1 00:00:03,403 --> 00:00:05,538 MORNING, CAPTAIN. AGENT LISBON. 2 00:00:05,538 --> 00:00:07,875 JANE, CONSULTANT. WHAT DO WE HAVE HERE? 3 00:00:07,875 --> 00:00:10,843 THANKS FOR STEPPING IN. HOMICIDE UNIT OWES YOU ONE. 4 00:00:10,843 --> 00:00:12,945 JANE. 5 00:00:12,945 --> 00:00:14,582 YOU'RE THAT PSYCHIC FELLA. 6 00:00:14,582 --> 00:00:15,749 RIGHT. 7 00:00:15,749 --> 00:00:18,452 ME? I DON'T BUY INTO THAT E.S.P. CRAP. 8 00:00:18,452 --> 00:00:21,088 NO OFFENSE. NONE TAKEN. 9 00:00:21,088 --> 00:00:23,657 HERE WE HAVE IVOR RASSMUSSEN, AGE 34, 10 00:00:23,657 --> 00:00:26,794 ADDRESS RIVER PARK. NO SIGN OF THE MURDER WEAPON. 11 00:00:26,794 --> 00:00:28,928 STORE SECURITY WAS ON THE SCENE PRETTY FAST. 12 00:00:28,928 --> 00:00:30,731 WE WERE ABLE TO DETAIN EVERYBODY 13 00:00:30,731 --> 00:00:32,633 WHO WAS IN THE SECTION AT THE TIME. 14 00:00:32,633 --> 00:00:36,570 WE'RE HOLDING THEM OVER IN THE FURNITURE DEPARTMENT. 15 00:00:36,570 --> 00:00:39,673 SO, CARNAC, WHAT DOES IVOR SAY? 16 00:00:39,673 --> 00:00:43,377 HE TELL YOU WHO DONE IT? HUH. HUH. 17 00:00:44,645 --> 00:00:48,948 LEATHER PANTS, MUSKY COLOGNE, PHALLIC JEWELRY. 18 00:00:48,948 --> 00:00:50,451 A LADIES' MAN. 19 00:00:50,451 --> 00:00:53,220 WENT AFTER HIGH-END COUGARS WITH MODERATE SUCCESS. 20 00:00:53,220 --> 00:00:55,622 CASUAL COCAINE USER. PLAYS GUITAR--NOT WELL. 21 00:00:55,622 --> 00:00:58,259 WORKS IN THE NONCREATIVE END OF A CREATIVE BUSINESS. 22 00:00:58,259 --> 00:00:59,692 ADVERTISING, MAYBE. 23 00:00:59,692 --> 00:01:01,762 NOTHING WORTH KILLING ANYONE OVER ANYWAY. 24 00:01:01,762 --> 00:01:03,764 SO HE DIED FOR ROMANTIC REASONS. 25 00:01:03,764 --> 00:01:06,966 WHERE ARE THOSE SUSPECTS YOU MENTIONED? THE WITNESSES? 26 00:01:06,966 --> 00:01:08,402 WHATEVER. 27 00:01:08,402 --> 00:01:11,971 TAKE IT DOWN A NOTCH. TAKE IT DOWN THREE NOTCHES. 28 00:01:11,971 --> 00:01:13,474 OKAY. UNDER CONTROL. 29 00:01:13,474 --> 00:01:15,808 WE'LL GET THIS DONE QUICK AND BE ON OUR WAY. 30 00:01:15,808 --> 00:01:17,611 HELLO. WE'RE FROM THE CBI. 31 00:01:17,611 --> 00:01:20,480 MAY WELL BE THAT ONE OF YOU IS THE MURDERER. 32 00:01:20,480 --> 00:01:24,117 IF THAT'S SO, I'M GONNA FIND OUT WHO. 33 00:01:28,656 --> 00:01:30,790 THESE TWO ARE INNOCENT. THEY CAN GO. 34 00:01:30,790 --> 00:01:33,627 UH, STICK AROUND. WE'RE GONNA NEED A STATEMENT. 35 00:01:33,627 --> 00:01:34,927 NEIL. 36 00:01:34,927 --> 00:01:38,299 WHAT'S THE WORST MISTAKE YOU'VE EVER MADE? QUICK. 37 00:01:38,299 --> 00:01:39,400 UH, FIRST MARRIAGE. 38 00:01:39,400 --> 00:01:41,801 GOOD ANSWER. WHY SO NERVOUS? 39 00:01:41,801 --> 00:01:43,971 I'M NOT. I JUST--I... 40 00:01:43,971 --> 00:01:46,307 (mouths word) YOU. YOUR NAME? 41 00:01:46,307 --> 00:01:47,941 CANDICE. CANDICE. 42 00:01:47,941 --> 00:01:50,144 I LIKE THAT NAME. 43 00:01:50,144 --> 00:01:53,013 (gasps) OH. 44 00:01:53,013 --> 00:01:54,147 HERE. 45 00:01:54,147 --> 00:01:55,983 THANK YOU. 46 00:01:55,983 --> 00:01:58,551 HEY! IT'S OKAY. I'M A CONSULTANT. 47 00:01:58,551 --> 00:02:02,756 CANDICE, TAKE MY ADVICE. FORGIVE YOUR MOTHER. 48 00:02:02,756 --> 00:02:06,126 MAYBE THE HEADACHES WILL STOP. I LOVE MY MOTHER. 49 00:02:06,126 --> 00:02:08,961 OH, I'M WRONG. IGNORE MY ADVICE. 50 00:02:08,961 --> 00:02:11,331 YOU. YOUR NAME. REED. 51 00:02:11,331 --> 00:02:14,268 EXCUSE ME. THIS IS A JOKE, RIGHT? 52 00:02:14,268 --> 00:02:16,969 A JOKE? A MAN HAS BEEN KILLED HERE. 53 00:02:16,969 --> 00:02:18,372 IS THAT FUNNY TO YOU? 54 00:02:18,372 --> 00:02:20,574 ARE YOU AMUSED? NO, BUT-- 55 00:02:20,574 --> 00:02:23,911 THEN SIT. 56 00:02:23,911 --> 00:02:25,679 REED, QUICK QUESTION. 57 00:02:25,679 --> 00:02:29,115 GREEN LANTERN VERSUS THOR-- WHO WINS? THOR. 58 00:02:29,115 --> 00:02:30,450 OH, YEAH. 59 00:02:30,450 --> 00:02:32,985 WHY'D YOU KILL RASSMUSSEN? I DIDN'T. 60 00:02:32,985 --> 00:02:34,622 ALL RIGHT. 61 00:02:34,622 --> 00:02:36,623 NOW, YOU, MISS GRUMPY AND ENTITLED, 62 00:02:36,623 --> 00:02:39,593 WHAT'S YOUR STORY? MY NAME IS MANDY SHULTZ. 63 00:02:39,593 --> 00:02:43,296 AND I'LL HAVE YOU KNOW THAT MY-- LET ME GUESS. YOUR HUSBAND IS A VERY IMPORTANT PERSON. 64 00:02:43,296 --> 00:02:45,299 HE IS, AS IT HAPPENS. 65 00:02:45,299 --> 00:02:47,835 JOHN'S ON THE MODESTO CITY COUNCIL. 66 00:02:47,835 --> 00:02:49,836 EH. AND THIS IS 67 00:02:49,836 --> 00:02:52,573 TOTALLY UNPROFESSIONAL AND DISRESPECTFUL. 68 00:02:52,573 --> 00:02:55,442 I'LL HAVE MY HUSBAND TAKE THIS UP WITH YOUR SUPERIORS. MANDY, MANDY, MANDY. 69 00:02:55,442 --> 00:02:57,444 THE DIET PILLS ARE MESSING WITH YOUR MIND. 70 00:02:57,444 --> 00:02:59,712 THIS IS SACRAMENTO, THE BIG CITY. 71 00:02:59,712 --> 00:03:02,782 YOUR HUSBAND MEANS NOTHING HERE. OKAY, THAT'S ENOUGH. AGENT LISBON? 72 00:03:02,782 --> 00:03:06,253 GIVE HIM ANOTHER MOMENT. WE DON'T NEED A MOMENT. CASE IS ALL BUT CLOSED. 73 00:03:06,253 --> 00:03:09,389 MANDY HERE IS GONNA LEAD US RIGHT TO THE MURDER WEAPON. WHAT? 74 00:03:09,389 --> 00:03:13,159 TAKE MY HANDS. I NEED PHYSICAL CONTACT TO READ YOUR MIND. YOU'RE NUTS. 75 00:03:13,159 --> 00:03:17,063 PROVE IT. IF I'M WRONG, IF WE CAN'T FIND THE MURDER WEAPON, 76 00:03:17,063 --> 00:03:19,432 THEN I LOOK LIKE AN IDIOT. 77 00:03:21,301 --> 00:03:23,603 YES, YOU WILL. 78 00:03:23,603 --> 00:03:26,439 WHAT ARE YOU-- DON'T SPEAK. 79 00:03:41,989 --> 00:03:43,924 AH. 80 00:04:16,423 --> 00:04:18,091 (box lid falls) 81 00:04:18,091 --> 00:04:19,826 VOILà. 82 00:04:19,826 --> 00:04:21,528 THE MURDER WEAPON. 83 00:04:21,528 --> 00:04:24,432 THIS IS CRAZY. I HAD NO IDEA THAT WAS THERE. 84 00:04:24,432 --> 00:04:28,100 HOW COULD YOU DIRECT US RIGHT TO IT IF YOU DIDN'T PUT IT THERE? I DIDN'T. 85 00:04:28,100 --> 00:04:31,170 I-I DON'T KNOW. BUT I-I DIDN'T KILL THAT MAN. 86 00:04:31,170 --> 00:04:33,173 I-I DIDN'T! SHE'S RIGHT. SHE HAS NOTHING TO DO WITH THE MURDER. 87 00:04:33,173 --> 00:04:36,810 WHAT? I JUST USED HER AS A DECOY TO LULL THE REAL KILLER 88 00:04:36,810 --> 00:04:39,278 INTO GIVING ME CLEAN DIRECTIONAL CUES. 89 00:04:39,278 --> 00:04:42,682 OH, COME ON. WHAT ARE YOU TALKING ABOUT NOW? WHATEVER WAY HE DIDN'T WANT US TO GO 90 00:04:42,682 --> 00:04:45,918 IS THE WAY THAT WE WENT. THE REAL KILLER. 91 00:04:45,918 --> 00:04:49,122 YEAH, YOU WANNA GUESS WHO IT IS? COME ON, JANE. 92 00:04:49,122 --> 00:04:50,122 NEIL. 93 00:04:50,122 --> 00:04:51,891 HEY! WHOA! 94 00:04:51,891 --> 00:04:55,829 EXCUSE ME. NO, I--IT WASN'T. I-I DON'T EVEN KNOW THAT MAN. 95 00:04:55,829 --> 00:04:57,831 OH, IS THAT RIGHT? I'M GUESSING 96 00:04:57,831 --> 00:04:59,832 THAT HE WAS HAVING AN AFFAIR WITH YOUR CURRENT WIFE. 97 00:04:59,832 --> 00:05:03,235 YOU FOUND OUT AND YOU FORGAVE HER LIKE A SUCKER. 98 00:05:03,235 --> 00:05:05,605 HE SAW YOU HERE, PROBABLY SMIRKED 99 00:05:05,605 --> 00:05:08,541 AND SAID SOMETHING VERY CLEVER, MADE YOU FEEL... SMALL. 100 00:05:08,541 --> 00:05:10,911 (man) GRAB HIM! HUMILIATED YOU! 101 00:05:10,911 --> 00:05:12,178 (both grunting) 102 00:05:12,178 --> 00:05:16,516 (glass shattering) 103 00:05:16,516 --> 00:05:17,985 GET HIM! GET HIM! 104 00:05:17,985 --> 00:05:20,387 STOP! STOP! UHH! 105 00:05:20,387 --> 00:05:21,689 NICE WORK. 106 00:05:21,689 --> 00:05:23,690 WHAT? CASE IS CLOSED, ISN'T IT? 107 00:05:23,690 --> 00:05:25,925 (man) HEY! PUT IT DOWN! (gunshot) 108 00:05:25,925 --> 00:05:27,728 (woman screams) 109 00:05:27,728 --> 00:05:31,731 (man) I SAID DROP IT NOW! (gunshot) 110 00:05:31,731 --> 00:05:45,545 ** 111 00:05:45,545 --> 00:05:47,146 A DEAD SUSPECT, 112 00:05:47,146 --> 00:05:49,149 QUARTER-MILLION DOLLARS WORTH OF DAMAGES, 113 00:05:49,149 --> 00:05:52,019 FORMAL COMPLAINTS OF MISCONDUCT FROM THE S.P.D. 114 00:05:52,019 --> 00:05:55,656 AND THE MODESTO CITY COUNCIL. THOSE DAMAGES WERE WAY PADDED. 115 00:05:55,656 --> 00:05:59,326 ALL DUE RESPECT, VIRGIL, I WAS TRYING TO CLOSE THE CASE. 116 00:05:59,326 --> 00:06:01,862 IT WAS MY FEELING THAT RED JOHN SHOULD BE OUR PRIORITY, 117 00:06:01,862 --> 00:06:04,398 GIVEN THE DOZEN FRESH LEADS-- STOP. STOP! 118 00:06:04,398 --> 00:06:07,300 THAT'S THE NUB OF THE PROBLEM RIGHT THERE--RED JOHN. 119 00:06:07,300 --> 00:06:10,838 EVER SINCE THE TANNER INCIDENT, YOU'VE BEEN RUNNIN' WAY TOO HOT. 120 00:06:10,838 --> 00:06:14,742 I FEAR A TERMINAL SCREW UP IS COMING. THAT'S NOT GONNA HAPPEN. 121 00:06:14,742 --> 00:06:17,877 I CAN HANDLE HIM. CAN YOU? 122 00:06:17,877 --> 00:06:19,913 MAYBE SINCE HE SAVED YOUR LIFE, YOU'RE GOING EASY ON HIM. 123 00:06:19,913 --> 00:06:23,451 MAYBE YOU FEEL COMPELLED TO CUT HIM SOME SLACK. 124 00:06:23,451 --> 00:06:24,851 MM. NO, SIR. 125 00:06:24,851 --> 00:06:27,053 THAT IS ABSOLUTELY NOT THE CASE. 126 00:06:27,053 --> 00:06:28,956 HEY, SAM, GET IN HERE. 127 00:06:32,225 --> 00:06:36,028 LISBON. BOSCO. 128 00:06:36,028 --> 00:06:38,531 AGENT BOSCO AND HIS UNIT ARE TAKING OVER THE RED JOHN CASE. 129 00:06:38,531 --> 00:06:41,901 WHAT? NO, NO, NO. YOU HAVE ALWAYS BEEN TOO CLOSE TO THE CASE, 130 00:06:41,901 --> 00:06:44,937 AND NOW BOTH OF YOU ARE WAY TOO CLOSE. 131 00:06:44,937 --> 00:06:47,574 WE NEED TO MAKE A CHANGE. CAN WE TALK ABOUT THIS? 132 00:06:47,574 --> 00:06:49,576 NO. YOU'VE WORKED FOR AGENT BOSCO. 133 00:06:49,576 --> 00:06:52,713 YOU KNOW THAT HE WILL DO THE JOB RIGHT. 134 00:06:52,713 --> 00:06:56,783 YOU NEED TO LET MY TEAM FINISH WHAT THEY STARTED. TERESA, NO OFFENSE, 135 00:06:56,783 --> 00:06:59,586 BUT YOU GUYS AREN'T EVEN CLOSE TO CATCHING THIS GUY. 136 00:06:59,586 --> 00:07:01,788 FRESH SET OF EYES GOTTA BE A GOOD IDEA. 137 00:07:01,788 --> 00:07:04,091 WHAT DO YOU KNOW ABOUT THE CASE? 138 00:07:04,091 --> 00:07:05,425 NOT MUCH. 139 00:07:05,425 --> 00:07:06,726 HE'S A SERIAL KILLER. 140 00:07:06,726 --> 00:07:10,029 15 VICTIMS, INCLUDING YOUR WIFE AND CHILD. 141 00:07:10,029 --> 00:07:12,098 I CAN IMAGINE YOUR PAIN. 142 00:07:12,098 --> 00:07:14,901 MAYBE THAT PAIN IS CLOUDING YOUR JUDGMENT. 143 00:07:18,872 --> 00:07:21,040 WOW. 144 00:07:26,079 --> 00:07:28,815 AND ME, SAM? 145 00:07:28,815 --> 00:07:30,216 WHAT'S CLOUDING MY JUDGMENT? 146 00:07:30,216 --> 00:07:32,552 (door closes) GOOD QUESTION. YOU TELL ME. 147 00:07:46,298 --> 00:07:47,167 WHAT HAPPENED? 148 00:07:47,167 --> 00:07:49,168 WE'RE OFF RED JOHN. 149 00:07:49,168 --> 00:07:51,538 WHAT?! FOREVER? HE CAN'T DO THAT. THAT'S OUR CASE. WHAT DID HE SAY? 150 00:07:51,538 --> 00:07:54,473 (Van Pelt) THAT'S NOT RIGHT. THAT'S NOT FAIR. (Rigsby) WILL WE GET REPRIMANDED? 151 00:07:54,473 --> 00:07:57,043 (Van Pelt) WHO GETS IT INSTEAD? QUIET. LOOK, THIS IS MY FAULT, 152 00:07:57,043 --> 00:07:59,980 BUT IT'S A WAKE-UP CALL FOR ALL OF US. 153 00:07:59,980 --> 00:08:02,314 WE'VE GROWN SLACK AND UNPROFESSIONAL. 154 00:08:02,314 --> 00:08:04,685 WE NEED TO EARN BACK THE TRUST THAT WE'VE LOST. 155 00:08:04,685 --> 00:08:06,920 FROM NOW ON, WE WORK 100% STRAIGHT. 156 00:08:06,920 --> 00:08:09,122 NO MORE SHORTCUTS. NO MORE GA-- 157 00:08:09,122 --> 00:08:11,959 WHAT ARE YOU DOING? 158 00:08:11,959 --> 00:08:13,560 YOU'RE LEAVING? 159 00:08:16,396 --> 00:08:18,098 WELL, FRANKLY, 160 00:08:18,098 --> 00:08:21,735 IF I CAN'T USE THIS JOB TO SEEK SOME KIND OF PERSONAL REVENGE, 161 00:08:21,735 --> 00:08:24,071 THEN, UH, THERE'S NOT A WHOLE LOT HERE FOR ME. 162 00:08:26,238 --> 00:08:28,240 I-I... 163 00:08:28,240 --> 00:08:30,043 I DON'T MAKE ANYTHING BETTER. 164 00:08:30,043 --> 00:08:33,913 I CAN'T BRING DEAD PEOPLE BACK TO LIFE. WHAT GOOD DO WE DO? 165 00:08:33,913 --> 00:08:37,585 WE DRIVE AROUND CALIFORNIA VISITING UNHAPPY PEOPLE. 166 00:08:37,585 --> 00:08:40,086 WE'RE FIGHTING EVIL AND INJUSTICE. 167 00:08:40,086 --> 00:08:42,889 AND HOW'S THAT GOING? ANY PROGRESS LATELY? 168 00:08:42,889 --> 00:08:45,424 WE PUT BAD GUYS AWAY WHERE THEY CAN'T HURT PEOPLE. 169 00:08:45,424 --> 00:08:48,028 THAT'S GOOD ENOUGH. MEH. I WAS DOING MORE GOOD AS A PSYCHIC. 170 00:08:48,028 --> 00:08:50,697 I WAS GIVING PEOPLE HOPE, AT LEAST. 171 00:08:50,697 --> 00:08:53,533 FALSE HOPE, BUT HOPE ANYWAY. (telephone rings) 172 00:08:53,533 --> 00:08:55,134 VAN PELT. YOU'RE RIGHT. BEST YOU LEAVE. 173 00:08:55,134 --> 00:08:57,870 THAT WAY YOU CAN GO BACK TO BEING A FULL-TIME FRAUD, 174 00:08:57,870 --> 00:09:00,072 AND WE CAN CONTINUE OUR USELESS JOBS IN PEACE. 175 00:09:00,072 --> 00:09:02,075 WELL, THAT'S ACTUALLY NOT WHAT I SAID. YES, IT WAS. 176 00:09:02,075 --> 00:09:04,076 I WAS TALKING MORE ABOUT MYSELF. WE'RE UP. TWENTY PALMS. 177 00:09:04,076 --> 00:09:06,312 LET'S GO. YOU COME, TOO, VAN PELT. 178 00:09:06,312 --> 00:09:09,982 WE'LL TAKE TWO VEHICLES IN CASE WE NEED TO SPLIT UP. 179 00:09:15,688 --> 00:09:18,125 (Cho) I'LL SEE YOU WHEN YOU GET THERE. 180 00:09:25,131 --> 00:09:27,033 (shuts car door) 181 00:09:27,033 --> 00:09:28,268 (beeping) 182 00:09:28,268 --> 00:09:32,272 BOSS, NO DISRESPECT, BUT I THINK WE NEED JANE. 183 00:09:32,272 --> 00:09:33,572 WE'LL MANAGE. 184 00:09:33,572 --> 00:09:36,308 MAYBE WE DON'T CLOSE AS MANY CASES, 185 00:09:36,308 --> 00:09:40,113 BUT THE ONES WE DO CLOSE WILL BE CLOSED RIGHT, BY PROFESSIONALS. 186 00:09:40,113 --> 00:09:41,914 (buttons clicking) 187 00:09:41,914 --> 00:09:44,751 VAN PELT, IT'S NOT A JET PLANE. 188 00:09:44,751 --> 00:09:46,820 OKAY, OKAY, OKAY. 189 00:09:46,820 --> 00:09:49,623 (siren wails) S-SORRY. I'M SORRY. 190 00:09:49,623 --> 00:09:52,058 (car door opens and shuts) 191 00:09:56,764 --> 00:09:59,165 OH, I'M NOT GONNA LEAVE YOU IN THE LURCH. 192 00:09:59,165 --> 00:10:02,870 I'LL DO ONE MORE CASE. DO UP YOUR SEAT BELT. 193 00:10:05,471 --> 00:10:07,841 (starts engine) 194 00:10:27,559 --> 00:10:29,830 (police radio chatter) 195 00:10:29,830 --> 00:10:32,932 VAN PELT, YOU COME WITH ME. 196 00:10:32,932 --> 00:10:35,134 YOU GUYS TALK TO THE FIRST RESPONDERS, 197 00:10:35,134 --> 00:10:37,236 SEE WHAT THEY GOT. 198 00:10:37,236 --> 00:10:38,905 HEY, THE APARTMENT'S UPSTAIRS. 199 00:10:38,905 --> 00:10:41,841 WE HAVE A FEMALE CAUCASIAN, LATE 30s. 200 00:10:41,841 --> 00:10:43,711 RAN LICENSE DOWN ALREADY. IT'S A FAKE. 201 00:10:43,711 --> 00:10:45,644 WE'RE CALLING HER JANE DOE. 202 00:10:45,644 --> 00:10:49,883 WHO FOUND THE BODY? THE BUILDING MANAGER NOTICED HER DOOR WAS OPEN OVERNIGHT. 203 00:10:49,883 --> 00:10:52,384 LAST ONE DOWN TO THE LEFT. 204 00:10:52,384 --> 00:10:53,854 THANK YOU. MM-HMM. 205 00:10:53,854 --> 00:10:57,024 (cat meows) 206 00:11:09,269 --> 00:11:11,203 (meows) 207 00:11:28,020 --> 00:11:30,123 (Patrick) MM-HMM. 208 00:11:32,826 --> 00:11:34,927 WHAT'S YOUR TAKE? 209 00:11:34,927 --> 00:11:38,465 HIT WITH A STUN GUN THEN SUFFOCATED WITH THE CUSHION. 210 00:11:38,465 --> 00:11:42,001 AND THEY WERE LOOKING FOR SOMETHING, OBVIOUSLY. 211 00:11:42,001 --> 00:11:44,071 DID THEY FIND IT, GRACE? 212 00:11:44,071 --> 00:11:46,572 UM... IT'S IMPOSSIBLE TO TELL. 213 00:11:46,572 --> 00:11:50,509 WELL, IT SEEMS THEY LOOKED EVERYWHERE POSSIBLE. YES? YEAH. 214 00:11:50,509 --> 00:11:53,913 SO WE CAN ASSUME THAT THEY DIDN'T FIND IT, WHATEVER IT IS. 215 00:11:53,913 --> 00:11:55,915 HOW SO? WELL, LET'S SAY 216 00:11:55,915 --> 00:11:57,985 THERE'S A HUNDRED PLACES TO LOOK FOR A THING. 217 00:11:57,985 --> 00:12:00,720 HOW LIKELY IS IT THAT YOU WILL FIND IT 218 00:12:00,720 --> 00:12:04,624 IN THE HUNDREDTH PLACE YOU LOOK? NOT VERY LIKELY, RIGHT? WHAT ELSE YOU GOT? 219 00:12:04,624 --> 00:12:06,259 UM... NO DRUG PARAPHERNALIA, 220 00:12:06,259 --> 00:12:10,096 NO CONDOMS OR OTHER ITEMS SUGGESTING PROSTITUTION. 221 00:12:10,096 --> 00:12:12,298 SO... MAYBE A PERSONAL CRIME? 222 00:12:12,298 --> 00:12:13,801 A HUSBAND OR LOVER? 223 00:12:13,801 --> 00:12:15,802 BRAVO, GRACE. WRONG, I EXPECT, 224 00:12:15,802 --> 00:12:18,205 BUT VERY WELL-REASONED NONETHELESS. 225 00:12:24,912 --> 00:12:26,212 (Patrick sighs) 226 00:12:26,212 --> 00:12:28,581 THANK YOU, ALL. APPRECIATE IT. 227 00:12:28,581 --> 00:12:30,017 NOTHING OFF THE CAR, 228 00:12:30,017 --> 00:12:32,184 BUT WE'LL HAVE THE LAB BOYS TAKE A LOOK. 229 00:12:32,184 --> 00:12:34,187 IT'S STILL REGISTERED TO THE PREVIOUS OWNER, 230 00:12:34,187 --> 00:12:36,188 SOLD IT FOR CASH SIX MONTHS AGO. 231 00:12:36,188 --> 00:12:38,191 SO BASICALLY WE KNOW NOTHING ABOUT HER. NICE START. 232 00:12:38,191 --> 00:12:40,460 SHE'S A LAW-ABIDING MIDDLE-CLASS HOUSEWIFE 233 00:12:40,460 --> 00:12:41,661 THAT DID SOMETHING BAD, 234 00:12:41,661 --> 00:12:43,663 SOMETHING SHE FEELS TERRIBLY GUILTY ABOUT-- 235 00:12:43,663 --> 00:12:46,298 GUILTY ENOUGH TO MAKE HER RUN AWAY AND HIDE. 236 00:12:47,600 --> 00:12:50,269 HEY! THAT'S EVIDENCE. YOU KNOW THE DRILL. 237 00:12:50,269 --> 00:12:51,671 MEH. 238 00:12:51,671 --> 00:12:55,707 IF YOU PUT "BULLFROGS WIN HIGH SCHOOL BASKETBALL TROPHY" 239 00:12:55,707 --> 00:12:57,811 INTO A SEARCH ENGINE, 240 00:12:57,811 --> 00:12:59,913 WE WILL FIND JANE DOE'S HOME. 241 00:12:59,913 --> 00:13:01,948 CAN I TAKE A LOOK AT THAT? SURE. 242 00:13:01,948 --> 00:13:03,682 IT'S A WORKING TRUCK. 243 00:13:03,682 --> 00:13:06,119 DAD MUST BE IN CONSTRUCTION, SOMETHING LIKE THAT. 244 00:13:06,119 --> 00:13:09,389 "BAYSHORE COURIER," APRIL 2006. 245 00:13:09,389 --> 00:13:10,623 "COUNTY FINALS-- 246 00:13:10,623 --> 00:13:13,426 LADY BULLFROGS DOMINATE INJURY-PLAGUED PANTHERS." 247 00:13:13,426 --> 00:13:15,195 IF THEY LIST THE PLAYERS, CROSS-CHECK THE SURNAMES WITH 248 00:13:15,195 --> 00:13:18,530 THE OTHER ARTICLES FROM THE SAME NEWSPAPER IN THE LAST YEAR 249 00:13:18,530 --> 00:13:22,235 USING THE WORD "DISAPPEARANCE." IF WE LEAVE NOW, WE CAN BE IN BAYSHORE IN A COUPLE HOURS. 250 00:13:22,235 --> 00:13:24,636 OH, WE NEED A LITTLE MORE THAN LADY BULLFROGS TO GO ON. 251 00:13:24,636 --> 00:13:27,975 (beep) (Van Pelt) "BAYSHORE COURIER" OF JUNE THIS YEAR. 252 00:13:27,975 --> 00:13:30,743 HEADLINE IS "POLICE NO CLOSER TO DUNNINGER." 253 00:13:30,743 --> 00:13:32,544 "SINCE HER DISAPPEARANCE LAST MONTH, 254 00:13:32,544 --> 00:13:34,813 "BAYSHORE P.D. HAVE BEEN UNABLE TO LOCATE 255 00:13:34,813 --> 00:13:37,317 "43-YEAR-OLD MONICA DUNNINGER, 256 00:13:37,317 --> 00:13:39,519 "THE SECRETARY ACCUSED OF STEALING NEARLY $1 MILLION 257 00:13:39,519 --> 00:13:42,188 FROM HER EMPLOYERS, THE JAFFE PRINTING GROUP." MM. 258 00:13:42,188 --> 00:13:44,456 OKAY. BAYSHORE IT IS THEN. 259 00:13:44,456 --> 00:13:47,460 SO THE KILLER MUST'VE BEEN LOOKING FOR THE MILLION BUCKS. 260 00:13:47,460 --> 00:13:49,696 (Rigsby) IF SHE HAD A MILLION BUCKS, 261 00:13:49,696 --> 00:13:52,698 WHY WOULD SHE LIVE IN A DUMP LIKE THIS? (Patrick) BEFORE WE GET ON THE FREEWAY, 262 00:13:52,698 --> 00:13:54,701 IT'D BE GOOD TO TAKE A LITTLE DRIVE AROUND THE NEIGHBORHOOD, 263 00:13:54,701 --> 00:13:57,370 BE GOOD TO FIND AN EMPTY HOUSE FOR SALE. WHY WOULD THAT BE GOOD? 264 00:13:57,370 --> 00:13:59,873 OH... I'M THINKING OF MOVING HERE. 265 00:13:59,873 --> 00:14:01,673 NO SECRETS, JANE. 266 00:14:01,673 --> 00:14:05,644 NO LIES. NO TRICKS. NO SURPRISES. THE TRUTH. 267 00:14:05,644 --> 00:14:09,682 OH? SINCE WHEN IS THAT THE RULE? SINCE I SAID SO. 268 00:14:09,682 --> 00:14:12,251 OR ELSE WHAT? YOU'RE OFF THE UNIT. 269 00:14:12,251 --> 00:14:16,056 THAT'S NOT LEVERAGE. THIS IS MY LAST CASE, REMEMBER? 270 00:14:16,056 --> 00:14:17,856 THE ONLY REASON I'M STILL HERE 271 00:14:17,856 --> 00:14:21,461 IS 'CAUSE I'M WORRIED ABOUT HOW YOU GUYS WOULD COPE WITHOUT ME. 272 00:14:21,461 --> 00:14:24,596 OH, REALLY? SO WE'RE LOST WITHOUT YOU, ARE WE? 273 00:14:24,596 --> 00:14:27,667 WELL, YEAH. LET'S BE HONEST HERE. LET'S GO. 274 00:14:27,667 --> 00:14:30,136 HEY. DRIVE. GO. 275 00:14:30,136 --> 00:14:32,038 (starts engine) WAIT. THIS... 276 00:14:45,985 --> 00:14:47,955 (sighs) 277 00:14:47,955 --> 00:14:49,923 (police radio chatter) WHOA! 278 00:14:49,923 --> 00:14:52,091 (brakes squeal) 279 00:14:52,091 --> 00:14:54,894 (shifts gears) WHAT'D YOU SAY TO THEM? 280 00:14:54,894 --> 00:14:56,562 OH... NOTHING, REALLY. 281 00:14:56,562 --> 00:14:57,864 TOTAL OVERREACTION. 282 00:14:57,864 --> 00:15:01,168 YEAH. 283 00:15:01,168 --> 00:15:04,537 (sighs) WE NEED TO FIND A HOUSE FOR SALE. 284 00:15:04,537 --> 00:15:06,273 (seat belt clicks) 285 00:15:06,273 --> 00:15:08,240 OKAY. (shifts gears) 286 00:15:17,616 --> 00:15:20,452 AH, THERE'S A SIGN. 287 00:15:24,624 --> 00:15:26,994 (shifts gears) PERFECT. 288 00:15:49,816 --> 00:15:52,951 (shift gears) 289 00:16:06,899 --> 00:16:08,567 (sighs) 290 00:16:08,567 --> 00:16:10,370 (seat belt clicks) 291 00:16:10,370 --> 00:16:12,672 YOU GONNA TELL ME WHAT THAT'S ABOUT? 292 00:16:12,672 --> 00:16:16,475 AH... WOULDN'T YOU RATHER IT BE A SURPRISE? 293 00:16:16,475 --> 00:16:17,943 NO. 294 00:16:17,943 --> 00:16:19,778 OH! OH, LOOK. 295 00:16:19,778 --> 00:16:22,149 LOOK, LOOK, STRAWBERRIES. 296 00:16:29,721 --> 00:16:31,724 STRAWBERRIES? MMM. 297 00:16:34,661 --> 00:16:36,196 SEE? 298 00:16:36,196 --> 00:16:38,197 HOW GOOD IS THAT? 299 00:16:38,197 --> 00:16:40,500 MMM. GOOD. 300 00:16:40,500 --> 00:16:42,269 CHO, RIGSBY, START CANVASSING THE NEIGHBORS. 301 00:16:42,269 --> 00:16:44,736 VAN PELT, COME WITH ME. 302 00:16:44,736 --> 00:16:45,871 UH, I... 303 00:16:45,871 --> 00:16:47,673 LISBON, UH... 304 00:16:50,210 --> 00:16:53,546 I'M SORRY FOR WHAT I SAID TO YOU BEFORE. 305 00:16:53,546 --> 00:16:55,881 CAN I PLEASE CONTINUE WORKING WITH YOU? 306 00:16:55,881 --> 00:16:58,284 I THOUGHT YOU WERE QUITTING. 307 00:16:58,284 --> 00:17:01,953 YOU KNOW I DIDN'T MEAN THAT. SO THE JOB IS WORTHWHILE, IS IT? 308 00:17:01,953 --> 00:17:05,724 EH, IT'S NOT THAT. I MEAN, IT'S NOT THAT AT ALL. 309 00:17:05,724 --> 00:17:08,027 IT'S JUST... 310 00:17:11,730 --> 00:17:15,134 I HAVE NOTHING ELSE TO DO. 311 00:17:16,803 --> 00:17:20,173 NO JOKES. FROM NOW ON, THERE HAVE TO BE BOUNDARIES. 312 00:17:20,173 --> 00:17:24,743 AGREED. I NEED TO KNOW THAT YOU CAN DO YOUR WORK AND BE EFFECTIVE 313 00:17:24,743 --> 00:17:28,580 WITHOUT CREATING A MESS THAT I HAVE TO CLEAN UP. NO MESS, I SWEAR. 314 00:17:28,580 --> 00:17:31,884 ON THAT BASIS, YOU CAN REMAIN WITH THE UNIT. 315 00:17:31,884 --> 00:17:33,353 THANK YOU. 316 00:17:38,191 --> 00:17:39,558 HERE. 317 00:17:41,461 --> 00:17:45,664 (man) SO HOW DID SHE DIE? (Lisbon) IT WAS A HOMICIDE, BUT SHE DIDN'T SUFFER. 318 00:17:45,664 --> 00:17:47,834 WE DON'T HAVE ANY SUSPECTS YET. 319 00:17:47,834 --> 00:17:49,501 (girl) WHERE WAS SHE? 320 00:17:49,501 --> 00:17:52,638 SHE WAS LIVING ALONE IN A SMALL APARTMENT IN TWENTY PALMS. 321 00:17:52,638 --> 00:17:55,741 I THOUGHT SHE'D BE LIVING IT UP IN MEXICO OR SOMEPLACE. 322 00:17:55,741 --> 00:17:57,176 SHE WAS ALWAYS-- STOP IT. 323 00:17:58,810 --> 00:18:01,147 I NEED TO LIE DOWN. 324 00:18:01,147 --> 00:18:04,384 OKAY, CHAMP, LET'S ROLL. (sighs) 325 00:18:09,622 --> 00:18:13,025 I'M MAKING SOME TEA. WOULD YOU LIKE A CUP? NO, THANK YOU. 326 00:18:13,025 --> 00:18:15,228 OH, OH, I-I'D LOVE A CUP. THANKS. 327 00:18:18,265 --> 00:18:21,567 LET ME GET YOU A BLANKET. BE RIGHT BACK. 328 00:18:23,970 --> 00:18:26,071 ANSEL, UH, HAD CANCER. 329 00:18:26,071 --> 00:18:28,575 HE'S TOTALLY BETTER NOW BUT STILL WEAK. 330 00:18:28,575 --> 00:18:31,644 (water pouring) IT'S IN REMISSION? 331 00:18:31,644 --> 00:18:34,547 GONE. 100%. WE WERE BLESSED. 332 00:18:34,547 --> 00:18:38,417 EVEN THE DOCTORS WERE AMAZED. 333 00:18:39,551 --> 00:18:42,121 OH, THANK YOU. TELL ME ABOUT YOUR MOTHER. 334 00:18:42,121 --> 00:18:45,458 SURE. I'LL TELL YOU. (sets down mug) 335 00:18:45,458 --> 00:18:48,627 STEALING ALL THAT MONEY AND RUNNING OFF-- 336 00:18:48,627 --> 00:18:50,896 THAT WAS JUST THE ICING ON THE CAKE. 337 00:18:50,896 --> 00:18:53,665 WHEN ANSEL GOT CANCER, HER WAY OF COPING-- 338 00:18:53,665 --> 00:18:56,169 PAINKILLERS AND A SLEAZEBAG LOVER. 339 00:18:56,169 --> 00:18:57,636 THAT'S MOM. 340 00:18:59,572 --> 00:19:01,907 DID YOU KNOW HER LOVER'S NAME? 341 00:19:01,907 --> 00:19:03,309 BODHI ANDROS. 342 00:19:04,743 --> 00:19:07,247 HOW WE FOUND OUT? 343 00:19:07,247 --> 00:19:12,318 (scoffs) ANSEL GOES TO MEET HIS MOM AT HER YOGAROBICS CLASS. 344 00:19:12,318 --> 00:19:16,256 HE FINDS HER BANGING THE TEACHER IN HIS OFFICE. 345 00:19:16,256 --> 00:19:17,923 CAN YOU IMAGINE? 346 00:19:17,923 --> 00:19:19,425 THEN WHAT HAPPENED? 347 00:19:19,425 --> 00:19:21,394 SHE DID HER DANCE. (sighs) 348 00:19:21,394 --> 00:19:24,797 SHE'S SO ASHAMED, SHE'S SO SORRY, 349 00:19:24,797 --> 00:19:26,932 SHE'S CHANGED. 350 00:19:26,932 --> 00:19:28,701 WHATEVER. 351 00:19:28,701 --> 00:19:31,270 AND DAD WAS HALFWAY TO FORGIVING HER. 352 00:19:31,270 --> 00:19:33,772 HE CAN'T HELP IT. HE LOVES HER. 353 00:19:33,772 --> 00:19:36,242 BUT YOU DON'T? LOVE HER? 354 00:19:36,242 --> 00:19:39,378 SHE... NEVER HAD TIME FOR ME. 355 00:19:39,378 --> 00:19:42,815 SO... I COULD ALWAYS SEE THROUGH HER CHARM. 356 00:19:42,815 --> 00:19:43,883 YOU KNOW? 357 00:19:43,883 --> 00:19:46,685 TO THE SELFISH COW BENEATH-- KESSIE! 358 00:19:46,685 --> 00:19:49,689 DON'T TALK THAT WAY. SHE LOVED YOU. 359 00:19:51,258 --> 00:19:54,727 LOOK, SHE'S DEAD. SHOW SOME RESPECT. 360 00:20:00,031 --> 00:20:01,834 SHE WAS A BEAUTIFUL SOUL, 361 00:20:01,834 --> 00:20:04,703 FULL OF JOY AND--AND BIG DREAMS. 362 00:20:04,703 --> 00:20:07,606 AND REALITY JUST KINDA BEAT HER DOWN. 363 00:20:07,606 --> 00:20:10,041 BUT HERE'S THE THING. 364 00:20:10,041 --> 00:20:12,345 IT WAS ONLY BECAUSE THE THEFT WAS IN THE NEWS 365 00:20:12,345 --> 00:20:14,413 THAT THE DOCTORS AT CEDARS OF ZION 366 00:20:14,413 --> 00:20:16,715 HEARD ABOUT ANSEL AND REACHED OUT TO HELP US. 367 00:20:16,715 --> 00:20:20,586 THEY TOOK HIM ON FOR FREE AND THEY SAVED HIS LIFE-- 368 00:20:20,586 --> 00:20:24,691 SAVED HIS LIFE WHEN EVERYBODY SAID THERE WAS NO HOPE. 369 00:20:24,691 --> 00:20:25,958 SO... 370 00:20:25,958 --> 00:20:29,228 YOU KNOW, GOD WORKS IN MYSTERIOUS WAYS. 371 00:20:29,228 --> 00:20:31,397 WELL, YOU KNOW, 372 00:20:31,397 --> 00:20:35,000 GOD DOESN'T NECESSARILY, UH-- THANK YOU VERY MUCH FOR YOU TIME. 373 00:20:35,000 --> 00:20:37,769 YEAH. THANK YOU. 374 00:20:37,769 --> 00:20:39,306 VERY NICE TEA. 375 00:20:42,409 --> 00:20:43,710 OH, UH, I ALMOST FORGOT. 376 00:20:43,710 --> 00:20:46,679 DO EITHER OF YOU KNOW A MILES THORSEN? 377 00:20:46,679 --> 00:20:48,948 UH, NO, I DON'T THINK SO. NO. 378 00:20:48,948 --> 00:20:50,082 YOU SURE? 379 00:20:50,082 --> 00:20:52,183 YEAH. YES. 380 00:20:52,183 --> 00:20:53,819 ALL RIGHT. 381 00:20:56,556 --> 00:20:57,923 ANSEL. 382 00:20:57,923 --> 00:21:00,026 HEY, ANSEL! 383 00:21:01,861 --> 00:21:03,663 YOU KNOW MILES THORSEN? 384 00:21:03,663 --> 00:21:05,765 NO. 385 00:21:05,765 --> 00:21:07,666 OKAY. 386 00:21:07,666 --> 00:21:10,068 BYE. 387 00:21:10,068 --> 00:21:11,703 THANK YOU. 388 00:21:13,339 --> 00:21:15,642 WHO'S MILES THORSEN? NO ONE IN PARTICULAR. 389 00:21:15,642 --> 00:21:18,144 THIS IS WHAT I'M TALKING ABOUT. 390 00:21:18,144 --> 00:21:21,614 OH. NO, ME, TOO. Y-YOU WANT NO FUSS, NO MESS, RIGHT? 391 00:21:21,614 --> 00:21:23,650 I AM CASTING A WIDE, INVISIBLE NET. 392 00:21:23,650 --> 00:21:26,653 THE KILLER WON'T EVEN KNOW HE'S IN IT UNTIL IT'S TOO LATE. 393 00:21:26,653 --> 00:21:28,654 MILES THORSEN IS AN INVISIBLE NET? YES, HE IS. 394 00:21:28,654 --> 00:21:30,823 WE GOT AN ADDRESS ON BODHI ANDROS. 395 00:21:30,823 --> 00:21:33,192 CHO, RIGSBY, GO AND CHECK HIM OUT. 396 00:21:33,192 --> 00:21:35,227 VAN PELT, GET ON THE MONEY TRAIL. 397 00:21:35,227 --> 00:21:37,997 SOMEBODY'S GOT THAT $1 MILLION. START WITH THE DAD 398 00:21:37,997 --> 00:21:40,266 AND THE DAUGHTER. SEE IF EITHER OF THEM'S 399 00:21:40,266 --> 00:21:43,102 BEEN SPENDING MONEY THEY SHOULDN'T HAVE. THEY LOOKED CLEAN TO ME. 400 00:21:43,102 --> 00:21:45,572 OH, DID THEY? OKAY, GREAT. JUST LET THEM BE. 401 00:21:45,572 --> 00:21:47,874 I DON'T... I'LL CHECK 'EM OUT. 402 00:21:47,874 --> 00:21:50,809 OKAY, COME ON. LET'S GET BACK TO SACRAMENTO, GRUMPY. 403 00:21:50,809 --> 00:21:53,579 WHAT'S THE HURRY? I HAVE A MEETING WITH BOSCO. 404 00:21:53,579 --> 00:21:55,247 OH. GOOD LUCK. 405 00:21:55,247 --> 00:21:56,648 (sitar music playing) 406 00:21:56,648 --> 00:21:58,351 GREAT CLASS, GUYS. 407 00:21:58,351 --> 00:22:01,854 HEY, AND LET'S USE THAT FOCUS WE FOUND THROUGHOUT THE WEEK, OKAY? 408 00:22:01,854 --> 00:22:03,321 NAMASTE. 409 00:22:03,321 --> 00:22:04,557 NAMASTE. 410 00:22:04,557 --> 00:22:06,425 OKAY, THANK YOU. 411 00:22:06,425 --> 00:22:07,926 (click, music stops) 412 00:22:07,926 --> 00:22:09,796 (beeping) 413 00:22:09,796 --> 00:22:12,298 (Rigsby) HI. I'M LOOKING FOR BODHI ANDROS. CRAP! 414 00:22:12,298 --> 00:22:15,134 (woman) YEAH, HIS OFFICE IS UPSTAIRS, TO THE RIGHT. 415 00:22:15,134 --> 00:22:16,868 (Cho) THANK YOU. 416 00:22:16,868 --> 00:22:19,571 REMEMBER THAT TIME YOU SAID YOU'D BEEN IN JUVIE? YEP. 417 00:22:19,571 --> 00:22:22,074 YOU NEVER SAID WHAT YOU GOT SENT THERE FOR. 418 00:22:22,074 --> 00:22:23,843 IT'S GANG STUFF. 419 00:22:23,843 --> 00:22:27,012 YOU WERE IN A GANG? WHAT WAS THE NAME OF THE GANG? 420 00:22:27,012 --> 00:22:28,515 AVON PARK PLAYBOYS. 421 00:22:28,515 --> 00:22:29,816 (chuckles) AVON PARK PLAYBOYS? 422 00:22:29,816 --> 00:22:32,384 I DIDN'T CHOOSE THE NAME. (door shuts) 423 00:22:36,221 --> 00:22:39,425 AND, UH, WHAT KIND OF STUFF DID THE PLAYBOYS DO? 424 00:22:39,425 --> 00:22:41,427 NOTHING GOOD. LIKE WHAT? 425 00:22:41,427 --> 00:22:43,430 NOTHING YOU NEED TO KNOW ABOUT. 426 00:22:43,430 --> 00:22:45,230 MM, FAIR ENOUGH. YOUR CALL. 427 00:22:45,230 --> 00:22:47,666 SEE, I DON'T THINK PARTNERS SHOULD HAVE SECRETS, 428 00:22:47,666 --> 00:22:50,769 BUT YOUR CALL. LIKE YOU DON'T HAVE ANY SECRETS. 429 00:22:50,769 --> 00:22:53,405 WHAT'S THE SUPPOSED TO MEAN? YOU KNOW WHAT I MEAN. 430 00:22:53,405 --> 00:22:55,407 HEY, YOU IN THERE. POLICE. 431 00:22:55,407 --> 00:22:57,209 CBI. VERY SLOWLY, STAND UP. 432 00:22:57,209 --> 00:23:00,646 (Bodhi) I'M UNARMED, MAN. I HAVE NO WEAPONS. 433 00:23:00,646 --> 00:23:02,314 WELL, THAT'S GREAT. 434 00:23:02,314 --> 00:23:05,751 SO COME OUT SLOWLY WITH YOUR HANDS ON YOUR HEAD, 435 00:23:05,751 --> 00:23:08,386 AND I WON'T HURT YOU. PROMISE. 436 00:23:08,386 --> 00:23:10,990 OKAY, I'M COMING OUT NOW. DON'T SHOOT. 437 00:23:14,594 --> 00:23:16,796 MORNING, SIR. YOU BODHI ANDROS? 438 00:23:16,796 --> 00:23:18,597 YES, I AM. 439 00:23:18,597 --> 00:23:21,000 TURN AROUND. 440 00:23:29,509 --> 00:23:31,544 HEY. SORRY I'M LATE. BAD TRAFFIC. 441 00:23:31,544 --> 00:23:33,480 HEY. WHAT ARE YOU HAVING? 442 00:23:33,480 --> 00:23:34,846 WHAT ARE YOU HAVING? 443 00:23:34,846 --> 00:23:36,883 WELL, I'LL HAVE A BOTTLE OF WATER, THANKS. 444 00:23:36,883 --> 00:23:40,720 A DOG WITH KRAUT, BOTTLE OF WATER. 445 00:23:42,253 --> 00:23:43,823 (metal clangs) 446 00:23:45,423 --> 00:23:47,026 THANK YOU. 447 00:23:49,828 --> 00:23:52,865 KEEP IT. OH, THANK YOU. 448 00:23:55,166 --> 00:23:56,969 WELL, I'M NOT GONNA LIE. 449 00:23:56,969 --> 00:23:59,672 I'M NOT HAPPY I'M OFF THE RED JOHN CASE. 450 00:23:59,672 --> 00:24:01,272 YOU MIGHT BE RIGHT. 451 00:24:01,272 --> 00:24:04,477 FRESH SET OF EYES MAY BE WHAT'S NEEDED. 452 00:24:04,477 --> 00:24:07,614 NOW HERE'S THE THING, SAM, IF I MAY. 453 00:24:07,614 --> 00:24:09,548 I KNOW THIS CASE. 454 00:24:09,548 --> 00:24:11,349 I CAN BE A VERY GOOD RESOURCE FOR YOU. 455 00:24:11,349 --> 00:24:14,185 IF WE COULD JUST COME TO SOME KIND OF UNDERSTANDING... 456 00:24:14,185 --> 00:24:17,957 YOU WANT ME TO, UH, KEEP YOU UP TO DATE ON THE CASE? 457 00:24:17,957 --> 00:24:18,990 YEAH, SURE. 458 00:24:18,990 --> 00:24:21,359 TELL YOU ABOUT FRESH LEADS, ETCETERA. 459 00:24:21,359 --> 00:24:23,930 YEAH, LET'S JUST KEEP AN OPEN LINE OF COMMUNICATION. 460 00:24:26,766 --> 00:24:27,967 MMM. 461 00:24:27,967 --> 00:24:29,836 GOOD? MMM. 462 00:24:29,836 --> 00:24:33,404 (mouth full) MY WIFE HAS ME ON A DIET. 463 00:24:33,404 --> 00:24:34,707 MM-HMM. 464 00:24:34,707 --> 00:24:37,175 THIS IS LIKE COMMITTIN' ADULTERY HERE. 465 00:24:37,175 --> 00:24:38,810 (chuckles) 466 00:24:40,646 --> 00:24:43,615 LET ME COMMUNICATE THIS TO YOU. 467 00:24:44,851 --> 00:24:47,052 YOU'RE A PARTY ENTERTAINER, 468 00:24:47,052 --> 00:24:49,888 A CLOWN. 469 00:24:49,888 --> 00:24:50,990 FRESH LEADS? 470 00:24:50,990 --> 00:24:53,759 I WOULDN'T TELL YOU WHERE THE BATHROOM IS 471 00:24:53,759 --> 00:24:57,028 IF YOUR ASS WAS ON FIRE. (chuckles) 472 00:24:57,028 --> 00:25:00,266 DO WE HAVE A GOOD UNDERSTANDING NOW? I UNDERSTAND YOU. 473 00:25:00,266 --> 00:25:02,568 IT MAY TAKE YOU SOME TIME TO UNDERSTAND ME. 474 00:25:02,568 --> 00:25:06,905 YOU'RE FILLED WITH EQUAL PARTS SELF-LOATHING AND SELF-LOVE. 475 00:25:06,905 --> 00:25:09,541 YOU'RE ADDICTED TO CONTROL. 476 00:25:09,541 --> 00:25:12,411 YOU'RE TERRIFIED OF CONFINEMENT. YOU'RE-- WHO'S MY FAVORITE BEATLE? 477 00:25:12,411 --> 00:25:13,779 HUH? 478 00:25:13,779 --> 00:25:15,781 YOUR WIFE WANTED YOU TO QUIT THE PSYCHIC TRADE. 479 00:25:15,781 --> 00:25:17,784 SHE BEGGED YOU TO STOP, 480 00:25:17,784 --> 00:25:19,786 BUT YOU WERE MAKING TOO MUCH MONEY. 481 00:25:19,786 --> 00:25:21,788 YOU WERE HAVIN' TOO MUCH FUN. 482 00:25:21,788 --> 00:25:24,355 YOU CAN STILL HEAR HER PLEADING WITH YOU. 483 00:25:24,355 --> 00:25:27,626 HOW AM I DOIN'? YOU READ THE INTERVIEWS IN MY CASE FILE. 484 00:25:27,626 --> 00:25:29,628 YOU CAN READ. VERY IMPRESSIVE. 485 00:25:29,628 --> 00:25:32,632 LOOK, PATRICK, 486 00:25:32,632 --> 00:25:35,134 I'M SORRY TO BE SO BLUNT WITH YOU. 487 00:25:35,134 --> 00:25:37,636 REALLY? 488 00:25:40,873 --> 00:25:45,044 YOU'RE NOT A DETECTIVE. YOU'RE A VICTIM. 489 00:25:51,817 --> 00:25:54,953 (machinery whirring) 490 00:25:58,156 --> 00:26:00,859 YOU NEVER SAID. HOW WAS YOUR MEET WITH BOSCO? 491 00:26:00,859 --> 00:26:02,862 WHAT? I CAN'T HEAR YOU! 492 00:26:02,862 --> 00:26:05,998 (loudly) I SAID, HOW DID IT GO WITH BOSCO? I CAN'T... 493 00:26:09,635 --> 00:26:12,171 HOW DID IT GO WITH BOSCO? 494 00:26:12,171 --> 00:26:15,942 OH. UH... GOOD. IT WAS, UH, IT WAS VERY GOOD. 495 00:26:15,942 --> 00:26:18,778 WE HAD A FRANK EXCHANGE OF VIEWS. 496 00:26:18,778 --> 00:26:20,680 SO HE'S GONNA KEEP US IN THE LOOP? 497 00:26:20,680 --> 00:26:21,948 NO. NO? 498 00:26:21,948 --> 00:26:23,750 WOULDN'T DIRECT ME TO THE BATHROOM 499 00:26:23,750 --> 00:26:26,451 IF MY ASS WAS ON FIRE. THINK THAT'S FUNNY? (chuckles) YEAH. 500 00:26:26,451 --> 00:26:28,287 SO THAT'S MRS. JAFFE OVER THERE. 501 00:26:28,287 --> 00:26:30,288 THANK YOU. SURE. 502 00:26:31,624 --> 00:26:34,359 WHAT ARE YOU GONNA DO? 503 00:26:34,359 --> 00:26:35,394 NOTHING. 504 00:26:35,394 --> 00:26:37,596 NOTHING? 505 00:26:37,596 --> 00:26:41,099 IF YOU SIT DOWN BY THE RIVERBANK AND WAIT LONG ENOUGH, 506 00:26:41,099 --> 00:26:46,337 YOU WILL SEE THE BODIES OF YOUR ENEMIES FLOAT BY. 507 00:26:46,337 --> 00:26:48,007 SHALL WE? 508 00:26:54,279 --> 00:26:55,748 AGENT LISBON, IS IT? 509 00:26:55,748 --> 00:26:57,750 I'M RHONDA JAFFE, COMPANY CHAIRWOMAN. 510 00:26:57,750 --> 00:26:59,585 THIS IS MY COLLEAGUE MR. JANE. HELLO. 511 00:26:59,585 --> 00:27:03,055 HI. THANK YOU SO MUCH FOR TAKING THE TIME TO TALK TO US. 512 00:27:03,055 --> 00:27:05,057 OH, NOT AT ALL. AND YOU WANTED TO MEET WITH 513 00:27:05,057 --> 00:27:07,425 MY FINANCE DIRECTOR GREG HUMPHREY? YES, MA'AM. 514 00:27:07,425 --> 00:27:09,895 ALL RIGHT. WELL, LET'S SPEAK IN MY OFFICE. 515 00:27:09,895 --> 00:27:12,097 DID YOU KNOW MONICA DUNNINGER? 516 00:27:12,097 --> 00:27:14,099 OH, YEAH. I KNOW EVERYONE ON STAFF. 517 00:27:14,099 --> 00:27:17,469 SO SAD. THE WHOLE THING IS JUST SO SAD. 518 00:27:17,469 --> 00:27:18,971 THE POOR WOMAN. 519 00:27:18,971 --> 00:27:21,941 MORE TROUBLED THAN CONNIVING, I'M SURE. 520 00:27:21,941 --> 00:27:24,542 AND YOU KNOW, IT'S NOT THE MONEY. 521 00:27:24,542 --> 00:27:26,813 IT'S MORE THE LOSS OF TRUST. 522 00:27:26,813 --> 00:27:28,980 THIS IS VERY, VERY MUCH A FAMILY FIRM. 523 00:27:28,980 --> 00:27:31,116 AND MY FATHER ALWAYS USED TO SAY, 524 00:27:31,116 --> 00:27:34,787 JAFFE PRINTING IS ABOUT VALUES, NOT ABOUT MACHINERY. 525 00:27:34,787 --> 00:27:36,788 (elevator bell dings) DO YOU KNOW MILES THORSEN? 526 00:27:36,788 --> 00:27:39,290 MILES THORSEN? NO. 527 00:27:39,290 --> 00:27:41,027 ARE YOU SURE? YES. 528 00:27:41,027 --> 00:27:42,528 (under breath) SERIOUSLY, STOP IT. 529 00:27:42,528 --> 00:27:45,230 RELAX. 530 00:27:45,230 --> 00:27:48,267 I SAVED HER LIFE. SHE RESENTS ME. 531 00:27:48,267 --> 00:27:49,836 OH, REALLY? 532 00:27:52,270 --> 00:27:54,605 (beep) JILL? 533 00:27:54,605 --> 00:27:57,476 (beep) 534 00:27:57,476 --> 00:27:59,677 (beep) JILL? 535 00:27:59,677 --> 00:28:01,748 JILL, WHERE HAS GREG HUMPHREY GONE TO? 536 00:28:01,748 --> 00:28:04,316 HE'S SUPPOSED TO BE IN HERE. 537 00:28:04,316 --> 00:28:05,785 (beep) HELLO? 538 00:28:05,785 --> 00:28:08,487 (beep) (man) HEY. 539 00:28:08,487 --> 00:28:10,521 HUMBLE APOLOGIES. 540 00:28:10,521 --> 00:28:13,092 SMALL CRISIS ON THE INVENTORY DESK. OKAY. MM-HMM. 541 00:28:13,092 --> 00:28:16,494 SOLVED. UH, GREG HUMPHREY. GOOD TO MEET YOU. 542 00:28:16,494 --> 00:28:18,297 PATRICK JANE. 543 00:28:18,297 --> 00:28:20,932 WE'RE INVESTIGATING THE MURDER OF MONICA DUNNINGER. YES. 544 00:28:20,932 --> 00:28:23,368 TERRIBLE. HORRIBLE. 545 00:28:23,368 --> 00:28:25,636 YOU WERE HER DIRECT SUPERVISOR, IS THAT RIGHT? 546 00:28:25,636 --> 00:28:27,439 I KNOW WHAT YOU'RE GONNA SAY, 547 00:28:27,439 --> 00:28:30,742 AND YES, YES, IT WAS MY FAULT THAT SHE STOLE FROM US. 548 00:28:30,742 --> 00:28:36,248 MEA CULPA. I-I SHOULD'VE KNOWN. GREG IS LIKE FAMILY PRACTICALLY. WE ALL MAKE MISTAKES. 549 00:28:36,248 --> 00:28:38,951 WE LIVE, WE LEARN, WE MOVE ON. 550 00:28:38,951 --> 00:28:41,319 UH, CAN YOU EXPLAIN TO US HOW SHE DID IT? 551 00:28:41,319 --> 00:28:42,989 IN LAYMAN'S TERMS? 552 00:28:42,989 --> 00:28:44,990 UH, BEEN THERE, DONE THAT 553 00:28:44,990 --> 00:28:47,292 WITH THE TOP MEN FROM THE FBI FINANCIAL UNIT. 554 00:28:47,292 --> 00:28:50,429 DO WE REALLY NEED TO GO OVER IT AGAIN? YES. 555 00:28:50,429 --> 00:28:52,798 NO PROBLEM. 556 00:28:56,567 --> 00:28:58,904 THANK YOU. 557 00:28:58,904 --> 00:29:01,973 WHAT EXACTLY WAS HER POSITION HERE? 558 00:29:01,973 --> 00:29:03,642 ASSISTANT OFFICE MANAGER. 559 00:29:03,642 --> 00:29:05,845 SHE KEPT THE PETTY CASH ACCOUNTS. 560 00:29:05,845 --> 00:29:08,413 COFFEE AND DOUGHNUT MONITOR ESSENTIALLY. 561 00:29:08,413 --> 00:29:11,416 THIS WAS HER OFFICE. 562 00:29:11,416 --> 00:29:14,053 HOW DID SHE MANAGE TO STEAL SO MUCH MONEY? 563 00:29:14,053 --> 00:29:16,355 WHEN THE ACCOUNTING AND FINANCE SYSTEMS WERE INTEGRATED, 564 00:29:16,355 --> 00:29:19,157 NOBODY THOUGHT TO FIREWALL THE PETTY CASH ACCOUNTS. 565 00:29:19,157 --> 00:29:23,429 MONICA ACQUIRED USER ACCESS TO THE TRANSACTIONAL SITES 566 00:29:23,429 --> 00:29:25,230 AND CREATED A FALSE VENDOR. 567 00:29:25,230 --> 00:29:27,398 I DIDN'T THINK SHE HAD THE BRAINS, TO BE HONEST. 568 00:29:27,398 --> 00:29:30,269 WE DON'T KNOW EXACTLY HOW SHE DID IT 569 00:29:30,269 --> 00:29:33,239 BECAUSE SHE FRIED HER HARD DRIVE 570 00:29:33,239 --> 00:29:35,240 AND SHE TOOK HER ACCOUNTS BOOK WITH HER. 571 00:29:35,240 --> 00:29:37,943 ARE WE ABOUT TO LOOK AT A WHOLE BUNCH OF NUMBERS? 572 00:29:37,943 --> 00:29:39,979 PROBABLY. 573 00:29:39,979 --> 00:29:42,181 ALL RIGHT. I'LL WAIT IN THE CAR. 574 00:29:42,181 --> 00:29:44,182 GO. 575 00:29:44,182 --> 00:29:47,052 DO YOU KNOW A MAN NAMED MILES THORSEN? 576 00:29:47,052 --> 00:29:49,188 NO. 577 00:29:49,188 --> 00:29:51,789 YOU SURE? THINK ABOUT IT. 578 00:29:51,789 --> 00:29:54,226 I'M SURE. WHO IS HE? 579 00:29:54,226 --> 00:29:56,828 NEVER MIND. (Lisbon) PLEASE CONTINUE. 580 00:29:56,828 --> 00:29:59,131 (cell phone rings, beep) WOULD YOU EXCUSE ME? 581 00:29:59,131 --> 00:30:01,834 MM-HMM. Boss, I think I found something. 582 00:30:01,834 --> 00:30:03,634 THE VICTIM'S DAUGHTER, KESSIE DUNNINGER-- 583 00:30:03,634 --> 00:30:05,938 SHE HANDLES THE FAMILY MONEY, PAYS THE BILLS. 584 00:30:05,938 --> 00:30:07,940 FIVE MONTHS AGO, SHE STOPPED PAYING THE RENT 585 00:30:07,940 --> 00:30:10,076 BY STANDING ORDER, SWITCHED TO CASH. 586 00:30:10,076 --> 00:30:13,244 SAME THING WITH THE UTILITY BILLS. PAID IN CASH. 587 00:30:13,244 --> 00:30:15,047 NICE WORK. GO AND TALK TO HER. 588 00:30:15,047 --> 00:30:18,851 SHE DOESN'T HAVE A GOOD ANSWER, BRING HER IN. WILL DO, BOSS. 589 00:30:18,851 --> 00:30:20,286 (whispers) YES! 590 00:30:20,286 --> 00:30:23,221 (keys jingling) 591 00:30:28,894 --> 00:30:31,730 WHY DID YOU HIDE FROM US, BODHI? 592 00:30:31,730 --> 00:30:34,665 FEAR, MAN. FEAR. 593 00:30:34,665 --> 00:30:37,736 I'VE BEEN FRIGHTENED FOR MY LIFE EVER SINCE I HEARD. 594 00:30:37,736 --> 00:30:39,137 WHY? 595 00:30:39,137 --> 00:30:40,638 WHO KILLED HER? 596 00:30:40,638 --> 00:30:43,174 EITHER IT WAS HER GOOBER HUSBAND FINALLY SNAPPED, 597 00:30:43,174 --> 00:30:45,411 WHICH PUTS ME NEXT IN LINE, 598 00:30:45,411 --> 00:30:48,579 OR IT'S WHOEVER SHE WENT INTO BUSINESS WITH, 599 00:30:48,579 --> 00:30:52,151 AND MAYBE THEY THINK I KNOW TOO MUCH. SHE WAS IN BUSINESS WITH SOMEONE? 600 00:30:52,151 --> 00:30:54,153 JUST BEFORE SHE DISAPPEARED, SHE CAME BY TO SEE ME, 601 00:30:54,153 --> 00:30:56,521 TOLD ME SHE MADE A BUSINESS DEAL WITH SOMEONE 602 00:30:56,521 --> 00:30:59,857 THAT WOULD MAKE EVERYTHING ALL RIGHT. A BUSINESS DEAL? WERE THOSE THE WORDS SHE USED? 603 00:30:59,857 --> 00:31:01,160 YEP. 604 00:31:01,160 --> 00:31:03,662 SHE WAS STARTING A NEW DAY IN HER LIFE 605 00:31:03,662 --> 00:31:06,332 AND WANTED TO MAKE AMENDS AND APOLOGIZE 606 00:31:06,332 --> 00:31:09,167 FOR BEING SUCH A PAIN IN THE BUTT, 607 00:31:09,167 --> 00:31:11,037 WHICH SHE WAS. HOW SO? 608 00:31:11,037 --> 00:31:13,172 SHE WAS WAY TOO DEEP INTO HER FAMILY 609 00:31:13,172 --> 00:31:15,307 AND TO HER KIDS AND ALL THAT CRAP. 610 00:31:15,307 --> 00:31:18,309 MM-HMM. LOVED THOSE KIDS. 611 00:31:18,309 --> 00:31:21,380 WHY DO I WANT TO TALK TO HER ABOUT HER SICK BOY? 612 00:31:21,380 --> 00:31:23,950 LIKE I CAN HELP? YOU'RE NOT A DOCTOR. 613 00:31:23,950 --> 00:31:25,917 EXACTLY. 614 00:31:25,917 --> 00:31:28,220 WHEN WE WERE CAUGHT BY THAT KID, 615 00:31:28,220 --> 00:31:31,156 SHE JUST... WENT TO PIECES, YOU KNOW? 616 00:31:31,156 --> 00:31:33,192 AND I'M LIKE, 617 00:31:33,192 --> 00:31:37,796 DON'T GET SO DOWN ON YOURSELF. 618 00:31:37,796 --> 00:31:41,599 YOU GOTTA LOVE YOU EVEN IF YOU'RE A TOTAL SCREW UP, RIGHT? 619 00:31:41,599 --> 00:31:44,635 THE GREATEST... LOVE... 620 00:31:44,635 --> 00:31:46,305 OF ALL. 621 00:31:46,305 --> 00:31:50,175 WHITNEY WAS RIGHT, AS USUAL. 622 00:31:52,077 --> 00:31:53,479 (whispers) RIGHT. 623 00:31:53,479 --> 00:31:56,147 (normal voice) YOU KNOW A MAN NAMED MILES THORSEN? 624 00:31:56,147 --> 00:31:57,648 NO. WHO'S HE? 625 00:31:57,648 --> 00:31:59,417 I DON'T KNOW. 626 00:32:14,599 --> 00:32:16,801 IS THAT ENOUGH SUGAR? 627 00:32:16,801 --> 00:32:18,636 YES. THANK YOU. 628 00:32:20,138 --> 00:32:23,142 SO, KESSIE, TELL ME ABOUT THE MONEY. 629 00:32:23,142 --> 00:32:26,377 ABOUT A MONTH AFTER SHE RAN OFF, MOM CALLED ME, 630 00:32:26,377 --> 00:32:29,080 SAID SHE WANTED TO HELP US OUT, 631 00:32:29,080 --> 00:32:31,383 WANTED TO KNOW HOW ANSEL WAS DOING. 632 00:32:31,383 --> 00:32:36,387 SHE LOVES US SO MUCH, BLAH, BLAH, BLAH. 633 00:32:36,387 --> 00:32:39,857 I TOLD HER TO GO TO HELL, AND I HUNG UP. 634 00:32:39,857 --> 00:32:43,662 2 DAYS LATER, I GOT A LETTER WITH $5,000 IN CASH INSIDE. 635 00:32:43,662 --> 00:32:46,132 (Van Pelt) ANY MESSAGE? 636 00:32:46,132 --> 00:32:48,233 JUST "LOVE, MOM." 637 00:32:48,233 --> 00:32:49,835 THAT WAS IT. 638 00:32:49,835 --> 00:32:53,505 WHAT WAS I SUPPOSED TO DO, GIVE IT TO THE POLICE? 639 00:32:53,505 --> 00:32:54,806 ACTUALLY, YES. 640 00:32:54,806 --> 00:32:58,477 WELL, I DIDN'T. WE REALLY NEEDED THE MONEY. 641 00:32:58,477 --> 00:33:01,813 DID YOU EVER TELL YOUR DAD ABOUT THE MONEY? 642 00:33:01,813 --> 00:33:05,084 NO. NO. 643 00:33:05,084 --> 00:33:07,919 HOW OFTEN DID SHE SEND YOU MONEY? 644 00:33:07,919 --> 00:33:10,056 $5,000 EVERY MONTH. 645 00:33:10,056 --> 00:33:12,990 DID YOU EVER WRITE BACK TO HER? 646 00:33:12,990 --> 00:33:13,959 NO. 647 00:33:13,959 --> 00:33:15,993 I LIKE HER FOR THIS. 648 00:33:15,993 --> 00:33:17,796 HOW SO? SHE DESPISES MOM. 649 00:33:17,796 --> 00:33:20,298 (opens door) MOM'S GOT $1 MILLION STOLEN DOLLARS, 650 00:33:20,298 --> 00:33:22,733 GETS IN CONTACT SECRETLY. DO THE MATH. 651 00:33:22,733 --> 00:33:23,902 MAYBE. 652 00:33:23,902 --> 00:33:25,371 NO? WHAT'S YOUR TAKE? 653 00:33:25,371 --> 00:33:27,573 I'D BE GUESSING. COULD BE ANYBODY. 654 00:33:27,573 --> 00:33:30,875 NOT ANYBODY. YOU DIDN'T DO IT. I DIDN'T DO IT. 655 00:33:30,875 --> 00:33:32,243 YOU'RE DISTRACTED. 656 00:33:32,243 --> 00:33:34,945 YOU'RE THINKING ABOUT BOSCO AND RED JOHN. 657 00:33:34,945 --> 00:33:36,748 FOCUS ON THE JOB AT HAND. 658 00:33:36,748 --> 00:33:39,351 YOU'RE GLAD BOSCO HAS THE RED JOHN CASE, AREN'T YOU? 659 00:33:39,351 --> 00:33:42,054 BOSCO IS A GOOD AGENT. HE'S AS GOOD AS THEY COME. 660 00:33:42,054 --> 00:33:43,788 IT MIGHT NOT BE SUCH A BAD THING 661 00:33:43,788 --> 00:33:45,856 THAT WE'RE OFF THE CASE FOR A WHILE. WE GOT TOO CLOSE. 662 00:33:45,856 --> 00:33:48,359 IS THAT WHAT YOUR SHRINK TELLS YOU? EVERYBODY TELLS ME THAT. 663 00:33:48,359 --> 00:33:50,761 BUT YOUR SHRINK DID TELL YOU THAT, DIDN'T HE? 664 00:33:50,761 --> 00:33:53,565 OKAY, MAY--MAYBE YOU'RE RIGHT. MAYBE--MAYBE THAT'S THE TRUTH. 665 00:33:53,565 --> 00:33:55,567 MAYBE WE DID GET A LITTLE TOO CLOSE. 666 00:33:55,567 --> 00:33:57,769 I'M NOT SO SURE. BUT I'LL THINK ABOUT IT. LIAR. 667 00:33:57,769 --> 00:33:59,070 I'VE GOT A DEPOSITION. 668 00:33:59,070 --> 00:34:00,905 SEE THAT BOX OVER THERE? (slaps leg) 669 00:34:00,905 --> 00:34:03,775 IT'S GOT MONICA DUNNINGER'S POSSESSIONS IN IT. 670 00:34:03,775 --> 00:34:07,113 GO THROUGH IT, SEE WHAT YOU CAN SEE. YES, MA'AM. 671 00:34:10,748 --> 00:34:13,652 UH, WHO WANTS TO COME WITH ME OUT TO TWENTY PALMS 672 00:34:13,652 --> 00:34:15,653 TO CATCH THE KILLER? 673 00:34:15,653 --> 00:34:17,722 DID LISBON OKAY THIS? 674 00:34:17,722 --> 00:34:18,824 OF COURSE. 675 00:34:31,103 --> 00:34:33,038 WHAT IS THIS PLACE? GUESS. 676 00:34:33,038 --> 00:34:34,739 MILES THORSEN'S HOUSE. 677 00:34:34,739 --> 00:34:36,041 EXACTLY. 678 00:34:36,041 --> 00:34:37,708 WHO'S MILES THORSEN? 679 00:34:37,708 --> 00:34:39,710 OH, UH... 680 00:34:39,710 --> 00:34:41,246 I HAVE NO IDEA. 681 00:34:41,246 --> 00:34:43,614 ALL RIGHT, FINE. DON'T TELL ME. 682 00:34:49,487 --> 00:34:51,789 ISN'T THAT YOUR NUMBER? UH, YEAH, THAT'S MY NUMBER. 683 00:34:51,789 --> 00:34:54,260 THAT'S IN CASE THE KILLER GETS HERE BEFORE US. 684 00:34:54,260 --> 00:34:56,362 THAT WAY, HE'LL CALL US. 685 00:34:56,362 --> 00:34:59,030 WHAT'S THAT OVER THERE? 686 00:34:59,030 --> 00:35:00,898 (door rattling) 687 00:35:00,898 --> 00:35:03,902 HEY, WE HAVE NO WARRANT. DON'T YOU HEAR SOMEONE YELLING IN THERE? 688 00:35:03,902 --> 00:35:05,204 NO. 689 00:35:05,204 --> 00:35:07,806 I HEARD SOMETHING. THERE'S NO YELLING. 690 00:35:07,806 --> 00:35:11,143 I HAVE PERFECT HEARING. I COULD SWEAR I HEARD SOMEONE. 691 00:35:17,815 --> 00:35:20,518 (sighs) OKAY, SO WHAT ARE WE DOING HERE? 692 00:35:20,518 --> 00:35:22,188 (sighs) EVERYBODY INVOLVED 693 00:35:22,188 --> 00:35:24,755 IS WONDERING WHO MILES THORSEN IS. 694 00:35:24,755 --> 00:35:25,956 HUH? 695 00:35:25,956 --> 00:35:30,094 THE KILLER WILL BE DOUBLY CURIOUS. TRIPLY, EVEN. 696 00:35:30,094 --> 00:35:32,097 MAYBE THE MYSTERIOUS MILES THORSEN 697 00:35:32,097 --> 00:35:34,532 HAS WHAT THE KILLER IS LOOKING FOR, WHAT HE DIDN'T FIND. 698 00:35:34,532 --> 00:35:36,802 WHEN THEY LOOK HIM UP, THEY'LL LEARN THERE'S A MILES THORSEN 699 00:35:36,802 --> 00:35:39,304 WHO LIVES RIGHT AROUND THE CORNER FROM MONICA. 700 00:35:39,304 --> 00:35:41,873 HEY, PRESTO. THIS IS EXACTLY THE KIND OF STUFF 701 00:35:41,873 --> 00:35:43,375 THE BOSS WAS TALKING ABOUT. 702 00:35:43,375 --> 00:35:45,911 SHE DIDN'T OKAY THIS AT ALL, DID SHE? SO SHOOT ME. 703 00:35:45,911 --> 00:35:48,380 "THE FAX MACHINE REVOLUTION-- 704 00:35:48,380 --> 00:35:50,815 THE LITTLE BOX THAT'S CHANGING OUR WORLD." 705 00:35:50,815 --> 00:35:53,684 WHY WOULD MONICA DUNNINGER BE READING THIS BOOK? 706 00:35:53,684 --> 00:35:57,856 YOU, CHO, SHOULDN'T ENABLE THIS KIND OF CRAP. WE'RE NOT DOING ANYTHING WRONG. WHAT'S THE PROBLEM? 707 00:35:57,856 --> 00:36:01,860 UH, BURGLARY, TRESPASSING, WILLFUL DAMAGE TO PROPERTY. 708 00:36:01,860 --> 00:36:04,161 YEAH, DOOR WAS OPEN. UH, NO, IT WASN'T. 709 00:36:04,161 --> 00:36:06,764 AHA! OF COURSE. 710 00:36:06,764 --> 00:36:08,400 WHAT? 711 00:36:08,400 --> 00:36:10,235 RIGSBY, YOU'RE RIGHT. YOU SHOULDN'T BE HERE. 712 00:36:10,235 --> 00:36:13,003 LET US TAKE THIS. YOU GO FIND THE NEAREST LIBRARY. WHY? 713 00:36:13,003 --> 00:36:14,905 (sighs) 714 00:36:14,905 --> 00:36:18,510 YOUR PUNISHMENT FOR BEING A WUSS IS I'M NOT GONNA TELL YA. OH, COME ON. 715 00:36:18,510 --> 00:36:22,813 NOPE, I'M NOT GONNA TELL YOU. FINE. FINE. WHATEVER. 716 00:36:22,813 --> 00:36:24,815 CALL WHEN YOU'RE THERE. 717 00:36:24,815 --> 00:36:26,284 (Rigsby) OH, HO! 718 00:36:26,284 --> 00:36:28,052 (door opens and closes) 719 00:36:28,052 --> 00:36:31,889 SO WHAT'S THE GAG? OH, THERE'S NO GAG. SOLVE THE CASE. 720 00:36:31,889 --> 00:36:34,192 I THOUGHT YOU ALREADY DID THAT. 721 00:36:34,192 --> 00:36:36,193 I THOUGHT THAT'S WHY WE'RE WAITING HERE. 722 00:36:36,193 --> 00:36:38,929 NOPE. THIS IS, UH... 723 00:36:38,929 --> 00:36:40,164 WELL... 724 00:36:40,164 --> 00:36:42,900 THIS IS MORE OF A FISHING EXPEDITION. 725 00:36:42,900 --> 00:36:46,304 YOU KNOW, MAYBE WE GET A BITE. MAYBE WE DON'T. 726 00:36:46,304 --> 00:36:48,106 THAT'S THE FUN OF IT. 727 00:36:48,106 --> 00:36:52,744 WE JUST SIT BACK, RELAX, DANGLE OUR FEET IN THE WATER. 728 00:37:03,822 --> 00:37:06,925 THIS GUY PREDICTED THAT BY THE YEAR 2000, 729 00:37:06,925 --> 00:37:12,097 EVERY AMERICAN HOUSEHOLD WILL HAVE A FAX MACHINE. 730 00:37:12,097 --> 00:37:14,199 CAN YOU BELIEVE THAT? 731 00:37:14,199 --> 00:37:16,835 I HAD A FAX MACHINE. 732 00:37:16,835 --> 00:37:18,068 YOU? 733 00:37:18,068 --> 00:37:19,271 YEAH. 734 00:37:19,271 --> 00:37:22,641 WOW. NOSTRADAMUS OF OFFICE EQUIPMENT. 735 00:37:22,641 --> 00:37:24,643 SEE, THIS IS WHY I DON'T LIKE FISHING. 736 00:37:24,643 --> 00:37:26,644 WE'RE NOT GONNA CATCH ANYTHING. 737 00:37:26,644 --> 00:37:29,447 WE HAVE SOME VERY TASTY BAIT. I'M VERY CONFIDENT. 738 00:37:29,447 --> 00:37:31,483 DID YOU CONSIDER THAT THE KILLER FOUND THE MONEY ALREADY? 739 00:37:31,483 --> 00:37:34,085 I DON'T THINK IT WAS MONEY THEY WERE LOOKING FOR. 740 00:37:34,085 --> 00:37:35,887 I DON'T THINK MONICA EVER HAD IT. 741 00:37:35,887 --> 00:37:38,590 THEN WHAT DID SHE HAVE THEN? AND WHO HAS THE MONEY? 742 00:37:38,590 --> 00:37:40,592 (man) GREAT BONES, ORIGINAL MID CENTURY DETAIL. 743 00:37:40,592 --> 00:37:42,893 GREAT NEW COPPER PIPING THAT-- (door creaks) 744 00:37:42,893 --> 00:37:44,530 HELLO. 745 00:37:44,530 --> 00:37:46,797 DID YOU HAVE A FAX MACHINE IN 2000? 746 00:37:46,797 --> 00:37:48,534 UM... HI? 747 00:37:48,534 --> 00:37:50,536 NO CAUSE FOR ALARM, SIR. 748 00:37:50,536 --> 00:37:53,639 WE'RE LAW ENFORCEMENT OFFICERS. CBI. 749 00:37:56,106 --> 00:37:58,909 "KIMBALL... CHO." OKAY. 750 00:37:58,909 --> 00:38:01,579 WHAT ARE YOU DOING HERE, KIMBALL? IS THERE A PROBLEM? 751 00:38:01,579 --> 00:38:03,581 IT'S AN ONGOING INVESTIGATION, SIR. 752 00:38:03,581 --> 00:38:06,918 WE CAN'T GIVE OUT ANY DETAILS. GRISLY HOMICIDE, THOUGH. 753 00:38:08,653 --> 00:38:13,492 WHY DON'T WE TAKE A LOOK AT THAT DUPLEX ON ROYSTON? SHALL WE? 754 00:38:13,492 --> 00:38:14,960 THAT'S A GOOD CALL. 755 00:38:16,795 --> 00:38:18,797 (door creaks) 756 00:38:18,797 --> 00:38:20,699 (sighs) DAMN IT. 757 00:38:20,699 --> 00:38:21,833 RELAX. 758 00:38:21,833 --> 00:38:23,201 HE GOT MY NAME. 759 00:38:23,201 --> 00:38:26,237 WELL, YOU SPOKE THE TRUTH. WE ARE AN ONGOING INVESTIGATION. 760 00:38:26,237 --> 00:38:29,139 YEAH, BUT WE'RE SUPPOSED TO BE WORKING 100% STRAIGHT. 761 00:38:29,139 --> 00:38:30,442 THIS IS NOT THAT. 762 00:38:30,442 --> 00:38:32,978 (door creaks) 763 00:38:36,181 --> 00:38:38,416 OH. 764 00:38:38,416 --> 00:38:41,786 I'M--I'M SORRY. WRONG ADDRESS. 765 00:38:41,786 --> 00:38:44,489 WHOA! WHOA! RHONDA! COME BACK. 766 00:38:45,824 --> 00:38:48,559 (sighs) 767 00:38:48,559 --> 00:38:51,563 I'M HERE OUT OF CURIOSITY, THAT'S ALL. 768 00:38:51,563 --> 00:38:54,865 WELL, OF COURSE. 769 00:38:57,268 --> 00:38:59,804 I'VE GOT NOTHING ELSE TO SAY WITHOUT MY LAWYER. 770 00:38:59,804 --> 00:39:02,273 YOU DON'T NEED TO SAY ANYTHING. 771 00:39:02,273 --> 00:39:05,076 I KNEW IT WAS YOU FROM THE START. 772 00:39:05,076 --> 00:39:06,911 THANKS FOR SHARING. 773 00:39:06,911 --> 00:39:10,047 WELL, WHEN I SAY I-I KNEW IT WAS HER, I-I MEAN, 774 00:39:10,047 --> 00:39:12,784 I-I GUESSED, I SUBCONSCIOUSLY THOUGHT IT WAS HER 775 00:39:12,784 --> 00:39:16,286 WHEN I SAW A PHOTO OF HER HOLDING A LARGE CHECK 776 00:39:16,286 --> 00:39:18,356 OUTSIDE CEDARS OF ZION. 777 00:39:19,590 --> 00:39:21,592 IT WAS YOU THAT STOLE THE $1 MILLION 778 00:39:21,592 --> 00:39:23,628 FROM YOUR OWN COMPANY. 779 00:39:23,628 --> 00:39:25,831 (scoffs) WHY WOULD I DO THAT? 780 00:39:25,831 --> 00:39:27,865 WELL, DEGENERATE GAMBLING WOULD BE MY GUESS. 781 00:39:27,865 --> 00:39:31,637 BUT WHATEVER YOUR PROBLEM IS, WHEN THREATENED WITH EXPOSURE, 782 00:39:31,637 --> 00:39:33,672 YOU MADE A DEAL WITH POOR MONICA. 783 00:39:33,672 --> 00:39:37,409 IF SHE'D TAKE THE BLAME AND DISAPPEAR, 784 00:39:37,409 --> 00:39:38,876 YOU'D GET ANSEL INTO 785 00:39:38,876 --> 00:39:40,878 THE BEST CANCER PROGRAM IN CALIFORNIA 786 00:39:40,878 --> 00:39:44,014 AND PAY HER A MONTHLY WAGE TO STAY GONE. 787 00:39:44,014 --> 00:39:45,784 THAT'S ABSURD. 788 00:39:45,784 --> 00:39:47,786 BUT THEN ANSEL GOT CURED, 789 00:39:47,786 --> 00:39:50,489 AND THERE'S NO WAY MONICA WAS GONNA STAY GONE, 790 00:39:50,489 --> 00:39:52,090 NOT MUCH LONGER. 791 00:39:52,090 --> 00:39:54,092 THEN YOU HAD TO SILENCE HER. 792 00:39:54,092 --> 00:39:56,393 THAT'S PURE FICTION. 793 00:39:56,393 --> 00:39:58,597 YOU HAVE NO PROOF AT ALL. 794 00:39:58,597 --> 00:40:00,398 OH. OH. WE--WE HAVE PROOF. 795 00:40:00,398 --> 00:40:01,833 WAIT. 796 00:40:01,833 --> 00:40:04,469 YEAH, WHERE IS IT? HERE IT IS. YEP. (clears throat) 797 00:40:04,469 --> 00:40:06,170 THIS IS GONNA BE GOOD. (beep) 798 00:40:06,170 --> 00:40:09,940 (dialing) 799 00:40:09,940 --> 00:40:11,476 YEP, I'M HERE. 800 00:40:11,476 --> 00:40:13,177 I KNOW, I KNOW. 801 00:40:13,177 --> 00:40:15,880 "THE FAX MACHINE REVOLUTION" IS A LIBRARY BOOK, 802 00:40:15,880 --> 00:40:18,717 AND MONICA DUNNINGER SWAPPED IT. 803 00:40:18,717 --> 00:40:22,019 HOLD ON. I'M CHECKING IT. 804 00:40:22,019 --> 00:40:23,954 ALL RIGHT. 805 00:40:23,954 --> 00:40:25,824 GOT IT. WAIT UP. 806 00:40:29,159 --> 00:40:31,929 LOOKS LIKE AN ACCOUNTS BOOK. 807 00:40:34,032 --> 00:40:35,934 THERE'S A DVD IN IT. 808 00:40:35,934 --> 00:40:39,436 (Monica) THIS IS JUST TO SAY THAT... 809 00:40:39,436 --> 00:40:42,340 IN CASE SOMETHING HAPPENS TO ME, 810 00:40:42,340 --> 00:40:45,643 THAT I SWEAR ON THE BIBLE 811 00:40:45,643 --> 00:40:48,346 THAT EVERYTHING IN THE ACCOUNT BOOK 812 00:40:48,346 --> 00:40:51,248 IS THE TRUTH. 813 00:40:51,248 --> 00:40:53,050 I KNOW THAT I'VE PRETTY MUCH 814 00:40:53,050 --> 00:40:55,753 LOST YOUR LOVE AND RESPECT FOR GOOD. 815 00:40:55,753 --> 00:40:59,891 BUT I HOPE THAT THIS DEAL THAT I'VE MADE 816 00:40:59,891 --> 00:41:02,494 WOULD HELP ANSEL GET BETTER 817 00:41:02,494 --> 00:41:08,132 AND WILL MAKE UP FOR SOME OF THE HURT THAT I'VE CAUSED. 818 00:41:09,800 --> 00:41:14,239 I LOVE YOU ALL SO MUCH, 819 00:41:14,239 --> 00:41:17,876 ESPECIALLY YOU, KESSIE, 820 00:41:17,876 --> 00:41:20,846 EVEN THOUGH YOU THINK I DON'T. 821 00:41:22,847 --> 00:41:27,652 I'M JUST SO SORRY FOR THIS MESS THAT I'VE MADE. 822 00:41:29,086 --> 00:41:31,188 PLEASE FORGIVE ME. 823 00:41:33,423 --> 00:41:34,559 GOOD-BYE. 824 00:41:34,559 --> 00:41:36,762 (TV turns off) 825 00:41:38,929 --> 00:41:40,931 THE BOOK SPELLS OUT THE DEAL. 826 00:41:40,931 --> 00:41:43,201 MONICA TOOK THE FALL FOR HER BOSS 827 00:41:43,201 --> 00:41:46,572 SO THAT ANSEL WOULD HAVE THE BEST POSSIBLE TREATMENT. 828 00:41:56,146 --> 00:41:58,083 NICE WORK. 829 00:42:04,054 --> 00:42:06,958 (sobbing) 830 00:42:11,128 --> 00:42:12,429 (whispers) OH. 831 00:42:12,429 --> 00:42:15,567 (Kessie continues sobbing) 832 00:42:17,034 --> 00:42:19,737 (imitating Bosco) OH, HI. SAM BOSCO HERE. 833 00:42:19,737 --> 00:42:22,007 CBI MAJOR CRIMES PROGRAM. QUESTION. 834 00:42:22,007 --> 00:42:25,476 HOW DO I GO ABOUT CHANGING MY IN-HOUSE ACCESS PASSCODE? 835 00:42:25,476 --> 00:42:30,248 I GOT STRONG REASON TO BELIEVE IT'S BEEN COMPROMISED. 836 00:42:32,083 --> 00:42:34,518 YEAH, GREAT. 837 00:42:34,518 --> 00:42:36,822 SURE. SURE, I CAN HOLD.