1 00:00:18,627 --> 00:00:20,846 [projector whirring] 2 00:00:20,890 --> 00:00:22,239 [woman] STAY AWAY FROM ME. LET GO. 3 00:00:22,283 --> 00:00:23,501 LET GO OF ME. 4 00:00:23,545 --> 00:00:25,851 [man] SAVE THE PHONY TEARS. 5 00:00:25,895 --> 00:00:29,551 JUST GET BACK. 6 00:00:29,594 --> 00:00:32,075 OH, YOU LITTLE FOOL. YOU JUST STAY AWAY FROM ME. 7 00:00:32,119 --> 00:00:34,904 [gun fires, people screaming] 8 00:00:37,733 --> 00:00:40,170 [man] WE CAN'T GET INVOLVED IN THIS. 9 00:00:40,214 --> 00:00:42,172 [lowered voice] HELLO, PATRICK. HOW ARE YOU? 10 00:00:42,216 --> 00:00:44,783 [lowered voice] GOOD. 11 00:00:44,827 --> 00:00:45,915 SO WHAT DO YOU THINK? 12 00:00:45,958 --> 00:00:48,048 OH, IT'S A CLASSIC. 13 00:00:48,091 --> 00:00:49,049 YOU KNOW, IT JUST GETS 14 00:00:49,092 --> 00:00:51,181 BETTER AND BETTER EVERY TIME. 15 00:00:51,225 --> 00:00:52,226 YES. 16 00:00:52,269 --> 00:00:55,359 WHAT DO YOU THINK OF MY REQUEST? 17 00:00:55,403 --> 00:00:58,058 I DON'T THINK MUCH OF IT, REALLY, PATRICK. 18 00:00:58,101 --> 00:00:59,972 REALLY, I DON'T. 19 00:01:00,016 --> 00:01:02,192 MEANING YOU CAN'T ACCOMPLISH IT? 20 00:01:02,236 --> 00:01:04,107 ANY TASK CAN BE ACCOMPLISHED, 21 00:01:04,151 --> 00:01:07,893 AS LONG AS IT'S BROKEN DOWN INTO MANAGEABLE PIECES. 22 00:01:07,937 --> 00:01:10,418 SO YOU'LL DO IT? 23 00:01:10,461 --> 00:01:13,638 LOOK, I KNOW THAT I'M IN YOUR DEBT. 24 00:01:13,682 --> 00:01:16,989 OKAY, SO WE BOTH AGREE THAT YOU OWE ME A FAVOR. 25 00:01:17,033 --> 00:01:18,904 YES, I DO. 26 00:01:18,948 --> 00:01:21,429 SO LET THIS BE MY FAVOR TO YOU-- 27 00:01:21,472 --> 00:01:24,127 LET IT GO-- THE WHOLE IDEA. 28 00:01:24,171 --> 00:01:26,521 IT'S JUST NOT WORTH IT. 29 00:01:30,046 --> 00:01:32,744 WELL, I FIND THIS VERY INTERESTING. 30 00:01:32,788 --> 00:01:35,007 I'M PRESENTING YOU WITH A CHALLENGE, 31 00:01:35,051 --> 00:01:37,445 AND YET YOU'RE BACKING AWAY. 32 00:01:37,488 --> 00:01:40,622 IT'S VERY UNLIKE YOU, MR. STILES. 33 00:01:40,665 --> 00:01:41,927 LOOK, IF YOU MUST KNOW, 34 00:01:41,971 --> 00:01:44,930 I'VE GROWN MILDLY ACCUSTOMED TO YOU, PATRICK. 35 00:01:44,974 --> 00:01:47,324 YOU MAKE ME SIT UP AND PAY ATTENTION. 36 00:01:47,368 --> 00:01:51,154 I'M VERY GLAD YOU'RE AMUSED BY ME. 37 00:01:51,198 --> 00:01:54,244 BUT WHAT YOU'RE PLANNING NOW, IT'S... 38 00:01:54,288 --> 00:01:56,681 WELL, IT'S CERTAINLY DIFFERENT. 39 00:01:56,725 --> 00:01:58,118 YES, IT IS. 40 00:01:58,161 --> 00:02:02,426 IF I DO WHAT YOU'RE ASKING OF ME AND YOU GET CAUGHT, 41 00:02:02,470 --> 00:02:04,428 YOU'RE GONNA SPEND THE REST OF YOUR LIFE 42 00:02:04,472 --> 00:02:06,343 IN A FEDERAL PRISON. 43 00:02:06,387 --> 00:02:08,258 I'M WELL AWARE OF THAT. 44 00:02:08,302 --> 00:02:12,044 I JUST HAVE TO MAKE SURE I DON'T GET CAUGHT. 45 00:02:12,088 --> 00:02:13,829 [sighs and chuckles] 46 00:02:13,872 --> 00:02:15,309 ALL RIGHT. 47 00:02:15,352 --> 00:02:21,793 WELL, IT'S BEEN A GREAT PLEASURE KNOWING YOU, MR. JANE. 48 00:02:21,837 --> 00:02:23,360 GOOD LUCK. 49 00:02:23,404 --> 00:02:26,972 WELL, I-I USED SOME PRETTY HARSH WORDS. 50 00:02:27,016 --> 00:02:28,148 I'M SORRY. 51 00:02:28,191 --> 00:02:29,192 THANK YOU. 52 00:02:29,236 --> 00:02:32,500 BUT NATURALLY, IF I'D KNOWN... 53 00:02:37,200 --> 00:02:40,943 [metal clanking] 54 00:02:45,339 --> 00:02:48,211 [machines whirring] 55 00:03:24,378 --> 00:03:25,770 [speaks inaudibly] 56 00:04:21,478 --> 00:04:23,698 [pounds truck] 57 00:05:01,736 --> 00:05:03,346 NEED A RIDE? 58 00:05:03,390 --> 00:05:05,174 YOU? 59 00:05:08,569 --> 00:05:11,528 ♪♪♪ 60 00:05:11,572 --> 00:05:13,443 --Captions by VITAC-- 61 00:05:21,277 --> 00:05:25,150 HEY, COME ON. PLEASE. JUST--JUST GET IN THE CAR. 62 00:05:25,194 --> 00:05:26,151 THIS IS RIDICULOUS. 63 00:05:26,195 --> 00:05:27,414 WHY ARE YOU MAD AT ME? 64 00:05:27,457 --> 00:05:29,981 I-I DIDN'T FORCE YOU TO ESCAPE FROM PRISON. 65 00:05:30,025 --> 00:05:32,506 NO, YOU JUST TRICKED ME INTO IT. 66 00:05:37,032 --> 00:05:38,512 OH, COME ON. 67 00:05:38,555 --> 00:05:40,383 WAIT. 68 00:05:40,427 --> 00:05:42,342 YOU THOUGHT IT WAS RED JOHN THAT GOT YOU OUT, DIDN'T YOU? 69 00:05:42,385 --> 00:05:43,865 YEAH. 70 00:05:43,908 --> 00:05:46,346 YEAH, WELL, IT WASN'T. I DID. IGOT YOU OUT. 71 00:05:46,389 --> 00:05:47,999 HE WOULD HAVE LEFT YOU IN THERE TO ROT. 72 00:05:48,043 --> 00:05:50,262 AND I TOOK A LOT OF RISKS IN DOING IT. 73 00:05:50,306 --> 00:05:52,395 NOBODY EVER ACCUSED YOU OF GOOD JUDGMENT. 74 00:05:52,439 --> 00:05:53,614 WELL, WHAT ABOUT YOU? 75 00:05:53,657 --> 00:05:55,006 YOU'RE THE ONE WALKING OFF INTO THE DESERT 76 00:05:55,050 --> 00:05:57,487 10 MILES FROM A PRISON YOU JUST BROKE OUT OF. 77 00:05:57,531 --> 00:05:59,271 I'M OFFERING YOU A RIDE. 78 00:05:59,315 --> 00:06:00,577 I'LL TAKE YOU WHEREVER YOU WANNA GO. 79 00:06:00,621 --> 00:06:02,405 YOU CAN DUMP ME AT ANY TIME. 80 00:06:04,233 --> 00:06:05,539 FINE. 81 00:06:08,759 --> 00:06:11,109 JANE, HOW MANY MESSAGES DO I HAVE TO LEAVE YOU? 82 00:06:11,153 --> 00:06:12,633 CALL ME BACK. 83 00:06:16,463 --> 00:06:19,683 [speaking inaudibly] 84 00:06:19,727 --> 00:06:21,381 HOLD ON, TOM. SHE JUST WALKED IN. 85 00:06:23,557 --> 00:06:25,036 NO. 86 00:06:25,080 --> 00:06:28,388 NO, DON'T INFORM THE MARSHALS YET. 87 00:06:28,431 --> 00:06:32,435 I WANT TO BRING CBI UP TO SPEED FIRST. 88 00:06:32,479 --> 00:06:33,958 I'LL CALL YOU BACK. 89 00:06:34,002 --> 00:06:35,699 WHAT'S GOING ON? 90 00:06:35,743 --> 00:06:38,049 HAVE YOU HEARD ABOUT LORELEI MARTINS YET? 91 00:06:38,093 --> 00:06:39,616 NO. 92 00:06:39,660 --> 00:06:42,402 SHE ESCAPED FROM FEDERAL PRISON THIS MORNING. 93 00:06:42,445 --> 00:06:47,232 YOUR MR. JANE WAS QUESTIONING PRISON TRANSPORT DRIVERS. 94 00:06:47,276 --> 00:06:49,409 YES, BUT NO. 95 00:06:49,452 --> 00:06:50,932 HE WOULDN'T. 96 00:06:50,975 --> 00:06:53,238 HE WOULDN'T. 97 00:06:53,282 --> 00:06:55,893 HE WOULDN'T? 98 00:06:55,937 --> 00:06:57,765 WHERE IS HE NOW? 99 00:06:57,808 --> 00:07:00,811 I DON'T KNOW. I HAVEN'T HEARD FROM HIM SINCE YESTERDAY. 100 00:07:00,855 --> 00:07:02,944 HE HASN'T ANSWERED HIS PHONE. 101 00:07:02,987 --> 00:07:05,425 BUT THAT DOESN'T MEAN HE DID THIS. 102 00:07:05,468 --> 00:07:08,340 IT WOULD MAKE IT MUCH MORE LIKELY, 103 00:07:08,384 --> 00:07:09,472 WOULDN'T IT? 104 00:07:09,516 --> 00:07:11,474 WHY IS THIS A HOMELAND SECURITY ISSUE? 105 00:07:11,518 --> 00:07:13,476 IT'S COMPLICATED. 106 00:07:13,520 --> 00:07:15,652 I MEAN, IF HE IS WITH HER, 107 00:07:15,696 --> 00:07:18,263 HE'S IN A LOT OF DANGER. 108 00:07:18,307 --> 00:07:20,004 YOU KNOW HIM BETTER THAN ANYBODY. 109 00:07:20,048 --> 00:07:24,139 NOW IF HE DID DO THIS, WHERE WOULD HE GO? 110 00:07:24,182 --> 00:07:26,446 ANY PLACE I COULD POSSIBLY THINK OF 111 00:07:26,489 --> 00:07:30,580 IS WHERE HE WOULDN'T GO. 112 00:07:30,624 --> 00:07:32,364 UH, WOULD YOU EXCUSE ME FOR A MINUTE? 113 00:07:32,408 --> 00:07:34,454 I'LL BE RIGHT BACK. 114 00:07:35,890 --> 00:07:38,762 HAS ANYONE SEEN JANE? 115 00:07:38,806 --> 00:07:39,763 NO. 116 00:07:39,807 --> 00:07:40,938 WE NEED TO FIND HIM RIGHT NOW. 117 00:07:40,982 --> 00:07:42,462 PUT A B.O.L.O. OUT ON HIS CAR. 118 00:07:42,505 --> 00:07:44,507 GRACE, CHO, I WANT YOU TO GO TO HIS MOTEL ROOM. 119 00:07:44,551 --> 00:07:46,291 RIGS, CALL HIS CELL PHONE COMPANY. 120 00:07:46,335 --> 00:07:47,945 GET GPS TRACKING ON HIS PHONE. 121 00:07:47,989 --> 00:07:49,512 WHAT'S GOING ON? 122 00:07:50,861 --> 00:07:53,516 LORELEI MARTINS ESCAPED FROM PRISON THIS MORNING. 123 00:07:53,560 --> 00:07:55,605 WAS JANE INVOLVED? 124 00:07:55,649 --> 00:07:57,259 WE DON'T KNOW YET. 125 00:08:00,654 --> 00:08:02,786 BOB KIRKLAND, HOMELAND SECURITY. 126 00:08:02,830 --> 00:08:04,179 HE'S LEADING THE SEARCH TO FIND MARTINS. 127 00:08:04,222 --> 00:08:05,528 BOSS. 128 00:08:05,572 --> 00:08:07,617 SAC P.D. GOT A REPORT OF AN ABANDONED BLUE CITROEN 129 00:08:07,661 --> 00:08:10,838 THIS MORNING. UH, PARKING LOT AT 16th AND K STREET. 130 00:08:10,881 --> 00:08:12,622 TEXT IT TO ME. 131 00:08:12,666 --> 00:08:14,798 THIS ISN'T GONNA WORK. 132 00:08:14,842 --> 00:08:16,844 WELL, THAT'S OPTIMISTIC. 133 00:08:16,887 --> 00:08:20,630 I WON'T TELL YOU WHO HE IS OR WHERE HE IS. 134 00:08:20,674 --> 00:08:22,414 GIVE IT TIME. 135 00:08:22,458 --> 00:08:24,939 NOT NOW. NOT EVER. 136 00:08:29,944 --> 00:08:31,511 [clicks] 137 00:08:31,554 --> 00:08:32,903 DOESN'T WORK. 138 00:08:32,947 --> 00:08:34,165 REALLY? 139 00:08:34,209 --> 00:08:36,690 I FIGURED THAT WHEN NO SOUND CAME OUT OF IT. 140 00:08:36,733 --> 00:08:38,518 YES. 141 00:08:38,561 --> 00:08:39,649 [chuckles] 142 00:08:39,693 --> 00:08:43,523 CAN WE GO? 143 00:08:43,566 --> 00:08:45,307 TELL ME WHERE. 144 00:08:47,396 --> 00:08:51,313 THE OCEAN. I WANNA SEE THE OCEAN. 145 00:08:56,579 --> 00:08:59,539 [police radio chatter] 146 00:09:02,585 --> 00:09:03,543 [car door closes] 147 00:09:05,153 --> 00:09:06,154 [horn honks] 148 00:09:16,251 --> 00:09:17,644 [cell phone beeps] 149 00:09:19,646 --> 00:09:21,038 HE WAS LEAVING A TEXT MESSAGE. 150 00:09:21,082 --> 00:09:22,039 IT'S FOR YOU. 151 00:09:22,083 --> 00:09:24,259 "SOMEONE AFTER ME." 152 00:09:24,302 --> 00:09:27,218 HE WAS BEING FOLLOWED. 153 00:09:27,262 --> 00:09:28,959 LOOKS LIKE HE'S BEEN ABDUCTED. 154 00:09:29,003 --> 00:09:31,919 JANE DOESN'T HAVE LORELEI. LORELEI HAS JANE. 155 00:09:46,673 --> 00:09:49,110 OUR FUGITIVE IS A KNOWN ASSOCIATE 156 00:09:49,153 --> 00:09:51,591 OF THE SERIAL KILLER RED JOHN. 157 00:09:51,634 --> 00:09:54,158 SHE'S WANTED FOR MURDER CONSPIRACY, 158 00:09:54,202 --> 00:09:56,639 KIDNAPPING, AND WEAPONS VIOLATIONS. 159 00:09:56,683 --> 00:10:00,251 WE BELIEVE THAT MARTINS AND UNKNOWN ACCOMPLICES 160 00:10:00,295 --> 00:10:04,125 ABDUCTED CBI CONSULTANT PATRICK JANE. 161 00:10:04,168 --> 00:10:06,170 JANE LED A 6-MONTH UNDERCOVER OPERATION 162 00:10:06,214 --> 00:10:07,911 THAT RESULTED IN LORELEI'S ARREST. 163 00:10:07,955 --> 00:10:10,261 MARTINS MAY HAVE KIDNAPPED HIM FOR PAYBACK 164 00:10:10,305 --> 00:10:11,306 OR TO TAKE HIM TO RED JOHN. 165 00:10:11,349 --> 00:10:12,655 EITHER WAY, WE NEED TO FIND THEM. 166 00:10:12,699 --> 00:10:16,006 MARTINS IS A SACRAMENTO GIRL. 167 00:10:16,050 --> 00:10:19,619 I WANT SYSTEMATIC SEARCHES OF OLD RESIDENCES, 168 00:10:19,662 --> 00:10:21,142 OLD FRIENDS, OLD COWORKERS. 169 00:10:21,185 --> 00:10:23,274 YOU ALL HAVE INFORMATION PACKETS. 170 00:10:23,318 --> 00:10:24,754 STUDY THEM, AND WHEN YOU'RE DONE, 171 00:10:24,798 --> 00:10:27,365 CONTACT MYSELF OR AGENT KIRKLAND FOR YOUR ASSIGNMENTS. 172 00:10:27,409 --> 00:10:28,628 THANK YOU. 173 00:10:28,671 --> 00:10:31,674 LET'S START WITH LORELEI'S MOTHER.OKAY. 174 00:10:31,718 --> 00:10:34,416 [waves rolling] 175 00:11:02,749 --> 00:11:04,751 [Lorelei] I WONDER WHERE THEY'REGOING. 176 00:11:24,553 --> 00:11:26,207 I'M GONNA MAKE A FIRE. 177 00:11:29,079 --> 00:11:31,821 SO, WHAT'S THIS ABOUT? 178 00:11:31,865 --> 00:11:32,996 [clears throat] YOUR DAUGHTER 179 00:11:33,040 --> 00:11:34,737 BROKE OUT OF PRISON THIS MORNING. 180 00:11:34,781 --> 00:11:37,218 OH. OF COURSE. 181 00:11:37,261 --> 00:11:41,352 HAVE YOU HAD ANY CONTACT WITH-- WITH LORELEI RECENTLY? 182 00:11:41,396 --> 00:11:45,617 [chuckles] LORELEI HASN'T CONTACTED ME IN YEARS. 183 00:11:45,661 --> 00:11:47,576 THANKFULLY. 184 00:11:47,619 --> 00:11:49,709 WHEN SHE DOES, 185 00:11:49,752 --> 00:11:52,581 IT'S ALWAYS TROUBLE. ALWAYS. 186 00:11:52,624 --> 00:11:56,193 WE HAVE REASON TO BELIEVE THAT LORELEI HAS TAKEN A HOSTAGE. 187 00:11:56,237 --> 00:11:57,847 HIS LIFE COULD BE IN DANGER. 188 00:11:57,891 --> 00:12:01,024 DO YOU HAVE ANY INFORMATION THAT YOU COULD GIVE US 189 00:12:01,068 --> 00:12:03,244 ABOUT WHERE WE COULD FIND HER? 190 00:12:03,287 --> 00:12:06,769 ANY, UH, OLD FRIENDS? 191 00:12:06,813 --> 00:12:08,902 FAVORITE PLACES? 192 00:12:08,945 --> 00:12:11,861 NOPE. I DON'T HAVE ANYTHING TO DO WITH HER, 193 00:12:11,905 --> 00:12:15,778 AND SHE DOESN'T HAVE ANYTHING TO DO WITH ME. 194 00:12:15,822 --> 00:12:16,779 DO YOU HAVE ANY INSIGHT 195 00:12:16,823 --> 00:12:19,303 AS TO HOW SHE BECAME THIS WAY? 196 00:12:19,347 --> 00:12:20,478 [chuckles] 197 00:12:20,522 --> 00:12:24,047 LORELEI ONLY EVER CARED ABOUT LORELEI. 198 00:12:24,091 --> 00:12:25,919 WHAT ARE YOU GONNA DO WITH A KID LIKE THAT? 199 00:12:25,962 --> 00:12:28,748 WELL, YOU DON'T FEEL AT ALL RESPONSIBLE FOR HER? 200 00:12:28,791 --> 00:12:30,575 [chuckles] NOW THERE'S A QUESTION 201 00:12:30,619 --> 00:12:32,752 FROM A WOMAN WITHOUT CHILDREN. 202 00:12:36,712 --> 00:12:39,410 I'VE SATISFIED ALL MY DUTIES 203 00:12:39,454 --> 00:12:41,586 AND RESPONSIBILITIES OF MOTHERHOOD. 204 00:12:41,630 --> 00:12:44,894 I MEAN, LOOK AROUND. LORELEI GREW UP IN A BEAUTIFUL HOME. 205 00:12:44,938 --> 00:12:48,419 SHE COULD BE ANYTHING. 206 00:12:48,463 --> 00:12:50,247 IS THIS YOUR FATHER? 207 00:12:50,291 --> 00:12:52,075 [inhales deeply] 208 00:12:52,119 --> 00:12:55,818 THAT'S MY HUSBAND. HE'S AWAY IN MUNICH. 209 00:12:55,862 --> 00:12:57,080 HE'S AWAY A LOT? 210 00:12:57,124 --> 00:12:58,821 YES. 211 00:12:58,865 --> 00:13:01,781 OH. FIGURES. 212 00:13:01,824 --> 00:13:03,434 I DON'T LIKE YOUR TONE. 213 00:13:03,478 --> 00:13:06,089 DANA, YOUR DAUGHTER IS THE MISTRESS 214 00:13:06,133 --> 00:13:07,656 OF A PSYCHOPATHIC KILLER, 215 00:13:07,699 --> 00:13:09,266 YET YOU HAVE NO INFORMATION TO GIVE US 216 00:13:09,310 --> 00:13:11,268 ABOUT HOW OR WHY SHE GOT THAT WAY. 217 00:13:11,312 --> 00:13:13,793 FRANKLY, I DON'T CARE IF YOU LIKE MY TONE. 218 00:13:13,836 --> 00:13:15,795 TO HELL WITH YOU, LADY. 219 00:13:15,838 --> 00:13:17,622 WHAT HAPPENED TO HER? 220 00:13:17,666 --> 00:13:21,844 GET OUT OF MY HOUSE. 221 00:13:21,888 --> 00:13:22,845 THANK YOU. 222 00:13:24,760 --> 00:13:27,763 [waves rolling] 223 00:13:42,996 --> 00:13:45,955 [crackling] 224 00:14:21,599 --> 00:14:21,643 [waves crashing] 225 00:15:33,019 --> 00:15:35,325 YOU SHOULD TRY IT. 226 00:15:35,369 --> 00:15:36,413 WATER'S LOVELY. 227 00:15:36,457 --> 00:15:38,807 EH. 228 00:15:41,549 --> 00:15:44,944 UH, QUICKLY--GO AND HIDE YOURSELF BEHIND THOSE ROCKS. 229 00:15:58,566 --> 00:16:00,133 [sighs] 230 00:16:20,936 --> 00:16:21,893 HELLO, YOUNG MAN. 231 00:16:21,937 --> 00:16:22,894 HOW YOU DOING? 232 00:16:22,938 --> 00:16:24,592 [sniffs] 233 00:16:25,680 --> 00:16:28,117 [sniffs] 234 00:16:28,161 --> 00:16:30,032 WAS THAT YOUR CAMPFIRE? 235 00:16:30,076 --> 00:16:32,861 NO, OFFICER. 236 00:16:32,904 --> 00:16:35,907 I'M NOT AN OFFICER. I'M A PARK RANGER. 237 00:16:35,951 --> 00:16:37,170 SO NO GUN, HUH? 238 00:16:37,213 --> 00:16:39,824 RIGHT. 239 00:16:39,868 --> 00:16:43,480 CAMPFIRES ARE ILLEGAL ON THIS BEACH WITHOUT A PERMIT. 240 00:16:43,524 --> 00:16:47,006 WELL, IT... IT'S NOT MINE. 241 00:16:47,049 --> 00:16:50,226 ARE YOU OKAY, SIR? YOU SEEM A LITTLE NERVOUS. 242 00:16:50,270 --> 00:16:51,880 NEVER BETTER. 243 00:16:56,363 --> 00:16:59,757 ARE YOU ALONE? 244 00:16:59,801 --> 00:17:03,500 UH, NO. SHE'S, UH... 245 00:17:03,544 --> 00:17:05,937 HI, OFFICER! I'M OVER HERE! 246 00:17:05,981 --> 00:17:07,678 I'M SORRY. I CAN'T COME OUT! 247 00:17:07,722 --> 00:17:10,072 I DON'T HAVE ANY CLOTHES ON. 248 00:17:10,116 --> 00:17:14,859 YEAH, WELL, PUBLIC NUDITY'S PROHIBITED ON STATE BEACHES. 249 00:17:14,903 --> 00:17:18,994 YES, UH, I'M SORRY! IT WON'T HAPPEN AGAIN! 250 00:17:21,910 --> 00:17:23,738 PROMISE, IT-- IT WON'T HAPPEN AGAIN. 251 00:17:23,781 --> 00:17:26,045 SORRY, SIR. 252 00:17:28,134 --> 00:17:29,135 OKAY. 253 00:17:31,137 --> 00:17:32,877 YOU FOLKS HAVE A NICE DAY. 254 00:17:32,921 --> 00:17:33,922 YEAH. 255 00:17:38,318 --> 00:17:39,319 NO CAMPFIRES. 256 00:17:52,027 --> 00:17:55,552 SO WHERE TO NOW? 257 00:17:55,596 --> 00:17:57,076 NORTH TO CANADA? 258 00:17:57,119 --> 00:18:00,557 SOUTH TO MEXICO? I'M FLEXIBLE. 259 00:18:00,601 --> 00:18:03,082 I KNOW A PLACE WHERE NO ONE WILL FIND US. 260 00:18:03,125 --> 00:18:07,129 TAKE THE I-60 EAST, BUT I GOTTA CHANGE MY LOOK FIRST. 261 00:18:07,173 --> 00:18:09,392 FIND A CONVENIENCE STORE. 262 00:18:09,436 --> 00:18:11,133 I LIKE THE TAKE-CHARGE ATTITUDE. 263 00:18:11,177 --> 00:18:12,134 NO, YOU DON'T. 264 00:18:12,178 --> 00:18:14,136 I DO. 265 00:18:14,180 --> 00:18:17,226 CLEARLY, YOU'VE TAKEN CARE OF SOMEONE IN YOUR LIFE. 266 00:18:17,270 --> 00:18:20,229 MADE ALL THE DECISIONS. ACTED THE ADULT. 267 00:18:20,273 --> 00:18:24,407 I'M GUESSING YOU HAD A VAIN, SELFISH, 268 00:18:24,451 --> 00:18:26,583 AND CONTROLLING MOTHER. 269 00:18:26,627 --> 00:18:30,021 BUT YOU FOUND THE STRENGTH TO PULL AWAY. 270 00:18:30,065 --> 00:18:33,677 DOES SHE RESENT YOU FOR THAT? 271 00:18:33,721 --> 00:18:36,419 PATRICK, DO YOU REALLY WANT TO GET TO KNOW ME? 272 00:18:36,463 --> 00:18:38,160 OF COURSE. 273 00:18:38,204 --> 00:18:40,119 GIVE THE ACT A REST. 274 00:18:40,162 --> 00:18:41,859 WHAT? I-I WASN'T... 275 00:18:41,903 --> 00:18:43,165 YES, YOU WERE. 276 00:18:45,820 --> 00:18:48,953 OKAY. 277 00:18:48,997 --> 00:18:50,390 I KNEW IT. 278 00:18:50,433 --> 00:18:53,132 SOON AS I HEARD THAT KIDNAPPING REPORT ON MY RADIO. 279 00:18:53,175 --> 00:18:55,612 I CALLED IT IN. 280 00:18:55,656 --> 00:18:59,660 THIS IS THE YOUNG MAN I TALKED TO. 281 00:18:59,703 --> 00:19:00,965 WAS THERE A WOMAN WITH HIM? 282 00:19:01,009 --> 00:19:02,358 YES, THERE MOST CERTAINLY WAS. 283 00:19:02,402 --> 00:19:05,622 ONLY I DIDN'T SEE HER ON ACCOUNT OF SHE WAS NAKED. 284 00:19:05,666 --> 00:19:07,885 AT LEAST THAT WHAT SHE SAID. 285 00:19:07,929 --> 00:19:10,149 SHE WAS BEHIND THAT ROCK THERE WHERE SHE WAS CHANGING. 286 00:19:10,192 --> 00:19:13,456 THE YOUNG MAN GOT KIND OF JUMPY.UH-HUH. 287 00:19:13,500 --> 00:19:15,502 ASKED ME IF I HAD A GUN. 288 00:19:22,117 --> 00:19:24,075 SHE PROBABLY HAD A GUN ON YOU THE WHOLE TIME. 289 00:19:24,119 --> 00:19:26,165 THAT'S WHAT I FIGURED. 290 00:19:26,208 --> 00:19:28,993 AND IF HE SAID ONE WRONG WORD OR TRIED TO RUN--BAM. 291 00:19:29,037 --> 00:19:31,170 I MEAN, SHE WOULD HAVE SHOT US BOTH DEAD. 292 00:19:31,213 --> 00:19:34,085 I'M JUST THANKFUL HE KEPT HIS HEAD. 293 00:19:34,129 --> 00:19:36,305 HAPPEN TO SEE WHAT KIND OF CAR THEY WERE DRIVING? 294 00:19:36,349 --> 00:19:38,916 YES, SIR. THERE WAS ONLY ONE CAR ON THE BLUFF. 295 00:19:38,960 --> 00:19:42,572 A DARK BLUE 1990s DYNASTY SEDAN. 296 00:19:46,533 --> 00:19:47,969 [gears shift] 297 00:19:52,756 --> 00:19:53,757 STAY LOW. 298 00:20:02,244 --> 00:20:05,334 [wind chimes tinkling] 299 00:20:05,378 --> 00:20:08,337 [Wylie & the Wild West's "Without You" playing] 300 00:20:08,381 --> 00:20:10,383 [indistinct conversations, laughter] 301 00:20:10,426 --> 00:20:13,168 [cash register beeps] 302 00:20:16,432 --> 00:20:21,872 ♪ ON AN ISLAND ALL ALONE 303 00:20:21,916 --> 00:20:27,269 ♪ A THOUSAND MILES AWAY FROM HOME ♪ 304 00:20:27,313 --> 00:20:30,054 [wind chimes tinkling] 305 00:20:30,098 --> 00:20:33,188 ♪ ...WITHOUT YOU 306 00:20:37,801 --> 00:20:43,285 ♪ SURROUNDED BY AN ENDLESS SEA ♪ 307 00:20:43,329 --> 00:20:45,113 ♪ NOT A SOUL... 308 00:20:55,341 --> 00:21:01,999 ♪♪♪ 309 00:21:02,043 --> 00:21:07,918 ♪ CAN MAKE ME FEEL THE WAY YOU DO ♪ 310 00:21:07,962 --> 00:21:11,748 ♪ YOU'RE THE ROCK I BUILD UPON ♪ 311 00:21:11,792 --> 00:21:18,451 ♪ YOU GIVE ME HOPE AND KEEP ME STRONG ♪ 312 00:21:18,494 --> 00:21:23,456 ♪ THERE'S A PLACE WHERE THE SUN WON'T SHINE ♪ 313 00:21:23,499 --> 00:21:29,984 ♪ WHERE BROKEN HEARTS DON'T MEND WITH TIME ♪ 314 00:21:30,027 --> 00:21:32,160 [clears throat] THANK YOU. 315 00:21:32,203 --> 00:21:35,163 [mutters indistinctly] 316 00:21:41,387 --> 00:21:44,346 [wind chimes tinkling] 317 00:21:50,700 --> 00:21:53,181 [whistles] 318 00:22:04,192 --> 00:22:05,454 SCARED YOU, DIDN'T I? 319 00:22:05,498 --> 00:22:07,543 NO. 320 00:22:07,587 --> 00:22:09,458 SAW SOME COPS. SPOOKED ME.[door alert chimes] 321 00:22:09,502 --> 00:22:11,547 [door closes]WELL, I'M GLAD I LEFT YOU THE KEYS. 322 00:22:11,591 --> 00:22:14,463 YOU'RE GONNA BE A FRENCH HONEY BLONDE. 323 00:22:14,507 --> 00:22:16,247 HOW'S THAT SOUND?SURE. 324 00:22:16,291 --> 00:22:18,162 DID YOU GET SNACKS?[engine starts] 325 00:22:18,206 --> 00:22:19,338 SURE DID.[shifts gears] 326 00:22:19,381 --> 00:22:20,426 [gravel crunches] 327 00:22:24,517 --> 00:22:25,561 [sighs] 328 00:22:27,433 --> 00:22:31,654 I HAVE SOMETHING TO SAY. 329 00:22:31,698 --> 00:22:34,875 COME IN. SIT DOWN, DANA. 330 00:22:37,921 --> 00:22:40,271 WHAT'S GOING ON? 331 00:22:44,537 --> 00:22:46,495 [exhales] 332 00:22:46,539 --> 00:22:50,107 COULDN'T SLEEP LAST NIGHT. [chuckles] 333 00:22:50,151 --> 00:22:52,371 [inhales deeply] 334 00:22:52,414 --> 00:22:55,678 [exhales] HMM. 335 00:22:55,722 --> 00:22:59,247 MY HUSBAND MUSTN'T KNOW. 336 00:23:01,467 --> 00:23:03,382 MUSTN'T KNOW WHAT? 337 00:23:05,993 --> 00:23:07,908 [clears throat] 338 00:23:10,737 --> 00:23:12,303 [exhales] 339 00:23:12,347 --> 00:23:15,785 I SOLD LORELEI'S SISTER. 340 00:23:15,829 --> 00:23:17,091 SISTER? 341 00:23:17,134 --> 00:23:19,615 I DON'T REMEMBER READING ANYTHING ABOUT A SISTER 342 00:23:19,659 --> 00:23:21,138 IN LORELEI'S FILE. 343 00:23:21,182 --> 00:23:24,925 [voice breaking] BECAUSE I SOLD HER. 344 00:23:24,968 --> 00:23:29,146 ALL RIGHT, YOU'RE GONNA HAVE TO HELP ME OUT HERE, DANA. 345 00:23:29,190 --> 00:23:33,542 30 YEARS AGO, I DIDN'T HAVE THE MONEY TO RAISE 2 GIRLS. 346 00:23:33,586 --> 00:23:35,239 [inhales deeply] 347 00:23:35,283 --> 00:23:37,633 [whispers] I HAD SUBSTANCE ISSUES. 348 00:23:40,331 --> 00:23:42,333 GO ON. 349 00:23:42,377 --> 00:23:45,424 SO AFTER... [clears throat] 350 00:23:45,467 --> 00:23:47,948 THEIR DAD LEFT... 351 00:23:47,991 --> 00:23:50,559 [inhales deeply] 352 00:23:50,603 --> 00:23:53,170 I JUST STOPPED FUNCTIONING, YOU KNOW? 353 00:23:53,214 --> 00:23:59,481 AND, UM, LORELEI-- SHE WAS 5. 354 00:23:59,525 --> 00:24:04,355 AND SHE HELD ME UP, YOU KNOW? 355 00:24:04,399 --> 00:24:09,273 BUT... [cries] 356 00:24:09,317 --> 00:24:14,453 MIRANDA-- THAT WAS HER NAME... 357 00:24:14,496 --> 00:24:16,629 SHE WAS 2. 358 00:24:16,672 --> 00:24:20,589 I MEAN, WHAT WAS I GONNA DO WITH A 2-YEAR-OLD? 359 00:24:20,633 --> 00:24:22,504 WHAT DID YOU DO? 360 00:24:22,548 --> 00:24:24,767 WELL, I KNEW... 361 00:24:24,811 --> 00:24:27,466 I KNEW THIS RICH... [clears throat] FOREIGN COUPLE, 362 00:24:27,509 --> 00:24:31,295 WHO... [sniffles] CHILDLESS. 363 00:24:31,339 --> 00:24:34,385 SO WE MADE A DEAL UNDER THE TABLE. [clears throat] 364 00:24:34,429 --> 00:24:36,605 WHY DIDN'T THEY JUST ADOPT HER? 365 00:24:36,649 --> 00:24:39,826 WE ALL WANTED WHAT WE WANTED, SO WE JUST GOT IT DONE. 366 00:24:39,869 --> 00:24:42,611 WHAT DID YOU TELL LORELEI? 367 00:24:42,655 --> 00:24:45,527 I TOLD HER... 368 00:24:47,529 --> 00:24:49,792 I TOLD HER ALL KINDS OF STUFF. 369 00:24:49,836 --> 00:24:52,491 I... [sniffles] 370 00:24:52,534 --> 00:24:56,277 AND SHE NEVER FORGAVE ME. 371 00:24:58,192 --> 00:25:00,499 [sniffles] 372 00:25:00,542 --> 00:25:02,631 I DIDN'T REALIZE IT AT THE TIME, 373 00:25:02,675 --> 00:25:07,027 BUT... THAT DAY... 374 00:25:07,070 --> 00:25:10,073 I LOST TWO DAUGHTERS. 375 00:25:10,117 --> 00:25:12,206 NOT ONE. 376 00:25:15,731 --> 00:25:23,173 WANT ME TO GET YOU A TISSUE? 377 00:25:24,305 --> 00:25:27,308 [children shouting playfully] 378 00:25:36,056 --> 00:25:37,710 [child laughs] 379 00:25:53,943 --> 00:25:56,293 HEY THERE. 380 00:25:56,337 --> 00:25:58,295 LOOKING FOR A ROOM. 381 00:25:58,339 --> 00:26:00,602 PLACE TO REST MY WEARY BONES. 382 00:26:00,646 --> 00:26:03,039 BEEN ON THE ROAD SINCE NEW MEXICO. 383 00:26:03,083 --> 00:26:05,607 IT'S $48 CASH, $52 CREDIT. 384 00:26:05,651 --> 00:26:07,043 OOP. I'LL BE PAYING CASH. 385 00:26:07,087 --> 00:26:11,221 OKAY. 386 00:26:11,265 --> 00:26:14,224 YOU DON'T HAPPEN TO HAVE ONE WITHOUT A TELEVISION? 387 00:26:14,268 --> 00:26:19,621 UH, TV's BUSTED IN 13. NO DISCOUNT. 388 00:26:19,665 --> 00:26:21,754 OKAY. 389 00:26:21,797 --> 00:26:25,584 [children continue shouting, ball bouncing] 390 00:26:27,629 --> 00:26:28,587 [bell dings] 391 00:26:31,459 --> 00:26:32,591 HAVE A NICE DAY. 392 00:26:32,634 --> 00:26:33,635 MM-HMM. 393 00:26:33,679 --> 00:26:36,595 WE TRIED TO HAVE OUR OWN CHILDREN. 394 00:26:36,638 --> 00:26:37,726 I COULD NOT. 395 00:26:37,770 --> 00:26:40,337 WHY DIDN'T YOU JUST ADOPT LEGALLY? 396 00:26:40,381 --> 00:26:44,080 WELL, I WAS ON WORK VISA FROM ROMANIA. 397 00:26:44,124 --> 00:26:47,257 AND WE COULD NOT ADOPT UNTIL WE WERE CITIZENS, 398 00:26:47,301 --> 00:26:49,259 AND THAT TAKES YEARS. 399 00:26:49,303 --> 00:26:51,653 MR. KIRKLAND, THIS IS MARTA AND VIRGIL ROMAN. 400 00:26:51,697 --> 00:26:56,092 THEY'RE JUST TELLING ME HOW THEY CAME TO BUY MIRANDA MARTINS. 401 00:26:56,136 --> 00:26:58,486 YOU HAD TO SEE HER. 402 00:26:58,529 --> 00:27:01,663 SHE WAS IN A BAD SITUATION. 403 00:27:01,707 --> 00:27:05,014 VIRGIL AND I KNEW WE COULD GIVE HER A LIFE 404 00:27:05,058 --> 00:27:08,496 FULL OF LOVE AND OPPORTUNITY. 405 00:27:08,539 --> 00:27:12,761 BUT SHE TURNED OUT TO BE A VERY TROUBLED GIRL. 406 00:27:12,805 --> 00:27:16,199 VERY UNHAPPY. 407 00:27:16,243 --> 00:27:18,375 SO WHEN SHE WAS IN HIGH SCHOOL, 408 00:27:18,419 --> 00:27:20,551 WE SENT HER TO A THERAPIST, 409 00:27:20,595 --> 00:27:23,685 AND SHE REMEMBERED A LOT OF THINGS 410 00:27:23,729 --> 00:27:27,776 WE THOUGHT SHE HAD FORGOTTEN. 411 00:27:27,820 --> 00:27:28,777 HER MOTHER? 412 00:27:28,821 --> 00:27:31,780 NO. 413 00:27:31,824 --> 00:27:33,695 SHE REMEMBERED ONLY ONE NAME-- 414 00:27:33,739 --> 00:27:36,698 LORELEI. 415 00:27:36,742 --> 00:27:38,961 OF COURSE, WE FOUND HER SISTER LORELEI 416 00:27:39,005 --> 00:27:40,528 AND REUNITED THEM. 417 00:27:40,571 --> 00:27:46,055 THE SISTERS WERE SO HAPPY, AND THEY WERE SO CLOSE. 418 00:27:46,099 --> 00:27:51,495 YOU'VE NEVER SEEN TWO SISTERS WHO WERE CLOSER. 419 00:27:51,539 --> 00:27:54,673 WHERE IS MIRANDA NOW? WE NEED TO TALK TO HER. 420 00:27:54,716 --> 00:27:58,677 SHE... SHE WAS MURDERED. 421 00:27:58,720 --> 00:27:59,939 SHE'S DEAD. 422 00:28:10,732 --> 00:28:13,604 THANKS FOR THE DRESS. 423 00:28:13,648 --> 00:28:18,261 OH, IT'S MY PLEASURE. 424 00:28:18,305 --> 00:28:19,828 SO, LISTEN, UH... 425 00:28:19,872 --> 00:28:21,134 [clears throat] 426 00:28:22,788 --> 00:28:25,834 YOU GONNA TELL ME WHERE WE'RE GOING? 427 00:28:25,878 --> 00:28:29,359 TO A CABIN MY SISTER AND I USED TO GO TO. 428 00:28:29,403 --> 00:28:30,621 YOU HAVE A SISTER? 429 00:28:30,665 --> 00:28:31,971 I DID. 430 00:28:34,060 --> 00:28:35,844 I'M SORRY. 431 00:28:35,888 --> 00:28:38,455 DON'T BE. 432 00:28:38,499 --> 00:28:41,894 HER DEATH WAS A GIFT, SORT OF. 433 00:28:41,937 --> 00:28:43,852 YOU WANT TO EXPLAIN THAT? 434 00:28:43,896 --> 00:28:46,855 YOU WOULDN'T UNDERSTAND. 435 00:28:46,899 --> 00:28:49,075 WELL, YOU COULD TRY ME. 436 00:28:49,118 --> 00:28:52,426 I MEAN, I-I'D LIKE TO UNDERSTAND. 437 00:28:52,469 --> 00:28:56,778 IN CASE YOU HAVEN'T NOTICED, HEALING IS NOT MY STRONG SUIT. 438 00:28:56,822 --> 00:29:01,043 LOSING MY SISTER BROUGHT ME INTO MY FULL REALITY. 439 00:29:01,087 --> 00:29:05,787 I FACED MY DEEPEST FEAR. 440 00:29:05,831 --> 00:29:09,922 I HAVE COMPLETE AWARENESS. 441 00:29:09,965 --> 00:29:12,576 NOTHING CAN HURT ME. 442 00:29:12,620 --> 00:29:15,754 THAT'S NONSENSE. BELIEVE ME. 443 00:29:15,797 --> 00:29:18,104 THINGS CAN HURT YOU. 444 00:29:19,801 --> 00:29:21,150 TRY ME.[bottle cap fizzes] 445 00:29:21,194 --> 00:29:23,152 [cap clatters] 446 00:29:23,196 --> 00:29:25,938 MM. THIS BEER IS WARM. 447 00:29:25,981 --> 00:29:28,288 [bottle clatters] 448 00:29:28,331 --> 00:29:29,811 I'LL GET SOME ICE. 449 00:29:37,950 --> 00:29:40,691 MIRANDA WAS BEAUTIFUL, LIKE HER SISTER. 450 00:29:40,735 --> 00:29:43,825 WHAT DOES THE CORONER'S REPORT SAY ABOUT THE CAUSE OF DEATH? 451 00:29:43,869 --> 00:29:44,913 HEATSTROKE. 452 00:29:44,957 --> 00:29:46,480 AFTER SHE WAS RAPED, 453 00:29:46,523 --> 00:29:50,832 SHE WAS LEFT CHAINED INSIDE OF AN EMPTY WAREHOUSE. 454 00:29:50,876 --> 00:29:53,835 DAYTIME TEMPERATURES REACHED 120 DEGREES INSIDE. 455 00:29:53,879 --> 00:29:58,100 CORONER FIGURES SHE LASTED ABOUT TWO DAYS. 456 00:29:58,144 --> 00:30:00,494 AND THEY NEVER FOUND THE KILLER? 457 00:30:00,537 --> 00:30:01,930 THE CASE IS STILL OPEN. 458 00:30:01,974 --> 00:30:06,805 THERE'S NO TRACE EVIDENCE, NO WITNESSES. JUST THIS. 459 00:30:06,848 --> 00:30:09,459 [cell phone chimes] 460 00:30:09,503 --> 00:30:10,460 [beep] 461 00:30:10,504 --> 00:30:12,985 HELLO?[Jane] Hey, Lisbon. 462 00:30:13,028 --> 00:30:14,856 I NEED YOUR HELP. 463 00:30:14,900 --> 00:30:17,032 [lowered voice] I NEED TO TAKE THIS. COULD YOU... 464 00:30:17,076 --> 00:30:20,122 I'LL BE RIGHT BACK. 465 00:30:20,166 --> 00:30:22,821 [stations change, static crackles] 466 00:30:22,864 --> 00:30:28,391 [Bing Crosby] ♪ AND THIS REFRAIN WAS HER SONG ♪ 467 00:30:28,435 --> 00:30:33,657 ♪ RED SAILS IN THE SUNSET 468 00:30:33,701 --> 00:30:35,964 ♪ WAY OUT ON THE SEA 469 00:30:36,008 --> 00:30:38,488 JANE, WHAT'S GOING ON? HAVE YOU BEEN KIDNAPPED? 470 00:30:38,532 --> 00:30:40,316 YES. I'M IN FEAR OF MY LIFE. 471 00:30:40,360 --> 00:30:41,709 I CAN'T TALK LONG. 472 00:30:41,752 --> 00:30:43,842 DID YOU KNOW LORELEI HAD A SISTER? 473 00:30:43,885 --> 00:30:46,148 YES. MIRANDA. HER MOTHER GAVE HER UP. 474 00:30:46,192 --> 00:30:47,715 WHERE ARE YOU? 475 00:30:47,758 --> 00:30:48,890 If she catches me on the phone, 476 00:30:48,934 --> 00:30:49,891 SHE'LL KILL ME. 477 00:30:49,935 --> 00:30:51,980 WHAT HAPPENED TO MIRANDA? 478 00:30:52,024 --> 00:30:53,373 SHE WAS MURDERED. 479 00:30:53,416 --> 00:30:55,723 ABDUCTED, RAPED, AND LEFT FOR DEAD FIVE YEARS AGO. 480 00:30:55,766 --> 00:30:57,333 Who did it?THEY DON'T KNOW. 481 00:30:57,377 --> 00:30:58,552 THEY DON'T EVEN HAVE A SUSPECT. 482 00:30:58,595 --> 00:30:59,945 But listen to this-- 483 00:30:59,988 --> 00:31:02,338 the police kept back a key detail from the public. 484 00:31:02,382 --> 00:31:03,687 Before Miranda died, 485 00:31:03,731 --> 00:31:06,212 SHE CARVED A MESSAGE INTO THE WAREHOUSE FLOOR. 486 00:31:06,255 --> 00:31:07,778 WHAT'D IT SAY? 487 00:31:07,822 --> 00:31:09,998 I'M LOOKING AT THE CRIME SCENE PHOTO NOW. 488 00:31:10,042 --> 00:31:11,086 IT SAYS "ROY." 489 00:31:14,785 --> 00:31:16,004 I NEED A COPY OF THAT PHOTO. 490 00:31:16,048 --> 00:31:21,444 UH, LISBON, YEAH. FAX IT TO ME AT THIS NUMBER... 491 00:31:21,488 --> 00:31:23,098 [female announcer on radio] I'M KATIE RILEY, 492 00:31:23,142 --> 00:31:25,927 AND I'LL BE BACK WITH MORE OF YOUR FAVORITE MELLOW BLENDS 493 00:31:25,971 --> 00:31:27,624 RIGHT AFTER THE NEWS. 494 00:31:27,668 --> 00:31:28,930 [male announcer] STATE AND FEDERAL AUTHORITIES 495 00:31:28,974 --> 00:31:30,801 HAVE INTENSIFIED THE SEARCH 496 00:31:30,845 --> 00:31:33,369 FOR A SACRAMENTO WOMAN, LORELEI MARTINS. 497 00:31:33,413 --> 00:31:35,371 JANE, JUST TELL ME WHERE YOU ARE. 498 00:31:35,415 --> 00:31:36,459 WE CAN HELP YOU. 499 00:31:36,503 --> 00:31:37,939 JUST FAX IT TO ME. 500 00:31:37,983 --> 00:31:40,202 I GOTTA GO. GOTTA GO. 501 00:31:40,246 --> 00:31:41,595 [receiver clatters] 502 00:31:46,687 --> 00:31:49,690 [fax machine whirring] 503 00:31:51,083 --> 00:31:54,608 ACCORDING TO POLICE, MARTINS IS HOLDING A HOSTAGE, 504 00:31:54,651 --> 00:31:57,785 PATRICK JANE. YESTERDAY, CBI CONSULTANT JANE'S CAR 505 00:31:57,828 --> 00:31:59,961 WAS FOUND ABANDONED BY THE SIDE OF THE ROAD. 506 00:32:00,005 --> 00:32:01,876 [fax machine whirring] 507 00:32:03,008 --> 00:32:06,011 [whirring] 508 00:32:14,019 --> 00:32:15,716 EVERYTHING OKAY? 509 00:32:17,109 --> 00:32:19,459 JANE JUST CALLED ME. 510 00:32:30,818 --> 00:32:31,819 [door squeaks] 511 00:32:37,825 --> 00:32:41,089 YOU LIE!AAH! 512 00:32:41,133 --> 00:32:42,786 [grunts] 513 00:32:42,830 --> 00:32:52,361 LIAR! 514 00:32:53,145 --> 00:32:54,102 FILTHY LIAR! KIDNAPPED?! 515 00:32:54,146 --> 00:32:54,537 PLEASE...HOW DARE YOU?! YOU LIED! 516 00:32:54,581 --> 00:32:56,670 [panting] 517 00:32:56,713 --> 00:33:00,282 I DIDN'T LIE. I JUST DIDN'T TELL YOU EVERYTHING. 518 00:33:00,326 --> 00:33:02,458 WHY DIDN'T YOU TELL ME? 519 00:33:02,502 --> 00:33:04,808 I HAD TO PROTECT MYSELF. 520 00:33:04,852 --> 00:33:06,723 [grunts] 521 00:33:06,767 --> 00:33:07,898 AAH! 522 00:33:07,942 --> 00:33:08,899 OH! 523 00:33:08,943 --> 00:33:12,599 PLEASE. JUST STOP. [panting] 524 00:33:17,082 --> 00:33:19,693 YOU HAD ME GOING, PATRICK. 525 00:33:19,736 --> 00:33:21,695 [panting] 526 00:33:26,526 --> 00:33:29,833 FOR A SECOND THERE, I ALMOST TRUSTED YOU. 527 00:33:29,877 --> 00:33:32,010 YOU SHOULD. YOU SHOULD TRUST ME. 528 00:33:32,053 --> 00:33:35,665 OH, STOP! JUST STOP PLAYING THE ROLE. 529 00:33:35,709 --> 00:33:37,667 YES, I PLAY A ROLE, BUT NOT WITH YOU. 530 00:33:37,711 --> 00:33:39,408 I'M BEING HONEST WITH YOU.LIES ON LIES! 531 00:33:39,452 --> 00:33:41,671 LORELEI, LISTEN TO ME. YOU HAVE TO LISTEN TO ME. 532 00:33:41,715 --> 00:33:46,024 YOUR BUDDY RED JOHN-- HE KILLED YOUR SISTER. 533 00:33:46,067 --> 00:33:49,070 WHAT ARE YOU TALKING ABOUT?YOUR SISTER MIRANDA. 534 00:33:49,114 --> 00:33:52,160 SHE WROTE A NAME ON THE FLOOR OF THE WAREHOUSE WHERE SHE DIED. 535 00:33:52,204 --> 00:33:54,162 THE NAME OF THE MAN WHO RAPED AND KILLED HER. 536 00:33:54,206 --> 00:33:56,034 IT WAS NEVER RELEASED TO THE PUBLIC. 537 00:33:56,077 --> 00:33:57,948 YOU'RE MAKING THAT UP.NO. 538 00:33:57,992 --> 00:34:00,560 THIS IS A CRIME SCENE PHOTO OF YOUR SISTER'S MURDER. 539 00:34:05,086 --> 00:34:06,870 "ROY." 540 00:34:06,914 --> 00:34:07,871 YES, ROY. 541 00:34:07,915 --> 00:34:11,571 WE BOTH KNOW WHO USES THAT ALIAS. 542 00:34:11,614 --> 00:34:14,530 I DON'T UNDERSTAND. 543 00:34:14,574 --> 00:34:17,446 WHERE DID YOU GET THIS?IT DOESN'T MATTER. 544 00:34:17,490 --> 00:34:19,709 RED JOHN RAPED AND KILLED YOUR SISTER. 545 00:34:19,753 --> 00:34:23,061 NO.HE MADE YOU A VICTIM SO THAT HE COULD RESCUE YOU. 546 00:34:23,104 --> 00:34:25,237 NO.HE PREYED ON YOUR PAIN. 547 00:34:25,280 --> 00:34:27,108 NO, IT'S NOT TRUE.YES. YOU DON'T WANT IT TO BE TRUE, 548 00:34:27,152 --> 00:34:28,936 BUT IT'S TRUE, AND YOU CAN FEEL THAT IT'S TRUE. 549 00:34:28,979 --> 00:34:30,677 JUST STOP! 550 00:34:32,853 --> 00:34:35,116 GOD, YOU'RE JUST LIKE HIM, YOU KNOW THAT? 551 00:34:35,160 --> 00:34:37,814 RELENTLESS MANIPULATION.I AM NOTHING LIKE HIM. 552 00:34:37,858 --> 00:34:39,903 HOW WOULD YOU KNOW? 553 00:34:39,947 --> 00:34:41,905 I KNOW. 554 00:34:41,949 --> 00:34:45,083 I ONLY WONDER WHY THE TWO OF YOU DIDN'T BECOME LIFELONG FRIENDS 555 00:34:45,126 --> 00:34:47,433 THE MOMENT YOU SHOOK HANDS. 556 00:34:49,261 --> 00:34:51,089 [ice clatters] 557 00:34:51,132 --> 00:34:53,091 [door slams]WAIT! 558 00:34:55,528 --> 00:34:57,138 WHERE ARE WE GOING? 559 00:34:57,182 --> 00:34:58,748 WE STILL GOING TO THE CABIN? 560 00:34:58,792 --> 00:35:01,142 THAT'S WHERE I'M GOING. YOU CAN GO WHERE YOU LIKE. 561 00:35:14,155 --> 00:35:16,114 WE TRACED JANE'S CALL TO A TRUCK STOP MOTEL 562 00:35:16,157 --> 00:35:18,768 ON ROUTE 99 JUST NORTH OF CHICO.RIGHT HERE. 563 00:35:18,812 --> 00:35:20,118 THE FUGITIVE AND HER HOSTAGE WERE GONE 564 00:35:20,161 --> 00:35:22,337 BY THE TIME DEPUTIES GOT TO THE MOTEL. 565 00:35:22,381 --> 00:35:25,253 [Buffalo Springfield] ♪ STEP OUT OF LINE 566 00:35:25,297 --> 00:35:28,996 ♪ THE MAN COME AND TAKE YOU AWAY ♪ 567 00:35:29,039 --> 00:35:32,260 ♪ YOU BETTER STOP, HEY, WHAT'S THAT SOUND? ♪ 568 00:35:32,304 --> 00:35:34,132 ♪ EVERYBODY LOOK WHAT'S GOING 569 00:35:34,175 --> 00:35:36,960 ♪ YOU BETTER STOP, HEY, WHAT'S THAT SOUND? ♪ 570 00:35:37,004 --> 00:35:39,137 [Kirkland] THEY WERE MOVING NORTH. 571 00:35:39,180 --> 00:35:41,139 LET'S ASSUME THEY STILL ARE. WHERE ARE THEY GOING? 572 00:35:41,182 --> 00:35:42,618 WELL, IF THEY TAKE THE 97 NORTH, 573 00:35:42,662 --> 00:35:43,967 THEY'LL HIT THE BUTTER VALLEY AIRPORT. 574 00:35:44,011 --> 00:35:46,796 ONE RUNWAY. PUBLIC USE. FIVE TAKEOFFS A DAY. 575 00:35:46,840 --> 00:35:49,190 THEY MIGHT GO FOR A PLANE. OKAY, LOCK IT DOWN. WHAT ELSE? 576 00:35:49,234 --> 00:35:50,365 I'VE BEEN GOING THROUGH FINANCIAL RECORDS 577 00:35:50,409 --> 00:35:51,627 FOR LORELEI'S SISTER. 578 00:35:51,671 --> 00:35:53,151 SHE OWNED A CABIN IN THE SIERRAS 579 00:35:53,194 --> 00:35:54,804 ABOUT 200 MILES NORTH OF THAT MOTEL. 580 00:35:54,848 --> 00:35:57,894 FROM WHAT I CAN SEE, THE CABIN WAS NEVER SOLD AFTER HER DEATH. 581 00:35:57,938 --> 00:36:00,288 AN ANONYMOUS THIRD PARTY HAS BEEN PAYING THE TAXES ON IT. 582 00:36:00,332 --> 00:36:01,289 RED JOHN?[Kirkland] CALL TACTICAL. 583 00:36:01,333 --> 00:36:03,509 I WANT A CHOPPER HERE IN TEN. 584 00:36:05,728 --> 00:36:08,514 IT'S JUST UP AHEAD, AT THE END OF THE ROAD. 585 00:36:18,959 --> 00:36:20,526 [shifts gears] 586 00:36:25,052 --> 00:36:28,011 YOU GO AHEAD. I'LL GET THE STUFF. 587 00:36:28,055 --> 00:36:29,056 OKAY. 588 00:36:42,896 --> 00:36:45,159 THE KEY IS UNDER THE FLOWER POT. 589 00:37:30,335 --> 00:37:32,641 WELCOME.[gasps] 590 00:37:32,685 --> 00:37:35,253 WELL, IT'S A NICE PLACE. 591 00:37:35,296 --> 00:37:38,560 YEAH. 592 00:37:38,604 --> 00:37:40,910 BELONGED TO MY SISTER. 593 00:37:40,954 --> 00:37:43,870 WE USED TO COME HERE TO FORGET ABOUT THE WORLD. 594 00:37:46,220 --> 00:37:47,265 [sighs] 595 00:37:47,308 --> 00:37:48,483 IT'S SAFE. 596 00:37:53,009 --> 00:37:56,012 RED JOHN DIDN'T KILL HER, PATRICK. 597 00:37:56,056 --> 00:37:59,189 YOU'LL NEVER CONVINCE ME THAT HE DID. 598 00:37:59,233 --> 00:38:03,019 I'D KILL FOR A CUP OF TEA RIGHT NOW. 599 00:38:03,063 --> 00:38:07,589 I CAN MAKE YOU ONE. 600 00:38:07,633 --> 00:38:10,592 I'D LIKE THAT. 601 00:38:10,636 --> 00:38:12,420 BUT WE CAN'T STAY HERE. 602 00:38:12,464 --> 00:38:13,943 WHY NOT? 603 00:38:13,987 --> 00:38:16,598 IF MIRANDA BOUGHT THIS PLACE, THE POLICE'LL FIND IT. 604 00:38:16,642 --> 00:38:19,514 THEY'RE PROBABLY ON THEIR WAY HERE RIGHT NOW. 605 00:38:19,558 --> 00:38:21,516 THEN WE HAVE TO GO.NO, YOU HAVE TO GO. 606 00:38:21,560 --> 00:38:23,605 I'LL STAY. I'LL TRY AND DELAY THEM.WHAT? 607 00:38:23,649 --> 00:38:25,477 WELL, LIKE YOU SAID, I'M NEVER GONNA CONVINCE YOU 608 00:38:25,520 --> 00:38:27,348 THAT RED JOHN KILLED YOUR SISTER. 609 00:38:27,392 --> 00:38:29,829 YOU NEED TO GO AND FIND OUT THE TRUTH FOR YOURSELF. 610 00:38:29,872 --> 00:38:31,309 BUT, PATRICK--AND WHEN YOU DO, 611 00:38:31,352 --> 00:38:35,356 WHEN YOU KNOW THE TRUTH... 612 00:38:35,400 --> 00:38:37,619 YOU KNOW WHERE TO FIND ME. 613 00:38:37,663 --> 00:38:41,319 JUST CALL ME. 614 00:38:44,713 --> 00:38:46,454 WHERE ARE THE CAR KEYS? 615 00:38:46,498 --> 00:38:48,326 IN THE CAR. 616 00:38:51,416 --> 00:38:53,374 IS THERE A BACK WAY OUT OF HERE? 617 00:38:53,418 --> 00:38:56,029 UM, THERE'S--NO. THERE'S JUST FIRE TRAILS. 618 00:38:56,072 --> 00:38:58,466 OKAY. WHAT ABOUT THIS THING? DOES THIS RUN? 619 00:38:58,510 --> 00:39:00,468 IT'S BEEN ON A TRICKLE CHARGE. 620 00:39:00,512 --> 00:39:01,643 YEAH, IT SHOULD. 621 00:39:01,687 --> 00:39:03,645 OKAY, YOU TAKE THE 4x4 ON THE FIRE ROAD. 622 00:39:03,689 --> 00:39:04,820 THEY WON'T BE LOOKING FOR THAT. 623 00:39:04,864 --> 00:39:05,821 I'M GONNA COVER FOR YOU. 624 00:39:05,865 --> 00:39:07,649 YOU CAN'T STAY HERE, PATRICK. 625 00:39:07,693 --> 00:39:10,348 THERE'S NO WAY THEY'LL BELIEVE YOU WERE MY HOSTAGE. 626 00:39:10,391 --> 00:39:12,088 I WILL MAKE THEM BELIEVE. 627 00:39:12,132 --> 00:39:13,351 YOU WANT ME TO BEAT YOU UP OR SOMETHING? 628 00:39:13,394 --> 00:39:15,396 KNOCK YOU OUT?UH, NO, THANKS. 629 00:39:24,927 --> 00:39:25,928 YOU GOTTA GO. 630 00:39:29,628 --> 00:39:31,717 [hood closes] 631 00:39:31,760 --> 00:39:36,069 [engine sputters, turns over] 632 00:39:48,951 --> 00:39:51,084 [engine starts, door alert chiming] 633 00:39:56,568 --> 00:39:58,526 [seat belt clicks] 634 00:39:58,570 --> 00:39:59,919 [exhales deeply] 635 00:40:02,748 --> 00:40:05,968 [engine revving] 636 00:40:06,012 --> 00:40:09,537 [exhaling deeply] 637 00:40:09,581 --> 00:40:12,671 [engine revs loudly] 638 00:40:14,107 --> 00:40:16,370 [tires screech] 639 00:40:22,507 --> 00:40:25,771 [hissing] 640 00:40:30,471 --> 00:40:32,386 [vehicle approaches] 641 00:40:35,128 --> 00:40:38,653 [car doors close] 642 00:40:38,697 --> 00:40:42,135 [Kirkland] CHECK THE CABIN. SEARCH THE SURROUNDING WOODS. 643 00:40:57,063 --> 00:40:58,934 JANE. 644 00:40:58,978 --> 00:41:01,371 [groans]HE'S OKAY. 645 00:41:01,415 --> 00:41:02,372 [groans] 646 00:41:02,416 --> 00:41:04,287 DID YOU GET HER? 647 00:41:04,331 --> 00:41:06,681 NOT YET. 648 00:41:06,725 --> 00:41:09,815 SHE'S, UH, SHE'S ON FOOT. 649 00:41:09,858 --> 00:41:11,512 AGENT KIRKLAND, HOMELAND SECURITY. 650 00:41:11,556 --> 00:41:13,383 I NEED RESCUE HOT SOUTH OF ORR LAKE, 651 00:41:13,427 --> 00:41:15,037 FOREST ROUTE 42 NORTH 12.[static crackles] 652 00:41:15,081 --> 00:41:17,387 WHO'S THAT GUY?DON'T TALK. 653 00:41:17,431 --> 00:41:18,954 HELP'S ON THE WAY. 654 00:41:18,998 --> 00:41:21,914 [exhales] HURTS. 655 00:41:24,873 --> 00:41:28,398 [groans]SHH. IT'S OKAY. 656 00:41:40,019 --> 00:41:42,325 YOU'LL NEVER KNOW. 657 00:41:42,369 --> 00:41:43,718 I'LL NEVER KNOW WHAT? 658 00:41:43,762 --> 00:41:47,200 WHETHER I ENGINEERED THE ESCAPE AND ABDUCTION. 659 00:41:47,243 --> 00:41:49,158 TRUST ME. I KNOW. 660 00:41:49,202 --> 00:41:51,509 YOU DON'T KNOW. 661 00:41:51,552 --> 00:41:53,336 YOU JUST GUESS. 662 00:41:53,380 --> 00:41:57,340 AND YOU DIDN'T TELL YOUR NEW BEST FRIEND, KIRKLAND, EITHER. 663 00:41:57,384 --> 00:41:58,516 I DON'T HAVE ANY EVIDENCE. 664 00:41:58,559 --> 00:42:00,822 IF I DID, I'D PUT YOU IN CUFFS MYSELF. 665 00:42:00,866 --> 00:42:01,823 NO, YOU WOULDN'T. 666 00:42:01,867 --> 00:42:02,998 TRY ME. 667 00:42:03,042 --> 00:42:06,088 [chuckles] 668 00:42:06,132 --> 00:42:07,089 WHAT'S SO FUNNY? 669 00:42:07,133 --> 00:42:09,527 NOTHING. SORRY. 670 00:42:12,312 --> 00:42:15,445 ALL OF IT'S WORTH IT. 671 00:42:22,627 --> 00:42:26,761 SHE TOLD ME RED JOHN AND I ARE VERY MUCH ALIKE. 672 00:42:26,805 --> 00:42:28,546 THAT IT'S A WONDER WE WEREN'T BEST FRIENDS 673 00:42:28,589 --> 00:42:31,461 FROM THE MOMENT WE SHOOK HANDS. 674 00:42:31,505 --> 00:42:34,247 YOU'VE MET RED JOHN? 675 00:42:34,290 --> 00:42:36,379 YES. 676 00:42:36,423 --> 00:42:39,382 HE'S SOMEONE I KNOW. 677 00:42:39,426 --> 00:42:42,908 [chuckles]