1 00:00:01,369 --> 00:00:03,803 YOU TAKE THE SOUTH SIDE OF THE STREET. 2 00:00:03,803 --> 00:00:05,839 HEY, YOU MET THE NEW BOSS YET? I HEARD HE'S YOUNG. 3 00:00:05,839 --> 00:00:08,509 WATCH FOR ANY POTENTIAL THREATS TO THE MAYOR. 4 00:00:08,509 --> 00:00:11,144 YOUNGER THAN US, AND HE'S GOT LIMITED FIELD EXPERIENCE. 5 00:00:11,144 --> 00:00:13,047 (Lisbon) Mayor just left the building. 6 00:00:13,047 --> 00:00:15,516 COPY THAT. MOVING INTO POSITION. 7 00:00:15,516 --> 00:00:17,917 WORKING WITH A GUY WHO'S BARELY QUALIFIED? 8 00:00:17,917 --> 00:00:20,888 YOU GET USED TO IT. 9 00:00:20,888 --> 00:00:23,957 I'VE GOT AN UNKNOWN DISTURBANCE IN THE NORTHEAST ALLEY. 10 00:00:23,957 --> 00:00:25,126 EXCUSE ME. POLICE. CBI. 11 00:00:25,126 --> 00:00:26,727 COMING THROUGH. EXCUSE ME. 12 00:00:30,263 --> 00:00:32,332 DID YOU SEE WHAT HAPPENED? NO. LO VI EN EL SUELO. 13 00:00:32,332 --> 00:00:36,804 ANYBODY SEE WHAT HAPPENED? ¿ALGUIEN VIO LO QUE PASO? 14 00:00:36,804 --> 00:00:38,472 (siren wailing in distance) GET SOME BACKUP IN HERE NOW. 15 00:00:38,472 --> 00:00:39,807 CONTACT THE MAYOR'S SECURITY DETAIL. 16 00:00:39,807 --> 00:00:41,209 CLEAR THESE PEOPLE OUT NOW. 17 00:00:43,344 --> 00:00:46,045 HE'S DEAD. 18 00:00:46,045 --> 00:00:47,747 (Lisbon) EXCUSE ME. EXCUSE ME. WATCH OUT. 19 00:00:47,747 --> 00:00:48,749 (both panting) 20 00:00:48,749 --> 00:00:49,750 WHAT DO WE GOT? 21 00:00:49,750 --> 00:00:52,552 HOMICIDE. MULTIPLE STAB WOUNDS. 22 00:00:52,552 --> 00:00:54,222 NO WALLET, NOTHING I CAN SEE. 23 00:00:54,222 --> 00:00:55,356 GOT A LARGE TRANSIENT POPULATION HERE. 24 00:00:55,356 --> 00:00:56,624 COULD BE A ROBBERY GONE WRONG. 25 00:00:56,624 --> 00:00:58,125 LET THE OFFICE KNOW WHAT'S GOING ON. 26 00:00:58,125 --> 00:00:59,127 SURE. 27 00:00:59,127 --> 00:01:00,960 JANE. 28 00:01:00,960 --> 00:01:02,496 (indistinct shouting) YOU'RE GONNA HAVE TO SPEAK UP, LISBON. 29 00:01:02,496 --> 00:01:05,165 IT'S A LITTLE LOUD HERE. 30 00:01:05,165 --> 00:01:07,968 WELL, THAT DEPENDS. ARE YOU STILL ON CROWD PATROL? 31 00:01:07,968 --> 00:01:09,703 NO. WE GOT A HOMICIDE NOW. 32 00:01:09,703 --> 00:01:10,971 THEN I'M CLOSE. 33 00:01:10,971 --> 00:01:11,971 (snaps) 34 00:01:11,971 --> 00:01:12,972 CAN-- 35 00:01:12,972 --> 00:01:16,109 (indistinct shouting) 36 00:01:20,980 --> 00:01:24,518 (distorted indistinct shouting) 37 00:01:28,121 --> 00:01:30,123 (brakes squeal) 38 00:01:43,003 --> 00:01:46,274 (indistinct conversations) 39 00:01:46,274 --> 00:01:47,408 (siren wailing) 40 00:01:47,408 --> 00:01:49,409 (Lisbon) HEY, JANE! 41 00:01:49,409 --> 00:01:50,677 STRANGE TIME FOR A MURDER, ISN'T IT-- 42 00:01:50,677 --> 00:01:52,246 IN THE MIDDLE OF A PROTEST MARCH? 43 00:01:52,246 --> 00:01:54,247 LEAVE IT TO A KILLER TO DO SOMETHING CRAZY. 44 00:01:54,247 --> 00:01:58,018 OR CALCULATED. (police radio chatter) 45 00:01:58,018 --> 00:02:01,155 IS STARTING TO LOOK LIKE A POLICEMAN'S BALL? 46 00:02:01,155 --> 00:02:05,125 IF I WANTED TO USE A BULLET TO EXPRESS MY DISPLEASURE 47 00:02:05,125 --> 00:02:07,361 THE FIRST THING I'D DO IS CLEAR OUT THE HEAT. 48 00:02:07,361 --> 00:02:08,829 YOU THINK THIS MURDER IS A DECOY? 49 00:02:08,829 --> 00:02:10,764 NO CLUE, BUT THERE'S A SUSPICIOUS-LOOKING MAN 50 00:02:10,764 --> 00:02:12,132 ON "J" STREET AND 56th-- 51 00:02:12,132 --> 00:02:16,304 HAUNTED EYES, NERVOUS ENERGY, AN OVERCOAT ON A HOT DAY. 52 00:02:16,304 --> 00:02:18,171 THAT'S THIN, EVEN FOR YOU. 53 00:02:18,171 --> 00:02:19,772 YEAH, YOU'RE PROBABLY RIGHT. 54 00:02:19,772 --> 00:02:21,841 IT'S ONLY THE MAYOR'S LIFE AT STAKE. 55 00:02:21,841 --> 00:02:23,843 FORGET I SPOKE. 56 00:02:23,843 --> 00:02:25,378 (police radio chatter) 57 00:02:26,680 --> 00:02:28,415 CHO. 58 00:02:30,251 --> 00:02:32,319 (indistinct conversations) 59 00:02:32,319 --> 00:02:36,289 (chanting in Spanish) 60 00:02:46,734 --> 00:02:48,936 WE GOT HIM. SOUTHEAST CORNER. 61 00:02:48,936 --> 00:02:51,739 (chanting in Spanish continues) 62 00:02:56,109 --> 00:02:58,778 EXCUSE ME. CBI. PUT YOUR HANDS WHERE I CAN SEE 'EM. 63 00:02:58,778 --> 00:03:00,747 DO ME A FAVOR AND STEP OVER HERE WITH ME. 64 00:03:00,747 --> 00:03:03,883 WHAT'S THE PROBLEM, MA'AM? I DIDN'T DO ANYTHING. 65 00:03:03,883 --> 00:03:05,485 THEN YOU WON'T MIND IF WE SEARCH YOU, 66 00:03:05,485 --> 00:03:07,955 FOR OUR PEACE OF MIND AND YOUR SAFETY. 67 00:03:07,955 --> 00:03:10,122 TURN AROUND AND FACE THE WALL. 68 00:03:10,122 --> 00:03:12,225 (chanting in Spanish continues) 69 00:03:14,594 --> 00:03:16,096 GUN. 70 00:03:16,096 --> 00:03:17,764 A SEMIAUTOMATIC .45. 71 00:03:17,764 --> 00:03:18,831 (clicks) 72 00:03:18,831 --> 00:03:20,099 FULLY LOADED. 73 00:03:20,099 --> 00:03:22,703 (click) 74 00:03:22,703 --> 00:03:24,872 CHAMBERED ROUND. 75 00:03:24,872 --> 00:03:26,373 I CAN EXPLAIN THAT. 76 00:03:26,373 --> 00:03:27,941 THE STATION'S RIGHT AROUND THE CORNER. 77 00:03:27,941 --> 00:03:29,509 TURN AROUND. 78 00:03:29,509 --> 00:03:30,711 (handcuffs click) 79 00:03:30,711 --> 00:03:32,379 COME ON. 80 00:03:32,379 --> 00:03:35,515 (chanting in Spanish continues) 81 00:03:37,918 --> 00:03:40,721 ** 82 00:03:40,721 --> 00:03:44,692 Captioned by Closed Captioning Services, Inc. 83 00:03:46,960 --> 00:03:48,562 (man) THAT'S A CONCEALED CARRY LICENSE, 84 00:03:48,562 --> 00:03:50,730 AND THAT'S MY NAME RIGHT THERE--HENRY TIBBS. 85 00:03:50,730 --> 00:03:52,533 IT GIVES ME AUTHORITY TO CARRY MY SIDEARM 86 00:03:52,533 --> 00:03:54,167 ANYWHERE IN CALIFORNIA. 87 00:03:54,167 --> 00:03:55,902 THESE AREN'T EASY TO COME BY. 88 00:03:55,902 --> 00:03:58,038 YOU HAD TO DEMONSTRATE A NEED TO CARRY. 89 00:03:58,038 --> 00:03:59,872 I'M A TEXAS MAN. 90 00:03:59,872 --> 00:04:01,308 THAT'S MY NEED. 91 00:04:01,308 --> 00:04:03,644 MET A LOCAL SHERIFF WHO SYMPATHIZED. 92 00:04:03,644 --> 00:04:05,346 HOOK 'EM HORNS. (chuckles) 93 00:04:05,346 --> 00:04:06,447 WHY WERE YOU STANDING IN FRONT OF THE MAYOR 94 00:04:06,447 --> 00:04:08,348 WITH YOUR LEGAL CONCEALED SIDEARM? 95 00:04:08,348 --> 00:04:11,284 I WAS, UH, DOWNTOWN DROPPING OFF RÉSUMÉS. 96 00:04:11,284 --> 00:04:13,920 I'M, UH, AN INSURANCE SALESMAN. 97 00:04:13,920 --> 00:04:15,522 I'VE BEEN OUT OF WORK. 98 00:04:15,522 --> 00:04:18,024 THE ECONOMY'S TIGHTER THAN BARK ON A TREE. 99 00:04:18,024 --> 00:04:20,494 MM-HMM. YOU ALWAYS GO JOB HUNTING WITH A LOADED GUN? 100 00:04:20,494 --> 00:04:23,663 THERE WERE SEVERAL HUNDRED ANGRY PROTESTERS ON THAT STREET. 101 00:04:23,663 --> 00:04:26,733 AND YOU PUT YOURSELF RIGHT IN THE MIDDLE OF 'EM. 102 00:04:26,733 --> 00:04:30,670 SURE. IT'S NOT EVERY DAY YOU GET TO SEE A BIG-CITY MAYOR. 103 00:04:32,204 --> 00:04:34,875 HENRY TIBBS-- CLEAN RECORD, NO PRIORS. 104 00:04:34,875 --> 00:04:36,209 GUN PERMIT CHECKS OUT. 105 00:04:36,209 --> 00:04:38,144 SAYS HERE HE'S ON UNEMPLOYMENT, 106 00:04:38,144 --> 00:04:39,547 OWNS A HOME WITH HIS WIFE LINDA, 107 00:04:39,547 --> 00:04:41,415 BUT THEY'RE BEHIND ON THE PAYMENTS. 108 00:04:41,415 --> 00:04:44,918 AND THE SUN CAME UP JUST TO HEAR HIM CROW, 109 00:04:44,918 --> 00:04:46,454 AS THEY SAY IN TEXAS. 110 00:04:46,454 --> 00:04:48,322 DO WE HAVE ANYTHING THAT CONNECTS TIBBS 111 00:04:48,322 --> 00:04:49,656 TO OUR JOHN DOE IN THE ALLEY? 112 00:04:49,656 --> 00:04:52,393 NOT YET. FORENSICS SWABBED HIM FOR BLOODSTAINS. 113 00:04:52,393 --> 00:04:54,894 I DON'T LIKE WHAT I'M HEARING. 114 00:04:54,894 --> 00:04:56,629 POLICE PUT OUT AN ALERT FOR A HATE CRIME, 115 00:04:56,629 --> 00:04:59,066 SO WE ROUNDED UP THE NEAREST WHITE GUY. 116 00:04:59,066 --> 00:05:01,869 (chuckles) AND WHILE THAT'S A REFRESHING TWIST 117 00:05:01,869 --> 00:05:03,235 ON RACIAL PROFILING, 118 00:05:03,235 --> 00:05:05,305 I THINK MR. TIBBS HAS HIMSELF GROUNDS FOR A LAWSUIT, 119 00:05:05,305 --> 00:05:08,375 SO I THINK WE SHOULD LET HIM GO AND SEND HIS WIFE SOME FLOWERS. 120 00:05:10,511 --> 00:05:12,913 SPECIAL AGENT LUTHER WAINRIGHT. I'M YOUR NEW BOSS. 121 00:05:12,913 --> 00:05:15,848 WELCOME ABOARD. I'M AGENT LISBON. 122 00:05:15,848 --> 00:05:17,250 AGENT LISBON, NICE TO MEET YOU. AND--YES. 123 00:05:17,250 --> 00:05:18,418 THIS IS AGENT RIG-- AGENT RIGSBY. 124 00:05:18,418 --> 00:05:20,588 HI. A PLEASURE TO MEET YOU. 125 00:05:20,588 --> 00:05:23,856 HI. I'VE READ EVERYONE'S FILE, SO I KIND OF KNOW-- 126 00:05:23,856 --> 00:05:27,427 PATRICK JANE. STILL MAKING MY WAY THROUGH YOURS. 127 00:05:27,427 --> 00:05:28,596 IT'S A LITTLE BIT HEAVIER READING. 128 00:05:28,596 --> 00:05:29,730 YEAH, DO ME A FAVOR. 129 00:05:29,730 --> 00:05:31,464 (whispers) DON'T TELL ME HOW IT ENDS. 130 00:05:31,464 --> 00:05:32,932 (chuckles) 131 00:05:32,932 --> 00:05:37,670 UH, HARD TIMES, EVERYONE, UM, FOR THE ENTIRE UNIT, 132 00:05:37,670 --> 00:05:40,340 BUT, UH, THINGS ARE ABOUT TO GET A WHOLE LOT EASIER. 133 00:05:40,340 --> 00:05:43,976 I PRIDE MYSELF ON TWO THINGS-- TRUST AND TRANSPARENCY, S-- 134 00:05:43,976 --> 00:05:45,846 EXCELLENT, SO YOU'LL TELL US HOW OLD YOU ARE? 135 00:05:45,846 --> 00:05:48,081 BECAUSE, UH, RIGSBY HERE IS RUNNING AN OFFICE POOL. 136 00:05:48,081 --> 00:05:49,682 I'M NOT RUNNING A POOL. (chuckles) 137 00:05:49,682 --> 00:05:52,351 HENRY TIBBS-- WHAT'S THE PLAN? 138 00:05:52,351 --> 00:05:55,689 I SUGGEST THAT WE RELEASE HIM AND KEEP HIM UNDER SURVEILLANCE. 139 00:05:55,689 --> 00:05:57,891 YEAH, THAT SOUNDS REASONABLE. KEEP ME POSTED. 140 00:05:57,891 --> 00:06:01,360 OH, UM, YOUR JOHN DOE-- HE MAY BE A PHOTOGRAPHER. 141 00:06:01,360 --> 00:06:04,564 ON LONG SHOOT DAYS, THAT BANDAGE ON THE BRIDGE OF HIS NOSE-- 142 00:06:04,564 --> 00:06:06,333 THAT WOULD KEEP THE NOSE PADS ON HIS EYEGLASSES 143 00:06:06,333 --> 00:06:08,100 FROM DIGGING INTO HIS SKIN. 144 00:06:08,100 --> 00:06:09,470 OKAY. WE'LL CHECK IT OUT. 145 00:06:09,470 --> 00:06:11,103 EXCELLENT. THANK YOU. 146 00:06:12,906 --> 00:06:14,442 SHARP. 147 00:06:20,713 --> 00:06:23,115 THIS IS THE SURVEILLANCE CAR YOU CHOSE? 148 00:06:23,115 --> 00:06:25,052 WELL, WE CAN'T TAKE AN OFFICIAL VEHICLE. 149 00:06:25,052 --> 00:06:26,319 WE NEED TO BLEND IN. 150 00:06:26,319 --> 00:06:29,021 OKAY, AND, UH, THIS BLENDS IN? 151 00:06:29,021 --> 00:06:32,459 (sighs) NOBODY'S FORCING YOU TO GO ON THIS SURVEILLANCE. 152 00:06:32,459 --> 00:06:35,262 YOU'RE RIGHT. GOOD POINT, BUT I'M COMING ANYWAY. 153 00:06:35,262 --> 00:06:37,465 DID YOU BRING A DISGUISE? 154 00:06:41,601 --> 00:06:43,069 (door opens, keys jangle) 155 00:06:43,069 --> 00:06:44,771 "DID I BRING A DISGUISE?" 156 00:06:44,771 --> 00:06:47,675 SO WAINRIGHT WAS SPOT-ON. 157 00:06:47,675 --> 00:06:51,211 FOR LOCAL PHOTOGRAPHERS, AND THERE HE WAS--SCOTT GIBSON. 158 00:06:51,211 --> 00:06:53,713 SAYS HE WAS DOWNTOWN SHOOTING A PHOTO ESSAY OF THE HOMELESS. 159 00:06:53,713 --> 00:06:55,182 DO WE KNOW ANYTHING ELSE ABOUT HIM? 160 00:06:55,182 --> 00:06:57,817 CLEAN RECORD, LIVES ALONE, NO FAMILY TO SPEAK OF, 161 00:06:57,817 --> 00:06:59,286 ALWAYS CARRIES A CELL PHONE ON ASSIGNMENT. 162 00:06:59,286 --> 00:07:01,988 THERE WAS NO PHONE AT THE CRIME SCENE OR A CAMERA. 163 00:07:01,988 --> 00:07:03,757 YOUR ROBBERY THEORY IS LOOKING BETTER AND BETTER. 164 00:07:03,757 --> 00:07:05,826 LET'S HOPE SO. GOT A GPS TRACK ON GIBSON'S PHONE. 165 00:07:05,826 --> 00:07:07,961 IT'S IN A RESIDENTIAL NEIGHBORHOOD 166 00:07:07,961 --> 00:07:09,262 WAY TO BURY THE LEAD. LET'S GO. 167 00:07:09,262 --> 00:07:10,630 OKAY. 168 00:07:16,235 --> 00:07:19,172 (engine rumbling) 169 00:07:23,009 --> 00:07:24,177 (engine turns off) 170 00:07:24,177 --> 00:07:27,014 (Patrick sighs) OKAY. 171 00:07:27,014 --> 00:07:30,117 (exhales deeply) 172 00:07:30,117 --> 00:07:31,451 SO WHAT NOW? 173 00:07:31,451 --> 00:07:32,552 NOW WE WAIT. 174 00:07:32,552 --> 00:07:33,920 WAIT FOR WHAT? 175 00:07:33,920 --> 00:07:36,389 FOR TIBBS TO COME BACK OUT. 176 00:07:36,389 --> 00:07:38,024 I THOUGHT THE POINT OF SURVEILLANCE 177 00:07:38,024 --> 00:07:40,528 WAS TO, UH, SURVEIL. 178 00:07:40,528 --> 00:07:42,262 IT'S HARD TO DO THAT FROM INSIDE A CAR. 179 00:07:42,262 --> 00:07:44,463 WELL, I CAN'T GO IN THERE. TIBBS MIGHT RECOGNIZE ME. 180 00:07:44,463 --> 00:07:47,600 MM. THAT IS A PROBLEM. 181 00:07:47,600 --> 00:07:50,737 WELL, HE'S NEVER MET ME. PROBLEM SOLVED. 182 00:07:50,737 --> 00:07:52,471 I'M GONNA NEED THESE. 183 00:07:52,471 --> 00:07:53,774 HEY. 184 00:07:55,074 --> 00:07:56,209 JANE. 185 00:08:00,413 --> 00:08:03,415 ** 186 00:08:03,415 --> 00:08:06,553 (indistinct conversations) 187 00:08:08,956 --> 00:08:11,858 (Southern accent) AH. BOURBON. BIG ONE. 188 00:08:11,858 --> 00:08:13,761 BIGGER THAN ALL HELL AND HALF OF TEXAS. 189 00:08:13,761 --> 00:08:16,963 A LONE STAR MAN, HUH? 190 00:08:16,963 --> 00:08:20,500 YEAH, WHAT'S IT TO YA, HOSS? 191 00:08:20,500 --> 00:08:22,201 (chuckles) 192 00:08:24,838 --> 00:08:26,839 I SEEN YOU BEFORE. 193 00:08:26,839 --> 00:08:28,375 YEAH? 194 00:08:28,375 --> 00:08:29,942 YEAH. LET ME THINK. 195 00:08:29,942 --> 00:08:34,047 UH... "SOLDIER OF FORTUNE" WEAPONRY CONVENTION, 196 00:08:34,047 --> 00:08:36,584 VEGAS, 2004. 197 00:08:36,584 --> 00:08:37,650 NOPE. 198 00:08:37,650 --> 00:08:40,386 NO? WELL, THAT'S TOO BAD. 199 00:08:40,386 --> 00:08:42,455 THAT WAS FULL-AUTO ROCK 'N' ROLL MAYHEM 200 00:08:42,455 --> 00:08:43,990 IN THE DESERT, MY FRIEND-- 201 00:08:43,990 --> 00:08:46,058 UZIS, FLOOZIES, AND JACUZZIS. 202 00:08:46,058 --> 00:08:47,460 (both chuckle) 203 00:08:47,460 --> 00:08:49,361 WEAPONRY CONVENTION, HUH? 204 00:08:49,361 --> 00:08:50,597 MM. 205 00:08:50,597 --> 00:08:52,966 ONE OF THE GREATEST WEEKENDS OF MY LIFE, 206 00:08:52,966 --> 00:08:54,735 AND I'VE HAD SOME WEEKENDS. 207 00:08:54,735 --> 00:08:56,870 NO OFFENSE, PAL. 208 00:08:56,870 --> 00:08:59,673 YOU DON'T LOOK LIKE A WEAPONS ENTHUSIAST. 209 00:08:59,673 --> 00:09:01,741 YOU WANT TO CATCH CHICKENS, YOU DON'T LOOK LIKE A FOX, 210 00:09:01,741 --> 00:09:02,942 AM I RIGHT? 211 00:09:02,942 --> 00:09:03,744 (chuckles) 212 00:09:03,744 --> 00:09:05,011 DAMN STRAIGHT, I'M RIGHT. 213 00:09:07,715 --> 00:09:09,616 WHAT'S YOUR WEAPON OF CHOICE? 214 00:09:09,616 --> 00:09:11,751 A LOADED ONE. 215 00:09:11,751 --> 00:09:14,621 CAN I GET ANOTHER AND ONE HERE FOR MY FRIEND? 216 00:09:14,621 --> 00:09:15,889 (clatters) 217 00:09:15,889 --> 00:09:19,626 (pool balls clatter) 218 00:09:19,626 --> 00:09:22,028 (door closes) 219 00:09:27,134 --> 00:09:31,270 THE CELL PHONE SIGNAL CAME FROM THIS HOUSE. 220 00:09:37,878 --> 00:09:41,480 FORECLOSURE PROPERTY. DOOR'S AJAR. 221 00:09:41,480 --> 00:09:42,783 (whispers) YOU READY? 222 00:09:42,783 --> 00:09:44,918 (door creaks) 223 00:10:13,145 --> 00:10:17,017 HEY, BACK HERE. HEY, WAKE UP. 224 00:10:17,017 --> 00:10:18,384 WAKE UP! 225 00:10:18,384 --> 00:10:22,389 HANDS. RAISE 'EM HIGH! YOU HAVE ANY WEAPONS? 226 00:10:22,389 --> 00:10:25,325 UH, UH, NO, SIR. I DON'T BELIEVE SO. 227 00:10:25,325 --> 00:10:27,193 UH, I-I BELIEVE I GOT ONE OF 'EM IN MY BAG. 228 00:10:27,193 --> 00:10:30,363 KEEP YOUR HANDS UP. I'LL FIND THEM. 229 00:10:30,363 --> 00:10:31,630 (bag rustling) 230 00:10:31,630 --> 00:10:33,600 YOU LOOK FAMILIAR. WHAT'S YOUR NAME? 231 00:10:33,600 --> 00:10:35,235 WILLIE. 232 00:10:36,669 --> 00:10:40,841 NOT WILLIE SHUBERT. 233 00:10:40,841 --> 00:10:44,344 HE'S A BAY AREA LEGEND. I HAD A BOOTLEG OF HIS FIRST CD. 234 00:10:44,344 --> 00:10:46,746 IT WAS ALL I LISTENED TO IN COLLEGE. 235 00:10:46,746 --> 00:10:50,049 I ALWAYS WONDERED WHAT HAPPENED TO YOU. 236 00:10:52,019 --> 00:10:54,421 (sighs) 237 00:10:54,421 --> 00:10:56,155 LISTEN UP HERE, WILLIE. 238 00:10:56,155 --> 00:10:58,926 SOME OF THE STUFF YOU'RE CARRYING CAME OFF A DEAD MAN. 239 00:10:58,926 --> 00:11:01,894 WELL, THAT'S NOT GOOD. 240 00:11:01,894 --> 00:11:04,130 NEITHER IS THE DRIED BLOOD ON YOUR SHIRT. 241 00:11:04,130 --> 00:11:05,765 HOW'D THAT GET THERE? 242 00:11:06,767 --> 00:11:08,668 WELL, LET'S SEE. UH... 243 00:11:10,037 --> 00:11:11,739 I GOT THE BLOOD ON ME 244 00:11:11,739 --> 00:11:15,475 WHEN I WAS STABBING THAT FELLA IN THE ALLEY. 245 00:11:15,475 --> 00:11:20,913 A TRUE MAN, A REALMAN HAS BUT ONE PURPOSE IN THIS WORLD. 246 00:11:20,913 --> 00:11:22,182 OH, YEAH. THAT'S WHAT I'M TALKING ABOUT. 247 00:11:22,182 --> 00:11:23,783 IT DOESN'T MATTER WHO HE IS, 248 00:11:23,783 --> 00:11:25,284 WHAT STATUS THE WORLD PUTS ON HIM. 249 00:11:25,284 --> 00:11:27,553 IT'S WHAT'S IN HERE THAT COUNTS. 250 00:11:27,553 --> 00:11:30,057 FIGHTING THE ENEMY, COMBATING EVIL... 251 00:11:30,057 --> 00:11:31,423 MM-HMM. THAT'S NOBILITY. 252 00:11:31,423 --> 00:11:34,360 THAT'S WHAT MAKES A MAN A HERO! 253 00:11:34,360 --> 00:11:37,463 (sighs) I'M PRETTY MUCH DONE HERE. 254 00:11:37,463 --> 00:11:39,866 WHAT KINDA EVIL ARE YOU FIGHTING, MOSTLY? 255 00:11:41,802 --> 00:11:44,571 WHY DO YOU CARE? I DON'T EVEN KNOW YOU. 256 00:11:44,571 --> 00:11:46,907 (chuckles) 257 00:11:46,907 --> 00:11:49,942 I DON'T KNOW YOU EITHER, 258 00:11:49,942 --> 00:11:52,044 BUT I LIKE YOU. 259 00:11:52,044 --> 00:11:54,581 COME HERE. I WANT TO SHOW YOU SOMETHIN'. 260 00:11:54,581 --> 00:11:57,049 (alarm chirps, lock clicks) 261 00:12:04,657 --> 00:12:06,058 CHECK THAT OUT. 262 00:12:06,058 --> 00:12:09,662 (inhales deeply) REMINGTON 700. THAT IS NICE. 263 00:12:09,662 --> 00:12:12,099 YOU CARRY THIS AROUND IN YOUR CAR? 264 00:12:12,099 --> 00:12:15,302 NEVER KNOW WHEN A GRIZZLY BEAR MIGHT APPEAR. 265 00:12:15,302 --> 00:12:17,870 GO ON. FEEL THE WEIGHT OF THAT HONEY. 266 00:12:20,539 --> 00:12:22,842 (clears throat) 267 00:12:24,177 --> 00:12:26,013 (grunts) OH. 268 00:12:26,013 --> 00:12:28,380 OHH. 269 00:12:28,380 --> 00:12:31,150 THAT'S NICE. 270 00:12:31,150 --> 00:12:32,384 (clicks) 271 00:12:36,556 --> 00:12:40,427 YEAH, MAKES YOU WONDER, DOESN'T IT, 272 00:12:40,427 --> 00:12:44,163 WHAT IT'D FEEL LIKE TO TAKE THAT SHOT? 273 00:12:45,966 --> 00:12:49,101 WHAT, ON A HUMAN BEING? 274 00:12:49,101 --> 00:12:51,638 WE LIVE IN A TARGET-RICH ENVIRONMENT, 275 00:12:51,638 --> 00:12:54,073 MY FRIEND. 276 00:12:54,073 --> 00:12:57,845 IT'D BE SO EASY. 277 00:13:01,181 --> 00:13:03,182 (chuckles) YES, IT WOULD, 278 00:13:03,182 --> 00:13:05,918 AND YOU ARE A FULL-ON PSYCHO, MY FRIEND. 279 00:13:05,918 --> 00:13:09,022 I'M HAMMERED. I'M GONNA, UM... 280 00:13:09,022 --> 00:13:10,389 GIVE ME THAT HERE. 281 00:13:10,389 --> 00:13:11,825 I'M GONNA WALK HOME TONIGHT. 282 00:13:11,825 --> 00:13:12,826 GET OUTTA HERE. 283 00:13:12,826 --> 00:13:16,263 STAY... FROSTY. 284 00:13:16,263 --> 00:13:17,496 (sighs) 285 00:13:17,496 --> 00:13:19,932 (inhales deeply) 286 00:13:19,932 --> 00:13:20,933 (trunk closes) 287 00:13:20,933 --> 00:13:24,604 (exhales deeply) 288 00:13:24,604 --> 00:13:26,907 LISBON'S CALLED OFF THE SURVEILLANCE ON TIBBS. 289 00:13:26,907 --> 00:13:28,541 THEY THINK THEY'VE FOUND THEIR KILLER. 290 00:13:28,541 --> 00:13:31,077 I KNOW I FOUND MINE. 291 00:13:35,748 --> 00:13:37,649 I THOUGHT I SAW SOMETHING IN TIBBS' EYES YESTERDAY, 292 00:13:37,649 --> 00:13:40,519 BUT I WANTED TO MAKE SURE, SO LAST NIGHT I DID. 293 00:13:40,519 --> 00:13:41,388 WHAT'D YOU SEE? 294 00:13:41,388 --> 00:13:43,456 HE'S A MAN ON AUTOPILOT... 295 00:13:44,657 --> 00:13:47,793 SET TO KILL. 296 00:13:47,793 --> 00:13:50,797 IF WE WEREN'T THERE TO STOP HIM YESTERDAY, I'M CONFIDENT 297 00:13:50,797 --> 00:13:52,331 HE WOULD HAVE PULLED THE TRIGGER. 298 00:13:52,331 --> 00:13:54,934 AND YOU GOT ALL THAT FROM HIS EYES? 299 00:13:54,934 --> 00:13:57,803 I'M NOT DOUBTING YOU. I'M JUST... FASCINATED. 300 00:13:57,803 --> 00:14:00,039 WELL, THERE WAS THE TENSION IN HIS BODY AS WELL, 301 00:14:00,039 --> 00:14:01,541 AND THE OVERCOAT, 302 00:14:01,541 --> 00:14:04,543 BUT, UH... THE EYES WERE ENOUGH. 303 00:14:04,543 --> 00:14:06,312 WELL, THE TROUBLE IS, I MEAN, EVEN IF YOU ARE RIGHT, 304 00:14:06,312 --> 00:14:08,715 WE CAN'T ARREST AN OFFENDER BEFORE HE'S OFFENDED. 305 00:14:08,715 --> 00:14:12,019 IT'S BETTER THAN AFTER, DON'T YOU THINK? 306 00:14:12,019 --> 00:14:14,086 SEE, HERE'S THE PROBLEM WITH WORKING HOMICIDE. 307 00:14:14,086 --> 00:14:15,889 THERE'S SO MUCH DEATH. 308 00:14:15,889 --> 00:14:17,356 TIBBS IS A MAN ON THE VERGE. 309 00:14:17,356 --> 00:14:21,028 HE IS A MAN ON THE THRESHOLD OF MURDER, 310 00:14:21,028 --> 00:14:22,828 POSSIBLY EVEN MASS MURDER. 311 00:14:22,828 --> 00:14:25,631 NOW WHO WOULDN'T WANT TO TRY AND STOP THAT KIND OF NIGHTMARE? 312 00:14:25,631 --> 00:14:27,033 THEORETICAL CRIMINOLOGY. 313 00:14:27,033 --> 00:14:28,868 I TOOK THAT CLASS. I THINK IT'S FASCINATING. 314 00:14:28,868 --> 00:14:33,273 UH, IT JUST HAS NO PRACTICAL VALUE. 315 00:14:33,273 --> 00:14:36,576 FOR MIDDLE MANAGEMENT BUREAUCRATS. 316 00:14:36,576 --> 00:14:38,979 CHAFE AS YOU MAY AGAINST THE BRIDLE OF RESPONSIBILITY, 317 00:14:38,979 --> 00:14:41,447 WE CAN'T SHORTCHANGE DUE PROCESS. 318 00:14:41,447 --> 00:14:43,515 NOW FOLLOWING A POTENTIAL OFFENDER AROUND 319 00:14:43,515 --> 00:14:44,951 IS A WASTE OF RESOURCES. 320 00:14:44,951 --> 00:14:46,318 YEAH, YOU'RE RIGHT. 321 00:14:46,318 --> 00:14:50,256 WHAT WE NEED HERE IS A CONFIDENCE TRICK. 322 00:14:50,256 --> 00:14:51,258 A WHAT? 323 00:14:51,258 --> 00:14:54,494 A SCAM. A HUSTLE. BUNCO. FLIMFLAM. 324 00:14:54,494 --> 00:14:58,331 IF WE CAN GET INSIDE THE WORLD OF HENRY TIBBS, 325 00:14:58,331 --> 00:15:00,466 THEN I CAN PREDICT WHEN AND WHERE HE WILL BLOW. 326 00:15:00,466 --> 00:15:03,635 THEN ALL WE HAVE TO DO IS POP OUT AND ARREST HIM 327 00:15:03,635 --> 00:15:04,604 FOR ATTEMPTED MURDER. 328 00:15:04,604 --> 00:15:06,538 NOW BEFORE WE GO TOO FAR DOWN THIS PATH, 329 00:15:06,538 --> 00:15:11,010 I'M NOT READY TO RULE OUT TIBBS AS AN ACTUAL MURDER SUSPECT. 330 00:15:11,010 --> 00:15:13,212 YES, HE DID, BUT I DON'T BELIEVE HIM. 331 00:15:13,212 --> 00:15:14,681 LOOK AT HIS HISTORY-- 332 00:15:14,681 --> 00:15:17,616 MENTAL ILLNESS, SUBSTANCE ABUSE, VAGRANCY. 333 00:15:17,616 --> 00:15:19,318 EXACTLY, AND HE WAS COVERED IN THE VICTIM'S BLOOD 334 00:15:19,318 --> 00:15:21,087 AND IN POSSESSION OF HIS BELONGINGS. 335 00:15:21,087 --> 00:15:23,623 YES, B-BUT THERE'S NO RECORD OF VIOLENCE. 336 00:15:23,623 --> 00:15:26,826 I THINK THAT HIS CONFESSION WAS A CRY FOR HELP. 337 00:15:26,826 --> 00:15:29,662 WILLIE DIDN'T HURT ANYONE. 338 00:15:29,662 --> 00:15:32,631 WELL, YOU KIND OF HAVE TO HEAR HIM PLAY THE SAXOPHONE. 339 00:15:32,631 --> 00:15:35,302 I LOVE IT, LISBON. 340 00:15:35,302 --> 00:15:37,336 THE BEAUTIFUL SOUL DEFENSE. 341 00:15:39,172 --> 00:15:40,773 YOU TWO WANT ME BELIEVE 342 00:15:40,773 --> 00:15:43,509 THAT A MAN WHO CONFESSED TO MURDER DID NOTHING, 343 00:15:43,509 --> 00:15:46,113 AND A MAN WHO DID NOTHING IS A MURDERER? 344 00:15:46,113 --> 00:15:48,215 YOU MAY EVEN BE SMARTER THAN YOU LOOK. 345 00:15:48,215 --> 00:15:50,649 I THINK TIBBS IS A DEAD END, 346 00:15:50,649 --> 00:15:54,586 BUT I LIKE TO REWARD PASSION, SO... GO PROVE ME WRONG. 347 00:15:54,586 --> 00:15:56,389 YOU HAVE 24 HOURS TO DEMONSTRATE 348 00:15:56,389 --> 00:15:58,790 THAT TIBBS POSES AN IMMINENT DANGER, 349 00:15:58,790 --> 00:16:02,261 AND I'M SENDING THE SHUBERT CASE TO THE D.A. 350 00:16:02,261 --> 00:16:04,764 WHAT ABOUT MY PASSION? 351 00:16:04,764 --> 00:16:08,400 I CALLED MY SHOT. EXCUSE ME. 352 00:16:08,400 --> 00:16:11,971 OKAY, THE GOAL IS TO GET CLOSE TO TIBBS, 353 00:16:11,971 --> 00:16:14,673 TO FIGURE OUT WHEN HE WILL SNAP. 354 00:16:14,673 --> 00:16:18,677 WE'RE GONNA PLAY THIS... LIKE A LONG CON. 355 00:16:18,677 --> 00:16:21,581 RIGSBY, YOUR OBJECTIVE IS TO EXPLOIT 356 00:16:21,581 --> 00:16:23,316 THE MARK'S DREAMS AND DESIRES. 357 00:16:23,316 --> 00:16:27,354 UH, THE ONE THING WE DO KNOW ABOUT TIBBS-- 358 00:16:27,354 --> 00:16:29,522 NOW ACCORDING TO VAN PELT'S RESEARCH, 359 00:16:29,522 --> 00:16:31,823 HE'S ALREADY GONE DOWNTOWN AND APPLIED FOR ONE 360 00:16:31,823 --> 00:16:35,195 AT THE GOLDWYN INSURANCE GROUP. 361 00:16:35,195 --> 00:16:37,129 BUT TIBBS DOESN'T KNOW THAT YET, 362 00:16:37,129 --> 00:16:40,899 SO WE NEED THE GOLDWYN GROUP TO LEND US A MEETING ROOM, 363 00:16:40,899 --> 00:16:44,171 SO WE CAN CONDUCT A FAKE JOB INTERVIEW. 364 00:16:44,171 --> 00:16:46,905 WE ALSO NEED TO KNOW ABOUT HIS FAMILY LIFE 365 00:16:46,905 --> 00:16:48,274 OR LACK THEREOF. 366 00:16:48,274 --> 00:16:51,009 IT SEEMS THE LADY OF THE HOUSE, LINDA TIBBS, 367 00:16:51,009 --> 00:16:53,011 HAS FILED FOR A DIVORCE. 368 00:16:53,011 --> 00:16:54,581 WE NEED TO KNOW WHY. 369 00:16:54,581 --> 00:16:57,817 SO, VAN PELT, YOU'LL FIND OUT WHERE SHE WORKS, 370 00:16:57,817 --> 00:16:59,519 AND YOU WILL MAKE CONTACT. 371 00:16:59,519 --> 00:17:02,654 CHO, I THINK IT'S BEST YOU DITCH THE RACE CAR 372 00:17:02,654 --> 00:17:04,324 AND FIND SOMETHING A LITTLE MORE MODEST 373 00:17:04,324 --> 00:17:07,259 TO KEEP THE MARK UNDER SURVEILLANCE. 374 00:17:07,259 --> 00:17:08,694 LET'S HAVE FUN. 375 00:17:08,694 --> 00:17:09,695 (alarm chirps) 376 00:17:09,695 --> 00:17:11,330 GOOD LUCK TO ALL. 377 00:17:29,215 --> 00:17:31,183 YOUR FIRST CD. 378 00:17:32,451 --> 00:17:34,520 ONLY CD. 379 00:17:34,520 --> 00:17:35,721 I STILL HAVE IT. 380 00:17:38,724 --> 00:17:41,161 WHENEVER I MISSED MY FAMILY IN CHICAGO, 381 00:17:41,161 --> 00:17:42,229 I WOULD LISTEN TO IT. 382 00:17:42,229 --> 00:17:44,497 IT HELPED. 383 00:17:44,497 --> 00:17:48,567 I'VE BEEN DOING SOME RESEARCH ON YOU, WILLIE. 384 00:17:48,567 --> 00:17:53,105 NOT LONG AFTER YOU MADE THIS ALBUM, YOU LOST YOUR WIFE. 385 00:17:53,105 --> 00:17:55,142 CAR ACCIDENT, RIGHT? 386 00:17:55,142 --> 00:17:57,243 YOU WERE DRIVING? 387 00:17:57,243 --> 00:18:00,011 IS THAT WHY YOU STOPPED PLAYING? 388 00:18:00,011 --> 00:18:02,648 I WANT TO KNOW WHY YOU CONFESSED TO A MURDER YOU DIDN'T COMMIT. 389 00:18:02,648 --> 00:18:04,116 LOOK, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 390 00:18:04,116 --> 00:18:06,586 I STUCK THAT BOY! 391 00:18:06,586 --> 00:18:09,122 READY TO GET WHAT I GOT COMING. 392 00:18:09,122 --> 00:18:11,357 YOU NEED TO UNDERSTAND THE REALITY 393 00:18:11,357 --> 00:18:13,425 OF WHAT'S GOING ON, WILLIE. 394 00:18:13,425 --> 00:18:15,261 THE D.A. WILL PUT YOU IN PRISON. 395 00:18:15,261 --> 00:18:19,566 (scoffs) I'M OLD, TIRED OF SLEEPING IN ALLEYS. 396 00:18:19,566 --> 00:18:22,535 I AIN'T GOT NO PLACE TO GO. PRISON'S SOMEPLACE. 397 00:18:22,535 --> 00:18:26,439 AND A LETHAL INJECTION IS PART OF THE VACATION PACKAGE. 398 00:18:27,606 --> 00:18:29,409 YOU'LL GET THREE HOTS AND A COT 399 00:18:29,409 --> 00:18:31,678 JUST FOR STEALING OFF A DEAD BODY. 400 00:18:34,146 --> 00:18:35,414 WHAT DO YOU SAY WE COME CLEAN ON THIS, 401 00:18:35,414 --> 00:18:37,483 SO WE CAN KEEP YOU ALIVE? 402 00:18:40,686 --> 00:18:43,823 OKAY, YEAH. (sighs) 403 00:18:45,357 --> 00:18:49,628 (sighs) TELL ME WHAT HAPPENED YESTERDAY. 404 00:18:49,628 --> 00:18:52,765 THAT FELLOW THAT TOOK MY PHOTO EARLIER IN THE DAY HAD... 405 00:18:52,765 --> 00:18:54,032 (sighs) 406 00:18:54,032 --> 00:18:57,068 GAVE ME $20 FOR MY PHOTO RIGHTS, 407 00:18:57,068 --> 00:18:59,572 BUT WHEN I FOUND HIM DEAD, 408 00:18:59,572 --> 00:19:02,074 HIS WALLET WAS LAYING ON THE GROUND, EMPTY. 409 00:19:02,074 --> 00:19:03,809 WHY DID YOU TAKE IT? 410 00:19:03,809 --> 00:19:05,744 IT'S REAL LEATHER. 411 00:19:05,744 --> 00:19:10,148 AND WHAT ABOUT THE CAMERA? WHAT HAPPENED TO THAT? 412 00:19:10,148 --> 00:19:13,118 I FOUND THE CELL PHONE IN HIS JACKET POCKET. 413 00:19:13,118 --> 00:19:14,886 I DIDN'T SEE NO CAMERA. 414 00:19:16,455 --> 00:19:18,490 I'M GOING TO GET YOU OUT OF THIS, WILLIE, 415 00:19:18,490 --> 00:19:21,461 WHETHER YOU LIKE IT OR NOT. 416 00:19:25,064 --> 00:19:26,398 THANK YOU. 417 00:19:26,398 --> 00:19:27,933 (receiver clatters) 418 00:19:27,933 --> 00:19:30,237 YOU READY? HE'S HERE. 419 00:19:30,237 --> 00:19:32,872 HAVE A SEAT, PLEASE. MR. RIGSBY WILL BE RIGHT IN. 420 00:19:32,872 --> 00:19:35,741 HE'S ONE OF OUR SENIOR EXECUTIVES. 421 00:19:37,344 --> 00:19:39,546 SO WHAT DO YOU WANT ME TO ASK HIM? 422 00:19:39,546 --> 00:19:41,213 I MEAN, YOU'RE-- YOU'RE CHARMING. 423 00:19:41,213 --> 00:19:43,883 JUST, UH, GET HIM TO OPEN UP. 424 00:19:43,883 --> 00:19:46,919 SHOULD I ASK THE QUESTIONS THAT AGENT WAINRIGHT GAVE ME? 425 00:19:46,919 --> 00:19:50,423 YEAH, HE SAYS THEY'RE DESIGNED TO ELICIT A PATTERNED RESPONSE 426 00:19:50,423 --> 00:19:53,492 TO DETERMINE ANTISOCIAL PERSONALITY DISORDER. 427 00:19:53,492 --> 00:19:56,194 WELL, MAYBE THEY'LL MAKE YOU SOUND EXTRA-SMART, 428 00:19:56,194 --> 00:19:57,195 JUST LIKE HIM. 429 00:19:57,195 --> 00:19:59,097 OKAY. (sighs) WISH ME LUCK. 430 00:19:59,097 --> 00:20:01,901 YOU'LL BE FINE. JUST DON'T BE YOURSELF. 431 00:20:01,901 --> 00:20:03,769 WHOA. HANG ON. WHAT IS THAT? 432 00:20:03,769 --> 00:20:08,575 THAT IS A LARGE PIMPLE FORMING ABOVE YOUR BROW THERE. 433 00:20:08,575 --> 00:20:11,109 ACTUALLY, NO. IT LOOKS MORE LIKE A MELANOMA. 434 00:20:11,109 --> 00:20:13,779 WHAT? ARE YOU SURE? 435 00:20:13,779 --> 00:20:16,182 YOU SHOULD GET THAT CHECKED OUT AS SOON AS YOU CAN. 436 00:20:16,182 --> 00:20:17,182 NOW RUN ALONG. 437 00:20:17,182 --> 00:20:18,317 MM-HMM. 438 00:20:20,987 --> 00:20:22,255 (door opens) 439 00:20:22,255 --> 00:20:24,790 (sighs) 440 00:20:24,790 --> 00:20:26,858 HI. HELLO, MR. TIBBS. 441 00:20:26,858 --> 00:20:28,260 WAYNE RIGSBY. 442 00:20:28,260 --> 00:20:30,663 NAMED AFTER THE DUKE HIMSELF. 443 00:20:30,663 --> 00:20:34,366 YEAH, MY DAD LIKED HIS WESTERNS. 444 00:20:34,366 --> 00:20:36,336 MY FAMILY'S BEEN RAISING CROPS, CATTLE, AND CHILDREN 445 00:20:36,336 --> 00:20:38,003 IN TEXAS FOR TWO CENTURIES. 446 00:20:38,003 --> 00:20:41,007 SO, MR. TIBBS, UH, WHAT KIND OF, UH, 447 00:20:41,007 --> 00:20:43,675 WHAT KIND OF AN EMPLOYEE WOULD YOU DESCRIBE YOURSELF AS? 448 00:20:43,675 --> 00:20:45,845 HEY. CAN I GET YOU SOMETHING TO DRINK? 449 00:20:45,845 --> 00:20:48,414 I'M HERE TO TALK ABOUT YOUR HUSBAND HENRY. 450 00:20:48,414 --> 00:20:50,249 GRACE VAN PELT WITH THE CBI. 451 00:20:50,249 --> 00:20:52,250 (sighs) WHAT'D HE DO? 452 00:20:52,250 --> 00:20:53,519 NOTHING YET, BUT WE HAVE REASON 453 00:20:53,519 --> 00:20:55,253 TO BELIEVE THAT HE MIGHT BE DANGEROUS. 454 00:20:55,253 --> 00:20:58,290 "MIGHT BE"? THAT'S A GOOD ONE. 455 00:20:58,290 --> 00:20:59,791 TALK TO ME. 456 00:20:59,791 --> 00:21:01,993 NO, MA'AM. 457 00:21:01,993 --> 00:21:04,364 I HAVE BEEN TALKING FOR A LONG TIME, 458 00:21:04,364 --> 00:21:07,199 AND I AM TIRED OF NOBODY LISTENING. 459 00:21:07,199 --> 00:21:09,368 LOOK, I DON'T KNOW WHO YOU'VE BEEN TALKING TO, 460 00:21:09,368 --> 00:21:11,304 BUT I'LL TAKE YOU SERIOUSLY. 461 00:21:11,304 --> 00:21:13,071 NO. (chuckles) 462 00:21:13,071 --> 00:21:15,141 I AM NOT GETTING LURED BACK INTO THIS AGAIN. 463 00:21:15,141 --> 00:21:19,144 I EVEN HAD A JUDGE TURN ME AWAY FOR BEING THE UNSTABLE ONE. 464 00:21:19,144 --> 00:21:22,515 I'M TAKING CARE OF MYSELF FROM NOW ON. 465 00:21:22,515 --> 00:21:25,652 RACHEL, CAN YOU COVER THIS TABLE FOR ME, PLEASE? 466 00:21:25,652 --> 00:21:27,686 ** 467 00:21:27,686 --> 00:21:29,588 I HAVE A MASTER'S IN FORENSIC PSYCH. 468 00:21:29,588 --> 00:21:30,990 THE QUESTIONS I GAVE RIGSBY CAME 469 00:21:30,990 --> 00:21:33,726 FROM A STANDARDIZED TEST TO DIAGNOSE PSYCHOPATHY. 470 00:21:33,726 --> 00:21:37,296 TRICKING OUR MARK INTO TAKING A MENTAL HEALTH TEST. 471 00:21:37,296 --> 00:21:39,731 JUST EMBRACING YOUR SPIRIT OF THE CON. 472 00:21:39,731 --> 00:21:42,368 I CROSS-REFERENCED TIBBS' ANSWERS 473 00:21:42,368 --> 00:21:44,170 WITH HIS BACKGROUND. 474 00:21:44,170 --> 00:21:45,837 DO YOU HAVE ANY IDEA WHAT THE TEST REVEALED? 475 00:21:45,837 --> 00:21:49,040 NO, BUT I CAN'T WAIT TO FIND OUT. 476 00:21:51,109 --> 00:21:52,479 NOTHING. 477 00:21:52,479 --> 00:21:54,913 NO EVIDENCE OF CRIMINAL PSYCHOPATHY WHATSOEVER. 478 00:21:54,913 --> 00:21:58,017 TIBBS IS JUST AN OUT-OF-WORK INSURANCE BROKER. 479 00:21:58,017 --> 00:22:01,921 A MONSTER WITHOUT CONSCIENCE, VOID OF ANY HUMAN EMPATHY. 480 00:22:01,921 --> 00:22:02,721 JANE. 481 00:22:02,721 --> 00:22:04,723 HEY, TESTS CAN BE FOOLED. 482 00:22:04,723 --> 00:22:06,858 HUMAN BEHAVIOR NEVER LIES. 483 00:22:06,858 --> 00:22:09,395 NORMAL PEOPLE-- THEY CAN'T HELP BUT IMITATE 484 00:22:09,395 --> 00:22:11,297 WHAT HAPPENS IN THEIR SOCIAL WORLD. 485 00:22:11,297 --> 00:22:14,901 ONE OF THE MOST MIMICKED BEHAVIORS-- 486 00:22:14,901 --> 00:22:18,371 OBSERVE AGENT RIGSBY, AS NEUROTIC AS A BORDER COLLIE. 487 00:22:18,371 --> 00:22:20,673 HE CAN'T STOP TOUCHING HIS FACE. 488 00:22:20,673 --> 00:22:25,644 NOW TIBBS--HIS HANDS NEVER LEAVE THE TABLE, NOT ONCE. 489 00:22:25,644 --> 00:22:28,881 THAT'S, UH, QUITE A LEAP. 490 00:22:28,881 --> 00:22:30,982 LOOK HOW YOU'RE SITTING RIGHT NOW. 491 00:22:30,982 --> 00:22:33,318 YOU'RE LEANING BACK WITH YOUR LEGS CROSSED, 492 00:22:33,318 --> 00:22:35,654 OH, PLEASE, BUT I ALWAYS SIT THIS WAY. 493 00:22:35,654 --> 00:22:37,056 YOU DO? OH. (chuckles) 494 00:22:37,056 --> 00:22:40,259 HMM. MAYBE YOU'RE RIGHT. 495 00:22:40,259 --> 00:22:42,961 OF COURSE I'M RIGHT. 496 00:22:45,030 --> 00:22:46,633 SEE? YOU'RE NORMAL. 497 00:22:46,633 --> 00:22:49,568 THAT MAN HAS THE CONSCIENCE OF A MOLLUSK. 498 00:22:49,568 --> 00:22:52,439 (speaks inaudibly) 499 00:23:01,146 --> 00:23:02,548 (honks horn) 500 00:23:02,548 --> 00:23:04,550 HEY, TIBBS. 501 00:23:16,028 --> 00:23:18,029 I'M WITH TIBBS. 502 00:23:18,029 --> 00:23:19,965 ALL RIGHT. GO AHEAD. 503 00:23:30,710 --> 00:23:32,845 (engine turns off) 504 00:23:35,047 --> 00:23:37,584 (gunshot) 505 00:23:37,584 --> 00:23:39,417 (gunshots, click) 506 00:24:03,009 --> 00:24:06,846 (laughs) HEY. BAD YEAR FOR MERLOT. 507 00:24:06,846 --> 00:24:09,481 THAT'S MY CASE. YOU CAN, UH... 508 00:24:09,481 --> 00:24:12,351 YOU CAN TRY TO HIT ONE, IF YOU WANT. 509 00:24:12,351 --> 00:24:13,685 OKAY. 510 00:24:27,900 --> 00:24:28,934 THANKS. 511 00:24:28,934 --> 00:24:30,603 NO PROBLEM. 512 00:24:34,140 --> 00:24:37,175 (machine gunfire) 513 00:24:52,124 --> 00:24:55,927 (cheering) 514 00:24:55,927 --> 00:24:59,832 (indistinct conversations) 515 00:25:05,104 --> 00:25:07,506 SUSPECT WAS SHOOTING ZOMBIES WITH AN ILLEGAL M240 BRAVO, 516 00:25:07,506 --> 00:25:09,174 BELT-FED, GAS-OPERATED. 517 00:25:09,174 --> 00:25:09,976 ZOMBIES? 518 00:25:09,976 --> 00:25:12,211 LIFELIKE TARGETS. MANNEQUINS. 519 00:25:12,211 --> 00:25:13,813 NO WONDER TIBBS' WIFE LEFT HIM. 520 00:25:13,813 --> 00:25:17,016 WHAT DID YOU LEARN FROM HER? 521 00:25:17,016 --> 00:25:19,085 SHE FILED IN MAY, THEY GOT INTO A FIGHT, 522 00:25:19,085 --> 00:25:20,686 AND HE TOOK A HAMMER TO THEIR BEDROOM. 523 00:25:20,686 --> 00:25:23,623 BLAMED HER FOR ALL HIS FAILURES. 524 00:25:23,623 --> 00:25:26,325 A PROTECTIVE ORDER IN TIBBS' FILE. 525 00:25:26,325 --> 00:25:28,394 SAID LINDA'S REQUEST WASN'T SPECIFIC ENOUGH 526 00:25:28,394 --> 00:25:30,730 TO CONSTITUTE AN EMERGENCY. 527 00:25:30,730 --> 00:25:32,932 BUT CAN'T GET ANYONE TO TAKE HER SERIOUSLY. 528 00:25:32,932 --> 00:25:34,532 ONE, TIBBS IS LIVING A LIFE OF FAILURE, 529 00:25:34,532 --> 00:25:37,536 TWO, HE'S SOCIALLY ISOLATED, THREE, HE OWNS FIREARMS, 530 00:25:37,536 --> 00:25:40,772 AND FOUR, HIS WIFE JUST LEFT HIM. 531 00:25:40,772 --> 00:25:43,009 CLASSIC 4-POINTED PROFILE OF A MASS SHOOTER. 532 00:25:43,009 --> 00:25:44,844 WE'LL ARREST HENRY TIBBS ON A FELONY WEAPONS CHARGE, 533 00:25:44,844 --> 00:25:47,814 THEN WE CAN INSIST ON COUNSELING. 534 00:25:47,814 --> 00:25:48,815 AND WHAT HAPPENS IN A COUPLE MONTHS, 535 00:25:48,815 --> 00:25:49,915 WHEN HE HITS THE STREETS? 536 00:25:49,915 --> 00:25:51,718 HE REPORTS TO PAROLE. 537 00:25:51,718 --> 00:25:53,685 WE ALL KNOW HOW EFFECTIVE THAT IS. 538 00:25:53,685 --> 00:25:57,355 OKAY, LOOK, THERE IS NO IDEAL SYSTEM. 539 00:25:57,355 --> 00:25:59,290 WE FOLLOW TIBBS, AND WE CATCH HIM IN THE ACT 540 00:25:59,290 --> 00:26:01,027 OF ATTEMPTED MASS MURDER. 541 00:26:01,027 --> 00:26:03,596 JURY PUTS HIM AWAY FOR LIFE. IT'S THAT SIMPLE. 542 00:26:03,596 --> 00:26:07,098 YOU ARE QUITE THE PIED PIPER, MR. JANE. QUITE THE SALESMAN. 543 00:26:07,098 --> 00:26:09,969 I HAPPEN TO THINK COUNSELING IS OUR BEST OPTION RIGHT NOW. 544 00:26:09,969 --> 00:26:13,138 ALL DUE RESPECT, CHIEF, BUT ISN'T IT WORTH A SHOT? 545 00:26:13,138 --> 00:26:18,044 I WILL NOT FOLLOW AROUND AN ALMOST-BAD GUY, 546 00:26:18,044 --> 00:26:21,614 I VOWED TO MAKE A PREDICTION, SO PREDICT I SHALL. 547 00:26:21,614 --> 00:26:25,852 BEFORE THE SUN SETS TODAY, HENRY TIBBS WILL MAKE HIS MOVE. 548 00:26:27,219 --> 00:26:28,721 GIVE US THAT LONG. 549 00:26:29,855 --> 00:26:31,958 YOU HAVE UNTIL THE END OF THE DAY. 550 00:26:33,459 --> 00:26:34,693 (Cho clears throat) 551 00:26:34,693 --> 00:26:36,863 IS LISBON ALWAYS THIS LATE? 552 00:26:36,863 --> 00:26:39,330 SHE HAD SOME PERSONAL BUSINESS. 553 00:26:39,330 --> 00:26:41,768 (door squeaks, jingles) 554 00:26:41,768 --> 00:26:43,269 (closes door) 555 00:26:47,038 --> 00:26:50,608 GOOD MORNING. I'M WITH THE CBI. 556 00:26:50,608 --> 00:26:53,545 A CAMERA HERE IN THE PAST 24 HOURS. 557 00:26:53,545 --> 00:26:56,848 THIS WOULD HAVE BEEN A HIGH-END D.S.L.R. IN A CASE 558 00:26:56,848 --> 00:27:00,051 WITH MULTIPLE LENSES. 559 00:27:00,051 --> 00:27:05,057 A MANGY GUY BROUGHT IT IN-- ROTTEN TEETH, DOG BREATH. 560 00:27:06,458 --> 00:27:08,928 THAT CAMERA IS EVIDENCE IN A HOMICIDE INVESTIGATION. 561 00:27:08,928 --> 00:27:10,229 WHERE IS IT AT NOW? 562 00:27:10,229 --> 00:27:11,297 SOLD IT. 563 00:27:11,297 --> 00:27:13,132 DO YOU HAVE A RECORD OF THE PURCHASE? 564 00:27:15,934 --> 00:27:17,269 ALL RIGHT. HOW ABOUT THE MEMORY CARD? 565 00:27:17,269 --> 00:27:18,503 DID YOU SELL THAT, TOO? 566 00:27:18,503 --> 00:27:20,772 I SELL THOSE SEPARATELY. 567 00:27:20,772 --> 00:27:22,775 MORE MONEY FOR ME. 568 00:27:22,775 --> 00:27:24,143 THAT ONE HAD A 32 GIG CARD. 569 00:27:24,143 --> 00:27:25,376 (rattle) 570 00:27:27,645 --> 00:27:29,647 I NEED A WORKING DIGITAL CAMERA. 571 00:27:29,647 --> 00:27:33,685 SURE. 572 00:27:33,685 --> 00:27:36,055 30 BUCKS. 573 00:27:36,055 --> 00:27:38,724 I'LL GIVE YOU $5 FOR A 2-MINUTE RENTAL. 574 00:27:47,199 --> 00:27:48,299 (clicks) 575 00:27:54,073 --> 00:27:55,673 (Lisbon) DO YOU KNOW THIS MAN? 576 00:27:55,673 --> 00:27:58,309 (Willie chuckles) MIKE FLYNN. 577 00:27:58,309 --> 00:28:02,147 ANGER MANAGEMENT ISSUES... (clicks tongue) 578 00:28:02,147 --> 00:28:05,217 AND I KNOW WHERE HE KEEPS HIS BEDROLL, TOO. 579 00:28:07,685 --> 00:28:09,821 MIKE FLYNN? 580 00:28:09,821 --> 00:28:11,690 GET THE HELL OUT OF MY HOUSE! 581 00:28:11,690 --> 00:28:14,526 YOU ARE MIKE FLYNN, RIGHT? 582 00:28:14,526 --> 00:28:17,128 AND Y-YOU'RE IN A MAN'S HOUSE, AND I... 583 00:28:17,128 --> 00:28:18,596 I'LL CALL THE POLICE IF YOU DON'T GO. 584 00:28:18,596 --> 00:28:19,965 JUST CALM DOWN. NOW! 585 00:28:19,965 --> 00:28:21,800 CALM DOWN. WE ARE THE POLICE. 586 00:28:21,800 --> 00:28:23,402 (pants) 587 00:28:23,402 --> 00:28:24,971 SUSHI FOR LUNCH? 588 00:28:24,971 --> 00:28:27,573 EXPENSIVE GOOSE-DOWN SLEEPING BAG? 589 00:28:27,573 --> 00:28:30,241 HOW DID YOU PAY FOR THIS STUFF? 590 00:28:30,241 --> 00:28:32,711 THE STREETS HAVE BEEN KIND LATELY. 591 00:28:32,711 --> 00:28:34,980 WE NEED TO CHECK YOUR BACKPACK, OKAY? 592 00:28:43,756 --> 00:28:45,723 DROP IT. 593 00:28:45,723 --> 00:28:47,358 PUT IT DOWN. 594 00:28:50,195 --> 00:28:52,932 (clatters) 595 00:28:52,932 --> 00:28:55,601 I HAVE A PHOTO OF YOU COMING AFTER A MURDER VICTIM 596 00:28:55,601 --> 00:28:56,868 WITH THAT KNIFE. 597 00:28:56,868 --> 00:28:59,905 YOU WANT TO EXPLAIN THAT, MR. FLYNN? 598 00:28:59,905 --> 00:29:02,173 I-I DON'T LIKE HAVING MY PHOTO TAKEN. 599 00:29:02,173 --> 00:29:03,976 GET YOUR HANDS BEHIND YOUR BACK. (cell phone rings) 600 00:29:03,976 --> 00:29:05,743 (Rigsby) NOW. 601 00:29:05,743 --> 00:29:07,278 (ring) 602 00:29:07,278 --> 00:29:08,614 LISBON. 603 00:29:08,614 --> 00:29:10,883 (Cho) It's Cho. I just lost Tibbs on the freeway. 604 00:29:10,883 --> 00:29:13,085 He's off the grid. 605 00:29:13,085 --> 00:29:15,421 SHOULD WE BE WORRIED? 606 00:29:15,421 --> 00:29:18,589 WHAT WAS TIBBS DOING BEFORE CHO LOST SIGHT OF HIM? 607 00:29:18,589 --> 00:29:20,259 DRIVING AROUND THE CITY, AIMLESS. 608 00:29:20,259 --> 00:29:22,994 AS PREDICTED, HE'S TRYING TO WORK UP THE COURAGE. 609 00:29:22,994 --> 00:29:24,797 WE CAN'T EVEN PUT OUT A BOLO TO FIND HIM. 610 00:29:24,797 --> 00:29:26,765 SURE WE CAN. WE CAN PICK HIM UP 611 00:29:26,765 --> 00:29:28,500 ON A WEAPONS CHARGE FOR THE MACHINE GUN. 612 00:29:28,500 --> 00:29:30,169 OH. WHOA. 613 00:29:30,169 --> 00:29:32,637 YOU PROMISED. SUNSET. 614 00:29:32,637 --> 00:29:34,140 IF I CAN GET INSIDE HIS HOUSE, 615 00:29:34,140 --> 00:29:35,974 I KNOW I CAN FIGURE OUT WHERE TIBBS WILL GO. 616 00:29:35,974 --> 00:29:38,309 YOU'LL NEVER GET A JUDGE TO GRANT YOU A WARRANT. 617 00:29:38,309 --> 00:29:40,211 WAIT A MINUTE. WE DON'T NEED ONE. 618 00:29:40,211 --> 00:29:42,248 ALL WE NEED IS PERMISSION FROM A HOMEOWNER. 619 00:29:43,883 --> 00:29:46,218 I ALREADY TOLD YOU, I AM NOT GETTING INVOLVED. 620 00:29:46,218 --> 00:29:48,354 BUT WE'RE NOT ASKING YOU TO, MA'AM. 621 00:29:48,354 --> 00:29:50,489 YOU KNOW, IT DOESN'T MATTER WHAT YOU NEED. 622 00:29:50,489 --> 00:29:52,858 I DON'T TRUST YOU, AND I AM NOT GONNA HELP. 623 00:29:52,858 --> 00:29:55,661 IF YOU QUIT NOW, YOU'RE GONNA MISS THE BEST PART-- 624 00:29:55,661 --> 00:29:57,829 PAYBACK. 625 00:29:57,829 --> 00:30:02,067 A FEW MONTHS AGO, I HAD A FIANCÉ WHO... 626 00:30:02,067 --> 00:30:05,104 (sighs) WELL, HE TRIED TO KILL ME. 627 00:30:05,104 --> 00:30:07,073 LOOK, EVERYBODY THOUGHT HE WAS THE GREATEST GUY, 628 00:30:07,073 --> 00:30:09,942 INCLUDING ME, UNTIL HE PULLED A GUN. 629 00:30:09,942 --> 00:30:11,844 WHAT DID YOU DO? 630 00:30:11,844 --> 00:30:13,811 I SHOT HIM. 631 00:30:15,146 --> 00:30:17,282 DEAD. 632 00:30:20,886 --> 00:30:22,221 (inhales deeply) 633 00:30:22,221 --> 00:30:24,089 WHAT CAN I DO TO HELP? (sighs) 634 00:30:24,089 --> 00:30:27,058 WE NEED TO SEARCH YOUR HOUSE. 635 00:30:33,765 --> 00:30:35,300 (door thuds) 636 00:30:36,501 --> 00:30:37,736 (Lisbon) NICE. 637 00:30:37,736 --> 00:30:40,705 WELL, IT'S A CHOICE. 638 00:30:40,705 --> 00:30:43,108 LACKS A WOMAN'S TOUCH. 639 00:30:49,714 --> 00:30:51,450 (thud) 640 00:30:51,450 --> 00:30:53,251 GOT SOMETHING. 641 00:30:57,890 --> 00:31:00,026 (Patrick) WOW. 642 00:31:00,026 --> 00:31:03,494 THE IMAGINATION STATION. 643 00:31:07,066 --> 00:31:09,867 "ALL THAT'S NECESSARY FOR EVIL TO TRIUMPH 644 00:31:09,867 --> 00:31:13,271 THAT'S, UH, EDMUND BURKE, I BELIEVE. 645 00:31:16,807 --> 00:31:20,145 WHEREVER TIBBS IS, AT LEAST HE DOESN'T HAVE THESE WITH HIM. 646 00:31:20,145 --> 00:31:23,414 WELL, HE MAY HAVE OTHER WEAPONS. 647 00:31:24,615 --> 00:31:27,153 CHECK THIS OUT. 648 00:31:27,153 --> 00:31:30,288 THE MAYOR'S PUBLIC APPEARANCE SCHEDULE. 649 00:31:30,288 --> 00:31:32,624 I WONDER WHAT HE DID FOR TIBBS TO TARGET HIM. 650 00:31:32,624 --> 00:31:33,892 DOESN'T MATTER. 651 00:31:33,892 --> 00:31:36,028 ALL TIBBS CARES ABOUT IS THE RUSH 652 00:31:36,028 --> 00:31:37,363 THAT COMES FROM KILLING AN IMPORTANT MAN. 653 00:31:37,363 --> 00:31:40,766 THE MAYOR'S POWER BECOMES HIS POWER. 654 00:31:40,766 --> 00:31:43,701 WHERE IS TIBBS NOW? 655 00:31:43,701 --> 00:31:46,072 WHO ELSE DO YOU THINK WOULD BE A TARGET FOR HIS RAGE? 656 00:31:46,072 --> 00:31:51,609 I DON'T KNOW, BUT HE HASN'T SIGNED HIS DIVORCE PAPERS YET. 657 00:31:51,609 --> 00:31:54,279 DO WE HAVE SOMEONE AT THE DINER WHERE TIBBS' WIFE WORKS? 658 00:31:54,279 --> 00:31:57,883 (indistinct conversations) 659 00:31:57,883 --> 00:31:59,684 (door closes) 660 00:31:59,684 --> 00:32:05,656 WHERE IS SHE? WHERE'S MY WIFE?! 661 00:32:05,656 --> 00:32:07,726 (Henry) WHERE'S MY WIFE?! (lowered voice) WE NEED TO HOLD BACK. 662 00:32:07,726 --> 00:32:10,162 WE MOVE TOO SOON, WE BLOW OUR WHOLE COVER WITH TIBBS. 663 00:32:10,162 --> 00:32:11,663 CAN I HELP YOU? 664 00:32:11,663 --> 00:32:14,000 I DON'T KNOW, MAN. 665 00:32:14,000 --> 00:32:15,968 YOU HELPING MY WIFE HIDE FROM ME? 666 00:32:15,968 --> 00:32:17,935 OH, NO. LINDA WENT HOME EARLY TODAY. 667 00:32:17,935 --> 00:32:20,972 (chuckles) SHE DIDN'T GO HOME. 668 00:32:20,972 --> 00:32:24,109 SHE HASN'T BEEN HOME IN WEEKS. 669 00:32:24,109 --> 00:32:27,246 SHE STAYING WITH YOU? NOW YOU CAN TELL ME. 670 00:32:27,246 --> 00:32:28,446 YOU HOT FOR MY WIFE? 671 00:32:28,446 --> 00:32:29,381 (grunts) 672 00:32:29,381 --> 00:32:31,782 YOU BANGIN' MY WIFE? 673 00:32:31,782 --> 00:32:33,618 (sighs) I NEED YOU TO GO NOW. 674 00:32:33,618 --> 00:32:38,457 PLEASE? YOU'RE SCARING MY CUSTOMERS. 675 00:32:41,593 --> 00:32:43,862 OKAY, I'LL GO. 676 00:32:43,862 --> 00:32:46,097 NEXT TIME YOU SEE LINDA, 677 00:32:46,097 --> 00:32:48,334 GIVE HER SOMETHING FROM ME. 678 00:32:48,334 --> 00:32:49,835 (unzips) 679 00:32:49,835 --> 00:32:51,603 (speaks inaudibly) 680 00:32:53,404 --> 00:32:55,207 TELL HER TO CHOKE ON THESE. 681 00:32:58,076 --> 00:33:00,412 (lowered voice) ALL RIGHT. 682 00:33:00,412 --> 00:33:02,548 (indistinct conversations) 683 00:33:02,548 --> 00:33:05,416 WELL, AT LEAST YOU DIDN'T SHOOT THIS ONE. 684 00:33:10,521 --> 00:33:13,892 TWO OF MY AGENTS ALMOST SHOT A MAN IN A CROWDED DINER 685 00:33:13,892 --> 00:33:15,361 FOR BRINGING HIS WIFE FLOWERS. 686 00:33:15,361 --> 00:33:17,328 "ALMOST" IS THE KEY WORD THERE. 687 00:33:17,328 --> 00:33:21,567 I'VE LISTENED. I'VE EMPATHIZED. 688 00:33:21,567 --> 00:33:23,801 THIS CASE IS TOO DANGEROUS. WE NEED A NEW APPROACH. 689 00:33:23,801 --> 00:33:26,137 AGREED. NO MORE SITTING AROUND AND WAITING 690 00:33:26,137 --> 00:33:28,140 FOR SOMETHING TO PUSH TIBBS OVER THE EDGE. 691 00:33:28,140 --> 00:33:29,875 WE NEED TO CREATE OUR OWN STRESSOR. 692 00:33:29,875 --> 00:33:33,744 ARE YOU SAYING, INCITE THE SUSPECT TO VIOLENCE? 693 00:33:33,744 --> 00:33:35,346 CUT OFF THE POWER TO HIS HOUSE, 694 00:33:35,346 --> 00:33:36,682 A COUPLE OF EGGS ON HIS TRUCK. 695 00:33:36,682 --> 00:33:38,817 JUST ENOUGH TO MAKE HIM GO BERSERK, 696 00:33:38,817 --> 00:33:40,118 DO SOMETHING VIOLENT. 697 00:33:40,118 --> 00:33:41,653 YOU'RE OFF THE CASE, JANE. 698 00:33:41,653 --> 00:33:44,556 ACTUALLY, AS A MATTER OF FACT, THERE IS NO CASE. 699 00:33:44,556 --> 00:33:49,661 HENRY TIBBS IS A SICK MAN, AND HE NEEDS PSYCHOLOGICAL HELP. 700 00:33:49,661 --> 00:33:53,464 WE ARE THE CRIMINALS THEN, IF WE DON'T AT LEAST TRY. 701 00:33:53,464 --> 00:33:55,366 I'M TAKING RIGSBY AND CHO. 702 00:33:56,701 --> 00:33:58,069 WHERE? 703 00:33:58,069 --> 00:34:01,272 I'M ARRESTING HENRY TIBBS ON FELONY WEAPONS CHARGES. 704 00:34:03,509 --> 00:34:07,011 (sighs) I WONDER IF OUR NEW BOSS IS IN A LITTLE OVER HIS HEAD. 705 00:34:07,011 --> 00:34:08,380 REALLY? I DON'T. 706 00:34:08,380 --> 00:34:09,715 TIBBS COULD KILL HIM. 707 00:34:09,715 --> 00:34:11,650 OR HE COULD SAVE TIBBS. 708 00:34:20,726 --> 00:34:22,161 ALL RIGHT. 709 00:34:22,161 --> 00:34:23,262 OKAY, YOU TWO... 710 00:34:23,262 --> 00:34:25,130 (doors close) COVER THE BACK. 711 00:34:30,202 --> 00:34:33,672 I'M SICK OF WATCHING EVERYONE PLAY WITH THIS MAN'S LIFE. 712 00:34:34,905 --> 00:34:36,541 (door squeaks) YEAH. 713 00:34:40,346 --> 00:34:43,248 YOU'RE WITH THE GOLDWYN GROUP, RIGHT? 714 00:34:43,248 --> 00:34:45,150 IS THIS ABOUT THE JOB INTERVIEW? 715 00:34:45,150 --> 00:34:47,719 NO, SIR. I'M AFRAID IT'S NOT. 716 00:34:47,719 --> 00:34:51,322 HI, HENRY. MY NAME IS LUTHER WAINRIGHT. 717 00:34:53,559 --> 00:34:55,661 HOLD ON. YOU--YOU WERE AT CBI. 718 00:34:55,661 --> 00:34:58,264 THAT'S RIGHT. WE ARE WITH THE GOVERNMENT. 719 00:34:58,264 --> 00:34:59,530 WE'VE BEEN WATCHING YOU. 720 00:34:59,530 --> 00:35:01,432 (strained voice) YOU... WHAT? 721 00:35:01,432 --> 00:35:02,900 WE SPOKE WITH YOUR WIFE, HENRY. 722 00:35:02,900 --> 00:35:05,137 WE KNOW THAT YOU'RE IN A LOT OF PAIN, 723 00:35:05,137 --> 00:35:06,737 AND WE'RE WORRIED ABOUT YOU. 724 00:35:06,737 --> 00:35:08,507 THE GOVERNMENT WOULD LIKE TO PROVIDE YOU WITH SOME HELP. 725 00:35:08,507 --> 00:35:11,577 WAIT. WAIT, WAIT. WHAT THE HELL IS GOING ON? 726 00:35:11,577 --> 00:35:15,681 LOOK, I KNOW THIS IS ALL PRETTY CONFUSING, 727 00:35:15,681 --> 00:35:18,284 FIRST, HOWEVER, WE NEED TO SEARCH YOUR HOUSE. 728 00:35:18,284 --> 00:35:19,318 I HAVE A WARRANT RIGHT HERE. 729 00:35:19,318 --> 00:35:20,619 YOU DON'T NEED A WARRANT. 730 00:35:20,619 --> 00:35:22,420 YOU CAN COME INSIDE MY HOUSE. 731 00:35:22,420 --> 00:35:25,556 I GOT NOTHING TO HIDE FROM NOBODY. 732 00:35:25,556 --> 00:35:27,226 THANK YOU. OHH. EXCUSE ME, SIR. 733 00:35:27,226 --> 00:35:28,460 (rattles doorknob) 734 00:35:28,460 --> 00:35:29,527 (grunts) WE'RE BUSTING IN. 735 00:35:29,527 --> 00:35:30,961 COVER THE REAR EXIT. (grunts) 736 00:35:30,961 --> 00:35:33,331 HOLD THE DOOR. 737 00:35:33,331 --> 00:35:37,302 (engine revs, tires screeching) 738 00:35:38,704 --> 00:35:41,539 HEY. THIS IS WAINRIGHT. TIBBS IS ON THE RUN. 739 00:35:41,539 --> 00:35:44,009 GET US A BIRD IN THE AIR. 740 00:35:44,009 --> 00:35:47,478 HEY, JANE. TIBBS EVADED ARREST. HE'S ON THE MOVE. 741 00:35:51,016 --> 00:35:52,016 OKAY. 742 00:35:52,016 --> 00:35:53,284 (book clatters) 743 00:35:53,284 --> 00:35:56,422 (indistinct conversations) 744 00:36:19,577 --> 00:36:21,313 YOU. 745 00:36:21,313 --> 00:36:23,282 HEY, HENRY. 746 00:36:23,282 --> 00:36:25,182 (pants) 747 00:36:25,182 --> 00:36:26,184 (crowd gasps) 748 00:36:26,184 --> 00:36:28,719 OKAY. STAY CALM. DON'T MOVE. 749 00:36:28,719 --> 00:36:31,389 DO NOT DRAW YOUR WEAPONS. THIS MAN WILL NOT HURT YOU. 750 00:36:31,389 --> 00:36:34,393 HE CANNOT HURT YOU. 751 00:36:35,293 --> 00:36:36,894 NO. 752 00:36:36,894 --> 00:36:38,496 ISN'T THAT RIGHT, HENRY? 753 00:36:38,496 --> 00:36:41,666 WHAT THE HELL ARE YOU TALKING ABOUT? 754 00:36:41,666 --> 00:36:44,735 YOU DON'T WANT TO PULL THAT TRIGGER. 755 00:36:44,735 --> 00:36:47,373 YOU THINK IT WILL SWITCH OFF THAT VACANCY SIGN IN YOUR SOUL, 756 00:36:47,373 --> 00:36:48,974 BUT THE TRUTH IS, 757 00:36:48,974 --> 00:36:51,141 TAKING A LIFE'S JUST GONNA MAKE THINGS 758 00:36:51,141 --> 00:36:53,945 A WHOLE LOT MORE COMPLICATED. 759 00:36:53,945 --> 00:36:55,313 BELIEVE ME. 760 00:36:55,313 --> 00:36:58,349 I DON'T EXPECT TO LIVE PAST TODAY. 761 00:36:58,349 --> 00:37:02,152 BUT YOU CAN. YOU HAVEN'T HURT ANYONE YET. 762 00:37:02,152 --> 00:37:04,690 AND WE WILL GET YOU THE HELP THAT YOU NEED. 763 00:37:05,891 --> 00:37:07,759 I THINK... 764 00:37:07,759 --> 00:37:09,561 (panting) 765 00:37:09,561 --> 00:37:11,829 I THINK IT'S TOO LATE FOR ME... 766 00:37:13,731 --> 00:37:16,735 AND EVERYONE HERE. 767 00:37:16,735 --> 00:37:19,170 (screaming) 768 00:37:19,170 --> 00:37:20,405 HOLD ON, BOSS. 769 00:37:33,918 --> 00:37:35,721 WHEW. 770 00:37:35,721 --> 00:37:37,188 LOUD. 771 00:37:37,188 --> 00:37:41,393 HEY. HOW YA DOIN'? 772 00:37:41,393 --> 00:37:42,893 YOU'RE UNDER ARREST FOR THE ATTEMPTED MURDER 773 00:37:42,893 --> 00:37:44,496 OF... EVERYBODY. 774 00:37:44,496 --> 00:37:47,032 TURN AROUND. PUT YOUR HANDS ON YOUR HEAD. 775 00:37:47,032 --> 00:37:48,833 (handcuffs rattle) 776 00:37:48,833 --> 00:37:50,902 (click) 777 00:37:50,902 --> 00:37:53,539 (panting) 778 00:37:53,539 --> 00:37:57,275 WHAT'S GOING ON? HOW COME NO ONE'S HURT? 779 00:37:57,275 --> 00:37:59,744 WE REPLACED ALL OF HIS LIVE ROUNDS WITH BLANKS, 780 00:37:59,744 --> 00:38:01,512 IN CASE WE LOST HIM AGAIN. 781 00:38:03,514 --> 00:38:05,451 SO LONG, PARTNER. 782 00:38:05,451 --> 00:38:07,018 LET'S GO. 783 00:38:09,454 --> 00:38:13,090 THE D.A. IS OFFERING YOU 90 DAYS IN COUNTY JAIL 784 00:38:13,090 --> 00:38:14,659 IF YOU PLEAD NO CONTEST 785 00:38:14,659 --> 00:38:16,994 TO TWO COUNTS OF THEFT FROM A BODY. 786 00:38:16,994 --> 00:38:18,630 YOU'LL HAVE A WARM BED FOR THE WINTER 787 00:38:18,630 --> 00:38:20,965 AND SHELTER WAITING FOR YOU WHEN YOU GET OUT. 788 00:38:20,965 --> 00:38:24,469 SOUNDS GOOD. 789 00:38:24,469 --> 00:38:28,039 (sighs) THANKS. 790 00:38:28,039 --> 00:38:32,043 OH, UM, I WAS IN THE PAWNSHOP TODAY, 791 00:38:32,043 --> 00:38:33,945 AND I PICKED SOMETHING UP I THOUGHT 792 00:38:33,945 --> 00:38:36,581 MAYBE YOU COULD USE WHEN YOU GET OUT. 793 00:38:36,581 --> 00:38:38,916 (telephone ringing in distance) 794 00:38:42,688 --> 00:38:45,757 I HAVEN'T PLAYED ONE OF THESE IN YEARS. 795 00:38:45,757 --> 00:38:47,793 I DIDN'T THINK SO. 796 00:38:47,793 --> 00:38:50,496 YOUR LAWYER'S GONNA BE HERE IN A COUPLE OF MINUTES. 797 00:38:50,496 --> 00:38:53,831 YOU TAKE OF YOURSELF, WILLIE. 798 00:38:55,900 --> 00:38:59,505 (blinds rattle) 799 00:39:02,708 --> 00:39:05,844 (saxophone playing) 800 00:39:24,396 --> 00:39:30,201 UH... (chuckles) THAT'S, UH, THAT'S KIND OF... MY SPOT. 801 00:39:30,201 --> 00:39:31,737 OH. 802 00:39:33,003 --> 00:39:34,005 RIGHT. SORRY. 803 00:39:34,005 --> 00:39:35,005 YEAH. 804 00:39:35,005 --> 00:39:37,175 THANK YOU. 805 00:39:37,175 --> 00:39:39,210 MM-HMM. 806 00:39:39,210 --> 00:39:43,347 (inhales deeply and sighs) 807 00:39:43,347 --> 00:39:45,717 YOU, UH, SET ME UP TODAY. 808 00:39:45,717 --> 00:39:49,954 YOU KNEW I WOULD BE THE STRESSOR THAT PUSHED TIBBS OVER THE EDGE. 809 00:39:49,954 --> 00:39:53,592 WELL, ONE CAN NEVER REALLY KNOW THESE THINGS. 810 00:39:53,592 --> 00:39:56,661 TO BE HONEST, I WAS ROOTING FOR YOU. REALLY? 811 00:39:56,661 --> 00:40:01,266 YES, I FIND YOUR, UH, YOUTHFUL BRAND OF EARNESTNESS 812 00:40:01,266 --> 00:40:04,469 HOW DID YOU KNOW TIBBS WAS GONNA GO TO THAT GARDEN? 813 00:40:04,469 --> 00:40:06,237 EDUCATED GUESS. 814 00:40:06,237 --> 00:40:08,005 HE HAD IT CIRCLED IN HIS CALENDAR. 815 00:40:08,005 --> 00:40:12,110 WELL, THEN WHY ON EARTH WOULDN'T YOU CLEAR THE AREA FIRST? 816 00:40:12,110 --> 00:40:15,413 THE PLAN THAT WAS APPROVED BY, UH... YOU 817 00:40:15,413 --> 00:40:21,519 WAS TO CATCH TIBBS IN THE ACT, I BELIEVE. 818 00:40:23,789 --> 00:40:26,391 YOU KNOW THAT PSYCHOPATHY TEST I GAVE TIBBS? 819 00:40:26,391 --> 00:40:27,626 MM. 820 00:40:27,626 --> 00:40:30,260 I FIGURED OUT WHY IT DIDN'T WORK. 821 00:40:30,260 --> 00:40:33,231 SEE, IT'S A RATING SCALE BASED ON OBSERVATION, 822 00:40:33,231 --> 00:40:35,266 SO THE MORE TIME YOU SPEND WITH THE SUBJECT, 823 00:40:35,266 --> 00:40:37,536 THE MORE ACCURATELY YOU CAN THEN OBSERVE 824 00:40:37,536 --> 00:40:39,637 THEIR BEHAVIORAL TRAITS, 825 00:40:39,637 --> 00:40:42,206 AND, UH, GUESS WHAT I'VE BEEN DOING? 826 00:40:42,206 --> 00:40:43,208 (paper rustling) 827 00:40:43,208 --> 00:40:45,577 OH, YOU HAVEN'T. 828 00:40:46,677 --> 00:40:49,547 GLIBNESS AND SUPERFICIAL CHARM? 829 00:40:49,547 --> 00:40:50,548 CHECK. 830 00:40:50,548 --> 00:40:52,016 YOU FLATTER ME. 831 00:40:52,016 --> 00:40:56,121 GRANDIOSE SENSE OF SELF-WORTH? 832 00:40:56,121 --> 00:40:59,891 CUNNING AND MANIPULATIVE, POOR BEHAVIORAL CONTROLS, 833 00:40:59,891 --> 00:41:03,293 FAILURE TO ACCEPT RESPONSIBILITY FOR OWN ACTIONS. 834 00:41:03,293 --> 00:41:06,331 SO I, UH, I CROSS-REFERENCED ALL OF MY OBSERVATIONS 835 00:41:06,331 --> 00:41:10,568 WITH YOUR HISTORY AS A THIEF AND A CON ARTIST, 836 00:41:10,568 --> 00:41:14,706 AND, UH, CONGRATULATIONS, JANE. 837 00:41:14,706 --> 00:41:16,907 ACCORDING TO THE SCORE, 838 00:41:16,907 --> 00:41:21,112 YOU ARE A CLINICAL PSYCHOPATH. 839 00:41:21,112 --> 00:41:22,981 WOW. 840 00:41:22,981 --> 00:41:26,050 WELL... CERTAINLY EXPLAINS A LOT. 841 00:41:27,217 --> 00:41:28,686 NOW I KNOW WHAT I'M DEALING WITH, 842 00:41:28,686 --> 00:41:31,289 SO I'LL ADJUST ACCORDINGLY. 843 00:41:31,289 --> 00:41:33,123 AS YOU SHOULD. 844 00:41:37,929 --> 00:41:39,264 LISBON. 845 00:41:42,333 --> 00:41:44,501 EVERYTHING ALL RIGHT? 846 00:41:44,501 --> 00:41:46,637 UH, YEAH. YEAH. 847 00:41:46,637 --> 00:41:48,139 I LIKE OUR NEW BOSS. 848 00:41:48,139 --> 00:41:50,842 I THINK WE'LL WORK VERY WELL TOGETHER. 849 00:41:52,577 --> 00:41:54,079 WOULD YOU LIKE SOME TEA? 850 00:41:54,079 --> 00:41:56,014 I'M TIRED. I'M GONNA GO HOME. 851 00:41:57,148 --> 00:41:58,949 I MADE A POT. 852 00:41:58,949 --> 00:42:02,320 ALL RIGHT. I'LL TAKE ONE TO GO. 853 00:42:02,320 --> 00:42:04,454 I HEARD YOU GOT YOUR MAN. 854 00:42:04,454 --> 00:42:07,291 AS DID YOU. NICE WORK. 855 00:42:07,291 --> 00:42:10,228 YOU THINK I'M AN ANTISOCIAL PERSONALITY? 856 00:42:10,228 --> 00:42:12,630 YEAH. SURE. WHO ISN'T? 857 00:42:15,601 --> 00:42:18,268 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.