1 00:00:00,968 --> 00:00:03,303 (indistinct conversations) 2 00:00:07,508 --> 00:00:09,176 (chair scrapes) 3 00:00:10,944 --> 00:00:13,580 (gunshots) 4 00:00:13,580 --> 00:00:16,083 (crowd screaming) 5 00:00:16,083 --> 00:00:17,785 (thud) 6 00:00:34,201 --> 00:00:35,603 (police radio chatter) 7 00:00:35,603 --> 00:00:37,237 (static) 8 00:00:37,237 --> 00:00:38,805 (police radio chatter) 9 00:00:38,805 --> 00:00:41,241 (female dispatcher) 7-8-5-1, a family dispute. 10 00:00:41,241 --> 00:00:44,378 (siren wailing) 11 00:00:49,250 --> 00:00:52,051 (door opens) 12 00:00:58,024 --> 00:01:00,993 (sighs) 13 00:01:00,993 --> 00:01:03,296 SO, PATRICK... 14 00:01:03,296 --> 00:01:05,165 THIS DOESN'T LOOK GOOD. 15 00:01:05,165 --> 00:01:06,634 YOU WANT TO TELL US YOUR SIDE OF THE STORY, 16 00:01:06,634 --> 00:01:08,701 SEE IF WE CAN STRAIGHTEN IT OUT? 17 00:01:08,701 --> 00:01:13,006 IT'S A LONG STORY, BUT, UH... 18 00:01:13,006 --> 00:01:15,808 THE MAN I SHOT WAS RED JOHN. 19 00:01:15,808 --> 00:01:19,112 SO YOU ACKNOWLEDGE THAT YOU DID THAT. YOU KILLED HIM. 20 00:01:19,112 --> 00:01:21,448 YES, I DID. 21 00:01:21,448 --> 00:01:26,085 CAN HARDLY DENY IT, CAN I? 500 WITNESSES. 22 00:01:26,954 --> 00:01:28,456 HE WAS RED JOHN. 23 00:01:28,456 --> 00:01:30,790 RED JOHN, THE FAMOUS SERIAL KILLER? THAT RED JOHN? 24 00:01:30,790 --> 00:01:33,627 YES. HE KILLED MY WIFE AND DAUGHTER. 25 00:01:33,627 --> 00:01:36,796 SO WHAT YOU DID, IN YOUR MIND, IT WAS LIKE A RIGHTEOUS KILL. 26 00:01:36,796 --> 00:01:38,365 YES. 27 00:01:38,365 --> 00:01:39,700 BUT HOW DID YOU KNOW IT WAS HIM? 28 00:01:39,700 --> 00:01:41,402 HE TOLD ME HE WAS. 29 00:01:41,402 --> 00:01:42,670 AND YOU BELIEVED HIM. 30 00:01:42,670 --> 00:01:44,604 HE KNEW THINGS ABOUT MY WIFE AND DAUGHTER 31 00:01:44,604 --> 00:01:46,906 THAT ONLY RED JOHN WOULD KNOW. 32 00:01:46,906 --> 00:01:48,442 WHAT WAS THAT? 33 00:01:48,442 --> 00:01:51,245 HOW THEY SMELLED ON THE NIGHT THAT HE KILLED THEM. 34 00:01:52,180 --> 00:01:54,147 OKAY. 35 00:01:54,147 --> 00:01:57,718 SO DID, UH, DID ANYONE ELSE HEAR HIM SAY THIS TO YOU? 36 00:01:57,718 --> 00:01:58,786 NO. 37 00:01:58,786 --> 00:02:01,188 SO YOU CAN ONLY ASSERT THAT HE SAID IT. 38 00:02:01,188 --> 00:02:03,224 NO, I CAN'T, BUT THE GUN HE'S CARRYING 39 00:02:03,224 --> 00:02:04,891 CERTAINLY BACKS ME UP, DOESN'T IT? 40 00:02:04,891 --> 00:02:08,061 AND IF YOU CHECK HIS CELL PHONE, HE RECEIVED A CALL AT 1:15 41 00:02:08,061 --> 00:02:10,663 FROM AN FBI AGENT BY THE NAME OF CRAIG O'LAUGHLIN, 42 00:02:10,663 --> 00:02:14,935 WHO IS, WELL, WAS, A PROVEN ACCOMPLICE OF RED JOHN. 43 00:02:14,935 --> 00:02:17,670 YOU TAKING ANY KIND OF MEDICATION, PATRICK? 44 00:02:17,670 --> 00:02:19,772 NO. 45 00:02:19,772 --> 00:02:21,908 WHAT'S THAT GOT TO DO WITH ANYTHING? 46 00:02:21,908 --> 00:02:24,978 HERE'S THE THING. THAT'S A GREAT STORY YOU TELL. 47 00:02:24,978 --> 00:02:28,048 IF IT WAS TRUE, YOU COULD PROBABLY ASK FOR MANSLAUGHTER, 48 00:02:28,048 --> 00:02:29,849 TAKE A 5-YEAR HIT, TOPS. 49 00:02:29,849 --> 00:02:31,117 IT IS TRUE. 50 00:02:31,117 --> 00:02:33,687 YEAH. BUT THE PROBLEM IS, PATRICK, 51 00:02:33,687 --> 00:02:35,956 THE MAN YOU KILLED-- HIS NAME IS TIMOTHY CARTER. 52 00:02:35,956 --> 00:02:37,691 HE'S A WELL-RESPECTED LOCAL BUSINESSMAN, 53 00:02:37,691 --> 00:02:39,727 A DEVOTED HUSBAND AND FATHER WITH NO CRIMINAL RECORD. 54 00:02:39,727 --> 00:02:42,396 NO, THAT'S INCORRECT. WAIT A MINUTE. LET ME FINISH. 55 00:02:42,396 --> 00:02:44,198 NOW WE'VE ALREADY LOOKED AT HIS CELL PHONE. 56 00:02:44,198 --> 00:02:45,932 I GOT THE DETAILS RIGHT HERE. 57 00:02:45,932 --> 00:02:48,635 HE LOGGED ZERO CALLS FROM THIS O'LAUGHLIN-- 58 00:02:48,635 --> 00:02:50,771 NONE. 59 00:02:52,240 --> 00:02:55,242 (sighs) AND GUESS WHAT ELSE? 60 00:02:57,009 --> 00:02:59,146 HE DIDN'T HAVE A GUN ON HIM. 61 00:02:59,146 --> 00:03:01,549 NO GUN. 62 00:03:01,549 --> 00:03:03,683 NO GUN. 63 00:03:03,683 --> 00:03:07,721 (woman) SO YOU SEE HOW THIS DOESN'T LOOK GOOD. 64 00:03:07,721 --> 00:03:09,723 EITHER YOU'RE TELLING BOTH OF US A PACK OF LIES, 65 00:03:09,723 --> 00:03:11,425 OR YOU WENT CRAZY 66 00:03:11,425 --> 00:03:16,896 AND YOU KILLED AN INNOCENT MAN. 67 00:03:16,896 --> 00:03:19,699 ** 68 00:03:19,699 --> 00:03:23,804 Captioned by Closed Captioning Services, Inc. 69 00:03:27,508 --> 00:03:30,377 ARDILES. HEY, I'M GLAD I CAUGHT YOU. 70 00:03:30,377 --> 00:03:32,712 LOOK, JUST TO SAVE TIME HERE, I'M SORRY, 71 00:03:32,712 --> 00:03:35,649 BUT I CAN'T CUT YOUR MAN JANE ANY SLACK ON HIS BAIL. 72 00:03:35,649 --> 00:03:38,050 NO, NO. I DON'T WANT YOU TO. 73 00:03:38,050 --> 00:03:39,486 NO, ON THE CONTRARY, I WANT YOU 74 00:03:39,486 --> 00:03:42,222 TO MAKE SURE HE STAYS LOCKED UP FOR AS LONG AS POSSIBLE. 75 00:03:43,156 --> 00:03:45,025 OKAY. HE'S YOUR MAN. 76 00:03:45,025 --> 00:03:47,995 WELL, DON'T GET ME WRONG--IT'S HEARTBREAKING TO SEE A GOOD MAN 77 00:03:47,995 --> 00:03:51,365 AND A PRODUCTIVE EMPLOYEE LIKE JANE GO DOWN IN FLAMES, 78 00:03:51,365 --> 00:03:53,600 BUT THIS IS ABOUT DAMAGE CONTROL NOW. 79 00:03:53,600 --> 00:03:56,069 WE NEED TO MAKE SURE THAT HE IS SAFELY OUT OF THE WAY 80 00:03:56,069 --> 00:03:58,070 UNTIL THIS MEDIA CRAPSTORM PASSES. 81 00:03:58,070 --> 00:03:59,740 UNDERSTOOD. 82 00:04:01,275 --> 00:04:03,477 YOUR HONOR, THE DEFENDANT IS CHARGED 83 00:04:03,477 --> 00:04:05,346 WITH A HEINOUS AND INEXPLICABLE CRIME 84 00:04:05,346 --> 00:04:07,014 THAT MAY ENTAIL THE DEATH PENALTY. 85 00:04:07,014 --> 00:04:10,450 HE HAS NO TIES IN THE COMMUNITY, HE OWNS NO PROPERTY HERE 86 00:04:10,450 --> 00:04:13,052 AND MUST BE CONSIDERED A VERY SERIOUS FLIGHT RISK. 87 00:04:13,052 --> 00:04:17,024 I ASK THAT BAIL BE SET AT A MINIMUM OF $1 MILLION. 88 00:04:17,024 --> 00:04:21,127 MR. JANE, ARE YOU SURE ABOUT REPRESENTING YOURSELF? 89 00:04:21,127 --> 00:04:23,564 IT'S SELDOM A GOOD IDEA. 90 00:04:23,564 --> 00:04:27,468 I AM SURE, YOUR HONOR. I APPRECIATE YOUR CONCERN. 91 00:04:27,468 --> 00:04:30,303 VERY WELL, THEN. AS TO THE MATTER OF BAIL? 92 00:04:30,303 --> 00:04:33,072 OH, IT'S FINE. NO--NO OBJECTION. 93 00:04:33,072 --> 00:04:36,610 REALLY? CAN YOU COME UP WITH A MILLION DOLLARS? 94 00:04:36,610 --> 00:04:39,747 NO. I'M--I'M HAPPY TO STAY IN JAIL FOR NOW. 95 00:04:39,747 --> 00:04:41,781 I-I NEED A LITTLE TIME TO THINK ABOUT THINGS. 96 00:04:41,781 --> 00:04:44,451 WELL, THEN, WE SHALL OBLIGE YOU. 97 00:04:44,451 --> 00:04:48,288 BAIL IS SET AT A MILLION DOLLARS. 98 00:04:52,393 --> 00:04:55,528 (monitor beeping steadily) 99 00:04:56,396 --> 00:04:57,665 (door opens) 100 00:04:57,665 --> 00:04:59,567 (Bertram) AGENT LISBON. 101 00:05:02,836 --> 00:05:04,471 HOW ARE YOU? 102 00:05:04,471 --> 00:05:08,007 MM. PRETTY GOOD, CONSIDERING. 103 00:05:08,007 --> 00:05:10,843 PAINKILLERS ARE AMAZING THESE DAYS, HUH? 104 00:05:10,843 --> 00:05:11,845 MM. 105 00:05:11,845 --> 00:05:13,514 HAVE YOU SEEN JANE? 106 00:05:13,514 --> 00:05:15,382 oh, ACROSS A COURTROOM. 107 00:05:15,382 --> 00:05:16,750 HOW WAS HE? 108 00:05:16,750 --> 00:05:18,418 WELL ENOUGH. 109 00:05:19,353 --> 00:05:20,954 I WANT TO EXTEND 110 00:05:20,954 --> 00:05:25,225 MY OWN AND THE BUREAU'S DEEPEST SYMPATHIES TO YOU. 111 00:05:25,225 --> 00:05:28,562 DOCTOR SAYS I SHOULD BE UP AND AROUND IN A DAY OR SO. 112 00:05:28,562 --> 00:05:31,632 OH, EXCELLENT. EXCELLENT. BUT... 113 00:05:31,632 --> 00:05:36,603 D-DON'T RUSH YOUR RECOVERY. YOU HAVE PLENTY OF TIME. 114 00:05:36,603 --> 00:05:39,773 YOU AND YOUR TEAM ARE SUSPENDED AS OF TODAY. 115 00:05:39,773 --> 00:05:41,942 SUSPENDED. 116 00:05:41,942 --> 00:05:43,411 WHY? 117 00:05:43,411 --> 00:05:46,012 REALLY? YOU HAVE TO ASK? 118 00:05:46,012 --> 00:05:49,917 YOU ALLOWED A CLEARLY DISTURBED INDIVIDUAL 119 00:05:49,917 --> 00:05:51,350 TO LEAD YOUR ACTIVITIES. 120 00:05:51,350 --> 00:05:54,221 YOU ALLOWED HIM TO GUN DOWN AN INNOCENT MAN. 121 00:05:54,221 --> 00:05:55,288 WE DON'T KNOW THAT. 122 00:05:55,288 --> 00:05:56,757 AN INNOCENT MAN. 123 00:05:58,257 --> 00:06:02,495 ON TOP OF WHICH, YOU PERPETRATED AN ELABORATE DECEPTION ON ME, 124 00:06:02,495 --> 00:06:04,831 IN ORDER TO GATHER EVIDENCE THAT I, YOUR OWN BOSS, 125 00:06:04,831 --> 00:06:08,035 AM PART OF A VAST CRIMINAL CONSPIRACY. 126 00:06:08,035 --> 00:06:09,502 SHALL I GO ON? 127 00:06:09,502 --> 00:06:11,704 BUT YOU CAN'T DO THIS. PLEASE, YOU-- 128 00:06:11,704 --> 00:06:14,040 SHH, STAY CALM, LISBON. 129 00:06:14,040 --> 00:06:17,009 FOCUS ON GETTING WELL. 130 00:06:17,009 --> 00:06:20,713 WE'LL REVISIT YOUR STATUS WHEN YOU'RE FULLY RECOVERED. 131 00:06:24,350 --> 00:06:26,519 BUT WHAT ABOUT JANE? 132 00:06:28,055 --> 00:06:30,490 FORGET ABOUT JANE. 133 00:06:38,699 --> 00:06:40,834 NURSE? 134 00:06:40,834 --> 00:06:42,334 (moans) 135 00:06:42,334 --> 00:06:45,473 (indistinct conversations) 136 00:06:52,512 --> 00:06:53,846 (door buzzes) 137 00:07:05,992 --> 00:07:08,394 SO HOW WAS YOUR WEEK? 138 00:07:08,394 --> 00:07:09,930 (laughs) 139 00:07:09,930 --> 00:07:12,132 OH, YOU SHOULD BE IN THE HOSPITAL. 140 00:07:12,132 --> 00:07:13,500 WHAT ARE YOU DOING HERE? 141 00:07:13,500 --> 00:07:17,370 I'M OKAY. YOU, ON THE OTHER HAND... 142 00:07:17,370 --> 00:07:21,440 YOU KILLED AN UNARMED MAN IN FRONT OF 500 WITNESSES. 143 00:07:21,440 --> 00:07:23,009 YOU'RE NOT OKAY. 144 00:07:23,009 --> 00:07:24,343 HE HAD A GUN. 145 00:07:24,343 --> 00:07:27,413 SOMEONE MUST HAVE TAKEN IT AND SWITCHED THE CELL PHONE. 146 00:07:27,413 --> 00:07:29,617 IT'S THE ONLY POSSIBLE EXPLANATION. 147 00:07:29,617 --> 00:07:33,019 THAT, OR YOU WENT NUTS FOR A MOMENT. 148 00:07:33,019 --> 00:07:35,454 LISBON, LOOK AT ME. 149 00:07:36,689 --> 00:07:39,158 I DIDN'T GO NUTS. 150 00:07:39,158 --> 00:07:41,327 I BELIEVE YOU. 151 00:07:41,327 --> 00:07:42,963 I'M NOT SURE A JURY WILL. 152 00:07:42,963 --> 00:07:44,831 YEAH, WELL, THAT IS A PROBLEM, 153 00:07:44,831 --> 00:07:48,935 BUT I DID WHAT I HAD TO DO AND I WILL LIVE WITH THE CONSEQUENCES. 154 00:07:50,870 --> 00:07:54,841 NEXT TIME YOU COME, CAN YOU BRING SOME BLUEBERRY MUFFINS? 155 00:07:57,009 --> 00:07:59,478 HEY, GUYS. 156 00:08:09,456 --> 00:08:11,024 GRACE, YOU DIDN'T HAVE TO COME IN. 157 00:08:11,024 --> 00:08:12,425 WE COULD HAVE GOTTEN YOUR STUFF FOR YOU. 158 00:08:12,425 --> 00:08:14,528 OH, IT'S NO BIG DEAL. 159 00:08:14,528 --> 00:08:16,495 OKAY. 160 00:08:16,495 --> 00:08:19,231 UM, HOW ARE YOU DOING? YOU GOOD? 161 00:08:19,231 --> 00:08:21,233 YEAH, I'M FINE. 162 00:08:21,233 --> 00:08:24,303 TWO DAYS AGO YOU SHOT AND KILLED YOUR FIANCÉ. YOU CAN'T BE FINE. 163 00:08:24,303 --> 00:08:25,372 JEEZ, CHO. 164 00:08:25,372 --> 00:08:26,372 WHAT? 165 00:08:26,372 --> 00:08:27,707 YOU NEED TO SPELL IT OUT? 166 00:08:27,707 --> 00:08:29,141 LOOK, I AM PERFECTLY FINE, 167 00:08:29,141 --> 00:08:31,244 AND I DON'T WANT TO TALK ABOUT IT. OKAY? 168 00:08:32,345 --> 00:08:34,147 HEY, BOSS. 169 00:08:34,147 --> 00:08:36,415 AREN'T YOU SUPPOSED TO BE IN THE HOSPITAL? 170 00:08:36,415 --> 00:08:39,620 BUT YOU SHOULD BE-- I'M FINE. 171 00:08:39,620 --> 00:08:42,556 ON DIGGING OURSELVES AND JANE OUT OF THIS MESS. 172 00:08:42,556 --> 00:08:44,124 WELL, HOW DO WE DO THAT, EXACTLY? 173 00:08:44,124 --> 00:08:47,159 FIRST, WE PROVE THAT THIS TIMOTHY CARTER GUY WAS RED JOHN. 174 00:08:47,159 --> 00:08:50,630 THAT'S HARD TO DO. HOW DO WE EVEN WORK WITHOUT BADGES? 175 00:08:50,630 --> 00:08:55,602 YES, BUT I DON'T SEE THAT WE HAVE ANY OTHER CHOICES. YOU IN? 176 00:08:58,605 --> 00:09:00,139 YES. 177 00:09:02,676 --> 00:09:05,445 GRACE, WHAT AM I THINKING? 178 00:09:05,445 --> 00:09:07,147 YOU NEED TO GO HOME AND REST. 179 00:09:07,147 --> 00:09:09,416 THE GUYS AND I CAN MANAGE THIS TO START WITH. 180 00:09:09,416 --> 00:09:11,317 SERIOUSLY, I'M TOTALLY OKAY. 181 00:09:11,317 --> 00:09:14,654 NO. YOU NEED TO GO HOME AND TAKE IT EASY. 182 00:09:14,654 --> 00:09:16,322 I CAN'T GO HOME. 183 00:09:17,924 --> 00:09:20,628 I NEED TO WORK. I NEED TO BE AROUND PEOPLE. 184 00:09:20,628 --> 00:09:24,397 (clatter, rustle) 185 00:09:24,397 --> 00:09:26,432 OKAY, YOU'RE RIGHT. I CAN'T TELL YOU WHAT TO DO. 186 00:09:26,432 --> 00:09:30,269 YOU WANT TO STAY, STAY. WE'D LOVE TO HAVE YOU. 187 00:09:32,673 --> 00:09:34,307 YOU GUYS WANT TO FOCUS 188 00:09:34,307 --> 00:09:37,210 ON FINDING THE GUN AND THE CELL PHONE? 189 00:09:37,210 --> 00:09:41,081 BEFORE SAC P.D. AND FORENSICS GOT THERE, RIGHT? WE NEED TO TAKE A LOOK 190 00:09:41,081 --> 00:09:43,115 WHOEVER TOOK THE GUN AND PHONE HAS TO BE ON CAMERA. 191 00:09:43,115 --> 00:09:45,918 GRACE AND I WILL CHECK OUT TIMOTHY CARTER. 192 00:09:45,918 --> 00:09:47,821 HE HAD TO HAVE LEFT EVIDENCE OF IT SOMEPLACE. 193 00:09:47,821 --> 00:09:49,422 IF HE WAS RED JOHN. 194 00:09:49,422 --> 00:09:53,059 HE WAS. JANE DID NOT GO CRAZY. 195 00:09:53,059 --> 00:09:55,028 (door slams) 196 00:09:55,028 --> 00:09:58,164 (clanking, indistinct conversations) 197 00:10:10,610 --> 00:10:11,879 (Rigsby) HI. 198 00:10:11,879 --> 00:10:13,379 DO YOU REMEMBER US? 199 00:10:13,379 --> 00:10:15,115 WE WERE AT THE STAKEOUT THAT LED TO THE SHOOTING? 200 00:10:15,115 --> 00:10:17,650 OH, YEAH. THAT WAS SOME SITUATION, HUH? 201 00:10:17,650 --> 00:10:19,919 (chuckles) HOW CAN I HELP YOU? 202 00:10:19,919 --> 00:10:21,855 WE NEED TO SEE THAT DAY'S VIDEO SURVEILLANCE FOOTAGE. 203 00:10:21,855 --> 00:10:24,356 OH, OF COURSE, SURE. UH, WE GOT IT ON DISK, 204 00:10:24,356 --> 00:10:29,196 OR I CAN DOWNLOAD IT AND E-MAIL YOU A COPY. A DISK WOULD BE FINE. 205 00:10:29,196 --> 00:10:31,097 AND I'LL GET RIGHT ON IT. YEAH, WE CAN SEND YOU THE WARRANT. 206 00:10:31,097 --> 00:10:32,565 WE'RE KIND OF IN A HURRY HERE. 207 00:10:32,565 --> 00:10:36,135 I BET. MUST BE ALL KINDS OF CRAP FLYING OVER THIS. 208 00:10:36,135 --> 00:10:40,606 (chuckles) YOUR GUY REALLY GOT HIS BRONSON ON, HUH? BOOM. 209 00:10:40,606 --> 00:10:42,775 YEAH. 210 00:10:42,775 --> 00:10:45,445 UH, I NEED TO SEE THE WARRANT FIRST, THOUGH. 211 00:10:45,445 --> 00:10:47,480 IT'S, UH, IT'S PROTOCOL. 212 00:10:47,480 --> 00:10:50,017 THERE IS NO WARRANT. 213 00:10:52,219 --> 00:10:55,688 ASK ME WHY. 214 00:10:55,688 --> 00:10:58,792 THIS KILLING HERE AND TWO OTHER PEOPLE WE KILLED THIS WEEK. 215 00:11:01,761 --> 00:11:03,764 WOW, THAT'S, UH... 216 00:11:03,764 --> 00:11:05,498 ROUGH WEEK. 217 00:11:05,498 --> 00:11:09,870 (clears throat) UH, I GUESS I CAN RUN YOU OFF A COPY. 218 00:11:09,870 --> 00:11:11,871 THAT'D BE GREAT. THANK YOU. 219 00:11:11,871 --> 00:11:13,405 (typing on keyboard) 220 00:11:13,405 --> 00:11:17,344 (bicycle bell jingles) 221 00:11:17,344 --> 00:11:19,046 (car door slams) 222 00:11:23,716 --> 00:11:25,753 (knock on door) 223 00:11:27,855 --> 00:11:32,591 MRS. CARTER? I'M TERESA LISBON. THIS IS GRACE VAN PELT. 224 00:11:32,591 --> 00:11:35,729 WE'RE COLLEAGUES OF PATRICK JANE FROM THE CBI. 225 00:11:35,729 --> 00:11:39,198 OH. OH. YES? 226 00:11:39,198 --> 00:11:42,335 WE'D VERY MUCH TO SPEAK WITH YOU IF THAT'S POSSIBLE. 227 00:11:42,335 --> 00:11:45,105 UM... 228 00:11:45,105 --> 00:11:49,842 YES. ALL RIGHT. PLEASE, COME IN. 229 00:11:51,043 --> 00:11:54,914 THIS IS REVEREND FARLEY AND MY FRIEND JOAN. 230 00:11:54,914 --> 00:11:57,450 THESE ARE COLLEAGUES OF PATRICK JANE. 231 00:11:57,450 --> 00:11:58,684 (gasps) JANE? 232 00:11:58,684 --> 00:12:00,352 YES. 233 00:12:00,352 --> 00:12:02,355 I'M NOT SURE IF THIS IS APPROPRIATE. 234 00:12:02,355 --> 00:12:07,193 NO, THAT'S ALL RIGHT. I'M HAPPY TO TALK WITH THEM. 235 00:12:07,193 --> 00:12:09,696 WE'LL TAKE CHARLAINE OUT TO PLAY, SHALL WE? 236 00:12:09,696 --> 00:12:11,932 GIVE YOU A MOMENT. 237 00:12:11,932 --> 00:12:14,500 (whispers) THANK YOU. 238 00:12:16,135 --> 00:12:19,005 CAN I OFFER YOU SOME COFFEE OR TEA? 239 00:12:19,005 --> 00:12:21,107 COFFEE WOULD BE GREAT, THANK YOU. 240 00:12:21,107 --> 00:12:24,177 THIS MUST BE A TERRIBLE TIME FOR YOU, 241 00:12:24,177 --> 00:12:28,347 AND I'M SURE YOU HAVE A LOT OF QUESTIONS. 242 00:12:31,451 --> 00:12:33,552 BUT... 243 00:12:33,552 --> 00:12:36,423 I CAN TELL YOU RIGHT NOW 244 00:12:36,423 --> 00:12:40,360 THAT MY HUSBAND WAS NOT THIS RED JOHN PERSON. 245 00:12:42,195 --> 00:12:44,630 HE WAS... 246 00:12:44,630 --> 00:12:46,732 THE KINDEST... 247 00:12:46,732 --> 00:12:49,201 GENTLEST SOUL YOU CAN IMAGINE, 248 00:12:49,201 --> 00:12:50,636 AND... 249 00:12:50,636 --> 00:12:53,539 I DON'T KNOW HOW... 250 00:12:53,539 --> 00:12:59,178 BUT YOUR COLLEAGUE MADE A TERRIBLE, TERRIBLE MISTAKE. 251 00:12:59,178 --> 00:13:02,115 IS IT POSSIBLE YOUR HUSBAND HID THINGS FROM YOU? 252 00:13:02,115 --> 00:13:03,884 OTHER ASPECTS OF HIS LIFE? 253 00:13:03,884 --> 00:13:05,985 WE WERE VERY CLOSE. 254 00:13:05,985 --> 00:13:09,556 WE DIDN'T KEEP SECRETS FROM EACH OTHER, EVER. 255 00:13:09,556 --> 00:13:10,890 HOW DO YOU KNOW? 256 00:13:10,890 --> 00:13:12,860 EXCUSE ME? 257 00:13:14,927 --> 00:13:17,297 IS SOMETHING YOU DON'T KNOW, RIGHT? 258 00:13:20,633 --> 00:13:22,201 HOW LONG WERE YOU MARRIED? 259 00:13:23,602 --> 00:13:26,438 THREE YEARS THIS FRIDAY. 260 00:13:26,438 --> 00:13:30,610 HE WAS AT THAT MALL, BUYING AN ANNIVERSARY GIFT. 261 00:13:30,610 --> 00:13:32,778 SO HE WAS THE PERFECT MAN. 262 00:13:32,778 --> 00:13:35,447 NOBODY'S PERFECT. 263 00:13:37,283 --> 00:13:41,620 (voice breaking) HE IS A GOOD MAN. 264 00:13:41,620 --> 00:13:44,256 WAS. 265 00:13:45,325 --> 00:13:46,725 ONLY LAST MONTH, 266 00:13:46,725 --> 00:13:49,562 HE GOT AN OFFICIAL COMMENDATION FROM THE SHERIFF. 267 00:13:49,562 --> 00:13:50,697 FOR WHAT? 268 00:13:50,697 --> 00:13:53,432 WHEN DEBBI LUBIN WENT MISSING, 269 00:13:53,432 --> 00:13:56,668 TIM ORGANIZED THE VOLUNTEER SEARCH PARTIES. 270 00:13:56,668 --> 00:13:58,071 WHO'S DEBBI LUBIN? 271 00:13:58,071 --> 00:14:02,274 OH, UM, A GIRL FROM OUR CHURCH. 272 00:14:02,274 --> 00:14:05,812 SHE WENT MISSING ABOUT... (sniffles) 273 00:14:05,812 --> 00:14:09,950 SIX WEEKS AGO. POOR THING. 274 00:14:09,950 --> 00:14:12,219 ONLY 17. 275 00:14:12,219 --> 00:14:14,086 (Van Pelt) WHAT DO YOU THINK? 276 00:14:14,086 --> 00:14:17,657 I DON'T KNOW. SHE SEEMED SINCERE. 277 00:14:17,657 --> 00:14:19,826 HE MUST HAVE KEPT A HIDEOUT SOMEPLACE ELSE. 278 00:14:19,826 --> 00:14:21,461 (scoffs) I THINK SHE'S FULL OF IT. 279 00:14:21,461 --> 00:14:24,496 YEAH, YOU MADE THAT PLAIN. LISTEN, GRACE, 280 00:14:24,496 --> 00:14:27,500 YOU NEED TO SIGN UP FOR YOUR COUNSELING SESSIONS A.S.A.P. 281 00:14:27,500 --> 00:14:31,270 (scoffs) SESSIONS? WITH THE SHRINK? I DON'T NEED IT. 282 00:14:31,270 --> 00:14:35,307 BESIDES, IT'S NOT YOUR CALL. IT'S MANDATORY AFTER A SHOOTING. 283 00:14:35,307 --> 00:14:37,710 THEY SAY A PSYCH COUNSELING SHEET IN YOUR FILE 284 00:14:37,710 --> 00:14:39,111 DOESN'T MATTER, BUT IT DOES. 285 00:14:39,111 --> 00:14:42,481 GRACE, I'M ASKING YOU AS A FRIEND. GET HELP. 286 00:14:42,481 --> 00:14:45,851 SEE THE SHRINK. TALK ABOUT WHAT HAPPENED. 287 00:14:45,851 --> 00:14:49,155 DON'T LET THIS EAT AWAY AT YOU. 288 00:14:49,155 --> 00:14:53,625 I APPRECIATE THE CONCERN, REALLY. THANK YOU. 289 00:14:55,995 --> 00:14:58,498 LISTEN, WE'VE GOT A SERIOUS PROBLEM. 290 00:14:58,498 --> 00:15:00,167 YEAH, I WAS REALLY LOOKING FORWARD TO A MUFFIN. 291 00:15:00,167 --> 00:15:02,335 TIMOTHY CARTER LOOKS INNOCENT. 292 00:15:02,335 --> 00:15:05,772 HIS WIFE MAKES A GOOD CASE FOR HIM. HIS HOUSE WAS CLEAN. 293 00:15:05,772 --> 00:15:07,374 YOU SEARCH THE WHOLE PLACE? 294 00:15:07,374 --> 00:15:09,275 WE DIDN'T RIP OUT THE FLOORBOARDS. 295 00:15:09,275 --> 00:15:12,812 SURE, HE COULD HAVE BEEN HIDING SOMETHING, 296 00:15:12,812 --> 00:15:14,480 WE DON'T EVEN KNOW WHERE TO START LOOKING. 297 00:15:14,480 --> 00:15:17,450 WHAT'S CARTER'S STORY? WHERE'S HE FROM? 298 00:15:17,450 --> 00:15:20,586 ONLY CHILD OF MISSIONARIES, GREW UP IN AFRICA, 299 00:15:20,586 --> 00:15:22,022 STUDIED AND LIVED ABROAD 300 00:15:22,022 --> 00:15:24,423 UNTIL HE MOVED TO THE U.S. TO LIVE IN '06. 301 00:15:24,423 --> 00:15:27,126 SO IN OTHER WORDS, HE JUST APPEARS ON THE GRID 302 00:15:27,126 --> 00:15:29,662 FIVE YEARS AGO. THAT SOUNDS LIKE A FAKE IDENTITY. 303 00:15:29,662 --> 00:15:33,899 MAYBE. OR HE'S A GUY WHO MOVED TO THE COUNTRY FIVE YEARS AGO. 304 00:15:33,899 --> 00:15:36,668 THE ONLY RED FLAG WE HAVE IS THAT HE RECENTLY PUT HIMSELF 305 00:15:36,668 --> 00:15:39,105 IN THE MIDDLE OF THE SEARCH FOR A LOCAL GIRL WHO'S GONE MISSING. 306 00:15:39,105 --> 00:15:40,740 WELL, THAT'S YOUR CLASSIC ORGANIZED CRIMINAL 307 00:15:40,740 --> 00:15:44,110 PSYCHOPATH BEHAVIOR--INSERTING HIMSELF INTO AN INVESTIGATION. 308 00:15:44,110 --> 00:15:48,648 AGAIN, MAYBE. OR HE'S A GOOD GUY WHO WANTS TO DO THE RIGHT THING. 309 00:15:48,648 --> 00:15:51,683 WE HAVE NO HARD FACTS, JUST YOUR WORD. 310 00:15:51,683 --> 00:15:55,187 AND YOU'RE BEGINNING TO THINK THAT MAYBE MY WORD IS DUBIOUS. 311 00:15:55,187 --> 00:15:57,289 MAYBE I'M CRAZY. 312 00:15:57,289 --> 00:16:00,460 MAYBE I SHOT SOME RANDOM GUY. 313 00:16:00,460 --> 00:16:02,195 NO. 314 00:16:04,096 --> 00:16:06,765 IT'S CROSSED MY MIND, YEAH. 315 00:16:06,765 --> 00:16:08,168 FAIR ENOUGH. 316 00:16:09,635 --> 00:16:12,239 I GUESS I'M GONNA HAVE TO GET OUT OF HERE 317 00:16:12,239 --> 00:16:16,076 HOW? YOUR BAIL'S SET AT A MILLION BUCKS. 318 00:16:16,076 --> 00:16:18,245 ONCE I GET THE MONEY TOGETHER, I'LL CALL YOU. 319 00:16:18,245 --> 00:16:19,312 HOW YOU GONNA DO THAT? 320 00:16:19,312 --> 00:16:20,947 I'LL THINK OF SOMETHING. 321 00:16:20,947 --> 00:16:22,514 MEANTIME, I NEED YOU TO GET AHOLD 322 00:16:22,514 --> 00:16:25,052 OF TIMOTHY CARTER'S PERSONAL EFFECTS FROM FORENSICS. 323 00:16:25,052 --> 00:16:26,719 HOW AM I GONNA DO THAT? 324 00:16:26,719 --> 00:16:28,721 YOU'LL THINK OF SOMETHING. 325 00:16:28,721 --> 00:16:32,192 (screaming) 326 00:16:32,192 --> 00:16:35,727 JANE SAYS THE GUN WAS IN THE NEWSPAPER. 327 00:16:35,727 --> 00:16:37,563 (keys tap) 328 00:16:37,563 --> 00:16:39,566 (Cho) THERE. 329 00:16:39,566 --> 00:16:41,467 CAN'T SEE IF SHE TAKES ANYTHING. 330 00:16:41,467 --> 00:16:43,570 (keys tap) 331 00:16:43,570 --> 00:16:44,937 SECURITY GUARD. 332 00:16:44,937 --> 00:16:46,706 (tap) 333 00:16:46,706 --> 00:16:48,107 (tap) 334 00:16:48,975 --> 00:16:50,809 (tap) 335 00:16:50,809 --> 00:16:53,413 NO GUN. 336 00:16:53,413 --> 00:16:55,782 WAITRESS, SECURITY GUARD, FORENSIC TECH. 337 00:16:55,782 --> 00:16:57,350 YEAH, IF THERE WAS A GUN. 338 00:16:58,618 --> 00:17:00,519 (Rigsby) YEAH. 339 00:17:01,388 --> 00:17:04,656 (indistinct conversations) 340 00:17:08,161 --> 00:17:11,298 (man speaking indistinctly over P.A.) 341 00:17:17,237 --> 00:17:19,771 I LOVE A GOOD GAME OF CARDS. WHAT'S THE BUY-IN? 342 00:17:19,771 --> 00:17:22,241 BUY-IN'S 100 GRAND, OUTSIDE MONEY. 343 00:17:22,241 --> 00:17:24,111 EXCELLENT. I'M IN. 344 00:17:24,111 --> 00:17:25,377 YOU GOT TO HAVE COLLATERAL, 345 00:17:25,377 --> 00:17:27,513 SO WE KNOW YOU CAN COVER YOUR DEBTS. 346 00:17:27,513 --> 00:17:29,215 OH, NO PROBLEM. I GOT ALL SORTS OF COLLATERAL. 347 00:17:29,215 --> 00:17:34,854 I HAVE A VINTAGE CAR COLLECTION WORTH 2 1/2 MIL OR THEREABOUTS. 348 00:17:34,854 --> 00:17:37,557 WELL, WHAT KIND OF FOOL WOULD LIE TO FOLKS LIKE YOU 349 00:17:37,557 --> 00:17:39,558 ABOUT SOMETHIN' LIKE THAT? 350 00:17:39,558 --> 00:17:43,130 IF YOU FOUND OUT I WAS LYING, YOU'D KILL ME, RIGHT? 351 00:17:43,130 --> 00:17:45,632 TRUE. TAKE A SEAT. 352 00:17:45,632 --> 00:17:47,299 THANK YOU. 353 00:17:48,167 --> 00:17:50,068 (clears throat) 354 00:17:50,068 --> 00:17:52,404 YES, I WAS THE FIRST TECH ON SCENE. 355 00:17:52,404 --> 00:17:55,174 I ALREADY SPOKE TO THE DETECTIVES FROM SAC P.D. 356 00:17:55,174 --> 00:17:57,443 THERE'S MULTIPLE INVESTIGATIONS GOING ON HERE. 357 00:17:57,443 --> 00:17:59,878 OH, SURE. BUT AREN'T YOU GUYS SUSPENDED? 358 00:17:59,878 --> 00:18:02,382 TECHNICALLY, YEAH, BUT WE'RE JUST TALKING HERE. 359 00:18:02,382 --> 00:18:05,352 I'M NOT SURE I SHOULD BE... TALKING TO YOU. 360 00:18:05,352 --> 00:18:07,019 WHY NOT? YOU HAVE SOMETHING TO HIDE? 361 00:18:07,019 --> 00:18:11,022 NO. WHAT WOULD I BE HIDING? 362 00:18:11,022 --> 00:18:14,493 SOMEONE TOOK A CELL PHONE AND A GUN FROM THE CRIME SCENE. 363 00:18:14,493 --> 00:18:17,663 NOT ME. THERE WAS NO GUN, NOT THAT I SAW. 364 00:18:17,663 --> 00:18:20,133 WAIT. 365 00:18:20,133 --> 00:18:22,169 LOOK ME IN THE EYE AND TELL ME THAT. 366 00:18:22,169 --> 00:18:24,770 THERE WAS NO GUN. 367 00:18:28,106 --> 00:18:32,412 (indistinct conversations) 368 00:18:33,746 --> 00:18:35,781 25. 369 00:18:37,083 --> 00:18:39,419 (whistles) 370 00:18:42,622 --> 00:18:47,759 OKAY, WELL, I'M GONNA SEE YOU, AND THEN I WILL RAISE YOU... 371 00:18:52,565 --> 00:18:54,601 ALL IN. 372 00:18:58,204 --> 00:19:00,640 (clears throat) 373 00:19:01,941 --> 00:19:05,244 YOU KNOW, PUSS... 374 00:19:05,244 --> 00:19:10,517 WHEN YOU BLUFF, YOU HAVE A REAL OBVIOUS TELL. 375 00:19:10,517 --> 00:19:13,553 WHEN I REACH TO TUG ON MY EAR, BUT STOP MYSELF? THAT TELL? 376 00:19:13,553 --> 00:19:15,422 YEAH. 377 00:19:15,422 --> 00:19:20,727 OH. OHH, BAM. STRAIGHT FLUSH. HE GOT YOU GOOD. 378 00:19:20,727 --> 00:19:22,761 (laughs) 379 00:19:22,761 --> 00:19:24,330 (snorts) 380 00:19:30,303 --> 00:19:34,307 (tires screech) 381 00:19:44,884 --> 00:19:46,752 TERESA LISBON? 382 00:19:46,752 --> 00:19:47,819 YES? 383 00:19:49,788 --> 00:19:54,693 PHIL SAYS TO TELL YOUR FRIEND HE DOESN'T WANT TO SEE HIM AGAIN. 384 00:20:12,912 --> 00:20:14,212 HI. 385 00:20:14,212 --> 00:20:16,214 HEY. 386 00:20:19,419 --> 00:20:24,423 SO WHAT DID YOU DO, HONESTLY? 387 00:20:24,423 --> 00:20:27,426 NO, I MEAN, HOW DID YOU RAISE THE BAIL MONEY? 388 00:20:27,426 --> 00:20:29,796 OH, THAT. UH, MURDER FOR HIRE. 389 00:20:29,796 --> 00:20:32,265 KILLED A SNITCH. STABBED HIM IN THE KIDNEYS. 390 00:20:32,265 --> 00:20:33,333 YOU DID NOT. 391 00:20:33,333 --> 00:20:34,767 I DID NOT. 392 00:20:34,767 --> 00:20:38,805 I WON IT IN A CARD GAME, BUT I HAD YOU FOR A MOMENT. 393 00:20:38,805 --> 00:20:40,972 YOU REALLY DO FEAR FOR MY SANITY. 394 00:20:40,972 --> 00:20:42,909 NO. WHAT DO WE DO NOW? 395 00:20:42,909 --> 00:20:46,479 WELL, FIRST, EGGS. THEN WE GO SEE SALLY CARTER. 396 00:20:46,479 --> 00:20:48,647 DID YOU GET HER HUSBAND'S EFFECTS FROM FORENSICS? 397 00:20:48,647 --> 00:20:50,883 YES. I HAD TO LIE THROUGH MY TEETH, 398 00:20:50,883 --> 00:20:53,920 CALL IN ALL KINDS OF FAVORS, AND IT WAS A BUST. 399 00:20:53,920 --> 00:20:57,056 NOTHING USEFUL. WATCH, KEY, GUM, WEDDING RING. 400 00:20:57,056 --> 00:21:00,393 DOESN'T MATTER. GETS US IN THE ROOM WITH SALLY CARTER. 401 00:21:00,393 --> 00:21:03,095 SOMEHOW I DON'T THINK SHE'S GONNA WANT TO TALK TO YOU. 402 00:21:03,095 --> 00:21:04,096 REALLY? 403 00:21:04,096 --> 00:21:05,498 YOU KILLED HER HUSBAND. 404 00:21:05,498 --> 00:21:07,866 WELL, THERE YOU GO. THE ICE IS BROKEN. 405 00:21:07,866 --> 00:21:09,501 WE HAVE SOMETHING TO TALK ABOUT. 406 00:21:17,809 --> 00:21:20,446 NO, HE DIDN'T HAVE A GUN, NOT THAT I SAW. 407 00:21:20,446 --> 00:21:22,481 DID YOU NOTICE THE NEWSPAPER THAT HE WAS CARRYING? 408 00:21:22,481 --> 00:21:25,151 NO. I DIDN'T REALLY SEE ANYTHING. 409 00:21:25,151 --> 00:21:26,952 I WAS JUST TRYING TO COMFORT HIM THE BEST I COULD. 410 00:21:26,952 --> 00:21:29,588 SO HE WAS STILL ALIVE WHEN YOU GOT TO HIM. 411 00:21:29,588 --> 00:21:31,590 YES. DID HE SAY ANYTHING? 412 00:21:31,590 --> 00:21:35,227 HE SAID, "GIVE MY LOVE TO SALLY AND CHARLAINE." 413 00:21:35,227 --> 00:21:37,529 THAT'S ALL? 414 00:21:37,529 --> 00:21:40,199 I THINK, ANYHOW. HE DIDN'T SAY ANYTHING ELSE, 415 00:21:40,199 --> 00:21:42,167 AND THE SECURITY GUARD WAS FREAKING OUT AT ME, 416 00:21:42,167 --> 00:21:43,635 SO I LEFT HIM. 417 00:21:43,635 --> 00:21:46,005 WHY WAS THE GUARD FREAKING OUT? 418 00:21:46,005 --> 00:21:47,839 "GET AWAY FROM THE BODY! GET AWAY FROM THE BODY! 419 00:21:47,839 --> 00:21:50,175 THIS IS EVIDENCE! DON'T TOUCH HIM!" 420 00:21:50,175 --> 00:21:51,978 HE WAS KIND OF A JERK ABOUT IT. 421 00:21:51,978 --> 00:21:53,645 THIS GUARD-- HE WAS A YOUNGISH BALD GUY? 422 00:21:53,645 --> 00:21:57,215 YES, WITH CRAZY EYES. 423 00:21:57,215 --> 00:21:59,385 (man) YEAH, RON DEUTSCH. 424 00:21:59,385 --> 00:22:03,255 HE WAS SUPPOSED TO BE WORKING TODAY, BUT HE DIDN'T SHOW UP. 425 00:22:03,255 --> 00:22:05,090 I NEED HIS HOME ADDRESS. 426 00:22:06,224 --> 00:22:09,362 (sighs) 427 00:22:09,362 --> 00:22:12,464 (types on keyboard) 428 00:22:18,003 --> 00:22:19,471 (doorbell rings) 429 00:22:19,471 --> 00:22:21,874 I HAVE A BAD FEELING ABOUT THIS. 430 00:22:21,874 --> 00:22:25,010 WELL, YOU'VE BEEN SHOT. YOU'RE BOUND TO HAVE A GLOOMY OUTLOOK. 431 00:22:25,010 --> 00:22:26,679 IGNORE YOUR FEELINGS. 432 00:22:29,949 --> 00:22:32,519 I'M SORRY, AGENTS. THIS ISN'T A GOOD TIME. 433 00:22:32,519 --> 00:22:34,820 WE'RE HAVING A SMALL MEMORIAL PARTY FOR TIM. 434 00:22:34,820 --> 00:22:38,458 WE HAVE HIS PERSONAL EFFECTS HERE. 435 00:22:38,458 --> 00:22:42,595 I'M SORRY. MRS. CARTER HAS TO SIGN FOR THEM IN OUR PRESENCE. 436 00:22:42,595 --> 00:22:47,032 I SEE. UH, LET'S GO AROUND TO THE KITCHEN DOOR. 437 00:22:47,032 --> 00:22:49,769 OKAY, THEN. 438 00:22:49,769 --> 00:22:51,269 GOT TO GO. 439 00:22:51,269 --> 00:22:52,404 (cell phone shuts) 440 00:22:52,404 --> 00:22:55,407 (indistinct conversations) 441 00:22:55,407 --> 00:22:57,009 WELL, THIS IS EASY AS PIE. 442 00:22:57,009 --> 00:22:58,877 SO FAR. 443 00:22:58,877 --> 00:23:00,112 PIE. 444 00:23:00,112 --> 00:23:01,780 (door opens) 445 00:23:02,682 --> 00:23:04,550 OH. BUT YOU'RE-- 446 00:23:04,550 --> 00:23:06,184 (door closes) YES, I AM. 447 00:23:06,184 --> 00:23:09,689 SALLY, YOU ALL RIGHT? 448 00:23:09,689 --> 00:23:13,425 THIS IS PATRICK JANE, THE MAN WHO SHOT TIM. 449 00:23:13,425 --> 00:23:15,461 (whispers) OH, MY LORD. 450 00:23:15,461 --> 00:23:18,565 DON'T BE SCARED. I'M HARMLESS, TRULY. 451 00:23:18,565 --> 00:23:20,432 WHAT DO YOU WANT? 452 00:23:20,432 --> 00:23:23,201 I HAD TO TALK TO YOU FACE-TO-FACE, 453 00:23:23,201 --> 00:23:25,104 SO I'D KNOW FOR SURE. 454 00:23:27,105 --> 00:23:29,942 IF YOUR HUSBAND'S INNOCENT, IF I MADE A MISTAKE, 455 00:23:29,942 --> 00:23:34,747 THEN I'M TRULY, DEEPLY SORRY, 456 00:23:34,747 --> 00:23:38,951 I WILL SPEND THE REST OF MY LIFE EARNING YOUR FORGIVENESS. 457 00:23:45,290 --> 00:23:48,059 MR. JANE... 458 00:23:48,059 --> 00:23:50,162 AS GOD IS MY WITNESS, 459 00:23:50,162 --> 00:23:53,599 MY HUSBAND NEVER BROKE THE LAW IN HIS LIFE. 460 00:23:53,599 --> 00:23:56,102 YOU MURDERED A GOOD MAN. 461 00:24:04,477 --> 00:24:07,747 DO YOU HAVE ANY TEA? 462 00:24:12,384 --> 00:24:13,619 (knocks on door) 463 00:24:13,619 --> 00:24:16,021 MR. DEUTSCH! 464 00:24:18,490 --> 00:24:19,991 OPEN IT UP. 465 00:24:21,227 --> 00:24:23,429 YOU GOT A WARRANT? 466 00:24:23,429 --> 00:24:25,632 WE DON'T NEED ONE. WE JUST WANT A QUICK LOOK AROUND. 467 00:24:25,632 --> 00:24:27,534 LET ME CHECK WITH MY BOSS. 468 00:24:27,534 --> 00:24:28,535 SIR... 469 00:24:28,535 --> 00:24:30,336 WON'T BE LONG. 470 00:24:30,336 --> 00:24:33,439 YOU HEAR THAT? 471 00:24:33,439 --> 00:24:35,173 SOUND OF A STRUGGLE, COMING FROM INSIDE THE APARTMENT. 472 00:24:35,173 --> 00:24:37,977 OH, YEAH. I DO. SOMEONE MIGHT BE IN DANGER. 473 00:24:37,977 --> 00:24:39,144 YEAH. (grunts) 474 00:25:06,739 --> 00:25:10,276 (Rigsby) HEY. SECURITY GUARD'S DEAD. HAIR DRYER IN THE BATHTUB. 475 00:25:10,276 --> 00:25:12,377 COULD IT BE AN ACCIDENT? 476 00:25:12,377 --> 00:25:14,580 EXCEPT THE DEAD GUY'S BALD, NEAR ENOUGH, 477 00:25:14,580 --> 00:25:16,548 SO WHAT WOULD HE USE A HAIR DRYER FOR? 478 00:25:16,548 --> 00:25:18,651 LOOKS LIKE SUICIDE OR MURDER. 479 00:25:18,651 --> 00:25:20,451 THAT'S GOOD NEWS. 480 00:25:20,451 --> 00:25:22,755 NOT FOR MR. DEUTSCH, GOD REST HIM, 481 00:25:22,755 --> 00:25:25,592 BUT SUPPORTS JANE'S STORY. 482 00:25:25,592 --> 00:25:27,492 SOMEONE MUST HAVE ARRANGED FOR DEUTSCH TO TAKE THE GUN, 483 00:25:27,492 --> 00:25:29,796 SWITCH THE PHONE, THEN KILLED HIM TO KEEP HIM QUIET. 484 00:25:29,796 --> 00:25:31,830 Be sure that forensics 485 00:25:31,830 --> 00:25:34,733 SEARCH DEUTSCH'S APARTMENT CAREFULLY. 486 00:25:34,733 --> 00:25:37,936 BUT WE MAY GET LUCKY AND FIND THE GUN OR THE PHONE. 487 00:25:37,936 --> 00:25:41,574 IT'S WEIRD HOW MUCH WE HAD IN COMMON RIGHT FROM THE START. 488 00:25:41,574 --> 00:25:44,009 WE JUST NATURALLY MADE A COUPLE. 489 00:25:44,009 --> 00:25:45,612 SOUL MATES. 490 00:25:45,612 --> 00:25:47,713 YES. SOUL MATES. 491 00:25:47,713 --> 00:25:49,347 (knocks) JANE. 492 00:25:49,347 --> 00:25:52,250 OH. (whispers) EXCUSE ME, PLEASE, SALLY. 493 00:25:52,250 --> 00:25:55,287 (lowered voice) THE FIRST SECURITY GUARD ON THE SCENE 494 00:25:55,287 --> 00:25:59,625 AFTER THE SHOOTING, IS DEAD-- HAIR-DRYER-IN-THE-BATHTUB DEAD. 495 00:25:59,625 --> 00:26:02,929 WELL, THAT'S A RELIEF. I MEAN... 496 00:26:02,929 --> 00:26:07,333 THIS WOMAN IS GOOD. STARTING TO DOUBT MY OWN STORY. 497 00:26:07,333 --> 00:26:08,701 TELL ME ABOUT IT. 498 00:26:10,336 --> 00:26:12,371 (clears throat) 499 00:26:12,371 --> 00:26:15,607 SALLY, WOULD YOU MIND IF I USED YOUR BATHROOM? 500 00:26:15,607 --> 00:26:17,276 NOT AT ALL. THANK YOU. 501 00:26:41,733 --> 00:26:44,636 THANK YOU. THAT'S ALL WE NEED. WE'LL LEAVE YOU IN PEACE. 502 00:26:44,636 --> 00:26:48,039 UH, IN JUST ONE MOMENT. 503 00:26:48,039 --> 00:26:50,409 SEE, THING IS, SALLY, I LIKE YOU. 504 00:26:50,409 --> 00:26:52,811 I CAN TELL THAT YOU'RE A GOOD, HONEST PERSON, 505 00:26:52,811 --> 00:26:54,512 WHICH MEANS EITHER I'M CRAZY 506 00:26:54,512 --> 00:26:57,750 OR YOUR HUSBAND WAS KEEPING SOME VERY DARK SECRETS FROM YOU, 507 00:26:57,750 --> 00:26:59,919 AND I-I'M PRETTY SURE I'M NOT CRAZY. 508 00:26:59,919 --> 00:27:03,890 MY HUSBAND KEPT NO SECRETS FROM ME. NONE. 509 00:27:03,890 --> 00:27:06,925 ALL MEN KEEP SECRETS FROM THEIR WIVES--ALL OF THEM. 510 00:27:06,925 --> 00:27:08,626 TIM WAS NO DIFFERENT. 511 00:27:08,626 --> 00:27:09,796 YOU'RE WRONG. 512 00:27:09,796 --> 00:27:11,830 I BET I CAN PROVE I'M RIGHT. 513 00:27:11,830 --> 00:27:13,833 YOU RECOGNIZE THESE? 514 00:27:13,833 --> 00:27:15,902 YES, OF COURSE-- TIM'S KEY RING. 515 00:27:15,902 --> 00:27:17,202 DO YOU HAVE YOUR OWN KEYS CLOSE BY? 516 00:27:21,207 --> 00:27:22,674 HOW MANY KEYS DO YOU HAVE THERE? 517 00:27:22,674 --> 00:27:24,542 UH, SIX. 518 00:27:24,542 --> 00:27:25,944 YOU SURE? 519 00:27:27,179 --> 00:27:29,515 SIX KEYS. 520 00:27:29,515 --> 00:27:32,084 HUH. YOUR HUSBAND HAS SEVEN. 521 00:27:32,084 --> 00:27:37,690 ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN. 522 00:27:37,690 --> 00:27:40,291 WHAT'S THE SEVENTH KEY FOR? 523 00:27:40,291 --> 00:27:41,660 I DON'T KNOW. 524 00:27:41,660 --> 00:27:44,195 YOU DON'T FIND THAT ODD? 525 00:27:44,195 --> 00:27:47,900 NO. I'M SURE LOTS OF HUSBANDS AND WIVES 526 00:27:47,900 --> 00:27:50,936 EXACTLY. THAT'S WHAT I'M SAYING. 527 00:27:50,936 --> 00:27:52,971 EVERYBODY HAS SECRETS. 528 00:27:52,971 --> 00:27:56,742 THIS IS PROOF POSITIVE THAT YOUR HUSBAND WAS NO DIFFERENT. 529 00:27:56,742 --> 00:28:00,546 I WONDER WHAT IT OPENS. 530 00:28:00,546 --> 00:28:03,182 YOU THINK YOU'RE SO SMART WITH THESE LITTLE MIND GAMES, 531 00:28:03,182 --> 00:28:03,982 DON'T YOU? 532 00:28:03,982 --> 00:28:06,853 IT'S JUST A QUESTION. 533 00:28:06,853 --> 00:28:13,058 YOU ARE NOTHING BUT A SAD, CRAZY PERSON, AND A MURDERER. 534 00:28:13,058 --> 00:28:15,728 BUT I WANT YOU TO LEAVE MY HOUSE RIGHT THIS MINUTE. 535 00:28:15,728 --> 00:28:17,363 OKAY. 536 00:28:24,670 --> 00:28:27,839 (car alert beeping) 537 00:28:27,839 --> 00:28:30,442 (car door slams, beeping stops) 538 00:28:30,442 --> 00:28:32,611 I DON'T GET WHAT YOU THOUGHT WAS GONNA HAPPEN. 539 00:28:32,611 --> 00:28:34,613 I WAS FEELING MY WAY. 540 00:28:34,613 --> 00:28:36,647 (sighs) WHAT NOW? 541 00:28:36,647 --> 00:28:38,349 WELL, JUST DRIVE AROUND THE BLOCK. 542 00:28:38,349 --> 00:28:39,351 OKAY. 543 00:28:39,351 --> 00:28:41,788 WHY? 544 00:28:41,788 --> 00:28:43,422 QUESTION... 545 00:28:43,422 --> 00:28:45,457 DO YOU TRUST ME? 546 00:28:46,592 --> 00:28:48,727 NOT 100%, NO. 547 00:28:48,727 --> 00:28:52,163 DIFFERENT QUESTION, THEN. OH. COULD YOU STOP RIGHT HERE? 548 00:28:52,163 --> 00:28:53,731 (seat belt clicks) (sighs) 549 00:28:55,166 --> 00:28:58,805 (groans) (car alert beeps) 550 00:28:58,805 --> 00:29:01,272 (groans) 551 00:29:02,673 --> 00:29:03,942 HOW'S YOUR INJURY? 552 00:29:03,942 --> 00:29:05,044 IT HURTS. 553 00:29:05,044 --> 00:29:07,578 MM. YOU THINK YOU CAN RUN? NO. 554 00:29:07,578 --> 00:29:09,915 YEAH. PROBABLY DON'T WANT TO GET TOO EXCITED. 555 00:29:09,915 --> 00:29:12,884 YOU'LL POP YOUR STITCHES. WHAT? 556 00:29:12,884 --> 00:29:15,221 I WANT YOU TO STAY HERE UNTIL I CALL YOU. DON'T-- 557 00:29:15,221 --> 00:29:17,623 DON'T YOU DARE--JANE? 558 00:29:17,623 --> 00:29:18,757 JANE! 559 00:29:18,757 --> 00:29:20,125 (sighs) 560 00:29:39,711 --> 00:29:41,212 (thud) 561 00:29:50,957 --> 00:29:54,861 (indistinct conversations) 562 00:30:07,373 --> 00:30:10,241 (dog barks) (music plays) 563 00:30:10,241 --> 00:30:12,377 (woman) AND AS WE APPROACH THE 6:00 HOUR, 564 00:30:12,377 --> 00:30:14,779 LET'S GO TO TRAFFIC CONTROL. 565 00:30:14,779 --> 00:30:17,516 TAKE IT OVER, FRED. 566 00:30:17,516 --> 00:30:19,718 (Sally) THANK YOU FOR COMING. GOOD NIGHT. 567 00:30:19,718 --> 00:30:20,987 (Joan) GOOD NIGHT. 568 00:30:20,987 --> 00:30:22,387 (door opens) 569 00:30:22,387 --> 00:30:24,856 IF YOU NEED ME TO STAY OVER, KEEP YOU COMPANY... 570 00:30:24,856 --> 00:30:26,758 I CAN BABYSIT CHARLAINE. 571 00:30:26,758 --> 00:30:29,060 I'LL BE FINE. 572 00:30:29,060 --> 00:30:31,297 THANK YOU, HONEY. YOU'VE BEEN A ROCK. 573 00:30:31,297 --> 00:30:32,097 (kiss) 574 00:30:32,097 --> 00:30:33,132 CALL ME, OKAY? I WILL. 575 00:30:33,132 --> 00:30:35,601 ALL RIGHT. GOOD NIGHT. 576 00:30:35,601 --> 00:30:36,602 (creak) 577 00:30:36,602 --> 00:30:38,604 (door closes) 578 00:30:38,604 --> 00:30:40,538 (footsteps approach) 579 00:31:04,029 --> 00:31:05,964 (keys jangle) 580 00:31:05,964 --> 00:31:07,933 (door creaks) 581 00:31:07,933 --> 00:31:09,367 (switch clicks) 582 00:31:47,739 --> 00:31:49,375 (keys jangle) 583 00:32:21,440 --> 00:32:25,310 HOW MANY TIMES DO I HAVE TO SAY IT? 584 00:32:25,310 --> 00:32:28,314 DON'T LOOK AT ME. 585 00:32:30,848 --> 00:32:35,721 DON'T YOU EVER LOOK AT ME. 586 00:32:42,094 --> 00:32:43,694 (sighs) 587 00:32:46,498 --> 00:32:48,200 (drawer closes) 588 00:32:50,635 --> 00:32:54,272 YOU KNOW, DON'T YOU? 589 00:32:56,741 --> 00:32:59,010 YOU KNOW. 590 00:33:02,280 --> 00:33:05,451 (whispers) WHAT DOES THIS OPEN? 591 00:33:05,451 --> 00:33:07,185 (sniffles) 592 00:33:07,185 --> 00:33:10,989 SHH. OH, DEBBI. 593 00:33:10,989 --> 00:33:13,659 OPEN YOUR EYES. 594 00:33:13,659 --> 00:33:15,260 LOOK AT IT. 595 00:33:17,729 --> 00:33:21,432 WHAT DOES THIS OPEN? 596 00:33:21,432 --> 00:33:23,902 (voice breaking) I DON'T UNDERSTAND. 597 00:33:23,902 --> 00:33:26,605 YOU LYING SLUT! (slap) 598 00:33:26,605 --> 00:33:30,808 YOU AND TIM HAVE BEEN KEEPING SECRETS FROM ME ALL ALONG, 599 00:33:30,808 --> 00:33:32,911 HAVEN'T YOU? ALL ALONG! 600 00:33:32,911 --> 00:33:35,047 WHAT DOES THIS OPEN?! 601 00:33:36,347 --> 00:33:39,351 IT OPENS MY LOCKER AT THE CBI GYM. 602 00:33:41,019 --> 00:33:44,455 GOOD NEWS IS, YOUR HUSBAND WASN'T HIDING ANYTHING FROM YOU. 603 00:33:44,455 --> 00:33:47,558 YOU REALLY WERE SOUL MATES. 604 00:33:47,558 --> 00:33:49,528 BAD NEWS? 605 00:33:49,528 --> 00:33:52,798 YOU'RE UNDER ARREST, YOU LOONY BITCH. 606 00:33:52,798 --> 00:33:54,333 (Lisbon) OH, MY GOD. 607 00:33:54,333 --> 00:33:58,069 ON YOUR KNEES. PUT YOUR HANDS ON YOUR HEAD. 608 00:33:58,069 --> 00:33:59,738 (keys clatter) 609 00:34:01,873 --> 00:34:05,211 LISTEN, THIS GIRL IN THE BASEMENT CHANGES THE GAME. 610 00:34:05,211 --> 00:34:06,978 WE CAN'T APPEAR VINDICTIVE. 611 00:34:06,978 --> 00:34:09,880 JANE HAS AN ENORMOUS AMOUNT OF PUBLIC SYMPATHY RIGHT NOW. 612 00:34:09,880 --> 00:34:13,219 YEAH, WELL, THE D.A. IS TELLING ME TO GO FULL SPEED AT HIM. 613 00:34:13,219 --> 00:34:14,920 VIGILANTE JUSTICE CAN'T GO UNPUNISHED, 614 00:34:14,920 --> 00:34:18,789 REGARDLESS WHAT THE SYMPATHETIC CIRCUMSTANCES MIGHT BE. 615 00:34:18,789 --> 00:34:21,893 A FIRM LINE DRAWN UNDER THIS EPISODE IS BEST FOR THE BUREAU. 616 00:34:21,893 --> 00:34:24,963 IT WAS BEST FOR ALL CONCERNED. I'M JUST SAYING... 617 00:34:24,963 --> 00:34:27,233 NO DEATH PENALTY, RIGHT? 618 00:34:27,233 --> 00:34:28,467 NO, THAT'S OUT NOW, 619 00:34:28,467 --> 00:34:31,269 BUT WE ARE CONFIDENT FIRST DEGREE MURDER 620 00:34:31,269 --> 00:34:33,438 FACTS DON'T ALLOW FOR ANY OTHER VERDICT. 621 00:34:33,438 --> 00:34:37,509 AFTER A WHILE, I STOPPED TRYING TO ESCAPE. 622 00:34:37,509 --> 00:34:41,646 THEN I THOUGHT ABOUT KILLING MYSELF. 623 00:34:41,646 --> 00:34:44,983 BUT THEN I THOUGHT ABOUT MY MOM AND DAD AND MY BROTHER, 624 00:34:44,983 --> 00:34:48,018 AND I COULDN'T DO IT. 625 00:34:48,018 --> 00:34:49,521 I HAD TO STAY ALIVE FOR THEM, 626 00:34:49,521 --> 00:34:54,226 SO THAT KEPT A SPARK OF HOPE ALIVE INSIDE ME. 627 00:34:54,226 --> 00:34:57,329 AND THEN, JUST WHEN I WAS ABOUT TO DESPAIR, 628 00:34:57,329 --> 00:35:00,365 MR. JANE AND AGENT LISBON CAME AND RESCUED ME. 629 00:35:02,032 --> 00:35:03,802 YOU'RE A BRAVE GIRL, DEBBI. 630 00:35:05,371 --> 00:35:08,139 NOW THAT YOU'VE HAD TIME TO LOOK BACK CALMLY, 631 00:35:08,139 --> 00:35:10,775 WHAT IS YOUR OPINION OF TIMOTHY CARTER? 632 00:35:11,876 --> 00:35:13,378 HE'S A MONSTER. 633 00:35:17,248 --> 00:35:20,050 THANK YOU. NO FURTHER QUESTIONS. 634 00:35:20,050 --> 00:35:21,853 THANK YOU, MR. JANE. 635 00:35:23,255 --> 00:35:25,791 MR. ARDILES? 636 00:35:31,829 --> 00:35:34,132 DEBBI, JUST ONE QUESTION. 637 00:35:35,601 --> 00:35:39,938 DID TIMOTHY CARTER EVER SAY TO YOU THAT HE WAS RED JOHN? 638 00:35:39,938 --> 00:35:41,206 NO, SIR. 639 00:35:41,206 --> 00:35:43,509 DID HE EVER MENTION THE NAME RED JOHN? 640 00:35:43,509 --> 00:35:45,076 NO, SIR. 641 00:35:45,076 --> 00:35:47,846 DID HE EVER MENTION ANY OTHER CRIMES HE MIGHT HAVE COMMITTED? 642 00:35:47,846 --> 00:35:51,949 NO, BUT I DON'T SEE HOW THAT-- THANK YOU SO MUCH, DEBBI. 643 00:35:51,949 --> 00:35:54,119 YOU'VE BEEN SUPER HELPFUL. 644 00:35:54,119 --> 00:35:55,920 NO FURTHER QUESTIONS, YOUR HONOR. 645 00:35:55,920 --> 00:35:58,023 REDIRECT, MR. JANE? 646 00:35:58,023 --> 00:35:59,490 (mouths word) 647 00:35:59,490 --> 00:36:03,628 THE WITNESS MAY STEP DOWN. THANK YOU, DEBBI. 648 00:36:08,199 --> 00:36:10,202 MR. ARDILES? 649 00:36:13,239 --> 00:36:15,840 NOW MR. JANE 650 00:36:15,840 --> 00:36:18,344 IS GOING TO STAND UP HERE IN A MOMENT, 651 00:36:18,344 --> 00:36:20,478 AND HE'S GOING TO TELL YOU 652 00:36:20,478 --> 00:36:25,483 THAT TIMOTHY CARTER WAS RED JOHN. 653 00:36:25,483 --> 00:36:28,920 THE FACT IS, HE HAS NO PROOF OF THAT--NONE WHATSOEVER. 654 00:36:28,920 --> 00:36:33,057 NOW WAS, UH, WAS TIM CARTER A NICE MAN? NO. 655 00:36:33,057 --> 00:36:34,525 OBVIOUSLY NOT. 656 00:36:36,094 --> 00:36:37,728 BUT WAS HE A SERIAL KILLER? 657 00:36:37,728 --> 00:36:40,266 DO WE HAVE ANY PROOF THAT HE EVER KILLED ANYONE? 658 00:36:40,266 --> 00:36:42,967 ANYONE AT ALL? NO. WE DON'T. 659 00:36:42,967 --> 00:36:44,635 THE ONLY MURDER THAT WE KNOW OF, 660 00:36:44,635 --> 00:36:46,905 THE ONLY MURDER THAT IS AN ATTESTED FACT, 661 00:36:46,905 --> 00:36:50,476 IS THE MURDER COMMITTED BY THIS MAN HERE, PATRICK JANE-- 662 00:36:50,476 --> 00:36:52,478 A MURDER COMMITTED 663 00:36:52,478 --> 00:36:56,547 OUT OF MISGUIDED LUST FOR PERSONAL VENGEANCE. 664 00:36:59,650 --> 00:37:02,721 PROSECUTOR SAYS THAT TIMOTHY CARTER WASN'T RED JOHN. 665 00:37:02,721 --> 00:37:06,257 WELL, CARTER TOLD ME HIMSELF THAT HE WAS RED JOHN, 666 00:37:06,257 --> 00:37:09,460 BUT I-I CAN'T PROVE THAT. 667 00:37:09,460 --> 00:37:13,532 THE FORENSIC EVIDENCE IS INCONCLUSIVE. 668 00:37:13,532 --> 00:37:16,702 HIS WIFE REFUSES TO TALK TO ANYONE, 669 00:37:16,702 --> 00:37:20,706 REFUSES TO SPEAK AT ALL, SO SHE'S NO USE TO US. 670 00:37:20,706 --> 00:37:23,074 WHAT ABOUT CARTER'S RECORDS? 671 00:37:23,074 --> 00:37:28,280 SURELY THERE MUST BE SOME CLUES THERE--NO. 672 00:37:28,280 --> 00:37:29,981 ON PAPER, 673 00:37:29,981 --> 00:37:34,552 THIS MAN SEEMS TO APPEAR OUT OF NOWHERE FIVE YEARS AGO. 674 00:37:34,552 --> 00:37:37,021 BEFORE THAT, NOTHING. 675 00:37:37,021 --> 00:37:38,989 WHY? 676 00:37:40,425 --> 00:37:43,161 BECAUSE TIMOTHY CARTER 677 00:37:43,161 --> 00:37:48,132 IS AN INVENTED IDENTITY, A MASK. 678 00:37:48,132 --> 00:37:51,702 I'M NOT GUILTY OF KILLING TIMOTHY CARTER 679 00:37:51,702 --> 00:37:55,072 BECAUSE TIMOTHY CARTER NEVER EXISTED. 680 00:37:55,072 --> 00:37:59,844 THERE IS NO TIMOTHY CARTER. THERE IS ONLY RED JOHN. 681 00:38:02,146 --> 00:38:04,849 RED JOHN... 682 00:38:04,849 --> 00:38:08,487 STARTED KILLING PEOPLE 12 YEARS AGO. 683 00:38:08,487 --> 00:38:12,891 IT'S HARD TO PUT AN EXACT NUMBER ON HOW MANY PEOPLE HE'S KILLED, 684 00:38:12,891 --> 00:38:17,228 BUT IT'S SOMEWHERE AROUND 28-- 685 00:38:17,228 --> 00:38:22,132 NEARLY ALL WOMEN, LATE AT NIGHT, IN THEIR HOMES. 686 00:38:22,132 --> 00:38:23,735 HE WAKES THEM FIRST, 687 00:38:23,735 --> 00:38:27,338 BECAUSE HE LIKES TO SEE THE FEAR IN THEIR EYES. 688 00:38:27,338 --> 00:38:32,010 HE LIKES TO HEAR THEM BEG FOR MERCY AS HE CUTS THEM OPEN. 689 00:38:33,811 --> 00:38:37,916 HE DID THAT TO MY WIFE AND DAUGHTER... 690 00:38:37,916 --> 00:38:42,086 AND I'VE BEEN LOOKING FOR HIM EVER SINCE... 691 00:38:42,086 --> 00:38:45,724 LOOKING FOR PERSONAL VENGEANCE. 692 00:38:47,324 --> 00:38:51,762 I BELIEVE THAT'S... MY RIGHT. 693 00:38:51,762 --> 00:38:56,367 I HAVE THE RIGHT TO KILL THE MAN THAT KILLED MY FAMILY. 694 00:38:56,367 --> 00:39:00,005 I DON'T SAY I SHOULDN'T BE PUNISHED FOR DOING WHAT I DID. 695 00:39:00,005 --> 00:39:04,009 I FEEL I HAD NO CHOICE. 696 00:39:11,215 --> 00:39:13,652 WHAT WOULD YOU DO? 697 00:39:28,967 --> 00:39:32,137 (Van Pelt) ANY NEWS? 698 00:39:32,137 --> 00:39:34,840 THE JURY'S OUT. 699 00:39:34,840 --> 00:39:39,043 MAYBE IF WE'RE LUCKY, HE'LL GIVE HIM SECOND-DEGREE MURDER. 700 00:39:40,545 --> 00:39:43,014 JANE WILL BE OUT OF PRISON IN THREE OR FOUR YEARS. 701 00:39:43,014 --> 00:39:44,815 (buzzer) 702 00:39:44,815 --> 00:39:48,920 THE JURY'S BACK ALREADY. THAT CAN'T BE GOOD. 703 00:39:49,820 --> 00:39:51,623 LADIES AND GENTLEMEN OF THE JURY, 704 00:39:51,623 --> 00:39:53,458 HAVE YOU REACHED A UNANIMOUS VERDICT? 705 00:39:53,458 --> 00:39:55,927 WE HAVE, YOUR HONOR. 706 00:39:58,829 --> 00:40:01,032 PLEASE STATE YOUR VERDICT FOR THE COURTROOM. 707 00:40:08,706 --> 00:40:12,510 WE, THE JURY, FIND THE DEFENDANT, PATRICK JANE... 708 00:40:15,447 --> 00:40:18,016 NOT GUILTY, ON ALL COUNTS. 709 00:40:18,016 --> 00:40:21,052 (gallery murmuring) 710 00:40:25,923 --> 00:40:27,157 (gavel bangs) 711 00:40:27,157 --> 00:40:29,159 QUIET! 712 00:40:29,159 --> 00:40:31,061 (murmuring continues) 713 00:41:03,494 --> 00:41:06,731 SO... WHAT NOW? 714 00:41:06,731 --> 00:41:08,900 NOW? 715 00:41:08,900 --> 00:41:12,503 WELL, TEA WOULD HIT THE SPOT. 716 00:41:12,503 --> 00:41:15,172 NO. I MEAN, WHAT NOW? 717 00:41:15,172 --> 00:41:17,474 WELL, YOU'VE DONE WHAT YOU SET OUT TO DO. 718 00:41:17,474 --> 00:41:20,177 YOU GOT YOUR VENGEANCE. 719 00:41:20,177 --> 00:41:23,981 DO YOU FEEL DIFFERENT? FEEL BETTER? 720 00:41:23,981 --> 00:41:27,719 NO. I FEEL GUILTY. 721 00:41:27,719 --> 00:41:30,655 FOR DECEIVING THE JURY. I MEAN, I HAD NO CHOICE. 722 00:41:30,655 --> 00:41:32,023 GOING TO PRISON FOR MURDER 723 00:41:32,023 --> 00:41:33,824 WOULD HAVE BEEN A VICTORY FOR RED JOHN. 724 00:41:33,824 --> 00:41:37,394 WHAT DO YOU MEAN? RED JOHN'S DEAD. 725 00:41:37,394 --> 00:41:38,797 TIMOTHY CARTER'S DEAD. 726 00:41:38,797 --> 00:41:41,532 HE WAS AN EVIL MAN, BUT HE WASN'T RED JOHN. 727 00:41:41,532 --> 00:41:43,268 RED JOHN... 728 00:41:43,268 --> 00:41:44,869 IS STILL ALIVE. 729 00:41:46,704 --> 00:41:48,673 WATCH THE ROAD.