1 00:00:00,868 --> 00:00:04,238 (dance music playing) 2 00:00:14,782 --> 00:00:17,718 (indistinct conversations) 3 00:00:21,621 --> 00:00:23,091 (clink) 4 00:00:25,593 --> 00:00:29,028 (indistinct conversations continue) 5 00:00:37,838 --> 00:00:41,408 (both laugh) 6 00:01:13,373 --> 00:01:16,109 EXCUSE... HEY. ¡MUÉVETE, IDIOTA! 7 00:01:16,109 --> 00:01:18,179 LET ME GO! 8 00:01:30,022 --> 00:01:31,391 (heel scrapes) 9 00:01:31,391 --> 00:01:33,627 WHAT ARE YOU, BLIND? I'M SORRY. 10 00:01:42,503 --> 00:01:45,472 (siren wailing in distance) 11 00:01:49,843 --> 00:01:52,012 (phone snaps shut) 12 00:01:52,012 --> 00:01:53,281 (keys jangle) 13 00:01:58,485 --> 00:02:01,621 (police radio chatter) 14 00:02:15,536 --> 00:02:18,671 AH. YOU LOOK, UH, MARGINALLY RESTED. 15 00:02:18,671 --> 00:02:21,741 I WAS HOPING I'D ACTUALLY GET TO R.E.M. SLEEP TONIGHT. 16 00:02:21,741 --> 00:02:24,444 LOOK--THERE'S ANOTHER DETECTIVE HERE. 17 00:02:24,444 --> 00:02:28,115 THAT'S WEIRD. SAC P.D. CALLED FOR HELP ON THIS. 18 00:02:28,115 --> 00:02:30,783 YEAH, I'M TERESA LISBON. THIS IS PATRICK JANE. 19 00:02:30,783 --> 00:02:35,122 SERGEANT HENDERSON. JUST HOLDING DOWN THE SCENE TILL YOU ARRIVED. 20 00:02:35,122 --> 00:02:39,393 TWO SHOTS TO THE HEAD. NO PURSE OR I.D. ON THE VICTIM. 21 00:02:39,393 --> 00:02:42,229 THE CAR'S REGISTERED TO A YOLANDA HERRERA. 22 00:02:42,229 --> 00:02:44,664 NO, BUT THESE OFFICERS RESPONDED TO AN ANONYMOUS TIP, 23 00:02:44,664 --> 00:02:47,000 SO SOMEBODY HAD TO SEE SOMETHING. 24 00:02:47,000 --> 00:02:50,638 IT'S FROM, UH, LUXURE. IT'S A, UH, CLUB DOWN THE STREET. 25 00:02:50,638 --> 00:02:52,840 SHE WOULDN'T BE THE FIRST CLUB HEAD 26 00:02:52,840 --> 00:02:54,508 I'VE SEEN DONE IN BY HER DEALER. 27 00:02:54,508 --> 00:02:56,377 MM. I APPLAUD YOUR CERTAINTY, 28 00:02:56,377 --> 00:02:58,445 BUT I DON'T THINK IT'S THAT CUT AND DRIED. 29 00:02:58,445 --> 00:03:00,813 SHE GOT THE CLOTHES RIGHT, BUT LOOK AT HER HANDS. 30 00:03:00,813 --> 00:03:02,181 SHORT NAILS... 31 00:03:02,181 --> 00:03:04,384 VERY SLOPPY PAINT JOB. 32 00:03:04,384 --> 00:03:05,652 (Lisbon) MAYBE SHE WAS IN A RUSH. 33 00:03:05,652 --> 00:03:07,955 DOUBTFUL. FREE PASS TO THE CHAMPAGNE ROOM 34 00:03:07,955 --> 00:03:11,592 REQUIRES VERY CAREFUL ATTENTION TO DETAIL. 35 00:03:11,592 --> 00:03:13,092 YOU GOTTA BE JOKING, HUH? 36 00:03:13,092 --> 00:03:15,862 I WORK THESE STREETS. I KNOW A CLUB GIRL WHEN I SEE ONE. 37 00:03:15,862 --> 00:03:18,198 APPARENTLY NOT, BECAUSE YOU MISSED A SMALL BRUISE 38 00:03:18,198 --> 00:03:22,370 ON HER LEFT ANKLE. I'M GUESSING SHE TURNED HER ANKLE 39 00:03:22,370 --> 00:03:24,504 AND HER ARMS ARE VERY WELL MUSCLED. 40 00:03:24,504 --> 00:03:26,873 LISBON, CORRECT ME IF I'M WRONG-- 41 00:03:26,873 --> 00:03:30,877 THAT APPEARS TO BE A SPORTS BRA SHE'S WEARING. 42 00:03:30,877 --> 00:03:33,546 I DON'T KNOW. PROBABLY. WHAT ARE YOU GETTING AT? 43 00:03:33,546 --> 00:03:36,115 WELL, YOUR CLUB GIRL HERE WAS IN A DISGUISE-- 44 00:03:36,115 --> 00:03:38,451 A TOMBOY TRYING TO BLEND IN. 45 00:03:38,451 --> 00:03:40,420 THE QUESTION IS WHY? 46 00:03:40,420 --> 00:03:42,222 AND WHAT WAS HER GAME? 47 00:03:42,222 --> 00:03:44,391 IS THIS REALLY PRODUCTIVE? 48 00:03:44,391 --> 00:03:45,793 YOU KNEW HER. 49 00:03:45,793 --> 00:03:47,328 NO, I DIDN'T. 50 00:03:47,328 --> 00:03:49,997 YOUR VOICE JUST PITCHED A LITTLE HIGHER, 51 00:03:49,997 --> 00:03:51,632 JUST LIKE WHEN YOU SAID YOU HAPPENED TO BE 52 00:03:51,632 --> 00:03:53,567 IN THE NEIGHBORHOOD. IS HE RIGHT? 53 00:03:53,567 --> 00:03:55,902 DID YOU KNOW THE VICTIM? 54 00:03:55,902 --> 00:04:00,007 AHA! I KNOW WHO THIS WOMAN-- THIS--THIS WOMAN HERE-- 55 00:04:00,007 --> 00:04:01,342 OKAY. I'M HERE. 56 00:04:01,342 --> 00:04:02,675 HEY, WHAT THE HELL IS GOING ON? 57 00:04:02,675 --> 00:04:04,978 YOLANDA HERRERA IS AN UNDERCOVER COP. 58 00:04:04,978 --> 00:04:06,780 THAT'S EXACTLY WHAT I WAS GONNA SAY. 59 00:04:06,780 --> 00:04:09,782 YEAH, BIG WHOOP FOR YOU, SMART ASS. 60 00:04:09,782 --> 00:04:12,286 IT'LL ONLY MAKE IT MORE DANGEROUS 61 00:04:12,286 --> 00:04:14,487 YOU'RE NOT KNOWN FOR YOUR MANAGEMENT SKILLS, ARE YOU? 62 00:04:14,487 --> 00:04:16,889 WORK THE CASE. I'LL HELP YOU WHERE I CAN. 63 00:04:16,889 --> 00:04:20,026 BUT YOLI'S IDENTITY MUST REMAIN CONFIDENTIAL. 64 00:04:20,026 --> 00:04:22,762 AND KEEP THIS CIRCUS ACT UNDER CONTROL, GOT IT? 65 00:04:22,762 --> 00:04:24,264 GOT IT. YEAH. 66 00:04:24,264 --> 00:04:27,300 WHA-- 67 00:04:27,300 --> 00:04:28,769 I THOUGHT YOU MIGHT PUSH BACK A LITTLE. 68 00:04:28,769 --> 00:04:30,670 GUY CALLED ME A "CIRCUS ACT." 69 00:04:30,670 --> 00:04:34,240 HEY. THE MAN IS GRIEVING. YOU PUSH BACK. 70 00:04:34,240 --> 00:04:35,442 OKAY, I WILL. DON'T YOU DARE. 71 00:04:35,442 --> 00:04:37,144 OKAY. SAID THAT I COULD. 72 00:04:37,144 --> 00:04:38,211 I TAKE IT BACK. 73 00:04:38,211 --> 00:04:40,079 ALL RIGHT. OKAY? 74 00:04:40,079 --> 00:04:41,180 (inhales deeply) 75 00:04:41,180 --> 00:04:42,215 I NEED A LITTLE REST. 76 00:04:42,215 --> 00:04:43,350 OKAY. 77 00:04:44,250 --> 00:04:47,053 ** 78 00:04:47,053 --> 00:04:51,290 Captioned by Closed Captioning Services, Inc. 79 00:04:52,425 --> 00:04:54,562 YOLANDA CONCEPCION WAS HER REAL NAME, 80 00:04:54,562 --> 00:04:57,930 SHE LEAVES BEHIND A FAMILY-- HUSBAND, TWO YOUNG CHILDREN. 81 00:04:57,930 --> 00:05:01,300 SHE'S A VALUABLE MEMBER OF MY NARCOTICS TASK FORCE. 82 00:05:01,300 --> 00:05:03,336 WHAT WAS SHE DOING OUT HERE TONIGHT? 83 00:05:03,336 --> 00:05:04,704 WELL, SHE'S SUPPOSED TO BE AT THE CLUB, 84 00:05:04,704 --> 00:05:06,639 GETTING FRIENDLY WITH A DEALER NAMED OMAR VEGA. 85 00:05:06,639 --> 00:05:08,641 HE'S A MAJOR PLAYER HERE IN SOUTH SAC. 86 00:05:08,641 --> 00:05:10,444 WE THINK HIS CREW IS BEHIND 87 00:05:10,444 --> 00:05:13,213 A RECENT RISE IN CRIME AROUND HERE. 88 00:05:13,213 --> 00:05:14,615 YOU THINK VEGA MADE HER COVER? 89 00:05:14,615 --> 00:05:16,249 (clicks teeth) TOO EARLY TO TELL. 90 00:05:16,249 --> 00:05:19,552 BUT HE'S POPPED PEOPLE FOR A LOT LESS THAN BEING UNDERCOVER COPS. 91 00:05:19,552 --> 00:05:22,355 OKAY. WE'LL START AT THE CLUB. THANKS. 92 00:05:22,355 --> 00:05:25,658 JANE, MEET ME AT LUXURE. 93 00:05:25,658 --> 00:05:27,427 (dance music playing) 94 00:05:27,427 --> 00:05:28,596 (loudly) WHAT? 95 00:05:28,596 --> 00:05:31,399 I CAN'T HEAR YOU! 96 00:05:31,399 --> 00:05:34,266 STILL CAN'T HEAR YOU! 97 00:05:34,266 --> 00:05:35,268 BYE! 98 00:05:35,268 --> 00:05:37,103 (cell phone snaps shut) 99 00:05:37,103 --> 00:05:40,673 ** 100 00:05:47,947 --> 00:05:50,082 JANE! 101 00:05:50,082 --> 00:05:53,553 MEET VINCE CANDIDE. HE'S OUR HOST. 102 00:05:53,553 --> 00:05:55,423 BUT I THINK YOU'LL BE AMUSED BY HIS PRESUMPTION. 103 00:05:55,423 --> 00:05:57,324 WHAT? HUH? 104 00:05:57,324 --> 00:05:58,558 HE... 105 00:05:58,558 --> 00:06:00,360 THIS IS... HE... 106 00:06:00,360 --> 00:06:02,963 HAVE YOU SEEN THIS WOMAN? 107 00:06:05,031 --> 00:06:06,365 WHAT ABOUT OMAR VEGA? 108 00:06:06,365 --> 00:06:07,901 WHO? 109 00:06:07,901 --> 00:06:09,470 (both) OMAR VEGA! 110 00:06:09,470 --> 00:06:12,639 SORRY. I GOTTA GO RUN THE PLACE. 111 00:06:12,639 --> 00:06:14,942 HE CAN'T HEAR! 112 00:06:14,942 --> 00:06:16,610 THANKS, VINCE! 113 00:06:21,915 --> 00:06:25,117 IF VEGA'S HERE, HE'S OVER THERE. 114 00:06:27,987 --> 00:06:29,156 (Jane) THANK YOU. 115 00:06:32,459 --> 00:06:33,793 AH, THAT'S MORE LIKE IT. 116 00:06:33,793 --> 00:06:36,697 PARDON ME, HAVE YOU SEEN OMAR VEGA? 117 00:06:36,697 --> 00:06:39,399 YOU'RE NEVER GONNA FIND HIM LIKE THAT. 118 00:06:40,701 --> 00:06:42,101 WHAT DO WE GOT HERE? 119 00:06:42,101 --> 00:06:45,271 (scratches, feedback whines) 120 00:06:45,271 --> 00:06:48,007 LADIES AND GENTLEMEN, THANK YOU FOR YOUR ATTENTION. 121 00:06:48,007 --> 00:06:50,409 MY COLLEAGUE OVER THERE 122 00:06:50,409 --> 00:06:52,345 IN HER NOT-HERE-TO-PARTY CLOTHES 123 00:06:52,345 --> 00:06:54,247 IS FIVE-O. 124 00:06:54,247 --> 00:06:55,615 YEAH, CBI. 125 00:06:55,615 --> 00:06:57,718 SHE'S LOOKING FOR OMAR VEGA. 126 00:06:57,718 --> 00:07:01,889 I HAVE $500 IN THIS POCKET FOR WHOEVER CAN POINT HIM OUT. 127 00:07:01,889 --> 00:07:05,158 THAT'S 500 BIG ONES JUST TO USE YOUR POINTY FINGER. 128 00:07:05,158 --> 00:07:07,560 AND THEN WE'LL TAKE IT FROM THERE. 129 00:07:07,560 --> 00:07:09,562 THANK YOU. PARTY ON. 130 00:07:11,865 --> 00:07:14,367 BUT EFFECTIVE. HE'S OVER BY THE BAR. 131 00:07:14,367 --> 00:07:16,937 (indistinct conversations) 132 00:07:16,937 --> 00:07:18,805 YOU'RE THE MAN NO ONE WANTS TO LOOK AT, 133 00:07:18,805 --> 00:07:20,540 SO I'M GUESSING YOU'RE MR. VEGA. 134 00:07:20,540 --> 00:07:22,610 I LIKE YOUR SWAGGER. 135 00:07:22,610 --> 00:07:25,345 WELL, THANK YOU. 136 00:07:25,345 --> 00:07:26,547 WE'RE INVESTIGATING A MURDER. 137 00:07:26,547 --> 00:07:28,682 NO NEED. I KNOW WHAT YOLI LOOKS LIKE. 138 00:07:28,682 --> 00:07:30,983 I HEAR SHE GOT POPPED. SHAME. 139 00:07:30,983 --> 00:07:32,886 WAS YOLI AT THE CLUB TONIGHT? 140 00:07:32,886 --> 00:07:35,555 YOU KNOW THE ANSWER TO THAT, OR YOU WOULDN'T BE HERE. 141 00:07:35,555 --> 00:07:37,925 DID YOU TALK TO HER? 142 00:07:37,925 --> 00:07:39,692 YEAH. MAYBE. 143 00:07:39,692 --> 00:07:42,329 WHAT DID YOU TALK ABOUT? 144 00:07:42,329 --> 00:07:44,363 SHE'S JUST ANOTHER HAINA FROM THE NEIGHBORHOOD 145 00:07:44,363 --> 00:07:46,500 TRYING TO GET MY ATTENTION. 146 00:07:46,500 --> 00:07:49,569 HMM. AND DID SHE GET YOUR ATTENTION? 147 00:07:49,569 --> 00:07:52,139 DID YOU TAKE HER OUTSIDE? 148 00:07:52,139 --> 00:07:56,644 I'VE BEEN HERE ALL NIGHT. PLEASE, ASK AROUND. 149 00:07:56,644 --> 00:07:58,879 NO NEED. HE'S TELLING THE TRUTH. 150 00:07:58,879 --> 00:08:01,447 MM. I'VE GOT NOTHING TO HIDE. 151 00:08:01,447 --> 00:08:03,149 WELL, THAT'S NOT ENTIRELY TRUE. 152 00:08:03,149 --> 00:08:05,519 YOU'RE HIDING PROFOUND ANGER. 153 00:08:05,519 --> 00:08:07,254 IS THAT RIGHT? 154 00:08:07,254 --> 00:08:09,923 MM. MM-HMM. 155 00:08:11,091 --> 00:08:15,194 THE TENSION IN YOUR JAWLINE GIVES IT AWAY. 156 00:08:15,194 --> 00:08:17,463 WHAT IS IT THAT'S BOTHERING YOU? 157 00:08:17,463 --> 00:08:19,699 IT'S NOT A WOMAN. I DON'T THINK YOU CARE ENOUGH. 158 00:08:19,699 --> 00:08:23,235 NOT GLOBAL WARMING. WHAT IS IT YOU COVET MOST? 159 00:08:23,235 --> 00:08:25,471 MONEY? NO. 160 00:08:25,471 --> 00:08:26,906 RESPECT. 161 00:08:26,906 --> 00:08:30,778 THIS IS A QUESTION OF RESPECT. 162 00:08:30,778 --> 00:08:33,113 SOMEONE DISRESPECTED YOU, DIDN'T THEY? 163 00:08:33,113 --> 00:08:34,648 HOW? WHAT DID THEY DO TO YOU? 164 00:08:34,648 --> 00:08:37,985 KEEP GUESSING, PINSTRIPES. 165 00:08:37,985 --> 00:08:40,153 PINSTRIPES. MA'AM... 166 00:08:40,153 --> 00:08:41,520 ARE WE DONE? 167 00:08:41,520 --> 00:08:43,657 YES, WE'RE DONE... SIR. 168 00:08:48,394 --> 00:08:50,529 WHEW. 169 00:08:50,529 --> 00:08:52,899 INTERESTING. 170 00:08:52,899 --> 00:08:54,201 YEAH. 171 00:08:54,201 --> 00:08:56,336 I LIKE THE "PINSTRIPES." 172 00:08:56,336 --> 00:08:59,873 VEGA TOOK CONTROL OF SOUTH SAC IN LESS THAN A YEAR. 173 00:08:59,873 --> 00:09:02,109 HIS COMPETITORS DIDN'T AGREE TO WORK WITH HIM... 174 00:09:02,109 --> 00:09:03,744 (tapping keys) THEY ENDED UP LIKE THIS. 175 00:09:03,744 --> 00:09:05,712 YEAH, I COULD SEE HOW THAT COULD BE PERSUASIVE. 176 00:09:05,712 --> 00:09:06,813 NO CRIMINAL RECORD? 177 00:09:06,813 --> 00:09:09,115 VEGA'S BRUTAL AND SMART. 178 00:09:09,115 --> 00:09:11,018 ALWAYS ONE STEP AHEAD OF US. 179 00:09:11,018 --> 00:09:13,153 RAN HIS ORGANIZATION LIKE A TERROR CELL. 180 00:09:13,153 --> 00:09:16,222 EVERYONE KNOWS JUST WHAT THEY NEED TO GET THE JOB DONE. 181 00:09:16,222 --> 00:09:17,389 SO HIS HANDS STAY CLEAN. 182 00:09:17,389 --> 00:09:18,826 WHAT WAS YOLI'S ASSIGNMENT? 183 00:09:18,826 --> 00:09:21,695 TO FIND VEGA'S CURRENT BASE OF OPERATION. 184 00:09:21,695 --> 00:09:23,797 SO WE'VE GOT OUR WORK CUT OUT FOR US. 185 00:09:23,797 --> 00:09:26,700 RIGSBY, WHERE ARE WE AT WITH SUSPECTS? 186 00:09:26,700 --> 00:09:28,735 I GOT A COPY OF THE 9-1-1 CALL. TIP CAME FROM A PAY PHONE 187 00:09:28,735 --> 00:09:31,504 THREE BLOCKS AWAY FROM THE CRIME SCENE. 188 00:09:31,504 --> 00:09:33,306 (woman) 9-1-1, What's your emergency? 189 00:09:33,306 --> 00:09:35,709 (woman) Um, yeah, there's a dead chick 190 00:09:35,709 --> 00:09:38,611 on Kennon near 4th in case you're interested. (click) 191 00:09:38,611 --> 00:09:41,114 ARE THERE CAMERAS NEAR THAT PHONE? 192 00:09:41,114 --> 00:09:43,250 GOT A HIT ON ONE OF THE VICTIMS' MISSING CREDIT CARDS. 193 00:09:43,250 --> 00:09:45,585 A ROOM CHARGE WAS MADE THIS MORNING AT A DOWNTOWN HOTEL. 194 00:09:45,585 --> 00:09:49,088 TAKE RIGSBY. YOLI'S CELL PHONE WAS MISSING, TOO, RIGHT? 195 00:09:49,088 --> 00:09:51,057 YEAH, BUT THE CARRIER HASN'T RECEIVED A SIGNAL 196 00:09:51,057 --> 00:09:53,059 SINCE LAST NIGHT. WHOEVER TOOK THE PHONE 197 00:09:53,059 --> 00:09:54,461 POWERED IT DOWN OR PULLED THE BATTERY. 198 00:09:54,461 --> 00:09:55,796 STAY ON IT. 199 00:09:57,230 --> 00:10:00,299 HAVE YOU TALKED TO THE FAMILY YET? 200 00:10:00,299 --> 00:10:02,302 WHAT DO THEY KNOW ABOUT YOLI'S ASSIGNMENT? 201 00:10:02,302 --> 00:10:05,072 NOTHING. IT'S AN ONGOING INVESTIGATION, SO THEY CAN'T. 202 00:10:05,072 --> 00:10:07,039 UNDERSTOOD. 203 00:10:09,042 --> 00:10:12,345 I TOLD HER NOT TO GET INVOLVED IN THIS UNDERCOVER CRAP. 204 00:10:12,345 --> 00:10:16,015 DESK JOBS HAVE BENEFITS. THEY PAY GOOD ENOUGH. 205 00:10:16,015 --> 00:10:18,518 IT WAS ONE OF THESE DRUG DEALERS, WASN'T IT? 206 00:10:18,518 --> 00:10:20,988 I'M AFRAID I CAN'T TALK ABOUT THAT NOW. 207 00:10:20,988 --> 00:10:24,490 STILL? ARE YOU KIDDING ME? WHAT DOES IT MATTER NOW? 208 00:10:24,490 --> 00:10:27,827 MY WIFE'S AL-- SHE'S THE GREATEST MOTHER IN THE WORLD. 209 00:10:34,234 --> 00:10:36,669 HELLO THERE. 210 00:10:36,669 --> 00:10:40,173 WHO IS IT? HI. 211 00:10:40,173 --> 00:10:41,573 RAFI? 212 00:10:41,573 --> 00:10:45,245 (woman) RAFI? RAFI? 213 00:10:45,245 --> 00:10:48,648 OH, THERE YOU ARE. I GOT HIM. SORRY ABOUT THAT, LALO. 214 00:10:48,648 --> 00:10:50,649 THIS IS ELVIA, YOLI'S COUSIN. 215 00:10:50,649 --> 00:10:53,687 SHE MOVED IN A COUPLE MONTHS AGO TO HELP OUT WITH THE KIDS. 216 00:10:53,687 --> 00:10:56,056 HE'S A BEAUTIFUL BOY. (Rafi babbling) 217 00:10:57,725 --> 00:11:01,528 HE DOESN'T KNOW YET. 218 00:11:01,528 --> 00:11:02,962 HOW DO YOU TELL A LITTLE KID 219 00:11:02,962 --> 00:11:04,731 THAT HE'S NOT GONNA SEE HIS MOM AGAIN? 220 00:11:04,731 --> 00:11:06,566 DID SHE TALK TO YOU ABOUT HER WORK? 221 00:11:06,566 --> 00:11:11,638 NO. BUT I BARELY KNEW WHAT YOLI WAS DOING ON A DAILY BASIS. 222 00:11:11,638 --> 00:11:14,841 I'M SORRY. WHY ARE WE DOING THIS? 223 00:11:14,841 --> 00:11:17,509 TO BRING YOUR WIFE'S MURDER TO JUSTICE 224 00:11:17,509 --> 00:11:19,511 FOR YOU AND YOUR FAMILY. 225 00:11:19,511 --> 00:11:21,413 JUSTICE? 226 00:11:21,413 --> 00:11:23,917 YOU REALLY THINK THAT MY KIDS ARE GONNA CARE 227 00:11:23,917 --> 00:11:27,086 WHEN SOME CRACK DEALER GOES DOWN FOR THIS? 228 00:11:27,086 --> 00:11:31,258 THEY LOST THEIR MOTHER. I LOST MY WIFE. 229 00:11:31,258 --> 00:11:33,326 FOR WHAT? 230 00:11:33,326 --> 00:11:35,294 WAR ON DRUGS? 231 00:11:38,465 --> 00:11:40,466 GIVE ME A BREAK. 232 00:11:42,903 --> 00:11:44,904 (humming) 233 00:11:44,904 --> 00:11:47,039 (pot bubbling) 234 00:11:49,375 --> 00:11:50,778 MM! (resumes humming) 235 00:11:50,778 --> 00:11:52,278 THAT'S A NICE TUNE. OH! 236 00:11:52,278 --> 00:11:55,783 OOH. DIDN'T MEAN TO STARTLE YOU. I'M SORRY. 237 00:11:55,783 --> 00:11:58,384 SPAGHETTI. IT'S FOR THE KIDS' LUNCH. 238 00:11:58,384 --> 00:12:00,120 AH. (water pours) 239 00:12:00,120 --> 00:12:02,221 YOU AND YOLI MUST HAVE BEEN VERY CLOSE 240 00:12:02,221 --> 00:12:05,524 TO HELP OUT WITH THE FAMILY LIKE THIS. 241 00:12:05,524 --> 00:12:07,193 YEAH. WE WERE LIKE SISTERS. 242 00:12:07,193 --> 00:12:10,096 REALLY? I DON'T THINK SO. 243 00:12:10,096 --> 00:12:11,730 WHAT? 244 00:12:11,730 --> 00:12:12,966 THE HUMMING. 245 00:12:12,966 --> 00:12:14,934 I HUM. SO WHAT? 246 00:12:14,934 --> 00:12:17,971 WELL, HUMMING-- IT'S LIKE COMFORT FOOD. 247 00:12:17,971 --> 00:12:19,572 TAKES US BACK TO THE BREAST. 248 00:12:19,572 --> 00:12:24,376 AND YOU ARE THE MOM OF THE FAMILY NOW, AREN'T YOU? 249 00:12:24,376 --> 00:12:26,178 DEEP DOWN, YOU'RE GLAD SHE'S DEAD. 250 00:12:26,178 --> 00:12:29,081 WHAT THE HELL KIND OF COP ARE YOU?! 251 00:12:29,081 --> 00:12:31,484 JANE? WHAT'S GOING ON? 252 00:12:31,484 --> 00:12:33,686 I WAS JUST ABOUT TO ASK ELVIA WHAT SHE WAS DOING 253 00:12:33,686 --> 00:12:36,722 AT LUXURE LAST NIGHT. 254 00:12:36,722 --> 00:12:41,828 THE FADED STAMP ON YOUR WRIST. I HAVE ONE JUST LIKE IT. 255 00:12:41,828 --> 00:12:43,330 YOU FOLLOWED YOLI WHILE SHE WAS WORKING? 256 00:12:43,330 --> 00:12:45,097 IT'S-- ELVIA, WHAT WERE YOU THINKING? 257 00:12:45,097 --> 00:12:47,033 I SWEAR TO GOD, IF YOU DID ANYTHING TO GET HER KILLED... 258 00:12:47,033 --> 00:12:48,301 WHY DID YOU FOLLOW HER? 259 00:12:48,301 --> 00:12:51,838 UH, SHE HAS A LITTLE THING FOR LALO. 260 00:12:51,838 --> 00:12:54,774 WHAT--WHAT ARE YOU TALKING ABOUT? 261 00:12:54,774 --> 00:12:56,509 I THINK SHE SHOULD EXPLAIN. 262 00:13:00,080 --> 00:13:02,315 YOLI DIDN'T DESERVE YOU. 263 00:13:02,315 --> 00:13:04,716 LOOK, I-I... 264 00:13:04,716 --> 00:13:07,519 WHAT I FOUND IN HER JEANS WHEN I WAS DOING THE WASH 265 00:13:07,519 --> 00:13:08,889 MORE THAN ONCE. 266 00:13:08,889 --> 00:13:11,124 CONDOMS. YOLI WAS ON THE PILL. 267 00:13:11,124 --> 00:13:12,392 THAT'S WHY I WENT TO THE CLUB LAST NIGHT-- 268 00:13:12,392 --> 00:13:13,894 TO SEE WHO SHE WAS SLEEPING WITH. 269 00:13:13,894 --> 00:13:15,895 WHAT DID YOU SEE? NOTHING. 270 00:13:15,895 --> 00:13:18,030 I--SHE WAS IN A RUSH TO GET OUT OF THERE, 271 00:13:18,030 --> 00:13:19,765 AND TEXTING SOMEBODY, BUT I LOST HER. 272 00:13:19,765 --> 00:13:21,734 WE'RE GONNA NEED YOU TO COME DOWN TO THE OFFICE, 273 00:13:21,734 --> 00:13:23,971 MAKE A FULL STATEMENT. 274 00:13:23,971 --> 00:13:25,905 MIGHT AS WELL PACK YOUR THINGS BEFORE YOU GO. 275 00:13:25,905 --> 00:13:27,106 WHAT? 276 00:13:27,106 --> 00:13:29,609 YOU'RE NOT COMING BACK IN THIS HOUSE. 277 00:13:29,609 --> 00:13:31,110 B-BUT... 278 00:13:31,110 --> 00:13:33,013 I WENT THERE FOR YOU, LALO! 279 00:13:36,984 --> 00:13:38,418 (mouth full) WHOA. 280 00:13:38,418 --> 00:13:40,820 A LITTLE MORE SALT, BUT THAT'S PRETTY GOOD. 281 00:13:40,820 --> 00:13:42,889 KIDS ARE GONNA LOVE THAT. 282 00:13:44,924 --> 00:13:47,293 A CHARGE WAS MADE HERE THIS MORNING 283 00:13:47,293 --> 00:13:48,760 FROM A STOLEN CREDIT CARD. 284 00:13:48,760 --> 00:13:50,397 LET ME GUESS-- HUSBAND ON THE PROWL? 285 00:13:50,397 --> 00:13:51,865 KILLER ON THE RUN. 286 00:13:51,865 --> 00:13:53,432 OH. 287 00:13:53,432 --> 00:13:54,433 (typing) 288 00:13:54,433 --> 00:13:55,903 UH, HERE WE GO. 289 00:13:55,903 --> 00:13:57,904 ONE AMERICAN BREAKFAST, THREE BLOODY MARYS 290 00:13:57,904 --> 00:14:00,139 DELIVERED TO ROOM 618. 291 00:14:00,139 --> 00:14:02,142 THANK YOU. MM-HMM. 292 00:14:02,142 --> 00:14:03,509 (elevator bell dings) 293 00:14:07,679 --> 00:14:08,681 (man) WHO'S THERE? 294 00:14:08,681 --> 00:14:10,082 POLICE. OPEN THE DOOR. 295 00:14:10,082 --> 00:14:13,253 JUST A MINUTE! (thud) 296 00:14:13,253 --> 00:14:15,187 (beep) 297 00:14:15,187 --> 00:14:17,990 PLEASE DON'T SHOOT. (handcuffs clacking) 298 00:14:17,990 --> 00:14:20,226 IT'S OKAY. I GOT IT. (groans) 299 00:14:23,062 --> 00:14:27,299 CAN YOU PASS ME A HAND TOWEL? 300 00:14:27,299 --> 00:14:30,903 I SWEAR TO GOD, I'VE NEVER SEEN THAT WOMAN BEFORE IN MY LIFE. 301 00:14:30,903 --> 00:14:33,072 PUT THAT THING AWAY. WHAT ARE YOU, A MANIAC? 302 00:14:33,072 --> 00:14:34,975 YOU COULD HURT SOMEONE. 303 00:14:40,212 --> 00:14:41,914 I NEED YOU TO TELL ME WHY YOU WERE MAKING CHARGES 304 00:14:41,914 --> 00:14:43,450 ON A MURDER VICTIM'S CREDIT CARD 305 00:14:43,450 --> 00:14:45,518 HOURS AFTER HER DEATH. 306 00:14:45,518 --> 00:14:46,318 CHO... 307 00:14:46,318 --> 00:14:49,221 THAT'S KOREAN, RIGHT? 308 00:14:49,221 --> 00:14:50,923 I ALSO NEED YOU TO EXPLAIN 309 00:14:50,923 --> 00:14:52,524 HOW YOU CAME INTO POSSESSION OF THAT CARD. 310 00:14:52,524 --> 00:14:54,527 BAD BACK, HUH? 311 00:14:54,527 --> 00:14:55,695 YEAH. 312 00:14:55,695 --> 00:14:57,264 I CAN TELL. 313 00:14:57,264 --> 00:15:00,767 IS THERE ANYTHING I CAN DO TO MAKE IT ANY BETTER? 314 00:15:00,767 --> 00:15:02,634 NO. 315 00:15:02,634 --> 00:15:04,504 ARE YOU SURE? YES. 316 00:15:04,504 --> 00:15:09,208 LOOK, I DON'T KNOW ANYTHING ABOUT ANY DEAD CHICK. 317 00:15:11,577 --> 00:15:14,681 (woman) Um, yeah, there's a dead chick 318 00:15:14,681 --> 00:15:16,849 on Kennon near 4th in case you're interested. 319 00:15:16,849 --> 00:15:18,518 (laughs) 320 00:15:20,052 --> 00:15:21,989 WOW. YOU'RE WAY MORE SLICK 321 00:15:21,989 --> 00:15:23,523 THAN THE TROLLS THAT USUALLY BUST MY BUTT. 322 00:15:23,523 --> 00:15:26,625 DID YOU SHOOT THE VICTIM? NO! 323 00:15:26,625 --> 00:15:29,528 I HEARD SHOTS. I RAN TO HELP. SHE WAS ALREADY DEAD. 324 00:15:29,528 --> 00:15:31,097 AT LEAST I CALLED IT IN. 325 00:15:31,097 --> 00:15:32,499 YOU RAN TO HELP? 326 00:15:32,499 --> 00:15:34,701 WHY WOULDN'T I? POOR THING. 327 00:15:34,701 --> 00:15:36,536 YOU TOOK THE VICTIM'S CREDIT CARDS. 328 00:15:39,972 --> 00:15:42,109 THIS IS ABOUT OMAR VEGA, ISN'T IT? 329 00:15:44,876 --> 00:15:47,547 WHAT DO YOU KNOW ABOUT VEGA? 330 00:15:47,547 --> 00:15:50,182 I KNOW THAT YOUR DEAD GIRL WAS HANGING WITH HIM. 331 00:15:50,182 --> 00:15:53,986 I ALSO KNOW THAT I HAVE AN 18-HOUR WINDOW 332 00:15:53,986 --> 00:15:56,755 BUT YOU MADE IT THERE IN RECORD TIME. 333 00:15:56,755 --> 00:15:59,125 YOU'RE AFTER SOMEONE BIG. 334 00:15:59,125 --> 00:16:00,126 (clears throat) 335 00:16:00,126 --> 00:16:03,163 LOOK, I KNOW THINGS. 336 00:16:03,163 --> 00:16:05,231 MAYBE WE COULD MAKE A DEAL. 337 00:16:05,231 --> 00:16:07,567 WHAT DO YOU GOT? WHAT'S YOUR DEAL? 338 00:16:10,437 --> 00:16:14,041 YOU GIVE ME SOMETHING USEFUL, I'LL DROP THE THEFT CHARGE. 339 00:16:14,041 --> 00:16:15,442 PINKIE SWEAR? 340 00:16:17,344 --> 00:16:19,412 FINE. 341 00:16:19,412 --> 00:16:21,548 VEGA JUST GOT HIS ASS HANDED TO HIM. 342 00:16:21,548 --> 00:16:23,582 THE PERRY BOYS RAIDED ONE OF HIS STASH HOUSES 343 00:16:23,582 --> 00:16:25,884 A COUPLE DAYS AGO. CLEANED OUT ALL HIS COKE. 344 00:16:25,884 --> 00:16:26,885 HOW MUCH? 345 00:16:26,885 --> 00:16:29,056 LIKE TEN KEYS, MAYBE MORE. 346 00:16:34,693 --> 00:16:38,164 VEGA NEEDS MORE PRODUCT AND REVENGE FAST, 347 00:16:38,164 --> 00:16:40,366 OR ELSE HIS CUSTOMERS ARE GONNA BE LOST 348 00:16:40,366 --> 00:16:42,735 AND, UH, HE'LL LOSE RESPECT. 349 00:16:42,735 --> 00:16:46,873 I BET YOU JUST DOODLE IN THAT THING, DON'T YOU? 350 00:16:46,873 --> 00:16:48,040 (chuckles) 351 00:16:49,741 --> 00:16:53,679 SO... THAT'S ENOUGH TO GET ME OUT OF HERE, RIGHT? 352 00:16:53,679 --> 00:16:55,715 I'LL LET YOU KNOW. 353 00:17:05,192 --> 00:17:07,126 SO? DO YOU LIKE HER FOR THE MURDER? 354 00:17:07,126 --> 00:17:11,798 NO, BUT I LIKE HER. 355 00:17:11,798 --> 00:17:14,267 UH, TEXT MESSAGES FROM THE VICTIM'S CELL PHONE. 356 00:17:14,267 --> 00:17:17,002 YOLI'S COUSIN SAID SHE WAS SENDING A TEXT 357 00:17:17,002 --> 00:17:20,038 WHAT WAS THE LAST TEXT SHE SENT BEFORE SHE WAS MURDERED? 358 00:17:20,038 --> 00:17:22,442 UH, "ON MY WAY. OPEN THE CHAMPAGNE. 359 00:17:22,442 --> 00:17:25,478 OUR FAVORITE HOTEL?" SOUNDS PERSONAL. 360 00:17:25,478 --> 00:17:27,279 VERY PERSONAL. WHO'S IT TO? 361 00:17:27,279 --> 00:17:29,682 UH, PREPAID PHONE. NO RECORD OF THE OWNER. 362 00:17:29,682 --> 00:17:32,684 HER COUSIN MIGHT HAVE BEEN MAD ABOUT THIS AFFAIR BUSINESS. 363 00:17:32,684 --> 00:17:34,621 I THINK WE SHOULD TALK TO THE BOSS AGAIN. 364 00:17:42,028 --> 00:17:45,365 EXCUSE ME. WE'RE LOOKING FOR SERGEANT HENDERSON'S OFFICE. 365 00:17:45,365 --> 00:17:47,032 TOWARDS THE BACK ON THE LEFT. 366 00:17:47,032 --> 00:17:48,034 THANKS. 367 00:17:48,034 --> 00:17:49,201 THAT YOLI'S DESK THERE? 368 00:17:49,201 --> 00:17:51,137 YEAH, THAT'S WHERE SHE SAT. 369 00:17:51,137 --> 00:17:53,573 OH. THANK YOU. 370 00:17:53,573 --> 00:17:55,607 (Patrick) I'LL CATCH UP WITH YOU. 371 00:17:55,607 --> 00:17:57,144 ALL RIGHT. DON'T WANDER OFF. 372 00:17:57,144 --> 00:17:58,778 WOULDN'T DREAM OF IT. 373 00:18:14,193 --> 00:18:16,663 THE TEXT MESSAGES STARTED TWO WEEKS AGO. 374 00:18:16,663 --> 00:18:18,698 THEY PAINT A PICTURE OF A PRETTY WILD AFFAIR. 375 00:18:18,698 --> 00:18:22,067 DID YOU KNOW IF YOLI WAS ROMANTICALLY INVOLVED 376 00:18:22,067 --> 00:18:23,369 WITH ANYONE ON THE JOB? 377 00:18:23,369 --> 00:18:25,404 I CAN ASSURE YOU, AGENT LISBON, 378 00:18:25,404 --> 00:18:27,773 I KEEP A TIGHT REIN OVER MY UNDERCOVER OFFICERS. 379 00:18:27,773 --> 00:18:30,576 THEN HOW DO YOU EXPLAIN THOSE TEXTS? 380 00:18:30,576 --> 00:18:32,778 THESE AREN'T LOVE TWEETS. THESE ARE GANG CODES. 381 00:18:32,778 --> 00:18:35,182 YOLI PICKED THIS UP WHEN SHE WAS SURVEILLING A GANG 382 00:18:35,182 --> 00:18:36,516 A COUPLE MONTHS BACK. LOOK-- 383 00:18:36,516 --> 00:18:39,451 SEE THAT? "CHAMPAGNE" IS COCAINE, 384 00:18:39,451 --> 00:18:41,988 UH, "ON HER WAY" IS SOMEONE'S IN TROUBLE. 385 00:18:41,988 --> 00:18:43,490 WHO USES THAT CODE? 386 00:18:43,490 --> 00:18:45,724 NOBODY YOU EVER HEARD OF. THE PERRY BOYS. 387 00:18:45,724 --> 00:18:49,261 A RENEGADE STICK-UP OUTFIT. TWO BROTHERS AND A COUSIN? 388 00:18:49,261 --> 00:18:51,063 I DID SOME RESEARCH ON THE PERRYS 389 00:18:51,063 --> 00:18:55,501 WHEN I FOUND OUT THAT THEY HIT VEGA'S STASH HOUSE. 390 00:18:55,501 --> 00:18:58,371 TWO DAYS BEFORE YOLI'S MURDER. SHE DIDN'T TELL YOU ABOUT IT? 391 00:18:58,371 --> 00:19:01,374 I THOUGHT YOU KEPT A TIGHT REIN ON YOUR PEOPLE. 392 00:19:01,374 --> 00:19:05,511 LOOK, NOTHING IN YOLI'S SURVEILLANCE REPORTS 393 00:19:05,511 --> 00:19:07,747 IS IT POSSIBLE THAT SHE WAS WORKING WITH THEM-- 394 00:19:07,747 --> 00:19:09,481 THAT THAT'S WHY SHE DIDN'T TELL YOU ABOUT THE ROBBERY? 395 00:19:09,481 --> 00:19:11,451 SHE WOULDN'T COMPROMISE HER TEAM THAT WAY. 396 00:19:11,451 --> 00:19:13,420 YOLI WASN'T DIRTY. 397 00:19:13,420 --> 00:19:15,121 YOU SURE ABOUT THAT? YEAH. 398 00:19:15,121 --> 00:19:17,257 'CAUSE I'VE GOT ONE OF MY PEOPLE AT HER HOUSE RIGHT NOW 399 00:19:17,257 --> 00:19:19,326 LOOKING FOR EVIDENCE OF AN AFFAIR. 400 00:19:20,727 --> 00:19:22,429 VAN PELT, NEW MARCHING ORDERS-- 401 00:19:22,429 --> 00:19:24,130 I NEED YOU TO FIND OUT IF YOLI WAS ON THE TAKE 402 00:19:24,130 --> 00:19:27,200 OR IN CONTACT WITH A GANG CALLED THE PERRY BOYS. 403 00:19:27,200 --> 00:19:29,868 (clatter) 404 00:19:29,868 --> 00:19:30,869 (grunts) 405 00:19:35,708 --> 00:19:36,976 CAN I HELP YOU? 406 00:19:36,976 --> 00:19:39,378 OH, I'M SORRY. I WAS TRYING NOT TO BOTHER YOU. 407 00:19:39,378 --> 00:19:42,114 BUT, UH, BUT SINCE YOU ASKED, YES. 408 00:19:42,114 --> 00:19:46,085 UH... WHO'S THAT GUY? 409 00:19:46,085 --> 00:19:50,423 THAT'S TREY. TREY. IS--UH, A FELLOW OFFICER? 410 00:19:50,423 --> 00:19:52,525 YEAH, WE ALL CAME IN THE SAME YEAR. 411 00:19:52,525 --> 00:19:56,496 SO YOU AND YOLI MUST HAVE BEEN CLOSE? 412 00:19:56,496 --> 00:19:59,566 THAT GIRL WAS MY HEART. SHE WAS ALWAYS THERE FOR ME. 413 00:19:59,566 --> 00:20:03,502 MY PARTNER SEEMS TO BELIEVE THAT, UM, 414 00:20:03,502 --> 00:20:07,507 THAT YOLI WAS HAVING AN AFFAIR. 415 00:20:07,507 --> 00:20:10,209 NAH. YOLI WOULD NEVER CHEAT ON LALO. 416 00:20:10,209 --> 00:20:14,346 HER FAMILY FOUND CONDOMS IN HER POCKETS MORE THAN ONCE. 417 00:20:14,346 --> 00:20:15,781 WE ALL CARRY 'EM. 418 00:20:15,781 --> 00:20:18,484 NEVER KNOW WHEN YOU HAVE TO WATERPROOF DRUG SAMPLES 419 00:20:18,484 --> 00:20:20,219 WHEN YOU'RE IN THE FIELD. 420 00:20:20,219 --> 00:20:22,755 HANDY TO KNOW. 421 00:20:22,755 --> 00:20:25,525 (man on TV) I SHOULD, LIKE, TOTALLY EAT SOMETHING HEALTHY. 422 00:20:25,525 --> 00:20:28,160 (man) BUT... BUT... HUH? 423 00:20:28,160 --> 00:20:29,662 (man) WHAT ABOUT YOU? 424 00:20:29,662 --> 00:20:31,798 IS IT A CONE STUFFED WITH THE FRUITS OF THE SEA? 425 00:20:31,798 --> 00:20:35,201 ALL RIGHT, MAMA. NAP TIME IS NOW. 426 00:20:35,201 --> 00:20:37,403 GET IN BED. 427 00:20:37,403 --> 00:20:41,073 (male characters continue speaking on TV) 428 00:20:41,073 --> 00:20:43,041 HOW MUCH LONGER IS THIS GONNA TAKE? (turns TV off) 429 00:20:43,041 --> 00:20:44,844 I DON'T KNOW. 430 00:20:44,844 --> 00:20:47,012 JUST TELL ME WHAT YOU'RE LOOKING FOR. 431 00:20:47,012 --> 00:20:49,981 MAYBE I CAN SPEED THIS UP. MY KIDS-- 432 00:20:49,981 --> 00:20:52,951 I'M SORRY, SIR, BUT I CAN'T DISCUSS THE CASE. 433 00:20:52,951 --> 00:20:57,423 ANOTHER ROBOCOP. WHERE DO THEY FIND YOU PEOPLE? 434 00:20:59,925 --> 00:21:01,528 THESE ARE ALL FAMILY FILES. 435 00:21:01,528 --> 00:21:03,863 DID YOLI KEEP ANY PRIVATE RECORDS? 436 00:21:03,863 --> 00:21:08,401 A PERSONAL JOURNAL OR DIARY, MAYBE? 437 00:21:08,401 --> 00:21:10,102 YOU CAN CHECK HER COMPUTER. 438 00:21:10,102 --> 00:21:12,771 WE ALREADY DID, AT WORK AND THE LAPTOP AT HOME. 439 00:21:12,771 --> 00:21:15,040 SHE DIDN'T KEEP ANYTHING IMPORTANT ON THOSE. 440 00:21:15,040 --> 00:21:17,376 TOO PARANOID. 441 00:21:17,376 --> 00:21:19,778 WHAT COMPUTER DID SHE USE? 442 00:21:24,683 --> 00:21:26,419 (whispers) RIGHT THERE. 443 00:21:26,419 --> 00:21:27,554 EXCUSE ME. 444 00:21:35,528 --> 00:21:37,463 (mouse clicking) 445 00:22:06,526 --> 00:22:09,295 (Lisbon) Van Pelt. HEY, BOSS. 446 00:22:09,295 --> 00:22:12,464 Yoli uploaded photos of a house onto her kids' computer 447 00:22:12,464 --> 00:22:13,965 the day before the crime. 448 00:22:13,965 --> 00:22:16,201 THE PHOTOS LINK TO A FORECLOSURE SITE 449 00:22:16,201 --> 00:22:18,971 THAT SHOWS THE HOUSE HAS BEEN VACANT FOR SIX MONTHS. 450 00:22:18,971 --> 00:22:21,874 THE PERFECT PLACE FOR THE PERRYS TO HIDE OUT. 451 00:22:21,874 --> 00:22:24,143 WE'RE GONNA NEED THAT ADDRESS. 452 00:22:24,143 --> 00:22:26,345 DADDY'S HOME. 453 00:22:26,345 --> 00:22:28,615 HEY! YOU MUST BE TREY. 454 00:22:28,615 --> 00:22:31,951 HEY. I MUST BE. WHO AM I WAVING AT? 455 00:22:31,951 --> 00:22:35,320 I'M ONE OF THE CBI PEOPLE INVESTIGATING YOLI'S MURDER. 456 00:22:35,320 --> 00:22:37,256 YEAH? ON OUR COUCH? 457 00:22:37,256 --> 00:22:39,258 WELL, YOU'D BE SURPRISED WHAT YOU CAN LEARN. 458 00:22:39,258 --> 00:22:43,430 REALLY? LIKE WHAT? 459 00:22:43,430 --> 00:22:46,332 IT'S VERY COMFORTABLE ON THE FIRST SIT, 460 00:22:46,332 --> 00:22:49,469 GONNA GIVE YOUR BACK A LOT OF GRIEF. 461 00:22:49,469 --> 00:22:51,671 WHERE WE GOING? TRACKING DOWN THE PERRY BOYS. 462 00:22:51,671 --> 00:22:52,672 THEY MAY HAVE KILLED YOLI. 463 00:22:52,672 --> 00:22:54,240 YOU WANT ME TO COME WITH YOU? 464 00:22:54,240 --> 00:22:56,843 WE GOT EXTRA VESTS. 465 00:22:56,843 --> 00:22:59,445 WHY DON'T YOU WAIT HERE FOR ME? THAT'S A GREAT--I'LL WAIT HERE. 466 00:22:59,445 --> 00:23:01,614 HOLD DOWN THE FORT. GOOD LUCK. 467 00:23:01,614 --> 00:23:05,684 (thunder rumbling) 468 00:23:05,684 --> 00:23:07,252 IT'S A WHOLE NEW YOU. 469 00:23:07,252 --> 00:23:11,423 YEAH. BE HAPPY I WASN'T OUT THERE AS A CRACKHEAD TODAY. 470 00:23:11,423 --> 00:23:14,160 PROPS INCLUDE URINE-SOAKED PANTS. 471 00:23:14,160 --> 00:23:15,494 CHARMING. 472 00:23:17,096 --> 00:23:19,766 UH, ARE THOSE PROPS, TOO? 473 00:23:19,766 --> 00:23:22,969 NO. THESE ARE THE REAL DEAL. 474 00:23:22,969 --> 00:23:24,604 I WAS OUT DOING HAND-TO-HANDS TODAY. 475 00:23:24,604 --> 00:23:27,373 YOU KNOW, MAKING BUYS IN DIFFERENT AREAS, 476 00:23:27,373 --> 00:23:30,442 THAT'S QUITE A HAUL. COLORFUL. 477 00:23:30,442 --> 00:23:34,113 WHAT--WHAT DO YOU DO WITH THE GOODS? 478 00:23:34,113 --> 00:23:37,348 EVERYTHING GOES INTO THE PROPERTY ROOM. 479 00:23:37,348 --> 00:23:38,817 INVESTIGATION UNIT CATCHES YOU 480 00:23:38,817 --> 00:23:40,352 WITH AS MUCH AS A CRACK PIPE IN YOUR CAR, 481 00:23:40,352 --> 00:23:41,921 THEY COME DOWN PRETTY HARD. 482 00:23:41,921 --> 00:23:43,756 MM. 483 00:23:43,756 --> 00:23:46,492 MUST BE DIFFICULT LIVING TWO LIVES. 484 00:23:46,492 --> 00:23:51,197 WELL, YOU LEARN TO COMPARTMENTALIZE. 485 00:23:51,197 --> 00:23:53,332 MM. HOW WAS YOLI WITH THAT? 486 00:23:53,332 --> 00:23:55,768 YOLI. GOD BLESS HER. 487 00:23:55,768 --> 00:23:57,470 SHE WAS ONE OF THE BEST, ACTUALLY. 488 00:23:57,470 --> 00:24:00,673 SHE HAD TO BE. YOU MET HER FAMILY, RIGHT? 489 00:24:00,673 --> 00:24:02,808 YEAH, SHE WAS PUTTING THAT HUSBAND OF HERS THROUGH SCHOOL. 490 00:24:02,808 --> 00:24:08,914 SO YOLI WAS GOOD, BUT, UH, YOU'RE BETTER? 491 00:24:08,914 --> 00:24:11,884 SO WHY IS IT THAT YOLI GOT THE, UH, VEGA CASE AND NOT YOU? 492 00:24:11,884 --> 00:24:13,586 THAT'S-- THAT'S THE BIG CASE, RIGHT? 493 00:24:13,586 --> 00:24:15,186 WELL, LET'S JUST SAY THE SHORT DRESSES 494 00:24:15,186 --> 00:24:16,722 DIDN'T HURT YOLI AT ALL. 495 00:24:16,722 --> 00:24:18,423 TELL YOU ONE THING, THOUGH, 496 00:24:18,423 --> 00:24:20,926 I WOULDN'T HAVE LET VEGA'S MEN DO ME LIKE THAT. 497 00:24:20,926 --> 00:24:22,662 YOU THINK VEGA HAD HER KILLED? 498 00:24:22,662 --> 00:24:24,797 AW, COME ON. SHE'S AN UNDERCOVER COP. 499 00:24:24,797 --> 00:24:26,699 THIS GUY'S A NOTORIOUS GANGSTER. 500 00:24:26,699 --> 00:24:28,934 HOW FAR HAVE YOU REALLY GOTTA LOOK? 501 00:24:28,934 --> 00:24:31,103 WHAT UP, MIKE? 'SUP, TREY? 502 00:24:31,103 --> 00:24:31,903 YOU GOT IT. 503 00:24:31,903 --> 00:24:33,772 OH. OH, I AM SO SORRY. 504 00:24:33,772 --> 00:24:35,907 I'M SORRY. TREY-- OH, THAT'S EMBARRASSING. 505 00:24:35,907 --> 00:24:38,911 MIKE, YOU GOT A TOWEL, A NAPKIN OR SOMETHING? COME ON. 506 00:24:38,911 --> 00:24:42,548 THAT'S TERRIBLE. MY BAD. (thunder rumbles) 507 00:24:42,548 --> 00:24:45,416 WIPE THAT THERE. UH, GONNA NEED ANOTHER ONE OF THESE, MIKE. 508 00:24:45,416 --> 00:24:48,820 OKAY, GREAT. THANK YOU. 509 00:24:48,820 --> 00:24:51,089 SO CLUMSY. I-I'M SORRY. 510 00:24:51,089 --> 00:24:53,325 (car doors close, thunder rumbles) 511 00:24:53,325 --> 00:24:55,761 WE'RE LOOKING FOR WARREN, DWAYNE, AND RUSSELL PERRY. 512 00:24:55,761 --> 00:24:57,195 EXPECT THEM TO BE ARMED. 513 00:24:57,195 --> 00:24:59,531 THEY'RE ERRATIC AND EXTREMELY DANGEROUS. 514 00:25:04,871 --> 00:25:07,239 VAN PELT, YOU TAKE THE SIDE. YES, MA'AM. 515 00:25:07,239 --> 00:25:09,942 (thunder rumbles) 516 00:25:19,818 --> 00:25:22,020 (handle rattles) UGH. 517 00:25:22,020 --> 00:25:24,590 (gunfire) 518 00:25:24,590 --> 00:25:25,724 (man) AAH! (gun cocks) 519 00:25:27,926 --> 00:25:31,063 (thuds, man grunting) 520 00:25:32,765 --> 00:25:35,467 (man) WE DIDN'T COME HERE TO WORK OUT. 521 00:25:35,467 --> 00:25:36,669 (man) DON'T MOVE, KID. 522 00:25:36,669 --> 00:25:38,671 (Lisbon) PUT YOUR HANDS IN THE AIR! 523 00:25:38,671 --> 00:25:39,672 (thud, punches landing) AAH! 524 00:25:39,672 --> 00:25:41,807 (man) NOBODY CAN HELP ME. 525 00:25:41,807 --> 00:25:44,309 (thud, thud) I HAD TO HELP MYSELF. 526 00:25:44,309 --> 00:25:45,877 UH! AAH! 527 00:25:45,877 --> 00:25:48,247 I COULDN'T LET THIS PLACE BEAT ME. 528 00:25:52,351 --> 00:25:53,653 I DID WHAT I HAD TO DO... 529 00:25:53,653 --> 00:25:54,854 CLEAR. 530 00:25:54,854 --> 00:25:56,722 IT'S DEFINITELY THE PERRYS. 531 00:25:56,722 --> 00:25:57,990 I FOUGHT. 532 00:26:00,092 --> 00:26:02,595 HEY, BOSS, I GOT ONE DOWN BACK HERE! 533 00:26:02,595 --> 00:26:05,396 (thuds, gunfire) 534 00:26:05,396 --> 00:26:09,500 (man speaking indistinctly, men grunting) 535 00:26:09,500 --> 00:26:11,136 NOBODY COULD HELP ME. 536 00:26:15,674 --> 00:26:16,808 (door opens) 537 00:26:19,811 --> 00:26:21,948 WHERE'D ALL THIS COME FROM? 538 00:26:21,948 --> 00:26:24,250 YOUR FRIEND WAYNE IS SO SWEET. 539 00:26:24,250 --> 00:26:26,719 NOW THERE'S A MAN WHO KNOWS HOW TO SMILE. 540 00:26:26,719 --> 00:26:28,586 WAS HE IN A BOY BAND? 541 00:26:28,586 --> 00:26:30,521 YOU WERE RIGHT ABOUT VEGA. 542 00:26:30,521 --> 00:26:33,726 SO MY INFORMATION WAS HELPFUL? 543 00:26:33,726 --> 00:26:36,628 YOU'RE FREE TO GO. ALL CHARGES ARE DROPPED. 544 00:26:39,898 --> 00:26:43,301 THANK YOU, AGENT CHO. 545 00:26:43,301 --> 00:26:44,369 KIMBALL. 546 00:26:44,369 --> 00:26:45,304 YOU'RE WELCOME. 547 00:26:52,010 --> 00:26:54,947 YOU KNOW, YOU REALLY SHOULD DO SOMETHING 548 00:26:54,947 --> 00:26:56,749 ABOUT THAT BACK OF YOURS. 549 00:26:56,749 --> 00:26:58,317 IT'S NOTHING. YOU'RE VERY INVESTED 550 00:26:58,317 --> 00:27:00,853 IN THIS MAN-IN-AN-IRON-FACE ROUTINE, AREN'T YOU? 551 00:27:00,853 --> 00:27:03,655 I BET I COULD MAKE YOU CRY LIKE A BABY. 552 00:27:06,726 --> 00:27:08,894 I'LL BET. 553 00:27:08,894 --> 00:27:11,329 THERE MAY BE HOPE FOR YOU YET. 554 00:27:16,769 --> 00:27:20,105 SAC P.D. NARCO UNIT JUST GOT FINISHED 555 00:27:20,105 --> 00:27:23,174 THEY FOUND BAGGIES, SCALES, DRUG RESIDUE, BUT NO DRUGS. 556 00:27:23,174 --> 00:27:24,711 LOOKS LIKE VEGA STOLE HIS COKE BACK. 557 00:27:24,711 --> 00:27:27,814 NO. THE PERRYS LET THE KILLER IN THE HOUSE. 558 00:27:27,814 --> 00:27:30,849 OTHERWISE, DWAYNE HERE WOULD HAVE DIED WITH A GUN IN HIS HAND 559 00:27:30,849 --> 00:27:32,651 INSTEAD OF A VIDEO GAME CONTROLLER. 560 00:27:32,651 --> 00:27:34,119 DID BALLISTICS COME BACK? 561 00:27:34,119 --> 00:27:35,988 YEAH, THE .380 CASINGS FOUND AT THE PERRY HOUSE 562 00:27:35,988 --> 00:27:38,691 MATCH THE ONES FROM YOLI'S CRIME SCENE, 563 00:27:38,691 --> 00:27:43,128 AND THE M.E. PUTS THE PERRYS' TIME OF DEATH 564 00:27:43,128 --> 00:27:47,098 GREAT. WE'VE GOT NO SUSPECTS. WE'RE BACK TO SQUARE ONE. 565 00:27:47,098 --> 00:27:48,800 WELL... 566 00:27:48,800 --> 00:27:51,703 I WOULDN'T SAY SQUARE ONE EXACTLY. 567 00:27:51,703 --> 00:27:52,838 NO? 568 00:27:53,772 --> 00:27:54,906 NO. 569 00:28:04,650 --> 00:28:07,118 HEY, CANDIDE, WE'RE READY. 570 00:28:25,436 --> 00:28:26,438 (whirring) 571 00:28:26,438 --> 00:28:28,374 (door clanks open) 572 00:28:32,211 --> 00:28:35,146 THAT'S QUITE AN IMPRESSIVE PILE YOU HAVE THERE. 573 00:28:35,146 --> 00:28:37,784 WHAT ARE YOU, UH, DOING HERE? 574 00:28:37,784 --> 00:28:40,451 WELL, YOU CAN'T BE BACK HERE. 575 00:28:40,451 --> 00:28:41,988 I CAN BE WHEREVER I WANNA BE. 576 00:28:41,988 --> 00:28:44,222 OH. WHO SAYS? 577 00:28:44,222 --> 00:28:46,458 THE LAW. 578 00:28:46,458 --> 00:28:47,759 IT KNOWS NO BOUNDS. 579 00:28:49,295 --> 00:28:51,497 WHAT DO YOU WANT? 580 00:28:51,497 --> 00:28:52,999 I'M NOT SURE YET. 581 00:28:52,999 --> 00:28:56,167 GLAD TO SEE YOU'RE HAVING SUCH A GOOD WEEK. 582 00:28:57,736 --> 00:28:59,371 HOW MUCH DO YOU WANT? 583 00:28:59,371 --> 00:29:02,173 MM... 20. 584 00:29:02,173 --> 00:29:03,474 GRAND? 585 00:29:03,474 --> 00:29:04,609 PERCENT. 586 00:29:04,609 --> 00:29:06,545 THAT--THAT'S INSANE. 587 00:29:06,545 --> 00:29:08,815 OKAY, THEN. MAKE IT 25. 588 00:29:08,815 --> 00:29:11,784 GET OUT. 589 00:29:11,784 --> 00:29:14,619 YOU TELL OMAR VEGA I GOT A DEAL TO MAKE, 590 00:29:14,619 --> 00:29:17,056 AND WE'LL CALL IT SQUARE. 591 00:29:17,056 --> 00:29:19,724 I TOLD YOU I DON'T KNOW ANY VEGA. 592 00:29:19,724 --> 00:29:21,227 NO? 593 00:29:21,227 --> 00:29:23,429 THEN WHY ARE YOU COUNTING HIS MONEY? 594 00:29:23,429 --> 00:29:26,698 VEGA USES THIS CLUB TO LAUNDER HIS DRUG MONEY. 595 00:29:26,698 --> 00:29:28,634 IT'S HIS CLUB, THAT'S OBVIOUS. 596 00:29:28,634 --> 00:29:30,269 LOOK AT YOU. 597 00:29:30,269 --> 00:29:32,171 YOU'RE NOT A BIG TIME CLUB OWNER. 598 00:29:32,171 --> 00:29:36,407 YOU TELL VEGA THERE'S MORE WHERE THAT CAME FROM. 599 00:29:40,011 --> 00:29:41,847 (phone beeps) 600 00:29:48,855 --> 00:29:52,490 THAT PRO SEEMED LIKE A PIECE OF WORK, HUH? 601 00:29:52,490 --> 00:29:53,491 WHO, SUMMER? 602 00:29:53,491 --> 00:29:55,126 OH, SHE'S "SUMMER" NOW. 603 00:29:55,126 --> 00:29:57,296 SHE IS SUMMER. THAT'S HER NAME. 604 00:29:57,296 --> 00:30:00,499 JUST LIKE SHE KNOWS YOUR NAME IS WAYNE. 605 00:30:00,499 --> 00:30:03,568 YOU EMPTIED OUT THE ENTIRE VENDING MACHINE. YEAH. SHE WAS HUNGRY. 606 00:30:03,568 --> 00:30:04,502 MM. 607 00:30:06,005 --> 00:30:07,538 COPY THAT. 608 00:30:09,441 --> 00:30:11,576 HI. I WAS JUST LEAVING. 609 00:30:11,576 --> 00:30:12,944 NO. YOU'RE NOT. 610 00:30:12,944 --> 00:30:14,913 NO? I GUESS I'M NOT. 611 00:30:14,913 --> 00:30:17,950 (hip-hop music playing loudly) 612 00:30:17,950 --> 00:30:19,451 WE'RE UP. 613 00:30:19,451 --> 00:30:24,623 ** 614 00:30:24,623 --> 00:30:26,959 (loudly) WHOA! 615 00:30:26,959 --> 00:30:29,827 YOU MIND TURNING THE BASS DOWN A LITTLE? 616 00:30:29,827 --> 00:30:31,797 MAKES ME WANNA GO TO THE BATHROOM! 617 00:30:31,797 --> 00:30:35,500 ** 618 00:30:35,500 --> 00:30:36,835 YOU GOT A SIGNAL? 619 00:30:36,835 --> 00:30:37,970 YEAH. 620 00:30:40,306 --> 00:30:42,840 JUST GIVE 'EM A LEAD BEFORE YOU GO. 621 00:30:44,309 --> 00:30:45,978 (engine starts) 622 00:30:45,978 --> 00:30:49,315 (shifts gears) 623 00:31:01,426 --> 00:31:03,128 STRAIGHT AHEAD. 624 00:31:08,733 --> 00:31:10,536 TURN RIGHT HERE. 625 00:31:16,909 --> 00:31:19,912 I KNOW THIS NEIGHBORHOOD. 626 00:31:19,912 --> 00:31:22,147 IT'S A PERFECT PLACE TO SET UP A DRUG OPERATION. 627 00:31:24,016 --> 00:31:25,584 OKAY, THEY STOPPED. SLOW DOWN. 628 00:31:25,584 --> 00:31:27,252 THEY'RE JUST A FEW HUNDRED FEET UP AHEAD. 629 00:31:27,252 --> 00:31:29,587 LET'S PARK HERE. A FEW HUNDRED FEET AWAY. 630 00:31:31,457 --> 00:31:34,359 HOW MANY MONTHS HAS SAC P.D.'S NARCO TEAM 631 00:31:34,359 --> 00:31:35,826 (seat belt clicks) WE FOUND IT IN ONE DAY. 632 00:31:35,826 --> 00:31:37,163 (shifts gears) 633 00:31:43,769 --> 00:31:46,538 I DON'T SEE THE S.U.V. 634 00:31:46,538 --> 00:31:49,575 THEY MUST HAVE PULLED INTO ONE OF THESE WAREHOUSES. 635 00:31:49,575 --> 00:31:51,710 YEAH, BUT WHERE? 636 00:31:51,710 --> 00:31:54,880 WAIT A SECOND. WHERE'D YOU HIDE JANE'S TRACKING DEVICE? 637 00:31:54,880 --> 00:31:56,949 HIS JACKET LINING. 638 00:31:56,949 --> 00:31:58,250 (exhales) 639 00:32:01,019 --> 00:32:02,087 WE'RE SCREWED. 640 00:32:02,087 --> 00:32:03,955 WE'RE FINE. 641 00:32:04,923 --> 00:32:06,557 JANE'S SCREWED. 642 00:32:11,063 --> 00:32:12,564 (laughs) SO I WAS THINKING 643 00:32:12,564 --> 00:32:14,665 IT'S GETTING A LITTLE CROWDED IN HERE. 644 00:32:14,665 --> 00:32:16,234 WALK AWAY. 645 00:32:16,234 --> 00:32:19,005 RIGHT NOW. (groans) 646 00:32:20,905 --> 00:32:23,409 IF YOU WANTED A DATE, ALL YOU HAD TO DO WAS ASK. 647 00:32:23,409 --> 00:32:25,477 WHERE CAN I FIND OMAR VEGA? 648 00:32:25,477 --> 00:32:27,179 WHY? HE'S GOT ONE OF OUR PEOPLE. 649 00:32:27,179 --> 00:32:28,680 WHAT MAKES YOU THINK I KNOW WHERE HE IS? 650 00:32:28,680 --> 00:32:31,017 YOU'RE A HOOKER. YOU HAD INTEL ON VEGA. 651 00:32:31,017 --> 00:32:32,451 YOU MUST SLEEP WITH HIS MEN. 652 00:32:32,451 --> 00:32:34,552 YOU DON'T MINCE YOUR WORDS, DO YOU? 653 00:32:34,552 --> 00:32:35,921 I DON'T HAVE TIME FOR THIS, SUMMER. 654 00:32:35,921 --> 00:32:37,155 NEITHER DO I. 655 00:32:37,155 --> 00:32:39,157 I JUST SPENT AN HOUR TALKING TO HIM. 656 00:32:39,157 --> 00:32:40,459 YOU CHASED OFF BIG MONEY. 657 00:32:40,459 --> 00:32:44,395 NOW I HAVE TO START FROM THE BEGINNING. 658 00:32:44,395 --> 00:32:47,499 I'M ARRESTING YOU FOR SOLICITATION. (handcuffs clicking) 659 00:32:47,499 --> 00:32:49,535 MAKE SURE YOU MAKE IT NICE AND TIGHT. 660 00:32:49,535 --> 00:32:51,636 I KNOW HOW YOU LOVE TO ASSERT YOUR AUTHORITY. 661 00:32:51,636 --> 00:32:54,740 WHAT IS THE MATTER WITH YOU? A LIFE'S AT STAKE. 662 00:32:54,740 --> 00:32:57,542 WHAT IS WRONG WITH YOU? 663 00:32:57,542 --> 00:32:59,478 AND TAKE WHATEVER YOU WANT FROM ME WHENEVER YOU WANT IT? 664 00:32:59,478 --> 00:33:02,548 YOU'RE USED TO GETTING PAID. FINE. 665 00:33:02,548 --> 00:33:03,515 HOW MUCH DO YOU WANT? 666 00:33:03,515 --> 00:33:06,218 I DON'T WANT YOUR MONEY, CHO. 667 00:33:06,218 --> 00:33:08,987 I WAS JUST LOOKING FOR A LITTLE COMMON COURTESY. 668 00:33:14,125 --> 00:33:16,862 VEGA'S HELD UP AT AN ABANDONED GARAGE ON TENTH STREET. 669 00:33:16,862 --> 00:33:21,400 NOW TAKE THESE OFF OF ME AND LEAVE ME THE HELL ALONE. 670 00:33:26,971 --> 00:33:30,108 (handcuffs clicking) 671 00:33:33,078 --> 00:33:36,682 (footsteps retreat) 672 00:33:40,086 --> 00:33:43,255 A LITTLE DISAPPOINTED ABOUT MY SHOES. 673 00:33:46,224 --> 00:33:48,859 IS THIS HOW YOU TREAT ALL YOUR GUESTS? 674 00:33:48,859 --> 00:33:50,729 WHAT DO YOU WANT TO SELL ME? 675 00:33:50,729 --> 00:33:52,798 DRUGS, OF COURSE. 676 00:33:52,798 --> 00:33:55,467 OR YOU MIGHT END UP SHOELESS YOURSELF. 677 00:33:55,467 --> 00:33:58,636 ESTE CABRÓN THINKS HE'S ON ONE, YES? 678 00:33:58,636 --> 00:34:01,640 SO, UM, THIS SUPPLY-- 679 00:34:01,640 --> 00:34:03,275 WHERE EXACTLY DOES IT COME FROM? 680 00:34:03,275 --> 00:34:07,613 THE NARCOTICS TASK FORCE COLLECTS INFORMATION 681 00:34:07,613 --> 00:34:11,083 WHERE THEY OPERATE, WHERE THEIR STASH HOUSES ARE. 682 00:34:11,083 --> 00:34:14,485 I GIVE YOU THAT INFORMATION-- FOR A FEE-- 683 00:34:14,485 --> 00:34:16,987 AND YOU CAN RE-STOCK YOUR SUPPLY AT WILL. 684 00:34:16,987 --> 00:34:20,891 (laughs) 685 00:34:20,891 --> 00:34:23,762 OH, IT'S, UM, IT'S NOT FUNNY "HA HA." 686 00:34:23,762 --> 00:34:25,563 IT'S MORE FUNNY CRAZY. 687 00:34:25,563 --> 00:34:29,701 YOU SEE, I JUST GOT THE EXACT SAME OFFER YESTERDAY. 688 00:34:29,701 --> 00:34:32,237 MM. (laughs) 689 00:34:32,237 --> 00:34:34,505 INTERESTING NEGOTIATING TACTIC. 690 00:34:34,505 --> 00:34:37,376 I'M GONNA CALL YOUR BLUFF. 691 00:34:37,376 --> 00:34:38,244 AH. 692 00:34:38,244 --> 00:34:40,445 YOU THINK I'M LYING? 693 00:34:40,445 --> 00:34:42,012 THERE'S ONLY ONE RAINMAKER. 694 00:34:42,012 --> 00:34:44,916 (sighs) 695 00:34:44,916 --> 00:34:46,318 (clears throat) 696 00:34:46,318 --> 00:34:47,452 (static crackling) BRING HER IN. 697 00:34:55,260 --> 00:35:01,532 I DEMAND TO SPEAK TO HIM! WE'RE BUSINESS PARTNERS! 698 00:35:01,532 --> 00:35:02,668 WHAT'S HE DOING HERE? 699 00:35:02,668 --> 00:35:06,905 VEGA, WHAT ARE YOU DOING TO ME? 700 00:35:06,905 --> 00:35:09,974 BUT THIS WOMAN IS AN UNDERCOVER COP. YES, I KNOW EXACTLY WHAT SHE IS. 701 00:35:09,974 --> 00:35:13,311 ACTUALLY, SHE'S PART OF THE SAME NARCOTICS TASK FORCE 702 00:35:13,311 --> 00:35:16,782 THAT YOU CLAIM TO HAVE ACCESS TO. 703 00:35:16,782 --> 00:35:19,083 YOU'RE VERY GOOD. SHE'S GOOD. 704 00:35:19,083 --> 00:35:20,318 AND YOU'RE BEING SET UP 705 00:35:20,318 --> 00:35:22,119 FOR A ONE-WAY TRIP TO THE GRAY BAR HOTEL. 706 00:35:22,119 --> 00:35:24,021 YOU PATTED HER DOWN FOR A WIRE YET? 707 00:35:24,021 --> 00:35:26,692 VEGA, YOU CAN'T BE TAKING THIS GUY SERIOUSLY. 708 00:35:26,692 --> 00:35:29,960 UH, NO, TO BE HONEST WITH YOU, 709 00:35:29,960 --> 00:35:32,630 I MEAN, IT'S NOT EVERY WEEK THAT TWO DIRTY COPS 710 00:35:32,630 --> 00:35:36,134 SHOW UP ON MY DOORSTEP, BOTH OFFERING ME THE SAME DEAL. 711 00:35:36,134 --> 00:35:37,735 I MEAN, WHAT ARE THE ODDS, HMM? 712 00:35:37,735 --> 00:35:41,472 OH, THE ODDS? THE ODDS ARE SOMEONE'S LYING. 713 00:35:41,472 --> 00:35:44,074 AND THEN WE'LL TALK SOME BUSINESS. YO, LIKE HELL! 714 00:35:44,074 --> 00:35:46,777 HE'S NOT EVEN A REAL COP! THIS GUY'S A CONSULTANT! 715 00:35:46,777 --> 00:35:49,347 NO, YOU KNOW, I THINK THAT MAYBE MY SAFEST OPTION 716 00:35:49,347 --> 00:35:51,250 IS TO SHOOT YOU BOTH! 717 00:35:51,250 --> 00:35:52,650 WHOA! WAIT A MINUTE. 718 00:35:52,650 --> 00:35:55,653 JUST WAIT A MINUTE. LET'S BE COOL HERE. 719 00:35:55,653 --> 00:35:59,123 I TOOK OUT THE PERRY BOYS FOR YOU. 720 00:35:59,123 --> 00:36:02,527 AH. EXPLAIN. 721 00:36:02,527 --> 00:36:04,329 I KNEW THEY HIT YOUR STASH HOUSE. 722 00:36:04,329 --> 00:36:05,764 I KNEW WHERE THEY WERE HIDING OUT, 723 00:36:05,764 --> 00:36:07,199 SO I FIXED IT... 724 00:36:07,199 --> 00:36:09,099 AS A GESTURE OF GOODWILL. 725 00:36:09,099 --> 00:36:11,869 HE IS LYING. HOW WOULD YOU KNOW? YOU WEREN'T THERE. 726 00:36:11,869 --> 00:36:13,905 YES, I WAS. I SHOT THEM. 727 00:36:13,905 --> 00:36:15,806 THAT'S IMPOSSIBLE. THE GUN THAT WAS USED 728 00:36:15,806 --> 00:36:18,009 TO KILL THE PERRY BOYS WAS THE SAME GUN 729 00:36:18,009 --> 00:36:21,347 THAT WAS USED TO SHOOT YOLI CONCEPCION. 730 00:36:21,347 --> 00:36:24,882 BECAUSE SHE WAS YOUR BEST FRIEND. YES, SHE WAS. 731 00:36:24,882 --> 00:36:27,219 I LOVED YOLI. 732 00:36:27,219 --> 00:36:28,487 BUT SHE WAS STARTING TO SUSPECT 733 00:36:28,487 --> 00:36:30,121 THAT SOMEONE IN OUR UNIT WAS DIRTY. 734 00:36:30,121 --> 00:36:31,289 IT WAS JUST A MATTER OF TIME 735 00:36:31,289 --> 00:36:32,990 BEFORE SHE FIGURED OUT IT WAS ME. 736 00:36:32,990 --> 00:36:35,960 YOLI WAS FIVE-O? 737 00:36:35,960 --> 00:36:36,961 DAMN. 738 00:36:36,961 --> 00:36:39,297 THAT'S A TOUCHING STORY. 739 00:36:39,297 --> 00:36:42,900 THERE'S JUST ONE PROBLEM WITH IT. 740 00:36:42,900 --> 00:36:48,072 I KILLED YOLI, AND I KILLED THE PERRY BOYS. 741 00:36:48,072 --> 00:36:49,440 I DID 'EM ALL. 742 00:36:51,943 --> 00:36:56,146 EENIE MEENIE MINEY MO, HMM? 743 00:36:56,146 --> 00:36:58,215 CATCH A LIAR BY THE TOE. 744 00:36:58,215 --> 00:37:00,985 IF THEY HOLLER, LET THEM GO. 745 00:37:00,985 --> 00:37:04,755 EENIE MEENIE MINEY... 746 00:37:07,925 --> 00:37:10,762 MO. (Rigsby) CBI! DROP THE WEAPON! 747 00:37:10,762 --> 00:37:13,364 EVERYBODY FACE DOWN ON THE GROUND NOW! 748 00:37:13,364 --> 00:37:14,500 DON'T EVEN THINK ABOUT IT. 749 00:37:17,469 --> 00:37:19,538 (exhales deeply) 750 00:37:19,538 --> 00:37:22,239 ANYONE HAPPEN TO SEE MY SHOES? 751 00:37:23,675 --> 00:37:27,012 SO... YOU'RE THE ONE WHO HELPED THE PERRYS 752 00:37:27,012 --> 00:37:28,880 STEAL VEGA'S COCAINE. 753 00:37:28,880 --> 00:37:30,516 THAT'S RIGHT. 754 00:37:30,516 --> 00:37:32,518 WHEN YOLI SUSPECTED A DIRTY COP WAS BEHIND IT, 755 00:37:32,518 --> 00:37:33,652 WHY DIDN'T SHE COME TO ME? 756 00:37:33,652 --> 00:37:35,454 (scoffs) YOU'RE A BUREAUCRAT. 757 00:37:35,454 --> 00:37:37,623 ME AND YOLI, WE CAME UP TOGETHER. 758 00:37:37,623 --> 00:37:40,125 I WAS THE ONE THAT SH-- 759 00:37:40,125 --> 00:37:43,027 I WAS THE ONE SHE TRUSTED MOST. 760 00:37:43,027 --> 00:37:46,864 AND YOU FRAMED THE PERRY BOYS FOR YOLI'S MURDER. 761 00:37:46,864 --> 00:37:50,034 THAT'S WHY YOU SENT HER THE TEXT MESSAGES IN CODE. 762 00:37:50,034 --> 00:37:52,570 IT WAS EASY TO GET YOLI TO BITE ON THAT. 763 00:37:52,570 --> 00:37:54,905 I TOLD HER IF THERE WAS A DIRTY COP ON OUR TEAM, 764 00:37:54,905 --> 00:37:58,809 WE NEEDED TO USE CODE SO WE DIDN'T TIP 'EM OFF. 765 00:37:58,809 --> 00:38:01,246 THE CHAMPAGNE TEXT MEANT THAT I WAS IN TROUBLE. 766 00:38:01,246 --> 00:38:03,081 ONCE I SENT IT, ALL I HAD TO DO 767 00:38:03,081 --> 00:38:04,882 WAS WAIT FOR HER TO SHOW UP AT HER CAR. 768 00:38:12,289 --> 00:38:15,327 YOU WORKED SO HARD TO FRAME THEM FOR YOLI'S MURDER, 769 00:38:15,327 --> 00:38:17,762 AND THEN YOU KILLED THEM WITH THE SAME GUN? 770 00:38:17,762 --> 00:38:20,798 YEAH, THAT PART WASN'T PLANNED. 771 00:38:20,798 --> 00:38:22,934 I WENT TO THE PERRY'S TO SPLIT OUR TAKE. 772 00:38:22,934 --> 00:38:24,936 THEY WANTED TO REVISE THE DEAL. 773 00:38:24,936 --> 00:38:26,871 TOLD ME I HAD TO TAKE A REDUCED CUT. 774 00:38:26,871 --> 00:38:30,509 TOLD ME THEY'D DROP DIME ON ME IF I DIDN'T GIVE IN. 775 00:38:32,309 --> 00:38:33,612 I DIDN'T GIVE IN. 776 00:38:33,612 --> 00:38:36,081 I GUESS YOU SHOWED THEM. 777 00:38:36,081 --> 00:38:37,416 YOU DON'T GET IT. 778 00:38:37,416 --> 00:38:39,284 SUITS NEVER DO. 779 00:38:39,284 --> 00:38:40,485 TRY ME. 780 00:38:42,954 --> 00:38:45,791 I BEEN IN NARCOTICS MY WHOLE CAREER... 781 00:38:45,791 --> 00:38:47,858 BUSTIN' PUNKS LIKE THE PERRYS 782 00:38:47,858 --> 00:38:49,360 THAT GOT MORE MONEY IN THEIR POCKETS 783 00:38:49,360 --> 00:38:51,862 THAN I MAKE IN A YEAR. 784 00:38:51,862 --> 00:38:53,197 IT NEVER ENDS. 785 00:38:53,197 --> 00:38:57,735 SO WHY TRY TO BEAT 'EM WHEN YOU CAN JUST JOIN 'EM? 786 00:38:57,735 --> 00:39:00,639 WELL, NOW YOU CAN JOIN 'EM IN PRISON. 787 00:39:08,112 --> 00:39:11,048 (indistinct conversations) 788 00:39:12,117 --> 00:39:13,050 HEY. 789 00:39:15,454 --> 00:39:17,188 WHAT DO YOU WANT? 790 00:39:17,188 --> 00:39:18,456 FEELING BAD NOW? 791 00:39:18,456 --> 00:39:20,726 ROUGHED UP THE DOWN-ON-HER-LUCK CALL GIRL? 792 00:39:20,726 --> 00:39:22,793 DON'T WORRY ABOUT ME. I'M FINE. 793 00:39:25,996 --> 00:39:27,264 I WANNA USE YOU. 794 00:39:27,264 --> 00:39:29,467 OH, BE STILL MY BEATING HEART. 795 00:39:29,467 --> 00:39:31,869 YES OR NO? 796 00:39:31,869 --> 00:39:33,838 OKAY. 797 00:39:33,838 --> 00:39:35,673 BUT DON'T EXPECT JUST BECAUSE YOU'RE A COP, 798 00:39:35,673 --> 00:39:37,943 YOU GET A DISCOUNT. 799 00:39:37,943 --> 00:39:38,943 STANDARD RATES APPLY. 800 00:39:38,943 --> 00:39:39,978 NOT FOR SEX. 801 00:39:39,978 --> 00:39:42,047 FOR INFORMATION. 802 00:39:42,047 --> 00:39:44,148 I CAN USE A GOOD CONFIDENTIAL INFORMANT. 803 00:39:49,219 --> 00:39:51,822 CASH MONEY, RIGHT? 804 00:39:51,822 --> 00:39:52,623 RIGHT. 805 00:39:52,623 --> 00:39:56,894 YOU KNOW, CHO, I LIKE YOU. 806 00:39:56,894 --> 00:40:00,097 YOU GOT A MYSTERIOUS, FELINE VIBE. 807 00:40:00,097 --> 00:40:01,166 IS THAT A "YES"? 808 00:40:03,001 --> 00:40:04,635 KIMBALL... 809 00:40:04,635 --> 00:40:07,539 FOR CASH MONEY, I'D SNITCH ON MY MOM. 810 00:40:12,777 --> 00:40:13,911 WHAT'D SHE DO? 811 00:40:17,715 --> 00:40:20,652 (sighs) YOU GOT PAPER TO SIGN, OR WHAT? 812 00:40:26,324 --> 00:40:29,460 (police radio chatter) 813 00:40:32,931 --> 00:40:34,500 YOU DON'T LOOK ANY WORSE FOR WEAR 814 00:40:34,500 --> 00:40:36,867 AFTER YOUR SHOWDOWN WITH VEGA. 815 00:40:36,867 --> 00:40:41,239 APART FROM A COUPLE OF HOLES IN MY SOCKS FROM TAP DANCING. 816 00:40:41,239 --> 00:40:43,942 YOUR OFFER TO VEGA HELPED FLUSH OUT THE REAL KILLER. 817 00:40:43,942 --> 00:40:46,177 HOW'D YOU KNOW IT WAS BIANCA? 818 00:40:46,177 --> 00:40:48,413 BIANCA NEVER TOOK OFF HER CRIMINAL DISGUISE. 819 00:40:48,413 --> 00:40:49,947 SO IT WAS A GUESS. 820 00:40:49,947 --> 00:40:51,949 AH, YOU MAKE IT SOUND SO ARTLESS. 821 00:40:51,949 --> 00:40:54,753 IT'S TIME. FOR WHAT? 822 00:40:54,753 --> 00:40:55,954 WE NEED TO TALK ABOUT RED JOHN. 823 00:40:55,954 --> 00:40:58,989 OH. GRIEVING WIDOWER AT MY 12:00. 824 00:40:58,989 --> 00:41:00,925 WHAT? 825 00:41:00,925 --> 00:41:03,128 YOUR 6:30. 826 00:41:03,128 --> 00:41:05,230 AGENT LISBON? 827 00:41:05,230 --> 00:41:06,864 I'M LOOKING FOR THE EVIDENCE ROOM. 828 00:41:06,864 --> 00:41:08,567 THEY'RE RELEASING YOLI'S THINGS. 829 00:41:08,567 --> 00:41:10,568 IT'S DOWNSTAIRS TWO LEVELS. 830 00:41:12,237 --> 00:41:13,771 SIR? 831 00:41:16,440 --> 00:41:18,476 YOUR WIFE'S UNDERCOVER ASSIGNMENT 832 00:41:18,476 --> 00:41:20,512 WAS TO HELP TAKE DOWN OMAR VEGA, 833 00:41:20,512 --> 00:41:22,179 A DRUG DEALER WANTED IN CONNECTION 834 00:41:22,179 --> 00:41:24,414 WITH MULTIPLE MURDERS. 835 00:41:24,414 --> 00:41:26,885 WITH WHAT WE LEARNED FROM YOLI, 836 00:41:26,885 --> 00:41:29,353 WE FOUND VEGA'S OPERATION LAST NIGHT 837 00:41:29,353 --> 00:41:32,090 AND WE ARRESTED HIM WITH 20 POUNDS OF COCAINE. 838 00:41:32,090 --> 00:41:36,460 I DOUBT HE'LL EVER SET FOOT ON THE STREETS AGAIN. 839 00:41:36,460 --> 00:41:39,097 YOLI SAVED A LOT OF LIVES. 840 00:41:39,097 --> 00:41:41,065 THANK YOU... 841 00:41:41,065 --> 00:41:42,833 I GUESS.