1 00:00:04,335 --> 00:00:06,005 WHAT DO YOU MEAN, WHY? 2 00:00:06,006 --> 00:00:08,336 YOU CAN'T BE SLIPPING MIXED TAPES INTO MY BAG. 3 00:00:08,339 --> 00:00:09,679 MIXED CD. 4 00:00:09,680 --> 00:00:12,080 AND YOU'RE GONNA FEEL DIFFERENTLY AFTER YOU HEAR IT. 5 00:00:12,083 --> 00:00:14,093 AND YOU SHOULDN'T BE CALLING ME 6 00:00:14,085 --> 00:00:16,085 UNLESS IT'S REGARDING YOUR MENTAL HEALTH. 7 00:00:16,087 --> 00:00:18,087 IT'S INAPPROPRIATE. ONE LAST TIME-- 8 00:00:18,089 --> 00:00:20,719 I AM YOUR PSYCHIATRIST. YOU ARE MY PATIENT. YEAH, I'M AWARE OF THAT. 9 00:00:20,721 --> 00:00:22,691 Are you? Because in our sessions, 10 00:00:22,693 --> 00:00:25,533 YOU TREAT ME LIKE I'M THE WOMAN WHO CUTS YOUR HAIR. A YOUNG LADY WHO I HAVE 11 00:00:25,526 --> 00:00:29,026 THE UTMOST RESPECT FOR, BY THE WAY. YOU DEFLECT EVERY SERIOUS QUESTION 12 00:00:29,029 --> 00:00:30,799 WITH A JOKE OR A TANGENT. 13 00:00:30,801 --> 00:00:33,801 I NEED TO GET A TRUE PICTURE OF WHO YOU ARE 14 00:00:33,804 --> 00:00:37,814 and where you came from if I'm going to help you. I'M CUPID, AND I'M FROM OLYMPUS. 15 00:00:37,808 --> 00:00:40,268 (bottles clink) So you've said. 16 00:00:40,271 --> 00:00:42,271 Listen, Claire, I feel bad about 17 00:00:42,273 --> 00:00:45,053 the way things have been going in our sessions. I do. 18 00:00:45,045 --> 00:00:48,215 ACTUALLY, IT'S WHY I MADE YOU THE CD. I'm not looking for a gesture. 19 00:00:48,219 --> 00:00:50,219 I'M LOOKING FOR YOU TO DIG DEEPER. 20 00:00:50,221 --> 00:00:53,181 Well, I chose the songs on the CD 21 00:00:53,184 --> 00:00:56,194 because I thought it might give you a little insight 22 00:00:56,187 --> 00:00:59,087 into what's going on inside my head. 23 00:00:59,090 --> 00:01:00,830 OH, MY GOD. 24 00:01:00,831 --> 00:01:03,791 I KNOW. IT'S A PRETTY AWESOME IDEA, RIGHT? 25 00:01:05,596 --> 00:01:07,596 I'VE BEEN ROBBED. 26 00:01:07,598 --> 00:01:10,068 (beep, line disconnects, dial tone) 27 00:01:10,070 --> 00:01:12,770 I DON'T EVEN THINK THEY TOOK ANYTHING. 28 00:01:12,773 --> 00:01:15,783 WHY WOULD SOMEONE-- IT'S PROBABLY AN ADDICT LOOKING FOR CASH LYING AROUND. 29 00:01:15,776 --> 00:01:18,606 UNFORTUNATELY, IT'S GOTTEN PRETTY COMMON AROUND HERE. 30 00:01:18,609 --> 00:01:21,549 AND YOU--YOU DEFINITELY CHECKED EVERYWHERE? 31 00:01:21,552 --> 00:01:23,782 MA'AM, TRUST US. HE'S LONG GONE. 32 00:01:23,784 --> 00:01:25,794 THANKS, BOYS. I'LL TAKE IT FROM HERE. 33 00:01:25,786 --> 00:01:29,256 WHAT ARE YOU DOING AT MY APARTMENT? I WAS CONCERNED FOR YOUR WELFARE. 34 00:01:29,260 --> 00:01:32,260 "I WAS ROBBED." CLICK. WHAT WAS I SUPPOSED TO DO AFTER THAT? 35 00:01:32,263 --> 00:01:34,273 POUR MYSELF A GIMLET AND DRAW A BATH? 36 00:01:34,265 --> 00:01:36,095 I WANTED TO MAKE SURE 37 00:01:36,096 --> 00:01:38,726 THERE WAS NO JUNKIE HIDING IN YOUR BOX SPRING. THERE'S NOT. 38 00:01:38,729 --> 00:01:42,669 OH, GOOD. SO NOW I WILL BEGIN THE CHEERING UP PROCESS. 39 00:01:42,673 --> 00:01:45,113 STARTING PERHAPS... 40 00:01:45,105 --> 00:01:47,105 WITH A LITTLE MUSICAL INSIGHT 41 00:01:47,107 --> 00:01:49,637 INTO THE INNER WORKINGS OF ONE TREVOR PIERCE. 42 00:01:49,640 --> 00:01:53,410 DID YOU NOT HEAR A WORD I SAID EARLIER? WHAT ARE WE TALKING ABOUT AGAIN? 43 00:01:53,414 --> 00:01:56,754 DO YOU SEE ANY OF MY OTHER PATIENTS HERE, TREVOR? 44 00:01:56,747 --> 00:01:58,317 (horns honking in distance) 45 00:01:58,319 --> 00:02:00,549 NO. JUST ME. 46 00:02:00,551 --> 00:02:04,331 I SHOULD PROBABLY GET A LITTLE, LIKE, GOLD STAR ON MY FILE. 47 00:02:04,325 --> 00:02:06,855 I WILL GIVE IT TO YOU AT OUR NEXT SESSION. 48 00:02:06,857 --> 00:02:08,397 GOOD-BYE, TREVOR. 49 00:02:08,399 --> 00:02:10,799 ALL RIGHT. HAVE IT YOUR WAY. 50 00:02:10,801 --> 00:02:12,901 (metal clanks) OH! SORRY! 51 00:02:12,903 --> 00:02:15,913 TREVOR, WAIT. 52 00:02:15,906 --> 00:02:17,406 SINCE YOU'RE ALREADY HERE, 53 00:02:17,408 --> 00:02:20,138 IF YOU WANTED TO STAY AND HELP ME CLEAN UP, 54 00:02:20,140 --> 00:02:22,140 I-I GUESS THAT WOULD BE OKAY. 55 00:02:22,142 --> 00:02:24,782 YEAH, SURE. 56 00:02:24,775 --> 00:02:26,275 WHERE SHOULD WE BEGIN? 57 00:02:26,277 --> 00:02:28,677 SHALL I SUGGEST... THE BEDROOM? 58 00:02:28,679 --> 00:02:30,549 SO WHEN YOU GO TO SLEEP TONIGHT 59 00:02:30,551 --> 00:02:33,381 YOU WON'T BE SURROUNDED BY A REMINDER OF WHAT HAPPENED. 60 00:02:46,867 --> 00:02:50,737 THEY TOTALLY TRASHED THE PLACE. 61 00:02:50,741 --> 00:02:52,401 WHAT, THIS? PLEASE. 62 00:02:52,403 --> 00:02:55,553 BACK HOME, THIS WAS A TYPICAL SUNDAY MORNING IN MY BEDROOM. 63 00:02:55,546 --> 00:02:57,676 BUT YOU KNOW WHAT THEY ALWAYS SAY, 64 00:02:57,678 --> 00:02:59,748 IF YOU'RE NOT BREAKING A LAMP... (sighs) 65 00:02:59,750 --> 00:03:01,580 YOU'RE NOT DOING IT RIGHT. 66 00:03:01,582 --> 00:03:05,762 THEY? WHO IS THIS "THEY" THAT ALWAYS SAYS THAT? 67 00:03:05,756 --> 00:03:07,456 UH, ZEUS, 68 00:03:07,458 --> 00:03:08,788 APOLLO, 69 00:03:08,789 --> 00:03:10,889 THE GUY WHO OWNS THE LIGHTING STORE ON MOUNT OLYMPUS. 70 00:03:10,891 --> 00:03:13,721 THERE'S A LIGHTING STORE IN MOUNT OLYMPUS? 71 00:03:13,724 --> 00:03:16,574 MOUNT O-LAMP-US. I-I KNOW. IT'S RIDICULOUS. 72 00:03:16,567 --> 00:03:18,897 BUT WHEN IT WAS CALLED LAMPS BY GEORGE, 73 00:03:18,899 --> 00:03:21,769 THEY COULD HARDLY SCARE UP A CUSTOMER. 74 00:03:21,772 --> 00:03:23,872 OH, LAMBY. 75 00:03:23,874 --> 00:03:25,484 (bleats) 76 00:03:25,476 --> 00:03:28,306 THE THINGS YOU MUST HAVE SEEN IN THIS BEDROOM. (chuckles) 77 00:03:28,309 --> 00:03:29,909 WHAT... 78 00:03:29,910 --> 00:03:32,710 DO WE HAVE... HERE? 79 00:03:35,286 --> 00:03:36,686 OUT. 80 00:03:36,687 --> 00:03:38,287 OKAY. 81 00:03:39,550 --> 00:03:40,790 (mutters) 82 00:03:40,791 --> 00:03:43,291 I KNOW I'M SUPPOSED TO MEET YOU, 83 00:03:43,294 --> 00:03:45,904 BUT SERIOUSLY, I'M ON A JOB. I'M NOT LYING. 84 00:03:45,896 --> 00:03:49,996 I'M NOT LYING. HEY, WILL YOU-- WILL YOU TELL HER I'M NOT LYING? 85 00:03:50,000 --> 00:03:52,700 HE'S NOT LYING. TREVOR PIERCE. 86 00:03:52,703 --> 00:03:54,443 PUTTING IN SOME LOCKS. 87 00:03:54,435 --> 00:03:57,935 BREAK-IN. I-I-I DON'T KNOW. HE WAS HERE WHEN I GOT HERE. 88 00:03:57,938 --> 00:04:01,768 DOES SHE WANT TO KNOW WHAT I'M WEARING? DO YOU WANT TO KNOW WHAT HE'S WEARING? 89 00:04:01,772 --> 00:04:04,622 SHE DOESN'T, ALTHOUGH SHE PUT IT SLIGHTLY MORE COLORFULLY. 90 00:04:04,615 --> 00:04:09,245 ASK HER WHAT SHE'S WEARING. HE WANTS TO KNOW WHAT YOU'RE WEARING. 91 00:04:09,249 --> 00:04:12,549 SHE SAYS SHE'S GONNA BE WEARING YOUR ASS AS A HAT 92 00:04:12,553 --> 00:04:13,923 IF YOU'RE LYING. 93 00:04:13,924 --> 00:04:17,264 JUST THE ASSHAT AND NOTHING ELSE? 94 00:04:17,257 --> 00:04:19,657 (beep) PAULA? HELLO? 95 00:04:19,660 --> 00:04:22,290 SHE HUNG UP, DIDN'T SHE? YEAH. 96 00:04:22,293 --> 00:04:26,473 SO WHAT'S THE STORY THERE? OTHER THAN THE FACT THAT I'M MADLY IN LOVE WITH HER, 97 00:04:26,467 --> 00:04:30,037 NOT A HECK OF A LOT. WELL, IF SHE'S YOUR DREAM GIRL, YOU GOTTA MAKE THAT MOVE. 98 00:04:30,040 --> 00:04:33,040 DID IT SOUND LIKE I WAS WORSHIPPING HER FROM AFAR THERE? 99 00:04:33,043 --> 00:04:36,683 LOOK, SOME THINGS JUST AREN'T MEANT TO BE. LOVE'S ALWAYS MEANT TO BE. 100 00:04:36,677 --> 00:04:38,907 YEAH, WELL, NOT IN THIS CASE. 101 00:04:55,295 --> 00:04:56,995 (Mousse T.'s "Horny" playing) 102 00:04:56,997 --> 00:05:00,997 ♪ YOU GOT ME HORNY IN THE MORNING, AND YOU KNOW ♪ 103 00:05:01,001 --> 00:05:04,441 ♪ MY HEART IS RINGING SO I'M SINGING THIS SONG FOR YOU ♪ 104 00:05:04,435 --> 00:05:06,705 ♪ I'M HORNY ♪ 105 00:05:06,707 --> 00:05:08,637 ♪ HORNY, HORNY, HORNY ♪ 106 00:05:08,639 --> 00:05:10,379 ♪ SO HORNY ♪ 107 00:05:10,381 --> 00:05:12,611 ♪ HORNY, HORNY, HORNY ♪ 108 00:05:12,613 --> 00:05:13,983 ♪ I'M HORNY ♪ 109 00:05:24,024 --> 00:05:26,034 NOT OPEN YET. 110 00:05:26,026 --> 00:05:29,326 ALTHOUGH I COULD ALWAYS MAKE AN EXCEPTION. 111 00:05:29,329 --> 00:05:31,929 I'M LOOKING FOR TREVOR PIERCE. YOU FOUND HIM. 112 00:05:31,932 --> 00:05:33,402 PAULA TORRES. 113 00:05:33,404 --> 00:05:37,014 WE SPOKE ON THE PHONE LAST NIGHT ABOUT TOMMY BROWN. 114 00:05:37,007 --> 00:05:39,467 THE LOCKSMITH? (laughs) 115 00:05:39,470 --> 00:05:41,770 SOMETHING FUNNY? NO. SORRY. 116 00:05:41,772 --> 00:05:44,112 I JUST, UM, THE WHOLE PICTURE SUDDENLY BECAME CLEARER. 117 00:05:44,114 --> 00:05:47,784 THE PICTURE? TELL ME IF THIS SUMS IT UP. YOU AND TOMMY WERE DATING. 118 00:05:47,778 --> 00:05:49,918 THINGS WENT SOUTH, YOU BROKE IT OFF. 119 00:05:49,920 --> 00:05:52,450 NOW YOU'RE WONDERING IF YOU DID THE RIGHT THING, 120 00:05:52,453 --> 00:05:54,463 SO YOU'RE GIVING HIM THE COLD SHOULDER 121 00:05:54,455 --> 00:05:57,455 WHILE STILL SNIFFING AROUND TO MAKE SURE HE HASN'T MOVED ON. 122 00:05:57,458 --> 00:06:00,788 I'M NOT SNIFFING AROUND TO MAKE SURE HE HASN'T MOVED ON. OKAY. 123 00:06:00,791 --> 00:06:04,801 I'M NOT HIS EX. I'M HIS PAROLE OFFICER. 124 00:06:04,795 --> 00:06:09,735 ♪♪ 125 00:06:17,377 --> 00:06:19,047 (whirs) 126 00:06:19,049 --> 00:06:21,649 (turns off machine) SO YOU'RE A JEWEL THIEF? 127 00:06:21,652 --> 00:06:23,582 WAS. 128 00:06:23,584 --> 00:06:26,664 WAS, MRS. GARDNER. 129 00:06:26,657 --> 00:06:29,517 MIGHT NOT WANT TO BROADCAST THE WHOLE THIEF THING. 130 00:06:29,520 --> 00:06:32,020 IT DOESN'T EXACTLY ENDEAR ME TO PEOPLE. 131 00:06:32,022 --> 00:06:33,562 TAKE PAULA, FOR EXAMPLE. 132 00:06:33,564 --> 00:06:35,574 NO, PAULA NEEDS TO GET OVER THAT. 133 00:06:35,566 --> 00:06:37,526 YOU PAID YOUR DEBT TO SOCIETY. 134 00:06:37,528 --> 00:06:40,628 BESIDES, YOU WERE A JEWEL THIEF. YOU DIDN'T KILL ANYONE. 135 00:06:40,631 --> 00:06:43,631 YOU DIDN'T KILL ANYONE, RIGHT? I NEVER EVEN CARRIED A GUN. 136 00:06:43,634 --> 00:06:45,684 I WAS TELLING THAT VERY THING TO THE JUDGE 137 00:06:45,676 --> 00:06:48,876 WHEN HE SENT ME AWAY FOR FIVE YEARS. ON THE BRIGHT SIDE, YOU DON'T GET CAUGHT, 138 00:06:48,879 --> 00:06:51,879 YOU NEVER MEET PAULA. THEN I DON'T GET THE CHANCE TO SPEND THE REST OF MY LIFE 139 00:06:51,882 --> 00:06:55,092 PINING FOR A WOMAN WHO HATES ME. YOU'RE MISTAKING COLD AND SUPERIOR FOR HATRED. 140 00:06:55,085 --> 00:06:57,085 LOOK, NO OFFENSE. I MET THE WOMAN. 141 00:06:57,087 --> 00:06:58,687 SHE'S BORDERLINE ARCTIC. 142 00:06:58,689 --> 00:07:00,049 I KNOW. 143 00:07:00,050 --> 00:07:03,050 COME ON. YOU NEVER HAD ONE OF THOSE ICY KNOW-IT-ALLS 144 00:07:03,053 --> 00:07:05,063 WHO JUST MAKE YOU CRAZY? 145 00:07:05,055 --> 00:07:07,755 I HAVE ONE OF THOSE WHO THINKS I'M CRAZY. 146 00:07:07,758 --> 00:07:10,098 REGARDLESS, FROSTY THE SNOW BABE DOESN'T HATE YOU. 147 00:07:10,100 --> 00:07:12,100 IT'S JUST THE NATURE OF THE RELATIONSHIP, YOU KNOW? 148 00:07:12,102 --> 00:07:14,102 SHE'S TRYING TO MAINTAIN A PROFESSIONAL DISTANCE. 149 00:07:14,104 --> 00:07:17,144 YOU CAN'T READ TOO MUCH INTO THAT. I NEVER DO. IS THAT SO? 150 00:07:17,137 --> 00:07:20,807 (chuckles) COME OVER HERE AND CHECK THIS OUT. 151 00:07:24,915 --> 00:07:27,215 PAROLE REPORT PAULA WROTE TWO WEEKS AGO. 152 00:07:27,217 --> 00:07:29,177 CHECK OUT THE LAST CHAPTER. 153 00:07:29,179 --> 00:07:30,879 "WHILE THERE'S NO EVIDENCE 154 00:07:30,881 --> 00:07:32,981 "TO SUGGEST TOMMY HAS ENGAGED IN ILLEGAL ACTIVITY, 155 00:07:32,983 --> 00:07:35,463 "HE HASN'T SHOWN ANY MEANINGFUL CHANGE 156 00:07:35,455 --> 00:07:37,925 "FROM HIS PRE-PRISON MINDSET. 157 00:07:37,928 --> 00:07:39,928 "HE CONTINUES TO RELY ON THE CHARM AND INTELLIGENCE 158 00:07:39,930 --> 00:07:41,930 "THAT MADE HIM A MASTERFUL THIEF 159 00:07:41,932 --> 00:07:44,672 TO EVADE RESPONSIBILITY IN HIS DAILY LIFE." 160 00:07:44,665 --> 00:07:49,095 SO YOU SEE WHAT I'M SAYING? YEAH, "CHARM," "INTELLIGENCE," "MASTERFUL." 161 00:07:49,099 --> 00:07:51,139 CLEARLY, PAULA THINKS YOU'RE A GIANT LOSER. 162 00:07:51,141 --> 00:07:54,511 THIS IS GONNA BE A PIECE OF CAKE. WHAT'S GONNA BE A PIECE OF CAKE? 163 00:07:54,505 --> 00:07:56,945 YOU AND PAULA. LEAVE IT TO ME. 164 00:07:56,947 --> 00:07:59,947 I'LL HAVE HER IN YOUR ARMS BY THE END OF THE NIGHT. 165 00:07:59,950 --> 00:08:03,010 NEVER GONNA HAPPEN, MY FRIEND. OH, OKAY. WELL, I'LL LEAVE THEN. 166 00:08:03,013 --> 00:08:05,223 OBVIOUSLY, YOU DON'T REALLY LOVE PAULA. 167 00:08:05,215 --> 00:08:07,055 I DON'T LOVE PAULA? 168 00:08:07,057 --> 00:08:09,057 LET ME TELL YOU SOMETHING. 169 00:08:09,059 --> 00:08:11,059 WHEN I GOT OUT OF PRISON, 170 00:08:11,061 --> 00:08:13,021 MY PLAN WAS TO GO RIGHT BACK IN THE BUSINESS. 171 00:08:13,023 --> 00:08:16,033 I WAS CASING JOINTS USING BOOKS IN THE PRISON LIBRARY. 172 00:08:16,026 --> 00:08:19,026 MY EX-WIFE WAS HANDLING MY LEGWORK ON THE OUTSIDE. 173 00:08:20,531 --> 00:08:23,801 THEN I GET RELEASED AND I HAVE MY FIRST PAROLE MEETING. 174 00:08:23,804 --> 00:08:25,814 STARING ACROSS THE DESK AT ME 175 00:08:25,806 --> 00:08:30,636 WAS THIS SMART, BEAUTIFUL WOMAN WHO COULD SEE RIGHT THROUGH ME. 176 00:08:30,641 --> 00:08:32,111 SUDDENLY ALL THAT MATTERED, 177 00:08:32,112 --> 00:08:36,152 ALL I WANTED, WAS TO BE A MAN SHE COULD RESPECT. 178 00:08:36,146 --> 00:08:39,886 OKAY. I GET IT. LOOK, YOU'RE PROBABLY RIGHT. 179 00:08:39,890 --> 00:08:42,690 YOU KNOW, BEST TO KEEP THAT SORT OF LOVE UNREQUITED. 180 00:08:42,693 --> 00:08:45,733 YOU'RE MUCH BETTER OFF FOCUSING ON YOUR OTHER GREAT LOVE-- 181 00:08:45,726 --> 00:08:47,296 MAKING KEYS. 182 00:08:50,000 --> 00:08:51,760 I'M LISTENING. 183 00:08:51,762 --> 00:08:53,762 I GOTTA GET TO THIS SINGLES GROUP 184 00:08:53,764 --> 00:08:55,074 BEFORE THE GROUP LEADER 185 00:08:55,065 --> 00:08:57,065 DESTROYS THE LAST SPARK OF ROMANCE AND HOPE 186 00:08:57,067 --> 00:09:00,807 IN A BUNCH OF LONELY HEARTS, BUT THIS IS WHERE I WORK. 187 00:09:00,811 --> 00:09:03,841 (sets pen down) I WANT YOU TO COME IN TONIGHT. 188 00:09:03,844 --> 00:09:06,154 I'LL FILL YOU IN ON ALL THE DETAILS. 189 00:09:11,051 --> 00:09:14,321 (siren wailing) 190 00:09:16,627 --> 00:09:19,157 WE'D BEEN DRINKING... A LOT. 191 00:09:19,159 --> 00:09:22,059 NEXT THING I KNOW, ANGELA IS KISSING ME, 192 00:09:22,062 --> 00:09:24,772 AND I'M KISSING HER BACK. F-FIRST OFF, UH, 193 00:09:24,765 --> 00:09:26,765 THE POLICE FORCE STRICTLY FORBIDS FRATERNIZATION 194 00:09:26,767 --> 00:09:29,767 BETWEEN PARTNERS, YOU KNOW, BUT WHAT'S WORSE IS THAT NOW 195 00:09:29,770 --> 00:09:31,940 THINGS HAVE GOTTEN VERY AWKWARD IN THE SQUAD CAR. 196 00:09:31,942 --> 00:09:34,952 THEN YOU NEED TO HAVE AN HONEST CONVERSATION WITH YOUR PARTNER. 197 00:09:34,945 --> 00:09:37,075 DISCUSS WHAT HAPPENED, AND LET HER KNOW 198 00:09:37,077 --> 00:09:40,147 IT WAS AN UNFORTUNATE MISTAKE. 199 00:09:40,150 --> 00:09:43,850 OR IF I MIGHT SUGGEST A SOLUTION THAT'S A LITTLE LESS, 200 00:09:43,854 --> 00:09:45,294 YOU KNOW, SOUL-CRUSHING-- 201 00:09:45,285 --> 00:09:47,915 GET SMASHED AGAIN, HOPE FOR A REPEAT PERFORMANCE. (laughter) 202 00:09:47,918 --> 00:09:51,118 I THINK I LIKE TREVOR'S WAY. YEAH, I DON'T THINK I'VE HAD A RELATIONSHIP 203 00:09:51,121 --> 00:09:55,331 THAT DIDN'T START WITH ONE OR BOTH OF US A LITTLE WASTED. (laughter) 204 00:09:55,325 --> 00:09:58,225 HOW MANY OF YOU IN HERE HAVE RELIED ON ALCOHOL 205 00:09:58,228 --> 00:10:00,598 TO START RELATIONSHIPS? 206 00:10:00,600 --> 00:10:03,830 AND OF THE PEOPLE WITH THEIR HANDS UP, 207 00:10:03,834 --> 00:10:07,284 HOW MANY OF YOU ARE PRESENTLY SITTING IN A SINGLES' GROUP? 208 00:10:07,277 --> 00:10:10,307 WE SHOULDN'T BE MAKING IMPORTANT LIFE DECISIONS 209 00:10:10,310 --> 00:10:13,310 WHEN WE'RE NOT IN FULL CONTROL OF OUR FACULTIES. 210 00:10:13,313 --> 00:10:15,993 OKAY, I'M SORRY, BUT WHEN IT COMES TO LOVE, 211 00:10:15,986 --> 00:10:17,846 OUR FACULTIES ARE MORONS. 212 00:10:17,848 --> 00:10:20,918 ALCOHOL DOESN'T MAKES US DO WHAT WE DON'T WANT TO DO. 213 00:10:20,921 --> 00:10:24,051 ALCOHOL MAKES US DO PRECISELY WHAT WE WANT TO DO. 214 00:10:24,054 --> 00:10:26,804 WE'RE JUST AFRAID TO. OKAY, THAT'S ENOUGH FOR TODAY. 215 00:10:26,797 --> 00:10:29,827 AND YOUR HOMEWORK IS TO FORGET EVERYTHING TREVOR JUST SAID. 216 00:10:29,830 --> 00:10:31,960 (laughter) 217 00:10:31,962 --> 00:10:34,712 BENNY, CAN I ASK YOU SOMETHING? SURE. 218 00:10:34,705 --> 00:10:37,305 MY APARTMENT WAS RECENTLY BROKEN INTO. 219 00:10:37,307 --> 00:10:40,307 IN YOUR EXPERIENCE, IS IT AT ALL COMMON FOR THE ROBBER 220 00:10:40,310 --> 00:10:43,670 TO RETURN TO THE SCENE OF THE CRIME? WHAT, TO BREAK IN AGAIN? 221 00:10:43,674 --> 00:10:47,354 NO. IT ALMOST NEVER HAPPENS. GOOD. (chuckles) THANK YOU. 222 00:10:47,347 --> 00:10:51,147 WAIT. WHAT DID YOU MEAN, "ALMOST NEVER HAPPENS"? 223 00:10:51,151 --> 00:10:52,981 HEY. 224 00:10:52,983 --> 00:10:56,793 YOU KNOW, IF YOU'RE STILL SCARED ABOUT THE OTHER NIGHT, 225 00:10:56,787 --> 00:10:59,857 I'D BE HAPPY TO WALK YOU HOME. I'M NOT SCARED. (scoffs) 226 00:10:59,860 --> 00:11:02,190 YOU SURE? BECAUSE IT'S NOT-- 227 00:11:02,192 --> 00:11:05,172 TREVOR, I'M--I'M FINE. 228 00:11:05,165 --> 00:11:08,035 YOU KNOW, IT WASN'T PERFECT. 229 00:11:08,038 --> 00:11:10,198 BUT IT WASN'T HORRIBLE, EITHER. 230 00:11:10,200 --> 00:11:11,740 WHAT? 231 00:11:11,742 --> 00:11:13,302 MY CHILDHOOD. 232 00:11:13,303 --> 00:11:16,113 ANY CHANCE WE CAN TALK ABOUT IT TONIGHT? 233 00:11:16,106 --> 00:11:18,106 WHILE YOU'RE WALKING ME HOME? 234 00:11:18,108 --> 00:11:21,148 YEAH, WELL, IF WE'RE TALKING ABOUT MY ISSUES, 235 00:11:21,151 --> 00:11:23,381 IT'S NOT INAPPROPRIATE, RIGHT? 236 00:11:23,383 --> 00:11:25,763 OKAY, I'LL... 237 00:11:25,756 --> 00:11:28,356 MAKE AN EXCEPTION JUST THIS ONE TIME. 238 00:11:28,358 --> 00:11:31,058 CAN YOU IMAGINE HOW HARD IT IS GROWING UP 239 00:11:31,061 --> 00:11:33,061 WITH MARS AS YOUR FATHER? 240 00:11:33,063 --> 00:11:36,773 I MEAN, OF ALL THE GODS, HE'S LIKE A FREAKIN' ROCK STAR. 241 00:11:36,767 --> 00:11:39,767 IT'S ALWAYS HARD FOR A CHILD TO FIGURE OUT WHO HE IS 242 00:11:39,770 --> 00:11:42,070 AND WHAT HIS PLACE IS IN THE WORLD 243 00:11:42,072 --> 00:11:44,812 WHEN HE HAS A SUCCESSFUL AND POWERFUL FATHER, 244 00:11:44,805 --> 00:11:48,175 WHOEVER HE MIGHT BE. STILL, SOMETIMES I WISH HE'D BEEN ONE OF THE LESSER GODS-- 245 00:11:48,178 --> 00:11:51,138 YOU KNOW, THE GOD OF COMMERCE OR THE GOD OF COOKIES. 246 00:11:51,141 --> 00:11:53,841 THE GOD OF WAR IN A WARRIOR CULTURE? IT'S-- 247 00:11:53,844 --> 00:11:56,494 (sighs) YOU'RE NEVER GONNA MATCH UP. THERE WAS A GOD OF COOKIES? 248 00:11:56,486 --> 00:11:59,186 GOD OF EVERYTHING. THE LAST COUPLE YEARS, 249 00:11:59,189 --> 00:12:02,119 THEY STARTED HANDING OUT TITLES AS POLITICAL FAVORS-- 250 00:12:02,122 --> 00:12:05,132 YOU KNOW, GOD OF COOKIES, GOD OF HATS, GOD OF TAPE. 251 00:12:05,125 --> 00:12:07,125 EVERYBODY GETS THEIR 15 MINUTES. 252 00:12:07,127 --> 00:12:09,157 OH, LOOK, HERE WE ARE. 253 00:12:09,159 --> 00:12:11,799 YEP. 254 00:12:11,802 --> 00:12:14,162 YOU WANT ME TO CHECK ON THE APARTMENT? 255 00:12:14,164 --> 00:12:17,344 ONLY IF YOU'RE NOT DONE TALKING ABOUT YOUR FATHER. 256 00:12:20,971 --> 00:12:23,311 THANKS FOR DOING THIS. (Trevor) NO PROBLEM. 257 00:12:23,313 --> 00:12:27,483 I GUESS I WAS A LITTLE MORE SCARED THAN I LET ON. 258 00:12:27,477 --> 00:12:30,147 WHO'S THE GUY? 259 00:12:30,150 --> 00:12:33,080 DO I NEED TO BOOBY-TRAP EVERYTHING IN MY APARTMENT? 260 00:12:33,083 --> 00:12:35,263 WHO'S AVOIDING NOW, CLAIRE? 261 00:12:35,255 --> 00:12:39,425 IT'S A FRIEND, OKAY? YOU HAPPY? 262 00:12:39,429 --> 00:12:42,129 IT'S MY BEST FRIEND FROM COLLEGE, ACTUALLY. 263 00:12:42,132 --> 00:12:44,942 HE WAS ALWAYS THERE FOR ME IN SOME TOUGH TIMES. 264 00:12:44,935 --> 00:12:46,265 HE WAS MY ROCK. 265 00:12:46,266 --> 00:12:50,536 AND THEN HE GOT MARRIED AND MOVED TO INDIA. 266 00:12:53,103 --> 00:12:56,113 OH, MY GOD. IS THAT YOUR HIGH SCHOOL YEARBOOK? 267 00:12:56,106 --> 00:12:58,976 OKAY. OUT. WHY? 268 00:12:58,979 --> 00:13:00,509 CAN I-- OUT. 269 00:13:02,853 --> 00:13:03,883 (horn honks) 270 00:13:05,215 --> 00:13:09,115 (indistinct conversations) 271 00:13:09,119 --> 00:13:10,959 IT'S BEEN TWO HOURS. 272 00:13:10,961 --> 00:13:14,021 I'M STARTING TO THINK YOU DON'T HAVE A PLAN. 273 00:13:14,024 --> 00:13:17,274 WHY WOULD I DRAG YOU DOWN HERE IF I DIDN'T HAVE A PLAN? 274 00:13:17,267 --> 00:13:19,427 MY GUESS-- YOU WANT SOMETHING STOLEN. 275 00:13:19,429 --> 00:13:22,199 (laughs) YOU'RE KIDDING, RIGHT? 276 00:13:22,202 --> 00:13:25,442 HEY, FELIX, DID YOU GET A LOAD OF THIS? 277 00:13:25,435 --> 00:13:28,505 DO YOU EVER IMAGINE ME STEALING? I DON'T KNOW. 278 00:13:28,508 --> 00:13:30,808 IF YOU GIVE A GUY MONEY TO DO A JOB, 279 00:13:30,810 --> 00:13:33,810 HE SPENDS ALL HIS TIME CHATTING UP HIS FRIENDS, 280 00:13:33,813 --> 00:13:36,593 IS THAT STEALING? NOT WHEN HIS KILLER SMILE IS THE ONLY REASON 281 00:13:36,586 --> 00:13:39,246 PEOPLE COME IN HERE IN THE FIRST PLACE. 282 00:13:39,249 --> 00:13:41,189 MORE BARTENDING, LESS CUPID-ING. 283 00:13:41,191 --> 00:13:44,021 (cell phone rings) 284 00:13:44,024 --> 00:13:46,134 IT'S PAULA... 285 00:13:46,126 --> 00:13:48,596 (ring) CALLING ME AT 3:00 IN THE MORNING. 286 00:13:48,598 --> 00:13:50,258 (beep) 287 00:13:50,260 --> 00:13:53,200 HEY. 288 00:13:53,203 --> 00:13:55,213 UH-HUH, YEAH, THAT IS WEIRD. 289 00:13:55,205 --> 00:13:56,505 WHO IS? 290 00:13:56,506 --> 00:13:58,866 OKAY, I'LL BE RIGHT OVER. 291 00:14:00,270 --> 00:14:03,270 HER LOCK'S BROKEN, AND SHE NEEDS HELP GETTING INTO HER APARTMENT. 292 00:14:03,273 --> 00:14:07,123 I WONDER HOW THAT HAPPENED. GOOD THING SHE DIDN'T CALL 293 00:14:07,117 --> 00:14:10,277 ONE OF THE THOUSAND OTHER LOCKSMITHS IN NEW YORK. 294 00:14:10,280 --> 00:14:13,280 WELL, THEY'RE NOT ON HER SPEED DIAL, ARE THEY? 295 00:14:13,283 --> 00:14:15,593 LOOK, AT THE PAROLE OFFICE, YOU'RE A CRIMINAL, 296 00:14:15,585 --> 00:14:17,285 SHE'S LAW ENFORCEMENT. 297 00:14:17,287 --> 00:14:20,187 BUT AT HER PLACE, 3:00 IN THE MORNING, 298 00:14:20,190 --> 00:14:22,490 YOU'RE TOMMY AND PAULA, YOUNG LOVERS. 299 00:14:22,492 --> 00:14:25,872 THIS IS YOUR GENIUS PLAN-- CHANGE THE SETTING? 300 00:14:25,865 --> 00:14:28,135 DON'T BE DISSING SETTINGS, BRO. SETTINGS ARE CRUCIAL. 301 00:14:28,138 --> 00:14:30,138 IT'S THE REASON WHY PEOPLE KISS 302 00:14:30,140 --> 00:14:33,100 UNDER THE EIFFEL TOWER AND NOT AT THE PARIS BAGUETTE HUT. 303 00:14:33,103 --> 00:14:35,113 IT'S THE REASON WHY SHAKESPEARE 304 00:14:35,105 --> 00:14:37,145 SET SO MANY OF HIS PLAYS IN ITALY. 305 00:14:37,147 --> 00:14:39,277 YOU THINK SPARKS ARE GONNA FLY 306 00:14:39,279 --> 00:14:41,279 IF IT'S "TWO GENTLEMEN OF DETROIT"? 307 00:14:41,281 --> 00:14:43,651 I'M TELLING YOU. YOU, PAULA, HER PLACE, ALONE-- 308 00:14:43,653 --> 00:14:46,293 IT'S GONNA WORK. (chuckles) YEAH, WELL, IN ANY EVENT, 309 00:14:46,286 --> 00:14:47,586 THERE'S A LITTLE PROBLEM. 310 00:14:47,587 --> 00:14:50,187 SHE'S THERE WITH HER FRIEND HEATHER. 311 00:14:50,190 --> 00:14:52,160 (thumbing bills) (sighs) 312 00:14:52,162 --> 00:14:54,162 I'M GUESSING YOU DON'T WANT 313 00:14:54,164 --> 00:14:58,504 YOUR FIRST ROMANTIC EXPERIENCE WITH PAULA TO BE A THREE-WAY? 314 00:14:58,498 --> 00:15:01,128 WHAT IF YOU CAN'T LURE THE FRIEND AWAY? 315 00:15:01,131 --> 00:15:03,431 WHAT IF THE SUN DIDN'T COME UP TOMORROW MORNING? 316 00:15:03,433 --> 00:15:05,483 WHAT IF TREES WERE PURPLE? 317 00:15:05,475 --> 00:15:08,305 WHAT IF ELEPHANTS REFUSED HANDFULS OF PEANUTS? 318 00:15:08,308 --> 00:15:09,608 (elevator bell dings) 319 00:15:11,281 --> 00:15:15,391 THE CAVALRY HAS ARRIVED. GREAT. YOU CAME HERE WITH YOUR ALIBI. 320 00:15:15,385 --> 00:15:18,385 THAT DOESN'T MAKE THE OTHER NIGHT SEEM FISHY, DOES IT? 321 00:15:18,388 --> 00:15:20,688 HEY, GOOD TO SEE YOU, TOO. AND WHO'S THIS? 322 00:15:20,690 --> 00:15:22,950 THAT'S MY DRUNK FRIEND HEATHER. 323 00:15:22,953 --> 00:15:25,103 HER SORROWS REFUSED TO DROWN TONIGHT. HI. I'M TREVOR. 324 00:15:25,095 --> 00:15:28,255 I JUST THREW UP IN A VASE IN THE LOBBY. 325 00:15:28,258 --> 00:15:31,028 CAN YOU FIX IT? 326 00:15:31,031 --> 00:15:33,031 YOU LOOK AMAZING, BY THE WAY. 327 00:15:33,033 --> 00:15:36,243 THAT'S INAPPROPRIATE. CAN YOU FIX IT? 328 00:15:36,236 --> 00:15:37,566 (Trevor) WHAT IS IT WITH "INAPPROPRIATE"? 329 00:15:37,567 --> 00:15:40,567 DO WOMEN OWN STOCK IN THAT WORD? I CAN OPEN THE DOOR, 330 00:15:40,570 --> 00:15:43,640 BUT IT'LL BE A LOT EASIER TO DO FROM THE OTHER SIDE. 331 00:15:43,643 --> 00:15:47,253 WHERE IS THE ROOF ACCESS? NO, I DON'T WANT YOU SEIZING THE OPPORTUNITY 332 00:15:47,247 --> 00:15:49,947 TO SHOW OFF. 333 00:15:49,949 --> 00:15:51,149 I'M NOT SHOWING OFF. IT'LL ACTUALLY BE EASIER FOR ME. 334 00:15:51,151 --> 00:15:53,151 THERE'S SOMETHING JAMMED IN THERE. 335 00:15:53,153 --> 00:15:56,563 REALLY? CLIMBING DOWN THE SIDE OF MY BUILDING LIKE SPIDER-MAN 336 00:15:56,556 --> 00:15:59,956 AND RAPPELLING INTO MY APARTMENT THROUGH THE WINDOW IS EASIER? 337 00:15:59,959 --> 00:16:02,259 UH-HUH. THIS COMING FROM THE SAME GUY 338 00:16:02,262 --> 00:16:04,492 WHO BRAGGED THAT IF HE HAD A BOBBY PIN, 339 00:16:04,494 --> 00:16:07,204 HE COULD BREAK INTO ANY LOCK IN 30 SECONDS. 340 00:16:07,197 --> 00:16:09,597 DO YOU HAVE A BOBBY PIN? 341 00:16:09,599 --> 00:16:11,239 NO. 342 00:16:11,241 --> 00:16:13,441 I'LL BE ON THE ROOF. 343 00:16:16,476 --> 00:16:19,006 TREVOR. 344 00:16:19,009 --> 00:16:21,149 TREVOR. TREVOR, TREVOR, TREVOR! (laughs) 345 00:16:21,151 --> 00:16:24,281 IT SOUNDS FUNNY WHEN YOU SAY IT REALLY FAST. 346 00:16:24,284 --> 00:16:26,294 HAVE YOU EVER NOTICED THAT? 347 00:16:26,286 --> 00:16:28,156 HOW COULD I NOT? HMM. 348 00:16:28,158 --> 00:16:29,658 HEY, LISTEN, YOU KNOW, 349 00:16:29,659 --> 00:16:32,419 I KNOW A PLACE THAT MAKES A GREAT CUP OF COFFEE. 350 00:16:32,422 --> 00:16:35,372 YOU KNOW WHO MAKES A GREAT CUP OF COFFEE? PAULA. 351 00:16:35,365 --> 00:16:38,365 SHE'S GOT THIS SPECIAL GRINDER. 352 00:16:38,368 --> 00:16:40,528 HER MOTHER GOT IT FOR HER. 353 00:16:40,530 --> 00:16:45,440 MY MOTHER WAS ALWAYS UP IN MY BUSINESS. 354 00:16:45,435 --> 00:16:47,575 STILL IS. 355 00:16:47,577 --> 00:16:52,137 WAIT. WHAT WERE WE TALKING ABOUT? 356 00:16:52,142 --> 00:16:54,142 GETTING A CUP OF COFFEE. 357 00:16:54,144 --> 00:16:55,324 RIGHT. 358 00:16:55,315 --> 00:16:59,045 YOU KNOW WHO MAKES A GREAT CUP OF COFFEE? 359 00:16:59,049 --> 00:17:00,289 PAULA. 360 00:17:00,290 --> 00:17:02,150 HE'S IN. 361 00:17:04,124 --> 00:17:07,264 DAMN IT. I FORGOT TO TELL HIM ABOUT THE ALARM. 362 00:17:07,257 --> 00:17:08,527 TA-DA! 363 00:17:08,528 --> 00:17:10,528 HOW AWESOME WAS THAT? 364 00:17:10,530 --> 00:17:14,760 NO WONDER YOU'RE TOTALLY IN LOVE WITH HIM. 365 00:17:30,180 --> 00:17:33,050 YEAH, I THINK YOU'LL BE SLEEPING IT OFF. 366 00:17:34,354 --> 00:17:36,064 ARE YOU ALMOST DONE? 367 00:17:36,055 --> 00:17:38,455 GETTING THERE. JUST SO YOU KNOW, I'M GIVING YOU 368 00:17:38,458 --> 00:17:41,058 MY SPECIAL "YOU'RE IN LOVE WITH ME" DISCOUNT. 369 00:17:41,060 --> 00:17:43,060 OH, I'M NOT IN LOVE WITH YOU. (scoffs) 370 00:17:43,062 --> 00:17:45,472 SHE'S DRUNK. DRUNK PEOPLE GET CONFUSED. 371 00:17:45,465 --> 00:17:48,595 DUDE, HEATHER TOTALLY HAS YOU MIXED UP WITH A DIFFERENT 372 00:17:48,598 --> 00:17:51,238 JEWEL THIEF/LOCKSMITH PAULA'S IN LOVE WITH. 373 00:17:51,241 --> 00:17:54,071 THIS OTHER LOCKSMITH SOUNDS AMAZING. OKAY. OUT. 374 00:17:54,073 --> 00:17:56,083 ALL RIGHT, WELL, UH, YOUR DEAD BOLT'S SECURE, 375 00:17:56,075 --> 00:17:59,245 BUT I NEED TO COME BACK TOMORROW TO REPLACE THE LATCH 376 00:17:59,249 --> 00:18:01,809 ON THE BOTTOM LOCK. FINE, WHATEVER, GOOD NIGHT. 377 00:18:01,811 --> 00:18:03,281 PAULA, LISTEN. 378 00:18:03,283 --> 00:18:05,293 I THINK WE COULD HAVE SOMETHING AMAZING-- 379 00:18:05,285 --> 00:18:06,755 BETTER THAN AMAZING. 380 00:18:06,756 --> 00:18:08,856 DO YOU WANT TO HEAR SOMETHING FUNNY? 381 00:18:08,858 --> 00:18:12,358 WHEN I GRADUATED COLLEGE, I WAS A FREAKIN' BLEEDING HEART. 382 00:18:12,362 --> 00:18:15,372 TWO MONTHS ON THE JOB, ONE OF MY PAROLEES-- 383 00:18:15,365 --> 00:18:18,365 I MEAN, I REALLY THOUGHT I'D GOTTEN TO HIM-- 384 00:18:18,368 --> 00:18:22,298 HE HOLDS UP A LIQUOR STORE, PUTS THE OWNER AND A WOMAN 385 00:18:22,302 --> 00:18:25,182 WHO WANDERED IN TO GET A WINE COOLER IN THE HOSPITAL. 386 00:18:25,175 --> 00:18:27,735 IT'S BEEN 12 YEARS OF STORIES LIKE THAT. 387 00:18:27,737 --> 00:18:30,507 PEOPLE DON'T MAGICALLY TRANSFORM, TOMMY. 388 00:18:30,510 --> 00:18:33,340 NOTHING HAS CHANGED. 389 00:18:33,343 --> 00:18:37,623 I DON'T TRUST YOU. 390 00:18:37,617 --> 00:18:40,317 DO YOU UNDERSTAND? 391 00:18:40,320 --> 00:18:42,450 YEAH, I THINK I'M CLEAR. 392 00:18:45,895 --> 00:18:47,395 NICE PLAN. 393 00:18:47,397 --> 00:18:50,357 DON'T HATE THE PLAN. THE PLAN WAS SOLID. 394 00:18:50,360 --> 00:18:53,360 JUST TOO MANY PEOPLE, TOO BIG A SPACE. 395 00:18:53,363 --> 00:18:54,633 TOO DRUNK A FRIEND. 396 00:18:54,634 --> 00:18:56,444 (rumbling thud) 397 00:18:56,436 --> 00:18:58,436 DID... THE ELEVATOR JUST STOP? 398 00:18:58,438 --> 00:19:00,568 (sighs) 399 00:19:00,570 --> 00:19:03,610 TIGHT SPACE, TWO OF US ALONE... ACCORDING TO YOUR RULES, 400 00:19:03,613 --> 00:19:05,753 YOU AND I WILL PROBABLY START MAKING OUT. 401 00:19:05,745 --> 00:19:08,675 WELL, IF WE CAN GET A FEW DRINKS IN ME. 402 00:19:08,678 --> 00:19:10,678 YOU KNOW, PIPE IN SOME MOOD MUSIC, 403 00:19:10,680 --> 00:19:13,520 I COULD REALLY LOSE MY INHIBITIONS. 404 00:19:13,523 --> 00:19:15,393 (rumble) 405 00:19:15,385 --> 00:19:18,655 THAT'S FOR THE BETTER. I FORGOT TO WAX. 406 00:19:25,565 --> 00:19:27,395 (door bells jingle) 407 00:19:29,599 --> 00:19:33,269 (door bells jingle) 408 00:19:33,273 --> 00:19:34,373 (keys jangle) 409 00:19:34,374 --> 00:19:36,254 LONG DAY AT THE OFFICE? 410 00:19:36,246 --> 00:19:39,476 IT'S FUNNY, SONJA. I DON'T REMEMBER GIVING YOU A KEY. 411 00:19:39,479 --> 00:19:41,849 KEYS ARE FOR AMATEURS. 412 00:19:41,851 --> 00:19:44,211 WHO TAUGHT ME THAT? 413 00:19:44,214 --> 00:19:47,424 OH. I REMEMBER. 414 00:19:47,417 --> 00:19:49,187 YOU. 415 00:19:59,299 --> 00:20:01,229 (man on TV) ...36-28. 416 00:20:01,231 --> 00:20:04,401 THE KNICKS ON THE BOTTOM END OF A 6-0 RUN NOW... 417 00:20:04,404 --> 00:20:06,384 THE KNICKS? 418 00:20:06,376 --> 00:20:08,736 YOU'RE A GLUTTON FOR PUNISHMENT, CHARLIE. 419 00:20:08,738 --> 00:20:11,778 COME ON. YOU GOTTA STICK WITH 'EM. 420 00:20:11,781 --> 00:20:14,541 YOU SAID THERE'S A DELIVERY FOR ME? 421 00:20:14,544 --> 00:20:17,424 (man speaking indistinctly) 422 00:20:17,417 --> 00:20:18,717 WOW. 423 00:20:18,718 --> 00:20:21,418 (chuckles) WHERE DID THIS THING COME FROM? 424 00:20:21,421 --> 00:20:22,451 (elevator bell dings) 425 00:20:22,452 --> 00:20:24,392 HOLD THAT DOOR. 426 00:20:28,798 --> 00:20:31,428 (doors close) 427 00:20:31,431 --> 00:20:32,801 (exhales deeply) 428 00:20:32,802 --> 00:20:35,742 HI. 429 00:20:37,407 --> 00:20:40,407 IT'LL JUST TAKE ME A COUPLE MINUTES TO FINISH YOUR LOCK, 430 00:20:40,410 --> 00:20:42,640 AND THEN I'LL BE OUTTA YOUR HAIR. 431 00:20:42,642 --> 00:20:44,412 (rumbling thud) 432 00:20:44,414 --> 00:20:45,954 UGH. 433 00:20:45,945 --> 00:20:47,915 YOU GOTTA BE KIDDING ME. 434 00:20:47,917 --> 00:20:50,377 I HATE THIS STUPID ELEVATOR. 435 00:20:52,652 --> 00:20:55,932 HEY, CHARLIE. PAULA TORRES. 436 00:20:55,925 --> 00:20:57,585 THE ELEVATOR'S STUCK. 437 00:20:57,587 --> 00:20:58,887 THANKS. 438 00:20:58,888 --> 00:21:00,828 (hangs up telephone) 439 00:21:00,830 --> 00:21:04,260 THE DOORMAN SAID SOMETIMES IT STARTS BACK UP ON ITS OWN. 440 00:21:04,263 --> 00:21:06,603 IF NOT, HE NEEDS TO CALL SOMEONE, 441 00:21:06,596 --> 00:21:08,866 AND THAT COULD BE A COUPLE HOURS. 442 00:21:08,868 --> 00:21:10,598 GREAT. 443 00:21:12,942 --> 00:21:14,442 (sighs) 444 00:21:16,946 --> 00:21:20,446 I'M HUNGRY. ARE YOU? 445 00:21:20,450 --> 00:21:21,880 (man speaking indistinctly) 446 00:21:21,881 --> 00:21:25,321 HEY, THANKS FOR YOUR HELP, CHARLIE. I'LL BE HAPPY JUST NOT 447 00:21:25,315 --> 00:21:28,385 TO SEE HER WALK IN HERE ALONE EVERY NIGHT. 448 00:21:28,388 --> 00:21:32,018 THERE'S GRAPES AND CHEESE. 449 00:21:32,021 --> 00:21:33,421 (glass clinks) 450 00:21:33,423 --> 00:21:36,473 AND AN iPod? AND A SET OF SPEAKERS? 451 00:21:36,466 --> 00:21:38,696 HUH. THERE'S ACTUALLY A SET LIST HERE 452 00:21:38,698 --> 00:21:40,398 CALLED "ELEVATOR TUNES." 453 00:21:40,400 --> 00:21:42,030 (beep) 454 00:21:42,031 --> 00:21:45,981 (slow R&B playing) 455 00:21:45,975 --> 00:21:47,805 WAIT. 456 00:21:47,807 --> 00:21:50,007 DID YOU SET THIS UP? 457 00:21:50,009 --> 00:21:51,679 (scoffs) ARE YOU KIDDING? 458 00:21:51,681 --> 00:21:54,481 NO, I-I READ YOU LOUD AND CLEAR LAST NIGHT. 459 00:21:54,484 --> 00:21:56,654 ♪♪ 460 00:21:56,646 --> 00:21:58,416 (scoffs) 461 00:21:58,418 --> 00:21:59,488 TREVOR. 462 00:21:59,489 --> 00:22:01,589 ♪♪ 463 00:22:01,591 --> 00:22:04,321 SHE SCARES SO MANY GUYS AWAY WITH THAT TOUGH ACT. 464 00:22:04,323 --> 00:22:07,063 BUT UNDERNEATH, PAULA'S SUCH A SWEET GIRL. 465 00:22:07,056 --> 00:22:10,326 THAT'S WHAT I KEEP HEARING. CHEERS. 466 00:22:10,329 --> 00:22:13,599 AH, THEY'RE INTO THE WINE. JUST A MATTER OF TIME NOW. 467 00:22:13,603 --> 00:22:16,013 (typing on keyboard) (tapping fingers) 468 00:22:16,005 --> 00:22:18,605 (telephone rings) 469 00:22:22,071 --> 00:22:25,071 DID YOU NEED SOMETHING? NO, NO, I'M JUST WAITING. 470 00:22:25,074 --> 00:22:28,624 TREVOR'S GOING TO WALK ME HOME, SO... AGAIN? 471 00:22:28,618 --> 00:22:31,118 OKAY, I'LL ADMIT I WAS A LITTLE FREAKED OUT 472 00:22:31,120 --> 00:22:33,620 ABOUT THE ROBBERY, SO I LET TREVOR WALK ME HOME. 473 00:22:33,623 --> 00:22:36,433 BUT HE IS ACTUALLY STARTING TO OPEN UP TO ME. 474 00:22:36,426 --> 00:22:38,686 I THINK HE FEELS MORE COMFORTABLE 475 00:22:38,688 --> 00:22:42,058 WITH THE INFORMAL SETTING THAN HE DOES IN OUR SESSIONS. 476 00:22:42,061 --> 00:22:44,561 AND THERE IS SOMETHING TRAGIC BURIED IN HIS PAST. 477 00:22:44,564 --> 00:22:47,804 IT'S WHAT'S CAUSED HIS BREAK FROM REALITY, I AM SURE OF IT. 478 00:22:47,797 --> 00:22:51,437 AND IF THE WAY TO GETTING CLOSER TO UNRAVELING THAT 479 00:22:51,441 --> 00:22:54,971 IS BY WALKING 15 BLOCKS A NIGHT WITH HIM, I'LL DO IT. 480 00:22:54,974 --> 00:22:57,954 YES, IT'S A LITTLE UNORTHODOX, BUT I'M A LITTLE UNORTHODOX. SINCE WHEN? 481 00:22:57,947 --> 00:22:59,577 (crowd cheering) YES! 482 00:22:59,579 --> 00:23:01,149 YEAH! (chuckles) AH. 483 00:23:01,150 --> 00:23:05,010 LISTEN, KEEP THE ELEVATOR STUCK FOR ANOTHER HALF HOUR, OKAY? 484 00:23:05,014 --> 00:23:08,024 I'M GONNA GO MAKE MY NIGHTLY ROUNDS. YOU GOT IT. 485 00:23:08,017 --> 00:23:12,487 (man speaking indistinctly) 486 00:23:12,492 --> 00:23:13,992 (shoe squeaks) 487 00:23:16,125 --> 00:23:18,395 (man speaking indistinctly) 488 00:23:18,397 --> 00:23:20,097 DIRTY. 489 00:23:21,831 --> 00:23:25,131 HEY, IT'S NOT LIKE SHE DIDN'T TAKE CARE OF ME AND MY SIBLINGS, 490 00:23:25,134 --> 00:23:27,584 BUT MY MOM NEVER PUT US FIRST, YOU KNOW? 491 00:23:27,577 --> 00:23:29,577 VENUS JUST DID WHAT VENUS WANTED TO DO. 492 00:23:29,579 --> 00:23:31,579 I'M SURE YOU'VE SEEN THE PAINTINGS 493 00:23:31,581 --> 00:23:33,411 AND THE SCULPTURES. 494 00:23:33,412 --> 00:23:36,452 THE WOMAN WOULD TAKE HER CLOTHES OFF AT THE DROP OF A HAT. 495 00:23:36,446 --> 00:23:38,416 YOU KNOW HOW EMBARRASSING THAT IS FOR A KID? 496 00:23:38,417 --> 00:23:40,417 AND I'LL TELL YOU SOMETHING ELSE-- 497 00:23:40,419 --> 00:23:42,419 SHE MAY HAVE BEEN THE GODDESS OF CHASTITY, 498 00:23:42,421 --> 00:23:44,421 BUT THAT DOESN'T MEAN THAT THERE WASN'T 499 00:23:44,423 --> 00:23:46,563 A STEADY PARADE OF "UNCLES" COMING THROUGH THE PLACE, 500 00:23:46,556 --> 00:23:48,556 SOMETIMES MORE THAN ONE AT A TIME. 501 00:23:48,558 --> 00:23:50,698 WELL, THE SORTS OF RELATIONSHIPS 502 00:23:50,700 --> 00:23:52,700 OUR PARENTS HAD CERTAINLY AFFECT THE WAY 503 00:23:52,702 --> 00:23:55,202 WE APPROACH OUR OWN ROMANTIC LIVES. THAT'S TRUE. 504 00:23:55,204 --> 00:23:57,214 I DO ENJOY AN ORGY. 505 00:23:57,206 --> 00:23:59,566 IT'S GOOD TO KNOW IT'S A GENETIC PROCLIVITY. 506 00:23:59,569 --> 00:24:02,869 I WAS TALKING ABOUT RELATIONSHIPS YOU'VE HAD 507 00:24:02,872 --> 00:24:04,172 WITH SPECIFIC WOMEN, 508 00:24:04,173 --> 00:24:08,123 NOT SLEAZY, SEXUAL FREE-FOR-ALLS. 509 00:24:08,117 --> 00:24:10,117 "SLEAZY"? 510 00:24:10,119 --> 00:24:14,219 ROMAN ORGIES ARE NOT ORGIES THE WAY YOU THINK OF THEM. 511 00:24:14,223 --> 00:24:17,633 SO IT WASN'T A BUNCH OF PEOPLE HAVING RANDOM SEX? 512 00:24:17,627 --> 00:24:19,827 NO, IT WAS, BUT CLASSY. 513 00:24:19,829 --> 00:24:22,529 YOU KNOW, IT'S A CATERED AFFAIR WITH A BAND. 514 00:24:22,532 --> 00:24:26,102 DIONYSUS-- HE HAD A KEY PARTY ONCE. 515 00:24:26,095 --> 00:24:29,465 EPIC. AND THAT'S NOT A WORD WE TOSS AROUND LIGHTLY BACK HOME. 516 00:24:29,468 --> 00:24:31,738 (chuckles) 517 00:24:34,103 --> 00:24:35,853 (horn honks) 518 00:24:38,007 --> 00:24:39,507 (bottles clink) 519 00:24:41,010 --> 00:24:43,210 HAVE YOU SEEN MY iPod? 520 00:24:43,212 --> 00:24:46,222 (mouth full) OH, YEAH, ABOUT THAT--I BORROWED IT. 521 00:24:46,215 --> 00:24:49,915 IF YOU TAKE SOMETHING WITHOUT THE PERSON KNOWING, 522 00:24:49,919 --> 00:24:51,659 IT'S NOT BORROWING. 523 00:24:51,661 --> 00:24:54,821 IT--IT'S STEALING. YOU'LL BE HAPPY TO KNOW, IT WORKED ITS MAGIC. 524 00:24:54,824 --> 00:24:57,874 KNOWING THAT DOESN'T IMPROVE MY MOOD AT ALL, ACTUALLY. 525 00:24:57,867 --> 00:24:59,727 HOW SOON BEFORE I GET IT BACK? 526 00:24:59,729 --> 00:25:02,529 SOON-ISH. 527 00:25:02,532 --> 00:25:04,072 SOON? 528 00:25:29,158 --> 00:25:31,298 (indistinct conversations) 529 00:25:31,300 --> 00:25:32,730 TORRES... 530 00:25:32,732 --> 00:25:36,272 THIS IS DETECTIVE LARRABEE, NYPD. 531 00:25:36,265 --> 00:25:40,005 WE NEED TO TALK WITH YOU A MINUTE. WHAT'S GOING ON? 532 00:25:40,009 --> 00:25:43,209 SEVERAL VALUABLE DIAMONDS WERE STOLEN FROM A MUSEUM 533 00:25:43,212 --> 00:25:45,112 AROUND 3:30 THIS MORNING. 534 00:25:45,114 --> 00:25:48,184 THE HEIST FITS THE M.O. OF ONE OF YOUR PAROLEES. 535 00:25:48,177 --> 00:25:50,277 WHAT CAN YOU TELL ME ABOUT TOMMY BROWN? 536 00:25:59,558 --> 00:26:00,988 BATHROOM FIRE, FAKE FIREMEN. 537 00:26:00,990 --> 00:26:02,890 SEEMS PRETTY CLEAR-CUT. 538 00:26:02,892 --> 00:26:05,672 CRIMINALS COPY OLD CRIMES ALL THE TIME. 539 00:26:05,665 --> 00:26:09,965 TOMMY'S CLEANED UP HIS ACT. HE'S BEEN A MODEL PAROLEE. THEY'RE ALL MODEL PAROLEES UNTIL THEY AREN'T, RIGHT? 540 00:26:09,969 --> 00:26:13,169 HOW MANY TIMES I HEARD YOU SAY THAT? WE GOT HIM IN A HOLDING CELL AT THE STATION. 541 00:26:13,172 --> 00:26:16,612 HE HASN'T BEEN ABLE TO GIVE US AN ALIBI. TRUST ME. TOMMY DIDN'T DO THIS. 542 00:26:16,606 --> 00:26:18,606 LOOK, IF YOU HAVE ANYTHING TO SHARE 543 00:26:18,608 --> 00:26:20,848 THAT MIGHT SUPPORT YOUR THEORY, I'M ALL EARS. 544 00:26:20,850 --> 00:26:25,050 BUT I GOTTA TELL YA, IT DOESN'T LOOK TOO GOOD FOR HIM. 545 00:26:28,958 --> 00:26:33,288 (siren wailing in distance) 546 00:26:44,333 --> 00:26:46,783 IT WAS YOU. 547 00:26:46,776 --> 00:26:50,076 YOU TOLD THE POLICE I WAS WITH YOU. YOU WERE WITH ME. 548 00:26:50,079 --> 00:26:52,339 WHAT ABOUT YOUR JOB? 549 00:26:52,341 --> 00:26:57,021 YEAH, WELL, I DON'T REALLY HAVE ONE OF THOSE ANYMORE. 550 00:27:00,750 --> 00:27:05,290 SO... WHAT DO THE UNEMPLOYED DO WITH THEIR TIME ANYWAY? 551 00:27:05,294 --> 00:27:08,834 ♪♪ 552 00:27:12,702 --> 00:27:14,702 (man) ♪ I WORK REAL HARD ♪ 553 00:27:14,704 --> 00:27:17,144 ♪ SEVEN LONG DAYS ♪ 554 00:27:17,136 --> 00:27:20,836 ♪ AT THE END OF THE WEEK AND I HAND MY LADY MY PAY ♪ 555 00:27:20,840 --> 00:27:22,210 ♪ MY FRIENDS ALL SAY ♪ 556 00:27:22,211 --> 00:27:24,841 SO HAVE YOU EVER BEEN IN LOVE? 557 00:27:24,844 --> 00:27:26,854 UGH. ARE WE STILL ON THIS? 558 00:27:26,846 --> 00:27:28,846 WHAT'S THE BIG DEAL? YOU CAN TELL ME. 559 00:27:28,848 --> 00:27:31,178 HAS CUPID EVER BEEN STRUCK BY HIS OWN ARROW? 560 00:27:31,180 --> 00:27:33,920 WELL, YEAH, OF COURSE. PLENTY OF TIMES. 561 00:27:33,923 --> 00:27:35,933 HER NAME WAS BRIZO, OKAY? 562 00:27:35,925 --> 00:27:37,225 GODDESS OF SAILORS, 563 00:27:37,226 --> 00:27:39,226 CURSED LIKE ONE, TOO. 564 00:27:39,228 --> 00:27:42,228 WE MET AT NERO'S, WENT BACK TO HER PLACE AFTER, 565 00:27:42,231 --> 00:27:45,031 AND FOR TWO DAYS, WE DIDN'T GET OUT OF HER BED. 566 00:27:45,034 --> 00:27:46,344 WELL, ACTUALLY... 567 00:27:46,335 --> 00:27:50,365 EXCEPT A COUPLE OF BRIEF INTERLUDES ON THE CHAIR... 568 00:27:50,369 --> 00:27:53,939 IN THE SHOWER, THE KITCHEN FLOOR, 569 00:27:53,943 --> 00:27:55,243 THE CHAIR AGAIN. 570 00:27:55,244 --> 00:27:58,354 THAT'S A HOT WEEKEND, TREVOR. THAT'S NOT LOVE. 571 00:27:58,347 --> 00:28:01,447 WHY, BECAUSE WE DIDN'T TALK LATER ABOUT OUR FEELINGS? 572 00:28:01,450 --> 00:28:04,080 (sniffs) DID YOU HAVE ANY TALKS LATER? 573 00:28:04,083 --> 00:28:05,383 LOVE'S ABOUT PASSION, OKAY? 574 00:28:05,384 --> 00:28:07,694 IT'S NOT ABOUT FILLING EACH OTHER IN 575 00:28:07,686 --> 00:28:10,386 ON WHAT HAPPENED AT WORK THAT DAY. YOU KNOW WHAT I THINK? I THINK YOU'VE BEEN IN LOVE, 576 00:28:10,389 --> 00:28:12,389 AND IT HAD A PROFOUND EFFECT ON YOU, 577 00:28:12,391 --> 00:28:16,231 BUT IT'S TOO PAINFUL FOR YOU TO TALK ABOUT. YOU KNOW WHAT I THINK? 578 00:28:16,225 --> 00:28:18,225 I THINK THAT YOU FASHION YOURSELF 579 00:28:18,227 --> 00:28:20,227 AN EXPERT ON THIS SUBJECT, BUT I DON'T THINK 580 00:28:20,229 --> 00:28:23,029 THAT YOU'VE EVER ACTUALLY BEEN IN LOVE BEFORE. 581 00:28:23,032 --> 00:28:25,102 OH, I'VE BEEN IN LOVE. 582 00:28:25,104 --> 00:28:28,444 MY LOVE LIFE IS NONE OF YOUR BUSINESS. 583 00:28:28,437 --> 00:28:30,437 EVERYBODY'S LOVE LIFE IS MY BUSINESS. 584 00:28:30,439 --> 00:28:33,739 COME ON. RUN IN HERE WITH ME FOR TWO SECONDS. 585 00:28:33,743 --> 00:28:35,753 I GOTTA SEE A GUY ABOUT A BEAD. 586 00:28:35,745 --> 00:28:38,745 ♪♪ 587 00:28:38,748 --> 00:28:41,218 (door bells jingle) 588 00:28:41,220 --> 00:28:44,090 SO? THINGS ARE GOOD? 589 00:28:44,093 --> 00:28:45,453 BEYOND GOOD. 590 00:28:45,454 --> 00:28:48,934 THINGS ARE GREAT. I'M SEEING HER AS SOON AS WE CLOSE. 591 00:28:48,928 --> 00:28:52,228 WHAT'D I TELL YOU? HEY, LISTEN, UH, YOU GOT THAT iPod FOR ME? 592 00:28:52,231 --> 00:28:54,961 (inhales sharply) IT'S AT PAULA'S. (beep) 593 00:28:54,964 --> 00:28:57,274 IF YOU WANT, I CAN CALL HER, 594 00:28:57,266 --> 00:28:59,306 YOU CAN STOP BY AND PICK IT UP. 595 00:28:59,308 --> 00:29:02,408 AREN'T YOU... 596 00:29:02,411 --> 00:29:07,951 HE'S THE LOCKSMITH FROM THE OTHER NIGHT, ISN'T HE? 597 00:29:07,947 --> 00:29:09,377 TREVOR, WHAT'S GOING ON? 598 00:29:09,378 --> 00:29:13,218 (Trevor) THIS WILL JUST TAKE A MINUTE. 599 00:29:13,222 --> 00:29:15,222 I STILL DON'T KNOW WHAT BOTHERS ME MORE-- 600 00:29:15,224 --> 00:29:17,494 THAT THE GUY WHO INSTALLED MY NEW LOCK IS AN EX-CON 601 00:29:17,486 --> 00:29:20,326 OR THAT YOUR MATCHMAKING LED TO A WOMAN LOSING HER JOB. (Paula) JUST A MINUTE! 602 00:29:20,329 --> 00:29:23,229 YOU KNOW, I GOTTA SAY, FOR SOMEONE WHO'S BEEN IN LOVE, 603 00:29:23,232 --> 00:29:25,232 YOU DON'T HAVE A HIGH REGARD FOR IT, 604 00:29:25,234 --> 00:29:27,244 OR, FOR THAT MATTER, FOR THE REHABILITATIVE POWER 605 00:29:27,236 --> 00:29:29,236 OF THE FEDERAL PENAL SYSTEM. (elevator bell dings) 606 00:29:29,238 --> 00:29:31,098 (Claire scoffs) HEY, TREVOR. 607 00:29:31,100 --> 00:29:34,340 HEY. WHAT'S UP, CHARLIE? (knock on door) 608 00:29:34,343 --> 00:29:36,353 THERE'S THE MAN OF THE HOUR. 609 00:29:36,345 --> 00:29:39,375 ALL IN A DAY'S WORK. REALLY, YOU SHOULD THANK CHARLIE. 610 00:29:39,378 --> 00:29:43,008 COULDN'T HAVE DONE IT WITHOUT HIM. THANK YOU, CHARLIE. 611 00:29:43,012 --> 00:29:45,352 YOU KNOW ME. I'M A SUCKER FOR ROMANCE. 612 00:29:45,354 --> 00:29:48,224 AND YOU GOT YOURSELF A GOOD ONE THIS TIME. 613 00:29:48,217 --> 00:29:50,217 WHEN HE HAD TO RUN OUT THE OTHER NIGHT, 614 00:29:50,219 --> 00:29:52,519 BROUGHT ME BACK A COFFEE. HOW NICE IS THAT? 615 00:29:52,521 --> 00:29:55,421 WHAT DO YOU MEAN, HE RAN OUT? THE OTHER NIGHT. 616 00:29:55,424 --> 00:29:57,434 I THOUGHT HE WAS LEAVING FOR THE NIGHT 617 00:29:57,426 --> 00:29:59,496 BECAUSE IT WAS 3:00 IN THE MORNING. 618 00:29:59,498 --> 00:30:02,368 SAID HE'D BE BACK. ASKED ME IF I WANTED ANYTHING. 619 00:30:02,371 --> 00:30:05,471 I FIGURED MAYBE YOU WERE RUNNING LOW ON PROVISIONS. 620 00:30:07,436 --> 00:30:09,336 DID I SAY SOMETHING WRONG? 621 00:30:09,338 --> 00:30:12,308 PAULA, WHAT IS IT? WHAT'S WRONG? 622 00:30:12,311 --> 00:30:15,511 3:00 A.M.-- THAT'S THE TIME OF THE HEIST. 623 00:30:15,514 --> 00:30:18,194 I WAS HIS ALIBI. 624 00:30:29,929 --> 00:30:32,529 (crying) I FEEL LIKE I COULD LOSE IT AT ANY SECOND. 625 00:30:32,531 --> 00:30:34,231 WELL, YOU'VE BEEN DEALT 626 00:30:34,233 --> 00:30:36,373 A PRETTY DEVASTATING PIECE OF INFORMATION. 627 00:30:36,365 --> 00:30:39,405 MY FRIENDS, MY MOTHER--THEY ALL ACCUSE ME OF HAVING A WALL UP. 628 00:30:39,408 --> 00:30:42,038 SO WHAT HAPPENS? I LOWER THE WALL, LET SOMEONE IN, 629 00:30:42,041 --> 00:30:45,371 AND HE USES ME AS AN ALIBI FOR A JEWEL HEIST. 630 00:30:45,374 --> 00:30:49,424 I'M SORRY, BUT THAT'S MAKING IT A LITTLE HARD FOR ME TO FOCUS. 631 00:30:49,418 --> 00:30:53,248 I ALWAYS CLEAN WHEN I'M UPSET. NO, I UNDERSTAND THE CLEANING. 632 00:30:53,252 --> 00:30:55,352 IT'S A COMMON THERAPEUTIC MEANS OF COPING. 633 00:30:55,354 --> 00:30:58,094 IT'S JUST THE FACT THAT YOU'RE CLEANING A GUN. 634 00:30:58,087 --> 00:31:00,087 IT'S NOT LOADED. WELL, STILL. 635 00:31:00,089 --> 00:31:03,259 THANK YOU. WHO WANTS HOT CHOCOLATE? 636 00:31:03,262 --> 00:31:06,342 YOU MADE HOT CHOCOLATE? CHOCOLATE MAKES EVERYTHING BETTER. 637 00:31:06,335 --> 00:31:09,865 I'M SUCH AN IDIOT. I CAN'T BELIEVE I LET MYSELF 638 00:31:09,868 --> 00:31:12,498 FALL IN LOVE WITH A CRIMINAL. YOU ARE NOT TO BLAME IN THIS. 639 00:31:12,501 --> 00:31:15,471 TOMMY IS TO BLAME. TREVOR IS TO BLAME. 640 00:31:15,474 --> 00:31:19,454 HERE'S A THOUGHT. HOW ABOUT NOT TELLING THE WOMAN WITH THE GUN 641 00:31:19,448 --> 00:31:22,878 THAT I'M THE REASON HER WORLD'S FALLING APART, OKAY? (knock on door) 642 00:31:22,881 --> 00:31:24,311 THAT'S HIM. 643 00:31:24,313 --> 00:31:26,263 WHOA. 644 00:31:26,255 --> 00:31:27,485 UH... 645 00:31:29,358 --> 00:31:31,358 (door opens) 646 00:31:31,360 --> 00:31:34,320 (door closes) 647 00:31:34,323 --> 00:31:36,603 WHAT'S GOING ON? 648 00:31:36,595 --> 00:31:39,365 YOU'RE SERIOUSLY GONNA PLAY DUMB? HOW ABOUT I JUST, YOU KNOW... 649 00:31:39,368 --> 00:31:42,998 (whispers) TAKE THIS FROM YOU. I KNOW YOU LEFT IN THE MIDDLE OF THE NIGHT. 650 00:31:47,176 --> 00:31:48,476 I CAN EXPLAIN. 651 00:31:48,477 --> 00:31:51,077 SEE? HE CAN EXPLAIN. 652 00:31:51,080 --> 00:31:54,110 I WAS COMING HOME FROM YOUR APARTMENT SATURDAY NIGHT. 653 00:31:54,113 --> 00:31:57,123 MY EX-WIFE/EX-PARTNER WAS WAITING FOR ME AT MY PLACE. 654 00:31:57,116 --> 00:32:00,116 SHE WANTED MY HELP IN STEALING THOSE DIAMONDS. 655 00:32:00,119 --> 00:32:01,489 YOU'D JUST TOLD ME 656 00:32:01,490 --> 00:32:04,650 THERE WAS NO CHANCE THE TWO OF US COULD EVER HAPPEN. 657 00:32:04,653 --> 00:32:08,363 I WASN'T THINKING STRAIGHT. THEN WE HAD THAT AMAZING NIGHT, 658 00:32:08,357 --> 00:32:11,057 AND EVERYTHING CHANGED, SO I WENT TO TELL SONJA I WAS OUT. 659 00:32:11,060 --> 00:32:13,300 I LEFT WITH THE IMPRESSION SHE WASN'T GONNA 660 00:32:13,302 --> 00:32:17,412 GO THROUGH WITH IT WITHOUT ME. I TOLD YOU THERE WAS A SIMPLE EXPLANATION FOR ALL THIS. 661 00:32:17,406 --> 00:32:20,406 EVERYBODY GOOD NOW? PAULA, I'LL DO ANYTHING NOT TO LOSE YOU. 662 00:32:20,409 --> 00:32:23,409 TELL ME WHAT I CAN DO TO MAKE THINGS RIGHT. DO YOU WANT TO KNOW WHAT YOU CAN DO? 663 00:32:23,412 --> 00:32:26,152 YOU CAN TURN BACK THE CLOCK TO YESTERDAY 664 00:32:26,145 --> 00:32:28,975 WHEN THE DIAMONDS WERE STILL IN THE MUSEUM, 665 00:32:28,978 --> 00:32:32,648 WHEN I STILL HAD A JOB, WHEN MY HEART WASN'T BROKEN. 666 00:32:36,625 --> 00:32:38,985 (door closes) 667 00:32:38,988 --> 00:32:42,088 HEY. YOU SWEAR ON YOUR LIFE YOU'RE ON THE UP-AND-UP? 668 00:32:42,091 --> 00:32:43,461 I SWEAR. 669 00:32:43,462 --> 00:32:45,732 OKAY. ALL RIGHT, WE GOTTA MAKE THIS RIGHT. 670 00:32:45,734 --> 00:32:47,374 (elevator bell dings) 671 00:32:47,366 --> 00:32:50,436 (Tommy) I THINK I KNOW WHERE TO FIND SONJA. 672 00:32:50,439 --> 00:32:52,399 TREVOR, YOU COMING? YES, DEAR. 673 00:32:52,401 --> 00:32:56,311 (scoffs) I'LL CALL YOU. 674 00:32:56,305 --> 00:32:59,305 (Tommy) IF I KNOW SONJA, SHE'LL BE AT THE BAR IN TERMINAL FOUR, 675 00:32:59,308 --> 00:33:01,408 WAITING FOR THE FIRST FLIGHT OUT. (Trevor) EXCELLENT. 676 00:33:01,410 --> 00:33:04,480 (woman speaking indistinctly over P.A.) 677 00:33:08,357 --> 00:33:10,317 IS THIS SEAT TAKEN? 678 00:33:10,319 --> 00:33:12,319 I'M A LESBIAN. I HAVE A VENEREAL DISEASE. 679 00:33:12,321 --> 00:33:15,521 I KILL PUPPIES FOR FUN. 680 00:33:15,524 --> 00:33:18,474 MISSION ACCOMPLISHED. I'M INTRIGUED. 681 00:33:18,467 --> 00:33:19,997 GO AWAY. OKAY. 682 00:33:24,333 --> 00:33:27,483 (horn blows) 683 00:33:27,476 --> 00:33:29,476 (seagulls crying) 684 00:33:29,478 --> 00:33:31,178 HOW'D IT GO? 685 00:33:31,180 --> 00:33:34,140 LIKE STEALING CANDY FROM A VERY SEXY BABY. IT WAS A RUSH. 686 00:33:34,143 --> 00:33:36,153 IT WAS LIKE A MOVIE-- "OCEAN'S 11." 687 00:33:36,145 --> 00:33:38,345 I'M CLOONEY. YOU'RE BRAD PITT. I SEE MYSELF MORE AS CLOONEY. 688 00:33:38,347 --> 00:33:40,717 WELL, EVERYBODY CAN'T BE CLOONEY, AND I ALREADY CALLED-- 689 00:33:40,719 --> 00:33:44,449 YOU KNOW WHAT? FINE. YOU BE CLOONEY. I'M TRYING TO REMEMBER. DID THAT MOVIE HAVE A HAPPY ENDING? 690 00:33:44,453 --> 00:33:47,363 CLOONEY GETS THE CRAP KICKED OUT OF HIM, BUT HE GETS THE GIRL. 691 00:33:47,356 --> 00:33:50,496 GOOD TO KNOW. SO WE'RE ALL SET. 692 00:33:50,499 --> 00:33:53,399 YOU HAVE THE COMBINATION TO MY SAFE? LET'S DO IT. 693 00:33:53,402 --> 00:33:55,302 (woman on radio) STILL PROBLEMS IN WEST CHICAGO. 694 00:33:55,304 --> 00:33:57,514 NORTH AVENUE IS CLOSED OFF 695 00:33:57,506 --> 00:33:59,066 EASTBOUND BETWEEN ATLANTIC AND POWELL. 696 00:33:59,068 --> 00:34:01,068 SO TONIGHT CLOUDY AND COLD, LOW 30s, A LOW OF 19. 697 00:34:01,070 --> 00:34:03,070 TOMORROW A MIX OF SUN AND CLOUDS, 698 00:34:03,072 --> 00:34:05,072 A HIGH OF 30. AT O'HARE, IT'S 31. 699 00:34:05,074 --> 00:34:08,584 OUR NEXT REPORT IS AT 5:57-- (turns off radio) 700 00:34:08,577 --> 00:34:10,347 (gasps) 701 00:34:12,351 --> 00:34:14,481 (whispers) TONY. 702 00:34:21,590 --> 00:34:25,290 WHAT DO YOU WANT? I CAN PROVE TO YOU THAT TOMMY'S STILL THE GUY 703 00:34:25,294 --> 00:34:27,304 YOU FELL IN LOVE WITH. NO, W--OOH! 704 00:34:27,296 --> 00:34:29,296 OKAY, LOOK, YOU HAVE EVERY REASON TO BE SKEPTICAL, 705 00:34:29,298 --> 00:34:31,268 BUT IF THERE'S EVEN THE SLIGHTEST CHANCE 706 00:34:31,270 --> 00:34:33,740 THAT TOMMY'S THE LOVE OF YOUR LIFE, 707 00:34:33,742 --> 00:34:36,312 ISN'T IT WORTH A COUPLE HOURS OF YOUR TIME? 708 00:34:54,263 --> 00:34:55,693 (door bells jingle) 709 00:35:03,532 --> 00:35:06,542 (thunder rumbling) 710 00:35:12,381 --> 00:35:16,651 (beeping) 711 00:35:30,229 --> 00:35:31,459 AAH! 712 00:35:31,460 --> 00:35:34,330 (Paula and Sonja grunt) YOU SEE? 713 00:35:34,333 --> 00:35:37,873 HE WAS TELLING THE TRUTH. TOMMY WAS TELLING THE TRUTH. YEAH, DON'T KID YOURSELF. TOMMY AND I WORKED 714 00:35:37,866 --> 00:35:40,366 ON THIS TOGETHER. IT WAS MAINLY HIM, ACTUALLY. 715 00:35:40,369 --> 00:35:43,369 SHUT UP! YOU REALLY DON'T WANT TO MAKE HER MAD. 716 00:35:43,372 --> 00:35:45,672 IS ANYBODY ELSE TURNED ON? 717 00:35:45,674 --> 00:35:47,784 (horns honk) 718 00:35:47,776 --> 00:35:52,416 HE'S STILL NOT ANSWERING. WHY HAVEN'T I HEARD FROM HIM? 719 00:35:52,421 --> 00:35:55,151 (snaps cell phone shut) WHERE HAS HE BEEN ALL NIGHT? 720 00:35:55,153 --> 00:35:58,393 THERE'S SOMETHING HE NEEDED TO DO. YOU KNOW, TOMMY COULD STILL HAVE BEEN RESPONSIBLE FOR THE HEIST. 721 00:35:58,387 --> 00:36:00,457 HE COULD'VE SET UP THE EX-WIFE 722 00:36:00,459 --> 00:36:02,859 WHILE HE'S RUNNING OFF WITH THE DIAMONDS. 723 00:36:02,861 --> 00:36:06,871 PAULA, YOU'RE GONNA HAVE TO TRUST SOMEBODY SOMETIME. 724 00:36:06,865 --> 00:36:10,395 LOVE'S ALL ABOUT TAKING THE LEAP INTO THE UNKNOWABLE. (man) ...ALL THE LATEST ON THE DIAMOND HEIST. 725 00:36:10,399 --> 00:36:12,899 IN A TWIST THAT HAS THE POLICE BAFFLED... 726 00:36:12,901 --> 00:36:16,251 YOU MIGHT WANT TO SEE THIS. THE DIAMONDS STOLEN TWO NIGHTS AGO 727 00:36:16,245 --> 00:36:18,505 HAVE MYSTERIOUSLY REAPPEARED IN THEIR CASE 728 00:36:18,507 --> 00:36:21,707 AT A NEW YORK MUSEUM. 729 00:36:21,710 --> 00:36:24,410 HE PUT THEM BACK FOR YOU. 730 00:36:24,413 --> 00:36:26,363 HE TURNED BACK THE CLOCK. 731 00:36:26,355 --> 00:36:29,315 A MAN THE POLICE HAD QUESTIONED IN THE ORIGINAL ROBBERY 732 00:36:29,318 --> 00:36:31,788 WAS APPREHENDED OUTSIDE THE MUSEUM. WAIT. WHAT? 733 00:36:31,790 --> 00:36:34,620 THAT WASN'T PART OF THE PLAN. 734 00:36:42,471 --> 00:36:44,471 (door buzzes) 735 00:36:44,473 --> 00:36:47,483 (man shouting indistinctly in distance) 736 00:36:50,579 --> 00:36:52,279 HEY. 737 00:36:57,486 --> 00:37:00,516 NO TOUCHING. 738 00:37:04,353 --> 00:37:06,633 YOUR EX-WIFE IS TRYING TO REDUCE HER SENTENCE 739 00:37:06,625 --> 00:37:08,795 BY SAYING YOU WERE IN ON THE PLAN. 740 00:37:08,797 --> 00:37:10,797 THE MUSEUM WANTS YOU TO BE PROSECUTED 741 00:37:10,799 --> 00:37:12,929 FOR BREAKING AND ENTERING. 742 00:37:12,931 --> 00:37:16,231 THEY'RE EMBARRASSED. THEY WANT TO SET AN EXAMPLE. 743 00:37:16,234 --> 00:37:18,774 NOW FOR THE HARD PART. 744 00:37:18,767 --> 00:37:21,967 I'VE BEEN GIVING THIS A LOT OF THOUGHT, AND... 745 00:37:21,970 --> 00:37:25,010 I LOVE YOU, TOMMY... 746 00:37:25,013 --> 00:37:28,623 AND I REALLY HOPE THINGS WORK OUT FOR YOU, 747 00:37:28,617 --> 00:37:31,647 BUT I JUST CAN'T. 748 00:37:31,650 --> 00:37:33,550 I'M SORRY. 749 00:37:33,552 --> 00:37:35,752 (door buzzes) 750 00:37:39,528 --> 00:37:41,588 (door closes) 751 00:37:48,567 --> 00:37:52,467 WELL, SEND MY REGRETS TO THE FOLKS AT COUNTY. 752 00:37:53,902 --> 00:37:56,482 TREVOR PIERCE? 753 00:37:56,475 --> 00:37:58,975 DETECTIVE LARRABEE, N.Y.P.D. 754 00:37:58,977 --> 00:38:01,507 OH. FREE DRINK FOR ONE OF NEW YORK'S FINEST? 755 00:38:01,510 --> 00:38:05,050 NO, THANKS. YOU WERE MENTIONED IN A PAROLE REPORT 756 00:38:05,053 --> 00:38:07,063 AS AN ACQUAINTANCE OF TOMMY BROWN. 757 00:38:07,055 --> 00:38:10,055 I NEED TO KNOW IF HE'S CONTACTED YOU RECENTLY. 758 00:38:10,058 --> 00:38:14,388 FROM JAIL? ACTUALLY, THAT'S WHY I'M HERE. 759 00:38:20,529 --> 00:38:23,529 HEY, CHARLIE. IF YOU'RE LOOKING FOR PAULA, SHE'S GONE. 760 00:38:23,532 --> 00:38:25,602 GONE WHERE? JUST GONE. 761 00:38:25,604 --> 00:38:27,914 SHE ASKED ME TO GIVE THIS TO YOU. 762 00:38:30,439 --> 00:38:31,909 THAT'S IT? 763 00:38:31,910 --> 00:38:34,780 NO NOTE? NO GOOD-BYE? 764 00:38:34,783 --> 00:38:37,593 NO "THANK YOU FOR FINDING ME TRUE LOVE AND HAPPINESS"? 765 00:38:37,586 --> 00:38:39,746 SHE DID SEEM TO BE IN A HURRY. 766 00:38:42,491 --> 00:38:45,621 ALL I'M SAYING IS, AFTER EVERYTHING I DID, 767 00:38:45,624 --> 00:38:48,464 HOW HARD WOULD IT BE TO PICK UP A PHONE? 768 00:38:48,457 --> 00:38:51,457 I HAD NO IDEA THAT MATCHING PEOPLE BY HAND 769 00:38:51,460 --> 00:38:53,730 WAS GONNA TURN OUT TO BE SUCH A THANKLESS JOB. 770 00:38:53,732 --> 00:38:57,412 YOU'RE MISSING THE BIG PICTURE. THEY'RE FUGITIVES. 771 00:38:57,406 --> 00:38:59,406 IS IT STARTING TO RAIN? 772 00:38:59,408 --> 00:39:00,808 (sighs) 773 00:39:00,809 --> 00:39:03,639 GOT A HEADS-UP FROM THE GODS. ZEUS IS OFF HIS MEDS AGAIN. 774 00:39:03,642 --> 00:39:05,342 YOU WERE SAYING? 775 00:39:05,343 --> 00:39:07,353 I WAS SAYING, WHAT KIND OF LIFE 776 00:39:07,345 --> 00:39:10,375 ARE TOMMY AND PAULA GONNA HAVE ON THE RUN? WHERE'S YOUR SENSE OF ROMANCE? 777 00:39:10,379 --> 00:39:13,849 WELL, MAYBE I JUST NEED A LITTLE INSPIRATION. 778 00:39:13,852 --> 00:39:17,562 MAYBE IF I WERE TO HEAR A TALE OF ENCHANTMENT AND WOE 779 00:39:17,556 --> 00:39:19,986 FROM THE GOD OF LOVE HIMSELF. 780 00:39:19,988 --> 00:39:21,528 YOU'RE NOT GONNA QUIT 781 00:39:21,530 --> 00:39:24,490 UNTIL I TELL YOU ALL ABOUT MY BROKEN HEART, ARE YOU? 782 00:39:24,493 --> 00:39:25,793 NOPE. 783 00:39:25,794 --> 00:39:27,704 (horn honks) 784 00:39:27,696 --> 00:39:30,936 (tires hiss) 785 00:39:33,572 --> 00:39:36,582 (Claire) ONCE I SAW OUR REFLECTION, 786 00:39:36,575 --> 00:39:38,575 I REALIZED A LINE HAD BEEN CROSSED. 787 00:39:38,577 --> 00:39:40,507 I WAS LETTING HIM BECOME MY ROCK. 788 00:39:40,509 --> 00:39:42,449 (tires hiss) 789 00:39:42,451 --> 00:39:45,511 TREVOR, WE NEED TO PICK THIS BACK UP LATER. 790 00:39:45,514 --> 00:39:48,564 TOMORROW, IN MY OFFICE. ARE YOU SURE? 791 00:39:48,557 --> 00:39:51,887 I MEAN, I-I-I'M REALLY STARTING TO FEEL LIKE YOU'RE REACHING ME. 792 00:39:51,890 --> 00:39:54,890 THANK YOU FOR HELPING ME THROUGH THIS MINI CRISIS, 793 00:39:54,893 --> 00:39:59,533 BUT I THINK I NEED TO TAKE IT FROM HERE. 794 00:40:01,670 --> 00:40:03,670 PERHAPS TREVOR WOULD HAVE PRODUCED 795 00:40:03,672 --> 00:40:05,902 A STORY WITH A GRAIN OF TRUTH IN IT. 796 00:40:05,904 --> 00:40:07,914 (typing) BUT OUR RELATIONSHIP HAD MOVED 797 00:40:07,906 --> 00:40:10,406 BEYOND THE BOUNDS OF PSYCHIATRIST AND PATIENT, 798 00:40:10,408 --> 00:40:12,438 AND THOUGH TREVOR'S FEELINGS ARE EASILY HURT, 799 00:40:12,441 --> 00:40:15,511 HE HAS AN ASTONISHING CAPACITY TO BOUNCE BACK. 800 00:40:18,747 --> 00:40:21,747 YOU KNOW, I TOLD YOU I'D GET THAT BACK FOR YOU, DIDN'T I? 801 00:40:21,750 --> 00:40:25,550 YEAH. SO WHAT'S UP WITH THESE PLAYLISTS YOU PUT ON HERE? 802 00:40:25,554 --> 00:40:28,634 "ELEVATOR TUNES," "GOOD-BYE, TREVOR." 803 00:40:28,627 --> 00:40:30,557 "ELEVATOR TUNES" IS MINE. 804 00:40:30,559 --> 00:40:31,899 LET ME SEE THAT. 805 00:40:36,805 --> 00:40:39,435 (beep) 806 00:40:39,437 --> 00:40:40,867 (Bob Dylan's "If Not For You" playing) 807 00:40:43,612 --> 00:40:46,982 FOR EVERY RULE, THERE'S AN EXCEPTION THAT PROVES IT, 808 00:40:46,975 --> 00:40:49,175 AND PERHAPS TOMMY BROWN AND PAULA TORRES 809 00:40:49,177 --> 00:40:51,017 ARE THE EXCEPTION HERE. 810 00:40:51,019 --> 00:40:53,149 TREVOR BELIEVES THEY'RE ON THE RUN SOMEWHERE, 811 00:40:53,151 --> 00:40:54,951 BLISSED OUT, IN LOVE. 812 00:40:54,953 --> 00:40:57,533 CROSSING THE LINE MAY HAVE WORKED FOR THEM, 813 00:40:57,526 --> 00:40:59,826 BUT I STILL MAINTAIN IT DOESN'T WORK FOR MOST. 814 00:40:59,828 --> 00:41:02,828 IT DOESN'T CHANGE THE CENTRAL FACT ABOUT THAT LINE-- 815 00:41:02,831 --> 00:41:06,501 ONCE YOU'VE CROSSED IT, THERE'S NO COMING BACK. 816 00:41:06,495 --> 00:41:10,795 (Bob Dylan) ♪ IF NOT FOR YOU ♪ 817 00:41:10,799 --> 00:41:14,469 ♪ BABE, I COULDN'T FIND THE DOOR ♪ 818 00:41:14,472 --> 00:41:17,482 ♪ COULDN'T EVEN SEE THE FLOOR ♪ 819 00:41:17,475 --> 00:41:20,675 ♪ I'D BE SAD AND BLUE ♪ 820 00:41:20,679 --> 00:41:24,609 ♪ IF NOT FOR YOU ♪ 821 00:41:27,616 --> 00:41:31,516 ♪ IF NOT FOR YOU ♪ 822 00:41:31,520 --> 00:41:34,490 ♪ WINTER WOULD HAVE NO SPRING ♪ 823 00:41:34,492 --> 00:41:36,802 ♪ I COULDN'T HEAR THE ROBIN SING ♪ 824 00:41:36,795 --> 00:41:41,725 SORRY ABOUT THAT. ♪ I JUST WOULDN'T HAVE A CLUE ♪ 825 00:41:41,730 --> 00:41:45,100 ♪ ANYWAY, IT WOULDN'T RING TRUE ♪ 826 00:41:45,103 --> 00:41:48,643 ♪ IF NOT FOR YOU ♪ 827 00:41:48,637 --> 00:41:51,837 ♪ IF NOT FOR YOU ♪ 828 00:41:51,840 --> 00:41:54,740 ♪ IF NOT FOR YOU ♪