1 00:00:02,333 --> 00:00:05,343 (mariachi band playing) (Queens accent) UH, YEAH, SO I'D LIKE TO-- 2 00:00:05,336 --> 00:00:07,676 I'D LIKE TO DEDICATE THIS SONG TO MY-- 3 00:00:07,678 --> 00:00:10,678 I GUESS, AS OF 4 HOURS AND 28 MINUTES AGO, 4 00:00:10,681 --> 00:00:12,281 MY EX-BOYFRIEND. 5 00:00:12,283 --> 00:00:14,493 KEEP IT SLOW, BOYS. 6 00:00:14,485 --> 00:00:17,485 ♪♪ 7 00:00:17,488 --> 00:00:19,488 ♪ UPTOWN BOY ♪ 8 00:00:19,490 --> 00:00:22,120 WHISKEY NEAT AND A MERLOT. 9 00:00:22,123 --> 00:00:25,663 ♪ LIVING IN HIS UPTOWN WORLD ♪ 10 00:00:25,656 --> 00:00:28,496 CAN'T YOU JUST SHOOT HER WITH AN ARROW 11 00:00:28,499 --> 00:00:31,259 AND MAKE HER ALL BETTER? NO BOW, NO ARROW. THOSE ARE THE RULES. 12 00:00:31,262 --> 00:00:33,662 HMM. I'M MAKING MATCHES BY HAND NOW. 13 00:00:33,664 --> 00:00:37,514 SEEMS LIKE MENIAL WORK FOR A GOD, DOESN'T IT? YOU'RE NOT A GOD. 14 00:00:37,508 --> 00:00:40,038 YOU'RE MY TRUSTING BROTHER'S 15 00:00:40,040 --> 00:00:42,710 RECENTLY RELEASED MENTAL HEALTH PATIENT ROOMMATE AND EMPLOYEE. 16 00:00:42,713 --> 00:00:44,523 AND THAT GIRL UP THERE... 17 00:00:44,515 --> 00:00:47,475 ♪ LIVING IN HIS WHITE-BREAD WORLD ♪ 18 00:00:47,478 --> 00:00:49,478 SANTA CLAUS, EASTER BUNNY, OPRAH SUPER TEAM 19 00:00:49,480 --> 00:00:51,220 COULDN'T HELP THAT ONE. 20 00:00:51,222 --> 00:00:54,162 ♪ HOT BLOOD CAN ♪ 21 00:00:54,155 --> 00:01:00,055 ♪ AND NOW HE'S LOOKING FOR A DOWNTOWN MA'AM ♪ 22 00:01:00,060 --> 00:01:01,230 (sighs) YEP. 23 00:01:01,232 --> 00:01:03,692 NOTHING SADDER THAN A WOMAN WHO'S BEEN DUMPED. 24 00:01:03,694 --> 00:01:06,344 YEAH. SHE WASN'T DUMPED. 25 00:01:06,337 --> 00:01:08,467 SHE DUMPED ME. 26 00:01:08,469 --> 00:01:11,069 WHAT? WHAT ARE YOU DOING? GET OVER THERE. 27 00:01:11,071 --> 00:01:13,071 SHE OBVIOUSLY STILL LOVES YOU. 28 00:01:13,073 --> 00:01:17,413 SHE'S WAITING FOR YOU TO WAKE UP AND MAKE UP YOUR MI-I-IND. 29 00:01:17,408 --> 00:01:19,148 NO, SHE KNOWS HOW I FEEL. 30 00:01:19,150 --> 00:01:21,150 WOMEN NEED A GRAND DISPLAY, BUDDY. 31 00:01:21,152 --> 00:01:23,252 THEY WANT BOOM BOXES AND PETER GABRIEL. 32 00:01:23,254 --> 00:01:25,264 YOU GOTTA PROCLAIM YOUR LOVE. 33 00:01:25,256 --> 00:01:27,256 NOW? 34 00:01:27,258 --> 00:01:29,318 NO. WAIT PATIENTLY UNTIL SHE'S DONE 35 00:01:29,320 --> 00:01:31,820 AND THEN MEANDER OVER ALL POLITE AND PASSIONLESS. 36 00:01:31,822 --> 00:01:34,232 THAT'LL GET HER. SACK UP, SONNY BOY. 37 00:01:34,225 --> 00:01:36,365 BE A MAN. GRAND DISPLAY. 38 00:01:36,367 --> 00:01:38,827 (teeth clenched) GO GET THAT GIRL. 39 00:01:38,829 --> 00:01:40,569 GO! 40 00:01:40,571 --> 00:01:43,831 ♪ AND MAKES UP HIS MI-I-- ♪ 41 00:01:43,834 --> 00:01:45,284 DEBBIE! 42 00:01:45,276 --> 00:01:46,436 (music stops) 43 00:01:46,437 --> 00:01:48,407 LANCE? 44 00:01:48,409 --> 00:01:51,109 DEBBIE, I LOVE YOU! 45 00:01:51,111 --> 00:01:54,551 BUT IF YOU CAN TELL ME RIGHT HERE AND RIGHT NOW 46 00:01:54,545 --> 00:01:56,545 THAT YOU DON'T LOVE ME, 47 00:01:56,547 --> 00:01:58,887 THEN I WILL BE OUT OF YOUR LIFE FOREVER. 48 00:02:02,893 --> 00:02:05,403 I DON'T LOVE YOU, LANCE. 49 00:02:05,396 --> 00:02:08,156 (crowd gasps) 50 00:02:08,159 --> 00:02:10,359 REALLY? 51 00:02:10,361 --> 00:02:15,771 ♪♪ 52 00:02:15,766 --> 00:02:18,166 (woman) ISN'T IT CRAZY? 53 00:02:18,169 --> 00:02:21,169 I'M THIS AMERICAN GIRL AT AN ANIMAL RIGHTS RALLY, 54 00:02:21,172 --> 00:02:23,172 AND HE'S THIS FRENCH GUY 55 00:02:23,174 --> 00:02:26,184 WHOSE FAMILY LOBBIES FOR THE FOIE GRAS INDUSTRY. 56 00:02:26,177 --> 00:02:28,677 AND WE MEET, AND IT'S LIKE FIREWORKS. 57 00:02:28,679 --> 00:02:30,849 AGAIN, MY CONCERN IS THE DIFFERENCES 58 00:02:30,851 --> 00:02:34,151 YOU'RE DESCRIBING MAY ULTIMATELY BE A PROBLEM. 59 00:02:34,154 --> 00:02:37,634 I MENTIONED HE WAS HOT, RIGHT? AND FRENCH? 60 00:02:37,628 --> 00:02:39,358 YES. 61 00:02:39,360 --> 00:02:41,360 OPPOSITES MIGHT ATTRACT, 62 00:02:41,362 --> 00:02:43,892 BUT IT'S COMMONALITY THAT UNITES. 63 00:02:43,894 --> 00:02:46,904 NOW I'M SPEAKING ABOUT THIS ON THE RADIO TOMORROW-- 64 00:02:46,897 --> 00:02:49,367 IF ANYONE'S INTERESTED-- "THE STEVE AND LOLA SHOW." 65 00:02:49,370 --> 00:02:51,900 YOU'RE SO NOT GETTING THIS. JUST LISTEN. 66 00:02:51,902 --> 00:02:54,552 (man, French accent) I have such little time left 67 00:02:54,545 --> 00:02:57,375 in New York City, and after meeting you today, 68 00:02:57,378 --> 00:03:00,708 I would like to spend as much of it as I can with you. (beep) 69 00:03:00,711 --> 00:03:03,211 SERIOUSLY, I HAVE BEEN WAITING MY WHOLE LIFE 70 00:03:03,214 --> 00:03:06,264 TO GET A MESSAGE LIKE THIS. (man) HE'S NOT FRENCH. 71 00:03:06,257 --> 00:03:10,857 SORRY. I JUST... THOUGHT SHE SHOULD KNOW. 72 00:03:10,861 --> 00:03:12,921 WHAT MAKES YOU THINK HE'S LYING? 73 00:03:12,923 --> 00:03:16,533 LINGUISTICS IS MY AREA OF EXPERTISE. 74 00:03:16,527 --> 00:03:18,197 I'M A DIALECT COACH. 75 00:03:18,198 --> 00:03:20,868 YOUR SUITOR DEFINITELY GREW UP WITH A FRENCH-SPEAKING PARENT 76 00:03:20,871 --> 00:03:24,201 IN THE HOME, BUT HE'S NOT A NATIVE TO FRANCE. 77 00:03:24,204 --> 00:03:27,884 HE'S FROM THE OHIO VALLEY. THAT'S QUITE A TALENT YOU HAVE THERE. 78 00:03:27,878 --> 00:03:30,408 CAN YOU TELL ME WHERE I'M FROM? CONNECTICUT. 79 00:03:30,411 --> 00:03:33,611 THOUGH I SUSPECT YOU LIVED JUST SOUTH OF ATLANTA 80 00:03:33,614 --> 00:03:35,954 AS A TODDLER. (murmuring) 81 00:03:35,946 --> 00:03:37,386 OH, MY. 82 00:03:39,890 --> 00:03:42,590 YOU WANT ME TO LISTEN TO THIS MAN SPEAK-- 83 00:03:42,593 --> 00:03:45,603 THIS TREVOR--THEN TELL YOU WHAT I CAN ABOUT HIS ORIGINS? 84 00:03:45,596 --> 00:03:47,896 EXACTLY. AND I WISH I COULD TELL YOU MORE, 85 00:03:47,898 --> 00:03:50,898 BUT... PROFESSIONAL ETHICS. NO, I'D BE HAPPY TO LEND MY SKILLS... 86 00:03:50,901 --> 00:03:53,601 IF YOU WOULDN'T MIND RETURNING A FAVOR? 87 00:03:53,604 --> 00:03:56,274 YOUR BELIEF IN COMMONALITIES IS ONE OF THE REASONS 88 00:03:56,267 --> 00:03:58,267 I STARTED COMING TO THESE SESSIONS, 89 00:03:58,269 --> 00:03:59,969 BUT I'M STILL STRUGGLING 90 00:03:59,970 --> 00:04:03,740 TO FIND THAT CEREBRAL, RESERVED, CULTURED WOMAN 91 00:04:03,744 --> 00:04:05,354 WHO SHARES MY INTERESTS. 92 00:04:05,346 --> 00:04:07,346 WELL, WHAT ARE YOUR INTERESTS? 93 00:04:07,348 --> 00:04:09,618 OH, CROSSWORDS, CLASSIC LITERATURE, 94 00:04:09,620 --> 00:04:11,680 SOUTHEAST ASIAN COLOR BLOCK ART. 95 00:04:11,682 --> 00:04:14,962 IF I HELP YOU, CAN YOU HELP ME? 96 00:04:17,728 --> 00:04:19,928 ♪♪ 97 00:04:19,930 --> 00:04:22,390 (cell phone rings) 98 00:04:22,393 --> 00:04:23,563 (beep) 99 00:04:23,564 --> 00:04:24,974 HELLO. 100 00:04:24,965 --> 00:04:26,965 MR. PIERCE, PLEASE HOLD FOR DR. McCRAE. 101 00:04:26,967 --> 00:04:29,037 DR. McCRAE, YOU HAVE MR. PIERCE. 102 00:04:29,039 --> 00:04:31,669 WHERE ARE YOU? T-SHIRT, JEANS AND A SMILE. 103 00:04:31,672 --> 00:04:34,352 WHAT ARE YOU WEARING? THAT'S NOT WHAT I ASKED. 104 00:04:34,345 --> 00:04:36,845 YET IT'S WHAT YOU WANTED TO KNOW. 105 00:04:36,847 --> 00:04:39,677 YOU WERE SUPPOSED TO COME TO THE SINGLES' GROUP TONIGHT. 106 00:04:39,680 --> 00:04:42,010 I HAD TO COVER A SHIFT AT THE BAR TONIGHT. 107 00:04:42,012 --> 00:04:44,422 DR. McCRAE, YOU HAVE ANOTHER CALL. 108 00:04:44,415 --> 00:04:46,415 I'M COMING BY YOUR WORK TOMORROW. 109 00:04:46,417 --> 00:04:49,417 I HAVE FORMS FOR YOU TO SIGN. ALL RIGHT, BUT I'M WARNING YOU, 110 00:04:49,420 --> 00:04:51,420 I'M JUST AS HANDSOME IN THE DAYTIME. 111 00:04:51,422 --> 00:04:53,892 YOU'RE NOT REALLY PROTECTING YOURSELF. GOOD-BYE, TREVOR. 112 00:04:53,894 --> 00:04:55,304 (beep) HERE'S WALTER. 113 00:04:55,295 --> 00:04:57,795 WALTER, HI. I'M STANDING RIGHT OUTSIDE THE BAR. 114 00:04:57,798 --> 00:05:00,798 DID YOU DETERMINE WHETHER HE'S WORKING? I JUST TALKED TO HIM. 115 00:05:00,801 --> 00:05:03,801 HE'LL BE TENDING BAR ALL NIGHT. YOU CAN'T MISS HIM-- 116 00:05:03,804 --> 00:05:05,014 TALL, DARK HAIR, BIG BROWN EYES, 117 00:05:05,005 --> 00:05:07,005 KIND OF A DOPEY GRIN. 118 00:05:07,007 --> 00:05:09,537 WHATEVER HIS ACCENT MIGHT TELL YOU ABOUT HIS ORIGINS 119 00:05:09,540 --> 00:05:12,610 WOULD BE ENORMOUSLY HELPFUL. (beep) 120 00:05:12,613 --> 00:05:13,943 (horns honk in distance) 121 00:05:15,646 --> 00:05:17,386 HI. 122 00:05:17,388 --> 00:05:19,488 I'LL HAVE A-A LIGHT BEER, PLEASE. 123 00:05:19,490 --> 00:05:21,720 (imitates Midwestern accent) OH, YEAH, YEAH. 124 00:05:23,624 --> 00:05:25,434 (opens bottle) 125 00:05:25,426 --> 00:05:27,996 (imitates British accent) THAT'LL GO DOWN A TREAT, MATE. THANK YOU. 126 00:05:27,998 --> 00:05:29,998 (imitates Midwestern accent) OH, YEAH, SURE. OH! 127 00:05:30,000 --> 00:05:32,100 (imitates Yiddish accent) OH, WOULD YOU LIKE A LITTLE NOSH 128 00:05:32,102 --> 00:05:34,032 AND A KIBITZ WITH YOUR COCKTAIL, BUBALAH? DON'T MIND IF I DO. 129 00:05:34,034 --> 00:05:36,814 (imitates Cockney accent) RIGHT NOW I'D EAT THE WEBBIN' 130 00:05:36,807 --> 00:05:38,407 OFF A LOW-FLYIN' DUCK. 131 00:05:38,409 --> 00:05:40,409 (New York accent) DON'T TELL MY BOSS, THOUGH. 132 00:05:40,411 --> 00:05:43,511 IX-NAY ON THE EBBIN'-WAY. MY BOSS--HE HAD TO CALL IN SICK 133 00:05:43,514 --> 00:05:45,454 ON ACCOUNT OF HIS BOO. I'M, LIKE, DAMN, PAPI! 134 00:05:45,446 --> 00:05:47,446 (chuckles) I KNOW I'M A WICKED PISSER. 135 00:05:47,448 --> 00:05:48,878 BADA-BING, BADA-BOOM! OH! 136 00:05:48,879 --> 00:05:50,919 (imitates British accent) EVENING, GUV'NOR. 137 00:05:50,921 --> 00:05:54,051 I TAKE IT YOU KNOW WHAT I'M DOING HERE? 138 00:05:54,054 --> 00:05:56,764 I CAN PROMISE YOU, CLAIRE HAD ONLY GOOD INTENTIONS. 139 00:05:56,757 --> 00:05:58,887 I DON'T KNOW THE DETAILS OF YOUR SITUATION, 140 00:05:58,889 --> 00:06:01,129 BUT I KNOW IT WOULD MAKE CLAIRE HAPPY 141 00:06:01,131 --> 00:06:04,031 IF YOU WERE TO ALLOW ME THE CHANCE 142 00:06:04,034 --> 00:06:08,104 TO LISTEN TO YOU SPEAK NATURALLY. (imitates German accent) GUNTER GLIEBEN GLAUCHEN GLOBEN. 143 00:06:08,098 --> 00:06:09,898 HERE'S MY CARD... 144 00:06:09,900 --> 00:06:12,400 IF YOU CHANGE YOUR MIND. 145 00:06:21,982 --> 00:06:23,812 CRAP. 146 00:06:25,055 --> 00:06:27,515 BACKSTREET GIRL? 147 00:06:30,591 --> 00:06:32,691 HEY. 148 00:06:38,098 --> 00:06:41,728 YOU'RE ON THE FLOOR IN A BAR BATHROOM. 149 00:06:41,732 --> 00:06:43,402 (gasping and crying) 150 00:06:43,403 --> 00:06:47,043 NO, NO. NO, NO, NO, NO, NO, NO, NO, YOU'RE FINE, YOU'RE FINE. 151 00:06:47,037 --> 00:06:48,707 I JUST... 152 00:06:48,709 --> 00:06:50,809 NEED SOME AIR? NO. 153 00:06:50,811 --> 00:06:52,681 WANNA THROW UP? 154 00:06:52,683 --> 00:06:55,593 I JUST LOVE HIM SO MUCH. 155 00:06:55,586 --> 00:06:57,746 AH. 156 00:06:57,748 --> 00:07:00,418 (chuckles) SISTER... 157 00:07:00,420 --> 00:07:02,550 (sighs) 158 00:07:02,553 --> 00:07:04,933 TODAY'S YOUR LUCKY DAY. 159 00:07:13,664 --> 00:07:15,074 HEY! 160 00:07:15,065 --> 00:07:17,835 YOU MIGHT REMEMBER ME FROM SUCH EMBARRASSING MOMENTS 161 00:07:17,838 --> 00:07:20,138 AS "LAST NIGHT AROUND THE TOILET." 162 00:07:20,140 --> 00:07:23,970 VAGUELY. DRUNK-CHICK TUESDAYS CAN GET CRAZY IN HERE. 163 00:07:23,974 --> 00:07:26,484 I HAVE EXACTLY ONE OUNCE OF PRIDE LEFT, 164 00:07:26,477 --> 00:07:30,047 AND IT'S ONLY 'CAUSE I DIDN'T SPEW A KAMIKAZE ALL OVER YOU. 165 00:07:30,050 --> 00:07:31,780 I'M A MASSEUSE. 166 00:07:31,782 --> 00:07:34,052 THIS IS GOOD FOR A FREEBIE. 167 00:07:34,054 --> 00:07:35,964 I WOULD PUT YOUR NAME ON IT, BUT RIGHT NOW 168 00:07:35,956 --> 00:07:38,926 YOU'RE JUST THAT NICE GUY WHO CARRIED ME TO THE STREET 169 00:07:38,929 --> 00:07:41,929 AND FOUND A CAB THAT WOULD GO ALL THE WAY TO FREAKIN' QUEENS. 170 00:07:41,932 --> 00:07:44,542 (chuckles) I'M TREVOR. (chuckles) DEBBIE. THANKS, TREVOR. 171 00:07:44,535 --> 00:07:48,635 ANYTIME YOU WANT A MASSAGE, CALL ME. I MEAN IT. WAIT, WAIT, WAIT, WAIT. 172 00:07:48,639 --> 00:07:51,239 I THOUGHT YOU WANTED HELP WITH THE BOYFRIEND. 173 00:07:51,241 --> 00:07:53,501 I APPRECIATE THE WEIRD OFFER, BUT... (sniffles) 174 00:07:53,504 --> 00:07:56,214 THE RELATIONSHIP IS DOOMED. IT'S NOT DOOMED. 175 00:07:56,206 --> 00:07:58,206 NO, I'M SERIOUS. THERE WAS THIS DOCTOR 176 00:07:58,208 --> 00:08:01,148 ON "THE STEVE AND LOLA SHOW" THIS MORNING. 177 00:08:01,151 --> 00:08:03,851 IT WAS LIKE SHE WAS TALKING RIGHT TO ME. 178 00:08:03,854 --> 00:08:07,864 "OPPOSITES ATTRACT" IS A MYTH. SHE SAID SO. OH, SO I GUESS THE BEATLES WERE RIGHT. 179 00:08:07,858 --> 00:08:10,018 "ALL YOU NEED IS... " THINGS IN COMMON? 180 00:08:10,020 --> 00:08:12,760 I LOVE LANCE, BUT I DON'T REALLY FIT IN HIS WORLD. 181 00:08:12,763 --> 00:08:14,493 HE'S ALL IVY LEAGUE, HIGH SOCIETY. 182 00:08:14,494 --> 00:08:17,034 I GIVE $15 NECK MASSAGES IN FRONT OF A WHOLE FOODS. 183 00:08:17,027 --> 00:08:18,727 I'M SORRY. UH... 184 00:08:18,729 --> 00:08:21,729 ALL I HEARD WAS, "DUMB EXCUSE, BLAH, BLAH, BLAH." 185 00:08:21,732 --> 00:08:24,172 TWO YEARS AND TWO MONTHS I DATED LANCE. 186 00:08:24,174 --> 00:08:27,114 NEVER MET HIS FAMILY, NEVER MET ONE SINGLE FRIEND. 187 00:08:27,107 --> 00:08:30,007 NOT ONE. YOU TWO LOVE EACH OTHER. THAT'S ALL THAT MATTERS. 188 00:08:30,010 --> 00:08:33,840 OH, I THINK THE PART WHERE HE'S ASHAMED OF ME MATTERS, TOO. 189 00:08:33,844 --> 00:08:35,854 BUT WHO CAN BLAME HIM? 190 00:08:35,846 --> 00:08:38,146 I MEAN, LISTEN TO ME. I DON'T QUITE SOUND 191 00:08:38,148 --> 00:08:41,148 LIKE THE GAL YOU TAKE TO THE MET, DO I? 192 00:08:41,151 --> 00:08:43,851 YOU SOUND GOOD TO ME. 193 00:08:43,854 --> 00:08:45,864 CALL WHEN YOU WANT THAT MASSAGE. 194 00:08:45,856 --> 00:08:47,996 THESE HANDS ARE GIFTED. 195 00:09:03,013 --> 00:09:04,143 (beep) 196 00:09:04,144 --> 00:09:05,854 (dialing) 197 00:09:05,846 --> 00:09:08,246 (cell phone rings) 198 00:09:08,248 --> 00:09:11,618 HELLO? Hi. It's Trevor from last night. 199 00:09:11,622 --> 00:09:14,052 LISTEN, I THINK I WILL TAKE YOU UP ON THAT OFFER-- 200 00:09:14,054 --> 00:09:17,064 ANYTHING I CAN DO TO HELP OUT MY GOOD FRIEND CLAIRE. 201 00:09:17,057 --> 00:09:19,857 WELL, THAT'S WONDERFUL. Let me ask you something. 202 00:09:19,860 --> 00:09:22,160 HOW OFTEN DO YOU WORK OUT? 203 00:09:22,162 --> 00:09:23,292 NEVER. Perfect. 204 00:09:23,293 --> 00:09:25,203 MEET ME AT QUEENSBRIDGE PARK. 205 00:09:25,195 --> 00:09:27,195 LITA! WHERE'D YOU GO? 206 00:09:27,197 --> 00:09:29,197 YOU GOTTA GET DOWNSTAIRS AND RELIEVE TREVOR. 207 00:09:29,199 --> 00:09:31,899 WE GOT A GAME TO GET TO. (Lita) UGH! 208 00:09:31,902 --> 00:09:34,072 YOU'LL NEVER GUESS WHAT I FOUND IN TREVOR'S BEDROOM! 209 00:09:34,074 --> 00:09:36,184 OPEN YOUR PALM. 210 00:09:39,309 --> 00:09:41,579 THEY'RE TEETH. 211 00:09:41,581 --> 00:09:43,951 AND I NEED THEM IN MY HAND WHY? 212 00:09:43,954 --> 00:09:46,264 TREVOR HAS A BAG OF TEETH UNDER HIS NIGHTSTAND-- 213 00:09:46,256 --> 00:09:48,116 A BAG OF TEETH. 214 00:09:48,118 --> 00:09:50,988 I'M SURE THERE'S A LOGICAL EXPLANATION. 215 00:09:50,991 --> 00:09:53,191 UH, YEAH, HE KILLED HIS OLD ROOMMATES AND KEPT THEIR TEETH. 216 00:09:53,193 --> 00:09:55,133 THAT'S WHERE YOUR MIND GOES? 217 00:09:55,125 --> 00:09:58,025 SORRY. WHERE IS THE BAG OF TEETH HAPPY PLACE? 218 00:09:58,028 --> 00:10:00,928 IT'S NONE OF OUR BUSINESS. JUST PUT HIS TEETH BACK. 219 00:10:06,837 --> 00:10:08,077 I GOT IT! 220 00:10:08,078 --> 00:10:10,078 (grunts) UHH! 221 00:10:10,080 --> 00:10:12,080 (strained voice) SORRY ABOUT THAT, BUDDY. 222 00:10:12,082 --> 00:10:13,812 (grunts) YOU OKAY? 223 00:10:13,814 --> 00:10:17,094 WHAT'S THE SAYING-- "NO BLOOD, NO INFRACTION"? 224 00:10:17,087 --> 00:10:21,117 (pants) WORDS TO LIVE BY. WHAT'S WITH THE HARD KNOCKS? 225 00:10:21,121 --> 00:10:25,161 I'M MID-MASTER PLAN. MASTER PLAN? YOU TRYING TO MATCH HIM UP WITH A BODY CAST? 226 00:10:26,797 --> 00:10:28,827 HI. 227 00:10:28,829 --> 00:10:30,399 IS TREVOR WORKING? 228 00:10:30,400 --> 00:10:33,400 I'VE SEEN YOU BEFORE. YOU'RE TREVOR'S DOCTOR, RIGHT? I AM. 229 00:10:33,403 --> 00:10:36,413 HE'S SUPPOSED TO BE HERE. I HAVE SOME PAPERS FOR HIM TO SIGN. 230 00:10:36,406 --> 00:10:38,406 OH, WELL, HE'S OUT PLAYING FOOTBALL. 231 00:10:38,408 --> 00:10:41,408 DO YOU HAVE A SECOND? I NEED SOME REASSURANCE ON SOMETHING. 232 00:10:47,848 --> 00:10:50,148 DO YOU KNOW WHAT HE USES THIS FOR? 233 00:10:50,150 --> 00:10:51,850 NO CLUE. 234 00:10:51,852 --> 00:10:54,152 I PUT IT BACK WHERE I FOUND IT. 235 00:10:54,154 --> 00:10:57,234 BONING UP ON HIS MYTHOLOGY, IS HE? 236 00:10:57,227 --> 00:10:59,727 BRACE YOURSELF. IT'S PRETTY GROSS. 237 00:11:03,193 --> 00:11:05,203 WHAT? 238 00:11:05,195 --> 00:11:07,835 WHY AM I THE ONLY ONE DISTURBED BY THIS? 239 00:11:07,838 --> 00:11:11,168 WE HAVE A PATIENT AT THE HOSPITAL--A FORMER DENTIST. 240 00:11:11,171 --> 00:11:13,171 HE BELIEVES HE'S THE TOOTH FAIRY. 241 00:11:13,173 --> 00:11:16,053 OF COURSE. I SHOULD'VE KNOWN. 242 00:11:16,046 --> 00:11:19,046 THEY'RE NOT REAL TEETH. HE USES THEM AS CURRENCY. 243 00:11:19,049 --> 00:11:22,949 I'M PRETTY SURE THAT TREVOR WON THEM IN A POKER GAME. 244 00:11:22,953 --> 00:11:26,063 THIS BOOK IS INTERESTING. 245 00:11:26,056 --> 00:11:29,386 IT'S THREE YEARS OVERDUE. THAT'S WHAT'S INTERESTING? 246 00:11:29,389 --> 00:11:31,419 LUNATICS PLAYING POKER FOR TEETH, 247 00:11:31,421 --> 00:11:34,121 AND THE OVERDUE LIBRARY BOOK'S WHAT'S GOT YOU? 248 00:11:35,325 --> 00:11:37,325 THAT'S THE TITLE OF THE BOOK. 249 00:11:37,327 --> 00:11:39,897 I WANT YOU TO CALL RAINIER STATE COLLEGE, 250 00:11:39,900 --> 00:11:41,900 WHEREVER THAT IS, AND SEE IF THEY'LL TELL YOU 251 00:11:41,902 --> 00:11:43,902 WHO CHECKED IT OUT LAST. 252 00:11:43,904 --> 00:11:48,084 HOPEFULLY, WE'LL AT LEAST FIND OUT TREVOR'S REAL NAME. IT'S IN OLYMPIA. 253 00:11:48,078 --> 00:11:50,078 WHAT? 254 00:11:50,080 --> 00:11:53,180 RAINIER STATE COLLEGE-- IT'S IN OLYMPIA, WASHINGTON. 255 00:12:01,021 --> 00:12:03,321 (cell phone rings) 256 00:12:03,323 --> 00:12:05,163 (ring) 257 00:12:05,155 --> 00:12:06,055 (ring) 258 00:12:06,056 --> 00:12:07,296 (beep) 259 00:12:07,297 --> 00:12:09,297 HELLO? WALTER? HI, IT'S CLAIRE. 260 00:12:09,299 --> 00:12:12,129 I JUST WANTED TO SEE HOW THINGS WENT WITH TREVOR. 261 00:12:12,132 --> 00:12:14,232 HE SOMEHOW KNEW I'D BE SHOWING UP AT THE BAR. 262 00:12:14,234 --> 00:12:17,214 HOW WOULD HE KNOW THAT? No idea, but he put me through the ringer for a while. 263 00:12:17,207 --> 00:12:20,037 THEN HE CALLED FIRST THING THIS MORNING AND SET UP A MEETING, 264 00:12:20,040 --> 00:12:23,010 VOLUNTEERED TO LET ME EVALUATE HIM. HE DID? 265 00:12:23,013 --> 00:12:25,023 OH, AND HE TOLD ME HE THINKS HE'S CUPID. 266 00:12:25,015 --> 00:12:27,175 OR RATHER, HE TOLD ME HE IS CUPID. 267 00:12:27,177 --> 00:12:29,277 HE TOLD YOU THAT? 268 00:12:29,279 --> 00:12:32,279 WAIT. HAS HE BEEN TRYING TO FIND YOU A DATE? 269 00:12:32,282 --> 00:12:34,282 Has he asked about your love life? 270 00:12:34,284 --> 00:12:36,894 NOT AT ALL. HOW IS MY LOVE LIFE, BY THE WAY? 271 00:12:36,887 --> 00:12:38,887 I HAVE AN IDEA ON THAT FRONT. 272 00:12:38,889 --> 00:12:41,129 THE HOSPITAL IS HAVING A BACHELOR AUCTION FUND-RAISER, 273 00:12:41,131 --> 00:12:44,131 AND NORMALLY I WOULD NEVER SUGGEST THIS SORT OF THING. 274 00:12:44,134 --> 00:12:46,844 But the women participating are almost uniformly professional. 275 00:12:46,837 --> 00:12:50,297 And you'd fetch top dollar, and it's for a good cause. 276 00:12:50,300 --> 00:12:51,970 WALTER? 277 00:12:51,972 --> 00:12:55,152 I'M ALL FOR GOOD CAUSES, CLAIRE, 278 00:12:55,145 --> 00:12:57,845 BUT THE ONLY THING THAT TERRIFIES ME 279 00:12:57,848 --> 00:13:00,908 MORE THAN DYING ALONE IS BEING THE CENTER OF ATTENTION. 280 00:13:00,911 --> 00:13:02,911 OKAY, WELL, FORGET I MENTIONED IT. 281 00:13:02,913 --> 00:13:04,923 WE WILL FIND THAT RESERVED, CEREBRAL, 282 00:13:04,915 --> 00:13:06,385 cultured girl for you. 283 00:13:06,386 --> 00:13:09,386 (knock on door) I SHOULD GO. SOMEONE'S AT THE DOOR. 284 00:13:09,389 --> 00:13:11,219 (shuts cell phone) 285 00:13:11,221 --> 00:13:14,791 (groans) I'M COMING! 286 00:13:14,794 --> 00:13:16,804 HEY, ARE YOU WALTER BLACKSTOCK? 287 00:13:16,796 --> 00:13:18,126 YES? 288 00:13:18,128 --> 00:13:21,128 I'M DEBBIE. TREVOR SENT ME. I'M HERE FOR YOUR MASSAGE. 289 00:13:32,342 --> 00:13:34,042 HOW WAS THE MASSAGE? 290 00:13:34,044 --> 00:13:36,054 HE LOVED IT. I TOLD YOU--MAGIC. 291 00:13:36,046 --> 00:13:39,216 GOOD, BECAUSE WALTER IS THE KEY PIECE OF MY MASTER PLAN. 292 00:13:39,219 --> 00:13:40,889 FOR? YOU AND LANCE. 293 00:13:40,891 --> 00:13:43,891 WALTER CAN HELP TEACH YOU HOW TO FIT IN WITH LANCE'S WORLD. 294 00:13:43,894 --> 00:13:46,864 SO... HOW DO YOU FEEL ABOUT A LITTLE SERVICE SWAP? 295 00:13:46,857 --> 00:13:49,957 FREE MASSAGES FOR FREE ELOCUTION LESSONS. 296 00:13:49,960 --> 00:13:51,430 IT'S AN INTRIGUING OFFER, 297 00:13:51,431 --> 00:13:54,131 GIVEN YOUR FRIENDLY GAME OF TOUCH FOOTBALL 298 00:13:54,134 --> 00:13:56,144 HAS LEFT ME SOMEWHAT COMPROMISED. 299 00:13:56,136 --> 00:13:57,966 AND MASSAGE IS VERY THERAPEUTIC. 300 00:13:57,968 --> 00:14:00,338 AND YOU GET THE ADDED BONUS OF KNOWING 301 00:14:00,340 --> 00:14:03,470 YOU HELPED REUNITE STAR-CROSSED LOVERS. YOU TAKE THIS CUPID THING SERIOUSLY. 302 00:14:03,473 --> 00:14:06,153 PLUS IT'LL GIVE YOU AND ME MORE TIME TO SPEND TOGETHER. 303 00:14:06,146 --> 00:14:09,046 MAYBE WE CAN FIGURE OUT WHAT SIDE OF MT. OLYMPUS I'M FROM. 304 00:14:09,049 --> 00:14:11,119 SEE? IT'S WIN-WIN-WIN. 305 00:14:14,624 --> 00:14:16,934 "IN THE CHEERFULLY FIENDISH SERIES--" 306 00:14:16,927 --> 00:14:18,887 I HATE WHOEVER WROTE THIS. 307 00:14:18,889 --> 00:14:20,389 DEBBIE. 308 00:14:20,390 --> 00:14:24,590 "THE ARTIST USED COTTON BALLS DIPPED IN PIGMENTED ACRYLIC 309 00:14:24,594 --> 00:14:28,504 WHICH HE SQUASHED ON THE CANVAS TO APPROXIMATE BRUSHSTROKES." 310 00:14:28,498 --> 00:14:30,868 WHY DIDN'T HE JUST USE A BRUSH IN THE FIRST PLACE? 311 00:14:30,870 --> 00:14:33,140 PERHAPS YOU COULD PICK SOMETHING THAT YOU ENJOY READING. 312 00:14:33,143 --> 00:14:36,953 DON'T MIND IF I DO. 313 00:14:36,947 --> 00:14:40,447 "DANILO GALLINARI BEGAN HIS NBA CAREER--" 314 00:14:40,450 --> 00:14:43,150 SERIOUSLY, THE KNICKS TAKE AN ITALIAN? 315 00:14:43,153 --> 00:14:45,193 THIS IS WHY MY FATHER GAVE UP ON 'EM. 316 00:14:45,185 --> 00:14:47,255 THERE'S AN "R" IN "FATHER." 317 00:14:47,257 --> 00:14:49,617 YOU SAY "FATH-AH." 318 00:14:49,619 --> 00:14:53,619 FATH-AH, MATH-AH, OTH-AH-- YOU SEE? 319 00:14:53,623 --> 00:14:56,303 THAT'S WHAT I SOUND LIKE TO YOU? 320 00:14:56,296 --> 00:14:58,426 THAT'S WHAT YOU SOUND LIKE TO EVERYBODY. 321 00:14:58,428 --> 00:15:00,468 I SOUND LIKE A CLASSLESS MORON? 322 00:15:00,470 --> 00:15:03,130 THIS IS GONNA BE HARD WORK, DEBBIE. 323 00:15:03,133 --> 00:15:05,683 ARE YOU SURE YOU WANT TO DO THIS? 324 00:15:05,675 --> 00:15:08,475 I'M SURE I DON'T. (sighs) 325 00:15:08,478 --> 00:15:11,478 BUT IF IT MEANS THINGS CAN WORK OUT WITH ME AND LANCE, 326 00:15:11,481 --> 00:15:15,151 I'M GONNA DO IT, ANYWAY. 327 00:15:15,145 --> 00:15:17,185 "WHAT A TO-DO TO DIE TODAY 328 00:15:17,187 --> 00:15:19,317 AT A MINUTE OR 2 TO 2:00." 329 00:15:19,319 --> 00:15:22,649 "A THING DISTINCTLY HARD TO SAY BUT HARDER STILL TO DO." 330 00:15:22,652 --> 00:15:25,562 "WE'LL BEAT A TATTOO AT 20 TO 2:00." 331 00:15:25,555 --> 00:15:29,095 "A RAT-A-TAT-TAT, TAT-A-TAT-TAT, TAT-A-TATTOO." 332 00:15:29,099 --> 00:15:33,529 "...SENSATION OF A SHORT, SHARP SHOCK 333 00:15:33,533 --> 00:15:36,643 FROM A CHEAP AND CHIPPY CHOPPER ON A BIG, BLACK BLOCK." 334 00:15:36,636 --> 00:15:38,666 DON'T DROP THE "R" IN "CHOPPER." 335 00:15:38,668 --> 00:15:43,238 "WHAT A TO-DO TO DIE TODAY AT A MINUTE OR 2 TO 2:00." 336 00:15:43,243 --> 00:15:47,453 "A THING DISTINCTLY HARD TO SAY BUT HARDER STILL TO DO." 337 00:15:47,447 --> 00:15:49,447 "WE'LL BEAT A TATTOO AT 20 TO 2:00." 338 00:15:49,449 --> 00:15:51,349 "A RAT-A-TAT-TAT, A-TAT-A-TAT..." 339 00:15:51,351 --> 00:15:54,021 AH, EH, AI. 340 00:15:54,024 --> 00:15:56,594 (Tim Myers) ♪ THIS IS THE GOOD LIFE ♪ 341 00:15:56,586 --> 00:15:59,986 (laughs) AH, EH, AI. 342 00:15:59,990 --> 00:16:02,330 (snooty voice) "AND THE DRAGON WILL COME 343 00:16:02,332 --> 00:16:06,202 "WHEN HE HEARS THE DRUM AT A MINUTE OR 2 TO 2:00 TODAY. 344 00:16:06,196 --> 00:16:09,196 AT A MINUTE OR 2 TO 2:00." 345 00:16:09,199 --> 00:16:11,699 BY JOVE-- (normal voice) DON'T SAY IT. 346 00:16:11,701 --> 00:16:15,251 TREVOR, I REALLY OWE YOU ONE. 347 00:16:15,245 --> 00:16:17,505 WALTER IS JUST LIKE A... 348 00:16:17,507 --> 00:16:19,207 A GODSEND? 349 00:16:19,209 --> 00:16:22,079 YEAH. HE'S MADE A HUGE DIFFERENCE. 350 00:16:22,082 --> 00:16:24,482 GUESS WHAT I DID. 351 00:16:24,484 --> 00:16:25,624 WHAT? 352 00:16:25,615 --> 00:16:28,055 I CALLED LANCE. 353 00:16:28,058 --> 00:16:29,458 NO. 354 00:16:29,459 --> 00:16:32,289 HAND TO GOD. I PRETENDED I WAS FUND-RAISING FOR PUBLIC TV, 355 00:16:32,292 --> 00:16:35,672 OFFERED HIM A TOTE BAG. HE HAD NO IDEA IT WAS ME. 356 00:16:35,665 --> 00:16:38,165 OH, SOUNDS LIKE YOU'RE READY. NOT EVEN CLOSE. 357 00:16:38,168 --> 00:16:42,268 BUT IT WAS SO GOOD TO HEAR HIS VOICE. HE SOUNDED LONELY. 358 00:16:42,272 --> 00:16:44,702 WHAT DOES WALTER SAY? HE HAD THIS IDEA 359 00:16:44,704 --> 00:16:48,714 WE TAKE THE SHOW ON THE ROAD, GET OUT IN THE REAL WORLD. 360 00:16:48,708 --> 00:16:51,708 WE'RE DOING HIGH TEA AT THE HYPERION HOTEL. 361 00:16:51,711 --> 00:16:53,481 AH, THAT'S A GREAT IDEA. (chuckles) 362 00:16:53,483 --> 00:16:55,223 IT SOUNDS LIKE YOU'RE READY. MM. 363 00:16:55,215 --> 00:16:57,385 SHOW ME WHAT YOU GOT. 364 00:16:59,519 --> 00:17:02,149 (snooty voice) "PATRICK EWING, JR. 365 00:17:02,152 --> 00:17:03,452 "IS THE PEOPLE'S CHOICE. 366 00:17:03,453 --> 00:17:05,333 "JEROME JAMES, HOWEVER, 367 00:17:05,325 --> 00:17:07,395 IS COACH MIKE D'ANTONI'S CHOICE." 368 00:17:09,229 --> 00:17:10,599 I'M DAZZLED. 369 00:17:10,600 --> 00:17:12,460 (normal voice) YEAH, AS LONG AS I STICK TO SPORTS. 370 00:17:12,462 --> 00:17:14,562 YOU THINK IT'LL WORK? 371 00:17:14,564 --> 00:17:16,774 YOU THINK LANCE WILL BE IMPRESSED? 372 00:17:16,766 --> 00:17:19,736 HE'D BE A FOOL NOT TO BE. 373 00:17:19,739 --> 00:17:23,669 OH. YOU KNOW WHAT? CAN I BORROW YOUR CELL? LOCAL CALL. 374 00:17:23,673 --> 00:17:25,723 MY BATTERY'S DEAD. 375 00:17:25,715 --> 00:17:27,415 THANKS. 376 00:17:27,417 --> 00:17:29,577 SO, WALTER, ANYTHING TO REPORT? 377 00:17:29,579 --> 00:17:32,579 (Walter) I'm not getting obvious clues of origin in his dialect, 378 00:17:32,582 --> 00:17:34,582 BUT HE SET ME UP WITH AN INCREDIBLE MASSEUSE. 379 00:17:34,584 --> 00:17:37,234 MY GOD. HE'S LIKE AN ALLEY CAT. 380 00:17:37,227 --> 00:17:40,287 DR. McCRAE-- I'M SORRY, WALTER, TREVOR HAS AN ODD OBSESSION 381 00:17:40,290 --> 00:17:42,590 WITH THROWING RANDOM PEOPLE INTO RELATIONSHIPS. 382 00:17:42,592 --> 00:17:44,562 OH, NO, I MEANT PROFESSIONALLY. 383 00:17:44,564 --> 00:17:47,104 BEST MASSAGE I'VE EVER HAD. 384 00:17:47,097 --> 00:17:50,397 OH, WELL. JU--LET ME KNOW IF YOU COME UP WITH ANYTHING NEW. 385 00:17:50,400 --> 00:17:51,770 BYE. (beep) 386 00:17:51,771 --> 00:17:55,251 OKAY, SO I FINALLY GOT A CALL BACK FROM THE LIBRARIAN 387 00:17:55,245 --> 00:17:56,705 AT RAINIER STATE COLLEGE. 388 00:17:56,706 --> 00:17:59,206 TREVOR'S MYTHOLOGY BOOK--IT WAS CHECKED OUT THREE YEARS AGO 389 00:17:59,209 --> 00:18:01,549 BY AN ASSOCIATE PROFESSOR IN THE CLASSICS DEPARTMENT 390 00:18:01,551 --> 00:18:04,311 NAMED ANTHONY RUSSO, WHO, ACCORDING TO SOME GOSSIP 391 00:18:04,314 --> 00:18:06,324 I FINESSED OUT OF THE LIBRARIAN, 392 00:18:06,316 --> 00:18:08,816 LEFT UNDER A CLOUD-- RUMORS OF SEXUAL MISCONDUCT. 393 00:18:08,818 --> 00:18:11,088 WHERE DID HE GO? NO ONE KNOWS. 394 00:18:11,090 --> 00:18:13,360 NO ONE AT RAINIER HAS HEARD FROM ANTHONY RUSSO 395 00:18:13,363 --> 00:18:16,873 SINCE HE DISAPPEARED THREE YEARS AGO. 396 00:18:24,434 --> 00:18:26,714 OF COURSE I ACKNOWLEDGE THAT YOU HAVE AN OBLIGATION 397 00:18:26,706 --> 00:18:29,206 TO BE DISCREET IN THE REGISTRAR'S OFFICE. 398 00:18:29,209 --> 00:18:31,709 I UNDERSTAND THAT MR. RUSSO'S INFORMATION IS CONFIDENTIAL, 399 00:18:31,711 --> 00:18:34,211 BUT THIS IS SOMETHING OF AN EMERGENCY. 400 00:18:36,216 --> 00:18:40,246 OKAY, I WILL TELL YOU. 401 00:18:40,250 --> 00:18:43,550 I'M CARRYING HIS CHILD. 402 00:18:43,553 --> 00:18:46,233 FINE, I WILL GIVE YOU MY INFORMATION, 403 00:18:46,226 --> 00:18:48,726 BUT I DOUBT HE'S GOING TO CONTACT ME. 404 00:18:48,728 --> 00:18:50,898 THAT'S KIND OF THE POINT. 405 00:18:50,900 --> 00:18:53,360 ARE YOU SURE WE GOT THE ENGLISH MENU? 406 00:18:53,363 --> 00:18:55,513 WHAT'S SPECK? CAN I GET FRIES WITH IT? 407 00:18:55,505 --> 00:18:58,505 YOU THINK THEY'LL SUPER-SIZE MY SPECK VALUE MEAL? 408 00:18:58,508 --> 00:19:00,638 (singsong voice) I CAN'T HEAR YOU. 409 00:19:00,640 --> 00:19:03,740 (snooty voice) WHAT, PRAY TELL, IS SPECK? 410 00:19:03,743 --> 00:19:06,383 MIGHT IT CAUSE ONE TO YACK? 411 00:19:06,376 --> 00:19:08,716 (normal voice) IT'S A FANCY HAM OR SALAMI. 412 00:19:08,718 --> 00:19:11,578 I FIND MYSELF UNDERWHELMED 413 00:19:11,581 --> 00:19:14,851 BY THE PHILHARMONIC'S UPCOMING SEASON. 414 00:19:14,854 --> 00:19:18,694 HMM. PERSONALLY, I AM EXCITED ABOUT MAHLER'S "FIFTH." 415 00:19:18,688 --> 00:19:20,728 SOME MAY CONSIDER IT PLATITUDINOUS, 416 00:19:20,730 --> 00:19:26,270 YET THE FOURTH MOVEMENT ADAGIO CONTINUES TO SURPRISE ME. 417 00:19:26,266 --> 00:19:28,436 CAN I TAKE YOUR ORDER? 418 00:19:28,438 --> 00:19:31,638 I WAS CONSIDERING THE TUNA TARTAR, 419 00:19:31,641 --> 00:19:35,251 BUT INSTEAD WE'LL HAVE THE NICOISE SALAD. 420 00:19:35,245 --> 00:19:37,405 THE GENTLEMAN WILL HAVE THE SAME. 421 00:19:37,407 --> 00:19:39,377 ANYTHING TO START? 422 00:19:39,379 --> 00:19:43,379 YES. WE WILL SHARE A PLATE OF ASSORTED CA-NAY-PES. 423 00:19:44,784 --> 00:19:47,794 CAN I SUGGEST SOME HERB-CRUSTED ZUCCHINI 424 00:19:47,787 --> 00:19:51,887 AND MAYBE THE LEN-TEEL SOUP TO GO WITH THOSE CA-NAY-PES? 425 00:19:51,891 --> 00:19:54,761 I'M SORRY? (normal voice) I SAID SOMETHING WRONG, DIDN'T I? 426 00:19:54,764 --> 00:19:56,804 MISS, YOU'RE BEING EXTRAORDINARILY RUDE FOR SOMEONE 427 00:19:56,796 --> 00:19:58,866 WHO'S EITHER IGNORANT OF, OR CHOOSES TO IGNORE, 428 00:19:58,868 --> 00:20:01,798 THE DEFINITIONAL DIVIDE OF "CAN" AND "MAY." 429 00:20:01,801 --> 00:20:04,631 CAN YOU TAKE OUR ORDER? 430 00:20:04,634 --> 00:20:07,284 THE ANSWER, MADAM, IS APPARENTLY NOT. 431 00:20:07,277 --> 00:20:09,807 NOW LET'S SEE IF YOU CAN OFFER MY FRIEND AN APOLOGY, 432 00:20:09,809 --> 00:20:13,409 OR I MAY CHOOSE TO SPEAK WITH YOUR MANAGER. OKAY, I GET IT. I DON'T WANT AN APOLOGY. 433 00:20:13,413 --> 00:20:15,423 I JUST WANNA GET OUT OF HERE. 434 00:20:15,415 --> 00:20:18,745 DEBBIE, COME BACK. YOU WERE DOING GREAT. 435 00:20:18,748 --> 00:20:20,918 SHE'S A WAITRESS, FOR CRYING OUT LOUD. 436 00:20:20,920 --> 00:20:24,490 AND I'M A MASSEUSE, WALTER. I COUNT, DON'T I? 437 00:20:24,494 --> 00:20:27,334 SEE? 438 00:20:27,327 --> 00:20:29,427 THIS IS WHY YOU CAN'T UNDERSTAND. 439 00:20:29,429 --> 00:20:31,299 YOU'RE ONE OF THEM. 440 00:20:31,301 --> 00:20:33,431 YOU HAVE NO CLUE HOW HARD THIS IS. 441 00:20:33,433 --> 00:20:35,513 (Boston accent) I GOT A PRETTY GOOD IDEA 442 00:20:35,505 --> 00:20:37,365 WHAT IT'S LIKE, DEB. 443 00:20:37,367 --> 00:20:38,667 YOU, TOO, BRUTUS? 444 00:20:38,668 --> 00:20:40,608 I-I'M NOT MAKING FUN OF YA. 445 00:20:40,610 --> 00:20:43,940 THIS IS HOW I TALKED MY FIRST 18 YEARS. 446 00:20:43,943 --> 00:20:46,653 I GREW UP IN SOUTH BOSTON. 447 00:20:46,646 --> 00:20:49,676 I WILL SQUISH YOUR HEAD IF YOU'RE LYING TO ME. 448 00:20:49,679 --> 00:20:52,519 I GREW UP SMART IN A PART OF TOWN 449 00:20:52,522 --> 00:20:54,522 WHERE SMART GOT YOUR ASS KICKED. 450 00:20:54,524 --> 00:20:56,534 I WORKED MY BUTT OFF AT SCHOOL 451 00:20:56,526 --> 00:20:59,386 WHILE THE OTHER GUYS WERE BUYING BEER AT THE PACKY. 452 00:20:59,389 --> 00:21:02,259 MY FIRST DAY AT HARVARD-- 453 00:21:02,261 --> 00:21:05,261 MY ROOMMATE ASKED ME IF I COULD FIX A LEAKY SINK. 454 00:21:05,264 --> 00:21:07,704 HE FIGURED I HAD TO BE A CUSTODIAN. 455 00:21:07,697 --> 00:21:10,367 WHAT'D YOU DO? 456 00:21:10,370 --> 00:21:12,000 I FIXED THE SINK. 457 00:21:13,503 --> 00:21:17,483 THEN I DECIDED I'D TRY TO FIT IN, 458 00:21:17,477 --> 00:21:19,547 CHANGE MY LIFE. 459 00:21:19,549 --> 00:21:23,449 I BROKE DOWN THE SPEECH PATTERNS OF THE RICH KIDS... 460 00:21:23,453 --> 00:21:25,963 HARDENED MY VOWELS. 461 00:21:25,955 --> 00:21:28,485 CLIPPED MY CONSONANTS. 462 00:21:28,488 --> 00:21:31,758 BEFORE I KNEW IT, I WAS ONE OF THEM. 463 00:21:31,761 --> 00:21:37,571 OKAY, SO I GUESS YOU DO HAVE A CLUE. 464 00:21:37,567 --> 00:21:40,867 AND NOW THAT I KNOW YOU'RE FROM BOSTON, 465 00:21:40,870 --> 00:21:44,330 THERE'S ONE THING YOU HAVE TO KNOW. 466 00:21:44,334 --> 00:21:48,384 THE RED SOX SUCK. 467 00:21:49,839 --> 00:21:51,839 FACE IT, DEBBIE. WE'RE JUST LIVING-- 468 00:21:51,841 --> 00:21:53,841 OH, PLEASE. I--REALLY, I FEEL SORRY. 469 00:21:53,843 --> 00:21:56,393 I FEEL SORRY FOR YOU RED SOX FANS. THEY'RE A TEAM OF THE PAST. 470 00:21:56,386 --> 00:21:59,646 OH, MY GOD, THERE'S LANCE. WHICH ONE? 471 00:21:59,649 --> 00:22:01,789 THE ONE WAVING ME OVER. HEY. 472 00:22:01,791 --> 00:22:03,791 THERE, STANDING BY THE MIME. 473 00:22:03,793 --> 00:22:06,933 LANCE, WHAT ARE YOU DOING HERE? WHAT DO YOU MEAN? I-I GOT YOUR TEXT. 474 00:22:06,926 --> 00:22:08,926 YOU SAID YOU WANTED TO MEET TODAY 475 00:22:08,928 --> 00:22:11,928 OUTSIDE THE HYPERION HOTEL... BESIDE THE MIME. 476 00:22:11,931 --> 00:22:14,431 I DIDN'T SEND A... 477 00:22:15,835 --> 00:22:17,735 TREVOR. 478 00:22:17,737 --> 00:22:21,837 SO WHAT'S UP? 479 00:22:21,841 --> 00:22:24,741 (snooty voice) I'VE BEEN FOLLOWING THE KNICKS. 480 00:22:24,744 --> 00:22:28,424 I'M NOT SURE D'ANTONI IS GOING TO BE ABLE TO GET THIS LINEUP 481 00:22:28,418 --> 00:22:30,018 TO PLAY UP-TEMPO. 482 00:22:30,019 --> 00:22:34,919 AND WITH NO CAP ROOM, I'M AFRAID THE REBUILDING WILL BE SLOW. 483 00:22:34,924 --> 00:22:37,594 I'M SORRY. DID--DID WE GO TO CHOATE TOGETHER? 484 00:22:37,587 --> 00:22:39,527 I DON'T BELIEVE SO. 485 00:22:39,529 --> 00:22:42,359 PERHAPS WE SUMMERED IN KENNEBUNKPORT. 486 00:22:42,361 --> 00:22:45,571 WHERE DID THIS NEW VOICE COME FROM? THIS IS AMAZING. 487 00:22:45,565 --> 00:22:48,365 WALTER HERE HAS BEEN GIVING ME LESSONS. 488 00:22:48,367 --> 00:22:50,467 HE'S A DIALECT COACH. 489 00:22:50,470 --> 00:22:52,370 UH, LANCE STILLWELL. 490 00:22:52,371 --> 00:22:53,601 (chuckles) BRAVO. 491 00:22:53,603 --> 00:22:55,373 SHE'S A DEDICATED STUDENT. 492 00:22:55,374 --> 00:22:59,484 ARE THESE LESSONS FOR ME? FOR US? 493 00:22:59,479 --> 00:23:02,509 LOOK, I-I WAS WRONG NOT TO, UH, 494 00:23:02,512 --> 00:23:05,012 ASK YOU TO MY PARENTS' ANNIVERSARY PARTY. 495 00:23:05,014 --> 00:23:07,524 IS IT TOO LATE TO ASK YOU NOW? 496 00:23:07,517 --> 00:23:10,057 WILL THEY KEEP THE RIFFRAFF OUT? 497 00:23:10,059 --> 00:23:12,089 OF THAT YOU CAN BE QUITE CERTAIN. 498 00:23:12,091 --> 00:23:16,031 THEN, YES, I WOULD LOVE TO GO. 499 00:23:16,025 --> 00:23:19,025 OKAY, WELL, I-I HAVE TO GET BACK TO THE OFFICE, 500 00:23:19,028 --> 00:23:21,998 BUT, UM, I'M SO GLAD YOU GOT IN TOUCH. 501 00:23:22,001 --> 00:23:25,071 AND, UH, I'M SO IMPRESSED WITH, UH, WHAT YOU'VE DONE. 502 00:23:25,074 --> 00:23:28,114 I'LL CALL YOU LATER WITH ALL THE DETAILS, OKAY? 503 00:23:28,107 --> 00:23:29,677 OF COURSE. OKAY. 504 00:23:33,913 --> 00:23:35,523 (normal voice) YOU... 505 00:23:35,515 --> 00:23:39,415 ARE A STRANGE, STRANGE MAN, TREVOR. 506 00:23:39,418 --> 00:23:42,648 BUT I'M GLAD IT WAS YOUR BAR I HEAVED IN. 507 00:23:42,652 --> 00:23:44,722 AND YOU... 508 00:23:44,724 --> 00:23:46,864 UGH! YOU ARE A MENSCH! 509 00:23:46,856 --> 00:23:50,426 (laughs) OH, MY GOD. 510 00:23:50,429 --> 00:23:52,599 ANNIVERSARY PARTY. THE VANDERFIELD CLUB. 511 00:23:52,602 --> 00:23:54,102 HIS PARENTS. 512 00:23:54,103 --> 00:23:57,043 I HAVE SO MUCH TO DO! I HAVE TO GO! 513 00:23:57,036 --> 00:23:59,036 I HAVE SO MUCH TO DO! (laughs) 514 00:23:59,038 --> 00:24:00,868 BYE! 515 00:24:19,929 --> 00:24:22,189 CLEARLY, OPPOSITES ATTRACT. 516 00:24:22,191 --> 00:24:24,161 I'M BASICALLY A GOOD GUY, 517 00:24:24,163 --> 00:24:27,073 BUT I AM ALWAYS ATTRACTED TO CRUEL WOMEN. 518 00:24:27,066 --> 00:24:28,966 (Trevor) IT'S TRUE. 519 00:24:28,968 --> 00:24:31,098 I'M LOOSEY-GOOSEY AND WEAR PRIMARY COLORS 520 00:24:31,100 --> 00:24:33,600 BUT TOTALLY GOT A THING FOR UPTIGHT WOMEN 521 00:24:33,603 --> 00:24:36,153 WHO DRESS IN EARTH TONES. 522 00:24:36,145 --> 00:24:38,905 I'M NOT SAYING OPPOSITES DON'T ATTRACT. 523 00:24:38,908 --> 00:24:41,178 WHAT I'M SAYING IS, 524 00:24:41,180 --> 00:24:43,850 IS THAT ONCE THE HEAT OF THAT ATTRACTION COOLS, 525 00:24:43,853 --> 00:24:45,593 AND IT ALWAYS DOES, 526 00:24:45,585 --> 00:24:47,115 THAT HAVING OPPOSING TEMPERAMENTS 527 00:24:47,116 --> 00:24:50,516 CAN BE AN IMPEDIMENT TO A LONG-LASTING RELATIONSHIP. 528 00:24:50,520 --> 00:24:53,090 I HAVE ONE MORE MEETING WITH TREVOR TOMORROW. 529 00:24:53,092 --> 00:24:56,102 I SHOULD BE FINISHED WITH HIS REPORT BY TOMORROW NIGHT. 530 00:24:56,095 --> 00:24:59,095 GREAT. THEN I'LL SWING BY. AND JUST SO YOU KNOW, 531 00:24:59,098 --> 00:25:01,628 I DO HAVE A FEW IRONS IN THE FIRE, 532 00:25:01,631 --> 00:25:04,831 BUT I HAVEN'T QUITE FOUND THE PERFECT MATCH FOR YOU YET. 533 00:25:04,834 --> 00:25:06,844 (cell phone rings) EXCUSE ME. 534 00:25:06,836 --> 00:25:09,176 (beep) TREVOR PIERCE LOVE LINE. 535 00:25:09,178 --> 00:25:12,138 I'M TRYING TO DECIDE WHAT TO WEAR TO LANCE'S PARTY. 536 00:25:12,141 --> 00:25:14,941 I NEED ELEGANT. ALL I'VE GOT... 537 00:25:14,944 --> 00:25:16,954 is 1980s cheesy. YEAH, YOU KNOW, 538 00:25:16,946 --> 00:25:21,516 THAT'S A LITTLE BIT OUT OF MY AREA OF EXPERTISE. 539 00:25:21,520 --> 00:25:23,920 BUT MAYBE I CAN WORK SOMETHING OUT. 540 00:25:23,923 --> 00:25:26,663 (Debbie) THIS IS SO NICE OF YOU, DR. McCRAE. 541 00:25:26,656 --> 00:25:28,696 THANKS FOR LETTING ME OVER. 542 00:25:28,698 --> 00:25:31,228 UH, SURE. I'M GLAD WE'RE THE SAME SIZE. 543 00:25:31,230 --> 00:25:33,630 (whispers) THIS IS A RIDICULOUS IDEA. 544 00:25:33,633 --> 00:25:36,843 WHAT? SHE GETS A DRESS, YOU GET A MASSAGE. IT'S WIN-WIN. 545 00:25:36,836 --> 00:25:39,736 THE BRIDGE-AND-TUNNEL GIRL WITH THE PARK AVENUE GUY? 546 00:25:39,739 --> 00:25:41,739 IT CAN'T WORK. WHAT DO YOU THINK? 547 00:25:41,741 --> 00:25:43,741 IT'S NICE, BUT I DON'T KNOW. 548 00:25:43,743 --> 00:25:47,283 WALTER WOULD HAVE A WORD FOR IT. I THINK THE WORD WOULD BE "MEH." 549 00:25:47,276 --> 00:25:50,546 I LIKE IT. RESERVED, YET-- SHE'S NOT DOING HIS TAXES. NEXT. 550 00:25:52,051 --> 00:25:54,051 NOW IF I'M TO UNDERSTAND YOU, 551 00:25:54,053 --> 00:25:58,233 THIS LANCE IS THE SCION OF A PROMINENT BANKING FAMILY? 552 00:25:58,227 --> 00:26:02,257 YOU ARE LEADING THIS LAMB TO SLAUGHTER, TREVOR. THE FAMILY WILL NEVER KNOW. WE'VE GOT THAT COVERED. 553 00:26:02,261 --> 00:26:04,191 OF COURSE THEY'LL KNOW. 554 00:26:04,193 --> 00:26:06,943 I KNOW WHAT WALTER WOULD SAY ABOUT THIS. 555 00:26:10,099 --> 00:26:11,139 "WOOF"? 556 00:26:11,140 --> 00:26:13,140 "PRURIENT." 557 00:26:13,142 --> 00:26:15,882 HE ACTUALLY USES WORDS LIKE THAT IN CONVERSATION. 558 00:26:15,875 --> 00:26:18,275 THAT MUST BE ANNOYING. ARE YOU KIDDING? 559 00:26:18,277 --> 00:26:20,777 HE'S LIKE MY OWN WORD-OF-THE-DAY CALENDAR. 560 00:26:20,780 --> 00:26:24,210 I FEEL MYSELF GETTING SMARTER WHENEVER I'M AROUND HIM. 561 00:26:24,213 --> 00:26:26,593 I'VE BEEN TO THE VANDERFIELD CLUB. 562 00:26:26,585 --> 00:26:29,785 THAT DRESS MIGHT BE A BIT MUCH. SHOW CLAIRE WHAT YOU AND WALTER HAVE BEEN WORKING ON. 563 00:26:29,789 --> 00:26:31,059 YEAH, OKAY. 564 00:26:31,060 --> 00:26:33,790 (snooty voice) THE JETS' ACQUISITION 565 00:26:33,793 --> 00:26:35,363 OF BRETT FAVRE 566 00:26:35,364 --> 00:26:39,374 CAN'T SIMPLY BE VIEWED IN TERMS OF WINS AND LOSSES. 567 00:26:39,368 --> 00:26:42,368 THAT IS ODD AND AMAZING. (chuckles) 568 00:26:42,371 --> 00:26:46,211 WALTER'S BEEN A GREAT HELP, HASN'T HE? (normal voice) WALTER IS THE BEST. 569 00:26:46,205 --> 00:26:49,205 SOMETHING ABOUT THOSE UPTOWN BOYS? WALTER'S NOT UPTOWN. 570 00:26:49,208 --> 00:26:52,878 HE'S FROM SOUTH BOSTON. HE'S FAKING IT, JUST LIKE ME. 571 00:26:52,882 --> 00:26:55,342 HE JUST HAS A 20-YEAR HEAD START. 572 00:26:55,344 --> 00:26:56,994 HE'S JUST... 573 00:26:56,986 --> 00:26:58,386 AMAZING? 574 00:26:58,387 --> 00:27:00,117 YEAH. 575 00:27:04,854 --> 00:27:08,034 SO AFTER ALL THIS BROUHAHA, THEY FINALLY FIGURE OUT 576 00:27:08,027 --> 00:27:11,027 THAT THERE'S TWO BLONDES IN THE TOWN NAMED LILY. 577 00:27:11,030 --> 00:27:14,030 YOU WROTE DOWN "BROUHAHA." IT'S A REGIONAL MARKER. 578 00:27:14,033 --> 00:27:18,213 'CAUSE I WAS GONNA GO WITH "KERFUFFLE." SO WHAT HAPPENED TO THE BROTHERS? 579 00:27:18,207 --> 00:27:20,667 (Irish brogue) COME ON. HE'S CODDIN' YA. 580 00:27:20,670 --> 00:27:22,910 I'VE HEARD THAT STORY TEN WAYS. 581 00:27:22,912 --> 00:27:25,412 (imitates Irish brogue) DON'T BE TWISTING HAY, BOYO. 582 00:27:25,414 --> 00:27:28,224 (normal voice) DON'T WRITE THAT DOWN. SIT. 583 00:27:28,217 --> 00:27:30,417 SIT, SIT. (sighs) 584 00:27:30,419 --> 00:27:34,419 OKAY, LOOK. I NEED TO ASK YOU A QUESTION. 585 00:27:34,423 --> 00:27:36,293 DEBBIE. 586 00:27:36,285 --> 00:27:38,885 IS THAT A QUESTION? 587 00:27:38,888 --> 00:27:41,228 YEAH. SEE, I'M GETTING A VIBE FROM HER 588 00:27:41,230 --> 00:27:43,230 THAT SHE REALLY DIGS YOU. 589 00:27:43,232 --> 00:27:45,942 AND I NEED TO KNOW IF YOU DIG HER BACK, 590 00:27:45,935 --> 00:27:48,795 'CAUSE THE CLOCK IS TICKING, MY FRIEND. 591 00:27:48,798 --> 00:27:51,298 BY TOMORROW NIGHT, SHE JUST MIGHT BE LOST FOREVER. 592 00:27:51,300 --> 00:27:55,200 AREN'T YOU TRYING TO REUNITE DEBBIE WITH LANCE? NO. 593 00:27:55,204 --> 00:27:59,254 I'M TRYING TO UNITE DEBBIE WITH HER TRUE LOVE. 594 00:28:09,258 --> 00:28:12,088 EVENING, BOSS. NO WORD FROM ANTHONY RUSSO. 595 00:28:12,091 --> 00:28:14,761 JOSIE, DO YOU KNOW FRANCINE MEYERS, 596 00:28:14,764 --> 00:28:16,774 WORKS IN RECORDS? RUNS A SCRABBLE LEAGUE. 597 00:28:16,766 --> 00:28:19,266 YEAH, I MET HER AT THE WINE THING. WINE THING? 598 00:28:19,268 --> 00:28:22,268 SHE HOSTS A TASTING AT THIS WINE BAR IN SOHO. 599 00:28:22,271 --> 00:28:24,271 I WOULDN'T EXACTLY RECOMMEND IT 600 00:28:24,273 --> 00:28:26,283 UNLESS YOU'RE INTO MUSEUM GOSSIP 601 00:28:26,275 --> 00:28:29,005 AND TALKING ABOUT WINE MORE THAN YOU DRINK IT. 602 00:28:29,008 --> 00:28:31,338 DO YOU KNOW IF SHE'S SINGLE? 603 00:28:37,186 --> 00:28:38,386 DEBBIE. 604 00:28:38,387 --> 00:28:41,017 'CAUSE NOTHING SAYS "THANK YOU" 605 00:28:41,020 --> 00:28:44,050 LIKE THE PHONETIC ALPHABET ON CUPCAKES! (laughs) 606 00:28:53,102 --> 00:28:55,302 HERE. (laughs nervously) YEAH. 607 00:28:55,304 --> 00:28:57,914 I MIGHT'VE EATEN THE "E" WITH THE UMLAUT. 608 00:28:59,869 --> 00:29:01,939 TO HARD WORK PAYING OFF. 609 00:29:01,941 --> 00:29:05,341 TO FINDING MORE THAN JUST MY VOICE. 610 00:29:05,344 --> 00:29:06,484 (clink) 611 00:29:10,419 --> 00:29:12,119 YOU KNOW, DEBBIE, 612 00:29:12,121 --> 00:29:16,391 THE TRUTH IS, I'VE REALLY ENJOYED OUR TIME TOGETHER. 613 00:29:16,385 --> 00:29:19,255 YEAH. WHAT A CHALLENGE, RIGHT? 614 00:29:19,258 --> 00:29:22,258 (chuckles) YES. NO. WELL... 615 00:29:22,261 --> 00:29:24,431 WHAT I MEAN IS I... 616 00:29:24,433 --> 00:29:27,403 I'M NOT QUITE SURE HOW TO SAY THIS. 617 00:29:27,396 --> 00:29:30,196 (knock on door) 618 00:29:30,199 --> 00:29:33,069 SAY WHAT, WALTER? 619 00:29:39,448 --> 00:29:42,448 HEY. I JUST SWUNG BY TO PICK UP THAT REPORT. 620 00:29:42,451 --> 00:29:45,011 IS IT READY? OH, YES, UH, COME IN. 621 00:29:45,014 --> 00:29:46,424 (Debbie) HEY, CLAIRE. 622 00:29:46,415 --> 00:29:49,315 OH, I'M NOT INTERRUPTING A LESSON, AM I? 623 00:29:49,318 --> 00:29:50,958 HERE YOU ARE, CLAIRE. 624 00:29:50,960 --> 00:29:53,390 TRULY A FASCINATING CASE. 625 00:29:53,392 --> 00:29:55,162 OH, I CAN'T WAIT. 626 00:29:55,164 --> 00:29:58,934 AND TO SHOW YOU WHAT I HAVE BEEN WORKING ON, TOO-- 627 00:29:58,928 --> 00:30:00,928 I HAVE FOUND THE IDEAL WOMAN FOR YOU. 628 00:30:00,930 --> 00:30:03,430 SHE IS EVERYTHING YOU SAID YOU WANTED. UH... 629 00:30:03,432 --> 00:30:06,112 CEREBRAL, RESERVED, CULTURED. 630 00:30:06,105 --> 00:30:09,105 I SHOULD BE GOING. (laughs nervously) 631 00:30:09,108 --> 00:30:10,338 BIG DEBUT TOMORROW. 632 00:30:10,339 --> 00:30:13,239 BEST OF LUCK WITH THE GIRL. 633 00:30:13,242 --> 00:30:16,122 SHE SOUNDS PERFECT. (chuckles nervously) 634 00:30:16,115 --> 00:30:17,445 HUH? 635 00:30:17,446 --> 00:30:19,386 (door closes) 636 00:30:27,056 --> 00:30:29,396 MY BEST GUESS IS HE'S AN ARMY BRAT. 637 00:30:29,398 --> 00:30:31,328 HE'S TRAVELED ALL OVER THE WORLD. 638 00:30:31,330 --> 00:30:33,330 THAT'S WHAT MADE HIM SUCH A TIME-CONSUMING CASE. 639 00:30:33,332 --> 00:30:36,272 HE USES IDIOMS AND EXPRESSIONS THAT I'VE QUITE LITERALLY 640 00:30:36,265 --> 00:30:40,235 NEVER HEARD OUT OF THE MOUTH OF AN AMERICAN. HE SOUNDS LIKE HALF THE GUYS IN NEW YORK TO ME. 641 00:30:40,239 --> 00:30:42,239 YEAH, BUT HE'S A MIMIC. YOU COULD DROP HIM IN GEORGIA, 642 00:30:42,241 --> 00:30:45,241 COME BACK A WEEK LATER, HE'D SOUND LIKE BOSS HOGG. 643 00:30:45,244 --> 00:30:48,254 WAIT. AN ARMY BRAT. WHAT ABOUT THE SON OF MISSIONARIES? 644 00:30:48,247 --> 00:30:52,447 YEAH, THAT WOULD MAKE SENSE. WHY? WE HAD A LEAD ON TREVOR'S REAL NAME--ANTHONY RUSSO. 645 00:30:52,451 --> 00:30:54,881 I HAD MY ASSISTANT DO A GOOGLE SEARCH. 646 00:30:54,884 --> 00:30:56,894 THERE WERE HUNDREDS. 647 00:30:56,886 --> 00:30:58,886 BUT ONE OF THOSE MENTIONS A STORY 648 00:30:58,888 --> 00:31:01,258 ABOUT MISSIONARIES IN AFRICA, AN OLDER COUPLE. 649 00:31:01,260 --> 00:31:03,560 THEY MENTION A SON--ANTHONY. 650 00:31:03,562 --> 00:31:06,402 I THINK WE FOUND OUR CUPID. 651 00:31:06,395 --> 00:31:11,035 WELL, DR. CLAIRE McCRAE, AS I LIVE AND BREATHE. 652 00:31:11,040 --> 00:31:12,640 WHAT'S YOUR POISON? 653 00:31:12,641 --> 00:31:15,341 I'M NOT HERE TO DRINK, TREVOR. 654 00:31:15,344 --> 00:31:18,014 I GET IT. LOOKING FOR MR. GOODBAR? 655 00:31:18,007 --> 00:31:20,507 SEE JOHNSON OVER THERE? 656 00:31:20,509 --> 00:31:23,379 I HEAR HE HAS A REAL "I DREAM OF JEANNIE" FETISH. 657 00:31:23,382 --> 00:31:26,222 NOW THERE'S THIS COSTUME SHOP-- 658 00:31:26,215 --> 00:31:28,885 I'VE GOT A STORY I WANT TO SHARE WITH YOU. 659 00:31:28,887 --> 00:31:30,357 A LOVE STORY. 660 00:31:30,359 --> 00:31:32,589 OH, MY FAVORITE KIND. 661 00:31:32,591 --> 00:31:35,931 THE STORY'S ABOUT A SCHOLAR, A UNIVERSITY PROFESSOR. 662 00:31:35,925 --> 00:31:39,295 LET'S GIVE HIM A NAME, SAY... 663 00:31:39,298 --> 00:31:42,368 ANTHONY RUSSO. 664 00:31:43,902 --> 00:31:47,342 RUSSO FALLS IN LOVE WITH ONE OF HIS STUDENTS. 665 00:31:47,336 --> 00:31:48,536 OLD STORY. 666 00:31:48,537 --> 00:31:51,177 HE FALLS MADLY IN LOVE WITH HER. 667 00:31:51,180 --> 00:31:53,910 SHE RECIPROCATES, BUT THE SEMESTER ENDS. 668 00:31:53,912 --> 00:31:56,592 FOR HER, IT WAS JUST A PASSING FLING. 669 00:31:56,585 --> 00:32:00,045 AND FOR HIM, IT WAS MUCH MORE. 670 00:32:00,049 --> 00:32:01,919 LIKE I SAID, OLD STORY. 671 00:32:01,920 --> 00:32:03,920 BUT IT DOESN'T END THERE. 672 00:32:03,922 --> 00:32:06,462 HE CAN'T STOP THINKING ABOUT HER. 673 00:32:06,455 --> 00:32:09,125 HE STALKS HER, HE LEAVES DRUNKEN MESSAGES ON HER MACHINE. 674 00:32:09,128 --> 00:32:11,128 SHE REPORTS HIM TO THE UNIVERSITY. 675 00:32:11,130 --> 00:32:13,430 HE RESIGNS IN DISGRACE. HE SNAPS. (snaps fingers) 676 00:32:13,432 --> 00:32:16,312 HE HAS TO GET AS FAR AWAY FROM HER AS POSSIBLE, 677 00:32:16,305 --> 00:32:18,465 BUT HE'S GOT NO FAMILY SUPPORT. 678 00:32:18,467 --> 00:32:19,967 FOR SAKE OF ARGUMENT, 679 00:32:19,969 --> 00:32:22,109 HIS PARENTS ARE LIVING IN AFRICA. 680 00:32:22,111 --> 00:32:26,051 RUSSO CHANGES HIS IDENTITY, MOVES ACROSS THE COUNTRY. 681 00:32:26,045 --> 00:32:29,415 EVENTUALLY, HE CAN'T EVEN REMEMBER WHO HE IS. 682 00:32:29,418 --> 00:32:33,478 HE TELLS PEOPLE HE'S THE GOD OF LOVE. 683 00:32:38,587 --> 00:32:41,427 OKAY. NOT BAD. 684 00:32:41,430 --> 00:32:43,730 BUT I GOT A BETTER ONE FOR YOU. 685 00:32:43,732 --> 00:32:46,742 LET'S TAKE YOUR PROFESSOR. 686 00:32:46,735 --> 00:32:51,095 BUT THIS TIME, LET'S MAKE RUSSO A REAL ASS HOUND, 687 00:32:51,100 --> 00:32:53,100 ALWAYS SEDUCING THE COEDS. 688 00:32:53,102 --> 00:32:58,282 THEN, UNEXPECTEDLY, HE FALLS FOR ONE OF HIS PEERS-- 689 00:32:58,277 --> 00:32:59,977 ANOTHER PROFESSOR. 690 00:32:59,978 --> 00:33:01,678 HEAD OVER HEELS. 691 00:33:01,680 --> 00:33:05,480 THIS MORALLY BANKRUPT MAN FINALLY FINDS SOMEONE 692 00:33:05,484 --> 00:33:10,424 WHO TURNS HIM INTO THE MAN HE WAS SUPPOSED TO BE. 693 00:33:10,419 --> 00:33:14,159 THEN SOME JEALOUS COED, 694 00:33:14,163 --> 00:33:17,373 WHO HE THREW AWAY THE YEAR BEFORE, 695 00:33:17,366 --> 00:33:20,296 MAKES IT HER MISSION TO SPOIL HIS HAPPINESS. 696 00:33:20,299 --> 00:33:24,369 TELLS THE NEW WOMAN ALL ABOUT THE GIRLS HE'S SEDUCED. 697 00:33:24,373 --> 00:33:28,083 WELL, THE PROFESSOR'S LOVER CAN'T TAKE IT, 698 00:33:28,077 --> 00:33:29,377 WANTS TO ESCAPE, 699 00:33:29,378 --> 00:33:32,408 TO SLEEP UNTIL IT DOESN'T HURT ANYMORE. 700 00:33:32,411 --> 00:33:34,681 FIGURES THE MORE PILLS SHE TAKES, 701 00:33:34,683 --> 00:33:37,453 THE LONGER SHE'LL SLEEP. 702 00:33:37,446 --> 00:33:42,046 WELL, OUR PRINCE CHARMING FINDS HER IN BED, 703 00:33:42,051 --> 00:33:45,591 BUT NO MATTER HOW MANY TIMES HE KISSES HER, 704 00:33:45,594 --> 00:33:48,164 SHE WON'T WAKE UP. 705 00:33:50,729 --> 00:33:53,359 I'M NOT SURE ABOUT YOUR ENDING, EITHER. 706 00:33:53,362 --> 00:33:54,662 IT'S A TAD HACKNEYED. 707 00:33:54,663 --> 00:33:56,773 INSTEAD OF THE INSANITY BIT, 708 00:33:56,765 --> 00:33:59,605 LET'S SAY HE TRAVELS FROM VILLAGE TO VILLAGE 709 00:33:59,608 --> 00:34:02,338 WRESTLING GORGONS FOR SACKS OF GOLD. 710 00:34:02,341 --> 00:34:05,441 SOMEONE HURT YOU VERY BADLY, ANTHONY. 711 00:34:05,444 --> 00:34:07,584 THE NAME'S CUPID. 712 00:34:07,576 --> 00:34:10,246 AND, YOU KNOW, I KNOW YOU DON'T BELIEVE ME, 713 00:34:10,249 --> 00:34:12,549 BUT GIVE WALTER ANOTHER 24 HOURS, 714 00:34:12,551 --> 00:34:14,681 YOU'LL BE A BELIEVER. WALTER? 715 00:34:14,683 --> 00:34:16,533 TREVOR, I FOUND SOMEONE 716 00:34:16,525 --> 00:34:19,725 WHO I THINK WILL BE A GOOD MATCH FOR WALTER. 717 00:34:19,728 --> 00:34:22,728 HE CAME TO ME FOR HELP, SO I WILL ASK YOU NOT TO INTERFERE. 718 00:34:22,731 --> 00:34:28,271 YOU GOT SOMEONE FOR HIM? (chuckles) I DON'T BELIEVE YOU. I MOST CERTAINLY DO. 719 00:34:28,267 --> 00:34:30,467 WHO? QUICK. NO TIME TO THINK. HER NAME IS FRANCINE MEYERS. SHE WORKS AT THE HOSPITAL. 720 00:34:30,469 --> 00:34:33,369 AND THEY'RE HAVING LUNCH TOGETHER TOMORROW AT OSTUNI. 721 00:34:33,372 --> 00:34:36,382 YOU'RE NOT THE ONLY ONE WHO CAN SET PEOPLE UP. 722 00:34:36,375 --> 00:34:39,245 I'VE GOT A REAL KNACK FOR THIS. 723 00:34:39,248 --> 00:34:40,678 MMM. 724 00:34:40,679 --> 00:34:42,079 AHH. 725 00:34:42,080 --> 00:34:43,280 WAITER? 726 00:34:43,282 --> 00:34:46,462 KEEP IT COMIN'. WHERE WAS I? 727 00:34:46,455 --> 00:34:49,115 UH, YOU WERE TELLING ME ABOUT YOUR FORMER LOVERS. 728 00:34:49,118 --> 00:34:51,818 THAT'S RIGHT. WHO WAS I ON? DONALD. 729 00:34:51,820 --> 00:34:54,190 OH. DONALD. 730 00:34:54,193 --> 00:34:55,593 MY BIG "WHAT IF?" 731 00:34:55,594 --> 00:34:57,304 DONALD. 732 00:34:57,296 --> 00:34:58,526 DONALD. 733 00:34:58,527 --> 00:35:00,167 DONALD. 734 00:35:00,169 --> 00:35:03,329 CLAIRE INDICATED YOU'RE A SCRABBLE PLAYER. 735 00:35:03,332 --> 00:35:06,542 WHAT IF? WHAT IF I HAD STEPPED UP THAT NIGHT? 736 00:35:06,535 --> 00:35:09,305 HE WAS MY ONE TRUE LOVE, BUT I LET HIM GO. 737 00:35:09,308 --> 00:35:11,538 THOUGHT I'D GET ANOTHER SHOT. 738 00:35:11,540 --> 00:35:14,280 AND NOW, WELL... 739 00:35:14,283 --> 00:35:15,583 JUST LOOK AT ME. 740 00:35:17,486 --> 00:35:20,686 LOOK AT ME! 741 00:35:20,689 --> 00:35:22,789 CHECK? 742 00:35:22,791 --> 00:35:25,821 WAIT. BEFORE I RIDE SHOTGUN ON THE STAGECOACH TO CRAZY... 743 00:35:25,824 --> 00:35:28,534 TELL ME AGAIN WHY YOU NEED THE NIGHT OFF. 744 00:35:28,527 --> 00:35:31,527 ANY MINUTE NOW, A DESPERATE MAN'S GONNA COME IN HERE 745 00:35:31,530 --> 00:35:35,430 AND NEED MY HELP. THIS MAN IS GONNA WALK THROUGH THAT DOOR IN MY BAR, 746 00:35:35,434 --> 00:35:38,744 AND HE'S GONNA ASK YOU FOR HELP DOING... CUPID STUFF? YEAH. 747 00:35:38,737 --> 00:35:41,907 (sighs) YOU KNOW, I CAN GO MOST DAYS WITHOUT THE FACT 748 00:35:41,910 --> 00:35:44,710 THAT I PLUCKED YOU OUT OF A MENTAL INSTITUTION 749 00:35:44,713 --> 00:35:48,783 ENTERING MY MIND, AND THEN-- TREVOR! I NEED YOUR HELP. IT'S ABOUT DEBBIE. 750 00:35:48,777 --> 00:35:51,277 UNBELIEVABLE. 751 00:35:51,280 --> 00:35:53,280 YEAH, SURE, GO. 752 00:35:54,883 --> 00:35:57,393 WHAT ARE YOU, ABOUT A 40 REGULAR? 753 00:35:57,386 --> 00:35:59,326 UH, YEAH, THAT'S RIGHT. 754 00:35:59,328 --> 00:36:01,358 (sighs) HERE YOU GO. 755 00:36:01,360 --> 00:36:02,760 WHAT'S THIS? 756 00:36:02,761 --> 00:36:05,691 THAT'S HOW YOU'RE GETTING DEBBIE BACK. 757 00:36:09,338 --> 00:36:11,568 TELL ME THE TRUTH. WHEN YOU CAME UP WITH THIS PLAN, 758 00:36:11,570 --> 00:36:14,900 YOU WERE WATCHING "SCOOBY-DOO." WE'RE IN, AREN'T WE? 759 00:36:14,903 --> 00:36:16,913 I MEAN, YOU COULD'VE STATED YOUR CASE LAST NIGHT, 760 00:36:16,905 --> 00:36:18,775 BUT YOU DIDN'T LISTEN TO ME. 761 00:36:18,777 --> 00:36:20,777 GRAB A TRAY OF HORS D'OEUVRES. LET'S GO. 762 00:36:20,779 --> 00:36:23,779 (classical music playing) 763 00:36:26,655 --> 00:36:28,385 THANK YOU. 764 00:36:31,590 --> 00:36:34,590 (indistinct conversations, laughter) 765 00:36:40,929 --> 00:36:44,929 ♪♪ 766 00:36:44,933 --> 00:36:46,613 OH, MY. 767 00:36:53,482 --> 00:36:56,422 YOU LOOK BEAUTIFUL. 768 00:36:56,415 --> 00:36:58,815 (snooty voice) WHY, MR. STILLWELL, 769 00:36:58,817 --> 00:37:01,347 YOU DO FLATTER. 770 00:37:01,350 --> 00:37:02,650 (chuckles) 771 00:37:05,294 --> 00:37:08,304 YOU'RE EMPTY. GET BACK TO THE KITCHEN AND LOAD UP. 772 00:37:09,528 --> 00:37:11,528 (snooty voice) I'M SURE ST. PETERSBURG 773 00:37:11,530 --> 00:37:13,500 IS WONDERFUL THIS TIME OF YEAR, 774 00:37:13,502 --> 00:37:17,372 THOUGH I CONFESS, I'VE ONLY BEEN THERE FOR SPRING BREAK. 775 00:37:17,366 --> 00:37:19,566 (laughing) 776 00:37:19,568 --> 00:37:22,238 WELL, WHAT SORT OF WORK DO YOU DO? 777 00:37:22,240 --> 00:37:25,710 SHE'S IN, UH... HEALTH CARE. 778 00:37:25,714 --> 00:37:27,724 YEAH, OKAY, SO MAYBE I'M THINKING 779 00:37:27,716 --> 00:37:29,716 I WASN'T SO CLEAR EARLIER. 780 00:37:29,718 --> 00:37:31,948 REMEMBER THAT "BEST MAN SCENARIO" I WAS TALKING ABOUT? 781 00:37:31,950 --> 00:37:33,980 YOU'RE THE BEST MAN. NOW GET OVER THERE. 782 00:37:33,982 --> 00:37:36,532 DEBBIE DESERVES TO BE LOVED FOR WHO SHE IS, 783 00:37:36,525 --> 00:37:40,285 NOT FOR WHO SHE'S TRYING TO BE. 784 00:37:40,289 --> 00:37:41,689 MOTHER, FATHER, 785 00:37:41,690 --> 00:37:44,430 ALLOW ME TO INTRODUCE YOU TO... 786 00:37:44,433 --> 00:37:46,973 DEBORAH STEIN. 787 00:37:46,965 --> 00:37:50,595 MR. AND MRS. STILLWELL, IT'S MY PLEASURE. 788 00:37:50,599 --> 00:37:54,039 LANCE HAS SAID SUCH WONDERFUL THINGS ABOUT YOU. 789 00:37:54,042 --> 00:37:56,552 STEIN? IS THAT JEWISH? 790 00:37:56,545 --> 00:37:59,505 UH, OF COURSE NOT, MOTHER. IT'S GERMAN. 791 00:37:59,508 --> 00:38:01,778 BUT, UH, ANYWAY, HER LAST NAME IS, UH, IRRELEVANT, 792 00:38:01,780 --> 00:38:04,650 BECAUSE IT'S MY HOPE THAT, UH, IF SHE'LL HAVE ME, 793 00:38:04,653 --> 00:38:08,293 HER LAST NAME WILL SOON BE STILLWELL. 794 00:38:08,286 --> 00:38:10,456 (crash) 795 00:38:10,459 --> 00:38:13,559 (guests murmuring) 796 00:38:13,562 --> 00:38:15,592 THEY'VE BEEN HAVING SO MUCH TROUBLE 797 00:38:15,594 --> 00:38:18,374 WITH THE HELP HERE LATELY. 798 00:38:18,367 --> 00:38:21,997 I'M SO SORRY. 799 00:38:22,000 --> 00:38:25,500 I SHOULDN'T BE HERE. 800 00:38:25,504 --> 00:38:27,744 I DON'T KNOW WHAT I WAS THINKING. 801 00:38:27,736 --> 00:38:31,476 (normal voice) YO! 802 00:38:31,480 --> 00:38:34,880 IS THAT ALL YOU'VE GOT? 803 00:38:34,883 --> 00:38:37,493 ONE LITTLE TRAY DUMP AND YOU'RE TURNING TAIL? 804 00:38:37,486 --> 00:38:40,546 LET'S SEE YOUR "A" GAME, BOY. MAN UP. 805 00:38:41,790 --> 00:38:43,890 UH, DEBORAH? 806 00:38:47,055 --> 00:38:50,355 (Boston accent) HERE'S THE THING-- 807 00:38:50,359 --> 00:38:53,799 THERE'S NOT A THING I'D CHANGE ABOUT YOU. 808 00:38:53,802 --> 00:38:56,062 REALLY? NOTHIN'? 809 00:38:56,064 --> 00:38:58,644 'CAUSE I AIN'T CULTURED, YOU KNOW, 810 00:38:58,637 --> 00:39:02,637 OR RESERVED, REALLY. (laughs nervously) 811 00:39:02,641 --> 00:39:06,521 OR CEREBRAL. YOU THINK YOU CAN PUT UP WITH A WOMAN LIKE THAT? 812 00:39:06,515 --> 00:39:08,575 YOU HAD ME AT "YO." 813 00:39:08,577 --> 00:39:10,477 (sniffles) 814 00:39:10,479 --> 00:39:13,749 MY NAME IS DEBBIE. I'M A MASSEUSE. 815 00:39:13,752 --> 00:39:15,522 AND I MET YOUR SON 816 00:39:15,524 --> 00:39:18,694 ON A BOOZE CRUISE DOWN AT CLUB MED. 817 00:39:33,442 --> 00:39:35,872 FRANCINE, I WANTED TO ASK HOW YOUR DATE WENT 818 00:39:35,874 --> 00:39:37,554 WITH MY FRIEND WALTER. 819 00:39:37,546 --> 00:39:40,546 IT DIDN'T. HE CALLED AND LEFT A MESSAGE CANCELING. 820 00:39:40,549 --> 00:39:43,479 IT'S TOO BAD. HE SOUNDS LIKE A SWEET GUY. 821 00:39:46,685 --> 00:39:48,955 I JUST SAW FRANCINE-- 822 00:39:48,957 --> 00:39:52,017 DR. McCRAE, YOU HAVE A VISITOR. 823 00:39:52,020 --> 00:39:54,920 HI. I HEAR YOU'RE HAVING MY BABY. 824 00:39:54,923 --> 00:39:57,673 (chuckles) I HAVE TO SAY, 825 00:39:57,666 --> 00:40:00,526 I-I THINK I WOULD'VE REMEMBERED THE CONCEPTION. 826 00:40:00,529 --> 00:40:03,669 (chuckles) YOU'RE ANTHONY RUSSO? 827 00:40:03,672 --> 00:40:07,012 PLEASE. UH, MY FRIENDS CALL ME TONY. 828 00:40:08,637 --> 00:40:11,507 (Claire) CLASSICS DEPARTMENT ASSOCIATE PROFESSOR 829 00:40:11,510 --> 00:40:13,510 ANTHONY RUSSO RELOCATED TO MANHATTAN 830 00:40:13,512 --> 00:40:16,012 AFTER BEING FORCED OUT OF RAINIER STATE. 831 00:40:16,014 --> 00:40:18,894 HE SOLD MOST OF HIS BOOKS AT A USED BOOKSTORE 832 00:40:18,887 --> 00:40:20,587 IN THE VILLAGE. 833 00:40:20,589 --> 00:40:22,849 I SUPPOSE THAT'S HOW TREVOR CAME INTO POSSESSION 834 00:40:22,851 --> 00:40:24,851 OF THE MYTHOLOGY TEXT IN HIS ROOM. 835 00:40:24,853 --> 00:40:27,563 WHILE I'M BACK TO SQUARE ONE IN MY SEARCH 836 00:40:27,556 --> 00:40:28,856 FOR TREVOR'S TRUE IDENTITY, 837 00:40:28,857 --> 00:40:32,497 HE REMAINS FOCUSED ON HIS QUEST. 838 00:40:32,501 --> 00:40:34,961 ♪ I WAS SEARCHIN' ♪ ♪ SEARCHIN' ♪ 839 00:40:34,963 --> 00:40:36,973 ♪ ON A ONE-WAY STREET ♪ 840 00:40:36,965 --> 00:40:38,565 ♪ I WAS HOPIN' ♪ ♪ HOPIN' ♪ 841 00:40:38,567 --> 00:40:40,537 ♪ FOR A CHANCE TO MEET ♪ 842 00:40:40,539 --> 00:40:42,709 ♪ I WAS WAITIN' FOR THE OPERATOR... ♪ 843 00:40:42,711 --> 00:40:44,711 IS THAT THAT SAD DRUNK CHICK? 844 00:40:44,713 --> 00:40:48,923 ALL BLISSFUL AND PAIRED UP LIKE AN ARK ANIMAL. 845 00:40:48,917 --> 00:40:50,947 HOW'D THAT HAPPEN? 846 00:40:50,949 --> 00:40:53,549 ♪ NO, NO, NO ♪ 847 00:40:53,552 --> 00:40:56,732 ♪ DON'T KNOW WHAT I'M GONNA DO ♪ 848 00:40:56,725 --> 00:40:59,185 (both) ♪ I GOTTA GET BACK TO YOU ♪ 849 00:40:59,187 --> 00:41:01,627 ♪♪ 850 00:41:01,630 --> 00:41:04,690 ♪ GOTTA SLOW DOWN ♪ ♪ SLOW DOWN ♪ 851 00:41:04,693 --> 00:41:06,703 ♪ SWEET-TALKIN' WOMAN ♪ ♪ SLOW DOWN ♪ 852 00:41:06,695 --> 00:41:08,835 ♪ YOU GOT ME RUNNIN' ♪ 853 00:41:08,837 --> 00:41:11,937 WHO DO I HAVE TO PSYCHOANALYZE AROUND HERE TO GET A DRINK? 854 00:41:11,940 --> 00:41:13,700 (Debbie) ♪ SLOW DOWN ♪ 855 00:41:13,702 --> 00:41:15,972 SO I GUESS I KNOW WHY YOU WERE SO ANXIOUS 856 00:41:15,974 --> 00:41:18,654 TO GET ME DOWN HERE-- YOU WANTED TO GLOAT. 857 00:41:18,647 --> 00:41:20,947 WHAT DO YOU THINK, HUH? WEREN'T YOU MATCHING DEBBIE 858 00:41:20,949 --> 00:41:23,679 WITH THE SCION OF A PROMINENT LOCAL FAMILY? 859 00:41:23,682 --> 00:41:27,522 GEE... YOU REALLY BUNGLED THIS ONE. 860 00:41:27,516 --> 00:41:29,956 THE CONDITIONS ON THE GROUND CHANGED. MM. 861 00:41:29,958 --> 00:41:32,618 I HAD TO WING IT. BARKEEP? WHERE'S THAT FREE BEER? 862 00:41:32,621 --> 00:41:34,591 IT'S COMING RIGHT UP. 863 00:41:34,593 --> 00:41:36,773 SHIRLEY. ONE OF THE REGULARS HERE. 864 00:41:36,765 --> 00:41:39,565 SHE TEACHES AN IMPROV CLASS OVER AT YUCK IT UPS. 865 00:41:39,568 --> 00:41:41,628 I'M THINKING ABOUT SIGNING UP. EXPAND MY HORIZONS. 866 00:41:41,630 --> 00:41:44,200 NOTHING LIKE SELF-BETTERMENT. 867 00:41:44,202 --> 00:41:48,282 (both) ♪ I GOTTA GET BACK TO YOU ♪ 868 00:41:48,276 --> 00:41:51,776 ♪ YOU GOTTA SLOW DOWN ♪ ♪ SLOW DOWN ♪ 869 00:41:51,780 --> 00:41:53,880 THINGS SEEM TO BE GOING PRETTY WELL. 870 00:41:53,882 --> 00:41:56,892 UH... YEAH. 'CAUSE WALTER FOLLOWED MY ADVICE. 871 00:41:56,885 --> 00:41:59,945 YOUR ADVICE? YEAH. HE TRUSTED HIS GUT. 872 00:41:59,948 --> 00:42:02,648 HE DIDN'T HOLD OUT FOR MISS THINGS-IN-COMMON. 873 00:42:02,651 --> 00:42:04,751 THAT'S EXACTLY WHAT HE DID DO. 874 00:42:04,753 --> 00:42:06,633 ARE YOU KIDDING? 875 00:42:06,625 --> 00:42:09,195 NAME ONE THING THOSE TWO HAVE IN COMMON. WORKING-CLASS BACKGROUND. 876 00:42:09,197 --> 00:42:12,027 NAME TWO THINGS. THEY REMADE THEMSELVES 877 00:42:12,030 --> 00:42:14,600 TO IMPROVE THEIR SOCIAL ECONOMIC STANDING. 878 00:42:14,603 --> 00:42:17,273 LOOK, YOU MADE THE INTRODUCTION. GIVE YOURSELF CREDIT FOR THAT. 879 00:42:17,265 --> 00:42:18,935 OH, TRUST ME, I AM. 880 00:42:18,937 --> 00:42:22,567 (Walter) ♪ HOLD ON, SWEET-TALKIN' LOVER ♪ 881 00:42:22,571 --> 00:42:24,571 (both) ♪ IT'S SO SAD ♪ 882 00:42:24,573 --> 00:42:30,223 ♪ IF THAT'S THE WAY IT'S OVER ♪ 883 00:42:30,218 --> 00:42:33,548 (cheers and applause)