1
00:00:02,202 --> 00:00:05,673
(school bell rings)

2
00:00:12,580 --> 00:00:15,583
HIGH SCHOOL, HUH? MUST BRING
BACK SOME MEMORIES FOR YOU.

3
00:00:15,583 --> 00:00:17,217
FRIDAY NIGHTS,
YOUR FRIENDS FROM BAND,

4
00:00:17,217 --> 00:00:18,618
STRAPPING ON
THOSE FUNNY HATS.

5
00:00:18,618 --> 00:00:20,620
YOU KNOW WHAT?
I AM NOT GONNA TAKE THE BAIT.

6
00:00:20,620 --> 00:00:23,356
AND THEN AFTER PRACTICE,
A LITTLE SPIN THE BOTTLE...
(chuckles)

7
00:00:23,356 --> 00:00:25,693
IN SOME WOOD-PANELED
REC ROOM.

8
00:00:25,693 --> 00:00:27,795
WHATEVER YOU SAY.

9
00:00:27,795 --> 00:00:30,364
(police radio chatter)

10
00:00:30,364 --> 00:00:32,365
RIGSBY,
WHAT HAVE WE GOT?

11
00:00:32,365 --> 00:00:35,368
JACK McTIERNEY. 28.
ENGLISH TEACHER.

12
00:00:35,368 --> 00:00:36,637
M.E. PUTS THE TIME OF DEATH

13
00:00:36,637 --> 00:00:38,639
BETWEEN 6:00 AND 9:00
LAST NIGHT.

14
00:00:38,639 --> 00:00:40,707
APPARENTLY HE LIKES TO
STAY LATE AND GO JOGGING

15
00:00:40,707 --> 00:00:42,109
AROUND THE CAMPUS.

16
00:00:42,109 --> 00:00:43,844
CHO'S SEARCHING
HIS LOCKER NOW.

17
00:00:43,844 --> 00:00:45,378
(sighs)
(Patrick groans)

18
00:00:45,378 --> 00:00:47,014
LOOKS LIKE IT'S A BLUNT-FORCE
TRAUMA TO THE HEAD.

19
00:00:47,014 --> 00:00:49,783
WE HAVE A MURDER WEAPON?
NO, BUT THE M.E. THINKS
IT WAS METAL.

20
00:00:49,783 --> 00:00:52,420
WHEN WE GOT HERE, THERE WERE
BATS IN THE EQUIPMENT BINS.

21
00:00:52,420 --> 00:00:53,853
WE'RE TESTING THEM
FOR BLOOD NOW.

22
00:00:53,853 --> 00:00:55,122
DID WE CONTACT THE FAMILY?

23
00:00:55,122 --> 00:00:56,323
YEAH, BUT THEY'RE ALL
BACK EAST.

24
00:00:56,323 --> 00:00:57,524
HE'S SINGLE,
LIVES ALONE.

25
00:00:57,524 --> 00:00:59,259
ALL RIGHT,
START SETTING UP INTERVIEWS--

26
00:00:59,259 --> 00:01:01,094
ANYBODY WHO WAS HERE BETWEEN
6:00 AND 9:00 LAST NIGHT.

27
00:01:01,094 --> 00:01:02,396
YOU GOT IT.

28
00:01:02,396 --> 00:01:04,731
LOOK AT THAT BRUISING
AROUND THE EYE.

29
00:01:04,731 --> 00:01:06,134
MM. IT'S FADED.

30
00:01:06,134 --> 00:01:07,635
LOOKS LIKE IT'S ABOUT
A WEEK OLD.

31
00:01:07,635 --> 00:01:09,370
BE GOOD TO KNOW
HOW THAT HAPPENED.

32
00:01:09,370 --> 00:01:12,573
WELL, LET'S ASK
THE PRINCIPAL.

33
00:01:12,573 --> 00:01:13,906
THAT GUY?

34
00:01:13,906 --> 00:01:17,578
CHEAP POWER SUIT, PHONE HOLSTER,
BLUETOOTH, LARGE WATCH.

35
00:01:17,578 --> 00:01:19,313
HAS "PETTY TYRANT"
WRITTEN ALL OVER HIM.

36
00:01:19,313 --> 00:01:20,813
EXCUSE ME! SIR?

37
00:01:20,813 --> 00:01:23,251
HI. I'M AGENT LISBON.
THIS IS PATRICK JANE.

38
00:01:23,251 --> 00:01:24,751
WE'RE WITH THE CBI.

39
00:01:24,751 --> 00:01:26,653
PRINCIPAL CARL SNYDER.

40
00:01:26,653 --> 00:01:29,156
THANK YOU SO MUCH
FOR COMING SO QUICKLY.

41
00:01:29,156 --> 00:01:31,825
UH, DID MR. McTIERNEY
HAVE ANY PROBLEMS?

42
00:01:31,825 --> 00:01:34,027
TROUBLE WITH A STUDENT?
NO, I DON'T THINK SO.

43
00:01:34,027 --> 00:01:35,295
HE WAS A GREAT TEACHER.

44
00:01:35,295 --> 00:01:37,664
HE STARTED WORKING HERE
RIGHT AFTER COLLEGE.

45
00:01:37,664 --> 00:01:39,667
UH, BRIGHT KID.
COULD HAVE MADE MONEY

46
00:01:39,667 --> 00:01:41,402
DOING SO MANY THINGS,
BUT HE LOVED TEACHING.

47
00:01:41,402 --> 00:01:43,570
WE WERE LUCKY TO HAVE HIM.
(Lisbon) MM.

48
00:01:43,570 --> 00:01:46,073
NOW I HAVE
A GRIEF COUNSELING SESSION

49
00:01:46,073 --> 00:01:48,542
STARTING MOMENTARILY,
SO THANK--
EXCELLENT. WE'LL COME.

50
00:01:48,542 --> 00:01:51,412
UH, HOW DID HE GET
THE BLACK EYE?

51
00:01:51,412 --> 00:01:53,680
HE SAID THAT HE...
WAS PLAYING BASKETBALL

52
00:01:53,680 --> 00:01:55,316
WITH SOME STUDENTS
AFTER SCHOOL.

53
00:01:55,316 --> 00:01:56,683
BUT YOU DIDN'T BELIEVE HIM?

54
00:01:56,683 --> 00:01:58,686
WELL, WHY WOULD HE LIE?
OF COURSE I BELIEVED HIM.

55
00:01:58,686 --> 00:01:59,552
NO, YOU DIDN'T.

56
00:01:59,552 --> 00:02:01,454
WELL, WHY WOULD I LIE?

57
00:02:01,454 --> 00:02:03,356
PROBABLY JUST
BUREAUCRATIC INSTINCT.

58
00:02:03,356 --> 00:02:05,293
NOW IF YOU SUSPECTED
THAT THE BLACK EYE STORY

59
00:02:05,293 --> 00:02:07,927
WAS FALSE, DID YOU HAVE
ANY NOTION OF THE TRUE STORY?

60
00:02:07,927 --> 00:02:09,763
NO.
HMM?

61
00:02:09,763 --> 00:02:12,332
LIKE I SAID, HE WAS VERY
POPULAR AMONG EVERYONE--

62
00:02:12,332 --> 00:02:13,766
STUDENTS AND FACULTY ALIKE.

63
00:02:13,766 --> 00:02:15,735
NOT EVERYONE. I WENT
THROUGH McTIERNEY'S LOCKER.

64
00:02:15,735 --> 00:02:19,372
NOTHING UNUSUAL. BUT I FOUND
THIS IN HIS BRIEFCASE.

65
00:02:19,372 --> 00:02:23,411
(police radio chatter)

66
00:02:24,245 --> 00:02:27,215
OH. THIS IS
VERY INTERESTING.

67
00:02:28,515 --> 00:02:30,950
I HAD THE HONOR OF WORKING
WITH JACK McTIERNEY

68
00:02:30,950 --> 00:02:32,485
FOR THE PAST FIVE YEARS.

69
00:02:32,485 --> 00:02:35,355
HE WAS A GOOD TEACHER,

70
00:02:35,355 --> 00:02:37,858
AND HE WILL BE MISSED.

71
00:02:37,858 --> 00:02:40,060
THANK YOU, MR. LOVELAND.

72
00:02:40,060 --> 00:02:45,064
NOW IS THERE ANYONE ELSE WHO
WOULD LIKE TO SAY SOMETHING...
(murmuring)

73
00:02:45,064 --> 00:02:46,734
ABOUT MR. McTIERNEY?

74
00:02:51,405 --> 00:02:54,408
WE--WELL, I'D--
I'D LIKE TO SAY SOMETHING.

75
00:02:54,408 --> 00:02:56,743
(murmuring)
(lowered voice) MR. JANE,

76
00:02:56,743 --> 00:02:58,912
THIS IS A VERY SENSITIVE
MOMENT.

77
00:02:58,912 --> 00:03:00,413
YEAH, THEY'RE JUST TEENAGERS.
THEY'LL GET OVER IT.

78
00:03:00,413 --> 00:03:01,914
(Patrick clears throat)

79
00:03:01,914 --> 00:03:05,117
GOOD MORNING, EVERYONE.
I'M PATRICK JANE.

80
00:03:05,117 --> 00:03:06,787
I'M WITH THE CBI.

81
00:03:06,787 --> 00:03:09,356
I'M SORRY FOR EVERYONE'S LOSS.
UH...

82
00:03:09,356 --> 00:03:11,391
I KNOW YOU WERE CLOSE
TO MR. McTIERNEY,

83
00:03:11,391 --> 00:03:13,627
AND I WAS HOPING
THAT ONE OF YOU COULD TELL ME

84
00:03:13,627 --> 00:03:16,096
WHO WROTE THIS LETTER
THAT WE FOUND.

85
00:03:16,096 --> 00:03:18,598
(bag rustles)

86
00:03:20,133 --> 00:03:22,270
"DEAR MR. McT..."
(sighs)

87
00:03:22,270 --> 00:03:24,805
"I SAW WHAT YOU DID,
AND I'M DISGUSTED.

88
00:03:24,805 --> 00:03:28,675
YOU ARE A TOTAL PIG,"
EXCLAMATION POINT.

89
00:03:28,675 --> 00:03:30,677
(breathes deeply) "I USED TO
THINK YOU WERE SPECIAL,

90
00:03:30,677 --> 00:03:34,382
"BUT YOU'RE JUST A HYPOCRITE
LIKE THE REST OF THEM.

91
00:03:34,382 --> 00:03:37,216
I CAN'T BELIEVE I EVER
THOUGHT YOU WERE COOL."

92
00:03:37,216 --> 00:03:39,019
(murmuring)

93
00:03:39,019 --> 00:03:40,820
"I HATE YOU."

94
00:03:40,820 --> 00:03:44,824
WHO WOULD WRITE
SUCH A LETTER? HMM?
(murmuring continues)

95
00:03:44,824 --> 00:03:48,295
CLEARLY SOMEONE
WHO FELT BETRAYED.

96
00:03:48,295 --> 00:03:51,331
A SENSITIVE SOUL WHO NOW
FEELS DEEP REMORSE

97
00:03:51,331 --> 00:03:54,502
FOR HAVING SPOKEN SO HARSHLY.

98
00:03:54,502 --> 00:03:58,104
SOMEONE SEATED RIGHT HERE
IN THIS ROOM.

99
00:03:58,104 --> 00:04:00,608
(murmuring continues)
YES.

100
00:04:03,175 --> 00:04:04,512
YOU.

101
00:04:05,479 --> 00:04:07,247
WHILE EVERYONE ELSE
WAS LOOKING AROUND

102
00:04:07,247 --> 00:04:08,716
TRYING TO FIGURE OUT
WHO WROTE THE LETTER,

103
00:04:08,716 --> 00:04:09,717
YOU WEREN'T.

104
00:04:09,717 --> 00:04:11,818
YOU KNEW WHO WROTE
THE LETTER,

105
00:04:11,818 --> 00:04:13,120
BECAUSE IT WAS YOU.

106
00:04:13,120 --> 00:04:14,622
ISN'T THAT RIGHT?

107
00:04:14,622 --> 00:04:16,255
(voice breaking) I'M SORRY.

108
00:04:16,255 --> 00:04:18,158
(sniffles) I'M SORRY.
(sobbing)

109
00:04:18,158 --> 00:04:19,826
LISBON, YOU'RE ON.

110
00:04:19,826 --> 00:04:21,894
(murmuring)
WOW.

111
00:04:21,894 --> 00:04:23,196
HEY!

112
00:04:23,196 --> 00:04:24,197
(Patrick laughing)
HEY, STOP!

113
00:04:24,197 --> 00:04:25,432
(door opens)
(murmuring)

114
00:04:25,432 --> 00:04:28,668
DRAMA, HUH?

115
00:04:28,668 --> 00:04:32,204
ANYONE ELSE HAVE
ANYTHING TO SAY?

116
00:04:32,204 --> 00:04:35,007
***

117
00:04:35,007 --> 00:04:39,278
Captioned by
Closed Captioning Services, Inc.

118
00:04:40,279 --> 00:04:41,615
WHY'D YOU WRITE
THIS LETTER, RACHEL?

119
00:04:41,615 --> 00:04:44,884
(sniffling) MR. McT
WAS MY FAVORITE TEACHER.

120
00:04:44,884 --> 00:04:48,588
HE ALWAYS TALKED ABOUT
SELF-RESPECT.

121
00:04:48,588 --> 00:04:53,593
HE WANTED US GIRLS TO
VALUE OURSELVES FOR OUR MINDS.

122
00:04:53,593 --> 00:04:55,194
I-I MEAN, HE WAS COOL
WITH US.

123
00:04:55,194 --> 00:04:57,230
HE DIDN'T TREAT US
LIKE IDIOT KIDS.

124
00:04:57,230 --> 00:04:58,531
WELL, WHAT CHANGED?

125
00:04:58,531 --> 00:05:00,334
THREE NIGHTS AGO,
I WAS DRIVING

126
00:05:00,334 --> 00:05:02,569
TO THE FOOD BANK
WHERE I VOLUNTEER.

127
00:05:02,569 --> 00:05:05,473
IT'S IN KIND OF
A SKETCHY NEIGHBORHOOD.

128
00:05:05,473 --> 00:05:08,641
AND I SAW MR. McTIERNEY
TALKING TO, LIKE...

129
00:05:08,641 --> 00:05:10,343
(lowered voice) A HOOKER.

130
00:05:10,343 --> 00:05:12,112
(breathes deeply)
AND THEY WERE FIGHTING.

131
00:05:12,112 --> 00:05:13,680
WELL, ARGUING.

132
00:05:13,680 --> 00:05:15,483
AND THEN SHE GOT
INTO HIS CAR.

133
00:05:15,483 --> 00:05:18,619
I MEAN... HE'S A TEACHER.

134
00:05:18,619 --> 00:05:20,252
WHAT DID SHE LOOK LIKE?

135
00:05:20,252 --> 00:05:23,723
HERE. I TOOK A PICTURE.
(sniffles)

136
00:05:27,627 --> 00:05:30,363
(cell phone ringing)
TEXT ME THAT PICTURE

137
00:05:30,363 --> 00:05:32,500
AND THE ADDRESS THAT YOU
SAW HER. EXCUSE ME.

138
00:05:32,500 --> 00:05:33,634
CHO, WHAT'S UP?

139
00:05:33,634 --> 00:05:35,603
Forensics finished up.

140
00:05:35,603 --> 00:05:37,370
NONE OF THE SCHOOL'S BATS
SHOW TRACES OF BLOOD.

141
00:05:37,370 --> 00:05:38,771
AND WE FOUND A BAGGIE
OF HOMEMADE PILLS

142
00:05:38,771 --> 00:05:41,108
IN McTIERNEY'S CAR.
LOOKS LIKE M.D.M.A.--

143
00:05:41,108 --> 00:05:42,308
ECSTASY.

144
00:05:42,308 --> 00:05:43,644
Turns out our victim
had a few secrets.

145
00:05:43,644 --> 00:05:44,944
I've got a student here

146
00:05:44,944 --> 00:05:45,846
WHO SAYS SHE SAW HIM

147
00:05:45,846 --> 00:05:47,380
IN AN ARGUMENT
WITH A PROSTITUTE.

148
00:05:47,380 --> 00:05:49,048
I'LL FORWARD YOU A PICTURE
OF THE HOOKER AND THE ADDRESS.

149
00:05:49,048 --> 00:05:51,317
You and Rigsby see
if you can track her down.

150
00:05:51,317 --> 00:05:52,886
GOT IT.

151
00:05:52,886 --> 00:05:54,053
(cell phone beeps)

152
00:05:54,053 --> 00:05:55,822
(dials phone)
(line rings)

153
00:05:55,822 --> 00:05:56,824
JANE?

154
00:05:56,824 --> 00:05:58,625
HEY.

155
00:06:00,093 --> 00:06:03,096
HMM? ECSTASY.

156
00:06:03,096 --> 00:06:05,865
INTERESTING.
(door opens)

157
00:06:07,634 --> 00:06:11,738
NO, YOU GO ON.
I'M GONNA STAY HERE.
(door closes)

158
00:06:11,738 --> 00:06:13,173
BYE.

159
00:06:13,173 --> 00:06:15,942
I'M SORRY. MAY I HELP YOU?

160
00:06:15,942 --> 00:06:18,377
NO. NO HELP NECESSARY.
UH, YOU ARE?

161
00:06:18,377 --> 00:06:20,548
MS. AUSTIN.
UH, DRAMA TEACHER.

162
00:06:20,548 --> 00:06:22,516
AH, I WAS JUST ADMIRING
YOUR SET.

163
00:06:22,516 --> 00:06:24,785
UH, WHAT PLAY ARE YOU DOING?
"HAMLET."

164
00:06:24,785 --> 00:06:27,687
A MODERN INTERPRETATION,
AS YOU CAN SEE.

165
00:06:27,687 --> 00:06:29,523
(theatrical voice)
"TO DIE, TO SLEEP.

166
00:06:29,523 --> 00:06:32,692
"TO SLEEP,
PERCHANCE TO DREAM.

167
00:06:32,692 --> 00:06:35,062
AY, THERE'S THE RUB."

168
00:06:35,062 --> 00:06:36,629
THAT'S RIGHT.

169
00:06:36,629 --> 00:06:41,100
I'M, UH, WORRIED...
ABOUT RACHEL.

170
00:06:41,100 --> 00:06:44,437
SHE'S IN THE PLAY.
SHE'S REALLY A GOOD KID.

171
00:06:44,437 --> 00:06:45,605
(normal voice) OH,
SHE'LL BE FINE,

172
00:06:45,605 --> 00:06:47,139
UNLESS SHE MURDERED MR. McT.

173
00:06:47,139 --> 00:06:49,408
WHAT DO YOU THINK?
NO.

174
00:06:49,408 --> 00:06:52,045
NO. UH... I CAN'T IMAGINE.

175
00:06:52,045 --> 00:06:53,913
HMM.

176
00:06:53,913 --> 00:06:55,449
(laughs nervously)

177
00:06:55,449 --> 00:06:56,850
(chuckles)

178
00:06:56,850 --> 00:06:59,920
WELL, IF YOU'LL EXCUSE ME,
I HAVE FIVE MINUTES

179
00:06:59,920 --> 00:07:02,322
TO GET BAD COFFEE
FROM THE TEACHERS' LOUNGE.

180
00:07:02,322 --> 00:07:05,593
MMM. ENJOY.

181
00:07:05,593 --> 00:07:06,994
(footsteps retreating)

182
00:07:06,994 --> 00:07:09,497
(whooshing and clattering)
(boy) OW!

183
00:07:09,497 --> 00:07:11,430
(blade clangs)

184
00:07:11,430 --> 00:07:14,634
(whooshing)

185
00:07:17,303 --> 00:07:20,106
(boy exhaling)
(whooshing continues)

186
00:07:20,106 --> 00:07:23,209
(footsteps shuffling)

187
00:07:23,209 --> 00:07:25,345
(boy exhales)
(blade clangs)

188
00:07:25,345 --> 00:07:27,213
(whooshing continues)

189
00:07:27,213 --> 00:07:31,151
(boy exhaling)

190
00:07:31,151 --> 00:07:34,387
(whooshing)

191
00:07:34,387 --> 00:07:36,355
(exhales)
(taps on ground)

192
00:07:36,355 --> 00:07:38,024
EN GARDE.

193
00:07:40,494 --> 00:07:42,829
WELL, IT'S NO FUN
IF YOU JUST GIVE UP.

194
00:07:44,497 --> 00:07:47,500
(taps on ground)
ARE YOU ONE OF THE COPS?

195
00:07:47,500 --> 00:07:49,637
COP-ADJACENT, MAYBE.

196
00:07:49,637 --> 00:07:52,038
ARE YOU IN THE PLAY?
YEAH, I AM.

197
00:07:52,038 --> 00:07:55,042
I'M JEREMIAH.
I PLAY THE GHOST.

198
00:07:55,042 --> 00:07:56,543
(theatrical voice)
"I AM THY FATHER'S SPIRIT,

199
00:07:56,543 --> 00:07:59,947
DOOMED FOR A CERTAIN TERM
TO WALK THE NIGHT."

200
00:07:59,947 --> 00:08:02,182
SOUNDS COOL WHEN YOU SAY IT.
(normal voice) AH, THANK YOU.

201
00:08:02,182 --> 00:08:05,052
I'M NOT SURE
I'M PULLING IT OFF.

202
00:08:05,052 --> 00:08:07,387
I ONLY AUDITIONED
TO MEET THE GIRLS.

203
00:08:07,387 --> 00:08:08,956
HOW'S THAT GOING FOR YOU?

204
00:08:08,956 --> 00:08:10,423
NOT GOOD.

205
00:08:10,423 --> 00:08:11,925
(blades clang)
(sighs)

206
00:08:11,925 --> 00:08:15,095
WELL, JEREMIAH, YOU SEEM
LIKE A FELLOW IN THE KNOW.

207
00:08:15,095 --> 00:08:17,329
LET ME ASK YOU THIS.

208
00:08:17,329 --> 00:08:19,832
(lowered voice) WHERE COULD I
BUY SOME DRUGS AROUND HERE?

209
00:08:19,832 --> 00:08:20,800
WHAT?

210
00:08:20,800 --> 00:08:22,769
ECSTASY, PREFERABLY.

211
00:08:22,769 --> 00:08:25,805
(breathes deeply)
I HAVE NO IDEA.

212
00:08:25,805 --> 00:08:27,675
WH-WHY WOULD YOU ASK?

213
00:08:27,675 --> 00:08:30,209
UH... I WANT TO MEET
THE BAD KIDS.

214
00:08:30,209 --> 00:08:33,681
YOU KNOW, THE KIND THAT MIGHT
SELL DRUGS TO A TEACHER.

215
00:08:33,681 --> 00:08:36,316
EVERY SCHOOL HAS THEM.
WHERE DO THEY HANG OUT?

216
00:08:36,316 --> 00:08:39,351
UM, I W--I WOULDN'T KNOW
WHERE THEY HANG OUT.

217
00:08:39,351 --> 00:08:42,690
(breathes deeply) MM, THE BAD
KIDS KEEP REAL LOW PROFILE.

218
00:08:42,690 --> 00:08:45,292
PRINCIPAL SNYDER'S
KIND OF A HARD-ASS.

219
00:08:45,292 --> 00:08:46,826
HMM.
(blade whooshes)

220
00:08:46,826 --> 00:08:49,028
YOU WOULDN'T KNOW, HUH?

221
00:08:49,028 --> 00:08:50,163
DO YOU SWEAR?

222
00:08:50,163 --> 00:08:53,232
YEAH. I SWEAR.

223
00:08:55,235 --> 00:08:57,269
WELL FOUGHT.

224
00:08:57,269 --> 00:08:58,772
OFF WITH YOU.

225
00:09:01,207 --> 00:09:02,842
(footsteps retreating)

226
00:09:02,842 --> 00:09:04,611
I KNOW THE DUE DATE'S
JUST AN ESTIMATE,

227
00:09:04,611 --> 00:09:06,980
BUT IT--I MEAN, IT COULD BE
TODAY, RIGHT?

228
00:09:06,980 --> 00:09:10,583
YEA--JUST PROMISE ME THAT
YOU'LL CALL OR TEXT.

229
00:09:10,583 --> 00:09:11,918
YOU, TOO.

230
00:09:11,918 --> 00:09:13,653
SORRY. SARAH'S FREAKING OUT.
(sighs)

231
00:09:13,653 --> 00:09:16,155
HOW ARE YOU DOING?
YEAH, GOOD. SOLID.

232
00:09:16,155 --> 00:09:18,325
(sighs) DEFINITELY NOT
ABOUT TO HAVE A HEART ATTACK.

233
00:09:18,325 --> 00:09:19,960
HEY.

234
00:09:19,960 --> 00:09:22,895
(groans) HEY, NOW, BACK IT UP.
I'M JUST WAITING ON MY LAUNDRY.

235
00:09:22,895 --> 00:09:24,631
LAUNDRY? (scoffs)
IN THAT OUTFIT?

236
00:09:24,631 --> 00:09:26,332
WHAT ARE YOU,
A FASHION CRITIC?

237
00:09:26,332 --> 00:09:28,434
WE'RE LOOKING FOR THIS GIRL.

238
00:09:28,434 --> 00:09:29,636
YOU SEEN HER?

239
00:09:29,636 --> 00:09:31,303
(clicks tongue)
I DON'T KNOW.

240
00:09:31,303 --> 00:09:32,740
I LOST MY GLASSES.

241
00:09:32,740 --> 00:09:35,274
MAYBE IF I HAD SOME MONEY
FOR A NEW PAIR.

242
00:09:41,548 --> 00:09:43,383
NOW I SEE.

243
00:09:43,383 --> 00:09:44,884
THAT'S LIKE WHITE CHENILLE.

244
00:09:44,884 --> 00:09:46,754
USUALLY WORKS
OVER ON FREMONT.

245
00:09:46,754 --> 00:09:48,020
THANKS.
THANK YOU.

246
00:09:48,020 --> 00:09:49,522
BUT SHE WON'T BE OUT YET.

247
00:09:49,522 --> 00:09:51,524
YOU KNOW WHERE SHE STAYS?

248
00:09:51,524 --> 00:09:55,962
(clicks tongue) COME ON, HONEY.
WE'VE BEEN OVER THIS.

249
00:09:58,164 --> 00:09:59,832
(man, muffled)
ALL RIGHT, EVERYBODY.

250
00:09:59,832 --> 00:10:02,134
PASS LAST NIGHT'S ASSIGNMENTS
FORWARD.

251
00:10:02,134 --> 00:10:05,371
OPEN UP YOUR BOOKS
TO CHAPTER THREE.

252
00:10:05,371 --> 00:10:07,941
(door closes)

253
00:10:07,941 --> 00:10:09,308
HMM.

254
00:10:11,043 --> 00:10:12,245
(clears throat)
(door opens)

255
00:10:12,245 --> 00:10:13,846
OOH.

256
00:10:15,716 --> 00:10:19,286
NICE BATHROOM, LUIS.
UH, VERY CLEAN.

257
00:10:19,286 --> 00:10:20,486
SORRY?

258
00:10:20,486 --> 00:10:21,855
I WAS JUST SAYING,
BATHROOM--

259
00:10:21,855 --> 00:10:23,657
IT'S, UH, SPOTLESS.

260
00:10:23,657 --> 00:10:26,558
WHERE ARE ALL THE BAD KIDS?

261
00:10:26,558 --> 00:10:30,129
BAD KIDS? I-I DON'T KNOW.

262
00:10:31,764 --> 00:10:34,334
OKAY. YEAH.

263
00:10:34,334 --> 00:10:36,403
NICE CHATTING WITH YOU.

264
00:10:37,738 --> 00:10:39,673
(door opens)

265
00:10:39,673 --> 00:10:42,209
(faint whirring)

266
00:10:46,346 --> 00:10:48,081
(thud)
(rattling)

267
00:10:48,081 --> 00:10:50,116
HELLO?

268
00:10:50,116 --> 00:10:52,952
(fence rattling, zipper zips)

269
00:10:52,952 --> 00:10:55,187
(thud)

270
00:10:56,188 --> 00:10:57,289
UH, WAIT!

271
00:10:57,289 --> 00:11:00,793
(footsteps retreating,
fence rattles)

272
00:11:03,562 --> 00:11:05,631
HELLO, MR. JANE.

273
00:11:05,631 --> 00:11:07,701
I'M SORRY, IF I'D HAVE KNOWN
YOU WANTED TO COME DOWN HERE,

274
00:11:07,701 --> 00:11:09,535
I WOULD HAVE HAD LUIS
ESCORT YOU.

275
00:11:09,535 --> 00:11:10,738
PERHAPS YOU CAN HELP ME OUT.

276
00:11:10,738 --> 00:11:12,172
I'M TRYING TO FIND
THE DELINQUENTS.

277
00:11:12,172 --> 00:11:16,442
WELL, I... FOUND ONE MYSELF--
OR AT LEAST HIS SHOES--

278
00:11:16,442 --> 00:11:18,211
BUT HE MANAGED TO GET AWAY.

279
00:11:18,211 --> 00:11:20,880
I DON'T THINK THEY'RE
GONNA HELP YOU MUCH.

280
00:11:20,880 --> 00:11:24,116
MR. McTIERNEY TAUGHT
MOSTLY ADVANCED CLASSES.

281
00:11:24,116 --> 00:11:28,554
YES, BUT IT'S THE BAD APPLES
THAT HAVE THE REAL DIRT.

282
00:11:28,554 --> 00:11:29,956
AND WHERE ARE THEY?

283
00:11:29,956 --> 00:11:33,259
DURING CLASS,
THE KIDS ARE... IN CLASS.

284
00:11:33,259 --> 00:11:35,695
IT'S A REVOLUTIONARY
CONCEPT, I KNOW.

285
00:11:35,695 --> 00:11:38,130
(school bell rings)

286
00:11:38,130 --> 00:11:41,301
WELL. IF YOU'LL EXCUSE ME,
THAT'S LUNCH.

287
00:11:41,301 --> 00:11:43,736
SPEAKING OF WHICH,
I'M A LITTLE PECKISH.

288
00:11:43,736 --> 00:11:45,337
WHERE'S THE CAFETERIA?

289
00:11:45,337 --> 00:11:46,338
(knocks on door)

290
00:11:46,338 --> 00:11:48,075
(sighs)

291
00:11:49,176 --> 00:11:50,342
YES?

292
00:11:50,342 --> 00:11:51,610
ARE YOU CHENILLE?

293
00:11:51,610 --> 00:11:53,013
NO. WHO'S CHENILLE?

294
00:11:53,013 --> 00:11:54,514
I'M RIGSBY. THIS IS CHO.
WE'RE WITH CBI.

295
00:11:54,514 --> 00:11:56,015
LOOK, WE KNOW YOU GO
BY CHENILLE

296
00:11:56,015 --> 00:11:58,717
AND YOUR REAL NAME'S
LINDY HAYES.

297
00:11:58,717 --> 00:12:00,821
SEEMS LIKE YOU GOT IT ALL
FIGURED OUT.

298
00:12:00,821 --> 00:12:02,054
WHAT DO YOU NEED ME FOR?
(sighs)

299
00:12:02,054 --> 00:12:04,291
YOU WERE WITH THIS MAN,
JACK McTIERNEY,

300
00:12:04,291 --> 00:12:05,993
THREE NIGHTS AGO?

301
00:12:05,993 --> 00:12:08,628
YEAH, SO WHAT?
I SEE HIM A LOT.

302
00:12:08,628 --> 00:12:10,629
SO HE WAS A REGULAR
OF YOURS?

303
00:12:10,629 --> 00:12:13,700
NO. HE WAS
MY ENGLISH TEACHER.

304
00:12:13,700 --> 00:12:15,001
WHAT IS THIS ABOUT?

305
00:12:18,638 --> 00:12:22,442
(indistinct conversations)

306
00:12:24,476 --> 00:12:27,080
(inhales)

307
00:12:28,480 --> 00:12:30,383
HEY. EXCUSE ME.

308
00:12:30,383 --> 00:12:33,385
CAN I BORROW THIS?

309
00:12:36,755 --> 00:12:38,524
YOU CAN HAVE THAT BACK.

310
00:12:38,524 --> 00:12:40,493
(bag crinkling)

311
00:12:40,493 --> 00:12:42,328
(pops loudly)
(gasping)

312
00:12:42,328 --> 00:12:43,230
EXCUSE ME.

313
00:12:43,230 --> 00:12:44,932
I JUST NEED A MOMENT
OF YOUR TIME,

314
00:12:44,932 --> 00:12:46,432
THEN YOU CAN GET BACK
TO YOUR LUNCH.

315
00:12:46,432 --> 00:12:49,369
I'D LIKE YOU ALL
TO RAISE YOUR HANDS.

316
00:12:49,369 --> 00:12:50,336
ALL OF YOU.

317
00:12:50,336 --> 00:12:53,240
IT'S OFFICIAL POLICE BUSINESS.

318
00:12:53,240 --> 00:12:55,042
RAISE THEM HIGH.

319
00:12:55,042 --> 00:12:57,543
PUT YOUR HAND DOWN
IF YOU'RE ON THE DEAN'S LIST.

320
00:12:57,543 --> 00:13:00,147
(murmuring)

321
00:13:00,147 --> 00:13:02,581
GOOD.

322
00:13:02,581 --> 00:13:03,951
(inhales)

323
00:13:03,951 --> 00:13:06,352
OKAY, GOOD.

324
00:13:06,352 --> 00:13:10,190
NOW PUT YOUR HAND DOWN
IF YOU'RE TAKING THE S.A.T.s

325
00:13:10,190 --> 00:13:13,525
OR PLANNING TO TAKE
THE S.A.T.s.

326
00:13:14,527 --> 00:13:16,864
OKAY THEN.

327
00:13:16,864 --> 00:13:19,599
PUT YOUR HAND DOWN
IF YOU'VE NEVER SMOKED...

328
00:13:19,599 --> 00:13:21,301
(chair scrapes ground)
A CIGAR--

329
00:13:21,301 --> 00:13:23,370
NEVER MIND.

330
00:13:23,370 --> 00:13:26,605
CARRY ON.
ENJOY YOUR MEAT LOAF.

331
00:13:26,605 --> 00:13:28,575
(murmuring)

332
00:13:28,575 --> 00:13:31,110
(birds chirping)

333
00:13:35,748 --> 00:13:37,616
(kids laughing and whooping)

334
00:13:37,616 --> 00:13:38,885
(boy) COME ON!
(glass shatters)

335
00:13:38,885 --> 00:13:41,453
YOU CAN TAKE HIM!
(laughter and shouting)

336
00:13:41,453 --> 00:13:42,422
(girl) COME HERE, CUTIE.

337
00:13:42,422 --> 00:13:43,623
(indistinct conversations)
(blow lands)

338
00:13:43,623 --> 00:13:44,756
(grunting)

339
00:13:44,756 --> 00:13:46,293
(whistling and whooping)

340
00:13:46,293 --> 00:13:47,995
(boy) YOU CAN TAKE HIM, DUDE!
YOU CAN TAKE HIM!

341
00:13:47,995 --> 00:13:50,297
(whistling and laughter)

342
00:13:50,297 --> 00:13:52,065
(rustling)

343
00:13:52,065 --> 00:13:53,633
(boy) WHAT WAS THAT?

344
00:13:53,633 --> 00:13:54,767
AHH!

345
00:13:54,767 --> 00:13:57,136
BAD KIDS, AT LAST!

346
00:13:57,136 --> 00:13:59,139
UHH! NO NEED TO RUN.
DON'T EVEN THINK ABOUT IT.

347
00:13:59,139 --> 00:14:00,874
THE PLACE IS SURROUNDED.

348
00:14:00,874 --> 00:14:03,643
SNIPERS ON THE ROOFTOPS.

349
00:14:03,643 --> 00:14:05,879
JUST KIDDING. WHO'S RUNNING
THE SHOW HERE, YOU?

350
00:14:05,879 --> 00:14:07,514
OR...

351
00:14:12,585 --> 00:14:13,620
YOU.

352
00:14:13,620 --> 00:14:16,023
WHAT DO YOU WANT?

353
00:14:16,023 --> 00:14:17,890
I'M PATRICK.
WHAT'S YOUR NAME?

354
00:14:17,890 --> 00:14:20,027
KRISTA.

355
00:14:20,027 --> 00:14:22,428
KRISTA. I COME IN PEACE.

356
00:14:22,428 --> 00:14:24,364
SO WHICH OF YOU CRAZY CATS
IS GONNA HELP ME

357
00:14:24,364 --> 00:14:26,432
SOLVE McTIERNEY'S MURDER, HUH?

358
00:14:26,432 --> 00:14:28,301
(boy) NOT ME, MAN. NOT ME.
(girl) LET'S GO.

359
00:14:28,301 --> 00:14:30,769
WOW.
(speaking indistinctly)

360
00:14:30,769 --> 00:14:34,140
YOU REALLY ARE BAD.

361
00:14:34,140 --> 00:14:35,741
WHAT DO YOU WANNA KNOW?

362
00:14:35,741 --> 00:14:36,976
WELL,

363
00:14:36,976 --> 00:14:38,845
WHILE THE REST OF THE KIDS
ARE STUCK INSIDE

364
00:14:38,845 --> 00:14:42,950
SHARPENING THEIR PENCILS,
YOU'RE OUT HERE ROAMING FREE.

365
00:14:42,950 --> 00:14:46,219
I BET YOU KNOW WAY MORE ABOUT
WHAT'S REALLY GOING ON, RIGHT?

366
00:14:46,219 --> 00:14:49,788
LIKE WHO'S SELLING
THE ECSTASY, FOR STARTERS.

367
00:14:49,788 --> 00:14:51,790
I WISH I KNEW SOMEONE.
THAT WOULD--

368
00:14:51,790 --> 00:14:53,360
THAT WOULD DEFINITELY BE
A POPULAR KID.

369
00:14:53,360 --> 00:14:56,528
WHAT ABOUT McTIERNEY?
DID HE HAVE ANY SECRET VICES?

370
00:14:57,998 --> 00:15:01,000
NO. HE--HE WAS A SQUARE.

371
00:15:01,000 --> 00:15:02,802
SUPER CLEAN-CUT.

372
00:15:02,802 --> 00:15:05,371
WHICH IS WHY IT'S SO WEIRD
HE WAS TIGHT WITH LOVELAND,

373
00:15:05,371 --> 00:15:07,440
'CAUSE LOVELAND'S
A CRAZY DRUNK.

374
00:15:07,440 --> 00:15:10,943
LOVELAND?
THE CAREER COUNSELOR?

375
00:15:10,943 --> 00:15:12,578
YEAH.
HMM.

376
00:15:12,578 --> 00:15:14,346
SEE, A WHILE BACK, UM,

377
00:15:14,346 --> 00:15:16,416
LOVELAND CONFISCATED
MY FRIEND'S CELL PHONE.

378
00:15:16,416 --> 00:15:18,951
MM-HMM.
SO MY FRIEND
BROKE INTO HIS OFFICE

379
00:15:18,951 --> 00:15:20,419
AND FOUND LIKE A MILLION
OF THOSE LITTLE

380
00:15:20,419 --> 00:15:23,056
VODKA AIRPLANE BOTTLES...
EMPTY.

381
00:15:23,056 --> 00:15:25,958
WELL, THANKS, KRISTA.

382
00:15:25,958 --> 00:15:27,726
(sighs and mutters)

383
00:15:27,726 --> 00:15:28,961
VERY MUCH.

384
00:15:28,961 --> 00:15:30,562
YOU KNOW, WHEN YOU WAKE UP
TOMORROW MORNING

385
00:15:30,562 --> 00:15:32,231
AND YOU LOOK IN THE MIRROR,
YOU WILL SEE YOURSELF

386
00:15:32,231 --> 00:15:34,366
AS IF FOR THE VERY FIRST TIME,
AND YOU WILL DECIDE

387
00:15:34,366 --> 00:15:36,469
TO NEVER SMOKE CIGARETTES
AGAIN.

388
00:15:43,710 --> 00:15:46,546
THANK--THANKS.

389
00:15:50,317 --> 00:15:52,485
HOW DID YOU KNOW
JACK McTIERNEY?

390
00:15:52,485 --> 00:15:54,187
HE WAS MY TEACHER.

391
00:15:54,187 --> 00:15:56,222
LIKE THREE YEARS AGO.
(sniffles)

392
00:15:56,222 --> 00:15:58,957
BEFORE I DROPPED OUT
OF SCHOOL.

393
00:15:58,957 --> 00:16:01,628
BACK THEN,
HE TRIED TO HELP ME

394
00:16:01,628 --> 00:16:04,998
WITH THIS PROBLEM I WAS HAVING
WITH MY STEPFATHER.

395
00:16:04,998 --> 00:16:06,698
WHAT WAS THE PROBLEM?

396
00:16:08,100 --> 00:16:10,003
TAKE A WILD GUESS.

397
00:16:10,003 --> 00:16:12,105
IF YOUR STEPFATHER
WAS ABUSING YOU,

398
00:16:12,105 --> 00:16:13,873
YOU CAN STILL HAVE HIM
PROSECUTED.

399
00:16:13,873 --> 00:16:15,274
WHATEVER.

400
00:16:15,274 --> 00:16:18,477
I RAN AWAY TO THE CITY.
PROBLEM SOLVED.

401
00:16:18,477 --> 00:16:22,948
BUT I GUESS MR. McTIERNEY
FELT GUILTY, OR SOMETHING.

402
00:16:22,948 --> 00:16:26,519
'CAUSE EVER SINCE THEN,
HE'S BEEN TRYING TO RESCUE ME.

403
00:16:26,519 --> 00:16:29,456
HE FREAKED WHEN I TOLD HIM
I WAS TURNING TRICKS.

404
00:16:29,456 --> 00:16:30,756
WHAT DID HE SAY?

405
00:16:30,756 --> 00:16:33,225
YOU KNOW, THAT I COULD STILL
HAVE A NORMAL LIFE.

406
00:16:33,225 --> 00:16:35,794
STUFF LIKE THAT.

407
00:16:35,794 --> 00:16:40,799
THEN AFTERWARD, HE'D COME
TO SEE ME LIKE ONCE A WEEK,

408
00:16:40,799 --> 00:16:42,402
BUY ME A CUP OF COFFEE,

409
00:16:42,402 --> 00:16:45,238
TALK TO ME ABOUT GETTING
MY G.E.D.

410
00:16:45,238 --> 00:16:48,006
(voice breaking)
BUT I DIDN'T WANT TO HEAR IT.

411
00:16:48,006 --> 00:16:50,143
SO WE FOUGHT.

412
00:16:51,110 --> 00:16:54,980
WE FOUND DRUGS ON McTIERNEY.
ECSTASY.

413
00:16:54,980 --> 00:16:56,915
COULDN'T HAVE BEEN
HIS STUFF.

414
00:16:56,915 --> 00:16:58,850
HE WAS A TOTAL
STRAIGHT ARROW.

415
00:16:58,850 --> 00:17:00,852
WAS IT YOURS?

416
00:17:00,852 --> 00:17:02,355
ECSTASY?

417
00:17:02,355 --> 00:17:04,290
THAT'S FOR AMATEURS.

418
00:17:04,290 --> 00:17:07,193
DO YOU KNOW IF HE WAS HAVING
ANY PROBLEMS AT SCHOOL?

419
00:17:08,295 --> 00:17:10,797
I DON'T KNOW.

420
00:17:10,797 --> 00:17:13,532
I MEAN, HE HAD A COUPLE
OTHER PROJECTS LIKE ME.

421
00:17:13,532 --> 00:17:15,902
I GUESS ONE OF THEM
COULD HAVE GONE WRONG.

422
00:17:15,902 --> 00:17:17,269
"PROJECTS"?

423
00:17:17,269 --> 00:17:20,006
YOU KNOW... KIDS HE WAS
TRYING TO HELP.

424
00:17:20,006 --> 00:17:22,142
YOU GOT ANY NAMES?

425
00:17:22,142 --> 00:17:24,810
HE TRIED TO KEEP THAT STUFF
PRETTY PRIVATE.

426
00:17:26,278 --> 00:17:29,415
BUT I HEARD HIM... ARGUING
ON THE PHONE WITH SOMEONE.

427
00:17:29,415 --> 00:17:31,351
MARTIN.

428
00:17:31,351 --> 00:17:34,186
THANKS.
YOU'VE BEEN VERY HELPFUL.

429
00:17:34,186 --> 00:17:36,556
L-LET ME KNOW IF I CAN
DO ANYTHING ELSE.

430
00:17:38,090 --> 00:17:40,727
I WANT TO HELP...
FOR MR. McTIERNEY.

431
00:17:40,727 --> 00:17:43,863
IF YOU WANT TO HELP,
YOU SHOULD DO WHAT HE WANTED.

432
00:17:43,863 --> 00:17:46,098
GO BACK TO SCHOOL.

433
00:17:46,932 --> 00:17:48,367
(telephone ringing in distance)

434
00:17:48,367 --> 00:17:52,605
(indistinct conversations
and laughter)

435
00:17:52,605 --> 00:17:55,007
(lockers slamming)

436
00:17:55,007 --> 00:17:58,677
(school bell rings)

437
00:18:04,083 --> 00:18:07,354
MR. LOVELAND.
YOU GOT A MINUTE?

438
00:18:07,354 --> 00:18:08,755
(door closes)
OF COURSE.

439
00:18:08,755 --> 00:18:10,923
COME IN. YEAH. A-ANYTHING
I CAN DO TO HELP.

440
00:18:10,923 --> 00:18:14,826
WELL, IN THAT CASE, WHY DID YOU
PUNCH MR. McTIERNEY?

441
00:18:16,828 --> 00:18:18,365
HOW DID YOU KNOW THAT?

442
00:18:18,365 --> 00:18:20,732
OH. (chuckles)
WELL, I-I DIDN'T,

443
00:18:20,732 --> 00:18:22,269
BUT YOU JUST TOLD ME.

444
00:18:22,269 --> 00:18:24,237
ALSO, DRUNK PEOPLE
AREN'T REALLY KNOWN

445
00:18:24,237 --> 00:18:26,105
FOR THEIR IMPULSE CONTROL.

446
00:18:26,105 --> 00:18:27,140
(sighs)

447
00:18:27,140 --> 00:18:28,775
HEY. PERFECTLY
UNDERSTANDABLE.

448
00:18:28,775 --> 00:18:31,211
YOU'RE WORKING WITH
OVERACHIEVING CHILDREN ALL DAY.

449
00:18:31,211 --> 00:18:33,645
WHO WOULDN'T WANT
TO TAKE THE EDGE OFF? HUH?

450
00:18:33,645 --> 00:18:36,148
LOOK. I KNOW WHAT YOU
MUST BE THINKING,

451
00:18:36,148 --> 00:18:38,851
BUT I HAD EIGHT YEARS SOBER.

452
00:18:38,851 --> 00:18:41,554
AND... MY WIFE LEFT ME,

453
00:18:41,554 --> 00:18:44,423
AND W-WE GOT A NEW PRINCIPAL,
AND, WELL, I STARTED THINKING

454
00:18:44,423 --> 00:18:47,493
THAT A DRINK
MIGHT BE A GOOD IDEA, AND...

455
00:18:47,493 --> 00:18:51,830
ABOUT A MONTH AGO, I, UH...
(sighs) TESTED THAT THEORY.

456
00:18:51,830 --> 00:18:54,233
MMM. HOW'D THAT GO?

457
00:18:54,233 --> 00:18:57,604
OKAY. FOR A WHILE.

458
00:18:57,604 --> 00:19:00,406
THEN I STARTED DRINKING
BEFORE WORK,

459
00:19:00,406 --> 00:19:02,409
AND I REALIZED THAT
I WAS OUT OF CONTROL.

460
00:19:02,409 --> 00:19:03,643
YOU CONFIDED IN McTIERNEY.

461
00:19:03,643 --> 00:19:05,877
I THOUGHT I COULD TRUST HIM.
I WAS WRONG.

462
00:19:05,877 --> 00:19:07,747
HE TOLD THE PRINCIPAL.

463
00:19:07,747 --> 00:19:09,048
YEAH.

464
00:19:09,048 --> 00:19:10,549
HE SCREWED ME--ROYALLY.

465
00:19:10,549 --> 00:19:12,951
DOESN'T SEEM LIKE SOMETHING
McTIERNEY WOULD DO.

466
00:19:12,951 --> 00:19:16,021
I KNOW. BUT WHEN I ASKED SNYDER
FOR SOME TIME OFF,

467
00:19:16,021 --> 00:19:17,957
HE KNEW ABOUT THE DRINKING.

468
00:19:17,957 --> 00:19:21,861
HE COULDN'T FIRE ME FOR IT,
BUT HE COULD MAKE MY LIFE HELL.

469
00:19:26,031 --> 00:19:27,733
OKAY.

470
00:19:27,733 --> 00:19:30,001
(clears throat)

471
00:19:30,001 --> 00:19:31,837
UH, WH-WH-WHERE WERE YOU

472
00:19:31,837 --> 00:19:34,606
WHEN YOU, UH, UH, TOLD
McTIERNEY YOU RELAPSED?

473
00:19:34,606 --> 00:19:36,343
W-WE WERE IN THE MEN'S ROOM.

474
00:19:36,343 --> 00:19:37,977
WAS THERE ANYONE ELSE THERE?

475
00:19:37,977 --> 00:19:39,746
YOU THINK I'D BE TALKING
ABOUT THAT KIND OF STUFF

476
00:19:39,746 --> 00:19:43,615
IF THERE WERE?
NO, OF COURSE NOT.

477
00:19:43,615 --> 00:19:44,717
THANK YOU.

478
00:19:44,717 --> 00:19:46,152
(school bell rings)
(door opens)

479
00:19:46,152 --> 00:19:49,422
(mouse clicking,
telephones ringing)

480
00:19:50,323 --> 00:19:52,191
I TAKE IT NO BABY YET.
NO.

481
00:19:52,191 --> 00:19:54,326
GOT ANYTHING
TO DISTRACT ME?

482
00:19:54,326 --> 00:19:55,994
WELL, WE FINALLY GOT INTO
McTIERNEY'S COMPUTER

483
00:19:55,994 --> 00:19:57,730
AND LOOKED AT HIS CALENDAR.
(file thuds on desk)

484
00:19:57,730 --> 00:19:59,332
HE HAD AN ADVISORY MEETING
SCHEDULED WITH A KID

485
00:19:59,332 --> 00:20:01,233
NAMED MARTIN KLUBOCK
THE NIGHT HE DIED.

486
00:20:01,233 --> 00:20:02,868
REALLY?
YEAH, BUT IT'S WEIRD.

487
00:20:02,868 --> 00:20:05,104
MARTIN'S AN "A" STUDENT,
AND HE HAS NO HISTORY

488
00:20:05,104 --> 00:20:06,472
OF DISCIPLINARY ACTION
AT SCHOOL.

489
00:20:06,472 --> 00:20:08,875
SO WHY WAS HE ONE OF
MR. McTIERNEY'S PROJECTS?

490
00:20:08,875 --> 00:20:11,911
WELL... (sighs) I LOOKED
INTO HIS ATTENDANCE RECORDS.

491
00:20:11,911 --> 00:20:13,846
HE'S BEEN OUT SICK
A BUNCH OF TIMES THIS YEAR.

492
00:20:13,846 --> 00:20:15,481
AND THERE WAS A TRIP
TO THE EMERGENCY ROOM--

493
00:20:15,481 --> 00:20:16,883
A BROKEN RIB
AND SOME STITCHES.

494
00:20:16,883 --> 00:20:18,484
YOU THINK IT'S
SOME KIND OF ABUSE?

495
00:20:18,484 --> 00:20:20,619
COULD BE, ALTHOUGH HIS FOLKS
DON'T HAVE A RECORD.

496
00:20:20,619 --> 00:20:22,788
ANYWAY, HE CALLED IN SICK
TO SCHOOL TODAY.

497
00:20:22,788 --> 00:20:24,790
YEAH. CHO AND I WILL
CHECK IT OUT. GLADLY.

498
00:20:24,790 --> 00:20:28,260
THAT GUILTY CREATURES
SITTING IN A PLAY

499
00:20:28,260 --> 00:20:31,864
HAVE, BY THE--
THE CUNNING OF THE SCENE,

500
00:20:31,864 --> 00:20:34,366
SO STRUCK TO THE SOUL

501
00:20:34,366 --> 00:20:36,502
THAT PRESENTLY...

502
00:20:36,502 --> 00:20:39,238
THEY HAVE PROCLAIMED
THEIR MALEFACTIONS,

503
00:20:39,238 --> 00:20:40,940
THEIR SHORTCOMINGS.

504
00:20:40,940 --> 00:20:43,910
MIND IF I BORROW
SOME OF THIS? THANK YOU.

505
00:20:43,910 --> 00:20:47,246
FOR MURDER,
THOUGH IT HAVE NO TONGUE,

506
00:20:47,246 --> 00:20:53,519
WILL SPEAK WITH MOST...
MAGNIFICENT ORGAN.

507
00:20:53,519 --> 00:20:55,788
I'LL HAVE THESE PLAYERS
PLAY SOMETHING

508
00:20:55,788 --> 00:20:59,157
LIKE THE MURDER OF MY FATHER
BEFORE MINE UNCLE.

509
00:20:59,157 --> 00:21:00,660
IF HE BUT BLENCH...

510
00:21:00,660 --> 00:21:02,828
(slaps side)
(exhales)

511
00:21:02,828 --> 00:21:05,597
I-I KNOW MY COURSE.

512
00:21:05,597 --> 00:21:07,232
LINE?

513
00:21:07,232 --> 00:21:08,867
BILLY! WE HAVE BEEN
OVER THIS.

514
00:21:08,867 --> 00:21:10,836
YOU SHOULD HAVE BEEN
OFF BOOK A WEEK AGO.

515
00:21:10,836 --> 00:21:13,138
(theatrical voice) THE SPIRIT
THAT I HAVE SEEN MAY BE A DEVIL,

516
00:21:13,138 --> 00:21:16,909
AND THE DEVIL HATH POWER
TO ASSUME A PLEASING SHAPE,

517
00:21:16,909 --> 00:21:19,679
AND SO ON AND SO FORTH.

518
00:21:19,679 --> 00:21:21,146
THE PLAY'S THE THING

519
00:21:21,146 --> 00:21:23,816
WHEREIN I'LL CATCH
THE CONSCIENCE OF THE KING.

520
00:21:23,816 --> 00:21:26,018
(Ms. Austin)
THAT WAS AMAZING!
(normal voice) WELL...

521
00:21:26,018 --> 00:21:28,054
ARE YOU AN ACTOR, MR. JANE?

522
00:21:28,054 --> 00:21:33,025
WELL, I'VE... DONE A LITTLE
STAGE WORK HERE AND THERE.

523
00:21:33,025 --> 00:21:34,527
WOW!

524
00:21:34,527 --> 00:21:37,128
I HOPE YOU GUYS
WERE PAYING ATTENTION.

525
00:21:37,128 --> 00:21:40,031
BILLY, DID YOU HEAR
THE PASSION

526
00:21:40,031 --> 00:21:43,035
AND CLARITY OF HIS DELIVERY,
THE--THE RHYTHM?

527
00:21:43,035 --> 00:21:44,570
(clattering)
YEAH. I HEARD.

528
00:21:44,570 --> 00:21:47,105
OKAY. EVERYBODY TAKE FIVE

529
00:21:47,105 --> 00:21:51,544
WHILE I TRY TO FIND OUT
WHAT HAPPENED WITH THE PROGRAMS.

530
00:21:51,544 --> 00:21:54,145
WELL, MAYBE MR. JANE COULD
GIVE US A FEW TIPS.

531
00:21:54,145 --> 00:21:56,182
I'M SURE MR. JANE DOESN'T
WANT TO BE BOTHERED

532
00:21:56,182 --> 00:21:57,450
WITH OUR LITTLE PLAY.

533
00:21:57,450 --> 00:21:59,184
OH, IT'S NO BOTHER.
WELL, THEN...

534
00:21:59,184 --> 00:22:01,086
A BRILLIANT IDEA.

535
00:22:01,086 --> 00:22:03,955
IT'S NOT EVERY DAY WE GET
A VISIT FROM A PROFESSIONAL.

536
00:22:03,955 --> 00:22:06,992
IN THAT CASE, LET'S WARM UP WITH
A SIMPLE ENUNCIATION EXERCISE,

537
00:22:06,992 --> 00:22:10,663
SHALL WE? "TOY BOAT,"
TEN TIMES, FAST.

538
00:22:10,663 --> 00:22:12,999
TOY BOAT.
TOY BOAT. TOY BOAT.

539
00:22:12,999 --> 00:22:16,803
TOY BOAT. TOY BOAT.
TOY BOAT. TOY BOAT.

540
00:22:16,803 --> 00:22:18,605
TOY BOAT. TOY BOAT.
FASTER.

541
00:22:18,605 --> 00:22:21,574
TOY BOAT. TOY BOAT.
JEREMIAH, YOU'RE NOT
PROJECTING.

542
00:22:21,574 --> 00:22:22,875
INHALE FROM THE BOTTOM
OF YOUR STOMACH,

543
00:22:22,875 --> 00:22:24,611
NOT FROM THE TOP
OF YOUR THROAT.

544
00:22:24,611 --> 00:22:26,679
DEEP BREATHS.
(inhales)

545
00:22:26,679 --> 00:22:27,747
DEEP--

546
00:22:27,747 --> 00:22:30,215
AY, THAT INCESTUOUS,
THAT ADULTERATE BEAST--

547
00:22:30,215 --> 00:22:31,451
MORE VOICE, MORE VOICE.

548
00:22:31,451 --> 00:22:33,752
AY, THAT INCESTUOUS,
THAT ADULTERATE BEAST!

549
00:22:33,752 --> 00:22:35,488
(Ms. Austin) YES!
(laughs and claps)

550
00:22:35,488 --> 00:22:40,026
YES! (laughing)
BRAVO, JEREMIAH!

551
00:22:40,026 --> 00:22:41,894
YOU ARE GOOD, MR. JANE.

552
00:22:41,894 --> 00:22:44,730
ANY NOTES FOR BILLY,
OUR HAMLET?

553
00:22:44,730 --> 00:22:46,665
WELL, REMEMBER, BILLY,
NEVER BREAK CHARACTER,

554
00:22:46,665 --> 00:22:47,933
EVEN IF YOU FORGET
YOUR LINES.

555
00:22:47,933 --> 00:22:49,501
I MEAN, THE AUDIENCE
WILL NEVER KNOW,

556
00:22:49,501 --> 00:22:50,737
AS LONG AS YOU KEEP GOING.

557
00:22:50,737 --> 00:22:53,172
THANK YOU. I HAVE BEEN
TELLING HIM THAT.

558
00:22:53,172 --> 00:22:56,342
AND HAMLET'S NOT AS PLEASED
WITH HIMSELF AS YOU ARE,

559
00:22:56,342 --> 00:22:59,045
SO, UH, DIAL THAT BACK
A TOUCH.

560
00:22:59,045 --> 00:23:01,212
AS FOR YOU, MS. AUSTIN,

561
00:23:01,212 --> 00:23:04,250
YOU HAVE, UH...

562
00:23:04,250 --> 00:23:06,986
SOMETHING ON YOUR... COAT.

563
00:23:06,986 --> 00:23:11,089
HUH. A LEAF.

564
00:23:11,089 --> 00:23:12,357
THERE. ALL SET.

565
00:23:12,357 --> 00:23:15,193
OH. THANK YOU, MR. JANE.
(chuckles)

566
00:23:15,193 --> 00:23:17,564
YOU SHOULD COME BACK TOMORROW
AND SEE THE PLAY.

567
00:23:17,564 --> 00:23:20,098
I'M SURE ALL THE KINKS
WILL BE WORKED OUT BY THEN.

568
00:23:20,098 --> 00:23:21,433
YEAH. BREAK A LEG.

569
00:23:21,433 --> 00:23:23,836
MARTIN KLUBOCK?

570
00:23:23,836 --> 00:23:24,903
UH, YES.

571
00:23:24,903 --> 00:23:26,071
I'M AGENT RIGSBY.
THIS IS AGENT CHO.

572
00:23:26,071 --> 00:23:27,807
WE'RE WITH CBI.
YOUR PARENTS HOME?

573
00:23:27,807 --> 00:23:28,974
UH, NO.

574
00:23:28,974 --> 00:23:31,644
NO, THEY'RE AT A SALES
CONVENTION IN TUCSON.

575
00:23:31,644 --> 00:23:33,813
BUT THEY'LL BE BACK
SATURDAY.

576
00:23:33,813 --> 00:23:35,882
WE NEED TO TALK TO YOU
ABOUT MR. McTIERNEY.

577
00:23:35,882 --> 00:23:37,717
YEAH. OF COURSE.

578
00:23:37,717 --> 00:23:39,218
YOU GOT SOMETHING BURNING?

579
00:23:39,218 --> 00:23:43,923
UH, NO. NO, IT'S FINE.
IT'S JUST SOME SOUP.

580
00:23:43,923 --> 00:23:45,657
YOU HAD A MEETING
WITH MR. McTIERNEY LAST NIGHT

581
00:23:45,657 --> 00:23:46,826
AN HOUR BEFORE HE DIED.

582
00:23:46,826 --> 00:23:49,260
UH, I WAS SUPPOSED
TO MEET WITH HIM.

583
00:23:49,260 --> 00:23:50,596
UH, BUT I CANCELED.

584
00:23:50,596 --> 00:23:52,131
I'M COMING DOWN
WITH SOMETHING.

585
00:23:52,131 --> 00:23:53,700
REALLY, YOU GOT SOMETHING
BURNING. I SHOULD CHECK IT OUT.

586
00:23:53,700 --> 00:23:56,702
UH, NO, IT'S FINE.
NO, COME ON! HEY! HEY!

587
00:23:59,806 --> 00:24:02,575
(footsteps approaching)

588
00:24:02,575 --> 00:24:04,611
(hissing)
HEY!

589
00:24:04,611 --> 00:24:06,045
WHAT THE HELL
ARE YOU DOING?

590
00:24:06,045 --> 00:24:08,714
(liquid bubbling)

591
00:24:10,616 --> 00:24:12,050
MAKING ECSTASY.

592
00:24:12,050 --> 00:24:14,420
(panting)

593
00:24:14,420 --> 00:24:17,056
(school bell rings)

594
00:24:27,599 --> 00:24:29,736
(paint splashing)

595
00:24:41,580 --> 00:24:44,115
ET VOILA.

596
00:24:46,552 --> 00:24:48,253
(boy laughing)
(lockers slamming)

597
00:24:48,253 --> 00:24:50,056
(woman over P.A.)
PATRICK JANE, PLEASE REPORT

598
00:24:50,056 --> 00:24:51,990
TO THE PRINCIPAL'S OFFICE
IMMEDIATELY.

599
00:24:51,990 --> 00:24:55,827
I REPEAT, PATRICK JANE,
TO THE PRINCIPAL'S OFFICE.

600
00:24:57,296 --> 00:24:58,964
(lockers slamming)

601
00:24:58,964 --> 00:25:00,199
(door opens)

602
00:25:00,199 --> 00:25:03,068
THERE HE IS. THE PRINCIPAL
WILL BE IN SHORTLY.

603
00:25:03,068 --> 00:25:04,671
(sighs)

604
00:25:05,738 --> 00:25:07,539
WHAT DID YOU DO?

605
00:25:08,440 --> 00:25:10,175
NOTHING.

606
00:25:10,175 --> 00:25:11,743
11 YEARS IN CATHOLIC SCHOOL,

607
00:25:11,743 --> 00:25:14,012
AND I NEVER GOT SENT TO
THE PRINCIPAL'S OFFICE ONCE.

608
00:25:14,012 --> 00:25:16,749
WELL, THAT'S BECAUSE YOU'RE
A BORING GOODY-TWO-SHOES.

609
00:25:16,749 --> 00:25:18,416
I DIDN'T SAY I NEVER DID
ANYTHING BAD.

610
00:25:18,416 --> 00:25:22,354
I JUST NEVER GOT CAUGHT.
AHH. TOUCHE.

611
00:25:22,354 --> 00:25:25,090
(door opens)

612
00:25:25,892 --> 00:25:28,259
(sighs)
(door closes)

613
00:25:28,259 --> 00:25:30,930
(sighs)

614
00:25:33,865 --> 00:25:34,733
(sniffs)

615
00:25:34,733 --> 00:25:37,269
(chair clatters)

616
00:25:38,605 --> 00:25:40,105
(scraping)

617
00:25:40,105 --> 00:25:41,607
IT HAS COME...

618
00:25:41,607 --> 00:25:43,643
TO MY... ATTENTION

619
00:25:43,643 --> 00:25:46,645
THAT MR. JANE HERE

620
00:25:46,645 --> 00:25:48,714
PERFORMED AN ACT OF VANDALISM

621
00:25:48,714 --> 00:25:52,417
INTO THE SECOND FLOOR
MEN'S RESTROOM.

622
00:25:52,417 --> 00:25:56,221
A VICIOUS, PERSONAL ATTACK
ON ME.

623
00:25:56,221 --> 00:25:58,089
JANE?

624
00:26:00,326 --> 00:26:02,127
IT'S TRUE.

625
00:26:02,127 --> 00:26:07,199
SIR, ON BEHALF OF THE CBI,
I APOLOGIZE.

626
00:26:07,199 --> 00:26:10,936
I APPRECIATE THAT.

627
00:26:10,936 --> 00:26:12,070
MR. JANE?

628
00:26:15,507 --> 00:26:16,742
JANE!

629
00:26:18,678 --> 00:26:20,412
(breathes sharply)

630
00:26:20,412 --> 00:26:22,181
(swallows)

631
00:26:22,181 --> 00:26:26,585
I'M SORRY FOR THE SENSELESS
ACT OF GRAFFITI.

632
00:26:26,585 --> 00:26:29,320
THAT'S ALL.

633
00:26:29,320 --> 00:26:30,722
VERY WELL.

634
00:26:32,759 --> 00:26:34,826
I WILL SEND A BILL TO CBI

635
00:26:34,826 --> 00:26:36,863
WHICH WILL COVER THE COST
OF CLEANING,

636
00:26:36,863 --> 00:26:38,698
AND I WOULD ASK
THAT AS WE MOVE FORWARD

637
00:26:38,698 --> 00:26:41,333
WITH THIS INVESTIGATION,

638
00:26:41,333 --> 00:26:44,236
IT IS CONDUCTED WITHOUT
MR. JANE ON SITE.

639
00:26:44,236 --> 00:26:45,604
ARE WE AGREED?

640
00:26:45,604 --> 00:26:48,840
HOW'D YOU KNOW IT WAS ME
THAT GRAFFITI'D THE BATHROOM?

641
00:26:48,840 --> 00:26:50,409
A STUDENT TOLD ME.

642
00:26:50,409 --> 00:26:53,913
WELL, THAT'S STRANGE,
'CAUSE IT WAS DURING CLASS,

643
00:26:53,913 --> 00:26:55,914
AND THERE WAS NO ONE ELSE
IN THE BATHROOM,

644
00:26:55,914 --> 00:26:57,249
'CAUSE I CHECKED.

645
00:26:57,249 --> 00:26:59,585
WELL, SOMEBODY SAW SOMETHING,
DIDN'T THEY?

646
00:26:59,585 --> 00:27:01,420
MM.

647
00:27:01,420 --> 00:27:02,989
YOU SAW SOMETHING--

648
00:27:02,989 --> 00:27:06,357
ON YOUR UNAUTHORIZED
SECURITY CAMERAS.

649
00:27:07,425 --> 00:27:08,559
WHAT?

650
00:27:08,559 --> 00:27:10,362
HE HAS
UNAUTHORIZED SECURITY CAMERAS

651
00:27:10,362 --> 00:27:12,097
HIDDEN IN THE BATHROOMS.

652
00:27:12,097 --> 00:27:15,067
IT'S A LITTLE CREEPY, HUH?

653
00:27:16,102 --> 00:27:18,269
I DON'T KNOW WHERE
YOU ARE GETTING

654
00:27:18,269 --> 00:27:21,073
YOUR INFORMATION,
BUT IT IS SIMPLY NOT TRUE!

655
00:27:21,073 --> 00:27:22,709
OH! OH!

656
00:27:22,709 --> 00:27:24,109
(singsongy) HELLO!

657
00:27:24,109 --> 00:27:25,711
PERVY PERV PERV!

658
00:27:25,711 --> 00:27:28,480
SECRET CAMERAS?
THAT IS PROFOUNDLY ILLEGAL.

659
00:27:28,480 --> 00:27:30,215
NO. LISTEN--

660
00:27:30,215 --> 00:27:32,417
LISTEN TO ME.

661
00:27:32,417 --> 00:27:37,723
THESE CAMERAS ARE FOR
DISCIPLINARY PURPOSES ONLY.

662
00:27:37,723 --> 00:27:39,357
THEN WHY DIDN'T YOU
TELL US?

663
00:27:39,357 --> 00:27:41,760
BECAUSE, AS YOU SAY,

664
00:27:41,760 --> 00:27:45,396
STRICTLY SPEAKING,
THEY ARE NOT 100% LEGAL.

665
00:27:45,396 --> 00:27:47,266
MM-HMM.
PRINCIPAL SNYDER,

666
00:27:47,266 --> 00:27:49,234
IF YOU'RE WITHHOLDING EVIDENCE
FROM THIS INVESTIGATION,

667
00:27:49,234 --> 00:27:51,136
WE'VE GOT
A SERIOUS PROBLEM.

668
00:27:51,136 --> 00:27:53,905
AND THE P.T.A.
AND THE A.C.L.U.

669
00:27:53,905 --> 00:27:55,441
AND ALL THOSE OTHER ACRONYMS,

670
00:27:55,441 --> 00:27:58,009
THEY'RE GONNA HAVE A HOST
OF PROBLEMS WITH YOU, PAL.

671
00:27:58,009 --> 00:28:00,546
I WOULDN'T THINK
OF WITHHOLDING EVIDENCE.

672
00:28:00,546 --> 00:28:02,580
I'M NOT AN IDIOT.

673
00:28:02,580 --> 00:28:05,284
I LOOKED THROUGH THE FOOTAGE
THE NIGHT OF THE MURDER,

674
00:28:05,284 --> 00:28:07,920
AND I DON'T THINK
THERE IS ANYTHING THERE.

675
00:28:07,920 --> 00:28:10,422
FRANKLY, I DON'T CARE
WHAT YOU THINK.

676
00:28:10,422 --> 00:28:12,523
I WANT ALL THE FOOTAGE NOW.

677
00:28:12,523 --> 00:28:15,795
ALL RIGHT. I UNDERSTAND.

678
00:28:15,795 --> 00:28:17,797
(breathing heavily)

679
00:28:17,797 --> 00:28:20,699
AGENT LISBON,
COULD I ASK THAT WE...

680
00:28:20,699 --> 00:28:22,534
KEEP THIS DISCREET?

681
00:28:22,534 --> 00:28:24,804
NO.

682
00:28:24,804 --> 00:28:26,905
(exhales)

683
00:28:26,905 --> 00:28:29,174
MARTIN... (breathes deeply)

684
00:28:29,174 --> 00:28:31,911
YOU'VE BEEN MANUFACTURING
ECSTASY,

685
00:28:31,911 --> 00:28:33,813
A SCHEDULE I NARCOTIC.

686
00:28:33,813 --> 00:28:35,381
(clicks tongue)

687
00:28:35,381 --> 00:28:37,548
YOU'RE 16 YEARS OLD.

688
00:28:37,548 --> 00:28:39,285
YOU CAN BE TRIED
AS AN ADULT,

689
00:28:39,285 --> 00:28:41,119
OR YOU CAN BE TRIED
AS A MINOR.

690
00:28:41,119 --> 00:28:43,955
BELIEVE ME, YOU DON'T WANT
TO BE TRIED AS AN ADULT.
(sighs)

691
00:28:43,955 --> 00:28:47,259
YOU LIED ABOUT MEETING
MR. McTIERNEY THE NIGHT HE DIED.

692
00:28:48,527 --> 00:28:50,061
OKAY. I MET HIM.

693
00:28:50,061 --> 00:28:51,396
AND HE CONFISCATED
YOUR PILLS?

694
00:28:51,396 --> 00:28:53,098
THAT'S WHY WE FOUND
THE DRUGS ON HIM, RIGHT?

695
00:28:53,098 --> 00:28:56,868
YEAH. BUT HE DIDN'T KNOW
I WAS MAKING THEM. I SWEAR.

696
00:28:56,868 --> 00:28:58,737
(clicks pen)
I TOLD HIM
I FOUND THE PILLS,

697
00:28:58,737 --> 00:29:00,138
AND HE BELIEVED ME.

698
00:29:00,138 --> 00:29:02,407
WHAT ABOUT YOUR PARENTS?
THEY MUST HAVE KNOWN

699
00:29:02,407 --> 00:29:04,143
THAT THERE WAS
A DRUG LAB IN THEIR BASEMENT.

700
00:29:04,143 --> 00:29:06,979
UH, THEY HAD NO IDEA
ABOUT THE DRUGS.

701
00:29:06,979 --> 00:29:09,048
I TOLD THEM IT WAS FOR
MY SCIENCE FAIR PROJECT.

702
00:29:09,048 --> 00:29:10,082
OKAY.

703
00:29:10,082 --> 00:29:12,250
SO WHY WERE YOU MEETING
MR. McTIERNEY?

704
00:29:13,885 --> 00:29:17,689
I HAD BEEN HAVING
SOME... TROUBLE, AND...

705
00:29:17,689 --> 00:29:19,490
HE WAS TRYING TO HELP ME.

706
00:29:19,490 --> 00:29:21,559
(clicks pen)

707
00:29:21,559 --> 00:29:24,395
SOMETHING TO DO WITH YOUR,
UH, TRIP TO THE EMERGENCY ROOM?

708
00:29:25,497 --> 00:29:27,834
(sighs) YEAH.

709
00:29:28,700 --> 00:29:30,201
MARTIN...

710
00:29:34,840 --> 00:29:37,343
ARE YOU GETTING ABUSED
AT HOME?

711
00:29:37,343 --> 00:29:39,577
NO. NO WAY.

712
00:29:39,577 --> 00:29:41,881
MY PARENTS AREN'T AROUND
ENOUGH TO ABUSE ME.

713
00:29:41,881 --> 00:29:43,414
SO YOU'RE GETTING BULLIED
AT SCHOOL?

714
00:29:45,384 --> 00:29:47,586
(exhales) NOT REALLY.

715
00:29:47,586 --> 00:29:51,757
I MEAN, KIDS CAN BE MORONS,
BUT... IT'S NOT THAT BAD.

716
00:29:51,757 --> 00:29:53,159
I WENT TO HIGH SCHOOL.

717
00:29:53,159 --> 00:29:54,692
THEY EAT KIDS
LIKE YOU FOR BREAKFAST.

718
00:29:54,692 --> 00:29:57,063
THAT'S WHAT MR. McTIERNEY
WAS HELPING YOU WITH, RIGHT?

719
00:30:00,165 --> 00:30:02,201
(clicks tongue) WHATEVER.

720
00:30:02,201 --> 00:30:05,171
HE TRIED,
BUT WHAT WAS HE GONNA DO?

721
00:30:05,171 --> 00:30:07,138
HE COULDN'T BE THERE
24/7.

722
00:30:07,138 --> 00:30:08,339
AND WHAT KIND OF WUSS

723
00:30:08,339 --> 00:30:10,642
NEEDS A TEACHER
TO PROTECT HIM, ANYWAYS?

724
00:30:10,642 --> 00:30:12,044
IT JUST MADE THINGS WORSE.

725
00:30:12,044 --> 00:30:13,913
SO YOU DECIDED
TO BECOME A DRUG DEALER.

726
00:30:13,913 --> 00:30:15,547
(scoffs)

727
00:30:15,547 --> 00:30:17,048
I JUST WANTED TO BE POPULAR.

728
00:30:17,048 --> 00:30:19,151
I THOUGHT IF I BECAME
THE COOL DRUG GUY,

729
00:30:19,151 --> 00:30:20,586
THEN EVERYTHING
WOULD BE DIFFERENT.

730
00:30:20,586 --> 00:30:22,520
(clicks pen)
I WASN'T EVEN
GONNA SELL THE "E,"

731
00:30:22,520 --> 00:30:24,222
JUST GIVE IT AWAY.

732
00:30:24,222 --> 00:30:26,825
I KNOW THAT'S CRAZY,
BUT...

733
00:30:26,825 --> 00:30:28,527
I WOULD DO ANYTHING.

734
00:30:28,527 --> 00:30:30,561
(closes file)

735
00:30:30,561 --> 00:30:32,097
YOU KNOW WHAT?

736
00:30:32,097 --> 00:30:33,932
I GOT MY ASS KICKED
IN HIGH SCHOOL.

737
00:30:33,932 --> 00:30:35,902
YEAH, RIGHT.
NO, SERIOUSLY.

738
00:30:35,902 --> 00:30:37,970
I WAS 5'4"
TILL MY SENIOR YEAR.

739
00:30:37,970 --> 00:30:41,073
THEN I GREW A FOOT.
THINGS CHANGE.

740
00:30:41,073 --> 00:30:43,241
THAT WOULD BE SO AWESOME.

741
00:30:43,241 --> 00:30:46,211
(cell phone vibrating)
WAIT A SECOND.

742
00:30:46,211 --> 00:30:48,713
(beeps)
HEY. WHAT'S UP?

743
00:30:48,713 --> 00:30:51,083
YOUR--YOUR WHAT BROKE?

744
00:30:51,083 --> 00:30:54,353
OH! OH, OH! UH, YEAH, YEAH.
UM, I'M ON MY WAY.

745
00:30:54,353 --> 00:30:55,922
(cell phone beeps)
UH, DON'T MOVE!

746
00:30:55,922 --> 00:30:57,455
(door opens)

747
00:30:57,455 --> 00:30:58,990
(speaks indistinctly)

748
00:30:58,990 --> 00:31:01,292
(indistinct conversations)

749
00:31:01,292 --> 00:31:02,528
(panting)

750
00:31:02,528 --> 00:31:03,561
(elevator bell dings)

751
00:31:03,561 --> 00:31:04,529
(muffled) HEY.
HEY.

752
00:31:04,529 --> 00:31:06,365
EVERYTHING OKAY?
YEAH. HER WATER BROKE.

753
00:31:06,365 --> 00:31:08,034
THAT'S A GOOD THING,
ISN'T IT?
YEAH. IT'S, UH...

754
00:31:08,034 --> 00:31:09,867
IT'S HAPPENING.
CAN YOU TELL LISBON?
YEAH, I GOT YOU COVERED.

755
00:31:09,867 --> 00:31:11,436
(elevator bell dings)
THANK YOU.

756
00:31:11,436 --> 00:31:12,738
GOOD LUCK.

757
00:31:12,738 --> 00:31:15,473
(crickets chirping)

758
00:31:15,473 --> 00:31:16,976
(Van Pelt sighs)

759
00:31:16,976 --> 00:31:19,678
WE'VE WATCHED 60 HOURS
WORTH OF FOOTAGE.

760
00:31:19,678 --> 00:31:21,579
I THINK IT'S A DEAD END.

761
00:31:21,579 --> 00:31:23,714
PATIENCE, GRASSHOPPER.

762
00:31:23,714 --> 00:31:26,251
I AM BEING PATIENT.

763
00:31:26,251 --> 00:31:28,619
(indistinct conversations)

764
00:31:28,619 --> 00:31:30,588
THERE.
(taps key)

765
00:31:30,588 --> 00:31:31,890
BACK THAT UP.
(tapping)

766
00:31:31,890 --> 00:31:33,892
OKAY.

767
00:31:33,892 --> 00:31:36,028
(tapping continues)

768
00:31:37,296 --> 00:31:38,864
CAN YOU--CAN YOU
GROW THAT?

769
00:31:38,864 --> 00:31:41,267
CAN YOU--CAN YOU
"BIGIFY" IT?

770
00:31:41,267 --> 00:31:44,403
I CAN DO A DIGITAL ZOOM.
(tapping keys)

771
00:31:44,403 --> 00:31:46,538
GOOD.

772
00:31:46,538 --> 00:31:50,608
YOU KNOW THAT KID?
IT'S BILLY, OUR HAMLET.

773
00:31:50,608 --> 00:31:52,644
WELL, THAT'S INTERESTING.

774
00:31:54,145 --> 00:31:56,781
THAT'S--WELL, THAT'S
VERY INTERESTING.

775
00:31:56,781 --> 00:31:58,416
(footsteps retreating)

776
00:31:58,416 --> 00:32:01,252
WHAT'S INTERESTING?
(tapping keys)

777
00:32:02,087 --> 00:32:03,321
I JUST TALKED TO THE D.A.

778
00:32:03,321 --> 00:32:04,690
THEY'RE GONNA GO EASY
ON MARTIN,

779
00:32:04,690 --> 00:32:06,392
BUT THEY DON'T WANT TO PURSUE
PRINCIPAL SNYDER

780
00:32:06,392 --> 00:32:08,759
ON THE ILLEGAL CAMERAS--
NO UPSIDE.

781
00:32:08,759 --> 00:32:10,895
WELL, THAT'S A SHAME.
LET'S GET YOUR JACKET ON.

782
00:32:10,895 --> 00:32:12,498
WE HAVE TO GO.
WHERE ARE WE GOING?

783
00:32:12,498 --> 00:32:14,165
BACK TO SCHOOL.

784
00:32:14,165 --> 00:32:18,037
(indistinct conversations)

785
00:32:18,037 --> 00:32:21,507
(indistinct conversations
continue)

786
00:32:24,276 --> 00:32:27,179
EXCELLENT. A FULL HOUSE.
MAKE SURE YOU GET A GOOD SEAT.

787
00:32:27,179 --> 00:32:28,680
YOU'RE NOT COMING WITH ME?

788
00:32:28,680 --> 00:32:32,117
WELL, I-I JUST HAVE TO MAKE
A QUICK STOP FIRST.

789
00:32:33,919 --> 00:32:35,487
(sighs)

790
00:32:40,858 --> 00:32:42,528
(sighs)

791
00:32:42,528 --> 00:32:44,663
(bats rattling)

792
00:32:48,599 --> 00:32:52,471
(clapping)
(Ms. Austin) CAN I HAVE
MY THESPIANS STAGE LEFT, PLEASE?

793
00:32:52,471 --> 00:32:55,207
TIME FOR OUR PRE-SHOW CIRCLE.
LOOKING GOOD.

794
00:32:55,207 --> 00:32:57,076
WONDERFUL. WONDERFUL.

795
00:32:57,076 --> 00:32:59,111
(claps)
FIVE MINUTES.

796
00:32:59,111 --> 00:33:01,313
OH. HELLO, MR. JANE.

797
00:33:01,313 --> 00:33:02,681
HOW'S IT GOING BACK HERE?

798
00:33:02,681 --> 00:33:04,215
GREAT. OH, SARAH.

799
00:33:04,215 --> 00:33:06,785
TIME TO GET
TO THE LIGHT BOARD.

800
00:33:06,785 --> 00:33:08,920
LEXI, PLEASE TUCK IN
THAT SHIRT.

801
00:33:08,920 --> 00:33:10,622
I-I'M SORRY, MR. JANE.
I HAVE TO GO.

802
00:33:10,622 --> 00:33:13,825
IT IS ABSOLUTE CHAOS.
OF COURSE. OF COURSE.

803
00:33:13,825 --> 00:33:15,693
JEREMIAH.

804
00:33:15,693 --> 00:33:17,096
HOW ARE YOU FEELING?

805
00:33:17,096 --> 00:33:18,663
YOU LOOK A LITTLE GREEN
AROUND THE GILLS.

806
00:33:18,663 --> 00:33:21,232
UH... (chuckles)
I'M A LITTLE NERVOUS.

807
00:33:21,232 --> 00:33:23,134
WELL, THAT'S TO BE EXPECTED.

808
00:33:23,134 --> 00:33:24,803
WHY DON'T I GIVE YOU
A LITTLE BREATHING EXERCISE

809
00:33:24,803 --> 00:33:27,138
JUST TO--TO GROUND YOU?
YEAH, SURE, ANYTHING.

810
00:33:27,138 --> 00:33:30,342
BELLY TO THE LIPS.
(singsongy) MM, MM, MM.

811
00:33:30,342 --> 00:33:33,078
BELLY TO THE LIPS.
MM...
MM...

812
00:33:33,078 --> 00:33:34,645
MM... (ululating)

813
00:33:34,645 --> 00:33:35,780
(both ululating)

814
00:33:35,780 --> 00:33:37,848
AH... (ululating) OKAY.
DUH, DUH, DUH! (babbles)

815
00:33:37,848 --> 00:33:39,250
SHORT, QUICK BREATHS.

816
00:33:39,250 --> 00:33:40,986
(inhaling and exhaling
sharply)

817
00:33:40,986 --> 00:33:42,554
(both inhaling and exhaling
sharply)

818
00:33:42,554 --> 00:33:45,090
YEAH. MORE.
(inhaling and exhaling
sharply)

819
00:33:45,090 --> 00:33:46,557
SHORT AND QUICK.

820
00:33:46,557 --> 00:33:49,228
OKAY... FASTER.
(sharp breathing
continues)

821
00:33:49,228 --> 00:33:50,961
NOW BIG, DEEP, LONG--
(breathing faster)

822
00:33:50,961 --> 00:33:53,432
LOTS OF OXYGEN.
LOTS OF OXYGEN.

823
00:33:53,432 --> 00:33:56,000
OH... OH.
(sharp breathing continues
and stops)

824
00:33:56,000 --> 00:33:58,002
THERE YOU GO.

825
00:33:58,002 --> 00:34:01,440
LOOK HOW CALM
YOU ARE NOW.

826
00:34:01,440 --> 00:34:03,241
YES, YES.

827
00:34:04,742 --> 00:34:07,746
(indistinct conversations)

828
00:34:10,981 --> 00:34:12,650
UM, THERE'S SOMEONE
SITTING THERE.

829
00:34:20,425 --> 00:34:21,726
HI.

830
00:34:21,726 --> 00:34:22,793
OH, MY GOD!

831
00:34:22,793 --> 00:34:24,996
(stammering) SHOULD WE CALL
AN AMBULANCE?

832
00:34:24,996 --> 00:34:27,099
NO. NO, NO.
I THINK I'M OKAY.

833
00:34:27,099 --> 00:34:28,534
I-I DON'T KNOW
WHAT HAPPENED.

834
00:34:28,534 --> 00:34:30,369
YOU HYPERVENTILATED.
SILLY BOY.

835
00:34:30,369 --> 00:34:31,936
I THINK HE'LL BE FINE.

836
00:34:31,936 --> 00:34:33,838
I DON'T KNOW THAT HE'LL BE
ABLE TO PERFORM TONIGHT...

837
00:34:33,838 --> 00:34:36,074
OHH...
BUT YOU DO HAVE
AN UNDERSTUDY, DON'T YOU?

838
00:34:36,074 --> 00:34:39,710
WE HAVE ONE UNDERSTUDY,
AND HE'S ALREADY BEING USED

839
00:34:39,710 --> 00:34:41,012
BECAUSE LAERTES HAS MONO.

840
00:34:41,012 --> 00:34:43,181
OY.
THIS IS JUST A DISASTER.

841
00:34:43,181 --> 00:34:46,083
(Jeremiah breathes deeply)
THERE'S NO WAY WE CAN
GO ON WITHOUT A GHOST.

842
00:34:46,083 --> 00:34:47,985
OH, WE HAVE TO.
WE'VE WORKED SO HARD.

843
00:34:47,985 --> 00:34:51,088
CAN'T WE REPLACE HIM?
JEREMIAH WASN'T EVEN THAT GOOD.

844
00:34:51,088 --> 00:34:52,490
BILLY, DON'T SAY THAT.

845
00:34:52,490 --> 00:34:54,960
WHO COULD WE POSSIBLY GET
TO STAND IN FOR HIM?

846
00:34:54,960 --> 00:34:57,061
I DON'T KNOW.
IT'S SUCH AN IMPORTANT ROLE.

847
00:34:57,061 --> 00:34:58,597
STAY DOWN. STAY DOWN.
(Rachel) I KNOW!

848
00:34:58,597 --> 00:35:00,132
OH, YOU COULD DO IT,
MR. JANE.

849
00:35:00,132 --> 00:35:02,434
YOU ALREADY KNOW THE LINES,
DON'T YOU?
WELL, I-I-I--

850
00:35:02,434 --> 00:35:04,570
I COULDN'T POSSIBLY.
OH, PLEASE!

851
00:35:04,570 --> 00:35:06,672
WE'RE SCREWED IF YOU DON'T.
YEAH, COME ON, DUDE!

852
00:35:08,206 --> 00:35:09,608
WHAT DO YOU SAY,
MS. AUSTIN?

853
00:35:09,608 --> 00:35:13,344
I THINK...
IT'S A BRILLIANT IDEA.

854
00:35:13,344 --> 00:35:15,181
GOOD JOB, RACHEL.

855
00:35:15,181 --> 00:35:16,914
OKAY THEN. WELL...
(chuckles)

856
00:35:16,914 --> 00:35:18,483
(laughs)
THE SHOW MUST GO ON.

857
00:35:18,483 --> 00:35:21,452
THANK YOU. AND YOU CAN
STAY IN WHAT YOU'RE WEARING.

858
00:35:21,452 --> 00:35:22,987
IT'S PERFECT.
UH--UH...

859
00:35:22,987 --> 00:35:24,222
(woman) TWO MINUTES!

860
00:35:24,222 --> 00:35:26,257
OVERTURE AND BEGINNERS!
(claps)

861
00:35:26,257 --> 00:35:29,695
(Jeremiah breaths deeply)
STAY DOWN.

862
00:35:29,695 --> 00:35:32,831
(sighing)

863
00:35:32,831 --> 00:35:35,833
(indistinct conversations)

864
00:35:39,971 --> 00:35:41,572
(mouths word)

865
00:35:43,208 --> 00:35:45,744
(mouths word)

866
00:35:49,847 --> 00:35:52,217
SOMETHING IS ROTTEN
IN THE STATE OF DENMARK.

867
00:35:52,217 --> 00:35:53,918
HEAVEN WILL DIRECT IT.

868
00:35:53,918 --> 00:35:55,987
NAY, LET'S FOLLOW HIM.

869
00:35:55,987 --> 00:35:58,556
(lowered voice) ALL RIGHT.
MR. JANE, BILLY, SCENE FIVE.

870
00:35:58,556 --> 00:35:59,358
YOU ARE ON.

871
00:35:59,358 --> 00:36:01,860
(echoes on speakers)

872
00:36:01,860 --> 00:36:03,862
(footsteps)

873
00:36:06,831 --> 00:36:08,500
WITHER WILT THOU LEAD ME?

874
00:36:08,500 --> 00:36:10,034
SPEAK. I'LL GO NO FURTHER.

875
00:36:10,034 --> 00:36:12,237
(Patrick in theatrical voice)
MARK ME.
I WILL.

876
00:36:12,237 --> 00:36:14,840
MY HOUR IS ALMOST COME,

877
00:36:14,840 --> 00:36:18,376
WHEN I TO SULPHUROUS
AND TORMENTING FLAMES

878
00:36:18,376 --> 00:36:20,278
MUST RENDER MYSELF UP.

879
00:36:20,278 --> 00:36:22,880
ALAS, POOR GHOST.
(inhales) PITY ME NOT.

880
00:36:22,880 --> 00:36:27,985
LEND THY SERIOUS HEARING
TO WHAT I SHALL UNFOLD.

881
00:36:27,985 --> 00:36:33,157
A TALE OF MURDER MOST FOUL.

882
00:36:33,157 --> 00:36:35,393
THE MURDER OF MR. McTIERNEY!

883
00:36:35,393 --> 00:36:37,963
(audience murmuring)
(Billy gasping and stammering)

884
00:36:37,963 --> 00:36:39,297
UH, UH, SU-SURELY...

885
00:36:39,297 --> 00:36:42,434
TH-THOU MEANS THE MURDER
OF MY FATHER, THE KING.

886
00:36:42,434 --> 00:36:44,869
A MURDER BORN OF LUST
IN THE WOODS

887
00:36:44,869 --> 00:36:46,804
NEXT TO THE BASEBALL FIELD.

888
00:36:46,804 --> 00:36:50,309
(murmuring continues)
N-NAY! THOU MEANS
THE WOODS IN DENMARK!

889
00:36:50,309 --> 00:36:53,278
RIGHT?
A MURDER BORN
OF UNNATURAL LUST

890
00:36:53,278 --> 00:36:55,914
BETWEEN WOMAN AND BOY.

891
00:36:55,914 --> 00:36:57,014
(murmuring continues)

892
00:36:57,014 --> 00:36:59,016
(gasping)

893
00:36:59,016 --> 00:37:00,918
UM... UH, LINE?

894
00:37:02,086 --> 00:37:05,190
A MURDER COMMITTED BY YOU
WITH THIS BASEBALL BAT.

895
00:37:05,190 --> 00:37:07,259
(gasping and murmuring)
N-NO!

896
00:37:07,259 --> 00:37:08,793
I-IT WASN'T ME!
NO?

897
00:37:08,793 --> 00:37:10,628
IT WAS HER!

898
00:37:11,862 --> 00:37:14,032
(normal voice) WHOA, WHOA!
LISBON, WE HAVE A RUNNER!

899
00:37:14,032 --> 00:37:16,034
WHOA!
(gasps)

900
00:37:16,034 --> 00:37:17,168
(Patrick) WHOA.

901
00:37:17,168 --> 00:37:19,170
WH-WHOA.

902
00:37:19,170 --> 00:37:21,840
(gasping)

903
00:37:21,840 --> 00:37:23,708
(audience murmuring)
(Patrick clucks tongue)

904
00:37:23,708 --> 00:37:26,077
(gasping continues)
(handcuffs jangling)

905
00:37:26,077 --> 00:37:27,913
(chuckles)

906
00:37:27,913 --> 00:37:30,615
(handcuffs clicking)
WELL, THANK YOU.
YOU'VE BEEN A LOVELY AUDIENCE.

907
00:37:30,615 --> 00:37:32,983
SORRY WE HAD TO CLOSE...
EARLY,

908
00:37:32,983 --> 00:37:36,021
BUT YOU GET THE GENERAL IDEA.
PRETTY MUCH EVERYONE DIES--

909
00:37:36,021 --> 00:37:37,722
POISONING, STABBING.

910
00:37:37,722 --> 00:37:40,326
YEAH, IT'S ALL VERY SAD.
THE SCANDINAVIANS, HUH?

911
00:37:40,326 --> 00:37:41,927
GLOOMY BUNCH.

912
00:37:41,927 --> 00:37:43,829
OH, AND BY THE WAY, UH,

913
00:37:43,829 --> 00:37:46,297
DON'T DO ANYTHING NAUGHTY
IN THE BATHROOMS.

914
00:37:46,297 --> 00:37:49,467
PRINCIPAL SNYDER HAS
HIDDEN CAMERAS IN THERE.

915
00:37:49,467 --> 00:37:51,036
ILLEGAL? YES.
(audience shouting)

916
00:37:51,036 --> 00:37:54,440
IMMORAL? YOU DECIDE.

917
00:37:54,440 --> 00:37:56,775
(audience jeering)
(theatrical voice)
GOOD NIGHT.

918
00:37:56,775 --> 00:37:59,445
WE FOUND THE BAT
IN YOUR HOUSE.

919
00:37:59,445 --> 00:38:02,414
MS. AUSTIN IS PROBABLY
BLAMING IT ALL ON YOU.

920
00:38:02,414 --> 00:38:06,552
SO HELP YOURSELF OUT.
TALK TO ME.

921
00:38:09,954 --> 00:38:11,590
SHE'S 35. YOU'RE 16.

922
00:38:11,590 --> 00:38:13,391
THAT'S STATUTORY RAPE.

923
00:38:14,992 --> 00:38:17,094
SO TELL ME WHAT HAPPENED.

924
00:38:17,094 --> 00:38:19,898
(gasping)

925
00:38:19,898 --> 00:38:23,168
IT STARTED LAST SEMESTER
IN HER ACTING CLASS.

926
00:38:23,168 --> 00:38:27,639
SHE WAS, LIKE, PASSIONATE
ABOUT EVERYTHING, YOU KNOW?

927
00:38:27,639 --> 00:38:29,340
MM-HMM.
IT WAS EXCITING.

928
00:38:29,340 --> 00:38:33,512
AND... SHE TOLD ME
I WAS TALENTED

929
00:38:33,512 --> 00:38:36,614
AND ASKED ME TO AUDITION
FOR THE PLAY.

930
00:38:38,083 --> 00:38:42,420
WE STARTED HOOKING UP
AFTER REHEARSALS.

931
00:38:44,289 --> 00:38:49,427
AND THEN MR. McTIERNEY SAW US
WHEN HE WAS JOGGING THAT NIGHT.

932
00:38:52,297 --> 00:38:55,032
(voice breaking) HE SAID HE WAS
GONNA GO TO PRINCIPAL SNYDER.

933
00:38:55,032 --> 00:38:57,536
HE SAID SHE WAS
GONNA GO TO JAIL.

934
00:38:57,536 --> 00:38:59,938
(speaking inaudibly)

935
00:38:59,938 --> 00:39:02,708
SHE ASKED ME TO GO AFTER HIM
AND STOP HIM.

936
00:39:03,842 --> 00:39:06,378
SHE JUST WANTED TO TALK
TO HIM, SHE SAID,

937
00:39:06,378 --> 00:39:08,579
TO CHANGE HIS MIND.

938
00:39:08,579 --> 00:39:11,282
I-I FOLLOWED HIM
THROUGH THE WOODS

939
00:39:11,282 --> 00:39:13,385
AND OUT ONTO
THE BASEBALL FIELD.

940
00:39:13,385 --> 00:39:14,985
I BEGGED HIM NOT TO TELL.

941
00:39:14,985 --> 00:39:16,788
I DIDN'T WANT HER
TO GET IN TROUBLE.

942
00:39:20,157 --> 00:39:22,594
(shouts)
(grunts)

943
00:39:28,666 --> 00:39:32,871
I KNOW WHAT I DID
TO MR. McTIERNEY

944
00:39:32,871 --> 00:39:34,505
IS UNFORGIVABLE,

945
00:39:34,505 --> 00:39:38,543
AND I WISH TO GOD
I COULD UNDO IT,

946
00:39:38,543 --> 00:39:40,945
BUT YOU HAVE TO UNDERSTAND.

947
00:39:40,945 --> 00:39:43,914
WHAT BILLY AND I HAVE
IS SPECIAL.

948
00:39:43,914 --> 00:39:46,050
IT'S REAL.

949
00:39:46,050 --> 00:39:49,186
I'M NOT SOME PERVERT.

950
00:39:49,186 --> 00:39:53,925
I LOVE HIM,
AND HE LOVES ME.

951
00:39:55,260 --> 00:39:57,695
IS... THAT WRONG?

952
00:39:57,695 --> 00:40:00,065
YES.

953
00:40:01,099 --> 00:40:04,835
(inhales and sighs)

954
00:40:04,835 --> 00:40:07,873
(sighs)
(police radio chatter)

955
00:40:10,175 --> 00:40:12,177
(telephones ringing in distance)

956
00:40:14,980 --> 00:40:18,182
LINDY, HI.
WHAT ARE YOU DOING HERE?

957
00:40:18,182 --> 00:40:19,851
I JUST WANTED TO SAY
THANK YOU

958
00:40:19,851 --> 00:40:22,186
FOR FIGURING OUT WHAT HAPPENED
TO MR. McTIERNEY.

959
00:40:22,186 --> 00:40:24,956
OHH... YOU'RE WELCOME.

960
00:40:24,956 --> 00:40:27,391
AND ALSO...

961
00:40:27,391 --> 00:40:29,894
I THINK I WANT TO DO
WHAT HE SAID.

962
00:40:29,894 --> 00:40:32,063
YOU KNOW,
GET OUT OF THE LIFE.

963
00:40:32,063 --> 00:40:35,032
THAT'S GOOD, LINDY.
I'M HAPPY FOR YOU.

964
00:40:35,032 --> 00:40:38,068
(chuckles nervously)
I FEEL STUPID.

965
00:40:38,068 --> 00:40:39,938
I DON'T KNOW WHY
I'M TELLING YOU.

966
00:40:39,938 --> 00:40:43,574
IT'S JUST I DON'T REALLY HAVE
ANYONE ELSE TO SAY IT TO

967
00:40:43,574 --> 00:40:45,610
NOW THAT HE'S GONE.

968
00:40:46,744 --> 00:40:49,146
WELL, I KNOW
A SOCIAL WORKER.

969
00:40:49,146 --> 00:40:50,648
I'LL GET YOU HER NUMBER.

970
00:40:50,648 --> 00:40:53,284
THERE'S ALL SORTS OF PROGRAMS
AND SHELTERS.

971
00:40:53,284 --> 00:40:54,652
SHE CAN HELP YOU.

972
00:40:54,652 --> 00:40:56,253
(exhales sharply)

973
00:40:56,253 --> 00:40:58,889
(voice breaking) THANK YOU.

974
00:40:58,889 --> 00:41:01,358
(sighs) SURE.

975
00:41:01,358 --> 00:41:02,693
(pats back)
(exhales)

976
00:41:02,693 --> 00:41:03,795
(police radio chatter)

977
00:41:03,795 --> 00:41:05,096
HEY, HOW DID YOU KNOW

978
00:41:05,096 --> 00:41:07,364
BILLY WAS HAVING
AN AFFAIR WITH THE TEACHER?

979
00:41:07,364 --> 00:41:09,134
THEY BOTH HAD LEAVES
ON THEM

980
00:41:09,134 --> 00:41:12,036
FROM THEIR MAKE-OUT SPOT
IN THE WOODS.

981
00:41:12,036 --> 00:41:12,971
THAT'S IT?

982
00:41:12,971 --> 00:41:14,773
WELL, PLUS I COULD SEE
SHE LIKED HIM.

983
00:41:14,773 --> 00:41:16,974
SHE WAS MEANER TO HIM
THAN THE OTHER KIDS.

984
00:41:16,974 --> 00:41:19,177
YOU KNOW, LIKE LISBON
IS TO ME.

985
00:41:19,177 --> 00:41:20,746
(clicks tongue) SHUT UP!

986
00:41:20,746 --> 00:41:21,679
SEE?

987
00:41:21,679 --> 00:41:23,313
(cell phone alert chimes)

988
00:41:23,313 --> 00:41:25,315
(mutters)
OH, A TEXT FROM RIGSBY.

989
00:41:25,315 --> 00:41:27,152
(cell phone vibrating)

990
00:41:27,152 --> 00:41:29,855
(cell phones beeping)

991
00:41:29,855 --> 00:41:32,456
IT'S A BOY. BENJAMIN.

992
00:41:32,456 --> 00:41:33,925
HE'S SO CUTE.

993
00:41:34,860 --> 00:41:37,161
YEAH, IF WINSTON CHURCHILL
WAS CUTE.

994
00:41:37,161 --> 00:41:38,797
MORE LIKE MAO TSE-TUNG.

995
00:41:38,797 --> 00:41:40,264
YEAH. YOU'RE RIGHT.

996
00:41:40,264 --> 00:41:42,432
HUSH. HE'S GORGEOUS.

997
00:41:42,432 --> 00:41:46,503
YEAH. HE IS GORGEOUS.

998
00:41:48,574 --> 00:41:51,208
(police radio chatter)