1
00:00:01,334 --> 00:00:02,503
PREVIOUSLY
ON "THE MENTALIST"...

2
00:00:02,536 --> 00:00:03,670
WE NEED TO FIND KIRA TINSLEY.

3
00:00:03,704 --> 00:00:05,105
SHE EITHER WORKS FOR RED JOHN,

4
00:00:05,139 --> 00:00:06,540
OR SHE'S ABOUT TO BECOME
HIS NEXT VICTIM.

5
00:00:06,573 --> 00:00:09,542
(grunting)

6
00:00:09,577 --> 00:00:12,112
(engine roaring)

7
00:00:12,146 --> 00:00:14,013
(fabric ripping,
siren wailing in distance)

8
00:00:15,749 --> 00:00:18,786
WHO DID THIS TO YOU?
TELL ME.
(gasping)

9
00:00:18,818 --> 00:00:20,588
(Lisbon) JANE,
WHAT DID SHE SAY?

10
00:00:20,620 --> 00:00:23,056
SHE TOLD ME RED JOHN HAS
A TATTOO ON HIS LEFT SHOULDER--

11
00:00:23,091 --> 00:00:25,292
THREE DOTS.

12
00:00:25,326 --> 00:00:27,260
THAT'S MY LEVERAGE.

13
00:00:27,295 --> 00:00:29,396
(crickets chirping)

14
00:00:29,429 --> 00:00:33,567
(engine roaring)

15
00:00:57,125 --> 00:00:58,259
(engine stops)

16
00:01:02,195 --> 00:01:03,463
(closes door)

17
00:01:27,388 --> 00:01:28,621
(clicks switch)

18
00:01:30,623 --> 00:01:32,359
(pops)

19
00:01:32,393 --> 00:01:34,662
(clattering,
cell phone rings)

20
00:01:34,694 --> 00:01:39,799
(ringing continues)

21
00:01:39,832 --> 00:01:42,370
(Lisbon) Jane.
HELLO, LISBON.

22
00:01:42,402 --> 00:01:45,406
Jane, don't do this,
not without me.

23
00:01:45,438 --> 00:01:46,674
LISTEN, I'M SORRY.

24
00:01:46,706 --> 00:01:49,543
Jane, I am begging you.
You're in danger!

25
00:01:49,576 --> 00:01:52,412
I-IT'S GONNA BE OKAY.
I-I'M GONNA BE OKAY.

26
00:01:52,445 --> 00:01:53,781
No, you're not.
You do this,

27
00:01:53,813 --> 00:01:56,616
and you're throwing
your life away.

28
00:01:56,650 --> 00:01:57,685
BYE, LISBON.

29
00:01:57,718 --> 00:01:59,620
Jane... no.

30
00:01:59,652 --> 00:02:01,254
(snaps phone shut)

31
00:02:02,822 --> 00:02:03,823
(clicks switch)

32
00:02:03,856 --> 00:02:05,793
(clicks latches)

33
00:02:14,602 --> 00:02:15,603
(clicks switch)

34
00:02:24,711 --> 00:02:28,649
(vehicle arriving)

35
00:02:28,681 --> 00:02:30,918
(exhales)

36
00:02:30,950 --> 00:02:32,319
(vehicle door opens and closes)

37
00:02:32,353 --> 00:02:37,191
(footsteps approaching,
man whistling)

38
00:02:37,224 --> 00:02:42,396
(footsteps and whistling
continue)

39
00:02:42,430 --> 00:02:43,697
(whistling stops)

40
00:02:54,307 --> 00:02:57,344
***

41
00:02:57,377 --> 00:02:59,947
-- Captions by VITAC --

42
00:03:09,990 --> 00:03:11,292
A TATTOO?

43
00:03:11,324 --> 00:03:12,526
YES.

44
00:03:12,560 --> 00:03:14,294
THAT WE CAN USE
TO IDENTIFY RED JOHN?

45
00:03:14,328 --> 00:03:16,296
YES.
THAT'S GREAT.

46
00:03:16,329 --> 00:03:18,265
SO ALL WE HAVE TO DO IS CHECK
EACH ONE OF THE SUSPECTS

47
00:03:18,299 --> 00:03:19,932
ONE BY ONE UNTIL WE FIND OUT
WHO HAS THE TATTOO.

48
00:03:19,966 --> 00:03:21,835
NO.

49
00:03:21,868 --> 00:03:23,471
WHY NOT?

50
00:03:23,503 --> 00:03:27,007
RED JOHN DOESN'T KNOW
I KNOW ABOUT THE TATTOO.

51
00:03:27,039 --> 00:03:28,975
OKAY.

52
00:03:29,009 --> 00:03:30,711
SO IF WE START CHECKING
SUSPECTS,

53
00:03:30,743 --> 00:03:32,445
IT'S VERY LIKELY THAT
RED JOHN WILL FIND OUT.

54
00:03:32,479 --> 00:03:34,581
AND DISAPPEAR BEFORE WE HAVE
A CHANCE OF GETTING HIM.

55
00:03:34,615 --> 00:03:36,484
EXACTLY.

56
00:03:36,516 --> 00:03:38,418
THEN WHAT DO YOU
WANT TO DO?

57
00:03:38,451 --> 00:03:39,819
GATHER ALL FIVE SUSPECTS
TOGETHER

58
00:03:39,853 --> 00:03:41,421
AT THE SAME PLACE,
SAME TIME,

59
00:03:41,454 --> 00:03:43,424
AND THEN START CHECKING
FOR THE TATTOO.

60
00:03:43,456 --> 00:03:45,759
AND HOW DO WE DO THAT?

61
00:03:45,793 --> 00:03:47,728
WE'LL ASK THEM.

62
00:03:47,760 --> 00:03:49,497
AND YOU THINK THEY'LL AGREE?

63
00:03:49,530 --> 00:03:51,598
WASN'T PLANNING ON GIVING THEM
A CHOICE.

64
00:03:51,632 --> 00:03:54,602
(groans) EVEN SO,
THERE'S A PROBLEM.

65
00:03:54,634 --> 00:03:56,002
BRET STILES--HE'S WANTED
BY THE F.B.I.

66
00:03:56,036 --> 00:03:57,570
IN CONNECTION
TO TWO HOMICIDES.

67
00:03:57,604 --> 00:04:00,039
YEAH. COLD CASES
FROM OVER 20 YEARS AGO.

68
00:04:00,073 --> 00:04:02,008
YOU'RE KIDDING.
AFTER ALL THIS TIME,

69
00:04:02,042 --> 00:04:03,576
THE F.B.I. IS MOVING IN NOW?

70
00:04:03,610 --> 00:04:05,312
WELL, THEY MUST HAVE FOUND
SOMETHING NEW--

71
00:04:05,346 --> 00:04:07,615
FORENSICS, A WITNESS.
WELL, WHERE'S STILES?

72
00:04:07,647 --> 00:04:08,681
WELL, THAT'S THE THING.
NOBODY KNOWS,

73
00:04:08,716 --> 00:04:11,618
NOT EVEN THE F.B.I.
STILES DISAPPEARED WEEKS AGO.

74
00:04:11,651 --> 00:04:13,621
WE'LL FIND HIM.

75
00:04:13,653 --> 00:04:15,588
HOW?

76
00:04:15,622 --> 00:04:17,391
I DON'T KNOW,
BUT WE'LL FIND HIM.

77
00:04:17,425 --> 00:04:18,759
WE HAVE TO.

78
00:04:20,661 --> 00:04:22,362
I'M ON BOARD WITH YOUR PLAN.

79
00:04:22,396 --> 00:04:23,663
GOOD.

80
00:04:23,697 --> 00:04:25,865
ON ONE CONDITION.

81
00:04:25,899 --> 00:04:28,935
I WANT TO BE THERE
WHEN YOU REVEAL RED JOHN.

82
00:04:30,403 --> 00:04:31,805
OKAY.

83
00:04:31,838 --> 00:04:33,473
SERIOUSLY.

84
00:04:33,507 --> 00:04:35,643
I SAID OKAY.
YEAH, BUT YOU DIDN'T MEAN IT.

85
00:04:35,675 --> 00:04:37,677
DID I NOT?
UH, HOW CAN YOU TELL?

86
00:04:37,711 --> 00:04:39,480
THIS IS NON-NEGOTIABLE, JANE.

87
00:04:39,512 --> 00:04:41,581
I AGREE 100%.

88
00:04:46,653 --> 00:04:49,356
I THINK I'VE MADE MYSELF CLEAR,
AGENTS.

89
00:04:49,389 --> 00:04:52,024
I HAVE NO KNOWLEDGE
OF BRET STILES' WHEREABOUTS.

90
00:04:52,058 --> 00:04:54,627
YES, AND WE'VE MADE IT CLEAR
THAT WE'RE NOT BUYING IT.

91
00:04:54,661 --> 00:04:56,564
STILES LEAVES YOU
IN CHARGE OF VISUALIZE,

92
00:04:56,596 --> 00:04:57,930
BUT HE KEEPS YOU IN THE DARK
ABOUT WHERE HE'S HIDING?

93
00:04:57,965 --> 00:04:59,632
DOESN'T MAKE SENSE.

94
00:04:59,667 --> 00:05:01,802
STILES HAS AND ALWAYS WILL

95
00:05:01,834 --> 00:05:03,836
PUT THE CHURCH'S NEEDS
BEFORE HIS OWN.

96
00:05:03,870 --> 00:05:05,773
THIS TIME IS NO DIFFERENT.

97
00:05:05,805 --> 00:05:08,675
HE DOESN'T WANT ME TO KNOW
BECAUSE HE WANTS TO PROTECT ME.

98
00:05:08,709 --> 00:05:10,711
AND BECAUSE
HE DOESN'T WANT TO BE FOUND.

99
00:05:10,744 --> 00:05:14,081
I DOUBT BRET STILES IS WORRIED
ABOUT BEING FOUND.

100
00:05:14,113 --> 00:05:15,949
YOU SEEM CONFIDENT.

101
00:05:15,983 --> 00:05:18,786
CALL IT FAITH.

102
00:05:18,819 --> 00:05:21,088
YOU SEE, STILES' TIME

103
00:05:21,120 --> 00:05:24,692
IN OUR... REALITY IS LIMITED.

104
00:05:24,725 --> 00:05:25,858
HUH?
AS WE SPEAK,

105
00:05:25,893 --> 00:05:27,827
HE'S PREPARING HIS MIND
AND BODY

106
00:05:27,860 --> 00:05:29,663
FOR A DEPARTURE
FROM THE CONFINES

107
00:05:29,697 --> 00:05:31,932
OF OUR MATERIAL WORLD.

108
00:05:31,964 --> 00:05:33,867
HE'S DYING?

109
00:05:36,002 --> 00:05:37,838
THAT IS A VERY NAIVE,

110
00:05:37,870 --> 00:05:39,807
VERY IGNORANT WAY
OF LOOKING AT IT.

111
00:05:39,840 --> 00:05:43,877
BRET STILES IS NOT DYING.
BRET STILES CANNOT DIE.

112
00:05:43,911 --> 00:05:46,814
HE IS ELEVATING HIMSELF
TO ANOTHER PLANE,

113
00:05:46,846 --> 00:05:51,018
ONE LESSER MEN LIKE OURSELVES
CAN ONLY STRIVE TO REACH.

114
00:05:54,120 --> 00:05:57,757
AND ONE SOME OF US OBVIOUSLY
CAN'T COMPREHEND.

115
00:06:00,994 --> 00:06:04,130
(horns honking in distance)

116
00:06:09,637 --> 00:06:12,639
(police radio chatter)

117
00:06:14,774 --> 00:06:16,175
COFFEE--ONE CREAM,
ONE SUGAR.

118
00:06:16,209 --> 00:06:17,978
THANKS, RUSSELL.

119
00:06:18,011 --> 00:06:19,747
FORENSICS IS HERE
WHEN YOU'RE READY.

120
00:06:19,779 --> 00:06:21,848
SEND THEM OVER.

121
00:06:21,882 --> 00:06:24,016
GET HIS I.D. FOR ME,
WILL YOU?

122
00:06:24,050 --> 00:06:26,052
YOU KNOW HOW I AM
ABOUT HEIGHTS.

123
00:06:26,086 --> 00:06:28,021
SURE.

124
00:06:28,055 --> 00:06:30,557
OH, AND, UH, SOMEONE'S HERE
TO SEE YOU.

125
00:06:35,696 --> 00:06:36,930
THANKS.

126
00:06:41,233 --> 00:06:44,771
THERE'S BEEN A BREAKTHROUGH
IN THE RED JOHN INVESTIGATION.

127
00:06:44,805 --> 00:06:46,774
I HAVE SOME NEW INFORMATION.

128
00:06:46,807 --> 00:06:49,877
SOME VERY SIGNIFICANT
INFORMATION.

129
00:06:49,909 --> 00:06:51,778
OKAY. WHAT IS IT?

130
00:06:51,812 --> 00:06:53,781
NO, NO. NOT YET.

131
00:06:54,781 --> 00:06:56,149
I'M NOT SURE
WHO I CAN TRUST.

132
00:06:56,182 --> 00:06:58,786
I'M NOT EVEN SURE
I CAN TRUST YOU.

133
00:06:58,819 --> 00:07:01,788
RED JOHN HAS SOME
VERY POWERFUL ALLIES.

134
00:07:01,822 --> 00:07:04,725
PATRICK, COME ON.

135
00:07:05,826 --> 00:07:08,194
(speaking indistinctly)

136
00:07:08,228 --> 00:07:10,831
OKAY, BUT NOT HERE.

137
00:07:10,863 --> 00:07:13,100
MEET ME AT 8:00
ON THURSDAY NIGHT.

138
00:07:13,132 --> 00:07:14,935
THURSDAY? WHY?

139
00:07:14,968 --> 00:07:18,538
I NEED TIME TO FIND
A SAFE PLACE TO MEET.

140
00:07:19,606 --> 00:07:21,809
FINE. WHERE?

141
00:07:21,841 --> 00:07:23,242
I'LL LET YOU KNOW
THE DAY OF.

142
00:07:23,276 --> 00:07:24,911
THIS IS CRAZY.

143
00:07:24,944 --> 00:07:26,814
I'VE MADE THE MISTAKE
OF UNDERESTIMATING RED JOHN

144
00:07:26,846 --> 00:07:28,048
A NUMBER OF TIMES NOW.

145
00:07:28,081 --> 00:07:30,117
I DON'T WANT TO MAKE
THAT MISTAKE AGAIN.

146
00:07:30,149 --> 00:07:33,553
IF YOU WANT THE INFORMATION,
IT'S ON MY TERMS.

147
00:07:34,855 --> 00:07:36,557
OKAY.

148
00:07:36,590 --> 00:07:37,990
THURSDAY NIGHT.

149
00:07:40,894 --> 00:07:43,896
(crickets chirping)

150
00:07:51,971 --> 00:07:53,139
(cocks gun)

151
00:07:56,877 --> 00:08:00,012
(scope clicking)

152
00:08:06,853 --> 00:08:08,889
(cell phone rings)

153
00:08:08,922 --> 00:08:10,824
(hoofbeats retreating)

154
00:08:10,858 --> 00:08:12,959
(ringing continues)

155
00:08:12,992 --> 00:08:14,894
(sighs)

156
00:08:14,927 --> 00:08:16,228
(beeps)

157
00:08:16,262 --> 00:08:18,031
THIS IS SHERIFF McALLISTER.

158
00:08:19,065 --> 00:08:21,869
SHERIFF? PATRICK JANE.

159
00:08:21,901 --> 00:08:24,904
HELLO, PATRICK.
HOW ARE THINGS?

160
00:08:24,937 --> 00:08:27,908
GOOD. GOOD.

161
00:08:27,940 --> 00:08:30,810
I'M CALLING BECAUSE
I HAD A QUESTION.
Shoot.

162
00:08:32,044 --> 00:08:33,746
LAST MONTH WHEN I WAS IN NAPA,

163
00:08:33,780 --> 00:08:36,048
YOU SAID THAT YOU WERE
AT MY DISPOSAL.

164
00:08:36,082 --> 00:08:37,918
YES, I REMEMBER.

165
00:08:37,951 --> 00:08:39,886
DID YOU MEAN WHAT YOU SAID?

166
00:08:39,919 --> 00:08:42,254
I LIKE TO THINK
I'M A MAN OF MY WORD.

167
00:08:42,288 --> 00:08:44,290
OH, I DON'T DOUBT IT.

168
00:08:44,323 --> 00:08:47,059
BUT CAN I COUNT ON YOU
FOR YOUR HELP?

169
00:08:47,094 --> 00:08:48,629
Can I count on you?

170
00:08:48,662 --> 00:08:50,898
(exhales) OF COURSE.

171
00:08:50,931 --> 00:08:54,601
THURSDAY NIGHT AT 8:00
I'LL NEED YOUR HELP.

172
00:08:54,634 --> 00:08:56,903
WELL, THEN YOU'VE GOT IT.

173
00:08:56,937 --> 00:08:58,304
THANK YOU.

174
00:08:58,337 --> 00:09:01,041
I'LL LET YOU KNOW WHERE TO BE
THE DAY OF.

175
00:09:01,073 --> 00:09:03,043
PATRICK?

176
00:09:03,076 --> 00:09:04,878
YEAH?

177
00:09:04,912 --> 00:09:07,815
THIS IS ABOUT RED JOHN,
ISN'T IT?

178
00:09:09,048 --> 00:09:10,717
THURSDAY NIGHT.

179
00:09:21,360 --> 00:09:22,663
(exhales)

180
00:09:24,798 --> 00:09:26,933
THEY'RE READY FOR YOU, SIR.

181
00:09:26,966 --> 00:09:28,335
THANK YOU, EVELYN.

182
00:09:28,368 --> 00:09:29,369
(inhales)

183
00:09:29,402 --> 00:09:30,903
ALSO, THIS CAME FOR YOU.

184
00:09:30,937 --> 00:09:32,840
HMM?

185
00:09:32,873 --> 00:09:34,106
HMM.

186
00:09:41,081 --> 00:09:43,917
(sighs)

187
00:09:43,951 --> 00:09:45,585
(inhales)

188
00:10:03,003 --> 00:10:06,874
***

189
00:10:08,441 --> 00:10:11,745
(bell chimes)

190
00:10:16,149 --> 00:10:18,317
(bell chimes)

191
00:10:21,020 --> 00:10:24,991
(bell chimes)

192
00:10:25,024 --> 00:10:26,293
(bell chimes)

193
00:10:31,899 --> 00:10:34,301
(bell chimes)

194
00:10:38,171 --> 00:10:40,173
(bell chimes)

195
00:10:44,745 --> 00:10:47,047
(bell chimes)

196
00:10:52,152 --> 00:10:53,921
(bell chimes)

197
00:11:12,806 --> 00:11:14,240
(bell chimes)

198
00:11:19,111 --> 00:11:21,048
(bell chimes)

199
00:11:24,918 --> 00:11:27,754
(bell chimes)

200
00:11:27,788 --> 00:11:28,922
(sets down chalice)

201
00:11:28,956 --> 00:11:31,291
YOU ARE HERE TONIGHT

202
00:11:31,323 --> 00:11:33,393
TO WITNESS MY ASCENSION.

203
00:11:34,494 --> 00:11:37,764
MY ASCENSION FROM THIS WORLD

204
00:11:37,798 --> 00:11:40,801
TO A WORLD BEYOND.

205
00:11:40,834 --> 00:11:44,937
DO NOT MOURN ME, MY CHILDREN,

206
00:11:44,971 --> 00:11:48,942
FOR THIS IS NOT A PASSING,

207
00:11:48,975 --> 00:11:51,110
BUT A DEPARTURE.

208
00:11:52,479 --> 00:11:56,082
AND I PROMISE...

209
00:11:56,115 --> 00:11:58,384
I... WILL...

210
00:11:58,418 --> 00:12:00,052
RETURN!

211
00:12:00,086 --> 00:12:02,721
(cheers and applause)

212
00:12:06,558 --> 00:12:09,296
(cheering continues)

213
00:12:17,269 --> 00:12:18,538
NO, DON, YOU DON'T HAVE
A MISTRESS.

214
00:12:18,571 --> 00:12:21,808
YOU HAVE A VINDICTIVE SCREWBALL
WHO'S ABOUT TO RUIN YOUR LIFE.

215
00:12:21,841 --> 00:12:23,844
YES, WELL, IT'S VERY LUCKY
FOR YOU

216
00:12:23,876 --> 00:12:26,145
MY JOB IS TO FIX PROBLEMS,
SO HERE'S WHAT YOU'RE GONNA DO.

217
00:12:26,178 --> 00:12:27,947
YOU ARE GONNA WRITE HER
A CHECK--

218
00:12:27,980 --> 00:12:29,950
IT IS GONNA BE
A VERY BIG CHECK--

219
00:12:29,982 --> 00:12:32,152
AND THEN YOU ARE GONNA PRAY
THAT THIS PROBLEM GOES AWAY.

220
00:12:34,020 --> 00:12:35,388
IF IT DOESN'T,
DON'T WORRY, DON.

221
00:12:35,422 --> 00:12:37,256
THERE ARE PLENTY OF WAYS
TO KEEP A WOMAN QUIET.

222
00:12:37,289 --> 00:12:38,524
OKAY? ALL RIGHT.

223
00:12:38,557 --> 00:12:40,527
I GOTTA GO. ALL RIGHT.

224
00:12:40,559 --> 00:12:43,797
(indistinct conversations)

225
00:12:48,067 --> 00:12:49,369
HELLO.

226
00:12:49,402 --> 00:12:51,138
YOU'RE LATE.

227
00:12:51,171 --> 00:12:53,105
IT'S GOOD TO SEE YOU,
TOO, TERESA.

228
00:12:53,139 --> 00:12:55,575
UH, EXCUSE ME, CAN I GET
COFFEE, BLACK, PLEASE?

229
00:12:55,607 --> 00:12:57,309
THANKS.

230
00:12:57,344 --> 00:12:59,546
SO WHY AM I HERE
AT 8:00 A.M.?

231
00:12:59,578 --> 00:13:02,548
I NEED HELP
WITH AN INVESTIGATION.

232
00:13:02,581 --> 00:13:04,417
WHAT INVESTIGATION?

233
00:13:04,451 --> 00:13:06,119
IT'S NOT IMPORTANT.

234
00:13:06,153 --> 00:13:08,355
REALLY? IT IS
IF YOU WANT MY HELP.

235
00:13:09,422 --> 00:13:10,857
I CAN'T TELL YOU.

236
00:13:10,890 --> 00:13:12,993
COME ON, TERESA.
I KNOW YOU BETTER THAN THAT.

237
00:13:13,025 --> 00:13:14,293
WHAT, YOU AND JANE
GOT SOMETHING GOING ON

238
00:13:14,326 --> 00:13:16,296
WITH THE RED JOHN CASE?

239
00:13:16,328 --> 00:13:18,030
MAYBE.

240
00:13:18,065 --> 00:13:19,866
"MAYBE." YEAH, RIGHT.

241
00:13:19,899 --> 00:13:21,268
(inhales sharply)

242
00:13:21,301 --> 00:13:23,870
WHAT IS WITH ALL THE SECRECY?

243
00:13:23,903 --> 00:13:26,005
SERIOUSLY, WHY ARE YOU
ALWAYS HOLDING OUT ON ME?

244
00:13:26,038 --> 00:13:28,174
YOU DON'T THINK I'M RED JOHN,
DO YOU?

245
00:13:30,610 --> 00:13:32,345
YOU DO, DON'T YOU?

246
00:13:34,380 --> 00:13:36,182
TELL YOU WHAT.

247
00:13:36,216 --> 00:13:37,549
YOU WANT TO QUESTION ME,
YOU ARREST ME.

248
00:13:37,584 --> 00:13:39,186
OTHERWISE, YOU LEAVE ME
THE HELL OUT OF THIS.

249
00:13:39,219 --> 00:13:41,053
SIT DOWN.

250
00:13:41,087 --> 00:13:42,355
SIT.

251
00:13:46,658 --> 00:13:49,929
IF ASKING'S NOT GONNA WORK,
I WON'T ASK.

252
00:13:49,962 --> 00:13:51,498
YOU'RE NO LONGER
WITH THE CBI.

253
00:13:51,530 --> 00:13:54,201
YOU DON'T GET THE SAME
PROTECTION LAW ENFORCEMENT GETS.

254
00:13:54,234 --> 00:13:56,469
WHAT, YOU THREATENING ME?
NO, JANE IS.

255
00:13:56,503 --> 00:13:59,206
HE WANTS TO SEE YOU
TOMORROW NIGHT.

256
00:13:59,239 --> 00:14:00,340
(sets down cup)

257
00:14:02,375 --> 00:14:05,111
IF YOU DON'T SHOW UP, HE WILL
ASSUME YOU'RE RED JOHN.

258
00:14:05,144 --> 00:14:08,315
AND, RAY, HE WILL
COME AFTER YOU.

259
00:14:08,347 --> 00:14:11,317
YOU GOTTA BE KIDDING ME.

260
00:14:11,350 --> 00:14:13,620
YOU KNOW JANE.
YOU KNOW WHAT HAPPENED TO HIM.

261
00:14:13,653 --> 00:14:17,090
YOU KNOW WHAT RED JOHN
DID TO HIM.

262
00:14:17,124 --> 00:14:19,326
IF I WERE YOU,
I WOULDN'T TEST HIM.

263
00:14:19,359 --> 00:14:22,095
I'M NOT AFRAID
OF PATRICK JANE.

264
00:14:22,129 --> 00:14:23,363
WELL, WHAT'S THE PROBLEM
WITH SHOWING UP?

265
00:14:26,533 --> 00:14:29,201
IF I DO THIS,
WILL YOU AND JANE DROP

266
00:14:29,235 --> 00:14:30,971
THE WHOLE THAT "I'M RED JOHN"
BUSINESS?

267
00:14:31,004 --> 00:14:33,873
FOR ONCE AND FOR ALL.

268
00:14:35,142 --> 00:14:37,376
WHAT TIME?

269
00:14:37,409 --> 00:14:38,411
8:00.

270
00:14:39,546 --> 00:14:41,548
I'M NOT DONE.

271
00:14:43,250 --> 00:14:45,284
THERE'S ONE MORE THING
THAT I NEED.

272
00:14:45,317 --> 00:14:47,287
(sighs) YOU'RE KILLING ME HERE.

273
00:14:49,188 --> 00:14:50,990
STILES.
YEAH?

274
00:14:51,024 --> 00:14:52,993
WHERE IS HE?
I CAN'T HELP YOU.

275
00:14:53,025 --> 00:14:57,998
COME ON, RAY, YOU'VE BEEN
WITH VISUALIZE FOR YEARS.

276
00:14:58,030 --> 00:15:00,432
I DON'T WANT TO ARREST HIM.
I JUST WANT TO TALK TO HIM.

277
00:15:02,302 --> 00:15:04,636
YOU DO THIS,
AND I WILL OWE YOU.

278
00:15:04,671 --> 00:15:06,639
AND IN YOUR LINE OF WORK,
SOONER OR LATER

279
00:15:06,673 --> 00:15:08,307
YOU'RE GONNA NEED A FAVOR.

280
00:15:12,278 --> 00:15:13,679
SO RAY HAFFNER TOLD ME
THAT STILES USES

281
00:15:13,712 --> 00:15:16,149
A PRIVATE JET TO MOVE AROUND
THE COUNTRY UNDETECTED.

282
00:15:16,182 --> 00:15:19,286
BELONGS TO A GUY
NAMED RYAN PARKS.

283
00:15:19,318 --> 00:15:21,288
PARKS. GOT IT.
I'LL CHECK IT OUT.

284
00:15:21,321 --> 00:15:23,190
HAS JANE BEEN IN YET?

285
00:15:23,222 --> 00:15:25,292
NO, I HAVEN'T HEARD
FROM HIM.

286
00:15:35,634 --> 00:15:36,936
(knocks on door)

287
00:15:46,613 --> 00:15:49,415
(speaking inaudibly)
(engines whirring)

288
00:15:49,448 --> 00:15:51,084
MR. LAMOTTE?

289
00:15:51,118 --> 00:15:53,352
YEAH? CAN I HELP YOU?

290
00:15:53,385 --> 00:15:55,288
AGENTS CHO AND RIGSBY
FROM THE CBI.

291
00:15:55,322 --> 00:15:57,356
WE WERE WONDERING IF YOU COULD
ANSWER A FEW QUESTIONS FOR US.

292
00:15:57,389 --> 00:15:58,091
SURE.

293
00:15:58,125 --> 00:16:00,159
A G6 LANDED HERE
LATE LAST NIGHT,

294
00:16:00,192 --> 00:16:02,062
TAIL NUMBER N550MT.

295
00:16:02,095 --> 00:16:03,562
IT WOULD HAVE BEEN
AROUND 11:00.

296
00:16:03,596 --> 00:16:05,331
I REMEMBER.
WHAT ABOUT IT?

297
00:16:05,365 --> 00:16:06,566
DO YOU KNOW WHO WAS
ON THE FLIGHT?

298
00:16:06,599 --> 00:16:08,301
NO. PRIVATE AIRCRAFT
AREN'T REQUIRED

299
00:16:08,335 --> 00:16:10,070
TO PROVIDE PASSENGER MANIFESTS.

300
00:16:10,102 --> 00:16:12,438
DID YOU HAPPEN TO SEE ANYONE
WHO WAS GETTING OFF THE PLANE?

301
00:16:12,471 --> 00:16:14,173
NO. SORRY.

302
00:16:14,206 --> 00:16:16,208
OH, BUT WHOEVER IT WAS HAD
A CAR SERVICE PICK HIM UP.

303
00:16:16,243 --> 00:16:17,644
THEY MIGHT BE ABLE
TO HELP YOU.

304
00:16:17,677 --> 00:16:19,346
YOU DON'T HAPPEN TO HAVE
THE NAME OF THAT CAR SERVICE,

305
00:16:19,379 --> 00:16:21,514
BY ANY CHANCE?

306
00:16:23,482 --> 00:16:25,217
SO WHAT HAPPENED
WITH THE CAR SERVICE?

307
00:16:25,251 --> 00:16:27,086
WELL, THEY SAID THAT THEY
PICKED UP A SILVER-HAIRED MAN

308
00:16:27,120 --> 00:16:29,322
WITH A BRITISH ACCENT
FROM THE AIRPORT LAST NIGHT.

309
00:16:29,355 --> 00:16:30,657
STILES.
WE THINK SO.

310
00:16:30,690 --> 00:16:32,091
WELL, WHERE'D HE GO?

311
00:16:32,125 --> 00:16:33,360
THE ADDRESS WAS FOR
THE ECUADORIAN CONSULATE

312
00:16:33,393 --> 00:16:34,594
IN SAN FRANCISCO.

313
00:16:34,626 --> 00:16:37,797
GOOD JOB.
YOU TWO GO AND CHECK IT OUT.

314
00:16:37,830 --> 00:16:40,366
YOU KNOW WHAT? VAN PELT,
WHY DON'T YOU GO ALONE?

315
00:16:40,399 --> 00:16:43,001
STILES LIKES YOU. MAYBE WE CAN
USE THAT TO OUR ADVANTAGE.

316
00:16:45,238 --> 00:16:47,240
IS... THERE A PROBLEM?

317
00:16:47,274 --> 00:16:48,408
UH, NO.
NO.

318
00:16:51,411 --> 00:16:53,413
I'LL BE FINE.
I KNOW.

319
00:16:53,446 --> 00:16:55,148
IT'S MY JOB.
I KNOW.

320
00:16:55,182 --> 00:16:57,250
HEY.

321
00:16:57,283 --> 00:16:58,350
I LOVE YOU.

322
00:16:58,384 --> 00:17:00,753
I KNOW.

323
00:17:00,787 --> 00:17:02,422
(door creaks)

324
00:17:03,556 --> 00:17:06,292
(speaks indistinctly)

325
00:17:08,394 --> 00:17:09,395
(door closes)

326
00:17:09,429 --> 00:17:13,400
(cell phone ringing)

327
00:17:13,432 --> 00:17:14,800
(beep)

328
00:17:14,834 --> 00:17:16,135
HEY, LISBON.

329
00:17:16,169 --> 00:17:17,269
WHERE ARE YOU?

330
00:17:17,304 --> 00:17:18,371
OH, JUST RUNNING
SOME ERRANDS.

331
00:17:18,404 --> 00:17:19,672
Everything okay?

332
00:17:19,705 --> 00:17:21,708
YEAH, RIGHT AS RAIN.
WHAT'S UP?

333
00:17:21,740 --> 00:17:23,143
Haffner's in.

334
00:17:23,175 --> 00:17:25,144
GOOD. WHAT ABOUT STILES?

335
00:17:25,178 --> 00:17:26,778
VAN PELT MAY HAVE A BEAD
ON HIS LOCATION.

336
00:17:26,813 --> 00:17:28,381
SHE'S CHECKING IT OUT NOW.

337
00:17:28,414 --> 00:17:31,518
THAT LEAVES ONE MORE RED JOHN
SUSPECT LEFT TO TALK TO.

338
00:17:31,550 --> 00:17:33,786
YES. BERTRAM.
I'M ON MY WAY TO HIS OFFICE.

339
00:17:33,819 --> 00:17:35,654
YOU WANT TO MEET ME THERE?
All right.

340
00:17:35,688 --> 00:17:37,190
(line clicks,
snaps phone shut)

341
00:17:40,826 --> 00:17:42,828
GRACE VAN PELT.

342
00:17:42,862 --> 00:17:45,531
WELL... HOW LOVELY
TO SEE YOU AGAIN.

343
00:17:45,565 --> 00:17:46,398
(chuckles)

344
00:17:46,432 --> 00:17:48,434
(kisses twice) MMM. WOW.

345
00:17:48,468 --> 00:17:50,836
WELL... SO, PLEASE SIT.

346
00:17:50,869 --> 00:17:53,440
WHAT DO I OWE THIS PLEASURE?

347
00:17:53,472 --> 00:17:54,574
JANE.

348
00:17:54,606 --> 00:17:56,576
HE NEEDS A FAVOR.

349
00:17:56,608 --> 00:18:00,279
OH. CLEVER, HIM,
SENDING YOU.

350
00:18:00,313 --> 00:18:04,284
SO EXACTLY WHAT CAN I DO
FOR PATRICK JANE?

351
00:18:04,317 --> 00:18:06,419
(exhales) HE WOULD LIKE
TO MEET WITH YOU.

352
00:18:06,452 --> 00:18:08,221
TOMORROW NIGHT AT 8:00.

353
00:18:10,522 --> 00:18:12,592
YOU'VE CHANGED SINCE
WE LAST MET.

354
00:18:12,625 --> 00:18:13,859
YOU'RE MARRIED.

355
00:18:13,893 --> 00:18:15,627
YES.

356
00:18:15,662 --> 00:18:18,498
OH, DON'T TELL ME YOU MARRIED
THAT GENIAL OAF.

357
00:18:20,200 --> 00:18:22,868
OH. OH, WELL. (chuckles)
CONGRATULATIONS.

358
00:18:22,902 --> 00:18:25,305
YEAH.
THANK YOU.

359
00:18:25,337 --> 00:18:28,474
SO... WILL YOU MEET
WITH JANE?

360
00:18:28,508 --> 00:18:29,875
AH... YOU KNOW,

361
00:18:29,909 --> 00:18:32,878
NOTHING WOULD PLEASE ME MORE
THAN TO MEET WITH HIM.

362
00:18:32,912 --> 00:18:34,881
I MEAN, REALLY,
I WOULD LOVE TO. BUT...

363
00:18:34,913 --> 00:18:38,585
(inhales sharply) UNFORTUNATELY,
MY CIRCUMSTANCES--

364
00:18:38,617 --> 00:18:41,221
IT'S PROBABLY
NOT GONNA HAPPEN.

365
00:18:41,253 --> 00:18:43,455
YOU MEAN
BECAUSE OF THE F.B.I.?

366
00:18:43,490 --> 00:18:47,259
MM. YOU HAVE BEEN DOING
YOUR HOMEWORK. (chuckles)

367
00:18:47,294 --> 00:18:49,229
THEY DON'T KNOW I'M HERE.
AH.

368
00:18:49,261 --> 00:18:51,530
WHICH MEANS THEY DON'T KNOW
YOU'RE HERE.

369
00:18:51,564 --> 00:18:54,267
BUT THEY WILL IF YOU DON'T
AGREE TO MEET WITH JANE.

370
00:18:54,300 --> 00:18:57,403
YOU HAVE CHANGED,
HAVEN'T YOU?

371
00:19:00,640 --> 00:19:03,776
HAVE YOU EVER BEEN
TO ECUADOR, BY ANY CHANCE?

372
00:19:03,809 --> 00:19:05,811
NO.
OH.

373
00:19:05,845 --> 00:19:09,548
I WAS THERE--OH, GOD,
YEARS AND YEARS AGO

374
00:19:09,582 --> 00:19:12,519
DOING MISSIONARY WORK.
UH...

375
00:19:12,551 --> 00:19:13,819
LOVELY PEOPLE.

376
00:19:13,853 --> 00:19:15,654
OH, YEAH, BUT-BUT--

377
00:19:15,688 --> 00:19:18,525
THERE WAS A YOUNG MAN
THERE...

378
00:19:18,557 --> 00:19:23,262
HE WAS UNDERPRIVILEGED,
FEROCIOUSLY AMBITIOUS.

379
00:19:23,296 --> 00:19:25,432
I SAW SOMETHING IN HIM.

380
00:19:25,464 --> 00:19:28,567
SO I DECIDED
TO TRY AND HELP HIM.

381
00:19:28,601 --> 00:19:30,403
YOU KNOW, I-I PAID
FOR HIS SCHOOL FEES,

382
00:19:30,436 --> 00:19:31,471
THAT SORT OF THING.

383
00:19:31,503 --> 00:19:33,806
N-NOTHING REALLY MUCH,
BUT WOULDN'T YOU KNOW IT?

384
00:19:33,839 --> 00:19:36,576
ALL THESE YEARS LATER,
THAT SAME MAN

385
00:19:36,608 --> 00:19:38,545
IS NOW MINISTER OF STATE.

386
00:19:38,577 --> 00:19:41,548
I'M HAPPY FOR HIM.

387
00:19:41,580 --> 00:19:43,950
ANYWAY, HE INVITED ME
TO STAY IN THIS

388
00:19:43,982 --> 00:19:46,552
PALATIAL CONSULATE.

389
00:19:46,586 --> 00:19:49,588
THIS MORSEL OF FOREIGN SOIL.

390
00:19:49,622 --> 00:19:52,692
FOREIGN SOIL, WHICH,
AS YOU KNOW,

391
00:19:52,724 --> 00:19:56,262
IS OUTSIDE THE JURISDICTION
OF YOU, THE F.B.I.,

392
00:19:56,296 --> 00:19:58,830
AND ALL U.S. LAW ENFORCEMENT.

393
00:19:58,865 --> 00:20:01,300
SO, YOU SEE, GRACIE,
YOUR IDLE THREATS

394
00:20:01,334 --> 00:20:02,568
ARE JUST THAT.

395
00:20:02,602 --> 00:20:05,305
WELL, IT'S BEEN SO LOVELY
SEEING YOU AGAIN.

396
00:20:05,337 --> 00:20:07,406
(clears throat)
PLEASE GIVE MY BEST
TO MR. JANE.

397
00:20:07,440 --> 00:20:09,976
(chuckles) CLOSE THE DOOR
ON YOUR WAY OUT!

398
00:20:10,009 --> 00:20:13,313
(chuckles)

399
00:20:16,316 --> 00:20:17,817
IT'S GONNA BE FINE.

400
00:20:17,849 --> 00:20:19,719
THANKS.
I FEEL A LOT BETTER.

401
00:20:19,751 --> 00:20:20,819
(knocks on door)

402
00:20:20,853 --> 00:20:22,622
COME ON IN.

403
00:20:26,358 --> 00:20:28,461
WE'VE MADE
A BREAKTHROUGH, SIR.

404
00:20:28,494 --> 00:20:29,628
IN...

405
00:20:29,662 --> 00:20:31,330
THE RED JOHN CASE.

406
00:20:31,364 --> 00:20:33,833
WE'RE CLOSE
TO IDENTIFYING HIM.

407
00:20:33,865 --> 00:20:36,603
WELL, THEN THIS IS
FANTASTIC NEWS.

408
00:20:36,635 --> 00:20:38,438
(chuckles) AFTER ALL THESE
YEARS. Y-YOU--

409
00:20:38,471 --> 00:20:39,872
YOU REALLY THINK
YOU'VE GOT HIM?

410
00:20:39,905 --> 00:20:41,607
I DO.

411
00:20:42,741 --> 00:20:45,577
I'LL KNOW THE SECOND YOU
HAVE SOMETHING CONCRETE.

412
00:20:45,612 --> 00:20:46,778
YOU WILL, SIR.

413
00:20:46,813 --> 00:20:48,615
AND I WANT TO BE THERE
WHEN YOU END THIS.

414
00:20:48,647 --> 00:20:50,650
I WAS HOPING YOU'D SAY THAT.

415
00:21:11,371 --> 00:21:16,041
(whistling)

416
00:21:16,075 --> 00:21:19,511
(continues whistling)

417
00:21:19,546 --> 00:21:21,948
(dialing)

418
00:21:21,980 --> 00:21:24,083
(continues whistling)

419
00:21:24,115 --> 00:21:26,786
YEAH, IT'S ME.

420
00:21:26,818 --> 00:21:31,723
I JUST HAD A VERY INTERESTING
CONVERSATION WITH PATRICK JANE.

421
00:21:32,825 --> 00:21:34,426
HOW'D IT GO WITH BERTRAM?

422
00:21:34,461 --> 00:21:36,061
HE'S IN.
WHAT ABOUT STILES?

423
00:21:36,095 --> 00:21:37,797
NOT SO GOOD.
DID YOU FIND HIM?

424
00:21:37,829 --> 00:21:39,499
YES. (exhales)

425
00:21:39,531 --> 00:21:41,901
THEN WHAT'S THE PROBLEM?
MM.

426
00:21:41,933 --> 00:21:43,802
HE'S AT
THE ECUADORIAN CONSULATE.

427
00:21:43,836 --> 00:21:46,573
AS LONG AS HE'S THERE,
WE CAN'T TOUCH HIM.

428
00:21:47,740 --> 00:21:49,675
WHAT DO YOU WANT TO DO?

429
00:21:49,709 --> 00:21:51,544
I'LL HANDLE STILES.

430
00:21:51,577 --> 00:21:53,813
HE'S NOT GONNA COME WITH YOU.
HE DOESN'T HAVE TO.

431
00:21:53,846 --> 00:21:55,682
I'LL BE PERSUASIVE.

432
00:21:57,683 --> 00:21:59,451
WHAT IS THAT?

433
00:22:02,588 --> 00:22:04,757
(exhales)

434
00:22:09,127 --> 00:22:10,797
(closes tube)

435
00:22:10,829 --> 00:22:12,832
YOU SURE IT'S BIG ENOUGH?

436
00:22:17,703 --> 00:22:19,939
WE NEED TO TALK
ABOUT TOMORROW NIGHT.

437
00:22:19,971 --> 00:22:21,007
I'VE ALREADY TOLD YOU.

438
00:22:21,039 --> 00:22:22,875
JUST HEAR ME OUT, PLEASE.

439
00:22:24,743 --> 00:22:25,845
YOU DON'T WANT ME
TO BE THERE.

440
00:22:25,877 --> 00:22:28,448
NO, I DON'T.

441
00:22:28,480 --> 00:22:30,450
YOU DON'T WANT TO BE THERE
BECAUSE YOU THINK

442
00:22:30,482 --> 00:22:33,586
I'M GONNA TRY AND STOP YOU
FROM KILLING RED JOHN.

443
00:22:33,619 --> 00:22:35,086
ARE YOU SAYING
THAT YOU WON'T?

444
00:22:35,121 --> 00:22:37,957
WHAT I'M SAYING IS
SOME MEN--

445
00:22:37,990 --> 00:22:39,692
MEN LIKE RED JOHN--

446
00:22:39,726 --> 00:22:43,695
THEY DON'T DESERVE A TRIAL.
THEY DON'T DESERVE A JURY.

447
00:22:43,730 --> 00:22:46,732
THEY DESERVE WHAT THEY HAVE
COMING TO THEM.

448
00:22:46,766 --> 00:22:48,468
WAIT, L-LET ME GET THIS
STRAIGHT.

449
00:22:48,500 --> 00:22:51,136
AFTER CLOSE TO 20 YEARS
WORKING IN LAW ENFORCEMENT,

450
00:22:51,170 --> 00:22:53,705
YOU'RE JUST--
YOU'RE CHANGING YOUR MIND?

451
00:22:53,740 --> 00:22:55,642
ABOUT RED JOHN? YES.

452
00:22:56,776 --> 00:22:59,746
I'M SURPRISED, LISBON.

453
00:22:59,778 --> 00:23:02,714
WHAT, YOU DON'T BELIEVE ME?

454
00:23:02,749 --> 00:23:04,016
HEAVENS, NO.

455
00:23:04,049 --> 00:23:05,852
YOU'RE THE MOST HONEST
PERSON I KNOW.

456
00:23:05,884 --> 00:23:08,855
YOU WOULD NEVER LIE,
NOT ABOUT SOMETHING LIKE THIS.

457
00:23:08,887 --> 00:23:11,490
RIGHT?

458
00:23:11,523 --> 00:23:12,858
RIGHT.

459
00:23:12,892 --> 00:23:15,161
TOMORROW NIGHT THEN.

460
00:23:15,193 --> 00:23:16,929
TOMORROW NIGHT.

461
00:23:22,934 --> 00:23:28,607
(door closes)

462
00:23:41,119 --> 00:23:43,055
PATRICK, DEAR BOY.

463
00:23:43,088 --> 00:23:44,824
WELL, HOW ARE YOU?

464
00:23:44,856 --> 00:23:47,759
WELL, I'M NOT YOUR BOY.

465
00:23:47,794 --> 00:23:51,931
OH, I SEE. SO THIS IS
NOT A SOCIAL MEETING, EH?

466
00:23:51,963 --> 00:23:55,067
YOU'RE GONNA MEET ME
TONIGHT AT 8:00.

467
00:23:56,234 --> 00:23:58,505
PATRICK--
NO, YOU LISTEN TO ME.

468
00:23:58,538 --> 00:24:00,940
YOU'RE GONNA MEET ME
TONIGHT AT 8:00,

469
00:24:00,972 --> 00:24:02,909
OR I'M GONNA COME BACK HERE,
AND WHEN I DO,

470
00:24:02,942 --> 00:24:06,077
YOU WILL NEED MORE THAN THESE
WALLS TO KEEP YOU SAFE.

471
00:24:06,112 --> 00:24:07,946
THREATS?

472
00:24:07,980 --> 00:24:10,517
OH. THAT'S SO
OUT OF CHARACTER.

473
00:24:10,549 --> 00:24:12,183
I MEAN EVERY WORD OF IT.

474
00:24:12,218 --> 00:24:14,119
YES.

475
00:24:14,153 --> 00:24:17,957
I BELIEVE YOU DO.

476
00:24:17,990 --> 00:24:20,792
BUT YOU SEE, PATRICK,

477
00:24:20,826 --> 00:24:23,863
A DYING MAN
DOES NOT FEAR DEATH.

478
00:24:23,895 --> 00:24:24,797
OH, PLEASE.

479
00:24:24,830 --> 00:24:26,865
THIS CHARADE MIGHT WORK
ON YOUR DISCIPLES.

480
00:24:26,898 --> 00:24:28,500
IT DOESN'T WORK ON ME.

481
00:24:29,736 --> 00:24:33,005
YOU THINK TOO HIGHLY
OF ME.

482
00:24:33,038 --> 00:24:35,207
UNFORTUNATELY,

483
00:24:35,240 --> 00:24:37,876
IT'S NOT A CHARADE.

484
00:24:40,145 --> 00:24:41,913
HOW LONG HAVE YOU GOT?

485
00:24:44,016 --> 00:24:45,951
IT'S SPREAD TO THE BLOOD.

486
00:24:45,984 --> 00:24:47,854
THERE'S NOTHING THEY CAN DO.
I DON'T KNOW...

487
00:24:47,886 --> 00:24:49,989
TWO WEEKS, A MONTH.

488
00:24:51,790 --> 00:24:52,892
YOU SEE...

489
00:24:55,027 --> 00:24:57,128
IT'S NOT PERSONAL.

490
00:24:57,163 --> 00:24:59,265
IT'S JUST THAT...

491
00:24:59,298 --> 00:25:02,268
MY TIME NOW
IS VERY PRECIOUS.

492
00:25:02,300 --> 00:25:05,037
I'M STILL GONNA NEED YOU
TONIGHT.

493
00:25:06,137 --> 00:25:08,140
FOR GOD SAKE, WHY?

494
00:25:08,173 --> 00:25:10,276
WHAT'S SO DAMNED IMPORTANT?

495
00:25:10,308 --> 00:25:12,044
RED JOHN.

496
00:25:12,077 --> 00:25:13,144
I'M CLOSE.

497
00:25:13,179 --> 00:25:14,246
(exhales)

498
00:25:14,279 --> 00:25:16,048
CLOSER THAN I'VE EVER BEEN.

499
00:25:19,050 --> 00:25:21,753
(chuckles softly)

500
00:25:21,788 --> 00:25:23,623
RED JOHN...

501
00:25:25,924 --> 00:25:26,759
LOOK...

502
00:25:26,792 --> 00:25:29,028
NOTHING WOULD GIVE ME
MORE PLEASURE

503
00:25:29,060 --> 00:25:31,196
THAN TO BE WITH YOU
THERE TONIGHT.

504
00:25:31,230 --> 00:25:32,798
BUT?

505
00:25:32,832 --> 00:25:34,901
THERE'S MORE TO THIS
THAN YOU KNOW.

506
00:25:34,933 --> 00:25:37,604
THERE'S--THERE'S MORE
KEEPING ME HERE.

507
00:25:37,636 --> 00:25:38,938
THE F.B.I.?

508
00:25:38,971 --> 00:25:40,306
YEAH, AS A MATTER OF FACT.

509
00:25:40,338 --> 00:25:42,273
YOU KNOW,
THEY TRACKED ME HERE.

510
00:25:42,307 --> 00:25:43,942
THEY'RE JUST WAITING
FOR ME TO LEAVE

511
00:25:43,976 --> 00:25:44,810
SO THEY CAN ARREST ME.

512
00:25:44,844 --> 00:25:47,012
LOOK, I'M NOT CHOOSING
TO STAY HERE,

513
00:25:47,046 --> 00:25:49,181
BUT I'M TRAPPED.

514
00:25:49,214 --> 00:25:52,684
SO THE F.B.I.'s THE ONLY THING
THAT'S KEEPING YOU HERE?

515
00:25:56,221 --> 00:25:58,190
(radio static chirps)
(man on radio)
We've got movement.

516
00:25:58,223 --> 00:26:00,326
(man) That's a Visualize car.
They're sneaking someone out.

517
00:26:00,358 --> 00:26:02,094
Get ready to move.
(static chirps)

518
00:26:02,127 --> 00:26:04,730
(tires screech)

519
00:26:06,164 --> 00:26:08,734
(tires screech)

520
00:26:08,768 --> 00:26:10,737
(engine revving)

521
00:26:17,876 --> 00:26:20,046
(tires screech)

522
00:26:21,247 --> 00:26:24,916
(radio chatter)

523
00:26:26,919 --> 00:26:28,621
DON'T MOVE!

524
00:26:28,654 --> 00:26:30,288
KEEP YOUR HANDS
WHERE WE CAN SEE 'EM.

525
00:26:30,321 --> 00:26:32,090
HELLO, GENTLEMEN.

526
00:26:32,124 --> 00:26:34,861
SOMETHING
I CAN HELP YOU WITH?

527
00:27:06,692 --> 00:27:08,227
STILES IS IN.

528
00:27:09,327 --> 00:27:10,797
WE'D BETTER GET GOING.

529
00:27:10,829 --> 00:27:12,964
WE'VE GOT A LONG DRIVE
AHEAD OF US.

530
00:27:15,366 --> 00:27:17,737
(cell phone rings)

531
00:27:17,769 --> 00:27:19,404
(speaks inaudibly)

532
00:27:19,438 --> 00:27:21,440
(rings, beeps)

533
00:27:21,472 --> 00:27:23,308
(closes door)

534
00:27:25,778 --> 00:27:28,346
(pressing buttons)

535
00:27:35,221 --> 00:27:39,357
(cell phone rings)

536
00:27:39,391 --> 00:27:40,659
(beeps)

537
00:27:45,330 --> 00:27:47,799
(cell phone vibrates)

538
00:27:52,471 --> 00:27:55,708
WELL, THEN SAC P.D.'s JUST GONNA
HAVE TO WAIT.

539
00:27:55,741 --> 00:27:57,710
LOOK, I-I DON'T WANNA
PULL RANK...
(cell phone rings)

540
00:27:57,743 --> 00:27:58,778
BUT I WILL.

541
00:27:58,810 --> 00:28:00,211
(rings)

542
00:28:02,147 --> 00:28:03,950
KEVIN, I GOTTA CALL YOU BACK.

543
00:28:03,982 --> 00:28:05,317
(pressing buttons)

544
00:28:05,351 --> 00:28:07,053
(cell phone rings)

545
00:28:07,086 --> 00:28:08,988
(sighs)
(beeps)

546
00:28:13,259 --> 00:28:15,961
I'LL BE NEEDING A CAR.

547
00:28:49,461 --> 00:28:52,230
WHAT ARE WE DOING?

548
00:28:52,263 --> 00:28:54,266
I WANT TO SEE THE SUNSET.

549
00:28:57,002 --> 00:28:59,038
(turns off engine)

550
00:29:02,407 --> 00:29:03,741
(closes door)

551
00:29:04,876 --> 00:29:07,913
(waves lapping)

552
00:29:21,027 --> 00:29:24,029
(seagulls calling)

553
00:29:27,032 --> 00:29:30,301
THERE'S SOMETHING I WANT
TO TELL YOU, LISBON.

554
00:29:32,171 --> 00:29:34,440
SOMETHING I SHOULD HAVE SAID
A LONG TIME AGO.

555
00:29:36,375 --> 00:29:38,443
I WANT TO THANK YOU
FOR EVERYTHING THAT YOU'VE DONE.

556
00:29:38,477 --> 00:29:40,011
YOU CAN THANK ME LATER.

557
00:29:40,046 --> 00:29:42,048
NO, I...

558
00:29:42,080 --> 00:29:44,383
I NEED TO SAY THIS NOW.

559
00:29:49,255 --> 00:29:51,057
YOU HAVE...

560
00:29:51,089 --> 00:29:53,092
NO IDEA
WHAT YOU'VE MEANT TO ME.

561
00:29:55,994 --> 00:29:57,462
WHAT YOU MEAN TO ME.

562
00:30:00,332 --> 00:30:02,367
THANK YOU.

563
00:30:15,080 --> 00:30:16,347
(exhales nervously)

564
00:30:19,384 --> 00:30:22,587
I ALMOST FORGOT.
I HAVE A SURPRISE FOR YOU.

565
00:30:22,621 --> 00:30:24,355
WAIT HERE.
(chuckles nervously)

566
00:30:36,434 --> 00:30:38,336
(engine starts)
JANE?

567
00:30:38,369 --> 00:30:40,006
JANE!

568
00:30:43,142 --> 00:30:47,145
(panting nervously)

569
00:30:54,252 --> 00:30:58,124
(engine roaring)

570
00:31:27,719 --> 00:31:30,388
(engine stops,
crickets chirping)

571
00:31:30,422 --> 00:31:32,959
(exhales heavily)

572
00:31:38,430 --> 00:31:40,066
(closes door)

573
00:31:52,243 --> 00:31:53,578
(keys jangle)

574
00:31:53,612 --> 00:31:56,015
(door opens)

575
00:31:56,048 --> 00:31:57,516
(clank)

576
00:32:06,724 --> 00:32:09,428
(vehicle approaching)

577
00:32:09,461 --> 00:32:11,497
HELLO! HEY!

578
00:32:51,636 --> 00:32:53,105
(breathes unevenly)

579
00:33:00,145 --> 00:33:02,248
(inhales deeply)

580
00:33:02,280 --> 00:33:04,982
(exhales)

581
00:33:07,519 --> 00:33:10,521
(inhales deeply)

582
00:33:10,556 --> 00:33:12,657
(exhales)

583
00:33:21,067 --> 00:33:23,669
(footsteps retreat)

584
00:33:32,544 --> 00:33:34,046
(lock clicks)

585
00:33:47,593 --> 00:33:49,060
(lock clicks)

586
00:34:19,190 --> 00:34:20,226
(clicks switch)

587
00:34:24,663 --> 00:34:26,132
(pops)

588
00:34:32,204 --> 00:34:33,771
(vehicle approaching)

589
00:34:37,208 --> 00:34:38,344
HEY! STOP!

590
00:34:39,411 --> 00:34:40,579
PLEASE.

591
00:34:40,612 --> 00:34:43,215
(window whirs)

592
00:34:43,248 --> 00:34:45,184
MY NAME IS TERESA LISBON.
I AM AN AGENT

593
00:34:45,217 --> 00:34:47,119
WITH THE CALIFORNIA BUREAU
OF INVESTIGATION,

594
00:34:47,152 --> 00:34:48,619
AND I NEED TO BORROW
YOUR CAR.

595
00:34:48,653 --> 00:34:50,588
IT'S AN EMERGENCY.
WHAT?! NO WAY.

596
00:34:50,621 --> 00:34:52,257
GET OUT. NOW.
COME ON.

597
00:34:52,291 --> 00:34:53,724
COME ON.

598
00:34:53,759 --> 00:34:56,195
THIS IS INSANE.
I'M CALLING THE POLICE.

599
00:34:56,228 --> 00:34:58,764
GOOD IDEA. THANKS.
WH--HEY!

600
00:35:05,570 --> 00:35:07,873
(cell phone rings)

601
00:35:07,905 --> 00:35:09,141
(ring)
(exhales)

602
00:35:09,175 --> 00:35:11,643
(ringing continues)

603
00:35:11,677 --> 00:35:12,610
(beeps)

604
00:35:12,643 --> 00:35:15,280
(Lisbon) Jane.
HELLO, LISBON.

605
00:35:15,313 --> 00:35:17,748
JANE, DON'T DO THIS,
NOT WITHOUT ME.

606
00:35:17,782 --> 00:35:19,351
LISTEN, I'M SORRY.

607
00:35:19,385 --> 00:35:21,487
JANE, I AM BEGGING YOU.
YOU'RE IN DANGER!

608
00:35:21,519 --> 00:35:22,688
I-It's gonna be okay.

609
00:35:22,721 --> 00:35:24,623
I-I'M GONNA BE OKAY.

610
00:35:24,655 --> 00:35:26,257
NO, YOU'RE NOT.
YOU DO THIS,

611
00:35:26,291 --> 00:35:27,925
AND YOU'RE THROWING
YOUR LIFE AWAY.

612
00:35:27,958 --> 00:35:29,427
BYE, LISBON.

613
00:35:29,460 --> 00:35:30,628
Jane...

614
00:35:30,661 --> 00:35:32,264
NO.
(line clicks)

615
00:35:34,465 --> 00:35:35,800
(beeps)

616
00:35:39,938 --> 00:35:41,172
(clicks switch)

617
00:35:41,206 --> 00:35:43,541
(cranking)

618
00:35:49,715 --> 00:35:51,282
(clicks latches)

619
00:36:03,695 --> 00:36:04,695
(clicks switch)

620
00:36:28,753 --> 00:36:31,722
(inhales and exhales deeply)

621
00:36:31,757 --> 00:36:36,695
(vehicle arriving)

622
00:36:36,728 --> 00:36:39,731
(vehicle door opens and closes)

623
00:36:39,764 --> 00:36:43,835
(footsteps approaching,
man whistling)

624
00:36:43,869 --> 00:36:46,771
(footsteps and whistling
continue)

625
00:36:46,804 --> 00:36:47,972
(exhales)

626
00:36:48,005 --> 00:36:49,608
(whistling stops)

627
00:36:52,777 --> 00:36:55,646
(door creaks)

628
00:36:55,681 --> 00:36:59,016
OH. HELLO, PATRICK.

629
00:36:59,050 --> 00:37:00,719
AM I EARLY?

630
00:37:00,751 --> 00:37:04,356
NO, NO. RIGHT ON TIME.
HAVE A SEAT.

631
00:37:04,389 --> 00:37:06,492
(vehicles arriving)

632
00:37:13,998 --> 00:37:16,268
(engine roaring)

633
00:37:16,302 --> 00:37:17,969
(beeps)

634
00:37:18,003 --> 00:37:20,005
(woman) 9-1-1.
What's your emergency?

635
00:37:20,038 --> 00:37:21,507
THIS IS AGENT TERESA LISBON

636
00:37:21,539 --> 00:37:23,309
WITH THE CALIFORNIA
BUREAU OF INVESTIGATION.

637
00:37:23,342 --> 00:37:26,777
I NEED OFFICERS
AT 1309 CEDAR STREET IN MALIBU.

638
00:37:26,811 --> 00:37:30,014
I HAVE AN AGENT WHO NEEDS
IMMEDIATE ASSISTANCE.

639
00:37:31,916 --> 00:37:34,753
I BROUGHT YOU FIVE
TOGETHER FOR A REASON.

640
00:37:34,786 --> 00:37:36,954
SOME OF YOU MAY KNOW
THAT REASON.

641
00:37:38,056 --> 00:37:39,958
SOME OF YOU MAY HAVE GUESSED.

642
00:37:39,990 --> 00:37:43,295
BUT ONE OF YOU HERE...

643
00:37:44,762 --> 00:37:47,032
IS RED JOHN.

644
00:37:47,065 --> 00:37:48,867
(Smith chuckling)

645
00:37:48,900 --> 00:37:51,036
WHAT?! ONE OF US?

646
00:37:51,068 --> 00:37:51,969
(continues chuckling)

647
00:37:52,003 --> 00:37:54,472
(chuckling)
ONE OF US HERE IS RED JOHN?

648
00:37:54,505 --> 00:37:57,643
WELL, THAT'S VERY INTERESTING.
(chuckles)

649
00:37:57,675 --> 00:37:59,945
WHO IS IT?
I DON'T KNOW.

650
00:37:59,978 --> 00:38:02,012
AND THAT'S WHAT WE'RE
GONNA FIND OUT.

651
00:38:02,047 --> 00:38:03,815
WAIT, YOU'RE TRYING TO SAY
THAT ONE OF US IN THIS ROOM...
(sighs)

652
00:38:03,849 --> 00:38:04,983
IS A SERIAL KILLER?

653
00:38:05,016 --> 00:38:06,918
I KNOW IT.
NO, THIS IS CRAZY.

654
00:38:06,952 --> 00:38:08,186
I CAN ASSURE YOU IT'S NOT.

655
00:38:08,219 --> 00:38:10,989
WELL, I CAN ASSURE YOU I'M NOT
STICKING AROUND FOR THIS CRAP.

656
00:38:11,021 --> 00:38:13,559
(pumps shotgun)

657
00:38:16,661 --> 00:38:18,063
SIT DOWN.

658
00:38:18,096 --> 00:38:21,032
DO NOT MOVE
TOWARD THE DOOR.

659
00:38:21,065 --> 00:38:23,068
NO ONE IS LEAVING.

660
00:38:23,101 --> 00:38:25,771
TAKE IT EASY, PATRICK.

661
00:38:25,804 --> 00:38:27,806
DO I LOOK DISTRESSED?

662
00:38:31,476 --> 00:38:33,644
DON'T.

663
00:38:33,679 --> 00:38:35,313
I WILL SHOOT YOU.

664
00:38:36,882 --> 00:38:39,951
THAT GOES FOR THE REST
OF YOU AS WELL.

665
00:38:39,985 --> 00:38:44,054
TAKE OUT YOUR WEAPONS SLOWLY,
PLACE THEM ON THE FLOOR,

666
00:38:44,088 --> 00:38:46,023
AND PUSH THEM TOWARD ME.

667
00:38:46,056 --> 00:38:48,092
(unfastening holster)

668
00:38:51,730 --> 00:38:53,398
(gun rests on ground)

669
00:38:55,501 --> 00:38:56,867
THANK YOU.

670
00:38:58,003 --> 00:38:59,070
THANK YOU.

671
00:38:59,103 --> 00:39:01,072
(kicking guns away softly)

672
00:39:01,106 --> 00:39:03,742
(gun clatters)
OKAY, PATRICK.

673
00:39:03,775 --> 00:39:06,878
THIS IS...
THIS IS ENOUGH.

674
00:39:06,911 --> 00:39:08,980
IT'S GONE FAR ENOUGH.

675
00:39:09,014 --> 00:39:10,949
NO, WE'RE JUST GETTING STARTED.

676
00:39:10,981 --> 00:39:13,385
I'VE WAITED TEN YEARS
FOR THIS MOMENT.

677
00:39:14,152 --> 00:39:17,021
ALL THOSE YEARS,
RED JOHN HAS BEEN SMART.

678
00:39:17,054 --> 00:39:20,391
ONE OF YOU HAS BEEN SMART.

679
00:39:20,425 --> 00:39:22,059
CAREFUL.
BUT NOT THIS TIME.

680
00:39:22,092 --> 00:39:23,929
THIS TIME,
YOU MADE A MISTAKE.

681
00:39:25,530 --> 00:39:28,733
KIRA TINSLEY TOLD ME SOMETHING
BEFORE SHE PASSED.

682
00:39:30,068 --> 00:39:33,170
SHE TOLD ME THAT HER KILLER--
RED JOHN--

683
00:39:33,204 --> 00:39:34,739
HAS A TATTOO.

684
00:39:36,173 --> 00:39:38,710
THREE DOTS ON HIS LEFT ARM.

685
00:39:41,112 --> 00:39:43,681
AND YOU ALL...

686
00:39:43,715 --> 00:39:46,117
ARE GONNA SHOW ME...

687
00:39:47,719 --> 00:39:49,420
NOW.

688
00:39:53,190 --> 00:39:55,159
LET'S GO. COME ON.

689
00:39:56,461 --> 00:39:58,163
THAT'S IT. TAKE IT OFF.

690
00:40:01,231 --> 00:40:02,867
NONSENSE.

691
00:40:11,208 --> 00:40:12,409
VERY GOOD.

692
00:40:31,096 --> 00:40:33,465
IT'S NOT WHAT YOU THINK.

693
00:40:33,498 --> 00:40:35,099
YOU GOT IT WRONG.

694
00:40:35,132 --> 00:40:37,202
I'M NOT RED JOHN.

695
00:40:38,135 --> 00:40:40,170
PATRICK, WAIT. PATRICK!

696
00:40:40,204 --> 00:40:41,539
LOOK... HERE.

697
00:40:41,572 --> 00:40:42,873
LOOK.

698
00:41:01,092 --> 00:41:02,193
ON YOUR FEET.

699
00:41:02,226 --> 00:41:04,028
OVER WITH THOSE TWO.

700
00:41:05,096 --> 00:41:06,764
OH... GOD.

701
00:41:08,298 --> 00:41:10,235
(inhales sharply)
YOU STAY THERE.

702
00:41:11,235 --> 00:41:13,804
OKAY, YOU THREE...

703
00:41:13,838 --> 00:41:15,940
OVER AGAINST THAT WALL--
NOW.

704
00:41:23,248 --> 00:41:25,250
(loud gunshot)

705
00:41:29,219 --> 00:41:32,858
(engine roaring)

706
00:41:38,195 --> 00:41:41,132
(tires screech, horn honks)

707
00:42:00,085 --> 00:42:01,552
JANE!

708
00:42:20,639 --> 00:42:23,340
(explosion)
AAH!

709
00:42:23,373 --> 00:42:25,577
AAH!

710
00:42:27,378 --> 00:42:30,248
(flames crackling)