1 00:00:02,219 --> 00:00:04,047 WHERE IS SHE?OVER HERE. 2 00:00:04,134 --> 00:00:06,876 YOU SAW THE SUSPECT? DETAILS, PLEASE. WHERE? WHEN? 3 00:00:06,963 --> 00:00:09,400 UH, I WAS COMING OUT OF THE ELEVATOR AFTER LUNCH. 4 00:00:09,487 --> 00:00:11,185 WHERE WAS THE SUSPECT HEADED? 5 00:00:11,272 --> 00:00:14,275 UP THE STAIRS, WHICH IS STRANGE 'CAUSE THAT'S LEADS TO THE ROOF. 6 00:00:14,362 --> 00:00:16,929 NOT JUST THE ROOF. JANE WORKS THERE. ANYBODY SEEN HIM? 7 00:00:17,017 --> 00:00:18,192 NOT SINCE THIS MORNING. 8 00:00:18,279 --> 00:00:19,889 COVER THE EXITS! ALL OF THEM! 9 00:00:19,976 --> 00:00:22,065 USE WHOEVER YOU HAVE TO OUT HERE! 10 00:00:27,114 --> 00:00:28,550 HASTEN SLOWLY. 11 00:00:28,637 --> 00:00:30,595 THE TARGET WILL BE ARMED. 12 00:00:50,485 --> 00:00:52,835 IT'S LOCKED. 13 00:00:52,922 --> 00:00:55,925 JANE? YOU IN THERE? 14 00:00:56,012 --> 00:00:57,492 [Patrick] YEAH, I'M COMING OUT. 15 00:01:00,060 --> 00:01:03,715 YOU'RE GONNA HAVE TO STAND BACK. AND IF YOU'RE BEARING FIREARMS, 16 00:01:03,802 --> 00:01:05,935 PLEASE LOWER THEM. 17 00:01:06,022 --> 00:01:07,371 PLEASE. 18 00:01:14,422 --> 00:01:17,077 [door rumbles] 19 00:01:17,164 --> 00:01:19,253 [clank] 20 00:01:23,909 --> 00:01:25,476 STAND BACK... 21 00:01:25,563 --> 00:01:28,653 OR HE DIES. 22 00:01:28,740 --> 00:01:30,394 ♪♪ 23 00:02:01,469 --> 00:02:03,166 [Cho] SECURITY GUARD MAKING ROUNDS THIS MORNING 24 00:02:03,253 --> 00:02:04,820 FOUND THE BODY. MULTIPLE STAB WOUNDS. 25 00:02:04,907 --> 00:02:06,691 ANYTHING MISSING FROM THE DISPLAY CASE? 26 00:02:06,778 --> 00:02:09,564 YEAH, A MAYAN FIGURINE. GOLD. VALUED AT 200 GRAND. 27 00:02:09,651 --> 00:02:11,348 GOT AN I.D. ON THE VICTIM? 28 00:02:11,435 --> 00:02:12,915 MANUEL MONTERO. 29 00:02:13,002 --> 00:02:15,483 HE WAS A PROFESSOR AT THE UNIVERSITY, IN ANCIENT ART. 30 00:02:15,570 --> 00:02:18,790 SECURITY CAMERAS SHOW HIM ENTERING THE MUSEUM ALONE AT 10:25 P.M., 31 00:02:18,877 --> 00:02:20,792 THEN HE TURNED OFF THE CAMERAS.[Patrick] LISBON. 32 00:02:20,879 --> 00:02:23,795 LOOK AT THIS. 33 00:02:23,882 --> 00:02:25,580 MEET CAROLINE-- 34 00:02:25,667 --> 00:02:28,365 ONE OF THE MOST WELL-PRESERVED TYRANNOSAURUS REX 35 00:02:28,452 --> 00:02:30,628 EVER DISCOVERED. ISN'T SHE AWESOME? 36 00:02:30,715 --> 00:02:32,543 WE'VE GOT A DEAD MAN OVER THERE. 37 00:02:32,630 --> 00:02:35,242 DEAD MEN I'VE SEEN. BUT THIS... 38 00:02:35,329 --> 00:02:38,854 COULD WE GET BACK TO WORK, PLEASE? 39 00:02:38,941 --> 00:02:41,291 MUST I JUSTIFY MY EVERY ACTION? 40 00:02:41,378 --> 00:02:43,902 PLEASE OBSERVE THE RIB CAGE 41 00:02:43,989 --> 00:02:46,688 OF OUR SMALLER FOSSILIZED FRIEND HERE. 42 00:02:46,775 --> 00:02:48,994 THERE'S A RIB MISSING.EXACTLY. 43 00:02:49,081 --> 00:02:51,475 YOU THINK SOMEBODY CLIMBED UP THERE AND STOLE IT? 44 00:02:51,562 --> 00:02:53,912 WELL, TWO OPTIONS-- THE FIRST INVOLVES CLONING. 45 00:02:53,999 --> 00:02:55,392 THE SECOND AND MORE LIKELY-- 46 00:02:55,479 --> 00:02:59,570 IT WAS USED TO BREAK A VERY THICK PIECE OF GLASS. 47 00:02:59,657 --> 00:03:03,052 COULD WE GET SOMEBODY TO DUST THE STEGOSAURUS FOR PRINTS? 48 00:03:03,139 --> 00:03:06,055 IT'S NOT A STEGOSAURUS. IT'S A TRICERATOPS. 49 00:03:06,142 --> 00:03:07,796 TRICERATOP... PS....PS. 50 00:03:07,883 --> 00:03:08,797 ...PS....PS. 51 00:03:08,884 --> 00:03:10,712 ...PS.UGH. 52 00:03:10,799 --> 00:03:12,453 [man, foreign accent] MY NAME'S CHRISTO PAPADAKIS. 53 00:03:12,540 --> 00:03:14,237 I AM PROFESSOR OF ANTHROPOLOGY. 54 00:03:14,324 --> 00:03:16,196 DID YOU KNOW THE VICTIM?MANUEL MONTERO. 55 00:03:16,283 --> 00:03:17,849 HE WAS PART-TIME FACULTY. 56 00:03:17,936 --> 00:03:19,764 TOO BUSY TO TEACH FULL-TIME. [chuckles] 57 00:03:19,851 --> 00:03:21,810 MONTERO WAS ON THE RUN. 58 00:03:21,897 --> 00:03:23,638 ON THE RUN FROM WHO? 59 00:03:23,725 --> 00:03:25,466 NOBODY. HE--HE TRAVELED. 60 00:03:25,553 --> 00:03:29,121 HE WAS ALWAYS RUNNING TO SOUTH AMERICA. 61 00:03:29,209 --> 00:03:32,255 HIS CAREER WAS IN RUINS.WELL, TOUGH TIMES FOR EVERYBODY. 62 00:03:32,342 --> 00:03:36,390 NOT FOR MONTERO. HE HAD A LOT OF MONEY.YOU JUST SAID HE WAS IN RUINS. 63 00:03:36,477 --> 00:03:39,654 YES, TOLTEC. MAYAN. 64 00:03:39,741 --> 00:03:41,351 OH. MONTERO WAS AN ARCHAEOLOGIST? 65 00:03:41,438 --> 00:03:43,223 SPECIALIZING IN PRE-COLUMBIAN ART. 66 00:03:43,310 --> 00:03:47,227 MANY OF THE PIECES AROUND YOU ARE, UH, ON LOAN FROM HIM. 67 00:03:47,314 --> 00:03:50,012 CAN YOU THINK OF ANYONE WITH A REASON TO KILL MONTERO? 68 00:03:50,099 --> 00:03:52,319 WELL, HE WAS A TRAITOR. 69 00:03:52,406 --> 00:03:56,061 OH, HE WAS A TRAITOR? WHO DID HE BETRAY?BETRAY? NOBODY. 70 00:03:56,148 --> 00:03:59,500 WELL, YOU JUST SAID HE WAS A--MONTERO WAS AN HONEST ANTIQUITIES DEALER. 71 00:03:59,587 --> 00:04:03,330 ONE OF THE LAST. MOST TRADERS THESE DAYS ARE LOOTERS 72 00:04:03,417 --> 00:04:05,723 AND NO-GOOD SON-OF-A-BITCHES. 73 00:04:05,810 --> 00:04:08,770 SO, MONTERO WAS A TRADER... 74 00:04:08,857 --> 00:04:11,251 HE TRADEDANTIQUITIES, 75 00:04:11,338 --> 00:04:15,124 EXCAVATED FROM SOUTH AMERICAN RUINS. 76 00:04:17,431 --> 00:04:20,085 ARE YOU REALLY PROFESSIONAL POLICE OFFICER? 77 00:04:24,612 --> 00:04:26,788 SO THE MISSING PENDANT BELONGED TO THE VICTIM. 78 00:04:26,875 --> 00:04:28,833 MONTERO LIKED TO VISIT THE MUSEUM AFTER HOURS 79 00:04:28,920 --> 00:04:30,792 TO SHOW HIS PIECES TO PRIVATE BUYERS. 80 00:04:30,879 --> 00:04:33,708 HE HAD A KEY TO THE BUILDING AND THE SECURITY CODE. 81 00:04:33,795 --> 00:04:36,624 AT THE HEART OF ANY SALESMAN IS SHOWMANSHIP. 82 00:04:36,711 --> 00:04:38,669 YOU'D BE HARD-PRESSED TO FIND A MORE DRAMATIC 83 00:04:38,756 --> 00:04:40,323 PROSCENIUM THAN THIS. 84 00:04:40,410 --> 00:04:42,804 YEAH, SMART STRATEGY UNLESS THE BUYER DOESN'T WANNA PAY. 85 00:04:42,891 --> 00:04:45,372 [Lisbon] STABBED IN THE BACK, LITERALLY. 86 00:04:45,459 --> 00:04:49,245 MONTERO PROBABLY DIDN'T SEE IT COMING.BUT HE HAD TIME TO THINK ABOUT IT. 87 00:04:49,332 --> 00:04:52,117 LOOK AT HIS WATCH. 88 00:04:52,204 --> 00:04:53,684 WOW. THAT'S AN UGLY WATCH. 89 00:04:53,771 --> 00:04:55,512 IT'S A CALCULATOR WATCH. 90 00:04:55,599 --> 00:04:59,124 INDEED. VERY USEFUL ACCESSORY FOR THE SALES PRO ON THE GO. 91 00:04:59,211 --> 00:05:02,432 IS THERE SOMETHING TYPED IN THERE? 92 00:05:02,519 --> 00:05:04,739 IT'S UH, NUMBERS. 93 00:05:04,826 --> 00:05:08,220 "6-0-7-8." 94 00:05:08,308 --> 00:05:09,657 SUPPOSED TO MEAN SOMETHING? 95 00:05:09,744 --> 00:05:14,009 TRY LOOKING AT THE NUMBERS UPSIDE-DOWN. 96 00:05:14,096 --> 00:05:15,706 HUH. 97 00:05:15,793 --> 00:05:17,317 IT SAYS "BLOG." 98 00:05:17,404 --> 00:05:19,667 HIS CELL PHONE WAS CRUSHED BY THE KILLER, 99 00:05:19,754 --> 00:05:22,060 SO MONTERO HERE IMPROVISED. 100 00:05:22,147 --> 00:05:25,237 CALL VAN PELT AND SEE IF MONTERO PUBLISHED A BLOG. 101 00:05:25,325 --> 00:05:27,979 I'M READY TO GO. I'VE SEEN ENOUGH.I HAVEN'T. 102 00:05:28,066 --> 00:05:31,505 YOU KNOW THEY HAVE MASTODONS HERE? GIANT SLOTHS. 103 00:05:31,592 --> 00:05:34,464 AND DIRE WOLVES. I-I'LL CATCH UP. 104 00:05:34,551 --> 00:05:37,119 [Mimi] But, Mommy, I want to go. 105 00:05:37,206 --> 00:05:38,990 YOU CAN SQUAWK ALL YOU LIKE, MIMI. 106 00:05:39,077 --> 00:05:40,949 THERE'S NO SLEEPOVERS ON A SCHOOL NIGHT. 107 00:05:41,036 --> 00:05:42,690 I have to. 108 00:05:42,777 --> 00:05:43,952 NO. 109 00:05:44,039 --> 00:05:46,433 Mommy, that's so unfair. 110 00:05:46,520 --> 00:05:48,348 I'M SORRY, BABY. I GOTTA GO. 111 00:05:48,435 --> 00:05:49,784 Alright. Love you. 112 00:05:49,871 --> 00:05:52,700 MM-HMM. LOVE YOU, TOO. BYE. 113 00:05:52,787 --> 00:05:54,136 [hangs up telephone] 114 00:05:54,223 --> 00:05:55,877 FORGIVE THE INTRUSION. 115 00:05:58,053 --> 00:06:01,535 WHAT'S THIS ABOUT, AGENT LaROCHE? 116 00:06:01,622 --> 00:06:03,711 [chair scrapes] 117 00:06:03,798 --> 00:06:06,844 [clears throat] THE TODD JOHNSON CASE. 118 00:06:09,543 --> 00:06:11,022 HMM. 119 00:06:12,589 --> 00:06:15,853 I WOULD LIKE TO SHOW YOU A PHOTO 120 00:06:15,940 --> 00:06:19,335 OF ONE OF THE LAW ENFORCEMENT OFFICERS 121 00:06:19,422 --> 00:06:21,903 THAT HE MURDERED. 122 00:06:27,735 --> 00:06:30,477 DID YOU KNOW THIS MAN? 123 00:06:30,564 --> 00:06:34,089 RANCE HOWARD. C.H.P. OFFICER. 124 00:06:34,176 --> 00:06:37,135 VERY POPULAR. A LOT OF OUR AGENTS WERE CLOSE TO HIM. 125 00:06:37,222 --> 00:06:38,920 SOME MORE THAN OTHERS. 126 00:06:42,619 --> 00:06:45,405 THERE'S A RUMOR THAT YOU AND HOWARD 127 00:06:45,492 --> 00:06:49,452 WERE INTIMATELY INVOLVED. IS THAT TRUE? 128 00:06:49,539 --> 00:06:50,975 EXCUSE ME? 129 00:06:51,062 --> 00:06:52,803 SIMPLE QUESTION. 130 00:06:52,890 --> 00:06:57,025 SIMPLE ANSWER--WHAT THE HELL IS THAT TO YOU OR ANYBODY ELSE? 131 00:06:57,112 --> 00:07:00,811 JOHNSON WAS SET ON FIRE-- 132 00:07:00,898 --> 00:07:04,598 A CRIME OF PASSION IF THERE EVER WAS ONE. 133 00:07:04,685 --> 00:07:09,733 IF YOU WERE HAVING AN AFFAIR WITH ONE OF JOHNSON'S VICTIMS, 134 00:07:09,820 --> 00:07:13,041 YOU HAD PASSION AND MOTIVE. 135 00:07:18,655 --> 00:07:20,657 YOUR INVESTIGATION SEEMS TO HINGE 136 00:07:20,744 --> 00:07:24,792 ON WHAT YOU MAY HAVE READ ON A BATHROOM WALL. 137 00:07:26,924 --> 00:07:29,884 GOOD LUCK WITH THAT, AGENT LaROCHE. 138 00:07:45,073 --> 00:07:46,988 [chair scrapes] 139 00:07:48,119 --> 00:07:50,165 [chair scrapes] 140 00:08:06,094 --> 00:08:08,139 [papers rustle] 141 00:08:08,226 --> 00:08:10,402 BACKGROUND ON MONTERO.WHAT DO WE KNOW ABOUT HIM? 142 00:08:10,490 --> 00:08:12,056 SINGLE, SELF-EMPLOYED, 143 00:08:12,143 --> 00:08:14,102 SPENT HALF HIS TIME ABROAD IMPORTING ANCIENT ART. 144 00:08:14,189 --> 00:08:16,408 SOLD IT FROM A WAREHOUSE IN SAN FRANCISCO.FAMILY? 145 00:08:16,496 --> 00:08:18,628 PARENTS RETIRED IN FLORIDA. THEY'LL BE HERE. 146 00:08:18,715 --> 00:08:20,500 HEY, BOSS. I LOOKED INTO THE BLOG. 147 00:08:20,587 --> 00:08:23,590 MONTERO DID PUBLISH ONE-- "I DIG DEAD PEOPLE." 148 00:08:23,677 --> 00:08:26,767 ARCHAEOLOGY HUMOR. CUTE. ANYTHING USEFUL? 149 00:08:26,854 --> 00:08:28,333 A LOT OF SELF-PROMOTIONAL ENTRIES 150 00:08:28,420 --> 00:08:30,118 ABOUT HIS RELIC-HUNTING ADVENTURES. 151 00:08:30,205 --> 00:08:32,947 THREE WEEKS AGO, HE CAME BACK FROM A TRIP TO COLUMBIA 152 00:08:33,034 --> 00:08:35,427 WITH THE GOLD PENDANT THAT WAS STOLEN FROM THE MUSEUM. 153 00:08:35,515 --> 00:08:36,907 AFTER MONTERO BLOGGED ABOUT IT, 154 00:08:36,994 --> 00:08:38,692 A PRIVATE BUYER POSTED AN ANONYMOUS E-MAIL 155 00:08:38,779 --> 00:08:40,781 TO ARRANGE A VIEWING. 156 00:08:40,868 --> 00:08:43,044 YOU PUT A TRACE ON THE E-MAIL?NOT ME. 157 00:08:43,131 --> 00:08:44,959 FBI's COMPUTER FORENSICS LAB. 158 00:08:45,046 --> 00:08:47,701 ONE OF THE PERKS OF HAVING A FIANCe WITH THE FEDS. 159 00:08:47,788 --> 00:08:49,441 PRELIMINARY FORENSIC REPORT. 160 00:08:49,529 --> 00:08:51,966 PULLED ABOUT A HALF DOZEN PRINTS OFF THE STEGOSAURUS SKELETON. 161 00:08:52,053 --> 00:08:53,837 GONNA TAKE A WHILE TO PROCESS THEM. 162 00:08:53,924 --> 00:08:56,536 WHILE WE'RE WAITING, LET'S WORK ON DEVELOPING SOME LEADS. 163 00:08:56,623 --> 00:08:59,843 HEY, YOU SAID THAT MONTERO HAD A WAREHOUSE?YEAH, IN THE MISSION DISTRICT. 164 00:08:59,930 --> 00:09:01,715 THERE'S SOMETHING ELSE. I RAN HIS FINANCIALS. 165 00:09:01,802 --> 00:09:03,978 PROFITS FROM HIS COMPANY HAVE BEEN GOING UP 166 00:09:04,065 --> 00:09:07,198 WHEN OTHER ART AND ANTIQUITY DEALERS ARE CLOSING SHOP.CLOSING SHOP? WHY? 167 00:09:07,285 --> 00:09:09,505 REPATRIATION LAWS. COUNTRIES ARE NOW SUING FOR THE RETURN 168 00:09:09,592 --> 00:09:12,377 OF THEIR CULTURAL TREASURES.YOU AND RIGSBY GO TO THE WAREHOUSE. 169 00:09:12,464 --> 00:09:14,597 SEE IF YOU CAN FIND ANYTHING. 170 00:09:22,474 --> 00:09:23,824 HI, JANE.HEY. 171 00:09:23,911 --> 00:09:25,608 BOYS ARE WORKING ON THE PARKING LOT. 172 00:09:25,695 --> 00:09:26,957 NEED YOU TO PARK UNDERGROUND. 173 00:09:27,044 --> 00:09:29,351 OH, NO PROBLEM. THAT KID OF YOURS, JIM-- 174 00:09:29,438 --> 00:09:31,745 IS HE INTO DINOSAURS AND PREHISTORIC STUFF? 175 00:09:31,832 --> 00:09:33,094 SURE LOVES HIS MOTHER. 176 00:09:33,181 --> 00:09:36,053 [laughs] HERE. GIVE HIM THIS. 177 00:09:36,140 --> 00:09:38,273 IT'S A REPLICA OF A DIRE WOLF'S TOOTH. 178 00:09:38,360 --> 00:09:41,624 THANKS. LOOK AT THAT. 179 00:09:41,711 --> 00:09:42,930 HAVE A GOOD DAY. 180 00:10:08,520 --> 00:10:09,609 [engine turns off] 181 00:10:15,963 --> 00:10:17,486 [car door closes] 182 00:10:19,575 --> 00:10:20,707 WHAT? 183 00:10:20,794 --> 00:10:22,404 I DIDN'T SAY ANYTHING. 184 00:10:22,491 --> 00:10:24,319 [sighs] YOU WERE THINKING IT. 185 00:10:24,406 --> 00:10:26,930 MENTALIZING ME.YOU CAN TELL? 186 00:10:27,017 --> 00:10:29,324 I CAN READ IT ON YOUR FACE. SO STOP. 187 00:10:29,411 --> 00:10:32,240 IF YOU CAN READ IT, THEN YOU'RE MENTALIZING ME. 188 00:10:32,327 --> 00:10:34,198 SO YOUSTOP. 189 00:10:34,285 --> 00:10:37,941 OH. NO, ON SECOND THOUGHT, KEEP GOING. WHAT AM I THINKING? 190 00:10:38,028 --> 00:10:41,728 PLEASE GO AWAY, JANE.NOPE. THAT'S WRONG. TRY AGAIN. 191 00:10:41,815 --> 00:10:43,904 YOU'RE THINKING I'M FREAKING OUT 192 00:10:43,991 --> 00:10:46,428 BECAUSE SOME FOOL SPREAD A RUMOR 193 00:10:46,515 --> 00:10:48,909 THAT I WAS HAVING AN AFFAIR WITH RANCE HOWARD. 194 00:10:48,996 --> 00:10:51,825 THE C.H.P. OFFICER?YOU'RE THE ONE THINKING IT. 195 00:10:51,912 --> 00:10:54,654 I FEEL NAKED. 196 00:10:54,741 --> 00:10:58,092 THERE'S ONLY ONE PERSON THAT HAS THIS SINGULAR EFFECT ON PEOPLE. 197 00:10:58,179 --> 00:11:01,269 YOU'VE BEEN LaROCHED, HAVEN'T YOU? 198 00:11:01,356 --> 00:11:03,837 I SUPPOSE I HAVE.WELL, THERE'S NO SHAME IN IT. 199 00:11:03,924 --> 00:11:06,666 WE'RE ALL POTS IN HIS KITCHEN, AND HE'S A SOUS CHEF, 200 00:11:06,753 --> 00:11:08,972 JUST WAITING FOR ONE OF US TO BOIL OVER. 201 00:11:09,059 --> 00:11:12,889 I WON'T GIVE HIM THE SATISFACTION.OF COURSE NOT. DID YOU? 202 00:11:12,976 --> 00:11:15,979 DID I WHAT?DID YOU HAVE AN AFFAIR WITH RANCE HOWARD? 203 00:11:16,066 --> 00:11:19,374 MY PERSONAL LIFE IS MY PERSONAL LIFE. 204 00:11:19,461 --> 00:11:22,464 NOBODY ELSE HAS THE RIGHT TO IT.WELL YOU'RE WRONG ABOUT THAT. 205 00:11:22,551 --> 00:11:24,596 LaROCHE DOES. WHATEVER THE TRUTH IS, 206 00:11:24,684 --> 00:11:26,816 I WOULDN'T TRY TO HIDE IT FROM HIM. 207 00:11:26,903 --> 00:11:28,644 HE'LL FIND OUT EVENTUALLY. 208 00:11:35,390 --> 00:11:37,784 HO-HO-HO. IT'S OUR LUCKY DAY, BUDDY. 209 00:11:37,871 --> 00:11:40,308 SEE THAT TACO TRUCK AS WE GOT OFF THE FREEWAY? 210 00:11:40,395 --> 00:11:42,005 THAT TACO TRUCK'S ALWAYS THERE. 211 00:11:42,092 --> 00:11:44,747 YEAH. A LITTLE CARNE ASADA AFTER WE CHECK OUT THE WAREHOUSE? 212 00:11:44,834 --> 00:11:45,879 MUY BIEN. 213 00:11:45,966 --> 00:11:47,794 NO.WHY NOT? 214 00:11:47,881 --> 00:11:50,318 DON'T WANNA CROSS HOBO ALLEY TO ORDER FROM A TRUCK 215 00:11:50,405 --> 00:11:52,755 THAT'S NEAR THE SEWAGE DITCH UNDER THE FREEWAY. 216 00:11:52,842 --> 00:11:56,324 BUT THERE'S TACOS THERE. 217 00:11:56,411 --> 00:11:57,978 THIS IS THE WAREHOUSE. 218 00:11:59,719 --> 00:12:02,722 [door rattles] 219 00:12:02,809 --> 00:12:05,420 LET'S CHECK OUT THE BACK. 220 00:12:05,507 --> 00:12:07,248 [man speaks Spanish] 221 00:12:10,468 --> 00:12:11,905 HEY! 222 00:12:14,168 --> 00:12:16,997 CBI. WHO'S IN CHARGE HERE? 223 00:12:17,084 --> 00:12:20,696 ESTAMOS CON LA POLICiA. QUIeN ESTa A CARGO? 224 00:12:22,872 --> 00:12:25,832 MAYBE THEY DON'T SPEAK SPANISH.MAYBE YOUDON'T. 225 00:12:31,185 --> 00:12:33,013 GUN! 226 00:12:48,245 --> 00:12:50,247 COVER ME! 227 00:13:05,654 --> 00:13:06,873 [bullet ricochets] 228 00:13:06,960 --> 00:13:08,788 [thud] 229 00:13:08,875 --> 00:13:10,833 [under breath] ERES UN IDIOTA. 230 00:13:10,920 --> 00:13:12,617 THROW OUT YOUR WEAPON! 231 00:13:12,704 --> 00:13:14,271 LA PISTOLA! 232 00:13:14,358 --> 00:13:16,665 DO IT NOW! 233 00:13:20,887 --> 00:13:24,673 STEP INTO CLEAR VIEW! HANDS IN THE AIR! 234 00:13:32,942 --> 00:13:36,163 FACE DOWN ON THE GROUND. HANDS OUT TO YOUR SIDES. DO IT NOW. 235 00:13:37,207 --> 00:13:38,818 [click] 236 00:13:41,516 --> 00:13:43,257 HEY! HEY, HEY, EASY! EASY! 237 00:13:43,344 --> 00:13:45,868 YEAH, NOW HE UNDERSTANDS ENGLISH.SO... 238 00:13:45,955 --> 00:13:49,437 WHAT KIND OF ANCIENT ART YOU BOYS SELLING TODAY, HUH? 239 00:14:06,280 --> 00:14:08,673 ROBERTO SALVADOR. 240 00:14:08,760 --> 00:14:10,937 YOU'RE ON A WORK VISA FROM COLUMBIA. 241 00:14:11,024 --> 00:14:13,287 SO YOU WORK FOR MONTERO? 242 00:14:13,374 --> 00:14:15,463 HMM. COULD BE. 243 00:14:15,550 --> 00:14:18,945 COULD BE MONTERO WORKS FOR ME. [chuckles] 244 00:14:19,032 --> 00:14:20,468 ATTITUDE. REALLY? 245 00:14:23,079 --> 00:14:25,299 UH, WHERE ARE YOU GOING? 246 00:14:25,386 --> 00:14:27,605 TO WRITE YOU UP ON CHARGES OF RUNNING GUNS, 247 00:14:27,692 --> 00:14:28,998 RESISTING ARREST, ATTEMPTED MURDER... 248 00:14:29,085 --> 00:14:33,133 HEY, HEY, HEY, CaLMATE. TRANQUILO. 249 00:14:33,220 --> 00:14:35,439 I SHOT AT YOU BECAUSE YOU SHOT AT ME. 250 00:14:35,526 --> 00:14:38,268 WHAT--WHAT CAN I DO HERE? I GOT A FAMILY, YOU KNOW. 251 00:14:38,355 --> 00:14:41,576 I WANNA SEE THEM AGAIN.YOU ANSWER MY QUESTIONS. NO ATTITUDE. 252 00:14:41,663 --> 00:14:44,535 MAYBE WE'LL FORGET ABOUT THE ATTEMPTED MURDER. 253 00:14:44,622 --> 00:14:48,496 GOOD. SIT DOWN. PUT YOUR FEET UP. 254 00:14:51,629 --> 00:14:53,457 WHY DID MONTERO HIRE YOU? 255 00:14:53,544 --> 00:14:56,504 TO RUN HIS SHIPPING OPERATION.WEAPONS OR ANTIQUITIES? 256 00:14:56,591 --> 00:14:58,245 BOTH. 257 00:14:58,332 --> 00:15:00,334 MANUEL WAS AN HONEST BUSINESSMAN FOR MANY YEARS, 258 00:15:00,421 --> 00:15:02,597 BUT THE PROFIT IN THOSE MUSEUM PIECES WENT AWAY. 259 00:15:02,684 --> 00:15:04,773 TOO MANY LEGAL BARRIERS. 260 00:15:04,860 --> 00:15:07,732 POLITICOS, CRIMINALESTO BRIBE. 261 00:15:07,819 --> 00:15:09,734 SO MONTERO STARTED TRAFFICKING GUNS. 262 00:15:09,821 --> 00:15:12,520 HE HAD HIS COMPANY ALL SET UP. HE COULD SHIP THEM 263 00:15:12,607 --> 00:15:15,044 TO SOUTH AMERICA, NO QUESTIONS ASKED, THEN TRADE THEM 264 00:15:15,131 --> 00:15:17,525 FOR ALL THE BLACK MARKET ANTIQUITIES HE COULD HANDLE. 265 00:15:17,612 --> 00:15:19,527 DID MONTERO HAVE ANY ENEMIES? 266 00:15:19,614 --> 00:15:22,312 NO. HE WAS BELOVED. 267 00:15:22,399 --> 00:15:25,141 IN COLOMBIA, THEY CALLED HIM EL PROFESOR. 268 00:15:25,228 --> 00:15:26,708 WHAT DO YOU THINK? 269 00:15:26,795 --> 00:15:28,928 WELL, IT HAS A CERTAIN PULP APPEAL, 270 00:15:29,015 --> 00:15:31,234 AS FAR AS MYSTERIES GO-- 271 00:15:31,321 --> 00:15:33,628 MURDER IN THE MUSEUM, STOLEN MAYAN GOLD, 272 00:15:33,715 --> 00:15:35,282 COLOMBIAN GUN RUNNERS-- 273 00:15:35,369 --> 00:15:37,414 BUT IT'S A TAWDRY WORK OF FICTION, 274 00:15:37,501 --> 00:15:39,112 COMPLETELY MADE UP. 275 00:15:39,199 --> 00:15:41,375 OH, I'M PRETTY SURE MONTERO'S DEAD. 276 00:15:41,462 --> 00:15:44,117 BUT NOT FOR THE REASONS THAT WE'RE BEING LED TO BELIEVE. 277 00:15:44,204 --> 00:15:45,945 HOW CAN YOU TELL? 278 00:15:46,032 --> 00:15:49,600 I FIND IT EASIER TO SHOW THAN TO TELL. 279 00:15:49,687 --> 00:15:51,646 UH, EXCUSE ME.[door closes] 280 00:15:51,733 --> 00:15:53,169 COULD YOU TELL ME WHO MONTERO 281 00:15:53,256 --> 00:15:56,477 WAS TRADING WEAPONS TO IN SOUTH AMERICA? 282 00:15:56,564 --> 00:15:59,915 ANSWER THE QUESTION.CARTELS, GANGS, PRIVATE ARMIES. 283 00:16:00,002 --> 00:16:01,699 OH, MAKES SENSE. 284 00:16:01,786 --> 00:16:04,920 IF THEY WANTED HIM DEAD, HOW WOULD THEY GO ABOUT THAT? 285 00:16:05,007 --> 00:16:07,009 YOU WOULD NEVER KNOW HOW. HE WOULD JUST... 286 00:16:07,096 --> 00:16:09,055 [blows air] DISAPPEAR. 287 00:16:09,142 --> 00:16:10,882 OKAY. 288 00:16:10,970 --> 00:16:14,364 AND IF THE BODY JUST HAPPENED TO BE FOUND MIRACULOUSLY, 289 00:16:14,451 --> 00:16:15,670 WHERE MIGHT THAT BE? 290 00:16:15,757 --> 00:16:19,195 UH, A MASS GRAVE. SIDE OF A ROAD. 291 00:16:19,282 --> 00:16:22,633 WE FOUND HIM STABBED AND BLED OUT IN A PUBLIC MUSEUM. 292 00:16:22,720 --> 00:16:24,418 WOULD YOU KILL A MAN THAT WAY? 293 00:16:24,505 --> 00:16:27,160 HELL, NO. HEH. TOO HIGH-RISK. 294 00:16:30,641 --> 00:16:33,166 SOMEBODY KILLED MONTERO FOR REASONS 295 00:16:33,253 --> 00:16:35,516 THAT HAD NOTHING TO DO WITH PRE-COLUMBIAN ART 296 00:16:35,603 --> 00:16:38,171 AND NOTHING TO DO WITH COLOMBIAN CARTELS. 297 00:16:38,258 --> 00:16:42,784 THAT'S JUST WHAT THE KILLER WANTED US TO THINK. 298 00:16:42,871 --> 00:16:44,829 OH, I ASKED CONWAY OVER AT GAMBLING CONTROL 299 00:16:44,916 --> 00:16:47,136 TO JOIN OUR INVESTIGATION INTO THE LOAN SHARK SYNDICATE. 300 00:16:47,223 --> 00:16:50,444 CONWAY'S A GOOD MAN, BUT HE CAN TALK THE PAINT OFF A CAR. 301 00:16:50,531 --> 00:16:51,967 DON'T LET HIM RUN THE BRIEFINGS. 302 00:16:52,054 --> 00:16:53,012 DIRECTOR BERTRAM. 303 00:16:53,099 --> 00:16:55,840 J.J., YOU WAITING FOR ME? 304 00:16:55,927 --> 00:16:57,581 SPECIAL AGENT HIGHTOWER, ACTUALLY. 305 00:17:07,156 --> 00:17:08,114 GOODNIGHT. 306 00:17:08,201 --> 00:17:10,116 NIGHT. 307 00:17:13,293 --> 00:17:15,686 A VISUAL RECONSTRUCTION 308 00:17:15,773 --> 00:17:18,385 OF THE NIGHT OF TODD JOHNSON'S MURDER, 309 00:17:18,472 --> 00:17:20,822 BASED ON SECURITY FOOTAGE, 310 00:17:20,909 --> 00:17:22,824 ACTIVITY LOGS, 311 00:17:22,911 --> 00:17:26,349 AND 86 HOURS OF INTERVIEWS. 312 00:17:26,436 --> 00:17:28,047 NICE PROJECT BOARD. 313 00:17:28,134 --> 00:17:29,352 [portfolio hits desk] 314 00:17:29,439 --> 00:17:31,311 BET YOU WON A FEW SCIENCE FAIRS. 315 00:17:31,398 --> 00:17:33,400 HMM. 316 00:17:35,793 --> 00:17:37,578 I WON ALL OF THEM. 317 00:17:42,626 --> 00:17:46,413 THIS IS THE HOLDING CELL WHERE JOHNSON WAS BURNED ALIVE. 318 00:17:46,500 --> 00:17:48,067 THE CIRCLES INDICATE 319 00:17:48,154 --> 00:17:50,330 THE LOCATION OF PEOPLE WITHIN CBI, 320 00:17:50,417 --> 00:17:54,464 MOMENTS BEFORE HIS MURDER. 321 00:17:54,551 --> 00:17:57,293 MY RESEARCH REVEALED THAT 322 00:17:57,380 --> 00:18:01,080 THIS GROUP OF PEOPLE DID NOT HAVE THE SECURITY CLEARANCE 323 00:18:01,167 --> 00:18:03,821 TO ENTER THE HOLDING AREA. 324 00:18:07,869 --> 00:18:10,567 THISGROUP-- 325 00:18:10,654 --> 00:18:13,309 THEY WERE ALL TOO FAR AWAY TO HAVE SET THE FIRE. 326 00:18:15,572 --> 00:18:17,661 THESE... 327 00:18:17,748 --> 00:18:19,620 ALL HAVE AT LEAST 328 00:18:19,707 --> 00:18:22,797 TWO OR MORE WITNESSES WHO CAN VERIFY 329 00:18:22,884 --> 00:18:26,279 THEIR LOCATION AT THE TIME OF THE ATTACK. 330 00:18:30,631 --> 00:18:32,328 FIVE CIRCLES. 331 00:18:36,202 --> 00:18:38,508 THIS ONE IS... YOU. 332 00:18:38,595 --> 00:18:41,207 IS IT? 333 00:18:41,294 --> 00:18:44,166 I OFFER YOU THIS-- 334 00:18:44,253 --> 00:18:46,081 FIVE SUSPECTS... 335 00:18:46,168 --> 00:18:47,996 WITHIN STRIKING DISTANCE... 336 00:18:48,083 --> 00:18:50,433 OF JOHNSON... 337 00:18:50,520 --> 00:18:54,916 EACH ONE HIGHLY CAPABLE... 338 00:18:55,003 --> 00:18:57,484 BUT ONLY ONE... 339 00:18:57,571 --> 00:19:00,313 WITH A CLEAR MOTIVE. 340 00:19:00,400 --> 00:19:01,836 [sighs] OKAY. 341 00:19:03,664 --> 00:19:04,969 OKAY. 342 00:19:05,056 --> 00:19:07,058 I WAS SLEEPING WITH OFFICER HOWARD. 343 00:19:07,146 --> 00:19:09,322 [clears throat] 344 00:19:09,409 --> 00:19:11,628 BUT I DIDN'T... [sighs] 345 00:19:11,715 --> 00:19:13,500 I-I... [sighs] 346 00:19:16,285 --> 00:19:19,288 AT THE TIME HOWARD WAS KILLED, WE WERE NO LONGER TOGETHER. 347 00:19:19,375 --> 00:19:20,681 HIS CHOICE OR YOURS? 348 00:19:20,768 --> 00:19:23,205 MUTUAL DECISION. IT--IT--IT WASN'T... 349 00:19:23,292 --> 00:19:26,643 [breathes heavily] 350 00:19:26,730 --> 00:19:29,733 DID YOU SET TODD JOHNSON ON FIRE? 351 00:19:29,820 --> 00:19:32,258 NO, I DID NOT. 352 00:19:35,739 --> 00:19:38,220 YOU MUST HAVE BEEN... 353 00:19:38,307 --> 00:19:39,961 GRIEVING... 354 00:19:40,048 --> 00:19:41,615 ABOUT HOWARD. 355 00:19:43,747 --> 00:19:46,054 HOW DID YOU DEAL WITH THAT? 356 00:19:46,141 --> 00:19:48,578 I GOT ON MY KNEES AND I ASKED THE LORD 357 00:19:48,665 --> 00:19:50,493 FOR STRENGTH AND FORGIVENESS. 358 00:19:50,580 --> 00:19:53,061 THAT'S HOW I DEALT WITH THAT. 359 00:19:55,933 --> 00:19:58,197 YOU MIGHT WANT TO WRITE THAT DOWN. 360 00:19:59,981 --> 00:20:02,984 I THINK I'LL REMEMBER IT. 361 00:20:10,426 --> 00:20:12,167 HEY, JANE. YOU WERE RIGHT. 362 00:20:12,254 --> 00:20:15,039 WELL, OF COURSE. WHAT INSTANCE OF RIGHTNESS ARE WE SPEAKING OF? 363 00:20:15,126 --> 00:20:17,346 YESTERDAY, WHEN YOU SAID MONTERO WAS KILLED FOR REASONS 364 00:20:17,433 --> 00:20:19,348 HAVING NOTHING TO DO WITH THE STOLEN ARTIFACTS. 365 00:20:19,435 --> 00:20:21,176 SO I STAYED UP LATE LAST NIGHT, 366 00:20:21,263 --> 00:20:22,699 AND I RESEARCHED HIS PERSONAL LIFE. 367 00:20:22,786 --> 00:20:24,614 SOMEONE SHOULD STAY UP AND RESEARCH YOURS. 368 00:20:24,701 --> 00:20:26,877 YOU'LL NEVER GUESS WHERE HE GREW UP.WON'T TRY. 369 00:20:26,964 --> 00:20:28,444 [both] VINELAND, CALIFORNIA. 370 00:20:28,531 --> 00:20:31,230 HOW DID YOU DO THAT?FOLLOWED YOUR LIPS. VINELAND? 371 00:20:31,317 --> 00:20:34,058 HOMETOWN OF INFAMOUS COP KILLER TODD JOHNSON? 372 00:20:34,145 --> 00:20:38,411 FOLLOW ME. 373 00:20:38,498 --> 00:20:42,023 DID YOU PRINT THAT PHOTO I SENT YOU LAST NIGHT?THAT'S JOHNSON AND MONTERO. 374 00:20:42,110 --> 00:20:44,330 THEY WERE CO-CAPTAINS OF THEIR HIGH SCHOOL FOOTBALL TEAM. 375 00:20:44,417 --> 00:20:46,288 ARE YOU GETTING THIS? OUR MURDER VICTIM 376 00:20:46,375 --> 00:20:48,943 WAS BEST FRIENDS WITH THE SERIAL COP KILLER. 377 00:20:49,030 --> 00:20:50,945 IT'S A GREAT PHOTO. 378 00:20:51,032 --> 00:20:53,469 AFTER THAT, I ASKED CHO TO GO TO MONTERO'S 379 00:20:53,556 --> 00:20:56,777 WAREHOUSE LAST NIGHT, SEE IF HE COULD FIND ANY OTHER LINKS. 380 00:20:56,864 --> 00:21:00,171 TELL HIM WHAT YOU FOUND.MONTERO BOUGHT HIS GUNS FROM GUN SHOPS. 381 00:21:00,259 --> 00:21:02,609 PAID PEOPLE WITH CLEAN RECORDS TO MAKE THE BUYS. 382 00:21:02,696 --> 00:21:05,525 HAS A RECORD OF EVERY PURCHASE, INCLUDING SERIAL NUMBERS. 383 00:21:05,612 --> 00:21:08,049 TRACED ONE OF THE SERIAL NUMBERS BACK TO A WEAPON 384 00:21:08,136 --> 00:21:09,616 MONTERO GAVE TO HIS BUDDY JOHNSON. 385 00:21:09,703 --> 00:21:12,575 RIGHT. SAME WEAPON JOHNSON USED TO KILL HIS VICTIMS. 386 00:21:12,662 --> 00:21:15,361 WHOA. 387 00:21:15,448 --> 00:21:17,667 HAVE YOU MENTIONED ANY OF THIS TO LaROCHE? 388 00:21:17,754 --> 00:21:20,453 I SET A BRIEFING WITH TOP BRASS IN TEN MINUTES. 389 00:21:20,540 --> 00:21:23,586 LaROCHE, BERTRAM, AND HIGHTOWER WILL ALL BE THERE. 390 00:21:23,673 --> 00:21:24,587 TEN MINUTES, CHO. 391 00:21:24,674 --> 00:21:26,197 YEP. 392 00:21:29,418 --> 00:21:30,767 [rattle] 393 00:21:30,854 --> 00:21:34,554 [sighs] 394 00:21:34,641 --> 00:21:35,859 UH, EXCUSE ME. 395 00:21:35,946 --> 00:21:37,992 I'M LOOKING FOR THE FINGERPRINT LAB. 396 00:21:38,079 --> 00:21:40,255 THAT'S--THAT'S ME. WHO ARE... YOU? 397 00:21:40,342 --> 00:21:41,778 PATRICK JANE. 398 00:21:41,865 --> 00:21:45,260 ANY LUCK WITH THE CURIOUS CASE OF THE RIB? 399 00:21:47,044 --> 00:21:48,655 LOOK, I DON'T REALLY... 400 00:21:48,742 --> 00:21:51,745 FUNCTION EFFICIENTLY UNDER PRESSURE, SO... 401 00:21:51,832 --> 00:21:55,444 HEY, NO PRESSURE. JUST WONDERING IF YOU'D FOUND ANY MATCHES YET. 402 00:21:55,531 --> 00:21:58,317 WELL, I'VE SCANNED A TOTAL OF 32 FULL AND PARTIAL PRINTS 403 00:21:58,404 --> 00:22:01,320 FROM THAT FOSSIL, BUT FOR EVERY PRINT THAT I SCAN, 404 00:22:01,407 --> 00:22:04,192 DOZENS OF POSSIBLE MATCHES... 405 00:22:04,279 --> 00:22:06,673 COME BACK. THEN I HAVE TO CHECK THEM 406 00:22:06,760 --> 00:22:10,198 MANUALLY ONE BY ONE TO FIND A MATCH, SO... 407 00:22:10,285 --> 00:22:12,069 I'M NOT DAVID CARUSO. IT TAKES TIME. 408 00:22:12,156 --> 00:22:13,854 WELL, YOU DO YOUR THING. 409 00:22:13,941 --> 00:22:17,553 I'M GONNA TAKE A QUICK PEEK AT YOUR LIST IF YOU DON'T MIND. 410 00:22:17,640 --> 00:22:20,426 [tapping on keys] 411 00:22:24,081 --> 00:22:26,562 PUSH HARD ON THIS ONE. WE NEED A RAPID RESPONSE. 412 00:22:26,649 --> 00:22:28,651 REMEMBER, ANY TIME WASTED'S GONE FOREVER. 413 00:22:28,738 --> 00:22:31,524 I'M NOT WASTING TIME. 414 00:22:31,611 --> 00:22:34,135 ARE YOU SUGGESTING YOU DON'T HAVE ENOUGH TIME? 415 00:22:34,222 --> 00:22:37,051 YOU HAVE EXACTLY THE SAME NUMBER OF HOURS IN THE DAY 416 00:22:37,138 --> 00:22:39,314 THAT ALBERT EINSTEIN HAD.CAN YOU STOP? 417 00:22:39,401 --> 00:22:43,405 THOMAS JEFFERSON. LOUIS PASTEUR. GANDHI. 418 00:22:43,492 --> 00:22:46,277 JUST GET OUT OF... HERE. OH, MY GOD! 419 00:22:46,365 --> 00:22:50,630 OH, MY GOD. WHAT DO I DO? 420 00:22:50,717 --> 00:22:52,066 [groans] 421 00:22:52,153 --> 00:22:53,676 KEEP UP THE GOOD WORK. 422 00:22:53,763 --> 00:22:55,199 [beeping]AAH... 423 00:22:55,286 --> 00:22:57,419 MONTERO WAS FOUND AT THE ARCHEOLOGY MUSEUM 424 00:22:57,506 --> 00:22:59,203 WITH STAB WOUNDS. NEXT TO HIM, 425 00:22:59,290 --> 00:23:03,033 A DISPLAY CASE WITH A MISSING PENDANT WORTH OVER $200,000. 426 00:23:03,120 --> 00:23:04,513 THE NIGHT OF THE MURDER, 427 00:23:04,600 --> 00:23:06,820 MONTERO WAS SUPPOSED TO MEET A PROSPECTIVE BUYER. 428 00:23:06,907 --> 00:23:09,692 FIRST, WE THOUGHT THE MISSING PENDANT...[lowered voice] HIGHTOWER. 429 00:23:09,779 --> 00:23:12,782 We need to talk in private. I'll meet you in my perch. 430 00:23:12,869 --> 00:23:16,046 I DON'T HAVE TIME NOW, JANE. I'M IN THE MIDDLE OF A BRIEFING. 431 00:23:16,133 --> 00:23:19,920 YEAH. I CAN SEE THAT. 432 00:23:20,007 --> 00:23:21,922 [Lisbon] MONTERO WAS RUNNING GUNS TO SOUTH AMERICA... 433 00:23:22,009 --> 00:23:24,533 THE MONTERO CASE HAS TURNED INTO A HIGH-PRIORITY 434 00:23:24,620 --> 00:23:27,318 MURDER INVESTIGATION. I CAN'T JUST WALK OUT. 435 00:23:27,406 --> 00:23:31,192 I SUGGEST YOU RETHINK WHAT YOU CAN AND CANNOT DO 436 00:23:31,279 --> 00:23:33,716 FROM THIS MOMENT FORWARD, BECAUSE I KNOW 437 00:23:33,803 --> 00:23:36,327 WHO THE EVIDENCE IS ABOUT TO REVEAL AS THE KILLER. 438 00:23:36,415 --> 00:23:38,852 WHO? 439 00:23:38,939 --> 00:23:40,419 YOU. 440 00:23:43,117 --> 00:23:46,686 [Lisbon] AS A MATTER OF FACT, THEY'RE BEST FRIENDS. 441 00:23:53,562 --> 00:23:55,999 MONTERO'S GUN RUNNING OPERATION SUPPLIED JOHNSON 442 00:23:56,086 --> 00:23:58,785 WITH THE WEAPON THAT WAS USED TO KILL OUR FELLOW OFFICERS. 443 00:23:58,872 --> 00:24:00,308 WE'RE WORKING ON THE THEORY 444 00:24:00,395 --> 00:24:03,093 THAT WHOEVER TOOK OUT JOHNSON ALSO TOOK OUT MONTERO. 445 00:24:03,180 --> 00:24:06,619 EXCUSE ME, AGENTS. URGENT MATTER TO DEAL WITH. 446 00:24:06,706 --> 00:24:08,925 SO YOU'RE SUGGESTING BOTH MURDERS WERE PART 447 00:24:09,012 --> 00:24:10,144 OF A VENGEANCE PLAY? 448 00:24:10,231 --> 00:24:12,102 YES, I AM, SIR. 449 00:24:12,189 --> 00:24:14,104 SOMEBODY WANTED BOTH OF THESE MEN DEAD. 450 00:24:14,191 --> 00:24:17,412 JOHNSON THE COP KILLER AND MONTERO... 451 00:24:34,603 --> 00:24:36,083 JANE, THIS BETTER BE... 452 00:24:36,170 --> 00:24:39,913 GOOD. MY SENTIMENTS PRECISELY. 453 00:24:40,000 --> 00:24:42,568 WHERE'D YOU GET THAT? 454 00:24:42,655 --> 00:24:46,572 I BORROWED A KEY TO THE ARMORY FROM LISBON'S DESK. 455 00:24:46,659 --> 00:24:49,052 ARE YOU A KILLER? 456 00:24:49,139 --> 00:24:52,142 I DON'T KNOW YOUR GAME HERE, BUT I DON'T HAVE TIME 457 00:24:52,229 --> 00:24:54,884 TO BE TAKEN ON ONE OF YOUR EMOTIONAL JOYRIDES. 458 00:24:54,971 --> 00:24:57,060 NOT THAT I'M JUDGING. 459 00:24:57,147 --> 00:25:00,020 SEEKING REVENGE ON MEN THAT ARE RESPONSIBLE FOR THE DEATH OF 460 00:25:00,107 --> 00:25:03,110 SOMEONE YOU LOVE--IT'S A HOBBY I LIKE TO DABBLE IN MYSELF. 461 00:25:03,197 --> 00:25:05,112 YOU THINK IT'S TRUE? 462 00:25:05,199 --> 00:25:07,854 YOU THINK IT'S TRUE THAT--THAT I KILLED JOHNSON AND MONTERO? 463 00:25:07,941 --> 00:25:11,161 WELL, LET'S JUST SAY I'M OPEN-MINDED. 464 00:25:11,248 --> 00:25:13,076 ANY MINUTE NOW, THE LAB 465 00:25:13,163 --> 00:25:16,297 IS GOING TO IDENTIFY YOUR PRINTS AT THE MONTERO CRIME SCENE. 466 00:25:16,384 --> 00:25:18,517 I HAVE NEVER BEEN TO THAT MUSEUM. 467 00:25:18,604 --> 00:25:21,302 WELL, THEN YOU'RE EITHER BEING FRAMED... 468 00:25:21,389 --> 00:25:23,217 OR YOU'RE A LUNATIC KILLER. 469 00:25:23,304 --> 00:25:26,307 IN EITHER CASE, YOU SHOULD PHONE YOUR FAMILY, 'CAUSE MY GUESS IS 470 00:25:26,394 --> 00:25:28,875 THE POT ROAST IS GONNA BE SERVED A LITTLE LATE. 471 00:25:28,962 --> 00:25:30,703 IF YOU DON'T POINT THAT SHOTGUN AWAY, 472 00:25:30,790 --> 00:25:33,619 I WILL USE IT TO BEAT YOU LIKE A RENTED MULE. 473 00:25:33,706 --> 00:25:36,230 SPOKEN LIKE A TRUE LUNATIC KILLER. 474 00:25:36,317 --> 00:25:39,886 YOU'RE NOT GIVING ME MUCH TO WORK WITH HERE.I MEAN IT. 475 00:25:39,973 --> 00:25:41,278 SO DO I. 476 00:25:44,586 --> 00:25:47,328 DID YOU KILL THOSE MEN? 477 00:25:47,415 --> 00:25:49,809 I HAVE TO KNOW. 478 00:25:49,896 --> 00:25:51,680 WHY, JANE? 479 00:25:51,767 --> 00:25:55,858 IF YOU THINK I'M GUILTY, TURN ME OVER TO LaROCHE. 480 00:25:55,945 --> 00:25:57,468 I'LL GO. 481 00:25:57,556 --> 00:26:01,037 NO. IF YOU KILLED TODD JOHNSON, THEN YOU'RE MINE, 482 00:26:01,124 --> 00:26:04,214 AND YOU'RE GONNA LEAD ME STRAIGHT TO RED JOHN. 483 00:26:04,301 --> 00:26:06,260 RED JOHN? WHAT DOES THIS HAVE TO D-- 484 00:26:06,347 --> 00:26:10,220 TODD WAS TAKEN OUT 'CAUSE HE KNEW RED JOHN'S SECRETS. 485 00:26:10,307 --> 00:26:13,484 AS IF YOU DIDN'T KNOW THAT. 486 00:26:13,572 --> 00:26:16,009 AND IF YOU DIDN'T KNOW IT, THE REAL INSIDER 487 00:26:16,096 --> 00:26:19,316 MURDERED MONTERO TO FRAME YOU, WHICH BRINGS US THE FULL CIRCLE. 488 00:26:19,403 --> 00:26:22,102 ARE YOU OR ARE YOU NOT A KILLER? 489 00:26:24,278 --> 00:26:29,283 YOU KNOW WHAT I AM, JANE? 490 00:26:29,370 --> 00:26:31,764 [voice breaking] I'M A SINGLE MOM... 491 00:26:31,851 --> 00:26:33,722 WITH TWO INNOCENT CHILDREN AT HOME. 492 00:26:35,811 --> 00:26:38,553 THERE'S NOTHING IN THE WORLD I WOULD DO 493 00:26:38,640 --> 00:26:42,601 TO COMPROMISE THEIR SAFETY OR THEIR FUTURE. 494 00:26:45,560 --> 00:26:47,475 [whispers] PLEASE, JANE. 495 00:26:48,998 --> 00:26:51,522 [grunts] 496 00:26:51,610 --> 00:26:53,307 [panting] 497 00:26:59,748 --> 00:27:01,924 I'VE HEARD ENOUGH TO CONVINCE ME THAT WE'RE LOOKING 498 00:27:02,011 --> 00:27:05,841 FOR ONE KILLER HERE. J.J., YOU TAKE LEAD. 499 00:27:05,928 --> 00:27:09,540 THIS IS NOW A DOUBLE MURDER INVESTIGATION. 500 00:27:09,628 --> 00:27:11,717 EXCUSE ME, DIRECTOR BERTRAM, I'M SORRY. SORRY, EVERYBODY. 501 00:27:11,804 --> 00:27:13,980 UM, YOU ASKED FOR DEVELOPMENTS ON THE MONTERO CASE. 502 00:27:14,067 --> 00:27:16,635 I THINK THIS QUALIFIES. 503 00:27:16,722 --> 00:27:19,072 THIS HAS TO BE A FALSE POSITIVE. 504 00:27:19,159 --> 00:27:22,249 NO, I CHECKED AND DOUBLE-CHECKED ALL THE BIFURCATIONS. 505 00:27:22,336 --> 00:27:24,468 IT'S A CLEAR MATCH.WHAT IS IT? 506 00:27:24,555 --> 00:27:28,168 A MISTAKE. HIGHTOWER'S PRINTS AT THE MONTERO CRIME SCENE? 507 00:27:28,255 --> 00:27:29,996 I'M NOT SURPRISED. 508 00:27:30,083 --> 00:27:32,520 HAVE ANOTHER ANALYST VERIFY YOUR FINDINGS.YES, SIR. 509 00:27:32,607 --> 00:27:35,131 VAN PELT, START WORKING ON A SEARCH WARRANT 510 00:27:35,218 --> 00:27:36,611 FOR AGENT HIGHTOWER'S HOME. 511 00:27:36,698 --> 00:27:38,918 IS THAT REALLY NECESSARY? 512 00:27:39,005 --> 00:27:41,398 SHE CAN ALWAYS GRANT US CONSENT. SHE'S IN HER OFFICE. 513 00:27:41,485 --> 00:27:43,270 I'LL CALL OVER. 514 00:27:43,357 --> 00:27:45,533 CONTACT THE UNIVERSITY POLICE. SEE IF THEY HAVE RECORD 515 00:27:45,620 --> 00:27:48,841 OF A VEHICLE MATCHING AGENT HIGHTOWER'S ON CAMPUS 516 00:27:48,928 --> 00:27:52,061 THE NIGHT OF THE MURDER. ASK THEM TO CHECK SECURITY FOOTAGE. 517 00:27:52,148 --> 00:27:53,672 YES, SIR. 518 00:27:53,759 --> 00:27:57,327 I DON'T LIKE THE WAY THIS IS BEING HANDLED. 519 00:27:57,414 --> 00:28:00,766 CAN WE JUST TAKE A MOMENT BEFORE WE DESTROY A COLLEAGUE'S CAREER? 520 00:28:00,853 --> 00:28:04,204 AGENT HIGHTOWER HAS BEEN ON TOP OF A SHORT SUSPECT LIST 521 00:28:04,291 --> 00:28:06,685 IN THE JOHNSON MURDER FOR SOME TIME, 522 00:28:06,772 --> 00:28:09,339 EVEN BEFORE DIRECTOR BERTRAM NOTIFIED ME 523 00:28:09,426 --> 00:28:13,256 THAT SHE WAS ROMANTICALLY LINKED WITH ONE OF HIS VICTIMS. 524 00:28:13,343 --> 00:28:15,476 NOW YOU'RE INTO HER SEX LIFE? 525 00:28:15,563 --> 00:28:18,000 WOW, WHEN YOU BOYS DECIDE TO DESTROY A WOMAN'S REPUTATION, 526 00:28:18,087 --> 00:28:19,610 YOU REALLY GO ALL OUT. 527 00:28:19,698 --> 00:28:22,135 LISBON. YOU'RE THE ONE WHO JUST TOLD ME THE JOHNSON 528 00:28:22,222 --> 00:28:25,660 AND MONTERO MURDERS WERE LINKED. NOW WE HAVE EVIDENCE. 529 00:28:25,747 --> 00:28:27,444 IF YOU'RE TOO CLOSE TO THIS, 530 00:28:27,531 --> 00:28:30,491 LET ME KNOW, AND I'LL MOVE YOU OFF THIS INVESTIGATION. 531 00:28:30,578 --> 00:28:33,146 I'LL BE FINE, SIR.HIGHTOWER NEVER WENT TO HER OFFICE. 532 00:28:33,233 --> 00:28:37,150 I JUST SPOKE TO HER ASSISTANT.THAT'S MY FAULT. I LET HER WALK OUT. 533 00:28:37,237 --> 00:28:40,327 I DIDN'T THINK SHE WOULD RUN.WHO SAID SHE'S RUNNING? 534 00:28:40,414 --> 00:28:43,634 FOR ALL WE KNOW, SHE'S IN THE LADIES ROOM.MAYBE YOU SHOULD CHECK. 535 00:28:43,722 --> 00:28:47,595 WE'RE GOING TO CONDUCT A SEARCH OF AGENT HIGHTOWER'S OFFICE NOW. 536 00:28:47,682 --> 00:28:49,379 [beep] [Hightower] Leave your name and number. 537 00:28:49,466 --> 00:28:51,904 I'll get back to you as soon as I can. 538 00:28:51,991 --> 00:28:54,036 IT'S LISBON. WHEREVER YOU ARE, 539 00:28:54,123 --> 00:28:57,779 DO US BOTH A FAVOR, AND CALL ME AS SOON AS YOU GET THIS, OKAY? 540 00:29:08,877 --> 00:29:11,532 I CAN'T BELIEVE WE HAVE TO GO THROUGH THE BOSS'S STUFF. 541 00:29:11,619 --> 00:29:12,707 SUSPECT'S A SUSPECT. 542 00:29:12,794 --> 00:29:14,013 [sighs] 543 00:29:14,100 --> 00:29:16,580 [groans] 544 00:29:16,667 --> 00:29:20,628 JUST FEELS SO WRONG, THOUGH. 545 00:29:20,715 --> 00:29:23,239 [sighs] 546 00:29:26,025 --> 00:29:28,288 WAIT A SECOND. 547 00:29:28,375 --> 00:29:29,724 THIS DRAWER'S TOO HEAVY. 548 00:29:32,553 --> 00:29:34,511 CHECK IT OUT. 549 00:29:34,598 --> 00:29:36,252 FALSE BOTTOM. 550 00:29:39,952 --> 00:29:41,649 THE STOLEN PENDANT. 551 00:29:41,736 --> 00:29:43,433 HEY, BOSS. 552 00:29:49,178 --> 00:29:50,310 OH, NO. 553 00:29:55,576 --> 00:29:57,839 SEEMS WE FOUND YOUR MYSTERY BUYER. 554 00:29:59,885 --> 00:30:02,888 PUT AN IMMEDIATE B.O.L.O. OUT ON MADELEINE HIGHTOWER. 555 00:30:02,975 --> 00:30:05,455 SHE'S CONSIDERED TO BE ARMED AND DANGEROUS. 556 00:30:12,985 --> 00:30:13,942 [Lisbon] WHERE IS SHE? 557 00:30:14,029 --> 00:30:15,378 [Van Pelt] OVER HERE. 558 00:30:15,465 --> 00:30:16,640 [LaRoche] YOU SAW THE SUSPECT? 559 00:30:16,727 --> 00:30:18,555 DETAILS, PLEASE. WHERE? WHEN? 560 00:30:18,642 --> 00:30:20,862 I WAS COMING OUT OF THE ELEVATOR AFTER LUNCH. 561 00:30:20,949 --> 00:30:23,560 WHERE WAS THE SUSPECT HEADED?UH, UP THE STAIRS, 562 00:30:23,647 --> 00:30:26,128 WHICH I-I THOUGHT WAS STRANGE. IT LEADS TO THE ROOF. 563 00:30:26,215 --> 00:30:28,174 NOT JUST THE ROOF. IT'S WHERE JANE WORKS. 564 00:30:28,261 --> 00:30:30,480 HAS ANYBODY SEEN HIM?NOT SINCE THIS MORNING. 565 00:30:30,567 --> 00:30:32,526 COVER THE EXITS, ALL OF THEM. 566 00:30:32,613 --> 00:30:34,441 USE WHOEVER YOU HAVE TO OUT HERE. 567 00:30:48,585 --> 00:30:50,849 [door rattles] 568 00:30:50,936 --> 00:30:53,155 LOCKED. 569 00:30:53,242 --> 00:30:56,115 JANE? YOU IN THERE? 570 00:30:56,202 --> 00:31:00,293 [Patrick] YEAH, I'M COMING OUT. 571 00:31:00,380 --> 00:31:04,079 YOU'RE GONNA HAVE TO STAND BACK, AND IF YOU'RE BEARING FIREARMS, 572 00:31:04,166 --> 00:31:06,255 PLEASE LOWER THEM. 573 00:31:06,342 --> 00:31:07,691 PLEASE. 574 00:31:09,519 --> 00:31:11,391 [clink] 575 00:31:15,308 --> 00:31:16,962 [door rumbling] 576 00:31:17,049 --> 00:31:18,572 [clank] 577 00:31:23,751 --> 00:31:26,232 STAND BACK, OR HE DIES. 578 00:31:30,453 --> 00:31:32,151 LET US PASS. 579 00:31:35,154 --> 00:31:39,332 IF YOU DON'T LET US PASS, YOU CANTRY TO STOP ME, 580 00:31:39,419 --> 00:31:40,899 BUT JUST KNOW THAT MY FINGER 581 00:31:40,986 --> 00:31:43,075 WILL REFLEXIVELY PULL THIS TRIGGER 582 00:31:43,162 --> 00:31:45,164 IF I STUMBLE OR IF I FALL. 583 00:31:45,251 --> 00:31:46,861 AGENT HIGHTOWER. 584 00:31:46,948 --> 00:31:49,124 DON'T BEAT YOURSELF UP, TERESA. 585 00:31:49,211 --> 00:31:52,606 THERE'S NOTHING YOU COULD HAVE DONE TO PREVENT THIS. 586 00:31:52,693 --> 00:31:55,217 I GOT MYSELF INTO IT, AND I'M GETTING MYSELF OUT, 587 00:31:55,304 --> 00:31:58,090 SO CLEAR A PATH. 588 00:31:58,177 --> 00:31:59,874 EVERYONE. 589 00:31:59,961 --> 00:32:03,051 LOWER YOUR WEAPONS. 590 00:32:03,138 --> 00:32:05,010 LET 'EM PASS. 591 00:32:05,097 --> 00:32:06,185 WALK. 592 00:32:06,272 --> 00:32:07,751 WALKING. 593 00:32:10,493 --> 00:32:12,843 GO AHEAD, CHO. 594 00:32:12,931 --> 00:32:15,281 MAKE YOUR MOVE. WATCH HIM DIE. 595 00:32:39,305 --> 00:32:41,611 NOBODY MOVE. 596 00:32:41,698 --> 00:32:43,222 EVERYBODY JUST STAY CALM. 597 00:32:49,141 --> 00:32:52,231 PUT THE PHONE DOWN. 598 00:32:52,318 --> 00:32:55,625 PUT THE PHONE DOWN. 599 00:32:55,712 --> 00:32:59,673 YOU HEARD HER. PUT THE PHONE DOWN NOW.PUT IT DOWN. 600 00:32:59,760 --> 00:33:01,283 OKAY... 601 00:33:01,370 --> 00:33:03,372 HERE'S HOW IT IS. 602 00:33:03,459 --> 00:33:05,809 WE'RE EXITING THE BUILDING. 603 00:33:05,896 --> 00:33:09,291 IF ANYONE TRIES TO STOP US, I PULL THE TRIGGER. 604 00:33:09,378 --> 00:33:13,426 IF ANYONE IN HERE CALLS ANYONE OUT THERE, I PULL THE TRIGGER. 605 00:33:13,513 --> 00:33:15,776 DO AS SHE SAYS. 606 00:33:15,863 --> 00:33:16,864 LET'S GO. MOVE! 607 00:33:22,217 --> 00:33:23,958 [tires screech] 608 00:33:31,139 --> 00:33:32,097 [tires screech] 609 00:33:37,189 --> 00:33:38,668 [rattling] 610 00:33:38,755 --> 00:33:40,453 [pounds on door] 611 00:33:45,066 --> 00:33:47,329 HIYA, JANE. 612 00:33:47,416 --> 00:33:49,723 THAT WOLF'S TOOTH YOU GAVE MY KID? 613 00:33:49,810 --> 00:33:51,551 WAS A HUGE HIT. LOOK AT THIS. 614 00:33:53,814 --> 00:33:55,990 HE DREW THIS. IT'S FOR YOU. 615 00:33:56,077 --> 00:33:58,775 KIND OF IN A RUSH HERE, JIM. 616 00:34:03,606 --> 00:34:04,825 [tires screech] 617 00:34:08,481 --> 00:34:10,265 [shouts inaudibly] 618 00:34:19,622 --> 00:34:21,015 CHO, GET A CHOPPER UP 619 00:34:21,102 --> 00:34:23,061 AND NOTIFY EVERY AVAILABLE CBI FIELD UNIT. 620 00:34:23,148 --> 00:34:24,671 I WANT VISUAL CONTACT 621 00:34:24,758 --> 00:34:28,153 WITH THE TARGET, BUT MAINTAIN A SAFE DISTANCE. 622 00:34:28,240 --> 00:34:30,459 MY CAR. YOU DRIVE. 623 00:34:30,546 --> 00:34:32,374 I'M A POOR DRIVER AT SPEED. 624 00:34:35,247 --> 00:34:36,596 [siren wails] 625 00:34:42,341 --> 00:34:44,038 [tires screeching] 626 00:34:52,655 --> 00:34:54,831 [siren wailing] 627 00:34:54,918 --> 00:34:56,268 I'M SORRY. 628 00:34:56,355 --> 00:34:57,312 ABOUT WHAT? 629 00:34:57,399 --> 00:35:00,272 YOUR BOSS. YOU ADMIRE HER. 630 00:35:00,359 --> 00:35:03,840 THAT'S IRRELEVANT. WE NEED TO FOCUS ON JANE'S SAFETY. 631 00:35:03,927 --> 00:35:05,668 [woman] All units be advised, 632 00:35:05,755 --> 00:35:08,149 a single-vehicle traffic collision on North Main. 633 00:35:08,236 --> 00:35:10,934 Vehicle is a dark blue late-model SUV. 634 00:35:11,021 --> 00:35:13,807 COPY. WE'RE EN ROUTE. 30 SECONDS OUT. 635 00:35:26,167 --> 00:35:27,081 WAIT FOR BACKUP. 636 00:35:27,168 --> 00:35:29,083 YOU WAIT. 637 00:35:29,170 --> 00:35:30,302 HOLD ALL ONCOMING TRAFFIC. 638 00:35:34,393 --> 00:35:35,568 [groans] 639 00:35:39,963 --> 00:35:42,488 WE'VE GOT A SUSPECT MISSING. SET UP A 10-BLOCK PERIMETER. 640 00:35:42,575 --> 00:35:45,273 NOTIFY THE T.A.C. TEAM AND CALL AN AMBULANCE. 641 00:35:45,360 --> 00:35:46,579 [groans] 642 00:35:46,666 --> 00:35:48,146 WHAT HAPPENED? 643 00:35:48,233 --> 00:35:51,453 SHE WAS UNWRAPPING HER HAND... 644 00:35:51,540 --> 00:35:53,890 THE MOMENT I WAS WAITING FOR. 645 00:35:53,977 --> 00:35:55,196 TO CRASH THE VEHICLE? 646 00:35:57,677 --> 00:35:59,940 IT SEEMED LIKE A SMART IDEA AT THE TIME. 647 00:36:02,464 --> 00:36:04,423 THEY THINK JANE MAY HAVE A CONCUSSION. 648 00:36:04,510 --> 00:36:06,947 THEY'VE TAKEN HIM TO THE HOSPITAL FOR A CT SCAN. 649 00:36:07,034 --> 00:36:08,949 I'M JUST THANKFUL HE'S GONNA BE OKAY. 650 00:36:09,036 --> 00:36:11,995 AND WHERE ARE WE AT WITH OUR MANHUNT?WE HAVE PERIMETER TEAMS 651 00:36:12,082 --> 00:36:14,694 DEPLOYED AROUND THE COMMAND POST FOR 16 CITY BLOCKS. 652 00:36:14,781 --> 00:36:18,524 U.S. MARSHALS HAVE JOINED THE HUNT. SO'S THE FBI. 653 00:36:18,611 --> 00:36:21,091 THEY PUT HIGHTOWER ON THEIR "MOST WANTED" LIST. 654 00:36:21,179 --> 00:36:23,746 SUCH A TRAGIC TURN OF EVENTS. 655 00:36:23,833 --> 00:36:26,053 LOOK, THERE ARE WORSE THINGS THAT COULD HAPPEN HERE 656 00:36:26,140 --> 00:36:28,490 THAN WE HAVE AN OPEN-AND-SHUT CASE. 657 00:36:28,577 --> 00:36:31,450 IT'S A BLEMISH, TO BE SURE, BUT AT LEAST WE CAN 658 00:36:31,537 --> 00:36:34,931 CLOSE THE BOOK ON THIS UGLY CHAPTER AT CBI. 659 00:36:35,018 --> 00:36:37,673 "AND WHEN THY LITTLE HEART DOTH WAKE, 660 00:36:37,760 --> 00:36:40,981 THEN THE DREADFUL NIGHT SHALL BREAK." 661 00:36:41,068 --> 00:36:42,548 WHAT'S THAT? 662 00:36:42,635 --> 00:36:45,203 AH, IT'S JUST A-- AN OLD POEM I LIKE. 663 00:36:51,252 --> 00:36:53,211 WILLIAM BLAKE, I BELIEVE. 664 00:37:00,566 --> 00:37:02,872 [speaking inaudibly] 665 00:37:02,959 --> 00:37:05,962 [door creaks] 666 00:37:06,049 --> 00:37:07,834 WHY AREN'T YOU ANSWERING YOUR CELL PHONE? 667 00:37:07,921 --> 00:37:08,878 IS IT RINGING? 668 00:37:08,965 --> 00:37:10,445 FOR TWO HOURS. 669 00:37:10,532 --> 00:37:13,187 I'M SORRY. I THOUGHT IT WAS MY BRAIN. 670 00:37:13,274 --> 00:37:14,971 DOCTOR SAID IT'S TO BE EXPECTED. 671 00:37:15,058 --> 00:37:18,018 OF ALL PEOPLE TO USE TO EFFECT HER ESCAPE, 672 00:37:18,105 --> 00:37:20,412 WHY WOULD HIGHTOWER CHOOSE YOU? 673 00:37:20,499 --> 00:37:23,719 THEORETICALLY SPEAKING, I THINK IT MAKES PERFECT SENSE. 674 00:37:23,806 --> 00:37:26,722 I'M ISOLATED IN THE RAFTERS, I DON'T CARRY A WEAPON, 675 00:37:26,809 --> 00:37:30,900 AND I DON'T KNOW ANY OF THAT... HAND-TO-HAND COMBAT JIVE. 676 00:37:30,987 --> 00:37:33,642 I DON'T WANT THEORIES. I WANT FACTS. 677 00:37:33,729 --> 00:37:35,296 WHY WOULD SHE COME TO YOU? 678 00:37:35,383 --> 00:37:38,386 YOU DON'T... HONESTLY BELIEVE... 679 00:37:38,473 --> 00:37:39,953 THAT I HAD ANYTHING TO DO 680 00:37:40,040 --> 00:37:41,650 WITH HIGHTOWER'S ACTIONS TONIGHT, DO YOU? 681 00:37:41,737 --> 00:37:43,478 I HONESTLY DON'T KNOW WHAT TO BELIEVE, 682 00:37:43,565 --> 00:37:45,828 BUT WHENEVER YOU'RE IN THE MIDDLE OF SOMETHING, 683 00:37:45,915 --> 00:37:49,745 I HAVE REASON TO DOUBT. AND I LIKE HIGHTOWER. 684 00:37:49,832 --> 00:37:51,704 WHEN IN DOUBT, DON'T. 685 00:37:51,791 --> 00:37:53,619 WELL... 686 00:37:53,706 --> 00:37:56,274 WHATEVER HAPPENED TONIGHT, I'M GLAD YOU'RE SAFE. 687 00:37:56,361 --> 00:37:58,058 THANK YOU. HEY. 688 00:38:00,669 --> 00:38:04,064 THANK YOU FOR COMING TO MY RESCUE. 689 00:38:04,151 --> 00:38:08,242 I GUESS I SHOULD EXPRESS MY APPRECIATION TO HERRLaROCHE. 690 00:38:08,329 --> 00:38:10,288 IS HE STILL OUT COMMANDING THE TROOPS? 691 00:38:10,375 --> 00:38:13,682 NO. HE WENT HOME FOR THE NIGHT. 692 00:38:46,976 --> 00:38:48,587 [raps on door] 693 00:38:59,032 --> 00:39:00,033 JANE? 694 00:39:00,120 --> 00:39:01,643 LaROCHE. 695 00:39:01,730 --> 00:39:04,690 YOU HAVE A FLUFFY WHITE DOG AND AN ENTIRE... 696 00:39:04,777 --> 00:39:10,173 HOUSE. ARE THOSE HUMMEL FIGURINES? 697 00:39:10,260 --> 00:39:11,566 YEAH. 698 00:39:11,653 --> 00:39:13,960 YOU FIND THAT AMUSING? 699 00:39:14,047 --> 00:39:17,616 WELL, I JUST DIDN'T PICTURE YOU LIVING IN AN ACTUAL HOUSE. 700 00:39:17,703 --> 00:39:19,879 WHERE DID YOU THINK I LIVED? 701 00:39:19,966 --> 00:39:22,229 IN A BURROW ON A RIVERBANK. SOMEWHERE LIKE THAT. 702 00:39:28,757 --> 00:39:31,499 WHAT CAN I DO FOR YOU, JANE? 703 00:39:31,586 --> 00:39:33,153 YOU ALREADY DID FOR ME. 704 00:39:33,240 --> 00:39:35,111 YOU LET HIGHTOWER EXIT THE BUILDING 705 00:39:35,198 --> 00:39:37,157 INSTEAD OF SHOOTING ME IN THE BRAIN STEM, 706 00:39:37,244 --> 00:39:40,813 AND FOR THAT, I'M THANKFUL. 707 00:39:40,900 --> 00:39:42,815 HOW'D YOU KNOW I DRINK SCOTCH? 708 00:39:42,902 --> 00:39:44,207 YOU DO? 709 00:39:46,862 --> 00:39:48,081 THANK YOU. 710 00:39:48,168 --> 00:39:49,909 IT'S MY PLEASURE. 711 00:39:49,996 --> 00:39:52,868 IT'S TOO BAD SHE GOT AWAY, THOUGH, HUH? HIGHTOWER. 712 00:39:52,955 --> 00:39:55,654 PERIMETER WILL REMAIN IN FORCE UNTIL WE FIND HER. 713 00:39:55,741 --> 00:39:58,178 MAY TAKE A DAY OR TWO, BUT WE'LL FIND HER. 714 00:39:58,265 --> 00:39:59,484 SHE CAN'T ESCAPE. 715 00:39:59,571 --> 00:40:02,487 OH, SHE'S ESCAPED. I KNOW IT. 716 00:40:02,574 --> 00:40:04,532 JUST LIKE YOU KNEW I WAS WRONG 717 00:40:04,619 --> 00:40:06,795 ABOUT HIGHTOWER'S CAPACITY FOR MURDER? 718 00:40:06,882 --> 00:40:10,016 THAT'S THE COUNTERPUNCH. LANDED IT. 719 00:40:10,103 --> 00:40:12,410 ARE WE KIDS OR WHAT? 720 00:40:12,497 --> 00:40:14,412 YES. 721 00:40:14,499 --> 00:40:15,587 WE ARE KIDS. 722 00:40:18,198 --> 00:40:20,592 WELL, GOODNIGHT, JANE. 723 00:40:20,679 --> 00:40:22,507 IT IS A GOOD NIGHT. 724 00:40:40,394 --> 00:40:43,528 [trunk unlocks] 725 00:40:43,615 --> 00:40:45,138 DID IT WORK? [whispers] RIGHT. 726 00:40:45,225 --> 00:40:46,139 [whispers] YES, IT DID. 727 00:40:46,226 --> 00:40:49,098 DID IT WORK? OKAY. 728 00:40:49,185 --> 00:40:51,971 I CAN'T BELIEVE IT WORKED. 729 00:40:52,058 --> 00:40:53,276 IT WILL WORK. 730 00:40:53,363 --> 00:40:54,582 THIS IS CRAZY. 731 00:40:54,669 --> 00:40:56,671 NOT AT ALL. ONCE THEY SET THE PERIMETER, 732 00:40:56,758 --> 00:40:58,978 YOU WILL BE LIKE A RABBIT IN A TRAP. 733 00:40:59,065 --> 00:41:00,719 THEY WILL SEARCH EVERY VEHICLE LEAVING 734 00:41:00,806 --> 00:41:04,287 EXCEPT THE CAR OF THE MAN THAT IS IN CHARGE, SO HURRY, GET IN. 735 00:41:04,374 --> 00:41:07,377 OKAY. ALRIGHT. HOW LONG--HOW LONG DO I HAVE TO BE IN HERE? 736 00:41:07,465 --> 00:41:09,728 UNTIL YOU HEAR THIS.[knocks rhythmically] 737 00:41:09,815 --> 00:41:12,644 OKAY.TURN YOUR CELL PHONE OFF SO THEY CAN'T TRACE. 738 00:41:12,731 --> 00:41:15,168 HERE. TAKE MINE.OKAY. 739 00:41:15,255 --> 00:41:16,996 WHISPER.ALRIGHT. 740 00:41:17,083 --> 00:41:19,477 HERE'S YOUR CELL PHONE.DID YOU MAKE ARRANGEMENTS? 741 00:41:19,564 --> 00:41:20,913 I TALKED TO MY SISTER. 742 00:41:21,000 --> 00:41:23,219 SHE'S WAITING FOR ME OUTSIDE TOWN WITH MY KIDS. 743 00:41:23,306 --> 00:41:25,352 PERFECT. YOU'RE GONNA HAVE TO COMPLETELY VANISH BECAUSE 744 00:41:25,439 --> 00:41:27,920 IF RED JOHN FINDS OUT WHERE YOU ARE, HE'LL COME. 745 00:41:28,007 --> 00:41:31,271 SHE HAS A CABIN IN SARATOGA. CAN WAIT THERE FOR A FEW MONTHS. 746 00:41:31,358 --> 00:41:33,969 PERFECT. HE'LL THINK HE WON THIS ROUND.RED JOHN HAS 747 00:41:34,056 --> 00:41:36,537 A INSIDER AT THE CBI WHO FRAMED ME FOR MURDER. 748 00:41:36,624 --> 00:41:38,713 IT'S SAFE TO SAY HE WON THIS ROUND. 749 00:41:38,800 --> 00:41:41,716 YES, BUT NOW I HAVE THE ADVANTAGE. 750 00:41:41,803 --> 00:41:44,980 WITH YOU GONE, WHOEVER IT IS THAT WORKS FOR RED JOHN 751 00:41:45,067 --> 00:41:49,115 WILL START TO RELAX, AND THUS LEAD ME STRAIGHT TO HIM. 752 00:41:49,202 --> 00:41:51,509 YOU RISKED A LOT FOR ME. 753 00:41:51,596 --> 00:41:54,512 WELL, NOT FOR YOU ENTIRELY. 754 00:41:54,599 --> 00:41:56,992 I UNDERSTAND. STILL... 755 00:41:57,079 --> 00:41:59,255 THANK YOU FOR GETTING ME OUT OF THAT BUILDING 756 00:41:59,342 --> 00:42:01,040 AND BACK TO MY FAMILY. 757 00:42:01,127 --> 00:42:03,608 AND THANK YOU FOR NOT SHOOTING ME IN THE FACE. 758 00:42:03,695 --> 00:42:07,176 NO ONE CAN KNOW ABOUT THIS. THIS HAS TO STAY BETWEEN YOU AND ME. 759 00:42:07,263 --> 00:42:08,961 YOU SHOULD TELL LISBON WHAT'S GOING ON-- 760 00:42:09,048 --> 00:42:13,879 NOBODY. HE'S TOO SMART THAT WAY. HE'LL SENSE A TRAP. 761 00:42:13,966 --> 00:42:17,404 I'M BETTER OFF ALONE. 762 00:42:17,491 --> 00:42:20,015 NOBODY IS BETTER OFF ALONE. 763 00:42:35,814 --> 00:42:37,293 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.