1 00:00:30,664 --> 00:00:32,533 (thud) 2 00:00:37,871 --> 00:00:41,442 (electricity crackles) 3 00:00:43,911 --> 00:00:45,912 (whooshing sound, click) 4 00:00:45,912 --> 00:00:47,914 HELLO? 5 00:00:47,914 --> 00:00:51,085 (ghostly laugh) 6 00:00:52,853 --> 00:00:54,487 WHAT THE HELL? 7 00:01:05,932 --> 00:01:08,736 I APPRECIATE YOUR PEOPLE COMING IN ON THIS, AGENT LISBON. 8 00:01:08,736 --> 00:01:12,472 HAVEN'T HANDLED MANY HOMICIDES-- NONE, IN FACT. 9 00:01:12,472 --> 00:01:14,542 FRANKLY, I'M LOOKING TO LEARN FROM YOU. 10 00:01:14,542 --> 00:01:16,543 NOT A PROBLEM, DEPUTY FISHER. 11 00:01:16,543 --> 00:01:18,745 SMALL TOWN. WE DON'T GET MUCH TROUBLE. 12 00:01:18,745 --> 00:01:20,748 WELL, THAT'S A SHAME. 13 00:01:20,748 --> 00:01:22,750 TROUBLE'S YOUR BUSINESS. 14 00:01:22,750 --> 00:01:24,484 YOU COULD SAY. 15 00:01:24,484 --> 00:01:26,486 VICTIM'S ALAN FOSTER-- 16 00:01:26,486 --> 00:01:29,456 43 YEARS OLD, MARRIED, NO CHILDREN. 17 00:01:29,456 --> 00:01:31,959 ARCHITECT. HE BOUGHT THE HOUSE A FEW MONTHS BACK, 18 00:01:31,959 --> 00:01:34,295 SAID HE WAS GONNA REHAB IT. 19 00:01:34,295 --> 00:01:36,864 WAS THE WIFE WITH HIM LAST NIGHT? 20 00:01:36,864 --> 00:01:40,801 NO, SHE WAS IN THE CITY. THEY HAVE A HOUSE IN SAN FRANCISCO. 21 00:01:40,801 --> 00:01:43,637 I SENT A MAN TO BREAK THE NEWS. WAS ANYBODY ELSE IN THE HOUSE WITH HIM? 22 00:01:43,637 --> 00:01:45,938 NOBODY AS FAR AS WE CAN TELL. I DON'T KNOW WHAT TO SAY. 23 00:01:45,938 --> 00:01:48,542 THE HOUSE WAS LOCKED UP TIGHTER THAN A DRUM WHEN I GOT HERE. 24 00:01:48,542 --> 00:01:50,743 TOOK ME HALF AN HOUR JUST TO SHUT OFF THE ALARM. CHO, CHECK THE ALARM SYSTEM. 25 00:01:50,743 --> 00:01:53,313 EITHER THE VICTIM LET SOMEBODY IN, 26 00:01:53,313 --> 00:01:56,716 OR THEY BROKE IN SOMEPLACE. IT'S A SHAME. FOSTER SEEMED LIKE A NICE GUY. 27 00:01:56,716 --> 00:01:59,587 WHOA, THAT'S A LIE. YOU DIDN'T LIKE HIM ONE BIT. 28 00:01:59,587 --> 00:02:04,557 W--I-I DIDN'T SAY THAT. YES, YOU DID. YOU THOUGHT HE WAS RICH, ARROGANT, PRETENTIOUS, 29 00:02:04,557 --> 00:02:07,894 AN INTERLOPER. HE WORE THOSE TRENDY ARCHITECT'S GLASSES. 30 00:02:07,894 --> 00:02:09,896 (chuckles) DID YOU KILL HIM? 31 00:02:09,896 --> 00:02:12,032 DID I... HMM? 32 00:02:12,032 --> 00:02:13,366 HMM? 33 00:02:13,366 --> 00:02:17,037 (chuckles) NO. 34 00:02:17,037 --> 00:02:18,372 NO. 35 00:02:19,639 --> 00:02:23,243 WHAT KIND OF QUESTION IS THAT? 36 00:02:25,212 --> 00:02:27,381 (grunts) 37 00:02:29,682 --> 00:02:33,052 HE'S GOT SOMETHING IN HIS HAND. 38 00:02:33,052 --> 00:02:36,623 JANE! GLOVES. RIGHT. 39 00:02:42,596 --> 00:02:47,435 (Lisbon) A BRASS BUTTON WITH THE LETTER "B"? 40 00:02:47,435 --> 00:02:49,836 THAT MEAN SOMETHING TO YOU, DEPUTY? 41 00:02:49,836 --> 00:02:52,372 NO. 42 00:02:54,474 --> 00:02:55,808 WHAT'S THIS GUY'S PROBLEM? 43 00:02:55,808 --> 00:02:59,546 THAT WOULD TAKE WAY TOO LONG TO ANSWER. 44 00:02:59,546 --> 00:03:00,980 LET'S TAKE A LOOK INSIDE. 45 00:03:00,980 --> 00:03:02,682 OKAY. IT'S THIS WAY. 46 00:03:12,893 --> 00:03:18,566 CLEAR SIGNS OF STRUGGLE RULES OUT SUICIDE. 47 00:03:18,566 --> 00:03:22,536 THAT, AND SUICIDES USUALLY OPEN THE WINDOW BEFORE THEY JUMP. 48 00:03:25,072 --> 00:03:27,675 WHAT'S TROUBLING YOU, FISHER? 49 00:03:27,675 --> 00:03:29,710 WHAT? NOTHING. WHAT ARE YOU TALKING ABOUT? 50 00:03:29,710 --> 00:03:33,381 THAT BUTTON MADE YOUR PUPILS DILATE. NOW YOU'VE GONE PALE. 51 00:03:33,381 --> 00:03:35,783 WHAT'S UP, FISHER? WHAT'S TROUBLING YOU? 52 00:03:35,783 --> 00:03:39,218 WELL, IT OCCURRED TO ME THAT THE BUTTON 53 00:03:39,218 --> 00:03:41,021 COULD STAND FOR "BECKWORTH," 54 00:03:41,021 --> 00:03:44,792 AND I GOT A LITTLE CHILL, THAT'S ALL. WHO'S BECKWORTH? 55 00:03:44,792 --> 00:03:46,593 WALTER BECKWORTH. 56 00:03:46,593 --> 00:03:49,128 HE WAS THE ORIGINAL OWNER OF THIS HOUSE--BUILT IT. 57 00:03:49,128 --> 00:03:54,001 DIED 80-SOMETHING YEARS AGO. PEOPLE SAY HE HAUNTS THE PLACE. 58 00:03:54,001 --> 00:03:56,203 I'VE HEARD THE STORIES SINCE I WAS A KID, 59 00:03:56,203 --> 00:03:59,272 BUT NOBODY BELIEVES THEM. RIGHT. 60 00:03:59,272 --> 00:04:02,575 GUY FROM THE SECURITY COMPANY RAN THE ALARM HISTORY. 61 00:04:02,575 --> 00:04:04,010 IT'S BEEN ARMED FROM 6:00 LAST NIGHT 62 00:04:04,010 --> 00:04:06,713 UNTIL THE DEPUTIES TURNED IT OFF THIS MORNING. 63 00:04:06,713 --> 00:04:08,716 NO ALARMS OR INTERRUPTIONS OF SERVICE. 64 00:04:08,716 --> 00:04:12,252 AS FAR AS I CAN TELL, NO ONE'S ENTERED OR LEFT THIS BUILDING 65 00:04:12,252 --> 00:04:16,990 EXCEPT THE VICTIM. BUT THAT'S IMPOSSIBLE. ISN'T IT? 66 00:04:16,990 --> 00:04:18,959 SPOOKY. 67 00:04:18,959 --> 00:04:31,471 ** 68 00:04:31,471 --> 00:04:33,807 BUT IT MAKES ME FEEL BETTER AT THE END OF THE DAY. 69 00:04:33,807 --> 00:04:35,442 I SEE PEOPLE SMILING BECAUSE OF WHAT I'VE DONE. 70 00:04:35,442 --> 00:04:38,077 THERE'S SOMETHING, I DON'T KNOW, JOYOUS IN IT. 71 00:04:38,077 --> 00:04:42,816 HOW OFTEN DO WE SEE PEOPLE SMILE IN THIS JOB? LEAVING OUT CRAZY? NEVER. THE CORONER TOOK FOSTER'S BODY. 72 00:04:42,816 --> 00:04:44,685 I'M GONNA GET HIS WIFE AND BRING HER TO THE OFFICE. 73 00:04:44,685 --> 00:04:47,588 LISBON AND JANE ARE UP ON THE PORCH. OKAY, THANKS. 74 00:04:47,588 --> 00:04:49,122 SHE'S VOLUNTEERING AT A HOMELESS KITCHEN. 75 00:04:49,122 --> 00:04:51,057 THAT'S COOL. 76 00:04:51,057 --> 00:04:54,894 THERE'S A MAN THERE. I THINK SHE'S, UH, YOU KNOW. BANGING A HOMELESS GUY? 77 00:04:54,894 --> 00:04:57,831 NO! A VOLUNTEER. A CHEF. AND SHE'S NOT-- 78 00:04:57,831 --> 00:05:02,403 I DON'T KNOW. NOT YET... MAYBE... I THINK... 79 00:05:02,403 --> 00:05:05,572 I DON'T... NO. 80 00:05:05,572 --> 00:05:08,841 DUDE, YOU NEED COUNSELING. 81 00:05:15,815 --> 00:05:17,785 SOMEHOW THE KILLER GOT INTO THE HOUSE 82 00:05:17,785 --> 00:05:20,454 WITHOUT TRIPPING THE ALARM OR TURNING IT OFF. 83 00:05:20,454 --> 00:05:23,856 SO THE KILLER DIDN'T COME THROUGH THE FRONT DOOR. PROBABLY FOUND SOME KIND OF HOLE IN THE SYSTEM. 84 00:05:23,856 --> 00:05:25,826 CHECK THE GROUNDS AND INSIDE THE HOUSE. 85 00:05:25,826 --> 00:05:27,961 FIND OUT HOW THEY GOT IN. ON IT. 86 00:05:27,961 --> 00:05:31,197 GRACE, YOU'RE THE SPIRITUAL SORT. DO YOU BELIEVE IN GHOSTS? 87 00:05:31,197 --> 00:05:33,000 I BELIEVE THE SPIRIT SURVIVES DEATH, 88 00:05:33,000 --> 00:05:35,735 AND A TROUBLED SPIRIT CAN MAKE ITSELF KNOWN. 89 00:05:35,735 --> 00:05:38,872 OH, COME ON. YOU DON'T SERIOUSLY THINK THERE'S A GHOST HERE. 90 00:05:38,872 --> 00:05:40,707 MEH. I DON'T KNOW. 91 00:05:40,707 --> 00:05:43,377 IF YOU SEE ONE, LET ME KNOW. 92 00:05:48,781 --> 00:05:51,951 HOW LONG HAD YOUR HUSBAND BEEN STAYING AT BECKWORTH MANSION, 93 00:05:51,951 --> 00:05:53,521 MRS. FOSTER? 94 00:05:53,521 --> 00:05:55,523 OFF AND ON FOR ABOUT THREE WEEKS, 95 00:05:55,523 --> 00:05:57,290 SINCE WE CLOSED ON IT. 96 00:05:57,290 --> 00:05:59,091 WHY? IT'S PRETTY RUN-DOWN. 97 00:05:59,091 --> 00:06:01,528 TO GET A FEEL FOR THE HOUSE BEFORE HE WORKED ON IT. 98 00:06:01,528 --> 00:06:03,831 HE SAID YOU SHOULD SPEND A MONTH IN A HOUSE 99 00:06:03,831 --> 00:06:06,165 BEFORE YOU THOUGHT ABOUT CHANGING IT. 100 00:06:06,165 --> 00:06:07,668 HE'S CONSCIENTIOUS THAT WAY... 101 00:06:07,668 --> 00:06:12,740 (voice breaking) OR WAS CONSCIENTIOUS THAT WAY. 102 00:06:12,740 --> 00:06:15,643 (crying softly) WE CAN TAKE A BREAK IF YOU'D LIKE. 103 00:06:15,643 --> 00:06:18,512 NO, NO, NO. LET'S-- LET'S JUST GET THROUGH IT. 104 00:06:18,512 --> 00:06:21,581 SO YOU WERE AT HOME THE NIGHT OF YOUR HUSBAND'S MURDER? YES. 105 00:06:21,581 --> 00:06:24,584 WE HAVE TO ASK--IS THERE ANYONE WHO CAN VERIFY THAT? 106 00:06:24,584 --> 00:06:26,653 UM, NO, I WAS ALONE. 107 00:06:26,653 --> 00:06:29,790 ALAN HAD BEEN AT THE MANSION ALL WEEK. 108 00:06:29,790 --> 00:06:32,158 WAS IT COMMON FOR YOU AND YOUR HUSBAND TO BE APART THAT LONG? 109 00:06:32,158 --> 00:06:35,495 IT WAS NOT UNCOMMON WHEN HE STARTED A PROJECT. 110 00:06:35,495 --> 00:06:37,630 HE GOT IMMERSED. 111 00:06:37,630 --> 00:06:39,766 WHO MIGHT HAVE WANTED TO HURT YOUR HUSBAND? 112 00:06:39,766 --> 00:06:42,002 OH, I CAN TELL YOU WHO WAS ANGRY WITH HIM-- 113 00:06:42,002 --> 00:06:43,836 VICTORIA ABNER. 114 00:06:43,836 --> 00:06:47,875 WHO'S SHE? SHE'S THIS HIPPIE-DIPPY WOMAN WHO LIVES IN TOWN, 115 00:06:47,875 --> 00:06:50,478 AND SHE WEAVES LINENS AND RUGS. 116 00:06:50,478 --> 00:06:52,680 SHE USED TO OWN BECKWORTH. 117 00:06:52,680 --> 00:06:55,382 SHE'S A DESCENDANT OF THE MAN WHO BUILT IT. 118 00:06:55,382 --> 00:06:58,185 SHE RESENTED YOUR HUSBAND FOR BUYING THE PLACE? 119 00:06:58,185 --> 00:06:59,987 BUT NOT AT FIRST. 120 00:06:59,987 --> 00:07:02,656 THERE WERE TAX ISSUES THAT CAME WITH THE PROPERTY, 121 00:07:02,656 --> 00:07:04,891 SO WE THOUGHT SHE'D BE GLAD TO BE RID OF IT. 122 00:07:04,891 --> 00:07:07,226 BUT... (sniffles) ABOUT A WEEK AFTER WE CLOSED, 123 00:07:07,226 --> 00:07:10,029 SHE JUST BLEW UP, CLAIMED THAT ALAN STOLE THE HOUSE. 124 00:07:10,029 --> 00:07:11,798 IT WAS VICIOUS. 125 00:07:11,798 --> 00:07:14,300 DID SHE EVER THREATEN YOUR HUSBAND? 126 00:07:14,300 --> 00:07:16,470 SHE SENT SOME PRETTY SCARY E-MAILS. 127 00:07:16,470 --> 00:07:17,937 (knocks rhythmically) 128 00:07:19,540 --> 00:07:21,675 EXCUSE ME. 129 00:07:23,375 --> 00:07:26,178 (Cho) WE NEED TO SEE THOSE E-MAILS. 130 00:07:26,178 --> 00:07:27,980 WHAT? 131 00:07:27,980 --> 00:07:29,983 WALTER BECKWORTH WAS KILLED IN 1928-- 132 00:07:29,983 --> 00:07:32,252 FIGHT OVER A WOMAN. YOU KNOW HOW? 133 00:07:32,252 --> 00:07:34,086 NOW, AND I DON'T CARE. 134 00:07:34,086 --> 00:07:36,689 HE WAS THROWN OUT OF THE EXACT SAME WINDOW 135 00:07:36,689 --> 00:07:38,826 THAT ALAN FOSTER WAS THROWN OUT OF. COINCIDENCE? 136 00:07:38,826 --> 00:07:40,494 YES. 137 00:07:40,494 --> 00:07:43,797 YEAH. WELL, IT'S ALL HERE. IS THAT, UH, FOSTER'S WIDOW? MM-HMM. 138 00:07:43,797 --> 00:07:46,634 I NEED TO TALK TO HER. 139 00:07:46,634 --> 00:07:48,401 MRS. FOSTER? PATRICK JANE. 140 00:07:48,401 --> 00:07:51,939 DID YOUR HUSBAND SEE OR HEAR ANYTHING ODD AT THE MANSION-- 141 00:07:51,939 --> 00:07:54,742 STRANGE SIGHTINGS, UNUSUAL NOISES, APPARITIONS? 142 00:07:54,742 --> 00:07:58,846 AS A MATTER OF FACT, ALAN DID MENTION SOME STRANGE THINGS. 143 00:07:58,846 --> 00:08:02,281 WHAT KIND OF THINGS? UM, IN THE LAST WEEK OR SO 144 00:08:02,281 --> 00:08:04,483 HE HEARD SOME NOISES AT NIGHT, LIKE GROANS. 145 00:08:04,483 --> 00:08:07,487 HE SAID SOMETIMES IT LOOKED LIKE THINGS WERE BEING MOVED. 146 00:08:07,487 --> 00:08:11,625 I KNOW IT'S A LITTLE CREEPY, BUT ALAN WASN'T TOO BOTHERED. 147 00:08:11,625 --> 00:08:13,627 HE WAS USED TO OLD HOUSES. 148 00:08:13,627 --> 00:08:15,995 WHAT DOES THIS HAVE TO DO WITH HOW HE DIED? 149 00:08:15,995 --> 00:08:18,665 VICTORIA ABNER HAS NO ARRESTS, BUT THREE YEARS AGO 150 00:08:18,665 --> 00:08:20,668 A NEIGHBOR TOOK OUT A RESTRAINING ORDER 151 00:08:20,668 --> 00:08:23,002 AGAINST HER--SOME ARGUMENT ABOUT THE NEIGHBOR'S DOG. 152 00:08:23,002 --> 00:08:25,404 VICTORIA GOT A LITTLE IN-YOUR-FACE ABOUT IT. 153 00:08:25,404 --> 00:08:27,206 GO AND SEE HOW MAD SHE REALLY WAS 154 00:08:27,206 --> 00:08:29,643 ABOUT FOSTER BUYING THE MANSION. OKAY. 155 00:08:29,643 --> 00:08:31,644 AND BE SURE TO ASK ABOUT THE GHOST, TOO. 156 00:08:31,644 --> 00:08:34,181 DO NOT ASK ABOUT GHOSTS. 157 00:08:34,181 --> 00:08:36,482 DON'T YOU THINK I KNOW WHAT YOU'RE DOING? 158 00:08:36,482 --> 00:08:37,918 NO GHOSTS. 159 00:08:37,918 --> 00:08:40,253 THE GHOST HAS SOMETHING TO DO WITH FOSTER'S DEATH. 160 00:08:40,253 --> 00:08:43,056 NO, IT DOESN'T, BECAUSE GHOSTS DON'T EXIST. 161 00:08:43,056 --> 00:08:46,693 DON'T EXIST IN YOUR MIND, BUT IF YOU BELIEVE THEY EXIST, 162 00:08:46,693 --> 00:08:49,162 THEN THEY EXIST. 163 00:08:52,566 --> 00:08:53,866 ANYTHING? 164 00:08:53,866 --> 00:08:55,936 NO PRY MARKS ON ANY OF THE FRAMES SO FAR, 165 00:08:55,936 --> 00:08:58,639 NO FOOTPRINTS UNDER THE WINDOWS. 166 00:08:58,639 --> 00:09:00,740 I DON'T SEE ANY SIGN OF FORCED ENTRY. 167 00:09:00,740 --> 00:09:02,842 MAYBE IT WAS A GHOST. 168 00:09:02,842 --> 00:09:04,745 GHOSTS DON'T THROW 200-POUND MEN OUT WINDOWS. 169 00:09:04,745 --> 00:09:06,714 WHAT DO GHOSTS DO? 170 00:09:06,714 --> 00:09:10,182 I HAVE NO IDEA. LET'S CHECK THE OTHER SIDE. 171 00:09:14,788 --> 00:09:19,626 SO YOU GONNA KEEP VOLUNTEERING AT THE, UH, KITCHEN? 172 00:09:19,626 --> 00:09:20,961 OH, YEAH. 173 00:09:20,961 --> 00:09:23,462 MAKING A LOT OF NEW FRIENDS, I EXPECT. 174 00:09:23,462 --> 00:09:25,032 I AM. 175 00:09:25,032 --> 00:09:27,500 YEAH, THAT'S THE GREAT THING ABOUT DOING VOLUNTEER WORK. 176 00:09:27,500 --> 00:09:30,169 YOU MEET SO MANY NEW PEOPLE THAT HAVE THE SAME KIND 177 00:09:30,169 --> 00:09:32,338 OF VALUES AND INTERESTS AS YOU. 178 00:09:32,338 --> 00:09:34,908 RIGHT. HEY, LOOK AT THAT. 179 00:09:34,908 --> 00:09:38,245 WHAT? THE LOCK ON THE DOOR-- LOOKS NEW. 180 00:09:38,245 --> 00:09:40,047 SOMEONE CUT IT OPEN. 181 00:09:44,551 --> 00:09:48,254 WELL, IF THEY HAVEN'T STARTED WORK ON THE HOUSE YET... 182 00:09:48,254 --> 00:09:55,928 HMM. 183 00:09:55,928 --> 00:09:59,732 ALL THE POWER TOOLS ARE MISSING. 184 00:10:01,769 --> 00:10:03,671 WHAT'S THERE? 185 00:10:03,671 --> 00:10:05,806 YOU THINK GHOSTS SMOKE FILTERED? 186 00:10:05,806 --> 00:10:08,140 BOSS, SOMEONE BROKE INTO A STORAGE AREA, 187 00:10:08,140 --> 00:10:10,844 STOLE A WHOLE BUNCH OF EQUIPMENT AND SUPPLIES. 188 00:10:10,844 --> 00:10:13,312 MAYBE THEY BROKE INTO THE HOUSE, TOO. 189 00:10:29,763 --> 00:10:31,764 CAN I HELP YOU? 190 00:10:31,764 --> 00:10:35,769 I SEE YOU SPECIALIZE IN LOCAL HISTORY. 191 00:10:35,769 --> 00:10:37,236 MR... 192 00:10:37,236 --> 00:10:39,840 RAIMEY. PHILIP RAIMEY. YES, AND YOU ARE? 193 00:10:39,840 --> 00:10:41,975 LOOKING FOR INFORMATION ON WALTER BECKWORTH. 194 00:10:41,975 --> 00:10:43,976 ARE YOU WITH THE POLICE? 195 00:10:43,976 --> 00:10:46,779 HERE ABOUT THE FOSTER INCIDENT? 196 00:10:46,779 --> 00:10:48,782 YES, BUT DON'T TELL ANYONE. 197 00:10:48,782 --> 00:10:51,283 PATRICK JANE. 198 00:10:51,283 --> 00:10:54,520 WELL, MR. JANE, IF IT'S BECKWORTH YOU'RE INTERESTED IN, 199 00:10:54,520 --> 00:10:57,256 YOU'VE COME TO THE RIGHT PLACE. 200 00:10:59,726 --> 00:11:01,729 THANK YOU. 201 00:11:01,729 --> 00:11:03,864 GREAT STORE. 202 00:11:03,864 --> 00:11:06,633 AGENT CHO, OF COURSE I WAS ANGRY WITH FOSTER. 203 00:11:06,633 --> 00:11:09,568 IF SOMEONE STOLE YOUR HOME, WOULDN'T YOU BE ANGRY AS WELL? 204 00:11:09,568 --> 00:11:12,339 HE BOUGHT THE HOUSE, MRS. ABNER... YOU DON'T UNDERSTAND. 205 00:11:12,339 --> 00:11:14,474 A HOUSE YOU HAVEN'T LIVED IN SINCE YOU WERE A CHILD. THAT'S NOT THE POINT. 206 00:11:14,474 --> 00:11:17,177 SORRY. I DIDN'T KNOW YOU WERE WITH SOMEBODY. 207 00:11:17,177 --> 00:11:19,546 OH, THIS IS MY NEPHEW DREW. 208 00:11:19,546 --> 00:11:24,283 AGENT CHO IS ASKING QUESTIONS ABOUT ALAN FOSTER. 209 00:11:24,283 --> 00:11:26,385 HE WANTS TO KNOW WHY I WAS SO UPSET 210 00:11:26,385 --> 00:11:28,687 WITH THE MAN WHO STOLE BECKWORTH. 211 00:11:28,687 --> 00:11:31,991 IT IS A COMPLICATED ISSUE. NO, IT'S NOT THAT COMPLICATED. 212 00:11:31,991 --> 00:11:34,727 THERE ARE MANY FACTORS TO BE CONSIDERED-- 213 00:11:34,727 --> 00:11:36,395 ECONOMIC AND EMOTIONAL. 214 00:11:36,395 --> 00:11:39,866 MY NEPHEW IS A LAWYER. HE'S VERY SENSIBLE. 215 00:11:39,866 --> 00:11:41,869 THAT'S GOOD, BECAUSE I'M NOT. 216 00:11:41,869 --> 00:11:43,870 THERE ARE NO FACTORS TO CONSIDER. 217 00:11:43,870 --> 00:11:45,972 FOSTER WAS A THIEF AND A LIAR. (sighs) 218 00:11:45,972 --> 00:11:48,107 YOU COULDN'T AFFORD THE TAXES ON THE HOUSE. 219 00:11:48,107 --> 00:11:50,643 YOU WERE GRATEFUL WHEN HE FIRST PURCHASED IT. 220 00:11:50,643 --> 00:11:53,679 WHAT CHANGED YOUR MIND? YOU HAVE A VERY GOOD AURA. 221 00:11:53,679 --> 00:11:55,548 THANK YOU. 222 00:11:55,548 --> 00:11:58,717 EXCELLENT COLOR--DEEP RED... 223 00:11:58,717 --> 00:12:01,653 GROUNDED, REALISTIC. 224 00:12:01,653 --> 00:12:05,658 AND FOSTER'S AURA WAS PINK, 225 00:12:05,658 --> 00:12:08,260 DIRTY PINK. 226 00:12:08,260 --> 00:12:10,230 THAT'S DISHONESTY, FECKLESSNESS. 227 00:12:10,230 --> 00:12:13,500 WHEN HE CAME TO ME, HE SAID HE WANTED TO PRESERVE BECKWORTH. 228 00:12:13,500 --> 00:12:15,168 HE LIED TO ME. 229 00:12:15,168 --> 00:12:18,138 HE WANTED TO GUT IT-- MY CHILDHOOD HOME, 230 00:12:18,138 --> 00:12:20,139 AND I COULDN'T LET HIM DO THAT. 231 00:12:20,139 --> 00:12:23,076 LOOK, AGENT, THE BECKWORTH MANSION IS UNDERSTANDABLY 232 00:12:23,076 --> 00:12:25,077 A VERY EMOTIONAL SUBJECT FOR MY FAMILY, 233 00:12:25,077 --> 00:12:27,746 BUT WHATEVER SHE MAY HAVE FELT OR SAID, 234 00:12:27,746 --> 00:12:30,049 MY AUNT IS INCAPABLE OF HURTING ANYBODY. 235 00:12:30,049 --> 00:12:32,485 WHERE WERE YOU LAST NIGHT? 236 00:12:32,485 --> 00:12:34,287 IN MY HOME, 237 00:12:34,287 --> 00:12:37,456 IN MY BED, NOT KILLING ALAN FOSTER. 238 00:12:37,456 --> 00:12:38,826 WHAT ABOUT YOU? 239 00:12:38,826 --> 00:12:41,128 I WAS HERE. I'VE BEEN STAYING WITH MY AUNT 240 00:12:41,128 --> 00:12:43,963 ON AND OFF EVER SINCE SHE WAS FORCED TO SELL THE PLACE. 241 00:12:43,963 --> 00:12:46,566 HE'S BEEN HELPING ME OUT WITH MY LEGAL THINGS. 242 00:12:46,566 --> 00:12:51,071 I'D BE LOST WITHOUT HIM. TAX LIENS AND ESCROW-- NOTHING TOO COMPLICATED. 243 00:12:51,071 --> 00:12:52,705 (cell phone rings) 244 00:12:52,705 --> 00:12:54,506 EXCUSE ME. 245 00:12:54,506 --> 00:12:56,709 (ring) 246 00:12:56,709 --> 00:12:58,144 CHO. 247 00:12:58,144 --> 00:13:01,681 CHO, DID YOU ASK ABOUT THE GHOST? 248 00:13:01,681 --> 00:13:04,051 NO, YOU HEARD LISBON. 249 00:13:04,051 --> 00:13:05,317 UGH. 250 00:13:05,317 --> 00:13:07,586 (lowered voice) I AM TALKING TO THE LOCAL HISTORIAN. 251 00:13:07,586 --> 00:13:10,090 APPARENTLY, BECKWORTH WAS DEEPLY INVOLVED IN SPIRITUALISM. 252 00:13:10,090 --> 00:13:12,125 LIKED TO EXPLORE THE WORLD BEYOND, 253 00:13:12,125 --> 00:13:14,427 HELD SéANCES AND ALL THAT KIND OF MALARKEY. 254 00:13:14,427 --> 00:13:16,796 (normal voice) SO GHOSTS ARE RELEVANT, MY FRIEND. 255 00:13:16,796 --> 00:13:19,099 THIS IS VERY IMPORTANT. 256 00:13:19,099 --> 00:13:20,767 Cho? 257 00:13:20,767 --> 00:13:22,701 DON'T LEAVE ME HANGING. 258 00:13:22,701 --> 00:13:26,405 MA'AM, DO YOU KNOW ANYTHING ABOUT A GHOST AT THE MANSION? 259 00:13:26,405 --> 00:13:27,774 OF COURSE. 260 00:13:27,774 --> 00:13:30,878 THAT'S THE SPIRIT OF MY GRANDFATHER WALTER BECKWORTH. 261 00:13:30,878 --> 00:13:34,881 HE USED TO VISIT ME WHEN I WAS A CHILD. SHE SAYS THERE'S A GHOST. 262 00:13:34,881 --> 00:13:38,717 THANK YOU. NO SURPRISE THERE. 263 00:13:38,717 --> 00:13:40,888 (sniffs) MMM. CLOVER HONEY? 264 00:13:40,888 --> 00:13:42,822 YES, AS A MATTER OF FACT IT IS. 265 00:13:42,822 --> 00:13:45,825 Mmm. 266 00:13:45,825 --> 00:13:48,528 JANE? MM. SORRY. 267 00:13:48,528 --> 00:13:51,865 UH, MR. RAIMEY SAYS THERE'S ALSO A HIDDEN TREASURE THERE. 268 00:13:51,865 --> 00:13:53,665 RUMORED TREASURE, PURELY RUMORED. 269 00:13:53,665 --> 00:13:57,803 RUMORED TREASURE--SOME FORTUNE BECKWORTH HID IN THE HOUSE. 270 00:13:57,803 --> 00:13:59,806 Does Abner know anything about that? 271 00:13:59,806 --> 00:14:01,573 BECKWORTH'S TREASURE? 272 00:14:01,573 --> 00:14:03,110 OH, YES. 273 00:14:03,110 --> 00:14:05,778 EVERYBODY IN THE FAMILY KNEW THAT THERE WAS 274 00:14:05,778 --> 00:14:07,714 A GREAT, MYTHIC TREASURE. 275 00:14:07,714 --> 00:14:10,984 We gave up looking for it years ago. It was a fraud. 276 00:14:10,984 --> 00:14:12,985 IF IT WASN'T, DO YOU THINK I'D BE LIVING HERE? 277 00:14:12,985 --> 00:14:14,955 SHE SAYS NO TREASURE. 278 00:14:14,955 --> 00:14:17,823 HMM. GOT IT. THANK YOU. 279 00:14:17,823 --> 00:14:19,458 OKAY. 280 00:14:19,458 --> 00:14:21,827 NO TREASURE. 281 00:14:21,827 --> 00:14:23,963 CLOVER HONEY. 282 00:14:25,899 --> 00:14:27,833 AH. 283 00:14:27,833 --> 00:14:32,038 WELL... (clears throat) THANK YOU. 284 00:14:32,038 --> 00:14:34,441 IF THERE IS ANYTHING ELSE I CAN DO... 285 00:14:34,441 --> 00:14:36,442 WELL, THERE IS ONE MORE THING. 286 00:14:36,442 --> 00:14:38,411 HOW DID BECKWORTH MAKE HIS MONEY? 287 00:14:38,411 --> 00:14:41,313 OH, HE WAS A BOOTLEGGER-- VERY SUCCESSFUL ONE. 288 00:14:41,313 --> 00:14:44,817 IT'S IN, UH, THAT ONE, THE SECOND FROM THE BOTTOM. 289 00:14:44,817 --> 00:14:46,818 OKAY. THANK YOU. 290 00:14:46,818 --> 00:14:49,056 UH, DID YOU EVER CROSS PATHS WITH FOSTER? 291 00:14:49,056 --> 00:14:50,889 ONCE OR TWICE. 292 00:14:50,889 --> 00:14:54,427 HE SEEMED PLEASANT ENOUGH. NEVER PAID VERY MUCH ATTENTION. 293 00:14:54,427 --> 00:14:57,496 YOU DECEITFUL OLD BAG OF BONES. EXCUSE ME? 294 00:14:57,496 --> 00:14:59,599 YOU HEARD ME. 295 00:15:01,100 --> 00:15:04,104 (Rigsby) NOTHING ON THE EXTERIOR OF THE HOUSE. 296 00:15:04,104 --> 00:15:06,105 LET'S CHECK INSIDE. 297 00:15:06,105 --> 00:15:07,774 THAT'S WEIRD. 298 00:15:07,774 --> 00:15:09,109 WHAT? 299 00:15:09,109 --> 00:15:11,244 THOUGHT THIS WAS SHUT. 300 00:15:17,683 --> 00:15:19,686 (rattling sound) 301 00:15:19,686 --> 00:15:21,587 DID YOU HEAR THAT? 302 00:15:21,587 --> 00:15:23,389 YEAH. SOMEONE'S UPSTAIRS. 303 00:15:23,389 --> 00:15:25,692 I THOUGHT EVERYBODY LEFT. 304 00:15:29,729 --> 00:15:31,398 HELLO? 305 00:15:38,804 --> 00:15:42,542 (footsteps) 306 00:15:42,542 --> 00:15:45,845 (lowers voice) IT CAME FROM IN THERE. 307 00:15:45,845 --> 00:15:47,980 (crunch) 308 00:15:52,019 --> 00:15:54,620 (electricity crackling) 309 00:15:54,620 --> 00:15:57,657 OLD WIRING, I GUESS. 310 00:15:57,657 --> 00:15:58,890 WHAT WAS THAT? 311 00:15:58,890 --> 00:16:00,893 CBI. COME OUT. 312 00:16:00,893 --> 00:16:03,029 (ghostly laugh) 313 00:16:06,732 --> 00:16:08,735 POLICE. WHOEVER YOU ARE, COME OUT OF THE ROOM 314 00:16:08,735 --> 00:16:12,438 WITH YOUR HANDS ABOVE YOUR HEAD. (wind gusting) 315 00:16:19,645 --> 00:16:22,548 (moaning) 316 00:16:24,017 --> 00:16:25,784 (wind gusting) 317 00:16:25,784 --> 00:16:27,754 JANE? 318 00:16:34,594 --> 00:16:37,663 WHERE'D HE GO? HOW'D HE DO THAT? 319 00:16:37,663 --> 00:16:40,600 IT'S EASY. (gasps) 320 00:16:40,600 --> 00:16:42,634 I'LL SHOW YOU. 321 00:16:42,634 --> 00:16:45,738 AH, YOU SEE? 322 00:16:45,738 --> 00:16:48,341 IT'S ALL SWITCHES. 323 00:16:48,341 --> 00:16:50,743 (electricity crackling) 324 00:16:52,511 --> 00:16:55,648 THERE'S A SYSTEM OF PIPES THAT CARRY SOUND 325 00:16:55,648 --> 00:16:58,650 THROUGHOUT THE HOUSE. (laughs evilly, voice echoes) 326 00:16:58,650 --> 00:17:01,488 (voice reverberating) HELLO? YEAH. IT'S ALL FAKE-- 327 00:17:01,488 --> 00:17:05,157 BECAUSE, MY CREDULOUS VAN PELT, SPIRITS ARE SMOKE AND MIRRORS, 328 00:17:05,157 --> 00:17:06,959 AND THAT'S ALL THAT THEY ARE. 329 00:17:06,959 --> 00:17:10,896 AND THE GHOST? HOW DID YOU DO THAT? AH, THE PIèCE DE RéSISTANCE. 330 00:17:10,896 --> 00:17:13,165 IF YOU COULD STAND IN THE CORNER, MY FRIEND RIGSBY, 331 00:17:13,165 --> 00:17:16,769 AND, GRACE, IF YOU COULD TAKE YOUR PLACE OUT BY THE DOORS. 332 00:17:16,769 --> 00:17:18,570 PEPPER'S GHOST. 333 00:17:18,570 --> 00:17:22,909 IT'S AN OLD CONJURER'S TRICK-- A SIMPLE OPTICAL ILLUSION. 334 00:17:22,909 --> 00:17:25,278 ALL YOU NEED IS A SHEET OF GLASS 335 00:17:25,278 --> 00:17:28,214 THAT SLIDES OUT OF THE WALL... 336 00:17:28,214 --> 00:17:30,817 (sliding) 337 00:17:30,817 --> 00:17:32,318 IT'S A REFLECTION? 338 00:17:32,318 --> 00:17:35,054 AND LIGHTING. 339 00:17:40,727 --> 00:17:43,895 (chuckles) 340 00:17:43,895 --> 00:17:45,832 AND OFF. 341 00:17:45,832 --> 00:17:50,836 BECKWORTH HAD ALL THIS BUILT JUST SO HE COULD HOLD SéANCES? 342 00:17:50,836 --> 00:17:52,771 SO HE COULD AMAZE AND TERRIFY HIS GUESTS 343 00:17:52,771 --> 00:17:55,741 WITH HIS MASTERY OF THE OCCULT, AND IT'S BEEN USED RECENTLY. 344 00:17:55,741 --> 00:17:57,743 SOMEONE HAS CLEANED THE DUST OFF. 345 00:17:57,743 --> 00:18:00,413 SO SOMEBODY WAS TRYING TO SCARE FOSTER. MM-HMM. 346 00:18:00,413 --> 00:18:02,615 WHY? AND HOW DID THEY GET IN THE HOUSE? 347 00:18:02,615 --> 00:18:05,585 THE ALARM WOULD HAVE BEEN ON THE WHOLE TIME. COME WITH ME. 348 00:18:05,585 --> 00:18:07,753 BECKWORTH WAS A BOOTLEGGER DURING PROHIBITION, 349 00:18:07,753 --> 00:18:10,757 WHICH MEANT HE HAD TO SMUGGLE LIQUOR INTO THE HOUSE 350 00:18:10,757 --> 00:18:12,558 AND HIDE IT SOMEPLACE 351 00:18:12,558 --> 00:18:14,560 THE AUTHORITIES COULDN'T FIND IT. 352 00:18:14,560 --> 00:18:17,196 THIS HOUSE IS RIDDLED WITH SECRET PASSAGES. 353 00:18:17,196 --> 00:18:19,865 INCLUDING ONES THAT LEAD OUTSIDE? 354 00:18:22,469 --> 00:18:24,403 (click) 355 00:18:27,773 --> 00:18:29,875 VOILà. 356 00:18:29,875 --> 00:18:32,010 HEAD DOWN. TAKE A LOOK. 357 00:18:32,010 --> 00:18:33,846 I'LL CHECK THE OUTSIDE WALLS. 358 00:18:33,846 --> 00:18:35,948 NO DOUBT ONE OF US WILL FIND THE SECRET PASSAGE. 359 00:18:35,948 --> 00:18:38,250 AFTER YOU. 360 00:18:38,250 --> 00:18:40,386 OH, THANK YOU. 361 00:18:46,826 --> 00:18:49,729 ** 362 00:18:55,835 --> 00:18:57,135 JEB HAAS? 363 00:18:57,135 --> 00:18:58,738 WHO WANTS TO KNOW? 364 00:18:58,738 --> 00:19:02,040 AGENT LISBON, CBI. PRETTY LITTLE THING LIKE YOU? 365 00:19:02,040 --> 00:19:05,912 I HAVE SOME QUESTIONS FOR YOU REGARDING ALAN FOSTER'S MURDER. 366 00:19:05,912 --> 00:19:08,615 I GOT NOTHING TO TELL YOU. 367 00:19:08,615 --> 00:19:11,617 LOOKS LIKE THERE WERE SOME CONSTRUCTION SUPPLIES STOLEN 368 00:19:11,617 --> 00:19:13,619 AROUND THE TIME OF THE MURDER. 369 00:19:13,619 --> 00:19:15,622 DEPUTY FISHER SAYS YOU'RE THE LOCAL THIEF 370 00:19:15,622 --> 00:19:17,723 MOST LIKELY TO STEAL THAT KIND OF STUFF. 371 00:19:17,723 --> 00:19:20,227 FISHER SENT YOU? THAT SON OF A BITCH. 372 00:19:20,227 --> 00:19:22,028 I DON'T KNOW WHAT HE TOLD YOU, 373 00:19:22,028 --> 00:19:25,432 BUT, UM, I DON'T KNOW ANYTHING ABOUT A BREAK-IN OR ANY MURDER. 374 00:19:25,432 --> 00:19:28,000 THEN YOU WON'T MIND COMING DOWN TO THE STATION WITH ME. 375 00:19:28,000 --> 00:19:32,838 WHAT IF I DON'T WANT TO GO? SIR, THIS DOESN'T HAVE TO BE DIFFICULT. 376 00:19:32,838 --> 00:19:35,708 ** 377 00:19:42,949 --> 00:19:44,884 YOU OKAY? 378 00:19:44,884 --> 00:19:46,919 YEAH, YEAH. YOU? 379 00:19:55,461 --> 00:19:57,596 HEY, LOOK AT THAT. 380 00:19:57,596 --> 00:20:00,232 WINE CELLAR. WONDER IF ANY OF IT'S STILL GOOD. 381 00:20:00,232 --> 00:20:02,301 I DOUBT IT. 382 00:20:02,301 --> 00:20:03,803 (creaking) 383 00:20:03,803 --> 00:20:06,239 WHAT WAS THAT? EH, PROBABLY RATS. 384 00:20:06,239 --> 00:20:08,641 OH, GOD, NO. I HATE RATS. 385 00:20:08,641 --> 00:20:11,611 IT'S JUST A GHOST THEN. YOU DON'T BELIEVE IN GHOSTS. 386 00:20:11,611 --> 00:20:13,913 YEAH, BUT YOU DO. WAIT UPSTAIRS, IF YOU LIKE. 387 00:20:13,913 --> 00:20:15,914 I'LL TAKE THIS ONE. 388 00:20:15,914 --> 00:20:17,849 OH, THANKS. THAT'S OKAY. 389 00:20:21,153 --> 00:20:23,990 SAME NIGHT THAT FOSTER WAS KILLED, 390 00:20:23,990 --> 00:20:26,893 YOU BROKE INTO HIS POOL HOUSE AND STOLE A FEW THOUSAND DOLLARS 391 00:20:26,893 --> 00:20:29,429 WORTH OF TOOLS AND EQUIPMENT. WE KNOW BECAUSE WE FOUND 392 00:20:29,429 --> 00:20:31,763 SOME OF THE STOLEN EQUIPMENT IN YOUR VEHICLE, 393 00:20:31,763 --> 00:20:33,400 AND WE FOUND THIS CIGARETTE BUTT IN THE POOL HOUSE. 394 00:20:33,400 --> 00:20:36,336 IT'LL DEFINITELY HAVE YOUR D.N.A. ON IT. 395 00:20:36,336 --> 00:20:38,538 EVERYBODY KNOWS THAT PLACE IS ALL WIRED UP 396 00:20:38,538 --> 00:20:40,539 WITH SOME FANCY ALARM SYSTEM. 397 00:20:40,539 --> 00:20:42,541 I DIDN'T KILL ANYBODY. 398 00:20:42,541 --> 00:20:45,444 I NEVER SAW FOSTER, AND I NEVER WENT INTO HIS HOUSE. 399 00:20:45,444 --> 00:20:47,779 NICE IF YOU COULD PROVE THAT. I CAN'T, 400 00:20:47,779 --> 00:20:50,982 BUT I DO HAVE SOME PARTICULAR INFORMATION ON THAT EVENING-- 401 00:20:50,982 --> 00:20:53,752 INFORMATION THAT YOU WANT. 402 00:20:53,752 --> 00:20:54,886 OKAY. 403 00:20:54,886 --> 00:20:57,923 UNH-UNH. NOT UNTIL I GET A DEAL ON THE THEFT 404 00:20:57,923 --> 00:20:59,925 AND THE BREAKING AND ENTERING CHARGES-- 405 00:20:59,925 --> 00:21:03,695 A GOOD ONE, TOO. YOU WANT A DEAL? OKAY. 406 00:21:03,695 --> 00:21:06,198 AND JUST TO BE CLEAR, IS THIS A DEAL FOR THE THEFT 407 00:21:06,198 --> 00:21:10,169 AND THE B&E ALONE, OR THE TAX EVASION AS WELL? WHAT? 408 00:21:10,169 --> 00:21:11,971 ACCORDING TO YOUR I.R.S. RECORDS, 409 00:21:11,971 --> 00:21:14,307 YOU HAVEN'T FILED A TAX RETURN SINCE 2002. 410 00:21:14,307 --> 00:21:17,175 UNLESS YOU HAVEN'T EARNED A DIME IN INCOME IN SEVEN YEARS, 411 00:21:17,175 --> 00:21:19,378 YOU'RE FACING SOME PRETTY SERIOUS TAX EVASION CHARGES. 412 00:21:19,378 --> 00:21:23,516 DO YOU HAVE ANY IDEA HOW MUCH PRISON TIME THAT CARRIES? PRISON TIME? 413 00:21:23,516 --> 00:21:26,818 SERIOUS TIME, MASSIVE FINES. 414 00:21:26,818 --> 00:21:29,321 I'M GONNA LET YOU THINK ABOUT IT. 415 00:21:31,590 --> 00:21:34,026 WHEN I WAS LOADING STUFF OUT OF THE POOL HOUSE, 416 00:21:34,026 --> 00:21:36,194 I SAW A CAR IN THE WOODS-- 417 00:21:36,194 --> 00:21:37,829 A BLACK BMW. 418 00:21:37,829 --> 00:21:39,898 THERE WAS SOMEBODY SITTING IN THE DRIVER'S SEAT-- 419 00:21:39,898 --> 00:21:41,232 FOSTER'S WIFE. 420 00:21:41,232 --> 00:21:42,969 LILLIAN FOSTER? 421 00:21:42,969 --> 00:21:45,771 I'VE SEEN HER IN TOWN. SHE SAT THERE THE WHOLE TIME. 422 00:21:45,771 --> 00:21:48,807 SHE NEVER EVEN NOTICED ME. SHE JUST STARED AT THE HOUSE. 423 00:21:48,807 --> 00:21:51,143 WAS SHE STILL THERE WHEN YOU LEFT? 424 00:21:51,143 --> 00:21:53,413 YES. 425 00:21:55,981 --> 00:21:57,349 SO YOU'LL DO SOMETHING-- 426 00:21:57,349 --> 00:22:00,653 I MEAN, ABOUT THE TAX THING? 427 00:22:00,653 --> 00:22:03,589 DON'T WORRY. I WAS LYING ABOUT THAT. 428 00:22:03,589 --> 00:22:06,726 (door closes) 429 00:22:10,896 --> 00:22:13,532 (clicking) 430 00:22:13,532 --> 00:22:15,535 WHAT'S WRONG WITH IT? 431 00:22:15,535 --> 00:22:17,369 I DON'T KNOW. MAYBE THE BATTERIES. 432 00:22:17,369 --> 00:22:19,372 DON'T HIT IT. 433 00:22:19,372 --> 00:22:21,339 FINE. YOU FIX IT THEN. 434 00:22:21,339 --> 00:22:23,342 LET'S JUST USE MINE. 435 00:22:23,342 --> 00:22:24,676 (screams) 436 00:22:24,676 --> 00:22:26,512 WHAT? WHAT? WHAT? 437 00:22:26,512 --> 00:22:29,347 OH! OH, I FELT SOMETHING CRAWLING UP MY LEG. OH! IS IT STILL THERE? 438 00:22:29,347 --> 00:22:31,718 NO. IT WAS PROBABLY JUST A GHOST. 439 00:22:31,718 --> 00:22:32,919 (chuckles) 440 00:22:37,155 --> 00:22:38,924 GRACE? 441 00:22:38,924 --> 00:22:40,926 YES? 442 00:22:40,926 --> 00:22:43,962 I... 443 00:22:43,962 --> 00:22:45,765 NEVER MIND. 444 00:22:45,765 --> 00:22:47,199 (mutters) NEVER MIND. 445 00:22:47,199 --> 00:22:49,902 MAYBE WE SHOULD KEEP GOING. 446 00:22:49,902 --> 00:22:51,002 YEAH. 447 00:22:51,002 --> 00:22:52,838 GRACE, I LOVE YOU. 448 00:22:52,838 --> 00:22:56,776 I'VE LOVED YOU FROM THE FIRST MOMENT I MET YOU. 449 00:22:56,776 --> 00:22:59,878 SCREW THE RULES. SCREW THE CBI. I NEED YOU. 450 00:22:59,878 --> 00:23:01,247 I, UH... 451 00:23:01,247 --> 00:23:02,714 THAT'S, UM... 452 00:23:02,714 --> 00:23:05,917 UNLESS YOU STOP ME, I'M GONNA KISS YOU NOW. 453 00:23:05,917 --> 00:23:08,086 (rattling sound) 454 00:23:08,086 --> 00:23:11,022 EUREKA! 455 00:23:11,022 --> 00:23:12,892 FOUND IT! 456 00:23:15,728 --> 00:23:19,097 GOOD WORK. YEAH, WE'LL MEET YOU BACK AT THE OFFICE 457 00:23:19,097 --> 00:23:23,803 AFTER WE PICK UP LILLIAN FOSTER. WE'RE OUTSIDE HER HOUSE NOW. 458 00:23:23,803 --> 00:23:28,273 JANE SAYS HE FOUND ANOTHER ENTRANCE TO THE MANSION. I KNEW THERE HAD TO BE ANOTHER WAY IN. 459 00:23:28,273 --> 00:23:30,542 (Lillian) HOW DARE YOU COME HERE, YOU CRAZY BITCH! 460 00:23:30,542 --> 00:23:33,445 MY HUSBAND JUST DIED! IS THAT VICTORIA ABNER AND HER NEPHEW? 461 00:23:33,445 --> 00:23:35,582 (Cho) WHAT ARE THEY DOING HERE? IT SEEMED LIKE A GOOD IDEA TO ME. 462 00:23:35,582 --> 00:23:38,585 HAVE YOU NO SHAME? MRS. FOSTER, IF YOU COULD JUST PLEASE CALM DOWN. 463 00:23:38,585 --> 00:23:41,052 YOU KNOW WHAT YOU ARE? YOU'RE A VULTURE. 464 00:23:41,052 --> 00:23:44,523 YOU'RE A CRAZY, OBSESSED OLD VULTURE! THAT MANSION IS MINE. IT BELONGS TO MY FAMILY. 465 00:23:44,523 --> 00:23:47,727 I WILL BURN IT DOWN BEFORE YOU STEP FOOT IN THAT PLACE! LADY, YOU NEED PSYCHIATRIC HELP. 466 00:23:47,727 --> 00:23:50,061 OH, YEAH? HEY! 467 00:23:50,061 --> 00:23:53,633 (both shouting indistinctly) HEY! BREAK IT UP! 468 00:23:53,633 --> 00:23:55,433 AAH! GET HER OFF OF ME NOW! 469 00:23:55,433 --> 00:23:58,436 WHAT THE HELL IS THE MATTER WITH YOU?! COME ON. COME ON. 470 00:23:58,436 --> 00:24:00,640 YOU HAVE NO CLASS! YOU'RE THE ONE THAT CAME TO MY HOUSE! 471 00:24:00,640 --> 00:24:02,642 (both shouting indistinctly) 472 00:24:02,642 --> 00:24:05,612 YOU COME TO MY HOUSE-- OH, YEAH, I'M THE CRAZY BITCH? 473 00:24:11,550 --> 00:24:14,019 HOW YOU FEELING, MRS. FOSTER? 474 00:24:14,019 --> 00:24:16,055 EMBARRASSED. 475 00:24:16,055 --> 00:24:20,326 HOW'D YOU GET INTO THE RUCKUS WITH MS. ABNER? 476 00:24:20,326 --> 00:24:23,996 SHE CAME BY TO ASK IF SHE COULD RENT THE MANSION BACK FROM ME, 477 00:24:23,996 --> 00:24:26,932 SEEING AS HOW I WON'T WANT TO BE LIVING THERE. 478 00:24:26,932 --> 00:24:28,768 DID SHE SAY WHY? 479 00:24:28,768 --> 00:24:30,803 I, UH, DIDN'T WAIT TO HEAR THE DETAILS. 480 00:24:30,803 --> 00:24:33,940 SHE HAD BEEN PLAGUING US ALL THIS TIME, AND NOW THIS? 481 00:24:33,940 --> 00:24:38,845 (sighs) I'M AFRAID I JUST... LOST IT. 482 00:24:40,579 --> 00:24:43,915 THERE IS SOMETHING ELSE WE WANTED TO TALK TO YOU ABOUT. 483 00:24:43,915 --> 00:24:46,618 YOU WEREN'T IN SAN FRANCISCO 484 00:24:46,618 --> 00:24:48,621 THE NIGHT OF YOUR HUSBAND'S MURDER. 485 00:24:48,621 --> 00:24:51,758 YOU WERE AT THE MANSION. YOU KNOW ABOUT THAT? 486 00:24:51,758 --> 00:24:55,193 WHY'D YOU LIE TO US? I WAS ASHAMED. 487 00:24:55,193 --> 00:24:59,330 OF WHAT? OF WHY I WAS THERE IN THE FIRST PLACE. 488 00:24:59,330 --> 00:25:02,535 WHY WAS THAT? SHE WAS SPYING ON HER HUSBAND. 489 00:25:02,535 --> 00:25:05,237 SHE SUSPECTED HIM OF BEING UNFAITHFUL. 490 00:25:05,237 --> 00:25:08,140 YES. HOW DID YOU KNOW THAT? 491 00:25:08,140 --> 00:25:11,210 BECAUSE HE'S BEEN UNFAITHFUL BEFORE? 492 00:25:13,244 --> 00:25:15,548 YES. 493 00:25:15,548 --> 00:25:17,817 HE HAD AN AFFAIR ABOUT A YEAR AGO. 494 00:25:17,817 --> 00:25:21,688 HE WAS OUT OF TOWN. I WAS CAUGHT UP WITH MY WORK, 495 00:25:21,688 --> 00:25:24,190 AND IT HAPPENED. 496 00:25:24,190 --> 00:25:26,558 THAT'S VERY UNDERSTANDING OF YOU. 497 00:25:26,558 --> 00:25:28,359 OH, I WAS FURIOUS, BELIEVE ME. 498 00:25:28,359 --> 00:25:31,730 BUT WE WORKED ON IT-- COUNSELING AND SO FORTH, 499 00:25:31,730 --> 00:25:34,733 AND I THOUGHT I HAD MOVED ON. 500 00:25:34,733 --> 00:25:37,202 BUT I HADN'T. 501 00:25:37,202 --> 00:25:38,971 I DIDN'T TRUST HIM. 502 00:25:38,971 --> 00:25:41,773 SO WHEN ALAN TOLD ME HE WOULD BE SPENDING THIS WEEKEND 503 00:25:41,773 --> 00:25:44,210 AT THE MANSION AND WOULDN'T BE COMING HOME, 504 00:25:44,210 --> 00:25:48,780 I DECIDED I HAD TO GO THERE TO CATCH HIM IN THE ACT. 505 00:25:48,780 --> 00:25:50,982 BUT NO ONE SHOWED UP. 506 00:25:50,982 --> 00:25:52,218 NO. 507 00:25:52,218 --> 00:25:56,154 I FELT SO AWFUL THAT I LEFT WITHOUT TALKING TO HIM. 508 00:25:56,154 --> 00:25:59,791 WHAT TIME DID YOU LEAVE? AROUND 10:00. 509 00:25:59,791 --> 00:26:02,828 IS THERE ANY WAY TO PROVE THAT? 510 00:26:02,828 --> 00:26:05,564 UM, I BOUGHT GAS ON THE WAY HOME. 511 00:26:05,564 --> 00:26:09,268 THE CREDIT CARD COMPANY WILL HAVE A RECORD OF THAT, RIGHT? 512 00:26:09,268 --> 00:26:11,436 YES, WE'LL VERIFY THAT. 513 00:26:11,436 --> 00:26:15,574 I CAN'T HELP THINKING THAT IF I'D STAYED THERE, 514 00:26:15,574 --> 00:26:17,910 IF I'D JUST GONE AND TALKED TO ALAN, 515 00:26:17,910 --> 00:26:19,912 HE WOULD STILL BE ALIVE. 516 00:26:19,912 --> 00:26:22,749 MM, MOST LIKELY YOU'D BOTH BE DEAD. 517 00:26:22,749 --> 00:26:26,853 WITH THE WAY THAT I FEEL, I MIGHT PREFER THAT. 518 00:26:26,853 --> 00:26:29,488 THAT FEELING WILL PASS. 519 00:26:29,488 --> 00:26:32,191 WHAT DO YOU KNOW ABOUT THAT? 520 00:26:32,191 --> 00:26:33,859 ENOUGH. 521 00:26:38,564 --> 00:26:40,566 HOW YOU DOING, DREW? 522 00:26:40,566 --> 00:26:42,500 FINE. THANK YOU. THANKS. 523 00:26:42,500 --> 00:26:44,502 YOUR AUNT'S GONNA BE IN WITH US A LITTLE LONGER. 524 00:26:44,502 --> 00:26:46,873 THIS FIGHT'S GONNA TAKE SOME SORTING OUT, OKAY? 525 00:26:46,873 --> 00:26:48,875 I TRIED TO STOP IT FROM ESCALATING. 526 00:26:48,875 --> 00:26:50,876 THAT'S WHY I WAS THERE IN THE FIRST PLACE, 527 00:26:50,876 --> 00:26:53,144 BUT THE HOSTILITY JUST KIND OF CAUGHT ME OFF GUARD. 528 00:26:53,144 --> 00:26:56,015 IT'LL BE UP TO YOUR AUNT WHETHER OR NOT TO PRESS CHARGES, 529 00:26:56,015 --> 00:26:59,317 BUT YOU'RE A LAWYER. YOU KNOW THE DEAL. I'M NOT EXACTLY A LAWYER. MY AUNT LIKES TO EXAGGERATE. 530 00:26:59,317 --> 00:27:00,987 I'M A PARALEGAL. 531 00:27:00,987 --> 00:27:03,288 CHO, UH, I'M SORRY. YOU GOT A SECOND? 532 00:27:03,288 --> 00:27:06,692 SURE. WE'RE STILL GONNA NEED A STATEMENT FROM YOU. 533 00:27:06,692 --> 00:27:09,260 EXCUSE ME FOR A SECOND. WHAT'S UP? 534 00:27:09,260 --> 00:27:11,196 I TOLD GRACE I LOVE HER. 535 00:27:11,196 --> 00:27:13,432 WOW. OKAY. WELL DONE. THEN WHAT HAPPENED? 536 00:27:13,432 --> 00:27:15,401 OH, NOTHING. 537 00:27:15,401 --> 00:27:18,871 JANE INTERRUPTED, AND SHE HASN'T SAID A WORD SINCE. SO TELL HER AGAIN. 538 00:27:18,871 --> 00:27:21,907 RIGHT, OKAY. TELL HER AGAIN. OKAY, RIGHT. 539 00:27:24,743 --> 00:27:29,515 YOUR AURA IS FASCINATING, MR. JANE-- 540 00:27:29,515 --> 00:27:31,250 SO MANY HUES. 541 00:27:31,250 --> 00:27:32,651 THANK YOU. 542 00:27:32,651 --> 00:27:36,888 THE MANSION'S UNINHABITABLE. WHY WOULD YOU WANT IT BACK? 543 00:27:36,888 --> 00:27:38,924 SENTIMENTAL REASONS. 544 00:27:38,924 --> 00:27:42,493 MM, NO. NO, THAT'S NOT RIGHT. 545 00:27:42,493 --> 00:27:44,830 YOU'RE CLOSED, FURTIVE. YOU'RE HIDING SOMETHING. 546 00:27:44,830 --> 00:27:48,200 THERE'S SOMETHING IN THAT HOUSE, ISN'T THERE? 547 00:27:48,200 --> 00:27:50,669 SOMETHING YOU DON'T WANT ANYONE ELSE TO FIND... 548 00:27:50,669 --> 00:27:54,272 EVIDENCE OF YOUR GUILT, PERHAPS. THAT'S ABSURD. 549 00:27:54,272 --> 00:27:56,642 NO. YOU'RE RIGHT. THAT IS ABSURD. 550 00:27:56,642 --> 00:27:58,877 IT'S SOMETHING ELSE ENTIRELY. 551 00:27:58,877 --> 00:28:02,781 AH--THE TREASURE. 552 00:28:02,781 --> 00:28:04,383 WHAT TREASURE? 553 00:28:04,383 --> 00:28:07,685 WALTER BECKWORTH'S TREASURE HE HID IN THE MANSION. 554 00:28:07,685 --> 00:28:09,587 I WANTED MY HOUSE BACK 555 00:28:09,587 --> 00:28:11,857 BECAUSE I DIDN'T LIKE WHAT FOSTER PLANNED FOR IT. 556 00:28:11,857 --> 00:28:15,626 HE WAS GOING TO DESTROY IT. FOSTER HAD ONLY BEEN THERE A FEW WEEKS. 557 00:28:15,626 --> 00:28:18,630 HOW COULD YOU HAVE KNOWN WHAT HE WAS GONNA DO BEFORE HE DID? 558 00:28:18,630 --> 00:28:20,732 IN CONVERSATION, HE TOLD ME. 559 00:28:20,732 --> 00:28:25,738 MA'AM, WE FIND OUT YOU'RE LYING, YOU BECOME SUSPECT NUMBER ONE. 560 00:28:29,107 --> 00:28:31,042 ALL RIGHT. 561 00:28:33,112 --> 00:28:36,214 HOW ARE YOU WITH RIDDLES? 562 00:28:36,214 --> 00:28:38,984 (chuckles) 563 00:28:38,984 --> 00:28:40,886 I FOUND THE CLUE A FEW WEEKS AGO 564 00:28:40,886 --> 00:28:42,888 WHEN I BOUGHT SOME OF BECKWORTH'S PAPERS 565 00:28:42,888 --> 00:28:45,257 AT AN ESTATE SALE. IT WAS IN A LETTER 566 00:28:45,257 --> 00:28:48,426 TO ONE OF HIS COUSINS JUST BEFORE HIS DEATH. 567 00:28:48,426 --> 00:28:51,864 BECKWORTH BOASTS THAT HE'S HIDDEN HIS "GREAT TREASURE" 568 00:28:51,864 --> 00:28:54,365 WHERE NO ONE CAN FIND IT, AND THEN HE OFFERS 569 00:28:54,365 --> 00:28:58,003 THIS CLUE--"IF FORTUNE IS WHAT YOU SEEK SINCERE, 570 00:28:58,003 --> 00:29:00,873 THE ONLY PLACE TO LOOK IS HERE." 571 00:29:00,873 --> 00:29:02,775 THAT'S IT? THAT'S THE RIDDLE? 572 00:29:02,775 --> 00:29:05,243 YES. INTERESTING. 573 00:29:05,243 --> 00:29:07,679 OF COURSE, I TOLD MRS. ABNER RIGHT AWAY, 574 00:29:07,679 --> 00:29:10,281 BUT THE HOUSE HAD ALREADY BEEN SOLD TO FOSTER. WHY DIDN'T YOU MENTION THIS BEFORE? 575 00:29:10,281 --> 00:29:13,352 WELL, IT... IT DIDN'T SEEM RELEVANT. 576 00:29:13,352 --> 00:29:15,653 IT'S MOTIVE. IT'S VERY RELEVANT. 577 00:29:15,653 --> 00:29:18,690 MR. RAIMEY AND MS. ABNER HAD AGREED TO KEEP QUIET TO AVOID 578 00:29:18,690 --> 00:29:21,626 HAVING TO SHARE THE LOOT WITH ANYONE ELSE, CORRECT? 579 00:29:21,626 --> 00:29:24,830 YES, BUT THAT DOESN'T MEAN EITHER OF US KILLED FOSTER. 580 00:29:24,830 --> 00:29:27,165 OH, ABSOLUTELY RIGHT. WHOEVER KILLED FOSTER 581 00:29:27,165 --> 00:29:30,236 WAS SIMPLY TRYING TO SCARE HIM FROM THE MANSION. 582 00:29:30,236 --> 00:29:32,637 IT COULD HAVE BEEN ANYONE THAT WANTED THE TREASURE, 583 00:29:32,637 --> 00:29:35,773 EVEN YOU, DEPUTY FISHER. THAT'S RIGHT. I KILLED HIM. 584 00:29:35,773 --> 00:29:39,144 DID YOU? YOU DENIED IT EARLIER. STOP DOING THAT. 585 00:29:39,144 --> 00:29:41,814 I NEED TO SEE THIS CLUE. WHERE'S THE LETTER? 586 00:29:48,753 --> 00:29:50,556 THANK YOU. 587 00:29:50,556 --> 00:29:53,392 (sniffs) 588 00:29:53,392 --> 00:29:55,094 WHAT? 589 00:29:55,094 --> 00:29:59,330 SMELLS GOOD. "IF FORTUNE IS WHAT YOU SEEK SINCERE, 590 00:29:59,330 --> 00:30:04,435 THE ONLY PLACE TO LOOK IS... HEAR." 591 00:30:04,435 --> 00:30:06,805 "HEAR"-- 592 00:30:06,805 --> 00:30:09,240 IT'S SPELLED H-E-A-R. 593 00:30:09,240 --> 00:30:12,178 WELL, I ASSUMED IT WAS A MISTAKE. 594 00:30:12,178 --> 00:30:14,913 HMM. THERE ARE NO MISTAKES. 595 00:30:14,913 --> 00:30:17,916 LET'S GO. 596 00:30:33,865 --> 00:30:35,401 (clears throat) 597 00:30:35,401 --> 00:30:38,769 AS YOU KNOW, WALTER BECKWORTH LEFT A CODED MESSAGE 598 00:30:38,769 --> 00:30:41,406 DESCRIBING THE LOCATION OF HIS TREASURE. 599 00:30:41,406 --> 00:30:44,175 I BROUGHT YOU ALL HERE TO HELP ME FIND IT. 600 00:30:44,175 --> 00:30:48,779 THE WORD "HERE" IS MISSPELLED IN THE RIDDLE. 601 00:30:48,779 --> 00:30:51,049 I DON'T BELIEVE THAT'S A MISTAKE. 602 00:30:51,049 --> 00:30:54,052 I THINK THAT THE CLUE ITSELF 603 00:30:54,052 --> 00:30:56,055 LIES IN THAT WORD-- 604 00:30:56,055 --> 00:31:01,227 "HEAR"--H-E-A-R. 605 00:31:01,227 --> 00:31:05,763 WHAT COMES TO MIND WHEN I SAY THE WORD "HEAR"? 606 00:31:05,763 --> 00:31:08,834 NOISE. 607 00:31:08,834 --> 00:31:10,769 SOUNDS. 608 00:31:10,769 --> 00:31:14,339 EARS. VERY GOOD. WHAT ELSE? 609 00:31:14,339 --> 00:31:16,842 MUSIC. MUSICAL INSTRUMENTS. 610 00:31:16,842 --> 00:31:20,578 DEFINITE POSSIBILITY. 611 00:31:23,348 --> 00:31:25,384 CHO? 612 00:31:30,556 --> 00:31:32,490 UNVEIL IT. 613 00:31:50,977 --> 00:31:53,011 (exhales deeply) 614 00:31:56,382 --> 00:31:58,250 (hollow tapping) 615 00:32:01,619 --> 00:32:03,689 (solid tapping) HMM. 616 00:32:03,689 --> 00:32:05,958 (knocks) AHA. 617 00:32:05,958 --> 00:32:06,992 WHAT IS IT? 618 00:32:06,992 --> 00:32:09,095 YEAH, WHAT IS IT? 619 00:32:23,209 --> 00:32:25,344 BECKWORTH'S FORTUNE. 620 00:32:33,719 --> 00:32:35,287 (exhales deeply) 621 00:32:35,287 --> 00:32:37,689 (man) THERE'S NOTHING IN IT. (man) IT'S EMPTY? 622 00:32:37,689 --> 00:32:39,490 (Patrick) WAIT. 623 00:32:47,032 --> 00:32:49,035 (Victoria) WHAT IS THAT? 624 00:32:49,035 --> 00:32:50,736 IT'S ANOTHER RIDDLE. 625 00:32:50,736 --> 00:32:52,503 WHAT DOES IT SAY? 626 00:32:52,503 --> 00:32:55,441 "TO FIND FORTUNE AND RICHES, ONE DOESN'T NEED HELP. 627 00:32:55,441 --> 00:32:59,077 ALL ONE MUST DO IS LOOK TO ONESELF." 628 00:33:02,847 --> 00:33:05,483 WHAT DOES IT MEAN? 629 00:33:05,483 --> 00:33:07,986 I DON'T KNOW, BUT IT'S SPELLED CORRECTLY. 630 00:33:07,986 --> 00:33:09,921 IT MEANS WE'RE WASTING OUR TIME. 631 00:33:09,921 --> 00:33:13,424 IT DOESN'T EVEN MAKE ANY SENSE. LET'S NOT RUSH TO JUDGMENT. 632 00:33:13,424 --> 00:33:15,760 BECKWORTH PROBABLY PUT IT THERE AS A PRACTICAL JOKE. 633 00:33:15,760 --> 00:33:18,896 PRETTY LAME JOKE. BUT THE FORTUNE COULD STILL BE HERE. 634 00:33:18,896 --> 00:33:22,201 I JUST NEED TIME TO FIND IT. WE'RE NOT GONNA WASTE ANY MORE TIME. 635 00:33:22,201 --> 00:33:23,769 I'M SHUTTING THIS DOWN. EVERYBODY OUT. 636 00:33:23,769 --> 00:33:26,672 CHO, SECURE THE PLACE AND SET THE ALARM. 637 00:33:26,672 --> 00:33:29,340 HAVE RIGSBY AND VAN PELT SET UP ON THE MANSION TONIGHT. 638 00:33:29,340 --> 00:33:31,277 WE'LL TAKE THE SHIFT AFTER THEM. 639 00:33:31,277 --> 00:33:35,814 NOBODY GETS IN THIS PLACE, ESPECIALLY JANE. UNDERSTOOD? GOT IT. EVERYBODY OUT. 640 00:33:35,814 --> 00:33:39,684 LISBON. LISBON. I--YOU--LISBON, THIS-- BITE ME. WE'RE DONE FOR THE NIGHT. 641 00:33:47,425 --> 00:33:49,060 "BITE ME"? 642 00:33:49,060 --> 00:33:52,397 IT'S TOO MUCH? UH, A SMIDGE. 643 00:33:54,665 --> 00:33:56,301 WORKED. 644 00:33:56,301 --> 00:34:00,005 IT'S FINE, JUST A LITTLE OVER-THE-TOP. 645 00:34:00,005 --> 00:34:03,142 (crickets chirping) 646 00:34:09,081 --> 00:34:12,217 (clicking teeth) 647 00:34:20,726 --> 00:34:22,494 SO, UH, GRACE... YES? 648 00:34:22,494 --> 00:34:25,931 I WAS WONDERING IF WE COULD DO... HOW DO YOU WANT TO HANDLE THIS? 649 00:34:25,931 --> 00:34:27,099 HANDLE WHAT? 650 00:34:27,099 --> 00:34:29,601 THE STAKEOUT. 651 00:34:29,601 --> 00:34:32,170 OH. UM, RIGHT. 652 00:34:32,170 --> 00:34:35,641 LISTEN, ABOUT THE OTHER THING, 653 00:34:35,641 --> 00:34:38,909 IT'S... I, UH... 654 00:34:38,909 --> 00:34:41,713 MAYBE IT'S NOT THE RIGHT TIME. 655 00:34:41,713 --> 00:34:43,849 YEAH. YEAH. 656 00:34:43,849 --> 00:34:47,719 UM, WE COULD, UH, WALK... 657 00:34:47,719 --> 00:34:49,454 PATROL THE GROUNDS. 658 00:34:49,454 --> 00:34:53,259 OR MAYBE ONE OF US COULD STAY HERE 659 00:34:53,259 --> 00:34:55,661 WHILE THE OTHER ONE PATROLS-- ALTERNATE? 660 00:34:55,661 --> 00:34:58,463 YEP, THAT'S BETTER. I'LL, UH, I'LL GO FIRST. 661 00:34:58,463 --> 00:35:00,998 OH, THAT'S OKAY. I CAN DO IT. 662 00:35:00,998 --> 00:35:02,934 I'M EASY. 663 00:35:02,934 --> 00:35:06,137 WELL, IF YOU WANT TO GO FIRST, THAT'S FINE ALSO. 664 00:35:06,137 --> 00:35:07,873 NO, NO, NO. 665 00:35:38,804 --> 00:35:42,440 "LOOK TO ONESELF." 666 00:35:55,253 --> 00:35:57,523 (grunts) 667 00:35:57,523 --> 00:36:02,393 NO! 668 00:36:02,393 --> 00:36:05,163 NOTHING THERE, DREW. NEVER WAS. 669 00:36:05,163 --> 00:36:08,534 YOU PLANTED THE SECOND CLUE? 670 00:36:08,534 --> 00:36:10,536 AHA. YES. 671 00:36:10,536 --> 00:36:13,672 I DIDN'T KILL FOSTER. 672 00:36:13,672 --> 00:36:15,673 DON'T BE RIDICULOUS. OF COURSE YOU DID. 673 00:36:15,673 --> 00:36:17,809 ONLY THE KILLER KNEW HOW TO GET IN HERE 674 00:36:17,809 --> 00:36:21,213 VIA THE SECRET PASSAGEWAY. YOU PROVED YOUR GUILT JUST BY WALKING IN THE ROOM. 675 00:36:21,213 --> 00:36:24,916 WAS IT ALL JUST FOR THE MONEY? 676 00:36:28,219 --> 00:36:31,556 JUST FOR THE MONEY? 677 00:36:31,556 --> 00:36:35,994 I SPENT YEARS LISTENING TO MY FAMILY GO ON 678 00:36:35,994 --> 00:36:40,565 ABOUT THE BECKWORTHS AND EVERYTHING THAT THEY HAD. 679 00:36:40,565 --> 00:36:42,733 I DIDN'T GET ANY OF IT, 680 00:36:42,733 --> 00:36:44,469 NOT ONE THING. 681 00:36:44,469 --> 00:36:48,340 AND THEN MY AUNT TOLD ME ABOUT THE CLUE AND THE TREASURE, 682 00:36:48,340 --> 00:36:51,409 AND I THOUGHT I COULD GET THAT FOR MYSELF. 683 00:36:51,409 --> 00:36:56,081 I COULD HAVE WHAT I'VE DESERVED ALL MY LIFE. 684 00:36:56,081 --> 00:36:59,851 ALL I HAD TO DO WAS GET FOSTER OUT OF THE HOUSE. 685 00:36:59,851 --> 00:37:01,586 SO YOU HAUNTED HIM. 686 00:37:01,586 --> 00:37:05,923 MY COUSIN TOLD ME ABOUT THE, UH, EQUIPMENT 687 00:37:05,923 --> 00:37:07,726 BECKWORTH HAD BUILT IN. 688 00:37:07,726 --> 00:37:10,628 I JUST WANTED TO SCARE HIM. 689 00:37:10,628 --> 00:37:15,000 BUT FOSTER WOULDN'T TAKE THE HINT. 690 00:37:15,000 --> 00:37:19,670 SO I HAD TO DO SOMETHING. 691 00:37:21,907 --> 00:37:24,842 (groans) 692 00:37:35,085 --> 00:37:37,755 HEY! HEY, HEY, HEY, HEY! 693 00:37:37,755 --> 00:37:40,659 (both grunting) 694 00:37:40,659 --> 00:37:42,193 (whack) 695 00:37:42,193 --> 00:37:44,795 I DIDN'T MEAN TO KILL HIM. 696 00:37:49,635 --> 00:37:52,603 OH, I DIDN'T KNOW WHAT TO DO. 697 00:37:52,603 --> 00:37:57,242 AND THEN, UH, I REMEMBERED THE STORIES ABOUT BECKWORTH, 698 00:37:57,242 --> 00:38:01,646 HOW HE WAS KILLED, HOW HIS GHOST STILL HAUNTS THIS PLACE. 699 00:38:01,646 --> 00:38:03,648 SO I THREW HIM OUT THE WINDOW 700 00:38:03,648 --> 00:38:05,317 THE SAME WAY BECKWORTH WAS KILLED. 701 00:38:05,317 --> 00:38:10,556 IT WASN'T FOSTER'S HOUSE. IT BELONGED TO MY FAMILY. 702 00:38:10,556 --> 00:38:13,324 PUT YOUR HANDS BEHIND YOUR BACK. 703 00:38:13,324 --> 00:38:15,460 NOW. 704 00:38:17,027 --> 00:38:20,164 (handcuffs clicking) 705 00:38:20,164 --> 00:38:22,634 WHEN YOU FIRST OPENED THE BOX UNDER THE PIANO, 706 00:38:22,634 --> 00:38:24,835 WAS THERE ANYTHING IN IT? 707 00:38:24,835 --> 00:38:26,271 MM... 708 00:38:26,271 --> 00:38:28,907 THIS. 709 00:38:28,907 --> 00:38:32,577 YOU KILLED FOSTER FOR AN OLD KEY. 710 00:38:32,577 --> 00:38:35,581 I WONDER WHAT IT OPENS. 711 00:38:35,581 --> 00:38:38,583 OH, I KNOW WHAT IT OPENS. WHAT? 712 00:38:41,152 --> 00:38:44,755 HE'S JUST MESSING WITH YOU. HE'S MEAN LIKE THAT. 713 00:38:44,755 --> 00:38:46,858 COME ON. 714 00:38:53,364 --> 00:38:58,603 MR. JANE. I WAS JUST BEING BRIEFED BY ONE OF YOUR AGENTS. 715 00:38:58,603 --> 00:39:00,606 WELL, I HOPE THEY CONDUCTED THEMSELVES 716 00:39:00,606 --> 00:39:03,041 IN A PROFESSIONAL MANNER. 717 00:39:03,041 --> 00:39:05,577 THANK YOU FOR EVERYTHING. 718 00:39:05,577 --> 00:39:09,213 WELL, MY PLEASURE. 719 00:39:09,213 --> 00:39:11,882 DO YOU MIND A QUESTION? 720 00:39:11,882 --> 00:39:14,820 UH, NO. 721 00:39:16,554 --> 00:39:18,556 I ASKED ABOUT YOU. 722 00:39:18,556 --> 00:39:23,061 WHAT HAPPENED TO YOUR FAMILY-- I'M VERY SORRY. 723 00:39:23,061 --> 00:39:26,831 AND I THOUGHT MAYBE IT MEANS YOU UNDERSTAND 724 00:39:26,831 --> 00:39:29,000 HOW IT FEELS TO LOSE SOMEBODY. 725 00:39:29,000 --> 00:39:31,369 WAS THAT YOUR QUESTION? 726 00:39:33,103 --> 00:39:36,574 DO YOU THINK THEY KNOW HOW WE FEEL? 727 00:39:36,574 --> 00:39:39,644 THE DEAD, I MEAN... 728 00:39:39,644 --> 00:39:43,514 (voice breaking) HOW SORRY WE ARE... 729 00:39:43,514 --> 00:39:46,552 HOW WE WISH THINGS COULD BE DIFFERENT? 730 00:39:46,552 --> 00:39:49,987 DO YOU THINK THEY UNDERSTAND? 731 00:39:55,760 --> 00:39:56,994 NO. 732 00:40:00,831 --> 00:40:02,367 SORRY. 733 00:40:02,367 --> 00:40:04,469 (sniffles) 734 00:40:13,244 --> 00:40:15,213 CASE CLOSED PIZZA? 735 00:40:15,213 --> 00:40:18,583 CASE CLOSED PIZZA. RIGSBY EATS ALL THE SAUSAGE AGAIN, I'LL BE PISSED. 736 00:40:18,583 --> 00:40:20,918 ARE YOU OKAY? 737 00:40:20,918 --> 00:40:22,721 RIGHT AS RAIN. 738 00:40:22,721 --> 00:40:25,856 OH, I HAVE THE PERFECT THING TO GO WITH THIS. 739 00:40:34,032 --> 00:40:35,967 WINE? 740 00:40:35,967 --> 00:40:38,869 JUST A LITTLE SOMETHING SPECIAL. 741 00:40:43,608 --> 00:40:47,112 EXCUSE ME. I NEED A GLASS. SORRY. 742 00:40:47,112 --> 00:40:49,047 SURE. 743 00:41:23,681 --> 00:41:25,916 I'M GONNA LEAVE IN A FEW MINUTES. 744 00:41:25,916 --> 00:41:28,119 WAIT FIVE, THEN MEET ME AT MY CAR. 745 00:41:28,119 --> 00:41:30,021 OKAY. 746 00:41:30,021 --> 00:41:31,956 OKAY. 747 00:41:37,528 --> 00:41:39,530 MMM. 748 00:41:39,530 --> 00:41:41,666 JUST A LITTLE. 749 00:41:43,902 --> 00:41:46,471 OH. 750 00:41:46,471 --> 00:41:48,172 PLEASE. 751 00:41:48,172 --> 00:41:49,641 OH, THANKS. 752 00:41:49,641 --> 00:41:51,309 MR. RIGSBY. 753 00:41:51,309 --> 00:41:54,980 CHEERS. 754 00:41:54,980 --> 00:41:56,547 CASE CLOSED. 755 00:41:56,547 --> 00:41:58,650 (all) CASE CLOSED. 756 00:41:58,650 --> 00:42:01,952 MMM. IT'S NICE. GLAD YOU LIKE IT. 757 00:42:01,952 --> 00:42:05,389 SO WHAT WAS THE KEY TO, JANE? THE ONE YOU FOUND IN THE BOX. 758 00:42:05,389 --> 00:42:08,193 THE KEY? BECKWORTH'S FORTUNE. GIVE IT UP. 759 00:42:08,193 --> 00:42:11,362 WELL, JUST BECAUSE THE FORTUNE WASN'T GOLD OR CASH 760 00:42:11,362 --> 00:42:13,364 DOESN'T MEAN IT DOESN'T EXIST. SO WHAT WAS IT? 761 00:42:13,364 --> 00:42:15,532 BECKWORTH WAS A COLLECTOR. HE COLLECTED HUNDREDS 762 00:42:15,532 --> 00:42:19,336 OF ONE THING--SOME OF THE FINEST, RAREST EXAMPLES 763 00:42:19,336 --> 00:42:22,740 IN THE WORLD WORTH TENS OF MILLIONS OF DOLLARS. SO WHAT WAS IT? 764 00:42:22,740 --> 00:42:24,675 MMM. WHAT? 765 00:42:24,675 --> 00:42:27,813 SMELLS GOOD. 766 00:42:35,385 --> 00:42:37,322 CHEERS.