1 00:00:03,046 --> 00:00:06,397 THIS IS MY DATE OUTFIT.IS THIS YOUR FIRST DATE? I MEAN, UM, SINCE YOUR WIFE DIED. 2 00:00:06,397 --> 00:00:09,009 DO I SEEM OUT OF PRACTICE? RED JOHN, IF YOU'RE LISTENING TO US NOW, 3 00:00:09,009 --> 00:00:12,273 I URGE YOU TO REACH OUT AND GET HELP. 4 00:00:12,273 --> 00:00:14,492 YOU CAN CHANGE.[Patrick] WHAT THE HELL ARE YOU THINKING? 5 00:00:14,492 --> 00:00:16,842 DON'T YOU UNDERSTAND WHO YOU'RE DEALING WITH? 6 00:00:16,842 --> 00:00:19,845 RED JOHN IS NOT COMING AFTER ME.ARE YOU BLIND? YOU'VE DONE EXACTLY WHAT I DID, 7 00:00:19,845 --> 00:00:21,804 AND HE KILLED MY WIFE AND CHILD. 8 00:00:21,804 --> 00:00:23,501 [Van Pelt] KRISTINA? 9 00:00:23,501 --> 00:00:25,590 [Patrick] RED JOHN COULD'VE GOTTEN IN AND TAKEN HER, 10 00:00:25,590 --> 00:00:27,984 OR MAYBE HE LURED HER OUT SOMEHOW. 11 00:00:27,984 --> 00:00:29,377 [man] AAH! 12 00:00:29,377 --> 00:00:32,380 "TIGER, TIGER, BURNING BRIGHT..." 13 00:00:32,380 --> 00:00:34,860 "IN THE FORESTS OF THE NIGHT, 14 00:00:34,860 --> 00:00:37,341 "WHAT IMMORTAL HAND OR EYE 15 00:00:37,341 --> 00:00:39,169 COULD FRAME THY FEARFUL SYMMETRY?" 16 00:00:39,169 --> 00:00:41,215 [gunshot][gasps] 17 00:00:41,215 --> 00:00:45,045 I ALMOST FORGOT. KRISTINA WOULD WANT ME TO SEND HER LOVE. 18 00:00:47,656 --> 00:00:50,528 [indistinct conversations] 19 00:00:57,361 --> 00:01:00,060 [police radio chatter] 20 00:01:00,060 --> 00:01:01,757 YOU CAN'T PARK THERE. 21 00:01:01,757 --> 00:01:03,628 SURE, I CAN. LOOK. 22 00:01:06,109 --> 00:01:07,719 [man] Roger. Stand by. 23 00:01:07,719 --> 00:01:10,331 [speaks indistinctly] We'll call you back. 24 00:01:10,331 --> 00:01:11,767 THERE YOU ARE. 25 00:01:11,767 --> 00:01:13,203 HERE I AM. GOOD MORNING. 26 00:01:13,203 --> 00:01:15,336 WHY SO GLUM? 27 00:01:15,336 --> 00:01:17,729 THIS IS HARVEY DUBLIN. 28 00:01:17,729 --> 00:01:21,298 THAT'S HIS CHAUFFEUR PETER RUSSO WITH THREE BULLETS IN HIM. 29 00:01:21,298 --> 00:01:23,431 THAT'S HIS CAR. MR. DUBLIN'S GONE. 30 00:01:23,431 --> 00:01:25,128 ABDUCTED, IT LOOKS LIKE. 31 00:01:28,827 --> 00:01:29,915 HARVEY DUBLIN? 32 00:01:29,915 --> 00:01:31,743 BIG-TIME STATEHOUSE LOBBYIST, 33 00:01:31,743 --> 00:01:35,704 LAWYER, KINGMAKER. FAMOUS AND WELL-CONNECTED. 34 00:01:35,704 --> 00:01:37,532 AH, THE EVIL TWINS. 35 00:01:37,532 --> 00:01:40,448 BRASS AND MEDIA ARE GONNA BE ALL OVER US LIKE SUCKERFISH. 36 00:01:40,448 --> 00:01:43,015 OH, WHY DON'T WE JUST GIVE IT TO THE FBI? THEY LOVE THAT STUFF. 37 00:01:43,015 --> 00:01:45,409 OH, I WISH. TOO LATE. 38 00:01:45,409 --> 00:01:47,368 THE NEW BOSS IS HERE DOING ON-CAMERAS. IT'S OUR BABY. 39 00:01:47,368 --> 00:01:49,326 NEW BOSS? I THOUGHT HIGHTOWER WAS BOSS. 40 00:01:49,326 --> 00:01:51,372 THE BOSS OF HIGHTOWER. 41 00:01:51,372 --> 00:01:53,374 THE DIRECTOR OF THE ENTIRE DIVISION. 42 00:01:53,374 --> 00:01:56,116 I TOLD YOU ABOUT HIM LAST WEEK. YOUR MEMORY'S GOING. 43 00:01:56,116 --> 00:01:58,944 MY MEMORY IS A MIGHTY FORTRESS, LISBON, 44 00:01:58,944 --> 00:02:02,948 FROM WHICH NO FACT EVER ESCAPES ONCE COMMITTED. 45 00:02:02,948 --> 00:02:05,037 NOW WHEN YOU TELL ME BORING THINGS, 46 00:02:05,037 --> 00:02:07,344 I SET 'EM FREE IMMEDIATELY. 47 00:02:07,344 --> 00:02:08,824 SAVES OVERCROWDING. 48 00:02:10,217 --> 00:02:12,610 HARVEY DUBLIN IS MISSING. 49 00:02:12,610 --> 00:02:14,656 IT LOOKS LIKE A KIDNAPPING, 50 00:02:14,656 --> 00:02:18,312 PRESUMABLY FOR RANSOM, BUT WE CAN'T BE SURE AT PRESENT. 51 00:02:18,312 --> 00:02:21,793 WE SHALL HAVE TO AWAIT FURTHER DEVELOPMENTS. 52 00:02:21,793 --> 00:02:25,319 HARVEY IS A PILLAR OF THIS CITY, ONE OF THE GOOD GUYS. 53 00:02:25,319 --> 00:02:28,583 WE ARE ALL PRAYING FOR HIS SAFETY. 54 00:02:28,583 --> 00:02:31,063 THANK YOU.[woman] OVER HERE, MR. BERTRAM. ONE MORE QUESTION FOR ME? 55 00:02:31,063 --> 00:02:32,717 IDIOT. 56 00:02:32,717 --> 00:02:34,806 YOU AND YOUR SNAP JUDGMENTS. WHAT IS HE SUPPOSED TO SAY? 57 00:02:34,806 --> 00:02:38,462 WHY DOES HE HAVE TO SAY ANYTHING? 58 00:02:38,462 --> 00:02:41,248 WHAT'S YOUR TAKE ON THIS? 59 00:02:41,248 --> 00:02:42,640 HMM. 60 00:02:42,640 --> 00:02:44,207 I DON'T KNOW. 61 00:02:46,601 --> 00:02:48,820 [woman] MR. BERTRAM, OVER HERE. CAN I HAVE YOUR ATTENTION? 62 00:02:48,820 --> 00:02:51,345 EH, I THINK I'LL GIVE THIS ONE A MISS. 63 00:02:51,345 --> 00:02:53,303 A MISS? WHAT DO YOU MEAN "A MISS"? 64 00:02:53,303 --> 00:02:56,176 I JUST FEEL THIS ONE IS NOT FOR ME. 65 00:02:56,176 --> 00:02:58,569 I'LL CATCH THE NEXT ONE, I-I-I PROMISE. 66 00:02:58,569 --> 00:03:01,181 I DON'T UNDERSTAND. YOU'RE NOT GONNA-- 67 00:03:01,181 --> 00:03:03,444 AGENT LISBON, I BELIEVE? AND MR. JANE?YES. HI. 68 00:03:03,444 --> 00:03:05,489 DIRECTOR BERTRAM WILL SPEAK TO YOU NOW. 69 00:03:05,489 --> 00:03:08,318 WE'RE ON A SUPERTIGHT SCHEDULE. HE APPRECIATE FACTS AND BREVITY. 70 00:03:08,318 --> 00:03:09,276 OKAY? 71 00:03:09,276 --> 00:03:10,407 AGENT LISBON. 72 00:03:10,407 --> 00:03:12,757 YES, SIR, DIRECTOR BERTRAM. 73 00:03:12,757 --> 00:03:15,717 [chuckles] AND YOU MUST BE OUR BOY WONDER PATRICK JANE. 74 00:03:15,717 --> 00:03:18,589 I'VE HEARD A LOT OF GOOD THINGS ABOUT YOU.HI. NICE TO MEET YOU, SIR. 75 00:03:18,589 --> 00:03:21,375 NOW I WANT THIS RESOLVED A.S.A.P. 76 00:03:21,375 --> 00:03:23,899 WHATEVER IT TAKES. THE HECK WITH OVERTIME RESTRICTIONS. 77 00:03:23,899 --> 00:03:26,423 YOU DO THE HOURS, I'LL FIND THE FUNDING. 78 00:03:26,423 --> 00:03:29,644 WE ARE ALL IN THIS TOGETHER AS ONE. 79 00:03:29,644 --> 00:03:32,342 THAT'S WHAT I'M ALL ABOUT.OH, WE ARE ON IT, SIR. 80 00:03:32,342 --> 00:03:34,301 UH, YEAH, I WON'T BE WORKING THIS PARTICULAR CASE, 81 00:03:34,301 --> 00:03:36,041 BUT I-I DO LIKE WHAT YOU SAID. 82 00:03:36,041 --> 00:03:37,478 WE'RE ALL IN THIS TOGETHER AS ONE. MAO TSE-TUNG, RIGHT? 83 00:03:37,478 --> 00:03:40,263 NOW HOLD YOUR HORSES THERE, BUSTER. 84 00:03:40,263 --> 00:03:43,179 WHAT DO YOU MEAN YOU WON'T WORKING ON THIS ONE?WELL, STATEHOUSE LOBBYIST ABDUCTIONS-- 85 00:03:43,179 --> 00:03:45,225 IT'S, UH, NOT REALLY MY CUP OF TEA. 86 00:03:45,225 --> 00:03:48,880 WELL, THAT'S--THAT'S KIND OF UNPROFESSIONAL, DON'T YOU THINK? 87 00:03:48,880 --> 00:03:51,187 I GUESS, BUT I'M NOT ACTUALLY A PROFESSIONAL. 88 00:03:51,187 --> 00:03:53,058 QUESTION FOR YOU. 89 00:03:53,058 --> 00:03:55,322 W-WHY ARE YOU HERE? ASIDE FROM THE CAMERAS. 90 00:03:55,322 --> 00:03:58,542 OH, WHAT DO YOU MEAN, "ASIDEFROM THE CAMERAS"? 91 00:03:58,542 --> 00:04:01,110 PUBLIC PERCEPTION IS AN IMPORTANT TOOL. 92 00:04:01,110 --> 00:04:02,372 MM. 93 00:04:02,372 --> 00:04:03,678 TOOL.OOH. 94 00:04:05,941 --> 00:04:07,943 YOU JUST PUT YOUR HAND ON ME. 95 00:04:07,943 --> 00:04:09,727 NO. I MEAN, YES, BUT-- 96 00:04:09,727 --> 00:04:12,295 YES, YOU DID. DON'T EVER DO THAT AGAIN. 97 00:04:12,295 --> 00:04:14,210 [chuckles] OR ELSE WHAT? 98 00:04:16,517 --> 00:04:19,520 YOU EVER SMELL A DEAD MOUSE? DO YOU REMEMBER THAT SMELL? 99 00:04:19,520 --> 00:04:21,478 YES. 100 00:04:21,478 --> 00:04:23,219 WELL, I JUST NOW 101 00:04:23,219 --> 00:04:25,221 PUT A DEAD MOUSE IN YOUR JACKET POCKET. 102 00:04:25,221 --> 00:04:28,137 AND NO MATTER HOW MANY TIMES YOU CLEAN THAT JACKET, 103 00:04:28,137 --> 00:04:31,358 YOU'LL ALWAYS SMELL THAT DEAD MOUSE, AND YOU'LL REMEMBER 104 00:04:31,358 --> 00:04:34,317 THAT YOU SHOULD NEVER HAVE PUT YOUR HAND ON ME. 105 00:04:37,755 --> 00:04:40,323 AAH! YOU SON OF A BITCH. 106 00:04:40,323 --> 00:04:43,413 IT'S ACTUALLY JUST A WADDED UP NAPKIN 107 00:04:43,413 --> 00:04:45,546 BUT, UH, HAS THE SAME PSYCHOLOGICAL EFFECT. 108 00:04:45,546 --> 00:04:47,548 HUMAN MIND IS FUNNY THAT WAY. 109 00:04:47,548 --> 00:04:49,593 GOOD TO MEET YOU, SIR. SORRY, LISBON. 110 00:04:52,553 --> 00:04:55,860 HE HAD A ROUGH SUMMER. 111 00:04:55,860 --> 00:04:59,255 ♪♪ 112 00:05:06,001 --> 00:05:08,003 [Lisbon] RIGSBY AND VAN PELT ARE CANVASSING 113 00:05:08,003 --> 00:05:10,005 THE AREA AROUND THE ABDUCTION SITE. 114 00:05:10,005 --> 00:05:12,224 CHO'S WITH MRS. DUBLIN, WAITING FOR A RANSOM DEMAND, 115 00:05:12,224 --> 00:05:14,618 AND TECH SERVICES ARE UP AND RUNNING. 116 00:05:14,618 --> 00:05:17,665 WELL, THIS IS A SCARY ONE. LOTS OF ATTENTION. 117 00:05:17,665 --> 00:05:19,710 KEEP MOLLY IN PUBLIC AFFAIRS 118 00:05:19,710 --> 00:05:21,930 APPRISED OF ANY GOOD STUFF WE CAN FEED THE MEDIA, 119 00:05:21,930 --> 00:05:23,323 KEEP THEM ON OUR SIDE, 120 00:05:23,323 --> 00:05:25,629 AND DON'T MAKE ANY MISTAKES. 121 00:05:25,629 --> 00:05:27,501 NO, MA'AM. 122 00:05:27,501 --> 00:05:29,894 HOW'S JANE?[sets down cup] 123 00:05:29,894 --> 00:05:31,940 THE SAME. 124 00:05:31,940 --> 00:05:34,290 YOU THINK HE'S IN DANGER OF CRACKING UP? 125 00:05:34,290 --> 00:05:35,335 NO. 126 00:05:37,380 --> 00:05:41,166 I MEAN, NO. WELL, I DON'T THINK SO. I THINK HE'LL BE FINE. 127 00:05:41,166 --> 00:05:43,168 [papers rustle] 128 00:05:43,168 --> 00:05:45,562 THAT'S NOT VERY CONVINCING, LISBON. 129 00:05:45,562 --> 00:05:49,174 WHAT HE'S BEEN THROUGH WOULD BREAK ANYONE. 130 00:05:49,174 --> 00:05:51,220 HE'S NOT GONNA CRACK UP. 131 00:05:51,220 --> 00:05:54,092 I THINK SOME TIME OFF WILL DO HIM GOOD, THOUGH. 132 00:05:54,092 --> 00:05:57,400 YEAH, WELL, NO CAN DO. 133 00:05:57,400 --> 00:05:59,576 BERTRAM WANTS HIM ON THE DUBLIN CASE. 134 00:05:59,576 --> 00:06:02,536 AFTER JANE WAS SO RUDE TO HIM?BERTRAM'S ALL BOTTOM LINE. 135 00:06:02,536 --> 00:06:04,625 HE WON'T LET PERSONAL ISSUES INTRUDE. 136 00:06:04,625 --> 00:06:07,628 JANE'S THE BEST ASSET WE HAVE, AND BERTRAM KNOWS THAT. 137 00:06:07,628 --> 00:06:11,980 BUT JANE DOESN'T WANT TO BE ON THE CASE.CHANGE HIS MIND. 138 00:06:11,980 --> 00:06:16,376 I'M NOT GONNA TELL BERTRAM WE CAN'T CONTROL OUR OWN PEOPLE. 139 00:06:20,205 --> 00:06:23,208 I HAVE AN IDEA AS TO HOW TO PERSUADE HIM, 140 00:06:23,208 --> 00:06:25,689 BUT IT'S KIND OF UNETHICAL. 141 00:06:25,689 --> 00:06:27,343 I DON'T WANNA KNOW. 142 00:06:34,306 --> 00:06:35,438 WHERE'S JANE? 143 00:06:35,438 --> 00:06:36,657 UPSTAIRS. 144 00:06:36,657 --> 00:06:37,745 THANKS. 145 00:06:48,843 --> 00:06:51,411 [knocks on door]JANE? 146 00:06:51,411 --> 00:06:53,413 COME IN. 147 00:06:53,413 --> 00:06:54,936 HEY. 148 00:06:54,936 --> 00:06:56,372 NICE PLACE. 149 00:06:56,372 --> 00:07:00,507 [sighs] YEAH. YEAH, I LIKE THE VIEW AND THE QUIET. 150 00:07:04,902 --> 00:07:07,427 AND WHAT ARE YOU DOING WITH ALL THE QUIET? 151 00:07:07,427 --> 00:07:11,343 JUST THINKING. 152 00:07:11,343 --> 00:07:13,345 JANE, YOU HAVE TO STOP BLAMING YOURSELF. 153 00:07:13,345 --> 00:07:16,218 IF RED JOHN TOOK KRISTINA FRYE, IT'S NOT YOUR-- 154 00:07:16,218 --> 00:07:17,741 THERE'S NO "IF." HE TOOK HER. 155 00:07:17,741 --> 00:07:20,701 IFHE DID, YOU CAN'T BLAME YOURSELF. 156 00:07:20,701 --> 00:07:22,746 BESIDES, WHAT GOOD IS IT TO SIT UP HERE, 157 00:07:22,746 --> 00:07:25,575 SCRIBBLING IN YOUR BOOK? YOU'RE NOT GONNA FIND HER THAT WAY. 158 00:07:25,575 --> 00:07:27,359 [chuckles] 159 00:07:27,359 --> 00:07:29,361 I'M NOT GONNA CHANGE MY MIND. 160 00:07:29,361 --> 00:07:31,973 I DON'T WANT TO WORK THE DUBLIN CASE. 161 00:07:31,973 --> 00:07:35,324 THAT'S FINE. IT'S A DONE DEAL. I UNDERSTAND. 162 00:07:35,324 --> 00:07:38,588 IT'D BE GOOD FOR YOU TO HAVE A BREAK. 163 00:07:38,588 --> 00:07:41,809 LISTEN, ON A COMPLETELY OTHER SUBJECT, 164 00:07:41,809 --> 00:07:44,899 I NEED A PERSONAL FAVOR. 165 00:07:44,899 --> 00:07:46,901 I'D LIKE YOU TO COME AND MEET SOMEONE. 166 00:07:46,901 --> 00:07:48,990 WHO?I CAN'T TELL. 167 00:07:48,990 --> 00:07:51,079 WHY NOT? 168 00:07:51,079 --> 00:07:53,690 I PROMISE IT HAS NOTHING TO DO WITH HARVEY DUBLIN. 169 00:07:53,690 --> 00:07:55,692 YOU'RE TRYING TO PLAY ME SOMEHOW, 170 00:07:55,692 --> 00:07:58,173 CONVINCE ME TO CHANGE MY MIND. 171 00:07:58,173 --> 00:08:00,001 NO.YES, YOU ARE. 172 00:08:01,393 --> 00:08:03,613 AND I GUESS I OWE YOU A SHOT. 173 00:08:03,613 --> 00:08:06,181 BUT IT'S NOT GONNA WORK, WHATEVER IT IS. 174 00:08:14,972 --> 00:08:19,324 HEY, CHO, HOW'S IT GOIN' WITH MRS. DUBLIN? 175 00:08:19,324 --> 00:08:22,284 NOTHING SO FAR. WHEN'S SOMEBODY COMING TO RELIEVE ME HERE? 176 00:08:22,284 --> 00:08:24,329 WHY? WHAT'S THE PROBLEM? 177 00:08:24,329 --> 00:08:26,941 NOTHING. I'LL CALL IF WE GET ANY DEVELOPMENTS. 178 00:08:26,941 --> 00:08:28,943 WHAT IS IT? IS IT HARVEY? 179 00:08:28,943 --> 00:08:30,379 NO, MA'AM. 180 00:08:30,379 --> 00:08:32,642 [cries] OH, MY GOD! 181 00:08:32,642 --> 00:08:35,427 I AM GONNA EXPLODE! I CAN'T STAND IT! 182 00:08:35,427 --> 00:08:38,169 I CAN'T TAKE IT! I SWEAR TO GOD! 183 00:08:38,169 --> 00:08:39,954 [sobs] 184 00:08:39,954 --> 00:08:42,043 WHY, KIMBALL? [sniffles] 185 00:08:42,043 --> 00:08:46,177 WHY AM I BEING PUNISHED? I'M A GOOD PERSON. 186 00:08:46,177 --> 00:08:47,788 YES, MA'AM. 187 00:08:47,788 --> 00:08:49,703 STOP CALLING ME "MA'AM." 188 00:08:49,703 --> 00:08:52,357 I'M NOT YOUR GRANDMOTHER. [sniffles] 189 00:08:52,357 --> 00:08:55,404 HOW OLD DO YOU THINK I AM ANYWAY? 190 00:08:55,404 --> 00:08:58,015 48, 49. 191 00:08:58,015 --> 00:09:00,975 [sobbing] 192 00:09:06,415 --> 00:09:08,765 I GET THE PICTURE.DO YOU? 193 00:09:08,765 --> 00:09:13,248 YEAH, DUBLIN'S DRIVER-- THE DEAD GUY, PETE RUSSO, RIGHT? 194 00:09:13,248 --> 00:09:14,728 HE HAS FAMILY. 195 00:09:14,728 --> 00:09:16,730 HE WASN'T WEARING A WEDDING RING, SO, UH... 196 00:09:16,730 --> 00:09:19,123 [doorbell rings]WE'RE ABOUT TO MEET A, UH... 197 00:09:19,123 --> 00:09:21,430 [door squeaks] 198 00:09:21,430 --> 00:09:25,086 YES. EXACTLY. 199 00:09:25,086 --> 00:09:26,566 YES, WHO ARE YOU? 200 00:09:26,566 --> 00:09:29,307 NADINE, I'M AGENT LISBON WITH THE CBI. 201 00:09:29,307 --> 00:09:32,180 WE SPOKE ON THE PHONE. THIS IS PATRICK JANE. 202 00:09:32,180 --> 00:09:34,704 HI. YOU'RE, UH, PETE RUSSO'S DAUGHTER? 203 00:09:34,704 --> 00:09:36,140 UH, YEAH. 204 00:09:38,490 --> 00:09:39,883 HELLO?THEY'RE POLICE. 205 00:09:39,883 --> 00:09:41,885 [whispers] OH, OKAY.THIS IS MY MOM. 206 00:09:41,885 --> 00:09:44,627 [normal voice] PATRICIA. 207 00:09:44,627 --> 00:09:46,498 AND THIS IS KEITH, MY STEPDAD. 208 00:09:46,498 --> 00:09:49,327 HI. UM... 209 00:09:49,327 --> 00:09:51,286 PLEASE COME IN. 210 00:09:54,724 --> 00:09:56,247 [sighs] 211 00:09:59,599 --> 00:10:02,471 MISS LISBON SAYS YOU'RE THE BEST DETECTIVE IN CALIFORNIA. 212 00:10:06,693 --> 00:10:11,088 SHE SAYS IF ANYBODY CAN FIND WHO KILLED MY FATHER, YOU CAN. 213 00:10:11,088 --> 00:10:13,134 I JUST HAVE TO SAY, 214 00:10:13,134 --> 00:10:16,398 I DIDN'T THINK YOU WOULD STOOP TO SUCH CRUDE MANIPULATION. 215 00:10:16,398 --> 00:10:18,052 I DON'T UNDERSTAND. 216 00:10:18,052 --> 00:10:20,445 INSIDE JOKE. I'M SORRY. 217 00:10:20,445 --> 00:10:23,884 UH, I WILL FIND WHO KILLED YOUR FATHER AND ABDUCTED MR. DUBLIN. 218 00:10:23,884 --> 00:10:25,712 AN INSIDE JOKE? 219 00:10:25,712 --> 00:10:28,149 HER FATHER IS DEAD. 220 00:10:28,149 --> 00:10:29,803 MURDERED. 221 00:10:29,803 --> 00:10:31,282 YOU'RE MAKING JOKES? 222 00:10:33,110 --> 00:10:35,112 YES, UH, IT'S A FAULT OF MINE. 223 00:10:35,112 --> 00:10:37,114 UH, WHAT IT IS, THE JOKE? 224 00:10:37,114 --> 00:10:40,552 UH, I HAVE A--I HAVE A LOT ON MIND RIGHT NOW. 225 00:10:40,552 --> 00:10:43,077 UH, I DIDN'T REALLY WANNA COME TO WORK TODAY, 226 00:10:43,077 --> 00:10:45,296 BUT MY GOOD FRIEND AND COLLEAGUE AGENT LISBON 227 00:10:45,296 --> 00:10:47,472 TRICKED ME INTO MEETING YOU, 228 00:10:47,472 --> 00:10:49,344 KNOWING THAT I COULDN'T REFUSE YOU 229 00:10:49,344 --> 00:10:51,607 BECAUSE YOU'RE THE AGE MY DAUGHTER WOULD BE 230 00:10:51,607 --> 00:10:55,350 IF SHE WERE STILL ALIVE, IF SHE HADN'T BEEN MURDERED.[gasps] OH, GOODNESS. 231 00:10:55,350 --> 00:10:57,613 MURDERED BY A MAN NAMED RED JOHN, 232 00:10:57,613 --> 00:10:59,659 WHOM I MET WITH RECENTLY. 233 00:10:59,659 --> 00:11:02,270 HE SAVED MY LIFE AND ABDUCTED A FRIEND OF MINE. 234 00:11:02,270 --> 00:11:05,186 LONG STORY. HENCE, MANY THINGS ON MY MIND. 235 00:11:05,186 --> 00:11:06,361 [slurps] 236 00:11:06,361 --> 00:11:09,146 THAT'S NOT A VERY FUNNY JOKE. 237 00:11:09,146 --> 00:11:10,713 HMM. 238 00:11:10,713 --> 00:11:12,759 WHAT HAPPENED TO YOUR FRIEND? 239 00:11:12,759 --> 00:11:14,630 STILL MISSING. 240 00:11:14,630 --> 00:11:18,373 UH, PLEASE, TELL US ABOUT YOUR FATHER. 241 00:11:18,373 --> 00:11:21,158 HE WAS A GOOD PERSON. 242 00:11:21,158 --> 00:11:24,727 HE WAS... FUNNY 243 00:11:24,727 --> 00:11:27,208 AND... [voice breaks] AND GENEROUS. 244 00:11:27,208 --> 00:11:30,733 AND I COULD TALK TO HIM ABOUT ANYTHING, AND HE WOULD LISTEN. 245 00:11:30,733 --> 00:11:32,692 [Patricia] OH, YES, HE COULD BE CHARMING. 246 00:11:35,216 --> 00:11:36,826 HE HAD HIS WAYS. 247 00:11:36,826 --> 00:11:40,395 WHAT KIND OF WAYS?HE HAD A TEMPER. 248 00:11:40,395 --> 00:11:44,312 THAT HE DID. 249 00:11:44,312 --> 00:11:46,706 I MEAN, HIS HEART WAS IN THE RIGHT PLACE, YOU KNOW? 250 00:11:48,620 --> 00:11:51,188 WHATEVER HIS FAULTS, 251 00:11:51,188 --> 00:11:53,364 HE DIDN'T DESERVE TO DIE THIS WAY. 252 00:11:54,801 --> 00:11:57,325 REALLY, I'M IMPRESSED. 253 00:11:57,325 --> 00:12:00,937 YOU--YOU PLAYED ME LIKE A FISH AND--AND YOU LIED TO ME.I KIND OF DID, DIDN'T I? SORRY. 254 00:12:00,937 --> 00:12:04,375 NO, I'M GLAD TO SEE YOU'RE FINALLY LEARNING A FEW THINGS. 255 00:12:04,375 --> 00:12:07,335 OF COURSE, UH, NOW I SHALL HAVE MY REVENGE.WHAT DO YOU MEAN? 256 00:12:07,335 --> 00:12:10,251 [chuckles] AHH. 257 00:12:10,251 --> 00:12:12,644 [Rigsby] DON'T WORRY. WE'RE NOT HERE ABOUT DRUGS. 258 00:12:12,644 --> 00:12:15,125 WE'RE HERE ABOUT THE KILLING THE OTHER NIGHT. 259 00:12:15,125 --> 00:12:17,084 [man] AH, YEAH, YEAH. I HEARD ABOUT THAT. 260 00:12:17,084 --> 00:12:19,608 KIDNAPPED A MAN, HUH? THAT'S TOO BAD. 261 00:12:19,608 --> 00:12:21,958 LOCAL BEAT COPS SAY YOU GUYS DO BUSINESS UNDER THAT BRIDGE.YEAH, LOOK, 262 00:12:21,958 --> 00:12:25,353 THE LOCAL BEAT COPS ARE NICE GUYS, BUT THEY'RE OUT OF TOUCH. 263 00:12:25,353 --> 00:12:28,095 WE DON'T DO BUSINESS UNDER THAT BRIDGE. THE HOS--THEY GOT DIBS. 264 00:12:28,095 --> 00:12:31,489 YOU'RE GONNA WANNA TALK TO THE LADIES OVER ON FREMONT. 265 00:12:31,489 --> 00:12:33,970 ALL RIGHT. THANKS.YEAH, NO WORRIES. 266 00:12:33,970 --> 00:12:36,407 HEY, HEY, RED. 267 00:12:36,407 --> 00:12:38,627 YOU--YOU EVER DATE A HUSTLER BEFORE? 268 00:12:38,627 --> 00:12:40,977 NOT SO FAR! 269 00:12:40,977 --> 00:12:43,240 WHAT? I'M KIDDING. 270 00:12:47,331 --> 00:12:48,768 THANK YOU. 271 00:12:48,768 --> 00:12:51,553 YEAH. OKAY. GOOD TO KNOW. 272 00:12:51,553 --> 00:12:54,730 GOOD AFTERNOON. REID COLMAN. I'M MR. DUBLIN'S PERSONAL LAWYER. 273 00:12:54,730 --> 00:12:57,472 GLAD TO SEE YOU PEOPLE. YOU MADE ANY PROGRESS? 274 00:12:57,472 --> 00:13:01,258 EARLY DAYS, MR. COLMAN.YOU'LL, UH, NEED TO TALK TO ME, YES? 275 00:13:01,258 --> 00:13:04,392 NOW'S A GOOD TIME. I HAVE TEN MINUTES OR SO. 276 00:13:04,392 --> 00:13:07,525 IF YOU'LL COME THIS WAY, WE CAN USE THE CONFERENCE ROOM. 277 00:13:07,525 --> 00:13:09,571 UH, JUST A MOMENT. 278 00:13:09,571 --> 00:13:10,964 WHAT'S YOUR NAME? 279 00:13:10,964 --> 00:13:12,966 MARJORIE. 280 00:13:12,966 --> 00:13:15,011 MARJORIE. THAT'S A VERY NICE NAME. 281 00:13:15,011 --> 00:13:17,013 I'D LIKE TO SPEAK TO MARJORIE FIRST, THANKS.[sighs] 282 00:13:17,013 --> 00:13:19,973 UH, WE WILL NEED TO SPEAK TO YOU IN DUE COURSE, SIR. 283 00:13:19,973 --> 00:13:21,931 I'LL, UH, TRY AND FIT YOU IN LATER. 284 00:13:21,931 --> 00:13:23,977 PROSTITUTES? NO. NO. 285 00:13:23,977 --> 00:13:26,806 MR. DUBLIN WAS NOT THAT SORT OF MAN AT ALL. 286 00:13:26,806 --> 00:13:28,720 THE ALLEYWAY FROM WHICH HE WAS ABDUCTED 287 00:13:28,720 --> 00:13:30,418 WAS USED BY PROSTITUTES, 288 00:13:30,418 --> 00:13:33,334 AND IT WAS NOWHERE NEAR MR. DUBLIN'S REGULAR ROUTE. 289 00:13:33,334 --> 00:13:35,162 I HAVE BEEN MR. DUBLIN'S PERSONAL SECRETARY 290 00:13:35,162 --> 00:13:36,728 FOR TEN YEARS, 291 00:13:36,728 --> 00:13:39,470 AND I CAN TELL YOU WITHOUT A SHADOW OF A DOUBT 292 00:13:39,470 --> 00:13:41,168 THAT HE IS 293 00:13:41,168 --> 00:13:43,910 THE MOST DECENT, CARING, CLEAN, GENEROUS HUMAN BEING 294 00:13:43,910 --> 00:13:45,912 THAT ANYONE COULD HOPE TO MEET. 295 00:13:45,912 --> 00:13:48,305 WE WANT TO BRING HIM BACK SAFELY, MARJORIE. 296 00:13:48,305 --> 00:13:50,177 WE NEED TO KNOW EVERYTHING. 297 00:13:57,837 --> 00:14:00,883 USUALLY I CAN GET AHOLD OF HIM AT ANY TIME. 298 00:14:00,883 --> 00:14:03,494 HIS WORK DEMANDS IT, BUT ONCE IN A WHILE, 299 00:14:03,494 --> 00:14:06,019 HE'D DISAPPEAR FOR AN HOUR OR SO, 300 00:14:06,019 --> 00:14:08,804 NO--NO ANSWER FROM HIM OR HIS DRIVER. 301 00:14:08,804 --> 00:14:11,502 HOW OFTEN WAS THAT?EVERY COUPLE OF WEEKS. 302 00:14:11,502 --> 00:14:14,462 A REGULAR DATE RIGHT AROUND THE TIME HE WAS ABDUCTED, YES? 303 00:14:16,551 --> 00:14:19,554 AND WHAT DID YOU THINK HE MIGHT BE DOING? 304 00:14:19,554 --> 00:14:22,296 MISTRESS, I THOUGHT, 305 00:14:22,296 --> 00:14:23,863 BUT NOT THIS. 306 00:14:23,863 --> 00:14:27,823 MEN HAVE NEEDS. I UNDERSTAND THAT. 307 00:14:27,823 --> 00:14:30,913 PLEASE, YOU'LL FIND HIM, WON'T YOU? YOU'LL FIND HIM? 308 00:14:30,913 --> 00:14:33,437 MARJORIE, UH, I HAVE TO TELL YOU, 309 00:14:33,437 --> 00:14:36,092 UH, IT'S VERY LIKELY THAT HE'S ALREADY DEAD. 310 00:14:36,092 --> 00:14:39,617 WHOA. WAIT A MINUTE. WE DON'T KNOW THAT. 311 00:14:39,617 --> 00:14:43,012 IT'S A HUNCH THAT I HAVE, AND IF I'M RIGHT, 312 00:14:43,012 --> 00:14:45,928 IT'S A BLESSING FOR YOU. 313 00:14:45,928 --> 00:14:48,670 UNREQUITED LOVE IS A TERRIBLE THING. 314 00:14:48,670 --> 00:14:51,542 YOU HAVE TO FIND YOURSELF A MAN THAT WILL LOVE YOU BACK. 315 00:14:51,542 --> 00:14:54,415 YOU'RE A GOOD WOMAN. YOU DESERVE IT. THINK ABOUT THAT. 316 00:15:03,467 --> 00:15:06,427 SO THIS WAS DONE BY SOMEONE WHO KNEW ABOUT DUBLIN'S ROUTINE-- 317 00:15:06,427 --> 00:15:07,863 SOMEONE VERY CLOSE. 318 00:15:07,863 --> 00:15:10,126 WH-WHY DID YOU SAY HE WAS DEAD? 319 00:15:10,126 --> 00:15:12,520 BECAUSE HE IS. HE'S DEAD, AND IT'S NOT A KIDNAPPING.GIVE ME A REASON. 320 00:15:12,520 --> 00:15:15,131 I'LL BET YOU ALL THE TEA IN CHINA.[cell phone rings] 321 00:15:15,131 --> 00:15:17,481 [scoffs] THAT IS NOT A REASON.I'LL GIVE YOU GOOD ODDS. 322 00:15:17,481 --> 00:15:19,483 [ring]HEY. 323 00:15:19,483 --> 00:15:21,877 HEY. RANSOM DEMAND CAME THROUGH. 324 00:15:21,877 --> 00:15:23,531 HOW MUCH? 325 00:15:23,531 --> 00:15:25,446 ALL RIGHT. WE'RE ON OUR WAY. 326 00:15:25,446 --> 00:15:28,231 A MILLION DOLLARS FOR THE SAFE RETURN OF DUBLIN-- 327 00:15:28,231 --> 00:15:30,625 THAT KINDA SOUNDS LIKE A KIDNAPPING, DOESN'T IT? 328 00:15:30,625 --> 00:15:33,715 DOESN'T MEAN IT'S A KIDNAPPING. DOESN'T MEAN HE'S NOT DEAD. 329 00:15:33,715 --> 00:15:37,197 IS THIS A SERIOUS THEORY, OR IS THIS YOUR REVENGE? 330 00:15:48,295 --> 00:15:50,819 [Cho] THIS WAS SENT FROM A THROWAWAY PHONE. 331 00:15:50,819 --> 00:15:53,909 "DO EXACTLY AS INSTRUCTED OR H.D. GETS HIS THROAT CUT 332 00:15:53,909 --> 00:15:56,868 "AND WE SEND YOU HIS TONGUE. WE WANT A MILLION DOLLARS 333 00:15:56,868 --> 00:15:59,393 "IN USED $50s AND $100s AT 0600 TOMORROW. 334 00:15:59,393 --> 00:16:02,222 LOCATION WILL FOLLOW. NO POLICE, OR H.D. IS DEAD."ANY PROOF OF LIFE? 335 00:16:02,222 --> 00:16:05,225 NO.HUH. 336 00:16:05,225 --> 00:16:08,184 DO NOT SAY ANYTHING BAD TO MRS. DUBLIN. 337 00:16:08,184 --> 00:16:10,447 THAT IS AN ORDER. 338 00:16:10,447 --> 00:16:13,015 JAWOHL, MEIN KOMMANDANT.CAN I SEE?YEAH. 339 00:16:13,015 --> 00:16:14,756 WHERE IS MRS. DUBLIN? 340 00:16:14,756 --> 00:16:17,759 YEAH, SHE CRIES A LOT. THEN SHE HAS TO FRESHEN HER MAKEUP, 341 00:16:17,759 --> 00:16:19,804 AND THEN SHE CRIES AGAIN. SORT OF A CYCLE. 342 00:16:19,804 --> 00:16:22,242 THREE DELIBERATE MISSPELLINGS 343 00:16:22,242 --> 00:16:24,244 AND AN OBVIOUS MILITARY LILT, 344 00:16:24,244 --> 00:16:26,420 WHICH SUGGESTS THAT THE WRITER IS NOT A VETERAN 345 00:16:26,420 --> 00:16:29,466 BUT WANTS US TO BELIEVE THAT HE OR SHE IS-- 346 00:16:29,466 --> 00:16:32,382 SO A NOTCH OR TWO LESS CLEVER THAN HE OR SHE THINKS 347 00:16:32,382 --> 00:16:34,776 THAT THEY ARE, USING THIS CRIME TO EXPRESS 348 00:16:34,776 --> 00:16:38,432 SOME KIND OF DEEP, PERSONAL GRUDGE. 349 00:16:38,432 --> 00:16:41,348 THE VIOLENCE IS AUTHENTIC ENOUGH. 350 00:16:41,348 --> 00:16:42,958 OH, MY LORD. WHAT NOW? WHAT'S HAPPENED? 351 00:16:42,958 --> 00:16:45,047 IT'S--IT'S NOTHING, GISELLE. 352 00:16:45,047 --> 00:16:48,007 THESE ARE MY COLLEAGUES. PLEASE REMAIN CALM.HOW CAN I REMAIN CALM? 353 00:16:48,007 --> 00:16:51,227 I CAN'T RAISE A MILLION DOLLARS BY TOMORROW! 354 00:16:51,227 --> 00:16:55,362 WE AREN'T NEARLY AS RICH AS PEOPLE THINK. 355 00:16:55,362 --> 00:16:58,365 WH-WHAT DO I DO?I CAN'T SPEAK TO THE FINANCIAL ASPECTS, MA'AM. 356 00:16:58,365 --> 00:17:00,715 THAT'S YOUR CALL. 357 00:17:00,715 --> 00:17:03,935 NOW CAN YOU THINK OF ANYBODY WHO MAY HAVE HAD 358 00:17:03,935 --> 00:17:06,112 A PERSONAL GRUDGE AGAINST YOUR HUSBAND? 359 00:17:06,112 --> 00:17:08,331 NO. NOBODY. 360 00:17:08,331 --> 00:17:10,725 MY HUSBAND IS A RESPECTED AND BELOVED MEMBER 361 00:17:10,725 --> 00:17:12,596 OF SACRAMENTO SOCIETY. 362 00:17:12,596 --> 00:17:14,946 AND YOU? 363 00:17:14,946 --> 00:17:17,645 DO YOU RESPECT AND BELOVEHIM? 364 00:17:17,645 --> 00:17:19,690 OF COURSE I DO. 365 00:17:19,690 --> 00:17:22,780 DEEPLY. WHAT A QUESTION. 366 00:17:22,780 --> 00:17:26,436 WELL, WH-WHY DON'T YOU WANT TO RAISE A MILLION DOLLARS 367 00:17:26,436 --> 00:17:29,352 TO SAVE HIS LIFE?WHY DO YOU ASK THAT? I DO! 368 00:17:29,352 --> 00:17:31,354 WELL, THE WATCH AND THE EARRINGS-- 369 00:17:31,354 --> 00:17:33,530 THAT'S, LIKE, QUARTER MIL RIGHT THERE. 370 00:17:33,530 --> 00:17:35,750 YOU CAN RAISE THE MONEY. YOU'RE CONFLICTED, 371 00:17:35,750 --> 00:17:38,753 BECAUSE YOU DON'T KNOW IF YOU WANT YOUR HUSBAND BACK. 372 00:17:38,753 --> 00:17:41,364 YOU DON'T LIKE YOUR HUSBAND VERY MUCH AT ALL. 373 00:17:41,364 --> 00:17:43,323 YOU'RE ACTUALLY A VERY GOOD ACTRESS 374 00:17:43,323 --> 00:17:46,239 PLAYING THE PART OF THE LOVING WIFE. 375 00:17:46,239 --> 00:17:48,284 THAT'S WHAT I THINK YOU ARE. 376 00:17:48,284 --> 00:17:51,026 CAN YOU LOOK AT ME AND TELL ME THAT I'M WRONG? 377 00:17:51,026 --> 00:17:54,073 [sighs] 378 00:17:55,726 --> 00:17:56,988 DUH. 379 00:17:59,556 --> 00:18:03,169 OF COURSE I DON'T LIKE HIM VERY MUCH. 380 00:18:03,169 --> 00:18:05,562 EVERYBODY IN THE KNOW KNOWS THAT HARVEY DUBLIN IS 381 00:18:05,562 --> 00:18:09,392 A MEAN, LYING, BACKSTABBING, CROOKED SON OF A BITCH. 382 00:18:09,392 --> 00:18:11,829 BUT I'M HIS WIFE, 383 00:18:11,829 --> 00:18:15,311 AND WHAT AM I SUPPOSED TO DO BUT ACT LIKE I LOVE HIM?WHY DIDN'T YOU LEAVE HIM? 384 00:18:15,311 --> 00:18:17,879 [sighs] HAVE YOU EVER DIVORCED A MEAN LAWYER? 385 00:18:17,879 --> 00:18:21,187 HE HAS NO RECORD OF ANY PERSONAL WRONGDOING. 386 00:18:21,187 --> 00:18:23,232 HE'S A RESPECTED LOBBYIST. 387 00:18:23,232 --> 00:18:25,408 AN EXTORTIONIST AND CON MAN, MORE LIKE IT. 388 00:18:25,408 --> 00:18:27,454 SO THERE ARE A LOT OF PEOPLE 389 00:18:27,454 --> 00:18:30,457 WHO MAY HAVE WANTED TO HARM YOUR HUSBAND.ARE YOU KIDDING? 390 00:18:30,457 --> 00:18:33,329 THERE'S PEOPLE ALL OVER THE CITY PRAYING THAT HE STAYS GONE. 391 00:18:33,329 --> 00:18:35,897 HOW ABOUT YOU?ME? 392 00:18:35,897 --> 00:18:37,986 YEAH, YOU. 393 00:18:37,986 --> 00:18:41,511 OH, I'LL RAISE THE MONEY. I OWE HIM THAT MUCH. 394 00:18:41,511 --> 00:18:43,557 I KNEW WHAT I WAS MARRYING. 395 00:18:43,557 --> 00:18:45,559 YES, MR. DUBLIN IS THE TARGET OF SOME LAWSUITS. 396 00:18:45,559 --> 00:18:47,778 MOST PROMINENT MEN ARE AT ONE POINT OR ANOTHER 397 00:18:47,778 --> 00:18:51,347 IN THEIR CAREERS. IT'S A HAZARD OF MODERN LIFE. 398 00:18:51,347 --> 00:18:54,133 SO HARVEY DUBLIN'S A SAINT. THAT'S YOUR POSITION? 399 00:18:54,133 --> 00:18:56,352 NO, HARVEY DUBLIN IS NOT A SAINT, 400 00:18:56,352 --> 00:18:58,267 BUT I'M HIS LAWYER, AND I SPEAK FOR HIM. 401 00:18:58,267 --> 00:19:00,269 LOOK, HARVEY STARTED WITH LESS THAN NOTHING. 402 00:19:00,269 --> 00:19:03,664 HE WAS A STREET KID. HIS PARENTS WERE DRUG ADDICTS. 403 00:19:03,664 --> 00:19:07,102 HE LIVES IN FEAR OF FALLING BACK INTO THAT WORLD, 404 00:19:07,102 --> 00:19:09,539 SO MAYBE HE PUSHES A LITTLE BIT TOO HARD. 405 00:19:09,539 --> 00:19:12,020 MAYBE HE'S JUST A LITTLE BIT TOO INTENSE 406 00:19:12,020 --> 00:19:15,458 IN HIS DESIRE TO WIN. THIS IS AMERICA. THAT'S NO CRIME.SEVEN LAWSUITS PENDING. 407 00:19:15,458 --> 00:19:18,853 LOOK, ANYONE CAN GET SUED. IT DOESN'T MEAN A THING. 408 00:19:18,853 --> 00:19:21,377 HALF THE PLAYERS IN THIS TOWN ARE IN BED WITH DUBLIN 409 00:19:21,377 --> 00:19:24,293 ONE WAY OR ANOTHER. IN FACT, YOUR, UH, 410 00:19:24,293 --> 00:19:25,860 YOUR NEW DIRECTOR, GALE BERTRAM-- 411 00:19:25,860 --> 00:19:28,079 HE'S ONE OF HIS CODEFENDANTS.REALLY? 412 00:19:28,079 --> 00:19:29,907 YEAH. BANK OF CLAREMONT vs. 413 00:19:29,907 --> 00:19:31,518 BRIXHAM LAKE DEVELOPMENT CORPORATION AND OTHERS. 414 00:19:31,518 --> 00:19:34,477 IT'S GONNA BE A BLOCKBUSTER.DO GO ON. 415 00:19:34,477 --> 00:19:37,263 IT'S A COMPLEX LAND/WATER RIGHTS THING. 416 00:19:37,263 --> 00:19:39,352 IT'LL RUN FOR YEARS. 417 00:19:39,352 --> 00:19:41,571 THE POINT IS, BERTRAM WAS NAMED CODEFENDANT 418 00:19:41,571 --> 00:19:45,096 TO PUT PRESSURE ON THE DEFENSE TO SETTLE EARLY. 419 00:19:45,096 --> 00:19:47,882 HAPPENS ALL THE TIME.HMM. THAT'S INTERESTING ABOUT BERTRAM. 420 00:19:47,882 --> 00:19:50,058 NO, IT'S NOT.YES, IT IS. 421 00:19:50,058 --> 00:19:52,060 WHO'S TO GAIN THE MOST, LEGALLY SPEAKING, 422 00:19:52,060 --> 00:19:54,062 IF MR. DUBLIN DOESN'T RETURN? 423 00:19:54,062 --> 00:19:56,282 WELL, THAT'S, UH, THAT'S HARD TO SAY. 424 00:19:56,282 --> 00:19:58,284 TOO MANY VARIABLES IN THE EQUATION. 425 00:19:58,284 --> 00:20:00,286 BUT HE IS COMING BACK, RIGHT? 426 00:20:00,286 --> 00:20:02,636 I MEAN, IF GISELLE PAYS THE KIDNAPPERS, 427 00:20:02,636 --> 00:20:04,681 WHY SHOULDN'T HE?WELL, STUFF HAPPENS. 428 00:20:04,681 --> 00:20:07,293 UH, DID YOU EVER SERVE IN THE MILITARY, MR. COLMAN? 429 00:20:07,293 --> 00:20:11,210 NO, I DIDN'T HAVE THAT HONOR. WHY DO YOU ASK?STANDARD QUESTION. 430 00:20:11,210 --> 00:20:12,602 [speaks inaudibly] 431 00:20:12,602 --> 00:20:14,169 WELL, HEY, DON'T JUST-- 432 00:20:14,169 --> 00:20:15,649 [scoffs] OH, SHOOT. 433 00:20:15,649 --> 00:20:17,651 HEY, LADY, WAIT UP. 434 00:20:17,651 --> 00:20:19,522 MA'AM, WE JUST WANT TO TALK. 435 00:20:19,522 --> 00:20:21,307 BLAH, BLAH, BLAH, BLAH. 436 00:20:21,307 --> 00:20:24,179 YEAH, BLAH, BLAH, BLAH. LISTEN, DID YOU HEAR ABOUT THAT GUY 437 00:20:24,179 --> 00:20:27,487 THAT WAS KIDNAPPED UP THE STREET A COUPLE BLOCKS OVER? 438 00:20:27,487 --> 00:20:30,403 HIS DRIVER WAS SHOT DEAD.OH, THAT. YEAH. ISN'T THAT WILD? EVERYBODY'S TALKING ABOUT IT. 439 00:20:30,403 --> 00:20:34,363 WHAT EXACTLY ARE PEOPLE SAYING?ALL KINDS OF STUFF. FRIEND OF MINE SAID SHE WAS THERE. 440 00:20:34,363 --> 00:20:37,279 OH, YEAH?WELL, SHE'S ACTING ALL MYSTERIOUS, 441 00:20:37,279 --> 00:20:40,413 LIKE, "I CAN'T TELL YOU WHAT HAPPENED," 442 00:20:40,413 --> 00:20:44,112 LIKE SHE'S A SECRET AGENT OR WHATNOT.WHAT'S YOUR FRIEND'S NAME? 443 00:20:44,112 --> 00:20:47,463 YOURS FOR $50.THIS IS A MURDER INVESTIGATION. 444 00:20:47,463 --> 00:20:50,336 WE COULD TAKE YOU IN RIGHT NOW FOR OBSTRUCTION. 445 00:20:50,336 --> 00:20:53,295 OH, BABY, SAVE YOURSELF TIME AND PAPERWORK. 446 00:20:53,295 --> 00:20:56,385 I GOT 40... 43 BUCKS. 447 00:20:59,170 --> 00:21:01,042 UH... 12 CENTS. 448 00:21:01,042 --> 00:21:03,610 MONEY'S TIGHT ALL OVER, HUH? 449 00:21:03,610 --> 00:21:06,569 COME ON. CUT US A BREAK HERE. 450 00:21:11,487 --> 00:21:14,403 SUGAR--BIG OLE TALL GIRL, PINK HAIR. 451 00:21:14,403 --> 00:21:16,449 SHE'LL BE AROUND TOMORROW NIGHT. 452 00:21:16,449 --> 00:21:18,973 NICE DOIN' BUSINESS WITH YA. 453 00:21:18,973 --> 00:21:21,367 12 CENTS? SERIOUSLY? 454 00:21:21,367 --> 00:21:23,325 WHAT? [sighs] SHE CLEANED ME OUT. 455 00:21:23,325 --> 00:21:25,153 [chuckles] 12 CENTS. 456 00:21:29,418 --> 00:21:31,464 AH. 457 00:21:31,464 --> 00:21:33,509 INTERESTING ABOUT BERTRAM, HUH? 458 00:21:33,509 --> 00:21:36,512 YOU SAID THAT BEFORE. NO, IT'S NOT. 459 00:21:36,512 --> 00:21:39,907 I GOT A WEIRD VIBE THE FIRST MOMENT I MET HIM. 460 00:21:39,907 --> 00:21:42,475 UH, THE DIRECTOR OF THE DIVISION OF LAW ENFORCEMENT 461 00:21:42,475 --> 00:21:44,781 DID NOT KIDNAP HARVEY DUBLIN. 462 00:21:44,781 --> 00:21:46,827 SO YOU THINK. HOW WELL DO YOU KNOW HIM? 463 00:21:46,827 --> 00:21:48,829 THIS IS YOUR REVENGE, ISN'T IT? 464 00:21:48,829 --> 00:21:50,918 WELL, I-I AM SIMPLY GONNA IGNORE YOU. 465 00:21:50,918 --> 00:21:53,442 I'M NOT PUNISHING YOU, THOUGH YOU DO DESERVE IT. 466 00:21:53,442 --> 00:21:57,490 DUBLIN TURNED OUT TO BE THE SLEAZEBAG I GUESSED HE WAS. 467 00:21:57,490 --> 00:22:00,144 HE DESERVES JUSTICE LIKE EVERYBODY ELSE. 468 00:22:00,144 --> 00:22:02,451 OH, YOU'RE A COP. YOU HAVE TO SAY THAT. 469 00:22:02,451 --> 00:22:04,453 YOU DON'T REALLY BELIEVE IT. 470 00:22:04,453 --> 00:22:06,325 MY FINGERS ARE IN MY EARS. 471 00:22:32,786 --> 00:22:34,396 MORNING! 472 00:22:34,396 --> 00:22:37,094 HEY! 473 00:22:37,094 --> 00:22:38,835 WHAT'S HAPPENING? 474 00:22:38,835 --> 00:22:41,925 NOTHING YET.NO KIDDING. WHERE'S THE MONEY? 475 00:22:41,925 --> 00:22:44,232 TRASH CAN DOWN THERE.THERE? 476 00:22:44,232 --> 00:22:45,886 YEAH. 477 00:22:45,886 --> 00:22:48,932 OH. JUST AS I THOUGHT. NO ONE'S GONNA SHOW UP. 478 00:22:48,932 --> 00:22:52,371 LOOK AT THIS PLACE. IT'S FAR TOO OPEN FOR A RANSOM DROP.WELL, THEY SAID NO POLICE, 479 00:22:52,371 --> 00:22:55,461 AND MAYBE THEY'RE STUPID ENOUGH TO THINK THAT THERE'S NO POLICE. 480 00:22:55,461 --> 00:22:58,028 THEY KILLED A GUY IN THE STREET. 481 00:22:58,028 --> 00:23:01,249 THEY HAVE TO KNOW THE POLICE ARE INVOLVED. [sighs] 482 00:23:01,249 --> 00:23:03,599 THEY NEVER INTENDED TO PICK UP THE RANSOM. 483 00:23:03,599 --> 00:23:05,906 WELL, MY HUNCH IS CORRECT. THE KIDNAPPING'S A SHAM. 484 00:23:05,906 --> 00:23:08,604 DUBLIN'S ALREADY DEAD.WHAT WOULD BE THE REASON FOR A PRETEND KIDNAPPING? 485 00:23:08,604 --> 00:23:10,606 WELL, THAT IS THE SALIENT QUESTION, YES. 486 00:23:10,606 --> 00:23:14,175 BUT YOU CAN STOP WASTING YOUR TIME HERE, CERTAINLY. 487 00:23:14,175 --> 00:23:17,961 HEY, DID MRS. DUBLIN USE REAL MONEY OR FAKE MONEY?REAL. 488 00:23:17,961 --> 00:23:21,138 DID YOU LOOK AT IT?NO. WHAT WOULD THAT MATTER NOW? 489 00:23:21,138 --> 00:23:22,749 WELL, IT DOESN'T MATTER. 490 00:23:22,749 --> 00:23:25,273 I'M--YOU KNOW, I'M JUST A LITTLE CURIOUS. 491 00:23:25,273 --> 00:23:28,276 WHAT YOU'RE SAYING MIGHT BE TRUE AND IT MIGHT NOT BE. 492 00:23:28,276 --> 00:23:31,322 WE STILL HAVE TO SIT ON THIS THING FOR A LITTLE WHILE 493 00:23:31,322 --> 00:23:34,630 TO MAKE SURE NOBODY SHOWS UP--COUPLE OF HOURS.WELL, THAT'S JUST SILLY. 494 00:23:34,630 --> 00:23:37,416 IT'S NOT SILLY. IT'S PROFESSIONAL.PROFESSIONAL SH-MESSIONAL. 495 00:23:37,416 --> 00:23:39,418 JANE. 496 00:23:50,820 --> 00:23:53,301 [clatters] 497 00:23:53,301 --> 00:23:55,695 HEY, IT'S REAL! 498 00:23:55,695 --> 00:23:58,393 POLICE! FREEZE! HANDS IN THE AIR! 499 00:23:58,393 --> 00:24:02,136 GET ON YOUR KNEES! DO IT NOW! DO IT NOW!OKAY. 500 00:24:02,136 --> 00:24:04,268 DON'T MOVE. 501 00:24:10,884 --> 00:24:12,929 [man] THE DIRECTOR IS EXPECTING 502 00:24:12,929 --> 00:24:15,932 A FULL BUT CONCISE PROGRESS REPORT.HOW'S THAT JACKET SMELL? 503 00:24:15,932 --> 00:24:18,979 THIS IS A DIFFERENT SUIT.YEAH, BUT THE OTHER ONE'S RUINED, ISN'T IT? HMM? 504 00:24:18,979 --> 00:24:20,371 POWER OF SUGGESTION. 505 00:24:20,371 --> 00:24:22,678 OKAY, YOU KNOW WHAT? BITE ME. 506 00:24:28,467 --> 00:24:31,687 SO... POOR HARVEY DUBLIN, HUH? 507 00:24:31,687 --> 00:24:34,516 SIR, NO ONE PICKED UP THE RANSOM DROP, 508 00:24:34,516 --> 00:24:36,475 SO FOR THAT AND OTHER REASONS, 509 00:24:36,475 --> 00:24:38,128 WE BELIEVE THAT 510 00:24:38,128 --> 00:24:40,130 THE KIDNAPPING ASPECT OF THIS CASE IS A PRETENSE. 511 00:24:40,130 --> 00:24:43,090 MASKING WHAT?THAT WE CAN'T SAY FOR SURE. 512 00:24:43,090 --> 00:24:45,875 WE HAVE PROMISING LEADS.WELL, I NEED SOMETHING TO TELL THE MEDIA. 513 00:24:45,875 --> 00:24:47,790 TELL 'EM HARVEY DUBLIN'S DEAD. 514 00:24:47,790 --> 00:24:50,967 WELL, I'M SO GLAD YOU DECIDED TO WORK ON THIS CASE, MR. JANE. 515 00:24:50,967 --> 00:24:52,926 YOUR DIRECTNESS IS BRACING. 516 00:24:52,926 --> 00:24:56,320 OF COURSE, PROCEDURALLY, WE'RE STILL ASSUMING HE'S ALIVE, 517 00:24:56,320 --> 00:24:58,932 UNTIL WE HAVE PROOF POSITIVE OTHERWISE. 518 00:24:58,932 --> 00:25:01,543 WHY KILL DUBLIN? WH-WHAT'S THE MOTIVE? 519 00:25:01,543 --> 00:25:03,545 WELL, TWO POSSIBILITIES. 520 00:25:03,545 --> 00:25:05,504 UH, ONE--SIMPLE ROBBERY. 521 00:25:05,504 --> 00:25:07,854 THE CULPRIT WAS GOING AFTER THE DIAMOND THAT, UH, 522 00:25:07,854 --> 00:25:10,509 DUBLIN ALWAYS CARRIES ON HIM. 523 00:25:10,509 --> 00:25:12,728 [chuckles] DIAMOND? WHAT DIAMOND? 524 00:25:12,728 --> 00:25:14,730 WELL, APPARENTLY, DUBLIN HAD A TERROR 525 00:25:14,730 --> 00:25:16,993 OF FALLING BACK INTO POVERTY, OF, UH, 526 00:25:16,993 --> 00:25:19,605 DYING IN A PAUPER'S GRAVE LIKE HIS FATHER DID, 527 00:25:19,605 --> 00:25:21,563 SO HE ALWAYS CARRIED A LARGE DIAMOND WITH HIM, 528 00:25:21,563 --> 00:25:23,173 JUST IN CASE. 529 00:25:23,173 --> 00:25:25,828 IT'S KIND OF A TOUCHING STORY, ISN'T IT? 530 00:25:25,828 --> 00:25:27,830 SO SOMEONE STAGED THIS ABDUCTION 531 00:25:27,830 --> 00:25:30,703 TO STEAL THE DIAMOND. 532 00:25:30,703 --> 00:25:33,532 OKAY. UM, WHERE'S YOUR EVIDENCE FOR THIS?WELL, NO ACTUAL EVIDENCE. 533 00:25:33,532 --> 00:25:36,883 THAT'S--THAT'S WORD ON THE STREET.IT'S MORE LIKE A THEORY, REALLY. 534 00:25:36,883 --> 00:25:39,799 WORD ON THE STREET.JANE. 535 00:25:39,799 --> 00:25:42,410 SO YOU HAVE NOTHING? 536 00:25:43,933 --> 00:25:46,588 YOU--YOU SAID THERE WERE TWO POSSIBILITIES? 537 00:25:46,588 --> 00:25:49,286 OH, THE OTHER REASON SOMEONE WOULD KILL HIM IS, 538 00:25:49,286 --> 00:25:51,637 UH... B-B-B-BRIXHAM LAKE. 539 00:25:51,637 --> 00:25:54,553 UH, WAIT A SECOND.WHAT ABOUT BRIXHAM LAKE? 540 00:25:54,553 --> 00:25:56,903 WELL, IT'S SUCH A COMPLEX LITTLE SCANDAL, 541 00:25:56,903 --> 00:25:58,513 ISN'T IT? 542 00:25:58,513 --> 00:26:01,516 AND IT ALL GOES AWAY IF HARVEY DUBLIN IS DEAD. 543 00:26:01,516 --> 00:26:05,651 I AM A NAMED CODEFENDANT IN ONE OF THE BRIXHAM LAKE LAWSUITS. 544 00:26:05,651 --> 00:26:07,522 YES, I SAW THAT. VERY INTERESTING. 545 00:26:07,522 --> 00:26:09,132 UH, OBVIOUSLY YOU'RE INNOCENT, 546 00:26:09,132 --> 00:26:12,875 BUT, UH, I IMAGINE THAT THERE'S A LOT OF STUFF 547 00:26:12,875 --> 00:26:14,877 THAT YOU WOULD RATHER REMAIN SECRET 548 00:26:14,877 --> 00:26:17,445 THAT WILL COME OUT IF THE SUIT GOES TO TRIAL. 549 00:26:17,445 --> 00:26:19,316 YOU HAD AMPLE MOTIVE. 550 00:26:19,316 --> 00:26:22,319 SO THAT'SOPTION TWO? 551 00:26:22,319 --> 00:26:24,495 ME? I'M YOUR SUSPECT? 552 00:26:24,495 --> 00:26:27,063 WHA-- [chuckles] WHAT ARE YOU PLAYING AT? 553 00:26:27,063 --> 00:26:29,109 WELL, I W-- I WAS JUST WONDERING 554 00:26:29,109 --> 00:26:32,112 WHY YOU DIDN'T TELL US THIS GUY WAS SUCH A SLEAZEBAG 555 00:26:32,112 --> 00:26:35,028 AND THAT YOU ARE UP TO YOUR NECK IN HIS GRUBBY BUSINESS.THAT'S ENOUGH. 556 00:26:35,028 --> 00:26:38,074 YES, IT IS. I DON'T HAVE TIME FOR THIS. 557 00:26:38,074 --> 00:26:41,382 YOU SHALL JUST HAVE TO TRUST IN MY INNOCENCE, MR. JANE. 558 00:26:41,382 --> 00:26:43,340 I'M NOT GOOD AT TRUST. 559 00:26:43,340 --> 00:26:46,343 I'M REALLY TRYING TO ALLOW YOU THE LATITUDE 560 00:26:46,343 --> 00:26:48,345 THAT YOUR RARE TALENTS DESERVE, 561 00:26:48,345 --> 00:26:50,783 BUT YOU MAKE IT VERY DIFFICULT. 562 00:26:50,783 --> 00:26:53,524 YOU TWO MAY GO NOW. HIGHTOWER, STAY. 563 00:26:53,524 --> 00:26:55,048 YES, SIR. 564 00:27:02,359 --> 00:27:04,884 WHAT THE HELL WAS THAT? ARE YOU INSANE? 565 00:27:04,884 --> 00:27:07,887 AND WHERE DID YOU COME UP WITH THAT STUPID-ASS DIAMOND STORY? 566 00:27:07,887 --> 00:27:10,672 I DON'T KNOW WHAT CAME OVER ME. I SEE THAT MAN, 567 00:27:10,672 --> 00:27:12,892 I GET AN IMMEDIATE URGE TO WIND HIM UP. 568 00:27:12,892 --> 00:27:14,676 HE'S THE DIRECTOR. 569 00:27:14,676 --> 00:27:17,679 I'M SORRY. HE AMUSES ME.I'M GLAD HE ENTERTAINS YOU, 570 00:27:17,679 --> 00:27:20,290 BECAUSE HE'S GONNA FIRE YOU NOW PROBABLY. 571 00:27:20,290 --> 00:27:22,510 NO. YOU GUYS NEED ME TOO MUCH. 572 00:27:22,510 --> 00:27:24,164 [speaks inaudibly] 573 00:27:24,164 --> 00:27:27,689 I'LL CATCH UP. 574 00:27:27,689 --> 00:27:32,302 [speaks indistinctly] 575 00:27:32,302 --> 00:27:33,695 EXCUSE ME? 576 00:27:33,695 --> 00:27:35,741 WHAT DID YOU TELL HER? 577 00:27:35,741 --> 00:27:37,743 I WAS COMPLIMENTING HER ON HER JACKET. 578 00:27:37,743 --> 00:27:40,093 IT'S SUCH A VIVID COLOR.LIAR. 579 00:27:40,093 --> 00:27:42,095 YOU'RE GONNA CALL ME A LIAR? 580 00:27:42,095 --> 00:27:44,097 OH, I HATE YOU.OH. 581 00:27:44,097 --> 00:27:45,533 I DO.MNH-MNH. 582 00:27:45,533 --> 00:27:49,929 WE HAVE OUR BEST PEOPLE ON THIS THING 24/7. 583 00:27:49,929 --> 00:27:53,628 I WANT TO EXTEND MY SYMPATHIES TO THE FAMILY OF PETER RUSSO, 584 00:27:53,628 --> 00:27:55,978 AND--AND PLEASE JOIN US IN OUR PRAYERS 585 00:27:55,978 --> 00:27:58,024 FOR MR. DUBLIN'S SAFETY. 586 00:27:58,024 --> 00:28:00,200 ARE THERE QUESTIONS-- BRIEFLY, PLEASE? 587 00:28:00,200 --> 00:28:03,377 YEAH. ARE YOU LOOKING INTO THIS BEING A SEX-RELATED CRIME MAYBE? 588 00:28:03,377 --> 00:28:06,380 I MEAN, THAT ALLEYWAY IS--NO, THERE'S NO SEX ANGLE, JEFF-- NONE THAT WE'RE AWARE OF. 589 00:28:06,380 --> 00:28:09,731 SIR, DO YOU THINK THERE'S A BRIXHAM LAKE CONNECTION HERE? 590 00:28:09,731 --> 00:28:13,300 NO. I DON'T THINK SO.BUT BOTH YOU AND DUBLIN ARE INVOLVED IN THAT CASE, 591 00:28:13,300 --> 00:28:16,259 AREN'T YOU?NO, NO, NO. WH-WHAT WE'RE THINKING IS, 592 00:28:16,259 --> 00:28:19,132 IT SEEMS THAT MR. DUBLIN WAS RUMORED 593 00:28:19,132 --> 00:28:22,091 TO KEEP A LARGE DIAMOND WITH HIM, ON--ON HIS PERSON, 594 00:28:22,091 --> 00:28:24,920 AND THE THEFT OF THAT DIAMOND IS OUR CURRENT LINE OF THINKING 595 00:28:24,920 --> 00:28:26,443 AS TO MOTIVE. 596 00:28:26,443 --> 00:28:28,750 [Jeff] YEAH? WHAT KIND OF DIAMOND IS IT? 597 00:28:28,750 --> 00:28:31,274 UH, BIG. IT'S 2 OR 3 CARATS, I THINK. 598 00:28:31,274 --> 00:28:33,407 [scoffs] WHY WOULD HE CARRY A DIAMOND LIKE THAT 599 00:28:33,407 --> 00:28:36,366 AROUND WITH HIM? WELL, THAT'S A GOOD QUESTION, JEFF. 600 00:28:36,366 --> 00:28:38,717 UH, PERHAPS MR. DUBLIN WAS TRYING TO BE PREPARED 601 00:28:38,717 --> 00:28:39,848 FOR ANY CIRCUMSTANCE. 602 00:28:39,848 --> 00:28:41,545 YOU KNOW... 603 00:28:41,545 --> 00:28:43,504 [turns TV on] ...UNDERSTANDABLE, ISN'T IT? 604 00:28:43,504 --> 00:28:46,246 I MEAN, HE'S, UH, HAD A TOUGH...[clicks switch] 605 00:28:46,246 --> 00:28:48,335 [turns TV on] JUST ONE MORE QUESTION... 606 00:28:48,335 --> 00:28:50,337 [clicks switch] 607 00:28:50,337 --> 00:28:52,513 [telephone ringing in distance] 608 00:28:52,513 --> 00:28:55,516 HOW DO YOU THINK THE DIRECTOR IS GOING TO FEEL 609 00:28:55,516 --> 00:28:57,518 WHEN HE FINDS OUT YOU FOOLED HIM 610 00:28:57,518 --> 00:29:00,477 INTO TALKING COMPLETE GARBAGE ON TV?IT'S NOT GARBAGE, 611 00:29:00,477 --> 00:29:02,479 AND HE'LL BE VERY ANGRY OR VERY HAPPY, 612 00:29:02,479 --> 00:29:05,091 DEPENDING ON WHETHER I'M RIGHT OR NOT. 613 00:29:05,091 --> 00:29:08,485 RIGHT ABOUT WHAT? THERE IS NO DIAMOND-- 614 00:29:08,485 --> 00:29:12,098 OH. I SEE. A TRAP. VERY CLEVER. 615 00:29:12,098 --> 00:29:13,621 MM.A TRAP FOR WHO? 616 00:29:13,621 --> 00:29:15,579 GUESS.JUST TELL ME. 617 00:29:15,579 --> 00:29:18,495 GUESS.YOU KNOW WHAT? SCREW YOU. YOU CROSSED A LINE ALREADY, 618 00:29:18,495 --> 00:29:20,497 AND NOW YOU'RE PLAYING GUESSING GAMES WITH ME? 619 00:29:20,497 --> 00:29:22,978 NO, IT'S JUST THAT I'M NOT SURE MYSELF. 620 00:29:22,978 --> 00:29:25,372 I HAVE A PLAN, THOUGH.OH, SHEEPDIP. 621 00:29:25,372 --> 00:29:29,028 YOU ARE STILL TRYING TO PUNISH ME FOR LYING TO YOU. 622 00:29:29,028 --> 00:29:31,073 WELL, YOU KNOW WHAT? I'M SORRY. SORRY. 623 00:29:31,073 --> 00:29:33,684 YOU WANTED OFF THIS CASE. YOU'RE OFF. 624 00:29:33,684 --> 00:29:35,686 YOU CAN TAKE A NAP IN YOUR THINKING ROOM. 625 00:29:35,686 --> 00:29:38,037 WE'LL SOLVE THIS CASE WITHOUT YOU, THE RIGHT WAY-- 626 00:29:38,037 --> 00:29:40,604 WITH GOOD, SOLID DETECTIVE WORK. 627 00:29:40,604 --> 00:29:43,782 SO I TAKE IT YOU DON'T WANT TO HEAR MY PLAN? 628 00:29:43,782 --> 00:29:47,176 "NO, I DON'T WANT TO HEAR YOUR PLAN." 629 00:29:47,176 --> 00:29:49,744 "SHEEPDIP YOUR PLAN." 630 00:29:56,751 --> 00:29:58,405 [speaks indistinctly] 631 00:29:58,405 --> 00:30:00,755 HI, LADIES. 632 00:30:00,755 --> 00:30:02,148 WE'RE LOOKING FOR SUGAR. 633 00:30:02,148 --> 00:30:04,280 NO SUGAR. JUST CANDY. 634 00:30:04,280 --> 00:30:05,629 YOU'RE NOT SUGAR? 635 00:30:05,629 --> 00:30:08,067 NO, MA'AM. EXCUSE ME. 636 00:30:08,067 --> 00:30:10,069 YEAH, WELL, WE KINDA THINK YOU ARE. 637 00:30:10,069 --> 00:30:12,114 YEAH, WELL, THINKING'S FREE, FLACO. 638 00:30:12,114 --> 00:30:14,116 YOU'RE GONNA NEED TO COME WITH US, SUGAR. 639 00:30:14,116 --> 00:30:16,075 WHAT FOR?BECAUSE YOU SAW WHAT HAPPENED 640 00:30:16,075 --> 00:30:18,120 IN THAT ALLEYWAY OVER ON FREMONT. 641 00:30:18,120 --> 00:30:20,122 NAH, I WAS JUST PLAYING. I DIDN'T SEE NOTHING. 642 00:30:20,122 --> 00:30:22,821 OKAY, STILL, WE'D LIKE FOR YOU--HEY! [grunts] 643 00:30:22,821 --> 00:30:25,432 OH! [grunts] 644 00:30:25,432 --> 00:30:27,564 [grunts] 645 00:30:27,564 --> 00:30:30,089 AAH! AAH! 646 00:30:32,482 --> 00:30:34,528 [sighs] OKAY. 647 00:30:34,528 --> 00:30:36,182 [sniffles] OHH. 648 00:30:36,182 --> 00:30:37,574 HERE. 649 00:30:37,574 --> 00:30:39,489 [inhales sharply] OHH. 650 00:30:41,883 --> 00:30:44,581 OHH. 651 00:30:44,581 --> 00:30:46,540 [whispers] THANKS. 652 00:30:46,540 --> 00:30:48,411 NO PROBLEM. 653 00:30:51,371 --> 00:30:52,720 [sighs] OKAY. 654 00:30:52,720 --> 00:30:54,548 I'M AT THE BRIDGE. 655 00:30:54,548 --> 00:30:56,550 CIGARETTE BREAK. 656 00:30:56,550 --> 00:30:58,552 LIMO COMES IN OFF FREMONT. 657 00:30:58,552 --> 00:31:00,597 I'M ABOUT TO GO OVER AND TALK BUSINESS, 658 00:31:00,597 --> 00:31:03,557 ONLY THIS PICKUP TRUCK COMES IN BEHIND IT AND BLOCKS THE LIMO. 659 00:31:03,557 --> 00:31:06,690 I'M THINKING, UH-OH, SO I-I GET UP OUT OF SIGHT. 660 00:31:06,690 --> 00:31:09,345 AND WHAT KIND OF TRUCK? 661 00:31:09,345 --> 00:31:11,608 IT WAS A TRUCK. 662 00:31:11,608 --> 00:31:15,569 UH, GREEN OR... OR--OR BROWN OR BLUE. 663 00:31:15,569 --> 00:31:16,962 NOT--NOT RED. 664 00:31:16,962 --> 00:31:19,529 AND, UH, A WHITE GUY GETS OUT 665 00:31:19,529 --> 00:31:21,357 AND--AND SAYS, "HEY." 666 00:31:21,357 --> 00:31:23,185 WHAT'D HE LOOK LIKE? 667 00:31:23,185 --> 00:31:25,622 A WHITE GUY. HE HAD A-A BLACK HAT ON. 668 00:31:25,622 --> 00:31:27,842 A WHITE GUY IN A BLACK HAT?YEAH. YEAH, AND THEN HE-- HE WALKS UP TO THE LIMO. 669 00:31:27,842 --> 00:31:29,713 THE LIMO DRIVER GETS OUT. 670 00:31:29,713 --> 00:31:32,325 HE'S LIKE, "HEY, WHAT THE HELL ARE YOUDOING HERE?" 671 00:31:32,325 --> 00:31:34,544 BLACK HAT DON'T SAY NOTHING. 672 00:31:34,544 --> 00:31:36,546 HE JUST PULLS OUT A PIECE AND BOOM! 673 00:31:36,546 --> 00:31:38,722 SHOOTS THE DRIVER THREE TIMES AND THEN HE WALKS 674 00:31:38,722 --> 00:31:40,681 OVER TO THE LIMO DOOR 675 00:31:40,681 --> 00:31:42,552 AND DRAGS OUT THIS BIG FAT GUY. 676 00:31:42,552 --> 00:31:44,337 "GET OUT," HE SAYS. 677 00:31:44,337 --> 00:31:47,122 AND THEN HE--HE WALKS HIM TO THE BACK OF THE TRUCK 678 00:31:47,122 --> 00:31:50,430 AND MAKES HIM CLIMB IN THE BACK, AND THE FAT DUDE'S CALM. 679 00:31:50,430 --> 00:31:54,477 HE'S LIKE, "YOU KNOW, OKAY, WE CAN NEGOTIATE." 680 00:31:54,477 --> 00:31:56,088 AND THEN BOOM! 681 00:31:56,088 --> 00:31:58,612 [panting] BLACK HAT JUST... SHOOTS HIM IN THE HEAD. 682 00:31:58,612 --> 00:32:00,614 AND THEN HE--HE PUTS A TARP OVER HIM, 683 00:32:00,614 --> 00:32:03,617 AND THEN HE JUMPS BACK INTO HIS CAR AND HE TAKES OFF, 684 00:32:03,617 --> 00:32:06,098 AND THAT'S ALL THAT HAPPENED. TH-THAT WAS IT. 685 00:32:06,098 --> 00:32:08,665 OKAY. 686 00:32:08,665 --> 00:32:11,451 DO YOU RECOGNIZE THIS GUY? 687 00:32:11,451 --> 00:32:13,453 YEAH. 688 00:32:13,453 --> 00:32:15,150 THAT'S THE--THE FAT DUDE. 689 00:32:15,150 --> 00:32:17,631 HE WAS DEAD, YOU THINK? 690 00:32:17,631 --> 00:32:19,415 YEAH, HE'S DEAD. 691 00:32:24,725 --> 00:32:27,597 [sniffles] SO THIS IS ABOUT ICE? 692 00:32:27,597 --> 00:32:29,904 ICE? WHAT DO YOU MEAN? 693 00:32:29,904 --> 00:32:31,862 WELL, THE TV SAID THAT THE--THE FAT DUDE 694 00:32:31,862 --> 00:32:35,562 HAD, LIKE, A $10 MILLION DIAMOND. 695 00:32:35,562 --> 00:32:38,695 YEAH, IT'S A THEORY. 696 00:32:53,406 --> 00:32:56,409 [doorbell rings] 697 00:32:57,758 --> 00:32:59,412 [door squeaks] 698 00:32:59,412 --> 00:33:02,676 UM... IT'S VERY LATE. 699 00:33:02,676 --> 00:33:05,026 MM. I W--I WOULDN'T INTRUDE LIKE THIS, UH, 700 00:33:05,026 --> 00:33:07,028 ONLY WE HAVE AN IMPORTANT LEAD 701 00:33:07,028 --> 00:33:08,987 PERHAPS NADINE CAN HELP US WITH. 702 00:33:08,987 --> 00:33:10,640 OH. 703 00:33:10,640 --> 00:33:13,861 UM, YEAH, PLEASE, OF COURSE. OKAY. 704 00:33:13,861 --> 00:33:15,384 THANK YOU. 705 00:33:18,431 --> 00:33:21,434 UM, NOW YOU TOLD ME THAT YOU AND YOUR FATHER 706 00:33:21,434 --> 00:33:23,436 TALKED ABOUT EVERYTHING TOGETHER, YEAH? 707 00:33:23,436 --> 00:33:26,569 YES.DID YOU EVER TALK ABOUT HIS WORK? 708 00:33:26,569 --> 00:33:28,571 SOMETIMES. BUT HE NEVER MENTIONED A DIAMOND, 709 00:33:28,571 --> 00:33:30,791 IF THAT'S WHAT YOU'RE TALKING ABOUT. 710 00:33:30,791 --> 00:33:33,402 THE--WH--DIAMOND?IT SAID ON THE NEWS 711 00:33:33,402 --> 00:33:36,362 THEY WERE LOOKING FOR A DIAMOND MR. DUBLIN HAD WITH HIM. 712 00:33:36,362 --> 00:33:40,192 UH, YEAH, THAT'S-- THAT'S JUST ALL TALK.SEE? I TOLD YOU. 713 00:33:40,192 --> 00:33:43,978 I MEAN, THERE'S A DIAMOND ALL RIGHT. SO I HEAR, ANYHOW. 714 00:33:43,978 --> 00:33:46,676 UH, DUBLIN KEEPS IT HIDDEN IN HIS FALSE TOOTH APPARENTLY, 715 00:33:46,676 --> 00:33:48,678 BUT NOBODY KNEW ABOUT IT, SO I CAN'T SEE 716 00:33:48,678 --> 00:33:50,680 HOW ANYBODY COULD'VE BEEN GOING AFTER IT. NO. 717 00:33:50,680 --> 00:33:53,683 NO, I THINK THIS IS ALL CONNECTED TO A COURT CASE. 718 00:33:53,683 --> 00:33:55,816 DID YOUR DAD EVER MENTION BRIXHAM LAKE? 719 00:33:55,816 --> 00:33:58,123 NO. 720 00:33:58,123 --> 00:34:00,908 YOU SURE? BRIXHAM LAKE. 721 00:34:00,908 --> 00:34:03,171 THINK HARD. 722 00:34:04,738 --> 00:34:06,696 WHAT ABOUT GALE BERTRAM? 723 00:34:06,696 --> 00:34:08,568 NO. 724 00:34:08,568 --> 00:34:10,483 OH. 725 00:34:10,483 --> 00:34:13,094 WELL, THAT'S DISAPPOINTING. 726 00:34:13,094 --> 00:34:14,574 I WAS SURE... 727 00:34:18,665 --> 00:34:21,581 OH, WELL. UH... 728 00:34:21,581 --> 00:34:24,497 CAN'T WIN 'EM ALL. [chuckles] 729 00:34:24,497 --> 00:34:26,673 THAT'S IT? 730 00:34:26,673 --> 00:34:29,632 BELIEVE ME, UH, I KNOW I-IT'S HARD TO DEAL WITH, 731 00:34:29,632 --> 00:34:32,244 BUT, UM... 732 00:34:32,244 --> 00:34:34,637 YOU KNOW, SOMETIMES THE BAD GUYS JUST GET AWAY. 733 00:34:34,637 --> 00:34:38,685 BUT YOU SAID YOU'D CATCH THEM. YOU GUARANTEED IT. 734 00:34:38,685 --> 00:34:41,601 [sighs] 735 00:34:43,603 --> 00:34:44,995 [sighs] 736 00:34:44,995 --> 00:34:46,736 [whispers indistinctly] 737 00:34:46,736 --> 00:34:50,131 [cell phone rings] 738 00:34:50,131 --> 00:34:53,178 [ring] 739 00:34:53,178 --> 00:34:56,659 [ring] 740 00:34:56,659 --> 00:34:58,531 [ring] 741 00:35:02,796 --> 00:35:05,799 HEY, LISBON. HOW'S THE DETECTIVE WORK DOING? 742 00:35:05,799 --> 00:35:07,409 [Lisbon] EH, DOING OKAY. 743 00:35:07,409 --> 00:35:09,455 WELL, I TELL YOU WHAT. 744 00:35:09,455 --> 00:35:11,805 COME OVER AND MEET ME AT NADINE RUSSO'S HOUSE, 745 00:35:11,805 --> 00:35:14,590 AND I'LL SHOW YOU SOMETHING EXCITING. 746 00:35:14,590 --> 00:35:16,418 LISBON? 747 00:35:16,418 --> 00:35:17,767 YOU THERE? 748 00:35:17,767 --> 00:35:19,421 LISBON? 749 00:35:19,421 --> 00:35:20,814 [loud tap][gasps] 750 00:35:20,814 --> 00:35:22,685 [shuts cell phone] 751 00:35:25,688 --> 00:35:27,342 HI. 752 00:35:27,342 --> 00:35:29,388 HI. 753 00:35:29,388 --> 00:35:31,259 OH. I'M VERY IMPRESSED. 754 00:35:31,259 --> 00:35:32,739 PROUD AND IMPRESSED. 755 00:35:32,739 --> 00:35:35,785 YOU GOT THE RIGHT ANSWER. NO REAL PROOF, I EXPECT. 756 00:35:35,785 --> 00:35:38,614 JUST GUESSING, HUH?HMM. "KETTLE TO POT. HELLO. COME IN, POT." 757 00:35:38,614 --> 00:35:41,965 WE HAVE A WITNESS WHO SAW A WHITE MALE IN A TRUCK 758 00:35:41,965 --> 00:35:45,055 WHO SEEMED TO RECOGNIZE PETE RUSSO.GUESSWORK. 759 00:35:45,055 --> 00:35:47,057 DO YOU HAVE PROOF? 760 00:35:47,057 --> 00:35:48,885 RELAX, WAIT A WHILE, 761 00:35:48,885 --> 00:35:51,975 AND, UH, WE SHALL SOON BE TAKEN DIRECTLY TO THE PROOF YOU SEEK. 762 00:36:03,596 --> 00:36:05,989 [snores] 763 00:36:16,783 --> 00:36:19,177 [starts engine] 764 00:36:19,177 --> 00:36:21,440 [car alert chimes] 765 00:36:39,066 --> 00:36:42,069 [scatting] 766 00:36:55,561 --> 00:36:58,520 [engine rumbles] 767 00:37:00,783 --> 00:37:03,699 [Rigsby whistling "I Can See Clearly Now"] 768 00:37:05,788 --> 00:37:07,964 ♪ GONNA BE A BRIGHT 769 00:37:07,964 --> 00:37:09,792 ♪ BRIGHT 770 00:37:09,792 --> 00:37:12,360 ♪ SHINY DAY 771 00:37:12,360 --> 00:37:15,450 [water trickling, clanking] 772 00:37:21,369 --> 00:37:24,242 [panting] 773 00:37:38,168 --> 00:37:40,258 [clicks] 774 00:37:40,258 --> 00:37:42,825 [grunts] OH, COME ON. 775 00:37:42,825 --> 00:37:45,306 KEITH, STOP! 776 00:37:57,927 --> 00:38:00,800 ABOUT SIX MONTHS AGO, 777 00:38:00,800 --> 00:38:02,889 NADINE WAS... 778 00:38:02,889 --> 00:38:05,761 STAYING OUT PAST CURFEW, 779 00:38:05,761 --> 00:38:09,417 DRINKING AND SMOKING-- 780 00:38:09,417 --> 00:38:11,724 YOUR BASIC TEENAGE STUFF. 781 00:38:11,724 --> 00:38:13,769 [sighs] 782 00:38:13,769 --> 00:38:16,032 SO WE HAD A BIG CONVERSATION 783 00:38:16,032 --> 00:38:17,686 ABOUT THE RULES, 784 00:38:17,686 --> 00:38:20,733 AND--AND THINGS GOT A LITTLE HEATED, 785 00:38:20,733 --> 00:38:22,735 YOU KNOW, AS THEY DO. 786 00:38:22,735 --> 00:38:24,127 YES. 787 00:38:24,127 --> 00:38:25,607 [sighs] 788 00:38:25,607 --> 00:38:28,610 LOOK, I FELT THAT SHE WAS OVER-THE-LINE RUDE 789 00:38:28,610 --> 00:38:31,831 TO HER MOTHER AND ME, AND I SLAPPED HER. 790 00:38:31,831 --> 00:38:35,791 I'M NOT PROUD OF IT. 791 00:38:35,791 --> 00:38:37,750 BUT I-IT WAS A TAP. 792 00:38:37,750 --> 00:38:39,142 REALLY. 793 00:38:39,142 --> 00:38:41,144 IT WAS NO BIG DEAL. 794 00:38:43,538 --> 00:38:46,759 ANYWAY, NADINE TOLD PETE ABOUT IT. 795 00:38:46,759 --> 00:38:49,457 HE GOT MAD. 796 00:38:49,457 --> 00:38:51,633 [sighs] 797 00:38:51,633 --> 00:38:54,680 PETE AND I WERE BUDDIES. 798 00:38:54,680 --> 00:38:57,639 YOU KNOW, WE COULD'VE HAD A BEER AND A DISCUSSION, 799 00:38:57,639 --> 00:39:01,426 AND WE COULD'VE WORKED IT OUT. 800 00:39:01,426 --> 00:39:04,080 NO, BUT HE COMES INTO MY HOUSE... 801 00:39:04,080 --> 00:39:08,084 [Keith] AND I DON'T EVEN HAVE A CHANCE TO DEFEND MYSELF! 802 00:39:08,084 --> 00:39:10,739 I MEAN, HE SUCKER PUNCHES ME, 803 00:39:10,739 --> 00:39:13,829 AND HE BEAT ME UP BADLY... 804 00:39:13,829 --> 00:39:16,484 IN FRONT OF MY WIFE 805 00:39:16,484 --> 00:39:18,660 AND MY STEPDAUGHTER. 806 00:39:18,660 --> 00:39:20,749 PUT HIS FOOT ON MY NECK, 807 00:39:20,749 --> 00:39:23,622 AND HE SPAT ON ME... 808 00:39:23,622 --> 00:39:25,885 IN MY OWN HOUSE! 809 00:39:25,885 --> 00:39:27,713 THAT'S NOT RIGHT. 810 00:39:27,713 --> 00:39:31,543 EVEN AFTERWARDS, I-IT'S LIKE I'M THE ONE TO BLAME. NO. 811 00:39:31,543 --> 00:39:34,067 PATRICIA INSISTED THAT WE MAKE PEACE 812 00:39:34,067 --> 00:39:35,808 FOR NADINE'S SAKE. 813 00:39:35,808 --> 00:39:39,638 HE DOES THAT TO ME, AND I'M SUPPOSED TO JUST SWALLOW IT? 814 00:39:39,638 --> 00:39:41,814 NOBODY WOULD. 815 00:39:41,814 --> 00:39:45,774 OH, I THOUGHT ABOUT WAYS TO PAY HIM BACK. 816 00:39:45,774 --> 00:39:47,863 OH, I THOUGHT ABOUT IT A LOT. 817 00:39:47,863 --> 00:39:50,083 [inhales and exhales deeply] 818 00:39:50,083 --> 00:39:52,041 BUT I KNEW THAT IF I KILLED HIM... 819 00:39:52,041 --> 00:39:53,695 [sighs] 820 00:39:53,695 --> 00:39:55,958 PATRICIA WOULD GUESS THAT IT WAS ME. 821 00:39:59,222 --> 00:40:00,615 [clicks tongue] 822 00:40:00,615 --> 00:40:03,226 UNLESS I COULD MAKE HIS DEATH LOOK LIKE 823 00:40:03,226 --> 00:40:05,620 IT WAS JUST... 824 00:40:05,620 --> 00:40:08,754 A TRAGIC ACCIDENT. 825 00:40:08,754 --> 00:40:10,538 [sighs] 826 00:40:13,585 --> 00:40:16,109 [Patrick] SUGAR? 827 00:40:16,109 --> 00:40:17,763 NO, THANK YOU. 828 00:40:17,763 --> 00:40:20,113 OKAY. THERE YOU GO.THANK YOU. 829 00:40:20,113 --> 00:40:22,028 MY PLEASURE. 830 00:40:22,028 --> 00:40:25,074 WE'RE VERY SORRY THINGS WORKED OUT THIS WAY. 831 00:40:25,074 --> 00:40:28,556 YOU SAID YOU'D FIND OUT WHO DID IT, 832 00:40:28,556 --> 00:40:29,949 AND YOU DID. 833 00:40:29,949 --> 00:40:32,299 [sighs] 834 00:40:32,299 --> 00:40:34,606 HOW DID YOU KNOW? 835 00:40:34,606 --> 00:40:37,783 UH, WELL, I-I KINDA KNEW 836 00:40:37,783 --> 00:40:41,874 FROM THE FIRST MOMENT I MET YOU AND KEITH. 837 00:40:41,874 --> 00:40:44,442 THOSE LITTLE ROUND GLASSES WITH THE MUSCLES-- 838 00:40:44,442 --> 00:40:47,619 IT JUST DIDN'T SEEM TO MATCH. UM, INDICATED 839 00:40:47,619 --> 00:40:50,622 A DEEPLY CONFLICTED PERSONALITY, A LOT OF ANGER AND FRUSTRATION. 840 00:40:50,622 --> 00:40:53,451 PROBABLY USES THOSE, UM, WRIST-STRENGTHENING THINGS, 841 00:40:53,451 --> 00:40:55,627 RIGHT? 842 00:40:55,627 --> 00:40:58,238 YEAH. 843 00:40:58,238 --> 00:41:01,241 YEAH, UM, NEVER A GOOD SIGN IN A MAN OVER 20. 844 00:41:01,241 --> 00:41:04,810 OBSESSIVE, ARROGANT, PAINSTAKING, 845 00:41:04,810 --> 00:41:07,769 UH, SECRETIVE, SELF-RIGHTEOUS. YEAH. 846 00:41:07,769 --> 00:41:09,945 I COULD GO ON. 847 00:41:09,945 --> 00:41:11,817 YEAH. 848 00:41:11,817 --> 00:41:13,819 MEN, HUH? 849 00:41:17,475 --> 00:41:20,042 EH. 850 00:41:20,042 --> 00:41:23,045 KNEW THE WHOLE TIME AND KEPT IT TO YOURSELF, EH? 851 00:41:23,045 --> 00:41:26,005 NO. NO. I ONLY KNEW WHEN I READ THE RANSOM DEMAND, TO BE HONEST, 852 00:41:26,005 --> 00:41:28,007 BUT YOU LIED TO ME, SO FAIR'S FAIR. 853 00:41:28,007 --> 00:41:31,010 I PROMISE, I WILL NEVER LIE TO YOU AGAIN.I-- 854 00:41:31,010 --> 00:41:32,925 I LIED THIS ONE TIME, BECAUSE I'M CONCERNED. 855 00:41:32,925 --> 00:41:34,666 YOU'RE ISOLATING YOURSELF. 856 00:41:34,666 --> 00:41:37,320 YOU'RE PULLING AWAY FROM US, FROM ME AND THE UNIT.MEH. 857 00:41:37,320 --> 00:41:39,018 YOU ARE.NO. 858 00:41:39,018 --> 00:41:42,935 YOU ARE. IT'S NOT GOOD. WH-WHAT'S GOING ON? 859 00:41:45,894 --> 00:41:49,507 ANYBODY THAT GETS CLOSE TO ME-- BAD THINGS HAPPEN TO THEM. 860 00:41:49,507 --> 00:41:50,943 "A," THAT'S NOT TRUE, 861 00:41:50,943 --> 00:41:54,207 AND "B," EVEN IF IT WERE, I'M A COP. 862 00:41:54,207 --> 00:41:57,689 IT'S OUR JOB TO BE IN HARM'S WAY.YOU'RE NOT LISTENING TO ME. 863 00:41:57,689 --> 00:42:00,735 WE'RE FAMILY. WHAT YOU'RE DOING IS A KIND OF BETRAYAL.OH. 864 00:42:00,735 --> 00:42:04,217 A SURRENDER. A DEFEAT. YOU'RE LETTING RED JOHN WIN.OH, PLEASE. PLEASE. REALLY? OKAY. ENOUGH. ALL RIGHT. 865 00:42:04,217 --> 00:42:07,786 NO--NO MORE PULLING AWAY. ALL RIGHT? HERE, GIVE ME A HUG. 866 00:42:07,786 --> 00:42:11,267 YOU DON'T MEAN IT. I CAN TELL.WHAT DO YOU MEAN, YOU CAN TELL? YOU CAN'T TELL. 867 00:42:11,267 --> 00:42:14,314 I DON'TMEAN IT, BUT YOU CAN'T TELL THAT I DON'T. 868 00:42:14,314 --> 00:42:16,708 YOU'RE GUESSING.YES, I CAN TELL. 869 00:42:16,708 --> 00:42:19,711 HOW?I DON'T KNOW. I CAN TELL WHEN YOU'RE LYING NOW. 870 00:42:19,711 --> 00:42:21,669 NO, YOU CAN'T TELL.I-I CAN, TOO. 871 00:42:21,669 --> 00:42:24,542 THAT'S NONSENSE. YOU'RE LYING. LIAR, LIAR, PANTS ON FIRE. 872 00:42:24,542 --> 00:42:26,456 I'M NOT LYING.YOU ARE. 873 00:42:29,721 --> 00:42:32,550 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.