1 00:00:01,602 --> 00:00:04,135 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,135 --> 00:00:06,177 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,177 --> 00:00:08,609 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,609 --> 00:00:10,611 CASTLE. CASTLE. 5 00:00:10,611 --> 00:00:13,314 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,314 --> 00:00:15,216 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,216 --> 00:00:17,348 BECKETT. BECKETT. 8 00:00:17,348 --> 00:00:19,350 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,350 --> 00:00:21,352 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,352 --> 00:00:24,024 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:24,024 --> 00:00:27,128 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,128 --> 00:00:29,800 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:29,800 --> 00:00:33,264 (Sloan's "Who Taught You to Live Like That?" playing) 14 00:00:36,036 --> 00:00:37,768 ♪ SHE CAME THROUGH INSPECTIONS ♪ 15 00:00:37,768 --> 00:00:40,141 ♪ TOWARDS ME IN SECTIONS ♪ 16 00:00:40,141 --> 00:00:43,114 ♪ THE LIFE DISAPPEARED FROM THE ROOM ♪ 17 00:00:43,114 --> 00:00:45,216 ♪ SHE ASKED ME POLITELY ♪ 18 00:00:45,216 --> 00:00:47,648 ♪ MAY I PUT THIS LIGHTLY? ♪ 19 00:00:47,648 --> 00:00:49,820 ♪ THE DEATH THAT YOU THOUGHT WAS EXHUMED ♪ 20 00:00:49,820 --> 00:00:53,053 AAH! OFF WITH YOUR HEADS! 21 00:00:53,053 --> 00:00:54,185 (grunts) 22 00:00:54,185 --> 00:00:55,356 OH! 23 00:00:55,356 --> 00:00:58,129 (women screaming indistinctly) 24 00:00:58,129 --> 00:01:01,132 ♪ WHO TAUGHT YOU TO LIVE LIKE THAT? ♪ 25 00:01:01,132 --> 00:01:02,433 AAH! 26 00:01:02,433 --> 00:01:05,236 (mouth full) WHAT IS IT ABOUT FULL MOONS 27 00:01:05,236 --> 00:01:07,238 THAT BRING OUT ALL THE CRAZIES? 28 00:01:07,238 --> 00:01:09,640 I DON'T KNOW. YOU TELL ME. 29 00:01:09,640 --> 00:01:11,642 AAH! OH! 30 00:01:11,642 --> 00:01:14,575 ♪ WHO TAUGHT YOU TO LIVE LIKE THAT? ♪ 31 00:01:14,575 --> 00:01:17,808 HEY, KARPOWSKI. HOW'S IT GOING? SAME OLD, SAME OLD. YOU, BECKETT? 32 00:01:17,808 --> 00:01:20,080 AH, CAN'T COMPLAIN. GOOD. 33 00:01:20,080 --> 00:01:22,583 AAH! 34 00:01:22,583 --> 00:01:26,117 (laughs) COME ON. YOU GUYS SHOULD REALLY SELL TICKETS. 35 00:01:26,117 --> 00:01:29,120 I MEAN, YOU GOT EVERYTHING-- MADNESS, MAYHEM. 36 00:01:29,120 --> 00:01:31,692 NOW ALL YOU NEED IS-- (telephone rings) 37 00:01:31,692 --> 00:01:33,694 ♪ WHO TAUGHT YOU TO LIVE LIKE THAT? ♪ 38 00:01:33,694 --> 00:01:35,196 BECKETT. 39 00:01:35,196 --> 00:01:38,299 (camera shutter clicks, police radio chatter) 40 00:01:38,299 --> 00:01:41,272 ASHLEY COSWAY, 32, 41 00:01:41,272 --> 00:01:43,634 COUPLES THERAPIST. 42 00:01:43,634 --> 00:01:45,606 HUSBAND FOUND HER JUST BEFORE MIDNIGHT. 43 00:01:45,606 --> 00:01:48,108 (Esposito) HE WAS PICKING HER UP ON HIS WAY HOME 44 00:01:48,108 --> 00:01:50,110 AFTER THE ST. JOHN'S GAME AT THE GARDEN. ANY WITNESSES? 45 00:01:50,110 --> 00:01:52,283 NONE SO FAR, BUT I DID FIND A RECEIPT 46 00:01:52,283 --> 00:01:54,285 FOR THIS TAKEOUT RIGHT HERE. HMM. DINNER FOR TWO. 47 00:01:54,285 --> 00:01:56,287 YEAH, IT'S FROM SZECHUAN WOK OVER ON 9th. 48 00:01:56,287 --> 00:01:59,119 RECEIPT DOESN'T MATCH ANY OF THE CARDS IN THE VIC'S WALLET. 49 00:01:59,119 --> 00:02:01,192 HUSBAND RECOGNIZE THE NUMBER? MNH-MNH. 50 00:02:01,192 --> 00:02:03,154 WHEN WAS IT CHARGED? 6:02 P.M. 51 00:02:03,154 --> 00:02:06,157 LANIE PUTS THE TIME OF DEATH AROUND 8:00. WELL, WHOEVER SHE HAD DINNER WITH 52 00:02:06,157 --> 00:02:08,829 MAY HAVE BEEN THE LAST PERSON TO SEE HER ALIVE. 53 00:02:08,829 --> 00:02:11,832 OR THE FIRST ONE TO SEE HER DEAD. RUN THE CARD. 54 00:02:11,832 --> 00:02:13,304 YOU KNOW, IF THIS WAS 55 00:02:13,304 --> 00:02:15,306 ONE OF THOSE SUPER SCIENCE-Y FORENSIC SHOWS, 56 00:02:15,306 --> 00:02:18,869 THEY'D STICK SOME ELECTRODES IN THESE FISHES' BRAINS, 57 00:02:18,869 --> 00:02:21,842 GET A FISH-EYE VIEW OF WHATEVER THEY SAW. 58 00:02:21,842 --> 00:02:23,544 (camera shutter clicks) 59 00:02:23,544 --> 00:02:25,616 (Lanie) BECKETT. 60 00:02:25,616 --> 00:02:29,350 DR. PARISH, WHEN'D THEY CHANGE THE DRESS CODE DOWNTOWN? 61 00:02:29,350 --> 00:02:32,152 WELL, UNLIKE YOU, I DON'T SIT AROUND WORK ALL NIGHT 62 00:02:32,152 --> 00:02:35,186 WAITING FOR THE NEXT VIC TO SHOW. 63 00:02:35,186 --> 00:02:37,688 QUIT LOOKING AT THE GIRLS, CASTLE. ROGER THAT. 64 00:02:37,688 --> 00:02:40,391 MULTIPLE G.S.W.s. ENTRIES LOOK FAIRLY SMALL CALIBER. 65 00:02:40,391 --> 00:02:42,463 PROBABLY A .22. 66 00:02:42,463 --> 00:02:46,166 "PSYCHO THE RAPIST, YOUR OUT OF TIME"? 67 00:02:46,166 --> 00:02:50,170 IT LOOKS LIKE A PATIENT LOST THEIR PATIENCE. 68 00:02:50,170 --> 00:02:52,172 ALSO HIS COMMAND OF GRAMMAR. 69 00:02:52,172 --> 00:02:54,405 "YOUR" SHOULD BE YOU'R-E, AS IN "YOU ARE." 70 00:02:54,405 --> 00:02:56,407 THAT'S NOT EVEN A TOUGH ONE, 71 00:02:56,407 --> 00:02:58,679 NOT LIKE WHEN TO USE "WHO" OR "WHOM"? 72 00:02:58,679 --> 00:03:02,253 DO YOU REALLY THINK THAT'S THE TAKEAWAY HERE, CASTLE? I'M JUST SAYING, WHOEVER KILLED HER 73 00:03:02,253 --> 00:03:04,255 ALSO MURDERED THE ENGLISH LANGUAGE. 74 00:03:04,255 --> 00:03:06,457 ANY SIGNS OF STRUGGLE? 75 00:03:06,457 --> 00:03:09,260 BRUISES ON BOTH ARMS. CHECK FOR FIBERS AND HAIR. 76 00:03:09,260 --> 00:03:11,362 SEE IF OUR KILLER LEFT ANYTHING BEHIND. 77 00:03:11,362 --> 00:03:12,523 OKAY. 78 00:03:12,523 --> 00:03:14,795 (police radio chatter) 79 00:03:14,795 --> 00:03:15,896 CASTLE. 80 00:03:15,896 --> 00:03:17,768 MM-HMM. 81 00:03:17,768 --> 00:03:20,801 (man) UH, NO. SHE, UH, SHE NEVER DISCUSSED HER PATIENTS. 82 00:03:20,801 --> 00:03:23,534 ASH WAS, UH, WAS VERY PROFESSIONAL THAT WAY. 83 00:03:23,534 --> 00:03:25,536 WHAT WAS SHE DOING HERE SO LATE? 84 00:03:25,536 --> 00:03:28,539 UH, SHE ALWAYS WOULD HAVE A COUPLE NIGHTS A MONTH 85 00:03:28,539 --> 00:03:30,541 WHERE SHE'D WORK LATE WRITING UP CASE NOTES. 86 00:03:30,541 --> 00:03:32,543 I'D USE THAT AS A TIME 87 00:03:32,543 --> 00:03:35,215 TO GO OUT WITH THE BOYS AND HAVE A BOYS' NIGHT, 88 00:03:35,215 --> 00:03:37,888 AND WHEN I'D GET BACK, I'D WALK HER HOME. DID YOU KNOW WHO SHE WAS HAVING DINNER WITH? 89 00:03:37,888 --> 00:03:40,891 NO. I MEAN, UNLESS SOMEONE CALLED HER AFTER WE SPOKE. WHEN WAS THAT? 90 00:03:40,891 --> 00:03:42,893 IT WAS BEFORE I LEFT WORK. 6:00-ISH. 91 00:03:42,893 --> 00:03:45,656 I WAS, UH, I WAS HEADING OUT TO THE GAME. WHAT DID YOU TALK ABOUT? 92 00:03:45,656 --> 00:03:47,898 JUST A MEANINGLESS CHECK-IN. AND I... (whistles) 93 00:03:47,898 --> 00:03:50,901 RIGHT NOW I REMEMBER I DIDN'T SAY "I LOVE YOU." 94 00:03:50,901 --> 00:03:53,434 (camera shutter clicks) 95 00:03:53,434 --> 00:03:55,906 THANK YOU, MR. COSWAY. 96 00:03:55,906 --> 00:03:57,868 (voice breaks) YEAH. 97 00:03:57,868 --> 00:03:59,570 (Esposito) WE GOT ANOTHER. 98 00:03:59,570 --> 00:04:01,572 POP AND DROP ON 102nd. 99 00:04:01,572 --> 00:04:02,873 FULL MOON STRIKES AGAIN. 100 00:04:02,873 --> 00:04:04,875 ALL RIGHT, YOU GUYS GO ON UPTOWN, 101 00:04:04,875 --> 00:04:07,878 AND I'LL FINISH UP HERE. SO MUCH FOR MY FAMOUS WARM HONEY MILK 102 00:04:07,878 --> 00:04:09,580 WITH JENNY TONIGHT. 103 00:04:09,580 --> 00:04:11,582 DID I SAY THAT OUT LOUD? YEAH. 104 00:04:13,584 --> 00:04:15,586 HER HUSBAND CALLS BEFORE 6:00, 105 00:04:15,586 --> 00:04:17,588 AND THE FOOD'S PICKED UP AT 6:02. 106 00:04:17,588 --> 00:04:19,890 SHE KNEW WHO SHE WAS HAVING DINNER WITH. 107 00:04:19,890 --> 00:04:22,633 SOMEONE WITH BAD GRAMMAR. HMM. 108 00:04:22,633 --> 00:04:24,965 (Esposito) HEY, UH, A WARM MILK NIGHTCAP 109 00:04:24,965 --> 00:04:26,937 WITH YOUR LADY? 110 00:04:26,937 --> 00:04:29,370 THAT IS SAD, BRO. IT HELPS HER SLEEP. 111 00:04:29,370 --> 00:04:31,372 HOW ABOUT THE SOUND OF YOUR VOICE? 112 00:04:31,372 --> 00:04:33,344 IT DOESN'T... WORKS ON ME. 113 00:04:33,344 --> 00:04:35,506 HOW YOU DOING, DR. PERLMUTTER? 114 00:04:35,506 --> 00:04:38,008 SHH. THE BODY IS SPEAKING. 115 00:04:38,008 --> 00:04:40,010 WHAT'S IT SAYING? 116 00:04:40,010 --> 00:04:41,982 IT'S SAYING, "SOMEONE SHOT ME." 117 00:04:41,982 --> 00:04:45,886 ONE TO THE MIDSECTION. .38, MAYBE EVEN A .45. 118 00:04:45,886 --> 00:04:48,359 HE WAS SHOT AT CLOSE RANGE AND FROM BEHIND. 119 00:04:48,359 --> 00:04:50,991 THAT'S COLD. YEAH, WELL, THAT'S THE LIVING FOR YOU. 120 00:04:50,991 --> 00:04:54,495 HE HAVE ANY I.D.? NO, WALLET'S GONE. NO WATCH, NO JEWELRY. 121 00:04:54,495 --> 00:04:56,497 MAYBE A MUGGING GONE BAD. 122 00:04:56,497 --> 00:04:58,729 A LOOKY LOO SAID SHE RECOGNIZED HIM 123 00:04:58,729 --> 00:05:00,300 FROM THE NEIGHBORHOOD. 124 00:05:00,300 --> 00:05:02,933 GAVE HIS INFO TO OFFICER WHOJAMIFACE OVER THERE. 125 00:05:02,933 --> 00:05:04,805 WHOJAMIFACE? 126 00:05:04,805 --> 00:05:07,708 NICE TO SEE YOU MAKING AN EFFORT TO BOND 127 00:05:07,708 --> 00:05:10,911 WITH THE RANK AND FILE, PERLMUTTER. 128 00:05:14,014 --> 00:05:17,017 (Castle) IT'S NOT LIKE YOU'RE JUST LEAVING YOURSELF A NOTE, 129 00:05:17,017 --> 00:05:19,490 YOU KNOW, TO BUY BREAD ON THE WAY HOME. (exhales deeply) 130 00:05:19,490 --> 00:05:21,492 YOU'RE WRITING ON A PERSON YOU JUST MURDERED. 131 00:05:21,492 --> 00:05:23,424 YOU'RE TRYING TO MAKE A POINT-- 132 00:05:23,424 --> 00:05:25,726 A POINT YOU CARE A GREAT DEAL ABOUT PRESUMABLY, 133 00:05:25,726 --> 00:05:27,728 BECAUSE YOU JUST KILLED SOMEONE TO MAKE IT. 134 00:05:27,728 --> 00:05:30,601 SO HOW DO YOU NOT MAKE SURE THAT YOU'RE USING 135 00:05:30,601 --> 00:05:33,634 THE PROPER LANGUAGE TO MAKE THAT POINT? FRANK ANDERSON, RETIRED MIDDLE SCHOOL MATH TEACHER 136 00:05:33,634 --> 00:05:35,466 FROM I.S. 161. 137 00:05:35,466 --> 00:05:37,438 YOU WANT IN? 138 00:05:37,438 --> 00:05:39,109 UH, NO, THANKS. FULL UP. 139 00:05:39,109 --> 00:05:40,941 (cell phone beeps) 140 00:05:44,445 --> 00:05:46,947 SO... 141 00:05:46,947 --> 00:05:49,019 HOW'D YOU FIND THE BODY? 142 00:05:49,019 --> 00:05:50,921 ON THE GROUND. 143 00:05:50,921 --> 00:05:53,023 WAS HE POSITIONED IN A CREEPY WAY? 144 00:05:53,023 --> 00:05:55,926 YEAH, LIKE A GUY WHO WAS SHOT. 145 00:05:55,926 --> 00:05:57,388 OH. 146 00:05:57,388 --> 00:06:00,961 SO JUST YOUR GARDEN-VARIETY HOMICIDE/ROBBERY, HUH? 147 00:06:00,961 --> 00:06:02,663 ACTUALLY... 148 00:06:02,663 --> 00:06:05,666 POP AND DROPS ARE SOME OF THE HARDEST CASES TO CLOSE. 149 00:06:05,666 --> 00:06:07,968 RANDOMNESS OF THE VICTIM, ANONYMOUS NATURE OF THE CRIME-- 150 00:06:07,968 --> 00:06:10,701 IT TAKES SOME REAL SERIOUS DETECTIVE WORK. 151 00:06:10,701 --> 00:06:12,843 OKAY. WELL, IF YOU GUYS WANT ANY HELP, 152 00:06:12,843 --> 00:06:14,845 YOU KNOW WHERE TO FIND ME. 153 00:06:14,845 --> 00:06:16,477 HELP? 154 00:06:16,477 --> 00:06:18,008 DID YOU JUST SAY "HELP"? 155 00:06:18,008 --> 00:06:20,411 DON'T WORRY ABOUT US, CASTLE. 156 00:06:20,411 --> 00:06:22,983 WE'LL PROBABLY CLOSE OURS BEFORE YOUR THERAPIST. REALLY? 157 00:06:22,983 --> 00:06:24,515 MM-HMM. 158 00:06:24,515 --> 00:06:27,017 WELL, PERHAPS YOU'D LIKE TO MAKE THINGS INTERESTING. 159 00:06:27,017 --> 00:06:29,820 WHOA. WAIT. 160 00:06:29,820 --> 00:06:31,992 ARE YOU SAYING YOU WANT TO WAGER 161 00:06:31,992 --> 00:06:33,994 ON WHO SOLVES THEIR CASE FIRST? 162 00:06:33,994 --> 00:06:35,796 THAT'S SICK, BRO. 163 00:06:35,796 --> 00:06:38,629 50 BUCKS? WE WIN, YOU PAY US BOTH. 164 00:06:38,629 --> 00:06:40,701 DEAL. 165 00:06:40,701 --> 00:06:43,033 (Ryan and Esposito mutter) 166 00:06:43,033 --> 00:06:45,405 (lowered voice) NOT A WORD TO BECKETT, OKAY? 167 00:06:45,405 --> 00:06:49,480 SHE FINDS OUT ABOUT THIS, SHE'LL SHOOT US. 168 00:06:49,480 --> 00:06:51,011 SECRETS, MURDER AND GAMBLING-- 169 00:06:51,011 --> 00:06:53,644 THREE OF MY FAVORITE PASTIMES. 170 00:06:53,644 --> 00:06:55,546 MAY THE BEST MAN WIN. 171 00:06:55,546 --> 00:06:57,047 MAY HE. 172 00:06:57,047 --> 00:06:58,919 (spits) 173 00:07:01,552 --> 00:07:04,825 RICHARD, THAT'S APPALLING-- WAGERING ON DEATH. 174 00:07:04,825 --> 00:07:07,057 THEY'RE ALREADY DEAD, MOTHER. 175 00:07:07,057 --> 00:07:10,901 AND WHO'S TO SAY THAT CATCHING KILLERS CANNOT BE FUN? HEY, DAD, ARE YOU WORKING TONIGHT? 176 00:07:10,901 --> 00:07:12,202 MAYBE. WHY? 177 00:07:12,202 --> 00:07:14,204 OH, I JUST HAVE MATH CLUB TILL 6:00, 178 00:07:14,204 --> 00:07:16,907 AND THEN I WANTED TO TAKE OWEN OUT 179 00:07:16,907 --> 00:07:18,909 FOR A BIRTHDAY BANANA SPLIT AT SERENDIPITY. 180 00:07:18,909 --> 00:07:20,911 I JUST WANTED TO DO SOMETHING SPECIAL 181 00:07:20,911 --> 00:07:23,914 BECAUSE THINGS HAVE BEEN A LITTLE ROCKY WITH US LATELY. 182 00:07:23,914 --> 00:07:26,446 NOTHING SMOOTHES ROCKY LIKE ROCKY ROAD. 183 00:07:26,446 --> 00:07:29,119 JUST REMEMBER, IT'S A SCHOOL NIGHT. BE HOME BY MIDNIGHT. DAD, I'LL BE HOME BY 9:00. 184 00:07:29,119 --> 00:07:30,821 LOVE YOU. LOVE YOU. 185 00:07:30,821 --> 00:07:33,624 YEAH, BYE, DARLING. LOVE YOU. BYE, GUYS. 186 00:07:33,624 --> 00:07:35,225 AH, YOUNG LOVE-- FIRST BANANA SPLITS, 187 00:07:35,225 --> 00:07:38,128 THEN SPLITTING ASSETS. AH, MOTHER. YOU ARE A HOPELESS ROMANTIC. 188 00:07:38,128 --> 00:07:39,990 I KNOW. (cell phone rings) 189 00:07:39,990 --> 00:07:41,662 MM. MM. 190 00:07:41,662 --> 00:07:45,135 OOPS. I'M OFF TO AN AUDITION. AND I HAVE A BET TO WIN. 191 00:07:47,037 --> 00:07:50,140 YES, DETECTIVE. THAT'S MY CREDIT CARD. 192 00:07:50,140 --> 00:07:52,472 I HAD DINNER WITH HER LAST NIGHT. SHE'S MY BEST FRIEND. 193 00:07:52,472 --> 00:07:54,575 WHEN I LEFT HER THERE, SHE WAS ALIVE. 194 00:07:54,575 --> 00:07:57,247 WHAT TIME DID YOU LEAVE, MS. ROSSI? AROUND 7:00. 195 00:07:57,247 --> 00:08:00,150 THEN WHERE DID YOU GO? TO DRINKS WITH OTHER ASSOCIATES FROM MY FIRM. 196 00:08:00,150 --> 00:08:03,013 I WAS AT THE GANSEVOORT BAR UNTIL 11:00. 197 00:08:03,013 --> 00:08:05,015 DID YOU MAKE PLANS TO HAVE DINNER TOGETHER, 198 00:08:05,015 --> 00:08:07,117 OR DID YOU JUST SHOW UP? 199 00:08:07,117 --> 00:08:11,091 SHE CALLED ME. SHE SAID SHE WANTED TO TALK. 200 00:08:11,091 --> 00:08:13,223 BUT I-I DIDN'T-- I DIDN'T KNOW. 201 00:08:13,223 --> 00:08:15,896 YOU DIDN'T KNOW WHAT? 202 00:08:15,896 --> 00:08:18,198 I SHOULD HAVE SAID SOMETHING. 203 00:08:18,198 --> 00:08:20,831 I SHOULD'VE DONE SOMETHING, YOU KNOW? I-- 204 00:08:20,831 --> 00:08:22,973 WHY DID SHE CALL, MS. ROSSI? 205 00:08:22,973 --> 00:08:26,506 SHE NEEDED MY ADVICE AS A LAWYER. 206 00:08:26,506 --> 00:08:29,039 SOMETHING HAPPENED LAST FRIDAY, SOMETHING BAD. WHAT? 207 00:08:29,039 --> 00:08:33,584 SHE WOULDN'T SAY, BUT I KNEW IT WAS ONE OF HER PATIENTS. 208 00:08:33,584 --> 00:08:36,647 SHE WANTED TO KNOW HOW TO GET A RESTRAINING ORDER. 209 00:08:36,647 --> 00:08:38,719 AGAINST WHO? WHOM. 210 00:08:38,719 --> 00:08:40,551 SHE WOULDN'T SAY. 211 00:08:40,551 --> 00:08:42,522 GOD. 212 00:08:42,522 --> 00:08:44,524 I SHOULD HAVE STAYED WITH HER. 213 00:08:44,524 --> 00:08:47,527 I SHOULDN'T HAVE LET HER OFF THE HOOK. 214 00:08:47,527 --> 00:08:49,129 (sighs) 215 00:08:49,129 --> 00:08:52,002 LOOKS LIKE ASHLEY TOOK HER OATH SERIOUSLY. 216 00:08:52,002 --> 00:08:54,004 HER HUSBAND HAD NO IDEA 217 00:08:54,004 --> 00:08:56,006 THAT SOMETHING BAD HAPPENED ON FRIDAY. 218 00:08:56,006 --> 00:08:58,238 DOCTOR/PATIENT PRIVILEGE IS SUPPOSED TO PROTECT PEOPLE, 219 00:08:58,238 --> 00:09:00,240 NOT GET THEM KILLED. 220 00:09:00,240 --> 00:09:01,642 HEY. 221 00:09:01,642 --> 00:09:03,644 SO THE VIC'S GIRLFRIEND? ALIBI IS GOOD. 222 00:09:03,644 --> 00:09:06,146 COWORKERS CONFIRM THAT SHE ARRIVED FOR DRINKS AT 7:15, 223 00:09:06,146 --> 00:09:07,648 LEFT AT 11:00. 224 00:09:07,648 --> 00:09:09,650 THE HUSBAND'S BUDDY PLACES HIM AT THE GARDEN 225 00:09:09,650 --> 00:09:11,652 FROM 7:00 TILL ABOUT 10:00. 226 00:09:11,652 --> 00:09:14,084 WHICH LEAVES US WITH FRIDAY'S PATIENTS. 227 00:09:14,084 --> 00:09:17,087 I SURE WOULD LIKE A PEEK AT DR. COSWAY'S NOTES. NOT WITHOUT A WARRANT. WE START BY RUNNING THE NAMES. 228 00:09:17,087 --> 00:09:19,089 IF HE THREATENED AND THEN KILLED HER, 229 00:09:19,089 --> 00:09:21,161 HE'S PROBABLY GOT VIOLENT PRIORS. 230 00:09:21,161 --> 00:09:23,964 ONCE AGAIN, MR. AND MRS. MARX, I'M VERY SORRY FOR YOUR LOSS. 231 00:09:23,964 --> 00:09:25,966 THANK YOU. 232 00:09:29,600 --> 00:09:33,003 (whistling) 233 00:09:35,145 --> 00:09:38,008 AND A DARK CLOUD DESCENDS. 234 00:09:38,008 --> 00:09:40,010 ANY HOT LEADS? MATTER OF FACT, YES. 235 00:09:40,010 --> 00:09:42,312 TURNS OUT OUR VICTIM WENT FOR A WALK EVERY NIGHT. 236 00:09:42,312 --> 00:09:44,655 AND GUESS WHO HANGS IN THE PARK 237 00:09:44,655 --> 00:09:47,618 RIGHT WHERE OUR VICTIM WAS POPPED. RECENTLY FIRED POSTAL WORKERS. 238 00:09:47,618 --> 00:09:50,290 NO, GANG KIDS. VERY ROUGH GUYS. 239 00:09:50,290 --> 00:09:53,223 DO THEY HANG OUT THERE REGULARLY? 240 00:09:53,223 --> 00:09:56,066 THAT'S RIGHT. THEN THEY DIDN'T DO IT. IF THEY'RE KNOWN TO HANG OUT THERE, 241 00:09:56,066 --> 00:09:58,068 THEN THEY'RE GONNA KNOW THEY'RE GONNA GET CAUGHT. 242 00:09:58,068 --> 00:10:00,871 IF THEY'RE GONNA DO SOMETHING, THEY'RE GONNA DO IT 243 00:10:00,871 --> 00:10:03,133 SOMEWHERE ELSE. I KNOW WHAT YOU'RE DOING, CASTLE. 244 00:10:03,133 --> 00:10:06,106 YOU'RE TRYING TO MESS WITH OUR CONFIDENCE. IF I WAS TRYING TO MESS WITH YOUR CONFIDENCE, 245 00:10:06,106 --> 00:10:09,239 I WOULD TELL YOU THAT OUR VICTIM TALKED TO HER LAWYER FRIEND 246 00:10:09,239 --> 00:10:12,813 ON THE NIGHT SHE WAS MURDERED ABOUT A RESTRAINING ORDER. AND DO YOU HAVE A SUSPECT? 247 00:10:12,813 --> 00:10:14,945 WE'RE NARROWING IT DOWN. 248 00:10:14,945 --> 00:10:17,247 BUT DOESN'T THAT HAVE A LOVELY RING TO IT? 249 00:10:17,247 --> 00:10:19,289 (singsongy) RESTRAINING ORDER. 250 00:10:19,289 --> 00:10:21,692 ♪ RESTRAINING ORDER ♪ (snaps fingers) 251 00:10:21,692 --> 00:10:23,123 ♪ ORDER ♪ 252 00:10:23,123 --> 00:10:25,255 HEY. HEY. 253 00:10:25,255 --> 00:10:28,128 I WAS JUST... UM, THEY WERE... 254 00:10:28,128 --> 00:10:29,629 THERE WAS TWO... 255 00:10:29,629 --> 00:10:31,101 YEAH. 256 00:10:31,101 --> 00:10:34,034 BECKETT, WE GOT A HIT. 257 00:10:34,034 --> 00:10:36,106 HAL ROSS? 258 00:10:36,106 --> 00:10:38,068 MULTIPLE ASSAULT CHARGES OVER THE LAST TEN YEARS. 259 00:10:38,068 --> 00:10:40,771 HE AND HIS WIFE WERE DR. COSWAY'S 2:00 ON FRIDAY. 260 00:10:40,771 --> 00:10:42,642 (elevator bell dings) 261 00:10:48,178 --> 00:10:50,020 (ding) WHAT ARE YOU DOING? 262 00:10:50,020 --> 00:10:52,022 (Ryan) HEY. HEY, HEY! HEY! HEY! 263 00:10:52,022 --> 00:10:54,424 CASTLE, NOT COOL. STAIRS. (Esposito) GO, GO, GO. 264 00:10:54,424 --> 00:10:56,126 WHY'D YOU DO THAT? 265 00:10:56,126 --> 00:10:59,129 DO WHAT? 266 00:10:59,129 --> 00:11:04,394 ♪♪ 267 00:11:11,441 --> 00:11:14,374 ALL RIGHT, I'M JUST GONNA SAY IT-- 268 00:11:14,374 --> 00:11:16,076 I'VE GOT A FEELING. 269 00:11:16,076 --> 00:11:18,849 DOESN'T HAPPEN OFTEN, BUT I AM FEELIN' IT. 270 00:11:18,849 --> 00:11:20,851 THIS IS OUR GUY. 271 00:11:23,253 --> 00:11:25,215 (Beckett) MR. ROSS? 272 00:11:26,416 --> 00:11:30,220 WHAT'S UP, GARBAGE ON MY SIDEWALK AGAIN? 273 00:11:30,220 --> 00:11:34,194 UH... WOULD YOU MIND PUTTING THAT DOWN? 274 00:11:38,398 --> 00:11:41,101 WHERE WERE YOU LAST NIGHT BETWEEN THE HOURS OF... 275 00:11:41,101 --> 00:11:42,873 WHEN WAS THAT AGAIN? 276 00:11:42,873 --> 00:11:45,205 WHAT ARE YOU TALKING ABOUT? 277 00:11:45,205 --> 00:11:47,077 ARE YOU FAMILIAR WITH ASHLEY COSWAY? 278 00:11:47,077 --> 00:11:49,009 OH, YEAH, SURE. THE DOC. 279 00:11:49,009 --> 00:11:52,082 WELL, SHE WAS MURDERED LAST NIGHT. WHAT? THE DOC'S DEAD? 280 00:11:52,082 --> 00:11:54,084 CAN YOU CONFIRM YOUR WHEREABOUTS 281 00:11:54,084 --> 00:11:56,246 BETWEEN 7:30 AND 9:00 LAST NIGHT? 282 00:11:56,246 --> 00:11:59,089 YEAH, SURE. I WAS HERE. I'M OPEN TILL 10:00 EVERY NIGHT. 283 00:11:59,089 --> 00:12:01,091 CAN ANYONE CORROBORATE THAT? MY EMPLOYEES. 284 00:12:01,091 --> 00:12:04,154 WELL, HOW CONVENIENT THAT YOUR ALIBIS ARE ON YOUR PAYROLL. 285 00:12:04,154 --> 00:12:06,827 WHAT WOULD MAKE YOU THINK THAT I KILLED THE DOC? 286 00:12:06,827 --> 00:12:10,030 MR. ROSS, YOU HAVE A HISTORY OF VIOLENCE--ASSAULT, BATTERY. 287 00:12:10,030 --> 00:12:12,032 OKAY, WELL, WHY DO YOU THINK I WAS IN... 288 00:12:12,032 --> 00:12:14,965 THERAPY. 289 00:12:14,965 --> 00:12:16,967 OKAY, DOC COSWAY SHOWED ME 290 00:12:16,967 --> 00:12:19,169 THAT I WAS ONLY HURTING MYSELF. 291 00:12:19,169 --> 00:12:21,471 COME ON. HAL, WE KNOW SOMETHING BAD HAPPENED LAST FRIDAY. 292 00:12:21,471 --> 00:12:24,044 (snaps fingers) COME ON. 293 00:12:24,044 --> 00:12:26,446 SOMETHING HAPPENED, ALL RIGHT, BUT IT WASN'T IN MY SESSION. 294 00:12:26,446 --> 00:12:28,448 UNH-UNH. YOU WANT TO TALK TO SOMEBODY? 295 00:12:28,448 --> 00:12:30,981 YOU TRY THE APPOINTMENT BEFORE MINE. WHY IS THAT? 296 00:12:30,981 --> 00:12:32,983 JUDY AND I, WE ARE IN THE LITTLE WAITING ROOM 297 00:12:32,983 --> 00:12:35,485 BEFORE OUR SESSION. WE HEAR ALL THIS YELLING. ABOUT WHAT? 298 00:12:35,485 --> 00:12:38,158 I DON'T KNOW, BUT THIS GUY WAS CURSING DOC COSWAY OUT BIG-TIME. 299 00:12:38,158 --> 00:12:41,061 AND IT WAS KINDA SCARY. I WAS TEMPTED TO GO IN THERE, 300 00:12:41,061 --> 00:12:44,034 BUT THEN WE HEARD THE GUY LEAVE. DID YOU GET A GOOD LOOK AT HIS FACE? 301 00:12:44,034 --> 00:12:47,037 NO, NO, NO. HE WENT OUT THE HALLWAY DOOR. DOC GOT US. 302 00:12:47,037 --> 00:12:49,399 SHE WAS RATTLED, BUT SHE DID OUR SESSION ANYWAY. 303 00:12:49,399 --> 00:12:52,102 I GOT A FEELING THIS ISN'T OUR GUY. 304 00:12:52,102 --> 00:12:54,404 (Beckett) HINKLE. EVAN HINKLE. 305 00:12:54,404 --> 00:12:57,107 HE'S HAD THE APPOINTMENT BEFORE THE ROSSES 306 00:12:57,107 --> 00:12:59,109 EVERY WEEK FOR THE LAST TWO YEARS. 307 00:12:59,109 --> 00:13:01,311 THE GUY IS CLEAN. THERE'S NO RECORD OF ANYTHING. 308 00:13:01,311 --> 00:13:03,013 TWO STRAIGHT YEARS OF THERAPY-- 309 00:13:03,013 --> 00:13:05,015 MAYBE HE JUST SNAPPED. 310 00:13:05,015 --> 00:13:07,017 HAVE UNIFORMS BRING HIM IN. 311 00:13:07,017 --> 00:13:09,019 I'M GONNA GO GET A COFFEE. 312 00:13:13,193 --> 00:13:16,426 ESPOSITO TIPPED ME OFF TO THE BET. 313 00:13:16,426 --> 00:13:18,428 THOUGHT I'D TOSS A LITTLE TOWARDS OURS. 314 00:13:18,428 --> 00:13:21,401 TOSS AWAY, MY FRIEND. 315 00:13:21,401 --> 00:13:23,403 AND SPREAD THE WORD AROUND 316 00:13:23,403 --> 00:13:25,906 IF ANYONE ELSE WANTS A TASTE. 317 00:13:25,906 --> 00:13:28,408 (Ryan) LET'S GO. COME ON, BIG FELLA. 318 00:13:28,408 --> 00:13:30,280 COME ON. 319 00:13:30,280 --> 00:13:33,143 TO THE LEFT, OVER HERE. 320 00:13:33,143 --> 00:13:36,016 TAKE A SEAT. 321 00:13:36,016 --> 00:13:39,189 WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA. 322 00:13:39,189 --> 00:13:42,122 I THOUGHT YOU SAID YOU GUYS WERE LOOKING FOR A GANG MEMBER, 323 00:13:42,122 --> 00:13:45,195 LIKE A TEENAGER. YOU WERE RIGHT. THEY ALIBIED OUT. 324 00:13:45,195 --> 00:13:48,198 SO WHO'S IN CUFFS? JUST A MUGGER WHO HAPPENED TO BE WORKING IN THE SAME AREA 325 00:13:48,198 --> 00:13:51,201 THE SAME NIGHT OUR VIC WAS KILLED. OH, YEAH. HE WAS PICKED UP WITH A .45 ON HIM, 326 00:13:51,201 --> 00:13:53,203 WHICH HAPPENS TO BE THE SAME ROUND 327 00:13:53,203 --> 00:13:55,205 THAT WAS FOUND IN OUR VIC. 328 00:13:55,205 --> 00:13:58,208 JUST WAITING ON BALLISTICS, UNLESS HE CONFESSES FIRST. SO WHERE'S HIS LAWYER? 329 00:13:58,208 --> 00:14:01,171 OOH, WHOA, WHOA. HE HASN'T ASKED FOR ONE. 330 00:14:01,171 --> 00:14:03,173 WELL, I KNOW A GUY. 331 00:14:03,173 --> 00:14:05,876 OH, WHAT'S THE MATTER, CASTLE? ARE YOU GETTING WORRIED? 332 00:14:05,876 --> 00:14:07,878 WOR-WORRIED? I'LL MAKE YOU CRY. 333 00:14:07,878 --> 00:14:09,880 YOU WANT TO BET OR MAYBE DOUBLE DOWN? 334 00:14:09,880 --> 00:14:12,182 NO, NO, NO, NO, NO, NO, NOT MONEY. HUMILIATION. 335 00:14:12,182 --> 00:14:13,483 HMM. 336 00:14:13,483 --> 00:14:16,486 LOSER WEARS A DRESS TO THE PRECINCT FOR A WEEK. 337 00:14:16,486 --> 00:14:19,189 WHY STOP THERE? LOSER ALSO SHAVES HIS HEAD. 338 00:14:19,189 --> 00:14:21,461 OR ARE YOU CHICKEN? 339 00:14:24,634 --> 00:14:26,096 (snaps fingers) 340 00:14:26,096 --> 00:14:29,269 YOU'RE ON, HONEY MILK. 341 00:14:29,269 --> 00:14:30,570 HONEY MILK. 342 00:14:30,570 --> 00:14:32,242 DAMN IT. 343 00:14:32,242 --> 00:14:35,505 FOR THE RECORD, MR. HINKLE, YOU ARE ADMITTING 344 00:14:35,505 --> 00:14:39,249 THAT YOU WERE DR. COSWAY'S 1:00 APPOINTMENT? I KNEW THIS WOULD HAPPEN. I KNEW IT. 345 00:14:39,249 --> 00:14:42,882 FIRST TIME I MET HER, I KNEW SHE'D LEAVE ME. 346 00:14:42,882 --> 00:14:45,885 WHY DOES THIS ALWAYS HAPPEN? WHY DO PEOPLE KEEP LEAVING ME? 347 00:14:45,885 --> 00:14:47,958 SHE DIDN'T LEAVE YOU, MR. HINKLE. 348 00:14:47,958 --> 00:14:50,660 SHE WAS MURDERED. YEAH, JUST LIKE MY FIRST WIFE. 349 00:14:50,660 --> 00:14:53,023 YOUR FIRST WIFE WAS MURDERED? 350 00:14:53,023 --> 00:14:55,665 THAT'S RIGHT. I SMOTHERED HER TO DEATH. 351 00:14:55,665 --> 00:14:59,129 YEAH. THAT'S WHAT SHE TOLD ME. 352 00:14:59,129 --> 00:15:01,331 I MURDERED HER WITH LOVE. 353 00:15:01,331 --> 00:15:03,133 THAT'S WHY SHE LEFT. 354 00:15:03,133 --> 00:15:05,135 JUST TELL US ABOUT YOUR LAST APPOINTMENT 355 00:15:05,135 --> 00:15:06,906 WITH DR. COSWAY. 356 00:15:06,906 --> 00:15:09,209 WE WERE JUST STARTING TO MAKE PROGRESS. 357 00:15:09,209 --> 00:15:11,581 YOU KNOW THE IRONY HERE? 358 00:15:11,581 --> 00:15:14,384 HER DEATH IS MY MOMENT OF GREATEST CRISIS, 359 00:15:14,384 --> 00:15:17,217 AND I DON'T HAVE HER TO LEAN ON. (chuckles) 360 00:15:17,217 --> 00:15:19,219 WHAT WAS ALL THE SCREAMING ABOUT 361 00:15:19,219 --> 00:15:20,920 AT THE APPOINTMENT LAST FRIDAY? 362 00:15:20,920 --> 00:15:24,194 SCREAM--LAST FRIDAY? I D-- I DID NOT SEE HER LAST FRIDAY. 363 00:15:24,194 --> 00:15:26,056 YOU'RE IN THE BOOKS. 364 00:15:26,056 --> 00:15:27,927 YOU'RE, WITH AN APOSTROPHE. 365 00:15:27,927 --> 00:15:30,700 YEAH, WELL, I CANCELED AN HOUR BEFORE. 366 00:15:30,700 --> 00:15:34,064 YOU CANCELED? YES. YES, I WAS HAVING CHEST PAINS. 367 00:15:34,064 --> 00:15:35,705 I WENT TO THE E.R. AT ST. VINCENT'S. 368 00:15:35,705 --> 00:15:37,707 $15,000 LATER, IT TURNS OUT 369 00:15:37,707 --> 00:15:40,670 I WAS JUST HAVING A PANIC ATTACK ABOUT MOTHER. 370 00:15:40,670 --> 00:15:42,512 YOU KNOW... 371 00:15:42,512 --> 00:15:43,673 (exhales deeply) 372 00:15:43,673 --> 00:15:45,215 (exhales) 373 00:15:45,215 --> 00:15:47,717 (Beckett) I THINK WE'RE DONE HERE. THANK YOU. 374 00:15:47,717 --> 00:15:50,620 THANK YOU. YOU KNOW, AT LEAST DR. COSWAY 375 00:15:50,620 --> 00:15:54,354 DIDN'T CHARGE ME FOR CANCELING LAST-MINUTE. WHY NOT? 376 00:15:54,354 --> 00:15:57,157 OH, SHE SAID SHE WAS GONNA HAVE LUNCH WITH HER HUSBAND, 377 00:15:57,157 --> 00:15:59,159 SO IT WAS TIME WELL SPENT. THANK YOU, MR. HINKLE. 378 00:15:59,159 --> 00:16:00,490 THANK YOU. 379 00:16:00,490 --> 00:16:02,492 OH, AND BY THE WAY, IT'S A COMMON MISTAKE, 380 00:16:02,492 --> 00:16:04,664 BUT IT'S NOT IRONIC THAT DR. COSWAY IS NOT HERE 381 00:16:04,664 --> 00:16:06,196 FOR YOU TO LEAN ON. 382 00:16:06,196 --> 00:16:08,238 IT'S JUST SIMPLY TRAGIC. 383 00:16:08,238 --> 00:16:11,201 IT WOULD BE IRONIC IF HER DEATH MADE YOU FEEL BETTER. CASTLE. 384 00:16:11,201 --> 00:16:13,243 JUST--YOU CAN... 385 00:16:15,475 --> 00:16:17,307 WHAT'S WITH THE SUPER COP? 386 00:16:17,307 --> 00:16:20,050 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 387 00:16:20,050 --> 00:16:22,252 OKAY, THANK YOU. I APPRECIATE IT. 388 00:16:22,252 --> 00:16:25,155 WELL, I'M DOWN FOR $50. YOU KNOW THAT. (Castle) UH-HUH. 389 00:16:25,155 --> 00:16:28,158 WELL... (clears throat) 390 00:16:28,158 --> 00:16:30,460 SO WHAT YOU GOT? 391 00:16:30,460 --> 00:16:33,423 I JUST GOT A PING ON ASHLEY'S CREDIT CARD. 392 00:16:33,423 --> 00:16:36,526 A LUNCH CHARGE AT PETIT BISTRO, RIGHT NEXT DOOR TO HER OFFICE. 393 00:16:36,526 --> 00:16:38,368 THE HOSTESS CONFIRMED 394 00:16:38,368 --> 00:16:41,371 THAT ASHLEY AND JASON WERE HAVING LUNCH THERE ON FRIDAY. 395 00:16:41,371 --> 00:16:43,703 AND THE ONLY REASON SHE REMEMBERS IT 396 00:16:43,703 --> 00:16:46,706 IS BECAUSE THEY WERE MAKING KIND OF A SCENE. HE'S OUR SCREAMER. 397 00:16:46,706 --> 00:16:50,280 THEY WERE ARGUING ALL THE WAY BACK TO THE OFFICE. HE'S THE ONE SHE WAS GETTING THE RESTRAINING ORDER AGAINST. 398 00:16:50,280 --> 00:16:53,213 JASON'S ALIBI THAT HE WAS AT THE GAME WITH HIS FRIEND 399 00:16:53,213 --> 00:16:55,515 FEEL A LITTLE SQUISHY TO YOU? LIKE A WORMY APPLE. 400 00:16:55,515 --> 00:16:57,547 HEY, KARPOWSKI. 401 00:16:57,547 --> 00:17:00,320 YO. WHY DON'T WE TAKE A BETTER LOOK AT JASON COSWAY? 402 00:17:00,320 --> 00:17:02,392 HEY, MAN. THAT'S A SAFE BET. YOU BETTER GO FOR IT. 403 00:17:02,392 --> 00:17:05,225 WORK SITUATION, FINANCIALS AND HOTEL BILLS. (mouths words) 404 00:17:05,225 --> 00:17:07,157 YEAH, OKAY. COPY THAT. 405 00:17:07,157 --> 00:17:09,159 WANT A COFFEE? (man) GIVE IT TO HIM. 406 00:17:09,159 --> 00:17:10,660 NO. THANKS. 407 00:17:10,660 --> 00:17:12,762 (man) ALL RIGHT, THANKS. 408 00:17:14,634 --> 00:17:16,636 (man) I AM SO IN. 409 00:17:29,279 --> 00:17:33,323 (officers speaking indistinctly) 410 00:17:33,323 --> 00:17:35,325 (pen clatters) 411 00:17:39,429 --> 00:17:41,161 HEY, STEGNER. 412 00:17:41,161 --> 00:17:44,734 JUST... ADMIRING THE GREAT BOARD WORK, BECKETT. 413 00:17:44,734 --> 00:17:47,066 CARE TO SHARE ANY INSIGHT? 414 00:17:47,066 --> 00:17:48,698 I REALLY NEED TO... 415 00:17:48,698 --> 00:17:50,700 GO FILE. 416 00:17:50,700 --> 00:17:52,302 UH-HUH. 417 00:17:52,302 --> 00:17:55,375 I'D BE MORE THAN HAPPY TO TAKE THAT OFF YOUR HANDS. 418 00:17:55,375 --> 00:17:58,748 (Castle speaks indistinctly) SON OF A... 419 00:17:58,748 --> 00:18:01,351 NOBODY MOVE! 420 00:18:01,351 --> 00:18:03,313 WHAT IS THIS? 421 00:18:03,313 --> 00:18:05,285 GIRL SCOUT COOKIE ORDERS. 422 00:18:05,285 --> 00:18:08,588 HUH. GIRL SCOUT COOKIE ORDERS. 423 00:18:08,588 --> 00:18:10,820 YEAH, I'M JUST HELPING OUT THE TROOP. 424 00:18:10,820 --> 00:18:13,793 FUNNY. I DIDN'T REALIZE ALEXIS WAS A GIRL SCOUT. 425 00:18:13,793 --> 00:18:15,325 OH, I KNOW. 426 00:18:15,325 --> 00:18:17,797 SHE'S GOT SO MANY ACTIVITIES, I CAN BARELY KEEP TRACK. 427 00:18:17,797 --> 00:18:19,299 FREAKIN' GREAT. WHAT HAPPENED? 428 00:18:19,299 --> 00:18:21,301 BALLISTICS SCREWED US. BALLISTICS SCREWED US. 429 00:18:21,301 --> 00:18:25,205 OUR MUGGER'S GUN DOESN'T MATCH THE BULLET TAKEN FROM OUR VIC. 430 00:18:25,205 --> 00:18:26,706 WHAT'S GOING ON? 431 00:18:26,706 --> 00:18:29,709 BETTING ON MURDER CASES, GUYS? REALLY? 432 00:18:29,709 --> 00:18:31,381 WHOA. WHAT? THAT WOULD BE WRONG. 433 00:18:31,381 --> 00:18:34,144 I'VE BEEN TELLING YOU, IT'S GIRL SCOUT ORD-- 434 00:18:34,144 --> 00:18:36,216 GIRL SCOUT COOKIES ARE SOLD IN FEBRUARY. 435 00:18:36,216 --> 00:18:38,218 YOU GUYS SHOULD BE ASHAMED OF YOURSELVES. 436 00:18:38,218 --> 00:18:40,450 NOW GET BACK TO WORK. (both mouth words) 437 00:18:40,450 --> 00:18:42,392 (mouths words) 438 00:18:45,255 --> 00:18:47,397 (mouths words) 439 00:18:47,397 --> 00:18:50,129 LISTEN... I'M SORRY. 440 00:18:50,129 --> 00:18:54,504 I KNOW IT WAS WRONG. I JUST THOUGHT-- BECKETT, YOU ARE NEVER GONNA BELIEVE THIS. 441 00:18:54,504 --> 00:18:57,507 OH, THE BAR ON UNBELIEVABLE IS PRETTY HIGH RIGHT NOW. VIC'S HUSBAND TOOK OUT 442 00:18:57,507 --> 00:18:59,509 A $3-MILLION LIFE INSURANCE POLICY 443 00:18:59,509 --> 00:19:01,271 ON HIS WIFE LAST MONTH. 444 00:19:01,271 --> 00:19:03,843 $100 ON US. 445 00:19:11,321 --> 00:19:13,583 (sighs) LOOK, UM, THE LIFE INSURANCE 446 00:19:13,583 --> 00:19:16,426 WAS ASHLEY'S IDEA, OKAY? OKAY, FINE, JASON. IT WAS ASHLEY'S IDEA. 447 00:19:16,426 --> 00:19:19,929 CAN ANYONE CONFIRM THAT? YES, I'M SURE SOMEONE CAN. MAYBE A FRIEND. 448 00:19:19,929 --> 00:19:21,361 WELL, HER BEST FRIEND BRANDY 449 00:19:21,361 --> 00:19:23,463 HAD NO IDEA ABOUT THE LIFE INSURANCE, 450 00:19:23,463 --> 00:19:26,266 BUT SHE DID KNOW ABOUT A RESTRAINING ORDER 451 00:19:26,266 --> 00:19:29,299 THAT YOUR WIFE WAS TRYING TO GET AGAINST YOU. THAT'S... INSANE. THAT IS ABSOLUTELY RIDICULOUS. 452 00:19:29,299 --> 00:19:32,402 YOU WANT TO TELL US ABOUT LAST FRIDAY? WHAT ABOUT LAST FRIDAY? 453 00:19:32,402 --> 00:19:34,404 ABOUT THE SCREAMING MATCH AT LUNCH 454 00:19:34,404 --> 00:19:37,176 THAT LED ALL THE WAY BACK TO HER OFFICE. 455 00:19:37,176 --> 00:19:39,279 WE HAVE MULTIPLE WITNESSES, JASON. OKAY. GREAT. YOU HAVE WITNESSES. 456 00:19:39,279 --> 00:19:41,211 WE HAD A FIGHT. 457 00:19:41,211 --> 00:19:44,214 YOU KNOW WHAT IT PROVES? WE'RE MARRIED. WHAT DID YOU FIGHT ABOUT? 458 00:19:44,214 --> 00:19:47,217 I DON'T KNOW WHAT THE FIGHT WAS ABOUT. I CAN'T REMEMBER. SEE, I'M HAVING A HARD TIME BELIEVING THAT... 459 00:19:47,217 --> 00:19:49,219 HOW DOES HE EVEN KNOW WE'RE WATCHING? 460 00:19:49,219 --> 00:19:52,292 AHH. NO WONDER SHE'S GOING AFTER HIM SO HARD. 461 00:19:52,292 --> 00:19:54,294 I WAS AT A BASKETBALL GAME. 462 00:19:54,294 --> 00:19:57,297 OH, YES, THAT'S RIGHT. WITH YOUR FRAT BUDDY SKIP. 463 00:19:57,297 --> 00:19:58,968 YES, JURIES DO LOVE IT 464 00:19:58,968 --> 00:20:02,802 WHEN FRIENDS ALIBI FRIENDS. WHY DON'T YOU GET THE HOT DOG GUY 465 00:20:02,802 --> 00:20:04,804 TO VOUCH FOR ME, OKAY? IF YOU TRUST HIM. 466 00:20:04,804 --> 00:20:07,407 WHAT WAS YOUR SEAT NUMBER? WHAT DO--EXCUSE ME? 467 00:20:07,407 --> 00:20:09,409 COME ON. IT WAS JUST LAST NIGHT. 468 00:20:09,409 --> 00:20:12,242 DON'T TELL ME YOU DON'T REMEMBER? 469 00:20:12,242 --> 00:20:14,814 THEY WERE--THEY WERE SKIP'S TICKETS. WHY DON'T YOU ASK HIM? 470 00:20:14,814 --> 00:20:17,347 (Castle) DON'T TELL ME FOR ONE SECOND 471 00:20:17,347 --> 00:20:19,819 YOU DIDN'T HAVE TO GET UP DURING THAT LAME HALFTIME SHOW 472 00:20:19,819 --> 00:20:22,722 AND REMEMBER WHAT SECTION TO GO BACK TO. THE ONLY THING I REMEMBER 473 00:20:22,722 --> 00:20:24,724 IS THE FACT THAT WE WERE SITTING THERE 474 00:20:24,724 --> 00:20:26,726 RIGHT BEHIND THE HOME BENCH. OH, OKAY... 475 00:20:26,726 --> 00:20:28,728 YOU EVER HAVE SEATS LIKE THAT? (scoffs) YEAH, RIGHT. 476 00:20:28,728 --> 00:20:30,730 SO DIVORCE ISN'T AN OPTION. DIVORCE? DIVORCE? 477 00:20:30,730 --> 00:20:33,933 I'M GOING, TOO, BRO. I DIDN'T WANT A DIVORCE, OKAY, PAL?! 478 00:20:33,933 --> 00:20:36,336 AND I DIDN'T KILL MY WIFE! 479 00:20:36,336 --> 00:20:37,867 (indistinct conversations) 480 00:20:37,867 --> 00:20:39,369 SO CAN WE CHARGE HIM? 481 00:20:39,369 --> 00:20:40,870 WE STILL NEED EVIDENCE. 482 00:20:40,870 --> 00:20:42,872 I'M GONNA GET A WARRANT FOR HIS APARTMENT 483 00:20:42,872 --> 00:20:45,745 AND SEE WHAT IT TURNS UP. (man) AND HOW ABOUT LANDERS? THE 6'2" GUARD... 484 00:20:45,745 --> 00:20:47,747 ARE THEY WATCHING TV? 485 00:20:47,747 --> 00:20:50,750 I'M AFRAID THEY'VE THROWN IN THE PROVERBIAL TOWEL. 486 00:20:50,750 --> 00:20:53,353 HUH. 487 00:20:53,353 --> 00:20:54,654 HEY, GUYS. 488 00:20:54,654 --> 00:20:56,356 EVERYTHING OKAY? 489 00:20:56,356 --> 00:20:59,258 YEAH, WE'RE JUST, UH, JUST ENJOYING LAST NIGHT'S GAME. 490 00:20:59,258 --> 00:21:01,831 YEAH. ISN'T GREAT WHEN YOU CAN GET IT ON DEMAND? 491 00:21:01,831 --> 00:21:04,434 OOH, I LOVE THIS PART. CHECK IT OUT. 492 00:21:04,434 --> 00:21:06,636 (whistle blows) (man) EVERYBODY'S COVERED UP GOOD, 493 00:21:06,636 --> 00:21:09,339 AND THERE YET IS ANOTHER TIME-OUT. WHOA. THAT'S THEIR THIRD TIME-OUT. 494 00:21:09,339 --> 00:21:11,341 YEAH, ALREADY, AND THEY'RE JUST BARELY 495 00:21:11,341 --> 00:21:12,842 HALFWAY THROUGH THE FIRST HALF. 496 00:21:12,842 --> 00:21:15,905 YEAH, THAT WOULD BE, WHAT, JUST BEFORE 8:00? 497 00:21:15,905 --> 00:21:17,407 (Esposito) YEAH. 498 00:21:17,407 --> 00:21:19,409 (remote beeps) 499 00:21:19,409 --> 00:21:22,452 (chuckles) 500 00:21:23,853 --> 00:21:25,885 THAT'S JASON COSWAY. 501 00:21:25,885 --> 00:21:27,857 (Esposito) MM-HMM. 502 00:21:27,857 --> 00:21:29,859 AND I BELIEVE THAT THAT, MY FRIENDS, 503 00:21:29,859 --> 00:21:32,862 IS THE DEFINITION OF AN AIRTIGHT ALIBI. (crunches) 504 00:21:32,862 --> 00:21:35,865 CASTLE, WHAT SIZE DRESS DO YOU WEAR, 6, 8? 505 00:21:35,865 --> 00:21:37,827 MNH-MNH. 16. 506 00:21:37,827 --> 00:21:39,068 MM-HMM. OH, YEAH. 507 00:21:56,916 --> 00:21:58,648 DAD. 508 00:21:58,648 --> 00:22:00,420 MM-HMM. YES. 509 00:22:00,420 --> 00:22:03,393 YOU OKAY? 510 00:22:03,393 --> 00:22:05,895 UH... 511 00:22:05,895 --> 00:22:08,628 HAVE YOU EVER BEEN REALLY SURE ABOUT SOMETHING, 512 00:22:08,628 --> 00:22:11,761 AND THEN HAVE IT ALL JUST FALL APART? 513 00:22:11,761 --> 00:22:13,763 AS A MATTER OF FACT, I HAVE. 514 00:22:13,763 --> 00:22:15,605 OWEN? 515 00:22:15,605 --> 00:22:18,868 IT WAS A TRAIN WRECK. 516 00:22:18,868 --> 00:22:20,870 WHAT HAPPENED? 517 00:22:20,870 --> 00:22:22,412 THALIA. 518 00:22:22,412 --> 00:22:23,873 WHAT'S A THALIA? 519 00:22:23,873 --> 00:22:26,646 SOME PERKY GIRL WITH BIG... TEETH. 520 00:22:26,646 --> 00:22:29,419 SHE CAME OVER TO OUR TABLE GUSHING ABOUT HOW SHE AND OWEN 521 00:22:29,419 --> 00:22:31,421 WENT TO CAMP CHUMASH TOGETHER THIRD GRADE SUMMER, 522 00:22:31,421 --> 00:22:33,683 AND HOW SHE WAS HIS FIRST CRUSH. 523 00:22:33,683 --> 00:22:36,826 THE WHOLE NIGHT WAS ONE BIG WALK DOWN MEMORY LANE. 524 00:22:36,826 --> 00:22:38,428 I'M SORRY, SWEETIE. 525 00:22:40,359 --> 00:22:42,492 AND THE WEIRD PART WAS THAT... 526 00:22:42,492 --> 00:22:44,494 OWEN DIDN'T EVEN REMEMBER HER. 527 00:22:44,494 --> 00:22:46,896 NOT THAT IT STOPPED HIM FROM BEING TOTALLY INTO IT. 528 00:22:46,896 --> 00:22:48,898 I MEAN, EVEN IN THE TAXI BACK, HE KEPT SAYING 529 00:22:48,898 --> 00:22:50,740 HOW AMAZING IT WAS THAT THEY MET 530 00:22:50,740 --> 00:22:52,742 AFTER ALL THESE YEARS AT SERENDIPITY. 531 00:22:52,742 --> 00:22:55,144 HOW IT WAS SO SERENDIPITOUS. SERENDIPITOUS. 532 00:22:57,106 --> 00:23:00,109 HOW AM I SUPPOSED TO COMPETE WITH THAT? 533 00:23:04,554 --> 00:23:06,786 SORRY. 534 00:23:09,819 --> 00:23:11,721 (lowered voice) WHERE ARE YOU NOW? 535 00:23:11,721 --> 00:23:13,723 YES, I'M ON THE ELEVATOR RIGHT... NOW. 536 00:23:13,723 --> 00:23:15,425 WHERE HAVE YOU BEEN? 537 00:23:15,425 --> 00:23:18,428 APOLOGIZING FOR THE MALE RACE. WE CATCH A BREAK? 538 00:23:18,428 --> 00:23:20,430 NO, BUT THE BOYS DID. ANOTHER MUGGER? 539 00:23:20,430 --> 00:23:22,872 I DON'T KNOW. BUT THEY LOOK PRETTY HOT ON SOMETHING. 540 00:23:22,872 --> 00:23:26,536 WHAT? WHAT DO YOU HAVE? WHY DON'T YOU GO AHEAD 541 00:23:26,536 --> 00:23:28,538 AND GIVE HIM A LITTLE TASTE, BRO? 542 00:23:28,538 --> 00:23:31,040 TURNS OUT OUR VIC HAD A RENT-CONTROLLED APARTMENT. 543 00:23:31,040 --> 00:23:33,543 STAYS IN THE FAMILY, IT STAYS RENT CONTROLLED. 544 00:23:33,543 --> 00:23:36,546 $562 A MONTH. 3-BEDROOM. 545 00:23:36,546 --> 00:23:39,449 I'D KILL FOR THAT. ACCORDING TO A NEIGHBOR, VIC'S SON-IN-LAW 546 00:23:39,449 --> 00:23:42,452 BORROWED MONEY FROM THE OLD MAN A BUNCH OF TIMES OVER THE YEARS, 547 00:23:42,452 --> 00:23:45,094 BUT RECENTLY, HE CUT HIM OFF. SON-IN-LAW. 548 00:23:45,094 --> 00:23:47,997 (cell phone rings and beeps) RYAN. 549 00:23:47,997 --> 00:23:51,160 REALLY? YEAH, WE'RE ON IT. COME ON. SOMETHING GOOD? 550 00:23:51,160 --> 00:23:53,563 LET'S GO. WH-WHAT IS IT? 551 00:23:53,563 --> 00:23:55,705 WOULDN'T YOU LIKE TO KNOW? (Castle) HEY, COME ON! 552 00:23:55,705 --> 00:23:57,206 (pounds desk) 553 00:23:57,206 --> 00:24:00,069 I GOT A BAD FEELING ABOUT THIS. 554 00:24:00,069 --> 00:24:02,472 ARE WE REALLY ROOTING AGAINST SOLVING A MURDER? 555 00:24:02,472 --> 00:24:05,945 WELL, I DON'T WANT TO SHAVE MY HEAD. DO YOU? WHY WOULD I SHAVE MY HEAD? 556 00:24:05,945 --> 00:24:08,077 YOU'RE IN ON THE BET, AREN'T YOU? (cell phone ringing) 557 00:24:08,077 --> 00:24:10,480 YEAH, BUT I DIDN'T REALIZE-- (imitates electric clippers) 558 00:24:10,480 --> 00:24:12,451 (beep) BECKETT. 559 00:24:13,783 --> 00:24:15,785 OKAY. WE'LL BE RIGHT THERE. 560 00:24:15,785 --> 00:24:18,488 LANIE JUST FOUND SOMETHING IN THE FORENSIC REPORT. 561 00:24:18,488 --> 00:24:21,160 WELL, I HOPE IT'S BETTER THAN THEIR SON-IN-LAW. 562 00:24:22,932 --> 00:24:24,934 AND YOU'RE SURE IT WAS THEM? 563 00:24:24,934 --> 00:24:26,235 (inhales deeply) 564 00:24:26,235 --> 00:24:28,838 OKAY. THANKS. 565 00:24:28,838 --> 00:24:31,140 I DON'T EVEN WANT TO KNOW. TWO BARTENDERS AND THE MANAGER 566 00:24:31,140 --> 00:24:33,843 PUT FRANK'S SON-IN-LAW ERIC AND DAUGHTER CHRISTINA UPTOWN 567 00:24:33,843 --> 00:24:36,145 AT THEIR FRIEND EDDIE'S BIRTHDAY PARTY AT DUBLIN HOUSE 568 00:24:36,145 --> 00:24:38,177 FROM 9:15 TILL AFTER MIDNIGHT. 569 00:24:38,177 --> 00:24:40,680 DUDE, IF I HAVE TO SHAVE MY HEAD, IT'S GOING ON YOU. 570 00:24:40,680 --> 00:24:42,682 (Castle) WHAT ARE YOU DOING HERE? WHAT ARE YOU DOING HERE? 571 00:24:42,682 --> 00:24:44,614 LANIE CALLED US. 572 00:24:44,614 --> 00:24:46,856 NO, SHE CALLED US. YEAH. 573 00:24:46,856 --> 00:24:49,088 ACTUALLY, I CALLED BOTH OF YOU. 574 00:24:49,088 --> 00:24:51,490 I THINK YOUR CASES MIGHT BE CONNECTED. 575 00:25:00,570 --> 00:25:02,572 PERLMUTTER WAS GIVING ME THE RUNDOWN 576 00:25:02,572 --> 00:25:04,574 ON RYAN AND ESPOSITO'S MUGGING CASE 577 00:25:04,574 --> 00:25:07,176 WHEN A CERTAIN FORENSIC DETAIL POPPED OUT AT ME. ORTHOSILICIC ACID. 578 00:25:07,176 --> 00:25:08,978 ORTHO WHAT NOW? 579 00:25:08,978 --> 00:25:11,841 IT'S THE FANCY TERM FOR SALTWATER COMPOUND. 580 00:25:11,841 --> 00:25:13,983 THAT'S NOT VERY SPECIFIC. TRUE. 581 00:25:13,983 --> 00:25:16,285 BUT WE IDENTIFIED THE DIATOMS IN THE SAMPLE AS WELL, 582 00:25:16,285 --> 00:25:18,287 WHICH MAKES IT EXTREMELY SPECIFIC. 583 00:25:18,287 --> 00:25:21,250 IT NARROWS IT DOWN TO A SINGLE BODY OF WATER. 584 00:25:21,250 --> 00:25:24,253 OH, SO OUR GUY TOOK A SWIM? NOT QUITE. IT WAS ONLY TRACE AMOUNTS. 585 00:25:24,253 --> 00:25:27,256 BUT WE FOUND ORTHOSILICIC ACID WITH THE EXACT SAME DIATOMS 586 00:25:27,256 --> 00:25:29,559 ON ASHLEY COSWAY AS WELL. 587 00:25:29,559 --> 00:25:32,001 BOTH VICTIMS HAD CONTACT WITH THE SAME BODY OF WATER? 588 00:25:32,001 --> 00:25:34,303 DIRECT CONTACT. WHAT ARE THE ODDS? 589 00:25:34,303 --> 00:25:38,167 IT'D BE LIKE FINDING THE SAME FINGERPRINT ON BOTH BODIES. DO WE KNOW WHAT BODY OF WATER? 590 00:25:38,167 --> 00:25:40,940 NO, I WOULD NEED A SAMPLE TO TEST IT AGAINST. 591 00:25:40,940 --> 00:25:43,242 CASTLE. 592 00:25:43,242 --> 00:25:47,046 COULD IT BE A SMALL BODY OF WATER? SURE, AS LONG AS IT'S SALTWATER. 593 00:25:47,046 --> 00:25:48,918 (papers rustling) 594 00:25:48,918 --> 00:25:51,881 DR. COSWAY'S FISH TANK. CHECK OUT NEMO. 595 00:25:51,881 --> 00:25:55,655 CLOWN FISH NEED SALTWATER TO LIVE. OKAY, BUT HOW DID THIS GET ON BOTH OF OUR VICS? 596 00:25:55,655 --> 00:25:57,657 WOULDN'T THEY HAVE HAD TO 597 00:25:57,657 --> 00:25:59,689 STICK THEIR HANDS IN THERE OR SOMETHING? 598 00:25:59,689 --> 00:26:02,261 YOU SEE THAT SALT ENCRUSTATION ALONG THE TOP? YEAH. 599 00:26:02,261 --> 00:26:04,193 THE PUMP JUST KICKS IT INTO THE AIR. 600 00:26:04,193 --> 00:26:06,195 YEAH, ANYONE WHO SPENT TIME IN THAT OFFICE 601 00:26:06,195 --> 00:26:07,897 WOULD HAVE TRACE AMOUNTS 602 00:26:07,897 --> 00:26:10,099 OF THAT TANK-SPECIFIC SALTWATER COMPOUND ON THEM. 603 00:26:10,099 --> 00:26:12,602 SO THEN FRANK HAD TO HAVE BEEN IN ASHLEY'S OFFICE 604 00:26:12,602 --> 00:26:15,805 SOMETIME BEFORE HE WAS MURDERED. IT'S POSSIBLE, BUT REMEMBER, ASHLEY WAS MURDERED FIRST. 605 00:26:15,805 --> 00:26:17,947 THEN OUR PERP WAS IN THERE. 606 00:26:17,947 --> 00:26:19,809 THAT'S WHERE HE GOT THE COMPOUND ON HIM. 607 00:26:19,809 --> 00:26:22,251 THEN HE TRANSFERRED IT TO FRANK 608 00:26:22,251 --> 00:26:26,956 WHEN HE TOOK HIS WATCH AND WALLET. WHICH MEANS BOTH OF OUR VICS WERE KILLED BY THE SAME PERSON. 609 00:26:26,956 --> 00:26:30,059 I THOUGHT DAD WAS MUGGED. YEAH, LIKE--LIKE RANDOMLY. 610 00:26:30,059 --> 00:26:32,061 WE DON'T BELIEVE IT WAS RANDOM ANYMORE. 611 00:26:32,061 --> 00:26:35,064 MR. COSWAY'S WIFE ASHLEY WAS KILLED EARLIER THAT NIGHT. 612 00:26:35,064 --> 00:26:37,126 WE THINK THE SAME PERSON KILLED YOUR FATHER 613 00:26:37,126 --> 00:26:39,098 AND THEN TRIED TO STAGE IT 614 00:26:39,098 --> 00:26:41,100 AS IF THERE WERE TWO ISOLATED INCIDENTS. 615 00:26:41,100 --> 00:26:43,102 WE'RE TRYING TO FIND A CONNECTION BETWEEN THEM. 616 00:26:43,102 --> 00:26:45,104 THIS IS MRS. COSWAY. 617 00:26:45,104 --> 00:26:48,077 AND THIS IS MR. ANDERSON. 618 00:26:48,077 --> 00:26:51,781 DO EITHER OF THEM LOOK FAMILIAR? 619 00:26:51,781 --> 00:26:54,113 NO. (sighs) NOT AT ALL. I'M SORRY. 620 00:26:54,113 --> 00:26:56,045 MRS. COSWAY WAS A THERAPIST. 621 00:26:56,045 --> 00:26:58,047 DID YOUR FATHER EVER GO TO THERAPY? 622 00:26:58,047 --> 00:27:00,149 DAD? NO. (chuckles) 623 00:27:00,149 --> 00:27:03,192 NO DISRESPECT TO YOUR WIFE, 624 00:27:03,192 --> 00:27:06,355 BUT HE DIDN'T REALLY GO FOR THAT KIND OF STUFF. 625 00:27:06,355 --> 00:27:08,357 WELL, THIS IS A LIST OF MRS. COSWAY'S PATIENTS. 626 00:27:08,357 --> 00:27:10,359 WOULD YOU MIND TAKING A LOOK AT THE NAMES, 627 00:27:10,359 --> 00:27:13,062 SEE IF YOU RECOGNIZE ANY OF THEM? 628 00:27:13,062 --> 00:27:14,734 I-I DON'T THINK SO. 629 00:27:14,734 --> 00:27:16,365 NO. NO, I... 630 00:27:16,365 --> 00:27:19,208 TAKE YOUR TIME. DO YOU REALLY THINK THERE'S A CONNECTION HERE? 631 00:27:19,208 --> 00:27:21,410 I MEAN, WE--WE LIVE IN DIFFERENT PARTS OF THE CITY, 632 00:27:21,410 --> 00:27:23,943 YOU KNOW, WE WORK AT DIFFERENT PLACES, 633 00:27:23,943 --> 00:27:27,316 WE'RE... GO AHEAD. YOU COULD SAY IT. WE'RE BLACK AND YOU'RE WHITE. 634 00:27:27,316 --> 00:27:29,779 NO, I--NO, I'M JUST SAYING, WE'RE DIFFERENT. 635 00:27:29,779 --> 00:27:33,883 THAT'S ALL I WAS SAYING. THEY MAY HAVE INADVERTENTLY WITNESSED SOMETHING 636 00:27:33,883 --> 00:27:35,384 OR BEEN PRIVY 637 00:27:35,384 --> 00:27:38,057 TO SOME INFORMATION THAT SOMEONE VERY POWERFUL 638 00:27:38,057 --> 00:27:41,090 WANTED TO KEEP UNDER WRAPS. THERE ARE ANY NUMBER OF POSSIBILITIES. 639 00:27:41,090 --> 00:27:43,192 WE JUST WANT-- (Christina) GROVNER. 640 00:27:43,192 --> 00:27:45,334 WHAT WAS THAT? 641 00:27:45,334 --> 00:27:48,237 UH, THIS NAME--GROVNER. IT--IT KINDA RINGS A BELL. 642 00:27:48,237 --> 00:27:51,000 DO YOU REMEMBER ABOUT FIVE YEARS BACK, 643 00:27:51,000 --> 00:27:53,002 SOME KID'S DAD SHOVED HIM FOR SOME REASON? 644 00:27:53,002 --> 00:27:56,245 Y-YEAH. SCHOOL SECURITY GOT INVOLVED. I THINK HIS NAME WAS GROVNER. 645 00:27:56,245 --> 00:27:58,347 WE'LL GET A WARRANT FOR HIS PATIENT FILE. 646 00:27:58,347 --> 00:28:01,410 IF THERE'S A CONNECTION, WE'LL FIND IT. 647 00:28:06,685 --> 00:28:09,458 SO... THE PRINCIPAL AT I.S. 1-6-1 648 00:28:09,458 --> 00:28:11,460 SAID THAT GROVNER ASSAULTED YOUR VIC 649 00:28:11,460 --> 00:28:15,164 AFTER MR. ANDERSON REPORTED HIM ON SUSPICION OF CHILD ABUSE. WHICH IS WHY 650 00:28:15,164 --> 00:28:17,927 GROVNER AND HIS WIFE WENT TO COUPLES' COUNSELING. 651 00:28:17,927 --> 00:28:19,428 APPARENTLY IT DIDN'T GO TOO WELL, 652 00:28:19,428 --> 00:28:22,371 BECAUSE THEY ENDED UP FILING FOR DIVORCE, AND GET THIS-- 653 00:28:22,371 --> 00:28:24,333 MRS. COSWAY TESTIFIED AGAINST GROVNER IN COURT. 654 00:28:24,333 --> 00:28:27,236 SO GROVNER HAD REASON TO GO AFTER BOTH OUR VICTIMS. 655 00:28:27,236 --> 00:28:29,739 YEAH, WENT AWAY FOR FIVE YEARS FOR DOMESTIC ABUSE. 656 00:28:29,739 --> 00:28:32,181 SAYS RIGHT HERE HE WAS RELEASED LAST MONTH. 657 00:28:32,181 --> 00:28:34,313 WHAT ARE THE ODDS, HUH, TWO PEOPLE FROM OPPOSITE LIVES 658 00:28:34,313 --> 00:28:37,446 BEING CONNECTED BY ONE JACKHOLE? JUST DEMONSTRATES THAT ANY TWO PEOPLE CAN BE CONNECTED. 659 00:28:37,446 --> 00:28:40,319 YEAH, LIKE THE MOVIE "CRASH." "CRASH" IS OVERRATED. 660 00:28:40,319 --> 00:28:42,752 ACTUALLY, IT'S MORE LIKE SIX DEGREES OF KEVIN BACON. (cell phone beeps) 661 00:28:42,752 --> 00:28:44,253 I GOT A QUESTION. 662 00:28:44,253 --> 00:28:46,255 NOW THAT WE'RE ALL WORKING THE SAME CASE, 663 00:28:46,255 --> 00:28:48,297 DOES THAT MEAN THE BET'S OFF? HELL, YEAH. 664 00:28:48,297 --> 00:28:52,131 (shouting indistinctly) 665 00:28:52,131 --> 00:28:55,134 (tires squealing) 666 00:28:58,808 --> 00:29:01,170 YOU GOT THE ADDRESS? 667 00:29:01,170 --> 00:29:03,512 (Esposito) YEAH, IT'S AROUND BACK. 668 00:29:03,512 --> 00:29:06,345 BANNER DAY. GONNA CLOSE TWO CASES WITH ONE ARREST. 669 00:29:06,345 --> 00:29:07,847 LIKE CHRISTMAS. 670 00:29:07,847 --> 00:29:09,849 DON'T DECORATE THE TREE JUST YET, BOYS. 671 00:29:09,849 --> 00:29:12,381 IT MIGHT BE A COINCIDENCE. OH, COME ON, DEBBIE DOWNER. 672 00:29:12,381 --> 00:29:15,384 THERE ARE NO SUCH THINGS AS COINCIDENCES IN MURDER CASES. 673 00:29:15,384 --> 00:29:18,057 HOW MANY TIMES DO I HAVE TO TELL YOU? 674 00:29:18,057 --> 00:29:20,059 I MEAN, IT'S THE BASIC FOUNDATION 675 00:29:20,059 --> 00:29:22,061 OF EVERY CRIME BOOK I'VE EVER WRITTEN-- 676 00:29:22,061 --> 00:29:24,263 "NO COINCIDENCES." 677 00:29:26,335 --> 00:29:28,297 (whispering) THAT'S HIM. 678 00:29:28,297 --> 00:29:30,039 READY? 679 00:29:31,400 --> 00:29:33,372 PUT YOUR HANDS UP! 680 00:29:33,372 --> 00:29:36,045 LET'S SEE 'EM, BUDDY. KEEP 'EM UP. (Esposito) GET YOUR HANDS UP! 681 00:29:36,045 --> 00:29:38,347 HANDS WHERE WE CAN SEE 'EM! (man) WHOA, WHOA, WHOA. 682 00:29:38,347 --> 00:29:41,080 WESLEY GROVNER, I'M DETECTIVE KATE BECKETT. WHAT, DID I MISS ANOTHER PAROLE MEETING? 683 00:29:41,080 --> 00:29:44,013 HE'S CLEAN... SO TO SPEAK. 684 00:29:44,013 --> 00:29:46,916 WHERE WERE YOU LAST TUESDAY NIGHT? 685 00:29:46,916 --> 00:29:49,959 AM I BEING PUNKED? 686 00:29:49,959 --> 00:29:53,322 IF BY "PUNKED" YOU MEAN ARRESTED FOR MURDER, YEAH. YOU THINK I WENT SOMEWHERE 687 00:29:53,322 --> 00:29:56,525 TUESDAY NIGHT AND KILLED SOMEBODY? ACTUALLY, TWO SOMEBODIES. 688 00:29:56,525 --> 00:29:59,028 (laughs) 689 00:29:59,028 --> 00:30:01,901 HEY, I'M HOUDINI. 690 00:30:01,901 --> 00:30:03,272 NICE BLING, HUH? 691 00:30:03,272 --> 00:30:05,504 (ankle bracelet beeping) 692 00:30:05,504 --> 00:30:07,376 OOPS. 693 00:30:07,376 --> 00:30:09,038 CHECK THIS OUT. 694 00:30:09,038 --> 00:30:11,380 (alarm blares) 695 00:30:11,380 --> 00:30:14,383 (alarm stops) THIS STOOP IS THE EDGE OF MY EARTH 696 00:30:14,383 --> 00:30:16,385 SINCE I BUSTED PAROLE A WEEK AGO. 697 00:30:16,385 --> 00:30:19,418 WHATEVER YOU THINK I DID, I AIN'T YOUR GUY. 698 00:30:19,418 --> 00:30:23,292 (ankle bracelet beeping) 699 00:30:23,292 --> 00:30:26,155 THAT'S QUITE THE COINCIDENCE. 700 00:30:34,563 --> 00:30:36,866 (Martha) HOW DARE YOU! HOW DARE YOU... (thump) 701 00:30:36,866 --> 00:30:38,868 (Alexis) OW. TAKE MY DRESS! 702 00:30:38,868 --> 00:30:40,870 YOU'RE AS THOUGHTLESS AS YOUR FATHER! 703 00:30:40,870 --> 00:30:42,441 I'M SORRY! I--STOP! NO. 704 00:30:42,441 --> 00:30:45,374 YOU'RE A BEASTIE! NO! I DIDN'T--I DIDN'T THINK IT WAS A BIG DEAL! 705 00:30:45,374 --> 00:30:47,516 I OUGHT TO BREAK YOUR LITTLE WRISTS. NO. 706 00:30:47,516 --> 00:30:49,518 MOTHER, HAVE YOU FINALLY... 707 00:30:49,518 --> 00:30:52,421 HAVE I FINALLY WHAT, DEAR? 708 00:30:52,421 --> 00:30:54,583 HEY, DAD. 709 00:30:54,583 --> 00:30:56,285 (exhales) YOU'RE REHEARSING. 710 00:30:56,285 --> 00:30:58,928 YES, I HAVE A CALLBACK. OH, AND YOU BELIEVED US. 711 00:30:58,928 --> 00:31:01,590 (Alexis laughs) OH, MY GOD! THAT'S MARVELOUS. 712 00:31:01,590 --> 00:31:04,333 NO, I AM A BETTER ACTRESS THAN I THINK I AM. 713 00:31:04,333 --> 00:31:05,494 OH! 714 00:31:05,494 --> 00:31:06,865 (chuckles) 715 00:31:06,865 --> 00:31:08,867 YOU OKAY, DAD? YOU LOOK UPSET. 716 00:31:08,867 --> 00:31:11,200 TURNS OUT SOMETHING I WAS SO SURE OF 717 00:31:11,200 --> 00:31:14,143 WAS JUST A COINCIDENCE. OH, IS THIS ABOUT THE MURDER? 718 00:31:14,143 --> 00:31:15,444 EXACTLY. 719 00:31:15,444 --> 00:31:18,147 IT SO HAPPENS THAT OUR TWO VICTIMS WERE CONNECTED. 720 00:31:18,147 --> 00:31:20,649 IT JUST HAD NOTHING TO DO WITH THEIR DEATHS. 721 00:31:20,649 --> 00:31:23,352 YOU KNOW, I BET IF YOU LOOKED HARD ENOUGH, 722 00:31:23,352 --> 00:31:26,055 YOU'D FIND A CONNECTION BETWEEN EVERYBODY IN THIS CITY. 723 00:31:26,055 --> 00:31:29,218 I MEAN, THAT'S THE GREAT THING ABOUT NEW YORK. YEAH, AND IF THERE WASN'T A CONNECTION, 724 00:31:29,218 --> 00:31:31,360 YOU COULD ALWAYS PRETEND THERE'S ONE. 725 00:31:31,360 --> 00:31:33,192 BESIDES THE REHEARSAL, 726 00:31:33,192 --> 00:31:36,295 WE HAVE ANOTHER DRAMA GOING ON HERE THIS EVENING. OH, OWEN? 727 00:31:36,295 --> 00:31:37,596 YOU KNOW HOW THALIA SAID 728 00:31:37,596 --> 00:31:39,598 SHE HAD A CRUSH ON OWEN AT CAMP CHUMASH? 729 00:31:39,598 --> 00:31:42,071 SERENDIPITY AT SERENDIPITY, YEAH. 730 00:31:42,071 --> 00:31:44,073 NO. MORE LIKE SUBTERFUGE AT SERENDIPITY. 731 00:31:44,073 --> 00:31:46,075 SHE NEVER EVEN WENT TO CAMP CHUMASH, 732 00:31:46,075 --> 00:31:47,506 BUT HER FRIEND DID. 733 00:31:47,506 --> 00:31:51,010 AND THALIA WANTED TO MEET OWEN, SO SHE STAGED THE WHOLE THING. 734 00:31:51,010 --> 00:31:53,242 OH, THAT IS SO... BUDDING SOCIOPATH. 735 00:31:53,242 --> 00:31:55,214 I KNEW IT COULDN'T BE A COINCIDENCE. 736 00:31:55,214 --> 00:31:58,547 I MEAN, REALLY, WHAT ARE THE ODDS? 737 00:32:01,050 --> 00:32:04,353 YEAH. WHAT ARE THE ODDS? 738 00:32:21,440 --> 00:32:23,372 (Castle) HEY. 739 00:32:23,372 --> 00:32:25,374 HEY, CASTLE. HOW YOU DOING? 740 00:32:25,374 --> 00:32:27,376 WELL, FOR A SECOND LAST NIGHT, 741 00:32:27,376 --> 00:32:30,549 I THOUGHT MY MOTHER WAS BEATING ALEXIS, SO... 742 00:32:30,549 --> 00:32:34,383 YEAH. WELL, GROVNER WAS A HEAD TURNER FOR ALL OF US. 743 00:32:34,383 --> 00:32:37,186 HIS GPS CHECKED OUT, BY THE WAY. 744 00:32:37,186 --> 00:32:39,188 WELL, "CRASH" WAS ON THIS MORNING, 745 00:32:39,188 --> 00:32:40,489 FOLLOWED BY "FOOTLOOSE," 746 00:32:40,489 --> 00:32:43,462 SO I GUESS ANYTHING CAN HAPPEN. 747 00:32:43,462 --> 00:32:45,164 (chuckles) 748 00:32:45,164 --> 00:32:46,635 ARE YOU OKAY? 749 00:32:46,635 --> 00:32:48,297 YEAH. 750 00:32:51,000 --> 00:32:54,373 IT'S JUST, THIS ONE REMINDS ME OF MY MOM'S CASE. 751 00:32:56,575 --> 00:32:59,278 WHAT FRANK ANDERSON'S FAMILY MUST BE GOING THROUGH, 752 00:32:59,278 --> 00:33:00,649 ESPECIALLY CHRISTINA... 753 00:33:00,649 --> 00:33:04,013 MOURNING HER DAD'S DEATH THINKING THAT IT WAS RANDOM, 754 00:33:04,013 --> 00:33:06,515 AND THEN FINDING OUT THAT IT WASN'T. 755 00:33:06,515 --> 00:33:09,218 I GUESS YOU COULD SAY, WHAT DOES IT MATTER? 756 00:33:09,218 --> 00:33:11,420 THE PERSON THAT YOU LOVE IS DEAD. 757 00:33:11,420 --> 00:33:14,223 BUT KNOWING WHY MATTERS. 758 00:33:17,666 --> 00:33:20,329 YO. FISH TANK'S A BUST. 759 00:33:20,329 --> 00:33:22,331 WHAT? 760 00:33:22,331 --> 00:33:25,374 LANIE CALLED. WATER SAMPLE IS NOT A MATCH. 761 00:33:25,374 --> 00:33:28,137 CAN YOU BELIEVE THAT? WE'RE NOWHERE. WHAT IS IT WITH THESE TWO CASES? 762 00:33:28,137 --> 00:33:30,539 YEAH, GROVNER WAS ALMOST TOO GOOD TO BE TRUE. NOT ALMOST. 763 00:33:30,539 --> 00:33:32,541 YEAH, AND YOU GUYS AND THE HUSBAND. 764 00:33:32,541 --> 00:33:35,244 I WAS SURE IT WAS HIM, AND YOUR SON-IN-LAW. 765 00:33:35,244 --> 00:33:37,486 (Ryan) I KNOW. SAME DEAL. FELT IT. 766 00:33:37,486 --> 00:33:40,449 OKAY, IT'S NOT THE FISH TANK, BUT THEY ARE CONNECTED. 767 00:33:40,449 --> 00:33:43,052 WE JUST HAVE TO FIGURE OUT HOW. 768 00:33:43,052 --> 00:33:46,055 IT'S JUST, WE'VE BEEN OVER THESE CASES SO MANY TIMES, 769 00:33:46,055 --> 00:33:48,057 IT'S HARD TO SEE STRAIGHT ANYMORE. 770 00:33:48,057 --> 00:33:50,799 ALL RIGHT. (sighs) WE'LL START OVER. FRESH EYES. 771 00:33:50,799 --> 00:33:54,303 YOU TAKE OUR MURDER. WE'LL TAKE YOURS. (Esposito) ALL RIGHT. 772 00:33:54,303 --> 00:33:56,305 WHOA, WHOA, WHOA, WHOA, WHOA. 773 00:33:56,305 --> 00:33:58,337 SAY THAT AGAIN. 774 00:33:58,337 --> 00:34:02,211 YOU TAKE OUR MURDER. WE'LL TAKE YOURS. 775 00:34:02,211 --> 00:34:05,414 COULD IT BE THAT EASY? 776 00:34:05,414 --> 00:34:07,276 YOU TAKE MINE. 777 00:34:07,276 --> 00:34:08,747 I'LL TAKE YOURS. 778 00:34:08,747 --> 00:34:11,520 WHAT ARE YOU GETTING AT, CASTLE? "STRANGERS ON A TRAIN." 779 00:34:11,520 --> 00:34:13,452 THE HITCHCOCK MOVIE? 780 00:34:13,452 --> 00:34:16,455 I'M PARTIAL TO THE NOVEL BY PATRICIA HIGHSMITH, BUT, YES. 781 00:34:16,455 --> 00:34:19,728 WE HAVE TWO STRONG SUSPECTS, BUT WITH AIRTIGHT ALIBIS, RIGHT? 782 00:34:19,728 --> 00:34:22,261 (Esposito) RIGHT. WE KNOW THEY'RE CONNECTED. 783 00:34:22,261 --> 00:34:24,293 WHAT IF THE CONNECTION IS THE KILLERS? 784 00:34:24,293 --> 00:34:26,695 JASON AND ERIC COMMITTED EACH OTHER'S MURDERS. 785 00:34:26,695 --> 00:34:29,398 AND MADE SURE THEY HAD AN AIRTIGHT ALIBI 786 00:34:29,398 --> 00:34:32,371 FOR THE MURDER THEY KNEW THEY'D BE SUSPECTED OF. 787 00:34:32,371 --> 00:34:34,373 IT'S NOT OUR VICTIMS WHO ARE CONNECTED. 788 00:34:34,373 --> 00:34:37,376 IT'S OUR MURDERERS. CRISSCROSS. 789 00:34:37,376 --> 00:34:40,249 (Beckett) OKAY, SO WE KNOW JASON WAS AT THE GARDEN 790 00:34:40,249 --> 00:34:42,251 WATCHING THE GAME TILL IT FINISHED AT 10:00. 791 00:34:42,251 --> 00:34:44,453 AND THEN HE MADE THE CALL FROM ASHLEY'S OFFICE 792 00:34:44,453 --> 00:34:45,854 AT 11:47. 793 00:34:45,854 --> 00:34:48,617 THE GARDEN IS ON 32nd. HER OFFICE IS ON 18th. 794 00:34:48,617 --> 00:34:50,719 WOULD'VE TAKEN HIM MAX 20 MINUTES. 795 00:34:50,719 --> 00:34:53,262 SO WHY DID IT TAKE HIM TWO HOURS? BECAUSE, ESPOSITO, 796 00:34:53,262 --> 00:34:55,424 HE JUMPED IN A CAB, WENT UPTOWN, KILLED FRANK. 797 00:34:55,424 --> 00:34:57,426 WHICH HAPPENED AT 11:00. 798 00:34:57,426 --> 00:34:59,428 HE EASILY MAKES IT BACK TO HIS WIFE'S OFFICE 799 00:34:59,428 --> 00:35:01,530 IN TIME TO FIND HER BODY AT 11:47. 800 00:35:01,530 --> 00:35:04,503 AND WE KNOW THAT ERIC CLOCKED OUT OF WORK AT 6:03. 801 00:35:04,503 --> 00:35:06,435 (Beckett) AND ASHLEY'S KILLED AT 8:00. 802 00:35:06,435 --> 00:35:08,777 HE SHOWS UP FOR THE PARTY AT THE BAR AT 9:15. 803 00:35:08,777 --> 00:35:11,410 SOMETHING TELLS ME THEIR ALIBIS ARE NOT GOING TO BE SO AIRTIGHT 804 00:35:11,410 --> 00:35:13,111 FOR THE OTHER MURDERS. 805 00:35:14,483 --> 00:35:18,147 MR. COSWAY, WE WERE JUST COMING TO SEE YOU. 806 00:35:18,147 --> 00:35:20,149 OH, HEY. YOU GUYS HAVE NEWS? 807 00:35:20,149 --> 00:35:22,151 I MEAN, IS IT THE OLD PATIENT OF ASHLEY'S? 808 00:35:22,151 --> 00:35:25,154 THAT TURN OUT TO BE ANYTHING OR-- NO, BUT WE ARE MAKING PROGRESS. 809 00:35:25,154 --> 00:35:28,357 OKAY. UH, WHAT CAN I DO FOR YOU? JUST LIKE TO ASK YOU 810 00:35:28,357 --> 00:35:31,830 A FEW QUESTIONS ABOUT THE NIGHT OF THE MURDER. DO YOU GUYS HAVE ANY SUSPECTS AT ALL YET OR-- 811 00:35:31,830 --> 00:35:33,832 WE'RE LOOKING AT SOMEONE RIGHT NOW. OKAY. 812 00:35:33,832 --> 00:35:36,405 WELL, ACTUALLY, I HAVE TO MEET THE MOVERS AT ASHLEY'S OFFICE. 813 00:35:36,405 --> 00:35:38,707 SO IF YOU DON'T MIND WALKING WITH ME... NOT AT ALL. 814 00:35:38,707 --> 00:35:41,540 COULD YOU TELL US WHAT YOU DID RIGHT AFTER THE BASKETBALL GAME? 815 00:35:41,540 --> 00:35:43,542 AFTER? WELL, WHY DO YOU ASK? 816 00:35:43,542 --> 00:35:45,544 WE'RE JUST TRYING TO GET OUR TIMELINE STRAIGHT. 817 00:35:45,544 --> 00:35:48,247 YOU'RE NOT ACCUSING ME OF KILLING MY WIFE AGAIN, ARE YOU? 818 00:35:48,247 --> 00:35:50,249 I CAN ASSURE YOU THAT WE ARE 100% CERTAIN 819 00:35:50,249 --> 00:35:51,680 YOU DID NOT KILL ASHLEY. 820 00:35:51,680 --> 00:35:53,382 IT'S JUST, THE NIGHT OF THE MURDER, 821 00:35:53,382 --> 00:35:56,325 YOU SAID THAT YOU WERE ON YOUR WAY TO PICK HER UP 822 00:35:56,325 --> 00:35:58,327 RIGHT AFTER THE GAME. YEAH, SO? 823 00:35:58,327 --> 00:36:00,329 WELL, THEN WHY DID IT TAKE YOU TWO HOURS 824 00:36:00,329 --> 00:36:02,331 TO GET FROM THE GARDEN TO 18th STREET? 825 00:36:02,331 --> 00:36:04,333 LOOK, I KNEW ASH WANTED TO WORK LATE, RIGHT? 826 00:36:04,333 --> 00:36:06,865 I DIDN'T WANT TO BOTHER HER, SO I JUST KILLED SOME TIME. 827 00:36:06,865 --> 00:36:08,697 OOH. 828 00:36:08,697 --> 00:36:11,440 SORRY. GO AHEAD. 829 00:36:11,440 --> 00:36:14,243 UH, AND THEN I STOPPED AT A NEWSSTAND. WHERE? 830 00:36:14,243 --> 00:36:16,505 UH, SOMEWHERE ON 7th. MAYBE IT WAS 26th. 831 00:36:16,505 --> 00:36:19,548 I DON'T KNOW. ANYWAY, I BOUGHT MYSELF A SLICE OF PIZZA... 832 00:36:19,548 --> 00:36:22,951 AT RAY'S. ORIGINAL FAMOUS OR FAMOUS ORIGINAL? 833 00:36:22,951 --> 00:36:25,484 THERE'S ONE ON 28th. AND THERE'S ONE ON 23rd. 834 00:36:25,484 --> 00:36:26,885 I CAN'T REMEMBER WHICH. 835 00:36:26,885 --> 00:36:28,887 I'M A LITTLE, UH, CONFUSED HERE. 836 00:36:28,887 --> 00:36:31,960 YOU KNOW, THERE IS SOMEBODY OUT THERE THAT KILLED MY WIFE. 837 00:36:31,960 --> 00:36:34,963 MR. COSWAY, WE'RE JUST TRYING TO FIGURE THIS OUT. 838 00:36:34,963 --> 00:36:37,866 UM, I, UH, AFTER THAT, I WENT HOME. 839 00:36:37,866 --> 00:36:41,400 IS THERE ANYONE THAT CAN VOUCH FOR THAT? YEAH, I'M SURE SOMEBODY IN MY BUILDING. 840 00:36:41,400 --> 00:36:43,572 THANK YOU SO MUCH FOR YOUR TIME. 841 00:36:43,572 --> 00:36:45,504 OF COURSE. 842 00:36:48,537 --> 00:36:50,339 (water taxi horn sounds) 843 00:36:50,339 --> 00:36:53,642 (man) LAST CALL FOR EXPRESS SERVICE TO WALL STREET. 844 00:36:53,642 --> 00:36:56,515 LAST CALL, EXPRESS SERVICE TO WALL STREET. 845 00:36:56,515 --> 00:36:58,517 LAST CALL, EXPRESS FERRY FROM CHELSEA PIER 66, 846 00:36:58,517 --> 00:37:00,719 GREENWICH VILLAGE TO THE WORLD FINANCIAL CENTER. 847 00:37:00,719 --> 00:37:02,651 LAST CALL. 848 00:37:02,651 --> 00:37:04,753 LOOKS LIKE WE FOUND OUR BODY OF WATER. 849 00:37:04,753 --> 00:37:07,225 STRANGERS ON A BOAT? 850 00:37:17,336 --> 00:37:19,438 SO WHAT'S THE VERDICT? 851 00:37:19,438 --> 00:37:22,541 ERIC MARX TAKES THE SAME WATER TAXI TO WORK, TOO. 852 00:37:22,541 --> 00:37:25,514 "BAM," SAID THE LADY. THERE'S OUR CONNECTION. OH, NO. IT GETS BETTER. 853 00:37:25,514 --> 00:37:27,516 LANIE RAN THE SUBSTANCE ON OUR VICS 854 00:37:27,516 --> 00:37:30,519 AGAINST THE HUDSON RIVER WATER. IT'S A MATCH. MARX GETS ON THE BOAT UPTOWN, 855 00:37:30,519 --> 00:37:32,521 COSWAY JOINS HIM AT CHELSEA PIERS, 856 00:37:32,521 --> 00:37:34,523 AND THEY RIDE TO PIER 11 TOGETHER. 857 00:37:34,523 --> 00:37:36,385 SO ONE DAY, MAYBE THEY START TALKING-- 858 00:37:36,385 --> 00:37:37,686 MAYBE ABOUT THE YANKEE BULLPEN, 859 00:37:37,686 --> 00:37:39,528 MAYBE ABOUT THE ATTRACTIVE SECRETARY 860 00:37:39,528 --> 00:37:41,560 LEANING UP AGAINST THE RAILING. 861 00:37:41,560 --> 00:37:43,892 OH, AND JASON STARTS GRUMBLING ABOUT HIS WIFE. 862 00:37:43,892 --> 00:37:46,435 ERIC MAYBE MENTIONS HOW HE COVETS FRANK'S APARTMENT. 863 00:37:46,435 --> 00:37:48,637 YEAH, WELL, THERE'S AN OPEN UPPER DECK. 864 00:37:48,637 --> 00:37:51,540 I FIGURE THAT'S WHERE THEY WERE DOING THEIR PLOTTIN'. AND HOW THE WATER FROM THE HUDSON 865 00:37:51,540 --> 00:37:54,543 GOT ON BOTH OF THEM. IT GETS TRANSFERRED FROM ERIC MARX'S JACKET AND GLOVES 866 00:37:54,543 --> 00:37:56,705 TO ASHLEY COSWAY WHEN THEY STRUGGLE. THEN TO FRANK ANDERSON 867 00:37:56,705 --> 00:37:58,847 WHEN JASON COSWAY SWIPES HIS WATCH AND WALLET. 868 00:37:58,847 --> 00:38:00,879 DONE DEAL. EXCEPT IT'S ALL CIRCUMSTANTIAL. 869 00:38:00,879 --> 00:38:03,612 THE D.A. WILL NEVER BUY IT WITHOUT HARD EVIDENCE 870 00:38:03,612 --> 00:38:06,415 OR A CONFESSION. 871 00:38:06,415 --> 00:38:09,017 (Esposito) OH, WE'RE GONNA GET A CONFESSION. (mutters) 872 00:38:09,017 --> 00:38:10,519 (scoffs) 873 00:38:10,519 --> 00:38:12,521 NOT IF WE GET ONE FIRST. 874 00:38:12,521 --> 00:38:14,923 SO... BET'S BACK ON? 875 00:38:14,923 --> 00:38:18,497 YOU BET YOUR BRITCHES, THE BET IS BACK ON. 876 00:38:29,638 --> 00:38:33,081 WHAT ARE THE ODDS? 877 00:38:33,081 --> 00:38:36,084 (Jason) YOU GUYS REALLY THINK A JURY IS GONNA BELIEVE 878 00:38:36,084 --> 00:38:38,517 IN SUCH A CRAZY STORY LIKE THIS, HUH? 879 00:38:38,517 --> 00:38:40,519 JURIES ARE SMART. 880 00:38:40,519 --> 00:38:42,521 YEAH. YEAH, THEY ARE. 881 00:38:42,521 --> 00:38:43,822 BUT YOU SEE, 882 00:38:43,822 --> 00:38:46,355 THEY'RE GONNA HAVE TO DO TWO SEPARATE TRIALS HERE. 883 00:38:46,355 --> 00:38:48,757 AND THE PROSECUTOR IS GONNA HAVE TO CONVINCE THEM 884 00:38:48,757 --> 00:38:50,999 THAT I KILLED SOMEONE WHO I HAVE NO CONNECTION TO 885 00:38:50,999 --> 00:38:53,602 AND NO MOTIVE WHATSOEVER TO WANT DEAD. 886 00:38:53,602 --> 00:38:56,435 AND TO ME, THAT'S RIDICULOUS. SOUNDS LIKE YOU'VE GIVEN THIS 887 00:38:56,435 --> 00:38:58,106 SOME SERIOUS THOUGHT, MR. COSWAY. 888 00:38:58,106 --> 00:39:00,609 CUTE. 889 00:39:00,609 --> 00:39:02,411 BUT WRONG. 890 00:39:02,411 --> 00:39:05,674 YOU MADE A PACT WITH ERIC MARX ON THE DECK OF THAT BOAT. 891 00:39:05,674 --> 00:39:08,977 DON'T CRACK. NO ONE WILL EVER BE ABLE TO PROVE WHAT YOU DID. 892 00:39:08,977 --> 00:39:11,580 I TOLD YOU GUYS ALREADY, I ONLY MET HIM THE OTHER DAY. 893 00:39:11,580 --> 00:39:14,052 YOU RODE THE SAME WATER TAXI TO WORK EVERY DAY. 894 00:39:14,052 --> 00:39:16,855 AND SO DOES A HUNDRED OTHER PEOPLE... EVERY DAY. 895 00:39:16,855 --> 00:39:19,027 IT WAS YOUR IDEA, WASN'T IT? REALLY? 896 00:39:19,027 --> 00:39:20,559 YEAH. 897 00:39:20,559 --> 00:39:23,061 THERE'S ALWAYS ONE ALPHA IN EVERY CONSPIRACY, 898 00:39:23,061 --> 00:39:24,563 AND THAT WAS YOU. 899 00:39:24,563 --> 00:39:26,665 ERIC WAS MALLEABLE, WASN'T HE? 900 00:39:26,665 --> 00:39:29,468 AND THAT SUITED YOU JUST FINE. HMM. 901 00:39:29,468 --> 00:39:31,900 BUT ASHLEY WASN'T, WAS SHE? 902 00:39:31,900 --> 00:39:35,043 SHE WAS A STRONG, PROFESSIONAL WOMAN-- 903 00:39:35,043 --> 00:39:37,045 A PSYCHOLOGIST, NO LESS. 904 00:39:37,045 --> 00:39:39,077 YOU COULDN'T JUST PUSH HER AROUND. 905 00:39:39,077 --> 00:39:41,079 THEN WHY DID I MARRY HER? 906 00:39:41,079 --> 00:39:44,082 THAT'S THE QUESTION YOU ASKED YOURSELF EVERY DAY, 907 00:39:44,082 --> 00:39:45,914 ISN'T IT? 908 00:39:45,914 --> 00:39:49,488 BECAUSE YOU'D REALIZED, YOU DIDN'T WANT A WIFE. 909 00:39:49,488 --> 00:39:51,389 YOU WANTED A PUPPY. 910 00:39:51,389 --> 00:39:54,563 NOW YOU GET A JUDGE WITH POLITICAL ASPIRATIONS, BRO-- 911 00:39:54,563 --> 00:39:56,394 YEAH, WE'RE TALKING DEATH PENALTY. 912 00:39:56,394 --> 00:39:58,396 NEW YORK'S STILL A LETHAL INJECTION STATE. 913 00:39:58,396 --> 00:40:00,499 NOW YOU CONFESS, YOU COP A PLEA, 914 00:40:00,499 --> 00:40:04,533 THAT'S A DIFFERENT STORY. YOU'RE GONNA SAVE THE STATE ALL SORTS OF MONEY ON A TRIAL. 915 00:40:04,533 --> 00:40:07,806 YEAH. PRACTICALLY GUARANTEED TO GET OFF WITH JUST LIFE. YEAH, AND THEN-- AND THEN THE JUDGE 916 00:40:07,806 --> 00:40:10,609 CAN GET HIS POLITICAL BONES ON SOMEONE ELSE, 917 00:40:10,609 --> 00:40:13,011 LIKE YOUR BOY JASON THERE. NO, I-I KNOW MY RIGHTS, ALL RIGHT? 918 00:40:13,011 --> 00:40:16,044 SO YOU CAN STOP WITH THIS WHOLE GOOD COP/BAD-- IT'S GOOD YOU KNOW YOUR RIGHTS, ERIC, 919 00:40:16,044 --> 00:40:18,647 BECAUSE YOUR BUDDY JASON JUST ROLLED ON YOU. OH, MAN. COME ON. 920 00:40:18,647 --> 00:40:20,749 (Castle) OH, YEAH. COSWAY JUST SIGNED HIS CONFESSION. 921 00:40:20,749 --> 00:40:24,422 COPPED A NICE LITTLE PLEA AT YOUR EXPENSE. SORRY. TOLD YOU WE'D GET OUR GUY FIRST. 922 00:40:24,422 --> 00:40:26,555 NO, NO, WAIT! WAIT, WAIT. 923 00:40:26,555 --> 00:40:29,858 (panting) 924 00:40:31,630 --> 00:40:35,203 IT WAS--IT WAS HIS IDEA, NOT MINE. 925 00:40:35,203 --> 00:40:38,807 HE PLANNED THE WHOLE THING. 926 00:40:40,609 --> 00:40:45,574 ♪♪ 927 00:40:45,574 --> 00:40:47,215 (officers speaking indistinctly) 928 00:40:47,215 --> 00:40:49,217 (Esposito) THIS IS TO TRANSCRIBE, 929 00:40:49,217 --> 00:40:50,979 AND THIS IS TO FILE. 930 00:40:50,979 --> 00:40:54,523 YO, RYAN, YOU WERE ON FIRE IN THERE. 931 00:40:54,523 --> 00:40:56,825 NEW NICKNAME--ICEPOSITO. 932 00:40:56,825 --> 00:40:58,527 EXCELLENT WORK, DETECTIVE. 933 00:40:58,527 --> 00:40:59,828 YEAH, WELL, ONCE WE REALIZED 934 00:40:59,828 --> 00:41:01,830 THAT JASON WAS THE ALPHA AND WOULDN'T BREAK, 935 00:41:01,830 --> 00:41:03,832 IT WAS OBVIOUS THAT ERIC WAS THE WEAK LINK. 936 00:41:03,832 --> 00:41:05,534 (Ryan) NICE. 937 00:41:05,534 --> 00:41:08,236 WHEN YOU GUYS CAME IN THE ROOM, AND WE KNEW YOU WERE PLAYING, 938 00:41:08,236 --> 00:41:11,099 EVERYTHING JUST KINDA... YEAH. THAT'S RIGHT. OF COURSE, WE WERE RIGHT WITH YOU GUYS. 939 00:41:11,099 --> 00:41:14,873 OH, PLEASE. THAT WAS THE WHOLE POINT WAS THAT YOU WEREN'T IN ON IT. 940 00:41:14,873 --> 00:41:18,106 THAT'S HOW WE SOLD IT. WELL, THAT'S NEITHER HERE NOR THERE, 941 00:41:18,106 --> 00:41:20,649 BECAUSE WE WON THE BET. HOW'S THAT? 942 00:41:20,649 --> 00:41:22,781 (Esposito) OUR GUY BROKE. YEAH, BECAUSE WE BROKE HIM. 943 00:41:22,781 --> 00:41:24,783 UH, SO WHAT? IT'S LIKE SOCCER. 944 00:41:24,783 --> 00:41:26,955 YOU SCORE IN OUR GOAL, IT'S STILL OUR POINT. 945 00:41:26,955 --> 00:41:29,658 SOCCER, REALLY? YOU'RE GOING WITH THAT ONE? WORKS FOR ME. 946 00:41:29,658 --> 00:41:31,590 WELL, THEN HOW ABOUT BASEBALL? 947 00:41:31,590 --> 00:41:34,593 'CAUSE THIS TEAM JUST KNOCKED IT OUT OF THE PARK. (clicks tongue and whistles) 948 00:41:34,593 --> 00:41:36,525 (both imitate crowd cheering) 949 00:41:36,525 --> 00:41:39,668 YEAH, BUT OUR TEAM WAS SUPPOSED TO BE UP AT BAT. 950 00:41:39,668 --> 00:41:41,570 AGAIN WITH THAT ONE? YOUR TEAM NEVER MADE IT TO THE FIELD 951 00:41:41,570 --> 00:41:44,573 BECAUSE THEY WERE TOO SCARED TO GET OFF THE BUS. (laughs) 952 00:41:44,573 --> 00:41:46,575 (Esposito) UH, CASTLE, OUR TEAM DROVE THE BUS. 953 00:41:46,575 --> 00:41:48,577 (Castle laughs) YEAH, WELL, THEN HOW ABOUT NASCAR? 954 00:41:48,577 --> 00:41:50,579 AS OUR CAR FLEW TO THE CHECKERED LINE, 955 00:41:50,579 --> 00:41:53,081 YOU GUYS CRASHED AND BURNED. (Beckett) UNDER A BEAUTIFUL FULL MOON. 956 00:41:53,081 --> 00:41:55,744 THAT'S JUST CORNY. NEXT TIME YOU WANT TO BET FOR REAL...