1 00:00:02,770 --> 00:00:06,073 THE RED LIGHT'S ON. THAT MEANS WE'RE READY, YEAH? 2 00:00:06,073 --> 00:00:07,607 (man) YES. 3 00:00:07,607 --> 00:00:11,912 WOULD YOU TELL US WHY AND HOW A PSYCHIC BECOMES A CBI AGENT? 4 00:00:11,912 --> 00:00:15,548 I'M NOT A PSYCHIC. NO SUCH THINGS AS PSYCHICS. 5 00:00:15,548 --> 00:00:18,652 AND HE'S NOT A CBI AGENT. HE'S A CONSULTANT. 6 00:00:18,652 --> 00:00:20,454 BIG DIFFERENCE. 7 00:00:20,454 --> 00:00:23,324 "NO SUCH THING AS PSYCHICS." UH, CARE TO ELABORATE? 8 00:00:28,928 --> 00:00:30,731 UH, NO, NOT PARTICULARLY. 9 00:00:30,731 --> 00:00:34,101 UM, YOU KNOW WHAT? THIS--THIS IS NOT-- 10 00:00:34,101 --> 00:00:36,369 THIS IS NOT A GOOD IDEA, I DON'T THINK. 11 00:00:36,369 --> 00:00:39,307 UM, IT'S NOT A GOOD IDEA. 12 00:00:39,307 --> 00:00:40,941 (clears throat) OKAY. 13 00:00:40,941 --> 00:00:43,610 UM, MAYBE WE'LL-- WE'LL COME BACK TO THAT LATER. 14 00:00:43,610 --> 00:00:45,612 UH, HOW DO YOUR CASES USUALLY START? 15 00:00:45,612 --> 00:00:48,582 UH, A CASE BEGINS WITH US GETTING A PHONE CALL 16 00:00:48,582 --> 00:00:51,551 FROM THE A.G.'s OFFICE TO LEAD AN INVESTIGATION. 17 00:00:51,551 --> 00:00:54,454 IN THE ST. CLARE HOMICIDE, THE LOCAL D.A. WANTED US ON IT 18 00:00:54,454 --> 00:00:56,423 BECAUSE THERE WERE POLITICAL ISSUES INVOLVED. 19 00:00:56,423 --> 00:00:58,426 AND HOW DID THE LOCAL COPS FEEL 20 00:00:58,426 --> 00:01:00,527 BOUT YOUR-- YOUR TEAM COMING IN? 21 00:01:00,527 --> 00:01:04,364 WE GET ALONG EXTREMELY WELL WITH OUR LOCAL PARTNERS 22 00:01:04,364 --> 00:01:06,634 IN LAW ENFORCEMENT, YEAH. 23 00:01:06,634 --> 00:01:08,635 MY PEOPLE CAN HANDLE THIS, NO PROBLEM. 24 00:01:08,635 --> 00:01:11,539 CALIFORNIA BUREAU OF INTERFERENCE IS WHAT YOU ARE. 25 00:01:11,539 --> 00:01:13,706 INTERFERENCE? THAT'S WITTY. STAY OUT OF THIS. 26 00:01:13,706 --> 00:01:16,310 I'M SURE YOUR PEOPLE ARE COMPETENT, CHIEF DONNER. 27 00:01:16,310 --> 00:01:18,111 WE'RE SIMPLY FOLLOWING THE A.G.'s ORDERS. 28 00:01:18,111 --> 00:01:20,647 SCREW THE A.G. THIS CASE IS GOING TO BE IN THE NEWS, 29 00:01:20,647 --> 00:01:23,015 AND YOU PEOPLE ARE SPOTLIGHT HOGS. THAT'S ALL. 30 00:01:23,015 --> 00:01:26,686 I ASSURE YOU, CHIEF-- DON'T WASTE YOUR TIME. HIS ANGER RUNS DEEPER THAN YOU CAN REACH. 31 00:01:26,686 --> 00:01:28,888 SERIOUSLY, DON'T START TROUBLE HERE. 32 00:01:28,888 --> 00:01:30,691 IT'S THE LAST THING WE NEED. 33 00:01:30,691 --> 00:01:32,725 THE VICTIM IS MARTHA ST. CLARE, 34-- 34 00:01:32,725 --> 00:01:35,362 MEDIA RELATIONS COORDINATOR FOR THE MAYOR OF THIS TOWN. 35 00:01:35,362 --> 00:01:37,631 MAYOR WAS HERE TO BREAK GROUND ON A NEW DEVELOPMENT, 36 00:01:37,631 --> 00:01:39,932 DUG UP HER P.R. FLACK INSTEAD. OUCH. 37 00:01:39,932 --> 00:01:42,670 YEAH, VICTIM WAS STABBED TWICE IN THE CHEST, 38 00:01:42,670 --> 00:01:44,704 BUT THERE'S NO BLOOD HERE. KILLED ELSEWHERE. 39 00:01:44,704 --> 00:01:47,608 HOME. HER NAILS ARE DONE. HER HAIR'S DONE. 40 00:01:47,608 --> 00:01:50,109 THIS WOMAN DOESN'T WEAR SWEATPANTS ANYWHERE BUT AT HOME. 41 00:01:50,109 --> 00:01:52,846 CHO, HAVE VAN PELT CHECK IT OUT. 42 00:01:52,846 --> 00:01:56,616 THE KILLER WANTED THE BODY TO BE DISCOVERED HERE 43 00:01:56,616 --> 00:01:58,752 UNDER THE GLARE OF THE CAMERAS. 44 00:01:58,752 --> 00:02:01,754 AND LIKELY CAME HERE TO WATCH THE FUSS. 45 00:02:01,754 --> 00:02:04,591 LIKELY. MAYBE THE CAMERA CREWS CAUGHT SOMETHING. 46 00:02:04,591 --> 00:02:07,561 WE'LL NEED TO HAVE THEM LOOK INTO IT. (sniffing) 47 00:02:07,561 --> 00:02:09,763 THERE'S BRUISES ON HER ARMS. 48 00:02:09,763 --> 00:02:12,733 LOOKS LIKE SOMETHING WAS RIPPED OFF HER NECK 49 00:02:12,733 --> 00:02:16,103 DURING THE STRUGGLE. IS HE SNIFFING HER? 50 00:02:16,103 --> 00:02:19,139 YES. YOU PAY HIM TO SNIFF PEOPLE? 51 00:02:19,139 --> 00:02:22,042 APPARENTLY. SHE'S BEEN SMOKING. 52 00:02:22,042 --> 00:02:24,711 THE NICOTINE PATCH ON HER ARM SAYS SHE WAS TRYING TO QUIT. 53 00:02:24,711 --> 00:02:27,514 SO UNDER STRESS OF LATE. WELL, CASE CLOSED. 54 00:02:27,514 --> 00:02:29,750 STRESS GOT A KNIFE AND STABBED HER TO DEATH. 55 00:02:29,750 --> 00:02:32,652 HE'S ON A ROLL. YOU'RE ON A ROLL. 56 00:02:32,652 --> 00:02:35,489 (sniffs) CHEAP SOAP. UNIRONED SHIRT. STOMACH PAINS. 57 00:02:35,489 --> 00:02:37,858 RECENT LOSS OF WEIGHT. I'M GONNA TAKE A WILD GUESS HERE. 58 00:02:37,858 --> 00:02:40,894 YOU'RE ANGRY AND UNHAPPY 'CAUSE YOU'RE LIVING IN A MOTEL 59 00:02:40,894 --> 00:02:42,896 BECAUSE YOUR WIFE FOUND OUT ABOUT THE WOMAN 60 00:02:42,896 --> 00:02:45,598 YOU'RE HAVING AN AFFAIR WITH THAT YOU DON'T EVEN CARE FOR. 61 00:02:45,598 --> 00:02:48,401 YOU'RE A SEETHING MASS OF SELF-LOATHING, 62 00:02:48,401 --> 00:02:52,171 AND UNDERSTANDABLY SO. YOU SON OF A BITCH! 63 00:02:52,171 --> 00:02:55,543 CHIEF DONNER, MY APOLOGIES. HE WAS COMPLETELY OUT OF LINE. 64 00:02:55,543 --> 00:02:58,478 LET--LET'S JUST GET BACK TO THE BODY. SIR? 65 00:03:10,424 --> 00:03:13,126 WE'VE CLOSED MORE CASES THAN ANY OTHER UNIT IN THE CBI, 66 00:03:13,126 --> 00:03:15,127 BUT WE DON'T KEEP SCORE THAT WAY. 67 00:03:15,127 --> 00:03:16,997 IT'S NOT A CONTEST. 68 00:03:16,997 --> 00:03:18,799 AND YOU--YOU ALSO LEAD 69 00:03:18,799 --> 00:03:22,635 IN THE NUMBER OF COMPLAINTS AND LAWSUITS FILED. 70 00:03:24,405 --> 00:03:26,373 OKAY, HOLD IT. 71 00:03:26,373 --> 00:03:30,243 I THOUGHT WE HAD AN AGREEMENT. 72 00:03:30,243 --> 00:03:33,680 BRENDA, A WORD. 73 00:03:36,516 --> 00:03:40,487 (lowers voice) JANE'S RIGHT. THIS ISN'T A GOOD IDEA. 74 00:03:40,487 --> 00:03:42,789 I THOUGHT THIS WAS SUPPOSED TO BE POSITIVE COVERAGE. 75 00:03:42,789 --> 00:03:45,793 IT IS! IT WILL BE. IF WE'RE OPEN AND HONEST ABOUT THE ISSUES, 76 00:03:45,793 --> 00:03:48,027 THE POSITIVITY FOLLOWS. THAT'S P.R. 101. 77 00:03:48,027 --> 00:03:50,831 WE'RE TRYING TO SOLVE A WOMAN'S MURDER HERE, BRENDA. 78 00:03:50,831 --> 00:03:53,766 WE DON'T HAVE TIME TO WASTE ON P.R. 79 00:03:53,766 --> 00:03:56,503 TERESA, YOU KNOW THAT WE HAVE BEEN CRUCIFIED BY THE MEDIA 80 00:03:56,503 --> 00:03:58,906 EVER SINCE BOSCO AND HIS TEAM WERE KILLED 81 00:03:58,906 --> 00:04:01,741 HERE IN OUR OWN HOUSE. WHEN KTQZ ASKED ME FOR ACCESS YESTERDAY, 82 00:04:01,741 --> 00:04:06,079 I JUMPED AT IT, AND THE DEPUTY A.G. CONCURRED. 83 00:04:06,079 --> 00:04:09,248 WHO IS THIS GUY ANYWAY? 84 00:04:09,248 --> 00:04:11,018 TOTALLY LEGIT TV INVESTIGATIVE REPORTER. 85 00:04:11,018 --> 00:04:15,522 HE HAS BEEN COVERING THE CENTRAL VALLEY FOR YEARS. 86 00:04:15,522 --> 00:04:18,326 WE NEED THIS, TERESA. PLEASE. 87 00:04:18,326 --> 00:04:20,327 WORK WITH US. HE STAYS OUT OF MY WAY. 88 00:04:20,327 --> 00:04:22,896 HE CAN FILM IN THE OFFICE AND IN THE BULLPEN, 89 00:04:22,896 --> 00:04:25,399 BUT NOT OUT IN THE FIELD. THANK YOU. 90 00:04:25,399 --> 00:04:27,233 SERIOUSLY, THANK YOU. 91 00:04:27,233 --> 00:04:30,704 YOU WON'T BE SORRY. AND IT'S A TWO-WAY STREET, AGENT LISBON. 92 00:04:30,704 --> 00:04:34,875 IF THERE'S ANYTHING I CAN DO FOR YOU... THERE IS ONE THING. 93 00:04:34,875 --> 00:04:37,377 OKAY, SO THIS IS THE FOOTAGE STEVE AND I GRABBED 94 00:04:37,377 --> 00:04:38,745 OF THE GROUNDBREAKING. 95 00:04:38,745 --> 00:04:42,115 THAT'S THE MAYOR-- MELBA WALKER SHANNON. 96 00:04:42,115 --> 00:04:44,084 SHE PLAYS UP THE FOLKSY IMAGE, 97 00:04:44,084 --> 00:04:47,120 BUT SHE CAN BE TOUGH AS NAILS IF SHE NEEDS TO BE. NICE SHOES. CHIP? 98 00:04:47,120 --> 00:04:51,524 NO, THANKS. WHO'S THE RICH GUY NEXT TO THE MAYOR? OH, THAT'S HEATON KRUPP. HE'S THE PRIVATE DEVELOPER 99 00:04:51,524 --> 00:04:55,262 ON THE PROJECT-- OFF THE RECORD, A PRIZE JERK. WHO ARE THOSE PEOPLE? 100 00:04:55,262 --> 00:04:57,865 TREE HUGGERS. THE PROJECT'S GOING UP 101 00:04:57,865 --> 00:05:01,300 ON THE EDGE OF SOME RECLAIMED LAND. YOU MEAN PROTECTED WILDLANDS. 102 00:05:01,300 --> 00:05:03,370 YOU SAY "POTATO." YOU HAVE ANY OTHER FOOTAGE OF THE CROWDS? 103 00:05:03,370 --> 00:05:05,738 NOT REALLY. OTHER NETWORKS MIGHT, 104 00:05:05,738 --> 00:05:09,576 BUT GAINING ACCESS CAN BE TRICKY. IT'D BE GOOD TO GET A DIFFERENT PERSPECTIVE. 105 00:05:09,576 --> 00:05:11,478 CHO, SEE IF YOU CAN GET THE FOOTAGE. YOU GOT IT. 106 00:05:11,478 --> 00:05:14,648 ALL RIGHT, THAT'S WILSON FONTENEAU, 107 00:05:14,648 --> 00:05:18,619 THE MAYOR'S FLUNKY, AND HERE COMES THE MONEY SHOT. 108 00:05:27,694 --> 00:05:29,497 WHEW. 109 00:05:33,401 --> 00:05:35,403 (click) 110 00:05:35,403 --> 00:05:37,404 THESE ARE FROM THE VICTIM'S HOME. 111 00:05:37,404 --> 00:05:39,206 BESIDES THE SIGNS OF A SCUFFLE, 112 00:05:39,206 --> 00:05:42,042 THE ONLY THING THAT SEEMED TO BE MISSING WAS THE VICTIM'S LAPTOP. 113 00:05:42,042 --> 00:05:46,514 THE MURDERER PROBABLY TOOK IT. CHECK OUT THIS NECKLACE. 114 00:05:46,514 --> 00:05:49,949 FROM THE PHOTOS, IT LOOKS LIKE SHE WORE IT A LOT. 115 00:05:49,949 --> 00:05:53,553 YOU THINK IT COULD HAVE MADE THE MARK ON HER NECK? COULD BE. WHEN YOU GO TO THE APARTMENT, 116 00:05:53,553 --> 00:05:56,355 DO A TARGETED SEARCH. THE NECKLACE IS LONG GONE. 117 00:05:56,355 --> 00:06:00,160 MY GUESS--THE KILLER MADE A SOUVENIR OF IT. GO. 118 00:06:00,160 --> 00:06:02,194 OKAY. WHERE WE GOING? 119 00:06:02,194 --> 00:06:04,064 MAYOR'S OFFICE. 120 00:06:04,064 --> 00:06:07,401 I DON'T HAVE ANY PROBLEM BEING IN CHARGE, NO. 121 00:06:07,401 --> 00:06:10,637 I MEAN, MAYBE AT FIRST FOR A WHILE, 122 00:06:10,637 --> 00:06:12,639 AS A WOMAN, IT WAS A CHALLENGE, 123 00:06:12,639 --> 00:06:15,408 BUT THE DEMANDS OF THE JOB TAKE OVER. 124 00:06:15,408 --> 00:06:16,576 YEAH. 125 00:06:16,576 --> 00:06:18,579 (man) TELL ME ABOUT YOUR WEEKENDS. 126 00:06:18,579 --> 00:06:21,213 YOU WANT TO KNOW WHAT I DO ON MY WEEKENDS? 127 00:06:21,213 --> 00:06:22,382 YEAH. 128 00:06:22,382 --> 00:06:24,117 WHY DO YOU WANT TO KNOW THAT? 129 00:06:24,117 --> 00:06:28,721 I MEAN, I HAVE NO PROBLEM HAVING A LIFE, IF THAT'S WHAT YOU MEAN. 130 00:06:28,721 --> 00:06:31,391 I DON'T KNOW WHY ANYBODY WOULD SAY OTHERWISE-- 131 00:06:31,391 --> 00:06:33,461 IF THEY DO SAY OTHERWISE. 132 00:06:33,461 --> 00:06:35,262 UM, I'M SORRY. 133 00:06:35,262 --> 00:06:37,630 WHAT WERE WE TALKING ABOUT? 134 00:06:45,305 --> 00:06:47,106 SORRY FOR THE DELAY. 135 00:06:47,106 --> 00:06:49,509 THE MAYOR'S JUST FINISHING UP ANOTHER MEETING. 136 00:06:49,509 --> 00:06:52,178 IT'S BEEN A CRAZY DAY AROUND HERE. CAN I HELP YOU? 137 00:06:52,178 --> 00:06:53,747 OH, NO, I'M FINE. THANKS. 138 00:06:53,747 --> 00:06:58,151 MR. FONTENEAU, DID YOU WORK CLOSELY WITH MARTHA ST. CLARE? 139 00:06:58,151 --> 00:07:01,288 FOR 16 MONTHS. MARTHA HIRED ME, ACTUALLY. 140 00:07:01,288 --> 00:07:03,290 WE NOTICED IN A LOT OF RECENT PHOTOGRAPHS 141 00:07:03,290 --> 00:07:06,660 THAT SHE HAD A-A NECKLACE ON WITH A BEAUTIFUL STONE. 142 00:07:06,660 --> 00:07:10,564 YES, A TOPAZ, I THINK. IT WAS HER BIRTHSTONE. 143 00:07:10,564 --> 00:07:15,334 SHE GOT IT CHRISTMAS OF LAST YEAR AND NEVER TOOK IT OFF. DO YOU KNOW WHO GAVE IT TO HER? 144 00:07:15,334 --> 00:07:18,538 NO. SHE HAD A LOT OF MEETINGS, EVEN ON WEEKENDS-- 145 00:07:18,538 --> 00:07:20,473 BUSINESS INTERESTS, COMMUNITY GROUPS, BOOK CLUB. 146 00:07:20,473 --> 00:07:22,475 TOMORROW IS A BIG DAY. SHE HAS A STAR 147 00:07:22,475 --> 00:07:24,310 AND 3 EXCLAMATION MARKS AT 11:00. 148 00:07:24,310 --> 00:07:25,745 YES. 149 00:07:25,745 --> 00:07:29,115 UH, SHE SCHEDULED A BRIEFING WITH THE CITY COUNCIL. 150 00:07:29,115 --> 00:07:33,252 ON WHAT SUBJECT? I DON'T KNOW, TO BE HONEST. THE MAYOR WILL KNOW. 151 00:07:33,252 --> 00:07:35,387 WAS SHE DATING ANYONE? 152 00:07:35,387 --> 00:07:37,389 A SOCIAL LIFE--MARTHA? 153 00:07:37,389 --> 00:07:39,659 NO, SHE HAD A CAT. 154 00:07:39,659 --> 00:07:41,795 AH. YES. SEE? 155 00:07:41,795 --> 00:07:44,497 BUT IT DIED. RIGHT. 156 00:07:44,497 --> 00:07:46,466 EXCUSE ME. ARE YOU THE CBI AGENTS? 157 00:07:46,466 --> 00:07:48,869 MAYOR, THANK YOU FOR SEEING US. 158 00:07:48,869 --> 00:07:51,437 HAPPY TO HELP, AND PLEASE CALL ME MELBA. LIKE THE TOAST? 159 00:07:51,437 --> 00:07:54,542 JUST LIKE. THIS WAY. 160 00:07:58,377 --> 00:08:01,548 CAN YOU TELL US ABOUT YOUR CONSTRUCTION PROJECT 161 00:08:01,548 --> 00:08:03,350 THAT YOU WERE OPENING YESTERDAY? 162 00:08:03,350 --> 00:08:07,555 IT'S THE GRANTON COMPLEX, YES. WE ARE VERY PROUD OF IT. 163 00:08:07,555 --> 00:08:10,156 IT'S OFFICE AND RETAIL SPACE PLUS HOUSING, 164 00:08:10,156 --> 00:08:13,360 ALL BUILT WITH THE LATEST GREEN TECHNOLOGY. 165 00:08:13,360 --> 00:08:16,096 AND WHAT WAS MARTHA'S INVOLVEMENT IN THE PROJECT? 166 00:08:16,096 --> 00:08:19,165 NONE, REALLY. SHE... 167 00:08:19,165 --> 00:08:21,935 SHE WAS MY MEDIA LIAISON. 168 00:08:21,935 --> 00:08:25,338 SHE WAS NOT ENGAGED IN POLICY ISSUES. 169 00:08:25,338 --> 00:08:29,309 THEN WHAT WAS SHE GONNA TALK ABOUT AT CITY COUNCIL TOMORROW? 170 00:08:29,309 --> 00:08:33,581 OH, A PRESS JUNKET. IT WAS RIVER RAFTING, I BELIEVE. 171 00:08:33,581 --> 00:08:35,948 CHIEF DONNER SAYS YOUR OFFICE 172 00:08:35,948 --> 00:08:39,019 HAS RECEIVED SEVERAL THREATS FROM ENVIRONMENTAL ACTIVISTS. 173 00:08:39,019 --> 00:08:41,020 ACTIVISTS? NO, THEY'RE TERRORISTS. 174 00:08:41,020 --> 00:08:44,191 THEY BURNED DOWN VACATION CONDOS UP ON THE MOUNTAIN. 175 00:08:44,191 --> 00:08:46,894 THEY DESTROYED LUXURY CAR LOTS JUST ONE TOWN OVER. 176 00:08:46,894 --> 00:08:50,597 THEY'RE LED BY A MADMAN, AND HE CALLS HIMSELF JASPER. 177 00:08:50,597 --> 00:08:53,600 EXCUSE ME. 178 00:08:53,600 --> 00:08:56,937 WILSON, ANYTHING ELSE CAN WAIT. 179 00:09:02,576 --> 00:09:04,577 THE THREATS? 180 00:09:04,577 --> 00:09:06,580 YES. UM... 181 00:09:08,280 --> 00:09:12,251 (voice distorted) THE GRANTON DEVELOPMENT IS AN ABOMINATION-- 182 00:09:12,251 --> 00:09:15,655 A HUNDRED ACRES OF PRISTINE WILDLANDS RAZED, 183 00:09:15,655 --> 00:09:18,524 AN ENTIRE ECOSYSTEM ENDANGERED. 184 00:09:18,524 --> 00:09:20,661 IT MUST STOP. 185 00:09:20,661 --> 00:09:24,798 IT WILL STOP, NO MATTER WHAT NEEDS TO BE DONE. 186 00:09:24,798 --> 00:09:29,870 MY NAME IS JASPER, AND I AM LEGION. 187 00:09:29,870 --> 00:09:32,105 (chuckling) COME ON. 188 00:09:32,105 --> 00:09:35,174 "I AM LEGION." THAT'S JUST SILLY. 189 00:09:35,174 --> 00:09:36,976 SILLY? YEAH. 190 00:09:36,976 --> 00:09:40,013 HE MURDERED MARTHA. WELL, YOU ASSUME. 191 00:09:40,013 --> 00:09:43,015 YES, I DO. THE BODY WAS BURIED AT THE SITE, FOR GOD'S SAKE. 192 00:09:43,015 --> 00:09:45,653 AND THAT IS A CLEAR MESSAGE, ISN'T IT? 193 00:09:45,653 --> 00:09:48,187 MELBA, WHY WOULD HE KILL MARTHA... 194 00:09:48,187 --> 00:09:50,023 AND NOT KILL YOU? 195 00:09:50,023 --> 00:09:52,225 IT'D BE A BIGGER PUBLICITY COUP. 196 00:09:52,225 --> 00:09:54,293 EXCUSE ME? 197 00:09:54,293 --> 00:09:58,164 UH... WHAT MR. JANE IS TRYING TO ASK IS WHETHER THERE WAS SOMEBODY 198 00:09:58,164 --> 00:10:01,100 WITH A MORE DIRECT PERSONAL GRUDGE AGAINST MARTHA. MM... 199 00:10:01,100 --> 00:10:02,903 YEAH. NO. 200 00:10:02,903 --> 00:10:05,739 SHE WAS A LOVELY-- WAS A LOVELY PERSON. 201 00:10:05,739 --> 00:10:08,475 OH, THEN WHY DID YOU DISLIKE HER SO MUCH? 202 00:10:08,475 --> 00:10:10,277 I DIDN'T DISLIKE MARTHA. 203 00:10:10,277 --> 00:10:14,181 WHY WOULD I EMPLOY SOMEONE THAT I DON'T LIKE? 204 00:10:14,181 --> 00:10:16,316 THAT'S A VERY GOOD QUESTION. WHEN YOU SAID IT, 205 00:10:16,316 --> 00:10:18,885 YOUR JAW TENSED AND YOUR EYES WENT EMPTY LIKE A COBRA. WILSON! 206 00:10:18,885 --> 00:10:21,254 I'M NOT SAYING YOU KILLED HER. 207 00:10:21,254 --> 00:10:25,357 I'M JUST SAYING THAT YOU'RE RELIEVED THAT SHE'S DEAD. THESE PEOPLE WILL BE LEAVING NOW. 208 00:10:25,357 --> 00:10:28,260 OH, I LIKE THE WAY YOU SAY THAT, MELBA-LIKE-THE-TOAST-- 209 00:10:28,260 --> 00:10:30,798 SO TOUGH AND COMMANDING. LET ME TELL YOU SOMETHING. 210 00:10:30,798 --> 00:10:33,232 WE ARE STATE LAW ENFORCEMENT, AND WE LEAVE 211 00:10:33,232 --> 00:10:35,903 WHEN WE WANT TO LEAVE. (Lisbon) THANK YOU FOR YOUR TIME. 212 00:10:35,903 --> 00:10:38,038 (Patrick) SHE WANTS TO LEAVE. 213 00:10:40,740 --> 00:10:43,309 YOU BLEW MY COOL. 214 00:10:43,309 --> 00:10:45,879 I SWEAR, SOMETIMES I THINK YOU NEED MEDICATION. 215 00:10:45,879 --> 00:10:47,847 IT'S LIKE YOU'VE GOT A.D.D. OR SOMETHING. 216 00:10:47,847 --> 00:10:50,417 WELL, "A," I'M NOT SO SURE THAT A.D.D. EVEN EXISTS, 217 00:10:50,417 --> 00:10:53,120 AND "B," I WAS WINDING HER UP FOR A REASON. WHICH IS? 218 00:10:53,120 --> 00:10:55,455 A DIVERSION. THE MESSAGE THE AIDE BROUGHT IN 219 00:10:55,455 --> 00:10:58,024 MADE HER NERVOUS, SO I TOOK IT. YOU'RE STEALING NOW? 220 00:10:58,024 --> 00:11:00,460 WELL, LET'S JUST CALL IT PURLOINING. WHAT DOES IT SAY? 221 00:11:00,460 --> 00:11:04,331 IT SAYS "YOUR 3:00 MEETING HAS NOW BEEN MOVED TO 3:15." 222 00:11:04,331 --> 00:11:05,532 I'M JUST KIDDING. 223 00:11:05,532 --> 00:11:08,567 IT SAYS, "9-1-1. CALL NOW. URGENT. ABOUT MARTHA." 224 00:11:08,567 --> 00:11:10,738 FROM HEATON KRUPP. 225 00:11:10,738 --> 00:11:14,606 THE DEVELOPER OF THE GRANTON PROJECT. 226 00:11:14,606 --> 00:11:17,076 OH, YEAH. 227 00:11:17,076 --> 00:11:19,278 (man) DO YOU ENJOY POLICE WORK? 228 00:11:19,278 --> 00:11:21,213 MM... 229 00:11:24,650 --> 00:11:26,619 PATRICK? 230 00:11:26,619 --> 00:11:28,721 UH, YEAH, I'M THINKING. 231 00:11:28,721 --> 00:11:31,958 UH, MM, YES AND NO. 232 00:11:31,958 --> 00:11:35,995 UH, YEAH, SOMETIMES. SOMETIMES NOT. 233 00:11:35,995 --> 00:11:38,065 FORGET IT, STEVE. 234 00:11:38,065 --> 00:11:40,834 WHY DO YOU SO DISLIKE BEING FILMED? 235 00:11:40,834 --> 00:11:43,937 UH... (clears throat) 236 00:11:43,937 --> 00:11:46,774 'CAUSE YOU'RE STEALING MY SOUL. 237 00:11:47,908 --> 00:11:51,278 SO I CALLED THE MAYOR. SO WHAT? 238 00:11:51,278 --> 00:11:54,380 I'M BUILDING A $20 MILLION COMPLEX IN HER TOWN. 239 00:11:54,380 --> 00:11:56,783 I CALL HER A LOT. ABOUT MS. ST. CLARE? 240 00:11:56,783 --> 00:11:59,351 ABOUT WHEN I CAN START CONSTRUCTION AGAIN. 241 00:11:59,351 --> 00:12:01,889 THIS IS COSTING ME HUNDREDS OF THOUSANDS OF DOLLARS. 242 00:12:01,889 --> 00:12:05,491 IT COST MS. ST. CLARE A LOT MORE. AND I'M SORRY ABOUT THAT. 243 00:12:05,491 --> 00:12:08,294 I AM. BUT THERE'S NOTHING I CAN DO ABOUT IT. 244 00:12:08,294 --> 00:12:11,697 MARTHA WOULD HAVE WANTED US TO GO ON. 245 00:12:11,697 --> 00:12:15,836 YOU KNEW HER WELL ENOUGH TO KNOW THAT? YOU'RE RIGHT. I'M BEING PIOUS. 246 00:12:15,836 --> 00:12:18,171 MAYBE MARTHA WOULD HAVE SAID, "SCREW IT." 247 00:12:18,171 --> 00:12:21,341 I KNEW HER NOT AT ALL OUTSIDE OF BUSINESS. REALLY? 248 00:12:21,341 --> 00:12:23,309 'CAUSE WE JUST GOT HER CELL PHONE RECORDS, 249 00:12:23,309 --> 00:12:25,111 AND YOU CALLED HER TEN TIMES YESTERDAY. 250 00:12:25,111 --> 00:12:27,179 YOU WANT TO TELL US WHAT YOU WANTED 251 00:12:27,179 --> 00:12:30,149 TO TALK ABOUT SO URGENTLY? SEEMS I SHOULD GET MY LAWYER, HAVE HIM SIT IN WITH US. 252 00:12:30,149 --> 00:12:34,020 SURE. THAT'S YOUR RIGHT. TELL HIM TO BRING ALL YOUR PERMITS FOR THE GRANTON PROJECT. 253 00:12:34,020 --> 00:12:36,023 MY PERMITS? WHY? WHY NOT? 254 00:12:36,023 --> 00:12:38,959 AND WE SHOULD MAKE SURE THIS STAYS AN ACTIVE CRIME SCENE-- 255 00:12:38,959 --> 00:12:41,828 KEEP EVERYONE OUT UNTIL THE CASE IS SOLVED. COULD TAKE WEEKS. 256 00:12:41,828 --> 00:12:44,096 SEE... WE WERE TALKING ABOUT MONEY, OKAY? 257 00:12:44,096 --> 00:12:46,399 $10 MILLION IN PUBLIC FUNDS WAS TO BE RELEASED 258 00:12:46,399 --> 00:12:49,536 WHEN WE BROKE GROUND. THEN I HEARD RUMORS THAT ST. CLARE 259 00:12:49,536 --> 00:12:52,873 WAS PLANNING TO TELL THE CITY COUNCIL TO WITHHOLD THEM. WHY? 260 00:12:52,873 --> 00:13:00,080 I DON'T KNOW! I MEAN, THAT'S WHAT I WAS TRYING TO FIND OUT. BUT ST. CLARE WAS KILLED 261 00:13:00,080 --> 00:13:04,216 BECAUSE YOU'RE MESSING WITH THE WRONG GUY, OFFICER! WE'RE NOT OFFICERS. WE'RE AGENTS. 262 00:13:04,216 --> 00:13:07,287 THAT'S QUITE A TEMPER YOU GOT THERE. (glass shatters) 263 00:13:07,287 --> 00:13:08,822 LOOK OUT! 264 00:13:11,091 --> 00:13:14,660 (grunts) GET DOWN, GET DOWN! GET ON THE FLOOR! 265 00:13:14,660 --> 00:13:17,730 HELP! (shouting indistinctly) 266 00:13:17,730 --> 00:13:20,767 I GOT THE DOOR! GO, GO, GO, GO! 267 00:13:20,767 --> 00:13:23,436 I GOT THE DOOR! (grunting) 268 00:13:23,436 --> 00:13:26,840 AAH! I GOT YOU. 269 00:13:30,009 --> 00:13:31,477 (glass shatters) 270 00:13:35,715 --> 00:13:36,917 (coughs) 271 00:13:41,955 --> 00:13:44,892 (all coughing and wheezing) 272 00:14:01,173 --> 00:14:05,611 THIS WAS DONE BY SOMEONE WHO KNEW WHAT HE OR SHE WAS DOING. 273 00:14:05,611 --> 00:14:07,614 (coughing) CRACKPOT JASPER. 274 00:14:07,614 --> 00:14:09,216 HE'S A TERRORIST, 275 00:14:09,216 --> 00:14:11,618 AND YOU AIN'T DOING JACK TO CATCH HIM, CHIEF. 276 00:14:11,618 --> 00:14:15,621 I'M IN CHARGE OF THE TOWN OF SALTER, MR. KRUPP, 277 00:14:15,621 --> 00:14:17,190 NOT THE OUTLYING AREAS. 278 00:14:17,190 --> 00:14:19,058 (indistinct police radio chatter) 279 00:14:19,058 --> 00:14:23,163 JASPER'S NEVER LAUNCHED AN ATTACK HERE IN TOWN BEFORE. UNTIL NOW. 280 00:14:23,163 --> 00:14:25,899 HEY! CHECK THIS OUT. 281 00:14:32,371 --> 00:14:35,142 APPARENTLY, THIS IS THE SAME TAG THAT JASPER USED 282 00:14:35,142 --> 00:14:38,378 IN THE ATTACK ON THE CONDOS. 283 00:14:39,879 --> 00:14:42,715 IT'S GOOD JUST HERE? (man) THAT'S GREAT. 284 00:14:42,715 --> 00:14:44,517 UH, I'VE BEEN IN FIRES BEFORE. 285 00:14:44,517 --> 00:14:47,886 I WORKED WITH THE, UH, ARSON SQUAD IN SAN DIEGO 286 00:14:47,886 --> 00:14:50,657 FOR A COUPLE YEARS, SO I'M NOT UNFAMILIAR WITH THE ISSUES. 287 00:14:50,657 --> 00:14:53,659 IT'S NEVER PLEASANT, THOUGH. (chuckles) 288 00:14:53,659 --> 00:14:55,461 UM, I MEAN, WHEN YOU'RE-- 289 00:14:55,461 --> 00:14:58,130 WHEN YOU'RE IN IT, IT'S-- THERE'S NO TIME TO THINK. 290 00:14:58,130 --> 00:15:01,634 BUT--BUT AFTERWARDS, WELL... 291 00:15:01,634 --> 00:15:03,802 YEAH. 292 00:15:03,802 --> 00:15:05,804 IT CAN MAKE YOU THINK. 293 00:15:05,804 --> 00:15:08,341 THERE WAS A... 294 00:15:08,341 --> 00:15:12,078 THERE WAS A MOMENT THERE WHERE, UH... 295 00:15:15,248 --> 00:15:18,985 YEAH, MAKES YOU THINK. 296 00:15:20,687 --> 00:15:22,822 IT'S A GIFT, ISN'T IT? 297 00:15:22,822 --> 00:15:24,423 LIFE. 298 00:15:24,423 --> 00:15:27,995 YOU SHOULD BE GRATEFUL FOR IT... 299 00:15:27,995 --> 00:15:31,097 MAKE THE MOST OF IT. 300 00:15:31,097 --> 00:15:35,134 WE HAVE TO CATCH THIS GUY BEFORE HE KILLS SOMEONE ELSE. HE HASN'T KILLED ANYONE YET. 301 00:15:35,134 --> 00:15:36,903 NOT MARTHA ST. CLARE? 302 00:15:36,903 --> 00:15:39,471 EH. MARTHA ST. CLARE WAS ABOUT TO STALL THE DEVELOPMENT. 303 00:15:39,471 --> 00:15:41,774 THAT EXACTLY WHAT JASPER WANTS. SO WHY KILL HER? 304 00:15:41,774 --> 00:15:44,443 (Lisbon) MAYBE HE DIDN'T KNOW MARTHA'S INTENTIONS. 305 00:15:44,443 --> 00:15:47,480 BUT THE MAYOR MUST HAVE KNOWN. LET'S GO SEE HER. 306 00:15:47,480 --> 00:15:50,283 YEAH. YOU GUYS LOOK INTO THIS JASPER CHARACTER. 307 00:15:50,283 --> 00:15:53,253 DON'T BOTHER. HE'S A RED HERRING. WHAT DOES THAT MEAN, ANYWAY-- A RED HERRING? 308 00:15:53,253 --> 00:15:55,054 A RED HERRING IS WHAT YOU LOOK IN TO 309 00:15:55,054 --> 00:15:57,124 REGARDLESS OF WHAT JANE TELLS YOU. 310 00:15:57,124 --> 00:16:00,192 ANYTHING ON THE NETWORKS' FOOTAGE? THEY'VE BEEN THROWING UP HURDLES-- 311 00:16:00,192 --> 00:16:04,431 SOMETHING ABOUT FIRST AMENDMENT ISSUES. GET THE FOOTAGE. I'M TIRED OF HEARING THEIR EXCUSES. 312 00:16:04,431 --> 00:16:08,201 WE I.D. SOMEBODY IN THE CROWD, MAYBE WE GET LUCKY. YES, BOSS. 313 00:16:08,201 --> 00:16:10,037 WHY AM I A DETECTIVE? WHY ARE YOU A REPORTER? 314 00:16:10,037 --> 00:16:12,205 WHAT? 315 00:16:12,205 --> 00:16:14,974 WHY ARE YOU MAKING THIS DOCUMENTARY? IT'S A FRESH PERSPECTIVE ON LAW ENFORCEMENT. 316 00:16:14,974 --> 00:16:17,344 NO, I MEAN, WHAT'S IN IT FOR YOU? 317 00:16:17,344 --> 00:16:19,711 WELL, UH, SCORING THIS EXCLUSIVE IS A GOOD WAY TO GET NOTICED. 318 00:16:19,711 --> 00:16:22,448 SO YOU'RE AMBITIOUS. HOW LONG YOU BEEN DOING THE NEWS HERE? 319 00:16:22,448 --> 00:16:24,716 ABOUT EIGHT YEARS. ANCHOR? 320 00:16:24,716 --> 00:16:29,255 MOSTLY FIELDWORK. SO YOU'RE AMBITIOUS, BUT YOU HAVEN'T GOTTEN VERY FAR. 321 00:16:29,255 --> 00:16:31,658 I, UH, I GUESS THAT'S ABOUT IT, YEAH. 322 00:16:31,658 --> 00:16:33,625 YOU DON'T LIKE BEING ASKED QUESTIONS, DO YOU? 323 00:16:33,625 --> 00:16:36,729 THE TEAM AS A WHOLE SEEMS TO HAVE A PROBLEM WITH THAT. 324 00:16:36,729 --> 00:16:39,231 IS THAT A QUESTION? 325 00:16:39,231 --> 00:16:41,768 MIKE, IF I CAN INTERRUPT HERE? YEAH. 326 00:16:41,768 --> 00:16:43,536 WE'RE CLEAR. 327 00:16:43,536 --> 00:16:47,840 UH, THERE'S COFFEE IN THE KITCHEN, JOHN. I'M SO SORRY. 328 00:16:47,840 --> 00:16:49,341 AGENT CHO? 329 00:16:49,341 --> 00:16:50,543 YEAH? 330 00:16:50,543 --> 00:16:52,544 IT IS THE SPECIFIC REQUEST OF THE DEPUTY A.G. 331 00:16:52,544 --> 00:16:55,847 THAT YOUR UNIT COOPERATE FULLY WITH THE MEDIA. 332 00:16:55,847 --> 00:16:58,317 WHAT'S YOUR POINT? (coughs) 333 00:16:58,317 --> 00:17:00,653 (Rigsby clears throat) 334 00:17:00,653 --> 00:17:02,654 OHH. 335 00:17:02,654 --> 00:17:04,590 (Rigsby coughs) 336 00:17:10,563 --> 00:17:13,099 MAYOR SHANNON, WE NEED TO TALK. 337 00:17:13,099 --> 00:17:15,634 OF COURSE. I HAVE A MEETING. PLEASE MAKE IT FAST. 338 00:17:15,634 --> 00:17:19,939 SURE. HOW BIG WAS YOUR BRIBE FROM HEATON KRUPP? 339 00:17:19,939 --> 00:17:22,875 THAT IS AN OUTRAGEOUS SLANDER. 340 00:17:22,875 --> 00:17:25,478 YOU SOLD YOUR APPROVAL OF THE GRANTON PROJECT. 341 00:17:25,478 --> 00:17:27,480 MARTHA FOUND OUT. SHE WAS GONNA REVEAL IT 342 00:17:27,480 --> 00:17:30,482 AT THE CITY COUNCIL MEETING, WHICH YOU SAID WAS GONNA BE 343 00:17:30,482 --> 00:17:33,519 ABOUT RIVER RAFTING, OF ALL THINGS. 344 00:17:33,519 --> 00:17:35,521 RIVER RAFTING-- FROM WHERE DID YOU PULL THAT? 345 00:17:35,521 --> 00:17:37,589 YOU BETTER HAVE REALLY GOOD PERSONAL LAWYERS. 346 00:17:37,589 --> 00:17:40,426 IF YOU PURSUE THIS ABSURD LINE OF HARASSMENT, 347 00:17:40,426 --> 00:17:45,432 I WILL HANG YOU BY YOUR HEELS. DID YOU GET A SLICE, TOO, OR ARE YOU STRICTLY WAGE LABOR? 348 00:17:45,432 --> 00:17:48,500 I-- YOUR SUPERIORS WILL HEAR FROM OUR LAWYERS. 349 00:17:48,500 --> 00:17:50,237 OH, DON'T BOTHER WITH LAWYERS. 350 00:17:50,237 --> 00:17:52,739 IT'S SUCH A WASTE OF TAXPAYER DOLLARS. 351 00:17:52,739 --> 00:17:56,942 JUST CONFESS. YOU'LL FEEL A LOT BETTER. IN ACTUALITY, YOU HAVE NO PROOF OF THIS SO-CALLED BRIBERY. 352 00:17:56,942 --> 00:17:58,711 UH, NONE AT ALL. 353 00:17:58,711 --> 00:18:01,147 ARE ALL CBI AGENTS THIS INCOMPETENT? 354 00:18:01,147 --> 00:18:04,049 HAVE YOU EVEN BOTHERED TO CHECK HER LOVER AS A SUSPECT? 355 00:18:04,049 --> 00:18:07,053 FIRST YOU SAY IT WAS JASPER. NOW IT'S THE LOVER THAT DID IT. 356 00:18:07,053 --> 00:18:10,356 YOU GONNA MAKE UP YOUR MIND? WHAT LOVER? WE UNDERSTOOD SHE HAD NO SOCIAL LIFE. 357 00:18:10,356 --> 00:18:14,826 I DIDN'T KNOW SHE DID. OH, WELL, SHE DID, AND COMPETENT POLICE WOULD HAVE KNOWN THAT. 358 00:18:14,826 --> 00:18:16,895 WHY DIDN'T YOU TELL US THIS EARLIER? 359 00:18:16,895 --> 00:18:20,666 WHY DON'T I JUST DO YOUR JOB FOR YOU? HOW WOULD THAT BE? 360 00:18:20,666 --> 00:18:22,902 OH, JUST PLEASE ARREST HER OR SOMETHING. 361 00:18:22,902 --> 00:18:25,172 NOTHING TO HOLD HER ON. 362 00:18:25,172 --> 00:18:27,173 EH. 363 00:18:27,173 --> 00:18:28,875 EH. 364 00:18:28,875 --> 00:18:33,380 I'M THE ROOKIE ON THE TEAM. (chuckles) 365 00:18:33,380 --> 00:18:36,348 BEEN HERE... 18 MONTHS NOW. 366 00:18:36,348 --> 00:18:39,586 UM, IT'S HARD WORK, 367 00:18:39,586 --> 00:18:44,257 BUT THIS HAS BEEN MY DREAM EVER SINCE I WAS A KID-- 368 00:18:44,257 --> 00:18:45,825 TO BE A DETECTIVE. 369 00:18:45,825 --> 00:18:48,694 (Mike) AND WHAT'S BEEN THE MOST SURPRISING THING 370 00:18:48,694 --> 00:18:51,298 YOU'VE LEARNED ABOUT THIS JOB YOU DO? 371 00:18:53,799 --> 00:18:55,468 I'VE... 372 00:18:55,468 --> 00:18:58,538 LEARNED A LOT ABOUT MYSELF... 373 00:18:58,538 --> 00:19:01,673 AS WELL AS ABOUT OTHER PEOPLE-- 374 00:19:01,673 --> 00:19:06,346 STUFF I WISH I DIDN'T KNOW SOMETIMES. 375 00:19:06,346 --> 00:19:08,347 STUFF LIKE... 376 00:19:08,347 --> 00:19:13,619 WHY PEOPLE DO BAD THINGS TO ONE ANOTHER. 377 00:19:13,619 --> 00:19:16,522 IT'S MAINLY BECAUSE OF SECRETS. 378 00:19:16,522 --> 00:19:19,659 TRYING TO HIDE THE TRUTH CHIPS AWAY AT YOUR SPIRIT. 379 00:19:19,659 --> 00:19:23,462 SECRETS RUIN RELATIONSHIPS. 380 00:19:23,462 --> 00:19:25,265 WE FINALLY GOT THE FOOTAGE 381 00:19:25,265 --> 00:19:28,468 FROM EVERY NEWS STATION COVERING THE GROUNDBREAKING CEREMONY. 382 00:19:28,468 --> 00:19:30,470 APPARENTLY, THREATS WORK. 383 00:19:30,470 --> 00:19:32,971 THESE ARE TWO SEPARATE VANTAGE POINTS OF THE MAYOR, 384 00:19:32,971 --> 00:19:36,509 AND THESE ARE FEEDS OF THE CROWD. THERE--THAT GUY. (clicking) 385 00:19:36,509 --> 00:19:38,778 (Lisbon) CAN YOU NARROW IT DOWN FOR US? 386 00:19:38,778 --> 00:19:41,614 THERE'S, LIKE, 50 GUYS THERE. THE GUY IN THE CROWD THERE-- 387 00:19:41,614 --> 00:19:46,586 AFTER THE MAYOR DIGS UP THE VICTIM. HE CERTAINLY DOESN'T LOOK LIKE HE FITS IN. OH, THAT'S BOLD. 388 00:19:46,586 --> 00:19:49,455 A JASPER ACOLYTE. OR THE MAN HIMSELF. 389 00:19:49,455 --> 00:19:52,692 GET WITH THE LOCAL P.D. SEE IF THEY CAN IDENTIFY HIM. 390 00:19:52,692 --> 00:19:54,493 (clears throat) 391 00:19:54,493 --> 00:19:57,730 (Lisbon) WHAT IS IT? NOTHING. JUST HUNGRY. 392 00:20:05,003 --> 00:20:07,374 SO WE WENT BACK TO ST. CLARE'S APARTMENT, 393 00:20:07,374 --> 00:20:09,642 WENT THROUGH HER CLOSET AND REALIZED THAT SOME 394 00:20:09,642 --> 00:20:13,011 OF HER WORK SHIRTS-- BUTTON ON THE RIGHT. 395 00:20:13,011 --> 00:20:15,080 YEAH, AND NOT HER SIZE. SO THE MAYOR WAS RIGHT. SHE DID HAVE A LOVER. 396 00:20:15,080 --> 00:20:16,749 OF COURSE SHE HAD A LOVER. 397 00:20:16,749 --> 00:20:19,286 THAT NECKLACE SHE ALWAYS WORE WAS OBVIOUSLY A ROMANTIC GIFT. 398 00:20:19,286 --> 00:20:22,788 SHE'D NEVER SPEND THAT KIND OF MONEY ON HERSELF. NOW YOU SAY SO. VERY WISE IN HINDSIGHT. 399 00:20:22,788 --> 00:20:24,923 WELL, I THOUGHT IT WENT WITHOUT SAYING. 400 00:20:24,923 --> 00:20:26,925 IT'S HORRIBLY OBVIOUS WHEN PEOPLE ARE IN A RELATIONSHIP-- 401 00:20:26,925 --> 00:20:29,161 IMPOSSIBLE TO HIDE, TRY THOUGH THEY MIGHT. 402 00:20:29,161 --> 00:20:30,962 SHE WAS A VERY ATTRACTIVE WOMAN. 403 00:20:30,962 --> 00:20:34,032 I WOULD NOT BE SURPRISED IF SHE HAD TWO LOVERS. 404 00:20:34,032 --> 00:20:36,603 THERE IS NOTHING HERE. I'M GONNA GO OUT FOR LUNCH. 405 00:20:36,603 --> 00:20:41,473 TURN THAT THING OFF, OR I WILL SHOVE IT DOWN YOUR THROAT. 406 00:20:41,473 --> 00:20:43,843 (Lisbon) LET'S TAKE A WALK, SHALL WE? 407 00:20:43,843 --> 00:20:45,612 COME ON. 408 00:20:56,154 --> 00:20:58,657 I KNOW IT HASN'T BEEN THE MOST PLEASANT EXPERIENCE 409 00:20:58,657 --> 00:21:00,593 HAVING A CAMERA CREW HERE. 410 00:21:00,593 --> 00:21:03,762 BUT YOU GOTTA COOPERATE-- DEPUTY A.G.'s ORDERS. 411 00:21:03,762 --> 00:21:05,698 YEAH. 412 00:21:05,698 --> 00:21:08,034 SO WHAT'S THE DEAL? I WOULD THINK OUT OF EVERYBODY, 413 00:21:08,034 --> 00:21:10,903 YOU'D BE THE MOST COMFORTABLE WITH THE CAMERAS. 414 00:21:13,972 --> 00:21:15,074 MM. 415 00:21:15,074 --> 00:21:17,676 LAST TIME I WAS IN FRONT OF A CAMERA, 416 00:21:17,676 --> 00:21:21,247 THINGS, UH, DIDN'T TURN OUT SO WELL. 417 00:21:21,247 --> 00:21:24,884 OH, GOD, JANE, I'M SORRY. 418 00:21:24,884 --> 00:21:28,721 YOU DON'T NEED TO BE SORRY, AND YOU'RE RIGHT. 419 00:21:28,721 --> 00:21:33,359 THERE'S NO REASON NOT TO BE CIVIL. I'M GOING TO APOLOGIZE. 420 00:21:37,596 --> 00:21:41,601 HEY, I'M SORRY. WE DIDN'T MEAN TO BE INTRUSIVE. 421 00:21:41,601 --> 00:21:43,435 NO, I-I SHOULDN'T HAVE SNAPPED AT YOU. 422 00:21:43,435 --> 00:21:47,406 I'M SORRY. I JUST--I DON'T LIKE FEELING SPIED ON. 423 00:21:47,406 --> 00:21:49,409 IT'S MY OWN LITTLE NEUROSIS. 424 00:21:49,409 --> 00:21:51,411 YOU'RE JUST DOING YOUR JOB, RIGHT? 425 00:21:51,411 --> 00:21:53,779 RIGHT. WELL, LET ME BUY YOU A TACO. 426 00:21:53,779 --> 00:21:56,115 SURE. I KNOW YOU'RE IN. 427 00:21:56,115 --> 00:22:00,619 I AM KIND OF HUNGRY. THAT'S THE SPIRIT. I KNOW THE PERFECT PLACE. VáMONOS. 428 00:22:02,855 --> 00:22:06,492 MUCHAS GRACIAS. 429 00:22:06,492 --> 00:22:09,628 MIKE. THANK YOU. 430 00:22:09,628 --> 00:22:13,665 STEVE. SO TELL ME ABOUT NEWS GATHERING. 431 00:22:13,665 --> 00:22:16,536 (Steve) YOU GET AN ASSIGNMENT, AND PRETTY MUCH-- 432 00:22:16,536 --> 00:22:19,705 WHOA! WHOA! (crowd gasping and murmuring) 433 00:22:28,847 --> 00:22:32,151 DID YOU GET THAT? DID YOU GET IT? 434 00:22:32,151 --> 00:22:34,453 (sighs) 435 00:22:43,796 --> 00:22:48,401 I DON'T KNOW WHERE WE'RE GOING, BUT I HOPE THERE'S A BATHROOM. 436 00:22:48,401 --> 00:22:51,837 I AM BUSTING. 437 00:22:51,837 --> 00:22:53,539 OHH. 438 00:22:58,210 --> 00:23:00,211 DEFINITELY JASPER. 439 00:23:00,211 --> 00:23:02,013 THE DESCRIPTION OF THE VAN 440 00:23:02,013 --> 00:23:04,016 MATCHES ONE SEEN NEAR THE CONDO FIRE 441 00:23:04,016 --> 00:23:06,184 AND THE LUXURY CAR LOT JASPER DESTROYED. 442 00:23:06,184 --> 00:23:08,186 HOW LONG HAS CHIEF DONNER HAD THIS INFORMATION? 443 00:23:08,186 --> 00:23:10,623 CONTACT THE LOCAL AND THE COUNTY P.D. ON IT. 444 00:23:10,623 --> 00:23:12,625 WE GOT A HIT ON THE JASPER ASSOCIATE 445 00:23:12,625 --> 00:23:14,059 AT THE GROUNDBREAKING CEREMONY. 446 00:23:14,059 --> 00:23:16,429 LOCAL ACTIVISTS DRAW THE LINE AT KIDNAPPING. 447 00:23:16,429 --> 00:23:18,931 THEY GAVE THIS GUY UP FAST. BART HENRIK. ON HIS BLOG, HE CALLS HIMSELF A GREEN WARRIOR. 448 00:23:18,931 --> 00:23:21,232 HE'S BEEN ARRESTED SEVERAL TIMES FOR INCITING A RIOT, 449 00:23:21,232 --> 00:23:25,872 PUBLIC DISORDER AND VANDALISM. GO FIND HIM. TAKE RIGSBY. YOU GOT IT. 450 00:23:27,673 --> 00:23:30,977 (crickets chirping) 451 00:23:56,802 --> 00:23:57,903 (clicks) 452 00:24:04,576 --> 00:24:06,377 I CAN SEE YOU MEAN BUSINESS. 453 00:24:06,377 --> 00:24:09,516 UH, THERE'S NO NEED FOR FIREARMS. I'M NOT HARRY HOUDINI. 454 00:24:09,516 --> 00:24:11,584 QUIET. 455 00:24:13,085 --> 00:24:15,587 THANK YOU. 456 00:24:15,587 --> 00:24:17,789 SO YOU'RE JASPER. 457 00:24:19,659 --> 00:24:21,627 WELL, I'M HONORED. 458 00:24:23,829 --> 00:24:25,832 PLEASE DON'T SAY YOU KIDNAPPED ME FOR RANSOM, 459 00:24:25,832 --> 00:24:29,602 BECAUSE I-I DOUBT YOU'LL GET $50, LET ALONE SAVE THE WHALES. 460 00:24:29,602 --> 00:24:32,739 NO RANSOM. IN ACTUALITY, JUST A SIMPLE MESSAGE-- 461 00:24:32,739 --> 00:24:35,173 I DID NOT KILL MARTHA ST. CLARE 462 00:24:35,173 --> 00:24:38,109 AND I DIDN'T THROW THAT FIREBOMB IN KRUPP'S OFFICE. 463 00:24:38,109 --> 00:24:41,180 AND YOU--YOU ARE GONNA TELL THAT TO THE POLICE 464 00:24:41,180 --> 00:24:45,384 AND TO THE MEDIA. SO YOU KIDNAPPED ME TO PROCLAIM YOUR INNOCENCE. 465 00:24:45,384 --> 00:24:47,686 HAVE YOU EVER HEARD OF A PHONE? 466 00:24:47,686 --> 00:24:50,021 OH, YEAH. I SEE. 467 00:24:50,021 --> 00:24:53,025 IF YOU KIDNAP ME, AND I PASS ON THE MESSAGE, 468 00:24:53,025 --> 00:24:56,563 THEN YOU GET A BLAST OF THAT PUBLICITY THAT YOU LOVE. 469 00:24:56,563 --> 00:24:58,565 IF I AM BRANDED A KILLER, 470 00:24:58,565 --> 00:25:00,633 EVERYTHING I HAVE FOUGHT FOR IS DISCREDITED. 471 00:25:00,633 --> 00:25:03,836 PEOPLE SUPPORT ME BECAUSE I HAVE RESPECT FOR ALL LIVING THINGS. 472 00:25:03,836 --> 00:25:06,939 YES. YES, IT'S A GOOD RULE OF THUMB 473 00:25:06,939 --> 00:25:09,576 TO AVOID DOING THINGS THAT REQUIRE YOU TO WEAR A MASK. 474 00:25:09,576 --> 00:25:12,744 AND YOU'RE SUCH A HANDSOME FELLOW, TOO. 475 00:25:14,512 --> 00:25:18,483 HOW'D YOU KNOW I'M HANDSOME? 476 00:25:18,483 --> 00:25:20,752 WELL, I WAS JUST SPEAKING FIGURATIVELY. 477 00:25:20,752 --> 00:25:22,588 NO, YOU WEREN'T. 478 00:25:22,588 --> 00:25:24,590 YOU KNOW WHO I AM. 479 00:25:24,590 --> 00:25:26,593 NO, I HAVE NO IDEA. 480 00:25:26,593 --> 00:25:28,928 LEAVE US AND DON'T COME BACK. 481 00:25:28,928 --> 00:25:31,529 NO, HE DOESN'T HAVE TO GO ANYWHERE. I-I-I-- 482 00:25:31,529 --> 00:25:33,332 WILL YOU LISTEN TO ME? I HAVE NO IDEA-- 483 00:25:33,332 --> 00:25:37,636 YOU COULD BE ELVIS PRESLEY, FOR ALL I KNOW. HOW DID YOU KNOW? 484 00:25:37,636 --> 00:25:39,471 I DON'T KNOW. HOW DID YOU... 485 00:25:39,471 --> 00:25:42,608 PLEASE DON'T DO THAT. 486 00:25:42,608 --> 00:25:44,611 PL-- (sighs) 487 00:25:44,611 --> 00:25:47,078 (grunts) 488 00:25:49,480 --> 00:25:53,653 HOW DID YOU KNOW? 489 00:25:57,489 --> 00:26:00,593 WELL, WHAT'S NOT TO KNOW? 490 00:26:00,593 --> 00:26:03,429 YOUR HEIGHT, YOUR BODY LANGUAGE, 491 00:26:03,429 --> 00:26:05,698 YOUR SYNTAX. 492 00:26:05,698 --> 00:26:07,566 YOU SAID "IN ACTUALITY." 493 00:26:07,566 --> 00:26:09,736 I MEAN, WHO--WHO SAYS "IN ACTUALITY"? 494 00:26:11,470 --> 00:26:12,538 YES. 495 00:26:12,538 --> 00:26:14,440 (whispers) YEAH. 496 00:26:14,440 --> 00:26:16,776 VERY CLEVER. 497 00:26:18,576 --> 00:26:20,846 SO NOW WE HAVE A PROBLEM. 498 00:26:30,588 --> 00:26:33,625 GET THAT THING OUT OF MY FACE! 499 00:26:46,838 --> 00:26:49,075 JASPER KIDNAPPED OUR COLLEAGUE. WHERE ARE THEY? 500 00:26:49,075 --> 00:26:53,278 JASPER WHO? DID YOU KNOW YOU CAN GET MORE TIME FOR KIDNAPPING THAN MURDER? 501 00:26:53,278 --> 00:26:56,515 THAT'S CRAZY, RIGHT? AND BEING AN ACCESSORY AFTER THE FACT 502 00:26:56,515 --> 00:26:58,851 MAKES YOU JUST AS GUILTY AS JASPER. 503 00:27:00,318 --> 00:27:03,422 MAN, JASPER'S AVENGING MOTHER EARTH. THAT'S ALL. 504 00:27:03,422 --> 00:27:06,424 YOU KNOW HIM WELL ENOUGH TO BE SURE OF HIS MOTIVES. YES. 505 00:27:06,424 --> 00:27:09,428 YOU KNOW HIM SO WELL YOU CAN TELL US WHERE HE MIGHT BE. 506 00:27:09,428 --> 00:27:13,365 EVEN IF I KNEW, WHICH I DON'T, I WOULD NEVER BETRAY JASPER. "NEVER" IS A BIG WORD. 507 00:27:13,365 --> 00:27:16,567 TRY ME. WHAT WOULD JANE WANT US TO DO IN THIS SITUATION, CHO? 508 00:27:16,567 --> 00:27:20,071 WITH HIS LIFE IN JEOPARDY? YOU KNOW WHAT HE'D WANT US TO DO. 509 00:27:20,071 --> 00:27:21,708 YEP. OKAY. 510 00:27:21,708 --> 00:27:25,778 (Rigsby) I GUESS WE HAVE TO GO THERE. 511 00:27:30,016 --> 00:27:32,751 WE SHOULD CALL AN AMBULANCE. IT'S PROCEDURE. SURE. THEY CAN SET IT FAST, 512 00:27:32,751 --> 00:27:36,454 AND WE CAN GET STRAIGHT BACK TO QUESTIONING. WAIT. SET WHAT? 513 00:27:36,454 --> 00:27:37,824 (loud clank) 514 00:27:37,824 --> 00:27:40,625 YOUR ARM--YOU BROKE IT, SLIPPED ON THE STAIRS. 515 00:27:40,625 --> 00:27:42,560 YEAH, YOU SHOULD BE MORE CAREFUL, HENRIK. 516 00:27:42,560 --> 00:27:46,597 HEY. HEY. A BUNCH OF PEOPLE SAW ME COME IN HERE FINE. 517 00:27:46,597 --> 00:27:48,400 A BUNCH OF COPS, AND I'M ONE OF THEM. 518 00:27:48,400 --> 00:27:49,935 I SAW YOU FALL. 519 00:27:49,935 --> 00:27:52,771 AND EVERY COP IN THIS BUILDING WILL SAY EXACTLY THE SAME. 520 00:27:52,771 --> 00:27:54,773 (thud) 521 00:27:57,242 --> 00:27:59,945 (blinds rattle) 522 00:28:04,615 --> 00:28:07,185 A CABIN IN THE SIERRA FOOTHILLS, 523 00:28:07,185 --> 00:28:09,387 10 MILES NORTHEAST OF SALTER. 524 00:28:09,387 --> 00:28:10,455 NICE WORK. 525 00:28:12,624 --> 00:28:14,460 WHAT TO DO? 526 00:28:14,460 --> 00:28:15,761 WHAT TO DO? 527 00:28:15,761 --> 00:28:18,430 IF I LET YOU GO NOW, YOU'LL RAT ME OUT. 528 00:28:18,430 --> 00:28:20,432 IF I MAY MAKE A SUGGESTION? 529 00:28:20,432 --> 00:28:22,667 NO, YOU MAY NOT. 530 00:28:22,667 --> 00:28:24,936 PLEASE, WILSON. I CAN HELP. 531 00:28:24,936 --> 00:28:28,406 I CANNOT GO TO PRISON. 532 00:28:28,406 --> 00:28:30,910 I NEED TO FINISH MY WORK. DON'T YOU SEE? 533 00:28:30,910 --> 00:28:34,046 I DO. I SEE. YOUR WORK IS VERY IMPORTANT. 534 00:28:34,046 --> 00:28:36,182 BUT WHAT I DON'T UNDERSTAND, THOUGH, 535 00:28:36,182 --> 00:28:39,751 IS WHY YOU WERE WORKING IN THE MAYOR'S OFFICE. WHERE BETTER TO STUDY THE ENEMY 536 00:28:39,751 --> 00:28:42,954 THAN FROM WITHIN THEIR VERY CAMP? DID YOU KNOW THAT THE MAYOR 537 00:28:42,954 --> 00:28:45,791 WAS TAKING BRIBES FROM THE DEVELOPER KRUPP? 538 00:28:45,791 --> 00:28:48,394 OF COURSE. WHO DO YOU THINK PUT MARTHA ONTO IT? 539 00:28:48,394 --> 00:28:51,329 AH. YOU TOLD HER. 540 00:28:51,329 --> 00:28:55,366 BUT WHY NOT EXPOSE THE MAYOR YOURSELF OR DO IT AS JASPER? 541 00:28:55,366 --> 00:28:58,569 THEY WOULD KNOW THAT JASPER WAS INSIDE THE MAYOR'S OFFICE. 542 00:28:58,569 --> 00:29:00,571 THEY WOULD SOON SUSPECT ME. 543 00:29:00,571 --> 00:29:02,374 I WORK IN THE SHADOWS. 544 00:29:02,374 --> 00:29:04,810 THAT'S WHY I AM STILL HERE, STILL FIGHTING. 545 00:29:04,810 --> 00:29:06,778 I UNDERSTAND. 546 00:29:06,778 --> 00:29:08,513 LET ME HELP YOU. 547 00:29:08,513 --> 00:29:10,615 DON'T TRY TO PLAY ME. 548 00:29:10,615 --> 00:29:14,586 DON'T GO SAYING YOU WON'T TELL ON ME IF I SET YOU FREE, 549 00:29:14,586 --> 00:29:16,387 BECAUSE I KNOW YOU WILL. 550 00:29:16,387 --> 00:29:19,458 WILSON, I AM NOT TRYING TO PLAY YOU. I WILL NOT PLAY YOU. 551 00:29:19,458 --> 00:29:23,595 I UNDERSTAND AND RESPECT YOUR INTELLIGENCE. 552 00:29:23,595 --> 00:29:26,664 HAVE A SEAT. 553 00:29:26,664 --> 00:29:28,534 JUST TAKE A MOMENT. 554 00:29:38,544 --> 00:29:41,279 (sighs) 555 00:29:44,016 --> 00:29:47,519 WILSON, LOOK AT ME. 556 00:29:47,519 --> 00:29:49,221 I CAN HELP YOU. 557 00:29:51,824 --> 00:29:53,659 (whispers) HOW? 558 00:29:53,659 --> 00:29:56,427 LOOK AT ME. 559 00:29:56,427 --> 00:29:59,365 YOU CAN SEE THAT I'M TELLING THE TRUTH. 560 00:30:01,567 --> 00:30:05,136 I WANT WHAT YOU WANT-- 561 00:30:05,136 --> 00:30:08,539 PEACE AND HARMONY. 562 00:30:08,539 --> 00:30:11,343 PEACE... 563 00:30:11,343 --> 00:30:13,011 QUIET... 564 00:30:14,913 --> 00:30:16,647 IT'S EASY. 565 00:30:16,647 --> 00:30:19,585 YOU CAN HAVE IT. 566 00:30:21,720 --> 00:30:24,390 IF YOU WANT IT, YOU CAN HAVE IT. 567 00:30:25,892 --> 00:30:29,095 SO PEACEFUL. 568 00:30:30,695 --> 00:30:34,633 THIS IS CHIEF DONNER OF THE SALTER POLICE DEPARTMENT! 569 00:30:34,633 --> 00:30:38,369 YOU'RE COMPLETELY SURROUNDED. COME OUT WITH YOUR HANDS UP! STAY COOL. 570 00:30:49,949 --> 00:30:52,617 JUST STAY COOL. 571 00:30:59,959 --> 00:31:01,727 CLEAR! 572 00:31:01,727 --> 00:31:03,128 (Rigsby) CLEAR! 573 00:31:04,430 --> 00:31:07,066 (Patrick) I'M GOOD. I GOT HIM. I GOT HIM. 574 00:31:07,066 --> 00:31:07,933 LISBON? J-JANE. 575 00:31:07,933 --> 00:31:10,135 WOW. I'M IMPRESSED. 576 00:31:10,135 --> 00:31:13,138 HOW THE HELL DID YOU FIND ME OUT HERE? RIGHT, BECAUSE WE'RE LOST WITHOUT YOU? 577 00:31:13,138 --> 00:31:16,342 WELL, I WOULDN'T SAY THAT, BUT I'M STILL IMPRESSED. WAIT. I--DON'T MOVE. 578 00:31:16,342 --> 00:31:19,111 OHH. THEY COULD HAVE BOOBY-TRAPPED THE PLACE. 579 00:31:19,111 --> 00:31:23,281 WE'LL HAVE THE BOMB SQUAD TAKE A LOOK AT YOU. WHAT? (mutters) YOU'RE KIDDING. YOU'RE KIDDING. 580 00:31:23,281 --> 00:31:25,151 I'M--I'M THANKFUL AND ALL THAT, 581 00:31:25,151 --> 00:31:28,354 BUT JUST GET ME OUT OF HERE, AND I'LL TELL YOU THE STORY. WHAT STORY? 582 00:31:28,354 --> 00:31:29,989 AHH. (handcuffs clatter) 583 00:31:37,063 --> 00:31:38,697 SO WE KNOW WHO JASPER IS. FONTENEAU. 584 00:31:38,697 --> 00:31:41,166 NO TRACE OF HIM. SLIPPED RIGHT THROUGH THE LOCALS' HANDS. 585 00:31:41,166 --> 00:31:44,369 HE'S ONE MAN, FOR CRYING OUT LOUD. WELL, HE OBVIOUSLY KNOWS THOSE WOODS A LOT BETTER. 586 00:31:44,369 --> 00:31:46,438 JANE, ENOUGH RECOVERY TIME. TELL US ABOUT FONTENEAU. 587 00:31:46,438 --> 00:31:49,441 WHAT'D HE SAY? WELL, HE SPOUTED A LOT OF NONSENSE, DENIAL. 588 00:31:49,441 --> 00:31:52,443 TRUTH IS, HE TOOK THE JOB IN THE MAYOR'S OFFICE 589 00:31:52,443 --> 00:31:55,314 TO PLAN TARGETED ATTACKS ON NEW DEVELOPMENTS AROUND TOWN. 590 00:31:55,314 --> 00:31:57,883 HE AND ST. CLARE BECAME LOVERS. SECRET BOYFRIEND. 591 00:31:57,883 --> 00:32:00,286 BUT WHEN ST. CLARE FOUND OUT 592 00:32:00,286 --> 00:32:03,489 ABOUT FONTENEAU'S SECRET LIFE AS JASPER, HE KILLED HER FOR IT, 593 00:32:03,489 --> 00:32:06,291 TO KEEP HER QUIET. I'LL CHECK ON THE WARRANT FOR FONTENEAU'S PLACE. 594 00:32:06,291 --> 00:32:10,362 GET EVERYBODY BRIEFED, SUITED UP AND READY TO ROLL. OH, LOOK FOR ST. CLARE'S NECKLACE. 595 00:32:10,362 --> 00:32:12,364 IT WAS A GIFT FROM FONTENEAU. 596 00:32:12,364 --> 00:32:15,701 (Patrick) MY GUESS--HE TOOK IT WHEN HE KILLED HER. WE NEED IT. 597 00:32:15,701 --> 00:32:20,439 YOU GUYS SIT ON THE LOCATION UNTIL THE WARRANT COMES IN. 598 00:32:20,439 --> 00:32:22,641 CHIEF DONNER? YEAH, I-IT'S LISBON. 599 00:32:22,641 --> 00:32:24,609 OH, I NEED SOME ASPIRIN. 600 00:32:24,609 --> 00:32:26,811 YEAH. (pills rattle) 601 00:32:26,811 --> 00:32:29,647 YEAH, I-I JUST WANTED-- COULD YOU HOLD ON, CHIEF? 602 00:32:29,647 --> 00:32:32,250 LOOK, THAT'S ENOUGH, GUYS. WE'RE DONE FILMING. 603 00:32:32,250 --> 00:32:34,052 YOU KNOW, CATCHING THE BAD GUY WOULD BE 604 00:32:34,052 --> 00:32:37,323 A GREAT END OF THE SHOW, MAKE YOU GUYS LOOK LIKE SUPERSTARS. 605 00:32:37,323 --> 00:32:40,558 WELL, IT'D CERTAINLY MAKE THE DEPUTY A.G. VERY HAPPY. 606 00:32:40,558 --> 00:32:42,228 TRUE. 607 00:32:42,228 --> 00:32:44,430 ALL RIGHT. YOU CAN FILM THE BUST, 608 00:32:44,430 --> 00:32:46,798 BUT YOU HAVE TO DO EXACTLY WHAT I SAY. 609 00:32:46,798 --> 00:32:49,434 DEAL. MEET ME AT FONTENEAU'S AT 0600 HOURS. 610 00:32:49,434 --> 00:32:52,203 YES, MA'AM. HEY. CHIEF, WE'RE GONNA NEED ASSISTANCE 611 00:32:52,203 --> 00:32:55,307 FROM YOUR ENTRY TEAM AGAIN. 612 00:33:43,922 --> 00:33:45,490 WHAT NOW? 613 00:33:45,490 --> 00:33:48,660 WE SET A PERIMETER AND WAIT FOR THE WARRANT. 614 00:33:48,660 --> 00:33:51,329 YEAH, THERE'S A LOT OF THIS KIND OF STUFF. 615 00:33:51,329 --> 00:33:54,165 NOT TOO MANY CAR CHASES. 616 00:33:54,165 --> 00:33:58,769 MAYBE WE COULD, UH, ASK A FEW QUESTIONS WHILE WE'RE WAITING? 617 00:33:58,769 --> 00:34:02,307 UH... 618 00:34:02,307 --> 00:34:04,576 SURE. IF YOU MUST. 619 00:34:07,145 --> 00:34:08,447 (clears throat) 620 00:34:08,447 --> 00:34:12,518 UM, HOW DID YOU COME TO WORK WITH THE CBI? 621 00:34:12,518 --> 00:34:15,454 YOU KNOW HOW. YES, BUT I-I NEED YOU TO SAY IT TO THE CAMERA. 622 00:34:15,454 --> 00:34:19,557 YEAH, YEAH. I-I SEE. I GOT IT. 623 00:34:19,557 --> 00:34:21,092 (sighs deeply) 624 00:34:21,092 --> 00:34:23,295 UM... 625 00:34:23,295 --> 00:34:25,431 WELL, I CAME TO WORK WITH THE CBI 626 00:34:25,431 --> 00:34:28,333 AFTER MY WIFE AND CHILD WERE MURDERED. 627 00:34:39,445 --> 00:34:42,648 HAVE YOU EVER EXPERIENCED LOSS LIKE THAT? 628 00:34:42,648 --> 00:34:44,782 A LOSS OF LOVE? 629 00:34:47,853 --> 00:34:50,588 THERE'S NOTHING MORE IMPORTANT THAN LOVE, IS THERE? 630 00:34:50,588 --> 00:34:52,791 WELL, WE'RE TALKING ABOUT YOU. 631 00:34:52,791 --> 00:34:54,393 YEAH. 632 00:34:57,329 --> 00:34:59,831 IT CAN BE VERY HARD WHEN LOVE GOES AWAY. 633 00:34:59,831 --> 00:35:03,702 IT'S LIKE A... A BETRAYAL, 634 00:35:03,702 --> 00:35:07,505 ALMOST LIKE A VIOLENT ACT, RIGHT? 635 00:35:07,505 --> 00:35:09,740 RIGHT? 636 00:35:09,740 --> 00:35:11,242 I GUESS. 637 00:35:11,242 --> 00:35:13,545 UM, WHY DON'T--WHY DON'T WE GO BACK TO, UM-- 638 00:35:13,545 --> 00:35:16,748 WHEN YOU GIVE SOMEONE YOUR HEART AND THEY THROW IT ASIDE, 639 00:35:16,748 --> 00:35:19,717 IT'S NATURAL TO BE ANGRY. 640 00:35:19,717 --> 00:35:22,653 ESPECIALLY WHEN YOU'VE COME TO RELY ON THEM, 641 00:35:22,653 --> 00:35:26,023 WHEN YOUR CAREER IS TIED TO THEIRS. 642 00:35:26,023 --> 00:35:28,260 I DON'T KNOW WHAT YOU'RE, UH-- 643 00:35:28,260 --> 00:35:31,463 WHY DON'T YOU SHOW US WHAT YOU GOT IN YOUR POCKETS? WHAT? 644 00:35:31,463 --> 00:35:33,565 YOU HEARD ME. NO. 645 00:35:33,565 --> 00:35:34,632 WHY NOT? 646 00:35:34,632 --> 00:35:38,003 BECAUSE YOU DON'T HAVE THE RIGHT. 647 00:35:38,003 --> 00:35:40,338 OKAY. 648 00:35:40,338 --> 00:35:43,409 OKAY. I'LL TELL YOU WHAT YOU HAVE IN YOUR POCKET, 649 00:35:43,409 --> 00:35:45,411 AND YOU TELL ME IF I'M RIGHT. 650 00:35:45,411 --> 00:35:47,713 IN YOUR POCKET, YOU HAVE A BLUE TOPAZ NECKLACE 651 00:35:47,713 --> 00:35:50,849 THAT YOU ONCE GAVE TO MARTHA ST. CLARE 652 00:35:50,849 --> 00:35:52,351 WHEN YOU WERE LOVERS. 653 00:35:52,351 --> 00:35:54,686 YOU TOOK THAT NECKLACE BACK AFTER YOU KILLED HER. 654 00:35:54,686 --> 00:35:57,688 YOU WERE GONNA PLANT IT IN FONTENEAU'S HOUSE, 655 00:35:57,688 --> 00:36:00,525 PROMPTED BY MY CUNNINGLY BRILLIANT RUSE. 656 00:36:04,596 --> 00:36:07,365 AHA. 657 00:36:07,365 --> 00:36:10,402 AHA. THAT'S IT. 658 00:36:10,402 --> 00:36:12,637 I DON'T KNOW HOW THAT GOT IN THERE. 659 00:36:12,637 --> 00:36:15,574 OH, PLEASE. DON'T BE SO SILLY. ARREST HIM, CHO. 660 00:36:15,574 --> 00:36:18,577 GET ON YOUR KNEES. PUT YOUR HANDS ON YOUR HEAD. 661 00:36:18,577 --> 00:36:19,710 NOW! 662 00:36:21,280 --> 00:36:22,713 (click) 663 00:36:22,713 --> 00:36:24,882 GET UP. 664 00:36:24,882 --> 00:36:27,385 THAT'S FOR YOU. 665 00:36:27,385 --> 00:36:28,753 AND THIS... 666 00:36:30,889 --> 00:36:32,523 IS FOR ME. 667 00:36:36,362 --> 00:36:39,398 HERE IT COMES. 668 00:36:40,465 --> 00:36:43,068 BANG. THERE. YOU LOOKED AWAY. 669 00:36:43,068 --> 00:36:45,170 MARTHA ST. CLARE'S BODY HASN'T BEEN REVEALED, 670 00:36:45,170 --> 00:36:48,172 AND YOU LOOKED AWAY, BECAUSE YOU KNEW WHAT WAS GONNA HAPPEN, 671 00:36:48,172 --> 00:36:50,842 BECAUSE YOU BURIED THAT BODY AT THAT BUILDING SITE 672 00:36:50,842 --> 00:36:54,579 AND YOU FIREBOMBED THE TRAILER TO TRY AND FRAME JASPER. 673 00:36:54,579 --> 00:36:57,815 YOU'RE TOO CLEVER, MIKE, YOU'RE JUST TOO CLEVER. 674 00:36:57,815 --> 00:37:01,018 NAH. YOU SPOUT A LOT OF THEORY, 675 00:37:01,018 --> 00:37:03,454 BUT NO LEGAL PROOF. AH. 676 00:37:03,454 --> 00:37:06,324 YOU WANT LEGAL PROOF? THE LAB REPORTS CAME BACK. 677 00:37:06,324 --> 00:37:09,661 THEY FOUND TRACES OF MARTHA'S BLOOD IN THE TRUNK OF YOUR CAR. 678 00:37:12,331 --> 00:37:14,766 DO YOU WANT TO TELL US WHAT HAPPENED? 679 00:37:23,173 --> 00:37:26,478 RUMORS SAID THE MAYOR WAS DIRTY, 680 00:37:26,478 --> 00:37:28,914 BUT THERE WAS NO PROOF. 681 00:37:28,914 --> 00:37:30,715 I KNEW SOMETHING WAS UP. 682 00:37:30,715 --> 00:37:34,519 BUT... NO MATTER HOW MUCH I PUSHED HER, 683 00:37:34,519 --> 00:37:38,289 MARTHA WOULDN'T SAY ANYTHING. NOTHING. 684 00:37:40,057 --> 00:37:42,628 AND LAST NIGHT, 685 00:37:42,628 --> 00:37:44,896 I WAS GOING THROUGH HER COMPUTER, 686 00:37:44,896 --> 00:37:47,766 JUST CHECKING ON SOME STUFF, YOU KNOW? 687 00:37:49,534 --> 00:37:53,438 I FOUND THIS SPEECH SHE WAS PREPARING TO GIVE, 688 00:37:53,438 --> 00:37:56,375 EXPOSING THE MAYOR AS CORRUPT, 689 00:37:56,375 --> 00:37:57,675 WITH PROOF-- 690 00:37:57,675 --> 00:37:59,844 FACTS AND FIGURES, THE WHOLE DEAL. 691 00:37:59,844 --> 00:38:03,181 AND SHE KEPT IT FROM ME THE WHOLE TIME. 692 00:38:03,181 --> 00:38:06,418 THIS IS A STORY THAT COULD HAVE MADE MY CAREER. 693 00:38:06,418 --> 00:38:09,820 I HAVE BEEN WAITING FOR A STORY LIKE THIS 694 00:38:09,820 --> 00:38:11,489 MY WHOLE LIFE. 695 00:38:11,489 --> 00:38:14,760 AND SHE'S MAD 'CAUSE I'M ON HER COMPUTER. HELLO. 696 00:38:14,760 --> 00:38:17,195 SO SHE... 697 00:38:17,195 --> 00:38:22,367 SHE SAID, UH, SHE COULDN'T TRUST ME ANYMORE AND THAT IT WAS OVER. 698 00:38:22,367 --> 00:38:25,403 THE ARGUMENT ESCALATED, 699 00:38:25,403 --> 00:38:27,905 AND, UH, I TOOK MY NECKLACE BACK. 700 00:38:27,905 --> 00:38:30,942 AND THEN SHE STARTS TAUNTING ME, 701 00:38:30,942 --> 00:38:34,413 YOU KNOW, IMPLYING THAT I DON'T HAVE WHAT IT TAKES 702 00:38:34,413 --> 00:38:37,449 TO BE IN THE BIG LEAGUES ANYWAY, 703 00:38:37,449 --> 00:38:39,885 SAYING I'M A LOSER. 704 00:38:39,885 --> 00:38:42,286 SHE'S HAD ENOUGH? 705 00:38:42,286 --> 00:38:45,322 SHE'S HAD ENOUGH? SHE HAS? 706 00:38:45,322 --> 00:38:46,891 NO, NO, NO, NO. 707 00:38:46,891 --> 00:38:48,427 I'VE HAD ENOUGH. 708 00:38:48,427 --> 00:38:51,061 ME! 709 00:38:56,867 --> 00:38:59,505 WELL... 710 00:38:59,505 --> 00:39:01,806 WE'LL TAKE THAT AS A CONFESSION. 711 00:39:01,806 --> 00:39:04,742 IN A STUNNING REVELATION, MAYOR MELBA WALKER SHANNON 712 00:39:04,742 --> 00:39:07,945 HAS BEEN ARRESTED BY THE D.A. FOR CORRUPTION CHARGES... (Rigsby) OH, YEAH. 713 00:39:07,945 --> 00:39:10,248 STEMMING FROM THE GRANTON AT SALTER DEVELOPMENT. 714 00:39:10,248 --> 00:39:13,418 THE ACCUSER IS HER CLOSEST AIDE, WILSON FONTENEAU, 715 00:39:13,418 --> 00:39:15,286 WHO AGREED TO TESTIFY AGAINST THE MAYOR 716 00:39:15,286 --> 00:39:16,922 IN EXCHANGE FOR LENIENCY 717 00:39:16,922 --> 00:39:20,791 REGARDING HIS ACTIVITIES AS ECO-TERRORIST "JASPER." 718 00:39:20,791 --> 00:39:23,161 THIS ONLY THE LATEST DEVELOPMENT 719 00:39:23,161 --> 00:39:25,563 IN A BIZARRE STORY OF MURDER AND GREED 720 00:39:25,563 --> 00:39:29,568 THAT HAS CAPTIVATED THE CENTRAL VALLEY. HEY. I WAS ENJOYING THAT. 721 00:39:29,568 --> 00:39:32,603 UGH. I HATE HOW THEY OVERDRAMATIZE EVERYTHING. YEAH, I HATE THAT. 722 00:39:32,603 --> 00:39:34,606 (deepens voice) "CAPTURED THE CENTRAL VALLEY." 723 00:39:34,606 --> 00:39:37,275 (normal voice) GIVE ME A BREAK. DOUGHNUTS. 724 00:39:37,275 --> 00:39:39,911 THANKS. LADIES FIRST. 725 00:39:39,911 --> 00:39:42,246 SO, UH, GUYS? 726 00:39:42,246 --> 00:39:45,315 UH, I HAVE SOMETHING TO SAY. 727 00:39:45,315 --> 00:39:47,853 WE HAVE SOMETHING TO SAY. 728 00:39:47,853 --> 00:39:51,922 UH, LIFE'S TOO SHORT FOR DISHONESTY. 729 00:39:51,922 --> 00:39:53,291 VAN PELT-- 730 00:39:53,291 --> 00:39:55,661 GRACE AND I ARE... LOVERS. 731 00:39:59,396 --> 00:40:01,599 NO, YOU'RE NOT. 732 00:40:01,599 --> 00:40:03,201 UM, YES, WE ARE. 733 00:40:03,201 --> 00:40:06,036 NO, YOU ARE NOT LOVERS. 734 00:40:06,036 --> 00:40:10,476 UH, BUT WE ARE, THOUGH. NO, YOU'RE NOT, BECAUSE A SEXUAL RELATIONSHIP 735 00:40:10,476 --> 00:40:13,545 BETWEEN TWO FELLOW BUREAU EMPLOYEES IS 736 00:40:13,545 --> 00:40:16,347 STRICTLY AGAINST THE RULES. 737 00:40:16,347 --> 00:40:18,148 WHICH IS WHY WE KEPT IT A SECRET. 738 00:40:18,148 --> 00:40:20,652 BUT WE DON'T WANT TO LIVE A LIE ANYMORE. 739 00:40:20,652 --> 00:40:22,588 (inhales deeply) COME WHAT MAY. 740 00:40:22,588 --> 00:40:24,088 (chuckles) 741 00:40:25,523 --> 00:40:28,193 WELL, IT'S A BIG SECRET. WELL-KEPT. 742 00:40:28,193 --> 00:40:30,496 WELL, MAYBE YOU KNEW, BUT NOBODY ELSE DID. 743 00:40:30,496 --> 00:40:32,463 I KNEW. HALF THE BUILDING KNOWS. THEY DO NOT. 744 00:40:32,463 --> 00:40:35,666 THE ONLY PERSON THAT DIDN'T KNOW IS GLARING AT YOU RIGHT NOW. 745 00:40:35,666 --> 00:40:38,704 AND NOW I HAVE TO DO SOMETHING ABOUT IT. 746 00:40:38,704 --> 00:40:41,572 WHAT ARE YOU GONNA DO? YEAH, WHAT ARE YOU GONNA DO? 747 00:40:45,543 --> 00:40:48,045 I'M THINKING. 748 00:40:48,045 --> 00:40:50,849 (Lisbon) GO.