1 00:00:01,334 --> 00:00:02,770 (Patrick) JUST THINK-- 2 00:00:02,770 --> 00:00:06,607 THIS WAS ONCE THE SEABED OF A PREHISTORIC OCEAN. 3 00:00:06,607 --> 00:00:08,141 (Lisbon) SO? 4 00:00:08,141 --> 00:00:10,343 SO IT LENDS PERSPECTIVE IN THE GREAT SCHEME OF THINGS, 5 00:00:10,343 --> 00:00:13,180 JUST HOW INSIGNIFICANT, HOW SMALL, HOW TINY WE ARE. 6 00:00:13,180 --> 00:00:16,184 MAYBE FOR YOU. CHO. WHAT DO WE GOT? TINY. 7 00:00:16,184 --> 00:00:20,721 LICENSE AND REGISTRATION I.D. HIM AS A RYAN D'STEFANO. 8 00:00:20,721 --> 00:00:22,623 WALLET WAS ON HIM. NO MONEY GONE. 9 00:00:22,623 --> 00:00:25,158 KEYS IN THE IGNITION. GAS TANK WAS EMPTY. 10 00:00:25,158 --> 00:00:26,327 HOW'D HE DIE? 11 00:00:26,327 --> 00:00:27,695 SHOT FROM BEHIND AT CLOSE RANGE. 12 00:00:27,695 --> 00:00:29,329 ROAD RAGE, OR PAID HIT? 13 00:00:29,329 --> 00:00:37,036 (indistinct conversations) 14 00:00:37,036 --> 00:00:38,539 (police radio chatter) 15 00:00:40,039 --> 00:00:42,076 THERE'S TWO SODAS IN THE DRINK HOLDER. 16 00:00:42,076 --> 00:00:45,012 ONE'S DIET. THE OTHER'S REGULAR. 17 00:00:45,012 --> 00:00:46,979 BODY'S ON THE PASSENGER SIDE, 18 00:00:46,979 --> 00:00:50,718 SO ONE CAN ASSUME THERE WERE TWO PEOPLE IN THE CAR. 19 00:00:50,718 --> 00:00:52,051 WHERE'D THE OTHER ONE GO? 20 00:00:52,051 --> 00:00:53,220 THAT'S A GOOD QUESTION. 21 00:00:53,220 --> 00:00:54,854 ANYTHING ELSE USEFUL? 22 00:00:54,854 --> 00:00:55,923 NO, WE'RE STILL RUNNING DOWN THE NAME. 23 00:00:55,923 --> 00:00:57,990 FOUND THIS IN HIS POCKET. 24 00:00:57,990 --> 00:01:01,728 (sighs) IT'S A START. 25 00:01:01,728 --> 00:01:02,896 HMM. 26 00:01:07,900 --> 00:01:09,403 (indistinct conversations) 27 00:01:09,403 --> 00:01:11,671 YEAH, I KNOW RYAN D'STEFANO. 28 00:01:11,671 --> 00:01:13,906 HE WORKED HERE FOR ABOUT, I DON'T KNOW, SIX WEEKS. 29 00:01:13,906 --> 00:01:15,442 HE DOESN'T WORK FOR YOU ANYMORE? 30 00:01:15,442 --> 00:01:17,545 NOT FOR THE LAST SIX MONTHS. 31 00:01:17,545 --> 00:01:19,746 WHAT KIND OF WORK WAS HE DOING FOR YOU, MR. HOLMES? 32 00:01:19,746 --> 00:01:23,082 SECURITY GUARD. I RUN SECURITY HERE AT THE CASINO. 33 00:01:23,082 --> 00:01:25,552 MR. D'STEFANO IS A CONVICTED CRIMINAL. 34 00:01:25,552 --> 00:01:27,587 HE'S SERVED TIME FOR BURGLARY AND ARMED ROBBERY. 35 00:01:27,587 --> 00:01:30,557 YOU HIRE EX-CONS TO WORK FOR SECURITY FOR YOU OFTEN? 36 00:01:30,557 --> 00:01:32,526 NO, I DON'T, AND THAT'S WHY I FIRED HIM. 37 00:01:32,526 --> 00:01:34,061 HOW'D HE GET PAST THE BACKGROUND CHECK? 38 00:01:34,061 --> 00:01:37,564 LOOK, I CAN'T ACCESS POLICE RECORDS AS FAST AS YOU. 39 00:01:37,564 --> 00:01:39,966 ONCE I FOUND OUT, I DEALT WITH IT. 40 00:01:39,966 --> 00:01:42,436 YES, YOU SEEM LIKE A MAN THAT DEALS WITH THINGS. 41 00:01:42,436 --> 00:01:45,239 YOU GOT THAT RIGHT. 42 00:01:45,239 --> 00:01:47,240 DID MR. D'STEFANO FORM ANY RELATIONSHIPS 43 00:01:47,240 --> 00:01:49,877 WHILE HE WAS WORKING HERE? FRIENDS OR ENEMIES? 44 00:01:49,877 --> 00:01:51,611 NO, HE KEPT PRETTY MUCH TO HIMSELF. 45 00:01:51,611 --> 00:01:52,979 CAN YOU THINK OF ANYBODY 46 00:01:52,979 --> 00:01:54,948 WHO MAY HAVE WANTED TO HARM MR. D'STEFANO? 47 00:01:54,948 --> 00:01:56,417 NO. 48 00:01:56,417 --> 00:01:59,219 WE NEED TO TALK TO YOUR BOSS. WHERE IS HE? 49 00:01:59,219 --> 00:02:01,621 THAT WOULD BE MR. SHAW. HE'S NOT HERE TODAY. 50 00:02:01,621 --> 00:02:03,391 WHAT ABOUT ANY KIND OF PAPERWORK YOU MIGHT HAVE ON D'STEFANO? 51 00:02:03,391 --> 00:02:04,391 WHERE'S THAT? 52 00:02:04,391 --> 00:02:05,893 THIS WAY. 53 00:02:07,126 --> 00:02:08,728 WHERE'S THE OTHER GUY? 54 00:02:08,728 --> 00:02:12,098 AH. HE DOES THAT. HE'LL BE BACK LATER. 55 00:02:12,098 --> 00:02:14,467 THIS WAY. 56 00:02:14,467 --> 00:02:17,937 THE HANDCUFFS ARE NO LONGER ON ME. THEY ARE ON YOU. 57 00:02:17,937 --> 00:02:21,308 (lounge music playing) 58 00:02:21,308 --> 00:02:23,610 (silverware clinks) 59 00:02:23,610 --> 00:02:25,413 AND HERE'S YOUR WATCH, GOOD AS NEW. 60 00:02:25,413 --> 00:02:26,646 (crowd) OHH. 61 00:02:26,646 --> 00:02:29,849 A ROUND OF APPLAUSE FOR OUR VOLUNTEER. 62 00:02:36,156 --> 00:02:39,492 IN THE LAMASERIES OF THE ORIENT-- 63 00:02:39,492 --> 00:02:41,161 HEY, JACK, WHERE'S MY 50 BUCKS? 64 00:02:44,664 --> 00:02:47,668 FROM THE LAMASERIES OF THE ORIENT... 65 00:02:47,668 --> 00:02:49,670 TO THE ANCIENT TEXTS... 66 00:02:49,670 --> 00:02:51,338 OF ATLANTIS... 67 00:02:51,338 --> 00:02:54,307 I HAVE FOUND THE KEY TO CONTROLLING THE DARK ENERGIES... 68 00:02:54,307 --> 00:02:55,308 (whoosh) 69 00:02:55,308 --> 00:02:57,811 OF THE UNIVERSE. 70 00:02:57,811 --> 00:03:00,480 (crowd murmurs) 71 00:03:00,480 --> 00:03:01,481 (cape whooshes) 72 00:03:01,481 --> 00:03:04,183 CHANNELING THESE ENERGIES... 73 00:03:04,183 --> 00:03:07,487 I WILL TRANSPORT MY BEAUTIFUL ASSISTANT 74 00:03:07,487 --> 00:03:10,022 ACROSS THE STAGE... 75 00:03:10,022 --> 00:03:12,992 TO REAPPEAR IN THIS BOX. 76 00:03:12,992 --> 00:03:14,193 SERIOUSLY, JACK. I JUST WANT WHAT'S MINE. 77 00:03:14,193 --> 00:03:16,963 WHERE'S MY 50 BUCKS? 78 00:03:16,963 --> 00:03:20,401 (crowd murmuring) 50 BUCKS, OR I'LL BLOW THE TRICK. 79 00:03:24,003 --> 00:03:26,205 (crowd stops murmuring) 80 00:03:26,205 --> 00:03:29,175 LOWLIFE PIKER! I WANT MY SCRATCH! 81 00:03:29,175 --> 00:03:31,378 (crowd murmuring) OR I'LL TELL 'EM ABOUT THE TRAPDOOR. 82 00:03:31,378 --> 00:03:34,348 (laughter) 83 00:03:34,348 --> 00:03:37,384 HEY, JACK, CALM DOWN. DON'T RECOGNIZE ME? 84 00:03:37,384 --> 00:03:39,652 PATRICK JANE? I SHOULD HAVE KNOWN. 85 00:03:39,652 --> 00:03:42,188 LITTLE HECKLING, AND YOU BLOW A SIMPLE PASS. 86 00:03:42,188 --> 00:03:43,723 YOU'RE LOSING YOUR TOUCH, JACK. 87 00:03:43,723 --> 00:03:44,724 (smack) 88 00:03:44,724 --> 00:03:46,158 OH! 89 00:03:46,158 --> 00:03:48,228 YOU RUINED MY ACT. 90 00:03:48,228 --> 00:03:51,432 (groans) 91 00:03:51,432 --> 00:03:54,033 (sniffles) 92 00:03:54,033 --> 00:03:57,037 *** 93 00:03:57,037 --> 00:04:01,008 Captioned by Closed Captioning Services, Inc. 94 00:04:03,711 --> 00:04:05,846 THIS JOB'S JUST TEMPORARY, REALLY, 95 00:04:05,846 --> 00:04:08,080 UNTIL THE NEW FLOOR SHOW AT CAESARS. 96 00:04:08,080 --> 00:04:10,884 THAT'S NEXT... PROBABLY. 97 00:04:10,884 --> 00:04:12,185 OH, THAT'S GREAT. 98 00:04:12,185 --> 00:04:15,955 YEAH. I'M EXCITED. I AM SUPER EXCITED. 99 00:04:17,591 --> 00:04:19,793 WHAT HAPPENED, JACK? 100 00:04:20,860 --> 00:04:22,629 YOU WERE HEADED FOR THE TOP. 101 00:04:22,629 --> 00:04:25,298 I STILL AM. 102 00:04:26,300 --> 00:04:27,867 I STILL AM--I STILL AM. 103 00:04:27,867 --> 00:04:29,569 (scoffs) 104 00:04:29,569 --> 00:04:31,639 I JUST, UH... 105 00:04:33,641 --> 00:04:37,877 I GOT SIDETRACKED. I GOT CAUGHT UP IN SOME STUFF. 106 00:04:41,548 --> 00:04:44,884 I GOT BUSTED FOR DRUGS. I DID SOME TIME. (sighs) 107 00:04:44,884 --> 00:04:46,987 IT'S NOT A BIG DEAL. JUST, UH... 108 00:04:46,987 --> 00:04:50,557 JUST MESSED WITH MY BOOKINGS A LITTLE, SO... 109 00:04:50,557 --> 00:04:53,225 THAT'S SHOWBIZ. RIGHT? 110 00:04:53,225 --> 00:04:55,963 BUT I'M WORKING MY WAY BACK UP, SO... 111 00:04:55,963 --> 00:04:59,733 BLAH BLAH BLAH, THAT'S ME. WHAT YOU BEEN UP TO, PATRICK? 112 00:05:02,403 --> 00:05:04,672 I WORK WITH THE POLICE. 113 00:05:06,238 --> 00:05:07,507 CBI. 114 00:05:07,507 --> 00:05:09,742 I'M INVESTIGATING A MURDER. 115 00:05:09,742 --> 00:05:11,011 YOU'RE KIDDING ME. 116 00:05:11,011 --> 00:05:13,146 NO. NO. 117 00:05:13,146 --> 00:05:15,415 IN FACT, UH... (clears throat) 118 00:05:15,415 --> 00:05:17,584 THIS IS MY BIT. UH... 119 00:05:17,584 --> 00:05:20,252 DO YOU RECOGNIZE THIS MAN? 120 00:05:21,254 --> 00:05:24,257 NO, NEVER SEEN HIM. 121 00:05:24,257 --> 00:05:25,759 SERIOUSLY. 122 00:05:26,826 --> 00:05:29,295 N--Y--NO, NO. 123 00:05:30,764 --> 00:05:33,766 HOW ARE YOU, OF ALL PEOPLE, WORKING WITH THE COPS? 124 00:05:33,766 --> 00:05:35,603 YOU DIDN'T HEAR WHAT HAPPENED? 125 00:05:35,603 --> 00:05:37,838 NO. HEAR WHAT? 126 00:05:37,838 --> 00:05:39,773 (whispers) EH, IT'S A LONG STORY. 127 00:05:40,973 --> 00:05:42,942 I'M HERE. 128 00:05:44,644 --> 00:05:48,048 WELL, I'M SORRY I CAN'T BE OF MORE ASSISTANCE, OFFICER. 129 00:05:49,617 --> 00:05:51,619 GOOD TO SEE YOU SO WELL, JACK. 130 00:05:51,619 --> 00:05:53,687 YEAH, YEAH. 131 00:05:53,687 --> 00:05:55,788 LAST TIME I SAW YOU WAS 16 YEARS AGO, 132 00:05:55,788 --> 00:05:57,790 WHEN YOU OPENED FOR ME IN KANSAS CITY, 133 00:05:57,790 --> 00:06:00,793 AND FOR WHAT IT'S WORTH, YOU DON'T LOOK A DAY OLDER. 134 00:06:00,793 --> 00:06:03,963 WELL, THANK YOU, BUT YOU'RE MISTAKEN, PATRICK. 135 00:06:03,963 --> 00:06:05,533 IT'S YOU WHO OPENED FOR ME. 136 00:06:05,533 --> 00:06:06,966 YOUR MEMORY'S GOING. 137 00:06:06,966 --> 00:06:09,637 MM. MENTALISTS. 138 00:06:09,637 --> 00:06:13,139 BIG TALKERS. NO SKILLS. 139 00:06:13,139 --> 00:06:14,807 (chuckles) 140 00:06:14,807 --> 00:06:16,910 SEE YOU. 141 00:06:21,213 --> 00:06:23,315 BALLISTICS REPORTS THE SLUGS CAME FROM A .38. 142 00:06:23,315 --> 00:06:25,317 EXPLAINS WHY THERE WERE NO SHELL CASINGS AT THE CRIME SCENE. 143 00:06:25,317 --> 00:06:26,687 WE GOT D'STEFANO'S PRINTS ALL OVER THE CAR 144 00:06:26,687 --> 00:06:28,055 AND ON ONE OF THE SODA CUPS. 145 00:06:28,055 --> 00:06:29,923 THERE'S DIFFERENT PRINTS ON THE OTHER CUP. 146 00:06:29,923 --> 00:06:31,559 HAVEN'T COME UP WITH ANYTHING YET, BUT WE'RE STILL SEARCHING. 147 00:06:31,559 --> 00:06:32,925 IF THEY'RE IN THE SYSTEM, WE'LL FIND 'EM. 148 00:06:32,925 --> 00:06:34,927 OKAY, WHAT HAVE WE LEARNED ABOUT D'STEFANO? 149 00:06:34,927 --> 00:06:36,697 GREW UP NEAR THE OREGON BORDER. 150 00:06:36,697 --> 00:06:39,165 BROTHER CLAIMED D'STEFANO WAS GETTING HIS LIFE BACK ON TRACK 151 00:06:39,165 --> 00:06:40,500 SINCE HE WAS RELEASED ON PAROLE. 152 00:06:40,500 --> 00:06:42,002 THEY ALWAYS SAY THAT, DON'T THEY? 153 00:06:42,002 --> 00:06:44,572 ALL TRACKS, THOUGH-- NEW TOWN, NEW JOB, FRESH START-- 154 00:06:44,572 --> 00:06:46,507 LEAVE ALL THE BAD INFLUENCES BEHIND. 155 00:06:46,507 --> 00:06:48,341 GETTING FIRED WOULD HAVE PUT A DENT IN THAT. 156 00:06:48,341 --> 00:06:50,677 WHAT'D HE DO AFTER HE LOST HIS JOB? 157 00:06:50,677 --> 00:06:51,678 NOTHING. 158 00:06:51,678 --> 00:06:53,379 WHAT DO YOU MEAN, "NOTHING"? 159 00:06:53,379 --> 00:06:55,048 HE DIDN'T GET ANOTHER JOB? HE DIDN'T GO BACK UP NORTH? 160 00:06:55,048 --> 00:06:57,283 NOPE, HE JUST HUNG AROUND IN SAN REFUGIO UNTIL HE WAS KILLED. 161 00:06:57,283 --> 00:06:59,687 HERE'S SOMETHING. I CALLED HIS PAROLE OFFICER. 162 00:06:59,687 --> 00:07:01,855 HE SAID D'STEFANO GOT INTO A SCUFFLE 163 00:07:01,855 --> 00:07:04,290 WITH AN UNKNOWN INDIVIDUAL AT A BAR OUTSIDE SAN REFUGIO. 164 00:07:04,290 --> 00:07:06,093 P.O. GAVE HIM A BREAK AND LET IT SLIDE. 165 00:07:06,093 --> 00:07:08,427 WHEN WAS THAT? A COUPLE MONTHS AGO, AFTER HE GOT FIRED. 166 00:07:08,427 --> 00:07:10,463 OKAY, WHAT ABOUT THE CASINO? WE FINDING ANY CONNECTION? 167 00:07:10,463 --> 00:07:12,098 YEAH, OWNER'S A GUY NAMED NICKY SHAW. 168 00:07:12,098 --> 00:07:13,766 HE'S REPUTED TO BE MOBBED UP, FOR WHAT IT'S WORTH. 169 00:07:13,766 --> 00:07:16,870 CHO, YOU AND RIGSBY LOOK INTO D'STEFANO'S MOVEMENTS 170 00:07:16,870 --> 00:07:18,971 LEADING UP TO HIS MURDER. SEE IF YOU CAN FIND ANYTHING. 171 00:07:18,971 --> 00:07:20,707 GRACE, FOLLOW UP ON THE BAR FIGHT. 172 00:07:20,707 --> 00:07:22,309 WILL DO, BOSS. 173 00:07:24,778 --> 00:07:27,781 ARE YOU PLANNING ON TAKING ANY INTEREST IN THIS CASE? 174 00:07:27,781 --> 00:07:29,550 I'M LOOKING FOR CLUES. 175 00:07:31,552 --> 00:07:33,553 YES, IN THE NEWSPAPER. 176 00:07:33,553 --> 00:07:35,322 BESIDES, I HEARD EVERY SINGLE WORD. 177 00:07:35,322 --> 00:07:36,956 REALLY? 178 00:07:36,956 --> 00:07:38,225 YES. 179 00:07:38,225 --> 00:07:39,992 OUR VICTIM IS EITHER A HARDENED CRIMINAL 180 00:07:39,992 --> 00:07:42,995 OR A TRAGICALLY MISUNDERSTOOD DICKENSIAN WAIF. 181 00:07:42,995 --> 00:07:46,132 ALSO, THE CASINO MAY BE CONNECTED TO THE MAFIA. 182 00:07:46,132 --> 00:07:48,067 OKAY, SO WHAT DO YOU THINK? 183 00:07:49,302 --> 00:07:51,904 "WHAT DO I THINK?" (sighs) 184 00:07:51,904 --> 00:07:53,473 I THINK I'M HUNGRY. 185 00:08:00,980 --> 00:08:04,817 (country music playing) 186 00:08:07,855 --> 00:08:09,822 HOWDY. 187 00:08:09,822 --> 00:08:11,257 WHAT CAN I DO YOU FOR? 188 00:08:11,257 --> 00:08:12,959 I'M CURIOUS ABOUT A FIGHT THAT HAPPENED HERE 189 00:08:12,959 --> 00:08:15,862 A COUPLE MONTHS AGO, INVOLVING THIS GUY. 190 00:08:15,862 --> 00:08:21,033 THAT'S RYAN. YEAH. THEY WENT AT EACH OTHER PRETTY GOOD. 191 00:08:21,033 --> 00:08:22,935 YOU KNEW MR. D'STEFANO? 192 00:08:22,935 --> 00:08:24,937 WHAT'S THIS ABOUT? 193 00:08:24,937 --> 00:08:27,608 HE WAS MURDERED. YOU DON'T KNOW ANYTHING ABOUT THAT? 194 00:08:27,608 --> 00:08:29,543 WHAT HAPPENED? 195 00:08:29,543 --> 00:08:31,778 HE WAS SHOT. 196 00:08:31,778 --> 00:08:33,379 WHAT CAN YOU TELL ME ABOUT HIM? 197 00:08:33,379 --> 00:08:35,948 YOU KNOW, HE WAS A GOOD GUY, JUST... 198 00:08:35,948 --> 00:08:37,216 HOTHEADED. 199 00:08:37,216 --> 00:08:39,351 IS THAT HOW THE FIGHT STARTED? 200 00:08:39,351 --> 00:08:42,690 YEAH, I MEAN, AFTER HE LOST HIS JOB AT THE CASINO, 201 00:08:42,690 --> 00:08:45,292 HE WAS ALWAYS GOING ON AND ON ABOUT GETTING BACK AT THEM, 202 00:08:45,292 --> 00:08:48,327 SO, YOU KNOW, WHEN THE GUY WHO FIRED HIM SHOWED UP ONE DAY, 203 00:08:48,327 --> 00:08:50,297 YEAH, RYAN LOST IT. 204 00:08:50,297 --> 00:08:51,899 WAS THAT SHAW, THE CASINO OWNER? 205 00:08:51,899 --> 00:08:53,466 OR THE OTHER GUY, HEAD OF SECURITY? 206 00:08:53,466 --> 00:08:58,471 I DON'T KNOW. BIG BLACK GUY WITH A SHAVED HEAD. 207 00:08:58,471 --> 00:08:59,907 FINISHED EATING? 208 00:08:59,907 --> 00:09:01,541 D'STEFANO GOT IN A BAR FIGHT 209 00:09:01,541 --> 00:09:04,476 WITH THE SECURITY GUY FROM THE CASINO--DANTE HOLMES. 210 00:09:04,476 --> 00:09:06,046 I think we should talk to him again. 211 00:09:06,046 --> 00:09:08,315 OH, INTERESTING. I'LL TAKE CARE OF IT. 212 00:09:08,315 --> 00:09:10,750 W-WHAT DO YOU MEAN? WHERE ARE YOU? 213 00:09:10,750 --> 00:09:13,220 UH, BE BACK SOON. WE'LL TALK THEN. 214 00:09:13,220 --> 00:09:15,488 SORRY ABOUT THAT, MR. SHAW. 215 00:09:15,488 --> 00:09:20,059 SO RUMOR HAS IT THAT YOU'RE A MADE MAN. 216 00:09:20,059 --> 00:09:23,495 DID YOU HAVE D'STEFANO WHACKED, RUBBED OUT, SMUDGED, 217 00:09:23,495 --> 00:09:25,331 WHATEVER IT IS THE PHRASE YOU USE? 218 00:09:25,331 --> 00:09:27,000 THAT'S FUNNY. 219 00:09:27,000 --> 00:09:30,202 LOOK, IS IT AN EMBARRASSMENT THAT WE HIRED A CONVICTED FELON? 220 00:09:30,202 --> 00:09:31,739 OF COURSE. 221 00:09:31,739 --> 00:09:35,008 DOES THAT IMPLICATE US IN HIS DEATH? NOT AT ALL. 222 00:09:35,008 --> 00:09:38,778 DOES THAT MAKE US LIABLE IN ANY WAY? I DON'T THINK SO. 223 00:09:40,279 --> 00:09:43,450 WHAT ABOUT THE FIGHT THAT YOU HAD WITH D'STEFANO? 224 00:09:43,450 --> 00:09:45,719 WHAT FIGHT? 225 00:09:48,688 --> 00:09:52,192 HE WAS DRUNK AND ANGRY AT ME FOR CANNING HIM. 226 00:09:52,192 --> 00:09:54,861 CAN'T BLAME HIM FOR THAT. 227 00:09:54,861 --> 00:09:56,764 SO I TUNED HIM UP A LITTLE. 228 00:09:56,764 --> 00:09:58,365 SAW NO REASON TO SPEAK ABOUT IT, 229 00:09:58,365 --> 00:10:00,701 SEEING AS THERE WAS NO CONNECTION TO HIM GETTING SHOT. 230 00:10:00,701 --> 00:10:03,070 WELL, THAT SEEMS REASONABLE ENOUGH, 231 00:10:03,070 --> 00:10:05,205 AND WHO WANTS THAT KIND OF PUBLICITY? 232 00:10:05,205 --> 00:10:08,140 RIGHT. 233 00:10:08,140 --> 00:10:10,442 LOOK, I RUN A NICE ESTABLISHMENT HERE. 234 00:10:10,442 --> 00:10:12,144 EVERYTHING IS THE BEST. 235 00:10:12,144 --> 00:10:13,780 NEXT MONTH, 236 00:10:13,780 --> 00:10:15,883 I'VE GOT AN INTERNATIONAL POKER TOURNAMENT COMING IN. 237 00:10:15,883 --> 00:10:18,652 TOP CABLE COVERAGE. IT'S GONNA BE BIG. 238 00:10:18,652 --> 00:10:20,721 YOU DIDN'T KNOW ABOUT THE FIGHT? 239 00:10:20,721 --> 00:10:23,389 NO. 240 00:10:23,389 --> 00:10:24,991 AND YOU DON'T MIND THAT HOLMES HERE 241 00:10:24,991 --> 00:10:27,326 WAS WITHHOLDING THAT INFORMATION FROM YOU? 242 00:10:27,326 --> 00:10:28,662 NO. 243 00:10:28,662 --> 00:10:30,163 HMM. 244 00:10:30,163 --> 00:10:31,899 LOOK, IS THERE ANYTHING ELSE YOU'D LIKE TO KNOW? 245 00:10:31,899 --> 00:10:34,000 MY BUSINESS IS AN OPEN BOOK TO LAW ENFORCEMENT. 246 00:10:34,000 --> 00:10:35,501 MM. MM. 247 00:10:35,501 --> 00:10:37,504 (lounge music playing) 248 00:10:37,504 --> 00:10:38,905 (crowd) OHH. 249 00:10:38,905 --> 00:10:41,908 (applause) 250 00:10:43,243 --> 00:10:45,177 NO, I'M FINE, THANKS. 251 00:10:52,686 --> 00:10:54,754 ENJOY THE SHOW. 252 00:11:03,363 --> 00:11:05,131 WHAT'S UP? 253 00:11:05,131 --> 00:11:07,100 WE FOUND THE GAS STATION WHERE D'STEFANO AND HIS PASSENGER 254 00:11:07,100 --> 00:11:09,436 GOT GAS AND SODAS. WE GOT AN I.D. ON THE PASSENGER. 255 00:11:09,436 --> 00:11:10,770 (Cho) HER NAME'S HOLLY DANVERS. 256 00:11:10,770 --> 00:11:12,105 PAID FOR THE DRINKS USING A CREDIT CARD. 257 00:11:12,105 --> 00:11:13,605 HASN'T USED IT SINCE. 258 00:11:13,605 --> 00:11:15,975 COUPLE OF DRUG PRIORS. THERE'S AN ADDRESS THERE. 259 00:11:15,975 --> 00:11:18,544 NICE WORK. GO AND GET HER, BUT BE CAREFUL. 260 00:11:18,544 --> 00:11:20,447 IF SHE EXECUTED D'STEFANO IN COLD BLOOD, 261 00:11:20,447 --> 00:11:22,115 SHE'S LIKELY TO PUT UP A FIGHT. 262 00:11:22,115 --> 00:11:23,615 ALL RIGHT. WE'LL CALL IN, WE GET ANYTHING. 263 00:11:30,389 --> 00:11:31,825 (engine turns off) 264 00:11:38,130 --> 00:11:40,734 (man) CAN I, UH, HELP YOU GENTS? 265 00:11:40,734 --> 00:11:42,134 (Rigsby) CBI. 266 00:11:42,134 --> 00:11:44,738 (Cho) DO YOU KNOW A WOMAN NAMED HOLLY DANVERS? 267 00:11:44,738 --> 00:11:47,975 SURE. WE KNOW HOLLY. 268 00:11:47,975 --> 00:11:50,309 TRAILER 60. FINE TENANT. 269 00:11:50,309 --> 00:11:54,313 HUH. HER ROOMMATE CHERYL'S A PUSHY ONE, THOUGH. 270 00:11:54,313 --> 00:11:56,548 COMPLAINS ABOUT THE WATER PRESSURE. 271 00:11:56,548 --> 00:11:58,150 IS SHE IN HER TRAILER? 272 00:11:58,150 --> 00:12:01,922 NO, SHE WENT AWAY WITH A YOUNG FELLA COUPLE OF DAYS AGO. 273 00:12:01,922 --> 00:12:04,892 MY WIFE SEES EVERYTHING. 274 00:12:04,892 --> 00:12:07,594 NOBODY GETS AWAY WITH ANYTHING AROUND HERE. 275 00:12:07,594 --> 00:12:09,261 YOU RECOGNIZE THIS MAN? 276 00:12:10,230 --> 00:12:11,831 YEAH, THAT'S HIM. 277 00:12:11,831 --> 00:12:14,667 YEAH, I REMEMBER BECAUSE ONE OF 'EM FORGOT SOMETHING, 278 00:12:14,667 --> 00:12:16,436 AND THEN HE WENT BACK TO GET IT. 279 00:12:16,436 --> 00:12:17,837 CAN WE TALK TO THE ROOMMATE? 280 00:12:17,837 --> 00:12:19,873 I... DON'T THINK SHE'S IN. 281 00:12:19,873 --> 00:12:21,173 OH. 282 00:12:21,173 --> 00:12:22,575 I STOPPED BY EARLIER TO CHECK HER PROPANE, 283 00:12:22,575 --> 00:12:24,510 BUT, UH, SHE DIDN'T ANSWER. 284 00:12:24,510 --> 00:12:25,913 ANY CHANCE WE COULD TAKE A LOOK AROUND THE TRAILER? 285 00:12:25,913 --> 00:12:27,279 BE A BIG HELP TO US. 286 00:12:27,279 --> 00:12:29,850 OH, OF COURSE YOU CAN. WE RUN AN HONEST PLACE. 287 00:12:29,850 --> 00:12:31,183 GO GET THE KEYS. 288 00:12:31,183 --> 00:12:32,284 YES, MA'AM. 289 00:12:32,284 --> 00:12:33,519 HEAD OVER. 290 00:12:33,519 --> 00:12:34,687 HE'LL COME MEET YOU. 291 00:12:34,687 --> 00:12:35,687 THANK YOU. 292 00:12:35,687 --> 00:12:36,688 THANK YOU. 293 00:12:47,033 --> 00:12:49,369 CBI. WE NEED TO SPEAK TO YOU. 294 00:12:49,369 --> 00:12:51,703 SEE? NOBODY HOME. 295 00:12:51,703 --> 00:12:53,440 CAN YOU UNLOCK IT FOR ME, PLEASE? 296 00:12:53,440 --> 00:12:55,207 YEAH, SURE. 297 00:12:55,207 --> 00:12:57,309 (keys jangle) 298 00:12:58,445 --> 00:13:00,547 STAND BACK. 299 00:13:02,149 --> 00:13:04,918 (door creaks) 300 00:13:04,918 --> 00:13:06,153 HELLO? 301 00:13:06,153 --> 00:13:09,155 (fan squeaking, air conditioner humming) 302 00:13:10,623 --> 00:13:13,159 YOUR PARK MANAGER LET US IN. 303 00:13:23,235 --> 00:13:25,172 CHERYL? 304 00:13:25,172 --> 00:13:27,106 CHERYL? 305 00:13:35,447 --> 00:13:38,051 TO BE TERRIFIED AND AMAZED. 306 00:13:38,051 --> 00:13:41,388 (Survivor's "Eye of the Tiger" playing) 307 00:13:41,388 --> 00:13:45,024 HEY. WHAT DID YOU DO TO ME? I CAN'T FEEL MY TOES. 308 00:13:45,024 --> 00:13:47,193 (Patrick chuckles) 309 00:13:48,695 --> 00:13:51,197 WHERE ARE MY TOES? 310 00:13:51,197 --> 00:13:53,500 I CAN'T FEEL MY TOES. 311 00:13:53,500 --> 00:13:55,402 HEY. HEY, HEY, LOOK, LOOK, LOOK. 312 00:13:55,402 --> 00:13:57,703 HER HEAD'S IN A BOX, BUT SHE'S STILL TALKING. 313 00:13:57,703 --> 00:13:59,706 (clapping) 314 00:13:59,706 --> 00:14:01,640 THAT IS CRAZY. 315 00:14:01,640 --> 00:14:04,043 CRAZY. 316 00:14:04,043 --> 00:14:06,879 HOLLY DANVERS IS OUR NUMBER ONE SUSPECT. 317 00:14:06,879 --> 00:14:08,081 WHAT DO WE KNOW ABOUT HER? 318 00:14:08,081 --> 00:14:09,515 WELL, ACCORDING TO HER PAROLE RECORDS, 319 00:14:09,515 --> 00:14:11,083 HOLLY DANVERS DID EVERYTHING SHE WAS SUPPOSED TO. 320 00:14:11,083 --> 00:14:12,684 SHE GOT CLEAN AND STAYED CLEAN. 321 00:14:12,684 --> 00:14:15,022 PASSED ALL HER DRUG TESTS, WENT TO REGULAR COUNSELING, 322 00:14:15,022 --> 00:14:17,090 EVEN GOT A GOOD JOB AS A WAITRESS 323 00:14:17,090 --> 00:14:18,424 AT A PLACE CALLED BIG FRANK'S. 324 00:14:18,424 --> 00:14:20,092 BIG FRANK'S OUTSIDE SAN REFUGIO? 325 00:14:20,092 --> 00:14:21,594 YEAH. 326 00:14:21,594 --> 00:14:23,196 THAT'S WHERE D'STEFANO GOT INTO HIS FIGHT. 327 00:14:23,196 --> 00:14:24,264 THEY MUST HAVE MET THERE. 328 00:14:24,264 --> 00:14:25,697 LOVE TRIANGLE GONE WRONG, MAYBE? 329 00:14:25,697 --> 00:14:27,267 D'STEFANO AND DANVERS HOOK UP, 330 00:14:27,267 --> 00:14:28,534 THEN SHE CATCHES HIM CHEATING ON HER WITH THE ROOMMATE, 331 00:14:28,534 --> 00:14:29,701 KILLS 'EM BOTH. 332 00:14:29,701 --> 00:14:31,238 DOES SHE HAVE A HISTORY OF VIOLENCE? 333 00:14:31,238 --> 00:14:32,239 NO. 334 00:14:32,239 --> 00:14:33,840 WE NEED TO DIG DEEPER. 335 00:14:33,840 --> 00:14:35,575 VAN PELT, GO TO BIG FRANK'S. SEE WHAT YOU CAN LEARN. 336 00:14:35,575 --> 00:14:37,277 ALL RIGHT. 337 00:14:38,378 --> 00:14:39,745 (sighs) 338 00:14:39,745 --> 00:14:41,181 (man) ORDER UP! 339 00:14:41,181 --> 00:14:44,384 HOLLY? SHE'S ONE OF MY BEST WAITRESSES. WHY? 340 00:14:44,384 --> 00:14:46,119 WHEN WAS THE LAST TIME YOU SPOKE WITH HER? 341 00:14:46,119 --> 00:14:47,955 SHE WAS SUPPOSED TO BE WORKING TODAY. 342 00:14:47,955 --> 00:14:50,623 SHE CALLED IN THIS MORNING, SAID SHE HAD TO MISS A COUPLE SHIFTS. 343 00:14:50,623 --> 00:14:51,924 ORDER UP! 344 00:14:51,924 --> 00:14:53,393 SHE CALLED IN? WHAT'D SHE SAY? 345 00:14:54,793 --> 00:14:58,065 NEEDED TIME OFF FOR A PERSONAL MATTER. 346 00:14:58,065 --> 00:15:00,799 SEEMED KIND OF CRANKY, SO I DIDN'T PUSH. 347 00:15:00,799 --> 00:15:04,437 LIKE I SAID, SHE'S ONE OF MY BEST. HEY! 348 00:15:04,437 --> 00:15:07,240 HELLO. ORDER UP. 349 00:15:07,240 --> 00:15:09,542 THANK YOU. 350 00:15:11,311 --> 00:15:13,413 (knock on door) 351 00:15:16,448 --> 00:15:18,750 HEY, PATRICK. WHAT IS IT? 352 00:15:18,750 --> 00:15:21,321 WELL, I CAUGHT THE SHOW. IT WAS GREAT. VERY SMOOTH. 353 00:15:21,321 --> 00:15:23,923 UH, THE SPHINX, NICELY PLAYED. LOVE THE BLAMMO BOX. 354 00:15:23,923 --> 00:15:26,826 OF COURSE IT'S ALL ABOUT THE ASSISTANT. PATRICK. 355 00:15:26,826 --> 00:15:27,961 OH, I'M TRISH. 356 00:15:27,961 --> 00:15:29,162 WE'RE OLD FRIENDS. 357 00:15:29,162 --> 00:15:30,797 (whispers) OH. 358 00:15:33,332 --> 00:15:35,134 (Jack) YEAH. 359 00:15:35,134 --> 00:15:37,104 SORRY. UH, THIS IS VINCENT AND SKIDDY. 360 00:15:37,104 --> 00:15:39,672 THEY'RE YOUNG MAGICIANS I AM MENTORING. 361 00:15:40,840 --> 00:15:43,110 (whispers) HI. 362 00:15:43,110 --> 00:15:45,677 JACK AND I USED TO WORK THE CARNIVAL CIRCUIT TOGETHER. 363 00:15:45,677 --> 00:15:47,580 MENTORING, HUH? WELL, THAT'S GREAT. 364 00:15:47,580 --> 00:15:50,017 USED TO BE THIS GUY WAS SO TIGHT HE WOULDN'T TELL YOU THE TIME. 365 00:15:50,017 --> 00:15:53,120 UH, STILL OWES ME 50 BUCKS FROM WHAT, 16 YEARS AGO? 366 00:15:53,120 --> 00:15:54,520 I DON'T REMEMBER THIS 50 BUCKS. 367 00:15:54,520 --> 00:15:56,255 OF COURSE YOU DON'T. YOU KNOW WHAT? 368 00:15:56,255 --> 00:15:58,290 I'M GONNA LET THAT SLIDE. ANYWAY, I HAVE TO RUN. OKAY. 369 00:15:58,290 --> 00:16:01,461 UM, IT WAS A GREAT ACT. NICE TO MEET YOU. 370 00:16:01,461 --> 00:16:03,663 BE GOOD. 371 00:16:03,663 --> 00:16:06,533 THANKS. HEY, UH, I'LL CALL YOU. WE'LL--WE'LL GET TOGETHER, OKAY? 372 00:16:06,533 --> 00:16:08,600 SURE, JACK. ALL RIGHT. 373 00:16:12,339 --> 00:16:15,508 (indistinct conversations) 374 00:16:34,994 --> 00:16:36,462 (door opens) 375 00:16:37,697 --> 00:16:39,399 (cell phone rings) 376 00:16:39,399 --> 00:16:40,832 HELLO, LISBON. 377 00:16:40,832 --> 00:16:43,070 YOU WONDERING WHEN I'M COMING BACK? 378 00:16:43,070 --> 00:16:44,537 (Lisbon) No. Not at all. 379 00:16:44,537 --> 00:16:45,837 I WOULDN'T WANT TO IMPOSE. 380 00:16:45,837 --> 00:16:47,706 WHENEVER YOU FIND THE TIME IS OKAY WITH ME. 381 00:16:47,706 --> 00:16:51,577 AH. SARCASM. DOESN'T SUIT YOU MUCH AT ALL. 382 00:16:53,679 --> 00:16:57,517 I'M WORKING THE CASE. IN FACT, I'VE ALMOST CRACKED IT. 383 00:16:57,517 --> 00:16:59,719 REALLY? SO HAVE WE. 384 00:16:59,719 --> 00:17:02,089 REALLY? WHAT DO YOU GOT? 385 00:17:02,089 --> 00:17:04,356 It looks to be a crime of passion. 386 00:17:04,356 --> 00:17:06,925 A woman named Holly Danvers was the last person 387 00:17:06,925 --> 00:17:08,694 to see D'Stefano before his death, 388 00:17:08,694 --> 00:17:10,930 AND WE FOUND HER ROOMMATE DEAD IN THEIR APARTMENT. 389 00:17:10,930 --> 00:17:12,231 AHH. 390 00:17:12,231 --> 00:17:14,834 Yeah, and Danvers was a waitress 391 00:17:14,834 --> 00:17:16,935 at the bar D'Stefano got in a fight at. 392 00:17:16,935 --> 00:17:19,605 OOH. WELL, NOW IT SEEMS TO MAKE SENSE. 393 00:17:19,605 --> 00:17:21,173 YEAH, BECAUSE I JUST EXPLAINED IT TO YOU. 394 00:17:21,173 --> 00:17:22,174 WHEN ARE YOU COMING BACK? 395 00:17:26,212 --> 00:17:29,281 WE'LL TALK LATER, LISBON. THANKS. 396 00:17:29,281 --> 00:17:32,751 Wait. Jane... 397 00:17:36,123 --> 00:17:37,457 SECURITY'S TOO TIGHT. 398 00:17:37,457 --> 00:17:39,791 IT WAS 12 MINUTES, MAN. WE CHECKED IT TWICE. 399 00:17:39,791 --> 00:17:41,760 SORRY, MAN. 400 00:17:41,760 --> 00:17:43,563 GOSH, GUYS. THERE'S GOTTA... 401 00:17:43,563 --> 00:17:46,098 THERE'S NO WAY, MAN. 402 00:17:52,305 --> 00:17:54,374 (car door closes) 403 00:17:55,375 --> 00:17:56,542 (engine starts) 404 00:18:01,147 --> 00:18:04,151 THANKS. THANK YOU. 405 00:18:07,119 --> 00:18:08,621 HELLO, JACK. 406 00:18:09,955 --> 00:18:11,557 (exhales deeply) WHERE'D YOU COME FROM? 407 00:18:13,925 --> 00:18:16,328 I KNOW WHAT'S GOING ON. 408 00:18:16,328 --> 00:18:19,499 WHAT ARE YOU TALKING ABOUT? YOU--YOU BEEN FOLLOWING ME? 409 00:18:19,499 --> 00:18:22,501 THE WAY YOU FELL APART ONSTAGE WHEN I YELLED 410 00:18:22,501 --> 00:18:23,836 WAS THE FIRST CLUE. 411 00:18:25,137 --> 00:18:28,106 THEN YOU LIED ABOUT KNOWING D'STEFANO, 412 00:18:28,106 --> 00:18:31,844 AND NOW YOU'RE PALLING AROUND WITH A COUPLE OF EX-CONS. 413 00:18:31,844 --> 00:18:34,280 YOUR FRIENDS ARE MORE PROFESSIONAL THAN THEY LOOK. 414 00:18:34,280 --> 00:18:36,848 I MUST SAY THAT. THEY DID A GOOD JOB OF CASING THIS PLACE. 415 00:18:36,848 --> 00:18:38,484 WHAT DO YOU MEAN? WHAT PLACE? 416 00:18:38,484 --> 00:18:40,118 YOU'RE PLANNING TO ROB THE CASINO, JACK. 417 00:18:40,118 --> 00:18:41,587 THERE'S NO POINT IN HIDING IT. 418 00:18:41,587 --> 00:18:42,689 SHUT UP. 419 00:18:42,689 --> 00:18:43,823 YOU CAN GET ME IN A LOT OF TROUBLE, 420 00:18:43,823 --> 00:18:45,458 PEOPLE HEAR YOU TALKING LIKE THAT. 421 00:18:45,458 --> 00:18:49,528 QUESTION IS, WHY? YOU'RE NOT THE CASINO-ROBBING TYPE. 422 00:18:49,528 --> 00:18:50,962 I DON'T KNOW WHAT YOU'RE TALKING ABOUT, 423 00:18:50,962 --> 00:18:52,865 AND YOU SHOULD LEAVE IT ALONE. 424 00:18:52,865 --> 00:18:55,667 YOU'RE SCARED-- I KNEW THAT FROM THE FIRST-- 425 00:18:55,667 --> 00:18:57,470 BUT NOT FOR YOURSELF, FOR SOMEONE YOU CARE ABOUT. 426 00:18:57,470 --> 00:19:00,307 CUT IT OUT. I MEAN IT. WALK AWAY. 427 00:19:00,307 --> 00:19:02,174 HOLLY DANVERS IS YOUR GIRLFRIEND. 428 00:19:02,174 --> 00:19:03,710 SHE'S BEEN KIDNAPPED 429 00:19:03,710 --> 00:19:06,546 BY WHOEVER'S MAKING YOU ROB THE CASINO. 430 00:19:06,546 --> 00:19:10,517 YES. 431 00:19:10,517 --> 00:19:13,720 BUT IT CAN'T BE ROBBED. IT'S IMPOSSIBLE. 432 00:19:13,720 --> 00:19:15,153 REALLY? 433 00:19:15,153 --> 00:19:18,357 I MEAN, IT'S NOT FORT KNOX. 434 00:19:18,357 --> 00:19:19,692 IS IT REALLY THAT HARD? 435 00:19:19,692 --> 00:19:21,560 I'VE BEEN LOOKING AT IT EVERY WHICH WAY. 436 00:19:21,560 --> 00:19:23,230 I CAN'T SEE HOW IT CAN BE DONE, 437 00:19:23,230 --> 00:19:24,631 AND THEY'VE GOT HOLLY, 438 00:19:24,631 --> 00:19:26,365 AND THERE'S NOTHING I CAN DO TO SAVE HER. 439 00:19:26,365 --> 00:19:27,799 HEY, WHOA, WHOA. 440 00:19:27,799 --> 00:19:30,869 DON'T WORRY. I CAN HELP YOU. 441 00:19:30,869 --> 00:19:32,404 OKAY? 442 00:19:32,404 --> 00:19:33,573 WHAT ARE YOU DOING? 443 00:19:33,573 --> 00:19:34,906 CALLING THE POLICE. 444 00:19:34,906 --> 00:19:37,544 NO, NO, NO, THEY SAID, ANY HINT OF THE COPS, 445 00:19:37,544 --> 00:19:39,578 AND THEY'LL KILL HER. THEY TOLD ME. 446 00:19:39,578 --> 00:19:41,347 OKAY. 447 00:19:41,347 --> 00:19:43,682 THEN WE HAVE TO DO IT THE OTHER WAY. 448 00:19:43,682 --> 00:19:45,652 WHAT'S THE OTHER WAY? 449 00:19:48,820 --> 00:19:51,691 I ROB THE CASINO FOR YOU. 450 00:20:03,169 --> 00:20:04,371 YOU HAVE ANY IDEA WHO SENT IT? 451 00:20:04,371 --> 00:20:05,872 NO. 452 00:20:05,872 --> 00:20:08,375 BUT YOU KNOW HOW IT IS. I MEET ALL KINDS OF PEOPLE. 453 00:20:08,375 --> 00:20:10,643 THERE'S SOME HARD CASES IN THIS TOWN. IT COULD BE ANYONE. 454 00:20:10,643 --> 00:20:12,211 WHY NOW? 455 00:20:12,211 --> 00:20:14,980 THE FIRST OF THE MONTH IS WHEN THE VAULT IS THE FULLEST, 456 00:20:14,980 --> 00:20:17,884 SO WHOEVER'S DOING THIS KNOWS HOW THE CASINO WORKS. 457 00:20:17,884 --> 00:20:20,319 OKAY. WELL, I'LL TAKE A LOOK AROUND AND SEE WHAT CAN BE DONE. 458 00:20:20,319 --> 00:20:21,887 CAN'T BE DONE. 459 00:20:21,887 --> 00:20:23,390 VINCE AND SKIDDY AGREE, 460 00:20:23,390 --> 00:20:25,124 AND THEY'VE DONE THINGS LIKE THIS BEFORE. 461 00:20:25,124 --> 00:20:27,159 AND THEY'RE DOING THIS OUT OF THE GOODNESS OF THEIR HEART? 462 00:20:27,159 --> 00:20:28,961 OF COURSE NOT. 463 00:20:28,961 --> 00:20:31,631 THEY DON'T KNOW ANYTHING ABOUT THE KIDNAPPING OR ABOUT HOLLY. 464 00:20:31,631 --> 00:20:33,065 NOBODY CAN KNOW. 465 00:20:33,065 --> 00:20:34,800 WHAT ABOUT TRISH? 466 00:20:34,800 --> 00:20:38,904 SHE'S INVOLVED, ISN'T SHE? HOW MUCH DOES SHE KNOW? 467 00:20:38,904 --> 00:20:41,574 ONLY WHAT VINCE AND SKIDDY KNOW, NOTHING MORE. 468 00:20:41,574 --> 00:20:43,410 OKAY. 469 00:20:43,410 --> 00:20:47,145 WELL, WE'LL MEET TOMORROW TO DISCUSS IT MORE. UM... 470 00:20:47,145 --> 00:20:50,750 AND I THINK WE SHOULD INTRODUCE ME TO YOUR TEAM. 471 00:20:50,750 --> 00:20:53,019 (car door opens) 472 00:20:53,019 --> 00:20:54,354 (car door closes) 473 00:20:54,354 --> 00:20:55,387 HEY, JANE. 474 00:20:55,387 --> 00:20:57,088 (engine starts) 475 00:20:57,088 --> 00:20:59,224 UH... THANKS. 476 00:20:59,224 --> 00:21:01,227 YEAH. SURE. 477 00:21:04,262 --> 00:21:05,765 (telephone ringing) 478 00:21:05,765 --> 00:21:07,700 HEY. FOUND SOMETHING. 479 00:21:07,700 --> 00:21:08,867 WHAT IS IT? 480 00:21:08,867 --> 00:21:09,902 REMEMBER HELLION TOLD JANE AND LISBON 481 00:21:09,902 --> 00:21:10,903 HE DIDN'T KNOW D'STEFANO? 482 00:21:10,903 --> 00:21:11,903 YEAH. 483 00:21:11,903 --> 00:21:13,905 TAKE A LOOK AT THIS. 484 00:21:13,905 --> 00:21:15,775 "MASTER OF THE DARK ARTS JACK HELLION PERFORMS MAGIC 485 00:21:15,775 --> 00:21:18,877 WITH THE HELP OF CASINO EMPLOYEE RYAN D'STEFANO." 486 00:21:20,112 --> 00:21:21,113 YOU TOLD LISBON YET? 487 00:21:21,113 --> 00:21:23,214 NO. JUST FOUND IT. 488 00:21:23,214 --> 00:21:24,951 WHAT'S WITH THE FLOWERS? 489 00:21:24,951 --> 00:21:26,885 THEY'RE FOR SUMMER. 490 00:21:26,885 --> 00:21:28,887 SUMMER? YOUR C.I.? 491 00:21:28,887 --> 00:21:29,888 YEAH. 492 00:21:29,888 --> 00:21:31,923 OH. OKAY. 493 00:21:31,923 --> 00:21:32,959 GOOD NIGHT. 494 00:21:32,959 --> 00:21:35,427 HEY. NICE WORK ON HELLION. 495 00:21:35,427 --> 00:21:38,230 YEAH. THANKS. GOOD NIGHT. 496 00:21:39,230 --> 00:21:41,133 WOW. 497 00:21:46,905 --> 00:21:48,740 THAT GOES THERE... (knock on door) 498 00:21:48,740 --> 00:21:50,142 (Trish) WHO IS IT? 499 00:21:50,142 --> 00:21:51,810 (Vincent) IT'S US. 500 00:21:52,944 --> 00:21:56,449 WHAT'S THIS ABOUT, HELLION? 501 00:21:56,449 --> 00:21:58,451 YOU'RE LATE. SIT DOWN. WE GOT A LOT OF WORK TO DO. (door closes) 502 00:21:59,719 --> 00:22:01,653 WHAT'S HE DOING HERE? 503 00:22:01,653 --> 00:22:03,589 JANE'S COMING IN ON THE JOB WITH US. 504 00:22:04,891 --> 00:22:06,959 I DON'T KNOW ABOUT THAT. 505 00:22:06,959 --> 00:22:08,627 HOW DO WE KNOW WE CAN TRUST THIS GUY? 506 00:22:08,627 --> 00:22:11,297 IT'S OKAY. YOU CAN TRUST HIM. HE'S ONE OF US. 507 00:22:11,297 --> 00:22:13,500 SAYS YOU. I'M NOT DOING THIS WITH HIM. 508 00:22:13,500 --> 00:22:14,967 WELL, FINE. 509 00:22:14,967 --> 00:22:17,569 WALK AWAY FROM A FOOLPROOF PLAN TO ROB THE CASINO. 510 00:22:17,569 --> 00:22:19,171 TELL YOU THE TRUTH, 511 00:22:19,171 --> 00:22:20,673 I DIDN'T THINK YOU REALLY HAD THE CHOPS FOR IT ANYWAY. 512 00:22:20,673 --> 00:22:22,608 (scoffs) 513 00:22:33,085 --> 00:22:35,320 SHOW US YOUR PLAN. 514 00:22:35,320 --> 00:22:37,256 DOESN'T MEAN THAT WE AGREED, THOUGH. 515 00:22:40,826 --> 00:22:44,329 LOUNGE, CASINO FLOOR, VAULT, 516 00:22:44,329 --> 00:22:45,932 LOADING DOCK. RIGHT? 517 00:22:45,932 --> 00:22:48,535 FIRST ORDER OF BUSINESS-- THE LOCK TO THE VAULT. 518 00:22:48,535 --> 00:22:50,301 OKAY, IT'S A HIGH-SECURITY LOCK, 519 00:22:50,301 --> 00:22:52,104 USING A COMBINATION OF SIDE WARDS AND PINS. 520 00:22:52,104 --> 00:22:53,472 I CAN GET INTO IT, 521 00:22:53,472 --> 00:22:55,040 BUT IT'S GONNA TAKE MORE TIME THAN WE GOT. 522 00:22:55,040 --> 00:22:57,375 SECURITY COMES BY EVERY FIVE MINUTES. 523 00:22:57,375 --> 00:22:59,612 THEN WE'RE GONNA NEED A KEY. 524 00:22:59,612 --> 00:23:01,313 (Skiddy) HOLMES, THE SECURITY CHIEF, 525 00:23:01,313 --> 00:23:03,214 CARRIES IT ON HIM AT ALL TIMES. 526 00:23:03,214 --> 00:23:04,717 (keys jangle) (Patrick) I'LL TAKE CARE OF THAT. 527 00:23:04,717 --> 00:23:07,118 THE VAULT-- YOU CASED IT YESTERDAY, RIGHT? 528 00:23:07,118 --> 00:23:08,488 (Skiddy) YEAH. 529 00:23:08,488 --> 00:23:10,021 THE DOOR IN THE MAIN ROOM OF THE CASINO, 530 00:23:10,021 --> 00:23:12,357 MARKED "AUTHORIZED PERSONNEL ONLY"... (door creaks) 531 00:23:12,357 --> 00:23:14,359 ACCESSES BOTH THE BACKSTAGE AREA 532 00:23:14,359 --> 00:23:16,663 AND A HALLWAY THAT LEADS TO THE VAULT. (keys jangle) 533 00:23:16,663 --> 00:23:19,298 THERE'S A HEAVY STEEL GATE, THEN THE DOOR TO THE VAULT. (door creaks) 534 00:23:19,298 --> 00:23:21,634 THERE'S A SMALL WINDOW SET INTO IT. 535 00:23:21,634 --> 00:23:24,503 INSIDE THE VAULT IS A BARE ROOM WITH THE SAFE SET IN THE WALL. 536 00:23:24,503 --> 00:23:25,872 THERE'S NO PLACE TO HIDE IN THERE. 537 00:23:25,872 --> 00:23:27,473 THERE'S CAMERAS OUTSIDE THE VAULT, 538 00:23:27,473 --> 00:23:29,808 BUT WE CAN PUT THEM ON A LOOP. 539 00:23:29,808 --> 00:23:31,844 (keys jangle) NOBODY'LL KNOW THE DIFFERENCE. THEY'RE NOT THE PROBLEM. 540 00:23:31,844 --> 00:23:33,311 THE PROBLEM IS THAT THE GUARDS 541 00:23:33,311 --> 00:23:35,714 COME AND CHECK THE VAULT EVERY FIVE TO SIX MINUTES. 542 00:23:35,714 --> 00:23:38,017 THE SAFE ISN'T COMPLEX, BUT IT'S STILL GONNA TAKE ME 543 00:23:38,017 --> 00:23:40,552 MORE THAN SIX MINUTES TO CRACK IT. 544 00:23:40,552 --> 00:23:42,855 OKAY, SO WE NEED TO GET INTO THE VAULT WITHOUT BEING SEEN, 545 00:23:42,855 --> 00:23:44,590 WE NEED TO RETURN THE KEY TO HOLMES 546 00:23:44,590 --> 00:23:47,259 BEFORE HE REALIZES IT'S GONE, THEN WE NEED TO OPEN THE SAFE 547 00:23:47,259 --> 00:23:50,663 WITHOUT BEING SEEN, TAKE THE MONEY, AND GET AWAY. 548 00:23:50,663 --> 00:23:52,030 YEAH, THAT'S ALL. 549 00:23:52,030 --> 00:23:54,400 YEAH. WELL, IF I CAN FIGURE OUT A WAY TO DO IT, 550 00:23:54,400 --> 00:23:55,902 YOU GOTTA GO ALONG WITH WHAT I SAY. 551 00:23:55,902 --> 00:23:58,403 NO QUESTIONS. NO ARGUMENTS. YES? 552 00:23:58,403 --> 00:24:00,940 YES, ABSOLUTELY. 553 00:24:00,940 --> 00:24:02,909 YOU BETTER BE ON THE LEVEL... 554 00:24:04,442 --> 00:24:06,112 OR ELSE WE GOT A PROBLEM. 555 00:24:06,112 --> 00:24:10,115 ONLY PROBLEM I CAN FORESEE IS GETTING YOU READY IN TIME. 556 00:24:10,115 --> 00:24:12,250 WHEN ARE WE PULLING THE JOB? 557 00:24:12,250 --> 00:24:13,685 TONIGHT. 558 00:24:14,753 --> 00:24:16,055 YEAH. 559 00:24:16,055 --> 00:24:17,523 LET'S GET TO WORK. 560 00:24:17,523 --> 00:24:18,958 (telephone ringing) 561 00:24:18,958 --> 00:24:20,960 JANE? WE NEED TO TALK TO YOU. 562 00:24:20,960 --> 00:24:23,930 WELL, THAT SOUNDS OMINOUS. I NEED TO TALK TO YOU AS WELL. 563 00:24:23,930 --> 00:24:26,198 YOUR FRIEND JACK HELLION LOOKS GOOD FOR THIS. 564 00:24:26,198 --> 00:24:27,634 (chuckles) YOU THINK? 565 00:24:27,634 --> 00:24:28,968 HE KNEW OUR VICTIM D'STEFANO. 566 00:24:28,968 --> 00:24:31,103 AND HE WAS DATING HOLLY DANVERS. 567 00:24:31,103 --> 00:24:32,438 WE THINK THEY WERE IN IT TOGETHER. 568 00:24:32,438 --> 00:24:33,471 "IN" WHAT? 569 00:24:33,471 --> 00:24:35,273 THE MURDER OF RYAN D'STEFANO. 570 00:24:35,273 --> 00:24:37,743 OH. YES. UH... 571 00:24:37,743 --> 00:24:40,779 WELL, IT'S A THEORY. 572 00:24:40,779 --> 00:24:42,815 AND YOU THINK IT'S WRONG. 573 00:24:42,815 --> 00:24:45,250 WELL, I KNOW IT'S WRONG. I MEAN, IT'S WAY OFF THE MARK. 574 00:24:45,250 --> 00:24:47,052 I'M--I'M SORRY. 575 00:24:47,052 --> 00:24:49,121 AND YOU KNOW THE RIGHT STORY, OF COURSE. 576 00:24:49,121 --> 00:24:51,923 YES, I DO, AND I KNOW HOW TO CLOSE THIS CASE NEATLY. 577 00:24:52,991 --> 00:24:54,661 SO? DO TELL. 578 00:24:54,661 --> 00:24:57,229 I SHALL, BUT WE'RE IN A VERY TRICKY SITUATION HERE. 579 00:24:57,229 --> 00:24:58,964 THERE IS A LIFE AT STAKE, 580 00:24:58,964 --> 00:25:00,666 AND YOU'RE GONNA HAVE TO BEAR WITH ME, 581 00:25:00,666 --> 00:25:02,500 BECAUSE WHAT I'M ABOUT TO SAY MIGHT SOUND A LITTLE CRAZY, 582 00:25:02,500 --> 00:25:04,502 BUT... 583 00:25:04,502 --> 00:25:06,337 TRUST ME. IT IS THE ONLY WAY. 584 00:25:06,337 --> 00:25:07,773 HE SAID, "CRAZY IDEA." 585 00:25:07,773 --> 00:25:08,775 HE SAID, "TRUST ME." 586 00:25:08,775 --> 00:25:10,142 ALWAYS A BAD SIGN. 587 00:25:10,142 --> 00:25:11,477 WELL, LISTEN, I'M JUST A CONSULTANT HERE. 588 00:25:11,477 --> 00:25:12,679 WE DON'T HAVE TO DO THIS ALL TOGETHER. 589 00:25:12,679 --> 00:25:15,914 I MEAN, I CAN MANAGE ON MY OWN SOMEHOW. 590 00:25:15,914 --> 00:25:17,683 WAIT. 591 00:25:21,854 --> 00:25:23,756 I WILL BEAR WITH YOU. 592 00:25:26,858 --> 00:25:27,859 TALK. 593 00:25:44,676 --> 00:25:47,212 (beeps) 594 00:25:47,212 --> 00:25:48,314 UH, IT'S THE KIDNAPPERS. 595 00:25:48,314 --> 00:25:49,548 THEY'VE GIVEN US A LOCATION 596 00:25:49,548 --> 00:25:51,182 TO DROP THE MONEY AFTER THE JOB IS DONE. 597 00:25:51,182 --> 00:25:52,719 WELL, TELL 'EM WE'RE NOT DOING ANYTHING 598 00:25:52,719 --> 00:25:54,019 UNTIL WE KNOW THAT HOLLY'S ALIVE. 599 00:25:54,019 --> 00:25:55,020 (whispers) OKAY. 600 00:25:58,557 --> 00:26:01,227 OH. THEY'RE SENDING SOMETHING. 601 00:26:01,227 --> 00:26:03,394 OH, MY GOD. 602 00:26:03,394 --> 00:26:06,397 (sobbing) 603 00:26:08,400 --> 00:26:12,070 OKAY, KEEP IT TOGETHER, JACK. WE GOT A JOB TO DO HERE. 604 00:26:12,070 --> 00:26:13,071 (pants) 605 00:26:13,071 --> 00:26:15,340 OKAY? TEXT THEM BACK. 606 00:26:15,340 --> 00:26:17,676 TELL 'EM WE'LL TAKE THE MONEY TO THE DROP SITE 607 00:26:17,676 --> 00:26:19,244 JUST LIKE THEY SAID. 608 00:26:19,244 --> 00:26:21,913 (breathing heavily) 609 00:26:21,913 --> 00:26:23,082 (blows air) 610 00:26:23,082 --> 00:26:24,215 OKAY? 611 00:26:24,215 --> 00:26:26,085 OKAY. 612 00:26:26,085 --> 00:26:27,486 LET'S GO. 613 00:26:30,388 --> 00:26:34,160 HEY. HEY, WHERE HAVE YOU TWO BEEN? WE GO ON IN FOUR MINUTES. 614 00:26:34,160 --> 00:26:35,761 WE READY? 615 00:26:35,761 --> 00:26:38,096 UH, THERE IS ONE SMALL THING-- UH, THOSE POLICE 616 00:26:38,096 --> 00:26:40,199 THAT ARE INVESTIGATING D'STEFANO'S MURDER-- 617 00:26:40,199 --> 00:26:42,034 THEY'RE HERE AGAIN. 618 00:26:42,034 --> 00:26:44,603 I JUST WANTED YOU TO KNOW SO YOU DON'T FREAK OUT IF YOU SEE THEM. 619 00:26:44,603 --> 00:26:45,604 OH, CRAP. 620 00:26:45,604 --> 00:26:46,705 WE GOTTA CALL IT OFF. 621 00:26:46,705 --> 00:26:47,839 NO, NO. NO, WE DON'T. 622 00:26:47,839 --> 00:26:49,240 EVERYTHING GOES AHEAD AS PLANNED. 623 00:26:49,240 --> 00:26:50,843 THEY'RE WORKING A HOMICIDE. 624 00:26:50,843 --> 00:26:52,944 THEY'RE NOT EVEN GONNA BE THINKING ABOUT A ROBBERY. 625 00:26:52,944 --> 00:26:55,181 WE DO IT RIGHT UNDER THEIR NOSES. OKAY? 626 00:26:55,181 --> 00:26:57,449 OKAY. 627 00:26:57,449 --> 00:26:58,917 LET'S DO THIS. 628 00:26:58,917 --> 00:27:00,451 CURTAIN'S UP. 629 00:27:06,659 --> 00:27:09,662 (crowd gasping and murmuring) 630 00:27:13,332 --> 00:27:16,736 (whoosh) 631 00:27:18,671 --> 00:27:21,640 WELCOME, LADIES AND GENTLEMEN. 632 00:27:21,640 --> 00:27:25,111 TONIGHT I WILL DELIGHT AND AMAZE YOU. 633 00:27:26,679 --> 00:27:30,182 YOU WILL SEE THINGS THAT WILL MAKE YOU DOUBT YOUR EYES. 634 00:27:32,018 --> 00:27:33,251 YOU ALL SET? 635 00:27:33,251 --> 00:27:34,519 SET. 636 00:27:34,519 --> 00:27:35,855 I CAN'T BELIEVE WE'RE DOING THIS. 637 00:27:35,855 --> 00:27:37,522 I'M DOING THIS. 638 00:27:37,522 --> 00:27:40,192 WELL, YEAH, BUT LEGALLY, WE'RE ACCOMPLICES, SO I MEAN... 639 00:27:40,192 --> 00:27:41,927 COULD YOU SHUT UP? 640 00:27:41,927 --> 00:27:44,363 (scattered applause) 641 00:27:44,363 --> 00:27:45,865 (indistinct conversations) 642 00:27:45,865 --> 00:27:48,500 HELLO, GRACE. WHAT LUCK RUNNING INTO YOU HERE. 643 00:27:48,500 --> 00:27:49,868 HI, JANE. AM I LATE? 644 00:27:49,868 --> 00:27:52,604 NOT AT ALL. FOLLOW ME. 645 00:27:52,604 --> 00:27:55,207 MY NEXT DEMONSTRATION IS SOMETHING I LEARNED 646 00:27:55,207 --> 00:27:58,344 FROM A YOGI MYSTIC IN DHARAMSHALA-- 647 00:27:58,344 --> 00:28:02,548 HOW TO SEE BY USING YOUR ASTRAL MIND, 648 00:28:02,548 --> 00:28:04,549 NOT YOUR PHYSICAL SENSES. 649 00:28:04,549 --> 00:28:06,617 I WILL NEED A VOLUNTEER. 650 00:28:06,617 --> 00:28:09,888 (crowd murmuring) 651 00:28:09,888 --> 00:28:11,723 YOU, SIR. 652 00:28:11,723 --> 00:28:13,960 (chuckles) NO. 653 00:28:13,960 --> 00:28:15,728 COME ON, FOLKS. GIVE HIM A HAND. HE'S JUST SHY. 654 00:28:15,728 --> 00:28:17,730 GO ON. (clears throat) 655 00:28:17,730 --> 00:28:22,201 *** 656 00:28:26,873 --> 00:28:30,041 I WANT YOU TO EXAMINE THIS HOOD. 657 00:28:30,041 --> 00:28:32,744 IT'S IMPOSSIBLE TO SEE OUT OF IT. IS THAT NOT SO? 658 00:28:32,744 --> 00:28:35,914 OKAY. UH... 659 00:28:35,914 --> 00:28:37,916 YES, YOU CAN'T SEE OUT OF IT. 660 00:28:39,184 --> 00:28:42,153 (Trish) THANK YOU. PLEASE STEP OVER HERE. 661 00:28:45,758 --> 00:28:47,093 (whispers) OKAY. 662 00:28:47,093 --> 00:28:48,927 (normal voice) IT'S COMING UP. 663 00:28:52,397 --> 00:28:54,066 CAN YOU SEE? 664 00:28:54,066 --> 00:28:55,366 NO. 665 00:28:56,567 --> 00:28:58,170 (Trish) GREAT, NOW FROM OUR VOLUNTEER, 666 00:28:58,170 --> 00:29:01,039 COULD I GET AN OBJECT? ANY OBJECT, PLEASE. 667 00:29:02,107 --> 00:29:03,375 (Rigsby speaks indistinctly) 668 00:29:04,442 --> 00:29:06,112 CAN I HAVE A SPOT HERE, PLEASE? 669 00:29:06,112 --> 00:29:07,445 (whoosh) 670 00:29:07,445 --> 00:29:10,449 WHAT IS THE FIRST OBJECT I AM SHOWING YOU? 671 00:29:12,785 --> 00:29:14,452 IS IT A WALLET? 672 00:29:14,452 --> 00:29:15,887 (crowd) OHH. 673 00:29:15,887 --> 00:29:17,556 (applause) 674 00:29:18,790 --> 00:29:20,960 YOU CAN GO BACK TO YOUR SEAT. THANK YOU. 675 00:29:22,127 --> 00:29:23,962 I WILL NOW COME OUT TO THE AUDIENCE. 676 00:29:23,962 --> 00:29:26,932 ANYONE CAN GIVE ME AN OBJECT. 677 00:29:28,634 --> 00:29:31,636 OKAY. HAT AND GLASSES. 678 00:29:35,875 --> 00:29:37,108 (exhales deeply) 679 00:29:48,988 --> 00:29:50,388 DANTE HOLMES. 680 00:29:50,388 --> 00:29:52,758 LIKE TO INTRODUCE YOU TO GRACE VAN PELT. 681 00:29:52,758 --> 00:29:54,326 SHE'S AN AGENT AT THE CBI. 682 00:29:54,326 --> 00:29:55,827 SHE'D LIKE TO ASK YOU A FEW QUESTIONS. 683 00:29:55,827 --> 00:29:59,464 I THINK YOU TWO ARE GONNA GET ALONG FAMOUSLY. 684 00:29:59,464 --> 00:30:00,833 HI. 685 00:30:02,667 --> 00:30:06,071 SO, UM... YOU'RE THE HEAD OF SECURITY, HUH? 686 00:30:06,071 --> 00:30:08,106 (woman) * GLAMOROUS * 687 00:30:08,106 --> 00:30:11,844 * AND THAT OLD STANDBY AMOROUS * 688 00:30:11,844 --> 00:30:13,278 * IT'S ALL * 689 00:30:13,278 --> 00:30:15,446 * TOO WONDERFUL * 690 00:30:15,446 --> 00:30:18,116 * I'LL NEVER FIND THE WORDS * 691 00:30:18,116 --> 00:30:19,151 * THAT SAY * 692 00:30:23,088 --> 00:30:24,823 NOBODY SAW YOU, DID THEY? 693 00:30:24,823 --> 00:30:26,692 NOBODY SAW US. YOU GET THE KEY? 694 00:30:26,692 --> 00:30:28,693 LIKE CANDY FROM A BABY. WE CLEAR? 695 00:30:28,693 --> 00:30:31,363 (clicks) 696 00:30:31,363 --> 00:30:32,530 CLEAR. 697 00:30:37,036 --> 00:30:38,037 (door creaks) 698 00:30:38,037 --> 00:30:39,538 (Patrick) OKAY. 699 00:30:39,538 --> 00:30:42,875 (Patrick inhales sharply and whistles) 700 00:30:44,042 --> 00:30:46,644 OKAY. 701 00:30:46,644 --> 00:30:48,547 (lock turns) 702 00:30:48,547 --> 00:30:50,648 HA. 703 00:30:50,648 --> 00:30:52,284 ALL SET. 704 00:30:52,284 --> 00:30:55,054 YOU HAVE ROUGHLY FIVE AND A HALF MINUTES. 705 00:30:57,788 --> 00:30:59,625 (Patrick exhales sharply) 706 00:30:59,625 --> 00:31:02,127 GOOD, GOOD, GOOD, GOOD, GOOD, GOOD, GOOD, GOOD. 707 00:31:13,138 --> 00:31:15,040 OKAY, GENTLEMEN, I HAVE TO GET THIS KEY BACK TO HOLMES 708 00:31:15,040 --> 00:31:17,076 BEFORE HE REALIZES IT'S GONE. 709 00:31:17,076 --> 00:31:18,176 WAIT. 710 00:31:21,212 --> 00:31:22,381 MY HANDS. 711 00:31:22,381 --> 00:31:23,548 WHAT? 712 00:31:25,250 --> 00:31:26,817 I DON'T THINK I CAN DO THIS. 713 00:31:26,817 --> 00:31:29,255 I'M NOT CUT OUT TO BE A CRIMINAL. 714 00:31:30,256 --> 00:31:32,824 ALL RIGHT. 715 00:31:32,824 --> 00:31:36,061 YOU'RE GONNA HAVE TO GET THIS KEY BACK INTO HOLMES' POCKET. 716 00:31:36,061 --> 00:31:39,230 I'LL STAY HERE AND HELP. RIGHT SIDE JACKET POCKET. 717 00:31:39,230 --> 00:31:41,767 REMEMBER-- RIGHT SIDE JACKET POCKET. 718 00:31:41,767 --> 00:31:42,768 (whispers) OKAY. 719 00:31:43,769 --> 00:31:45,436 (door closes) 720 00:31:47,772 --> 00:31:49,240 OKAY, JACK. HEY, LOOK AT THIS COIN. 721 00:31:49,240 --> 00:31:51,442 LOOK AT HOW BRIGHT THAT IS. 722 00:31:51,442 --> 00:31:54,212 LOOK AT THE WAY THE LIGHT HITS IT. EH? 723 00:31:59,785 --> 00:32:01,787 AS YOU BREATHE, 724 00:32:01,787 --> 00:32:05,356 YOU WILL FEEL YOUR BODY SLOWLY RELAX. 725 00:32:05,356 --> 00:32:08,460 I THINK YOU WILL BE ABLE TO TELL WHAT I HAVE NOW. 726 00:32:08,460 --> 00:32:10,096 IS IT A PAIR OF GLASSES? 727 00:32:10,096 --> 00:32:11,297 (applause) 728 00:32:11,297 --> 00:32:12,730 SEE YOU SOON, I HOPE. 729 00:32:12,730 --> 00:32:13,965 YEAH, GOOD LUCK. 730 00:32:18,136 --> 00:32:20,306 WHEN I CLICK MY FINGERS, JACK, 731 00:32:20,306 --> 00:32:24,210 YOU WILL FEEL CALM AND RELAXED. 732 00:32:24,210 --> 00:32:27,778 IT'LL BE EASY TO OPEN THE SAFE. 733 00:32:27,778 --> 00:32:30,816 WHEN I CLICK MY FINGERS, JACK, 734 00:32:30,816 --> 00:32:34,119 YOU WILL OPEN THE SAFE WITH GREAT EASE... 735 00:32:34,119 --> 00:32:36,288 AND QUICKNESS. 736 00:32:36,288 --> 00:32:37,423 (snap) 737 00:32:39,325 --> 00:32:41,492 WHAT DO YOU SAY WE OPEN THE SAFE? 738 00:32:41,492 --> 00:32:43,961 OKAY, HERE WE GO. 739 00:32:44,962 --> 00:32:47,066 (clicks) 740 00:32:47,066 --> 00:32:48,467 GRACE, HAVE YOU SEEN JANE? 741 00:32:48,467 --> 00:32:51,170 UM, HE WAS HERE A SECOND AGO. 742 00:32:51,170 --> 00:32:52,171 OH. 743 00:32:52,171 --> 00:32:53,572 CAREFUL, SON. 744 00:32:53,572 --> 00:32:56,075 EXCUSE ME, SIR. UM, WHICH WAY TO THE BATHROOM? 745 00:32:56,075 --> 00:32:58,344 RIGHT OVER THERE. 746 00:33:04,915 --> 00:33:07,952 EXCUSE ME, AGENTS. I'VE GOTTA GET BACK TO WORK. 747 00:33:19,631 --> 00:33:22,134 (keys jangle) 748 00:33:23,634 --> 00:33:26,137 (door squeaks) 749 00:33:26,137 --> 00:33:29,141 (keys jangle) 750 00:33:56,301 --> 00:33:58,970 (keys jangle) 751 00:33:58,970 --> 00:34:01,539 (lock clicks) 752 00:34:07,011 --> 00:34:09,081 (clacking) 753 00:34:11,182 --> 00:34:13,851 (clacks) 754 00:34:19,257 --> 00:34:20,559 (click) 755 00:34:26,664 --> 00:34:28,666 (knock on door) 756 00:34:32,938 --> 00:34:34,373 YOU GUYS READY? 757 00:34:34,373 --> 00:34:37,376 LET'S GO. YOU NEED TO GET BACK TO THE STAGE. 758 00:34:42,514 --> 00:34:44,014 OKAY. I GOT THE REST OF THIS. 759 00:34:44,014 --> 00:34:45,884 TIME TO BRING THE VAN ROUND TO THE LOADING DOCK. 760 00:34:45,884 --> 00:34:47,918 OKAY. 761 00:34:49,420 --> 00:34:50,789 (thud) 762 00:34:50,789 --> 00:34:52,224 (thud) 763 00:34:52,224 --> 00:34:53,858 (thud) 764 00:34:53,858 --> 00:34:55,793 THANK YOU, LADIES AND GENTLEMEN. 765 00:34:55,793 --> 00:34:59,197 AND FOR OUR LAST DEMONSTRATION, MAY I HAVE AN OBJECT, PLEASE? 766 00:34:59,197 --> 00:35:01,733 THIS WILL DO QUITE NICELY. 767 00:35:01,733 --> 00:35:04,302 I THINK YOU WILL BE ABLE TO TELL WHAT I HAVE NOW. 768 00:35:04,302 --> 00:35:06,905 (Vincent) YOU ARE HOLDING... 769 00:35:06,905 --> 00:35:09,208 A SET OF CAR KEYS. 770 00:35:09,208 --> 00:35:11,909 (indistinct conversations) 771 00:35:11,909 --> 00:35:15,646 (applause) 772 00:35:22,086 --> 00:35:24,054 (whoosh) 773 00:35:24,054 --> 00:35:26,056 (crowd) OHH. 774 00:35:31,730 --> 00:35:32,998 (crowd) OHH. 775 00:35:32,998 --> 00:35:36,001 (applause) 776 00:36:02,027 --> 00:36:03,528 (door creaks) 777 00:36:09,867 --> 00:36:11,702 (grunts) GOT IT. 778 00:36:12,704 --> 00:36:14,706 (car door closes) 779 00:36:17,275 --> 00:36:20,711 OKAY. ME AND VINNIE WILL FOLLOW RIGHT BEHIND YOU IN THE CAR. 780 00:36:20,711 --> 00:36:21,713 YOU HAVE THE KEYS? 781 00:36:21,713 --> 00:36:23,349 YEP. ALL RIGHT. 782 00:36:23,349 --> 00:36:25,217 WE GET SEPARATED, WE MEET AT THE TRUCK STOP AT I-90, OKAY? 783 00:36:25,217 --> 00:36:26,552 OH, DON'T WORRY. WE WON'T GET SEPARATED. 784 00:36:26,552 --> 00:36:28,554 WELL DONE, MEN. 785 00:36:28,554 --> 00:36:30,054 WE DID IT. CONGRATULATIONS. 786 00:36:30,054 --> 00:36:31,155 OKAY. 787 00:36:31,155 --> 00:36:32,891 NICELY DONE. 788 00:36:32,891 --> 00:36:34,992 HEY. DON'T STICK AROUND. 789 00:36:34,992 --> 00:36:37,695 CBI's GONNA BE CRAWLING ALL OVER THE PLACE VERY SOON. 790 00:36:37,695 --> 00:36:39,063 (engine starts) 791 00:36:39,063 --> 00:36:40,565 WHY'D HE HAVE TO HUG ME, MAN? I HATE THAT. 792 00:36:40,565 --> 00:36:42,568 WHO CARES, BRO? WE'RE RICH. 793 00:36:46,838 --> 00:36:48,340 OPEN THE CAR. LET'S GO. 794 00:36:48,340 --> 00:36:49,840 HE TOOK THE KEYS. 795 00:36:51,141 --> 00:36:53,344 BASTARD TOOK THE KEYS! 796 00:36:53,344 --> 00:36:55,414 THAT'S NOT THE WORST OF IT. 797 00:36:55,414 --> 00:36:57,349 LET ME SEE YOUR HANDS. 798 00:37:05,056 --> 00:37:08,025 (car approaches) 799 00:37:08,025 --> 00:37:11,096 HEADS UP. HERE THEY COME. 800 00:37:17,268 --> 00:37:19,771 (car door closes) 801 00:37:27,445 --> 00:37:29,014 HOLLY? 802 00:37:29,014 --> 00:37:31,016 WHOA... STOP RIGHT THERE, JACK. 803 00:37:31,016 --> 00:37:32,884 TRISH? 804 00:37:32,884 --> 00:37:36,454 TURN AROUND... SLOWLY. 805 00:37:36,454 --> 00:37:37,789 OPEN THE BACK OF THE TRUCK. 806 00:37:37,789 --> 00:37:39,557 TRISH, WHAT ARE YOU DOING? 807 00:37:39,557 --> 00:37:43,094 OPEN IT. LET ME SEE THE MONEY. 808 00:37:47,898 --> 00:37:51,068 THE MONEY'S IN THE BOX. 809 00:37:51,068 --> 00:37:54,639 IT'S GONNA BE ALL RIGHT, HOLLY. IT'S GONNA BE ALL RIGHT. 810 00:37:54,639 --> 00:37:59,744 YEAH, SURE IT IS. GET OVER THERE. LINE UP. MOVE. 811 00:38:01,780 --> 00:38:03,382 TRISH, YOU DON'T HAVE TO DO THIS. 812 00:38:03,382 --> 00:38:05,983 HE'S RIGHT, YOU KNOW. YOU DON'T HAVE TO KILL US. 813 00:38:05,983 --> 00:38:10,322 YOU'RE RIGHT. I DON'T, BUT IT'S CLEANER THIS WAY. 814 00:38:10,322 --> 00:38:12,423 EVERYBODY WHO CAN IDENTIFY ME WILL BE DEAD, 815 00:38:12,423 --> 00:38:15,827 AND I WILL BE ON MY WAY TO MEXICO WITH A BOXFUL OF CASH. 816 00:38:15,827 --> 00:38:18,295 DROP THE GUN AND PUT YOUR HANDS IN THE AIR! 817 00:38:19,431 --> 00:38:22,000 (breathing heavily) 818 00:38:22,000 --> 00:38:24,670 (chuckles) 819 00:38:24,670 --> 00:38:27,739 BLAMMO. 820 00:38:27,739 --> 00:38:29,675 BALLISTICS CHECKS OUT FOR THE GUN, TRISH. 821 00:38:29,675 --> 00:38:31,510 TELL US WHY YOU DID IT, 822 00:38:31,510 --> 00:38:33,911 AND WE'LL ASK THE D.A. TO TAKE THE DEATH PENALTY OFF THE TABLE. 823 00:38:33,911 --> 00:38:35,947 WHAT DO YOU MEAN, "WHY DID I DO IT"? 824 00:38:35,947 --> 00:38:40,619 FOR THE MONEY, OF COURSE. I WAS ROBBING A CASINO. 825 00:38:40,619 --> 00:38:42,420 OKAY. 826 00:38:42,420 --> 00:38:44,655 YOU THINK I WAS BITTER BECAUSE JACK WAS SEEING 827 00:38:44,655 --> 00:38:48,460 SOME CHEAP-ASS WAITRESS INSTEAD OF ME? 828 00:38:48,460 --> 00:38:51,429 YOU'RE 100% WRONG. COULDN'T CARE LESS. 829 00:38:51,429 --> 00:38:53,632 IT WAS STRICTLY ABOUT THE MONEY. 830 00:38:53,632 --> 00:38:56,201 OKAY. 831 00:38:56,201 --> 00:38:58,704 IT WAS D'STEFANO THAT GAVE ME THE IDEA AT FIRST, 832 00:38:58,704 --> 00:39:02,039 ALWAYS YAMMERING ON ABOUT GETTING EVEN WITH HOLMES. 833 00:39:02,039 --> 00:39:04,208 AND IT WAS D'STEFANO WHO GRABBED HOLLY? 834 00:39:04,208 --> 00:39:05,643 YES. 835 00:39:05,643 --> 00:39:07,211 WHY DID HE KILL THE ROOMMATE? 836 00:39:07,211 --> 00:39:10,382 SHE WAS IN THE TRAILER, SAW HIM. 837 00:39:10,382 --> 00:39:12,451 BAD LUCK FOR HER. 838 00:39:15,987 --> 00:39:19,056 (Van Pelt) ONCE HE BROUGHT YOU HOLLY, YOU GOT RID OF HIM. 839 00:39:19,056 --> 00:39:22,126 (Trish) I COULDN'T TRUST HIM. 840 00:39:22,126 --> 00:39:23,128 HE KILLED THAT POOR, INNOCENT GIRL, 841 00:39:23,128 --> 00:39:24,896 WITHOUT A SHRED OF REMORSE. 842 00:39:29,233 --> 00:39:33,405 EVEN LAUGHED ABOUT IT. NO MORAL COMPASS. 843 00:39:34,905 --> 00:39:37,809 YOU WERE ABOUT TO KILL THREE INNOCENT PEOPLE YOURSELF 844 00:39:37,809 --> 00:39:39,309 JUST A WHILE AGO. 845 00:39:39,309 --> 00:39:41,246 AND I WOULD HAVE FELT TERRIBLE ABOUT IT. 846 00:39:41,246 --> 00:39:44,248 THERE'S A DIFFERENCE. 847 00:39:45,349 --> 00:39:48,085 YOU'RE NUTS, LADY. 848 00:39:48,085 --> 00:39:50,021 SIGN HERE. 849 00:39:51,489 --> 00:39:55,693 WE CAN NEVER THANK YOU ENOUGH. I OWE YOU BIG-TIME. 850 00:39:55,693 --> 00:39:59,164 TRUE. BIG-TIME. PLUS 50 BUCKS. 851 00:39:59,164 --> 00:40:00,766 YOU SAID YOU'D LET THAT SLIDE. 852 00:40:00,766 --> 00:40:02,867 AH, SO YOU DO ADMIT THAT YOU OWE ME. 853 00:40:02,867 --> 00:40:06,170 NO. WAIT, WHEN DID I FIRST INCUR THIS DEBT, ANYHOW? 854 00:40:06,170 --> 00:40:08,773 YOU WERE OPENING FOR ME IN KANSAS CITY. I THINK IT WAS '93. 855 00:40:08,773 --> 00:40:10,041 THERE WAS A GIRL, NOT AS ATTRA-- 856 00:40:10,041 --> 00:40:12,677 OPENING FOR YOU? PLEASE. NEVER HAPPENED. 857 00:40:12,677 --> 00:40:15,780 WHAT WERE THE DRUGS THAT YOU GOT BUSTED FOR? BEC--I'M CURIOUS. YOU WANT TO GET A CUP OF COFFEE? 858 00:40:15,780 --> 00:40:18,016 BECAUSE I HAVE A FEELING THIS COULD GO ON FOR A WHILE. 859 00:40:18,016 --> 00:40:20,885 'CAUSE WHATEVER THEY ARE, I'M AFRAID THEY'VE UNDERMINED 860 00:40:20,885 --> 00:40:22,721 THE FOUNDATION OF YOUR MEMORY PALACE. 861 00:40:22,721 --> 00:40:24,889 I'M SORRY. I'VE NEVER SEEN JACK LIKE THIS BEFORE. 862 00:40:24,889 --> 00:40:27,958 NO NEED TO APOLOGIZE. JANE HAS THAT EFFECT ON PEOPLE.