1 00:00:10,378 --> 00:00:12,445 WE DO THIS, TOO, YOU KNOW. 2 00:00:12,445 --> 00:00:14,914 WHAT'S THAT? SILENCE AS A WEAPON. 3 00:00:14,914 --> 00:00:17,251 MAKE PEOPLE UNEASY. MAKE 'EM TALK. 4 00:00:17,251 --> 00:00:20,788 I GET PAID WHETHER YOU TALK OR NOT, TERESA. 5 00:00:20,788 --> 00:00:24,158 CBI's BEEN PAYING YOU FOR FIVE WEEKS NOW, DOCTOR. 6 00:00:24,158 --> 00:00:26,493 THIS WAS SUPPOSED TO BE ROUTINE. 7 00:00:26,493 --> 00:00:29,329 ROUTINE, LIKE YOU HAVE TO SEE ME AFTER A SHOOTING? SURE. 8 00:00:29,329 --> 00:00:31,864 NOT ROUTINE LIKE I HAVE TO SIGN OFF ON YOU. 9 00:00:31,864 --> 00:00:34,634 I DIDN'T EVEN PULL THE TRIGGER ON TANNER. JANE DID. 10 00:00:34,634 --> 00:00:37,271 YOU SIGNED OFF ON HIM AFTER ONE SESSION. 11 00:00:37,271 --> 00:00:39,807 HE HAS GOOD MENTAL HEALTH. 12 00:00:39,807 --> 00:00:43,076 NOW I WANT TO SEE YOUR LICENSE TO PRACTICE. HA HA. 13 00:00:43,076 --> 00:00:45,345 AH, "HA HA." 14 00:00:45,345 --> 00:00:47,715 I'VE GOT SIX OPEN CASES. I'M TESTIFYING IN TWO MORE. 15 00:00:47,715 --> 00:00:51,351 I DON'T HAVE TIME-- AND IT'S NOT AS IF YOU HAVE ANYTHING TO TALK ABOUT. 16 00:00:51,351 --> 00:00:54,387 MOM DEAD WHEN YOU WERE 12, 3 YOUNGER BROTHERS, 17 00:00:54,387 --> 00:00:57,857 ABUSIVE, ALCOHOLIC DAD, NOW DEAD ALSO. 18 00:00:57,857 --> 00:01:00,828 IT DOESN'T SAY "ABUSIVE." 19 00:01:04,564 --> 00:01:06,400 BUT HE WAS, YES? 20 00:01:06,400 --> 00:01:10,837 THIS COFFEE TASTES LIKE CRAP, SERIOUSLY. 21 00:01:14,575 --> 00:01:16,576 ARE WE DONE? 22 00:01:16,576 --> 00:01:18,579 NO. (inhales deeply) LET'S TALK ABOUT 23 00:01:18,579 --> 00:01:20,980 WHAT YOU WANT TO TALK ABOUT. WHAT DO YOU DO FOR FUN? 24 00:01:20,980 --> 00:01:23,183 FUN? 25 00:01:23,183 --> 00:01:25,486 THAT THING WHEN YOU'RE NOT WORKING... 26 00:01:25,486 --> 00:01:27,987 I, UH... WHAT DOES THIS HAVE TO DO-- 27 00:01:27,987 --> 00:01:29,623 (cell phone beeps) 28 00:01:32,025 --> 00:01:33,993 LISBON. 29 00:01:33,993 --> 00:01:36,896 YEAH, I'LL BE RIGHT THERE. 30 00:01:36,896 --> 00:01:38,765 DUTY CALLS. I GET IT. 31 00:01:42,969 --> 00:01:44,537 DR. CARMEN? 32 00:01:44,537 --> 00:01:47,508 WHY WON'T YOU SIGN OFF ON ME? 33 00:01:47,508 --> 00:01:51,844 BECAUSE THERE'S SOMETHING YOU WANT TO TELL ME FIRST. 34 00:01:51,844 --> 00:01:53,746 I'LL SEE YOU NEXT WEEK. 35 00:01:57,317 --> 00:02:00,453 (Lisbon) HOW'D WE CATCH THIS ONE? (Cho) SWITCHBOARD GOT AN ANONYMOUS CALL 36 00:02:00,453 --> 00:02:03,290 SAYING THERE'S A DEAD BODY. IT'S TWO BLOCKS FROM US. HERE WE ARE. 37 00:02:03,290 --> 00:02:05,825 THERE'S JUST ONE PROBLEM. NO BODY? 38 00:02:05,825 --> 00:02:08,829 NO BODY. OH, NOT THE DUMPSTERS. PLEASE, NOT THE DUMPSTERS. 39 00:02:08,829 --> 00:02:11,799 LOOK AROUND FOR THE BODY, SEE WHAT YOU SEE. 40 00:02:17,037 --> 00:02:18,806 SHRINK DAY, HUH? 41 00:02:18,806 --> 00:02:20,139 NO. YES. YES. 42 00:02:20,139 --> 00:02:23,776 YOU HAVE THE LINE BETWEEN YOUR EYEBROWS. HE ANNOYS YOU. 43 00:02:23,776 --> 00:02:27,615 AND BESIDES, YOU SMELL A LITTLE OF HIS CIGAR SMOKE. 44 00:02:27,615 --> 00:02:30,584 I'M ANNOYED BECAUSE I FORGOT MY CELL PHONE. OH, RIGHT. 45 00:02:30,584 --> 00:02:33,320 CHO, ANYTHING? (Cho) NOTHIN'. 46 00:02:35,389 --> 00:02:37,691 DID YOU KNOW THAT IF YOU WEIGHED 47 00:02:37,691 --> 00:02:39,793 EVERY LIVING THING ON PLANET EARTH, 48 00:02:39,793 --> 00:02:42,663 A QUARTER OF THAT BIOMASS WOULD BE JUST ANTS? 49 00:02:42,663 --> 00:02:44,831 THAT'S A LOT OF ANTS. IT IS. 50 00:02:44,831 --> 00:02:46,098 CHO, ANYTHING? 51 00:02:46,098 --> 00:02:47,768 NO SIGN OF A BODY. 52 00:02:47,768 --> 00:02:50,103 ALL RIGHT, THEN LOOK IN THE DUMPSTERS. 53 00:02:50,103 --> 00:02:52,104 LET'S GET OUTTA HERE. 54 00:02:52,104 --> 00:02:53,606 I DID IT LAST TIME. 55 00:02:53,606 --> 00:02:55,575 OH, MAN, I JUST GOT THIS SUIT. 56 00:02:55,575 --> 00:02:56,644 (Cho) ALL RIGHT, ROCK PAPER SCISSORS, 57 00:02:56,644 --> 00:02:59,347 ON THREE, READY? ONE, TWO, THREE. 58 00:02:59,347 --> 00:03:01,549 YES! (chuckles) 59 00:03:01,549 --> 00:03:03,917 BEEN DRY THIS FALL, HUH? NO RAIN. 60 00:03:03,917 --> 00:03:05,353 LIKE TINDER. 61 00:03:05,353 --> 00:03:08,921 MM. THAT'S WHY THOSE ANTS ARE LOOKING FOR MOISTURE 62 00:03:08,921 --> 00:03:10,691 WHEREVER THEY CAN FIND IT. 63 00:03:10,691 --> 00:03:13,693 THEN WHY AREN'T ALL THE ANTS IN THE WET, STINKY DUMPSTERS? 64 00:03:13,693 --> 00:03:16,997 EXACTLY. BECAUSE THEY'VE FOUND SOMEWHERE ELSE 65 00:03:16,997 --> 00:03:18,799 WHERE THERE'S A LITTLE MORE M-- 66 00:03:18,799 --> 00:03:22,068 OH. RIGSBY? A LITTLE HELP HERE. 67 00:03:22,068 --> 00:03:24,137 OH, PLEASE. 68 00:03:24,137 --> 00:03:27,941 (door creaks) 69 00:03:33,713 --> 00:03:36,650 LOOKS LIKE THREE TO THE CHEST, POINT-BLANK. 70 00:03:36,650 --> 00:03:38,752 PERFECT TRIANGLE FORMATION. 71 00:03:38,752 --> 00:03:42,021 (Cho) NO BRASS-- LOOKS LIKE THE SHOOTER TOOK 72 00:03:42,021 --> 00:03:45,259 THE SHELL CASINGS WITH HIM. PRO JOB. (Rigsby) I CAN'T FIND ANY I.D. 73 00:03:45,259 --> 00:03:47,194 CALL FORENSICS. RUN HIM FOR PRINTS. 74 00:03:47,194 --> 00:03:50,163 WHO IS HE? NAME'S WILLIAM McTEER, FROM SAN FRANCISCO, 75 00:03:50,163 --> 00:03:53,165 SERIAL CHILD RAPIST, SERVED SIX YEARS AT PELICAN BAY. 76 00:03:53,165 --> 00:03:56,670 AND YOU KNOW THIS HOW? I'M THE ONE WHO SENT HIM THERE. 77 00:03:56,670 --> 00:03:57,704 AH. 78 00:03:57,704 --> 00:03:59,706 WE'RE NEAR MARIE'S DONUTS. 79 00:03:59,706 --> 00:04:02,909 ANYONE WANT TO GO FOR A BEAR CLAW AFTER? 80 00:04:05,177 --> 00:04:06,879 CAN'T SAY I'M HUNGRY. 81 00:04:10,016 --> 00:04:19,059 ** 82 00:04:19,059 --> 00:04:22,062 (sighs) JANE, WE HAVE A CASE. YOU THINK I HAVE TIME FOR GAMES? 83 00:04:22,062 --> 00:04:26,266 LIFE IS A GAME. YOU HAVE PLENTY OF TIME FOR THAT. SHH. 84 00:04:26,266 --> 00:04:29,637 SHH! I'M GONNA READ YOUR THOUGHTS. 85 00:04:29,637 --> 00:04:34,408 I WANT YOU TO TAKE A DEEP BREATH IN... (inhales deeply) 86 00:04:34,408 --> 00:04:37,577 AND OUT. (exhales slowly) 87 00:04:37,577 --> 00:04:39,913 WILL YOU CONCENTRATE? 88 00:04:39,913 --> 00:04:45,117 NAME AS MANY 20th CENTURY PRESIDENTS AS YOU CAN... NOW. 89 00:04:45,117 --> 00:04:49,923 UH, COOLIDGE, WILSON, ROOSEVELT... 90 00:04:49,923 --> 00:04:53,661 UM, EISENHOWER, TRUMAN, KENNEDY, NIXON, L.B.J. GOOD. 91 00:04:53,661 --> 00:04:55,762 TAKE ANOTHER BREATH IN... 92 00:04:55,762 --> 00:04:57,697 (inhales deeply) 93 00:04:57,697 --> 00:04:59,500 AND OUT. 94 00:04:59,500 --> 00:05:02,670 (exhales deeply) 95 00:05:02,670 --> 00:05:05,473 CONCENTRATE ON WHICH MUG IT IS UNDER. 96 00:05:05,473 --> 00:05:08,742 I AM LISTENING TO YOUR THOUGHTS. 97 00:05:08,742 --> 00:05:12,480 DON'T SHOUT. I CAN HEAR YOU. 98 00:05:12,480 --> 00:05:15,314 OPEN YOUR EYES. 99 00:05:17,718 --> 00:05:20,821 WELL, YOU DID HAVE A 25% SHOT. 100 00:05:20,821 --> 00:05:24,591 WE COULD DO IT ALL DAY, AND I WOULD GET IT EVERY TIME. 101 00:05:24,591 --> 00:05:27,827 GIVE ME THAT. HOW'D YOU DO IT? 102 00:05:27,827 --> 00:05:30,697 YOU TOLD ME, LISBON. 103 00:05:30,697 --> 00:05:33,165 OUR MINDS ARE IN SYNC. 104 00:05:33,165 --> 00:05:35,636 IN FACT, RIGHT NOW--RIGHT NOW I'M FEELING SOMETHING... 105 00:05:35,636 --> 00:05:39,139 I'M GETTING IT RIGHT HERE. IT'S A... IT'S A NICKNAME. 106 00:05:39,139 --> 00:05:41,709 "SAINT... TERESA." 107 00:05:43,610 --> 00:05:47,047 HOW COME YOU NEVER TOLD ME HOW YOU KNOW AGENT BOSCO? 108 00:05:48,682 --> 00:05:52,452 LOOK, ANOTHER ONE. LISBON WAS LIKE A ROCK STAR FOR AWHILE. 109 00:05:52,452 --> 00:05:53,821 WHAT'S WITH HER HAIR? 110 00:05:53,821 --> 00:05:56,923 WHAT'S WRONG WITH MY HAIR? NOTHING. 111 00:05:56,923 --> 00:05:59,692 THE McTEER CASE MADE YOUR CAREER AND YOU NEVER SAID A WORD. 112 00:05:59,692 --> 00:06:03,230 YOU'RE LIKE A SUPERHERO WITH A SECRET IDENTITY. 113 00:06:03,230 --> 00:06:05,598 UH, YOU WANNA KNOW THE DEAL? 114 00:06:05,598 --> 00:06:09,536 FINE. McTEER HIT THE BAY AREA FOR 18 MONTHS. 115 00:06:09,536 --> 00:06:12,906 HE ATTACKED 7 GIRLS BETWEEN THE AGES OF 6 AND 9. 116 00:06:12,906 --> 00:06:15,975 I WAS THE S.F.P.D. INSPECTOR WHO CAUGHT IT. 117 00:06:15,975 --> 00:06:19,680 I INSPECTED--TOOK McTEER DOWN. NOW, WHAT DO YOU GOT? 118 00:06:19,680 --> 00:06:22,415 B.F.S. FOUND THE SHOOTER'S GUN A BLOCK AWAY IN A TRASH BIN. 119 00:06:22,415 --> 00:06:24,216 THEY'RE RUNNING IT FOR PRINTS NOW. 120 00:06:24,216 --> 00:06:26,720 "'INSPECTOR LISBON'S ACTIONS WERE LAUDED AS HEROIC 121 00:06:26,720 --> 00:06:29,557 "'BY CITY OFFICIALS AND HER S.F.P.D. COLLEAGUES,' 122 00:06:29,557 --> 00:06:32,425 SAID HER SUPERVISOR, LIEUTENANT SAMUEL BOSCO"? 123 00:06:32,425 --> 00:06:34,360 "INSPECTOR LISBON DID AN EXEMPLARY JOB 124 00:06:34,360 --> 00:06:37,297 TRACKING DOWN AND ARRESTING THIS ANIMAL." 125 00:06:37,297 --> 00:06:40,132 WELL, THAT'S PRETTY GOOD. YOU SHOULD GET AN ACT TOGETHER. 126 00:06:40,132 --> 00:06:42,569 CAN YOU DO BARBRA STREISAND? DON'T TEMPT ME. 127 00:06:42,569 --> 00:06:44,336 SO I HEARD ABOUT McTEER. 128 00:06:44,336 --> 00:06:48,240 WEIRD, HUH? I MEAN, HERE WE ARE AGAIN, AFTER HOW MANY YEARS? 129 00:06:48,240 --> 00:06:51,043 TOO MANY. HAVE YOU SPOKEN TO DREYER? 130 00:06:51,043 --> 00:06:52,545 HE'D BE MY FAVORITE. 131 00:06:52,545 --> 00:06:54,447 DREYER WHELAN-- FATHER OF THE LAST VICTIM, 132 00:06:54,447 --> 00:06:58,451 KATY--7 YEARS OLD, PROMISED TO KILL McTEER ON RELEASE. 133 00:06:58,451 --> 00:07:01,387 I CALLED HIM. HE'S ON HIS WAY DOWN FROM MARIN. ALL RIGHT. 134 00:07:01,387 --> 00:07:04,458 YOU'RE ALL OVER IT. LET ME KNOW IF YOU NEED ANY HELP... 135 00:07:04,458 --> 00:07:07,894 FOR OLD TIMES' SAKE. FOR OLD TIMES' SAKE. 136 00:07:07,894 --> 00:07:10,663 HERE'S McTEER'S ADDRESS. PAROLE OFFICER SAYS HE'S GOT 137 00:07:10,663 --> 00:07:13,666 A LIVE-IN GIRLFRIEND. GO AND TALK TO HER. HE HAS A GIRLFRIEND? 138 00:07:13,666 --> 00:07:16,937 I THINK I'LL GO WITH HER. GOOD IDEA. RIGSBY, CHECK UP 139 00:07:16,937 --> 00:07:19,439 ON McTEER'S OLD FRIENDS FROM THE PEDOPHILE WORLD, 140 00:07:19,439 --> 00:07:20,908 ESPECIALLY THOSE WHO MIGHT HAVE MOVED 141 00:07:20,908 --> 00:07:23,276 FROM SAN FRANCISCO TO SACRAMENTO. SURE, BOSS. 142 00:07:23,276 --> 00:07:26,213 CHO AND I HAVE A TRIAL MEETING WITH THE DEPUTY A.G. 143 00:07:26,213 --> 00:07:29,783 NOT IF I THROW MYSELF INTO ONCOMING TRAFFIC FIRST. 144 00:07:31,785 --> 00:07:33,754 MS. DeRASK, WHAT WAS YOUR RELATIONSHIP 145 00:07:33,754 --> 00:07:36,355 WITH WILLIAM McTEER? HE WAS MY FIANCé. 146 00:07:36,355 --> 00:07:37,658 FIANCé. 147 00:07:37,658 --> 00:07:40,293 YOU HAVE A PROBLEM WITH THAT? 148 00:07:40,293 --> 00:07:42,362 OH, SHE JUST CAN'T SEE HOW A WOMAN COULD FALL IN LOVE WITH 149 00:07:42,362 --> 00:07:46,567 A CONVICTED PEDOPHILE--NOT, UH, THE BEST HUSBAND MATERIAL. 150 00:07:46,567 --> 00:07:50,202 BILL WAS A GOOD MAN, A GOOD PROVIDER. 151 00:07:50,202 --> 00:07:52,605 AND HE TREATED ME LIKE A QUEEN. 152 00:07:52,605 --> 00:07:54,742 AND THOSE CHARGES IN SAN FRANCISCO 153 00:07:54,742 --> 00:07:56,475 WERE TOTALLY BOGUS ANYWAY. 154 00:07:56,475 --> 00:07:58,812 THAT BITCH COP HAD IT IN FOR HIM-- 155 00:07:58,812 --> 00:08:01,581 A "VENDETTA," IS WHAT BILL CALLED IT. 156 00:08:01,581 --> 00:08:03,884 YOU GOTTA LEARN HOW TO CLEAN THAT TRAP, TANYA-- 157 00:08:03,884 --> 00:08:06,519 THAT'S WHERE THE CLOG W-- (sighs) 158 00:08:06,519 --> 00:08:08,788 HEY. HEY. 159 00:08:08,788 --> 00:08:10,557 IT'S THE POLICE-- ABOUT BILL. 160 00:08:10,557 --> 00:08:13,192 MY BROTHER CAME OVER TO FIX THE SINK FOR ME. 161 00:08:13,192 --> 00:08:15,728 DAVID. PATRICK. 162 00:08:15,728 --> 00:08:17,964 HEY. THAT'S GRACE. 163 00:08:17,964 --> 00:08:19,899 DAVID, DO YOU KNOW WILLIAM McTEER? 164 00:08:19,899 --> 00:08:23,603 I MET HIM A COUPLE OF TIMES. 165 00:08:23,603 --> 00:08:26,906 HE TREATED TANYA GOOD, SO, YOU KNOW... 166 00:08:26,906 --> 00:08:29,709 ANYWAY, I JUST GOTTA REATTACH IT AND YOU'RE ALL SET, T. 167 00:08:29,709 --> 00:08:31,411 NICE MEETING YOU GUYS. 168 00:08:31,411 --> 00:08:32,846 (Patrick) YOU, TOO. 169 00:08:34,346 --> 00:08:37,551 DO YOU KNOW ANYONE WHO WOULD WANT TO HARM WILLIAM? 170 00:08:37,551 --> 00:08:41,087 WELL... IT'S PROBABLY NOTHIN', 171 00:08:41,087 --> 00:08:45,725 BUT HE HAD A FIGHT WITH HIS BOSS LAST WEEK-- 172 00:08:45,725 --> 00:08:49,296 CAME HOME ALL MOODY, SAID THE GUY WAS OUT TO GET HIM. 173 00:08:49,296 --> 00:08:54,301 WHO'S HIS BOSS? SOME PIP-SQUEAK. I DON'T KNOW. 174 00:08:54,301 --> 00:09:00,039 UH, XXXYZ INCORPORATED IS THE NAME OF THE PLACE, I THINK. 175 00:09:00,039 --> 00:09:02,775 IT'S, UH, OVER ON WINLEY, NEAR THE HIGHWAY. 176 00:09:02,775 --> 00:09:04,812 (door opens and slams shut) HEY, MOMMY. 177 00:09:04,812 --> 00:09:07,080 HEY, EMILY, BABY. HOW WAS SCHOOL? 178 00:09:07,080 --> 00:09:09,249 (Emily) I CAN MULTIPLY MY SIXES. 179 00:09:09,249 --> 00:09:13,687 WANNA HEAR? (whispers) WOW. (normal voice) MAYBE A LITTLE LATER, OKAY? 180 00:09:15,722 --> 00:09:18,424 BILL WASN'T WHO YOU THINK. 181 00:09:18,424 --> 00:09:20,961 HI, EMILY. I'M PATRICK. 182 00:09:20,961 --> 00:09:22,461 HOW ARE YOU? GOOD. 183 00:09:22,461 --> 00:09:24,496 GOOD DAY, HUH? MM-HMM. 184 00:09:24,496 --> 00:09:26,533 SIX TIMES TABLES, HUH? 185 00:09:26,533 --> 00:09:29,369 WOW. WHY DON'T YOU GO INTO THE KITCHEN 186 00:09:29,369 --> 00:09:31,403 AND HELP YOUR UNCLE DAVID? 187 00:09:31,403 --> 00:09:35,274 IT'S OKAY, SWEETIE. 188 00:09:35,274 --> 00:09:36,710 SEE YA. 189 00:09:40,513 --> 00:09:43,283 I DON'T THINK McTEER TOUCHED EMILY. 190 00:09:43,283 --> 00:09:45,786 SEE? I TOLD YOU. 191 00:09:45,786 --> 00:09:47,754 BECAUSE HE WAS STILL GROOMING HER. 192 00:09:47,754 --> 00:09:49,990 YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 193 00:09:49,990 --> 00:09:52,359 YOU MET BILL AT A SHOPPING MALL, DIDN'T YOU? 194 00:09:52,359 --> 00:09:55,261 NEAR THE VIDEO ARCADE OR--OR THE MOVIE THEATER. 195 00:09:55,261 --> 00:09:56,596 EMILY WAS WITH YOU. 196 00:09:56,596 --> 00:09:58,831 HE WORKED THERE BACK THEN. 197 00:09:58,831 --> 00:10:02,836 YEAH. REAL GENTLEMAN-- NOT LIKE YOUR OTHER GUYS. 198 00:10:02,836 --> 00:10:05,404 HE--HE NEVER PRESSURED YOU TO HAVE SEX. 199 00:10:05,404 --> 00:10:08,541 WASN'T LOVE AT FIRST SIGHT, BUT HE WAS JUST 200 00:10:08,541 --> 00:10:10,610 SO GOOD WITH EMILY. HE LISTENED TO HER. 201 00:10:10,610 --> 00:10:12,779 NOBODY LISTENED TO YOU LIKE THAT, GROWING UP. 202 00:10:12,779 --> 00:10:15,948 BILL WANTED TO BE A FATHER. 203 00:10:15,948 --> 00:10:17,951 MY GIRL DOESN'T DESERVE A FATHER? 204 00:10:17,951 --> 00:10:20,953 LATELY, HE'D BEEN ASKING IF HE COULD TAKE EMILY AWAY 205 00:10:20,953 --> 00:10:22,956 ON AN OVERNIGHT TRIP-- MAYBE CAMPING, 206 00:10:22,956 --> 00:10:25,424 A LITTLE FATHER/DAUGHTER BONDING. 207 00:10:25,424 --> 00:10:29,629 HE'D BEEN PRESSURING YOU TO SAY YES, JUST A LITTLE... 208 00:10:29,629 --> 00:10:34,934 BUT JUST ENOUGH TO START TO NAG YOU-- 209 00:10:34,934 --> 00:10:38,270 A TINY, LITTLE SCRATCHING NAG-- 210 00:10:38,270 --> 00:10:42,274 THAT MAYBE WHAT YOU FELT DEEP DOWN WAS RIGHT. 211 00:10:42,274 --> 00:10:46,479 WILLIAM McTEER... 212 00:10:46,479 --> 00:10:49,216 WAS TOO GOOD TO BE TRUE. 213 00:10:52,284 --> 00:10:54,855 (sighs) 214 00:10:56,523 --> 00:10:58,725 YOU DESERVE A GOOD MAN, TANYA. 215 00:10:58,725 --> 00:11:01,227 IF YOU CAN'T BELIEVE THAT FOR YOURSELF, 216 00:11:01,227 --> 00:11:05,966 THEN JUST PRETEND-- FOR EMILY'S SAKE. 217 00:11:10,437 --> 00:11:13,505 WE DONE HERE? COULD--CAN-- I GOTTA EAT. I'M STARVING. 218 00:11:13,505 --> 00:11:15,075 YEAH. 219 00:11:15,075 --> 00:11:16,442 ALL RIGHT. 220 00:11:18,577 --> 00:11:22,716 (door opens and slams shut) 221 00:11:25,052 --> 00:11:27,586 YOU EACH ARE THE STATE'S KEY WITNESSES 222 00:11:27,586 --> 00:11:30,157 IN A FEW CASES THIS MONTH. 223 00:11:30,157 --> 00:11:31,825 AGENT LISBON, YOU'VE GOT HOWARD AND ENG. 224 00:11:31,825 --> 00:11:34,193 AGENT CHO, YOU'VE GOT RINGMAN, DALY AND FREED. 225 00:11:34,193 --> 00:11:36,363 (sighs) FREED. FREED BIT ME. 226 00:11:36,363 --> 00:11:38,999 AND BE SURE TO MENTION THAT ON THE STAND. 227 00:11:38,999 --> 00:11:40,299 TERESA, YOU REMEMBER HOWARD? 228 00:11:40,299 --> 00:11:42,269 HE AND HIS SYNDICATE STOLE $100 MILLION 229 00:11:42,269 --> 00:11:44,636 FROM THE ONLINE ACCOUNTS OF THOUSANDS OF PEOPLE. 230 00:11:44,636 --> 00:11:46,774 AND THEN HE STASHED THE MONEY AND KILLED HIS PARTNER? 231 00:11:46,774 --> 00:11:49,375 I REMEMBER HIM. THE GUY'S CREEPY. GUY'S GOING TO PRISON, 232 00:11:49,375 --> 00:11:52,178 THANKS TO AGENT LISBON AND HER COOL, CALM EXPERTISE. 233 00:11:52,178 --> 00:11:54,213 THAT'S ME-- COOL AND CALM. 234 00:11:54,213 --> 00:11:56,216 SO GLAD THIS ISN'T A JANE CASE. 235 00:11:56,216 --> 00:11:58,618 YOU HAVE GOT TO TELL HIM, TERESA, THAT HE CANNOT 236 00:11:58,618 --> 00:12:01,321 THREATEN PEOPLE WITH BOMBS TO GET A CONFESSION. 237 00:12:01,321 --> 00:12:03,990 NO RUBBER MASKS, NO MONSTER SUITS-- HEY, WE HAVE A PROBLEM. 238 00:12:03,990 --> 00:12:06,259 B.F.S. GOT A PRINT OFF THE GUN THAT KILLED McTEER. 239 00:12:06,259 --> 00:12:08,595 AND THAT'S A PROBLEM? YEAH. 240 00:12:08,595 --> 00:12:11,230 BOSS, THE PRINT IS YOURS. 241 00:12:13,666 --> 00:12:15,434 UH... 242 00:12:21,207 --> 00:12:23,043 YOUR FINGERPRINT IS ON THE MAGAZINE 243 00:12:23,043 --> 00:12:24,977 OF THE MURDER WEAPON. TELL ME WHY I SHOULDN'T BE 244 00:12:24,977 --> 00:12:27,679 THROWING UP IN THE BATHROOM RIGHT NOW. (gun clatters on desk) 245 00:12:27,679 --> 00:12:29,649 IT'S A LAB ERROR. IT MUST BE. 246 00:12:29,649 --> 00:12:32,085 THEY'RE OVERWORKED AND UNDERFUNDED. 247 00:12:32,085 --> 00:12:34,453 THIS HAPPENED LAST YEAR WITH THE L.A.P.D. 248 00:12:34,453 --> 00:12:36,088 JUST HAVE THEM RETEST IT. 249 00:12:36,088 --> 00:12:38,325 COME ON! YOU DON'T THINK I DID THIS. 250 00:12:38,325 --> 00:12:42,195 WHAT I THINK IS, I'M UP TO MY ASTERISK IN POLITICAL QUICKSAND. 251 00:12:42,195 --> 00:12:45,164 YOU AND YOUR TEAM ARE OFF THE McTEER CASE, OBVIOUSLY. 252 00:12:45,164 --> 00:12:48,368 I UNDERSTAND. ARE WE THROWING IT TO THE FBI? 253 00:12:48,368 --> 00:12:50,003 NO. (chuckles) 254 00:12:50,003 --> 00:12:53,306 HEY, LISBON. HOW ABOUT THIS, HUH? 255 00:12:53,306 --> 00:12:56,576 BOSCO. HE KNOWS AS MUCH ABOUT THE McTEER CASE AS YOU DO. 256 00:12:56,576 --> 00:12:58,010 IT MAKES SENSE. 257 00:12:58,010 --> 00:13:00,913 AND, YES, I HAD TO PULL SOME STRINGS. 258 00:13:00,913 --> 00:13:03,316 THANK YOU. I... GUESS. 259 00:13:03,316 --> 00:13:06,119 NO, NO, DON'T-- DON'T MISUNDERSTAND ME. 260 00:13:06,119 --> 00:13:09,089 IF YOU'RE GUILTY, I WANT YOU NAILED. 261 00:13:09,089 --> 00:13:12,058 I JUST DON'T WANT THE FEEBS STROLLING AROUND MY OFFICES, 262 00:13:12,058 --> 00:13:14,760 ASKING IMPERTINENT QUESTIONS. OKAY. 263 00:13:14,760 --> 00:13:17,197 SO YOU UNDERSTAND, I HAVE TO ASK YOU SOME QUESTIONS NOW? 264 00:13:17,197 --> 00:13:19,631 NOTHING PERSONAL. ABSOLUTELY. SHOOT. 265 00:13:19,631 --> 00:13:22,269 HEY, EVERYBODY. 266 00:13:22,269 --> 00:13:25,538 UH, WELL, I BET YOU WISH YOU WORE SOME GLOVES, HUH? 267 00:13:25,538 --> 00:13:28,375 SO YOU HAVE SOME INPUT HERE? NO. JUST NOSY. 268 00:13:28,375 --> 00:13:32,078 IT'S OKAY. HE CAN STAY IF HE WANTS TO. I'LL STAY. 269 00:13:32,078 --> 00:13:35,447 WHERE WERE YOU TUESDAY NIGHT? 270 00:13:35,447 --> 00:13:38,317 I WAS AT HOME, WATCHING TELEVISION. 271 00:13:38,317 --> 00:13:39,818 NOBODY SAW ME. 272 00:13:39,818 --> 00:13:42,688 WHAT'D YOU WATCH? SOME REALITY SHOW. 273 00:13:42,688 --> 00:13:44,124 WHICH? 274 00:13:44,124 --> 00:13:47,894 COOKING SHOW, WITH A MAN. 275 00:13:47,894 --> 00:13:49,629 OH, YEAH. THAT ONE. 276 00:13:49,629 --> 00:13:52,065 THE ANGRY MAN. YEAH. OH, I KNOW THE ONE. THAT'S GOOD. 277 00:13:52,065 --> 00:13:53,665 COOKING SHOW. TUESDAY NIGHTS. 278 00:13:53,665 --> 00:13:57,169 YEAH. ANGRY MAN. 279 00:13:57,169 --> 00:14:02,408 SO I CAN, UH, SET UP A TIME FOR YOU TO TAKE A POLYGRAPH. 280 00:14:06,212 --> 00:14:08,948 NO. 281 00:14:08,948 --> 00:14:10,549 I DIDN'T KILL McTEER. 282 00:14:10,549 --> 00:14:12,451 NOBODY SAID YOU DID YET. 283 00:14:12,451 --> 00:14:15,154 YET? 284 00:14:15,154 --> 00:14:17,057 (mutters) WHAT THE... 285 00:14:21,727 --> 00:14:25,164 GOOD LUCK WITH THE CASE. 286 00:14:29,869 --> 00:14:31,270 HAVING LUNCH? 287 00:14:31,270 --> 00:14:33,273 A DISCUSSION-- ABOUT LISBON'S SITUATION. 288 00:14:33,273 --> 00:14:35,174 OKAY, CHO, YOU SAY WORK THE McTEER CASE HARD, 289 00:14:35,174 --> 00:14:37,210 SCREW BOSCO AND MINELLI, YOU DISAGREE, 290 00:14:37,210 --> 00:14:40,779 AND YOU'RE NOT SO SURE. I'M JUST SAYING, MAYBE WE SHOULD 291 00:14:40,779 --> 00:14:43,350 LET BOSCO DO HIS JOB, STAY OUT OF HIS WAY. HE'S A GOOD COP. 292 00:14:43,350 --> 00:14:45,118 IS ANYBODY GONNA GO AS HARD AFTER THIS CASE AS US? 293 00:14:45,118 --> 00:14:47,120 I DON'T THINK SO. 294 00:14:47,120 --> 00:14:49,221 WELL, YOU'RE ASSUMING LISBON DIDN'T KILL HIM. 295 00:14:49,221 --> 00:14:52,158 WHAT IF SHE DID KILL HIM? WHAT WOULD YOU DO? 296 00:14:52,158 --> 00:14:54,226 WHAT WOULD YOU DO? 297 00:14:54,226 --> 00:14:57,596 ME? I'D WALK AWAY. BUT I AIN'T THE LAW. 298 00:14:57,596 --> 00:14:59,399 YES, WE WALK AWAY. 299 00:14:59,399 --> 00:15:01,833 YEAH. (Rigsby) I DISAGREE. 300 00:15:01,833 --> 00:15:03,370 McTEER WENT AFTER LITTLE CHILDREN. 301 00:15:03,370 --> 00:15:06,373 HEY, MAYBE HE DESERVED TO DIE. IF LISBON HAS THE GUTS 302 00:15:06,373 --> 00:15:10,309 TO KILL HIM, SHE HAS THE GUTS TO SERVE HER TIME FOR IT. 303 00:15:10,309 --> 00:15:13,580 I'M GONNA TALK TO McTEER'S BOSS. I'LL COME WITH YOU. 304 00:15:13,580 --> 00:15:16,416 OKAY, OKAY. LOOK, LISBON DIDN'T DO IT ANYHOW. 305 00:15:16,416 --> 00:15:19,119 I MEAN, RIGHT? SHE'S NOT CAPABLE OF THAT. 306 00:15:19,119 --> 00:15:20,988 I'M NOT SO SURE. 307 00:15:36,269 --> 00:15:39,072 WHAT'S UP THAT WE COULDN'T TALK INSIDE? I'M BUSY. 308 00:15:39,072 --> 00:15:41,540 THOUGHT YOU MIGHT WANT TO BE OUTSIDE SO YOU COULD 309 00:15:41,540 --> 00:15:44,144 EXPRESS YOUR ANGER WITHOUT CONSTRAINT. WHY? 310 00:15:44,144 --> 00:15:47,147 I KNOW YOU LIED ABOUT THE ALIBI. 311 00:15:47,147 --> 00:15:49,415 I DIDN'T LIE. 312 00:15:49,415 --> 00:15:51,918 I DON'T KNOW WHAT YOU DID ON TUESDAY NIGHT, 313 00:15:51,918 --> 00:15:56,322 BUT YOU WEREN'T WATCHING TV. I DIDN'T LIE. HE MADE RISOTTO. 314 00:15:56,322 --> 00:15:59,192 NOW THIS IS INSULTING. YOU GONNA CONTINUE LYING TO ME? 315 00:16:05,131 --> 00:16:06,832 I CAN'T REMEMBER. 316 00:16:06,832 --> 00:16:09,869 I CAN'T REMEMBER WHAT I DID ON TUESDAY NIGHT. IT'S WEIRD. 317 00:16:09,869 --> 00:16:12,471 THANK YOU. AND IT'S OKAY. THE MEMORY'S THERE. 318 00:16:12,471 --> 00:16:15,475 WE CAN GET IT BACK. IF I PUT YOU IN A LIGHT TRANCE-- 319 00:16:15,475 --> 00:16:18,644 LIKE THAT'S GONNA HAPPEN. STOP TRYING TO HYPNOTIZE ME. 320 00:16:18,644 --> 00:16:20,379 WHAT IF SOMETHING TRAUMATIC HAPPENED 321 00:16:20,379 --> 00:16:22,548 AND YOU'RE BLOCKING IT OUT? 322 00:16:22,548 --> 00:16:23,883 I DIDN'T KILL McTEER. 323 00:16:23,883 --> 00:16:27,486 WELL, LET ME HYPNOTIZE YOU SO WE CAN BE SURE. NO. 324 00:16:27,486 --> 00:16:30,389 WHY NOT? 'CAUSE I DON'T WANT YOU INSIDE MY HEAD. 325 00:16:37,429 --> 00:16:40,432 SO IT TURNS OUT YOU'RE NOT QUITE DONE WITH THE McTEER CASE. 326 00:16:40,432 --> 00:16:43,001 FUNNY. IT'S NOT MY CHOICE. 327 00:16:43,001 --> 00:16:46,206 HE'LL ONLY TALK TO YOU. 328 00:16:46,206 --> 00:16:48,707 AGENT LISBON. HELLO, DREYER. 329 00:16:48,707 --> 00:16:52,312 (Bosco) THANKS FOR COMING IN AND HELPING US OUT, MR. WHELAN. 330 00:16:52,312 --> 00:16:56,883 SO, YOU GUYS ARE STILL WORKING TOGETHER? 331 00:16:56,883 --> 00:16:58,684 STILL A TEAM? 332 00:16:58,684 --> 00:17:01,221 WE'RE BOTH HANDLING THIS INTERVIEW 333 00:17:01,221 --> 00:17:04,124 AT YOUR REQUEST, DREYER. WE JUST HAVE 334 00:17:04,124 --> 00:17:05,557 A COUPLE QUESTIONS FOR YOU. 335 00:17:05,557 --> 00:17:08,394 JUST ONE, IN FACT. DID YOU KILL WILLIAM McTEER? 336 00:17:10,930 --> 00:17:12,964 I DIDN'T. 337 00:17:12,964 --> 00:17:16,435 GLAD TO HEAR IT. HOW'S KATY DOING? 338 00:17:16,435 --> 00:17:18,505 SHE'S WELL. 339 00:17:18,505 --> 00:17:20,740 DOING WELL. 340 00:17:20,740 --> 00:17:24,009 HEALING BETTER THAN I AM, ACCORDING TO OUR THERAPIST. 341 00:17:24,009 --> 00:17:25,912 WHERE WERE YOU TUESDAY NIGHT? 342 00:17:25,912 --> 00:17:28,080 AT HOME, ALONE. 343 00:17:28,080 --> 00:17:31,218 KATY SPENT THE NIGHT AT A FRIEND'S. AND WHAT TIME-- 344 00:17:31,218 --> 00:17:33,752 YOU LET HIM HURT HER. EXCUSE ME? 345 00:17:33,752 --> 00:17:35,622 I RECENTLY READ THE INCIDENT FILES. 346 00:17:35,622 --> 00:17:38,290 THE INTERNAL S.F.P.D. FILES? HOW'D YOU GET AHOLD OF THOSE? 347 00:17:38,290 --> 00:17:40,859 YOU COULD'VE TAKEN McTEER DOWN THE FRIDAY BEFORE-- 348 00:17:40,859 --> 00:17:43,863 A WHOLE WEEK EARLIER. THAT WAS NOT THE CASE. I DIDN'T HAVE IT. 349 00:17:43,863 --> 00:17:46,098 I DIDN'T HAVE ANYTHING TO NAIL HIM ON. AND IN THE MEANTIME, HE ATTACKED KATY. 350 00:17:46,098 --> 00:17:50,136 AND YOU COULD'VE SAVED HER. IF I'D ARRESTED HIM ON A HUNCH, 351 00:17:50,136 --> 00:17:53,772 HE WOULD HAVE BEEN ACQUITTED. HE WOULD HAVE WALKED. BUT KATY WOULDN'T HAVE BEEN RAPED. 352 00:17:56,308 --> 00:18:00,078 AND THAT IS YOUR FAULT. 353 00:18:03,282 --> 00:18:05,484 MR. WHELAN. WHAT? 354 00:18:05,484 --> 00:18:08,488 YOU SWORE YOU'D SPEND YOUR ENTIRE FORTUNE IN THE SERVICE 355 00:18:08,488 --> 00:18:12,392 OF KILLING WILLIAM McTEER. WHY DIDN'T YOU? I COULDN'T. 356 00:18:14,326 --> 00:18:16,328 WHAT IF I'D BEEN CAUGHT? 357 00:18:16,328 --> 00:18:18,298 I COULDN'T LEAVE KATY ALONE. 358 00:18:18,298 --> 00:18:22,067 MY TAKE? MAYBE YOU JUST DIDN'T HAVE THE GUTS. 359 00:18:22,067 --> 00:18:25,837 GO TO HELL. BOTH OF YOU. 360 00:18:28,375 --> 00:18:32,711 DON'T WORRY. HE'S ANGRY. 361 00:18:32,711 --> 00:18:34,913 ANGER TURNS YOU. 362 00:18:34,913 --> 00:18:36,848 YES, IT DOES. 363 00:18:40,051 --> 00:18:42,322 I WANT TO TAKE THE POLYGRAPH. 364 00:18:48,327 --> 00:18:50,462 OKAY, RAISE YOUR HANDS. 365 00:19:01,208 --> 00:19:03,910 (air whooshes) 366 00:19:07,145 --> 00:19:09,348 (typing) 367 00:19:16,923 --> 00:19:18,758 (rock music playing) 368 00:19:18,758 --> 00:19:20,960 HOW LONG DID McTEER WORK FOR YOU? 369 00:19:20,960 --> 00:19:24,297 UH, COUPLE MONTHS. HIS RECORD DIDN'T BOTHER YOU? 370 00:19:24,297 --> 00:19:26,766 NAH, FREAKS WORK HARDER, YOU KNOW? 371 00:19:26,766 --> 00:19:29,236 THEY'RE GRATEFUL FOR THE GIG, YOU KNOW? 372 00:19:29,236 --> 00:19:31,270 NOT McTEER, THOUGH. 373 00:19:31,270 --> 00:19:33,440 IS THAT WHY YOU TWO GOT IN A FIGHT? 374 00:19:33,440 --> 00:19:36,742 ME AND HIM? (chuckles) NO. WE DIDN'T GET IN A FIGHT. 375 00:19:36,742 --> 00:19:39,511 HE GOT IN A FIGHT WITH HIS JACKHOLE BUDDY, DOG. 376 00:19:39,511 --> 00:19:41,314 THEY GOT IN A FIGHT RIGHT HERE IN THE MIDDLE OF THE PLACE-- 377 00:19:41,314 --> 00:19:43,750 BUSTED IT ALL UP, SO I FIRED HIS TWISTED ASS. 378 00:19:43,750 --> 00:19:46,885 I MEAN, THAT'S MANAGEMENT 101, YOU KNOW--NO FISTFIGHTS, 379 00:19:46,885 --> 00:19:49,922 SO I BOOTED HIM. HE COME BACK AT YOU ABOUT THAT? 380 00:19:49,922 --> 00:19:53,058 NO. HE KNOWS BETTER THAN THAT. HE KNOWS I'M CONNECTED. 381 00:19:53,058 --> 00:19:55,327 CONNECTED, REALLY? TO WHOM? 382 00:19:55,327 --> 00:19:59,065 UH... PEOPLE? 383 00:19:59,065 --> 00:20:01,933 ** 384 00:20:01,933 --> 00:20:04,971 SO WHAT WAS IT ABOUT? McTEER'S FIGHT WITH DOG? (sighs) I DON'T KNOW. 385 00:20:04,971 --> 00:20:07,473 COULD'VE BEEN ABOUT A MILLION THINGS, YOU KNOW? 386 00:20:07,473 --> 00:20:11,109 DOG WAS A UTILITY IDIOT. HE'S DUMB IN TEN DIFFERENT WAYS. 387 00:20:11,109 --> 00:20:13,445 "DOG" HAVE A REAL NAME? 388 00:20:13,445 --> 00:20:16,115 EVERYBODY DOES. I DON'T KNOW WHAT HIS WAS. 389 00:20:16,115 --> 00:20:21,153 OH, THOSE ARE ON SPECIAL-- BUY ONE, GET ONE FREE. 390 00:20:21,153 --> 00:20:23,455 NO, THANKS. 391 00:20:25,191 --> 00:20:28,327 (woman) PEOPLE vs. MILTON R. HOWARD, 392 00:20:28,327 --> 00:20:31,798 CASE NUMBER 97T03254, COME ON DOWN. 393 00:20:31,798 --> 00:20:34,634 AGENT LISBON, WE HAVE TO TALK. 394 00:20:34,634 --> 00:20:36,702 HOW ABOUT YOU GIVE ME A CONFESSION, HOWARD? 395 00:20:36,702 --> 00:20:39,238 AGENT, I-I DIDN'T DO THESE THINGS THEY SAID I DID. 396 00:20:39,238 --> 00:20:42,909 OKAY? Y-YOU HAVE TO HEAR MY SIDE OF IT. I'LL SEE YOU INSIDE. 397 00:20:42,909 --> 00:20:45,912 AGENT LISBON. VIRGIL, TALK TO HER AFTER. WE'RE UP. 398 00:20:45,912 --> 00:20:49,582 AGENT LISBON WILL NOT BE JOINING YOU. IS MY TEAM OKAY? IS SOMEBODY HURT? 399 00:20:49,582 --> 00:20:52,084 NO. YOU FAILED THE POLY, AGENT LISBON. 400 00:20:52,084 --> 00:20:56,188 "SIGNIFICANT INDICATIONS OF DECEPTION," THEY SAY. 401 00:20:56,188 --> 00:20:59,526 YOU'RE RELIEVED OF DUTY, AGENT. REPORT TO ADMIN FOR PROCESSING. 402 00:20:59,526 --> 00:21:02,761 BOSS. DON'T. 403 00:21:13,105 --> 00:21:17,376 SIGNATURE ON THE BOTTOM, GUN AND BADGE IN THE TRAY. 404 00:21:19,346 --> 00:21:23,048 (pen scratching) 405 00:21:30,390 --> 00:21:31,758 (gun clicks) 406 00:21:36,462 --> 00:21:39,465 HERE'S YOUR RECEIPT. 407 00:21:39,465 --> 00:21:41,334 HAVE A NICE DAY. 408 00:21:41,334 --> 00:21:42,602 (loud clank) 409 00:21:56,715 --> 00:22:00,019 TERESA LISBON IN MY OFFICE, TALKING. YOU MUST BE DESPERATE. 410 00:22:00,019 --> 00:22:02,888 I FAILED THE POLYGRAPH. I DON'T KNOW WHAT I'M GONNA DO. 411 00:22:02,888 --> 00:22:06,759 WELL, READING POLYS IS MORE ART THAN A SCIENCE. 412 00:22:06,759 --> 00:22:10,962 ASK TO RETAKE IT. I CAN TEACH YOU HOW TO RELAX. 413 00:22:16,868 --> 00:22:19,372 MY FATHER USED TO HAVE BLACKOUTS WHEN HE DRANK. 414 00:22:19,372 --> 00:22:23,410 ONE TIME, HE BEAT MY BROTHER HALF TO DEATH, 415 00:22:23,410 --> 00:22:25,811 AND HE DIDN'T REMEMBER A THING. 416 00:22:25,811 --> 00:22:29,015 THE WHOLE WAY TO THE HOSPITAL, HE COULDN'T BELIEVE 417 00:22:29,015 --> 00:22:31,451 IT WAS HIM WHO DID IT. 418 00:22:31,451 --> 00:22:33,452 ARE YOU DRINKING? 419 00:22:33,452 --> 00:22:35,755 IS THAT WHY YOU'RE TALKING OF BLACKOUTS? 420 00:22:35,755 --> 00:22:37,757 WHAT I NEED TO KNOW IS, IS--IS IT POSSIBLE 421 00:22:37,757 --> 00:22:39,858 THAT I KILLED McTEER AND BLOTTED IT OUT? 422 00:22:39,858 --> 00:22:43,630 YOU CAN'T REMEMBER THE NIGHT OF THE MURDER? 423 00:22:43,630 --> 00:22:46,164 WELL, DON'T PANIC. THERE COULD BE LOTS OF REASONS-- 424 00:22:46,164 --> 00:22:49,736 STRESS OR-- COPS CAN BECOME KILLERS, DOCTOR. 425 00:22:49,736 --> 00:22:51,202 IT CAN HAPPEN. IT'S RIDICULOUS. 426 00:22:51,202 --> 00:22:53,873 YOU DIDN'T EVEN KNOW McTEER WAS IN SACRAMENTO. 427 00:22:53,873 --> 00:22:57,544 HIS PAROLE OFFICER CALLED ME LAST MONTH-- 428 00:22:57,544 --> 00:22:59,045 COURTESY HEADS-UP. 429 00:22:59,045 --> 00:23:01,681 WELL... 430 00:23:01,681 --> 00:23:06,719 CAN MEMORY LOSS BE A RESULT OF TRAUMA? SURE. 431 00:23:06,719 --> 00:23:09,689 YOUR MIND SHIELDS YOU FROM THE AWFUL THING YOU DID, 432 00:23:09,689 --> 00:23:11,590 OR EVEN WHAT SOMEONE ELSE DID. 433 00:23:11,590 --> 00:23:14,527 CHILD MOLESTERS DON'T GET BETTER. 434 00:23:14,527 --> 00:23:17,696 THE KILLER SAVED A CHILD'S LIFE, WHOEVER IT IS. 435 00:23:17,696 --> 00:23:19,699 HOW DO I UNBLOCK MY MEMORY? 436 00:23:19,699 --> 00:23:23,001 MAYBE IT WILL COME BACK ON ITS OWN. GIVE IT TIME. 437 00:23:23,001 --> 00:23:25,371 I DON'T HAVE TIME. YOU--YOU'RE USELESS-- 438 00:23:25,371 --> 00:23:28,775 YOU AND ALL YOUR TALKING. I'M SORRY. 439 00:23:28,775 --> 00:23:32,711 UNTIL YOU REMEMBER, I DON'T KNOW HOW TO HELP YOU. 440 00:23:40,219 --> 00:23:41,988 JANE. 441 00:23:41,988 --> 00:23:44,423 (inhales deeply) MM. 442 00:23:44,423 --> 00:23:46,726 OH, HEY, LISBON. 443 00:23:46,726 --> 00:23:50,497 I IMAGINE YOU WANT ME TO HYPNOTIZE YOU NOW. 444 00:23:50,497 --> 00:23:52,064 YEAH. MM-HMM. 445 00:23:52,064 --> 00:23:56,268 NOTHING IN McTEER'S PAROLE FILES ABOUT ANY "DOG." 446 00:23:56,268 --> 00:23:58,237 NO KNOWN ASSOCIATES, EITHER. 447 00:23:58,237 --> 00:24:00,972 (sighs) BLACK WIDOW. (slams foot down) 448 00:24:00,972 --> 00:24:04,844 DEAD ONE. WHAT THE HELL DO YOU THINK YOU'RE DOING? 449 00:24:04,844 --> 00:24:07,413 KILLING A SPIDER. WHAT ARE YOU DOING? 450 00:24:07,413 --> 00:24:10,950 YOU'RE INTERFERING WITH MY CASE. YOU'RE TALKING TO WITNESSES. 451 00:24:10,950 --> 00:24:12,151 YOU'RE WRONG. 452 00:24:12,151 --> 00:24:15,253 YOU GONNA LIE TO ME NOW? WHAT'S THE PROBLEM? 453 00:24:15,253 --> 00:24:18,724 DROP THE McTEER CASE, OR YOU'LL BE ON GUARD DUTY 454 00:24:18,724 --> 00:24:20,859 AT THE STATE CAPITAL, SALUTING TOURISTS. 455 00:24:22,961 --> 00:24:24,896 IS THAT RIGHT? 456 00:24:27,032 --> 00:24:30,936 YES, IT IS. 457 00:24:30,936 --> 00:24:34,472 NICE COMEBACK. YOU TOLD HIM. 458 00:24:34,472 --> 00:24:38,076 HE KNOWS THE SCORE. 459 00:24:38,076 --> 00:24:40,179 MAY I? 460 00:24:40,179 --> 00:24:43,816 THANKS. MY GUY AT PELICAN BAY CAME THROUGH. 461 00:24:43,816 --> 00:24:48,153 McTEER HAD A CELLMATE FOR TWO YEARS... (clicks keys) 462 00:24:48,153 --> 00:24:49,721 NICKNAMED "DOG." 463 00:24:49,721 --> 00:24:52,558 HEY, WE KNOW THIS GUY. 464 00:24:52,558 --> 00:24:55,728 THAT'S THE BROTHER OF McTEER'S GIRLFRIEND--DAVID CHARLES. 465 00:24:57,328 --> 00:25:00,298 (door opens) 466 00:25:00,298 --> 00:25:01,800 (sighs) (keys jangle) 467 00:25:01,800 --> 00:25:04,036 IT'S KIND OF A MESS. 468 00:25:04,036 --> 00:25:05,971 NOT AT ALL. 469 00:25:05,971 --> 00:25:08,473 IT'S NICE. 470 00:25:08,473 --> 00:25:09,776 I LIKE THOSE PICTURES. 471 00:25:09,776 --> 00:25:13,913 THOSE ARE MOSTLY FROM THE LAST TENANTS. 472 00:25:13,913 --> 00:25:15,647 (sighs) 473 00:25:15,647 --> 00:25:18,150 UH, WHERE-- WHERE ARE WE GONNA DO THIS? 474 00:25:18,150 --> 00:25:20,051 AH, INTERESTING. 475 00:25:20,051 --> 00:25:23,321 LET'S JUST DO IT. LET--LET'S GO. 476 00:25:23,321 --> 00:25:24,390 NO. 477 00:25:24,390 --> 00:25:25,724 NO? 478 00:25:25,724 --> 00:25:27,826 NO, I'M NOT GONNA HYPNOTIZE YOU, LISBON. 479 00:25:27,826 --> 00:25:29,828 YOU'RE-- YOU'RE TOO STRESSED. ARE YOU KIDDING ME? 480 00:25:29,828 --> 00:25:31,830 NO, IT'S OKAY, SHH. IT'S OKAY, ALL RIGHT? 481 00:25:31,830 --> 00:25:33,932 I'D HAVE TO MAKE ALL THE STRESS LEAVE YOUR BODY, 482 00:25:33,932 --> 00:25:37,737 MAYBE HAVE YOU COUNT DOWN FROM 100, 99, 98-- 483 00:25:37,737 --> 00:25:40,606 WE'D GO ROUND AND ROUND-- 484 00:25:40,606 --> 00:25:45,644 94, 93... LISTEN TO ME, LISBON. 485 00:25:45,644 --> 00:25:47,814 ALL THE STRESS WOULD HAVE TO MELT AWAY. 486 00:25:47,814 --> 00:25:51,517 YOU'D HAVE TO FEEL CALM AND RELAXED AND VERY SAFE. 487 00:25:51,517 --> 00:25:54,721 IT'S JUST ABOUT IMPOSSIBLE. I'M NOT HYPNOTIZING YOU, LISBON. 488 00:25:54,721 --> 00:25:57,423 IT'S NOT GONNA HAPPEN, SO YOU CAN JUST RELAX. 489 00:25:57,423 --> 00:26:03,194 YOU ARE NOT FALLING INTO A DEEP, RELAXING TRANCE STATE. 490 00:26:06,965 --> 00:26:08,267 SLEEP. 491 00:26:08,267 --> 00:26:11,403 OKAY. GOOD. 492 00:26:11,403 --> 00:26:14,606 ALL RIGHT. 493 00:26:16,742 --> 00:26:20,412 SO YOU'RE GOING DOWN THE STEPS... 494 00:26:20,412 --> 00:26:23,816 RELAXING WITH EACH STEP... 495 00:26:23,816 --> 00:26:26,853 AND NOW YOU REACH THE BOTTOM... 496 00:26:26,853 --> 00:26:29,387 THE VERY LAST STEP. 497 00:26:29,387 --> 00:26:34,160 THE ULTIMATE PLACE OF CALM. 498 00:26:34,160 --> 00:26:35,894 HOW ARE YOU FEELING? 499 00:26:35,894 --> 00:26:37,429 GOOD. 500 00:26:37,429 --> 00:26:38,897 GOOD. 501 00:26:38,897 --> 00:26:42,034 YOU'RE GONNA REMAIN IN THIS RELAXED TRANCE STATE 502 00:26:42,034 --> 00:26:44,770 WHILE WE THINK ABOUT TUESDAY NIGHT. 503 00:26:44,770 --> 00:26:46,638 BUT FIRST... 504 00:26:46,638 --> 00:26:49,976 SOMETIMES YOU DANCE TO THAT SPICE GIRLS CD, DON'T YOU? 505 00:26:49,976 --> 00:26:53,112 YEAH. 506 00:26:53,112 --> 00:26:54,846 I THOUGHT SO. 507 00:26:56,816 --> 00:27:00,787 NOW, TUESDAY. 508 00:27:00,787 --> 00:27:03,990 YOU CAN WATCH THE WHOLE DAY LIKE IT'S A MOVIE. 509 00:27:03,990 --> 00:27:06,392 EVERY DETAIL IS IN FOCUS. 510 00:27:06,392 --> 00:27:08,894 YOU CAN ZOOM INTO ANY MOMENT YOU WANT. 511 00:27:08,894 --> 00:27:12,364 YOU CAN FAST-FORWARD, REWIND. 512 00:27:12,364 --> 00:27:15,601 YOU ARE IN TOTAL CONTROL, OKAY? 513 00:27:15,601 --> 00:27:17,769 OKAY. 514 00:27:17,769 --> 00:27:20,205 GOOD. 515 00:27:20,205 --> 00:27:23,809 WHAT DO YOU SEE? 516 00:27:23,809 --> 00:27:29,214 I'M FINISHING UP THE FORM 41s ON THE MILBANK CASE. 517 00:27:29,214 --> 00:27:31,017 I FEEL... 518 00:27:31,017 --> 00:27:34,787 HUNGRY, 'CAUSE I SKIPPED LUNCH. 519 00:27:34,787 --> 00:27:38,057 THE NEW GUY IN THE MAILROOM IS HOT. 520 00:27:38,057 --> 00:27:39,057 IS HE? 521 00:27:39,057 --> 00:27:41,259 YEAH. 522 00:27:41,259 --> 00:27:43,494 LET'S FAST-FORWARD A LITTLE. 523 00:27:43,494 --> 00:27:45,832 LATER IN THE DAY... 524 00:27:45,832 --> 00:27:50,501 YOU'RE ABOUT TO LEAVE C.B.I. 525 00:27:50,501 --> 00:27:54,707 VAN PELT'S WORKING LATE. SHE'S A HARD WORKER. 526 00:27:54,707 --> 00:27:58,911 SHE MIGHT DO WELL IF SHE MANAGES NOT TO SLEEP WITH RIGSBY. 527 00:27:58,911 --> 00:28:02,448 WHERE DO YOU GO NOW? 528 00:28:02,448 --> 00:28:05,351 I... 529 00:28:05,351 --> 00:28:08,253 I... 530 00:28:08,253 --> 00:28:12,191 H-HOME? 531 00:28:12,191 --> 00:28:15,027 DO YOU? 532 00:28:15,027 --> 00:28:17,363 WHERE--WHERE--WHERE DO YOU GO, LISBON? 533 00:28:17,363 --> 00:28:19,365 I'M IN MY CAR. 534 00:28:19,365 --> 00:28:21,733 IT'S LOW ON GAS. 535 00:28:21,733 --> 00:28:23,169 (labored breath) 536 00:28:23,169 --> 00:28:26,337 IT'S OKAY. YOU'RE IN A TRANCE STATE. 537 00:28:26,337 --> 00:28:28,539 EVERYTHING IS OKAY. 538 00:28:28,539 --> 00:28:29,909 I CAN'T-- 539 00:28:29,909 --> 00:28:31,509 WHAT DO YOU SEE? 540 00:28:31,509 --> 00:28:32,912 (gasping) WHERE DO YOU GO? 541 00:28:32,912 --> 00:28:37,449 I... I DON'T... IT'S BLANK. 542 00:28:37,449 --> 00:28:39,852 I JUST SEE A BLANK SCREEN. IT'S ALL RIGHT. 543 00:28:39,852 --> 00:28:41,420 IT'S ALL RIGHT. 544 00:28:41,420 --> 00:28:42,954 I DON'T-- 545 00:28:42,954 --> 00:28:45,892 I DON'T KNOW WHERE I WENT. I-I-I CAN'T REMEMBER. 546 00:28:45,892 --> 00:28:47,894 (gasping) I DON'T KNOW WHERE I WENT. 547 00:28:47,894 --> 00:28:51,396 IT'S OKAY. IT'S OKAY, IT'S OKAY. 548 00:28:51,396 --> 00:28:53,199 I CAN'T REMEMBER. 549 00:28:53,199 --> 00:28:57,469 THAT'S A LITTLE WEIRD. (sighs) 550 00:28:57,469 --> 00:29:00,006 I THOUGHT YOU WERE THE BEST. 551 00:29:00,006 --> 00:29:02,173 I WANT MY MONEY BACK. 552 00:29:02,173 --> 00:29:03,976 HMM. YEAH. 553 00:29:06,612 --> 00:29:08,579 WHY CAN'T I REMEMBER? 554 00:29:08,579 --> 00:29:09,882 IT'S INTERESTING, ISN'T IT? 555 00:29:09,882 --> 00:29:11,884 YEAH. 556 00:29:11,884 --> 00:29:13,384 YEAH, IT'S INTERESTING. 557 00:29:13,384 --> 00:29:15,186 HMM. 558 00:29:15,186 --> 00:29:17,756 WELL, YOU KNOW, TH-THANKS FOR TRYING. 559 00:29:17,756 --> 00:29:20,960 YOU PROBABLY HAVE, UH, SOMEWHERE YOU NEED TO GO, RIGHT? 560 00:29:20,960 --> 00:29:24,363 WELL, I'M NOT GONNA GIVE UP THAT EASILY. 561 00:29:26,298 --> 00:29:29,734 I CAN COUNT ON YOU NOT TO TELL ANYBODY ABOUT THIS, RIGHT? 562 00:29:29,734 --> 00:29:32,770 (voice breaking) ON THE TEAM? OH, LISBON, COME ON. 563 00:29:32,770 --> 00:29:35,974 HEY. JANE, I JUST NEED YOU TO LEAVE, OKAY? 564 00:29:35,974 --> 00:29:37,776 ALL RIGHT. COULD YOU PLEASE GO? 565 00:29:37,776 --> 00:29:41,146 IT'S--IT'S GONNA BE OKAY. IT'S GONNA BE FINE, ALL RIGHT? 566 00:29:41,146 --> 00:29:42,347 I PROMISE. 567 00:29:42,347 --> 00:29:44,316 (sniffles) 568 00:29:44,316 --> 00:29:47,419 OKAY? (sniffles) MM-HMM. 569 00:29:56,863 --> 00:29:59,198 TANYA? I GOT YOUR TEXT. 570 00:29:59,198 --> 00:30:00,699 IT SAID "9-1-1." WHAT'S GOING ON? 571 00:30:00,699 --> 00:30:04,470 (grunts) OH! (grunts) HEY, HELP, POLICE! 572 00:30:04,470 --> 00:30:06,838 RELAX, BUDDY. 573 00:30:06,838 --> 00:30:08,840 YEAH, WE'RE CLEAR. YOU GOOD? 574 00:30:08,840 --> 00:30:10,876 (Cho) YEAH. 575 00:30:10,876 --> 00:30:12,912 YOU FOUGHT WITH McTEER IN THE PARKING LOT. 576 00:30:12,912 --> 00:30:15,547 HE BEAT THE SNOT OUT OF YOU. THAT MUST'VE BEEN PRETTY HUMILIATING. 577 00:30:15,547 --> 00:30:19,085 SO YOU LURED HIM INTO THE ALLEY AND YOU KILLED HIM. NO, I DIDN'T KILL HIM. I DIDN'T! 578 00:30:19,085 --> 00:30:20,920 YOU DID KILL HIM, DAVID. YOU KILLED HIM, 579 00:30:20,920 --> 00:30:22,888 BUT IT'S OUR FRIEND ON THE HOOK FOR IT. 580 00:30:22,888 --> 00:30:26,224 LOOK, DOG, JAIL IS GONNA BE SO MUCH BETTER THAN WHAT YOU GET 581 00:30:26,224 --> 00:30:29,627 IF YOU KEEP LYING TO US. LOOK, YOUR FRIEND, THE COP... 582 00:30:29,627 --> 00:30:32,597 SHE'S THE ONE WHO PAID ME TO BRING McTEER TO THE ALLEY. 583 00:30:32,597 --> 00:30:35,000 LOOK, I HAD NO IDEA SHE WAS GONNA SHOOT HIM, I SWEAR TO YOU. 584 00:30:35,000 --> 00:30:37,903 I NEVER WOULD'VE TAKEN THE MONEY IF I KNEW IT. AGENT LISBON-- 585 00:30:37,903 --> 00:30:40,705 SHE'S THE ONE WHO PAID YOU? YEAH, I MEAN, IT HAD TO BE HER, DIDN'T IT? 586 00:30:40,705 --> 00:30:44,911 I HEARD YOU GUYS ALREADY ARRESTED HER FOR IT. BUT YOU'RE GUESSING, RIGHT? YOU NEVER ACTUALLY SAW HER. 587 00:30:44,911 --> 00:30:49,115 WELL, I DIDN'T SEE ANYBODY. IT WAS ALL TEXT. 588 00:30:49,115 --> 00:30:52,117 THE DEAL WAS I GOT BILL DRUNK. WE WENT OUT IN THE ALLEY 589 00:30:52,117 --> 00:30:53,618 TO GO TAKE A PEE, AND THEN I SPLIT. 590 00:30:53,618 --> 00:30:56,721 I HEARD THOSE SHOTS. I STARTED RUNNING LIKE HELL, MAN. 591 00:30:56,721 --> 00:30:59,925 AND THE NEXT DAY, THERE'S 10 GRAND IN MY CHECKING ACCOUNT. 592 00:30:59,925 --> 00:31:01,593 10 GRAND? 593 00:31:01,593 --> 00:31:03,394 10 GRAND, SAM. I HEARD. 594 00:31:03,394 --> 00:31:05,797 10 GRAND JUST TO LURE THE VIC IN, NOT EVEN KILL HIM. 595 00:31:05,797 --> 00:31:08,233 THIS IS SOMEBODY WITH RESOURCES, CONNECTIONS. (Cho) SOMEONE WHO'S NOT LISBON. 596 00:31:08,233 --> 00:31:10,402 SERIOUSLY, WHERE'S SHE GONNA GET 10 GRAND FROM? 597 00:31:10,402 --> 00:31:13,372 NO OFFENSE, BOSS. I WILL HAVE VAN PELT TRACK THE TEXT. 598 00:31:13,372 --> 00:31:16,208 CHO AND I WILL TALK TO THE GUY'S BANK. LISBON, GET THIS THROUGH YOUR HEAD. 599 00:31:16,208 --> 00:31:18,743 YOU'RE RELIEVED OF DUTY. YOU'RE NOT EVEN SUPPOSED TO BE 600 00:31:18,743 --> 00:31:21,980 IN THE BUILDING, AND YOU TWO CLOWNS ARE WAY OUT OF HAND. 601 00:31:21,980 --> 00:31:25,050 LET ME DEAL WITH THIS. COME HERE. 602 00:31:29,855 --> 00:31:33,259 LISBON, LOOK AT ME. LOOK AT ME. 603 00:31:33,259 --> 00:31:36,494 I'LL HANDLE IT. WILL YOU PLEASE TRUST ME? 604 00:31:36,494 --> 00:31:39,730 I'M SORRY. YOU DON'T UNDERSTAND. 605 00:31:39,730 --> 00:31:41,200 LATER, YOU WILL. 606 00:31:41,200 --> 00:31:43,769 WHAT ARE--ARE--ARE YOU MEDICATED OR SOMETHING? 607 00:31:43,769 --> 00:31:46,538 OKAY, I'M ALL RIGHT. I'M FINE! 608 00:31:46,538 --> 00:31:49,375 WHAT THE HELL IS EVERYBODY LOOKING AT?! I'M FINE! 609 00:31:49,375 --> 00:31:53,378 JUST STAY THE HELL AWAY FROM ME! I'M DONE WITH THIS CRAP! 610 00:31:53,378 --> 00:31:57,516 I AM DONE! I'M SICK OF THIS CRAP! 611 00:32:04,655 --> 00:32:05,958 (sighs) 612 00:32:09,295 --> 00:32:11,063 WHAT WAS THAT--LISBON? 613 00:32:11,063 --> 00:32:13,632 SHE'S FREAKING OUT. OH, COME ON. IT'S JUST LISBON. 614 00:32:13,632 --> 00:32:16,402 SHE'S A LITTLE STRESSED. WHAT IS GOING ON? 615 00:32:27,813 --> 00:32:29,881 SORRY. 616 00:32:29,881 --> 00:32:32,984 WHY IS THIS HAPPENING TO ME? IT'S ALL RIGHT. 617 00:32:32,984 --> 00:32:35,621 LET'S--LET'S GO HOME. I'LL TAKE HER. 618 00:32:35,621 --> 00:32:37,623 NO. LEAVE ME ALONE. 619 00:32:39,758 --> 00:32:41,692 (sighs) 620 00:32:48,666 --> 00:32:51,403 (The Spice Girls' "Spice Up Your Life" playing) 621 00:32:51,403 --> 00:32:53,372 * IF YOU'RE HAVING A GOOD TIME * 622 00:32:53,372 --> 00:32:54,972 * SHAKE IT TO THE RIGHT, IF YOU KNOW THAT YOU FEEL FINE * 623 00:32:54,972 --> 00:32:56,342 * CHICAS TO THE FRONT, HUH, HUH * 624 00:32:56,342 --> 00:32:58,844 * HI, CI, YA, HOLD TIGHT 625 00:32:58,844 --> 00:33:03,115 * LA, LA, LA, LA, LA, LA, LA, LA, LA * 626 00:33:03,115 --> 00:33:06,617 * LA, LA, LA, LA, LA, LA, LA * 627 00:33:06,617 --> 00:33:10,288 * LA, LA, LA, LA, LA, LA, LA, LA, LA * 628 00:33:10,288 --> 00:33:14,226 * LA, LA, LA, LA, LA, LA, LA * 629 00:33:18,196 --> 00:33:19,998 THE 10 GRAND PAID TO DAVID CHARLES 630 00:33:19,998 --> 00:33:23,169 CAME FROM AN ACCOUNT OWNED BY A SHELL COMPANY IN THE CAYMANS. 631 00:33:23,169 --> 00:33:25,936 WELL, THAT'S GOOD. THE DAY AFTER IT PAID DAVID, 632 00:33:25,936 --> 00:33:30,909 THE ACCOUNT PAID OUT A MILLION DOLLARS TO SOMEONE ELSE. I BET THAT'S FOR THE SHOOTER. CAN WE TRACE THE PAYMENT? 633 00:33:30,909 --> 00:33:33,345 I'M TRYING, BUT-- (Bosco) YOU'LL FIND IT DEAD-ENDS 634 00:33:33,345 --> 00:33:35,947 IN A BLIND ACCOUNT THAT WAS CLOSED YESTERDAY. 635 00:33:35,947 --> 00:33:38,183 OKAY. WE ARE WORKING THE CASE. WE JUST WANT TO-- 636 00:33:38,183 --> 00:33:41,853 FORGET ABOUT IT. HOW'S LISBON? 637 00:33:41,853 --> 00:33:43,521 SHE'S FINE. 638 00:33:43,521 --> 00:33:46,791 (sighs) SHE'S FINE. WELL, WHAT DID SHE SAY, EXACTLY? 639 00:33:46,791 --> 00:33:49,560 UH, I DIDN'T ACTUALLY TALK TO HER. 640 00:33:49,560 --> 00:33:52,730 SHE--SHE WOULDN'T LET ME IN. 641 00:33:52,730 --> 00:33:55,300 YOU'RE WORRIED ABOUT HER. 642 00:33:57,202 --> 00:33:59,971 YOU THINK SHE MIGHT DO SOMETHING STUPID? 643 00:33:59,971 --> 00:34:03,174 SUICIDE? NO. 644 00:34:03,174 --> 00:34:05,943 IF SHE DID, SHE WOULDN'T BLAME THE BUREAU. 645 00:34:05,943 --> 00:34:08,114 THAT'S NOT MY CONCERN AT ALL. 646 00:34:08,114 --> 00:34:11,016 I SHOULD'VE TAKEN HER OFF-DUTY WEAPON. 647 00:34:11,016 --> 00:34:13,452 OH, I'M SURE SHE'LL BE ALL RIGHT. 648 00:34:19,891 --> 00:34:21,827 (knock on door) 649 00:34:21,827 --> 00:34:22,893 (creaks) 650 00:34:22,893 --> 00:34:25,264 MINELLI ASKED ME TO DROP BY. 651 00:34:25,264 --> 00:34:28,166 WELL, ORDERED ME TO DROP BY, ACTUALLY. 652 00:34:28,166 --> 00:34:30,068 CAN WE TALK? 653 00:34:30,068 --> 00:34:31,402 MINELLI? 654 00:34:31,402 --> 00:34:35,072 HE'S WORRIED ABOUT YOU. WE ALL ARE. 655 00:34:35,072 --> 00:34:37,175 'CAUSE I HAD A MELTDOWN, 656 00:34:37,175 --> 00:34:39,545 GOT PERP-WALKED OUT OF THE CBI 657 00:34:39,545 --> 00:34:42,847 OR BECAUSE I KILLED A GUY? 658 00:34:42,847 --> 00:34:45,451 WH-- YOU KILLED McTEER? 659 00:34:45,451 --> 00:34:48,719 HOW THE HELL WOULD I KNOW? MAYBE? 660 00:34:51,757 --> 00:34:54,992 TERESA, YOU--YOU WANNA PUT AWAY YOUR GLOCK THERE? 661 00:34:54,992 --> 00:34:57,996 VERY GOOD EYE, DOCTOR. 662 00:34:57,996 --> 00:35:01,932 THE GLOCK 9-MILLIMETER. 663 00:35:01,932 --> 00:35:04,936 THE SAFETY'S IN THE TRIGGER. HOW STUPID IS THAT? 664 00:35:04,936 --> 00:35:08,005 I MEAN, IT'S KIND OF LIKE NOT HAVING A SAFETY AT ALL. 665 00:35:08,005 --> 00:35:11,876 HOW ABOUT YOU GIVE IT TO ME? 666 00:35:11,876 --> 00:35:13,844 DON'T LOOK AT ME LIKE THAT. 667 00:35:13,844 --> 00:35:17,349 DON'T LOOK AT ME LIKE THAT. THIS IS YOUR FAULT. 668 00:35:17,349 --> 00:35:19,617 OH, WHOA, TERESA. 669 00:35:19,617 --> 00:35:22,119 YOU UNLOCKED TOO MANY THINGS IN MY HEAD, 670 00:35:22,119 --> 00:35:23,889 AND NOW I CAN'T REMEMBER. 671 00:35:23,889 --> 00:35:27,358 MY HEAD IS MESSED UP, AND IT'S YOUR FAULT. 672 00:35:27,358 --> 00:35:31,028 TERESA... PUT IT DOWN. 673 00:35:31,028 --> 00:35:34,166 YOU NEED TO BE CALM... 674 00:35:34,166 --> 00:35:36,268 AND PUT DOWN THE GUN. 675 00:35:36,268 --> 00:35:39,570 CALM? 676 00:35:39,570 --> 00:35:41,306 YOU WERE RIGHT, DOCTOR. 677 00:35:41,306 --> 00:35:45,311 THERE WAS SOMETHING I WANTED TO TELL YOU. 678 00:35:45,311 --> 00:35:48,380 I ACT CALM ON THE OUTSIDE, BUT ON THE INSIDE, 679 00:35:48,380 --> 00:35:52,818 I'M SO ANGRY, SOMETIMES I THINK I'M GONNA EXPLODE. 680 00:35:52,818 --> 00:35:55,820 ALL THE MISERY AND THE PAIN THAT I SEE EVERY DAY 681 00:35:55,820 --> 00:35:59,525 MAKES ME WANNA SCREAM, BUT I LOCK IT DOWN. 682 00:35:59,525 --> 00:36:02,893 I LOCK IT DOWN BECAUSE I HAVE TO BE CALM AND RATIONAL, 683 00:36:02,893 --> 00:36:06,764 BECAUSE THAT'S MY JOB, BUT I WANNA PULL THIS TRIGGER. 684 00:36:06,764 --> 00:36:08,032 I WANNA KILL. 685 00:36:08,032 --> 00:36:11,168 YOU'RE ANGRY. I HEAR THAT. 686 00:36:14,405 --> 00:36:16,942 I THINK I DID IT. 687 00:36:16,942 --> 00:36:18,943 I THINK I KILLED McTEER. 688 00:36:18,943 --> 00:36:24,181 OH, SHH, TERESA. 689 00:36:24,181 --> 00:36:29,721 IF YOU DID IT, THAT'S OKAY. 690 00:36:29,721 --> 00:36:31,523 HE WAS A BAD MAN. 691 00:36:31,523 --> 00:36:35,159 NO REASON FOR YOU TO HURT ANYONE ELSE... 692 00:36:35,159 --> 00:36:37,963 OR YOURSELF. 693 00:36:37,963 --> 00:36:41,500 I STILL CAN'T REMEMBER. YOU CAN AND YOU WILL. AND WHEN YOU DO, TERESA, 694 00:36:41,500 --> 00:36:43,802 WHEN YOU PUSH THROUGH TO THE TRUTH, 695 00:36:43,802 --> 00:36:47,972 ALL THIS WEIGHT AND WORRY WILL COME OFF YOUR SHOULDERS. 696 00:36:47,972 --> 00:36:51,277 (whispers) OKAY. 697 00:36:51,277 --> 00:36:53,077 I WANT YOU 698 00:36:53,077 --> 00:36:58,317 TO VISUALIZE THAT SCENE FOR ME. 699 00:36:58,317 --> 00:37:01,186 RELIVE THAT MOMENT. 700 00:37:01,186 --> 00:37:03,153 YOU WENT INTO THE ALLEY... 701 00:37:03,153 --> 00:37:07,025 AFTER THIS TERRIBLE MAN. 702 00:37:07,025 --> 00:37:09,295 CAN YOU SEE HIM? 703 00:37:09,295 --> 00:37:11,530 NO. 704 00:37:11,530 --> 00:37:14,432 WELL, YES. YEAH, M-MAYBE. 705 00:37:14,432 --> 00:37:17,135 YES. YOU SEE HIM. 706 00:37:17,135 --> 00:37:19,237 YOU SEE THE DUMPSTERS AND THE TRASH 707 00:37:19,237 --> 00:37:23,842 AND THE CRUMBLY OLD BRICK, AND YOU SEE McTEER. YES. 708 00:37:23,842 --> 00:37:26,677 YOU SEE THERE THIS--THIS MONSTER 709 00:37:26,677 --> 00:37:30,081 WHO DESTROYED SO MANY LIVES. 710 00:37:30,081 --> 00:37:31,282 IT'S TOO MUCH. 711 00:37:31,282 --> 00:37:32,983 SEE IT, TERESA. 712 00:37:35,320 --> 00:37:37,188 (gunshot echoes) 713 00:37:37,188 --> 00:37:38,523 LIVE IT-- 714 00:37:38,523 --> 00:37:40,626 THE REEK, THE GARBAGE, 715 00:37:40,626 --> 00:37:43,894 THE FILTHY ALLEY WALLS, 716 00:37:43,894 --> 00:37:47,632 THE FADED CROSS THERE. 717 00:37:47,632 --> 00:37:49,367 (slam) 718 00:37:49,367 --> 00:37:53,103 GOD MIGHT HAVE MERCY ON WILLIAM McTEER, 719 00:37:53,103 --> 00:37:55,106 BUT YOU SURE AS HELL WOULDN'T. 720 00:37:55,106 --> 00:37:56,541 HE DESERVED TO DIE. 721 00:37:56,541 --> 00:38:01,211 BUT YOU'RE STILL A GOOD PERSON, TERESA. 722 00:38:01,211 --> 00:38:03,548 YOU CAN GET THROUGH THIS. 723 00:38:03,548 --> 00:38:05,050 (weakly) THE CROSS? 724 00:38:05,050 --> 00:38:06,251 UH, WHAT? 725 00:38:06,251 --> 00:38:09,588 (normal voice) THE CROSS, ROY. 726 00:38:09,588 --> 00:38:11,989 HOW DID YOU KNOW ABOUT THE CROSS? 727 00:38:11,989 --> 00:38:15,626 IT WAS INSIDE THE DOOR. ONLY THE KILLER SAW IT. 728 00:38:15,626 --> 00:38:19,264 WELL, TERESA, YOU TOLD ME ABOUT THE CRIME SCENE. 729 00:38:19,264 --> 00:38:22,199 NO, I DIDN'T. 730 00:38:22,199 --> 00:38:25,637 (three gunshots) 731 00:38:28,539 --> 00:38:32,043 (Patrick) OH, BEAUTIFULLY DONE. 732 00:38:32,043 --> 00:38:33,378 LOVELY WORK, LISBON. 733 00:38:33,378 --> 00:38:35,146 WHAT ARE YOU... 734 00:38:35,146 --> 00:38:36,681 OF COURSE--THE CROSS. 735 00:38:36,681 --> 00:38:39,717 YOU COULDN'T RESIST THE IMAGERY, COULD YOU, DOC? 736 00:38:39,717 --> 00:38:42,820 LAPSED CATHOLIC, PERHAPS? WHAT'S GOING ON? 737 00:38:42,820 --> 00:38:46,525 SURRENDER, DOROTHY. WE GOT YOU. BRILLIANT, THOUGH. 738 00:38:46,525 --> 00:38:48,494 MADE LISBON COME BACK WEEK AFTER WEEK 739 00:38:48,494 --> 00:38:50,929 SO YOU GET HER FINGERPRINTS OFF HER COFFEE MUG 740 00:38:50,929 --> 00:38:54,666 AND DOSE HER UP WITH, UH, LORAZEPAM? 741 00:38:54,666 --> 00:38:57,001 DOUBLE DOSE FOR TUESDAY TO CAUSE THE MEMORY LOSS-- 742 00:38:57,001 --> 00:38:59,905 MEMORY LOSS YOU KNEW LISBON WOULD CONCEAL, 743 00:38:59,905 --> 00:39:02,574 WHICH MADE HER FAIL THE POLYGRAPH. 744 00:39:02,574 --> 00:39:06,177 QUITE THE, UH, STUDENT OF HUMAN NATURE, HUH, DOCTOR? 745 00:39:06,177 --> 00:39:07,978 WELL DONE, REALLY. 746 00:39:07,978 --> 00:39:10,581 YOUR BREAKDOWN IN CBI-- THAT WAS FAKE? 747 00:39:10,581 --> 00:39:12,983 AND HOW GOOD WAS THAT, HUH? WHAT ABOUT THAT? 748 00:39:12,983 --> 00:39:14,952 AFTER THAT, ALL I HAD TO DO WAS GET MINELLI 749 00:39:14,952 --> 00:39:17,054 TO GET YOU TO COME AROUND HERE. 750 00:39:17,054 --> 00:39:20,425 I'VE BEEN WAITING FOR YOU ALL NIGHT. THERE WAS ONE LITTLE THING... 751 00:39:20,425 --> 00:39:22,860 I'M--I'M JUST-- JUST ONE LITTLE THING. 752 00:39:22,860 --> 00:39:25,697 THE LORAZEPAM? MAYBE THAT WENT A LITTLE TOO FAR. 753 00:39:25,697 --> 00:39:27,898 WHEN--WHEN LISBON COULDN'T REMEMBER THE NIGHT OF THE MURDER 754 00:39:27,898 --> 00:39:31,001 EVEN UNDER HYPNOSIS, I KNEW SHE'D BEEN DRUGGED. 755 00:39:31,001 --> 00:39:34,371 THE REST OF IT? (clicks tongue) SPOT ON. 756 00:39:34,371 --> 00:39:36,807 VERY, VERY IMPRESSIVE. 757 00:39:36,807 --> 00:39:38,844 THANKS. 758 00:39:38,844 --> 00:39:41,079 NOT AT ALL. 759 00:39:41,079 --> 00:39:45,083 (smack) YOU'RE UNDER ARREST. YOU HAVE THE RIGHT TO REMAIN SILENT. 760 00:39:45,083 --> 00:39:47,918 (handcuffs clicking) ANYTHING YOU SAY OR DO 761 00:39:47,918 --> 00:39:50,621 CAN AND WILL BE USED AGAINST YOU IN COURT. 762 00:39:50,621 --> 00:39:52,623 YOU HAVE THE RIGHT TO AN ATTORNEY. 763 00:39:52,623 --> 00:39:54,626 SO THIS GUY WHO GAVE YOU THE MILLION BUCKS-- 764 00:39:54,626 --> 00:39:56,762 YOU EVER MET HIM FACE-TO-FACE? YOU WANT HIM? 765 00:39:56,762 --> 00:40:00,331 I WANT A DEAL--A GOOD ONE. WHAT I GOT, IT'S WORTH IT. 766 00:40:00,331 --> 00:40:02,132 TWO TO FIVE, MINIMUM SECURITY. 767 00:40:02,132 --> 00:40:04,769 OH, THERE WON'T BE A DEAL. WE KNOW WHO HE IS. 768 00:40:04,769 --> 00:40:06,905 JUST CURIOUS IF YOU KNEW. 769 00:40:18,215 --> 00:40:20,018 IT TOOK US A WHILE, 770 00:40:20,018 --> 00:40:23,188 BUT WE TRACED THE SHELL COMPANY BACK TO YOU, HOWARD. 771 00:40:23,188 --> 00:40:25,791 YOU PAID DR. CARMEN AND DAVID CHARLES 772 00:40:25,791 --> 00:40:27,759 TO FRAME LISBON FOR McTEER'S MURDER. 773 00:40:27,759 --> 00:40:30,228 THESE CASH TRANSACTIONS PROVE IT. 774 00:40:30,228 --> 00:40:33,599 DISCREDITING A COP IS SO MUCH SMARTER THAN KILLING HER. 775 00:40:33,599 --> 00:40:35,099 WE'D HAVE BEEN ALL OVER THAT. 776 00:40:35,099 --> 00:40:37,869 BUT THIS WAY, HER TESTIMONY DIES ALONG WITH HER CAREER. 777 00:40:37,869 --> 00:40:40,204 HOW ABOUT YOU GIVE US A STATEMENT? 778 00:40:40,204 --> 00:40:42,273 MAYBE HELP YOURSELF? 779 00:40:42,273 --> 00:40:44,675 HOW ABOUT YOU KISS ME? 780 00:40:46,978 --> 00:40:48,213 YOU'RE PRETTY. 781 00:40:48,213 --> 00:40:53,684 SO ARE YOU, COMPARED TO MOST STATE PRISON INMATES. 782 00:40:58,789 --> 00:41:03,260 I HEAR MINELLI'S BILLING YOU FOR THE GLASS. 783 00:41:03,260 --> 00:41:05,530 IT'S ONLY FAIR. 784 00:41:05,530 --> 00:41:09,134 YOU KNOW, FOR A COP, YOU MADE A VERY CONVINCING LUNATIC. 785 00:41:09,134 --> 00:41:12,003 JANE MUST BE PROUD. 786 00:41:12,003 --> 00:41:14,338 MAYBE IT'S NOT GOOD POLICE WORK, 787 00:41:14,338 --> 00:41:17,175 BUT I HAVE TO CONFESS, I ENJOYED IT. 788 00:41:17,175 --> 00:41:18,677 LETTING LOOSE FOR ONCE? 789 00:41:18,677 --> 00:41:23,081 LOOK, I'M GLAD YOU GOT CLEARED. 790 00:41:23,081 --> 00:41:26,717 I'M SORRY THAT WE COULDN'T LET YOU IN ON THE PLAN. 791 00:41:26,717 --> 00:41:29,186 YOU COULD HAVE, BUT YOU DIDN'T. 792 00:41:31,322 --> 00:41:32,958 (sighs) 793 00:41:34,324 --> 00:41:38,128 YOU SHOULD KNOW THAT IF IT TURNED OUT TO BE YOU... 794 00:41:41,365 --> 00:41:44,969 I KNOW. JUST SO YOU DO. 795 00:41:44,969 --> 00:41:48,639 (footsteps approach) ENOUGH SAID. 796 00:41:48,639 --> 00:41:50,375 I'M NOT INTERRUPTING ANYTHING, AM I? 797 00:41:50,375 --> 00:41:52,744 NO. NIGHT, LISBON. 798 00:41:52,744 --> 00:41:55,012 NIGHT, SAM. (sighs) 799 00:41:55,012 --> 00:41:57,782 DOUGHNUTS FROM MARIE'S. OH. 800 00:41:57,782 --> 00:42:00,451 I DIDN'T SEE IT. OF COURSE. 801 00:42:00,451 --> 00:42:03,021 WHAT? 802 00:42:03,021 --> 00:42:05,990 HE'S IN LOVE WITH YOU. DON'T BE SILLY. 803 00:42:05,990 --> 00:42:08,126 I KNOW, HARD TO FATHOM, BUT, UH, 804 00:42:08,126 --> 00:42:10,829 THERE'S NO ACCOUNTING FOR TASTE, IS THERE? 805 00:42:10,829 --> 00:42:12,097 (crumples bag) HUSH! 806 00:42:33,952 --> 00:42:37,021 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.