --> 00:29:33,202 GET OUT. 680 00:29:37,947 --> 00:29:40,950 OFFICIALLY, I AM NOT AT LIBERTY TO CONFIRM OR DENY 681 00:29:40,950 --> 00:29:42,952 WHETHER ANYONE IS AN AGENT, 682 00:29:42,952 --> 00:29:46,085 BUT UNOFFICIALLY... 683 00:29:46,085 --> 00:29:48,557 WE'VE NEVER HEARD OF YOUR BOY. 684 00:29:56,195 --> 00:29:58,197 (whispers) SO COOL. 685 00:29:58,197 --> 00:29:59,368 WH-- 686 00:29:59,368 --> 00:30:01,370 I CAN'T BELIEVE FLETCHER CONNED ME. 687 00:30:01,370 --> 00:30:03,372 WE NEED TO TAKE ANOTHER RUN AT ELISE, 688 00:30:03,372 --> 00:30:06,375 SEE IF THERE'S ANYTHING ELSE SHE'S HOLDING OUT ON US. 689 00:30:06,375 --> 00:30:08,277 DAD! WE NEED TO TALK. 690 00:30:10,809 --> 00:30:11,981 SWEETIE. 691 00:30:11,981 --> 00:30:13,282 SIT. 692 00:30:14,984 --> 00:30:16,445 DYLAN CALLED. 693 00:30:16,445 --> 00:30:18,918 DID YOU CALL JUILLIARD AND CHECK ON HIM? 694 00:30:18,918 --> 00:30:20,419 MAYBE. 695 00:30:20,419 --> 00:30:22,421 I CAN'T BELIEVE YOU. AFTER I TOLD YOU 696 00:30:22,421 --> 00:30:24,523 HOW MUCH TAKING LESSONS FROM HIM MEANS TO ME? 697 00:30:24,523 --> 00:30:27,296 SWEETIE-- NO, NO, QUIET. AM I A TROUBLEMAKER, DAD? 698 00:30:27,296 --> 00:30:29,058 DO I GET DRUNK, 699 00:30:29,058 --> 00:30:31,100 DISOBEY AUTHORITY, STEAL POLICE HORSES... 700 00:30:31,100 --> 00:30:33,302 THAT-- NAKED? NO. THAT'D BE YOU. 701 00:30:33,302 --> 00:30:36,005 I SEEM TO BE THE ONLY PERSON IN THIS FAMILY 702 00:30:36,005 --> 00:30:37,566 BLESSED WITH GOOD JUDGMENT, 703 00:30:37,566 --> 00:30:39,568 AND YET, YOU DON'T TRUST ME. 704 00:30:39,568 --> 00:30:42,942 I TRUST YOU. IT'S JUST--IT'S A DANGEROUS WORLD OUT THERE... 705 00:30:42,942 --> 00:30:46,045 (whispers) AND PEOPLE LIE. YOU DON'T THINK I KNOW THAT? I'M IN HIGH SCHOOL. 706 00:30:46,045 --> 00:30:48,918 IT'S LIKE THE WILD WILD WEST WITH HORMONES, AND I THINK 707 00:30:48,918 --> 00:30:51,550 I'M DOING A PRETTY GOOD JOB NAVIGATING IT. (normal voice) YOU ARE, AND I'M PROUD. 708 00:30:51,550 --> 00:30:55,454 WELL, THEN WHY DON'T YOU TRUST ME TO PICK THE PERSON 709 00:30:55,454 --> 00:30:57,456 WHO'S GONNA INSPIRE ME AS AN ARTIST? 710 00:30:57,456 --> 00:31:00,529 I LOVE YOU, DADDY, BUT I'M NOT A LITTLE GIRL ANYMORE. 711 00:31:00,529 --> 00:31:03,462 YOU CAN'T PROTECT ME FROM EVERYTHING. 712 00:31:08,337 --> 00:31:10,900 SHE'S GOOD. 713 00:31:10,900 --> 00:31:13,872 SHE TOOK YOU APART LIKE A PRO. YOU SAW THAT? 714 00:31:13,872 --> 00:31:16,475 MM-HMM. THROUGH THE GLASS. 715 00:31:16,475 --> 00:31:18,908 IT WAS ACTUALLY KIND OF DIFFICULT TO WATCH. 716 00:31:18,908 --> 00:31:21,380 EVEN HARDER TO EXPERIENCE. 717 00:31:21,380 --> 00:31:25,484 SO DO YOU NEED A MINUTE, OR CAN WE GET BACK TO WORK? 718 00:31:25,484 --> 00:31:27,957 I'LL GIVE YOU A MINUTE. 719 00:31:31,520 --> 00:31:34,223 YOU'RE THE ONE WHO'S BEEN PUSHING HER TO BREAK THE RULES, 720 00:31:34,223 --> 00:31:36,395 AND WHEN SHE SUDDENLY STEPS OUTSIDE OF YOUR COMFORT ZONE, 721 00:31:36,395 --> 00:31:38,397 YOU FREAK OUT. (rings doorbell) 722 00:31:38,397 --> 00:31:40,399 I DIDN'T FREAK OUT. I WAS... 723 00:31:40,399 --> 00:31:42,401 I FREAKED OUT A LITTLE, DIDN'T I? 724 00:31:42,401 --> 00:31:44,403 WELCOME TO PARENTING A TEENAGE GIRL. 725 00:31:44,403 --> 00:31:47,636 AS SOMEONE WHO USED TO BE ONE, YOU HAVE MY SYMPATHY. 726 00:31:47,636 --> 00:31:49,608 DETECTIVE. 727 00:31:49,608 --> 00:31:52,341 CAN WE COME IN? 728 00:31:52,341 --> 00:31:54,944 SURE. 729 00:32:01,590 --> 00:32:03,352 IS EVERYTHING OKAY? 730 00:32:03,352 --> 00:32:05,254 FINE. 731 00:32:05,254 --> 00:32:08,157 WE DID SOME CHECKING, ELISE. FLETCHER WASN'T IN THE CIA. 732 00:32:08,157 --> 00:32:10,429 OKAY. I-IS THAT ALL? 733 00:32:10,429 --> 00:32:12,131 I DON'T UNDERSTAND. 734 00:32:12,131 --> 00:32:15,604 YOU FIGHT ME TOOTH AND NAIL THAT HE WASN'T A CON MAN, 735 00:32:15,604 --> 00:32:19,338 AND NOW YOU JUST GIVE IN? I JUST--I JUST WANT THIS WHOLE THING BEHIND ME. 736 00:32:19,338 --> 00:32:22,941 THERE'S SOMETHING YOU AREN'T TELLING US. I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 737 00:32:22,941 --> 00:32:25,374 ELISE, TELL THEM THE GOOD NEWS. WHAT GOOD NEWS? 738 00:32:25,374 --> 00:32:27,446 NOTHING. FLETCHER'S ALIVE. 739 00:32:27,446 --> 00:32:30,519 (whispers) BEST CASE EVER. 740 00:32:40,159 --> 00:32:42,161 I'M SORRY I TRIED TO FOOL YOU. 741 00:32:42,161 --> 00:32:44,463 IT'S JUST... (sighs) STEVEN LEFT ME A VOICE MAIL 742 00:32:44,463 --> 00:32:47,166 A HALF AN HOUR AGO. AND YOU'RE SURE IT WAS HIM? 743 00:32:47,166 --> 00:32:50,269 (man) Elise, they're after me. 744 00:32:50,269 --> 00:32:53,002 I'll contact you when I can. Trust no one. 745 00:32:53,002 --> 00:32:56,405 (cell phone beeps) OKAY, I JUST GOT A CHILL. 746 00:32:58,747 --> 00:33:01,010 (whispering) THAT'S NOT POSSIBLE. 747 00:33:01,010 --> 00:33:03,312 (whispers) AND YET... 748 00:33:03,312 --> 00:33:04,613 BUT IF FLETCHER'S ALIVE, 749 00:33:04,613 --> 00:33:08,017 THEN WHO'S THE DEAD GUY IN OUR MORGUE? 750 00:33:09,988 --> 00:33:12,161 IT'S FLETCHER, RIGHT? 751 00:33:12,161 --> 00:33:15,664 HONESTLY, I'M NOT 100% SURE. 752 00:33:15,664 --> 00:33:18,467 HIS PRINTS MATCH THE ONES FOUND AT THE APARTMENT, 753 00:33:18,467 --> 00:33:21,230 BUT WE NEVER GOT A FINGERPRINT MATCH ON HIS REAL IDENTITY. 754 00:33:21,230 --> 00:33:23,632 SO I HAVE NOTHING ELSE TO COMPARE IT TO. 755 00:33:23,632 --> 00:33:26,335 PLUS, FLETCHER HAS SEVEN KNOWN IDENTITIES, AND SO FAR, 756 00:33:26,335 --> 00:33:29,338 I HAVEN'T FOUND A SINGLE ONE THAT WENT TO THE DENTIST. 757 00:33:29,338 --> 00:33:31,510 SO I HAVE NO DENTAL RECORDS TO COMPARE. OKAY, BOTTOM LINE? 758 00:33:31,510 --> 00:33:33,512 THIS BODY COULD OR COULD NOT BE 759 00:33:33,512 --> 00:33:35,784 A MAN WHOSE ALIAS IS STEVEN FLETCHER. 760 00:33:35,784 --> 00:33:37,786 BUT WE SAW HIM DIE. 761 00:33:37,786 --> 00:33:40,719 OR DID WE? 762 00:33:40,719 --> 00:33:42,351 I HATE THIS CASE. 763 00:33:42,351 --> 00:33:44,553 I KNOW. ISN'T IT GREAT? 764 00:33:44,553 --> 00:33:48,257 WAIT. WHAT ARE YOU... NO. NO. NO, DON'T. DON'T! DON'T! 765 00:33:48,257 --> 00:33:50,059 (gunshot) AAH! 766 00:33:50,059 --> 00:33:52,061 (beep) WE DON'T ACTUALLY SEE HIS MURDER. 767 00:33:52,061 --> 00:33:54,063 THE CAMERA'S ALREADY FALLEN WHEN THE SHOT WENT OFF. 768 00:33:54,063 --> 00:33:57,166 AND THE BODY WE HAVE DOESN'T EVEN HAVE A FACE. BUT WHY? 769 00:33:57,166 --> 00:33:59,738 FLETCHER WAS ABOUT TO MARRY INTO AN OBSCENE AMOUNT OF MONEY, 770 00:33:59,738 --> 00:34:03,272 AND THE ONLY OTHER SCAM HE HAD GOING WAS AT THE SCHOOL. 771 00:34:03,272 --> 00:34:06,375 WHY WOULD HE JUST JUMP SHIP AND FAKE HIS DEATH? IT'S POSSIBLE AGENT GRAY WAS LYING TO US ABOUT FLETCHER 772 00:34:06,375 --> 00:34:08,817 TO PROTECT THE MISSION. NO, HE WASN'T IN THE CIA. 773 00:34:08,817 --> 00:34:11,820 THE PAPER TRAIL FOR THE CONS IS WAY TOO EXTENSIVE. (cell phone ringing) 774 00:34:11,820 --> 00:34:14,483 THERE'S SOMETHING ELSE THAT WE'RE NOT SEEING HERE. YEAH. 775 00:34:14,483 --> 00:34:16,455 YEAH, ONE OF FLETCHER'S CREDIT CARDS WAS JUST USED 776 00:34:16,455 --> 00:34:20,159 TO BUY A PLANE TICKET-- J.F.K. TO JAKARTA, INDONESIA. HE'S MAKING A RUN FOR IT. 777 00:34:20,159 --> 00:34:23,262 WHY INDONESIA? IT'S A NONEXTRADITION COUNTRY. WHAT TIME DOES THE PLANE LEAVE? 778 00:34:23,262 --> 00:34:25,094 5:00. 779 00:34:25,094 --> 00:34:27,236 ALERT D.H.S. AND T.S.A. 780 00:34:27,236 --> 00:34:30,239 WE'LL COORDINATE A PLAN OF ATTACK ON THE WAY. WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 781 00:34:30,239 --> 00:34:32,371 WE ALSO GOT HITS ON FIVE OTHER IDENTITIES-- 782 00:34:32,371 --> 00:34:34,773 CREDIT CARD RESERVATION FOR FLIGHTS OUT OF NEWARK 783 00:34:34,773 --> 00:34:37,146 AND LaGUARDIA, CAR RENTAL RESERVATIONS OUT OF NEW YORK 784 00:34:37,146 --> 00:34:39,278 AND PHILADELPHIA AND AN AMTRAK OUT OF D.C. 785 00:34:39,278 --> 00:34:41,810 HE'S TRYING TO CONFUSE HIS TRAIL, SPREAD US THIN. WELL, IT'S GONNA WORK. 786 00:34:41,810 --> 00:34:44,383 WE DON'T HAVE RESOURCES TO COVER THAT TERRITORY. AND THESE ARE JUST THE I.D.s THAT WE KNOW ABOUT. 787 00:34:44,383 --> 00:34:47,156 I GUARANTEE YOU HE'S GOT AT LEAST ONE IDENTITY 788 00:34:47,156 --> 00:34:50,389 WE'VE NEVER HEARD OF. SO HE'S GONNA GET AWAY WITH THIS MURDER? 789 00:34:50,389 --> 00:34:52,391 NO. WHAT DO YOU MEAN, "NO"? 790 00:34:52,391 --> 00:34:55,194 BY THE TIME WE FIGURE OUT HIS REAL ESCAPE ROUTE, 791 00:34:55,194 --> 00:34:58,197 HE'LL BE ON A BEACH SOMEWHERE LAUGHING AT US. WE DON'T NEED TO FIGURE OUT HIS ESCAPE ROUTE, 792 00:34:58,197 --> 00:35:00,199 BECAUSE ALL ROADS LEAD TO ELISE. 793 00:35:00,199 --> 00:35:03,202 WHY WOULD HE RISK EVERYTHING BY CALLING ELISE? 794 00:35:03,202 --> 00:35:05,504 SIR, I BELIEVE HE REALLY DOES LOVE HER, 795 00:35:05,504 --> 00:35:08,277 AND HE WAS PLANNING ON RUNNING AWAY WITH HER. 796 00:35:08,277 --> 00:35:11,380 IF WE GET TO ELISE, WE'LL FIND FLETCHER. GO. 797 00:35:11,380 --> 00:35:12,881 YOU JUST MISSED HER. 798 00:35:12,881 --> 00:35:15,884 SHE LEFT ABOUT TEN MINUTES AGO AFTER SHE GOT ANOTHER CALL. 799 00:35:15,884 --> 00:35:18,887 FROM FLETCHER? SHE WOULDN'T SAY. SHE JUST RAN OUT THE DOOR. 800 00:35:18,887 --> 00:35:21,390 BUT I THINK SHE MIGHT HAVE WRITTEN SOMETHING DOWN 801 00:35:21,390 --> 00:35:24,223 BY THE PHONE. 802 00:35:24,223 --> 00:35:25,654 WHAT'S GOING ON? 803 00:35:25,654 --> 00:35:29,298 TRY THE OLD PENCIL TRICK WHERE YOU RUB IT-- I KNOW. 804 00:35:31,560 --> 00:35:33,402 DAMN IT. 805 00:35:33,402 --> 00:35:35,904 I'M GONNA CALL IN AN A.P.B. ON ELISE, 806 00:35:35,904 --> 00:35:39,208 SEE IF WE CAN GET LUCKY AT ONE OF THE AIRPORTS. 807 00:35:39,208 --> 00:35:41,470 OR... 808 00:35:45,374 --> 00:35:47,446 WHAT? 809 00:35:47,446 --> 00:35:49,448 MRS. FINNEGAN, WHAT IS THIS? 810 00:35:49,448 --> 00:35:51,680 OH, OH, THAT'S THEIR ENGAGEMENT ALBUM. 811 00:35:51,680 --> 00:35:53,822 IT JUST CAME. 812 00:35:53,822 --> 00:35:55,824 SUE MADE IT FOR THE WEDDING. 813 00:35:55,824 --> 00:35:57,826 EVERY GUEST WAS GOING TO GET ONE. 814 00:35:57,826 --> 00:36:00,589 THIS LOOKS JUST LIKE THE-- THE ARCTIC BROCHURE FLETCHER HANDED OUT. 815 00:36:00,589 --> 00:36:03,432 YOU SAID SUE MADE THIS? YES, SHE'S A GRAPHIC ARTIST. 816 00:36:03,432 --> 00:36:05,434 HOW LONG HAS SUE KNOWN ELISE? 817 00:36:05,434 --> 00:36:07,436 OH, I DON'T KNOW. A YEAR, MAYBE. 818 00:36:07,436 --> 00:36:08,737 SUE IS FLETCHER'S PARTNER. 819 00:36:08,737 --> 00:36:10,739 IT'S THE UNDERCOVER LOVER CON. 820 00:36:10,739 --> 00:36:13,442 SUE IS THE SCOUT. SHE GETS CLOSE TO ELISE FIRST, 821 00:36:13,442 --> 00:36:15,774 LEARNS EVERYTHING THERE IS TO KNOW, 822 00:36:15,774 --> 00:36:18,477 PAVING THE WAY FOR FLETCHER. WHO COMES IN WITH A PLAYBOOK 823 00:36:18,477 --> 00:36:20,479 OF ALL OF ELISE'S HOPES AND DREAMS, 824 00:36:20,479 --> 00:36:22,481 AND VOILà, IT'S LOVE AT FIRST SIGHT. 825 00:36:22,481 --> 00:36:24,583 OH, NO, NO, NO. SOMETHING DOESN'T QUITE TRACK. 826 00:36:24,583 --> 00:36:26,915 WHY WOULD THEY FAKE FLETCHER'S DEATH IN SUCH A PUBLIC WAY? 827 00:36:26,915 --> 00:36:29,958 THEY HAD TO KNOW THE POLICE WERE GONNA GET INVOLVED, 828 00:36:29,958 --> 00:36:32,891 EXPOSING THEIR CON TO A LOT OF DANGEROUS SCRUTINY. UNLESS FLETCHER REALLY IS DEAD. 829 00:36:32,891 --> 00:36:35,364 IF HER DAD IS RIGHT, 830 00:36:35,364 --> 00:36:38,427 AND FLETCHER REALLY FELL IN LOVE WITH ELISE... AND WAS GOING TO GIVE UP HIS CON MAN WAYS... 831 00:36:38,427 --> 00:36:40,829 THEN SUE STOOD TO LOSE A FORTUNE BY NOT FINISHING THE CON, 832 00:36:40,829 --> 00:36:43,372 AND IF FLETCHER MARRIED ELISE, THEN SUE HAD NO CHANCE 833 00:36:43,372 --> 00:36:46,735 OF PULLING OFF THE CON ON HER OWN. SO SUE TAKES MATTERS INTO HER OWN HANDS. 834 00:36:46,735 --> 00:36:49,278 SHE KILLS FLETCHER, SHOOTING HIM IN THE FACE, 835 00:36:49,278 --> 00:36:52,541 MAKING SURE A POSITIVE I.D. IS IMPOSSIBLE. BINGO. 836 00:36:52,541 --> 00:36:55,284 BUT WHAT ABOUT THE PHONE CALL FROM STEVEN? WELL, SHE MUST HAVE FAKED IT SOMEHOW. 837 00:36:55,284 --> 00:36:57,416 WHY? BECAUSE... 838 00:36:57,416 --> 00:36:59,418 (both) THE CON IS STILL ON. 839 00:36:59,418 --> 00:37:01,520 IF ELISE NEEDED MONEY, WHERE WOULD SHE GO? 840 00:37:01,520 --> 00:37:04,553 NATIONAL BANK AND TRUST. 84th AND LEXINGTON. 841 00:37:04,553 --> 00:37:07,996 THANK YOU, MRS. FINNEGAN. SAVE THESE. THEY'RE EVIDENCE. 842 00:37:07,996 --> 00:37:09,728 SUE. 843 00:37:09,728 --> 00:37:11,460 IS STEVEN OKAY? 844 00:37:11,460 --> 00:37:14,403 YEAH, YEAH. HE WOULD'VE CALLED HIMSELF, BUT IT WASN'T SAFE. 845 00:37:14,403 --> 00:37:16,465 AND--AND HE'S SURE THAT A MILLION'S GOING TO BE ENOUGH? 846 00:37:16,465 --> 00:37:18,467 IT'S ENOUGH TO GET YOU OUT OF THE COUNTRY. 847 00:37:18,467 --> 00:37:21,239 HE'S GOT MONEY STASHED OVERSEAS. OH, THANKS, SUE. 848 00:37:21,239 --> 00:37:22,571 YOU NEED TO HURRY. 849 00:37:22,571 --> 00:37:24,273 OKAY. (chuckles) 850 00:37:37,886 --> 00:37:39,588 ANY PROBLEMS? 851 00:37:39,588 --> 00:37:40,889 NO, NO. 852 00:37:40,889 --> 00:37:42,491 (man) MS. FINNEGAN. 853 00:37:44,633 --> 00:37:45,934 YOU FORGOT YOUR PHONE. 854 00:37:45,934 --> 00:37:49,568 OH, THANK YOU. YOU'RE WELCOME. 855 00:37:49,568 --> 00:37:51,370 STEVEN JUST CALLED. 856 00:37:51,370 --> 00:37:53,472 HE WANTS ME TO DROP THE MONEY AT THE SAFE HOUSE 857 00:37:53,472 --> 00:37:54,973 WHILE YOU GO PACK. 858 00:37:54,973 --> 00:37:58,046 HE SAID TO MEET HIM AT GRAND CENTRAL AT 9:00 859 00:37:58,046 --> 00:38:00,709 AFTER HE DOES ONE LAST THING. 860 00:38:00,709 --> 00:38:03,412 AND THEN YOU TWO CAN BE TOGETHER. HERE. 861 00:38:03,412 --> 00:38:05,414 GOOD LUCK. THANKS. 862 00:38:20,329 --> 00:38:22,000 NEWSPAPERS? 863 00:38:22,000 --> 00:38:24,573 I DIDN'T THINK PEOPLE READ THOSE ANYMORE. 864 00:38:24,573 --> 00:38:27,576 (sirens wailing) 865 00:38:27,576 --> 00:38:29,478 (tires screech) 866 00:38:29,478 --> 00:38:32,611 (police radio chatter) 867 00:38:32,611 --> 00:38:35,584 OUTTA THE CAR, YOU. COME ON. LET ME SEE YOUR HANDS. 868 00:38:35,584 --> 00:38:37,085 TURN AROUND. 869 00:38:37,085 --> 00:38:38,747 YOU KNOW, DETECTIVE BECKETT HERE 870 00:38:38,747 --> 00:38:40,819 DIDN'T THINK WE COULD CON A CON ARTIST, 871 00:38:40,819 --> 00:38:43,051 BUT I TOLD HER YOU JUST WEREN'T THAT SMART. 872 00:38:43,051 --> 00:38:45,454 YOU DID, AFTER ALL, FALL FOR THE OLDEST CON IN THE BOOK-- 873 00:38:45,454 --> 00:38:47,426 THE LAZY SUSAN. 874 00:38:47,426 --> 00:38:49,598 (police radio chatter) 875 00:38:49,598 --> 00:38:51,760 THE LAZY SUSAN? 876 00:38:51,760 --> 00:38:53,502 IT'S EITHER THAT OR THE GRUMPY BEAVER. 877 00:38:53,502 --> 00:38:55,504 I ALWAYS GET THEM MIXED UP. 878 00:38:55,504 --> 00:38:57,936 DETECTIVE. 879 00:38:57,936 --> 00:39:00,439 THANK YOU SO MUCH FOR YOUR HELP. 880 00:39:00,439 --> 00:39:03,572 ABSOLUTELY. IT'S MY JOB TO PROTECT OUR CLIENTS. 881 00:39:03,572 --> 00:39:05,574 HEY. (laughs) 882 00:39:05,574 --> 00:39:07,576 OH, WOW. WHOA. HANG ON A SECOND. 883 00:39:07,576 --> 00:39:10,419 I THOUGHT YOU SAID YOU HATED CON MOVIES. 884 00:39:10,419 --> 00:39:12,721 OH, CASTLE, YOU ARE SUCH AN EASY MARK, AREN'T YA? 885 00:39:12,721 --> 00:39:14,883 HEY, I GOT SOMETHING. 886 00:39:14,883 --> 00:39:18,527 (police radio chatter) 887 00:39:18,527 --> 00:39:20,429 (man) ELISE, THEY'RE AFTER ME. 888 00:39:20,429 --> 00:39:23,732 I'LL CONTACT YOU WHEN I CAN. TRUST NO ONE. 889 00:39:23,732 --> 00:39:25,734 WHEN YOU SEE HOW IT'S DONE, 890 00:39:25,734 --> 00:39:29,468 IT REALLY TAKES THE MAGIC OUT OF IT. DETECTIVE. 891 00:39:31,500 --> 00:39:34,543 IS STEVEN R-REALLY DEAD? 892 00:39:34,543 --> 00:39:37,576 I'M AFRAID SO. 893 00:39:37,576 --> 00:39:41,049 (voice breaks) THEN IT WAS ALL A LIE? 894 00:39:41,049 --> 00:39:42,551 NO, ELISE. 895 00:39:42,551 --> 00:39:45,584 YOU NEED TO KNOW THAT STEVEN LOVED YOU VERY MUCH. 896 00:39:45,584 --> 00:39:47,856 HE CHANGED HIS WAYS 897 00:39:47,856 --> 00:39:51,590 BECAUSE YOU MADE HIM WANT TO BE A BETTER MAN. 898 00:39:51,590 --> 00:39:54,563 THANK YOU. 899 00:40:04,002 --> 00:40:06,435 NO HOT DATE TONIGHT? 900 00:40:06,435 --> 00:40:07,976 NO. JUST THE PAPERWORK. 901 00:40:07,976 --> 00:40:11,109 ONE OF THE MANY REASONS I'M GLAD I'M NOT ACTUALLY A COP. UH-HUH. 902 00:40:11,109 --> 00:40:12,781 HAVE A GOOD ONE. 903 00:40:12,781 --> 00:40:14,783 YEAH, YOU, TOO. 904 00:40:42,010 --> 00:40:45,644 AHA. OH! (whispers) CASTLE, WHAT ARE YOU DOING HERE? 905 00:40:45,644 --> 00:40:48,116 I KNEW YOU WERE READING IT. (normal voice) UH, I W-- 906 00:40:48,116 --> 00:40:51,179 IT'S ON PAGE 105, BY THE WAY. WHAT? 907 00:40:51,179 --> 00:40:54,583 THAT SEX SCENE YOU'RE LOOKING FOR. 908 00:40:54,583 --> 00:40:57,185 AND AGENT GRAY WAS RIGHT. IT'S STEAMY. I WASN'T... 909 00:40:57,185 --> 00:40:58,687 SEE YOU TOMORROW. 910 00:40:58,687 --> 00:41:00,759 (gasps) 911 00:41:00,759 --> 00:41:02,491 (whistles) 912 00:41:02,491 --> 00:41:03,962 (door opens) 913 00:41:03,962 --> 00:41:05,534 (exhales) 914 00:41:05,534 --> 00:41:07,135 OH. 915 00:41:07,135 --> 00:41:09,467 (door closes) 916 00:41:17,976 --> 00:41:20,979 ("Twinkle, Twinkle Little Star" playing out-of-tune on violin) 917 00:41:25,914 --> 00:41:28,517 WAIT. WHO'S GETTING A LESSON? 918 00:41:28,517 --> 00:41:30,488 GRAM. 919 00:41:30,488 --> 00:41:32,490 (Dylan) VERY GOOD. VERY GOOD. 920 00:41:32,490 --> 00:41:33,792 THANK YOU. 921 00:41:33,792 --> 00:41:35,493 THAT'S NICE. 922 00:41:35,493 --> 00:41:37,866 YEAH. 923 00:41:37,866 --> 00:41:39,568 VERY NICE. 924 00:41:39,568 --> 00:41:41,700 YEAH, OH, I--IT'S--YES. 925 00:41:41,700 --> 00:41:43,201 (Dylan speaks indistinctly) 926 00:41:43,201 --> 00:41:45,534 (music continues) 927 00:41:45,534 --> 00:41:48,176 (Martha) YOU REALLY HAVE TO HAVE GOOD POSTURE. 928 00:41:48,176 --> 00:41:50,939 I'M SORRY FOR HOW I ACTED. (song ends) 929 00:41:50,939 --> 00:41:53,542 OH, THANK YOU! YOU KNOW, I STUDIED WHEN I WAS YOUNGER. 930 00:41:53,542 --> 00:41:57,185 THERE'S NO ONE IN THE WORLD I TRUST MORE THAN I TRUST YOU. 931 00:41:57,185 --> 00:41:59,648 AND I'M GONNA TRY TO BE MORE RESPECTFUL. 932 00:41:59,648 --> 00:42:02,691 JUST PROMISE ME ONE THING. 933 00:42:02,691 --> 00:42:05,223 BE PATIENT WITH ME. 934 00:42:05,223 --> 00:42:08,727 I'VE NEVER HAD A TEENAGE DAUGHTER BEFORE. 935 00:42:08,727 --> 00:42:10,729 (Dylan) FANTASTIC. (Martha) ALL RIGHT. (laughs) 936 00:42:10,729 --> 00:42:11,900 DEAL. 937 00:42:11,900 --> 00:42:13,061 THANKS. 938 00:42:13,061 --> 00:42:15,103 (Dylan) HOW LONG HAVE YOU BEEN PLAYING? 939 00:42:15,103 --> 00:42:18,066 (Martha stammers and laughs) 940 00:42:18,066 --> 00:42:19,768 (out-of-tune song resumes) 941 00:42:19,768 --> 00:42:21,539 AREN'T YOU WORRIED 942 00:42:21,539 --> 00:42:24,112 ABOUT DYLAN'S INTENTIONS TOWARDS GRAM? 943 00:42:24,112 --> 00:42:26,114 I'M HOPING THEY INVOLVE RUNNING AWAY TOGETHER, 944 00:42:26,114 --> 00:42:29,217 BUT I'M NOT THAT LUCKY. (Dylan) IT'S GETTING BETTER. 945 00:42:29,217 --> 00:42:32,781 (Martha) IS IT REALLY? SPEAKING OF RUNNING AWAY, HOW ABOUT WE HAVE DINNER OUT? 946 00:42:32,781 --> 00:42:34,282 YES, PLEASE. THANK YOU. 947 00:42:34,282 --> 00:42:36,284 (Dylan) REALLY KEEP THAT WRIST FLEXED. 948 00:42:36,284 --> 00:42:38,657 GOOD, GOOD. 949 00:42:38,657 --> 00:42:40,659 ♪ AH ♪ 950 00:42:40,659 --> 00:42:42,230 (Dylan laughs)