1 00:00:01,602 --> 00:00:04,135 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,135 --> 00:00:06,006 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,006 --> 00:00:08,639 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,639 --> 00:00:10,641 CASTLE. CASTLE. 5 00:00:10,641 --> 00:00:13,314 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,314 --> 00:00:15,216 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,216 --> 00:00:17,388 BECKETT. BECKETT. 8 00:00:17,388 --> 00:00:19,390 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,390 --> 00:00:21,392 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,392 --> 00:00:24,024 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:24,024 --> 00:00:27,128 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,128 --> 00:00:30,461 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:30,461 --> 00:00:32,463 (woman) ♪ WE'LL JUST GO HAVE SOME FUN ♪ 14 00:00:32,463 --> 00:00:34,605 (woman speaking indistinctly) 15 00:00:34,605 --> 00:00:36,207 ♪ IN THE NIGHT ♪ 16 00:00:36,207 --> 00:00:38,169 OH, A FOUNTAIN. 17 00:00:38,169 --> 00:00:40,271 I LOVE FOUNTAINS. WHOA! 18 00:00:40,271 --> 00:00:42,273 COME BACK! COME ON, BABY. 19 00:00:42,273 --> 00:00:44,445 COME ON. IT'LL BE FUN. 20 00:00:44,445 --> 00:00:47,118 NOW? ARE YOU KIDDING? 21 00:00:47,118 --> 00:00:49,820 IF YOU CATCH ME, YOU CAN HAVE ME. 22 00:00:49,820 --> 00:00:52,823 OKAY, I'M COMING. 23 00:00:52,823 --> 00:00:55,086 I'M COMING! I'M COMING OVER. 24 00:00:55,086 --> 00:00:56,827 TAKE YOUR PANTS OFF! 25 00:00:56,827 --> 00:00:59,230 GET OVER HERE! I'M COMING. 26 00:00:59,230 --> 00:01:03,094 ♪♪ 27 00:01:03,094 --> 00:01:05,296 (laughing) 28 00:01:05,296 --> 00:01:07,568 (both moaning) 29 00:01:07,568 --> 00:01:09,840 (laughs) 30 00:01:09,840 --> 00:01:12,843 (screaming) 31 00:01:16,377 --> 00:01:18,379 (Martha, with Southern accent) I SWEAR, JASMINE. 32 00:01:18,379 --> 00:01:20,451 THIS HAS ALWAYS BEEN THE WAY WITH YOU. 33 00:01:20,451 --> 00:01:23,414 YOU CAN'T JUST GO THROUGH LIFE ASKING FOR AN EGG IN YOUR BEER 34 00:01:23,414 --> 00:01:25,716 AND YOUR MONEY BACK TWICE. 35 00:01:25,716 --> 00:01:27,258 (normal voice) LINE. 36 00:01:27,258 --> 00:01:30,121 SORRY. "OH, MAMA, IF I'M SUCH A DISAPPOINTMENT TO YOU, 37 00:01:30,121 --> 00:01:32,263 "I DON'T KNOW WHY YOU EVEN BOTHER COMING HOME. 38 00:01:32,263 --> 00:01:35,266 ISN'T THAT RIGHT, GRANNY?" (with Southern accent) "SHUT UP, BOTH OF YOU. 39 00:01:35,266 --> 00:01:38,669 I'M TRYIN' TO WATCH MY STORIES." (with Southern accent) OH, I WISH I'D NEVER LEFT PARIS. 40 00:01:38,669 --> 00:01:40,671 (normal voice) AND SCENE. GOOD. GOOD. 41 00:01:40,671 --> 00:01:43,574 ALL RIGHT, LET'S TAKE IT FROM THE TOP. UGH! 42 00:01:43,574 --> 00:01:47,208 MNH-MNH. OH, GUYS, COME ON. DON'T YOU WANT ME TO LAND THIS ROLE? 43 00:01:47,208 --> 00:01:49,280 OF COURSE WE DO. IT'S-- (Alexis) YEAH. 44 00:01:49,280 --> 00:01:51,612 LOOK, WE ARE TALKING ABOUT THE LEAD IN A BROADWAY PLAY. 45 00:01:51,612 --> 00:01:53,614 THIS IS A POTENTIAL GOLD MINE. 46 00:01:53,614 --> 00:01:56,187 IF IT'S A HIT, WHO KNOWS HOW LONG IT COULD RUN? 47 00:01:56,187 --> 00:01:58,489 THEN I COULD TAKE IT ON THE ROAD. YOU MEAN YOU'D LEAVE US? 48 00:01:58,489 --> 00:02:01,192 WELL, ONLY FOR NINE MONTHS OF THE YEAR. 49 00:02:01,192 --> 00:02:04,195 OH, DON'T LOOK SO SAD. AND YOU, DON'T LOOK SO HAPPY. 50 00:02:04,195 --> 00:02:05,496 (cell phone rings and beeps) 51 00:02:05,496 --> 00:02:07,298 CASTLE. 52 00:02:07,298 --> 00:02:10,161 I'LL BE RIGHT THERE. ALL RIGHT. 53 00:02:10,161 --> 00:02:12,763 DEATH, MURDER, MAYHEM-- WHOLE ENCHILADA. 54 00:02:12,763 --> 00:02:14,735 SORRY TO BAIL ON REHEARSAL. 55 00:02:14,735 --> 00:02:17,238 OH, DON'T WORRY. ALEXIS CAN READ BOTH PARTS. 56 00:02:17,238 --> 00:02:19,770 IT'S ALL RIGHT IF SHE MISSES A MORNING OF SCHOOL, ISN'T IT? 57 00:02:19,770 --> 00:02:21,912 TAKE ME WITH YOU. TO A CRIME SCENE? 58 00:02:21,912 --> 00:02:25,216 IT'D BE EDUCATIONAL. PLEASE. 59 00:02:25,216 --> 00:02:26,777 UH... (speaks indistinctly) 60 00:02:26,777 --> 00:02:29,280 (lowered voice) FIND YOUR OWN HIDING PLACE. 61 00:02:29,280 --> 00:02:30,581 (sighs) 62 00:02:32,683 --> 00:02:35,155 (siren wails, camera shutter clicks) (Esposito) CAUCASIAN FEMALE. 63 00:02:35,155 --> 00:02:37,488 COUPLE OF SKINNY-DIPPERS FOUND HER THIS MORNING. BET THAT KILLED THE MOOD. 64 00:02:37,488 --> 00:02:39,890 PURSE IS MISSING, NO I.D. AND GET THIS-- 65 00:02:39,890 --> 00:02:43,694 WE COULDN'T FIND HER SHOES. I'M GONNA GO WITH "STILL WITH PRINCE CHARMING AT THE BALL." 66 00:02:43,694 --> 00:02:46,197 (Castle) SHOULD WE LOOK FOR A PUMPKIN AND SOME MICE? 67 00:02:46,197 --> 00:02:48,299 AH, I GUESS NOT. 68 00:02:48,299 --> 00:02:50,401 CANVASS THE BUILDINGS SURROUNDING THE PLAZA 69 00:02:50,401 --> 00:02:52,943 AND GET UNIFORMS TO CHECK TRASH CANS AND DUMPSTERS 70 00:02:52,943 --> 00:02:54,445 FOR HER PURSE. 71 00:02:54,445 --> 00:02:55,776 AYE-AYE. 72 00:02:55,776 --> 00:02:57,308 (police radio chatter) 73 00:02:57,308 --> 00:03:00,180 (Beckett) HI, LANIE. HEY. 74 00:03:00,180 --> 00:03:02,213 CAUSE OF DEATH? STABBING. 75 00:03:02,213 --> 00:03:03,954 THERE'S A FATAL WOUND IN HER BACK. 76 00:03:03,954 --> 00:03:05,916 MAYBE A RIVALRY GONE WRONG? MAYBE. 77 00:03:05,916 --> 00:03:07,918 WE GOTTA FIND OUT WHO SHE IS 78 00:03:07,918 --> 00:03:11,262 AND WHAT SHE WAS DOING HERE SO LATE, THOUGH. WELL, SHE'S TALL, SHE'S GORGEOUS, 79 00:03:11,262 --> 00:03:13,764 10 POUNDS UNDERWEIGHT, HER HAIR IS FRIED 80 00:03:13,764 --> 00:03:16,196 AND SHE'S WEARING TOO MUCH EYE MAKEUP. 81 00:03:16,196 --> 00:03:18,399 SHE'S A MODEL, WHICH MEANS SHE WAS PROBABLY 82 00:03:18,399 --> 00:03:21,432 AT A CLUB LAST NIGHT. IT IS, AFTER ALL, FASHION WEEK-- 83 00:03:21,432 --> 00:03:24,204 WHEN ALL THE HOTTEST WOMEN IN THE WORLD 84 00:03:24,204 --> 00:03:26,707 DESCEND UPON THE HIPPEST NIGHT SPOTS LIKE LOCUSTS. 85 00:03:26,707 --> 00:03:29,440 ONLY LOCUSTS EAT. CAN YOU TELL ME WHO KILLED HER? 86 00:03:29,440 --> 00:03:31,912 THEN PIPE DOWN. THIS WAS ON HER WRIST. 87 00:03:31,912 --> 00:03:34,345 SHE WAS AT A CLUB. 88 00:03:36,887 --> 00:03:39,590 THAT'S TEDDY FARROW'S LOGO. 89 00:03:39,590 --> 00:03:42,423 HE DESIGNS CLOTHES FOR WOMEN-- UPSCALE, EXPENSIVE. OH, MY CREDIT CARD AND I 90 00:03:42,423 --> 00:03:44,555 ARE PAINFULLY AWARE OF TEDDY'S DESIGNS. 91 00:03:44,555 --> 00:03:48,429 I ALMOST ASKED FOR CUSTODY OF THEM AFTER MY LAST DIVORCE. 92 00:03:48,429 --> 00:03:50,601 IS THERE A LABEL IN HER DRESS? 93 00:03:50,601 --> 00:03:52,002 TEDDY FARROW COLLECTION. 94 00:03:52,002 --> 00:03:53,934 WELL, IF SHE IS ONE OF HIS MODELS, 95 00:03:53,934 --> 00:03:57,268 MAYBE HE CAN IDENTIFY HER FOR US. THANK YOU, LANIE. YOU'RE WELCOME. 96 00:03:57,268 --> 00:04:00,010 I CAN ALREADY SEE THE BLURB ON MY NEXT BOOK JACKET. 97 00:04:00,010 --> 00:04:02,012 "IT'S FASHION WEEK IN NEW YORK CITY, 98 00:04:02,012 --> 00:04:04,275 AND THE CLOTHES ARE TO DIE FOR." 99 00:04:04,275 --> 00:04:07,418 (Madison Park's "My Personal Moon" playing) 100 00:04:07,418 --> 00:04:09,820 (camera shutter clicks) 101 00:04:09,820 --> 00:04:12,823 (indistinct conversations) 102 00:04:12,823 --> 00:04:14,325 FIVE MINUTES, PEOPLE. 103 00:04:14,325 --> 00:04:16,287 THAT'S JENNA. JENNA McBOYD. 104 00:04:16,287 --> 00:04:18,289 SHE WAS SUPPOSED TO WALK FOR ME TODAY. 105 00:04:18,289 --> 00:04:19,960 MY GOD. WHAT HAPPENED. 106 00:04:19,960 --> 00:04:22,863 SHE WAS STABBED SOME TIME THIS MORNING. I CAN'T BELIEVE IT. 107 00:04:22,863 --> 00:04:25,896 I MEAN, I SAW HER LAST NIGHT AT MY PARTY. 108 00:04:25,896 --> 00:04:29,800 DID YOU NOTICE ANYTHING UNUSUAL AT THE PARTY? SHE WAS AGITATED, 109 00:04:29,800 --> 00:04:32,603 BUT THAT WASN'T SO UNUSUAL FOR HER THESE DAYS. WHICH ONE? OKAY. 110 00:04:32,603 --> 00:04:35,976 ANY IDEA WHAT WAS WRONG? YEAH, SHE WAS STRESSED OUT. 111 00:04:35,976 --> 00:04:38,349 HEY, NOT THE PINK SASH. THE BLUE ONE. 112 00:04:38,349 --> 00:04:40,981 (woman) SORRY, SIR. LOOK, JENNA WAS A SMALL-TOWN GIRL. 113 00:04:40,981 --> 00:04:43,854 I MEAN, STRAIGHT OFF THE BUS FROM OHIO. 114 00:04:43,854 --> 00:04:47,057 YOU'RE SAYING SHE WAS AN INNOCENT. SHE WAS A RISING STAR, 115 00:04:47,057 --> 00:04:50,561 BUT SHE WASN'T READY FOR WHAT WAS COMING HER WAY. WHAT DO YOU MEAN? 116 00:04:50,561 --> 00:04:52,563 (man) FOUR MINUTES, PEOPLE. FOUR MINUTES. 117 00:04:52,563 --> 00:04:54,525 I MEAN... I WAS THINKING OF MAKING HER 118 00:04:54,525 --> 00:04:56,066 THE FACE OF MY CAMPAIGN. 119 00:04:56,066 --> 00:04:58,999 THAT WOULD'VE MEANT PHOTO SHOOTS, MAGAZINES, 120 00:04:58,999 --> 00:05:01,071 BILLBOARDS IN TIMES SQUARE, TRAVEL, 121 00:05:01,071 --> 00:05:03,073 NOT TO MENTION A VERY GENEROUS PAYCHECK. 122 00:05:03,073 --> 00:05:05,836 SEEMS TO BE ALL PRETTY HEADY STUFF FOR A NAIVE YOUNG GIRL. 123 00:05:05,836 --> 00:05:09,710 IN RECENT WEEKS, SHE'D BECOME SO BAD TEMPERED, UH, PARANOID. 124 00:05:09,710 --> 00:05:12,012 I'D STARTED TO WONDER IF SHE WASN'T TOO INEXPERIENCED 125 00:05:12,012 --> 00:05:13,884 FOR A MAJOR CAMPAIGN. 126 00:05:13,884 --> 00:05:15,886 YOU SAID THAT SHE WAS PARANOID. 127 00:05:15,886 --> 00:05:18,349 ANY CHANCE SHE WAS DOING DRUGS? NOT HER STYLE. 128 00:05:18,349 --> 00:05:20,851 TEDDY, IF YOU WANT ME TO SHOOT THE GIRLS, 129 00:05:20,851 --> 00:05:24,695 YOU NEED TO GET THAT BOY-BAND POSER OUT OF MY SEAT. WYATT, I'LL TAKE CARE OF IT. 130 00:05:24,695 --> 00:05:27,758 UH, MR. FARROW, JUST A COUPLE MORE QUESTIONS. 131 00:05:27,758 --> 00:05:30,060 YES. BUT QUICKLY, PLEASE. 132 00:05:30,060 --> 00:05:33,063 WHO WAS JENNA WITH LAST NIGHT AT YOUR PARTY? 133 00:05:33,063 --> 00:05:35,065 CASTLE, FOCUS. I ONLY SAW HER BRIEFLY. 134 00:05:35,065 --> 00:05:38,369 SHE SPENT MOST OF HER TIME WITH SIERRA, HER BEST FRIEND. 135 00:05:38,369 --> 00:05:41,111 THAT'S SIERRA THERE, WITH THE WEDDING GOWN. 136 00:05:41,111 --> 00:05:44,114 SO IF THAT'S ALL, NOW I REALLY MUST TAKE CARE 137 00:05:44,114 --> 00:05:46,517 OF LAST-MINUTE DETAILS. UH, ONE LAST THING. 138 00:05:46,517 --> 00:05:49,850 WHEN, UH, JENNA LEFT YOUR PARTY, WAS SHE WEARING SHOES? 139 00:05:49,850 --> 00:05:51,922 YES. UH, CHRISTIAN LOUBOUTIN PINK SATIN PUMPS 140 00:05:51,922 --> 00:05:53,924 I LENT HER FOR THE EVENING. 141 00:05:53,924 --> 00:05:56,927 THE DRESS SHE WAS WEARING WAS A ONE OF A KIND. 142 00:05:56,927 --> 00:05:59,890 I DON'T SUPPOSE WE CAN HAVE IT RETURNED. 143 00:05:59,890 --> 00:06:02,032 IT'S IN EVIDENCE NOW. 144 00:06:02,032 --> 00:06:05,365 AND IT HAS A HOLE IN THE BACK OF IT WHERE SHE WAS STABBED. 145 00:06:05,365 --> 00:06:07,938 SORRY. 146 00:06:07,938 --> 00:06:11,001 ♪ THE MOON IS MY GUIDING LIGHT ♪ 147 00:06:11,001 --> 00:06:12,603 RICK CASTLE. 148 00:06:12,603 --> 00:06:15,446 IT'S SO FUNNY I RAN INTO YOU TODAY. 149 00:06:15,446 --> 00:06:17,978 I JUST BOUGHT THIS ON MY WAY IN. 150 00:06:17,978 --> 00:06:19,980 OH, LOOK AT THAT. IT'S MY COVER. 151 00:06:19,980 --> 00:06:22,983 AND IT'S ON STANDS ALREADY. "RICHARD CASTLE GETS THE INSPIRATION 152 00:06:22,983 --> 00:06:24,815 "FOR HIS LATEST NOVEL, 'HEAT WAVE'..." 153 00:06:24,815 --> 00:06:27,387 MM. "AND HIS NEW CHARACTER NIKKI HEAT 154 00:06:27,387 --> 00:06:29,820 FROM NEW YORK'S FINEST." THAT'S NICE, RIGHT? 155 00:06:29,820 --> 00:06:32,863 COULD YOU-- YES, ABSOLUTELY. WHO SHOULD I MAKE IT OUT TO? 156 00:06:32,863 --> 00:06:35,566 OH. YOU DON'T REMEMBER ME? 157 00:06:35,566 --> 00:06:38,098 NO--YES. OF COURSE I DO. YEAH. YOU'RE-- 158 00:06:38,098 --> 00:06:42,433 RINA. RINA. YES. WE MET AT THAT PARTY WITH THAT-- 159 00:06:42,433 --> 00:06:44,174 THAT THING THAT WAS LATE, AND IT WAS CRAZY. 160 00:06:44,174 --> 00:06:47,107 THAT--WOW, WHAT A NIGHT. (man) LET'S GO, MODELS. TAKE YOUR PLACES. 161 00:06:47,107 --> 00:06:49,440 I NEED YOU UP HERE AND IN LINE. 162 00:06:49,440 --> 00:06:50,981 HERE. 163 00:06:50,981 --> 00:06:52,843 ♪ ...PERSONAL MOON ♪ 164 00:06:52,843 --> 00:06:54,715 CALL ME. 165 00:06:54,715 --> 00:06:57,948 ♪ PULLING ME CLOSER ♪ 166 00:06:57,948 --> 00:07:00,851 YOU'RE IN HERE, TOO, YOU KNOW? 167 00:07:00,851 --> 00:07:02,623 MM-HMM. 168 00:07:02,623 --> 00:07:05,726 ♪ PULLING ME CLOSER ♪ 169 00:07:05,726 --> 00:07:07,728 (camera shutters clicking) 170 00:07:07,728 --> 00:07:09,029 OH, GOD. 171 00:07:09,029 --> 00:07:11,131 I FEEL SICK. 172 00:07:11,131 --> 00:07:13,203 AND I'M WEARING HER GOWN. 173 00:07:13,203 --> 00:07:16,436 SHE WAS SUPPOSED TO CLOSE THE SHOW TODAY, NOT ME. 174 00:07:16,436 --> 00:07:18,939 I CALLED HER THIS MORNING LIKE A MILLION TIMES, 175 00:07:18,939 --> 00:07:22,042 BUT IT JUST KEPT GOING TO VOICE MAIL. WHEN DID JENNA LEAVE THE PARTY? 176 00:07:22,042 --> 00:07:24,144 UH, AROUND MIDNIGHT. 177 00:07:24,144 --> 00:07:26,146 I ASSUMED SHE WAS GOING HOME. 178 00:07:26,146 --> 00:07:28,649 MR. FARROW MENTIONED THAT SHE SEEMED AGITATED LATELY. 179 00:07:28,649 --> 00:07:31,722 TOMORROW, TEDDY'S ANNOUNCING THE NEW FACE OF HIS COLLECTION. 180 00:07:31,722 --> 00:07:34,054 JENNA WAS UP FOR THE JOB, AND SHE WAS A LITTLE TENSE. 181 00:07:34,054 --> 00:07:37,057 BUT SHE DIDN'T HAVE ANY REASON TO BE. WHY NOT? 182 00:07:37,057 --> 00:07:40,090 SHE WAS A LOCK. JENNA WAS TEDDY'S FAVORITE. 183 00:07:40,090 --> 00:07:42,863 OH, GOD. 184 00:07:42,863 --> 00:07:44,965 DOES TRAVIS KNOW? 185 00:07:44,965 --> 00:07:48,639 HER HUSBAND? HE'S GONNA BE DEVASTATED. 186 00:07:48,639 --> 00:07:51,201 THEY WERE SO IN LOVE. 187 00:07:51,201 --> 00:07:53,604 I WENT TO BED AROUND 11:00. 188 00:07:53,604 --> 00:07:56,547 I FIGURED SHE'D WAKE ME WHEN SHE GOT IN. 189 00:07:56,547 --> 00:07:59,209 BUT AT 3:00 A.M., SHE WASN'T HOME. 190 00:07:59,209 --> 00:08:01,652 SO... (sniffles) I CALLED HER CELL PHONE. 191 00:08:01,652 --> 00:08:03,153 SHE WASN'T THERE. 192 00:08:03,153 --> 00:08:04,655 I CALLED THE COPS. 193 00:08:04,655 --> 00:08:06,657 THEY SAID I HAD TO WAIT 48 HOURS 194 00:08:06,657 --> 00:08:09,259 TILL I COULD REPORT HER MISSING. 195 00:08:09,259 --> 00:08:11,491 I TOLD THEM, "YOU DON'T KNOW MY WIFE. 196 00:08:11,491 --> 00:08:15,896 IF SHE'S NOT HOME BY NOW, SOMETHING HAPPENED TO HER." 197 00:08:15,896 --> 00:08:18,999 GOD, I SHOULD'VE BEEN THERE. TH-- 198 00:08:18,999 --> 00:08:21,171 THESE PARTIES, YOU KNOW, THEY'RE JUST-- 199 00:08:21,171 --> 00:08:23,173 EVERYONE'S SO PHONY. 200 00:08:23,173 --> 00:08:25,005 TRAVIS, I KNOW THIS IS DIFFICULT, 201 00:08:25,005 --> 00:08:28,809 BUT I HAVE TO ASK YOU THIS QUESTION. 202 00:08:28,809 --> 00:08:31,742 WAS THERE ANYONE THAT YOU CAN THINK OF 203 00:08:31,742 --> 00:08:34,885 THAT WOULD WANT TO DO HARM TO JENNA? 204 00:08:34,885 --> 00:08:37,788 YOU'RE KIDDING, RIGHT? 205 00:08:37,788 --> 00:08:40,520 WE--WE--WE FILED THE REPORTS. 206 00:08:40,520 --> 00:08:43,293 DID--DIDN'T THE OTHER COPS SEND 'EM TO YOU GUYS? 207 00:08:43,293 --> 00:08:45,295 REPORTS? FOR HARASSMENT. 208 00:08:45,295 --> 00:08:48,999 SOME GUY WAS SENDING JENNA LETTERS. 209 00:08:48,999 --> 00:08:51,001 LIKE, WRITING ALL SORTS OF SICK THINGS. 210 00:08:51,001 --> 00:08:53,634 HE WAS TAKING PICTURES OF HER, TOO. 211 00:08:53,634 --> 00:08:56,006 IT'S LIKE HE WAS WATCHING US ALL THE TIME. 212 00:08:56,006 --> 00:08:59,840 SHE WAS FALLING APART. I MEAN, WE BOTH WERE. 213 00:08:59,840 --> 00:09:03,043 HELL, WE ALMOST MOVED BACK HOME. AND YOU FILED A REPORT? 214 00:09:03,043 --> 00:09:05,075 YEAH, A DOZEN OF 'EM. 215 00:09:05,075 --> 00:09:08,178 AND EVERY TIME, YOU PEOPLE SAID THE SAME DAMN THING. 216 00:09:08,178 --> 00:09:10,180 THAT THIS IS NEW YORK, 217 00:09:10,180 --> 00:09:12,923 AND YOU GOT MORE IMPORTANT THINGS TO DO 218 00:09:12,923 --> 00:09:15,626 THAN TO TRACK DOWN SOME ANNOYING FAN. 219 00:09:15,626 --> 00:09:18,128 AND NOW SHE'S DEAD. 220 00:09:18,128 --> 00:09:21,261 MY WIFE... IS DEAD. 221 00:09:21,261 --> 00:09:24,735 (Ryan) LETTERS WERE MAILED FROM THE SOHO POST OFFICE. 222 00:09:24,735 --> 00:09:27,037 NO RETURN ADDRESS, NO SIGNATURE. 223 00:09:27,037 --> 00:09:29,600 HMM. SO THE ANONYMOUS STALKER DIDN'T WRITE DOWN 224 00:09:29,600 --> 00:09:31,702 HIS NAME AND NUMBER? YEAH, I'M JUST SAYIN'. 225 00:09:31,702 --> 00:09:34,204 "I SAW YOU TODAY IN THE SUBWAY. DID YOU SEE ME? 226 00:09:34,204 --> 00:09:36,777 I WANTED TO TASTE YOU." THAT'S PRETTY SICK STUFF. 227 00:09:36,777 --> 00:09:38,779 BUT HE DOESN'T MAKE ANY DIRECT THREATS. 228 00:09:38,779 --> 00:09:41,812 THAT'S WHY JENNA AND TRAVIS COULDN'T GET THE BEAT COPS 229 00:09:41,812 --> 00:09:44,885 TO TAKE 'EM SERIOUSLY. BOY, TWO SMALL-TOWN KIDS GO TO THE BIG CITY 230 00:09:44,885 --> 00:09:46,887 TO FOLLOW THEIR DREAMS, AND THEN THIS. 231 00:09:46,887 --> 00:09:50,120 NOT THE FAIRY-TALE ENDING THEY WERE LOOKING FOR, I'M SURE. 232 00:09:50,120 --> 00:09:52,723 YOU KNOW, TO TAKE THESE SHOTS, HE WOULD'VE HAD TO HAVE BEEN 233 00:09:52,723 --> 00:09:54,895 ON A ROOFTOP PRETTY CLOSE TO THE APARTMENT. 234 00:09:54,895 --> 00:09:57,067 NO WONDER SHE WAS FREAKED OUT. 235 00:09:57,067 --> 00:09:59,329 FIND THE ROOF, SEE IF THERE'S ANYTHING UP THERE 236 00:09:59,329 --> 00:10:01,131 THAT WE CAN USE TO IDENTIFY HIM. 237 00:10:01,131 --> 00:10:04,835 THOSE COPS LET JENNA DOWN ONCE. WE'RE NOT GONNA DO IT AGAIN. 238 00:10:04,835 --> 00:10:10,010 ♪♪ 239 00:10:17,147 --> 00:10:19,950 HELLO. I'M HOME. AND I BROUGHT CHOW FUN. 240 00:10:19,950 --> 00:10:22,192 HEY, DAD. HEY. 241 00:10:22,192 --> 00:10:23,724 OH, NICE. 242 00:10:23,724 --> 00:10:26,727 BUT I ALREADY PICKED UP A COPY ON MY WAY HOME. 243 00:10:26,727 --> 00:10:28,729 WELL, DID YOU READ IT? WAS SHE KIND? 244 00:10:28,729 --> 00:10:32,162 THE WRITER LOVED YOU. SHE LOVED DETECTIVE BECKETT. 245 00:10:32,162 --> 00:10:34,905 SHE EVEN LOVED THE BOOK. IT WAS YOUR BASIC PUFF PIECE. 246 00:10:34,905 --> 00:10:37,908 WELL, I'M SURE MY MOTHER WILL FIND SOMETHING TO SAY 247 00:10:37,908 --> 00:10:40,170 THAT WILL KEEP ME FROM GETTING TOO PUFFED. 248 00:10:40,170 --> 00:10:41,672 NOT TONIGHT SHE WON'T. 249 00:10:41,672 --> 00:10:43,844 SHE'S IN HER ROOM, MOURNING THE DEATH OF HER CAREER. 250 00:10:43,844 --> 00:10:46,176 OH, SHE DIDN'T GET THAT PLAY? 251 00:10:46,176 --> 00:10:48,418 SHE DID. JUST NOT THE PART SHE WANTED. 252 00:10:48,418 --> 00:10:51,121 THE PRODUCER SAID SHE'S NOT RIGHT TO PLAY THE LEAD. 253 00:10:51,121 --> 00:10:53,123 THEY WANT HER TO PLAY THE CRAZY GRANNY. 254 00:10:53,123 --> 00:10:55,055 OH, THE CRAZY GRANNY. 255 00:10:55,055 --> 00:10:58,188 WHO DIES IN ACT ONE... OH. 256 00:10:58,188 --> 00:11:00,090 OFFSTAGE. OH. 257 00:11:00,090 --> 00:11:02,162 (cell phone rings) 258 00:11:02,162 --> 00:11:04,194 NO. (beep) 259 00:11:04,194 --> 00:11:06,897 YOU EXPECTING A CALL? A CALLBACK, ACTUALLY. 260 00:11:06,897 --> 00:11:09,069 I MET A NICE YOUNG WOMAN AT FASHION WEEK. 261 00:11:09,069 --> 00:11:11,772 I LEFT HER A MESSAGE ABOUT AN HOUR AGO. 262 00:11:11,772 --> 00:11:14,404 A MODEL? MM-HMM. 263 00:11:14,404 --> 00:11:17,077 GEE, DAD. PICKING UP HOTTIES WHILE YOU'RE WORKING A CASE? 264 00:11:17,077 --> 00:11:19,309 SHE PICKED ME UP, AS A MATTER OF FACT. 265 00:11:19,309 --> 00:11:22,082 SHE SAID WE KNEW EACH OTHER FROM... SOMEWHERE. 266 00:11:22,082 --> 00:11:24,855 IT'S A CURSE, BEING SO IRRESISTIBLE. HMM. 267 00:11:24,855 --> 00:11:27,017 WHAT'S THIS ONE'S NAME-- LOLA, 268 00:11:27,017 --> 00:11:29,059 BREE, TATIANA? 269 00:11:29,059 --> 00:11:30,891 RINA. 270 00:11:30,891 --> 00:11:33,193 DID YOU SAY RINA? YEAH. 271 00:11:33,193 --> 00:11:35,695 BLONDE HAIR? YEAH. 272 00:11:35,695 --> 00:11:37,728 BAMBI EYES? YEAH. 273 00:11:37,728 --> 00:11:40,170 CUTE LITTLE OVERBITE? YEAH. 274 00:11:40,170 --> 00:11:42,873 DAD, YOU KNOW RINA. 275 00:11:42,873 --> 00:11:46,176 SHE USED TO BABYSIT ME. SHE USED TO WHAT YOU? 276 00:11:46,176 --> 00:11:47,838 BABY... SIT. 277 00:11:47,838 --> 00:11:50,480 REMEMBER? WE WATCHED "HIGH SCHOOL MUSICAL" TOGETHER, 278 00:11:50,480 --> 00:11:52,883 LIKE, A MILLION TIMES. 279 00:11:52,883 --> 00:11:55,185 I-I VAGUELY REMEMBER A-A-- LIKE, A GANGLY GIRL 280 00:11:55,185 --> 00:11:57,147 WITH STRINGY HAIR AND BRACES NAMED KATRINA. 281 00:11:57,147 --> 00:11:58,849 THAT'S THE ONE. 282 00:11:58,849 --> 00:12:01,221 SHE DID THE WHOLE "UGLY DUCKLING TO SWAN" THING, 283 00:12:01,221 --> 00:12:03,393 SHORTENED HER NAME AND BECAME A MODEL. 284 00:12:03,393 --> 00:12:07,097 THAT'S SO FUNNY THAT YOU RAN INTO HER. 285 00:12:07,097 --> 00:12:09,099 THE WORLD IS REALLY SMALL. 286 00:12:09,099 --> 00:12:11,201 YEAH, SMALL AND CRUEL. 287 00:12:11,201 --> 00:12:13,203 (Lanie) I'M PUTTING THE TIME OF DEATH 288 00:12:13,203 --> 00:12:15,906 BETWEEN 2:00 AND 5:00 A.M. SHE LEFT THE PARTY AT MIDNIGHT. 289 00:12:15,906 --> 00:12:18,268 SO WHERE WAS SHE FOR TWO HOURS? 290 00:12:18,268 --> 00:12:20,811 ANY SIGNS OF SEXUAL ASSAULT? 291 00:12:20,811 --> 00:12:23,273 NO, BUT SHE PUT UP A FIGHT. 292 00:12:23,273 --> 00:12:26,116 THERE'S SOME BRUISING ON HER ARMS AND HANDS, 293 00:12:26,116 --> 00:12:27,818 HER DRESS WAS TORN. 294 00:12:27,818 --> 00:12:30,320 THERE'S A CUT INSIDE OF HER CHEEK, INDICATING THAT 295 00:12:30,320 --> 00:12:32,452 SHE WAS SLAPPED, HARD. BUT HERE'S THE WEIRD PART-- 296 00:12:32,452 --> 00:12:35,225 SHE WAS STABBED WITH SOMETHING LONG AND SHARP. 297 00:12:35,225 --> 00:12:37,287 IT WASN'T YOUR TYPICAL BLADE. 298 00:12:37,287 --> 00:12:39,159 HOW SO? 299 00:12:39,159 --> 00:12:41,391 WELL, BASED ON THE WOUND, I MADE A RECONSTRUCTION. 300 00:12:41,391 --> 00:12:44,094 IT'S 4-SIDED. IT'S SLIMMER AT THE TIP 301 00:12:44,094 --> 00:12:46,867 AND GETS PROGRESSIVELY WIDER AT THE BASE. 302 00:12:46,867 --> 00:12:49,439 ALSO, I FOUND TRACES OF GLASS IN THE WOUND. 303 00:12:49,439 --> 00:12:53,003 SHE WAS STABBED WITH THE WASHINGTON MONUMENT? (cell phone rings) 304 00:12:53,003 --> 00:12:55,005 EXCUSE ME. 305 00:12:55,005 --> 00:12:56,847 (rings and beeps) 306 00:12:56,847 --> 00:12:58,548 ESPOSITO, ANY LUCK? 307 00:12:58,548 --> 00:13:00,410 YEP, ROOFTOP 308 00:13:00,410 --> 00:13:03,413 is right across the street from the vic's apartment. 309 00:13:03,413 --> 00:13:05,916 Easy access. YOU FIND ANYTHING? 310 00:13:05,916 --> 00:13:08,889 LOTS OF CIGARETTE BUTTS, SODA CANS AND AN EMPTY PACKAGE 311 00:13:08,889 --> 00:13:10,891 FOR A DIGITAL CAMERA MEMORY CARD. 312 00:13:10,891 --> 00:13:13,193 GET IT TO C.S.U. SEE IF YOU CAN PULL ANY PRINTS. 313 00:13:13,193 --> 00:13:14,494 ON OUR WAY. 314 00:13:14,494 --> 00:13:16,026 (beep) 315 00:13:16,026 --> 00:13:17,427 ANYTHING ELSE? YEAH. 316 00:13:17,427 --> 00:13:21,401 PRELIMINARY TOX SCREEN INDICATES HER BLOOD ALCOHOL WAS .02. 317 00:13:21,401 --> 00:13:24,174 AND THERE WERE TRACES OF ADDMAIR IN HER SYSTEM. 318 00:13:24,174 --> 00:13:26,536 WHAT'S THAT? IT'S A FORM OF SPEED 319 00:13:26,536 --> 00:13:28,538 USUALLY PRESCRIBED TO PEOPLE WITH A.D.D. 320 00:13:28,538 --> 00:13:31,241 BUT MODELS HAVE BEEN KNOWN TO BUY IT OFF THE STREET 321 00:13:31,241 --> 00:13:32,913 AND USE IT FOR WEIGHT LOSS. 322 00:13:32,913 --> 00:13:34,584 SO MUCH FOR HER BEING ANTIDRUG. 323 00:13:34,584 --> 00:13:36,586 I GUESS THE JOB AND THE STALKER 324 00:13:36,586 --> 00:13:39,019 WEREN'T THE ONLY THINGS MAKING HER TENSE. 325 00:13:39,019 --> 00:13:41,121 (elevator bell dings) 326 00:13:41,121 --> 00:13:43,393 DO YOU FIND IT ODD JENNA HAD A STALKER? 327 00:13:43,393 --> 00:13:46,096 NO, NOT REALLY. WHY? WELL, SHE WASN'T HEIDI KLUM. 328 00:13:46,096 --> 00:13:48,398 SHE HADN'T EVEN HAD A NATIONAL CAMPAIGN. 329 00:13:48,398 --> 00:13:50,100 WELL, MAYBE THE GUY FIGURED 330 00:13:50,100 --> 00:13:52,102 HE WAS GETTING IN ON THE GROUND FLOOR 331 00:13:52,102 --> 00:13:53,403 STALKER-WISE, YOU KNOW? 332 00:13:53,403 --> 00:13:55,105 BEAT THE RUSH. 333 00:13:55,105 --> 00:13:56,867 OH! 334 00:13:56,867 --> 00:13:59,839 YOU COULDN'T RESIST, COULD YOU? 335 00:13:59,839 --> 00:14:02,242 PRETTY NICE WRITE-UP, HUH? 336 00:14:02,242 --> 00:14:04,975 YEAH, IF YOU LIKE THOSE SORTS OF FLUFF PIECES. 337 00:14:04,975 --> 00:14:07,277 FLUFF? THE REPORTER MADE YOU SOUND LIKE YOU'RE 338 00:14:07,277 --> 00:14:10,050 A CROSS BETWEEN SHERLOCK HOLMES AND ANGELINA JOLIE. 339 00:14:10,050 --> 00:14:12,182 AND THE PICTURE ISN'T HALF BAD EITHER. 340 00:14:12,182 --> 00:14:14,955 THOUGH YOU DON'T ALWAYS NEED TO CROSS YOUR ARMS. IT'S FINE. 341 00:14:14,955 --> 00:14:17,127 THEN WHY ARE YOU UPSET? 342 00:14:17,127 --> 00:14:19,259 I'M NOT UPSET. 343 00:14:19,259 --> 00:14:21,261 YOU LOOK UPSET. WELL, I'M NOT. 344 00:14:21,261 --> 00:14:24,434 BUT IF YOU WERE UPSET, YOU WOULD TELL ME, RIGHT? I'M NOT. 345 00:14:24,434 --> 00:14:27,297 BUT IF YOU WERE-- IT DOESN'T MATTER BECAUSE I'M NOT UPSET. 346 00:14:27,297 --> 00:14:28,939 (Esposito) WELL, WELL, WELL. 347 00:14:28,939 --> 00:14:31,301 RICHARD CASTLE-- THE MAN OF THE HOUR. 348 00:14:31,301 --> 00:14:34,304 OH, DO YOU MEAN THIS? PRETTY FLATTERING, RIGHT? 349 00:14:34,304 --> 00:14:36,947 AT LEAST I THOUGHT SO. OLD NEWS, MY FRIEND. 350 00:14:36,947 --> 00:14:40,150 I'M TALKING ABOUT YESTERDAY, FASHION WEEK. WORD ON THE STREET 351 00:14:40,150 --> 00:14:42,913 IS YOU BROUGHT BACK A LITTLE SOUVENIR. 352 00:14:42,913 --> 00:14:45,315 THE DIGITS OF A PARTICULAR YOUNG HONEY NAMED RINA? 353 00:14:45,315 --> 00:14:46,987 (Ryan, singsongy voice) RINA. 354 00:14:46,987 --> 00:14:49,119 I MIGHT HAVE MENTIONED IT TO THEM IN PASSING. 355 00:14:49,119 --> 00:14:52,662 COME ON, CASTLE. TAKE PITY ON YOUR MODEL-DEPRIVED BROTHERS. 356 00:14:52,662 --> 00:14:55,325 GIVE US THE STATS. WAS SHE THE SEXY, CURVY LINGERIE TYPE 357 00:14:55,325 --> 00:14:58,969 THAT YOU COULD JUST-- OR THE--THE TONED AND TANNED BIKINI-WEARING TYPE? 358 00:14:58,969 --> 00:15:01,271 SHE'S MORE LIKE THE "I'M TOTALLY PSYCHED 359 00:15:01,271 --> 00:15:03,573 I JUST GOT MY DRIVER'S LICENSE" TYPE. OKAY, YOU KNOW WHAT? 360 00:15:03,573 --> 00:15:06,176 YOU TWO SO NEED TO EVOLVE, BECAUSE THAT LITTLE GIRL 361 00:15:06,176 --> 00:15:08,939 YOU'RE TALKING ABOUT LIKE A PIECE OF MEAT, 362 00:15:08,939 --> 00:15:10,941 THAT'S SOMEBODY'S DAUGHTER, ALL RIGHT? 363 00:15:10,941 --> 00:15:13,913 SHE'S SOMEBODY'S... BABYSITTER. YOU GUYS, C.S.U. MATCHED A PRINT 364 00:15:13,913 --> 00:15:16,546 OFF THE MEMORY CARD PACKAGING. WILL JAMES. 365 00:15:16,546 --> 00:15:19,049 (Ryan) UH-HUH. REAL CHARM BOY. ON PROBATION 366 00:15:19,049 --> 00:15:21,421 FOR DOMESTIC ASSAULT, COUPLE OF RESTRAINING ORDERS. SOUNDS LIKE OUR GUY. 367 00:15:21,421 --> 00:15:23,693 (knock on door) 368 00:15:23,693 --> 00:15:26,226 WILL JAMES, NYPD! 369 00:15:35,165 --> 00:15:37,067 (Esposito) WE'RE ALL CLEAR. 370 00:15:37,067 --> 00:15:38,938 YEAH, CLEAR IN HERE, TOO. 371 00:15:38,938 --> 00:15:41,171 YOU GUYS, LOOK WHAT I FOUND. 372 00:15:41,171 --> 00:15:43,373 JENNA'S COMP CARD. COMP CARD? 373 00:15:43,373 --> 00:15:47,117 (Beckett) YEAH, AGENCIES USE IT TO GET MODELS WORK. HUH. 374 00:15:47,117 --> 00:15:49,579 A SINGLE COMP CARD? THAT'S NOT VERY STALKERY. 375 00:15:49,579 --> 00:15:52,082 WHERE'S THE BIG CREEPY WALL OF JENNA? 376 00:15:52,082 --> 00:15:54,154 BECKETT? YEAH. 377 00:15:54,154 --> 00:15:57,657 I THINK I GOT SOMETHING-- A CAMERA WITH A TELEPHOTO LENS. WHAT HAS IT GOT ON IT? 378 00:15:57,657 --> 00:16:00,190 NOTHING. MAYBE IT'S BEEN ERASED. 379 00:16:00,190 --> 00:16:01,261 (Ryan) UH... 380 00:16:01,261 --> 00:16:03,263 AH. Q-TECH, 4 GIG. 381 00:16:03,263 --> 00:16:05,265 SAME AS THE EMPTY PACKAGE ON THE ROOF. 382 00:16:05,265 --> 00:16:08,338 GET IT TO C.S.U. SEE IF THEY CAN RECOVER THE PHOTOS. 383 00:16:08,338 --> 00:16:10,470 IF THIS GUY HAD A THING FOR JENNA, 384 00:16:10,470 --> 00:16:12,472 HE SURE WAS SUBTLE ABOUT IT. 385 00:16:12,472 --> 00:16:15,475 DID YOU KNOW WHAT A COMP CARD IS? 386 00:16:15,475 --> 00:16:18,108 YEAH, ME NEITHER. (lock clicks) 387 00:16:18,108 --> 00:16:19,709 (door opens) 388 00:16:22,152 --> 00:16:25,655 CAN I HELP YOU, OFFICERS? (Esposito) WILL JAMES? GET YOUR HANDS UP. 389 00:16:25,655 --> 00:16:27,987 WE CAN PLACE YOU ON THE ROOFTOP 390 00:16:27,987 --> 00:16:30,320 OF THE BUILDING ACROSS FROM HERS, 391 00:16:30,320 --> 00:16:34,164 SO IF YOU WEREN'T TAKING PHOTOS, WHAT WERE YOU DOING THERE? I DIDN'T KILL HER, ALL RIGHT? 392 00:16:34,164 --> 00:16:37,467 I WASN'T EVEN HERE SUNDAY. I WAS WORKIN'. RIGHT, AT THE CASINO OVER IN ATLANTIC CITY. 393 00:16:37,467 --> 00:16:39,669 DON'T WORRY. WE'RE RUNNING IT DOWN NOW. 394 00:16:39,669 --> 00:16:42,602 IN THE MEANTIME, MAYBE YOU CAN EXPLAIN 395 00:16:42,602 --> 00:16:45,035 HOW THIS GOT IN YOUR APARTMENT. 396 00:16:45,035 --> 00:16:49,309 HAVING PICTURES OF HOT CHICKS IS NOT A CRIME. NO, BUT SENDING THEM THREATENING LETTERS IS. 397 00:16:49,309 --> 00:16:52,182 IF I MAY... "YOU WERE WEARING A LOT OF MAKEUP TODAY. 398 00:16:52,182 --> 00:16:54,614 IT MADE YOU LOOK LIKE A SLUT." 399 00:16:54,614 --> 00:16:59,589 (laughs) OH, YOU GUYS THINK I WROTE THAT? 400 00:17:02,622 --> 00:17:05,125 THAT GUY IS APTLY NAMED. 401 00:17:05,125 --> 00:17:06,526 HE GIVES ME THE WILLIES. 402 00:17:06,526 --> 00:17:08,358 WE HAVE A PROBLEM. 403 00:17:08,358 --> 00:17:10,130 HIS ALIBI CHECKS OUT. 404 00:17:10,130 --> 00:17:12,232 YOU GOTTA BE KIDDING ME. 405 00:17:12,232 --> 00:17:15,205 MNH-MNH. TALKED TO THE MANAGER AT THE CASINO WHERE HE WORKS. 406 00:17:15,205 --> 00:17:18,408 SAYS THAT WILL JAMES WAS THERE THE NIGHT THE GIRL WAS KILLED. 407 00:17:18,408 --> 00:17:22,312 THERE'S GOTTA BE SOME KIND OF MISTAKE. MAYBE HIS BOSS IS IN ON IT, COVERING FOR HIS FRIEND. 408 00:17:22,312 --> 00:17:25,345 I THOUGHT SO. SO THEY SENT OVER THE SECURITY FOOTAGE. 409 00:17:25,345 --> 00:17:28,118 JAMES WAS PARKING CARS ALL NIGHT. 410 00:17:28,118 --> 00:17:30,180 HE'S NOT OUR GUY. 411 00:17:37,327 --> 00:17:39,189 OKAY, I DON'T... I DON'T UNDERSTAND. 412 00:17:39,189 --> 00:17:41,691 WE'RE HOLDING HIM ON STALKING CHARGES. 413 00:17:41,691 --> 00:17:43,693 BUT HE DIDN'T KILL HER. 414 00:17:43,693 --> 00:17:47,267 HE SENT THOSE LETTERS, RIGHT? HE TOOK THE PICTURES? 415 00:17:47,267 --> 00:17:49,269 WE WON'T KNOW FOR SURE UNLESS C.S.U. 416 00:17:49,269 --> 00:17:51,841 IS ABLE TO RECOVER FILES FROM THE CAMERA CARD. 417 00:17:54,274 --> 00:17:57,307 WHOEVER KILLED JENNA, WE WILL FIND THEM. 418 00:17:57,307 --> 00:17:59,279 I PROMISE. 419 00:17:59,279 --> 00:18:01,551 (sighs) OKAY. JUST-- WHATEVER I CAN DO. 420 00:18:01,551 --> 00:18:04,554 WELL, THERE IS SOMETHING THAT WE'RE TRYING TO FIGURE OUT. 421 00:18:04,554 --> 00:18:06,656 THE MEDICAL EXAMINER SAID THAT SHE FOUND ADDMAIR 422 00:18:06,656 --> 00:18:08,358 IN JENNA'S BLOOD STREAM. 423 00:18:08,358 --> 00:18:10,590 IT'S A TYPE OF AMPHETAMINE. 424 00:18:10,590 --> 00:18:12,762 NO. NO. JENNA DIDN'T USE DRUGS. 425 00:18:12,762 --> 00:18:14,264 SOME PEOPLE SAY 426 00:18:14,264 --> 00:18:16,266 THAT SHE'D BEEN ACTING NERVOUS LATELY, EDGY. 427 00:18:16,266 --> 00:18:19,529 SURE. THAT WAS THE STRESS. 428 00:18:19,529 --> 00:18:23,173 LOOK, THESE LETTERS, THEY REALLY SCARED HER. 429 00:18:23,173 --> 00:18:25,435 SHE DIDN'T WANT TO TELL PEOPLE AT WORK ABOUT 'EM. 430 00:18:25,435 --> 00:18:27,437 HOW WERE THINGS GOING FOR HER AT WORK? 431 00:18:27,437 --> 00:18:29,439 WAS THERE ANYONE SHE DIDN'T GET ALONG WITH-- 432 00:18:29,439 --> 00:18:32,382 MR. FARROW PERHAPS? NO. LOOK, SHE LOVED TEDDY. 433 00:18:32,382 --> 00:18:34,244 SHE GOT ALONG GOOD WITH EVERYONE. 434 00:18:36,186 --> 00:18:38,488 I DON'T KNOW. MAYBE THIS ONE GUY. 435 00:18:38,488 --> 00:18:41,151 A PHOTOGRAPHER. THEY HAD A FIGHT. 436 00:18:41,151 --> 00:18:43,793 ABOUT WHAT? I GUESS HE WAS THE GUY 437 00:18:43,793 --> 00:18:46,296 THAT WAS GONNA SHOOT THE FARROW CAMPAIGN. 438 00:18:46,296 --> 00:18:49,299 SO LAST WEEK, HE AND JENNA, THEY DID THIS TEST SHOOT. 439 00:18:49,299 --> 00:18:51,301 SHE CAME HOME CRYING, 440 00:18:51,301 --> 00:18:53,833 SAID THAT HER PICTURES WERE AWFUL. 441 00:18:53,833 --> 00:18:56,836 SHE WAS WORRIED SHE WOULDN'T GET THE JOB NOW. 442 00:18:56,836 --> 00:18:59,669 DID JENNA SAY WHAT WENT WRONG? 443 00:18:59,669 --> 00:19:01,741 SHE SAID THAT HE JUST DIDN'T LIKE HER. 444 00:19:01,741 --> 00:19:04,874 HE WAS TRYING TO RUIN IT FOR HER BY MAKING HER LOOK BAD. 445 00:19:04,874 --> 00:19:07,877 THIS PHOTOGRAPHER-- DO YOU KNOW HIS NAME? 446 00:19:07,877 --> 00:19:10,680 (Beckett) MR. MONROE, 447 00:19:10,680 --> 00:19:12,882 WHAT HAPPENED BETWEEN YOU AND JENNA? 448 00:19:12,882 --> 00:19:15,885 LOOK, JENNA WAS A GREAT MODEL AND A GREAT GIRL, 449 00:19:15,885 --> 00:19:18,288 BUT THAT DAY, SHE WAS UNFOCUSED, AWKWARD. 450 00:19:18,288 --> 00:19:22,292 WE HAD WORDS, BUT WE RESOLVED OUR ISSUES. HOW? 451 00:19:22,292 --> 00:19:26,266 I AGREED TO DO ANOTHER TEST ON MY TIME AND MY DIME. 452 00:19:26,266 --> 00:19:28,868 WE WERE SUPPOSED TO MEET YESTERDAY 453 00:19:28,868 --> 00:19:31,841 AFTER THE RUNWAY SHOW, BUT-- CAN YOU CONFIRM WHERE YOU WERE AT BETWEEN 1:00 AND 5:00 A.M. 454 00:19:31,841 --> 00:19:35,345 THE NIGHT SHE DIED? I WAS AT THE ZAC POSEN PARTY UNTIL 3:00, 455 00:19:35,345 --> 00:19:37,447 AND THEN HOME ASLEEP. 456 00:19:37,447 --> 00:19:39,409 THANK YOU, MR. MONROE. 457 00:19:39,409 --> 00:19:42,682 (man) LADIES AND GENTLEMEN-- 458 00:19:42,682 --> 00:19:44,914 TEDDY FARROW! 459 00:19:44,914 --> 00:19:48,888 (cheers and applause) 460 00:19:48,888 --> 00:19:50,890 (Teddy) GOOD AFTERNOON. 461 00:19:50,890 --> 00:19:53,863 IT'S BEEN A HARD WEEK FOR US HERE AT TEDDY FARROW. 462 00:19:53,863 --> 00:19:55,895 AS I'M SURE YOU'VE HEARD, 463 00:19:55,895 --> 00:19:59,329 WE LOST ONE OF OUR OWN ON SUNDAY NIGHT. 464 00:19:59,329 --> 00:20:02,732 JENNA McBOYD WAS TAKEN FROM THIS WORLD TOO SOON. 465 00:20:02,732 --> 00:20:04,234 (camera shutters clicking) 466 00:20:04,234 --> 00:20:07,407 BUT EVEN AS WE HONOR HER MEMORY, 467 00:20:07,407 --> 00:20:10,610 SHE WOULD'VE WANTED US TO CARRY ON. 468 00:20:10,610 --> 00:20:13,313 AND THAT'S WHY I'VE INVITED YOU HERE, 469 00:20:13,313 --> 00:20:16,215 TO INTRODUCE THE NEW FACE OF MY COLLECTION. 470 00:20:16,215 --> 00:20:18,388 SHE'S AN EXCITING TALENT. 471 00:20:18,388 --> 00:20:21,251 AND TOGETHER, WE SHALL ACHIEVE GREAT THINGS. 472 00:20:21,251 --> 00:20:25,325 I GIVE YOU MISS SIERRA GOODWIN. 473 00:20:25,325 --> 00:20:26,856 (cheers and applause) 474 00:20:26,856 --> 00:20:28,858 (Ultraviolet Sound) ♪ I WANT TO BE A CELEBRITY ♪ 475 00:20:28,858 --> 00:20:30,860 ♪ SO YOU WILL BE OBSESSED WITH ME ♪ 476 00:20:30,860 --> 00:20:32,702 ♪ YOU'LL SWEAT MY STYLE, WANT MY MAN ♪ 477 00:20:32,702 --> 00:20:34,604 ♪ TAKE MY PICTURE WHENEVER YOU CAN ♪ 478 00:20:34,604 --> 00:20:36,466 ♪ I'M GONNA GET ME A FAMOUS FACE ♪ 479 00:20:36,466 --> 00:20:39,309 ♪ AND I'M GONNA DO WHATEVER IT TAKES ♪ 480 00:20:39,309 --> 00:20:40,710 ♪ BOTOX, COLLAGEN, PLASTIC SURGERY ♪ 481 00:20:40,710 --> 00:20:42,972 ♪ LOSE MORE WEIGHT, THEN EVERYONE WILL LOVE ME ♪ 482 00:20:42,972 --> 00:20:44,944 AND THERE'S SIERRA, 483 00:20:44,944 --> 00:20:47,577 STEPPING IN FOR HER GOOD FRIEND JENNA AGAIN. 484 00:20:47,577 --> 00:20:49,579 IS IT JUST ME 485 00:20:49,579 --> 00:20:53,323 OR DOES SHE LOOK REALLY HAPPY? 486 00:20:53,323 --> 00:20:56,286 ♪♪ 487 00:20:56,286 --> 00:20:58,958 WHAT WAS IT THAT TEDDY WAS SAYING ABOUT HIS NEW FACE? 488 00:20:58,958 --> 00:21:02,962 A PICTURE IN EVERY MAGAZINE, A BILLBOARD IN TIMES SQUARE, 489 00:21:02,962 --> 00:21:04,464 A HUGE PAYCHECK-- 490 00:21:04,464 --> 00:21:06,466 DEFINITELY WORTH KILLING FOR. 491 00:21:06,466 --> 00:21:08,638 CASTLE, YOU'RE TALKING ABOUT ONE GIRL 492 00:21:08,638 --> 00:21:10,640 MURDERING ANOTHER FOR A JOB. 493 00:21:10,640 --> 00:21:12,802 IT'S NOT A JOB. IT'S A CAMPAIGN-- 494 00:21:12,802 --> 00:21:15,645 A CAREER-MAKER--AND JEALOUSY'S A CLASSIC MOTIVE. 495 00:21:15,645 --> 00:21:17,507 YOU'VE SEEN THE FILMS-- 496 00:21:17,507 --> 00:21:20,049 "THE TALENTED MR. RIPLEY," "DEAD RINGERS," AND, OF COURSE, 497 00:21:20,049 --> 00:21:22,882 THE UNDERRATED CLASSIC "SHOWGIRLS." NOBODY MURDERED ANYONE IN "SHOWGIRLS." 498 00:21:22,882 --> 00:21:25,014 I HEAR. 499 00:21:25,014 --> 00:21:27,457 SIERRA WANTS TO BE TEDDY'S FAVORITE. 500 00:21:27,457 --> 00:21:29,459 BUT SHE'S ALWAYS SECOND CHOICE. 501 00:21:29,459 --> 00:21:31,391 SIERRA THINKS, WHAT IF JENNA WAS GONE? 502 00:21:31,391 --> 00:21:32,692 THEN I'D BE NUMBER ONE. 503 00:21:32,692 --> 00:21:35,395 THEN I WOULD FINALLY GET EVERYTHING THAT I DESERVE. 504 00:21:35,395 --> 00:21:38,368 AND THEN ONE NIGHT, SHE SEES HER CHANCE. 505 00:21:38,368 --> 00:21:42,301 SHE LURES JENNA SOMEWHERE QUIET... 506 00:21:42,301 --> 00:21:43,833 DESERTED. 507 00:21:43,833 --> 00:21:47,036 AND WHEN JENNA TURNS HER BACK, SIERRA STABS HER. 508 00:21:47,036 --> 00:21:49,339 WITH THE STATUE OF THE WASHINGTON MONUMENT 509 00:21:49,339 --> 00:21:51,341 THAT SHE CARRIES IN HER PURSE? 510 00:21:51,341 --> 00:21:53,943 AND THEN STEALS HER SHOES. MM. 511 00:21:53,943 --> 00:21:56,446 NOT A PERFECT THEORY, BUT WE'RE HERE ANYWAY. 512 00:21:56,446 --> 00:21:58,448 SO NO HARM IN LEARNING A LITTLE BIT MORE 513 00:21:58,448 --> 00:22:00,690 ABOUT WHAT MAKES SIERRA GOODWIN TICK. 514 00:22:00,690 --> 00:22:03,893 (camera shutters clicking) 515 00:22:03,893 --> 00:22:06,055 AND I SEE JUST THE GIRL TO CLUE US IN. 516 00:22:06,055 --> 00:22:09,399 ♪♪ 517 00:22:09,399 --> 00:22:11,601 RICK. 518 00:22:11,601 --> 00:22:14,464 UH, THAT'S MR. CASTLE TO YOU, MISSY. 519 00:22:14,464 --> 00:22:16,766 RINA, THIS IS DETECTIVE BECKETT. 520 00:22:16,766 --> 00:22:19,869 DETECTIVE BECKETT, RINA. SHE USED TO BABYSIT FOR ME. 521 00:22:19,869 --> 00:22:22,542 FOR--I MEAN ALEXIS. YOU DON'T SAY? 522 00:22:22,542 --> 00:22:24,544 ACTUALLY, WE'RE HERE ABOUT JENNA. 523 00:22:24,544 --> 00:22:26,876 OH. THAT WAS SO TERRIBLE. 524 00:22:26,876 --> 00:22:29,379 YEAH. WAS IT TRUE THAT SHE AND SIERRA GOODWIN 525 00:22:29,379 --> 00:22:30,880 WERE KINDA B.F.F.s? 526 00:22:30,880 --> 00:22:34,484 I WOULDN'T SAY B.F.F.s. SIERRA'S MORE OF A FRENEMY. 527 00:22:34,484 --> 00:22:37,356 HOW SO? SHE DOESN'T PLAY WELL WITH OTHERS. 528 00:22:37,356 --> 00:22:39,459 SHE EVER PUSH ANYBODY DOWN THE STAIRS? 529 00:22:39,459 --> 00:22:43,092 NO. STUPID STUFF, REALLY-- LYING ABOUT WHEN A CALL TIME IS, 530 00:22:43,092 --> 00:22:45,465 ITCHING POWDER IN YOUR UNDERWEAR-- 531 00:22:45,465 --> 00:22:48,468 WAIT, AND THIS ONE TIME, SHE CRUSHED UP A DIET PILL 532 00:22:48,468 --> 00:22:50,369 AND DROPPED IT INTO ANOTHER MODEL'S CHAMPAGNE. 533 00:22:50,369 --> 00:22:52,101 YOU'RE SAYING SHE DOSED SOMEONE. 534 00:22:52,101 --> 00:22:54,574 THE GIRL GOT ALL WIRED AND CALLED CALVIN KLEIN 535 00:22:54,574 --> 00:22:56,476 A BORING, OLD FART... 536 00:22:56,476 --> 00:22:58,047 TO HIS FACE. 537 00:22:58,047 --> 00:22:59,378 OH. 538 00:22:59,378 --> 00:23:02,051 THANK YOU, RINA. YOU'VE BEEN VERY HELPFUL. 539 00:23:02,051 --> 00:23:03,453 HMM. 540 00:23:03,453 --> 00:23:05,785 ♪♪ 541 00:23:05,785 --> 00:23:07,887 (mouths words) 542 00:23:07,887 --> 00:23:10,389 (camera shutters clicking) 543 00:23:10,389 --> 00:23:13,993 ♪♪ 544 00:23:13,993 --> 00:23:16,996 GOT SOMETHING YOU WANT TO SHARE WITH THE CLASS? 545 00:23:16,996 --> 00:23:19,028 I WAS JUST THINKING... 546 00:23:19,028 --> 00:23:21,030 MAYBE JENNA DIDN'T USE DRUGS. 547 00:23:21,030 --> 00:23:23,032 MAYBE SIERRA WAS SLIPPING 'EM INTO HER DRINKS 548 00:23:23,032 --> 00:23:24,504 WHEN TEDDY FARROW WAS AROUND 549 00:23:24,504 --> 00:23:26,436 TO MAKE HER SEEM CRAZY OR PARANOID. 550 00:23:26,436 --> 00:23:28,438 NOW THAT IS AN EVIL DEED 551 00:23:28,438 --> 00:23:30,880 WORTHY OF THE "SHOWGIRLS" SPECIAL EDITION. 552 00:23:30,880 --> 00:23:33,543 WHAT ARE THOSE TWO DOING HERE? 553 00:23:33,543 --> 00:23:35,184 (camera shutters clicking) 554 00:23:35,184 --> 00:23:38,147 OKAY, GUYS, WHAT'S GOING ON? TECH MANAGED TO RECOVER 555 00:23:38,147 --> 00:23:40,890 THE DELETED PHOTOS FROM WILL JAMES' MEMORY CARD. 556 00:23:40,890 --> 00:23:43,152 HE MIGHT NOT HAVE BEEN JENNA'S KILLER, 557 00:23:43,152 --> 00:23:46,726 BUT HE WAS DEFINITELY HER STALKER. AND YOU DROVE ALL THE WAY DOWN HERE JUST TO SHOW ME THIS? 558 00:23:46,726 --> 00:23:49,128 WE THOUGHT YOU'D WANT 'EM RIGHT AWAY. 559 00:23:49,128 --> 00:23:51,661 THAT IS SO THOUGHTFUL OF YOU GUYS. 560 00:23:51,661 --> 00:23:54,664 WHAT DO YOU THINK, BECKETT? YOU MISSING THE GLAMOROUS LIFE? THE WHAT LIFE? 561 00:23:54,664 --> 00:23:56,706 CASTLE, HEY, IS YOUR, UH, YOUR GIRL HERE? 562 00:23:56,706 --> 00:23:58,908 (singsongy) RINA. 563 00:23:58,908 --> 00:24:00,970 RINA USED TO BABYSIT ALEXIS, FELLAS. 564 00:24:00,970 --> 00:24:03,813 SO AS FAR AS BIG RICK HERE IS CONCERNED, 565 00:24:03,813 --> 00:24:06,816 SHE MIGHT AS WELL BE WEARING A CHASTITY BELT. THANK YOU FOR THAT VISUAL IMAGE. 566 00:24:06,816 --> 00:24:11,521 THANKS. AND ALSO, THANK YOU FOR CALLING ME "BIG RICK." HEY, BY THE WAY, OUR BUDDY WILL 567 00:24:11,521 --> 00:24:14,083 HAS A GIRLFRIEND WE MIGHT WANT TO TALK TO. 568 00:24:14,083 --> 00:24:17,126 THERE'S, UH, SOME PHOTOS OF HER RIGHT HERE IN THE BACK. 569 00:24:17,126 --> 00:24:20,129 MM. NAKED PHOTOS. CASTLE, CHECK THIS OUT. 570 00:24:20,129 --> 00:24:22,191 LOOK AT NAKED PICTURES? IF YOU INSIST. 571 00:24:22,191 --> 00:24:25,464 SHE'S WILL JAMES' GIRLFRIEND? 572 00:24:25,464 --> 00:24:27,236 LOOKS LIKE TEDDY FARROW 573 00:24:27,236 --> 00:24:29,799 ISN'T THE ONLY GUY THAT SIERRA WAS MODELING FOR. 574 00:24:29,799 --> 00:24:33,743 (camera shutters clicking) 575 00:24:41,250 --> 00:24:43,482 HAVE YOU ANY IDEA OF THE SPECTACLE YOU JUST CAUSED? 576 00:24:43,482 --> 00:24:46,516 I MEAN, WHY THE HELL WOULD YOU DRAG THE FACE OF MY CAMPAIGN 577 00:24:46,516 --> 00:24:48,958 OUT OF MY LAUNCH PARTY AND BRING HER DOWN HERE 578 00:24:48,958 --> 00:24:51,260 AS IF SHE WERE SOME SORT OF CRIMINAL? BECAUSE SHE IS. 579 00:24:51,260 --> 00:24:53,963 WILL JAMES' CONFESSION. HE ADMITS SIERRA HIRED HIM 580 00:24:53,963 --> 00:24:56,896 TO TAKE THE STALKER PHOTOS OF JENNA. 581 00:24:56,896 --> 00:24:59,498 HE EVEN HELPED HER WRITE THE LETTERS. 582 00:24:59,498 --> 00:25:02,001 AND HE CLAIMS HE WAS SUPPLYING SIERRA WITH ADDMAIR. SHE WAS DOSING JENNA. 583 00:25:02,001 --> 00:25:04,904 SHE WAS TRYING TO MAKE HER SEEM PARANOID AROUND YOU. WHY WOULD SHE DO THAT? 584 00:25:04,904 --> 00:25:06,906 TO PREY ON THE FEARS OF A NAIVE COUPLE, 585 00:25:06,906 --> 00:25:09,238 PRESSURE THEM INTO MOVING BACK TO OHIO 586 00:25:09,238 --> 00:25:12,281 SO SIERRA COULD TAKE HER PLACE. MR. FARROW, HAVE YOU EVER HEARD OF THE EXPRESSION, 587 00:25:12,281 --> 00:25:14,283 "I WOULD KILL FOR THAT JOB"? 588 00:25:14,283 --> 00:25:16,145 BUT SHE WAS MY FACE-- MY FACE. 589 00:25:16,145 --> 00:25:20,189 I MEAN, HAVE YOU ANY IDEA WHAT THIS WILL DO TO ME, 590 00:25:20,189 --> 00:25:21,691 THE SCANDAL? 591 00:25:21,691 --> 00:25:24,153 IT WILL TAINT THE ENTIRE SPRING LINE. 592 00:25:24,153 --> 00:25:27,557 A GIRL IS DEAD, MR. FARROW. DOES THAT MEAN ANYTHING TO YOU? 593 00:25:27,557 --> 00:25:30,529 IT DOESN'T MEAN MY BUSINESS SHOULD SUFFER. THEY'RE JUST CLOTHES. 594 00:25:30,529 --> 00:25:33,633 "JUST CLOTHES," DETECTIVE? CLOTHES ARE CIVILIZATION. 595 00:25:33,633 --> 00:25:38,137 CLOTHES ARE WHAT SEPARATE US FROM ANIMALS. 596 00:25:38,137 --> 00:25:40,570 NOT ALWAYS. 597 00:25:44,543 --> 00:25:46,175 SHE WAS YOUR ONLY COMPETITION. 598 00:25:46,175 --> 00:25:48,848 YOU NEEDED HER OUT OF THE WAY, 599 00:25:48,848 --> 00:25:51,550 AND YOU WERE RUNNING OUT OF TIME. NO, NO. I DIDN'T KILL HER. 600 00:25:51,550 --> 00:25:53,552 RIGHT. YOU JUST DRUGGED HER 601 00:25:53,552 --> 00:25:55,124 AND SENT HER THREATENING LETTERS. 602 00:25:55,124 --> 00:25:58,557 WHERE WERE YOU AT 2:00 A.M. ON SUNDAY NIGHT? 603 00:25:58,557 --> 00:26:02,261 SIERRA... YOU ARE FACING A MURDER CHARGE. 604 00:26:02,261 --> 00:26:05,765 IF YOU HAVE SOMETHING TO SAY, NOW WOULD BE THE TIME. 605 00:26:08,698 --> 00:26:12,141 SHE WENT TO WYATT'S PLACE. THE PHOTOGRAPHER? 606 00:26:12,141 --> 00:26:14,273 JENNA WASN'T JUST BEING PARANOID 607 00:26:14,273 --> 00:26:16,676 WHEN SHE SAID WYATT SABOTAGED HER PHOTO SHOOT. 608 00:26:16,676 --> 00:26:18,808 HE DID. WHY? 609 00:26:18,808 --> 00:26:21,210 BECAUSE JENNA WOULDN'T SLEEP WITH HIM. 610 00:26:21,210 --> 00:26:23,983 IT'S LIKE AN OPEN SECRET WITH THE GIRLS. 611 00:26:23,983 --> 00:26:26,916 YOU GIVE WYATT WHAT HE WANTS, HE GIVES YOU GREAT SHOTS. 612 00:26:26,916 --> 00:26:30,359 IF YOU DON'T, HE CAN RUIN YOU. AND HE WANTED JENNA. 613 00:26:30,359 --> 00:26:32,121 SO HE WAS MAKING HER CHOOSE 614 00:26:32,121 --> 00:26:34,293 BETWEEN HER CAREER AND HER MARRIAGE VOWS? 615 00:26:34,293 --> 00:26:35,865 NICE GUY. 616 00:26:35,865 --> 00:26:39,128 SHE KNEW THE PHOTOS FROM THE SECOND TEST HAD TO BE GREAT 617 00:26:39,128 --> 00:26:41,330 OR SHE REALLY WOULD LOSE THE JOB. 618 00:26:41,330 --> 00:26:44,273 SHE NEEDED HIM TO DO IT RIGHT THIS TIME. SO WHAT HAPPENED ON SUNDAY? 619 00:26:44,273 --> 00:26:46,275 SHE TOLD ME SHE HAD A PLAN. 620 00:26:46,275 --> 00:26:48,277 I FIGURED SHE WAS GONNA GIVE WYATT WHAT HE WANTED. 621 00:26:48,277 --> 00:26:51,340 I JUST TOLD HER, "IT'S NOT THE WORST THING IN THE WORLD, 622 00:26:51,340 --> 00:26:52,842 "YOU KNOW? 623 00:26:52,842 --> 00:26:56,245 YOU MIGHT EVEN LIKE IT. I DID." 624 00:27:00,119 --> 00:27:03,823 THAT WAS THE LAST TIME I SAW HER ALIVE. 625 00:27:03,823 --> 00:27:06,095 YO, BECKETT. YEAH. 626 00:27:06,095 --> 00:27:08,397 WE JUST GOT THE RUNDOWN ON WYATT MONROE. NO PRIORS. 627 00:27:08,397 --> 00:27:10,399 BUT TURNS OUT HIS APARTMENT IS RIGHT NEXT DOOR 628 00:27:10,399 --> 00:27:13,232 TO THE ARTS CENTER, AND HIS LIVING ROOM OVERLOOKS 629 00:27:13,232 --> 00:27:16,335 THE FOUNTAIN WHERE JENNA WAS KILLED. HE LIVES NEXT TO THE CRIME SCENE? 630 00:27:16,335 --> 00:27:18,768 WE RAN THAT ALIBI THAT HE GAVE YOU. 631 00:27:18,768 --> 00:27:22,241 WITNESSES AT THE ZAC POSEN PARTY SAID HE LEFT AROUND 11:30. HE TOLD US HE LEFT AT 3:00 A.M. 632 00:27:22,241 --> 00:27:25,214 OH, THERE'S MORE. WE CHECKED WITH THE TEDDY FARROW PEOPLE. 633 00:27:25,214 --> 00:27:29,779 THEY SAID HE GOT TO THEIR PARTY JUST BEFORE MIDNIGHT. HE LIED TO US. 634 00:27:29,779 --> 00:27:32,822 I CAN'T TELL YOU HOW SHOCKED I WAS WHEN SIERRA WAS ARRESTED. 635 00:27:32,822 --> 00:27:34,283 ARE YOU TWO CLOSE? 636 00:27:34,283 --> 00:27:37,226 I WOULDN'T SAY CLOSE, BUT I DID A NUMBER OF SESSIONS WITH HER. 637 00:27:37,226 --> 00:27:40,690 SO WE'VE HEARD. 638 00:27:40,690 --> 00:27:42,932 THAT'S A REALLY NICE VIEW. 639 00:27:42,932 --> 00:27:44,694 THANKS. 640 00:27:44,694 --> 00:27:48,337 SO HOW CAN I HELP? YOU COULD TELL ME WHY YOU DIDN'T MENTION 641 00:27:48,337 --> 00:27:51,240 GOING TO THE FARROW PARTY ON SUNDAY NIGHT. MUST HAVE SLIPPED MY MIND. 642 00:27:51,240 --> 00:27:54,303 IT'S FASHION WEEK. I GO TO A LOT OF PARTIES. 643 00:27:54,303 --> 00:27:55,344 HEY. 644 00:27:55,344 --> 00:27:57,376 HMM? WHAT ARE YOU DOING? 645 00:27:57,376 --> 00:28:00,710 OH, DON'T MIND ME. DID YOU TALK TO JENNA AT THE PARTY? 646 00:28:00,710 --> 00:28:02,952 I THINK I DID, BUT JUST TO SAY HELLO. 647 00:28:02,952 --> 00:28:06,285 YOU DIDN'T PLAN ON A RENDEZVOUS LATER ON AT YOUR PLACE? (scoffs) NO. 648 00:28:06,285 --> 00:28:09,258 OH, REALLY? THEN WHOSE ARE THESE? 649 00:28:09,258 --> 00:28:11,260 CHRISTIAN LOUBOUTIN PINK SATIN PUMPS 650 00:28:11,260 --> 00:28:12,992 ON LOAN FROM TEDDY FARROW. 651 00:28:12,992 --> 00:28:15,825 I DON'T KNOW WHO THOSE BELONG TO. 652 00:28:15,825 --> 00:28:19,068 WHAT IS THIS AWARD, MR. MONROE? IT'S THE HILO. 653 00:28:19,068 --> 00:28:23,272 "FOR EXCELLENCE IN EDITORIAL PHOTOGRAPHY." 654 00:28:23,272 --> 00:28:25,334 LOOKS LIKE ONE OF THESE IS MISSING. 655 00:28:25,334 --> 00:28:27,837 MR. MONROE, WHERE IS IT? 656 00:28:27,837 --> 00:28:30,740 THE CLEANING WOMAN, UH, DROPPED IT... 657 00:28:30,740 --> 00:28:32,181 LAST WEEK. 658 00:28:32,181 --> 00:28:34,143 IT BROKE. 659 00:28:34,143 --> 00:28:37,146 YOU KNOW, IT LOOKS JUST LIKE THE WASHINGTON MONUMENT. 660 00:28:37,146 --> 00:28:39,248 IT DOES, DOESN'T IT? 661 00:28:46,295 --> 00:28:47,997 OKAY. 662 00:28:47,997 --> 00:28:52,031 LOOK... JENNA WAS AT MY PLACE ON SUNDAY NIGHT. 663 00:28:52,031 --> 00:28:54,503 BUT SHE WAS ALIVE WHEN SHE LEFT. WHY WAS SHE THERE? 664 00:28:54,503 --> 00:28:57,506 SHE FOUND ME AT TEDDY'S PARTY, SAID SHE HAD A CHANGE OF HEART. 665 00:28:57,506 --> 00:29:01,170 WANTED US TO WORK TOGETHER FROM NOW ON AS A TEAM. 666 00:29:01,170 --> 00:29:04,343 AND YOU ASSUMED THAT WAS CODE FOR "DO ME." 667 00:29:04,343 --> 00:29:06,916 (scoffs) WE AGREED TO MEET BACK AT MY PLACE. 668 00:29:06,916 --> 00:29:09,218 SHE CAME IN, WE HAD A DRINK, 669 00:29:09,218 --> 00:29:11,350 GOT COMFORTABLE ON THE COUCH. 670 00:29:11,350 --> 00:29:13,352 I WAS READY TO GET DOWN TO BUSINESS, 671 00:29:13,352 --> 00:29:15,825 BUT SHE KEPT WANTING TO TALK ABOUT OUR DEAL. 672 00:29:15,825 --> 00:29:17,827 THAT'S WHAT SHE CALLED IT. 673 00:29:17,827 --> 00:29:20,759 SAID SHE WANTED ME TO TELL HER EXACTLY WHAT SHE HAD TO DO 674 00:29:20,759 --> 00:29:23,762 TO GET GOOD SHOTS-- EXACTLY. SHE WAS TRYING TO GET YOU TO INCRIMINATE YOURSELF. 675 00:29:23,762 --> 00:29:26,365 A MASTER SPY THIS GIRL WAS NOT. 676 00:29:26,365 --> 00:29:29,238 I GRABBED HER PURSE, PULLED OUT HER PHONE. 677 00:29:29,238 --> 00:29:32,241 DAMN THING HAD AN APP ON IT THAT TURNED IT INTO A RECORDER. 678 00:29:32,241 --> 00:29:35,404 SHE TAPED OUR WHOLE CONVERSATION. SHE WANTED TO RECORD HIM DEMANDING SEX FOR GOOD SHOTS 679 00:29:35,404 --> 00:29:38,407 SO SHE COULD PLAY IT FOR TEDDY FARROW. YEAH. 680 00:29:38,407 --> 00:29:40,149 SHE GRABBED THE PHONE BACK. WE STRUGGLED. 681 00:29:40,149 --> 00:29:42,481 SHE PICKED UP MY AWARD OFF THE SHELF, 682 00:29:42,481 --> 00:29:45,384 STARTED WAVING IT AROUND AND ACTING CRAZY. 683 00:29:45,384 --> 00:29:48,387 SHE SMACKED THE HILO INTO A BOOKSHELF. THE TIP BROKE OFF. 684 00:29:48,387 --> 00:29:51,460 I TRIED TO GRAB IT. SHE CUT ME WITH THE EDGE. 685 00:29:51,460 --> 00:29:53,923 SO I BACKED OFF, AND SHE LEFT. 686 00:29:53,923 --> 00:29:57,366 YOU KNOW, THAT'S A GREAT STORY, BUT I DON'T BELIEVE YOU. 687 00:29:57,366 --> 00:29:59,368 JUST LISTEN TO THE RECORDING ON HER PHONE. 688 00:29:59,368 --> 00:30:00,930 I'M TELLING YOU THE TRUTH. 689 00:30:00,930 --> 00:30:02,571 HER PURSE WAS NEVER FOUND. 690 00:30:02,571 --> 00:30:05,274 SO IT LOOKS LIKE THE EVIDENCE THAT'LL CLEAR YOU 691 00:30:05,274 --> 00:30:07,406 IS LYING IN A LANDFILL SOMEWHERE 692 00:30:07,406 --> 00:30:10,079 ALONG WITH YOUR HILO. 693 00:30:10,079 --> 00:30:12,111 TOUGH BREAK. 694 00:30:12,111 --> 00:30:14,343 HERE I THOUGHT MODELING WAS GLAMOROUS. 695 00:30:14,343 --> 00:30:18,287 NOT EVERYBODY IN THAT BUSINESS IS PREDATORY. (Esposito) IT SURE SEEMS THAT WAY. 696 00:30:18,287 --> 00:30:20,389 JENNA'S BEST FRIEND WAS DRUGGING HER, 697 00:30:20,389 --> 00:30:23,252 AND HER PHOTOGRAPHER KILLED HER. EVEN HER CLOTHING DESIGNER SEEMED MORE INTERESTED 698 00:30:23,252 --> 00:30:25,824 IN HIS SHOW THAN IN HER MURDER. 699 00:30:25,824 --> 00:30:28,357 (Ryan) BUT AT LEAST WE GOT THE BAD GUY. 700 00:30:28,357 --> 00:30:30,429 THAT'S SOMETHING. 701 00:30:30,429 --> 00:30:32,431 WHAT? 702 00:30:32,431 --> 00:30:34,003 IF WYATT KILLED HER, 703 00:30:34,003 --> 00:30:37,907 WHY DIDN'T HE DO A BETTER JOB OF CLEANING UP HIS PLACE? 704 00:30:37,907 --> 00:30:41,210 AND WHY WOULD HE LEAVE HER BODY RIGHT OUTSIDE OF HIS APARTMENT? 705 00:30:41,210 --> 00:30:43,412 MAYBE HE'S NOT THAT BRIGHT. 706 00:30:43,412 --> 00:30:45,414 OR MAYBE HE WAS TELLING THE TRUTH. 707 00:30:45,414 --> 00:30:48,317 MAYBE HE DIDN'T DO IT. 708 00:30:50,049 --> 00:30:52,451 WHAT'S UP WITH THE STROLL DOWN MEMORY LANE? 709 00:30:52,451 --> 00:30:53,953 OH, I CALLED MY AGENT 710 00:30:53,953 --> 00:30:55,955 AND TOLD HIM TO PASS ON THE PLAY. 711 00:30:55,955 --> 00:30:58,958 I SAID, "MARTHA RODGERS DOES NOT DIE IN THE FIRST ACT, 712 00:30:58,958 --> 00:31:01,290 AND SHE NEVER DIES OFFSTAGE." 713 00:31:01,290 --> 00:31:03,492 FEEL BETTER? 714 00:31:03,492 --> 00:31:06,435 NO, I FEEL ROTTEN AND OLD. 715 00:31:06,435 --> 00:31:08,297 I FEEL LIKE I'M DYING OFFSTAGE. 716 00:31:08,297 --> 00:31:11,640 I WAS ALWAYS THE INGENUE, THE LEAD, THE STAR. 717 00:31:11,640 --> 00:31:13,642 I LIKED IT THAT WAY. 718 00:31:13,642 --> 00:31:16,005 IT'S A POWERFUL THING, KIDDO, 719 00:31:16,005 --> 00:31:18,877 TO BE YOUNG, BEAUTIFUL, TALENTED. 720 00:31:18,877 --> 00:31:21,610 NO WOMAN WANTS TO GIVE IT UP. 721 00:31:21,610 --> 00:31:25,314 YOU ARE STILL BEAUTIFUL AND YOU ARE STILL TALENTED. 722 00:31:25,314 --> 00:31:27,316 AND YOU DIDN'T GIVE UP YOUR YOUTH. 723 00:31:27,316 --> 00:31:29,919 YOU TRADED IT FOR WISDOM. 724 00:31:29,919 --> 00:31:31,420 (whispers) WISDOM. 725 00:31:31,420 --> 00:31:32,922 (chuckles) WISDOM. 726 00:31:32,922 --> 00:31:34,623 (normal voice) GIMME THAT. 727 00:31:34,623 --> 00:31:36,325 (both laugh) 728 00:31:36,325 --> 00:31:38,397 (cell phone rings) OH. 729 00:31:38,397 --> 00:31:40,099 (rings and beeps) 730 00:31:40,099 --> 00:31:43,572 RINA. HEY, ARE WE STILL ON FOR THAT DATE TONIGHT? 731 00:31:43,572 --> 00:31:46,505 ALL RIGHT. YOU REMEMBER WHERE I LIVE? 732 00:31:46,505 --> 00:31:48,377 I'LL SEE YOU THEN. 733 00:31:48,377 --> 00:31:49,338 (beep) 734 00:31:49,338 --> 00:31:51,040 (cell phone clatters on table) 735 00:31:51,040 --> 00:31:52,311 WHAT? 736 00:31:52,311 --> 00:31:54,213 ALEXIS TOLD ME ALL ABOUT IT. 737 00:31:54,213 --> 00:31:56,215 THAT GIRL IS TOO YOUNG FOR YOU. 738 00:31:56,215 --> 00:31:58,217 OR I SHOULD SAY, YOU ARE TOO OLD FOR HER. 739 00:31:58,217 --> 00:32:00,389 IT IS NOT WHAT YOU THINK. OH-- 740 00:32:00,389 --> 00:32:03,352 AND UNEMPLOYED DIVAS WHO LIVE IN GLASS HOUSES RENT FREE 741 00:32:03,352 --> 00:32:06,095 SHOULD NOT THROW STONES. 742 00:32:06,095 --> 00:32:08,657 POINT TAKEN. 743 00:32:08,657 --> 00:32:10,960 WHAT'S THE GOOD WORD? 744 00:32:10,960 --> 00:32:13,402 SUNSHINE ELECTRONICS. 745 00:32:13,402 --> 00:32:17,006 THAT'S TWO WORDS. NOPE. THAT'S WHERE JENNA McBOYD BOUGHT HER NEW CELL PHONE. 746 00:32:17,006 --> 00:32:20,009 WHAT? SO I WAS TALKING TO HER HUSBAND LAST NIGHT, 747 00:32:20,009 --> 00:32:22,571 AND ON A HUNCH, I ASK HIM ABOUT HER CELL PHONE. 748 00:32:22,571 --> 00:32:25,314 HE SAID IT WOULDN'T ACCOMMODATE A RECORDING APP. 749 00:32:25,314 --> 00:32:27,316 SO I CHECKED INTO HER CREDIT CARD RECEIPTS. 750 00:32:27,316 --> 00:32:29,378 SHE BOUGHT A NEW CELL PHONE THE DAY SHE DIED, 751 00:32:29,378 --> 00:32:31,380 AND IT HAD GPS IN IT, 752 00:32:31,380 --> 00:32:33,582 WHICH SHE HAD THE FORESIGHT TO SWITCH ON. 753 00:32:33,582 --> 00:32:35,354 WHOA. YOU FOUND IT? 754 00:32:35,354 --> 00:32:39,158 IN A DUMPSTER ON WEST 81st. UNIFORMS ARE BRINGING IT IN NOW. 755 00:32:39,158 --> 00:32:42,061 (Jenna) STOP IT, WYATT! (Wyatt) GIVE ME THE PHONE! 756 00:32:42,061 --> 00:32:44,463 SO FAR IT'S HAPPENING JUST LIKE HE SAID IT DID. MM-HMM. 757 00:32:44,463 --> 00:32:47,736 (Wyatt grunts) THIS IS WHEN HE SAID SHE GRABBED THE WEAPON. 758 00:32:47,736 --> 00:32:50,169 GIVE THAT TO ME! 759 00:32:50,169 --> 00:32:52,001 STAY AWAY FROM ME. 760 00:32:52,001 --> 00:32:54,003 BE CAREFUL WITH THAT THING. 761 00:32:54,003 --> 00:32:56,175 AAH! DAMN IT. 762 00:32:56,175 --> 00:32:58,407 I'M BLEEDING, YOU CRAZY BITCH. 763 00:32:58,407 --> 00:33:00,249 (Jenna panting) 764 00:33:00,249 --> 00:33:02,411 (Wyatt groans) (door opens and closes) 765 00:33:02,411 --> 00:33:06,285 SOUNDS LIKE SHE LEFT THE PLACE ALIVE. DOESN'T MEAN HE DIDN'T GO AFTER HER. 766 00:33:06,285 --> 00:33:08,457 YEAH, BUT IF HE WAS GONNA KILL HER, 767 00:33:08,457 --> 00:33:11,460 HE WOULDN'T LET HER LEAVE THE APARTMENT. SHH. IT'S STILL GOING. 768 00:33:11,460 --> 00:33:14,493 (Jenna) I NEED A CAB. I'VE GOTTA GET OUTTA HERE. 769 00:33:14,493 --> 00:33:17,196 OH, MY GOD! DID YOU FOLLOW ME? 770 00:33:17,196 --> 00:33:20,299 WAIT. LET GO OF ME. STOP! 771 00:33:27,176 --> 00:33:28,507 SO... WHAT'S OUR PLAN? 772 00:33:28,507 --> 00:33:30,479 MAKE HIM CONFESS. 773 00:33:30,479 --> 00:33:33,442 I DON'T THINK HE'S GONNA CRACK THAT EASY. 774 00:33:33,442 --> 00:33:35,444 I MEAN, WHAT IF HE FIGURES OUT 775 00:33:35,444 --> 00:33:37,446 WE ONLY HAVE A PARTIAL RECORDING, 776 00:33:37,446 --> 00:33:39,418 THAT THE MEMORY ON THE PHONE RAN OUT 777 00:33:39,418 --> 00:33:42,521 BEFORE THE ACTUAL MURDER TOOK PLACE? HE WON'T. 778 00:33:42,521 --> 00:33:45,524 WE, UH, WE DON'T HAVE ANY PROOF THAT HE DID IT. 779 00:33:45,524 --> 00:33:48,527 I MEAN, WHAT IF HE SHUTS DOWN AND DOESN'T TALK? HE WON'T. 780 00:33:48,527 --> 00:33:51,530 HE'S NOT A STUPID MAN. HE MIGHT ASK FOR A LAWYER. 781 00:33:51,530 --> 00:33:54,503 HE WON'T. LOOK, LET ME HANDLE THIS. 782 00:33:54,503 --> 00:33:57,066 YOU CAN GO IN IF YOU WANT, BUT DON'T SPEAK. 783 00:33:57,066 --> 00:33:59,138 I JUST-- DON'T SPEAK. 784 00:34:04,473 --> 00:34:08,347 (Jenna) WHY DID YOU FOLLOW ME? WELL, IT SEEMS LIKE I HAD A GOOD REASON. 785 00:34:08,347 --> 00:34:10,519 (cell phone beeps) OKAY, WAIT. SHE WAS RECORDING ME? 786 00:34:10,519 --> 00:34:14,123 YOU FOLLOWED HER TO FARROW'S PARTY SUNDAY NIGHT 787 00:34:14,123 --> 00:34:17,086 AND THEN TO MONROE'S APARTMENT. 788 00:34:17,086 --> 00:34:19,088 YOU DON'T UNDERSTAND. SHE JUST-- 789 00:34:19,088 --> 00:34:22,060 SHE HAD BEEN ACTING SO STRANGE LATELY. 790 00:34:22,060 --> 00:34:25,494 AND THEN SIERRA TELLS ME ABOUT THIS PHOTOGRAPHER-- YOU TALKED WITH SIERRA ABOUT WYATT MONROE? 791 00:34:25,494 --> 00:34:27,836 SHE WAS WORRIED ABOUT ME AND JENNA, 792 00:34:27,836 --> 00:34:31,440 THAT IT WA-WAS MORE THAN JUST BUSINESS BETWEEN THEM, 793 00:34:31,440 --> 00:34:33,542 THAT SOMETHING WAS GOING ON. 794 00:34:33,542 --> 00:34:35,374 (exhales) 795 00:34:35,374 --> 00:34:38,407 LOOK, O-ONCE THIS WAS IN MY HEAD, I-- 796 00:34:38,407 --> 00:34:40,409 I COULDN'T STOP THINKING ABOUT IT. 797 00:34:40,409 --> 00:34:44,583 YEAH, I FOLLOWED HER TO THE PARTY. 798 00:34:44,583 --> 00:34:46,485 THEY WERE TOGETHER. 799 00:34:46,485 --> 00:34:48,557 WHEN SHE DIDN'T GO HOME 800 00:34:48,557 --> 00:34:50,759 AND SHE WENT TO HIS PLACE INSTEAD, 801 00:34:50,759 --> 00:34:52,691 I KNEW. 802 00:34:58,567 --> 00:35:00,629 OKAY, SO THEN YOU WAITED. 803 00:35:00,629 --> 00:35:03,332 SHE CAME OUT. HER CLOTHES WERE ALL MESSED UP. 804 00:35:03,332 --> 00:35:04,733 (sighs) 805 00:35:04,733 --> 00:35:06,735 HER LIPSTICK WAS... 806 00:35:06,735 --> 00:35:08,507 RUBBED OFF. 807 00:35:08,507 --> 00:35:10,279 YOU CALLED HER A WHORE. 808 00:35:10,279 --> 00:35:13,482 I TOLD HER THAT SHE WAS MY WIFE-- 809 00:35:13,482 --> 00:35:16,585 MY WIFE. 810 00:35:16,585 --> 00:35:18,587 AND SHE--SHE JUST STARTED CRYING. 811 00:35:18,587 --> 00:35:21,119 SHE... SHE SAID I DIDN'T UNDERSTAND, 812 00:35:21,119 --> 00:35:24,353 THAT I WAS JUST LIKE EVERYBODY ELSE. 813 00:35:24,353 --> 00:35:26,395 TRAVIS... 814 00:35:26,395 --> 00:35:30,329 I CAN'T HELP YOU UNLESS YOU TELL ME THE TRUTH. 815 00:35:35,704 --> 00:35:39,438 AND THEN YOU SLAPPED HER, HARD ENOUGH TO CUT HER CHEEK. 816 00:35:39,438 --> 00:35:41,470 LOOK, I DIDN'T MEAN-- LOOK, I JUST--I COULDN'T-- 817 00:35:41,470 --> 00:35:43,342 I COULDN'T SEE STRAIGHT. 818 00:35:43,342 --> 00:35:45,574 IT'S LIKE I WASN'T EVEN MYSELF ANYMORE. 819 00:35:45,574 --> 00:35:49,748 I WAS SO MAD, I JUST--I DIDN'T EVEN KNOW WHAT I WAS DOING. AND SO YOU KILLED HER. 820 00:35:49,748 --> 00:35:53,552 NO. NO. I DIDN'T KILL HER. 821 00:35:53,552 --> 00:35:57,286 TEDDY DID. TEDDY FARROW? 822 00:35:57,286 --> 00:36:00,559 AW, MAN. IT WAS ALWAYS TEDDY. IT WAS TEDDY THIS, TEDDY THAT. 823 00:36:00,559 --> 00:36:02,931 JUST, LIKE, WHISPERING IN HER EAR. 824 00:36:02,931 --> 00:36:05,734 YOU KNOW, TELLING HER HOW TO WALK, HOW TO TALK, WHO TO BE. 825 00:36:05,734 --> 00:36:09,298 JUST FEEDING HER MIND WITH LIES. 826 00:36:09,298 --> 00:36:11,300 I TELL YOU WHAT, IF ANYONE DID IT, 827 00:36:11,300 --> 00:36:13,802 IT WAS HIM. 828 00:36:16,305 --> 00:36:19,278 IT WAS YOU, TRAVIS, IN THE PLAZA, 829 00:36:19,278 --> 00:36:20,749 NOT TEDDY... 830 00:36:20,749 --> 00:36:22,451 STANDING BY THE FOUNTAIN 831 00:36:22,451 --> 00:36:25,554 THINKING ABOUT ALL THE THINGS YOU'D DONE FOR HER, 832 00:36:25,554 --> 00:36:28,457 ABOUT HOW YOU MOVED TO THIS CITY THAT YOU HATED 833 00:36:28,457 --> 00:36:30,389 ONLY TO BE TREATED LIKE THIS. 834 00:36:30,389 --> 00:36:33,592 NOW SHE HAD SOMETHING IN HER HANDS, SOMETHING SHARP. 835 00:36:33,592 --> 00:36:36,325 WHAT WAS IT? 836 00:36:36,325 --> 00:36:39,298 TRAVIS, DO YOU REALLY WANT ME TO TURN THAT TAPE ON? 837 00:36:39,298 --> 00:36:40,829 DO YOU REALLY WANT 838 00:36:40,829 --> 00:36:44,303 TO LISTEN TO WHAT YOU SAID AND WHAT YOU DID? 839 00:36:57,386 --> 00:36:59,818 SHE WAS HOLDING THIS BROKEN GLASS. 840 00:37:01,490 --> 00:37:03,352 TOLD ME TO STAY AWAY. 841 00:37:03,352 --> 00:37:05,524 AND SO YOU TOOK IT FROM HER. 842 00:37:05,524 --> 00:37:08,297 IT JUST HAPPENED. 843 00:37:08,297 --> 00:37:10,529 WHAT HAPPENED? 844 00:37:10,529 --> 00:37:12,431 (sighs) 845 00:37:17,506 --> 00:37:19,968 (exhales) 846 00:37:19,968 --> 00:37:21,470 I S-- 847 00:37:21,470 --> 00:37:24,473 I STABBED HER. 848 00:37:24,473 --> 00:37:27,516 I STABBED HER IN THE BACK. (exhales) 849 00:37:27,516 --> 00:37:30,519 LOOK, SHE WAS-- SHE WAS TRYING TO LEAVE ME. 850 00:37:30,519 --> 00:37:33,382 I... OH, I LOVED HER SO MUCH. 851 00:37:33,382 --> 00:37:35,984 I JUST--I COULDN'T LET HER LEAVE ME. 852 00:37:35,984 --> 00:37:38,927 SHE WASN'T GONNA LEAVE YOU, TRAVIS. 853 00:37:51,840 --> 00:37:54,042 (beeps and rewinds) 854 00:37:54,042 --> 00:37:56,445 (Wyatt) WHAT THE HELL? YOU'RE RECORDING ME?! 855 00:37:56,445 --> 00:37:58,447 (Jenna) GIVE IT BACK, WYATT. 856 00:37:58,447 --> 00:38:00,579 I-I DIDN'T KNOW WHAT ELSE TO DO. 857 00:38:00,579 --> 00:38:02,411 I-I WANT THE JOB, WYATT. 858 00:38:02,411 --> 00:38:07,316 BUT I LOVE MY HUSBAND. I CAN'T DO THIS TO HIM. 859 00:38:07,316 --> 00:38:09,618 I WON'T! YOU'RE HURTING ME! 860 00:38:09,618 --> 00:38:11,920 (crying) 861 00:38:11,920 --> 00:38:15,864 I JUST WANT TO GO HOME. I WANT TO GO HOME! 862 00:38:15,864 --> 00:38:17,726 (sniffles) (sobs) 863 00:38:17,726 --> 00:38:18,897 (beep) 864 00:38:18,897 --> 00:38:20,629 HOME. 865 00:38:20,629 --> 00:38:22,831 SHE WAS TRYING TO GO HOME... 866 00:38:22,831 --> 00:38:24,733 TO YOU. 867 00:38:31,780 --> 00:38:33,482 (Travis cries) 868 00:38:33,482 --> 00:38:35,484 (Castle) THAT WAS A RISKY BLUFF-- 869 00:38:35,484 --> 00:38:37,786 THREATENING TO PLAY A RECORDING WE DIDN'T EVEN HAVE. 870 00:38:37,786 --> 00:38:39,788 IT DIDN'T SEEM LIKE A RISK TO ME. 871 00:38:39,788 --> 00:38:41,790 HE LOVED HIS WIFE VERY MUCH. 872 00:38:41,790 --> 00:38:43,792 HE WOULDN'T WANT TO RELIVE HER DEATH. 873 00:38:43,792 --> 00:38:46,054 WHAT ABOUT SIERRA? WHAT ABOUT WYATT MONROE? 874 00:38:46,054 --> 00:38:48,897 THEY JUST GO FREE? DOESN'T SOUND LIKE JUSTICE. 875 00:38:48,897 --> 00:38:50,899 WELL, I SPOKE WITH TEDDY FARROW THIS MORNING. 876 00:38:50,899 --> 00:38:53,902 NOW THAT HE UNDERSTANDS WHAT THOSE TWO DID TO JENNA, 877 00:38:53,902 --> 00:38:56,805 HE'S GONNA LAUNCH A VERY DIFFERENT KIND OF CAMPAIGN. 878 00:38:56,805 --> 00:39:00,068 HE'S GONNA GET THEM BLACKBALLED IN THE INDUSTRY. 879 00:39:00,068 --> 00:39:02,741 NO ONE WILL HIRE THEM AGAIN. AH, YOU MEAN POETIC JUSTICE. 880 00:39:02,741 --> 00:39:04,072 MM-HMM. 881 00:39:04,072 --> 00:39:07,616 WELL... AS A WRITER, I GUESS I CAN LIVE WITH THAT. 882 00:39:07,616 --> 00:39:09,978 I WISH I COULD FEEL THAT WAY. 883 00:39:09,978 --> 00:39:14,082 I WISH I COULD FEEL A SENSE OF... VICTORY. 884 00:39:16,485 --> 00:39:19,588 SO WHAT WOULD NIKKI HEAT DO AFTER A BAD DAY? 885 00:39:19,588 --> 00:39:21,960 SHE'D GO HOME, 886 00:39:21,960 --> 00:39:25,464 POUR A STIFF DRINK, RUN A HOT BATH, 887 00:39:25,464 --> 00:39:27,536 READ A GOOD BOOK. 888 00:39:27,536 --> 00:39:29,668 TOO BAD I DON'T HAVE A GOOD BOOK TO READ. 889 00:39:29,668 --> 00:39:31,670 MM. I'D LET YOU HAVE "HEAT WAVE," 890 00:39:31,670 --> 00:39:34,372 BUT MY PUBLISHER DOESN'T WANT ANY COPIES LEAKING OUT. 891 00:39:34,372 --> 00:39:37,846 WHY'D YOU LET THAT "COSMO" REPORTER READ IT, THEN? WELL, THAT'S FOR PUBLICITY PURPOSES. 892 00:39:37,846 --> 00:39:40,649 YOU KNOW, YOU WANT THE PRESS TO HAVE A LITTLE TASTE OF... 893 00:39:40,649 --> 00:39:43,652 WAIT. WHOA. IS... IS THAT WHY YOU'VE BEEN SO UPSET, 894 00:39:43,652 --> 00:39:46,415 BECAUSE I LET HER READ IT BEFORE YOU? I AM THE INSPIRATION. 895 00:39:46,415 --> 00:39:49,558 I SHOULD BE READING IT BEFORE A REPORTER DOES. WHY DIDN'T YOU JUST SAY SO? 896 00:39:49,558 --> 00:39:52,521 WHY DIDN'T YOU JUST GIVE IT TO ME? WHY DIDN'T YOU ASK? 897 00:39:52,521 --> 00:39:56,495 WHY DIDN'T IT OCCUR TO YOU? 898 00:39:56,495 --> 00:39:58,567 YOU'LL HAVE IT BY TOMORROW. 899 00:39:58,567 --> 00:40:00,429 GOOD. GOOD. 900 00:40:07,105 --> 00:40:08,637 (clicks keyboard keys) 901 00:40:08,637 --> 00:40:10,138 (beeps) 902 00:40:12,681 --> 00:40:15,183 LOOKING GOOD, DETECTIVE BECKETT. 903 00:40:15,183 --> 00:40:17,516 HOW DID YOU GUYS-- 904 00:40:17,516 --> 00:40:20,489 WE'RE DETECTIVES. CALLED YOUR DAD. 905 00:40:20,489 --> 00:40:22,451 OKAY. (chuckles) 906 00:40:22,451 --> 00:40:24,893 OKAY. YOU GUYS HAVE HAD YOUR FUN. 907 00:40:24,893 --> 00:40:28,557 I WAS 17, AND I THOUGHT THAT... (whispers) MODELING 908 00:40:28,557 --> 00:40:30,699 (normal voice) WOULD BE AN EASIER WAY TO MAKE MONEY 909 00:40:30,699 --> 00:40:33,061 THAN WAITRESSING. RIGHT. 910 00:40:33,061 --> 00:40:35,904 IT WAS ONE SUMMER. NO BIG DEAL. 911 00:40:38,066 --> 00:40:42,010 (whispering) AND IF YOU GUYS TELL CASTLE ABOUT THIS, 912 00:40:42,010 --> 00:40:44,913 I WILL KILL YOU. 913 00:40:44,913 --> 00:40:48,617 ♪♪ 914 00:40:48,617 --> 00:40:51,620 GOOD EVENING, MY DEARS. 915 00:40:51,620 --> 00:40:52,921 (Alexis) HEY THERE. 916 00:40:52,921 --> 00:40:54,583 YOU LOOK IN BRIGHTER SPIRITS. 917 00:40:54,583 --> 00:40:56,625 WHAT'S CHANGED SINCE THIS MORNING? 918 00:40:56,625 --> 00:40:57,926 THE PLAY I PASSED ON? 919 00:40:57,926 --> 00:41:00,729 THE PRODUCERS CAME BACK WITH A BETTER OFFER. 920 00:41:00,729 --> 00:41:03,632 I WAS JUST AT THE DORCHESTER SIGNING MY CONTRACTS. 921 00:41:03,632 --> 00:41:05,463 SO YOU GOT THE LEAD? 922 00:41:05,463 --> 00:41:07,636 WELL, NO, I STILL PLAY THE CRAZY GRANNY. 923 00:41:07,636 --> 00:41:10,198 BUT YOU--YOU DON'T DIE. NO, STILL DIE. 924 00:41:10,198 --> 00:41:12,771 MORE MONEY? (scoffs) PEANUTS. 925 00:41:12,771 --> 00:41:14,703 ALL RIGHT. SO WHAT'S THE BETTER OFFER? 926 00:41:14,703 --> 00:41:17,706 THEY HAVE REWRITTEN THE SCRIPT SO THAT I DIE ONSTAGE. 927 00:41:17,706 --> 00:41:19,608 MY DEATH CLOSES ACT ONE. 928 00:41:19,608 --> 00:41:21,650 IT'S BETTER THAN THE LEAD, REALLY. 929 00:41:21,650 --> 00:41:24,212 GRANNY'S THE BRAVURA ROLE. 930 00:41:24,212 --> 00:41:25,714 IN ART AS IN LIFE. 931 00:41:25,714 --> 00:41:26,985 OH. 932 00:41:26,985 --> 00:41:29,057 I'M SO PROUD OF YOU. OH, THANK YOU. 933 00:41:29,057 --> 00:41:31,059 THANK YOU, MY BABY. (doorbell buzzes) 934 00:41:31,059 --> 00:41:33,722 ARE WE EXPECTING COMPANY? UH, THAT'S RINA. 935 00:41:33,722 --> 00:41:35,994 OH, OF COURSE, YOUR DATE. 936 00:41:35,994 --> 00:41:37,926 NOT MY DATE. 937 00:41:37,926 --> 00:41:39,968 (squeals) 938 00:41:39,968 --> 00:41:41,570 (laughs) HI! HEY. 939 00:41:41,570 --> 00:41:43,602 READY FOR 940 00:41:43,602 --> 00:41:46,605 A "HIGH SCHOOL MUSICAL" MARATHON? I'M SO READY. (laughs) 941 00:41:46,605 --> 00:41:48,707 HEY, RINA. 942 00:41:48,707 --> 00:41:51,139 OH, HI, MR. CASTLE. (Alexis) COME ON. 943 00:41:51,139 --> 00:41:53,141 OH, MY GOSH. THAT SHIRT IS SO CUTE ON YOU. 944 00:41:53,141 --> 00:41:55,614 COLOR ME SHOCKED, BUT APPARENTLY THE MODELING WORLD 945 00:41:55,614 --> 00:41:57,616 ISN'T ALL SEXY CLOTHES AND FUN PARTIES. 946 00:41:57,616 --> 00:42:00,518 IT OCCURRED TO ME THAT IF JENNA McBOYD HAD SOMEONE 947 00:42:00,518 --> 00:42:02,591 LOOKING OUT FOR HER A LITTLE BIT, 948 00:42:02,591 --> 00:42:04,593 SHE MIGHT STILL BE ALIVE TODAY. 949 00:42:04,593 --> 00:42:07,626 SO IF RINA NEEDS A FRIEND, SHE KNOWS SHE'S GOT ONE. 950 00:42:07,626 --> 00:42:10,198 OH, MY SON... 951 00:42:10,198 --> 00:42:13,031 THE BIG SOFTIE. 952 00:42:13,031 --> 00:42:16,034 AND DON'T WORRY. I KNOW YOU HAVE AN IMAGE TO PROTECT. 953 00:42:16,034 --> 00:42:18,667 YOUR SECRET'S SAFE WITH ME. 954 00:42:18,667 --> 00:42:20,308 (woman) ♪ HEART PLACE, HEART ♪