1 00:00:03,803 --> 00:00:07,006 [ DOG BARKING IN DISTANCE ] 2 00:00:10,611 --> 00:00:13,480 [ FAN WHIRRING ] 3 00:00:13,513 --> 00:00:19,387 [ WATER RUNNING ] 4 00:00:19,420 --> 00:00:22,021 [ WATER CONTINUES ] 5 00:00:27,594 --> 00:00:29,129 [ TURNS WATER OFF ] 6 00:01:00,860 --> 00:01:02,596 [ TURNS FAN OFF ] 7 00:01:04,731 --> 00:01:06,500 [ FAN WINDS DOWN ] 8 00:01:31,492 --> 00:01:33,093 [ DOOR OPENS ] 9 00:01:47,240 --> 00:01:49,710 CLEAR. 10 00:02:09,229 --> 00:02:11,498 [ DOOR OPENS ] 11 00:02:11,532 --> 00:02:14,701 [ GUNSHOTS ] 12 00:02:14,735 --> 00:02:16,804 [ BUZZER ] Man over P.A.: STAND DOWN. EXERCISE COMPLETE. 13 00:02:16,836 --> 00:02:19,507 DAMN. WE'LL GET YOU GUYS NEXT TIME. 14 00:02:19,539 --> 00:02:20,674 WE WON? 15 00:02:20,707 --> 00:02:23,711 [ APPLAUSE ] 16 00:02:28,716 --> 00:02:30,550 [ SIGHS ] 17 00:02:30,584 --> 00:02:32,652 F.B.I.'s HAVING A GOOD SHOWING THIS YEAR. 18 00:02:32,686 --> 00:02:34,655 THANK YOU. 19 00:02:34,687 --> 00:02:36,723 COLONEL? YES? 20 00:02:37,824 --> 00:02:40,760 I BELIEVE YOU HAVE SOMETHING FOR ME. 21 00:02:48,468 --> 00:02:50,737 WEEK'S NOT OVER YET. 22 00:02:50,771 --> 00:02:52,171 BRING IT ON. 23 00:02:54,574 --> 00:02:56,509 [ SIGHS ] 24 00:03:05,718 --> 00:03:07,888 THIS IDEA YOU HAVE ABOUT QUITTING, 25 00:03:07,920 --> 00:03:09,556 WERE YOU EVER GONNA BRING IT UP AGAIN? 26 00:03:09,590 --> 00:03:11,692 WELL, IT'S JUST A THOUGHT. 27 00:03:11,724 --> 00:03:13,894 FOR THE RECORD, I ENJOY WHAT WE DO. 28 00:03:13,926 --> 00:03:15,396 WELL, YOU MIGHT ENJOY PARIS 29 00:03:15,429 --> 00:03:17,431 OR LEARNING PEDAL STEEL GUITAR. 30 00:03:17,465 --> 00:03:18,831 PEDAL STEEL GUITAR? 31 00:03:18,865 --> 00:03:22,536 THE WORLD IS INFINITE IN ITS POSSIBILITIES. 32 00:03:22,569 --> 00:03:25,406 IT'S NOT GONNA BE AS EASY TO WALK AWAY AS YOU THINK. 33 00:03:25,438 --> 00:03:26,973 WHY DO YOU SAY THAT? 34 00:03:27,007 --> 00:03:30,311 YOU ENJOY THE MENTAL STIMULATION FAR MORE THAN YOU LET ON. 35 00:03:30,343 --> 00:03:31,878 AGENT LISBON. 36 00:03:31,912 --> 00:03:33,381 COLONEL RAYMOND. 37 00:03:33,413 --> 00:03:34,314 WE MET AT A SEMINAR -- 38 00:03:34,348 --> 00:03:37,317 "TACTICAL SOLUTIONS TO URBAN TERRORISM." 39 00:03:37,350 --> 00:03:38,852 UH, COLONEL RAYMOND, THIS IS PATRICK JANE. 40 00:03:38,885 --> 00:03:41,989 HE WORKS AS A CONSULTANT WITH THE TEAM. 41 00:03:42,021 --> 00:03:44,658 THAT WAS SOME FINE WORK BACK THERE 42 00:03:44,692 --> 00:03:46,326 CLEARING THOSE ROOMS JUST NOW. 43 00:03:46,360 --> 00:03:48,295 IF YOU EVER DECIDE YOU'RE TIRED OF THE BUREAU, 44 00:03:48,329 --> 00:03:49,729 I CAN HAVE A SPACE FOR YOU. 45 00:03:49,763 --> 00:03:52,332 THAT'S FLATTERING. THANK YOU. 46 00:03:52,365 --> 00:03:53,466 NOW IF YOU'LL EXCUSE ME, 47 00:03:53,501 --> 00:03:55,402 I NEED TO TALK TO A COUPLE MEN ABOUT AMBUSH TACTICS. 48 00:03:55,436 --> 00:03:56,503 [ CHUCKLES ] YEAH. 49 00:04:02,643 --> 00:04:05,445 DID -- DID YOU EVER HAVE A FLING WITH THAT GUY? 50 00:04:05,479 --> 00:04:06,879 WHAT? 51 00:04:06,913 --> 00:04:08,949 OF COURSE NOT. SORRY. 52 00:04:08,981 --> 00:04:10,717 IT'S JUST STRANGE. 53 00:04:10,751 --> 00:04:13,687 STRANGE THAT I DIDN'T HAVE A FLING WITH COLONEL RAYMOND? 54 00:04:13,721 --> 00:04:16,656 YEAH, THERE'S SOMETHING GOING ON THERE. 55 00:04:17,957 --> 00:04:19,759 YOU DON'T KNOW? 56 00:04:19,793 --> 00:04:21,028 KNOW WHAT? 57 00:04:21,060 --> 00:04:23,029 HIS WIFE WAS MURDERED EIGHT MONTHS AGO. 58 00:04:23,062 --> 00:04:24,464 REALLY? 59 00:04:24,497 --> 00:04:27,067 IT WAS ALL OVER THE NEWS. 60 00:04:27,100 --> 00:04:28,836 DID THEY CATCH ANYONE? 61 00:04:28,869 --> 00:04:31,904 YEAH, THEY ARRESTED SOMEBODY RIGHT AFTER. 62 00:04:31,939 --> 00:04:33,374 I NEED A SHOWER. 63 00:04:33,406 --> 00:04:36,409 [ INDISTINCT CONVERSATIONS ] 64 00:04:38,646 --> 00:04:41,449 EIGHT MONTHS AGO, HUH? 65 00:04:49,523 --> 00:04:56,396 *** 66 00:04:58,932 --> 00:05:01,869 THE MURDER OF COLONEL RAYMOND'S WIFE IS CLOSED. 67 00:05:03,437 --> 00:05:04,704 HMM. 68 00:05:04,737 --> 00:05:06,973 SO YOU'RE NOT INTERESTED IN HEARING MY THEORY? 69 00:05:10,543 --> 00:05:13,045 OKAY. WHAT'S YOUR THEORY? 70 00:05:13,079 --> 00:05:14,548 WELL, I DON'T HAVE ONE YET, 71 00:05:14,581 --> 00:05:16,649 BUT THAT'S WHY WE NEED TO LOOK INTO IT. 72 00:05:16,684 --> 00:05:17,817 EXCUSE ME. SORRY. 73 00:05:17,850 --> 00:05:19,786 CHO NEEDS YOU TO SIGN THIS. 74 00:05:19,819 --> 00:05:21,555 [ CLEARS THROAT ] 75 00:05:21,588 --> 00:05:22,923 SO YOU DON'T HAVE ANYTHING? 76 00:05:22,956 --> 00:05:25,024 NO. AT THIS POINT, I'M JUST CURIOUS. 77 00:05:25,057 --> 00:05:26,959 CURIOSITY KILLED THE CAT. 78 00:05:31,798 --> 00:05:33,834 ALSO CURED POLIO. 79 00:05:33,867 --> 00:05:37,471 AARON RAYMOND IS NOT JUST A COLONEL IN THE MARINES. 80 00:05:37,504 --> 00:05:39,473 HE'S A DECORATED WAR HERO. 81 00:05:39,507 --> 00:05:41,742 AND THEY'VE ALREADY ARRESTED A MAN FOR THE MURDER. 82 00:05:41,774 --> 00:05:44,711 SO WHAT MAKES YOU THINK THAT MAN DIDN'T COMMIT THE CRIME? 83 00:05:44,745 --> 00:05:46,447 WELL, I'M NOT SURE THAT HE DIDN'T. 84 00:05:46,480 --> 00:05:47,514 I'M JUST SAYING, THERE IS -- 85 00:05:47,548 --> 00:05:51,584 THERE IS SOMETHING OFF ABOUT THIS COLONEL RAYMOND. 86 00:05:51,619 --> 00:05:54,855 [ SIGHS ] 87 00:05:54,887 --> 00:05:56,723 LISBON, WHAT DO YOU THINK? 88 00:05:56,757 --> 00:05:58,992 IF JANE SAYS IT'S WORTH LOOKING INTO, 89 00:05:59,026 --> 00:06:00,593 THEN IT'S WORTH LOOKING INTO. 90 00:06:00,627 --> 00:06:01,995 YOU KNOW TO TRUST HIS INSTINCTS. 91 00:06:04,432 --> 00:06:07,901 NO INTERROGATIONS, NO SEARCHES. 92 00:06:07,935 --> 00:06:10,603 IF YOU WANT TO TALK TO ANYONE, USE A COVER STORY. 93 00:06:10,637 --> 00:06:13,540 A CIVIL RIGHTS CASE FOR THE MAN WHO WAS ARRESTED MAYBE. 94 00:06:13,574 --> 00:06:17,478 RAYMOND IS NOT TO LEARN THAT WE ARE LOOKING INTO THIS. 95 00:06:17,511 --> 00:06:20,613 ANYONE FINDS OUT THAT WE'RE INVESTIGATING HERE, 96 00:06:20,648 --> 00:06:22,516 IT'S OVER. 97 00:06:23,884 --> 00:06:25,052 DEAL. 98 00:06:25,084 --> 00:06:26,786 DEAL. 99 00:06:29,088 --> 00:06:30,824 POUND IT. 100 00:06:30,858 --> 00:06:34,194 [ CHUCKLES ] 101 00:06:34,226 --> 00:06:35,928 THANK YOU, SIR. 102 00:06:46,740 --> 00:06:48,475 [ TELEPHONE RINGS ] 103 00:06:49,942 --> 00:06:51,711 YOU WANT A COFFEE OR SOMETHING? 104 00:06:51,745 --> 00:06:53,045 I'M GOOD, THANKS. 105 00:06:53,079 --> 00:06:54,882 YEAH, IT SUCKS ANYWAY. 106 00:06:54,915 --> 00:06:57,651 I GOT TO TELL YOU, 107 00:06:57,685 --> 00:07:00,754 I'M NOT THRILLED TO HAVE MY WORK CHECKED BY THE F.B.I. 108 00:07:00,788 --> 00:07:03,223 I'M NOT THRILLED TO BE HERE. 109 00:07:03,255 --> 00:07:05,091 MIND IF I ASK WHY? 110 00:07:05,125 --> 00:07:06,093 THE MAN YOU CHARGED WITH THE CRIME, 111 00:07:06,125 --> 00:07:08,528 ZACH JEFFERSON, HAS TAKEN PRELIMINARY STEPS 112 00:07:08,562 --> 00:07:11,064 TO FILE A CIVIL RIGHTS VIOLATION AGAINST YOUR DEPARTMENT. 113 00:07:11,098 --> 00:07:13,701 CIVIL RIGHTS VIOLATION? FOR WHAT? 114 00:07:13,733 --> 00:07:15,134 YOU TELL ME. 115 00:07:15,168 --> 00:07:17,737 WE CAUGHT YOUR MAN JEFFERSON 116 00:07:17,771 --> 00:07:19,906 IN NICOLE RAYMOND'S CAR 117 00:07:19,939 --> 00:07:21,774 ONE DAY AFTER SHE WAS MURDERED. 118 00:07:21,809 --> 00:07:24,177 THE VICTIM'S WALLET WAS IN THE CAR, 119 00:07:24,211 --> 00:07:26,814 AS WELL AS JEWELRY STOLEN FROM THE HOUSE. 120 00:07:26,846 --> 00:07:28,981 MURDER SCENE HAD SIGNS OF A BREAK-IN. 121 00:07:29,016 --> 00:07:30,651 SLAM DUNK. 122 00:07:30,684 --> 00:07:33,653 YOU LOOK AT ANY OTHER SUSPECTS? THE HUSBAND, MAYBE? 123 00:07:33,687 --> 00:07:35,923 YEAH, YEAH, 9 TIMES OUT OF 10, HUSBAND DID IT. 124 00:07:35,956 --> 00:07:37,223 THIS IS TIME NUMBER 10. 125 00:07:37,257 --> 00:07:39,058 HOW CAN YOU BE SO SURE? 126 00:07:39,091 --> 00:07:40,661 CHECK THIS OUT. 127 00:07:40,694 --> 00:07:42,663 AARON RAYMOND'S CAR WAS IN THE SHOP THAT DAY. 128 00:07:42,696 --> 00:07:44,064 THEY TOOK NICOLE'S CAR. 129 00:07:44,096 --> 00:07:45,899 SHE DROPPED HIM OFF AT WORK. 130 00:07:45,932 --> 00:07:48,668 THEY GOT CAUGHT IN A RED LIGHT CAMERA. 131 00:07:48,701 --> 00:07:51,137 M.E. SAYS BASED ON LIVER TEMP, 132 00:07:51,170 --> 00:07:55,242 NICOLE RAYMOND WAS KILLED NO EARLIER THAN 10:00 A.M. 133 00:07:55,274 --> 00:07:57,978 AARON RAYMOND GOT TO WORK THAT DAY AT 9:00. 134 00:07:58,011 --> 00:08:00,112 WE GOT CONFIRMATION HE NEVER LEFT. 135 00:08:02,281 --> 00:08:05,619 YOU WANNA TELL ME HOW HE COULD BE THE KILLER? 136 00:08:10,923 --> 00:08:13,526 [ GATE DOOR CREAKS ] 137 00:08:17,096 --> 00:08:18,865 WHAT'S THIS ABOUT? [ GATE LOCKS ] 138 00:08:18,899 --> 00:08:21,701 WE WANTED TO TALK TO YOU ABOUT NICOLE RAYMOND'S DEATH. 139 00:08:21,735 --> 00:08:24,137 [ SCOFFS ] WHY? 140 00:08:24,170 --> 00:08:27,740 ZACH, THE F.B.I. ASSURES ME THIS IS AN OFF-THE-RECORD CHAT. 141 00:08:27,774 --> 00:08:30,577 THEY JUST WANT TO HEAR OUR SIDE. 142 00:08:30,610 --> 00:08:32,245 [ CLICKS TONGUE ] YEAH, RIGHT. 143 00:08:36,048 --> 00:08:37,684 WHY DON'T YOU TELL US WHAT YOU WERE DOING 144 00:08:37,717 --> 00:08:40,019 BEFORE YOU WERE ARRESTED? 145 00:08:40,052 --> 00:08:42,923 I WAS LIVING IN A HALFWAY HOUSE. 146 00:08:42,956 --> 00:08:46,125 ALL RIGHT? BAGGING GROCERIES. [ SIGHS ] 147 00:08:46,158 --> 00:08:49,897 THEN I MOVED IN WITH A FRIEND -- YOU KNOW, COUCH SURFING. 148 00:08:49,929 --> 00:08:51,631 HE GOT A NEW GIRLFRIEND, SHE DIDN'T LIKE ME, 149 00:08:51,664 --> 00:08:53,133 SO I HAD TO MOVE OUT. 150 00:08:55,335 --> 00:08:56,669 YOU WERE HOMELESS. 151 00:08:57,937 --> 00:08:59,972 SHORT-TERM. 152 00:09:00,006 --> 00:09:02,142 I MEAN, YEAH, I COULD HAVE MOVED BACK INTO THE HALFWAY HOUSE, 153 00:09:02,174 --> 00:09:05,211 BUT THEM PEOPLE BE ON YOUR CASE, AND... 154 00:09:05,245 --> 00:09:07,980 WHAT WERE YOU DOING THE DAY OF THE ARREST? 155 00:09:09,182 --> 00:09:10,984 [ SCOFFS ] 156 00:09:12,820 --> 00:09:14,922 LOOK, I FOUND THE CAR. ALL RIGHT? 157 00:09:14,955 --> 00:09:16,624 KEYS IN IT AND EVERYTHING. 158 00:09:16,657 --> 00:09:19,826 IS IT REALLY STEALING IF SOMEONE JUST LEAVES SOMETHING LIKE THAT? 159 00:09:23,062 --> 00:09:25,197 YOU'VE BEEN ARRESTED THREE TIMES. 160 00:09:25,231 --> 00:09:26,799 SHOPLIFTING, POSSESSION. 161 00:09:26,833 --> 00:09:28,235 SO? 162 00:09:28,268 --> 00:09:29,836 IT'S NOT CRAZY TO THINK YOU MIGHT TRY 163 00:09:29,870 --> 00:09:31,804 ROBBING SOMEBODY'S HOUSE. 164 00:09:31,838 --> 00:09:35,008 LET'S JUST CUT RIGHT TO IT. DID YOU KILL NICOLE RAYMOND? 165 00:09:35,042 --> 00:09:38,311 [ SIGHS ] 166 00:09:38,345 --> 00:09:41,148 MAN, I NEVER KILLED ANYBODY. 167 00:09:48,855 --> 00:09:50,356 WHAT? 168 00:09:51,859 --> 00:09:54,094 WELL, WHAT DO YOU THINK? 169 00:09:54,126 --> 00:09:55,828 YOU BELIEVE HIM? 170 00:09:55,863 --> 00:09:57,264 AGENTS. 171 00:09:58,230 --> 00:10:01,100 IT LOOKS BAD, BUT ZACH DIDN'T DO THIS. 172 00:10:01,134 --> 00:10:02,936 HE'S PROBABLY GONNA GET THE NEEDLE. 173 00:10:02,970 --> 00:10:05,272 OBVIOUSLY, IF THERE'S ANYTHING YOU CAN DO, IT'D BE APPRECIATED. 174 00:10:06,974 --> 00:10:08,375 IF HE'S TELLING THE TRUTH, 175 00:10:08,408 --> 00:10:09,976 THEN RAYMOND KILLED HIS WIFE 176 00:10:10,009 --> 00:10:11,678 AND THEN DUMPED THE CAR IN A BAD NEIGHBORHOOD 177 00:10:11,711 --> 00:10:13,179 JUST HOPING SOMEBODY WOULD STEAL IT. 178 00:10:13,212 --> 00:10:16,115 WELL, THAT'S NOT OUTSIDE THE REALM OF POSSIBILITY. 179 00:10:16,149 --> 00:10:18,918 EVERY GOOD PLAN NEEDS A LITTLE BIT OF LUCK. 180 00:10:21,754 --> 00:10:23,623 WE SHOULD GO VISIT THE CRIME SCENE. 181 00:10:34,301 --> 00:10:36,769 [ DIALING ] 182 00:10:37,770 --> 00:10:39,139 HI, JUDY. 183 00:10:39,172 --> 00:10:41,107 UH, MY GIRLFRIEND AND I ARE OUT HOUSE HUNTING 184 00:10:41,140 --> 00:10:44,144 AND, UH, WE SAW A LOVELY PLACE ON ROOSEVELT. 185 00:10:44,177 --> 00:10:46,413 WONDERING IF WE COULD TAKE A LITTLE PEEK INSIDE. 186 00:10:47,447 --> 00:10:49,149 YEAH, WE'RE OUT FRONT. 187 00:10:49,182 --> 00:10:51,051 SEE YOU SOON. BYE. 188 00:10:52,820 --> 00:10:53,953 ON HER WAY. 189 00:10:53,986 --> 00:10:55,654 AH. 190 00:10:58,057 --> 00:10:59,459 OOH. 191 00:10:59,491 --> 00:11:01,894 AS YOU CAN SEE, THIS HOUSE IS MOVE-IN READY. 192 00:11:01,928 --> 00:11:03,764 [ DOOR CLOSES, SWITCH CLICKS ] 193 00:11:03,797 --> 00:11:05,966 THERE'S A LOT TO LOVE ABOUT THIS PLACE, 194 00:11:05,999 --> 00:11:08,969 BUT IF YOU ASK ME, THIS COZY LIVING AREA 195 00:11:09,001 --> 00:11:10,370 IS A REAL DREAM. 196 00:11:10,403 --> 00:11:11,971 HOW LONG HAS IT BEEN ON THE MARKET? 197 00:11:12,004 --> 00:11:13,306 UM, A COUPLE MONTHS. 198 00:11:13,340 --> 00:11:15,475 RALLY? AT THIS PRICE? WHAT'S THE CATCH? 199 00:11:15,508 --> 00:11:18,979 [ LAUGHS ] WAIT UNTIL YOU SEE THE MASTER BATH. 200 00:11:19,011 --> 00:11:20,847 IS THERE SOMETHING YOU'RE NOT TELLING US, JUDY? 201 00:11:22,448 --> 00:11:24,183 OUT WITH IT. 202 00:11:24,216 --> 00:11:27,287 OH. UM... [ HUFFS ] 203 00:11:27,320 --> 00:11:30,190 WELL, UH, THERE WAS A DEATH HERE. 204 00:11:30,222 --> 00:11:31,892 A MURDER. 205 00:11:31,924 --> 00:11:33,225 OOH. 206 00:11:33,259 --> 00:11:34,995 SHOULDN'T YOU HAVE TOLD US THAT TO BEGIN WITH? 207 00:11:35,028 --> 00:11:37,330 ISN'T THERE A LAW ABOUT THAT? YEAH. 208 00:11:37,364 --> 00:11:38,932 I-I DON'T KNOW IF IT'S MY RESPONSIBILITY -- 209 00:11:38,966 --> 00:11:40,500 YOU KNOW, I THINK WE'RE GONNA HAVE TO TALK ABOUT THIS, 210 00:11:40,533 --> 00:11:42,335 UH, IF YOU DON'T MIND, PRIVATELY. MM. 211 00:11:42,369 --> 00:11:44,471 OH. SURE. WELL, I HAVE SOME CALLS TO MAKE, 212 00:11:44,504 --> 00:11:46,139 SO I'LL BE OUT IN MY CAR. 213 00:11:46,173 --> 00:11:47,740 JUST TAKE YOUR TIME. 214 00:11:52,111 --> 00:11:53,080 HMM. 215 00:11:53,113 --> 00:11:54,280 [ DOOR CLOSES ] 216 00:11:59,886 --> 00:12:02,389 UH, WINDOW WAS OPEN, SCREEN OUTSIDE. 217 00:12:02,422 --> 00:12:05,424 THE COPS THINK THAT'S HOW JEFFERSON BROKE INTO THE HOUSE. 218 00:12:05,457 --> 00:12:07,360 THROUGH HERE? UH-HUH. 219 00:12:07,394 --> 00:12:09,461 OKAY. 220 00:12:09,495 --> 00:12:12,164 [ CLATTERING ] [ INHALES SHARPLY ] 221 00:12:12,198 --> 00:12:15,434 UH, LISBON, TAKE A LOOK AT THIS. 222 00:12:15,467 --> 00:12:17,303 [ CHILDREN PLAYING IN DISTANCE ] 223 00:12:17,336 --> 00:12:18,337 HI! 224 00:12:19,840 --> 00:12:22,241 MAYBE THERE WASN'T ANYBODY THERE THAT DAY. 225 00:12:22,274 --> 00:12:23,243 MAYBE. 226 00:12:23,275 --> 00:12:25,544 WHAT WAS THE WEATHER LIKE DAY OF THE MURDER? 227 00:12:25,577 --> 00:12:30,250 [ EXHALES ] CRIME REPORT SAYS IT WAS... 228 00:12:30,283 --> 00:12:31,985 MID 70s, CLEAR SKIES. 229 00:12:32,019 --> 00:12:34,955 PERFECT DAY FOR THE PARK. WHICH BEGS A QUESTION. 230 00:12:34,988 --> 00:12:37,456 WHY WOULD YOU BREAK IN THROUGH THAT WINDOW 231 00:12:37,490 --> 00:12:41,028 WHEN YOU CAN BREAK IN AROUND THE SIDE THROUGH THERE, 232 00:12:41,061 --> 00:12:43,797 HIDDEN FROM THE STREET? 233 00:12:43,831 --> 00:12:46,133 NOW THE BODY WAS FOUND HERE, 234 00:12:46,165 --> 00:12:48,368 WITH A HALF-FINISHED CROSSWORD PUZZLE AND A PEN. 235 00:12:48,400 --> 00:12:51,904 SO WE CAN ASSUME THAT SHE WAS SITTING...THERE. 236 00:12:55,042 --> 00:12:56,243 SHE WOULD HAVE HEARD HIM. 237 00:12:56,275 --> 00:12:58,510 YES, SHE WOULD HAVE HEARD HIM. 238 00:12:58,544 --> 00:13:01,014 BUT IF RAYMOND WAS THE KILLER... 239 00:13:01,048 --> 00:13:04,283 VERY EASY TO PUSH THAT SCREEN OUT FROM THE INSIDE. 240 00:13:04,317 --> 00:13:06,552 YEAH, BUT THE TIME OF DEATH, HE COULDN'T HAVE DONE IT. 241 00:13:06,586 --> 00:13:07,620 SURE. 242 00:13:07,653 --> 00:13:11,191 TH-THAT'S CALCULATED FROM BODY TEMPERATURE, RIGHT? 243 00:13:11,224 --> 00:13:13,092 UH, LIVER TEMPERATURE, YES. 244 00:13:16,996 --> 00:13:20,466 SHE HAD A FAN POINTED RIGHT AT HER, 245 00:13:20,500 --> 00:13:22,469 LIKE IT WAS REALLY HOT. 246 00:13:25,638 --> 00:13:27,240 BUT IT WAS MID 70s. 247 00:13:29,208 --> 00:13:32,913 PERFECT DAY, FAN... 248 00:13:32,946 --> 00:13:34,614 YOU EVER COOK A ROAST? 249 00:13:34,647 --> 00:13:36,048 OF COURSE. 250 00:13:36,082 --> 00:13:37,450 YEAH. SORRY. 251 00:13:37,484 --> 00:13:39,052 MY AUNT USED TO DO IT THIS WAY -- 252 00:13:39,086 --> 00:13:41,922 SHE TURNED THE OVEN WAY UP HIGH. 253 00:13:41,955 --> 00:13:44,256 YOU HEAT IT, YOU PUT THE ROAST IN, 254 00:13:44,290 --> 00:13:45,557 AND THEN YOU TURN IT OFF. 255 00:13:47,626 --> 00:13:50,998 SO MAYBE... 256 00:13:51,030 --> 00:13:54,301 HE TURNS THE THERMOSTAT ALL THE WAY UP. 257 00:13:54,334 --> 00:13:56,903 [ CLICKING ] 258 00:13:56,937 --> 00:13:58,471 TELLS HER IT'S BROKEN. 259 00:13:58,504 --> 00:14:00,639 [ SPEAKING INAUDIBLY ] 260 00:14:00,673 --> 00:14:02,408 AND THEN HE TURNS THE THERMOSTAT OFF 261 00:14:02,442 --> 00:14:04,311 AFTER HE KILLS HER. 262 00:14:04,344 --> 00:14:07,279 THE ROOM AND NICOLE COOL OFF SLOWER, 263 00:14:07,313 --> 00:14:11,183 MAKING IT SEEM LIKE SHE DIED LATER THAN SHE ACTUALLY DID. 264 00:14:11,217 --> 00:14:13,120 EXACTLY. 265 00:14:13,153 --> 00:14:15,322 WHAT ABOUT THE FAN? 266 00:14:15,355 --> 00:14:18,357 HE TURNED OFF BOTH THE FAN AND THE THERMOSTAT. 267 00:14:18,390 --> 00:14:20,427 [ CLICKING ] 268 00:14:22,962 --> 00:14:24,965 AND THEN HE LEAVES. 269 00:14:24,998 --> 00:14:26,966 THEN HE LEAVES. 270 00:14:27,000 --> 00:14:28,100 UH -- 271 00:14:28,134 --> 00:14:29,635 THE FRONT DOOR. 272 00:14:29,668 --> 00:14:33,105 LOOKS LIKE IT WAS WIPED DOWN. FOR PRINTS. 273 00:14:33,139 --> 00:14:35,174 RAYMOND DOESN'T HAVE TO WORRY ABOUT PRINTS. 274 00:14:35,207 --> 00:14:37,277 IT'S HIS HOUSE. WELL, MAYBE HE GOT BLOOD ON IT. 275 00:14:37,309 --> 00:14:39,578 NO. HE'S TOO METICULOUS. 276 00:14:39,611 --> 00:14:40,679 YOU'RE RIGHT. 277 00:14:40,712 --> 00:14:43,182 HE WOULDN'T LEAVE THAT MISTAKE IN THE FIRST PLACE. 278 00:14:43,216 --> 00:14:46,552 MAYBE HE WAS WIPING OFF SOMEBODY ELSE'S PRINTS. 279 00:14:46,586 --> 00:14:49,621 UH-HUH. OKAY. OKAY. 280 00:14:49,655 --> 00:14:51,124 A WOMAN. [ DOOR CLOSES ] 281 00:14:51,158 --> 00:14:52,325 IT HAD TO HAVE BEEN A WOMAN. 282 00:14:52,359 --> 00:14:53,927 [ Lowered voice ] THERE WAS A WOMAN WITH HIM IN THE CAR 283 00:14:53,961 --> 00:14:55,062 FOR THE RED LIGHT PHOTOGRAPH. 284 00:14:55,095 --> 00:14:57,063 [ Lowered voice ] AFTER NICOLE WAS ALREADY DEAD. YES. 285 00:14:57,096 --> 00:14:59,066 WE NEED TO FIND OUT WHO THAT WOMAN WAS IN THE CAR. 286 00:14:59,099 --> 00:15:01,301 IT GIVES HIM MOTIVE. HOW DO WE FIND HER? 287 00:15:01,333 --> 00:15:03,535 WELL, I THINK IT'S TIME I PAID OUR PAL RAYMOND A VISIT, 288 00:15:03,570 --> 00:15:05,138 HAVE A LITTLE TALK ABOUT 289 00:15:05,172 --> 00:15:07,340 "TACTICAL SOLUTIONS TO URBAN TERRORISM." 290 00:15:07,374 --> 00:15:09,076 I TOLD YOU. TOLD ME WHAT? 291 00:15:09,109 --> 00:15:11,278 YOU CAN'T QUIT. YOU'RE HAVING TOO MUCH FUN. 292 00:15:11,311 --> 00:15:13,679 Judy: [ SPEAKS INDISTINCTLY ] [ Normal voice ] JUDY. 293 00:15:13,712 --> 00:15:16,149 OH! UH, I'M SORRY. 294 00:15:16,182 --> 00:15:17,417 UH, I THINK WE'RE GONNA HAVE TO PASS ON THIS ONE. 295 00:15:17,450 --> 00:15:20,452 NOT ENOUGH CLOSET SPACE. YOU HEARD THE WOMAN. 296 00:15:32,032 --> 00:15:33,332 YES? 297 00:15:34,366 --> 00:15:35,668 COLONEL RAYMOND. 298 00:15:35,701 --> 00:15:36,970 [ DOOR CLOSES ] 299 00:15:37,004 --> 00:15:39,672 THE F.B.I. CONSULTANT, RIGHT? 300 00:15:39,706 --> 00:15:41,975 YOU HERE FOR THE SEMINAR? 301 00:15:42,009 --> 00:15:45,312 OH, THAT'S NO WAY TO LEARN. I PREFER ONE-ON-ONE. 302 00:15:45,345 --> 00:15:47,279 THAT'S WHY I'M HERE. 303 00:15:47,313 --> 00:15:48,681 YOU NEED SOME ADVICE? 304 00:15:48,715 --> 00:15:50,317 OH, GIVEN THE WAY YOUR BOYS PERFORMED 305 00:15:50,350 --> 00:15:52,119 IN THAT GAME YESTERDAY, I THOUGHT 306 00:15:52,152 --> 00:15:54,120 YOU MIGHT BE ASKING FOR ADVICE YOURSELF. 307 00:15:54,153 --> 00:15:56,722 [ CHUCKLES ] YOUR AGENTS GOT LUCKY. 308 00:15:56,755 --> 00:15:59,058 NOW I TRY TO TEACH MY MEN NOT TO LET THE OTHER SIDE 309 00:15:59,091 --> 00:16:00,559 GET LUCKY LIKE THAT. 310 00:16:00,592 --> 00:16:01,760 YEAH, I COULD HEAR YOUR MEN 311 00:16:01,793 --> 00:16:03,429 WHISPERING THEIR PLANS BACK AND FORTH. 312 00:16:03,462 --> 00:16:05,697 LET ME TELL YOU SOMETHING ABOUT PLANS, COLONEL. 313 00:16:05,731 --> 00:16:08,400 THEY GET IN THE WAY OF INSTINCTS. 314 00:16:08,434 --> 00:16:10,202 YOU DON'T BELIEVE IN BATTLE PLANS? 315 00:16:10,236 --> 00:16:12,139 WELL, WASN'T IT NAPOLEON THAT ONCE SAID, 316 00:16:12,172 --> 00:16:14,606 "NO PLAN SURVIVES THE FIRST SHOT"? 317 00:16:14,640 --> 00:16:17,210 A STUDENT OF COMBAT. 318 00:16:17,244 --> 00:16:19,046 MORE OF PEOPLE. 319 00:16:20,379 --> 00:16:22,349 WELL, NAPOLEON DID ALL RIGHT IN HIS DAY, 320 00:16:22,381 --> 00:16:24,083 BUT I'D TELL HIM THE SECRET TO THAT IS 321 00:16:24,116 --> 00:16:26,753 NEVER LET YOUR OPPONENT FIRE THAT FIRST SHOT. 322 00:16:26,786 --> 00:16:27,754 THAT'S A LITTLE UNSPORTING. 323 00:16:27,787 --> 00:16:31,423 SPORTS ARE MAKE-BELIEVE, MR. JANE. WAR IS REAL. 324 00:16:31,457 --> 00:16:34,094 MAYBE THE ONLY REAL THING WE HAVE LEFT. 325 00:16:34,126 --> 00:16:37,364 THAT'S THE STUPIDEST THING I'VE EVER HEARD. 326 00:16:38,465 --> 00:16:40,366 YOU'RE TRYING TO PROVOKE ME. 327 00:16:40,399 --> 00:16:42,369 WHY? 328 00:16:42,402 --> 00:16:45,337 TO SEE HOW YOU REACT. 329 00:16:46,605 --> 00:16:49,209 DID YOU LEARN SOMETHING? 330 00:16:51,510 --> 00:16:53,011 YEAH. 331 00:16:54,647 --> 00:16:55,815 I THINK I DID. 332 00:16:55,847 --> 00:16:58,284 THANKS FOR YOUR TIME. 333 00:17:01,520 --> 00:17:03,722 [ DOOR CLOSES ] 334 00:17:05,092 --> 00:17:06,792 IT'S CALLED A RUNGU. 335 00:17:06,826 --> 00:17:09,496 IT'S A MASAI WARRIOR WAR CLUB. 336 00:17:09,528 --> 00:17:11,597 IT'S NORMAL DECOR FOR A SOLDIER. 337 00:17:11,631 --> 00:17:13,799 YES, BUT THE AFRICAN ART 338 00:17:13,833 --> 00:17:16,403 DOESN'T HAVE ANY ANALOG IN THE CRIME SCENE PHOTOS. 339 00:17:16,435 --> 00:17:17,604 EXCUSE ME? 340 00:17:17,636 --> 00:17:19,306 WELL, EVERYTHING ELSE IN THE OFFICE -- 341 00:17:19,338 --> 00:17:21,508 THE BOOKS, THE PHOTOS, THE PATRIOTIC ART -- 342 00:17:21,540 --> 00:17:23,242 ALL HAD SOMETHING SIMILAR IN THE HOUSE 343 00:17:23,276 --> 00:17:25,412 THE WAY IT WAS DECORATED THE DAY OF THE MURDER. 344 00:17:25,444 --> 00:17:26,679 BUT THERE WAS NO AFRICAN ART. 345 00:17:26,712 --> 00:17:28,847 NO. 346 00:17:28,881 --> 00:17:31,550 SO...MAYBE HE HAD A GIRLFRIEND, 347 00:17:31,584 --> 00:17:34,554 AND MAYBE SHE HAD AN INTEREST IN AFRICAN ART. HUH. 348 00:17:34,586 --> 00:17:37,089 SHOULD WE TAIL HIM? NO, HE'S A SOLDIER IN MILITARY INTELLIGENCE. 349 00:17:37,124 --> 00:17:38,490 HE CAN SPOT A TAIL. 350 00:17:38,525 --> 00:17:40,859 MOST AFFAIRS ARE WITH PEOPLE THAT YOU MEET 351 00:17:40,893 --> 00:17:42,328 IN YOUR EVERYDAY LIFE. 352 00:17:42,362 --> 00:17:44,297 THEY'RE FAMILIAR. WORKPLACE. 353 00:17:44,330 --> 00:17:46,598 SO SHE'S A MARINE. 354 00:17:46,633 --> 00:17:48,667 [ SIGHS ] WELL, THE WYNN COMPLEX HAS 355 00:17:48,701 --> 00:17:50,436 OVER A THOUSAND GOVERNMENT EMPLOYEES, 356 00:17:50,470 --> 00:17:52,572 EVERYTHING FROM THE N.S.A. TO THE POST OFFICE. 357 00:17:52,605 --> 00:17:54,106 HOW DO WE NARROW THAT DOWN? 358 00:17:54,141 --> 00:17:56,209 WE NEED TO SEND SOMEONE BACK INTO THE WYNN COMPLEX, 359 00:17:56,242 --> 00:17:57,676 PREFERABLY SOMEONE THAT HASN'T BEEN INVOLVED 360 00:17:57,710 --> 00:17:59,179 IN THE TRAINING EXERCISES. 361 00:17:59,211 --> 00:18:01,114 THAT LEAVES OUT LISBON, YOURSELF. 362 00:18:01,147 --> 00:18:02,648 I WAS THERE TUESDAY FOR MILITARY TRAINING. 363 00:18:02,682 --> 00:18:04,750 HMM. OKAY. COULD YOU DO ME A FAVOR? HMM? 364 00:18:04,784 --> 00:18:07,787 NEXT TIME WYLIE STEALS A GLANCE AT YOU, COULD YOU WAVE HIM IN? 365 00:18:07,819 --> 00:18:10,156 WHAT? 366 00:18:11,657 --> 00:18:14,826 [ TELEPHONE RINGING IN DISTANCE ] 367 00:18:21,367 --> 00:18:22,469 [ CHUCKLES ] 368 00:18:22,501 --> 00:18:25,172 [ BREATHES SHARPLY ] 369 00:18:25,204 --> 00:18:26,806 STOP IT. 370 00:18:26,838 --> 00:18:29,842 [ INDISTINCT CONVERSATIONS ] 371 00:18:33,546 --> 00:18:34,881 HEY, I'M FROM I.T. 372 00:18:34,913 --> 00:18:37,183 WHAT CAN I HELP YOU WITH? WRONG OFFICE. 373 00:18:43,323 --> 00:18:45,192 ALL RIGHT. THANKS. 374 00:18:48,595 --> 00:18:49,929 HEY. FROM I.T. 375 00:18:49,961 --> 00:18:52,499 [ BLOWS AIR ] 376 00:18:52,531 --> 00:18:53,799 [ KNOCKS ] 377 00:18:56,669 --> 00:18:58,471 HI, I'M HERE FROM I.T. 378 00:18:58,505 --> 00:18:59,739 THANK YOU. 379 00:19:04,277 --> 00:19:05,545 [ KNOCK ON DOOR ] 380 00:19:05,577 --> 00:19:07,145 COME IN. 381 00:19:08,681 --> 00:19:10,883 HEY. I'M FROM I.T. 382 00:19:10,916 --> 00:19:12,884 [ CLICKS MOUSE ] 383 00:19:12,919 --> 00:19:15,321 IS THIS ABOUT CANDY PILOTS? 384 00:19:16,989 --> 00:19:18,625 'CAUSE I KNOW YOU'RE NOT SUPPOSED TO DOWNLOAD GAMES. 385 00:19:18,657 --> 00:19:20,660 I JUST -- I HAVE A LOT OF DOWN TIME. 386 00:19:21,661 --> 00:19:23,395 WHAT? NO. 387 00:19:23,430 --> 00:19:24,663 OH. 388 00:19:24,696 --> 00:19:27,267 OKAY THEN. WHAT'S UP? 389 00:19:27,299 --> 00:19:29,701 I'M HERE TO CHECK YOUR DATA STACKS. 390 00:19:30,970 --> 00:19:33,205 WHAT'S A DATA STACK? 391 00:19:35,241 --> 00:19:36,375 HUH? 392 00:19:36,409 --> 00:19:38,244 I ASKED, WHAT'S A DATA STACK? 393 00:19:38,278 --> 00:19:39,445 OH, RIGHT. 394 00:19:39,479 --> 00:19:41,814 HERE, I'LL SHOW YOU. 395 00:19:43,415 --> 00:19:45,684 DENISE SPARKS, 36. 396 00:19:45,718 --> 00:19:47,819 SHE WORKS AS AN INFORMATION ANALYST FOR THE D.O.D. 397 00:19:47,854 --> 00:19:49,922 COULD SHE AND RAYMOND HAVE CROSSED PATHS? 398 00:19:49,955 --> 00:19:51,958 SHE DOES A WEEKLY ANTITERRORISM BRIEFING 399 00:19:51,990 --> 00:19:53,792 FOR TOP BRASS, INCLUDING RAYMOND. 400 00:19:53,826 --> 00:19:56,863 LOVE SPRINGS UP IN THE UNLIKELIEST OF PLACES. 401 00:19:56,895 --> 00:19:58,698 I FOUND HER FACEBOOK PAGE. 402 00:19:58,730 --> 00:20:00,666 SHE'S GOT LOTS OF PHOTOS OF HER IN AFRICA. 403 00:20:00,700 --> 00:20:02,701 NO PICTURES OF HER AND A BOYFRIEND. 404 00:20:02,734 --> 00:20:04,770 UH, COULD YOU PUT HER NEXT TO THE RED LIGHT PHOTO? 405 00:20:04,804 --> 00:20:05,805 MM-HMM. 406 00:20:09,741 --> 00:20:12,010 THAT COULD BE HER. 407 00:20:12,044 --> 00:20:14,012 COULD YOU ENGINEER A MEETING? 408 00:20:14,046 --> 00:20:16,548 GET A READ ON HER, SEE IF SHE'S OUR GIRL? 409 00:20:16,583 --> 00:20:18,451 YEAH. WELL, WHY SHOULD I HAVE ALL THE FUN? 410 00:20:18,484 --> 00:20:22,221 [ MACHINE WHIRS ] 411 00:20:24,356 --> 00:20:25,592 WHAT WAS SHE LIKE? 412 00:20:25,625 --> 00:20:27,026 I DON'T KNOW. SHE SEEMED NICE. 413 00:20:27,058 --> 00:20:29,862 WE'RE JUST LOOKING FOR IMPRESSIONS. 414 00:20:29,895 --> 00:20:32,765 SHE'S VERY CLEAN, WELL PUT TOGETHER. 415 00:20:32,798 --> 00:20:34,032 MM-HMM. 416 00:20:34,066 --> 00:20:35,734 MANICURED HANDS. 417 00:20:35,768 --> 00:20:38,337 BUT SHE CHEWED THE SKIN AROUND HER NAILS. 418 00:20:39,506 --> 00:20:40,972 WHAT DID SHE ORDER? 419 00:20:41,007 --> 00:20:43,009 COFFEE, BLACK. 420 00:20:43,041 --> 00:20:44,711 PAID CASH. 421 00:20:44,743 --> 00:20:47,547 SHE WAITED UNTIL THE WOMAN BEHIND THE COUNTER 422 00:20:47,579 --> 00:20:49,481 COULD SEE HER PUT HER TIP IN THE TIP JAR. 423 00:20:49,516 --> 00:20:52,785 INTERESTING. I WONDER IF I DO THAT. 424 00:20:52,818 --> 00:20:55,387 FOUR SUGARS. IT WAS A LOT. 425 00:20:55,422 --> 00:20:57,423 YEAH, THAT IS A LOT. SO YOU TALKED TO HER. 426 00:20:57,457 --> 00:20:58,958 YOU SAID, "I LIKE YOUR BAG." HOW'D YOU KNOW THAT? 427 00:20:58,990 --> 00:21:02,694 BECAUSE THAT'S WHAT YOU THINK OTHER WOMEN TALK ABOUT. 428 00:21:02,729 --> 00:21:04,596 WELL, IT WORKED. WE TALKED. 429 00:21:04,631 --> 00:21:05,865 TELL ME ABOUT HER. 430 00:21:05,897 --> 00:21:07,733 I DON'T KNOW. SHE'S RESERVED. 431 00:21:07,767 --> 00:21:09,769 IT'S THE KIND OF QUIET WHERE MAYBE SHE COULD BE 432 00:21:09,801 --> 00:21:12,939 A RAGING BITCH, OR SHE'S JUST SHY. 433 00:21:12,971 --> 00:21:15,607 AND WHAT'S YOUR VERDICT? 434 00:21:15,642 --> 00:21:17,309 YOU WANT ME TO SAY IF SHE'S A KILLER 435 00:21:17,344 --> 00:21:18,778 BASED ON SPENDING ONE MINUTE WITH HER? 436 00:21:18,810 --> 00:21:20,046 SURE. 437 00:21:20,078 --> 00:21:21,247 WELL, HOW DO I DO THAT? 438 00:21:21,279 --> 00:21:23,048 WELL, YOUR BRAIN'S ALREADY PROCESSED ALL THE INFORMATION. 439 00:21:23,082 --> 00:21:24,250 YOU JUST HAVE TO LISTEN TO IT. 440 00:21:24,282 --> 00:21:27,953 SO, ON THE COUNT OF THREE, YOU'RE GONNA SAY "YES" OR "NO." 441 00:21:27,987 --> 00:21:29,922 1...2... 442 00:21:29,955 --> 00:21:31,657 THE ANSWER IS YES. I DON'T NEED 3. 443 00:21:31,691 --> 00:21:33,058 SHE COULD HAVE DONE IT. 444 00:21:33,092 --> 00:21:34,760 EVERYTHING ABOUT HER, 445 00:21:34,794 --> 00:21:36,462 IT JUST SEEMED LIKE SHE WAS WEARING A MASK. 446 00:21:36,496 --> 00:21:38,397 OKAY THEN. 447 00:21:38,431 --> 00:21:40,700 VERY NICE, AGENT LISBON. 448 00:21:40,732 --> 00:21:41,968 THANK YOU. 449 00:21:50,676 --> 00:21:52,378 [ FAINT GUNFIRE ] 450 00:21:52,412 --> 00:21:54,947 SO THE THEORY IS 451 00:21:54,980 --> 00:21:57,048 DENISE HELPED RAYMOND KILL HIS WIFE, 452 00:21:57,083 --> 00:21:58,851 AND THEN SHE DRESSED UP LIKE HIM? 453 00:21:58,884 --> 00:22:01,019 WELL, JANE THINKS THEY RAN THE RED LIGHT ON PURPOSE. 454 00:22:01,053 --> 00:22:03,556 THE PHOTOGRAPH WOULD GIVE RAYMOND AN AIRTIGHT ALIBI. 455 00:22:03,589 --> 00:22:05,825 CAN I SEE THAT? 456 00:22:05,857 --> 00:22:06,992 YEAH. 457 00:22:11,698 --> 00:22:13,700 DON'T DO IT FAST. DO IT RIGHT. 458 00:22:16,536 --> 00:22:18,605 WE HAVE NOTHING APPROACHING HARD EVIDENCE. 459 00:22:18,637 --> 00:22:20,071 YEAH, WELL, THAT'S WHERE YOU COME IN. 460 00:22:22,608 --> 00:22:24,844 THIS IS WHERE THE RED LIGHT PHOTO WAS TAKEN. 461 00:22:24,876 --> 00:22:27,078 THEY DUMPED THE CAR HERE, WHERE JEFFERSON FOUND IT. 462 00:22:27,113 --> 00:22:29,449 IT'S WALKING DISTANCE TO THE WYNN COMPLEX. 463 00:22:29,481 --> 00:22:30,650 THEY WALKED THERE RIGHT AFTER THE MURDER? 464 00:22:30,682 --> 00:22:32,018 IT'S THE ONLY WAY THE TIMING WORKS. 465 00:22:32,050 --> 00:22:33,152 DENISE... 466 00:22:33,184 --> 00:22:35,988 HAD TO CHANGE BACK INTO HER WORK CLOTHES AT SOME POINT. 467 00:22:36,021 --> 00:22:38,089 NOTICE SHE'S NOT DRIVING. SO? 468 00:22:38,124 --> 00:22:39,925 JANE'S THEORY IS SHE CHANGED CLOTHES IN THE CAR. 469 00:22:39,959 --> 00:22:41,961 THEN SHE HAD TO THROW THEM AWAY. 470 00:22:41,993 --> 00:22:44,564 MAYBE SHE THREW THEM OUT THE CAR WINDOW. 471 00:22:44,596 --> 00:22:47,133 OR SHE PULLED OVER AND THREW IT AWAY IN A DUMPSTER. 472 00:22:47,165 --> 00:22:49,736 I DON'T THINK THEY RISK GETTING OUT OF THE CAR. 473 00:22:49,769 --> 00:22:51,170 [ GUNFIRE CONTINUES ] 474 00:22:51,202 --> 00:22:52,939 EVEN IF JANE'S THEORY IS RIGHT, 475 00:22:52,971 --> 00:22:54,906 THAT'S AT LEAST 5 MILES. 476 00:22:54,941 --> 00:22:56,643 I CAN'T SEARCH 5 MILES. 477 00:22:56,675 --> 00:22:58,076 YOU WON'T HAVE TO. 478 00:23:00,913 --> 00:23:02,582 [ CLEARS THROAT ] 479 00:23:22,969 --> 00:23:24,570 GO. 480 00:23:32,545 --> 00:23:34,480 DON'T RUSH. 481 00:23:34,513 --> 00:23:36,648 I-I MEAN, SHE WOULDN'T HAVE RUSHED. 482 00:23:36,682 --> 00:23:39,652 AND WE WANT IT TO TIME OUT RIGHT. 483 00:23:39,685 --> 00:23:41,086 SURE. 484 00:23:55,134 --> 00:23:56,702 DONE. 485 00:24:00,740 --> 00:24:02,173 [ SEAT BELTS CLICK ] 486 00:24:07,680 --> 00:24:09,882 OKAY, SO NOW WHAT? 487 00:24:09,915 --> 00:24:11,983 WE GRID SEARCH. 488 00:24:12,018 --> 00:24:14,886 DIVIDE THE SIDE OF THE STREET INTO 1-FOOT SQUARES. 489 00:24:14,921 --> 00:24:17,189 EXAMINE EVERY SQUARE CAREFULLY. 490 00:24:17,222 --> 00:24:20,226 THAT'S GONNA TAKE A LONG TIME. 491 00:24:20,259 --> 00:24:22,161 KEEP TALKING, IT'LL TAKE EVEN LONGER. 492 00:24:22,193 --> 00:24:24,230 YOU HEARD NORTH, I HEAD SOUTH. 493 00:24:27,567 --> 00:24:30,236 [ VEHICLES PASSING OVERHEAD ] 494 00:25:08,807 --> 00:25:11,109 HELLO? 495 00:25:11,143 --> 00:25:12,878 HELLO?! 496 00:25:12,912 --> 00:25:14,913 F.B.I. ANYONE HOME? 497 00:25:49,848 --> 00:25:52,218 [ BREATHING HEAVILY ] 498 00:25:53,318 --> 00:25:55,054 VEGA? 499 00:25:55,086 --> 00:26:01,594 I THINK I'VE GOT SOMETHING. 500 00:26:04,896 --> 00:26:08,233 [ MOUSE CLICKING ] 501 00:26:14,306 --> 00:26:16,008 AGENT LISBON. 502 00:26:16,041 --> 00:26:17,609 MAY I HAVE A MOMENT OF YOUR TIME? 503 00:26:17,644 --> 00:26:19,278 SURE. HAVE A SEAT. 504 00:26:19,310 --> 00:26:21,713 SOMEPLACE PRIVATE. 505 00:26:36,427 --> 00:26:38,698 HOW CAN I HELP YOU? 506 00:26:38,730 --> 00:26:42,334 I JUST WANTED TO KNOW IF YOU THINK I MURDERED MY WIFE. 507 00:26:44,170 --> 00:26:47,239 WELL, I CERTAINLY THINK YOU DID. HI. 508 00:26:47,272 --> 00:26:50,608 THEN ARREST ME. 509 00:26:53,045 --> 00:26:55,847 THAT'S WHAT I THOUGHT. 510 00:26:55,882 --> 00:26:57,282 WHAT'S GOING ON HERE? 511 00:26:57,316 --> 00:26:58,718 JUST GOT AMBUSHED. 512 00:26:58,750 --> 00:27:00,720 A DETECTIVE RIOS CALLED ME. 513 00:27:00,752 --> 00:27:02,721 HE WANTED TO KNOW IF THE F.B.I. HAD BEEN TOUCH 514 00:27:02,755 --> 00:27:04,256 ABOUT A CIVIL RIGHTS CASE. 515 00:27:04,289 --> 00:27:07,093 DO YOU KNOW ANYTHING ABOUT THIS LITTLE INVESTIGATION? 516 00:27:11,963 --> 00:27:14,365 WELL, THAT'S A DAMN SHAME. I LIKED YOU. 517 00:27:14,400 --> 00:27:17,103 THE INVESTIGATION ENDS NOW. 518 00:27:17,135 --> 00:27:19,371 THANK YOU. 519 00:27:19,404 --> 00:27:21,272 YOU SEEM LIKE A SMART PERSON. 520 00:27:21,307 --> 00:27:23,675 KNOW WHEN YOU'VE OVERPLAYED YOUR HAND. 521 00:27:28,047 --> 00:27:30,750 MY OFFICE. NOW. 522 00:27:35,453 --> 00:27:37,990 WE'VE GOT THE FABRIC AT THE LAB RIGHT NOW, RUSH JOB. 523 00:27:38,023 --> 00:27:40,759 IF IT HOLDS EITHER DENISE OR RAYMOND'S D.N.A. 524 00:27:40,792 --> 00:27:42,060 OR SOME OF NICOLE'S BLOOD, 525 00:27:42,094 --> 00:27:43,895 I THINK WE'VE GOT A REAL SHOT AT THIS. 526 00:27:43,930 --> 00:27:48,334 A PIECE OF FABRIC FROM A HOMELESS ENCAMPMENT. 527 00:27:48,366 --> 00:27:51,770 EVEN IF THE LAB TURNS UP ANYTHING, 528 00:27:51,804 --> 00:27:53,372 YOU DON'T HAVE IT. 529 00:27:53,404 --> 00:27:58,410 NOW I THINK THAT YOU AND JANE DID SOME NICE WORK, 530 00:27:58,443 --> 00:28:01,047 BUT NOT ENOUGH TO REOPEN THE CASE. 531 00:28:01,079 --> 00:28:03,048 NO PROSECUTOR IS GONNA GO AFTER THIS MAN 532 00:28:03,082 --> 00:28:04,916 WITHOUT HAVING SOLID EVIDENCE. 533 00:28:04,951 --> 00:28:08,086 WE'VE GOTTEN AS CLOSE AS WE CAN WORKING OFF THE BOOKS. 534 00:28:08,119 --> 00:28:10,455 UH -- MAYBE IF YOU PUT US IN FRONT OF A JUDGE. 535 00:28:10,489 --> 00:28:12,023 ANYTHING SHORT OF A CONFESSION, 536 00:28:12,057 --> 00:28:14,760 AND THEY WILL NEVER REOPEN THE CASE. 537 00:28:14,794 --> 00:28:18,096 I'M SORRY. IT'S OVER. 538 00:28:22,534 --> 00:28:25,104 WHEN WE GET THE RESULTS FROM THE LAB, 539 00:28:25,136 --> 00:28:27,807 WE'LL JUST TRY AGAIN. Jane: HMM. 540 00:28:27,839 --> 00:28:30,809 ANYTHING SHORT OF A CONFESSION. 541 00:28:30,843 --> 00:28:32,077 WHAT? 542 00:28:34,113 --> 00:28:36,315 [ Whispers ] LET'S GO FOR THE CONFESSION. 543 00:29:18,324 --> 00:29:20,291 [ CLICKS TONGUE ] HEY. 544 00:29:20,326 --> 00:29:22,294 WHAT ARE YOU DOING HERE? 545 00:29:22,327 --> 00:29:24,462 WELL, I GOT YOUR MESSAGE. 546 00:29:24,496 --> 00:29:26,432 I DIDN'T SEND YOU A MESSAGE. 547 00:29:26,464 --> 00:29:29,268 [ BUZZER ] 548 00:29:29,300 --> 00:29:32,038 MORNING. UH, COULD YOU HAVE A SEAT, PLEASE? 549 00:29:32,070 --> 00:29:34,840 I'M SORRY. PATRICK JANE, TERESA LISBON. 550 00:29:39,444 --> 00:29:42,181 HE DIDN'T TELL YOU WE'RE INVESTIGATING YOU? 551 00:29:44,383 --> 00:29:46,352 THIS IS OUTRAGEOUS. 552 00:29:46,384 --> 00:29:47,819 I'M CALLING ABBOTT. 553 00:29:47,854 --> 00:29:49,221 OH, FEEL FREE. 554 00:29:50,422 --> 00:29:54,059 [ TOUCH SCREEN CLICKING ] 555 00:29:56,362 --> 00:29:59,164 [ PHONE VIBRATING, RINGING ] HEH. OH. [ CHUCKLES ] 556 00:29:59,198 --> 00:30:02,334 THAT'S EMBARRASSING. GUESS I PICKED UP THE WRONG PHONE. 557 00:30:02,367 --> 00:30:05,003 YOU'LL HAVE TO TALK TO HIM LATER. 558 00:30:05,037 --> 00:30:07,205 THEN I WANT MY LAWYER HERE. 559 00:30:07,239 --> 00:30:09,040 YOU'LL BE TALKING TO YOUR LAWYER SOON ENOUGH. 560 00:30:09,075 --> 00:30:12,979 [ SIGHS SHARPLY ] WE'LL GET TO THAT. 561 00:30:13,011 --> 00:30:15,847 [ EXHALES ] YOU WANT TO TELL ME WHAT'S GOING ON? 562 00:30:15,882 --> 00:30:19,550 YES. IN THIS BRIEFCASE, I HAVE A REPORT FROM THE CRIME LAB. 563 00:30:19,585 --> 00:30:21,452 I SENT SOMETHING IN TO BE TESTED. 564 00:30:21,487 --> 00:30:24,056 WHEN WE OPEN IT, WE WILL KNOW IF IT IMPLICATES 565 00:30:24,089 --> 00:30:25,490 ONE OF YOU, OR BOTH OF YOU. 566 00:30:25,523 --> 00:30:29,260 IF ONE OF YOU CONFESSES BEFORE I OPEN THE BRIEFCASE, 567 00:30:29,295 --> 00:30:31,329 WE'LL CUT YOU A DEAL. 568 00:30:31,363 --> 00:30:33,499 AFTER THE BRIEFCASE IS OPEN, 569 00:30:33,531 --> 00:30:35,300 NO DEALS FOR ANYONE. 570 00:30:35,334 --> 00:30:39,238 I'M GONNA OPEN THE BRIEFCASE IN FIVE MINUTES. 571 00:30:40,372 --> 00:30:42,974 AND THAT FIVE MINUTES... 572 00:30:44,476 --> 00:30:46,112 STARTS NOW. 573 00:31:06,965 --> 00:31:08,267 YOU DON'T HAVE ANYTHING ON US. 574 00:31:08,299 --> 00:31:11,103 WELL, WE'LL SOON SEE, WON'T WE? 575 00:31:11,136 --> 00:31:13,872 [ Whispers ] SO EXCITING. 576 00:31:15,040 --> 00:31:17,108 I'M WALKING OUT OF HERE. 577 00:31:17,143 --> 00:31:18,243 GO. 578 00:31:19,577 --> 00:31:21,180 WE SHOULD GO. 579 00:31:21,212 --> 00:31:22,614 YOU SHOULD STAY. 580 00:31:22,647 --> 00:31:26,317 I DON'T THINK YOU UNDERSTAND HOW MUCH HE HASN'T TOLD YOU. 581 00:31:45,304 --> 00:31:47,506 [ SIGHS ] 582 00:31:50,409 --> 00:31:52,044 WE'LL SIT HERE FOR FIVE MINUTES, 583 00:31:52,077 --> 00:31:53,412 LET THEM OPEN THE BRIEFCASE, 584 00:31:53,444 --> 00:31:55,080 SEE THAT THEY DON'T HAVE ANYTHING ON US, 585 00:31:55,114 --> 00:31:56,414 AND THEN WE WALK OUT OF HERE. 586 00:31:56,448 --> 00:31:57,715 AARON -- NOT A WORD. 587 00:31:57,749 --> 00:31:59,951 DEFINITELY IN A RELATIONSHIP. YEP. 588 00:31:59,986 --> 00:32:02,320 THAT'S NOT A CRIME. 589 00:32:02,354 --> 00:32:04,390 THERE'S NO NEED -- NO -- I LOVE HIM. 590 00:32:06,525 --> 00:32:07,993 [ Lowered voice ] I LOVE YOU. 591 00:32:08,027 --> 00:32:09,327 [ Lowered voice ] I LOVE YOU, TOO, 592 00:32:09,361 --> 00:32:10,561 BUT NOW'S NOT THE TIME. 593 00:32:10,596 --> 00:32:12,631 BUT YOU KNOW THAT I WOULD NEVER -- 594 00:32:12,663 --> 00:32:14,133 OF COURSE. 595 00:32:14,165 --> 00:32:16,167 AND YOU KNOW. 596 00:32:25,044 --> 00:32:28,480 IF EITHER OF YOU WAS SMART, THIS GAME WOULD BE OVER BY NOW. 597 00:32:30,682 --> 00:32:32,584 DO YOU EVER LAY AWAKE AT NIGHT WONDERING 598 00:32:32,617 --> 00:32:35,054 WHAT'S GONNA HAPPEN TO YOU WHEN HE GETS TIRED OF YOU, 599 00:32:35,086 --> 00:32:37,222 JUST LIKE HE GOT TIRED OF NICOLE? 600 00:32:39,625 --> 00:32:42,627 COLONEL, YOU'VE CARRIED OUT BATTLE PLANS BEFORE. 601 00:32:42,661 --> 00:32:45,330 HOW HARD COULD THE PERFECT MURDER BE? 602 00:32:45,364 --> 00:32:46,531 YOU DID A NICE JOB. 603 00:32:46,565 --> 00:32:48,733 VERY NICE. ONE LITTLE MISTAKE. 604 00:32:48,767 --> 00:32:50,669 WAS IT THE THERMOSTAT? 605 00:32:50,701 --> 00:32:52,337 OR THE WIG. 606 00:32:52,371 --> 00:32:55,207 OR WAS IT THE CLOTHES YOU THREW OUT THE WINDOW 607 00:32:55,240 --> 00:32:56,474 ON -- WHERE WAS IT? 608 00:32:56,508 --> 00:32:58,477 23rd STREET. 23rd STREET. 609 00:32:58,509 --> 00:33:02,013 HMM. 610 00:33:02,048 --> 00:33:04,750 TIME WAITS FOR NO MAN... OR WOMAN. 611 00:33:10,122 --> 00:33:11,222 [ Normal voice ] THIS IS -- [ Normal voice ] STOP TALKING. 612 00:33:11,257 --> 00:33:12,691 BUT, AARON -- 613 00:33:12,723 --> 00:33:14,526 [ Lowered voice ] WOMAN, I'M TELLING YOU. 614 00:33:17,128 --> 00:33:18,364 WHAT IS IT YOU WANT TO SAY? 615 00:33:18,396 --> 00:33:21,166 [ EXHALES, SWALLOWS ] 616 00:33:21,200 --> 00:33:22,768 [ Whispers ] AARON... 617 00:33:22,800 --> 00:33:24,170 [ Loudly ] DON'T BE STUPID! 618 00:33:24,202 --> 00:33:26,172 MMM. 619 00:33:33,644 --> 00:33:35,314 [ EXHALES ] 620 00:33:35,346 --> 00:33:36,647 [ STAMMERS ] 621 00:33:41,452 --> 00:33:42,788 [ INHALES SHARPLY ] 622 00:33:42,820 --> 00:33:44,089 ALL RIGHT, I'LL TALK. 623 00:33:44,123 --> 00:33:45,723 WE DID IT. 624 00:33:45,757 --> 00:33:48,059 [ GASPS ] NO, YOU DID IT! 625 00:33:48,094 --> 00:33:50,561 NO, HE'S THE ONE WHO DID IT! I DIDN'T DO IT! HE DID IT! 626 00:33:50,596 --> 00:33:52,163 YOU... 627 00:33:53,332 --> 00:33:55,267 [ SIGHS ] 628 00:33:55,300 --> 00:33:58,403 [ TELEPHONE RINGS IN DISTANCE ] 629 00:33:58,436 --> 00:34:00,239 NICOLE SAID SHE'D FIGHT THE DIVORCE. 630 00:34:00,271 --> 00:34:02,574 SHE'D TAKE THE HOUSE, EVERYTHING. 631 00:34:06,412 --> 00:34:08,547 WHAT RIGHT DID SHE HAVE? 632 00:34:12,717 --> 00:34:16,722 U-UP UNTIL THE MOMENT SHE DID IT, 633 00:34:16,755 --> 00:34:18,456 I DIDN'T THINK IT WOULD HAPPEN. 634 00:34:24,195 --> 00:34:27,833 HE SAID IT WOULD BE ONE BAD DAY, 635 00:34:27,865 --> 00:34:30,601 AND THEN A LIFETIME OF HAPPINESS. 636 00:34:33,239 --> 00:34:35,173 [ BREATHS UNEVENLY ] H-HE TOLD ME 637 00:34:35,206 --> 00:34:38,543 THAT SHE WOULD DRAG US BOTH THROUGH THE MUD, 638 00:34:38,577 --> 00:34:42,547 THAT I'D BE LABELED A HOME WRECKER. 639 00:34:53,391 --> 00:34:55,661 SHE SAID IT'D BE QUICK. 640 00:34:55,693 --> 00:34:57,262 [ EXHALES ] 641 00:35:05,903 --> 00:35:08,239 SHE WAS A DIFFERENT PERSON. 642 00:35:20,818 --> 00:35:23,355 [ BREATHS UNEVENLY ] 643 00:35:23,389 --> 00:35:24,523 HE LET ME IN. 644 00:35:29,695 --> 00:35:32,931 IT WAS SO HOT. 645 00:35:32,963 --> 00:35:36,635 AND WHEN HE LET ME IN, HE GOT THE KNIFE OFF THE RACK. 646 00:35:38,570 --> 00:35:42,474 HE SMILED WHEN HE DID IT. 647 00:35:50,416 --> 00:35:52,884 HE ST-- 648 00:35:52,918 --> 00:35:54,452 HE STABBED HER. 649 00:35:59,557 --> 00:36:02,827 [ FAN WHIRRING ] 650 00:36:14,806 --> 00:36:17,943 HE SAID SOMETHING UNDER HIS BREATH WHEN -- 651 00:36:17,976 --> 00:36:19,811 WHEN HE KILLED HER. 652 00:36:19,844 --> 00:36:22,380 [ SPEAKING INAUDIBLY ] 653 00:36:22,414 --> 00:36:24,516 I DON'T KNOW WHAT. 654 00:36:30,688 --> 00:36:32,724 HE STABBED HER. 655 00:36:34,559 --> 00:36:36,494 I JUST -- 656 00:36:36,527 --> 00:36:38,396 JUST STOOD THERE... 657 00:36:41,867 --> 00:36:43,668 [ Voice breaks ] AND WATCHED. 658 00:36:51,342 --> 00:36:53,478 SHE WASN'T THE SAME PERSON. 659 00:37:22,773 --> 00:37:25,443 CALL ZACH JEFFERSON'S ATTORNEY. GIVE HER THE GOOD NEWS. 660 00:37:25,476 --> 00:37:26,478 GOT IT. 661 00:37:26,512 --> 00:37:28,847 JANE, WHICH ONE WAS IT? 662 00:37:28,880 --> 00:37:30,648 UH, WHAT DO YOU MEAN? 663 00:37:30,681 --> 00:37:33,018 WHO STABBED NICOLE? WAS IT RAYMOND OR DENISE? 664 00:37:33,050 --> 00:37:34,485 I DON'T KNOW. 665 00:37:34,519 --> 00:37:35,653 YOU DON'T KNOW? 666 00:37:35,686 --> 00:37:37,623 NO. DOES IT MATTER? 667 00:37:37,655 --> 00:37:41,393 W-WELL, W-WHAT... WELL, WHAT'S IN THAT? 668 00:37:41,427 --> 00:37:43,061 DID YOU REALLY GET EVIDENCE ON ONE OF THEM? 669 00:37:43,094 --> 00:37:44,762 WHICH ONE WAS IT? GOOD NIGHT. 670 00:37:47,932 --> 00:37:50,835 ARE YOU AT ALL CURIOUS ABOUT WHAT'S IN THAT BRIEFCASE? 671 00:37:50,869 --> 00:37:53,472 HAVEN'T STOPPED THINKING ABOUT IT FOR A SECOND. 672 00:37:53,505 --> 00:37:55,907 SHOULD WE TAKE A LOOK? 673 00:37:55,940 --> 00:37:57,376 AH, I DON'T KNOW. 674 00:37:57,409 --> 00:37:59,411 COME ON, LET'S TAKE A LOOK. 675 00:37:59,445 --> 00:38:01,278 OKAY. 676 00:38:07,052 --> 00:38:08,586 [ LATCH CLICKS ] 677 00:38:12,423 --> 00:38:14,025 Jane: MEOW! 678 00:38:15,427 --> 00:38:17,663 [ CHUCKLING ] SORRY? 679 00:38:17,695 --> 00:38:19,898 Lisbon: OKAY. ADMIT IT. 680 00:38:19,931 --> 00:38:21,032 ADMIT WHAT? 681 00:38:21,065 --> 00:38:22,733 YOU ENJOYED YOURSELF. 682 00:38:22,768 --> 00:38:24,802 YOU LOVE THIS JOB AS MUCH AS I DO. 683 00:38:24,835 --> 00:38:26,572 WELL, I LOVE EGGS, BUT THAT DOESN'T MEAN 684 00:38:26,605 --> 00:38:28,873 I WANNA EAT NOTHING BUT OMELETS FOR THE REST OF MY LIFE. 685 00:38:28,907 --> 00:38:30,409 FAIR ENOUGH. WHAT WAS THE ALTERNATIVE? 686 00:38:30,442 --> 00:38:32,411 PORK CHOPS, COLE SLAW, FRENCH FRIES. 687 00:38:32,443 --> 00:38:33,911 WHAT'S THE ALTERNATIVE FOR US? 688 00:38:33,945 --> 00:38:35,914 YOU TALK ABOUT QUITTING, BUT WHAT ARE WE GONNA DO? 689 00:38:35,947 --> 00:38:38,617 WHAT'S THE PLAN? WELL, I DON'T HAVE ONE AS YET. 690 00:38:38,650 --> 00:38:39,985 WELL, THAT'S A PROBLEM, ISN'T IT? 691 00:38:40,018 --> 00:38:42,954 WELL, IF WE WAIT FOR A PLAN, WE MIGHT NEVER LEAVE. 692 00:38:42,987 --> 00:38:44,856 MAYBE WE JUST NEED TO QUIT AND SIT STILL FOR A WHILE. 693 00:38:44,889 --> 00:38:46,791 LET LIFE HAPPEN. 694 00:38:46,824 --> 00:38:49,360 LET A PLAN TAKE SEED. 695 00:38:49,394 --> 00:38:51,829 WAIT FOR PLAN SEEDS TO GROW? WE'D DRIVE EACH OTHER CRAZY. 696 00:38:51,862 --> 00:38:55,000 MAYBE. MAYBE NOT. MAYBE WE'D BE VERY HAPPY. 697 00:38:55,032 --> 00:38:56,467 WON'T KNOW UNTIL WE TRY. 698 00:38:56,501 --> 00:38:57,668 AREN'T YOU HAPPY NOW? 699 00:38:57,702 --> 00:38:59,605 WELL, I AM HAPPY FOR THE FIRST TIME 700 00:38:59,637 --> 00:39:02,608 IN YOU KNOW HOW LONG, BUT I'M SCARED. 701 00:39:02,641 --> 00:39:05,010 JANE, ONE OF US COULD GET RUN OVER BY A BUS TOMORROW. 702 00:39:05,043 --> 00:39:06,978 NOT IF WE'RE ON A BEACH IN POLYNESIA. 703 00:39:07,012 --> 00:39:08,112 BUSES CAN'T GO ON SAND. 704 00:39:08,146 --> 00:39:09,481 YOU COULD GET EATEN BY A SHARK. 705 00:39:09,514 --> 00:39:10,615 NOT IF YOU DON'T GO IN THE WATER. 706 00:39:10,648 --> 00:39:12,550 THAT SOUNDS PRETTY BORING AND WUSSY, DON'T YOU THINK? 707 00:39:12,583 --> 00:39:15,721 YEAH, THEY HAVE PALM TREES AND HAMMOCKS AND COCKTAILS 708 00:39:15,753 --> 00:39:18,088 AND SUNSETS, PINEAPPLES... 709 00:39:18,123 --> 00:39:21,393 AND ENDLESS BOREDOM, SUNBURN, BUGS THE SIZE OF HELICOPTERS. 710 00:39:21,427 --> 00:39:22,427 I'VE BEEN ON VACATION. 711 00:39:22,460 --> 00:39:23,695 NOW YOU'RE JUST BEING NEGATIVE. [ CLICKS PEN ] 712 00:39:23,728 --> 00:39:25,864 IT WAS AN EXAMPLE OF WE COULD AVOID BUSES. [ PEN SCRATCHING ] 713 00:39:25,896 --> 00:39:28,967 BUT WE COULD DO ANYTHING WE WANT. 714 00:39:29,000 --> 00:39:30,802 WE COULD LEARN TO SAIL, BUY A BOAT, SAIL AROUND THE WORLD. 715 00:39:30,835 --> 00:39:32,070 [ LAUGHS ] YEAH, RIGHT. 716 00:39:32,103 --> 00:39:35,005 W-WHAT? I ALWAYS WANTED TO DO THAT. 717 00:39:35,039 --> 00:39:36,474 A LOT OF PEOPLE DO IT. 718 00:39:36,507 --> 00:39:38,476 I MEAN, WE COULD DO IT. 719 00:39:38,510 --> 00:39:41,646 AS IN WHALES AND STORMS AND PIRATES? SCURVY? 720 00:39:41,679 --> 00:39:43,014 AND BESIDES, I GET SEASICK. 721 00:39:43,047 --> 00:39:44,583 YOU DO? YEAH. 722 00:39:44,615 --> 00:39:45,717 HOW BADLY? 723 00:39:45,751 --> 00:39:46,851 PRETTY BAD. OH. 724 00:39:46,885 --> 00:39:48,119 MAYBE YOU'D GET OVER THAT. 725 00:39:48,152 --> 00:39:50,588 WE ARE NOT SAILING AROUND THE WORLD. 726 00:39:50,621 --> 00:39:51,789 ALL RIGHT. 727 00:39:51,822 --> 00:39:53,759 BEEKEEPING? WHO DOESN'T LIKE HONEY? 728 00:39:53,791 --> 00:39:56,527 OH, YOU JUST COME UP WITH THE BEST IDEAS. BEEKEEPING? 729 00:39:56,561 --> 00:39:57,795 WELL, I THINK YOU'D LOOK VERY CUTE 730 00:39:57,829 --> 00:39:59,597 IN ONE OF THOSE LITTLE BEEKEEPING SUITS. 731 00:39:59,630 --> 00:40:03,101 HOW IS THAT ROMANTIC? [ SPEAKS INDISTINCTLY ] 732 00:40:03,134 --> 00:40:04,735 YEAH?