1 00:00:00,701 --> 00:00:04,171 (electricity crackling) 2 00:00:27,027 --> 00:00:30,364 I'M SEEING LIGHTS. DEFINITELY PEOPLE INSIDE THE HOUSE. HOW MANY ENTRY POINTS? 3 00:00:30,364 --> 00:00:32,432 THREE--FRONT, BACK, BASEMENT. 4 00:00:32,432 --> 00:00:35,936 WINDOWS ARE ALL BOARDED UP. WITNESSES SAID THREE MEN TOOK PART IN THE ABDUCTION. 5 00:00:35,936 --> 00:00:39,106 SO FIGURE THOSE THREE INSIDE PLUS A COUPLE MORE JUST FOR FUN. 6 00:00:39,106 --> 00:00:41,109 THIS IS MIA WESTLAKE. 7 00:00:41,109 --> 00:00:44,677 I WANT EVERYBODY TO TAKE ANOTHER GOOD, LONG LOOK. 8 00:00:44,677 --> 00:00:47,680 WE HAVE EVERY REASON TO BELIEVE THE KIDNAPPER'S GOT HER ALIVE 9 00:00:47,680 --> 00:00:49,283 IN THERE, SO BE CAREFUL. 10 00:00:49,283 --> 00:00:51,918 ME, HICKS AND MARTINEZ TAKE THE FRONT DOOR. 11 00:00:51,918 --> 00:00:53,853 DYSON AND SHELLY, YOU TAKE THE TWO-THREE CORNER. 12 00:00:53,853 --> 00:00:57,924 BUCCI, PAULSON AND FREDERICKS, YOU TAKE THE THREE-FOUR. 13 00:00:57,924 --> 00:01:00,427 LET'S GO. (guns cock) 14 00:01:18,010 --> 00:01:19,680 (whispers) READY. 15 00:01:19,680 --> 00:01:21,114 READY. 16 00:01:21,114 --> 00:01:23,950 (lowers voice) THREE, TWO, ONE. 17 00:01:23,950 --> 00:01:25,618 STAY WHERE YOU ARE! FBI! 18 00:01:25,618 --> 00:01:28,489 DOWN! GET DOWN! (shouting indistinctly) 19 00:01:28,489 --> 00:01:31,992 GET DOWN! GET DOWN! (all shouting at once) 20 00:01:31,992 --> 00:01:34,162 GET DOWN! 21 00:01:34,162 --> 00:01:38,097 JANE? 22 00:01:38,097 --> 00:01:40,901 LISBON? WHAT ARE YOU DOING HERE? 23 00:01:40,901 --> 00:01:42,635 WHAT DO YOU THINK? 24 00:01:48,408 --> 00:01:52,945 WHAT ARE YOU DOING HERE? YOU'RE WAVING YOUR GUNS AROUND, IS WHAT YOU'RE DOING. 25 00:01:52,945 --> 00:01:56,849 CAN YOU JUST PUT YOUR GUNS AWAY, PLEASE? 26 00:01:56,849 --> 00:01:58,786 COWBOYS! 27 00:02:01,454 --> 00:02:11,331 ** 28 00:02:11,331 --> 00:02:14,134 SIR, THE IMPORTANT THING IS NOBODY GOT HURT. 29 00:02:14,134 --> 00:02:16,370 ALL RESPECT TO YOUR PEOPLE, LISBON, 30 00:02:16,370 --> 00:02:18,372 THE IMPORTANT THING IS WE MAKE SURE 31 00:02:18,372 --> 00:02:20,307 THAT THIS DOES NOT HAPPEN AGAIN. 32 00:02:20,307 --> 00:02:22,643 "CBI AGENTS SHOOT EACH OTHER" 33 00:02:22,643 --> 00:02:25,612 IS NOT A HEADLINE THAT I WANT TO SEE. 34 00:02:25,612 --> 00:02:27,146 WE CAME IN HOT 35 00:02:27,146 --> 00:02:30,818 BECAUSE WE THOUGHT THE KIDNAP VICTIM WAS THERE. MIA SOMEBODY. 36 00:02:30,818 --> 00:02:33,287 MIA WESTLAKE. MARIN COUNTY HEIRESS. MIA WESTLAKE. 37 00:02:33,287 --> 00:02:35,723 SHE WAS TAKEN A DAY AND A HALF AGO. 38 00:02:35,723 --> 00:02:37,824 WITNESS GAVE US A PARTIAL PLATE ON THE KIDNAPPER'S CAR. 39 00:02:37,824 --> 00:02:40,593 WE DUG UP AN OUTSTANDING PARKING TICKET 40 00:02:40,593 --> 00:02:42,530 TO A CAR IN OAKLAND, CHECKED THE ADDRESS, 41 00:02:42,530 --> 00:02:44,997 FOUND THERE WERE PEOPLE INSIDE A HOUSE 42 00:02:44,997 --> 00:02:48,569 THAT WAS SUPPOSED TO BE EMPTY. AND HE FOUND YOU THERE BECAUSE? 43 00:02:48,569 --> 00:02:50,503 WE GOT A CALL FROM THE CORONER'S BUREAU. 44 00:02:50,503 --> 00:02:52,740 THERE WAS A REPORT OF A CORPSE IN A HOUSE. 45 00:02:52,740 --> 00:02:55,042 BUT THEY WERE SHORTHANDED-- BUDGET CUTS-- 46 00:02:55,042 --> 00:02:56,810 SO THEY ASKED US TO GO AND CHECK IT OUT. 47 00:02:56,810 --> 00:02:59,413 MY TEAM WENT IN THE HOUSE. THE CORPSE WAS THERE 48 00:02:59,413 --> 00:03:01,748 BUT THE CORONER WASN'T, SO WE WAITED. 49 00:03:01,748 --> 00:03:04,084 AND EVERYONE ALMOST DIED IN A HAIL OF BULLETS. 50 00:03:04,084 --> 00:03:06,586 WHERE ARE YOU WITH WESTLAKE? 51 00:03:06,586 --> 00:03:08,556 WE'RE SET UP INSIDE THE HOUSE. 52 00:03:08,556 --> 00:03:10,457 WE'RE WAITING FOR A RANSOM DEMAND. 53 00:03:10,457 --> 00:03:13,326 WHAT'S WITH THE CORPSE? A YOUNG MALE DEAD THREE TO FIVE YEARS. 54 00:03:13,326 --> 00:03:15,795 CORONER COULDN'T BE SPECIFIC. 55 00:03:15,795 --> 00:03:18,265 THERE WERE TWO BULLET HOLES IN THE BASE OF THE SKULL. 56 00:03:18,265 --> 00:03:20,967 IT WAS WRAPPED IN PLASTIC AND STORED IN A WINDOW SEAT. DO YOU HAVE AN I.D.? 57 00:03:20,967 --> 00:03:24,538 NOT YET. YES YET. CORONER'S REPORT JUST CAME IN, 58 00:03:24,538 --> 00:03:27,807 AND THE CORPSE IS... COLIN HAYMER. 59 00:03:27,807 --> 00:03:30,843 HAYMER? WHY DO I RECOGNIZE THAT NAME? 60 00:03:30,843 --> 00:03:33,747 COLIN HAYMER WAS A KIDNAP VICTIM THREE YEARS AGO. 61 00:03:33,747 --> 00:03:36,750 EARLY 20s FROM SAN FRANCISCO, WEALTHY FAMILY. 62 00:03:36,750 --> 00:03:40,920 S.F.P.D. HANDLED THE CASE. FAMILY PAID THE RANSOM. THAT DIDN'T WORK. 63 00:03:40,920 --> 00:03:43,055 EERILY SIMILAR TO YOUR KIDNAPPING, DON'T YOU THINK? 64 00:03:43,055 --> 00:03:45,825 WHO WANTS TO BET COLIN HAYMER'S KIDNAPPER'S THE SAME KIDNAPPERS 65 00:03:45,825 --> 00:03:50,097 THAT KIDNAPPED MIA WESTLAKE? WELL, COULD BE A COINCIDENCE. 66 00:03:50,097 --> 00:03:51,899 THERE ARE NO COINCIDENCES. 67 00:03:51,899 --> 00:03:54,701 I AGREE. I WANT YOUR PEOPLE TEAMING UP ON THIS. 68 00:03:54,701 --> 00:03:58,372 (sighs) IS THAT NECESSARY? I BELIEVE IT IS. 69 00:03:58,372 --> 00:04:01,875 I WANT TO FOSTER BETTER INTER-UNIT RELATIONS. 70 00:04:01,875 --> 00:04:06,413 LET'S STOP STUMBLING INTO EACH OTHER AND TRY WORKING TOGETHER. 71 00:04:06,413 --> 00:04:09,216 YOU HAVE CONCERNS. 72 00:04:09,216 --> 00:04:10,484 I DO. 73 00:04:10,484 --> 00:04:13,052 THIS MAN IS A... A... 74 00:04:13,052 --> 00:04:15,556 I-I DON'T EVEN KNOW WHAT HE IS. 75 00:04:15,556 --> 00:04:17,725 HE'S AN ACCIDENT WAITING TO HAPPEN. 76 00:04:17,725 --> 00:04:21,060 SAM, BE FAIR. HE-- CLOSES CASES, I KNOW. 77 00:04:21,060 --> 00:04:23,196 I DO. HE DOES. 78 00:04:23,196 --> 00:04:25,165 I DO. 79 00:04:25,165 --> 00:04:29,036 IN MY OPINION, THIS IS A MISTAKE. 80 00:04:29,036 --> 00:04:30,903 WE'RE ALL AGREED THEN. 81 00:04:30,903 --> 00:04:32,740 (sighs deeply) 82 00:04:32,740 --> 00:04:35,908 OFF YOU GO. 83 00:04:35,908 --> 00:04:38,612 MIA WESTLAKE WAS ABDUCTED 38 HOURS AGO 84 00:04:38,612 --> 00:04:41,081 COMING HOME FROM A GALLERY OPENING. 85 00:04:41,081 --> 00:04:43,917 THANK YOU, REBECCA. 86 00:04:43,917 --> 00:04:47,019 UH, YOU NEED ANYTHING ELSE? NO, WE'RE GOOD. THANK YOU. 87 00:04:47,019 --> 00:04:51,024 THIS IS COPIES OF THE CASE PAPERWORK SO FAR. 88 00:04:51,024 --> 00:04:55,262 NOW THE KIDNAPPERS FORCED HER CAR OFF THE ROAD, 89 00:04:55,262 --> 00:04:57,064 KILLED THE DRIVER AND THEN TOOK HER. 90 00:04:57,064 --> 00:04:58,798 WHY KILL THE DRIVER? 91 00:04:58,798 --> 00:05:01,468 IT'S A MESSAGE. THEY WON'T HESITATE TO KILL THE HOSTAGE 92 00:05:01,468 --> 00:05:04,137 IF THEY DON'T GET WHAT THEY WANT. YES. 93 00:05:04,137 --> 00:05:06,607 THERE'S NO RANSOM DEMAND YET. 94 00:05:06,607 --> 00:05:10,978 HOW DO WE KNOW IT'S A KIDNAPPING? THEY SENT THE FAMILY A PROOF OF LIFE A FEW HOURS LATER. 95 00:05:10,978 --> 00:05:13,613 NO BLINDFOLD. THAT'S NOT GOOD. MEANS THEY DON'T CARE 96 00:05:13,613 --> 00:05:16,315 IF SHE SEES ANYTHING. GOOD THINKING, BERT. 97 00:05:16,315 --> 00:05:19,286 WHAT'S YOUR PROBLEM? NO PROBLEM. 98 00:05:19,286 --> 00:05:21,053 (Lisbon) HEY. RIGSBY'S CORRECT. 99 00:05:21,053 --> 00:05:23,557 THIS IS SHAPING UP TO END LIKE THE HAYMER ABDUCTION. 100 00:05:23,557 --> 00:05:26,059 LET'S MAKE SURE THAT IT DOESN'T. 101 00:05:26,059 --> 00:05:29,762 ALL RIGHT, I GOTTA GET BACK TO THE WESTLAKES'. I'D LIKE TO COME WITH IF THAT'S ALL RIGHT. 102 00:05:29,762 --> 00:05:32,165 I'D LIKE TO ASK THE WESTLAKES SOME QUESTIONS 103 00:05:32,165 --> 00:05:34,802 ABOUT OUR DEAD GUY, SEE IF THERE'S ANY CONNECTION. (Bosco) OKAY. 104 00:05:34,802 --> 00:05:37,538 START DIGGING ON THE HAYMER CASE. 105 00:05:37,538 --> 00:05:39,840 CONTACT THE FAMILY, SET UP INTERVIEWS. AND I'D LIKE TO LEAVE HICKS HERE TO WORK WITH YOUR TEAM. 106 00:05:39,840 --> 00:05:41,542 THAT'S ALL RIGHT WITH YOU? KEEP 'EM HONEST. (Lisbon) OKAY. 107 00:05:41,542 --> 00:05:43,976 (Van Pelt) HEY. (Rigsby) WHAT DID HE SAY? 108 00:05:43,976 --> 00:05:48,014 (Lisbon) CARE TO REFRAME THAT, SAM? NO. THEY'RE JANE'S PEOPLE. THEY NEED WATCHING. 109 00:05:48,014 --> 00:05:50,817 I LIKE TO THINK OF THEM AS MY PEOPLE. WELL, THINK WHAT YOU LIKE. 110 00:05:50,817 --> 00:05:53,821 I CAN'T HAVE THEM TRYING TO PULL SOME CHEAP STUNT BEHIND MY BACK. 111 00:05:53,821 --> 00:05:56,590 WELL, WE HAVE A WHOLE RANGE OF EXPENSIVE STUNTS 112 00:05:56,590 --> 00:06:00,894 IF YOU DON'T LIKE THE CHEAP ONES. I UNDERSTAND YOUR ISSUE, AGENT BOSCO. 113 00:06:00,894 --> 00:06:04,130 NO PROBLEM. WELCOME, HICKS. (Van Pelt) BOSS. 114 00:06:04,130 --> 00:06:06,365 WE'LL EXTEND EVERY COURTESY. 115 00:06:08,268 --> 00:06:10,637 LET'S GET STARTED, SHALL WE? 116 00:06:12,439 --> 00:06:15,576 (police radio chatter) 117 00:06:27,987 --> 00:06:31,190 (Bosco) THIS IS VERONA WESTLAKE. THIS IS MIA'S SISTER. 118 00:06:31,190 --> 00:06:32,925 YOU MUST BE CBI, TOO? 119 00:06:32,925 --> 00:06:35,295 I'M AGENT LISBON. THAT'S PATRICK JANE. 120 00:06:35,295 --> 00:06:36,829 HI. 121 00:06:36,829 --> 00:06:39,132 UH, MY HUSBAND DUNCAN WEAVER. HEY. 122 00:06:39,132 --> 00:06:40,768 MORE CBI? 123 00:06:40,768 --> 00:06:42,935 WHERE DID YOU GUYS COME FROM, ANYWAY? 124 00:06:42,935 --> 00:06:47,173 TWO DAYS AGO, I NEVER HEARD OF YOU. YOU NEITHER. NICE PLACE. 125 00:06:47,173 --> 00:06:49,877 YOU GUYS MUST BE LOADED. HOW DID YOU MAKE THE MONEY? 126 00:06:49,877 --> 00:06:52,913 UH, MY GRANDFATHER, ACTUALLY-- OIL, LUMBER. 127 00:06:52,913 --> 00:06:54,915 OH! I JUST ASSUMED IT WAS NEW MONEY, 128 00:06:54,915 --> 00:06:59,086 BECAUSE OF THE, UH, THE DECOR. 129 00:06:59,086 --> 00:07:03,122 (lowers voice) UM, ALREADY YOU START WITH THIS CRAP? 130 00:07:03,122 --> 00:07:04,958 (lowers voice) WHAT? WHAT? 131 00:07:04,958 --> 00:07:07,226 UH, BELINDA SANDBORNE, VERONA'S ATTORNEY. 132 00:07:07,226 --> 00:07:10,163 ANY CONVERSATION YOU HAVE WITH VERONA OR DUNCAN, 133 00:07:10,163 --> 00:07:14,201 I NEED TO BE THERE. NOT A PROBLEM. IS THERE SOMEONE ELSE IN THE FAMILY 134 00:07:14,201 --> 00:07:16,803 WE SHOULD BE TALKING TO? 135 00:07:16,803 --> 00:07:20,173 I'M SORT OF... THE FAMILY. 136 00:07:20,173 --> 00:07:22,108 OUR PARENTS ARE DEAD. 137 00:07:22,108 --> 00:07:24,076 (sniffles) 138 00:07:24,076 --> 00:07:28,548 YOU KNOW, MIA-- SHE'S THE GROWN-UP, CAPABLE ONE. 139 00:07:28,548 --> 00:07:30,550 I'M THE MESS. 140 00:07:30,550 --> 00:07:32,252 HEY. 141 00:07:32,252 --> 00:07:35,154 TOO BAD, HUH? THEY TOOK THE WRONG SISTER. 142 00:07:35,154 --> 00:07:36,255 YOU'RE DOING FINE. 143 00:07:36,255 --> 00:07:38,457 LISTEN TO THE MAN WITH THE GUN, BABE. 144 00:07:38,457 --> 00:07:41,961 WE UNDERSTAND YOU'RE INVESTIGATING A RELATED CASE? 145 00:07:41,961 --> 00:07:44,096 ANOTHER KIDNAPPING THAT MAY HAVE BEEN CARRIED OUT 146 00:07:44,096 --> 00:07:47,901 BY THE SAME PEOPLE, YES. HOW DID IT, UM, TURN OUT? 147 00:07:47,901 --> 00:07:51,504 DID THE--DID THE PERSON THEY TOOK GET HOME OKAY? 148 00:07:51,504 --> 00:07:54,106 NO. HE WAS KILLED. 149 00:07:56,709 --> 00:08:00,312 HIS NAME IS COLIN HAYMER. HERE'S HIS PICTURE. 150 00:08:00,312 --> 00:08:04,184 HE'S FROM PACIFIC HEIGHTS. DOES HE LOOK FAMILIAR? 151 00:08:04,184 --> 00:08:06,418 NO. YOU, BABE? 152 00:08:06,418 --> 00:08:08,154 NOTHING. SORRY. 153 00:08:08,154 --> 00:08:11,423 DOES HIS NAME EVER COME UP IN ANY CONTEXT, EVEN CASUALLY? 154 00:08:11,423 --> 00:08:13,259 I DON'T THINK SO. 155 00:08:13,259 --> 00:08:15,596 HE WAS WORKING AT A COMPANY CALLED STRAF INVESTMENTS 156 00:08:15,596 --> 00:08:18,966 WHEN HE WAS TAKEN. DO YOU HAVE ANYTHING TO DO WITH THEM? 157 00:08:18,966 --> 00:08:21,067 STRAF? 158 00:08:21,067 --> 00:08:22,903 UM... BELINDA? 159 00:08:22,903 --> 00:08:25,872 NO, I DON'T THINK SO. I'LL CHECK THE RECORDS. 160 00:08:25,872 --> 00:08:28,440 I'M SORRY I'M NOT REALLY HELPING. I'M TRYING. 161 00:08:28,440 --> 00:08:30,442 I'M--I'M NOT... 162 00:08:30,442 --> 00:08:34,380 HELLO! OKAY. (chuckles) 163 00:08:34,380 --> 00:08:37,049 LOOK WHAT I FOUND. OH, GOD. 164 00:08:37,049 --> 00:08:38,951 UH, LEVI, WHAT ARE YOU DOING IN HERE? 165 00:08:38,951 --> 00:08:40,953 SHE'S YOURS? 166 00:08:40,953 --> 00:08:44,423 YES. UH, MRS. KENT? WHERE IS SHE? MRS. KENT! 167 00:08:44,423 --> 00:08:47,427 OH, SHE'S FINE. UM... (sniffs) SHE'S A LITTLE SMELLY, 168 00:08:47,427 --> 00:08:50,429 BUT, UH, OTHER THAN THAT, SHE'S A LITTLE CHERUB. 169 00:08:50,429 --> 00:08:51,865 SORRY, SORRY. 170 00:08:51,865 --> 00:08:53,966 MRS. KENT, PLEASE KEEP HER IN HER ROOM. 171 00:08:53,966 --> 00:08:56,903 WE DISCUSSED THIS. YES, MA'AM. 172 00:08:56,903 --> 00:08:59,306 BOSS, RANSOM DEMAND JUST CAME IN. 173 00:08:59,306 --> 00:09:00,707 COME ON. 174 00:09:00,707 --> 00:09:03,043 EXCUSE ME. SORRY. 175 00:09:06,813 --> 00:09:08,948 (makes popping sound) 176 00:09:12,251 --> 00:09:15,154 AH. 177 00:09:15,154 --> 00:09:18,325 IT'S A VIDEO ATTACHMENT TO AN E-MAIL. 178 00:09:18,325 --> 00:09:21,861 CAN YOU GET THE I.P. ADDRESS? OH, I'M TRYING, 179 00:09:21,861 --> 00:09:24,697 BUT THEY ROUTED IT THROUGH A BUNCH OF SERVERS. 180 00:09:24,697 --> 00:09:26,499 IT MIGHT TAKE DAYS. (speaks indistinctly) 181 00:09:26,499 --> 00:09:28,534 (gasps) 182 00:09:28,534 --> 00:09:31,071 YOU--YOU WANT ME TO READ THIS? 183 00:09:33,240 --> 00:09:36,043 OKAY. 184 00:09:39,647 --> 00:09:43,951 "MY NAME IS MIA WESTLAKE. I AM NOT HURT. 185 00:09:43,951 --> 00:09:46,219 "I AM BEING TREATED WELL. 186 00:09:46,219 --> 00:09:49,056 "FOR MY SAFE RETURN, 187 00:09:49,056 --> 00:09:53,493 "YOU MUST PAY $3.75 MILLION 188 00:09:53,493 --> 00:09:55,995 "IN SMALL, NONSEQUENTIAL BILLS. 189 00:09:55,995 --> 00:10:00,200 "THIS MONEY IS TO BE READY BY 6:00 P.M. TONIGHT. 190 00:10:00,200 --> 00:10:03,870 "YOU WILL BE INSTRUCTED WHAT TO DO THEN. 191 00:10:03,870 --> 00:10:06,706 FAILURE TO COMPLY WILL RESULT..." 192 00:10:10,442 --> 00:10:13,046 "IN MY IMMEDIATE EXECUTION." 193 00:10:13,046 --> 00:10:14,614 (crying) 194 00:10:14,614 --> 00:10:18,085 "ANY INTERFERENCE WILL RESULT IN MY IMMEDIATE EXECUTION." 195 00:10:18,085 --> 00:10:20,086 VERONA, IF YOU'RE WATCHING THIS, I... 196 00:10:22,889 --> 00:10:25,424 DID YOU SEE THE TAT ON THAT GUY? YEAH. 197 00:10:25,424 --> 00:10:28,961 I MEAN, THAT LOOKS LIKE MEXICAN MAFIA. MM. 198 00:10:28,961 --> 00:10:31,597 WE'RE NOT GONNA GET ANYTHING OUT OF THE WESTLAKES NOW. 199 00:10:31,597 --> 00:10:33,133 LET'S GO. 200 00:10:33,133 --> 00:10:37,004 $3.75 MILLION--VERY SPECIFIC NUMBER, DON'T YOU THINK? 201 00:10:37,004 --> 00:10:39,005 MAYBE THE KIDNAPPERS HAVE THEIR EYE 202 00:10:39,005 --> 00:10:40,841 ON THE WESTLAKES' BANK ACCOUNT. 203 00:10:40,841 --> 00:10:43,475 I'LL TALK TO BOSCO ABOUT IT, THEN WE'LL GO. 204 00:10:43,475 --> 00:10:45,712 OKAY. TAKE YOUR TIME. 205 00:10:51,350 --> 00:10:55,187 WH--HEY, EXCUSE ME. UH, WE'D LIKE SOME PRIVACY. 206 00:10:55,187 --> 00:10:58,557 I CAN UNDERSTAND THAT. WHAT'S IN YOUR POCKET? 207 00:10:58,557 --> 00:11:01,094 NONE OF YOUR BUSINESS. 208 00:11:01,094 --> 00:11:03,296 YOU JUST KEEP TAPPING IT... 209 00:11:03,296 --> 00:11:05,097 TAP, TAP, TAPPING IT. 210 00:11:05,097 --> 00:11:09,135 WHATEVER IS IN THERE, YOU'RE OBVIOUSLY NERVOUS ABOUT IT. 211 00:11:09,135 --> 00:11:13,005 I'M ASSUMING IT'S ILLEGAL. (pouring liquid) 212 00:11:13,005 --> 00:11:16,043 MY BEST GUESS WOULD BE... DRUGS. 213 00:11:16,043 --> 00:11:18,378 UH, DO--DO YOU HAVE ANY LEMON? 214 00:11:18,378 --> 00:11:20,613 I'M GONNA GO FIND YOUR BOSS, ALL RIGHT? 215 00:11:20,613 --> 00:11:22,950 OKAY. WELL, BE SURE TO TELL HER ABOUT THE DRUGS 216 00:11:22,950 --> 00:11:25,585 IN YOUR TOP POCKET. IF YOU NEED ME, 217 00:11:25,585 --> 00:11:27,955 I'M GONNA BE RIGHT HERE TALKING TO YOUR LOVELY WIFE. 218 00:11:27,955 --> 00:11:29,822 (voice breaking) PLEASE LEAVE, ALL RIGHT? 219 00:11:29,822 --> 00:11:33,059 I JUST WANT TO BE ALONE. THAT'S WHAT WE ALL WANT. NO ONE GETS IT. 220 00:11:33,059 --> 00:11:34,761 SO THERE'S NO LEMONS HERE? 221 00:11:34,761 --> 00:11:36,764 NO, I DON'T THINK SO! 222 00:11:36,764 --> 00:11:39,767 I REALLY FELT LIKE... MM, NEVER MIND. 223 00:11:39,767 --> 00:11:42,201 YOUR SISTER NEEDS YOU HERE NOW. 224 00:11:42,201 --> 00:11:45,739 AS COMFORTING AS IT MIGHT BE TO CRAWL UNDER THE BLANKET 225 00:11:45,739 --> 00:11:50,110 OF NARCOTICS THAT YOUR HUSBAND HAS SO GENEROUSLY PROCURED 226 00:11:50,110 --> 00:11:52,812 FOR YOU, IT'S BETTER THAT YOU DON'T. 227 00:11:52,812 --> 00:11:55,347 (sniffles) NOTHING I DO IS GOING TO HELP HER. 228 00:11:55,347 --> 00:11:57,716 YOU'RE PROBABLY RIGHT. 229 00:11:57,716 --> 00:11:59,186 WHAT'S THE POINT? 230 00:11:59,186 --> 00:12:02,990 WHAT YOU CAN ACCOMPLISH IS IRRELEVANT. 231 00:12:02,990 --> 00:12:06,025 BUT IF YOU ARE ABSENT IN THIS MOMENT, 232 00:12:06,025 --> 00:12:08,028 YOU WILL REGRET IT FOR THE REST 233 00:12:08,028 --> 00:12:11,097 OF WHAT WILL BE A MISERABLE LIFE. 234 00:12:13,299 --> 00:12:16,135 THAT'S ALL. 235 00:12:16,135 --> 00:12:17,804 SEE YOU. 236 00:12:26,013 --> 00:12:28,280 (Lisbon) WHAT WERE YOU DOING BACK THERE? 237 00:12:28,280 --> 00:12:31,051 OH, JUST GETTING A SNACK, A LITTLE LIGHT REFRESHMENT. 238 00:12:31,051 --> 00:12:34,922 WHY DON'T I BELIEVE YOU? WHAT? W-WHAT IS THIS? 239 00:12:34,922 --> 00:12:38,158 THIS IS PROOF OF MY VERACITY. IT'S TIME TO GO. 240 00:12:38,158 --> 00:12:42,062 I'M GONNA STAY. I KNOW WHAT THIS IS ABOUT. BOSCO'S GOT THE RED JOHN FILE. 241 00:12:42,062 --> 00:12:44,697 YOU THINK IF YOU HANG AROUND LONG ENOUGH, 242 00:12:44,697 --> 00:12:48,000 YOU'LL WEASEL YOUR WAY INTO IT. "WEASEL" IS A LITTLE STRONG. 243 00:12:48,000 --> 00:12:50,302 YOU'RE WASTING YOUR TIME. BOSCO WILL NEVER GO FOR IT. 244 00:12:50,302 --> 00:12:51,738 NEVER. 245 00:12:51,738 --> 00:12:55,174 WHAT? I'LL NEVER GO FOR WHAT? I LIKE THE WAY YOU WORK. 246 00:12:55,174 --> 00:12:58,245 I WANT TO WORK ON YOUR TEAM ON THE, UH, KIDNAPPING DETAIL. 247 00:12:58,245 --> 00:13:00,147 OH, YOU DO, HUH? 248 00:13:00,147 --> 00:13:01,780 A LIVE KIDNAPPING VICTIM IS SO MUCH MORE MY SPEED 249 00:13:01,780 --> 00:13:04,783 THAN A SHRIVELED CORPSE. LIKE I CARE ABOUT YOUR SPEED. 250 00:13:04,783 --> 00:13:08,087 LISBON, YOU CLAIM TO HAVE CONTROL OVER THIS WHACK-JOB. 251 00:13:08,087 --> 00:13:11,724 WHY DON'T YOU DO ME A FAVOR AND WALK HIM AWAY? DON'T TALK TO ME THAT WAY. 252 00:13:11,724 --> 00:13:14,927 YEAH, THAT'S VERY RUDE. QUIET. MINELLI GAVE US SPECIFIC ORDERS. 253 00:13:14,927 --> 00:13:18,999 I DON'T GIVE A FLYING-- HEY. HEY, HEY, HEY! YOU THIS AGENT'S BOSS? 254 00:13:18,999 --> 00:13:22,402 WHY? I WANT HIM REMOVED FROM THIS CASE NOW. 255 00:13:22,402 --> 00:13:24,270 NOW, ALL RIGHT? 256 00:13:24,270 --> 00:13:27,006 HE'S--HE'S DISRESPECTFUL AND, UH, RUDE 257 00:13:27,006 --> 00:13:29,775 AND--AND UNPROFESSIONAL. OH, HE'S JUST ANGRY 'CAUSE I CALLED HIM 258 00:13:29,775 --> 00:13:34,514 ON HIS LITTLE DRUG DEAL THING. OKAY, YOU'RE NUTS. I HAVE NO DRUGS. 259 00:13:34,514 --> 00:13:35,849 LIAR. 260 00:13:35,849 --> 00:13:37,951 I DEMAND YOU TAKE THIS MAN OFF THE CASE, 261 00:13:37,951 --> 00:13:41,687 OR THERE WILL BE SERIOUS CONSEQUENCES. WELL, SIR, THAT'S NOT YOUR CALL. 262 00:13:41,687 --> 00:13:43,490 OH, YEAH? YOU THINK? 263 00:13:43,490 --> 00:13:46,625 ONE PHONE CALL, I CAN HAVE YOU DIRECTING TRAFFIC. 264 00:13:46,625 --> 00:13:48,227 IS THAT RIGHT? 265 00:13:48,227 --> 00:13:49,796 YEAH, IT IS. 266 00:13:49,796 --> 00:13:53,033 WELL, MAKE YOUR CALL, BECAUSE THIS MAN'S STAYING ON THE CASE 267 00:13:53,033 --> 00:13:55,768 WHETHER YOU LIKE IT OR NOT. REALLY? 268 00:13:55,768 --> 00:13:59,139 YEAH. YOU SEE--SEE THIS? YOU SEE WHAT HE'S DONE TO MY WIFE? 269 00:13:59,139 --> 00:14:01,573 I MEAN, THIS GUY'S OUT OF CONTROL. SHUT UP, DUNCAN. 270 00:14:01,573 --> 00:14:05,677 BABY, I WAS TRYING TO EXPLAIN-- SHUT UP. 271 00:14:05,677 --> 00:14:07,547 MR. JANE, IS IT? 272 00:14:07,547 --> 00:14:08,715 YEAH. 273 00:14:08,715 --> 00:14:14,486 WHAT YOU SAID EARLIER WAS RIGHT. THANK YOU... 274 00:14:14,486 --> 00:14:16,123 I GUESS. (chuckles) 275 00:14:16,123 --> 00:14:19,259 (sniffles) LEAVE HIM ALONE. 276 00:14:25,131 --> 00:14:27,900 OKAY, THEN. IT'S SETTLED. HAVE FUN. BOYS. 277 00:14:34,374 --> 00:14:37,076 WAIT. 278 00:14:42,815 --> 00:14:44,616 FROM THE COLIN HAYMER CASE. 279 00:14:44,616 --> 00:14:47,820 SO YOU WANT NAMES THAT BEGIN WITH "A" THROUGH "L" 280 00:14:47,820 --> 00:14:49,489 OR "M" THROUGH "Z"? "A" THROUGH "L." 281 00:14:49,489 --> 00:14:51,091 YOU GOT IT. 282 00:14:51,091 --> 00:14:53,225 CHANGED MY MIND. I WANT "M" THROUGH "Z." 283 00:14:53,225 --> 00:14:54,961 TOO LATE. YOU ALREADY CHOSE. 284 00:14:54,961 --> 00:14:58,130 OH, COME ON. ROCK, PAPER, SCISSORS? STEP UP. 285 00:14:58,130 --> 00:15:00,432 HEY, BERT, CAN I GET ON THIS ROCK, PAPER, SCISSORS? 286 00:15:00,432 --> 00:15:03,403 I HAVEN'T HAD A REALLY GOOD GAME SINCE I WAS, OH, 10. 287 00:15:03,403 --> 00:15:06,038 IT'S RIGSBY. 288 00:15:06,038 --> 00:15:08,341 I KNOW. 289 00:15:08,341 --> 00:15:11,711 HEY, WHAT'S WITH HICKS CALLING ME BERT? 290 00:15:11,711 --> 00:15:14,214 UM, I'M SURE I DON'T KNOW. 291 00:15:14,214 --> 00:15:16,316 IT'S BERT, LIKE THE MUPPET. 292 00:15:16,316 --> 00:15:19,619 IT'S JUST A STUPID NICKNAME. IT DOESN'T MEAN ANYTHING. 293 00:15:19,619 --> 00:15:21,620 BOSCO'S TEAM CALLS US BERT AND ERNIE. 294 00:15:21,620 --> 00:15:24,356 YOU KNEW THAT, AND YOU DIDN'T SAY ANYTHING? IT WOULD BOTHER YOU. 295 00:15:24,356 --> 00:15:26,493 IT DOESN'T BOTHER YOU? NO. 296 00:15:26,493 --> 00:15:29,428 WHY NOT? ERNIE'S THE CLEVER, HANDSOME ONE. 297 00:15:29,428 --> 00:15:31,364 WHERE'S JANE? WITH BOSCO. 298 00:15:31,364 --> 00:15:33,665 DON'T ASK ME WHAT THEY'RE DOING, BECAUSE I DON'T KNOW 299 00:15:33,665 --> 00:15:37,437 AND I DON'T CARE. WHAT DO YOU GOT? I'VE BEEN CHECKING OUT THE HOUSE 300 00:15:37,437 --> 00:15:40,240 WHERE WE FOUND COLIN HAYMER'S BODY. 301 00:15:40,240 --> 00:15:42,174 IT'S BEEN ABANDONED SEVEN YEARS. 302 00:15:42,174 --> 00:15:44,177 THERE WERE SOME COMPLAINTS ABOUT SQUATTERS 303 00:15:44,177 --> 00:15:46,178 FIVE, SIX YEARS AGO. NOTHING ELSE. 304 00:15:46,178 --> 00:15:49,115 AGENT LISBON, THERE'S A LOUIS EARLEN 305 00:15:49,115 --> 00:15:52,351 TO SEE YOU IN YOUR OFFICE. KEEP DIGGING. 306 00:15:52,351 --> 00:15:53,485 RIGHT. 307 00:15:53,485 --> 00:15:55,221 LIEUTENANT EARLEN. 308 00:15:55,221 --> 00:15:58,024 THANKS FOR COMING. LOUIS, PLEASE. I'M RETIRED. 309 00:15:58,024 --> 00:16:00,893 SO YOU FOUND POOR COLIN HAYMER? 310 00:16:00,893 --> 00:16:02,328 WE DID. 311 00:16:02,328 --> 00:16:04,464 YOU WERE THE S.F.P.D. OFFICER 312 00:16:04,464 --> 00:16:05,898 IN CHARGE OF THE KIDNAPPING INVESTIGATION, RIGHT? 313 00:16:05,898 --> 00:16:09,936 I WAS. SPENT A LOT OF TIME WITH THE HAYMER FAMILY. 314 00:16:09,936 --> 00:16:12,239 HAVE THEY BEEN NOTIFIED? THEY HAVE. 315 00:16:12,239 --> 00:16:14,240 OH. HOPE IT'S SOME KIND OF CONSOLATION. 316 00:16:14,240 --> 00:16:16,643 THEY'VE BEEN WAITING A LONG TIME FOR THAT BOY. 317 00:16:16,643 --> 00:16:18,445 WE HAVE ANOTHER KIDNAPPING. 318 00:16:18,445 --> 00:16:20,980 WE THINK THE SAME PEOPLE MIGHT BE BEHIND IT. 319 00:16:20,980 --> 00:16:22,282 HOW CAN I HELP? 320 00:16:22,282 --> 00:16:24,283 ANYBODY YOU THINK WE SHOULD TAKE A LOOK AT? 321 00:16:24,283 --> 00:16:26,885 (chuckles) TALL ORDER. WE LOOKED AT A LOT OF PEOPLE. 322 00:16:26,885 --> 00:16:29,989 WELL, WE WERE WONDERING IF MAYBE IT WAS AN INSIDE JOB. 323 00:16:29,989 --> 00:16:32,591 THE RANSOM DEMAND WAS PRETTY SPECIFIC. 324 00:16:32,591 --> 00:16:33,893 WE CONSIDERED THAT. 325 00:16:33,893 --> 00:16:36,928 I ALWAYS HAD A FEELING ABOUT COLIN'S GIRLFRIEND-- 326 00:16:36,928 --> 00:16:39,999 NOTHING SOLID, JUST A FEELING. DO YOU REMEMBER HER NAME? 327 00:16:39,999 --> 00:16:43,135 DIANE ZAR... ZARANSKI. 328 00:16:43,135 --> 00:16:44,671 YEAH. 329 00:16:44,671 --> 00:16:46,905 TALKED TO HER A COUPLE OF TIMES. 330 00:16:46,905 --> 00:16:48,707 WHEN'S THE RANSOM DROP? 331 00:16:48,707 --> 00:16:51,077 TONIGHT, 6:00. UH-HUH. 332 00:16:51,077 --> 00:16:53,113 THE NIGHT COLIN'S RANSOM GOT PAID, 333 00:16:53,113 --> 00:16:57,250 I SAT WITH HIS PARENTS TILL MORNING 334 00:16:57,250 --> 00:17:00,253 JUST WAITIN' TO HEAR HE WAS SAFE. 335 00:17:00,253 --> 00:17:03,022 DON'T THINK WE SAID TEN WORDS. 336 00:17:06,492 --> 00:17:09,061 (sighs) 337 00:17:09,061 --> 00:17:13,165 IF IT IS THE SAME PEOPLE THAT TOOK COLIN, 338 00:17:13,165 --> 00:17:15,768 YOU DO THIS GIRL'S FAMILY A FAVOR. 339 00:17:15,768 --> 00:17:17,136 MONEY DROPS AT 6:00. 340 00:17:17,136 --> 00:17:20,073 AT 6:01, YOU TELL THEM THEIR CHILD IS DEAD, 341 00:17:20,073 --> 00:17:22,942 GIVE 'EM A CHANCE TO GET USED TO IT. 342 00:17:22,942 --> 00:17:25,377 IT WOULD BE A KINDNESS. 343 00:17:37,190 --> 00:17:39,659 BOSS, I MIGHT HAVE SOMETHING. WHAT? 344 00:17:39,659 --> 00:17:41,961 THOSE SQUATTERS IN THE HOUSE WHERE WE FOUND HAYMER? 345 00:17:41,961 --> 00:17:44,631 THEY WERE DRUG DEALERS. A DETECTIVE IN OAKLAND NARCOTICS 346 00:17:44,631 --> 00:17:47,134 SAID THEY'RE AN EXTENDED FAMILY--EIGHT OR TEN PEOPLE. 347 00:17:47,134 --> 00:17:49,135 THEY GREW POT ON A FARM CALLED CRAZY HILL 348 00:17:49,135 --> 00:17:51,438 IN GOODHUE COUNTY, BROUGHT IT INTO OAKLAND 349 00:17:51,438 --> 00:17:54,441 AND SOLD IT OUT OF THE HOUSE. AND THIS HAS TO DO WITH COLIN HAYMER HOW? 350 00:17:54,441 --> 00:17:56,442 APPARENTLY, THEY ALSO SOLD DRUGS 351 00:17:56,442 --> 00:17:58,611 THAT THEY BOUGHT FROM BORDER CARTELS, 352 00:17:58,611 --> 00:18:01,114 AND THEY PICKED UP SOME OF THE CARTELS' HABITS 353 00:18:01,114 --> 00:18:02,949 LIKE KIDNAPPING FOR CASH. 354 00:18:02,949 --> 00:18:06,219 SO THEY WENT FROM DEALING POT TO KIDNAPPING WEALTHY KIDS? 355 00:18:06,219 --> 00:18:09,256 LESS EFFORT, MORE PROFIT. DO YOU HAVE ANY NAMES? 356 00:18:09,256 --> 00:18:11,258 THEY'RE KNOWN AS THE CRAZY HILL GANG. 357 00:18:11,258 --> 00:18:13,759 ONE OF THE RINGLEADERS WAS NICKNAMED "DEEZER." 358 00:18:13,759 --> 00:18:15,561 NOBODY KNOWS HIS REAL NAME. 359 00:18:15,561 --> 00:18:17,163 APPARENTLY, DEEZER'S BEEN HANGING AROUND 360 00:18:17,163 --> 00:18:19,398 AN APARTMENT BUILDING IN WEST OAKLAND. 361 00:18:19,398 --> 00:18:23,236 BOSS WANTS US TO CHECK THE BUILDING OUT. FORGOT MY EXTRA MAGS. MEET YOU DOWNSTAIRS. 362 00:18:23,236 --> 00:18:25,238 (lowers voice) "EXTRA MAGS." MM. BIG MAN. 363 00:18:25,238 --> 00:18:26,772 WHERE'S YOUR VEST? 364 00:18:26,772 --> 00:18:28,240 (normal voice) DON'T NEED ONE. 365 00:18:28,240 --> 00:18:30,376 SURE YOU DO. WE'RE JUST CANVASSING. 366 00:18:30,376 --> 00:18:33,712 FOR PEOPLE CALLED "THE CRAZY HILL GANG." 367 00:18:33,712 --> 00:18:35,515 YOU SHOULD WEAR A VEST. 368 00:18:35,515 --> 00:18:37,916 LOOK, IT'S HOT. IT'S UNCOMFORTABLE. 369 00:18:37,916 --> 00:18:40,086 HICKS ISN'T WEARING ONE. 370 00:18:40,086 --> 00:18:44,191 (scoffs) WHAT, YOU'RE AFRAID HE'LL MAKE FUN OF YOU? NO. NOT AT ALL. 371 00:18:44,191 --> 00:18:47,294 (elevator bell dings, doors open) DON'T BE AN IDIOT. PUT ON A VEST. 372 00:18:53,200 --> 00:18:56,403 FINE. GET SHOT. SEE IF I CARE. 373 00:19:04,277 --> 00:19:07,614 (speaks indistinctly) THERE YOU GO. 374 00:19:07,614 --> 00:19:09,249 ONE MORE? 375 00:19:09,249 --> 00:19:10,349 SHE LIKES YOU. 376 00:19:10,349 --> 00:19:11,817 SHE HAS GOOD TASTE. 377 00:19:11,817 --> 00:19:15,188 YOU'RE GOOD WITH CHILDREN. UNLIKE YOUR EMPLOYERS? 378 00:19:15,188 --> 00:19:17,923 I DON'T KNOW WHAT YOU MEAN. OH, COME ON. 379 00:19:17,923 --> 00:19:20,359 IT'S CLEAR TO SEE THEY'RE SKITTISH ABOUT THE PARENTING. 380 00:19:20,359 --> 00:19:23,162 I WOULDN'T KNOW ANYTHING ABOUT THAT. 381 00:19:23,162 --> 00:19:25,131 VERONA'S LOW SELF-ESTEEM MAKES HER DOUBT 382 00:19:25,131 --> 00:19:26,999 SHE'LL EVER BE A REAL PARENT. 383 00:19:26,999 --> 00:19:29,669 AND BECAUSE DUNCAN MARRIED HER FOR HER MONEY, 384 00:19:29,669 --> 00:19:32,404 HE SEES THE CHILD AS A RIVAL, 385 00:19:32,404 --> 00:19:35,241 IN MORE THAN THE USUAL FREUDIAN TERM. 386 00:19:35,241 --> 00:19:37,509 THEY'RE VERY CARING PEOPLE, VERY LOVING, 387 00:19:37,509 --> 00:19:40,980 JUST NOT PARTICULARLY HANDS-ON, IF YOU KNOW WHAT I MEAN. 388 00:19:40,980 --> 00:19:45,718 HOW'S DUNCAN'S RELATIONSHIP WITH MIA? 389 00:19:45,718 --> 00:19:48,186 IT CAN BE DIFFICULT. 390 00:19:48,186 --> 00:19:49,989 WELL, IT MAKES SENSE. 391 00:19:49,989 --> 00:19:53,660 IF HE SEES HIS CHILD AS A RIVAL, WHY NOT HIS SISTER-IN-LAW? 392 00:19:53,660 --> 00:19:57,430 I'VE HEARD ANGRY WORDS BETWEEN THEM. 393 00:19:57,430 --> 00:20:00,633 I THINK MIA DOESN'T TRUST HIM. 394 00:20:00,633 --> 00:20:04,036 BUT I SHOULDN'T SAY ANYTHING. 395 00:20:04,036 --> 00:20:06,038 NO. 396 00:20:06,038 --> 00:20:09,308 BUT YOU DID. 397 00:20:09,308 --> 00:20:11,711 JANE, WE GOT AN ERRAND TO RUN. 398 00:20:11,711 --> 00:20:12,711 OKAY. 399 00:20:12,711 --> 00:20:14,846 ALL RIGHT. (clears throat) GOTTA GO. 400 00:20:14,846 --> 00:20:18,750 GOTTA GO AND RUN AN ERRAND WITH THE BIG, SERIOUS MAN. COME ON. LET'S GO. 401 00:20:18,750 --> 00:20:20,920 BYE. 402 00:20:30,462 --> 00:20:32,464 SO WHAT'S THE DEAL HERE? 403 00:20:32,464 --> 00:20:35,602 WELL, THE TATTOO ON THE KIDNAPPER'S ARM 404 00:20:35,602 --> 00:20:39,372 SUGGESTS THE, UH, MEXICAN MAFIA MIGHT BE INVOLVED. MM-HMM. 405 00:20:39,372 --> 00:20:43,174 THOSE GUYS--THEY'RE MEMBERS. SO WE'RE GONNA GO TALK TO 'EM. 406 00:20:43,174 --> 00:20:46,045 THEY LOOK SCARY. THEY ARE SCARY. 407 00:20:46,045 --> 00:20:49,848 YOU CAN'T BECAUSE A FULL MEMBER UNTIL YOU'VE KILLED SOMEONE. 408 00:20:52,719 --> 00:20:54,421 MAYBE I'LL JUST WAIT IN THE CAR. 409 00:20:54,421 --> 00:20:56,989 NO. YOU'RE COMING WITH ME. I NEED YOU FOR BACKUP. 410 00:21:02,628 --> 00:21:04,330 BACKUP? 411 00:21:06,432 --> 00:21:09,268 HEY, FELLAS. 412 00:21:09,268 --> 00:21:12,471 HI. HOLA. ¿QúE PASó? 413 00:21:12,471 --> 00:21:15,375 UM, LISTEN, 414 00:21:15,375 --> 00:21:18,377 I'M AGENT, UH, BOSCO WITH THE CBI. 415 00:21:18,377 --> 00:21:20,646 AGENT JANE. HI. 416 00:21:20,646 --> 00:21:22,981 I WAS WONDERING IF ANY OF YOU FELLAS 417 00:21:22,981 --> 00:21:24,784 HAVE SEEN YOUR MAN SNOOPY? 418 00:21:24,784 --> 00:21:27,420 WE NEED TO TALK TO HIM. SNOOPY? 419 00:21:27,420 --> 00:21:29,121 SNOOP. 420 00:21:29,121 --> 00:21:32,090 WE'RE LOOKIN' FOR HIM. WE'D LIKE TO TALK TO HIM. 421 00:21:32,090 --> 00:21:34,160 HEY, KEEP WALKIN', MAN. 422 00:21:34,160 --> 00:21:36,261 WHO ARE YOU? 423 00:21:36,261 --> 00:21:39,398 WHY ARE YOU BEING THAT WAY? I ASKED YOU NICELY. 424 00:21:39,398 --> 00:21:42,101 I-I ASKED-- THE NAME IS RAOUL, 425 00:21:42,101 --> 00:21:44,936 AND I AIN'T GOT NO WARRANTS, SO BACK UP, FOOL. 426 00:21:44,936 --> 00:21:47,740 WELL, RAOUL, YOU AND ME ARE GONNA HAVE TO GO HAVE 427 00:21:47,740 --> 00:21:51,611 A PRIVATE CHAT IN A MOMENT. NAH. I AIN'T DID NOTHING WRONG. 428 00:21:51,611 --> 00:21:55,781 DON'T MAKE IT DIFFICULT. 429 00:21:55,781 --> 00:21:58,351 TOUGH GUYS, HUH? 430 00:21:58,351 --> 00:22:00,286 DEPENDS ON WHAT YOU MEAN BY "TOUGH." 431 00:22:00,286 --> 00:22:01,988 EMOTIONALLY RESILIENT? YES. 432 00:22:01,988 --> 00:22:05,057 SO NOW YOU GONNA PLAY ME, TOO? 433 00:22:05,057 --> 00:22:06,325 OH, RAOUL! COME ON! 434 00:22:06,325 --> 00:22:08,259 THAT'S BATTERY ON A STATE OFFICER. 435 00:22:08,259 --> 00:22:11,530 NOW I'M GONNA HAVE TO TAKE YOU IN. LOOK, I BARELY TOUCHED HIM, HOMES! 436 00:22:11,530 --> 00:22:15,902 YEAH? WE'RE GONNA GO HAVE A CONVERSATION ABOUT RESPECT. (handcuffs click) 437 00:22:15,902 --> 00:22:18,505 HOW ABOUT YOU? COME ON. ANYBODY ELSE? (grunts) 438 00:22:18,505 --> 00:22:20,640 YOU? YOU? ALL RIGHT. 439 00:22:20,640 --> 00:22:26,011 I'M WAITING. MOVE! THAT'S RIGHT, MOVE. THAT'S RIGHT. THANK YOU. 440 00:22:26,011 --> 00:22:29,582 SO HOW LONG HAVE YOU BEEN AN INFORMANT FOR THE CBI, RAOUL? 441 00:22:29,582 --> 00:22:32,050 WHAT ARE YOU TALKING ABOUT, MAN? WHAT INFORMANT? 442 00:22:32,050 --> 00:22:34,052 OH, COME ON. YOU CAN COME CLEAN WITH ME. 443 00:22:34,052 --> 00:22:36,055 WHO IS THIS GUY, SAM? HUH? WHAT DID YOU TELL HIM? 444 00:22:36,055 --> 00:22:39,925 WHAT'S GOING ON? EH. GUESS HE JUST FIGURED IT OUT. 445 00:22:39,925 --> 00:22:42,894 WELL, IT'S KIND OF OBVIOUS. AS IF YOU'D WANT ME FOR BACKUP. 446 00:22:42,894 --> 00:22:46,097 I MEAN, REALLY. 447 00:22:46,097 --> 00:22:49,167 LISTEN, RAOUL, YOU KNOW ABOUT THE WESTLAKE KIDNAPPING, RIGHT? 448 00:22:49,167 --> 00:22:50,470 IS EMME INVOLVED? 449 00:22:50,470 --> 00:22:53,338 NO. I AIN'T HEARD ANYTHING ABOUT THAT. 450 00:22:53,338 --> 00:22:54,473 WESTLAKE? 451 00:22:54,473 --> 00:22:55,842 YOU SURE? 452 00:22:55,842 --> 00:22:58,309 SURE, NO, BUT WHEN A BIG SCORE'S COMING UP, 453 00:22:58,309 --> 00:23:00,011 I HEAR ABOUT IT. 454 00:23:00,011 --> 00:23:02,714 PEOPLE START BRAGGING EVEN BEFORE THEY GOT THE MONEY. 455 00:23:02,714 --> 00:23:05,518 I AIN'T HEARD NOTHING ABOUT THAT. 456 00:23:05,518 --> 00:23:08,054 WELL, WE SAW EMME TATS 457 00:23:08,054 --> 00:23:11,356 ON THE KIDNAPPERS. COME ON. ANYBODY CAN GET A TATTOO. 458 00:23:11,356 --> 00:23:14,026 YEAH, THEY WERE KIND OF SHOWY. A LITTLE TOO VISIBLE, 459 00:23:14,026 --> 00:23:17,430 DON'T YOU THINK? LIKE IT WAS MEANT TO MISDIRECT US. 460 00:23:17,430 --> 00:23:20,633 YOU KNOW, THAT KIND OF STUFF IS GETTING TO BE A REAL PROBLEM-- 461 00:23:20,633 --> 00:23:25,037 PEOPLE PUTTING THEIR CRIMES ON LA EMME. 462 00:23:25,037 --> 00:23:27,673 SO YOU JACKED ME UP FOR NOTHING. 463 00:23:27,673 --> 00:23:29,808 WELL, THANKS A LOT. 464 00:23:29,808 --> 00:23:32,010 UH, WE REALLY APPRECIATE IT. 465 00:23:32,010 --> 00:23:33,813 UH, COME ON. GET IN. 466 00:23:33,813 --> 00:23:36,315 AAH! ONLY NOW YOU GOTTA PUNCH ME IN THE FACE. 467 00:23:36,315 --> 00:23:39,050 MAY BE PEOPLE WATCHING. UH, YEAH, THEY'RE WATCHING. 468 00:23:39,050 --> 00:23:42,822 (Bosco) OH, COME ON. SERIOUS. NEXT TIME YOU COME AT ME IN THE STREET, 469 00:23:42,822 --> 00:23:46,392 MAKE SURE IT'S FOR A WORTHWHILE QUESTION. AAH! 470 00:23:46,392 --> 00:23:49,194 OH. WHOO. (Raoul grunts) 471 00:23:49,194 --> 00:23:52,030 THAT WAS GOOD. DID THAT HURT? LOOKS LIKE IT HURT. 472 00:23:52,030 --> 00:23:55,433 WATCH YOUR HEAD THERE. 473 00:23:55,433 --> 00:23:58,538 (grunts) GET IN THERE. 474 00:24:00,740 --> 00:24:02,741 (car engine starts) 475 00:24:14,385 --> 00:24:16,522 (indistinct conversations) 476 00:24:19,424 --> 00:24:20,792 HEY. 477 00:24:20,792 --> 00:24:24,230 THANKS. THAT WAS FUN. NO ACTUAL PROGRESS, BUT, UH, 478 00:24:24,230 --> 00:24:26,699 CERTAINLY A LESSON IN LIFE ON THE MEAN STREETS. 479 00:24:26,699 --> 00:24:28,701 YEAH, WELL, THAT'S WHAT COPS DO. 480 00:24:28,701 --> 00:24:30,903 WE GET A LEAD, WE RUN IT DOWN. 481 00:24:30,903 --> 00:24:33,640 MOST LEADS DON'T WORK OUT. WE MOVE ON. 482 00:24:33,640 --> 00:24:35,807 BUT YOU DON'T UNDERSTAND THAT, DO YOU? 483 00:24:35,807 --> 00:24:39,244 ALL THIS KIND OF HARD, METHODICAL WORK WE DO 484 00:24:39,244 --> 00:24:42,949 IS SOMEHOW BENEATH YOU... NOT YOUR SPEED. 485 00:24:42,949 --> 00:24:44,916 OH, PLEASE, GET OFF YOUR HORSE. 486 00:24:44,916 --> 00:24:47,052 YOU JUST WANTED TO FRIGHTEN ME AND IMPRESS ME 487 00:24:47,052 --> 00:24:50,388 WITH YOUR MACHO COP PROWESS-- UNDERSTANDABLE IMPULSE. 488 00:24:50,388 --> 00:24:52,625 A LITTLE JUVENILE, PERHAPS. 489 00:24:52,625 --> 00:24:55,795 YOU SHOULDN'T BE WORKING WITH US. 490 00:24:55,795 --> 00:24:58,364 YOU'RE HURTING PEOPLE. YOU KNOW THAT? 491 00:24:58,364 --> 00:24:59,865 WHO? 492 00:24:59,865 --> 00:25:02,067 THE COPS YOU WORK WITH. DON'T KID YOURSELF. 493 00:25:02,067 --> 00:25:04,069 THEIR CAREERS ARE TAKING A HIT. 494 00:25:04,069 --> 00:25:06,972 IF YOU CARE ABOUT 'EM, YOU'LL LEAVE. 495 00:25:06,972 --> 00:25:10,276 COPS I WORK WITH, MEANING LISBON? AND HER TEAM. 496 00:25:10,276 --> 00:25:11,943 BUT MOSTLY LISBON. 497 00:25:11,943 --> 00:25:15,446 THAT RANSOM DEMAND-- DID SHE TALK TO YOU ABOUT THAT? 498 00:25:15,446 --> 00:25:17,750 SURE. 499 00:25:17,750 --> 00:25:20,952 AND YES, IT COULD MEAN THERE'S SOMEONE ON THE INSIDE. 500 00:25:20,952 --> 00:25:23,690 BECAUSE USEFUL TO KNOW WHO IT IS, DON'T YOU THINK? 501 00:25:23,690 --> 00:25:25,191 WELL, WE'RE WORKING THAT, 502 00:25:25,191 --> 00:25:27,859 BUT THE RANSOM DROP'S IN THREE HOURS. 503 00:25:27,859 --> 00:25:29,862 WE MAKE A MOVE ON A SUSPECT NOW, 504 00:25:29,862 --> 00:25:32,498 ALL IT'LL DO IS SPOOK THE KIDNAPPERS. 505 00:25:32,498 --> 00:25:34,532 THEY'LL KILL MIA, AND THEY'LL SCATTER. 506 00:25:34,532 --> 00:25:37,236 WE GOTTA MAKE SURE THE GIRL IS SAFE. SHE'S NOT GONNA BE SAFE. 507 00:25:37,236 --> 00:25:40,105 THEY WILL KILL HER FIVE MINUTES AFTER THEY GET THE RANSOM. COULD HAPPEN. 508 00:25:40,105 --> 00:25:43,308 SO SHE DIES EITHER WAY. WE COULD TRY SOMETHING. 509 00:25:43,308 --> 00:25:46,444 NO. YOU WANT TO HEAR WHAT I HAVE TO SAY? 510 00:25:46,444 --> 00:25:47,880 NOT INTERESTED. 511 00:25:47,880 --> 00:25:50,348 OKAY, SURE, ALL RIGHT. WELL, I WAS VERY IMPRESSED, 512 00:25:50,348 --> 00:25:53,184 BY THE WAY, WITH THE MACHO COP PROWESS. 513 00:25:53,184 --> 00:25:55,221 THOSE GUYS, THEY WERE GENUINELY FRIGHTENED OF YOU. 514 00:25:55,221 --> 00:25:58,557 YOU'RE ABSOLUTELY COOL, MAN. YOU'RE GOOD OUT THERE. GO AWAY. 515 00:25:58,557 --> 00:26:01,326 BULLITT. LIKE, REALLY COOL. 516 00:26:01,326 --> 00:26:03,663 KOJAK. 517 00:26:05,396 --> 00:26:07,199 SORRY TO DISTURB YOU, MA'AM. 518 00:26:07,199 --> 00:26:10,001 WE'RE LOOKING FOR AN INDIVIDUAL BY THE NAME OF DEEZER-- 519 00:26:10,001 --> 00:26:13,505 MIGHT HAVE LIVED IN THE BUILDING OR STAYED WITH SOMEONE HERE. NEVER HEARD OF HIM. 520 00:26:13,505 --> 00:26:16,208 WHAT ABOUT THE CRAZY HILL GANG? EVER HEARD OF THEM? NO. 521 00:26:16,208 --> 00:26:19,878 WELL, IF YOU DO HEAR THEM, YOU, UH, CALL US AT THIS NUMBER? 522 00:26:19,878 --> 00:26:24,450 YOU WANT ME TO SPY ON MY NEIGHBORS? 523 00:26:24,450 --> 00:26:26,551 (whispers) FASCISTS. 524 00:26:26,551 --> 00:26:28,319 (door slams) 525 00:26:28,319 --> 00:26:30,189 MAKE A NEW FRIEND, BERT? 526 00:26:30,189 --> 00:26:33,759 ENOUGH WITH THE "BERT," ALL RIGHT, HICKS? SORRY. HURT YOUR FEELINGS? 527 00:26:33,759 --> 00:26:36,228 IT'S JUST NOT FUNNY, THAT'S ALL. 528 00:26:36,228 --> 00:26:38,430 IT'S A JOKE. 529 00:26:38,430 --> 00:26:41,267 YOU CAN'T TAKE A JOKE? 530 00:26:41,267 --> 00:26:43,269 EXCUSE ME, MA'AM, I'M WITH THE CBI. 531 00:26:43,269 --> 00:26:45,704 WONDERING IF I COULD ASK YOU A FEW QUESTIONS. SURE, WHAT ABOUT? 532 00:26:45,704 --> 00:26:49,776 I JUST THINK IT'S CHILDISH, THAT'S ALL. AND I JUST THINK YOU NEED TO LIGHTEN UP. 533 00:26:49,776 --> 00:26:51,778 SORRY. NEVER HEARD OF HIM. 534 00:26:51,778 --> 00:26:54,079 ALL RIGHT. THANKS ANYWAY. 535 00:26:54,079 --> 00:26:56,347 YEAH? WELL, MAYBE YOU NEED TO GROW UP. 536 00:26:56,347 --> 00:26:59,550 IDIOT. UH, NOT... Y-YOU. 537 00:26:59,550 --> 00:27:03,588 UM, WAYNE RIGSBY, CBI. NEED TO ASK YOU A COUPLE OF QUESTIONS. 538 00:27:03,588 --> 00:27:05,724 OH. 539 00:27:08,126 --> 00:27:12,631 MA'AM, I WAS WONDERING IF I COULD LEAVE A CARD WITH YOU. 540 00:27:12,631 --> 00:27:15,134 GET IN! GO! 541 00:27:15,134 --> 00:27:17,703 HICKS, COVER THE ROOM! GO, GO! 542 00:27:21,640 --> 00:27:23,041 (thud) 543 00:27:23,041 --> 00:27:26,045 GRACE? GRACE! (Van Pelt speaks indistinctly) 544 00:27:30,415 --> 00:27:33,051 (clank) 545 00:27:33,051 --> 00:27:35,020 GRACE! 546 00:27:35,020 --> 00:27:38,190 WENT OUT THE WINDOW. I GOT IT. GO, GO, GO! 547 00:27:38,190 --> 00:27:41,660 GRACE, YOU OKAY? JUST BREATHE. 548 00:27:41,660 --> 00:27:44,329 (grunting) I CAN'T SEE ANY BLOOD. 549 00:27:44,329 --> 00:27:47,365 OHH. THE VEST TOOK IT. I'M OKAY. I'M OKAY. GO, GO, GO, GO, GO. 550 00:27:47,365 --> 00:27:49,868 GO. OKAY. (siren wailing) 551 00:29:40,679 --> 00:29:42,848 (siren wailing) 552 00:29:42,848 --> 00:29:45,550 (police radio chatter) 553 00:29:45,550 --> 00:29:47,385 HOW YOU DOING? 554 00:29:47,385 --> 00:29:51,891 THEY THINK A COUPLE ROUNDS PROBABLY BROKE A COUPLE OF RIBS. 555 00:29:51,891 --> 00:29:53,826 THEY'RE GONNA CHECK FOR INTERNAL INJURIES. 556 00:29:53,826 --> 00:29:55,760 I'M FINE. REALLY. 557 00:29:55,760 --> 00:29:58,964 JUST MY LEGS KEEP TWITCHING. 558 00:29:58,964 --> 00:30:01,000 THAT'S JUST ADRENALINE. IT'LL WEAR OFF. 559 00:30:01,000 --> 00:30:03,701 (lowers voice) DON'T EVER DO THIS TO ME AGAIN. 560 00:30:03,701 --> 00:30:06,038 NO PROBLEM. 561 00:30:13,612 --> 00:30:15,413 GO INSIDE. 562 00:30:15,413 --> 00:30:17,782 SEE IF THERE'S ANYTHING IN THE SHOOTER'S APARTMENT 563 00:30:17,782 --> 00:30:19,785 THAT TIES HER TO THE KIDNAPPING. 564 00:30:19,785 --> 00:30:21,519 OKAY. 565 00:30:21,519 --> 00:30:24,522 YOU OKAY? 566 00:30:24,522 --> 00:30:26,092 YEAH. 567 00:30:31,363 --> 00:30:33,832 HEY, RIGSBY. 568 00:30:33,832 --> 00:30:35,934 THANKS. 569 00:30:42,773 --> 00:30:44,276 (creaks) 570 00:30:56,855 --> 00:30:58,490 (whispers) HEY. 571 00:30:58,490 --> 00:31:00,491 HEY. 572 00:31:00,491 --> 00:31:02,894 MY LEG'S STILL TWITCHING. 573 00:31:07,598 --> 00:31:09,867 I LOVE YOU. 574 00:31:11,803 --> 00:31:14,205 THANKS. 575 00:31:18,743 --> 00:31:22,981 I HAVE TO GO. THEY DON'T EVEN KNOW I'M HERE. 576 00:31:22,981 --> 00:31:26,218 I'LL CALL YOU LATER. WAYNE? 577 00:31:26,218 --> 00:31:27,385 HUH? 578 00:31:27,385 --> 00:31:29,387 ONE THING. 579 00:31:29,387 --> 00:31:31,123 (slap) 580 00:31:31,123 --> 00:31:34,359 WHAT WAS THAT FOR? 581 00:31:34,359 --> 00:31:38,864 (voice breaking) NEXT TIME WEAR YOUR VEST. 582 00:31:38,864 --> 00:31:39,830 OKAY. 583 00:31:39,830 --> 00:31:41,166 I MEAN IT. 584 00:31:41,166 --> 00:31:44,435 YEAH. I BELIEVE YOU. 585 00:31:47,772 --> 00:31:51,742 OHH. GET OUT OF HERE. 586 00:31:51,742 --> 00:31:54,880 (door closes) (whimpers) 587 00:31:54,880 --> 00:31:58,150 (indistinct police radio chatter) 588 00:32:02,188 --> 00:32:04,190 IS SHE ALL RIGHT? YEAH. 589 00:32:04,190 --> 00:32:07,192 THANK GOD. WELL, THANK KEVLAR, ACTUALLY. 590 00:32:07,192 --> 00:32:09,827 HUSH. THIS IS OUR FAULT. 591 00:32:09,827 --> 00:32:11,797 UH, WHAT DO YOU MEAN? 592 00:32:11,797 --> 00:32:14,700 RIGSBY SAID THAT HE AND HICKS WERE GOING AT IT 593 00:32:14,700 --> 00:32:16,501 WHEN VAN PELT WAS SHOT. 594 00:32:16,501 --> 00:32:18,769 THAT KIND OF BAD BLOOD STARTS WITH US. SHE'S RIGHT. 595 00:32:18,769 --> 00:32:21,839 THIS ISN'T ABOUT BAD BLOOD. IT'S ABOUT PROFESSIONALISM. 596 00:32:21,839 --> 00:32:24,843 THERE YOU GO AGAIN. YOU WON'T TAKE ANY RESPONSIBILITY. 597 00:32:24,843 --> 00:32:28,146 I.D. SAYS THE SHOOTER'S NAME IS DIANE ZARANSKI. 598 00:32:28,146 --> 00:32:30,316 YOU'RE KIDDING. NOPE. D.Z. DEEZER. 599 00:32:30,316 --> 00:32:33,519 DIANE ZARANSKI WAS COLIN HAYMER'S GIRLFRIEND. 600 00:32:33,519 --> 00:32:36,587 S.F.P.D. SUSPECTED HER OF BEING IN THE GANG THAT KIDNAPPED HIM. 601 00:32:36,587 --> 00:32:38,289 THE CRAZY HILL GANG. 602 00:32:38,289 --> 00:32:41,492 SAME CREW MUST HAVE KIDNAPPED MIA WESTLAKE. WELL, NOW WE KNOW FOR SURE 603 00:32:41,492 --> 00:32:43,429 THEY HAVE SOMEONE PLANTED IN THE WESTLAKE HOUSE. 604 00:32:43,429 --> 00:32:45,364 MM. THAT'S THE WAY THEY WORK. 605 00:32:45,364 --> 00:32:47,833 WE'RE RUNNING BACKGROUND CHECKS ON EVERYBODY THAT'S BEEN 606 00:32:47,833 --> 00:32:51,369 INSIDE THAT HOUSE IN THE PAST SIX MONTHS. YOU'RE NOT GONNA CATCH ANYONE WITH A BACKGROUND CHECK. 607 00:32:51,369 --> 00:32:54,573 THEY PLAN TOO CAREFULLY FOR THAT. AND YOU DO KNOW HOW TO CATCH HIM. 608 00:32:54,573 --> 00:32:57,108 OF COURSE. I TOLD YOU I DO. FORGET IT. 609 00:32:57,108 --> 00:33:00,078 YOU'RE NOT EVEN GONNA HEAR HIM OUT? NO, HE'S GOT NOTHING TO TELL ME. 610 00:33:00,078 --> 00:33:02,413 YOU KNOW WHAT? JANE'S NOT THE PROBLEM. YOU ARE. 611 00:33:02,413 --> 00:33:05,250 YOU'RE SO STUCK ON THE IDEA THAT HE'S NOT A COP 612 00:33:05,250 --> 00:33:07,653 THAT YOU CAN'T SEE WHAT HE IS. 613 00:33:07,653 --> 00:33:10,221 YOU KNOW HOW MANY CASES HE'S CLOSED FOR US? 614 00:33:10,221 --> 00:33:12,324 YOU THINK HE'S GIVEN ME BAD HABITS? 615 00:33:12,324 --> 00:33:15,260 I THINK HE'S MADE ME A BETTER COP. THANK YOU, LISBON. AND CAN I JUST ADD-- 616 00:33:15,260 --> 00:33:17,262 BE QUIET. I JUST-- 617 00:33:17,262 --> 00:33:19,765 IF YOU'RE SO SURE YOU'RE RIGHT THAT YOU WON'T EVEN LISTEN 618 00:33:19,765 --> 00:33:23,402 TO HIM, THEN YOU'RE NOT A PERSON I KNOW. MM. 619 00:33:25,371 --> 00:33:29,508 I DID HEAR YOU OUT, AND I STILL SAY NO. 620 00:33:29,508 --> 00:33:31,643 GOT THE MONEY 621 00:33:31,643 --> 00:33:34,980 AND THE INSTRUCTIONS FOR THE DROP-OFF. 622 00:33:34,980 --> 00:33:36,647 HOW MUCH TIME? 623 00:33:36,647 --> 00:33:39,984 ABOUT 20 MINUTES. (lowers voice) YOU'RE MAKING A MISTAKE. 624 00:33:39,984 --> 00:33:42,288 STOP IT. I'M JUST-- 625 00:33:42,288 --> 00:33:45,723 QUIET. MRS. WESTLAKE, I NEED TO SPEAK TO YOU PRIVATELY. AGENT, I TOLD YOU-- 626 00:33:45,723 --> 00:33:49,060 I KNOW. COUNSELOR, I'M SORRY. STAY HERE. 627 00:33:56,801 --> 00:33:58,804 COME THIS WAY. 628 00:33:58,804 --> 00:34:01,673 RIGHT IN HERE. (grunts) 629 00:34:01,673 --> 00:34:03,709 YOU ARE NOT WELCOME HERE, JANE. 630 00:34:03,709 --> 00:34:06,744 I'M GONNA TELL MINELLI YOU REFUSED TO WORK WITH ME. OH, COME ON! 631 00:34:06,744 --> 00:34:08,746 YOU CAN FACE HIM. HOW DO YOU LIKE THAT? 632 00:34:08,746 --> 00:34:11,016 YOU KNOW, YOU REALLY ARE A SCHOOLBOY. YOU KNOW THAT? 633 00:34:11,016 --> 00:34:12,717 JUST... 634 00:34:12,717 --> 00:34:17,289 NOW WE'RE GONNA DO EXACTLY AS THE KIDNAPPERS HAVE ASKED. 635 00:34:17,289 --> 00:34:19,557 THAT IS THE BEST WAY TO ENSURE THAT YOUR SISTER... 636 00:34:19,557 --> 00:34:21,893 WILL COME HOME SAFELY. ABSURD. 637 00:34:21,893 --> 00:34:23,695 BUT WE'RE GONNA DO ONE THING. 638 00:34:23,695 --> 00:34:27,632 WE'RE GONNA PUT THIS SMALL TRANSMITTER IN THE SUITCASE. OHH. 639 00:34:27,632 --> 00:34:28,900 WHY? 640 00:34:28,900 --> 00:34:31,637 IF THEY FAIL TO RETURN HER, THIS IS THE BEST WAY 641 00:34:31,637 --> 00:34:34,572 FOR US TO FOLLOW THEM. WE'RE PRESUMING THEY'RE GONNA 642 00:34:34,572 --> 00:34:36,641 TAKE THE MONEY TO WHERE YOUR SISTER IS. IDIOCY. 643 00:34:36,641 --> 00:34:39,043 WHAT WAS THAT, MR. JANE? THIS IS RIDICULOUS. YOU ARE GONNA GET THAT GIRL KILLED. 644 00:34:39,043 --> 00:34:41,480 STOP. EXCUSE ME, MA'AM. 645 00:34:41,480 --> 00:34:44,916 THERE'S SOMETHING THAT YOU REALLY SHOULD KNOW. KEEP TALKING. I'M GONNA PUT MY HANDS ON YOU. 646 00:34:44,916 --> 00:34:47,952 ONE OF THE KIDNAPPERS IS IN THIS HOUSE RIGHT NOW. 647 00:34:47,952 --> 00:34:49,755 DAMN IT. HERE? 648 00:34:49,755 --> 00:34:51,822 A SPY, A MOLE, REPORTING BACK TO THOSE 649 00:34:51,822 --> 00:34:54,793 THAT ARE HOLDING YOUR SISTER. WE SHOULD BE TALKING TO THEM, 650 00:34:54,793 --> 00:34:57,963 NOT PLAYING WITH "STAR WARS" TOYS. OH, MY GOD. WHO? 651 00:34:57,963 --> 00:35:00,266 COME HERE. 652 00:35:00,266 --> 00:35:02,668 (transmitter beeps) 653 00:35:10,976 --> 00:35:11,976 HER. 654 00:35:11,976 --> 00:35:14,079 YOU BITCH! 655 00:35:14,079 --> 00:35:16,447 WHAT? JEEZ! (man) WHAT-- WHAT ARE YOU DOING? 656 00:35:16,447 --> 00:35:20,585 YOU CRAZY BITCH! (all shouting at once) 657 00:35:23,554 --> 00:35:25,556 I'M GONNA KILL YOU! (all shouting at once) 658 00:35:25,556 --> 00:35:29,628 HOLD IT DOWN! NO, NO! HOLD IT DOWN! 659 00:35:29,628 --> 00:35:31,429 (Verona and Belinda shouting) 660 00:35:31,429 --> 00:35:33,431 MY MONEY'S ON VERONA. 661 00:35:33,431 --> 00:35:35,434 SANDBORNE'S GOT HER ON EXPERIENCE, 662 00:35:35,434 --> 00:35:38,603 BUT IT'S HARD TO BEAT THAT KIND OF ENTHUSIASM. 663 00:35:38,603 --> 00:35:41,539 WHOA. GOT THE IMAGE UP. 664 00:35:41,539 --> 00:35:44,074 (Verona and Belinda continuing shouting) 665 00:35:44,074 --> 00:35:46,378 NOBODY. THERE WILL BE. 666 00:35:46,378 --> 00:35:49,481 SOMEBODY BETTER COME. 667 00:35:51,516 --> 00:35:55,052 IF NOBODY DOES, YOU JUST KILLED MIA WESTLAKE. 668 00:35:55,052 --> 00:35:57,688 BLAME, BLAME, BLAME, BLAME, BLAME. SOMEBODY'S COMING. 669 00:35:57,688 --> 00:36:00,759 DON'T WORRY. AND THERE THEY ARE. 670 00:36:00,759 --> 00:36:03,295 HELLO, MRS. KENT. 671 00:36:06,797 --> 00:36:08,634 SHOULD WE GO GET HER? 672 00:36:08,634 --> 00:36:11,302 NO. WAIT. 673 00:36:27,184 --> 00:36:29,320 (starts engine) 674 00:36:39,530 --> 00:36:41,800 MONEY'S ON ITS WAY. IT'S CLEAN. 675 00:36:41,800 --> 00:36:44,335 THEY TRIED PLANTING A TRACKER, BUT I CAUGHT IT. 676 00:36:44,335 --> 00:36:47,239 GET THE GIRL READY. (Lisbon) HANDS WHERE I CAN SEE 'EM! 677 00:36:47,239 --> 00:36:49,875 (Bosco) HANDS! HANDS! WHAT'S GOING ON? 678 00:36:49,875 --> 00:36:53,744 DON'T MOVE. DON'T DO ANYTHING UNLESS I TELL YOU TO. I DON'T UNDERSTAND. THE BABY IS SLEEPING. 679 00:36:53,744 --> 00:36:56,514 OH, THE BABY. SHE'S BEEN WANDERING AROUND THE HOUSE 680 00:36:56,514 --> 00:37:00,452 LIKE A LITTLE LOST LAMB. YOU'RE JUST A TERRIBLE NANNY. 681 00:37:00,452 --> 00:37:02,521 WHO WERE YOU TALKING TO ON THE PHONE? 682 00:37:02,521 --> 00:37:04,889 MY SISTER. IS SHE A KIDNAPPER, TOO? 683 00:37:04,889 --> 00:37:07,659 NO! WHAT'S THIS? 684 00:37:07,659 --> 00:37:11,362 LET ME GO. LET US HAVE THE MONEY. 685 00:37:11,362 --> 00:37:12,931 THE GIRL MIGHT LIVE. 686 00:37:12,931 --> 00:37:16,735 PUT YOUR HANDS BEHIND YOUR BACK. 687 00:37:16,735 --> 00:37:18,769 YOU ARE MAKING A BAD MISTAKE. 688 00:37:18,769 --> 00:37:22,541 IF YOU PEOPLE DON'T LET ME GO RIGHT NOW, 689 00:37:22,541 --> 00:37:23,974 MIA WESTLAKE WILL BE TORTURED TO DEATH 690 00:37:23,974 --> 00:37:26,545 IF THEY THINK YOU'VE DONE ANYTHING TO ME. 691 00:37:26,545 --> 00:37:28,579 NO, THEY WON'T. WE'RE GONNA GO GET HER. 692 00:37:28,579 --> 00:37:31,516 GOOD LUCK FINDING HER. 693 00:37:31,516 --> 00:37:33,851 WE DON'T NEED LUCK. 694 00:37:33,851 --> 00:37:36,554 LET'S GO. 695 00:37:39,557 --> 00:37:44,295 CHECKING... LAST NUMBER CALLED. 696 00:37:44,295 --> 00:37:48,634 767-555-0131. (typing on keyboard) 697 00:37:50,768 --> 00:37:52,371 IT'S A LANDLINE. 698 00:37:52,371 --> 00:37:54,940 (tapping keys) 699 00:37:56,442 --> 00:38:00,077 1867 CLIFF POINT CIRCLE, OAKLAND. 700 00:38:00,077 --> 00:38:03,782 CALL OAKLAND P.D. TELL THEM WE'RE TAKING THE HOUSE. 701 00:38:40,085 --> 00:38:42,554 (explosions) 702 00:38:42,554 --> 00:38:45,289 GET DOWN! DROP YOUR WEAPONS! (man) GET DOWN! 703 00:38:45,289 --> 00:38:49,360 (indistinct shouting, gunfire) 704 00:39:09,581 --> 00:39:12,617 (Mia crying) MIA! 705 00:39:18,123 --> 00:39:20,858 (both crying) 706 00:39:46,652 --> 00:39:49,755 THOUGHT I WOULD RESURRECT AN OLD TEQUILA TRADITION. 707 00:39:49,755 --> 00:39:51,889 I'M IN. 708 00:39:51,889 --> 00:39:53,157 CHEERS. 709 00:39:58,063 --> 00:39:59,797 SMOOTH. 710 00:39:59,797 --> 00:40:01,666 YES, IT IS. 711 00:40:01,666 --> 00:40:04,001 (puts glass on table) 712 00:40:04,001 --> 00:40:06,403 SO AM I SOMEONE YOU KNOW NOW? 713 00:40:06,403 --> 00:40:09,507 I'M STARTING TO RECOGNIZE YOU, YEAH. 714 00:40:09,507 --> 00:40:11,309 YOU KNOW THAT THING YOU SAID 715 00:40:11,309 --> 00:40:15,681 ABOUT JANE MAKING YOU A BETTER COP--YOU DON'T BELIEVE THAT. 716 00:40:15,681 --> 00:40:19,317 I MAY HAVE EXAGGERATED FOR EFFECT. 717 00:40:19,317 --> 00:40:21,952 ANYWAY, I WANTED TO SAY 718 00:40:21,952 --> 00:40:25,190 THAT IT'S BEEN NICE WORKING WITH YOU AGAIN. 719 00:40:25,190 --> 00:40:28,760 YOU, TOO. 720 00:40:36,467 --> 00:40:39,471 ANYHOW... 721 00:40:41,338 --> 00:40:43,007 GOOD NIGHT. 722 00:40:43,007 --> 00:40:45,143 GOOD NIGHT. 723 00:41:01,226 --> 00:41:04,262 I'VE BEEN THINKING. 724 00:41:04,262 --> 00:41:05,697 OH? 725 00:41:05,697 --> 00:41:08,465 YOU'RE NOT A COP. 726 00:41:08,465 --> 00:41:09,800 MNH-MNH. 727 00:41:09,800 --> 00:41:12,269 YOU NEVER WILL BE. MNH-MNH. 728 00:41:12,269 --> 00:41:15,641 BUT YOU HAVE A... USEFUL PERSPECTIVE. 729 00:41:19,911 --> 00:41:22,780 THIS IS A SUMMARY OF THE RED JOHN CASE 730 00:41:22,780 --> 00:41:24,916 SINCE I TOOK OVER. 731 00:41:37,896 --> 00:41:41,867 TAKE A LOOK. TELL ME WHAT YOU THINK. 732 00:41:43,501 --> 00:41:44,835 BOSCO. 733 00:41:44,835 --> 00:41:47,338 DON'T THANK ME. I WASN'T GOING TO. 734 00:41:47,338 --> 00:41:50,474 I NEED THE ACTUAL CASE FILE-- 735 00:41:50,474 --> 00:41:52,943 UNABRIDGED. 736 00:41:54,813 --> 00:41:58,182 YOU'RE A JERK. YOU KNOW THAT? 737 00:42:05,322 --> 00:42:07,925 NIGHT, BOSCO. 738 00:42:15,867 --> 00:42:18,936 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.