1 00:00:11,478 --> 00:00:15,182 (indistinct conversations) 2 00:00:21,954 --> 00:00:23,224 (beeps) 3 00:00:23,224 --> 00:00:25,059 (door unlocks) 4 00:00:37,970 --> 00:00:39,906 (computer whirring) 5 00:00:39,906 --> 00:00:41,075 (beeps) 6 00:00:41,075 --> 00:00:44,043 (door whooshing) 7 00:00:50,917 --> 00:00:53,353 (air hisses) 8 00:00:59,859 --> 00:01:03,764 (clicks) 9 00:01:29,689 --> 00:01:32,893 (man) I DARESAY YOU'VE INSPECTED MORE MODERN FACILITIES 10 00:01:32,893 --> 00:01:34,662 IN YOUR TRAVELS, BUT, UH-- 11 00:01:34,662 --> 00:01:38,466 GRIFFIN. DON'T COME IN HERE. 12 00:01:38,466 --> 00:01:40,268 DR. SEBERG, WHAT'S WRONG? 13 00:01:44,972 --> 00:01:47,106 OH, MY GOD. 14 00:01:54,914 --> 00:01:57,817 (shoes shuffling) 15 00:02:00,987 --> 00:02:02,822 (shuffles) 16 00:02:04,057 --> 00:02:06,593 HEY. 17 00:02:06,593 --> 00:02:08,127 HEY. 18 00:02:08,127 --> 00:02:10,497 CHEER UP. WHY? 19 00:02:10,497 --> 00:02:12,599 UH, 'CAUSE IT'S BETTER TO BE HAPPY THAN SAD. 20 00:02:12,599 --> 00:02:15,203 I'M NOT SAD. YOU'RE VERY SAD. 21 00:02:15,203 --> 00:02:18,938 YOU'VE BEEN SAD FOR MONTHS, EVER SINCE, UH-- WHAT, IS THIS SOME SORT OF THERAPY SESSION? 22 00:02:18,938 --> 00:02:21,641 DID YOU BRING TISSUE IN CASE YOU MAKE ME CRY? 23 00:02:21,641 --> 00:02:24,076 THERE WE GO. ZING OF ANGER-- GETS THE BLOOD UP. 24 00:02:24,076 --> 00:02:26,879 THAT'S A GOOD START. IS THIS WHAT YOU CAME HERE FOR-- TO ZING ME? 25 00:02:26,879 --> 00:02:30,918 BECAUSE I'VE GOT PAPERWORK TO DO. JANE, CALL FOR YOU. THEY SAY IT'S EXTREMELY URGENT. LINE TWO. 26 00:02:30,918 --> 00:02:33,152 OOH. 27 00:02:33,152 --> 00:02:34,622 (picks up telephone receiver) 28 00:02:34,622 --> 00:02:36,924 (clears throat) THIS IS JANE. 29 00:02:36,924 --> 00:02:38,925 (woman) Good morning, Mr. Jane. 30 00:02:38,925 --> 00:02:41,662 MY NAME IS DR. ALICIA SEBERG. 31 00:02:41,662 --> 00:02:43,963 I GATHER FROM A BRIEF SEARCH ON THE INTERNET 32 00:02:43,963 --> 00:02:46,266 THAT YOU'RE THE BEST DETECTIVE IN MY IMMEDIATE VICINITY. 33 00:02:46,266 --> 00:02:47,901 OH. WELL, UM... 34 00:02:47,901 --> 00:02:51,805 YOU FLATTER ME, BUT, UH, I'M NOT ACTUALLY A DETECTIVE. 35 00:02:51,805 --> 00:02:53,307 I NEED YOUR PROFESSIONAL ASSISTANCE. 36 00:02:53,307 --> 00:02:54,942 Please come immediately. 37 00:02:54,942 --> 00:02:56,676 I'VE BEEN MURDERED. 38 00:03:07,520 --> 00:03:10,723 (helicopter whirring) 39 00:03:34,781 --> 00:03:36,449 WHOO! 40 00:03:38,451 --> 00:03:41,322 THAT WAS FUN! 41 00:03:41,322 --> 00:03:43,122 (Patrick) WHOO! 42 00:03:43,122 --> 00:03:47,159 AGENT LISBON! CBI! 43 00:03:47,159 --> 00:03:49,329 MA'AM, SIR, PLEASE FOLLOW ME. 44 00:03:49,329 --> 00:03:50,497 ALL RIGHT! 45 00:03:50,497 --> 00:03:53,466 AGENT LISBON. AND YOU ARE... 46 00:03:53,466 --> 00:03:55,402 I'M THIS GUY-- PATRICK JANE. CONSULTANT? 47 00:03:55,402 --> 00:03:58,338 OKAY, TERESA, PATRICK, GLAD TO MEET YOU BOTH. 48 00:03:58,338 --> 00:04:00,807 I'M DEAN HARKEN, CALIFORNIA DISEASE CONTROL AUTHORITY. 49 00:04:00,807 --> 00:04:03,043 NICE TO MEET YOU. YEAH, WE HAVE 50 00:04:03,043 --> 00:04:05,545 A POTENTIAL CODE RED VIRUS OUTBREAK SITUATION HERE. 51 00:04:05,545 --> 00:04:08,382 THIS FACILITY IS UNDER C.D.C.A. CONTROL, 52 00:04:08,382 --> 00:04:10,250 AS PER STATE EMERGENCY PROTOCOLS. 53 00:04:10,250 --> 00:04:13,219 THOUSANDS OF PEOPLE MIGHT DIE IF WE DON'T GET THIS RIGHT, OKAY? 54 00:04:13,219 --> 00:04:16,423 WE'VE BEEN APPRISED OF THE BASIC-- NOW SHE'S DENYING IT, OF COURSE, BUT THIS SITUATION'S 55 00:04:16,423 --> 00:04:18,158 ALMOST CERTAINLY RESULTED FROM AN ERROR BY DR. SEBERG. 56 00:04:18,158 --> 00:04:20,293 THERE'S NO CRIMINALITY INVOLVED, 57 00:04:20,293 --> 00:04:23,297 SO YOU'RE NOT REALLY NEEDED HERE. PROBABLY, BUT WE'RE GONNA HAVE-- 58 00:04:23,297 --> 00:04:26,367 AS A PROFESSIONAL COURTESY, I'M GONNA LET YOU INTO THE FACILITY. 59 00:04:26,367 --> 00:04:28,735 I'M HAPPY FOR YOU GUYS TO OBSERVE AND GATHER EVIDENCE, 60 00:04:28,735 --> 00:04:31,738 AS LONG AS YOU REMEMBER THAT C.D.C.A. IS BIG DOG HERE. 61 00:04:31,738 --> 00:04:34,975 OUR INVESTIGATION HAS PRIORITY. NOW ARE WE COOL WITH THAT? 62 00:04:34,975 --> 00:04:36,076 ABSOLUTELY. 63 00:04:36,076 --> 00:04:38,245 CAN I SEE YOUR I.D. ALSO? 64 00:04:38,245 --> 00:04:40,548 SURE. 65 00:04:42,048 --> 00:04:45,552 THANK YOU... DEAN. 66 00:04:45,552 --> 00:04:49,389 NO PICTURE. THAT'S A SHAME. YOU'RE A GOOD-LOOKING MAN. 67 00:04:49,389 --> 00:04:51,759 SCOTT PRICE, I MANAGE THIS FACILITY 68 00:04:51,759 --> 00:04:53,461 FOR ZITEK BIOSYSTEMS DIVISION. 69 00:04:53,461 --> 00:04:54,995 RIGHT OFF THE BAT, LET ME ASSURE YOU 70 00:04:54,995 --> 00:04:58,298 THAT WE AS A COMPANY ARE 110% COMMITTED TO GIVING YOU 71 00:04:58,298 --> 00:05:02,134 THE BEST POSSIBLE COOPERATION. THANK YOU, MR. PRICE. SHALL WE? THERE'S A SENSE OF URGENCY HERE. 72 00:05:02,134 --> 00:05:05,137 AH, YES, OF COURSE. 73 00:05:05,137 --> 00:05:07,641 LISBON, JANE, DR. EDMUNDS, HEAD OF RESEARCH HERE. 74 00:05:07,641 --> 00:05:09,643 HE'LL TAKE YOU TO THE RELEASE INCIDENT. 75 00:05:09,643 --> 00:05:12,446 PRICE, COME WITH ME. 76 00:05:12,446 --> 00:05:14,447 THANK YOU FOR COMING SO QUICKLY. 77 00:05:14,447 --> 00:05:16,750 WHAT EXACTLY IS IT THAT YOU DO HERE? 78 00:05:16,750 --> 00:05:18,451 BIOWARFARE. WITH MODERN TECHNOLOGY, 79 00:05:18,451 --> 00:05:20,853 ANTHRAX, BOTULISM, BUBONIC PLAGUE, 80 00:05:20,853 --> 00:05:23,690 EVEN COBRA VENOM ALL HAVE STRONG WEAPONIZING POTENTIAL. 81 00:05:23,690 --> 00:05:26,192 IT'S A GROWING FIELD. A LOT OF EXCITING DEVELOPMENTS. 82 00:05:26,192 --> 00:05:28,862 YOU DEVELOP WAYS OF KILLING PEOPLE IN LARGE NUMBERS. 83 00:05:28,862 --> 00:05:31,163 TO THE CONTRARY. WE DEVELOP ANTIDOTES, WAYS TO COMBAT 84 00:05:31,163 --> 00:05:33,733 THE THINGS THAT KILL LARGE NUMBERS OF PEOPLE. 85 00:05:33,733 --> 00:05:35,201 HERE WE ARE. 86 00:05:35,201 --> 00:05:39,706 (computer whirring) 87 00:05:39,706 --> 00:05:40,774 (beeps) 88 00:05:40,774 --> 00:05:42,610 (door unlocks) FOLLOW ME. 89 00:05:45,312 --> 00:05:47,680 120. 90 00:05:47,680 --> 00:05:51,283 DARLING. IS THIS MR. JANE? 91 00:05:51,283 --> 00:05:53,920 YES. HOW ARE YOU FEELING? THE SAME. 92 00:05:53,920 --> 00:05:55,923 INTERESTING IMPROVEMENT IN CARDIAC RATE, THOUGH. 93 00:05:55,923 --> 00:05:59,659 MY METABOLISM'S TRYING TO FIGHT BACK WITH ADRENALINE. 94 00:05:59,659 --> 00:06:01,928 GOOD MORNING, MR. JANE. 95 00:06:01,928 --> 00:06:03,596 HI. 96 00:06:03,596 --> 00:06:05,665 AGENT LISBON, CBI. 97 00:06:07,000 --> 00:06:09,302 YOU MIND WRITING THIS DOWN FOR US? 98 00:06:09,302 --> 00:06:13,273 SOMEONE OPENED THIS FLASK AND LEFT IT UNDER THE TANK. 99 00:06:13,273 --> 00:06:16,677 IT CONTAINS AN AIRBORNE FORM OF CRYPTOHANSA B STRAIN. 100 00:06:16,677 --> 00:06:18,911 IT'S AN ENGINEERED SUPERVIRUS. 101 00:06:18,911 --> 00:06:21,714 IF IT ESCAPED FROM THIS ROOM, IT WOULD KILL 102 00:06:21,714 --> 00:06:24,050 EVERY VERTEBRATE CREATURE WITHIN A QUARTER-MILE RADIUS. 103 00:06:24,050 --> 00:06:27,353 IT ATTACKS THE RED BLOOD CELLS, GRADUALLY STOPS THEM 104 00:06:27,353 --> 00:06:29,156 FROM DELIVERING OXYGEN. 105 00:06:29,156 --> 00:06:31,591 THE VICTIM... DIES FROM SUFFOCATION OR A HEART ATTACK, 106 00:06:31,591 --> 00:06:33,694 DEPENDING ON THEIR PHYSICAL CONDITION. 107 00:06:33,694 --> 00:06:35,528 HOW LONG AFTER EXPOSURE? 108 00:06:35,528 --> 00:06:38,331 WE ESTIMATE ANYWHERE FROM TWO TO SIX HOURS. 109 00:06:38,331 --> 00:06:42,201 SO YOU COULD DIE AT ANY TIME? YES. 110 00:06:42,201 --> 00:06:44,904 HARKEN SAYS YOU DID THIS YOURSELF--TRAGIC ERROR. 111 00:06:44,904 --> 00:06:47,908 HE'S A BUREAUCRAT. HE'S LOOKING FOR THE EASY ANSWER. 112 00:06:47,908 --> 00:06:50,276 IT TAKES FOUR DISTINCT STEPS TO REMOVE A CAP 113 00:06:50,276 --> 00:06:53,480 FROM ONE OF THESE FLASKS, AND WE NEVER OPEN A FLASK 114 00:06:53,480 --> 00:06:55,749 OUTSIDE OF THE TANK. THAT'S JUST BASIC. 115 00:06:55,749 --> 00:06:59,653 I CAN ASSURE YOU BOTH, I HAD NOTHING TO DO WITH THIS. 116 00:06:59,653 --> 00:07:02,889 BUT THIS WAS NO MISTAKE. WHOEVER DID THIS WANTED ME DEAD. 117 00:07:02,889 --> 00:07:05,125 EVERYBODY KNOWS I TAKE THE FIRST SHIFT. 118 00:07:05,125 --> 00:07:08,562 SHE CALLED YOU "DARLING." YOU BOTH HAVE WEDDING BANDS. 119 00:07:08,562 --> 00:07:10,463 YOU HUSBAND AND WIFE? 120 00:07:10,463 --> 00:07:12,500 YES. 121 00:07:13,766 --> 00:07:15,603 WELL, SHE LOOKS SURPRISED 122 00:07:15,603 --> 00:07:18,471 BECAUSE YOU SEEM INCREDIBLY CALM AND COOL 123 00:07:18,471 --> 00:07:20,139 FOR A MAN WHOSE WIFE IS DYING. 124 00:07:20,139 --> 00:07:23,744 HOW WOULD AN ABSENCE OF CALM AND COOL BE USEFUL TO HER? 125 00:07:23,744 --> 00:07:25,846 GOOD POINT. CORRECT ME IF I'M WRONG, 126 00:07:25,846 --> 00:07:27,980 BUT FOR THE KILLER TO OPEN THE FLASK, 127 00:07:27,980 --> 00:07:30,250 THEY WOULD HAVE TO EXPOSE THEMSELVES TO THE VIRUS, 128 00:07:30,250 --> 00:07:33,754 IN WHICH CASE, THEY WOULD BE DYING OR POSSIBLY DEAD ALREADY. 129 00:07:33,754 --> 00:07:36,355 NO, THERE'S AN ANTIDOTE. 130 00:07:36,355 --> 00:07:38,158 IT'S AN ENZYME COMPOUND. 131 00:07:38,158 --> 00:07:41,127 IF TAKEN BEFORE EXPOSURE, IT PREVENTS INFECTION. 132 00:07:41,127 --> 00:07:43,630 I ASSUME WHOEVER DID THIS TOOK A DOSE. 133 00:07:43,630 --> 00:07:46,899 COULDN'T YOU J-- NO, I CAN'T TAKE IT NOW. 134 00:07:46,899 --> 00:07:50,803 THE ANTIDOTE ONLY WORKS IF TAKEN BEFORE EXPOSURE, AS I SAID. 135 00:07:50,803 --> 00:07:53,372 WHY DIDN'T YOU TAKE IT BEFORE, JUST AS A PRECAUTION? 136 00:07:53,372 --> 00:07:56,744 THE SIDE EFFECTS OF REGULAR USE ARE FAR TOO SEVERE. 137 00:07:56,744 --> 00:07:58,812 WHO ELSE HAD ACCESS TO THE VIRUS FLASK? 138 00:07:58,812 --> 00:08:01,180 THE ONLY PEOPLE ALLOWED IN THE LAB ARE CLIFF AND I, 139 00:08:01,180 --> 00:08:03,750 WELKS, NASH AND TRIPP, OUR COLLEAGUES. 140 00:08:03,750 --> 00:08:06,353 WE HAVE A STATE-OF-THE-ART BIOMETRIC SECURITY SYSTEM, 141 00:08:06,353 --> 00:08:07,721 AS YOU CAN SEE. 142 00:08:07,721 --> 00:08:10,690 SO YOUR HUSBAND OR ONE OF THE THREE COLLEAGUES 143 00:08:10,690 --> 00:08:12,793 IS THE KILLER. 144 00:08:13,894 --> 00:08:17,264 SORRY. UH, WILL BE THE KILLER. 145 00:08:17,264 --> 00:08:19,098 JANE. 146 00:08:19,098 --> 00:08:20,199 I'M JUST... MM. 147 00:08:21,834 --> 00:08:25,172 THAT'S ALL RIGHT. THAT IS THE UNAVOIDABLE CONCLUSION. 148 00:08:25,172 --> 00:08:26,673 YES. 149 00:08:26,673 --> 00:08:28,875 WHERE ARE THE OTHER THREE NOW? 150 00:08:28,875 --> 00:08:32,679 HARKEN IS HAVING THEM FILL OUT AN ACCIDENT REPORT. WE'RE GONNA NEED TO SPEAK TO THEM. 151 00:08:32,679 --> 00:08:35,248 OOH, THIS IS A GOOD ONE, EH? 152 00:08:35,248 --> 00:08:36,884 GOOD? 153 00:08:36,884 --> 00:08:39,086 WELL, INTERESTING. UNIQUE. 154 00:08:39,086 --> 00:08:43,090 IF YOU'RE A JADED, GHOULISH ADVENTURE SEEKER. 155 00:08:43,090 --> 00:08:45,392 GHOULISH? LISTEN, IF PEOPLE ARE GONNA KILL EACH OTHER 156 00:08:45,392 --> 00:08:48,095 AND WE HAVE TO CATCH THEM, I WOULD MUCH RATHER 157 00:08:48,095 --> 00:08:50,597 THEY GO ABOUT IT WITH SOME KIND OF ORIGINALITY. 158 00:08:50,597 --> 00:08:52,231 (Van Pelt) Boss? HEY, VAN PELT. 159 00:08:52,231 --> 00:08:54,533 I need you to do background checks on Cliff Edmunds... 160 00:08:54,533 --> 00:08:57,738 (speaking indistinctly) LILITH NASH, GRIFFIN LATIMER WELKS, 161 00:08:57,738 --> 00:08:59,505 Florian Eric Tripp. 162 00:08:59,505 --> 00:09:01,041 I'm sending you their details now. 163 00:09:01,041 --> 00:09:04,043 ANYTHING TO BE LOOKING OUT FOR IN PARTICULAR? 164 00:09:04,043 --> 00:09:06,245 OH, UH, ONE OF THEM RELEASED A LETHAL SUPERVIRUS 165 00:09:06,245 --> 00:09:08,280 THAT COULD KILL HALF THE STATE OF CALIFORNIA, 166 00:09:08,280 --> 00:09:09,817 so I guess we're looking for 167 00:09:09,817 --> 00:09:12,586 someone with a prior background as an evil supervillain. 168 00:09:12,586 --> 00:09:14,120 OKAY. 169 00:09:16,123 --> 00:09:19,426 THAT LAST PART WAS A JOKE. YEAH, WE GET IT. 170 00:09:19,426 --> 00:09:20,860 Later. 171 00:09:30,269 --> 00:09:31,904 HELLO. 172 00:09:31,904 --> 00:09:32,840 HI. 173 00:09:32,840 --> 00:09:34,307 HELLO. HELLO. 174 00:09:38,211 --> 00:09:40,346 (clears throat) 175 00:09:41,815 --> 00:09:44,417 (sighs deeply) 176 00:09:44,417 --> 00:09:47,821 WHAT ARE YOU DOIN'? WHAT DOES IT LOOK LIKE I'M DOING? 177 00:09:47,821 --> 00:09:52,459 TRYING TO MAKE US NERVOUS? CORRECT. HOW AM I DOING? 178 00:09:52,459 --> 00:09:54,995 DOING WELL. EXCELLENT. 179 00:09:54,995 --> 00:09:56,897 BUT WHY? 180 00:09:56,897 --> 00:09:59,466 ONE OF YOU THREE MURDERED ALICIA SEBERG, 181 00:09:59,466 --> 00:10:03,235 OR HER HUSBAND DID. IT'S OUR JOB TO FIND OUT WHO. AND WE'RE IN A HURRY, 182 00:10:03,235 --> 00:10:07,539 AND NERVOUS PEOPLE ARE EASY TO READ. AND WHAT DO YOU GATHER FROM ALL THIS READING? 183 00:10:07,539 --> 00:10:09,842 WELL, YOU'RE AN OPEN BOOK. YOU'RE EXACTLY WHAT 184 00:10:09,842 --> 00:10:12,479 YOU SEEM TO BE-- A STRAIGHT ARROW, A BOY SCOUT. 185 00:10:12,479 --> 00:10:15,081 AM I RIGHT? NO. 186 00:10:15,081 --> 00:10:17,985 I'M WRONG. THERE'S A HIDDEN SIDE TO YOU. YES, BUT-- 187 00:10:17,985 --> 00:10:20,086 WHAT ARE YOU HIDING? NOTHING. 188 00:10:20,086 --> 00:10:22,188 WHAT IS HE HIDING, LILITH? I DON'T KNOW. 189 00:10:22,188 --> 00:10:23,856 WHAT ARE YOU HIDING? I-I'M NOT-- 190 00:10:23,856 --> 00:10:25,292 IT WAS YOU, WASN'T IT? ME WHAT? 191 00:10:25,292 --> 00:10:28,461 YOU WERE HAVING AN AFFAIR WITH ALICIA SEBERG. 192 00:10:28,461 --> 00:10:30,629 WHAT? NO, NOT WITH ME. 193 00:10:30,629 --> 00:10:34,267 NOT WITH YOU. WITH WHO, THEN? 194 00:10:34,267 --> 00:10:36,269 I OVERSEE EQUIPMENT AND INVENTORY, 195 00:10:36,269 --> 00:10:38,605 NOT MY COLLEAGUES' PRIVATE LIVES. 196 00:10:38,605 --> 00:10:40,273 BUT SHE WAS HAVING AN AFFAIR, HUH? 197 00:10:40,273 --> 00:10:43,275 WHY ELSE WOULD A HUSBAND HAVE THE MOTIVES TO KILL HER? 198 00:10:43,275 --> 00:10:46,479 AND IF IT WASN'T HER HUSBAND, IT WAS ONE OF YOU. 199 00:10:46,479 --> 00:10:48,115 WHO WAS IT? 200 00:10:51,584 --> 00:10:53,352 MY GUESS... 201 00:10:55,187 --> 00:10:57,389 KASEEM. (knocks on table) 202 00:10:57,389 --> 00:10:59,225 YES. 203 00:10:59,225 --> 00:11:01,293 DOES HER HUSBAND KNOW? OH, HE KNOWS. 204 00:11:01,293 --> 00:11:02,763 DR. EDMUNDS IS 205 00:11:02,763 --> 00:11:05,432 A KIND, GENTLE MAN. HE COULDN'T HAVE DONE THIS. 206 00:11:05,432 --> 00:11:08,168 THANK YOU, LILITH, FLORIAN... 207 00:11:08,168 --> 00:11:09,736 GRIFFIN. 208 00:11:18,510 --> 00:11:21,981 WHY DIDN'T YOU TELL US YOU WERE HAVING AN AFFAIR 209 00:11:21,981 --> 00:11:24,517 WITH DR. KASEEM HERE? BECAUSE IT ISN'T RELEVANT. 210 00:11:24,517 --> 00:11:27,419 YEAH, WE HAVE AN HONEST AND OPEN MARRIAGE. 211 00:11:27,419 --> 00:11:28,654 THEY DO. 212 00:11:28,654 --> 00:11:30,289 REALLY? YOU DON'T MIND? 213 00:11:30,289 --> 00:11:32,225 (Edmunds) NO, I DON'T MIND AT ALL. 214 00:11:32,225 --> 00:11:34,094 FIDELITY IS SIMPLY A CULTURAL CONVENTION. 215 00:11:34,094 --> 00:11:36,730 LIKE CLOTHES AND NOT KILLING PEOPLE. 216 00:11:36,730 --> 00:11:38,899 YOU COULD SAY SO. 217 00:11:38,899 --> 00:11:42,201 COME ON. IT MUST BUG YOU A LITTLE. 218 00:11:42,201 --> 00:11:46,840 NO. WE LOVE EACH OTHER. HER HAPPINESS IS MINE. 219 00:11:46,840 --> 00:11:50,009 IT'S NOT LIKE I DON'T HAVE AFFAIRS MYSELF. 220 00:11:50,009 --> 00:11:52,745 ARE YOU HAVING AN AFFAIR PRESENTLY? 221 00:11:52,745 --> 00:11:55,148 NO. I'VE BEEN FAR TOO BUSY. 222 00:11:55,148 --> 00:11:58,085 Y-YOU MUST THINK THIS IS A LITTLE WEIRD. 223 00:11:58,085 --> 00:12:02,489 UH... YEAH... AT FIRST. 224 00:12:02,489 --> 00:12:04,356 BUT HEY. (chuckles) 225 00:12:04,356 --> 00:12:05,658 BUT HEY. (chuckles) 226 00:12:05,658 --> 00:12:09,062 WHAT AN ELOQUENT PHRASE THAT IS. 227 00:12:10,798 --> 00:12:12,465 (telephone rings) 228 00:12:12,465 --> 00:12:14,734 OH! ISABEL. THANK GOD. 229 00:12:14,734 --> 00:12:16,302 (ring) 230 00:12:16,302 --> 00:12:17,136 (ring) 231 00:12:17,136 --> 00:12:21,274 (choking) (ring) 232 00:12:21,274 --> 00:12:25,245 Mom? Mom, I got Dad's message. 233 00:12:25,245 --> 00:12:27,413 (mouths words) Is it true? 234 00:12:27,413 --> 00:12:28,715 YES, IT'S TRUE. 235 00:12:28,715 --> 00:12:30,616 (crying) No. 236 00:12:30,616 --> 00:12:32,119 No, no, it can't be! 237 00:12:32,119 --> 00:12:34,120 OH, THIS IS A PICKLE, ISN'T IT? 238 00:12:34,120 --> 00:12:37,456 (crying) OH, BABY, DON'T CRY. DON'T CRY. 239 00:12:37,456 --> 00:12:40,460 (continues crying) How can you tell me not to cry? 240 00:12:40,460 --> 00:12:44,496 Of course I'm going to cry. Is there something you can do? 241 00:12:44,496 --> 00:12:48,235 There has to be something! 242 00:12:48,235 --> 00:12:50,136 LISTEN TO ME. 243 00:12:50,136 --> 00:12:52,139 WE DON'T HAVE MUCH TIME, 244 00:12:52,139 --> 00:12:54,975 SO WE MUSTN'T WASTE IT WEEPING AND WAILING, OKAY? 245 00:12:54,975 --> 00:12:56,543 Okay. GOOD. 246 00:12:56,543 --> 00:13:01,548 HOW'S SCHOOL GOING? DID YOU GET YOUR CALCULUS GRADE UP? 247 00:13:01,548 --> 00:13:03,984 I got a 95 on my last test. 248 00:13:03,984 --> 00:13:07,320 OH, WELL DONE. YOU KEEP THAT UP. 249 00:13:07,320 --> 00:13:11,524 A-AND WHAT ABOUT THAT BOY, ANDY? HOW'S THAT GOING? 250 00:13:11,524 --> 00:13:15,294 Oh, he's a jerk. (sniffles) I don't see him anymore. 251 00:13:15,294 --> 00:13:17,998 WELL, I MUST SAY, I'M GLAD TO HEAR THAT. 252 00:13:17,998 --> 00:13:20,432 I DIDN'T LIKE THE SOUND OF HIM. 253 00:13:20,432 --> 00:13:22,970 (coughs) 254 00:13:22,970 --> 00:13:26,038 (choking) 255 00:13:26,038 --> 00:13:28,341 I LOVE YOU SO MUCH. 256 00:13:28,341 --> 00:13:32,211 (whispers) YOU'RE THE BEST THING I EVER DID. 257 00:13:32,211 --> 00:13:36,482 AND I AM SO... PROUD OF YOU. 258 00:13:36,482 --> 00:13:38,918 (crying) Mom. 259 00:13:38,918 --> 00:13:40,552 SHH, SHH, SHH! 260 00:13:40,552 --> 00:13:42,990 WHEN I'M GONE, 261 00:13:42,990 --> 00:13:45,993 YOU MUSTN'T WASTE TIME BEING SAD. 262 00:13:45,993 --> 00:13:50,496 A LITTLE WHILE IS OKAY, BUT NOT TOO LONG. 263 00:13:50,496 --> 00:13:54,267 YOU BE BRAVE. 264 00:13:54,267 --> 00:13:56,336 AND BE HAPPY. 265 00:13:56,336 --> 00:13:58,804 (crying) 266 00:13:58,804 --> 00:14:01,441 BYE, BABY. 267 00:14:01,441 --> 00:14:03,910 (sobbing) Mom! 268 00:14:03,910 --> 00:14:05,946 Mom! BYE, BABY. 269 00:14:05,946 --> 00:14:07,580 No, Mom! 270 00:14:07,580 --> 00:14:10,716 (gasping) 271 00:14:10,716 --> 00:14:12,219 GOOD-BYE, MY LOVE. 272 00:14:12,219 --> 00:14:14,620 I LOVE YOU, DARLING. GOOD-BYE. 273 00:14:14,620 --> 00:14:17,823 (gasping) 274 00:14:17,823 --> 00:14:20,326 (clank) 275 00:14:20,326 --> 00:14:22,229 (chokes) 276 00:14:26,966 --> 00:14:31,437 (sobbing) 277 00:14:31,437 --> 00:14:33,039 SHE'S GONE, BABY. 278 00:14:33,039 --> 00:14:34,740 SHE'S GONE. 279 00:14:34,740 --> 00:14:37,644 (continues sobbing) 280 00:14:44,350 --> 00:14:48,554 (indistinct conversations) 281 00:14:48,554 --> 00:14:49,788 SHE'S DEAD? 282 00:14:49,788 --> 00:14:51,457 (Lisbon) YES. 283 00:14:53,625 --> 00:14:54,995 I'M, UH... 284 00:14:56,763 --> 00:14:59,032 I'M SORRY FOR YOUR LOSS. 285 00:15:03,102 --> 00:15:05,304 MY PEOPLE AND I WILL GET PREPPED 286 00:15:05,304 --> 00:15:08,707 FOR THE DECONTAMINATION PROCEDURE. HOW DOES THAT WORK? 287 00:15:08,707 --> 00:15:11,344 IT'S A LOW-INTENSITY MICRO-RADIATION BATH 288 00:15:11,344 --> 00:15:13,346 BUILT IN FOR THIS EVENTUALITY. 289 00:15:13,346 --> 00:15:15,782 THE CHAMBER IS IRRADIATED. THE VIRUS IS DESTROYED. 290 00:15:15,782 --> 00:15:17,917 ALICIA'S BODY'S NOT HARMED. 291 00:15:17,917 --> 00:15:20,919 HOW LONG UNTIL WE CAN EXAMINE THE CRIME SCENE? WHOA. 292 00:15:20,919 --> 00:15:23,423 IT'S NOT A CRIME SCENE UNTIL YOU KNOW THERE'S A CRIME, RIGHT? 293 00:15:23,423 --> 00:15:25,491 WELL, YOU DON'T KNOW THERE'S BEEN A MURDER HERE. 294 00:15:25,491 --> 00:15:28,195 WHERE'S YOUR EVIDENCE? ALICIA'S SEBERG'S WORD. 295 00:15:28,195 --> 00:15:30,830 WHY WOULD SHE LIE? SHE HAD A BRAIN FREEZE. 296 00:15:30,830 --> 00:15:32,899 SHE SCREWED UP, AND SHE CAN'T ADMIT THE FACT. 297 00:15:32,899 --> 00:15:36,068 IT HAPPENS. I'VE BEEN WORKING THIS BEAT FOR A LONG TIME. 298 00:15:36,068 --> 00:15:38,738 I'VE SEEN THE SAME DENIAL, SAME CERTAINTY. 299 00:15:38,738 --> 00:15:41,107 IT'S HUMAN NATURE. I DISAGREE. I BELIEVE HER. 300 00:15:41,107 --> 00:15:42,741 I'M CALLING THIS IN AS A HOMICIDE. 301 00:15:42,741 --> 00:15:44,777 AND I'M SORRY IF THIS COMPLICATES YOUR WORK, 302 00:15:44,777 --> 00:15:48,081 BUT IT'S MY JOB. THAT'S FINE. OKAY. DOING YOUR JOB. 303 00:15:48,081 --> 00:15:49,881 BUT THIS IS STILL A LIVE OUTBREAK, 304 00:15:49,881 --> 00:15:53,286 AND I'M IN CHARGE HERE. YOU WANNA MAKE A MURDER CASE, 305 00:15:53,286 --> 00:15:57,624 WE'LL DEAL WITH THE SUSPECTS AS PER C.D.C.A. PROTOCOLS. 306 00:15:57,624 --> 00:15:59,225 ABSOLUTELY. 307 00:16:04,096 --> 00:16:06,399 (Van Pelt) UNTIL THE SUMMER OF '08, 308 00:16:06,399 --> 00:16:09,501 SEBERG, EDMUNDS, NASH AND TRIPP ALL WORKED TOGETHER 309 00:16:09,501 --> 00:16:11,738 AT THE NORTHERN CALIFORNIA TECHNOLOGY INSTITUTE 310 00:16:11,738 --> 00:16:13,972 BIOCHEMISTRY DEPARTMENT. (clicking keys) 311 00:16:13,972 --> 00:16:16,009 SEBERG AND EDMUNDS LEFT ABRUPTLY-- 312 00:16:16,009 --> 00:16:18,010 SOME KIND OF LEGAL DISPUTE. 313 00:16:18,010 --> 00:16:19,812 OKAY, CHO AND I WILL CHECK IT OUT. 314 00:16:19,812 --> 00:16:22,481 HAVE YOU EVER BEEN CONVICTED OF A CRIMINAL OFFENSE? 315 00:16:22,481 --> 00:16:23,582 NO. 316 00:16:23,582 --> 00:16:26,485 ARE YOU NOW OR HAVE YOU EVER BEEN A MEMBER 317 00:16:26,485 --> 00:16:28,321 OF A TERRORIST ORGANIZATION? THIS IS RIDICULOUS. 318 00:16:28,321 --> 00:16:31,423 THIS IS RIDICULOUS. (lowered voice) JUST LET IT GO. 319 00:16:31,423 --> 00:16:33,625 LET'S HAVE SOME QUIET BACK THERE, HUH? 320 00:16:37,163 --> 00:16:39,365 NOW, MR. TRIPP, PLEASE-- WHY? 321 00:16:39,365 --> 00:16:40,732 WHY? 322 00:16:40,732 --> 00:16:43,336 WHAT DIFFERENCE DOES OUR SILENCE MAKE? 323 00:16:43,336 --> 00:16:46,206 SILENT OR NOT, YOU'RE STILL WASTING EVERYBODY'S TIME 324 00:16:46,206 --> 00:16:49,275 WITH THIS NONSENSE. YOU GUYS CALLED THIS HOMICIDE, SO NOW WE HAVE 325 00:16:49,275 --> 00:16:52,345 TO RUN THE PAPERWORK. THAT'S HOW IT WORKS. STILL A WASTE OF TIME. 326 00:16:52,345 --> 00:16:54,980 I THOUGHT I MADE THE DEAL CLEAR TO YOU GUYS. 327 00:16:54,980 --> 00:16:59,519 YOU REALLY WANNA MESS WITH THE C.D.C.A.? ABSOLUTELY NOT. I APOLOGIZE FOR MY COLLEAGUE'S RUDENESS-- 328 00:16:59,519 --> 00:17:01,388 NO, SHE DOESN'T. I RETRACT THAT APOLOGY. 329 00:17:01,388 --> 00:17:04,191 SHOW SOME METTLE, LISBON. YOU KNOW AS WELL AS I DO, 330 00:17:04,191 --> 00:17:06,459 IF I HAVE TEN MINUTES WITH THESE PEOPLE, 331 00:17:06,459 --> 00:17:10,997 I WILL GET THE TRUTH, IF THERE'S ANY USEFUL TRUTH WORTH HAVING. EXCUSE US. (mouths word) 332 00:17:10,997 --> 00:17:14,401 YES, EXCUSE US. WE HAVE TO HAVE A CHAT. 333 00:17:15,734 --> 00:17:18,704 (lowers voice) COOL IT, ALL RIGHT? THAT IS AN ORDER. 334 00:17:18,704 --> 00:17:21,407 (lowers voice) OKAY. JUST RELAX. I'M WORKING THE CASE. 335 00:17:21,407 --> 00:17:24,644 LET ME EXPLAIN SOMETHING TO YOU. MM-HMM. 336 00:17:24,644 --> 00:17:26,445 THIS IS POLITICS. 337 00:17:26,445 --> 00:17:28,548 THE C.D.C.A. IS RICH, MEAN AND WELL CONNECTED. 338 00:17:28,548 --> 00:17:31,017 THE CBI IN COMPARISON ARE LIKE POOR ORPHANS. 339 00:17:31,017 --> 00:17:33,086 WE CAN'T MAKE ENEMIES OUT OF THEM. 340 00:17:33,086 --> 00:17:35,087 WE NEED TO COOPERATE WITH THIS MAN. 341 00:17:35,087 --> 00:17:38,125 HE IRKS ME. SAY IT. "I UNDERSTAND." 342 00:17:38,125 --> 00:17:40,426 HMM. (mutters) 343 00:17:40,426 --> 00:17:42,761 GO. FIND YOURSELF A VENDING MACHINE. 344 00:17:42,761 --> 00:17:45,531 BUY YOURSELF A CANDY BAR AND COME BACK 345 00:17:45,531 --> 00:17:48,867 WHEN YOU'RE READY TO PLAY NICE. GIVE ME A DOLLAR AND I WILL. 346 00:17:48,867 --> 00:17:52,404 (bill crinkling) 347 00:17:53,806 --> 00:17:55,508 YOU'RE PAYING ME BACK. 348 00:18:02,515 --> 00:18:03,583 CARRY ON. 349 00:18:03,583 --> 00:18:05,884 (man) OH, MY LORD. THAT'S TERRIBLE. 350 00:18:05,884 --> 00:18:10,257 AND YOU SUSPECT FOUL PLAY OF SOME KIND? (Cho) UH, PROFESSOR, DR. SEBERG AND HER HUSBAND 351 00:18:10,257 --> 00:18:12,159 WORKED HERE AT THE INSTITUTE UNTIL '08, 352 00:18:12,159 --> 00:18:14,426 AS DID FLORIAN TRIPP AND LILITH NASH. 353 00:18:14,426 --> 00:18:18,565 IS THAT CORRECT? YES. BRILLIANT RESEARCH TEAM. WE WERE VERY SORRY TO LOSE THEM. 354 00:18:18,565 --> 00:18:21,567 MONEY, YOU KNOW? WE TRIED TO HOLD THEM TO THEIR CONTRACT, 355 00:18:21,567 --> 00:18:23,670 BUT ZITEK THREATENED A LAWSUIT, 356 00:18:23,670 --> 00:18:25,971 SO THEY LEFT RATHER UNDER A CLOUD. 357 00:18:25,971 --> 00:18:29,409 BUT EDMUNDS AND SEBERG AS A COUPLE--DID THEY GET ALONG? OH, I THINK SO, DESPITE ALL. 358 00:18:29,409 --> 00:18:31,778 DESPITE ALL WHAT? 359 00:18:31,778 --> 00:18:34,747 WELL, UH, I DON'T LIKE TO LISTEN TO THAT SORT OF GOSSIP, 360 00:18:34,747 --> 00:18:37,416 BUT, UH, ONE HEARS THINGS. LIKE? 361 00:18:37,416 --> 00:18:39,219 EDMUNDS WAS QUITE THE LADIES' MAN. 362 00:18:39,219 --> 00:18:43,055 HE HAD AFFAIRS. SO I GATHER. QUITE THE DRAMA SOMETIMES. 363 00:18:43,055 --> 00:18:47,125 DRAMA OF WHAT TYPE? FIREWORKS, AS IT WERE, YOU KNOW. 364 00:18:47,125 --> 00:18:49,127 BUT AS I SAY, I DON'T PAY ATTENTION. 365 00:18:49,127 --> 00:18:51,364 ANYBODY YOU KNOW WHO DID-- PAY ATTENTION? 366 00:18:51,364 --> 00:18:53,566 AH, I BELIEVE ONE OF OUR GRAD STUDENTS 367 00:18:53,566 --> 00:18:56,336 IN THE ASTROPHYSICS DEPARTMENT WAS, UH, INVOLVED. 368 00:18:56,336 --> 00:18:58,738 NAME? GRETA SKYE. 369 00:19:04,411 --> 00:19:07,180 HOW LONG DOES THIS DECONTAMINATION TAKE? 370 00:19:07,180 --> 00:19:08,647 ANOTHER HOUR. 371 00:19:08,647 --> 00:19:10,650 HMM. 372 00:19:21,327 --> 00:19:23,496 DON'T TOUCH THAT, PLEASE. 373 00:19:24,963 --> 00:19:28,166 THIS IS A MURDER INVESTIGATION. I CAN TOUCH WHAT I WANT. 374 00:19:28,166 --> 00:19:29,969 YOU HAVE A PROBLEM WITH THAT? 375 00:19:29,969 --> 00:19:32,605 THERE'S DANGEROUS STUFF IN HERE, THAT'S ALL. 376 00:19:42,682 --> 00:19:44,550 (clank) 377 00:19:48,688 --> 00:19:51,391 (chewing) I LIKE WHAT THEY'RE DOING THESE DAYS. 378 00:19:51,391 --> 00:19:53,393 THEY'RE MAKING REGULAR CANDY BARS, 379 00:19:53,393 --> 00:19:55,394 ONLY WITH DARK CHOCOLATE. 380 00:19:55,394 --> 00:19:56,895 YOU TRIED THAT? NO. 381 00:19:56,895 --> 00:19:58,897 YOU--YOU WANT A BITE? 382 00:19:58,897 --> 00:20:01,099 NO, THANK YOU. 383 00:20:01,099 --> 00:20:03,869 ALL RIGHT. 384 00:20:03,869 --> 00:20:06,373 HMM. (chewing) REALLY GOOD. 385 00:20:17,584 --> 00:20:19,419 HI. 386 00:20:19,419 --> 00:20:22,422 CAN YOU HEAR ME? 387 00:20:22,422 --> 00:20:24,056 ISABEL, RIGHT? 388 00:20:24,056 --> 00:20:25,424 Who are you? 389 00:20:25,424 --> 00:20:26,925 MY NAME'S PATRICK JANE. 390 00:20:26,925 --> 00:20:29,528 I'M HERE TO FIND OUT WHO KILLED YOUR MOTHER. 391 00:20:29,528 --> 00:20:32,664 Good. Kill them, please. 392 00:20:32,664 --> 00:20:34,601 OH, I WISH I WAS ALLOWED TO DO THAT. 393 00:20:34,601 --> 00:20:39,306 YOU KNOW, YOU SHOULD PROBABLY STEP AWAY FROM YOUR COMPUTER. 394 00:20:39,306 --> 00:20:43,675 DO YOU HAVE ANY FRIENDS NEARBY? I wanna be with my mother. 395 00:20:43,675 --> 00:20:46,378 YEAH. 396 00:20:46,378 --> 00:20:48,580 I'M SORRY FOR YOUR LOSS. 397 00:20:50,717 --> 00:20:54,220 DO YOU HAVE A CANDY BAR AROUND AT ALL? 398 00:20:54,220 --> 00:20:55,355 What? 399 00:20:55,355 --> 00:20:57,155 WELL, WE WERE JUST TALKING CHOCOLATE, 400 00:20:57,155 --> 00:21:01,327 AND IT OCCURRED TO ME THAT CHOCOLATE WOULD BE GOOD FOR YOU. 401 00:21:01,327 --> 00:21:05,498 ALL THAT EMOTION-- IT WIPES YOU OUT. 402 00:21:05,498 --> 00:21:07,500 AND SUGAR'S GOOD FOR ENERGY. 403 00:21:07,500 --> 00:21:10,537 My mother is dead. 404 00:21:10,537 --> 00:21:12,771 CHOCOLATE AND GRIEF IS A GOOD COMBINATION. 405 00:21:12,771 --> 00:21:16,776 YOU SHOULD TRY IT. IT'LL TASTE SO MUCH... DEEPER, 406 00:21:16,776 --> 00:21:19,412 MORE INTENSE. 407 00:21:19,412 --> 00:21:22,348 EVERYTHING WILL FEEL THAT WAY FOR A WHILE. 408 00:21:22,348 --> 00:21:24,049 YOU'LL FEEL MORE ALIVE. 409 00:21:24,049 --> 00:21:27,252 YOU SHOULD PROBABLY TRY TO HANG ON TO THAT FEELING 410 00:21:27,252 --> 00:21:30,122 AS LONG AS YOU CAN. IT'S A GIFT. 411 00:21:30,122 --> 00:21:32,759 I guess. 412 00:21:32,759 --> 00:21:35,528 I WANT YOU TO DO SOMETHING FOR ME NOW, ISABEL. 413 00:21:35,528 --> 00:21:37,829 I WANT YOU TO PLEASE TURN OFF YOUR COMPUTER 414 00:21:37,829 --> 00:21:40,666 AND GO AND TELL A FRIEND WHAT'S HAPPENED. 415 00:21:42,835 --> 00:21:44,537 YOU DO THAT NOW. 416 00:21:48,140 --> 00:21:49,576 (beep) 417 00:22:07,192 --> 00:22:08,661 OPEN SESAME. 418 00:22:08,661 --> 00:22:12,263 (rapid beeping and whirring) 419 00:22:12,263 --> 00:22:15,201 (beeps) WHOA! 420 00:22:15,201 --> 00:22:18,371 (whooshing) 421 00:22:18,371 --> 00:22:21,941 THAT WASN'T MEANT TO HAPPEN, WAS IT? 422 00:22:23,910 --> 00:22:25,344 UH-OH. 423 00:22:25,344 --> 00:22:28,615 DO YOU HAVE AN ADVANCED DEGREE IN ANY OF THE PHYSICAL SCIENCES? 424 00:22:28,615 --> 00:22:29,615 YES. 425 00:22:29,615 --> 00:22:32,419 EXCUSE ME. UH... SORRY TO INTERRUPT. 426 00:22:32,419 --> 00:22:34,820 WE NEED TO EXPAND THE POOL OF SUSPECTS. 427 00:22:34,820 --> 00:22:38,590 THE TRICKY LITTLE HIGH-TECH SCANNERS LET ANYONE IN. 428 00:22:38,590 --> 00:22:40,291 THAT'S NONSENSE. 429 00:22:40,291 --> 00:22:41,728 TRY IT. 430 00:22:45,364 --> 00:22:47,400 (rapid beeping) 431 00:22:47,400 --> 00:22:48,968 (beeps) 432 00:22:48,968 --> 00:22:50,903 (doors whooshing) I'LL BE DAMNED. 433 00:22:50,903 --> 00:22:53,271 SEE? SAME WITH THAT DOOR. ANYONE AT THIS FACILITY 434 00:22:53,271 --> 00:22:55,974 COULD'VE GOTTEN TO THOSE LITTLE VIRUS THINGIES--ANYONE. 435 00:22:55,974 --> 00:22:58,877 WHO'S RESPONSIBLE FOR THE OPERATION 436 00:22:58,877 --> 00:23:01,113 OF THE SECURITY SCANNERS? (Price) I HAVE NO IDEA 437 00:23:01,113 --> 00:23:03,650 HOW THAT COULD HAPPEN. THAT'S OUTRAGEOUS. IT'S YOUR JOB TO OVERSEE 438 00:23:03,650 --> 00:23:05,484 THE SECURITY SYSTEMS HERE, ISN'T IT? 439 00:23:05,484 --> 00:23:07,153 NOT THE TECHNICAL ASPECTS, OBVIOUSLY. 440 00:23:07,153 --> 00:23:10,056 THAT'S CONTRACTED OUT, BUT I'LL GET RIGHT ON 'EM, 441 00:23:10,056 --> 00:23:13,460 GIVE 'EM A PIECE OF MY MIND, BELIEVE YOU ME. YOU'RE SHOWING US YOUR PALMS. 442 00:23:13,460 --> 00:23:15,428 IT'S A SUPPLICANT GESTURE, 443 00:23:15,428 --> 00:23:16,996 SUGGESTING A GUILTY CONSCIENCE. 444 00:23:16,996 --> 00:23:18,798 THAT--THAT'S NOT VALID OR RELEVANT. 445 00:23:18,798 --> 00:23:21,468 I'M--I'M SIMPLY STATING THE FACTS. I HAVE NO IDEA 446 00:23:21,468 --> 00:23:23,234 WHY THE SECURITY SYSTEM DOESN'T WORK. 447 00:23:23,234 --> 00:23:26,238 THE MAN'S RIGHT. YOU'RE NOT REAL CONVINCING. 448 00:23:26,238 --> 00:23:28,974 I REGRET THAT'S YOUR OPINION, 449 00:23:28,974 --> 00:23:32,878 BUT I-I HAVE NO CONTROL OVER THAT. MR. PRICE, YOU'RE UNDER ARREST. 450 00:23:32,878 --> 00:23:34,580 FOR WHAT? LET'S SEE. 451 00:23:34,580 --> 00:23:37,182 FOR ONE, THE MURDER OF ALICIA SEBERG. 452 00:23:37,182 --> 00:23:39,285 THAT'S ABSURD. 453 00:23:39,285 --> 00:23:41,453 AND FRANKLY, NOT YOUR CALL. OH, IS THAT RIGHT? 454 00:23:41,453 --> 00:23:43,655 YEAH, THIS HOMICIDE INVESTIGATION IS OURS. 455 00:23:43,655 --> 00:23:46,925 IF WE CAN'T GET ALONG, I'LL CALL MY FRIENDS AT THE FBI, 456 00:23:46,925 --> 00:23:48,795 GET THEM TO TAKE OVER FROM YOU. 457 00:23:48,795 --> 00:23:51,430 IN FACT, I WILL DO THAT. I'M SORRY, LITTLE LADY-- 458 00:23:51,430 --> 00:23:53,298 MAYBE YOU SHOULD STEP BACK-- 459 00:23:53,298 --> 00:23:57,435 MAY-MAYBE I WAS RIGHT ABOUT THE SUPPLICANT PALM GESTURE. 460 00:23:57,435 --> 00:23:58,637 YEP. 461 00:24:08,079 --> 00:24:09,548 (engine starts) 462 00:24:09,548 --> 00:24:14,053 (tires screech, siren wailing) 463 00:24:17,624 --> 00:24:21,160 (brakes screeching) 464 00:24:29,902 --> 00:24:33,038 (indistinct conversations) 465 00:24:41,513 --> 00:24:43,650 I... I WANNA TALK TO MY LAWYER. 466 00:24:43,650 --> 00:24:46,885 YOU HAVE THAT RIGHT, BUT IF IT DOESN'T-- 467 00:24:46,885 --> 00:24:49,421 HAVE YOU EVER SAT IN THE BACK OF A MILITARY AIRCRAFT 468 00:24:49,421 --> 00:24:52,324 WITH A BLACK HOOD OVER YOUR HEAD? UH... NO. 469 00:24:52,324 --> 00:24:54,326 WELL, THEN YOU GOT A NEW EXPERIENCE COMIN', 470 00:24:54,326 --> 00:24:57,663 BECAUSE THAT IS WHERE THIS IS GOIN' UNLESS YOU START TALKIN' 471 00:24:57,663 --> 00:25:00,031 RIGHT ABOUT NOW! UM... LOOK-- 472 00:25:00,031 --> 00:25:01,299 QUIET. 473 00:25:01,299 --> 00:25:02,568 PLEASE. 474 00:25:04,936 --> 00:25:07,506 THE CONTRACTOR SCREWED UP. 475 00:25:07,506 --> 00:25:09,240 THE SOFTWARE GLITCHES CONSTANTLY, 476 00:25:09,240 --> 00:25:11,844 SO... THEY'RE FIXING IT. 477 00:25:11,844 --> 00:25:15,047 MEANWHILE, THE SYSTEM'S DOWN... TEMPORARILY. 478 00:25:15,047 --> 00:25:18,317 NOBODY KNEW THE SYSTEM WAS DOWN, SO IN A WAY, 479 00:25:18,317 --> 00:25:21,519 IT WORKED JUST AS IF IT WAS UP AND RUNNING... 480 00:25:21,519 --> 00:25:24,190 IN A WAY. HOW LONG WAS IT DOWN FOR? 481 00:25:24,190 --> 00:25:26,125 TWO... MONTHS. 482 00:25:26,125 --> 00:25:29,662 TWO MONTHS? ANYONE AT ALL COULD ENTER THE LAB-- 483 00:25:29,662 --> 00:25:31,297 TERRORISTS, CRAZIES, THIEVES. 484 00:25:31,297 --> 00:25:34,165 HAVE YOU ANY IDEA HOW MUCH TROUBLE YOU'RE IN? 485 00:25:34,165 --> 00:25:35,867 THIEVES? 486 00:25:35,867 --> 00:25:37,435 PEOPLE WANNA STEAL GERMS? 487 00:25:37,435 --> 00:25:42,508 CRYPTOHANSA B STRAIN IS A-- IS A MUST-HAVE RESEARCH TOOL. 488 00:25:42,508 --> 00:25:44,009 IT'S HARD TO MAKE. 489 00:25:44,009 --> 00:25:47,614 IT'S WORTH $300,000 A GRAM IN THE BLACK MARKET. 490 00:25:47,614 --> 00:25:50,316 WOW. ISN'T THAT RIGHT, PRICE? 491 00:25:50,316 --> 00:25:53,384 AND YOU LEFT THE CUPBOARD DOOR WIDE OPEN. 492 00:25:53,384 --> 00:25:56,888 (chuckles) YOU ARE YEA DEEP IN TROUBLE, PAL. 493 00:25:56,888 --> 00:26:00,058 YOU THINK ABOUT YOUR SITUATION FOR A WHILE. 494 00:26:00,058 --> 00:26:03,695 OKAY? AND WE'LL TALK AGAIN. 495 00:26:18,877 --> 00:26:20,880 YOU KNOW HE DIDN'T KILL ALICIA SEBERG. 496 00:26:20,880 --> 00:26:23,883 YOU JUST LIKE SCARING PEOPLE, RIGHT? HEY, IF THERE WAS A MURDER HERE, 497 00:26:23,883 --> 00:26:27,819 I THINK HE'S A VERY GOOD SUSPECT. WHY? HE HAS NO INTEREST IN HER DEATH. 498 00:26:27,819 --> 00:26:31,457 IT COULD ONLY LEAD TO DISCOVERY OF THE SECURITY BREAKDOWN. WE'LL SEE IF HE HAD ANY OTHER MOTIVES. 499 00:26:31,457 --> 00:26:34,393 THE SALIENT POINT HERE IS THAT ANYONE COULD HAVE GOTTEN 500 00:26:34,393 --> 00:26:37,128 TO THOSE FLASKS, NOT JUST PRICE. 501 00:26:37,128 --> 00:26:40,066 KASEEM COULD HAVE, FOR INSTANCE, OR YOU COULD HAVE. 502 00:26:40,066 --> 00:26:42,835 YOU WERE ALREADY HERE, WEREN'T YOU? 503 00:26:42,835 --> 00:26:44,871 FOR AN INVENTORY CHECK? 504 00:26:44,871 --> 00:26:47,673 WHAT TIME DID YOU GET HERE, EXACTLY? 505 00:26:47,673 --> 00:26:49,540 THE NIGHT BEFORE, RIGHT? YOU REMIND ME. 506 00:26:49,540 --> 00:26:52,278 I WAS GONNA CALL THE FBI, REPLACE YOU PEOPLE. 507 00:26:52,278 --> 00:26:54,380 AND I WAS GONNA TELL YOU THAT'S NOT YOUR CALL. 508 00:26:54,380 --> 00:26:56,816 WE'RE HERE ON THE DIRECT SAY-SO OF THE A.G. 509 00:26:56,816 --> 00:27:01,319 CALL HIM. TELL HIM WE'RE OFF THE CASE. SEE WHAT HE SAYS. I MIGHT DO THAT. 510 00:27:01,319 --> 00:27:03,990 WE'LL SEE HOW IT GOES, SHALL WE? 511 00:27:03,990 --> 00:27:06,792 IT'S TIME TO OPEN THE BIOHAZARD CHAMBER. 512 00:27:06,792 --> 00:27:10,797 OH, THAT SOUNDS FUN, OPENING THE BIOHAZARD CHAMBER. 513 00:27:13,799 --> 00:27:16,301 SHOULDN'T WE BE WEARING MASKS OR SOMETHING? 514 00:27:16,301 --> 00:27:19,137 NO VIRUS COULD POSSIBLY SURVIVE THE RADIATION BATH. 515 00:27:19,137 --> 00:27:23,575 THE VIRUS INSIDE THE FLASKS ARE STILL ALIVE, OF COURSE. 516 00:27:23,575 --> 00:27:25,576 BUT THE FLASKS ARE UNBREAKABLE. 517 00:27:25,576 --> 00:27:27,645 THERE'S NO DANGER. 518 00:27:27,645 --> 00:27:30,682 (clicks) 519 00:27:36,521 --> 00:27:38,324 FIVE FLASKS INTACT. 520 00:27:39,759 --> 00:27:41,993 (latches click) 521 00:27:41,993 --> 00:27:45,030 LET'S GET THESE BABIES BACK IN DEEP FREEZE. 522 00:27:52,739 --> 00:27:54,539 OKAY. WE'RE COPACETIC. 523 00:27:54,539 --> 00:27:57,809 (Lisbon) LET'S SEND ALICIA SEBERG ON HER WAY. (air whooshes) 524 00:28:02,480 --> 00:28:05,351 DOCTOR, THIS IS A CRIME SCENE NOW. YOU CAN'T-- 525 00:28:05,351 --> 00:28:07,252 (Lisbon) LET HIM STAY. 526 00:28:28,673 --> 00:28:33,211 (woman) OH, MY GOD. 527 00:28:33,211 --> 00:28:34,512 OH, MY GOD. 528 00:28:34,512 --> 00:28:36,515 AND, GRETA, YOU HAD A SEXUAL RELATIONSHIP 529 00:28:36,515 --> 00:28:38,616 WITH CLIFF EDMUNDS, THE VICTIM'S HUSBAND, 530 00:28:38,616 --> 00:28:40,019 IS THAT RIGHT? 531 00:28:40,019 --> 00:28:44,323 NO. I MEAN, YES. IT WASN'T--WELL, YES, I DID. 532 00:28:44,323 --> 00:28:46,092 BUT I DIDN'T. 533 00:28:46,092 --> 00:28:49,095 YOU DON'T THINK I HAD SOMETHING TO DO WITH KILLING HER? 534 00:28:49,095 --> 00:28:50,896 NO, MA'AM, WE'RE JUST LOOKING 535 00:28:50,896 --> 00:28:55,233 FOR INSIGHT INTO THEIR RELATIONSHIP. YOU THINK CLIFF KILLED HER. 536 00:28:55,233 --> 00:28:57,635 IS HE THE JEALOUS TYPE? NOT AT ALL. 537 00:28:57,635 --> 00:28:59,505 DID HE EVER SHOW VIOLENCE TO YOU? 538 00:28:59,505 --> 00:29:02,607 NO, NO. CLIFF IS A VERY GENTLE SOUL, REALLY. 539 00:29:02,607 --> 00:29:04,609 AND ALICIA'S SUCH A COOL PERSON. 540 00:29:04,609 --> 00:29:07,479 WE HEARD THERE WAS TROUBLE. 541 00:29:07,479 --> 00:29:08,747 NO. 542 00:29:08,747 --> 00:29:10,548 WELL... (sighs) 543 00:29:10,548 --> 00:29:12,050 THERE WAS ONE INCIDENT, 544 00:29:12,050 --> 00:29:15,354 BUT IT HAD NOTHING TO DO WITH CLIFF OR ALICIA, REALLY. 545 00:29:15,354 --> 00:29:16,488 PLEASE CONTINUE. 546 00:29:16,488 --> 00:29:19,191 WE'D BEEN SEEING EACH OTHER FOR A WHILE. 547 00:29:19,191 --> 00:29:21,192 SOMEBODY LEFT A NOTE FOR ME, 548 00:29:21,192 --> 00:29:24,163 PUSHED UNDER BY DOOR IN THE MIDDLE OF THE NIGHT. 549 00:29:24,163 --> 00:29:26,132 BASICALLY, IT SAID I WAS A WHORE 550 00:29:26,132 --> 00:29:28,067 AND I SHOULD STAY AWAY FROM CLIFF. 551 00:29:28,067 --> 00:29:30,970 IT WAS VERY UGLY. IT WAS ANONYMOUS, OF COURSE. 552 00:29:30,970 --> 00:29:35,473 WHO DO YOU THINK SENT THE NOTE? I THOUGHT AT FIRST IT WAS ALICIA SEBERG, NATURALLY. 553 00:29:35,473 --> 00:29:38,410 BUT IT TURNS OUT SHE WASN'T EVEN IN THE COUNTRY 554 00:29:38,410 --> 00:29:41,480 ON THE NIGHT IN QUESTION. WHO'S YOUR NEXT BEST GUESS? 555 00:29:41,480 --> 00:29:44,182 UM, THE ONE TIME I WENT TO SEE CLIFF AT WORK, 556 00:29:44,182 --> 00:29:46,251 THERE WAS A LAB ASSISTANT. 557 00:29:46,251 --> 00:29:50,355 SHE GAVE ME THIS GLARE LIKE A DEATH RAY, 558 00:29:50,355 --> 00:29:53,826 AND I THOUGHT MAYBE IT WAS HER. WHAT'S HER NAME? 559 00:29:53,826 --> 00:29:55,560 LILITH NASH. 560 00:29:55,560 --> 00:29:57,363 THE QUESTION IS WHY NOW? 561 00:29:57,363 --> 00:30:00,432 WHAT WAS IT THAT TRIGGERED THE KILLING? WHAT CHANGED? 562 00:30:00,432 --> 00:30:02,268 WHAT'S THE ANSWER? 563 00:30:02,268 --> 00:30:06,137 (lowers voice) WELL, FOR ONE THING, HARKEN SHOWED UP. YOU THINK HARKEN DID THIS? 564 00:30:06,137 --> 00:30:08,606 OOH, I'D LIKE THAT. BUT WHAT'S HIS MOTIVE? 565 00:30:08,606 --> 00:30:10,541 (cell phone rings) 566 00:30:10,541 --> 00:30:11,844 VAN PELT. 567 00:30:11,844 --> 00:30:14,512 Boss, Cho and Rigsby found an ex-lover 568 00:30:14,512 --> 00:30:15,646 of the vic's husband. 569 00:30:15,646 --> 00:30:18,683 SHE THINKS LILITH NASH SENT HER A MENACING NOTE. 570 00:30:18,683 --> 00:30:21,553 INTERESTING. So I dug deeper. 571 00:30:21,553 --> 00:30:24,022 NASH IS CLEAN UNDER HER CURRENT NAME 572 00:30:24,022 --> 00:30:27,259 BUT HAD A BRIEF MARRIAGE IN CANADA IN '96, '97. 573 00:30:27,259 --> 00:30:30,429 Under that name, Lilith Blaum, in '99, still in Canada, 574 00:30:30,429 --> 00:30:32,064 she had a restraining order taken out against her 575 00:30:32,064 --> 00:30:34,232 BY HER EX-HUSBAND AND SUBSEQUENTLY 576 00:30:34,232 --> 00:30:38,037 SPENT FOUR MONTHS IN A SECURE MENTAL INSTITUTE. WELL, THAT COULD HAPPEN TO ANYONE. 577 00:30:38,037 --> 00:30:39,671 UH, VAN PELT, COULD YOU DO ME A FAVOR? 578 00:30:39,671 --> 00:30:41,973 COULD YOU CALL CHO AND RIGSBY AND HAVE THEM GET OUT HERE 579 00:30:41,973 --> 00:30:43,509 AS QUICK AS POSSIBLE? WHY? 580 00:30:43,509 --> 00:30:46,045 I GOT A HUNCH WE'RE GONNA NEED 'EM. OKAY. 581 00:30:46,045 --> 00:30:48,180 Thank you. WILL DO. 582 00:30:48,180 --> 00:30:50,249 LET'S GO TALK TO NASH. MEH. 583 00:30:50,249 --> 00:30:52,584 WHAT? I THINK SHE'S GOOD FOR IT. AH, SHE'S NUTS. 584 00:30:52,584 --> 00:30:55,287 SHE'S GOT A NUTTY LITTLE SECRET CRUSH ON THE BOSS, 585 00:30:55,287 --> 00:30:57,256 KILLS THE WIFE. SOMETHING LIKE THAT. 586 00:30:57,256 --> 00:30:59,590 SHE DID SEEM NERVOUS, BUT WHY KILL NOW? 587 00:30:59,590 --> 00:31:02,961 AND WHY WOULD SHE USE THE VIRUS? I DON'T KNOW. LET'S GO AND ASK HER. 588 00:31:02,961 --> 00:31:04,563 UGH, IF YOU WANT TO. 589 00:31:04,563 --> 00:31:06,565 YOU KNOW, YOU'RE JUST RESISTING NASH 590 00:31:06,565 --> 00:31:09,268 BECAUSE YOU DIDN'T PEG HER RIGHT AWAY AS THE ONE. 591 00:31:09,268 --> 00:31:12,104 NO, I'M RESISTING NASH BECAUSE, UH, SHE ISN'T THE ONE. 592 00:31:12,104 --> 00:31:14,373 BUT IF YOU WANNA GO TALK TO HER, LET'S GO TALK TO HER. 593 00:31:14,373 --> 00:31:17,808 BUT WHATEVER YOU DO, DO NOT TELL HARKEN. 594 00:31:17,808 --> 00:31:19,545 WHY NOT? IT'S PROCEDURE. 595 00:31:19,545 --> 00:31:21,846 FIG FOR PROCEDURE. HE'LL STOMP ALL OVER HER. 596 00:31:21,846 --> 00:31:25,884 SHE'LL CLAM UP. YOU'LL GET NOTHING BUT A WASTE OF TIME. I'M TELLING HARKEN. 597 00:31:25,884 --> 00:31:29,520 (sighs deeply) 598 00:31:29,520 --> 00:31:30,957 OKAY. 599 00:31:42,634 --> 00:31:44,502 (sighs) 600 00:31:46,105 --> 00:31:48,273 NASH, COME WITH ME. 601 00:31:49,641 --> 00:31:51,076 NOW. 602 00:31:58,549 --> 00:32:01,019 THANK YOU. 603 00:32:03,922 --> 00:32:05,624 STAND THERE. 604 00:32:05,624 --> 00:32:07,593 (door closes) 605 00:32:07,593 --> 00:32:09,028 (clank) 606 00:32:10,429 --> 00:32:13,932 LISTEN CLOSELY AND PLEASE TELL THE TRUTH. 607 00:32:13,932 --> 00:32:17,635 IS THERE A WAY OUT OF HERE THAT AVOIDS THE MAIN GATES? 608 00:32:17,635 --> 00:32:19,704 A BACK WAY OUT? YES. 609 00:32:19,704 --> 00:32:20,571 WHERE? 610 00:32:20,571 --> 00:32:21,707 WALK A MILE NORTH. 611 00:32:21,707 --> 00:32:24,410 THERE'S A CULVERT THAT GOES UNDER THE FENCE 612 00:32:24,410 --> 00:32:26,577 HALFWAY ALONG THE NORTHEAST PROPERTY LINE. 613 00:32:26,577 --> 00:32:29,981 EXCELLENT. NOW... TELL THE TRUTH. 614 00:32:29,981 --> 00:32:33,451 DID YOU EVER GO BY THE NAME LILITH BLAUM? 615 00:32:33,451 --> 00:32:34,552 YES. 616 00:32:34,552 --> 00:32:36,788 DID YOU SPEND TIME IN A MENTAL ASYLUM? 617 00:32:36,788 --> 00:32:38,423 YES. 618 00:32:38,423 --> 00:32:41,993 DO YOU HAVE A SECRET CRUSH ON CLIFF EDMUNDS? 619 00:32:41,993 --> 00:32:43,694 YES. 620 00:32:43,694 --> 00:32:45,963 DID YOU KILL ALICIA SEBERG? 621 00:32:45,963 --> 00:32:48,067 NO. 622 00:32:48,067 --> 00:32:49,535 I BELIEVE YOU, 623 00:32:49,535 --> 00:32:51,502 BUT I KNOW HOW HARKEN'S THOUGHTS RUN. 624 00:32:51,502 --> 00:32:54,506 A WAY TO BLAME YOU WILL BE FOUND. 625 00:32:54,506 --> 00:32:57,009 I REPEAT. I KNOW HOW HARKEN'S THOUGHTS RUN. 626 00:32:57,009 --> 00:33:00,912 A WAY TO BLAME YOU WILL BE FOUND. DO YOU HEAR ME? YES. 627 00:33:00,912 --> 00:33:02,748 EXCELLENT. 628 00:33:02,748 --> 00:33:04,016 (door opens) 629 00:33:07,685 --> 00:33:10,155 GO. 630 00:33:10,155 --> 00:33:11,890 (clears throat) 631 00:33:11,890 --> 00:33:13,125 (door opens) 632 00:33:13,125 --> 00:33:15,326 DID LILITH NASH COME BACK IN HERE? 633 00:33:15,326 --> 00:33:16,761 NO. 634 00:33:16,761 --> 00:33:18,263 UH, THAT'S ODD. 635 00:33:18,263 --> 00:33:20,266 WHERE'S LILITH NASH? 636 00:33:20,266 --> 00:33:21,567 UH, SHE LEFT WITH-- 637 00:33:21,567 --> 00:33:23,634 YOU DON'T NEED TO WORRY ABOUT HER. 638 00:33:23,634 --> 00:33:25,070 SHE'S NOT GUILTY. 639 00:33:25,070 --> 00:33:28,374 AND HOW DO YOU KNOW THAT? BECAUSE I ASKED HER. SHE TOLD ME. 640 00:33:28,374 --> 00:33:31,942 UH-HUH. AND WHERE IS SHE NOW? UM... I DON'T KNOW. 641 00:33:31,942 --> 00:33:33,179 SECURITY. 642 00:33:33,179 --> 00:33:35,047 (blinds rattle) 643 00:33:35,047 --> 00:33:38,183 (siren wailing) 644 00:33:44,490 --> 00:33:47,425 SHE'S NOT IN HER ROOM. SHE'S NOWHERE TO BE FOUND. 645 00:33:47,425 --> 00:33:49,760 OH, YOU PEOPLE ARE OVERREACTING. I'M SURE SHE'S NO DANGER. 646 00:33:49,760 --> 00:33:52,431 SHE'S MENTALLY UNSTABLE AND PROBABLY A KILLER, 647 00:33:52,431 --> 00:33:56,034 BUT YOU'RE SURE SHE'S NO DANGER. WELL, THAT'S REASSURING. WELL, EVEN IF SHE IS THOSE THINGS, 648 00:33:56,034 --> 00:33:58,069 AND I DON'T SAY THAT SHE IS, 649 00:33:58,069 --> 00:34:01,272 THEN SHE'S DONE HER WORST ALREADY. MR. HARKEN! WE HAVE A CODE RED. 650 00:34:01,272 --> 00:34:04,343 WHAT'S A CODE RED? WHAT? NO. 651 00:34:11,617 --> 00:34:13,050 OH, NO. 652 00:34:14,619 --> 00:34:16,588 OH. 653 00:34:21,659 --> 00:34:23,961 ANYONE WITHIN A QUARTER-MILE RADIUS OF THIS FLASK 654 00:34:23,961 --> 00:34:26,565 IS GONNA BE DEAD WITHIN THE NEXT FOUR TO SIX HOURS. 655 00:34:26,565 --> 00:34:28,800 BUT I PUT THE FLASKS IN THE SAFE. 656 00:34:28,800 --> 00:34:32,971 SHE MUST HAVE GOTTEN INTO THE SAFE SOMEHOW. W-- H-HOW IS THAT POSSIBLE? 657 00:34:32,971 --> 00:34:36,108 (indistinct conversations) 658 00:34:50,489 --> 00:34:51,489 (click) 659 00:34:55,092 --> 00:34:57,061 WHAT WAS THAT? 660 00:34:57,061 --> 00:34:58,864 A BEAKER FELL. WHAT? 661 00:34:58,864 --> 00:35:02,601 THERE'S ONLY ONE MISSING. 662 00:35:02,601 --> 00:35:05,670 THAT'S A RELIEF, ANYHOW. BUT HOW DID SHE DO IT? 663 00:35:05,670 --> 00:35:08,673 NEVER MIND HOW. SHE'S DONE IT. WHAT DO WE DO NOW? 664 00:35:08,673 --> 00:35:10,675 WELL, THERE'S NOTHING WE CAN DO. 665 00:35:10,675 --> 00:35:13,545 IN THE NEXT FOUR HOURS, WE'LL ALL BE DEAD. (latches click) 666 00:35:13,545 --> 00:35:15,746 (lowers voice) TELL ME THE TRUTH. 667 00:35:15,746 --> 00:35:17,081 THIS IS A TRICK RIGHT? 668 00:35:17,081 --> 00:35:19,617 NO. WHY WOULD I DO SOMETHING LIKE THAT? 669 00:35:19,617 --> 00:35:22,788 WHAT WOULD BE THE POINT? SWEAR ON YOUR CHILD'S GRAVE. 670 00:35:22,788 --> 00:35:26,123 YOU KNOW I DON'T DO THAT, NOT FOR ANYTHING. 671 00:35:29,960 --> 00:35:32,731 OH, MY GOD. 672 00:35:32,731 --> 00:35:34,900 THIS IS A DRILL, RIGHT? UH, THIS IS NOT A DRILL. 673 00:35:34,900 --> 00:35:37,802 THIS IS--THIS IS THE REAL THING. I'M SORRY. 674 00:35:37,802 --> 00:35:40,306 (all murmuring) 675 00:35:40,306 --> 00:35:43,309 LISTEN UP. 676 00:35:43,309 --> 00:35:45,844 WE HAVE A FEW HOURS LEFT. 677 00:35:45,844 --> 00:35:48,614 BUT WE'LL KEEP THIS VIRUS CONTAINED HERE. 678 00:35:48,614 --> 00:35:51,650 NOBODY LEAVES THIS FACILITY. 679 00:35:51,650 --> 00:35:55,621 AND THEN WHAT? WE GET BURIED IN THE DESERT? 680 00:35:55,621 --> 00:35:57,856 THE AIR FORCE WILL DROP INCENDIARY BOMBS 681 00:35:57,856 --> 00:36:00,659 ON THE FACILITY, BURN THE VIRUS OUT. 682 00:36:00,659 --> 00:36:02,860 YOUR NEXT OF KIN WILL BE INFORMED. 683 00:36:02,860 --> 00:36:06,632 LIKE I SAY, WE HAVE A FEW HOURS LEFT, 684 00:36:06,632 --> 00:36:09,300 SO WE ALL SHOULD MAKE OUR ARRANGEMENTS 685 00:36:09,300 --> 00:36:12,070 AND SAY OUR PRAYERS AS BEST WE CAN. 686 00:36:12,070 --> 00:36:14,373 MAKE YOUR PHONE CALLS. 687 00:36:15,507 --> 00:36:18,009 MAY GOD HAVE MERCY ON OUR SOULS. 688 00:36:18,009 --> 00:36:22,813 (indistinct conversations) 689 00:36:22,813 --> 00:36:24,215 (speaking inaudibly) 690 00:36:28,820 --> 00:36:31,989 (cell phone rings) 691 00:36:31,989 --> 00:36:35,193 HEY, BOSS. WE'RE ABOUT FIVE MINUTES FROM YOUR LOCATION. 692 00:36:35,193 --> 00:36:36,628 Cho, listen. 693 00:36:36,628 --> 00:36:39,498 JANE AND I HAVE BEEN EXPOSED TO THE VIRUS, 694 00:36:39,498 --> 00:36:42,900 AND IT LOOKS LIKE WE MIGHT DIE SOON. 695 00:36:42,900 --> 00:36:45,471 OKAY. 696 00:36:45,471 --> 00:36:49,675 SO I WANNA THANK YOU AND RIGSBY AND VAN PELT. 697 00:36:49,675 --> 00:36:53,778 It's been an honor working with you. 698 00:36:53,778 --> 00:36:56,282 I NEED YOU TO CALL MY BROTHER TOMMY. 699 00:36:56,282 --> 00:36:58,284 HIS NUMBER IS IN MY DESK DIARY. 700 00:36:58,284 --> 00:37:02,521 IT'S UNDER TOWN AND COUNTRY ELECTRICAL. 701 00:37:02,521 --> 00:37:04,523 TELL HIM THAT I LOVE HIM 702 00:37:04,523 --> 00:37:07,259 AND THAT I FORGIVE HIM FOR WHATEVER 703 00:37:07,259 --> 00:37:12,764 AND THAT, UM, HE NEEDS TO MAKE PEACE WITH HIS BROTHERS. 704 00:37:12,764 --> 00:37:15,266 It's my last dying wish. You tell him that. 705 00:37:15,266 --> 00:37:16,934 WILL DO. 706 00:37:16,934 --> 00:37:20,739 OKAY. GOOD-BYE. 707 00:37:20,739 --> 00:37:25,076 UH, WAIT. I-I WANTED TO TALK TO THEM ALSO. 708 00:37:25,076 --> 00:37:26,311 SORRY. 709 00:37:26,311 --> 00:37:27,945 IT'S ALL RIGHT. 710 00:37:32,918 --> 00:37:34,686 THAT'S A FINE FAREWELL. 711 00:37:37,889 --> 00:37:41,992 I FEARED THAT YOU'D BECOME TEARFUL AND INCOHERENT, BUT NO. 712 00:37:41,992 --> 00:37:44,429 SUCCINCT. 713 00:37:44,429 --> 00:37:46,931 NOBLE. BRAVO. 714 00:37:46,931 --> 00:37:48,867 UH-HUH. 715 00:37:51,001 --> 00:37:53,539 DON'T YOU HAVE ANYBODY YOU WANNA CALL 716 00:37:53,539 --> 00:37:55,740 BESIDES CHO AND RIGSBY? 717 00:37:55,740 --> 00:37:57,041 NO. 718 00:37:59,277 --> 00:38:01,447 AND IF I WERE DYING, I'D WANNA CALL YOU, 719 00:38:01,447 --> 00:38:04,315 BUT... YOU'RE ALREADY HERE. SO THERE'S NO NEED. 720 00:38:04,315 --> 00:38:05,317 ME? 721 00:38:05,317 --> 00:38:06,885 HMM? 722 00:38:06,885 --> 00:38:08,219 WHAT WOULD YOU SAY? 723 00:38:08,219 --> 00:38:11,456 OH... 724 00:38:11,456 --> 00:38:16,494 UH... WAIT-- WAIT A MINUTE. IF? 725 00:38:18,496 --> 00:38:21,500 IF I WAS DYING? YEAH, YOU'RE NOT REALLY DYING. 726 00:38:21,500 --> 00:38:24,670 I WROTE A LABEL AND PUT IT ON AN EMPTY FLASK, 727 00:38:24,670 --> 00:38:26,737 AND THEN I CONVINCED POOR LILITH NASH TO RUN AWAY. 728 00:38:26,737 --> 00:38:29,840 I FEEL KIND OF BAD ABOUT IT-- YOU SON OF A BITCH. 729 00:38:29,840 --> 00:38:32,610 BUT JUST--JUST WAIT. JUST PLEASE. BE STILL. CHO? 730 00:38:32,610 --> 00:38:34,913 THIS IS JANE. PLEASE DISREGARD LISBON'S LAST MESSAGE. 731 00:38:34,913 --> 00:38:37,583 I TRICKED HER. MY BAD. (whispers) I'M SO SORRY. 732 00:38:37,583 --> 00:38:40,686 (normal voice) ARE YOU AT THE CULVERT? OKAY, GOOD. WAIT. 733 00:38:40,686 --> 00:38:43,722 THERE'LL BE SOME PEOPLE COMING YOUR WAY SOON. BYE. 734 00:38:43,722 --> 00:38:45,289 YOU'RE SICK. 735 00:38:45,289 --> 00:38:47,793 WHY WOULD YOU DO THIS TO ME? 736 00:38:47,793 --> 00:38:50,795 TWO REASONS--FIRSTLY, TO CATCH THE KILLER OF ALICIA SEBERG, 737 00:38:50,795 --> 00:38:53,231 THE KILLER WHO IS NOT POOR LILITH NASH. 738 00:38:53,231 --> 00:38:55,400 THE KILLER WHO, YOU MAY RECALL, 739 00:38:55,400 --> 00:38:58,003 TOOK A DOSE OF THE ANTIDOTE IN ORDER TO SURVIVE 740 00:38:58,003 --> 00:39:00,005 EXPOSURE TO THE VIRUS. YES? YES... 741 00:39:00,005 --> 00:39:01,873 THE KILLER WHO BELIEVES THAT HE OR SHE 742 00:39:01,873 --> 00:39:04,876 IS THE ONLY ONE THAT ISN'T GOING TO DIE. YES? YES. 743 00:39:04,876 --> 00:39:07,713 SO THEY HAVE TO GET OUT OF HERE BEFORE WE DIE, 744 00:39:07,713 --> 00:39:10,715 OR ELSE THEY'LL BE BURNT TO A CRISP BY THE AIR FORCE. 745 00:39:10,715 --> 00:39:13,719 THEIR HANDS ARE TIED. THEY HAVE TO TRY TO ESCAPE, 746 00:39:13,719 --> 00:39:16,221 THUS REVEALING THEMSELVES TO US WITH PRECISION AND CLARITY 747 00:39:16,221 --> 00:39:19,925 OF A MATHEMATICAL EQUATION. AND REASON NUMBER TWO? 748 00:39:19,925 --> 00:39:21,927 THE SECOND AND MOST IMPORTANT REASON 749 00:39:21,927 --> 00:39:26,297 IS DOESN'T IT FEEL GREAT TO GET YOUR LIFE BACK? 750 00:39:26,297 --> 00:39:28,298 DON'T YOU FEEL GOOD RIGHT NOW? 751 00:39:28,298 --> 00:39:30,469 DON'T YOU FEEL HAPPY TO BE ALIVE? 752 00:39:30,469 --> 00:39:31,637 NO! 753 00:39:31,637 --> 00:39:33,739 OH, I KNOW YOU DO. YOU KNOW YOU DO. 754 00:39:33,739 --> 00:39:36,875 IF REASON NUMBER ONE DOES NOT PAN OUT VERY, VERY SOON, 755 00:39:36,875 --> 00:39:40,210 I THINK I'M GONNA PUNCH YOU IN THE NOSE. 756 00:39:40,210 --> 00:39:41,746 FORBEARANCE, LISBON. 757 00:39:41,746 --> 00:39:44,449 ANY MOMENT NOW, HARKEN IS GONNA COME AROUND THAT CORNER 758 00:39:44,449 --> 00:39:47,085 WITH AN ANXIOUS EXPRESSION ON HIS FACE 759 00:39:47,085 --> 00:39:49,086 BECAUSE SOMEONE HAS RUN OFF. 760 00:39:49,086 --> 00:39:50,889 ANY MOMENT NOW. 761 00:39:50,889 --> 00:39:53,391 WAIT. 762 00:39:53,391 --> 00:39:56,894 ANY MOMENT. 763 00:39:56,894 --> 00:39:59,931 (sighs) 764 00:39:59,931 --> 00:40:01,065 NOTHING. 765 00:40:04,135 --> 00:40:05,637 IF YOU JUST GET-- 766 00:40:05,637 --> 00:40:07,972 (whack) OW! 767 00:40:07,972 --> 00:40:10,976 OW! 768 00:40:10,976 --> 00:40:14,780 (Patrick) OW. WHOO! 769 00:40:14,780 --> 00:40:17,114 (high-pitched voice) THAT'S WHAT I'M TALKING 'BOUT. 770 00:40:38,135 --> 00:40:39,971 HI. 771 00:40:45,677 --> 00:40:48,246 WELL, THIS WAS ALL A HOAX? 772 00:40:48,246 --> 00:40:52,016 WELL, "HOAX" IS A LITTLE STRONG. UH, MORE OF A RUSE, A GAMBIT. 773 00:40:52,016 --> 00:40:54,519 THE IMPORTANT THING IS WE CAUGHT THE KILLER. 774 00:40:54,519 --> 00:40:57,856 RIGHT? THAT'S WHAT'S IMPORTANT. THAT'S WHAT'S IMPORTANT. GRIFFIN WELKS, HUH? 775 00:40:57,856 --> 00:41:00,659 NEVER WOULD HAVE CAUGHT HIM YOUR WAY, AND MY WAY-- 776 00:41:00,659 --> 00:41:02,728 CATHARTIC AND LIFE-AFFIRMING. 777 00:41:02,728 --> 00:41:06,797 YOU KNOW WHAT? YOU'RE ON YOUR OWN. 778 00:41:06,797 --> 00:41:09,534 OKAY, THE IMPORTANT THING NOW IS TO BE CAREFUL 779 00:41:09,534 --> 00:41:12,237 'CAUSE THIS IS THE REAL THING. OKAY? 780 00:41:12,237 --> 00:41:14,806 ALL RIGHT, LET'S GET THAT BACK IN THE DEEP FREEZE. 781 00:41:14,806 --> 00:41:17,307 SEE YOU AROUND, BIG DOG. 782 00:41:17,307 --> 00:41:19,510 (door opens) 783 00:41:24,481 --> 00:41:27,818 I WAS SIPHONING OFF SMALL AMOUNTS OF THE VIRUS MATRIX 784 00:41:27,818 --> 00:41:30,021 AND SELLING IT ON THE BLACK MARKET. 785 00:41:30,021 --> 00:41:31,356 $300,000 A GRAM. 786 00:41:31,356 --> 00:41:34,125 YEAH. 787 00:41:34,125 --> 00:41:35,492 YEAH, EXACTLY. 788 00:41:35,492 --> 00:41:38,797 I'M IN CHARGE OF KEEPING INVENTORY, SO IT WAS EASY, 789 00:41:38,797 --> 00:41:41,065 UNTIL HARKEN ARRIVED TO DO A SPOT CHECK, 790 00:41:41,065 --> 00:41:44,001 AND I HAD TO DO SOMETHING FAST, SO I SPILLED A FLASK 791 00:41:44,001 --> 00:41:46,070 TO COVER UP THE MISSING QUANTITY. 792 00:41:46,070 --> 00:41:48,974 KNOWING FULL WELL ALICIA SEBERG WOULD BE EXPOSED. 793 00:41:50,708 --> 00:41:54,679 (sighs) SOMEONE HAD TO BE RESPONSIBLE. 794 00:41:54,679 --> 00:41:57,148 I FIGURED EVERYONE WOULD THINK 795 00:41:57,148 --> 00:41:59,349 THAT SHE'D OPENED THE FLASK BY ACCIDENT 796 00:41:59,349 --> 00:42:01,318 AND COULDN'T ADMIT TO IT, 797 00:42:01,318 --> 00:42:04,322 'CAUSE SHE WAS LIKE THAT-- COULDN'T BE WRONG. 798 00:42:04,322 --> 00:42:08,693 I'M CURIOUS. THE MONEY YOU MADE FROM YOUR THEFT-- 799 00:42:08,693 --> 00:42:10,195 HOW'D YOU SPEND IT? 800 00:42:10,195 --> 00:42:11,597 I DIDN'T. 801 00:42:11,597 --> 00:42:14,398 I HAVE IT IN TREASURY BONDS MOSTLY, SOME REAL ESTATE. 802 00:42:14,398 --> 00:42:16,166 MM-HMM, THAT'S SMART INVESTING. 803 00:42:16,166 --> 00:42:18,302 YOU'LL BE THE RICHEST MAN IN FOLSOM. 804 00:42:21,306 --> 00:42:24,009 (blinds rattle) 805 00:42:25,777 --> 00:42:28,746 (Patrick exhales deeply) 806 00:42:28,746 --> 00:42:30,815 WHEW. LONG DAY. 807 00:42:32,349 --> 00:42:33,784 OOH. 808 00:42:33,784 --> 00:42:36,588 IT'S CHILLY AROUND HERE. YOU STILL ANGRY WITH ME? 809 00:42:36,588 --> 00:42:38,456 DUH. (elevator doors open) 810 00:42:38,456 --> 00:42:40,592 OH, CONFESS. YOU DO FEEL BETTER. 811 00:42:40,592 --> 00:42:43,094 YOU FEEL MUCH MORE ALIVE. I KNOW YOU DO. 812 00:42:43,094 --> 00:42:46,431 YOU KNOW WHAT MADE ME FEEL BETTER? 813 00:42:46,431 --> 00:42:48,967 PUNCHING YOU IN THE NOSE. 814 00:42:48,967 --> 00:42:53,070 AH. GLAD TO BE OF SERVICE. 815 00:42:59,744 --> 00:43:02,947 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.