1 00:00:06,474 --> 00:00:10,910 (indistinct police radio chatter) 2 00:00:10,910 --> 00:00:13,114 OHH! 3 00:00:16,684 --> 00:00:18,452 (Patrick) WHAT'S THE FUSS? 4 00:00:18,452 --> 00:00:21,554 (Cho) SLEPT THROUGH LISBON'S BRIEFING IN THE VAN, DIDN'T YOU? 5 00:00:21,554 --> 00:00:24,591 LIKE A BABY. YEAH, THE VICTIM'S NAME IS KRISTIN MARLEY. 6 00:00:24,591 --> 00:00:27,827 SHE WORKED AT THE STATE CAPITOL FOR SOME LADY SENATOR, 7 00:00:27,827 --> 00:00:29,829 WENT MISSING THREE DAYS AGO. 8 00:00:29,829 --> 00:00:32,332 RUMOR IS SHE WAS HAVING AN AFFAIR 9 00:00:32,332 --> 00:00:34,268 WITH THE SENATOR'S HUSBAND. 10 00:00:36,170 --> 00:00:38,572 (inhales deeply) 11 00:00:38,572 --> 00:00:41,308 MY BET--SHE'S A JUMPER. I HOPE NOT. 12 00:00:41,308 --> 00:00:44,445 IF SHE'S A JUMPER, JOB'S DONE. YEAH, THE SENATOR'S HUSBAND DUMPS HER, 13 00:00:44,445 --> 00:00:46,246 SHE WANTS TO MAKE HIM FEEL BAD, 14 00:00:46,246 --> 00:00:49,450 SHE COMES OUT HERE... (whistles) SPLAT. DON'T TALK THAT WAY. 15 00:00:49,450 --> 00:00:51,351 OKAY, NOT SPLAT. BAM. 16 00:00:51,351 --> 00:00:53,286 THERE'S NOTHING WORSE THAN SUICIDE. 17 00:00:53,286 --> 00:00:54,787 HUMAN LIFE IS SACRED. 18 00:00:54,787 --> 00:00:57,390 WHEN SOMEONE TAKES THEIR OWN LIFE, IT'S A TRAGEDY. 19 00:00:57,390 --> 00:00:59,926 SACRAMENTO P.D.'s HANDING THE CASE OVER TO US. 20 00:00:59,926 --> 00:01:02,596 LET'S GO TALK TO THE CORONER. 21 00:01:02,596 --> 00:01:06,534 SHALL I RECAP THE CASE, SLEEPYHEAD? 22 00:01:06,534 --> 00:01:08,868 KRISTIN MARLEY-- 23 00:01:08,868 --> 00:01:10,337 LADY SENATOR'S AIDE, 24 00:01:10,337 --> 00:01:13,441 RUMORED ROMANCE WITH THE SENATOR'S HUSBAND. 25 00:01:13,441 --> 00:01:14,542 VERY GOOD. 26 00:01:14,542 --> 00:01:16,543 OH, I TRAINED MYSELF TO HEAR 27 00:01:16,543 --> 00:01:19,379 AND TAKE IN INFORMATION WHILE ASLEEP. 28 00:01:19,379 --> 00:01:21,981 THE OTHERS TOLD YOU? YES, THEY DID. 29 00:01:21,981 --> 00:01:23,884 (man) AT THIS POINT, THERE'S NO WAY TO DETERMINE 30 00:01:23,884 --> 00:01:26,219 WHAT HAPPENED TO THE VICTIM, AGENT LISBON. 31 00:01:26,219 --> 00:01:29,189 I-I SIMPLY CAN'T HELP YOU. WELL, CAN YOU TELL HOW LONG SHE'S BEEN DEAD? 32 00:01:29,189 --> 00:01:31,859 (scoffs) I COULDN'T POSSIBLY, GIVEN THE EVIDENCE AVAILABLE. 33 00:01:31,859 --> 00:01:35,094 WELL, DO YOU THINK IT WAS A HOMICIDE OR A SUICIDE? COULDN'T SAY. 34 00:01:35,094 --> 00:01:36,597 (Cho) WHAT'S YOUR GUESS? 35 00:01:36,597 --> 00:01:39,332 (man) I'M NOT IN THE HABIT OF--OF GUESSING. 36 00:01:39,332 --> 00:01:41,902 PLEASE DON'T TOUCH THE DECEDENT. 37 00:01:41,902 --> 00:01:44,704 YOU--YOU--YOU DETECTIVES ALWAYS WANT THE INSTANT ANSWERS. 38 00:01:44,704 --> 00:01:46,507 WHAT I DO IS SCIENCE. 39 00:01:46,507 --> 00:01:48,609 SCIENCE WILL UNCOVER THE TRUTH, 40 00:01:48,609 --> 00:01:51,712 BUT SHE WILL BE PRECISE, METHODICAL AND TAKE HER TIME 41 00:01:51,712 --> 00:01:54,147 BEFORE SHE RENDERS HER DECISION. 42 00:01:54,147 --> 00:01:57,551 I WONDER IF SCIENCE CAN REMOVE THE STICK FROM HIS BUTT. I HEARD THAT. 43 00:01:57,551 --> 00:02:00,453 YOU'RE RIGHT. WE WANT FACTS. FORTUNATELY, WE HAVE THEM. 44 00:02:00,453 --> 00:02:03,691 OH, WE DO? IN ABUNDANCE. 45 00:02:03,691 --> 00:02:06,859 YOU'RE THE CONSULTANT THAT PRETENDS TO READ MINDS, 46 00:02:06,859 --> 00:02:08,628 AREN'T YOU? 47 00:02:08,628 --> 00:02:11,365 NO. I DON'T PRETEND TO READ MINDS. I DO READ MINDS. 48 00:02:11,365 --> 00:02:13,167 BUT DON'T WE ALL? LOOK AT LISBON. 49 00:02:13,167 --> 00:02:17,037 YOU CAN SEE WHAT SHE'S THINKING. NO KIDDING. 50 00:02:17,037 --> 00:02:19,573 AND I CAN SEE WHAT YOU'RE THINKING RIGHT NOW. 51 00:02:19,573 --> 00:02:22,909 UH, I-I WAS THINKING THAT YOU, SIR, ARE A BUMPTIOUS FOOL, 52 00:02:22,909 --> 00:02:25,246 AND I WAS WONDERING EXACTLY WHAT TRAINING 53 00:02:25,246 --> 00:02:27,281 IN FORENSIC PATHOLOGY YOU HAVE. 54 00:02:27,281 --> 00:02:29,783 AH, BUT RIGHT BEFORE THAT, YOU WERE WONDERING 55 00:02:29,783 --> 00:02:32,786 WHETHER YOU WOULD CHOOSE LISBON OR VAN PELT AS YOUR CONCUBINE 56 00:02:32,786 --> 00:02:36,990 IN THAT LITTLE FANTASY KINGDOM YOU LIKE TO GO TO SOMETIMES. 57 00:02:36,990 --> 00:02:38,526 I... I DO NOT. 58 00:02:38,526 --> 00:02:40,561 OH, AND--AND YOU'RE RIGHT. 59 00:02:40,561 --> 00:02:43,096 I-I KNOW NOTHING OF FORENSIC PATHOLOGY. 60 00:02:43,096 --> 00:02:44,997 BUT AGENT VAN PELT-- 61 00:02:44,997 --> 00:02:48,100 SHE MIGHT OFFER HER THEORY. 62 00:02:48,100 --> 00:02:50,638 OR I MIGHT NOT. LOOK AT HER FEET. 63 00:02:50,638 --> 00:02:53,640 I DID. AND WHAT QUESTION PRESENTS ITSELF? 64 00:02:56,877 --> 00:03:00,448 WHERE'S HER OTHER SHOE? 65 00:03:00,448 --> 00:03:03,917 IT COULD BE IN HER CAR. EVEN IF IT WAS, WHY WOULD SHE WALK TO THE MIDDLE OF THE BRIDGE 66 00:03:03,917 --> 00:03:05,919 WITH ONE SHOE ON? WHY WOULD SHE DO THAT? 67 00:03:05,919 --> 00:03:08,921 BINGO! THERE'S NO NEED TO BE PATRONIZING. 68 00:03:08,921 --> 00:03:10,691 SO SHE MUST HAVE BEEN CARRIED. 69 00:03:10,691 --> 00:03:13,727 SHE DIDN'T KILL HERSELF. SHE WAS MURDERED, THEN DROPPED OVER. 70 00:03:13,727 --> 00:03:17,798 OR THROWN OVER STILL ALIVE. BETTER THAN SUICIDE. 71 00:03:17,798 --> 00:03:20,700 IT'S... A THEORY. 72 00:03:20,700 --> 00:03:23,637 IT'S LOVELY TO MEET YOU, DOC. 73 00:03:23,637 --> 00:03:26,006 YOU'RE A HORSE'S ASS, BUT YOU MEAN WELL. 74 00:03:26,006 --> 00:03:28,008 I'LL BE IN THE VAN. OH. 75 00:03:28,008 --> 00:03:29,509 MY APOLOGIES, SIR. 76 00:03:29,509 --> 00:03:33,680 CHO, TELL THE SACRAMENTO P.D. THAT IT'S A HOMICIDE. 77 00:03:33,680 --> 00:03:35,649 RIGSBY, VAN PELT, SEE WHAT THE SHERIFF'S DEPARTMENT GOT 78 00:03:35,649 --> 00:03:37,550 IN THEIR INVESTIGATION. (Rigsby) OKAY. 79 00:03:37,550 --> 00:03:39,319 (Lisbon) LET'S GO. 80 00:03:39,319 --> 00:03:54,534 ** 81 00:03:54,534 --> 00:03:57,604 KRISTIN HAD BEEN INTERNING HERE FOR ABOUT NINE MONTHS. 82 00:03:57,604 --> 00:03:59,973 SHE CAME IN AT THE START OF THE LAST SESSION, 83 00:03:59,973 --> 00:04:01,775 RIGHT OUT OF COLLEGE. 84 00:04:01,775 --> 00:04:04,645 I LIKED HER. SHE WAS SWEET, YOUNG--IN A GOOD WAY. 85 00:04:04,645 --> 00:04:07,647 WHO DID SHE WORK FOR? SENATOR MELINDA BATSON. 86 00:04:07,647 --> 00:04:10,484 SHE'S AN UP-AND-COMER FROM THE CENTRAL VALLEY. 87 00:04:10,484 --> 00:04:12,885 PLEASE PUT THAT DOWN. 88 00:04:14,288 --> 00:04:16,790 ANYTHING TO THE RUMOR THAT KRISTIN WAS 89 00:04:16,790 --> 00:04:21,528 HAVING AN AFFAIR WITH BATSON'S HUSBAND? ELLIOTT BATSON-- HE'S MELINDA'S CHIEF OF STAFF. 90 00:04:21,528 --> 00:04:24,331 WE'VE HEARD THE RUMORS. EVERYONE DENIES IT. 91 00:04:24,331 --> 00:04:27,901 THERE'S NO EVIDENCE ANYTHING HAPPENED. THE MEDIA SEEM TO THINK THERE IS. 92 00:04:27,901 --> 00:04:31,605 YOU WANT TO GET ME STARTED ON WHAT THEY BELIEVE? 93 00:04:31,605 --> 00:04:34,106 FRANKLY, WHEN YOU'VE WORKED HERE AS LONG AS I HAVE, 94 00:04:34,106 --> 00:04:37,511 YOU HEAR A LOT OF STORIES ABOUT WILD BEHAVIOR. 95 00:04:37,511 --> 00:04:40,613 MOST OF THEM AREN'T TRUE. (amplified voice) EXCEPT THE ONES THAT ARE. 96 00:04:40,613 --> 00:04:42,649 (microphone feedback whines) WHOA. SORRY. 97 00:04:45,284 --> 00:04:47,355 HELLO? 98 00:04:47,355 --> 00:04:49,055 HELLO? HELLO? HELLO? 99 00:04:50,858 --> 00:04:54,060 I'VE ISSUED A STATEMENT, AND I'M NOT TAKING ANY QUESTIONS. 100 00:04:54,060 --> 00:04:56,629 WE'RE NOT PRESS. WE'RE CBI. 101 00:04:56,629 --> 00:04:59,332 AGENT TERESA LISBON, PATRICK JANE. 102 00:04:59,332 --> 00:05:01,502 RIGHT. SORRY. YOU CALLED. 103 00:05:01,502 --> 00:05:03,836 MELINDA BATSON. 104 00:05:03,836 --> 00:05:06,038 THIS IS MY HUSBAND ELLIOTT. 105 00:05:06,038 --> 00:05:07,841 HI. 106 00:05:07,841 --> 00:05:10,744 (clicks tongue) TOUGH DAY AROUND HERE. 107 00:05:13,380 --> 00:05:16,283 IS THIS KRISTIN'S DESK? 108 00:05:16,283 --> 00:05:17,850 YES. MM. 109 00:05:17,850 --> 00:05:21,389 COME INSIDE. 110 00:05:23,990 --> 00:05:26,259 JANE. 111 00:05:26,259 --> 00:05:28,896 CARE TO JOIN US? I'LL BE RIGHT THERE. 112 00:05:32,466 --> 00:05:34,735 (exhales deeply) 113 00:05:44,478 --> 00:05:46,480 ANYTHING UNUSUAL ABOUT KRISTIN'S BEHAVIOR 114 00:05:46,480 --> 00:05:48,382 THE DAY SHE DISAPPEARED? 115 00:05:48,382 --> 00:05:50,518 NO, SHE WAS, UH, CHEERFUL. 116 00:05:50,518 --> 00:05:53,586 FINISHED WORK, LEFT AT 6:00, I THINK, UH... 117 00:05:53,586 --> 00:05:55,588 A LITTLE AFTER 6:00. AFTER 6:00 THEN. 118 00:05:55,588 --> 00:05:57,990 DID SHE SAY WHERE SHE WAS GOING? 119 00:05:57,990 --> 00:05:59,358 (sighs) NO. 120 00:05:59,358 --> 00:06:00,661 NO. 121 00:06:00,661 --> 00:06:04,497 SHE... WAS HAVING TROUBLE WITH HER FAMILY. 122 00:06:04,497 --> 00:06:07,233 IT WAS HER STEPMOTHER, RIGHT? YEAH. 123 00:06:07,233 --> 00:06:09,970 HER NATURAL PARENTS ARE DEAD, AND FOR SOME REASON, 124 00:06:09,970 --> 00:06:12,605 HER STEPMOTHER CALLED A BUNCH OF TIMES THAT DAY. 125 00:06:12,605 --> 00:06:14,942 DID KRISTIN TELL YOU WHAT IT WAS ABOUT? 126 00:06:14,942 --> 00:06:18,211 NO. NO. 127 00:06:18,211 --> 00:06:20,648 NO. I-I WAS SURPRISED. 128 00:06:20,648 --> 00:06:22,882 I-I THOUGHT THEY WERE ESTRANGED. 129 00:06:40,500 --> 00:06:42,769 WHAT WAS YOUR RELATIONSHIP TO KRISTIN, MR. BATSON? 130 00:06:42,769 --> 00:06:44,504 (whispers) OH, PLEASE. 131 00:06:44,504 --> 00:06:47,507 (normal voice) PLEASE. WE KNOW WHERE YOU'RE GOING WITH THIS. 132 00:06:47,507 --> 00:06:50,744 MELINDA, I-- NO, LET'S JUST HAUL THE TRASH OUT IN THE OPEN. 133 00:06:50,744 --> 00:06:52,745 YOU WANT TO KNOW IF SHE AND ELLIOTT 134 00:06:52,745 --> 00:06:55,081 WERE SLEEPING TOGETHER. WERE YOU? 135 00:06:55,081 --> 00:06:59,519 NEVER. IT'S A RUMOR. THAT'S ALL. RUMORS USUALLY HAPPEN FOR A REASON. 136 00:06:59,519 --> 00:07:02,689 WELL... (chuckles) I'LL GIVE YOU THE REASON-- POLITICS. 137 00:07:02,689 --> 00:07:05,692 YOU WANT TO TAKE A FEMALE POLITICIAN DOWN A FEW NOTCHES? 138 00:07:05,692 --> 00:07:07,694 THROW MUD ON HER MARRIAGE. 139 00:07:21,809 --> 00:07:24,343 WHERE WERE YOU THE NIGHT KRISTIN WAS KILLED? 140 00:07:24,343 --> 00:07:26,146 HERE. I WAS ON A CONFERENCE CALL 141 00:07:26,146 --> 00:07:28,380 WITH A TRADE DELEGATION FROM TAIWAN. 142 00:07:28,380 --> 00:07:30,382 WE TALKED UNTIL AFTER 11:00. 143 00:07:30,382 --> 00:07:32,284 I WAS WITH HIM THE WHOLE TIME. 144 00:07:32,284 --> 00:07:33,687 (clears throat) 145 00:07:33,687 --> 00:07:36,524 WE'LL BE MARRIED THREE YEARS THIS OCTOBER, 146 00:07:36,524 --> 00:07:39,593 AND... TODAY'S NEWS EXCEPTED, 147 00:07:39,593 --> 00:07:44,197 UH, WE'VE NEVER BEEN HAPPIER. 148 00:07:44,197 --> 00:07:46,834 THAT'S HARD TO BELIEVE. 149 00:07:46,834 --> 00:07:48,968 WHAT DOES THAT MEAN? 150 00:07:48,968 --> 00:07:51,771 WELL, THERE'S NOTHING GOING ON BETWEEN YOU RIGHT NOW. 151 00:07:51,771 --> 00:07:53,641 (chuckles) EXCUSE ME? WHAT? 152 00:07:53,641 --> 00:07:57,244 I'M SORRY. I-I MEANT SEXUALLY, NO HEAT. RIGHT? 153 00:08:00,447 --> 00:08:02,583 I THINK WE'RE DONE HERE. 154 00:08:05,151 --> 00:08:07,687 YOU'D THINK A POLITICIAN WOULD HAVE THICKER SKIN. 155 00:08:07,687 --> 00:08:09,923 YOU ACCUSED THEM OF LYING ABOUT THEIR SEX LIFE, 156 00:08:09,923 --> 00:08:11,925 AND YOU'RE SURPRISED THEY'RE UPSET? 157 00:08:11,925 --> 00:08:15,562 OH, COME ON. YOU'RE BUYING THAT HAPPY TALK? REALLY? UH-OH. 158 00:08:15,562 --> 00:08:18,165 AGENT MINELLI, SIR. AGENT LISBON. 159 00:08:18,165 --> 00:08:19,632 I ASKED HIM DOWN. 160 00:08:19,632 --> 00:08:21,668 UH, WALTER CREW, MELINDA BATSON'S DAD. 161 00:08:21,668 --> 00:08:24,370 YOU'RE AGENTS, UH, JANE AND LISBON? 162 00:08:24,370 --> 00:08:26,874 YEAH, WE ARE. HI. HI. SORRY TO TRACK YOU DOWN LIKE THIS. 163 00:08:26,874 --> 00:08:29,209 I ASKED VIRGIL HERE TO INTRODUCE ME 164 00:08:29,209 --> 00:08:31,612 TO THE TEAM HANDLING THE POOR MARLEY GIRL'S CASE. 165 00:08:31,612 --> 00:08:35,414 WALTER HAS BEEN A FRIEND OF THE CBI FOR SOME TIME. 166 00:08:35,414 --> 00:08:39,485 HE WAS AN EXTREMELY INFLUENTIAL LEGISLATOR FOR WHAT, 20 YEARS? 167 00:08:39,485 --> 00:08:41,621 26, BUT WHO'S COUNTING? (Minelli chuckles) 168 00:08:41,621 --> 00:08:44,157 ANYWAY, I'M OLD NEWS NOW. 169 00:08:44,157 --> 00:08:46,393 THE ONLY THING I LOBBY FOR IS A GOOD TEE TIME. 170 00:08:46,393 --> 00:08:49,528 WHY THE INTEREST IN THE POOR MARLEY GIRL'S CASE? 171 00:08:49,528 --> 00:08:51,197 INTEREST? I LIKED HER. 172 00:08:51,197 --> 00:08:53,801 YEAH, MET HER IN MELINDA'S OFFICE. 173 00:08:53,801 --> 00:08:55,467 SHE WAS GOOD PEOPLE, 174 00:08:55,467 --> 00:08:59,239 CAME FROM A TOUGH BACKGROUND-- DIDN'T LET THAT STOP HER. 175 00:08:59,239 --> 00:09:02,208 I KNOW HOW DIFFICULT IT IS TO GET STRAIGHT ANSWERS 176 00:09:02,208 --> 00:09:04,211 FROM THE PEOPLE IN THAT BUILDING THERE. 177 00:09:04,211 --> 00:09:07,214 IF YOU HAVE ANY PROBLEMS, YOU JUST LET ME KNOW. 178 00:09:07,214 --> 00:09:09,716 I CAN STILL KNOCK HEADS. OH, WE'LL BE FINE. 179 00:09:09,716 --> 00:09:12,620 JUST LET ME KNOW. VIRGIL. WALTER. 180 00:09:12,620 --> 00:09:14,621 TAKE CARE. SIR. 181 00:09:16,423 --> 00:09:19,692 I HATE WALKS, LISBON. I KNOW THEY'RE HEALTHY. I DON'T CARE. 182 00:09:19,692 --> 00:09:21,695 PUT ME IN A CHAIR, I'M A HAPPY MAN. 183 00:09:21,695 --> 00:09:25,465 BUT WHEN WALTER CREW ASKED ME TO STROLL WITH HIM 184 00:09:25,465 --> 00:09:28,701 DOWN TO THE CAPITOL, I SAY, "OF COURSE, WALTER." 185 00:09:28,701 --> 00:09:30,537 YOU GET MY DRIFT? I DO. 186 00:09:30,537 --> 00:09:32,471 STEP CAREFULLY. I WANT DAILY REPORTS. 187 00:09:32,471 --> 00:09:35,475 OH, AND, UH, HOW DID THE BATSON INTERVIEW GO? OH, THAT WAS VERY EXCITING. 188 00:09:35,475 --> 00:09:38,645 WHAT DID HE DO? NOTHING THAT CAN'T BE REPAIRED. 189 00:09:51,591 --> 00:09:53,793 (sighs) 190 00:09:56,663 --> 00:09:58,999 (man) TERESA, NICE OF YOU TO DROP BY. 191 00:09:58,999 --> 00:10:02,735 I KNOW I'M LATE. I'M SORRY. "LATE" IS AN INTERESTING WORD IN THIS CONTEXT. 192 00:10:02,735 --> 00:10:04,738 YOU WERE SUPPOSED TO BE HERE... 193 00:10:04,738 --> 00:10:07,073 42 MINUTES AGO. 194 00:10:07,073 --> 00:10:09,176 I KNOW. THE POINT IS, I'M HERE NOW. 195 00:10:09,176 --> 00:10:10,943 WE'RE SUPPOSED TO TALK, SO LET'S TALK. 196 00:10:10,943 --> 00:10:13,846 I HAVE ANOTHER PATIENT SCHEDULED IN EIGHT MINUTES. 197 00:10:13,846 --> 00:10:17,049 I CAN TALK FAST. 198 00:10:17,049 --> 00:10:19,418 THIS IS THE THIRD TIME YOU'VE BEEN LATE. 199 00:10:19,418 --> 00:10:22,822 WHAT CAN I SAY? LOT OF PEOPLE GETTING KILLED. 200 00:10:22,822 --> 00:10:25,725 CAN I GET A COFFEE? 201 00:10:25,725 --> 00:10:28,227 (sighs) 202 00:10:30,263 --> 00:10:33,533 DO YOU KNOW WHY COUNSELING IS MANDATORY 203 00:10:33,533 --> 00:10:36,269 FOR CBI AGENTS WHO'VE BEEN INVOLVED IN A SHOOTING? 204 00:10:36,269 --> 00:10:39,673 BECAUSE NOBODY WOULD COME IF IT WAS VOLUNTARY? 205 00:10:39,673 --> 00:10:42,174 AND THAT'S WHAT IT REMAINS MANDATORY 206 00:10:42,174 --> 00:10:46,078 UNTIL I SIGN AND FILE THIS FORM. 207 00:10:48,816 --> 00:10:50,417 SEE YOU NEXT WEEK. 208 00:10:50,417 --> 00:10:54,520 THIS IS UNNECESSARY. I'M FINE. I'M NOT TRAUMATIZED. 209 00:10:54,520 --> 00:10:56,288 A MAN POINTED A GUN AT YOU, 210 00:10:56,288 --> 00:10:58,424 A MAN WHO INTENDED TO KILL YOU. 211 00:10:58,424 --> 00:11:01,494 FORTUNATELY, JANE SHOT HIM FIRST. IT DOESN'T MATTER. 212 00:11:01,494 --> 00:11:04,630 YOU WENT FROM THINKING YOU WERE GOING TO BE KILLED 213 00:11:04,630 --> 00:11:06,399 TO WATCHING A MAN DIE-- 214 00:11:06,399 --> 00:11:08,836 TWO OF THE MOST WRENCHING EXPERIENCES WE CAN HAVE-- 215 00:11:08,836 --> 00:11:10,803 AND YOU WENT THROUGH THEM IN SECONDS. 216 00:11:10,803 --> 00:11:13,440 YOU DON'T THINK THAT AFFECTED YOU? NO. 217 00:11:13,440 --> 00:11:16,876 (chuckles) YOU REALLY WANT TO KEEP SEEING ME, DON'T YOU? 218 00:11:16,876 --> 00:11:20,279 NEXT WEEK, ON TIME. 219 00:11:21,681 --> 00:11:24,150 FINE. 220 00:11:31,759 --> 00:11:33,625 WOW. 221 00:11:33,625 --> 00:11:36,629 THERE'S A STAIN ON THE CEILING THAT LOOKS LIKE ELVIS, 222 00:11:36,629 --> 00:11:39,866 BUT TODAY, IT LOOKS MORE LIKE A... BASSET HOUND. 223 00:11:39,866 --> 00:11:42,668 SOMEONE CALL THE MEDIA. IT'S A MIRACLE. 224 00:11:42,668 --> 00:11:44,504 OR MAYBE SOMEONE'S MOVED MY COUCH. 225 00:11:44,504 --> 00:11:45,605 CHO? 226 00:11:45,605 --> 00:11:47,606 DID YOU MOVE MY COUCH? 227 00:11:47,606 --> 00:11:49,609 NO. WHY WOULD I? 228 00:11:49,609 --> 00:11:52,745 EXCUSE ME? 229 00:11:52,745 --> 00:11:54,748 DID YOU MOVE THE COUCH? 230 00:11:54,748 --> 00:11:57,549 (foreign accent) I HAD TO, UH, CHANGE A LIGHT. PROBLEM? 231 00:11:57,549 --> 00:12:01,721 NO, NO, NO. CAN YOU HELP ME MOVE IT BACK, PLEASE? 232 00:12:02,923 --> 00:12:04,924 (clatter) 233 00:12:04,924 --> 00:12:06,960 I GOT A THING I... THANKS. 234 00:12:06,960 --> 00:12:10,663 JUST UP THERE. I THINK IT'S THIS WAY. 235 00:12:10,663 --> 00:12:12,631 JUST A LITTLE. 236 00:12:12,631 --> 00:12:14,366 (grunts) THAT'S IT. 237 00:12:14,366 --> 00:12:17,770 LET ME JUST TRY TO... 238 00:12:17,770 --> 00:12:19,873 PERFECT. THANK YOU. 239 00:12:19,873 --> 00:12:22,341 ELVIS IS BACK. 240 00:12:22,341 --> 00:12:23,976 ANYTHING ON THE STEPMOM? 241 00:12:23,976 --> 00:12:25,745 HER NAME'S CHARLOTTE McADOO. 242 00:12:25,745 --> 00:12:27,746 SHE CALLED KRISTIN 11 TIMES 243 00:12:27,746 --> 00:12:29,950 IN THE TWO DAYS BEFORE SHE DISAPPEARED. 244 00:12:29,950 --> 00:12:32,384 ANY IDEA WHAT THAT WAS ABOUT? NO, BUT HER SON HARLAN 245 00:12:32,384 --> 00:12:34,254 HAD BEEN PICKED UP ON A CARJACKING CHARGE. 246 00:12:34,254 --> 00:12:35,654 HE POSTED BAIL THE DAY KRISTIN DISAPPEARED, 247 00:12:35,654 --> 00:12:38,225 CLAIMED HE HAD NOTHING TO DO WITH THE CARJACKING, 248 00:12:38,225 --> 00:12:41,360 SAID HE WAS WITH KRISTIN WHEN IT HAPPENED. HE USED KRISTIN AS HIS ALIBI? HOW BAD'S HARLAN? 249 00:12:41,360 --> 00:12:44,596 WELL, MOSTLY CAR THEFT, SOME ASSAULT. WHAT DID CHARLOTTE HAVE TO SAY ABOUT THAT? 250 00:12:44,596 --> 00:12:47,100 SHE WON'T ANSWER HER PHONE, WON'T CALL BACK. 251 00:12:47,100 --> 00:12:50,470 WE'RE HEADING OUT TO TALK TO HER. SHOULDN'T WE BE LOOKING FOR KRISTIN'S LOVER? 252 00:12:50,470 --> 00:12:53,005 WHO? ELLIOTT BATSON'S ALIBI CHECKED OUT, 253 00:12:53,005 --> 00:12:55,908 AND THERE'S NO SIGN SHE WAS SEEING SOMEONE ELSE. 254 00:12:55,908 --> 00:12:59,511 (Van Pelt) WE'VE CHECKED. WELL, NOT ENOUGH. SHE WAS AN IMMATURE ROMANTIC LOOKING 255 00:12:59,511 --> 00:13:02,916 FOR ESCAPE AND ADVENTURE. SHE WAS HAVING AN AFFAIR. 256 00:13:02,916 --> 00:13:04,716 WE SEARCHED HER PLACE THOROUGHLY. 257 00:13:04,716 --> 00:13:07,888 SHE KEPT THE AFFAIR WELL-HIDDEN. WELL, OF COURSE. 258 00:13:07,888 --> 00:13:10,990 IT'S AN ADVENTURE BECAUSE IT'S A SECRET. 259 00:13:10,990 --> 00:13:14,461 BUT I EXPECT SHE'LL TELL US WHO IT WAS. 260 00:13:14,461 --> 00:13:16,729 I'LL BITE. HOW? 261 00:13:16,729 --> 00:13:19,666 (clears throat) CHECK THIS OUT. 262 00:13:19,666 --> 00:13:21,301 SHE WAS A COLLECTOR. 263 00:13:21,301 --> 00:13:24,437 SHE KEPT SAND FROM EVERY BEACH SHE EVER WENT TO. 264 00:13:24,437 --> 00:13:26,605 SHE WOULD HAVE KEPT A MEMENTO OF HER LOVER, 265 00:13:26,605 --> 00:13:29,942 SOMETHING SMALL--I BET SHE KEPT IT IN A FANCY JEWELRY BOX, 266 00:13:29,942 --> 00:13:31,811 THE KIND WITH A FIGURINE ON THE LID. 267 00:13:31,811 --> 00:13:35,414 THERE WAS A FANCY JEWELRY BOX LIKE THAT IN HER BEDROOM-- 268 00:13:35,414 --> 00:13:37,384 A BALLERINA. BALLERINA--SHE'S THE TYPE. 269 00:13:37,384 --> 00:13:41,053 BUT WE CHECKED IT. THERE'S NOTHING IN IT BUT CHEAP JEWELRY. 270 00:13:41,053 --> 00:13:43,355 DID YOU CHECK IN THE SECRET COMPARTMENT? THE... 271 00:13:43,355 --> 00:13:45,524 THE SECRET COMPARTMENT EITHER ON THE BOTTOM 272 00:13:45,524 --> 00:13:49,596 OR ONE OF THE SIDES. THEY USUALLY HAVE ONE. IT'S WORTH TAKING A LOOK. 273 00:13:49,596 --> 00:13:52,532 (Van Pelt) FINE. 274 00:13:54,868 --> 00:13:56,870 FORGET ABOUT BOSCO. 275 00:14:00,440 --> 00:14:02,274 HE'S GOT SOMETHING. 276 00:14:02,274 --> 00:14:04,543 YEAH, HE'S GOT RED JOHN, AND WE DON'T. 277 00:14:04,543 --> 00:14:08,447 NO. NO, HE'S GOT SOMETHING NEW ON THE CASE--NEW EVIDENCE. HOW CAN YOU TELL? 278 00:14:08,447 --> 00:14:11,551 IT'S CLEAR AS CAN BE. I'LL BE RIGHT BACK. 279 00:14:11,551 --> 00:14:15,288 JANE, RED JOHN BELONGS TO BOSCO NOW. I DON'T LIKE IT EITHER, 280 00:14:15,288 --> 00:14:19,326 BUT YOU'RE GONNA HAVE TO DEAL WITH IT. DO YOU WANT A COFFEE? I'M GONNA BRING YOU A COFFEE. 281 00:14:24,596 --> 00:14:27,734 I NEED COPIES OF EACH OF THESE SENT OVER TO DIVISION. 282 00:14:27,734 --> 00:14:30,269 WHAT'S HE DOING IN THERE? 283 00:14:30,269 --> 00:14:32,304 HE SAID YOU TOLD HIM TO WAIT IN THERE. 284 00:14:32,304 --> 00:14:35,142 (sighs) WE'LL FINISH LATER. 285 00:14:35,142 --> 00:14:38,177 GET AWAY FROM MY DESK. WHERE'D YOU GO? 286 00:14:38,177 --> 00:14:40,480 I'VE BEEN HERE ALMOST HALF AN HOUR. 287 00:14:40,480 --> 00:14:43,216 AND STOP HACKING MY PASSCODES AND STOP HUSTLING MY PEOPLE. 288 00:14:43,216 --> 00:14:47,287 IT'S NOT DOING YOU ANY GOOD, YOU KNOW. I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 289 00:14:47,287 --> 00:14:49,288 WHAT'D YOU GET ON RED JOHN? 290 00:14:49,288 --> 00:14:51,524 AND WHAT MAKES YOU THINK I GOT ANYTHING? 291 00:14:51,524 --> 00:14:53,159 THE FOLDER-- 292 00:14:53,159 --> 00:14:55,461 YOU MOVED IT WHEN YOU SAW ME, PROTECTED IT. 293 00:14:55,461 --> 00:14:58,230 IT'S THE ONE THING YOU'D PROTECT FROM ME. 294 00:14:58,230 --> 00:15:01,533 IT'S THE COVER-UP THAT GAVE YOU AWAY. HUH. 295 00:15:01,533 --> 00:15:03,503 WHAT IS IT? 296 00:15:03,503 --> 00:15:05,538 IT'S NONE OF YOUR BUSINESS, SO GO. 297 00:15:05,538 --> 00:15:08,841 YOU NEED TO UNDERSTAND SOMETHING. 298 00:15:08,841 --> 00:15:11,711 RED JOHN DOESN'T MAKE MISTAKES. HE DOESN'T LEAVE CLUES. 299 00:15:11,711 --> 00:15:14,547 IF YOU HAVE NEW EVIDENCE, IT'S BECAUSE HE WANTS YOU TO HAVE IT. 300 00:15:14,547 --> 00:15:16,515 THE QUESTION ISN'T "WHAT DOES IT MEAN?" 301 00:15:16,515 --> 00:15:19,286 IT'S "WHY DID HE GIVE IT TO YOU?" THAT'S DEEP. 302 00:15:19,286 --> 00:15:23,056 TELL ME WHAT IT IS. I CAN HELP YOU. HAVE YOU EVER SEEN A CRACK ADDICT 303 00:15:23,056 --> 00:15:24,890 WHEN THEY'RE BEGGING FOR A HIT? 304 00:15:24,890 --> 00:15:28,128 YOU GOT THAT SAME LOOK IN YOUR EYE THAT THEY GET. (cell phone rings) 305 00:15:28,128 --> 00:15:31,563 OH. YOU'VE GOT ME ALL FIGURED OUT. 306 00:15:31,563 --> 00:15:33,133 HEY, VAN PELT. 307 00:15:33,133 --> 00:15:34,634 Did you get it? 308 00:15:34,634 --> 00:15:37,336 THERE'S A SECRET COMPARTMENT, JUST LIKE YOU SAID. 309 00:15:37,336 --> 00:15:40,472 And what was in it? NOTHING. IT'S EMPTY. 310 00:15:40,472 --> 00:15:42,975 HUH. ALL RIGHT. 311 00:15:44,610 --> 00:15:46,113 BAD NEWS, HUH? 312 00:15:46,113 --> 00:15:48,414 NO, NOT AT ALL. 313 00:15:48,414 --> 00:15:51,717 IT'S LIKE YOU SAID--IT'S THE COVER-UP THAT GAVE YOU AWAY. 314 00:15:51,717 --> 00:15:53,653 YOU'RE AN ADDICT, JANE. 315 00:15:53,653 --> 00:15:55,154 YOU NEED HELP. 316 00:15:55,154 --> 00:15:56,923 YOU'RE MAKING A MISTAKE. 317 00:15:56,923 --> 00:15:59,692 YOU CAN GO. 318 00:16:12,339 --> 00:16:14,173 YOU WANT TO GO? I'M GOING OUT. 319 00:16:14,173 --> 00:16:17,376 WHO WITH? THE NIECE OF THE SHOPKEEPER WE MET ON THAT RED JOHN THING. 320 00:16:17,376 --> 00:16:19,812 OH, FINALLY. IT TOOK YOU LONG ENOUGH. 5-B? 321 00:16:19,812 --> 00:16:22,548 YEAH. YEAH, WE TALKED ON THE PHONE. SHE'S NICE. 322 00:16:22,548 --> 00:16:25,552 WE'LL SEE HOW IT GOES. OH, I EXPECT A FULL REPORT. 323 00:16:25,552 --> 00:16:29,255 IN YOUR DREAMS. HEY, I GOT YOU THAT NUMBER. YOU OWE ME. 324 00:16:29,255 --> 00:16:32,024 NO. 325 00:16:32,024 --> 00:16:34,693 CHARLOTTE McADOO? YEAH. 326 00:16:34,693 --> 00:16:36,562 WE NEED TO TALK TO YOU 327 00:16:36,562 --> 00:16:39,032 ABOUT YOUR STEPDAUGHTER, KRISTIN MARLEY. 328 00:16:43,202 --> 00:16:45,804 YOU KNOW THAT KRISTIN'S DEAD, RIGHT, CHARLOTTE? 329 00:16:45,804 --> 00:16:47,139 WHAT ABOUT IT? 330 00:16:47,139 --> 00:16:49,176 I GUESS YOU'RE PRETTY BROKEN UP. 331 00:16:49,176 --> 00:16:50,909 SHE WASN'T MY KID. 332 00:16:50,909 --> 00:16:53,946 I'M NOT THE HUGGY TYPE. SUE ME. IF YOU DIDN'T LIKE KRISTIN, 333 00:16:53,946 --> 00:16:57,350 WHY'D YOU MAKE ALL THOSE CALLS RIGHT BEFORE SHE DISAPPEARED? 334 00:16:57,350 --> 00:17:00,052 DON'T REMEMBER. IT WAS A WEEK AGO. 335 00:17:00,052 --> 00:17:02,688 I'M OLD. MY MEMORY'S BAD. 336 00:17:02,688 --> 00:17:06,025 DID IT HAVE SOMETHING TO DO WITH YOUR SON HARLAN? WHAT ABOUT HARLAN? 337 00:17:06,025 --> 00:17:09,261 HE USED KRISTIN AS AN ALIBI WHEN HE WAS ARRESTED, BUT KRISTIN 338 00:17:09,261 --> 00:17:11,663 TOLD SACRAMENTO P.D. SHE HADN'T SEEN HARLAN FOR MONTHS. 339 00:17:11,663 --> 00:17:14,433 WERE YOU ASKING KRISTIN TO CHANGE HER STORY 340 00:17:14,433 --> 00:17:17,403 AND LIE AN ALIBI FOR HER STEPBROTHER? NO, THAT'S CRAZY. 341 00:17:17,403 --> 00:17:20,940 WHERE IS HARLAN? I DON'T KNOW. I HAVEN'T SEEN HIM FOR DAYS. 342 00:17:20,940 --> 00:17:23,109 OKAY. THANKS FOR YOUR TIME. 343 00:17:23,109 --> 00:17:25,511 THAT'S... 344 00:17:25,511 --> 00:17:26,613 THAT'S IT? 345 00:17:26,613 --> 00:17:29,682 WE'LL SEE OURSELVES OUT. THANK YOU. 346 00:17:36,088 --> 00:17:40,326 (whispers) YOU THINK CHARLOTTE SMOKES FILTERED AND UNFILTERED? NOT IF SHE'S GOT A VISITOR. BATHROOM OR CLOSET? 347 00:17:40,326 --> 00:17:42,528 BATHROOM. I THINK CLOSET. YOU WANT TO BET? 348 00:17:42,528 --> 00:17:46,065 WHAT DO I GET IF I WIN? I PAY FOR LUNCH NEXT WEEK. 349 00:17:46,065 --> 00:17:49,035 I WIN, YOU TELL ME ABOUT YOUR DATE. THAT'S ENOUGH TIME. 350 00:17:49,035 --> 00:17:50,869 (Cho) HEY, HARLAN. 351 00:17:50,869 --> 00:17:54,073 OH, CRAP. (Rigsby) HARLAN, WERE YOU IN THE BATHROOM OR THE CLOSET? 352 00:17:54,073 --> 00:17:56,409 CLOSET. WH-- TOLD YA. 353 00:17:56,409 --> 00:17:58,711 WE DIDN'T BET. YES, WE DID. 354 00:18:00,747 --> 00:18:02,481 (sighs) 355 00:18:02,481 --> 00:18:04,750 NO LAW AGAINST BEING IN A CLOSET. 356 00:18:04,750 --> 00:18:07,753 NO, HARLAN, BUT IT IS KINDA SUSPICIOUS. 357 00:18:10,856 --> 00:18:12,892 YOU GOT NO RIGHT TO HOLD ME. 358 00:18:12,892 --> 00:18:15,494 WE'RE JUST TALKING. 359 00:18:15,494 --> 00:18:19,132 ALL RIGHT, WHAT DO YOU WANT TO TALK ABOUT? 360 00:18:19,132 --> 00:18:22,034 KRISTIN MARLEY-- WHEN DID YOU SEE HER LAST? 361 00:18:22,034 --> 00:18:24,471 WHAT HAPPENED TO HER? YOU TELL US. 362 00:18:24,471 --> 00:18:26,506 I GOT NOTHING TO SAY ABOUT HER. 363 00:18:26,506 --> 00:18:29,342 YOU MUST BE MAD THAT SHE DIDN'T BACK YOUR ALIBI 364 00:18:29,342 --> 00:18:31,310 ON THE CARJACKING CHARGE, HUH? 365 00:18:31,310 --> 00:18:32,612 FIRST OF ALL, 366 00:18:32,612 --> 00:18:35,114 THAT ARREST WAS COMPLETELY BOGUS. 367 00:18:35,114 --> 00:18:37,115 AND "B," THAT STUCK-UP BITCH 368 00:18:37,115 --> 00:18:39,152 DON'T GET WHAT THE WORD "FAMILY" MEANS, SO... 369 00:18:39,152 --> 00:18:42,489 WHAT IS THAT? FAMILY'S SUPPOSED TO HELP WHEN YOU'RE DOWN. 370 00:18:42,489 --> 00:18:44,457 BUT SHE GETS A JOB IN THE CAPITOL 371 00:18:44,457 --> 00:18:46,459 WITH SOME BIG MONEY FRIENDS, AND POW-- 372 00:18:46,459 --> 00:18:48,494 SHE'S TOO GOOD FOR THE PEOPLE SHE GREW UP WITH. 373 00:18:48,494 --> 00:18:51,530 SHE DON'T GET WHAT THE WORD "FAMILY" IS ALL ABOUT, YOU KNOW? 374 00:18:51,530 --> 00:18:54,534 DIDN'T. (whispers) SHE'S DEAD. 375 00:18:54,534 --> 00:18:57,670 YEAH. 376 00:18:57,670 --> 00:18:59,771 THAT'S TOO BAD. 377 00:18:59,771 --> 00:19:02,209 DID YOU HAVE ANY CONTACT WITH KRISTIN 378 00:19:02,209 --> 00:19:04,676 AFTER YOU POSTED BAIL, HARLAN? NO. 379 00:19:04,676 --> 00:19:06,778 NONE? THAT'S WHAT I SAID. 380 00:19:06,778 --> 00:19:08,780 IT'S FUNNY, 'CAUSE OUR TECH GUYS 381 00:19:08,780 --> 00:19:10,782 HAVE BEEN GOING THROUGH HER CELL PHONE. 382 00:19:10,782 --> 00:19:12,785 THERE'S SOME DELETED TEXTS ON IT. 383 00:19:12,785 --> 00:19:15,755 FOUR OF THEM WERE FROM YOU THE DAY SHE DISAPPEARED. 384 00:19:15,755 --> 00:19:19,358 NO. THAT'S WHAT YOU CALL A-A GLITCH--COMPUTER THING. 385 00:19:19,358 --> 00:19:23,563 YOU WERE THREATENING KRISTIN TO GET HER TO LIE FOR YOU, RIGHT? DIDN'T SAY THAT. 386 00:19:23,563 --> 00:19:25,565 I COULD SEE WHY YOU'D DO IT. 387 00:19:25,565 --> 00:19:28,734 YOU'RE FACING SERIOUS TIME. 388 00:19:28,734 --> 00:19:31,637 YOU ARRESTING ME? 389 00:19:31,637 --> 00:19:34,773 YOU GOT NO RIGHT TO HOLD ME IF YOU AIN'T. 390 00:19:34,773 --> 00:19:35,907 YOU'RE NOT UNDER ARREST, 391 00:19:35,907 --> 00:19:38,545 BUT YOU ARE OUT ON BAIL, AND THAT CAN BE REVOKED 392 00:19:38,545 --> 00:19:42,414 IF THE JUDGE THINKS YOU'RE NOT BEING COOPERATIVE. DO YOU WANT A SODA, HARLAN? 393 00:19:44,750 --> 00:19:46,752 I WANT CHIPS. 394 00:19:51,423 --> 00:19:53,492 IF HE TOOK KRISTIN'S BODY TO THE BRIDGE, 395 00:19:53,492 --> 00:19:56,262 HE PUT HER IN HIS TRUNK. IT'S WORTH TAKING A LOOK. 396 00:19:56,262 --> 00:19:59,131 I'LL CALL THE DISTRICT ATTORNEY. IF HARLAN HEARS WE'RE LOOKING AT HIS CAR, 397 00:19:59,131 --> 00:20:03,569 HE'LL BE OUT THE DOOR BEFORE THE WARRANT COMES THROUGH. (Rigsby and Van Pelt speaking inaudibly) 398 00:20:03,569 --> 00:20:06,838 (Lisbon) WE'RE GONNA MAKE HIM WANT TO STAY. VAN PELT. 399 00:20:06,838 --> 00:20:09,174 YOU'RE TAKING OVER THE McADOO INTERVIEW. 400 00:20:09,174 --> 00:20:12,644 I'M TOTALLY READY FOR THAT. I CAN GET HIM TO CONFESS TO THIS. 401 00:20:12,644 --> 00:20:15,548 YEAH, MAYBE. THE MAIN THING IS, YOU KEEP HIM IN THERE 402 00:20:15,548 --> 00:20:17,683 LONG ENOUGH FOR US TO SEARCH HIS CAR. 403 00:20:17,683 --> 00:20:20,686 BE FRIENDLY. HE THINKS HE'S A PLAYER. HE'LL EAT IT UP. 404 00:20:20,686 --> 00:20:23,055 WHAT DO YOU MEAN, BE FRIENDLY? 405 00:20:23,055 --> 00:20:25,223 NEED A MAP? 406 00:20:25,223 --> 00:20:26,792 GOOD LUCK. 407 00:20:30,329 --> 00:20:32,865 (opens folder) 408 00:20:34,800 --> 00:20:36,603 HEY. 409 00:20:36,603 --> 00:20:39,672 I HEARD BOSCO CLEANED YOUR CLOCK THIS MORNING. 410 00:20:39,672 --> 00:20:41,607 OH, THAT'S ONE INTERPRETATION. 411 00:20:41,607 --> 00:20:45,677 I GET IT. IT'S TOUGH TO HAVE RED JOHN TAKEN AWAY LIKE THAT. 412 00:20:45,677 --> 00:20:47,646 BET YOU'D GIVE A LOT TO KNOW 413 00:20:47,646 --> 00:20:50,016 WHAT THEY'RE SAYING IN BOSCO'S OFFICE. 414 00:20:51,817 --> 00:20:53,420 YEAH. 415 00:20:55,322 --> 00:20:57,624 YEAH, I WOULD. 416 00:20:57,624 --> 00:20:59,659 YOU GOTTA LET IT GO, MAN. 417 00:20:59,659 --> 00:21:02,127 FORGET ABOUT THE JEWELRY BOX. YOU MISSED ONE. SO WHAT? 418 00:21:02,127 --> 00:21:03,630 ACTUALLY, I DIDN'T. 419 00:21:03,630 --> 00:21:06,566 I'M PURSUING AN INDEPENDENT LINE OF INVESTIGATION, 420 00:21:06,566 --> 00:21:09,736 GONNA CRACK THIS CASE IN 24 HOURS. 421 00:21:09,736 --> 00:21:12,571 I THINK WE MIGHT BE AHEAD OF YOU THIS TIME. 422 00:21:26,085 --> 00:21:27,586 HI, HARLAN. 423 00:21:27,586 --> 00:21:29,888 I'M AGENT VAN PELT. 424 00:21:29,888 --> 00:21:33,692 SPECIAL AGENT LISBON ASKED ME TO TAKE OVER THE INTERVIEW. 425 00:21:33,692 --> 00:21:34,861 WHY? 426 00:21:34,861 --> 00:21:36,295 SHE'S BUSY... 427 00:21:36,295 --> 00:21:39,598 WITH SOMETHING ELSE. 428 00:21:39,598 --> 00:21:42,101 SO I'VE LOOKED THROUGH YOUR FILE, 429 00:21:42,101 --> 00:21:43,869 AND IT'S, UH, 430 00:21:43,869 --> 00:21:47,138 IT'S VERY... 431 00:21:47,138 --> 00:21:48,807 WHAT? 432 00:21:48,807 --> 00:21:50,742 WELL... 433 00:21:50,742 --> 00:21:53,779 I DON'T THINK YOU HAD ANYTHING TO DO WITH THIS CRIME. 434 00:21:53,779 --> 00:21:55,781 THANK YOU. 435 00:21:55,781 --> 00:21:58,049 THAT'S WHAT I'VE BEEN SAYING. 436 00:21:58,049 --> 00:22:00,318 IT'S JUST A BIG MISUNDERSTANDING, I'M SURE. 437 00:22:00,318 --> 00:22:02,121 YEAH. YOU GOT THAT RIGHT. 438 00:22:02,121 --> 00:22:06,826 BUT LET'S FILL OUT THE FORMS SO EVERYONE'S HAPPY, OKAY? 439 00:22:06,826 --> 00:22:08,827 MMM. CHIPS. 440 00:22:10,128 --> 00:22:12,632 (crunching) 441 00:22:12,632 --> 00:22:15,734 SO LET'S MAKE A TIME LINE 442 00:22:15,734 --> 00:22:18,104 OF EVERYWHERE YOU'VE BEEN SINCE KRISTIN DISAPPEARED. 443 00:22:18,104 --> 00:22:21,007 OKAY. 444 00:22:21,007 --> 00:22:22,741 YOU WANT ANOTHER? 445 00:22:22,741 --> 00:22:24,009 MM. 446 00:22:45,932 --> 00:22:48,867 (beeping) 447 00:22:52,038 --> 00:22:54,673 (Patrick) THESE ALL PICTURES OF YOUR DAUGHTER? 448 00:22:54,673 --> 00:22:57,276 (liquid pours) (Walter) YES, THEY ARE. 449 00:22:57,276 --> 00:23:00,346 OH, IT'S SURPRISING THERE'S NOT MORE PICTURES OF YOU, 450 00:23:00,346 --> 00:23:03,750 GIVEN YOUR STANDING, THAT IS. (laughs) WHAT, ME TALKING TO A BUNCH OF FAMOUS WINDBAGS? 451 00:23:03,750 --> 00:23:07,353 HAD THOSE, TOOK 'EM DOWN. WASTE OF SPACE. 452 00:23:07,353 --> 00:23:09,721 THANK YOU. NO, MY DAYS ARE OVER. 453 00:23:09,721 --> 00:23:12,223 MELINDA HAS GOT THE FUTURE. 454 00:23:12,223 --> 00:23:15,662 SHE COULD GO FAR, VERY FAR, IF SHE LISTENS TO ME. 455 00:23:15,662 --> 00:23:19,432 NOW WHAT DID YOU WANT TO TALK ABOUT? 456 00:23:20,967 --> 00:23:22,835 (sighs) 457 00:23:22,835 --> 00:23:25,538 HOW LONG WERE YOU SLEEPING WITH KRISTIN MARLEY 458 00:23:25,538 --> 00:23:27,105 BEFORE SHE WAS KILLED? 459 00:23:27,105 --> 00:23:29,675 (scoffs) 460 00:23:29,675 --> 00:23:31,711 WHAT MAKES YOU THINK I WAS? 461 00:23:31,711 --> 00:23:33,645 YOU'RE A POLITICIAN-- AMBITIOUS, NARCISSISTIC, 462 00:23:33,645 --> 00:23:35,647 ADDICTED TO THE LOVE OF STRANGERS. 463 00:23:35,647 --> 00:23:37,483 SHE WAS BEAUTIFUL, IMPRESSIONABLE, 464 00:23:37,483 --> 00:23:40,519 NO DOUBT FLATTERED BY YOUR ATTENTIONS. 465 00:23:40,519 --> 00:23:42,521 AND YOU'RE NOT THE SORT OF MAN 466 00:23:42,521 --> 00:23:44,691 TO DENY YOURSELF AN OBJECT OF DESIRE. 467 00:23:44,691 --> 00:23:46,959 I'M MARRIED 38 YEARS, MR. JANE. 468 00:23:46,959 --> 00:23:48,394 (chuckles) 469 00:23:48,394 --> 00:23:50,096 AS I SAID. 470 00:23:50,096 --> 00:23:53,298 UH, EVEN IF WHAT YOU SAY IS TRUE-- 471 00:23:53,298 --> 00:23:56,335 AND I'M NOT SAYING IT IS-- 472 00:23:56,335 --> 00:24:00,405 WHAT DOES THAT HAVE TO DO WITH POOR KRISTIN'S MURDER? 473 00:24:00,405 --> 00:24:02,541 BLACKMAIL OR SOMETHING LIKE IT. 474 00:24:04,076 --> 00:24:07,480 THE BUSINESS ADULTERY LEADS TO. 475 00:24:07,480 --> 00:24:08,681 AH. 476 00:24:08,681 --> 00:24:13,653 BUT EVEN IF I AM WHAT YOU SAY I AM-- 477 00:24:13,653 --> 00:24:17,056 AND I'M NOT SAYING I AM-- 478 00:24:17,056 --> 00:24:19,759 WOULDN'T I HAVE FACED A SITUATION LIKE THIS BEFORE 479 00:24:19,759 --> 00:24:22,394 AND HANDLED IT WITHOUT KILLING ANYBODY? 480 00:24:22,394 --> 00:24:24,430 IT'S A GOOD POINT. MM. 481 00:24:24,430 --> 00:24:27,165 I'LL THINK ABOUT THAT. PLEASE. 482 00:24:27,165 --> 00:24:29,568 MM. 483 00:24:29,568 --> 00:24:31,170 ANYTHING ELSE? 484 00:24:31,170 --> 00:24:33,439 WHAT? MM? SORRY? 485 00:24:33,439 --> 00:24:36,643 WELL, WHOEVER IT IS, I'LL HAVE THE KILLER BY THE MORNING, 486 00:24:36,643 --> 00:24:39,746 SO, UH, YOU SHOULD ACT ACCORDINGLY. 487 00:24:39,746 --> 00:24:41,847 THANK YOU FOR YOUR TIME. 488 00:24:46,919 --> 00:24:49,689 (Cho) YOU THINK HARLAN EVER CLEANS OUT HIS CAR? 489 00:24:49,689 --> 00:24:51,758 SO WHERE YOU TAKING THE SHOPKEEPER'S NIECE 490 00:24:51,758 --> 00:24:53,759 FOR DINNER? I'D RATHER NOT TALK ABOUT IT. 491 00:24:53,759 --> 00:24:56,028 WHY NOT? IT'S PRIVATE. 492 00:24:56,028 --> 00:24:58,998 OH, COME ON. LET'S TALK ABOUT SOMETHIN' ELSE. 493 00:24:58,998 --> 00:25:01,400 I'LL CALL TECHNICAL SERVICES. 494 00:25:01,400 --> 00:25:04,770 THEY CAN POP THAT LOCK IN 20 SECONDS. IT'LL TAKE 'EM 2 HOURS TO GET HERE. 495 00:25:04,770 --> 00:25:07,574 IT TOOK YOU TWO HOURS TO OPEN THE DOOR LAST TIME 496 00:25:07,574 --> 00:25:10,576 YOU TRIED THIS, AND WE HAD TO PAY FOR THE BUSTED WINDOW. FLUKE. 497 00:25:10,576 --> 00:25:13,746 IF I HAD A DATE, I'D TELL YOU ABOUT IT. (scoffs) YEAH. 498 00:25:13,746 --> 00:25:15,847 I WOULD, TELL YOU ANYTHING YOU WANTED TO KNOW. 499 00:25:15,847 --> 00:25:19,919 OKAY, YOU EVER GONNA MAN UP AND MAKE A MOVE ON VAN PELT? FINE. DON'T TELL ME. 500 00:25:19,919 --> 00:25:21,153 RIGHT. 501 00:25:25,892 --> 00:25:27,093 (grunts) 502 00:25:34,767 --> 00:25:36,501 HEY. CHECK THIS OUT. 503 00:25:36,501 --> 00:25:39,705 WASN'T THE OTHER ONE OF THESE ON KRISTIN MARLEY'S FOOT? 504 00:25:39,705 --> 00:25:42,674 I'LL CALL LISBON. 505 00:25:49,048 --> 00:25:52,351 MNH-MNH. YOU WANT TO TELL US HOW IT GOT THERE, HARLAN? 506 00:25:52,351 --> 00:25:55,086 I DON'T KNOW. MAYBE YOU PUT IT THERE, HUH? 507 00:25:55,086 --> 00:25:58,557 YOU HAVE NO ALIBI FOR THE NIGHT OF KRISTIN'S DISAPPEARANCE. 508 00:25:58,557 --> 00:26:01,492 I TOLD YOU. I WAS WITH MY MOM. 509 00:26:01,492 --> 00:26:04,029 SHE WAS CONCEALING YOU WHEN WE WENT TO PICK YOU UP. 510 00:26:04,029 --> 00:26:06,565 IT'S NOT GONNA CUT IT. YOU WERE MAD AT KRISTIN. 511 00:26:06,565 --> 00:26:09,500 A LITTLE, BUT-- YOU THREATENED HER. 512 00:26:09,500 --> 00:26:11,703 NO. 513 00:26:11,703 --> 00:26:13,839 OKAY, I MEAN, A-A LITTLE, BUT COME ON. 514 00:26:13,839 --> 00:26:16,107 I-I WOULDN'T HURT HER FOR REAL. 515 00:26:16,107 --> 00:26:18,778 THAT'S NOT MUCH OF A STORY, HARLAN. 516 00:26:18,778 --> 00:26:21,614 (whispers) I THOUGHT YOU BELIEVED ME. 517 00:26:21,614 --> 00:26:23,449 YOU WERE WRONG. 518 00:26:23,449 --> 00:26:26,618 YOU KNOW WHAT? THE HELL WITH THIS. I'M OUTTA HERE. 519 00:26:26,618 --> 00:26:28,621 NOT QUITE YET. 520 00:26:28,621 --> 00:26:32,023 OH, YOU'RE GONNA STOP ME? YEAH. 521 00:26:32,023 --> 00:26:34,492 DID YOU MAKE THE ARREST? I DID. 522 00:26:34,492 --> 00:26:36,295 AH, VICTORY IS YOURS. 523 00:26:36,295 --> 00:26:38,064 YES, IT IS. 524 00:26:39,665 --> 00:26:41,032 WHAT? 525 00:26:41,032 --> 00:26:42,433 OH, NOTHING. 526 00:26:42,433 --> 00:26:45,403 COME ON. NO. NO. 527 00:26:45,403 --> 00:26:46,873 I'M STILL WAITING. 528 00:26:48,507 --> 00:26:51,810 THROWING THE BODY OFF THE BRIDGE WAS A SMART MOVE-- 529 00:26:51,810 --> 00:26:54,846 GOOD CHANCE THE CORONER WOULD DECLARE IT A SUICIDE. 530 00:26:54,846 --> 00:26:57,016 DO YOU REALLY THINK 531 00:26:57,016 --> 00:26:59,719 HARLAN McADOO WOULD COME UP WITH THAT? 532 00:26:59,719 --> 00:27:01,820 DUMB PEOPLE CAN COME UP WITH SMART IDEAS, 533 00:27:01,820 --> 00:27:04,323 AND SMART PEOPLE CAN COME UP WITH DUMB ONES. 534 00:27:04,323 --> 00:27:07,226 EH, TRUE. 535 00:27:07,226 --> 00:27:10,229 I'LL HAVE THE REAL KILLER HERE IN 12 HOURS OR SO. 536 00:27:10,229 --> 00:27:12,832 WHAT ARE YOU TALKING ABOUT? YOU'LL SEE. BYE. 537 00:27:12,832 --> 00:27:16,836 JANE. HEY, BOSS, YOU WANT ME TO SEND McADOO DOWN TO BE ARRAIGNED? 538 00:27:17,970 --> 00:27:20,405 NOT YET. SIT ON HIM. SEE IF HE COMES UP 539 00:27:20,405 --> 00:27:23,108 WITH SOMETHING USEFUL ONCE HE CALMS DOWN. 540 00:27:27,145 --> 00:27:30,115 OBVIOUSLY, YOU'VE GOT TO GET IT OUT OF COMMITTEE BEFORE-- 541 00:27:30,115 --> 00:27:33,019 MR. JANE? HI. DON'T MIND ME. 542 00:27:33,019 --> 00:27:35,520 WHAT ARE YOU DOING? 543 00:27:35,520 --> 00:27:37,990 HARD AT WORK, ON THE CASE. 544 00:27:37,990 --> 00:27:41,027 I DON'T UNDERSTAND. WE GOT A CALL FROM AGENT MINELLI 545 00:27:41,027 --> 00:27:43,595 SAYING THAT AN ARREST HAD BEEN MADE--KRISTIN'S STEPBROTHER. 546 00:27:43,595 --> 00:27:45,731 NOPE, NOPE, NOPE. WRONG GUY. 547 00:27:45,731 --> 00:27:47,967 HOW CAN THAT BE? 548 00:27:47,967 --> 00:27:52,337 SIMPLE MISCARRIAGE OF JUSTICE, HAPPENS ALL THE TIME. 549 00:27:52,337 --> 00:27:56,575 WHAT DOES THAT MEAN? IT MEANS I HAVE TO FIND THE REAL KILLER. 550 00:27:56,575 --> 00:27:59,045 THE REAL KILLER? HOW? 551 00:27:59,045 --> 00:28:00,747 OH, KRISTIN WAS A COLLECTOR. 552 00:28:00,747 --> 00:28:04,583 ERGO, THE IDENTITY OF KRISTIN'S KILLER WILL BE IN HER THINGS. 553 00:28:04,583 --> 00:28:08,186 HOW CAN YOU BE SURE IT'S THERE? OH, I'M SURE. 554 00:28:08,186 --> 00:28:11,623 MR. JANE, THIS ISN'T ACCEPTABLE. FIRST YOU ACCOST MY FATHER-- 555 00:28:11,623 --> 00:28:13,424 OH, I WOULDN'T USE THE WORD "ACCOST." 556 00:28:13,424 --> 00:28:15,426 NOW YOU'RE RANSACKING MY OFFICE. CALM DOWN, MELINDA. 557 00:28:15,426 --> 00:28:18,663 I WON'T CALM DOWN. I THOUGHT WE PUT THIS BEHIND US. 558 00:28:18,663 --> 00:28:20,465 NOT MUCH OF A CAMPAIGN SLOGAN-- 559 00:28:20,465 --> 00:28:24,036 "BATSON--SO TOUGH ON CRIME, SHE PUTS THE INNOCENT BEHIND BARS." 560 00:28:26,372 --> 00:28:29,674 DO WHAT YOU HAVE TO DO. UH, WE'LL HELP IN ANY WAY WE CAN. 561 00:28:29,674 --> 00:28:32,912 GREAT. THANK YOU. THERE'S A COUPLE OF BOXES RIGHT THERE, 562 00:28:32,912 --> 00:28:35,614 IF YOU COULD JUST, UH, GRAB ONE EACH 563 00:28:35,614 --> 00:28:37,849 AND FOLLOW ME TO MY CAR. 564 00:28:42,320 --> 00:28:44,355 (Minelli) LISBON, DIDN'T YOU ARREST McADOO? 565 00:28:44,355 --> 00:28:47,393 YEAH, WE DID. D.A. SAYS YOU HAVEN'T SENT HIM DOWN TO BE ARRAIGNED. 566 00:28:47,393 --> 00:28:51,096 WE HAVE 48 HOURS TO DO THAT. WE STILL HAVE SOME LOOSE ENDS. 567 00:28:51,096 --> 00:28:53,766 WHAT--WHAT LOOSE ENDS? HIM? NO. 568 00:28:53,766 --> 00:28:57,502 WHAT ARE YOU DOING? NO, DON'T TELL ME. 569 00:28:57,502 --> 00:29:00,306 I WANT THIS OFF MY DESK. GET McADOO TO THE D.A. TONIGHT. 570 00:29:00,306 --> 00:29:02,407 HOW HARD IS CREW LEANING ON YOU? 571 00:29:02,407 --> 00:29:03,709 HE'S NOT. 572 00:29:03,709 --> 00:29:06,711 THEN WHO'S DOING IT FOR HIM? NO ONE. 573 00:29:06,711 --> 00:29:10,215 IS THIS MY CASE, SIR? YES, BUT-- 574 00:29:10,215 --> 00:29:13,152 THEN IT'S MY DECISION AS TO WHEN THE SUSPECT IS 575 00:29:13,152 --> 00:29:16,521 HANDED OVER TO THE DISTRICT ATTORNEY, RIGHT? IF McADOO ISN'T IN THE D.A.'s OFFICE 576 00:29:16,521 --> 00:29:17,923 FIRST THING TOMORROW MORNING, 577 00:29:17,923 --> 00:29:20,926 THIS BECOMES A DIFFERENT CONVERSATION. 578 00:29:24,063 --> 00:29:25,631 YOU WON'T REGRET THIS. 579 00:29:25,631 --> 00:29:27,834 I ALREADY DO. 580 00:29:33,739 --> 00:29:38,144 (door closes) 581 00:29:48,720 --> 00:29:50,556 (dialing) 582 00:29:50,556 --> 00:29:52,090 (phone rings) 583 00:29:52,090 --> 00:29:54,093 (Lisbon) Hey, this is Lisbon. 584 00:29:54,093 --> 00:29:56,561 Leave a message. I'll call you back. (beep) 585 00:29:56,561 --> 00:29:58,364 I FOUND WHAT I WAS LOOKING FOR. 586 00:29:58,364 --> 00:30:01,366 I DON'T WANT TO RISK TAKING IT OUT OF THE OFFICE, 587 00:30:01,366 --> 00:30:04,871 SO I'M GONNA PUT IT IN THE TOP RIGHT-HAND DRAWER OF YOUR DESK. 588 00:30:04,871 --> 00:30:07,105 WHEN YOU GET THIS, CALL ME. 589 00:30:39,671 --> 00:30:43,541 "AH HA"? 590 00:30:43,541 --> 00:30:45,611 OH. YOU--YOU STARTLED ME. 591 00:30:45,611 --> 00:30:46,612 UH.... 592 00:30:46,612 --> 00:30:48,814 I'LL... 593 00:30:48,814 --> 00:30:51,116 I'LL JUST GET OUT OF YOUR WAY. 594 00:30:51,116 --> 00:30:53,051 STAND STILL. TURN AROUND. 595 00:30:53,051 --> 00:30:55,054 HUH? WHOA. WHOA. 596 00:30:55,054 --> 00:30:57,056 WHAT IS THIS? 597 00:30:57,056 --> 00:30:59,959 WHO ARE YOU AND WHO ARE YOU WORKING FOR? 598 00:30:59,959 --> 00:31:03,328 I WORK FOR THE BUILDING. I CLEAN. I CLEAN. 599 00:31:03,328 --> 00:31:05,530 OH, YOU'RE NOT A CLEANER. 600 00:31:05,530 --> 00:31:07,865 LOOK AT THIS PLACE. IT'S A MESS. 601 00:31:07,865 --> 00:31:09,535 YOU'RE THE FIXER. 602 00:31:09,535 --> 00:31:13,105 YOU'VE BEEN LISTENING IN ON OUR CONVERSATIONS. 603 00:31:13,105 --> 00:31:16,474 HUH? WHAT'S THAT? THAT'S ONE OF THE BUGS YOU PLACED. 604 00:31:16,474 --> 00:31:18,410 I FOUND IT IN THE OVERHEAD LIGHT. 605 00:31:18,410 --> 00:31:21,948 WHEN I TOLD VAN PELT TO GO AND CHECK OUT THE JEWELRY BOX, 606 00:31:21,948 --> 00:31:24,182 YOU OVERHEARD AND YOU WENT THERE FIRST. 607 00:31:24,182 --> 00:31:27,685 AND IT WAS YOU THAT PLACED THE SHOE IN McADOO'S TRUNK. 608 00:31:27,685 --> 00:31:29,654 I'M ON THE CLEANING CREW. 609 00:31:29,654 --> 00:31:31,257 OH, REALLY? 610 00:31:31,257 --> 00:31:33,491 I'M NEW. YOU CAN CALL MY SUPERVISOR. 611 00:31:33,491 --> 00:31:35,826 MARTY, UH, 612 00:31:35,826 --> 00:31:39,365 MARTY, UH, TORETTA, HUH? 613 00:31:39,365 --> 00:31:41,866 CALL HIM UP RIGHT NOW. NO. 614 00:31:41,866 --> 00:31:43,568 WAKE HIM UP. 615 00:31:45,436 --> 00:31:49,075 I GOT NO IDEA WHAT YOU'RE TALKING ABOUT HERE. 616 00:31:49,075 --> 00:31:51,742 WE'RE TALKING ABOUT ACCESSORY TO MURDER, 617 00:31:51,742 --> 00:31:53,045 CONSPIRACY, OBSTRUCTION. 618 00:31:53,045 --> 00:31:54,779 WHO HIRED YOU? 619 00:31:54,779 --> 00:31:57,583 MURDER? 620 00:31:57,583 --> 00:31:59,750 OH, I-I DON'T FEEL TOO GOOD. 621 00:31:59,750 --> 00:32:01,988 CAN I SIT--CAN I-- OH, TAKE A SEAT. 622 00:32:01,988 --> 00:32:03,654 THANKS. 623 00:32:05,124 --> 00:32:07,692 (American accent) ALL RIGHT. NO, NO, NO. 624 00:32:07,692 --> 00:32:09,361 CALM. 625 00:32:09,361 --> 00:32:10,561 ARE YOU CALM? 626 00:32:10,561 --> 00:32:11,730 SURE. 627 00:32:11,730 --> 00:32:15,701 ALL RIGHT, NOW I WANT YOU TO LIFT YOUR GUN OUT 628 00:32:15,701 --> 00:32:19,570 WITH TWO FINGERS AND SLIDE IT ACROSS THE FLOOR. 629 00:32:23,642 --> 00:32:26,545 (clatter) 630 00:32:26,545 --> 00:32:28,180 NOW GET YOUR CUFFS. 631 00:32:28,180 --> 00:32:31,017 THIS ISN'T GONNA WORK. (clacking) 632 00:32:31,017 --> 00:32:32,984 THE DOOR-- 633 00:32:32,984 --> 00:32:34,685 HOOK YOURSELF UP. 634 00:32:36,688 --> 00:32:38,356 (click) 635 00:32:40,425 --> 00:32:42,427 (handcuffs continue clicking) 636 00:32:42,427 --> 00:32:44,130 TOSS THE KEYS. 637 00:32:45,864 --> 00:32:47,465 (keys jingle, thud) 638 00:32:47,465 --> 00:32:52,371 NOW YOU AND I ARE GONNA WALK OUT HERE. 639 00:32:52,371 --> 00:32:53,872 SURE. 640 00:32:53,872 --> 00:32:56,575 IT'S A LITTLE STROLL. 641 00:32:56,575 --> 00:32:59,444 (object thuds) 642 00:32:59,444 --> 00:33:02,681 (man speaks indistinctly over police radio) 643 00:33:09,621 --> 00:33:11,490 FIND OUT WHERE HE GOES. 644 00:33:11,490 --> 00:33:14,526 OH, NO, I THINK-- GO, NOW! GO! 645 00:33:18,630 --> 00:33:20,066 KEYS, PLEASE. 646 00:33:20,066 --> 00:33:21,567 THERE. YEAH. 647 00:33:38,616 --> 00:33:42,054 (tires screech) 648 00:34:15,686 --> 00:34:18,623 (footsteps approaching) 649 00:34:20,425 --> 00:34:23,829 SO, AGENT LISBON, HERE WE ARE. 650 00:34:23,829 --> 00:34:26,132 WHAT'S THIS ABOUT? 651 00:34:26,132 --> 00:34:27,798 THIS IS ART CAVALLERI. 652 00:34:27,798 --> 00:34:31,336 HE'S THE PRIVATE INVESTIGATOR ONE OF YOU HIRED 653 00:34:31,336 --> 00:34:33,639 TO WIRETAP AND OBSTRUCT OUR INVESTIGATION. 654 00:34:33,639 --> 00:34:36,942 REALLY? HE'S AGREED TO TALK IN EXCHANGE FOR LENIENCY. 655 00:34:36,942 --> 00:34:40,112 I CALLED YOU DOWN HERE TO OFFER YOU THE SAME DEAL. 656 00:34:40,112 --> 00:34:42,012 WELL, THAT'S VERY NICE OF YOU. 657 00:34:42,012 --> 00:34:45,217 YOU CAN DISCUSS IT WITH MY ATTORNEY. MELINDA? I HAVE NOTHING TO SAY. 658 00:34:45,217 --> 00:34:48,353 EVEN IF YOU HAD NOTHING TO DO WITH KRISTIN MARLEY'S MURDER, 659 00:34:48,353 --> 00:34:51,556 WITH WHAT CAVALLERI IS SAYING ABOUT THE CONSPIRACY 660 00:34:51,556 --> 00:34:53,358 AND THE COVER-UP, YOU'RE ALL GONNA DO 661 00:34:53,358 --> 00:34:56,262 A LOT OF TIME IN PRISON. I DON'T NEED TO HEAR ANY MORE. 662 00:34:56,262 --> 00:34:57,929 W-WAIT. I-I DO. 663 00:34:57,929 --> 00:35:00,532 WHAT KIND OF LENIENCY ARE WE TALKING ABOUT HERE? ELLIOTT. 664 00:35:00,532 --> 00:35:04,369 DEPENDS, MR. BATSON. WHAT DO YOU KNOW? I NEED AN ASSURANCE THAT ANY CHARGES RELATED TO THE MURDER 665 00:35:04,369 --> 00:35:06,505 WILL BE DROPPED. GOT IT, 666 00:35:06,505 --> 00:35:08,773 AS LONG AS YOU DIDN'T HAVE ANYTHING TO DO WITH THE MURDER. 667 00:35:08,773 --> 00:35:11,777 IF YOU'LL EXCUSE US, I WANT SOME PRIVATE TIME WITH MY FAMILY 668 00:35:11,777 --> 00:35:15,045 RIGHT NOW. MR. CREW, STAY THERE. GO ON. 669 00:35:15,045 --> 00:35:17,014 OH, COME ON. SPIT IT OUT, MAN. 670 00:35:17,014 --> 00:35:20,186 THE MARRIAGE IS A SHAM. SHE'S GAY. YOU'RE THE BEARD. 671 00:35:20,186 --> 00:35:22,487 IT WAS KIND OF OBVIOUS FROM THE START. 672 00:35:22,487 --> 00:35:26,358 I HAD AN ARRANGEMENT WITH MELINDA. ELLIOTT, DON'T. 673 00:35:26,358 --> 00:35:28,559 I AGREED TO MARRY MELINDA 674 00:35:28,559 --> 00:35:31,396 IN EXCHANGE FOR... CERTAIN FINANCIAL CONSIDERATIONS. 675 00:35:31,396 --> 00:35:35,934 BATSON, WE HAD A DEAL. DID THAT DEAL INCLUDE TIME IN PRISON? I DON'T THINK SO. 676 00:35:35,934 --> 00:35:38,068 SO IT WAS YOUR OWN PEOPLE THAT STARTED THE RUMOR 677 00:35:38,068 --> 00:35:41,172 ABOUT YOU AND KRISTIN--TO HIDE HER AFFAIR WITH MELINDA. 678 00:35:41,172 --> 00:35:45,976 YES. I'M SORRY, MELINDA. 679 00:35:45,976 --> 00:35:50,215 KRISTIN BROKE IT OFF SHORTLY BEFORE SHE DISAPPEARED. 680 00:35:50,215 --> 00:35:52,951 MELINDA WAS UPSET. 681 00:35:52,951 --> 00:35:56,521 AND WERE YOU WITH MELINDA THE NIGHT KRISTIN DISAPPEARED? 682 00:35:58,423 --> 00:36:01,693 NO. I DIDN'T SEE HER UNTIL LATE THAT NIGHT. 683 00:36:01,693 --> 00:36:04,563 SHE WAS... A MESS. 684 00:36:04,563 --> 00:36:06,731 BUT SHE WOULDN'T TELL ME WHAT HAD HAPPENED. 685 00:36:06,731 --> 00:36:09,534 KRISTIN HAD SOMETHING HIDDEN IN HER APARTMENT-- 686 00:36:09,534 --> 00:36:12,670 A MEMENTO, I GUESS. LOVERS' MEMENTO. 687 00:36:12,670 --> 00:36:16,942 CAVALLERI HAD FOUND IT, BUT WE TOOK IT OUT OF HIS CAR. 688 00:36:16,942 --> 00:36:20,077 IT COULD BE A "W," BUT I THINK IT'S AN "M." 689 00:36:20,077 --> 00:36:22,213 (Patrick) ME, TOO. 690 00:36:26,318 --> 00:36:27,952 YOU AND YOUR FATHER 691 00:36:27,952 --> 00:36:31,822 WERE BOTH HAVING AN AFFAIR WITH KRISTIN. NO. 692 00:36:33,958 --> 00:36:35,126 NO. 693 00:36:35,126 --> 00:36:36,628 I-- 694 00:36:36,628 --> 00:36:38,463 MELINDA. 695 00:36:38,463 --> 00:36:40,365 I HAD A RELATIONSHIP WITH KRISTIN. 696 00:36:40,365 --> 00:36:43,735 HE SEDUCED HER... 697 00:36:43,735 --> 00:36:46,405 TOOK HER... 698 00:36:46,405 --> 00:36:49,206 THE WAY HE'S TAKEN WOMEN HIS WHOLE LIFE. 699 00:36:49,206 --> 00:36:51,476 I WAS TRYING TO MAKE A POINT. 700 00:36:51,476 --> 00:36:54,144 YOU WERE WHAT? I WAS TRYING TO SHOW YOU-- 701 00:36:54,144 --> 00:36:55,981 WHAT? SHE WAS JUST ANOTHER GIRL, 702 00:36:55,981 --> 00:36:58,115 THAT SHE WAS JUST ANOTHER TRASHY LITTLE GIRL. 703 00:36:58,115 --> 00:37:00,117 YOU THOUGHT YOU WERE IN LOVE, 704 00:37:00,117 --> 00:37:02,219 BUT SHE WAS JUST HAVING A FLING. 705 00:37:02,219 --> 00:37:04,155 HE BELIEVED THAT YOU WERE GIVING AWAY 706 00:37:04,155 --> 00:37:08,393 A VERY BRIGHT POLITICAL CAREER BECAUSE OF SOME STRUMPET. 707 00:37:08,393 --> 00:37:10,762 WHAT HAPPENED THAT NIGHT? 708 00:37:16,268 --> 00:37:18,903 MELINDA, EVERY DAY YOU DON'T TALK 709 00:37:18,903 --> 00:37:21,606 IS ANOTHER DAY YOU'RE ON THE NEWS. 710 00:37:27,278 --> 00:37:29,146 I KNEW KRISTIN WAS SEEING SOMEONE, 711 00:37:29,146 --> 00:37:32,182 BUT I DIDN'T KNOW WHO IT WAS. 712 00:37:32,182 --> 00:37:37,389 SO I FOLLOWED HER... 713 00:37:37,389 --> 00:37:40,858 AND THAT'S WHEN I SAW MY FATHER. 714 00:37:42,827 --> 00:37:43,961 (exhales deeply) 715 00:37:43,961 --> 00:37:48,467 AFTER HE LEFT, I WENT INTO HER APARTMENT. 716 00:37:52,269 --> 00:37:56,007 SHE HAD THESE STONE BOOKENDS. 717 00:37:56,007 --> 00:37:59,677 I GRABBED ONE. 718 00:37:59,677 --> 00:38:00,945 (crying) 719 00:38:00,945 --> 00:38:06,217 NEXT THING I KNEW, KRISTIN WAS ON THE FLOOR. 720 00:38:06,217 --> 00:38:08,320 IT JUST... 721 00:38:08,320 --> 00:38:10,822 HAPPENED. 722 00:38:16,061 --> 00:38:20,365 AND THEN I DID WHAT I ALWAYS DO WHEN I'M IN TROUBLE. 723 00:38:20,365 --> 00:38:23,969 I CALLED DADDY. 724 00:38:23,969 --> 00:38:29,273 HE SAID HE KNEW SOMEONE WHO COULD FIX IT. 725 00:38:29,273 --> 00:38:32,344 AH, THE FIXER. 726 00:38:32,344 --> 00:38:35,079 YOU CAN LET CAVALLERI GO NOW. 727 00:38:35,079 --> 00:38:36,981 (whispers) WATCH. 728 00:38:44,690 --> 00:38:48,126 (whispers) OH, MY GOD. 729 00:38:48,126 --> 00:38:50,161 HE'S... 730 00:38:50,161 --> 00:38:53,030 (normal voice) HE'S DEAD. 731 00:38:55,300 --> 00:38:57,101 YEAH. 732 00:39:03,909 --> 00:39:07,311 YOU ABUSED A CORPSE TO GET A CONFESSION. 733 00:39:07,311 --> 00:39:10,280 USED. USED A CORPSE. THERE'S NO "AB." 734 00:39:10,280 --> 00:39:12,518 I'M APPALLED. I'M... 735 00:39:12,518 --> 00:39:15,320 I DON'T KNOW WHAT TO SAY. 736 00:39:15,320 --> 00:39:17,121 SIR, IT'S NOT LIKE WE KILLED HIM. 737 00:39:17,121 --> 00:39:20,157 HIS NECK WAS BROKEN IN THE CRASH. WE GOT A CONFESSION. 738 00:39:20,157 --> 00:39:22,159 SUPPOSE YOU DIDN'T. 739 00:39:22,159 --> 00:39:24,795 SUPPOSE YOU'D BEEN WRONG. 740 00:39:24,795 --> 00:39:27,398 HAVE YOU ANY IDEA OF THE VASTNESS 741 00:39:27,398 --> 00:39:29,099 OF THE CRAP STORM THAT WOULD FOLLOW? 742 00:39:29,099 --> 00:39:32,838 IT WOULD BLOT OUT THE SUN. SIR, CREW AND BATSON MANIPULATED US 743 00:39:32,838 --> 00:39:34,706 INTO ARRESTING THE WRONG PERSON. 744 00:39:34,706 --> 00:39:38,009 THEY BUGGED OUR OFFICES AND SUBVERTED OUR CASE. 745 00:39:38,009 --> 00:39:40,378 I DON'T THINK WE DID ANYTHING WRONG. 746 00:39:40,378 --> 00:39:42,481 I THINK WE SHOULD BE COMMENDED. HUH. 747 00:39:42,481 --> 00:39:46,684 CONGRATULATIONS. YOU FINALLY GOT HER TO DRINK THE KOOL-AID. 748 00:39:50,188 --> 00:39:52,123 CHECK YOURSELF, AGENT. 749 00:39:53,858 --> 00:39:55,760 ALL OF YOU. 750 00:39:58,597 --> 00:40:00,865 WELL, I THOUGHT THAT WENT PRETTY WELL. 751 00:40:00,865 --> 00:40:02,000 GREAT, YEAH. 752 00:40:02,000 --> 00:40:04,802 HIGHLIGHT FOR ME WAS DEFINITELY YOUR SPEECH-- 753 00:40:04,802 --> 00:40:08,974 PASSIONATE, ARTICULATE, STRONG. 754 00:40:08,974 --> 00:40:10,775 WHATEVER. 755 00:40:14,144 --> 00:40:16,081 HMM. 756 00:40:21,052 --> 00:40:24,222 HEY, GOOD WORK WITH McADOO, YOU KNOW, KEEPING HIM HERE. 757 00:40:24,222 --> 00:40:25,556 YEAH. 758 00:40:25,556 --> 00:40:27,958 YOU KNOW, IF BOSS HAD GIVEN ME A CHANCE, 759 00:40:27,958 --> 00:40:30,528 I THINK I COULD HAVE GOTTEN HIM TO CONFESS. 760 00:40:30,528 --> 00:40:32,697 SURE, IF HE WASN'T, YOU KNOW, INNOCENT. 761 00:40:32,697 --> 00:40:34,565 IF IT WASN'T FOR THAT SMALL FACT, 762 00:40:34,565 --> 00:40:38,335 I'M SURE YOU'D HAVE TAKEN HIM TO TOWN. (chuckles) THANKS. 763 00:40:38,335 --> 00:40:40,905 YOU HAVE ANY PLANS FOR TONIGHT? 764 00:40:40,905 --> 00:40:43,041 HOME, TV. 765 00:40:43,041 --> 00:40:46,043 WELL... HAVE FUN. 766 00:40:46,043 --> 00:40:48,445 YOU, TOO. 767 00:40:50,181 --> 00:40:52,150 YOU'RE GONNA DIE ALONE. 768 00:40:57,789 --> 00:40:59,056 SIR? 769 00:40:59,056 --> 00:41:00,992 MORNING. YEAH. SIR, YOU CAN'T GO IN THERE. 770 00:41:00,992 --> 00:41:02,994 NO, IT'S OKAY. I COME IN PEACE. 771 00:41:02,994 --> 00:41:06,331 Y-YOU-- GREAT COLOR ON YOU. 772 00:41:06,331 --> 00:41:07,666 GO AWAY. 773 00:41:07,666 --> 00:41:08,934 JUST GIVE ME A MINUTE, PLEASE. 774 00:41:08,934 --> 00:41:11,969 I-I WANT YOU, AND I WANT YOUR TEAM TO KNOW 775 00:41:11,969 --> 00:41:14,239 THAT I GOT IT. I GOT THE MESSAGE. 776 00:41:14,239 --> 00:41:16,173 I GOT IT. 777 00:41:16,173 --> 00:41:19,777 THE RED JOHN CASE... 778 00:41:19,777 --> 00:41:21,780 BELONGS TO YOU. 779 00:41:21,780 --> 00:41:24,315 YOU'RE GONNA LEAVE US ALONE? YEAH, THAT'S RIGHT. 780 00:41:24,315 --> 00:41:28,219 I DON'T BELIEVE THAT. I BROUGHT YOU DOUGHNUTS-- 781 00:41:28,219 --> 00:41:30,021 THE INTERNATIONAL 782 00:41:30,021 --> 00:41:32,757 LAW ENFORCEMENT SYMBOL OF FRIENDSHIP. 783 00:41:34,125 --> 00:41:37,128 I AM TRUSTING YOU TO CATCH RED JOHN. 784 00:41:39,164 --> 00:41:41,666 I'M COUNTING ON IT. 785 00:41:41,666 --> 00:41:44,168 WE WILL CATCH HIM. 786 00:41:44,168 --> 00:41:46,371 THANKS. 787 00:41:46,371 --> 00:41:48,739 GOOD HUNTING. 788 00:41:50,375 --> 00:41:51,710 (door closes) 789 00:41:51,710 --> 00:41:54,579 HICKS, TAKE THAT AWAY. TAKE IT FAR AWAY. 790 00:41:54,579 --> 00:41:58,416 TAKE IT OUT OF THE BUILDING. GOD KNOW WHAT HE PUT IN THERE. YOU GOT IT. 791 00:41:58,416 --> 00:42:01,018 ALL RIGHT, LET'S GO OVER THE MOST RECENT FORENSICS. 792 00:42:01,018 --> 00:42:03,420 THERE ARE TWO SHORT, LINEAR INCISED WOUNDS 793 00:42:03,420 --> 00:42:05,090 THAT ARE EXTREMELY SUPERFICIAL. 794 00:42:05,090 --> 00:42:08,358 THEY INVOLVE THE ANTERIOR SURFACE OF THE RIGHT WRIST, 795 00:42:08,358 --> 00:42:10,795 WHICH MEASURES 0.8 INCHES. 796 00:42:13,632 --> 00:42:16,333 (man speaking indistinctly) 797 00:42:16,333 --> 00:42:18,436 (man) OKAY, YOU GOT IT. 798 00:42:18,436 --> 00:42:21,271 (Bosco) DON'T TELL THE LOCALS WHAT IT'S FOR. YEAH, NO WORRIES. 799 00:42:21,271 --> 00:42:23,307 JUST SAY YOU'RE FOLLOWING UP ON SOMETHING. 800 00:42:23,307 --> 00:42:25,811 I WANT TO KEEP THIS ON THE DOWN LOW FOR NOW. 801 00:42:25,811 --> 00:42:27,211 NOW WHAT ELSE DID YOU GET FROM HANDWRITING ANALYSIS? 802 00:42:27,211 --> 00:42:28,880 WE'VE HAD TWO GUYS LOOK AT IT-- 803 00:42:28,880 --> 00:42:31,382 ONE LOCAL, ONE FROM D.C., 804 00:42:31,382 --> 00:42:36,021 AND OF COURSE THEY AGREE ON PRETTY MUCH NOTHING. FIGURES. WHAT DID THE D.C. GUY SAY?