1
00:00:00,571 --> 00:00:02,731
(cheering)

2
00:00:10,441 --> 00:00:12,541
NOW YOU'RE CONFIDENT
THIS WILL IMPRESS HER--

3
00:00:12,543 --> 00:00:15,023
NOT DRIVE HER
INTO WITNESS PROTECTION?

4
00:00:15,015 --> 00:00:18,015
GRAND GESTURES, DAVE.
MAKES THEM WEAK IN THE KNEES.

5
00:00:18,018 --> 00:00:20,188
ARE YOU READY?
YEAH, LAST COUPLE.

6
00:00:20,191 --> 00:00:23,321
HEADS UP!
IT'S ALMOST SHOWTIME.

7
00:00:23,324 --> 00:00:25,804
(crowd) SEVEN... SIX... FIVE...

8
00:00:25,796 --> 00:00:29,056
THIS IS GONNA
BLOW HOLLY'S MIND.
OH, ON THAT, WE CAN AGREE.

9
00:00:29,060 --> 00:00:31,160
(crowd) TWO... ONE!

10
00:00:31,162 --> 00:00:35,042
(cheers and applause)

11
00:00:35,035 --> 00:00:39,035
(fireworks popping)

12
00:00:39,039 --> 00:00:40,439
WHOO!

13
00:00:42,473 --> 00:00:46,483
(man) HAPPY NEW YEAR!

14
00:00:46,477 --> 00:00:49,517
(shouting at once)

15
00:00:49,520 --> 00:00:51,580
(man) "HOLLY, I'M HERE."

16
00:00:51,582 --> 00:00:55,132
WELL, IT LOOKS LIKE SOMEONE HAS
PULLED QUITE A PRANK TONIGHT.

17
00:00:55,126 --> 00:00:57,826
HOLLY, WHEREVER YOU ARE,
WHOEVER YOU ARE,

18
00:00:57,828 --> 00:01:01,188
I HOPE YOU'RE IMPRESSED.
SOMEONE IS LOOKING FOR YOU.

19
00:01:01,192 --> 00:01:03,692
OH, YOU BETTER RUN,
GIRLFRIEND.

20
00:01:03,694 --> 00:01:06,144
HEY!
("Auld Lang Syne" playing)

21
00:01:06,137 --> 00:01:08,237
WE SHOULD GET GOING.

22
00:01:08,239 --> 00:01:11,669
I'M SURE THE COPS ARE
ON THEIR WAY OVER.
THAT'S AWESOME.
WE NEED YOU TO GET CAUGHT.

23
00:01:11,672 --> 00:01:13,502
COME AGAIN?

24
00:01:13,504 --> 00:01:15,584
YOU GET ARRESTED.
THEN YOU GET INTERVIEWED.

25
00:01:15,576 --> 00:01:17,606
YOU TELL THE REPORTER
YOUR STORY.

26
00:01:17,608 --> 00:01:22,148
YOU CAN'T BUY THAT KIND
OF PUBLICITY, DAVE.
DUDE, I'M HERE
ON AN EXPIRED VISA.

27
00:01:22,153 --> 00:01:26,563
THEY'LL SEND ME STRAIGHT BACK TO
IRELAND. MY STORY WON'T MATTER.
I WISH YOU'D MENTIONED THAT.

28
00:01:26,557 --> 00:01:29,117
I WISH YOU'D MENTIONED
THE "GETTING ARRESTED" PART.

29
00:01:29,120 --> 00:01:32,590
I THOUGHT I'D JUST TAKE CREDIT
IN A PERSONALS AD OR SOMETHING.

30
00:01:32,593 --> 00:01:34,603
FINE. I'LL GET ARRESTED,
OKAY?

31
00:01:34,595 --> 00:01:38,265
I'LL TELL YOUR STORY.

32
00:01:38,269 --> 00:01:40,369
♪ LANG SYNE ♪

33
00:01:40,371 --> 00:01:44,101
HEY! HAPPY NEW YEAR,
OFFICERS!

34
00:01:44,104 --> 00:01:46,184
(horns honk)

35
00:01:48,879 --> 00:01:50,879
(man) DID EVERYONE
SEE THE BALL DROP?

36
00:01:50,881 --> 00:01:53,111
(laughter)

37
00:01:53,113 --> 00:01:54,493
SOMEONE HAS COJONES.

38
00:01:54,485 --> 00:01:56,585
OUT THERE SOMEWHERE

39
00:01:56,587 --> 00:02:01,517
THERE'S THIS HOLLY REALIZING,
"SOMEONE LOVES ME."

40
00:02:01,522 --> 00:02:03,822
SUPER ROMANTIC.
DON'T YOU THINK, DR. McCRAE?

41
00:02:03,824 --> 00:02:05,634
I DON'T KNOW.

42
00:02:05,626 --> 00:02:08,196
I'D ASK MYSELF
IF I WERE THIS HOLLY,

43
00:02:08,199 --> 00:02:10,359
WHAT KIND OF MAN
HAVE I BECOME INVOLVED WITH--

44
00:02:10,361 --> 00:02:12,561
THE SORT OF MAN
WHO BREAKS THE LAW?

45
00:02:12,563 --> 00:02:18,473
THE SORT OF MAN WHO WON'T
TAKE NO FOR AN ANSWER?
YEAH, I GUESS
IT'S MORE OF A FANTASY.

46
00:02:18,469 --> 00:02:20,469
FANTASY'S OVERRATED.
THESE DAYS, I'M LOOKING

47
00:02:20,471 --> 00:02:23,841
FOR A RELATIONSHIP
THAT DOESN'T MAKE ME CRAZY

48
00:02:23,844 --> 00:02:25,684
OR INCONVENIENCE ME.
(cell phone rings)

49
00:02:25,676 --> 00:02:27,316
(ring)
OH. EXCUSE ME.

50
00:02:27,318 --> 00:02:30,318
(beep)
WHAT IS IT?

51
00:02:30,321 --> 00:02:32,681
I WAS SURPRISED TO GET
YOUR CALL, CHARLES.

52
00:02:32,683 --> 00:02:35,333
I WAS UNDER THE IMPRESSION THAT
YOU WERE TRYING TO FORCE ME OUT.

53
00:02:35,326 --> 00:02:38,156
WELL, IT'S TRUE THAT GENERALLY
SPEAKING, I PREFER PSYCHIATRISTS

54
00:02:38,158 --> 00:02:40,858
WHO BELIEVE IN PSYCHIATRY,
BUT I DO KNOW HOW YOUR FANS

55
00:02:40,861 --> 00:02:42,861
ARE CLAMORING
FOR A FOLLOW-UP.

56
00:02:42,863 --> 00:02:45,673
THIS PARTICULAR CASE
SEEMED RIGHT UP YOUR ALLEY.

57
00:02:45,666 --> 00:02:49,466
MAYBE IT'S
YOUR NEXT BEST SELLER.

58
00:02:49,470 --> 00:02:52,200
(woman) DR. MARS, C.I.U.

59
00:02:52,203 --> 00:02:54,173
DR. MARS, C.I.U.

60
00:02:54,174 --> 00:02:55,814
HE BELIEVES HE'S CUPID?

61
00:02:55,806 --> 00:02:57,676
HE'S STEADFAST
ON THAT POINT.

62
00:02:57,678 --> 00:02:59,708
WELL, I DOUBT
I CAN DO ANYTHING

63
00:02:59,710 --> 00:03:01,950
WITH AS MUCH HALOPERIDOL
AND RISPERIDONE

64
00:03:01,952 --> 00:03:03,882
AS YOU'VE GOT PUMPED
INTO HIM.

65
00:03:03,884 --> 00:03:06,624
HE'S PROBABLY SITTING
IN A PUDDLE OF HIS OWN DROOL.

66
00:03:06,617 --> 00:03:08,687
HE HAS BEEN ODDLY RESISTANT
TO MEDICATION.

67
00:03:08,689 --> 00:03:11,889
BUT HERE, YOU CAN SEE
FOR YOURSELF. HE'S, UM...

68
00:03:11,892 --> 00:03:13,892
♪♪

69
00:03:13,894 --> 00:03:16,304
HE'S GONE.

70
00:03:16,297 --> 00:03:18,227
(Cupid) CAN'T HEAR YOU,
SCHIZOPHRENICS!

71
00:03:18,229 --> 00:03:20,399
(chorus) ♪ IT'S EASY ♪

72
00:03:20,401 --> 00:03:23,231
(piano playing The Beatles'
"All You Need Is Love")

73
00:03:23,234 --> 00:03:25,584
♪ ALL YOU NEED IS LOVE ♪

74
00:03:25,576 --> 00:03:27,206
♪ DA DA DA DA DA ♪

75
00:03:27,207 --> 00:03:29,307
♪ ALL YOU NEED IS LOVE ♪

76
00:03:29,310 --> 00:03:31,440
♪ DA DA DA DA DA ♪

77
00:03:31,442 --> 00:03:34,952
♪ ALL YOU NEED IS LOVE, LOVE ♪

78
00:03:34,945 --> 00:03:37,445
♪ LOVE IS ALL YOU NEED ♪

79
00:03:37,448 --> 00:03:40,418
WILD GUESS--THAT'S OUR GUY?
♪ ALL YOU NEED IS LOVE ♪

80
00:03:40,421 --> 00:03:42,351
♪ ALL TOGETHER NOW ♪
♪ DA DA DA DA DA ♪

81
00:03:42,353 --> 00:03:44,303
♪ ALL YOU NEED IS LOVE ♪

82
00:03:44,295 --> 00:03:45,425
♪ EVERYBODY ♪

83
00:03:45,426 --> 00:03:49,556
♪ ALL YOU NEED IS LOVE, LOVE ♪

84
00:03:49,560 --> 00:03:51,800
♪ LOVE IS ALL YOU NEED ♪

85
00:03:51,802 --> 00:03:53,762
♪ LOVE IS ALL YOU NEED,
LOVE IS ALL YOU NEED ♪

86
00:03:53,764 --> 00:03:55,644
♪ LOVE IS ALL YOU NEED,
LOVE IS ALL YOU NEED ♪

87
00:03:55,636 --> 00:03:58,936
ISAAC, CAN YOU BRING YOUR NEWEST
PATIENT TO MY OFFICE, PLEASE?

88
00:03:58,939 --> 00:04:02,939
♪ LOVE IS ALL YOU NEED,
LOVE IS ALL YOU NEED ♪
THAT'S ENOUGH, PEOPLE!

89
00:04:02,943 --> 00:04:07,423
♪♪

90
00:04:07,418 --> 00:04:11,748
♪ SHE LOVES YOU,
YEAH, YEAH, YEAH ♪
(cheering)

91
00:04:11,752 --> 00:04:16,962
♪ SHE LOVES YOU,
YEAH, YEAH, YEAH ♪

92
00:04:20,731 --> 00:04:22,331
HELLO, MISTER...

93
00:04:22,333 --> 00:04:25,703
IT'S CUPID.
I'VE GOT ALL NIGHT.

94
00:04:25,696 --> 00:04:27,336
FANTASTIC.
IT APPEARS I'M FREE, TOO.

95
00:04:27,338 --> 00:04:30,268
MAYBE WE SHOULD HANG
THE "DO NOT DISTURB" SIGN.

96
00:04:30,270 --> 00:04:35,580
I'LL HAVE TO ASK YOU TO REFRAIN
FROM THAT KIND OF INNUENDO.

97
00:04:35,576 --> 00:04:37,706
DOCTOR... PATIENT.

98
00:04:37,708 --> 00:04:41,448
I SUPPOSE YOU'D LIKE ME
TO DISROBE?
UH, THAT WON'T BE NECESSARY.

99
00:04:41,452 --> 00:04:43,282
ISAAC, I'M FINE HERE.

100
00:04:43,283 --> 00:04:45,463
I'LL BE
JUST OUTSIDE THE DOOR.

101
00:04:45,456 --> 00:04:47,356
THOUGHT HE'D NEVER LEAVE.

102
00:04:47,358 --> 00:04:49,058
SO... WHERE WERE WE?

103
00:04:49,059 --> 00:04:51,059
(door opens and closes)

104
00:04:51,061 --> 00:04:54,371
"CUPID." I CAN'T HELP YOU
UNLESS YOU LET ME.

105
00:04:54,365 --> 00:04:56,425
OKAY. YOU WANT TO HELP ME?

106
00:04:56,427 --> 00:04:58,467
GET ME OUT OF THIS PLACE.

107
00:04:58,469 --> 00:05:02,299
ALL RIGHT? I GOT A JOB TO DO,
AND I CAN'T GET IT DONE IN HERE.
SO THIS IS A JOB?

108
00:05:02,302 --> 00:05:04,612
PUNISHMENT IS MORE LIKE IT.

109
00:05:04,605 --> 00:05:07,005
200 MORTALS MATCHED.

110
00:05:07,007 --> 00:05:09,907
100 HAPPILY EVER AFTERS
BEFORE I'M ALLOWED BACK.

111
00:05:09,910 --> 00:05:10,940
BACK WHERE?

112
00:05:10,941 --> 00:05:13,041
OLYMPUS.
OF COURSE.

113
00:05:13,043 --> 00:05:14,823
YOU ASKED.

114
00:05:14,815 --> 00:05:17,715
SO THIS PUNISHMENT--
DID YOU DO SOMETHING WRONG?

115
00:05:17,718 --> 00:05:19,888
WELL, AT MY EXPULSION,
THEY YAMMERED ON

116
00:05:19,890 --> 00:05:21,890
ABOUT RELEARNING MY CRAFT

117
00:05:21,892 --> 00:05:24,022
AND THE SCREWED UP
STATE OF LOVE AND ROMANCE.

118
00:05:24,024 --> 00:05:27,664
FRANKLY, I HAD TROUBLE TAKING
THE WHOLE THING SERIOUSLY.
WHY IS THAT?

119
00:05:27,658 --> 00:05:31,598
A HUNDRED COUPLES? I USED TO
KNOCK THAT OUT BEFORE LUNCH.
HOW DID YOU PULL THAT OFF?

120
00:05:31,602 --> 00:05:34,442
MY BOW. MY ARROWS.

121
00:05:34,435 --> 00:05:36,465
(whispers) THEY'RE MAGIC.

122
00:05:36,467 --> 00:05:39,037
DO YOU HAVE THOSE
WITH YOU NOW?

123
00:05:39,039 --> 00:05:41,539
(normal voice)
YOU MEAN AT THIS MOMENT?

124
00:05:41,542 --> 00:05:43,542
MAYBE YOU COULD SHOOT ME,

125
00:05:43,544 --> 00:05:46,024
AND I'D MORE FULLY UNDERSTAND
THIS... MAGIC.

126
00:05:46,016 --> 00:05:49,346
DO YOU SEE A BOW?

127
00:05:51,422 --> 00:05:55,362
HOW LONG DO YOU THINK THIS QUEST
WILL TAKE YOU... BOWLESS?

128
00:05:55,355 --> 00:05:58,085
TWO WEEKS, MAX.
TWO WEEKS.

129
00:05:58,088 --> 00:06:00,828
MAKE IT TEN DAYS.
FINAL ANSWER?

130
00:06:00,831 --> 00:06:02,831
SIX DAYS.

131
00:06:02,833 --> 00:06:04,673
(high-pitched voice) FOUR.

132
00:06:04,665 --> 00:06:06,565
39 DAYS INTO OBSERVATION,

133
00:06:06,567 --> 00:06:08,997
PATIENT PRESENTS NO RELIEF
FROM HIS DELUSIONAL STATE.

134
00:06:08,999 --> 00:06:11,139
WE CONTINUE TO MONITOR
MISSING PERSON REPORTS

135
00:06:11,141 --> 00:06:13,571
IN THE HOPES OF LEARNING
HIS TRUE IDENTITY.

136
00:06:13,574 --> 00:06:16,484
THIS IS WHAT YOU'RE GONNA DO.
YOU'RE GONNA WALK UP TO MARLA,

137
00:06:16,477 --> 00:06:18,607
TELL HER THE BEST PART
OF YOUR DAY IS WATCHING HER

138
00:06:18,609 --> 00:06:21,579
MEDICATE THE OLD-TIMERS
IN THAT EAST WING BAY WINDOW.

139
00:06:21,582 --> 00:06:24,012
AS A SIDE NOTE, HE HAS MANAGED
TO WIN OVER MUCH OF THE STAFF.

140
00:06:24,014 --> 00:06:26,994
TELL ME ABOUT OLYMPUS.

141
00:06:26,987 --> 00:06:29,817
DESCRIBE HOME TO ME.
YOU FRAMED A POSTCARD?

142
00:06:29,820 --> 00:06:31,620
NO. I TOOK THAT.

143
00:06:31,622 --> 00:06:33,922
IT'S THE VIEW
FROM MY APARTMENT.

144
00:06:33,924 --> 00:06:36,474
YOU WERE TELLING ME
ABOUT OLYMPUS.

145
00:06:36,467 --> 00:06:39,127
NONSTOP
CLOTHING-OPTIONAL PARTY.

146
00:06:39,129 --> 00:06:41,399
AN AMAZING PLACE.
YOU HAVE NO IDEA.

147
00:06:41,401 --> 00:06:44,711
A VAGUE IDEA. YOU JUST DESCRIBED
THE PLAYBOY MANSION.

148
00:06:44,705 --> 00:06:46,975
MERCURY--TELL ME ABOUT HIM.
(chuckles)
GANGSTA'S GOT MY BACK.

149
00:06:46,977 --> 00:06:49,977
DUDE'S BAILED ME OUT
OF SO MANY JAMS.

150
00:06:49,980 --> 00:06:53,540
ONE TIME,
WE STOLE THIS UNICORN--
LISTEN, WHY DON'T WE JUST
STICK TO CAREER HIGHLIGHTS?

151
00:06:53,544 --> 00:06:56,854
OKAY, FINE. MERCURY--
MESSENGER OF THE GODS.

152
00:06:56,847 --> 00:06:58,917
SON OF JUPITER.
VENUS AND MARS.

153
00:06:58,919 --> 00:07:02,119
MOM AND DAD. COME ON.
WE STARTED EASY. ROMULUS?

154
00:07:02,122 --> 00:07:04,022
FOUNDER OF ROME.
PENELEOS?

155
00:07:04,024 --> 00:07:06,664
THEBAN LEADER
DURING THE TROJAN WAR.

156
00:07:06,657 --> 00:07:09,927
WAY INTO BLACK CHICKS.
FINE.
YOU KNOW YOUR MYTHOLOGY.

157
00:07:09,930 --> 00:07:11,930
TELL ME,
HOW DID PSYCHE REACT

158
00:07:11,932 --> 00:07:14,472
WHEN THE GODS SENT YOU
BACK TO EARTH?
WHO?

159
00:07:14,465 --> 00:07:17,165
PSYCHE.

160
00:07:17,167 --> 00:07:20,037
PSYCHE. CUPID'S WIFE.

161
00:07:20,040 --> 00:07:21,810
MY WHAT?

162
00:07:21,812 --> 00:07:24,622
HIS WIFE. SHE WAS A MORTAL.

163
00:07:24,615 --> 00:07:27,515
HE FELL IN LOVE WITH HER
DESPITE THE GODS' OBJECTIONS.

164
00:07:27,518 --> 00:07:29,748
I CAN'T BELIEVE
YOU DON'T KNOW THIS.

165
00:07:29,750 --> 00:07:32,850
THIS IS THE BEST-KNOWN MYTH
OF CUPID.
THAT NEVER HAPPENED.

166
00:07:32,853 --> 00:07:36,663
SURE IT DID.
THERE'S EVEN A PICTURE.
NO, I THINK I WOULD REMEMBER.

167
00:07:36,657 --> 00:07:38,727
SEE FOR YOURSELF.

168
00:07:40,130 --> 00:07:42,090
RECOGNIZE HER?

169
00:07:42,092 --> 00:07:45,042
YOU'RE SAYING CUPID
WAS MARRIED?

170
00:07:45,035 --> 00:07:48,535
YES. HE WAS.

171
00:07:50,541 --> 00:07:52,541
OVER THE PAST 90 DAYS,

172
00:07:52,543 --> 00:07:55,553
THE PATIENT WHO REFERS
TO HIMSELF AS "CUPID"

173
00:07:55,546 --> 00:07:58,946
HAS DEMONSTRATED NO DANGER
TO HIMSELF OR OTHERS.

174
00:07:58,949 --> 00:08:00,849
A JOHN DOE?
YOU STILL HAVE NO IDEA

175
00:08:00,851 --> 00:08:02,981
AS TO THE PATIENT'S
TRUE IDENTITY--NO NAME?

176
00:08:02,983 --> 00:08:04,893
IT'S TREVOR.

177
00:08:04,885 --> 00:08:06,885
TREVOR PIERCE.

178
00:08:06,887 --> 00:08:09,817
WELL, GOOD.

179
00:08:09,820 --> 00:08:11,890
THAT RELIEVES ONE OF MY QUALMS.

180
00:08:11,892 --> 00:08:15,032
WE WILL APPROVE
THE RELEASE OF TREVOR PIERCE

181
00:08:15,025 --> 00:08:18,265
ON A TRIAL BASIS IF YOU CONTINUE
TO MONITOR HIS PROGRESS.

182
00:08:18,268 --> 00:08:20,268
UH... I...

183
00:08:20,270 --> 00:08:22,530
TO THAT END, WE WOULD LIKE
TO RECEIVE WEEKLY REPORTS

184
00:08:22,533 --> 00:08:24,913
KEEPING US INFORMED
OF THE PATIENT'S PROGRESS,

185
00:08:24,905 --> 00:08:27,035
INCLUDING FINDING EMPLOYMENT.

186
00:08:27,037 --> 00:08:29,877
I'M SORRY, BUT MY CASELOAD
IS SUCH THAT I CAN'T--

187
00:08:29,880 --> 00:08:32,040
IF YOU FIND THAT THE PATIENT
STOPS MAKING PROGRESS,

188
00:08:32,042 --> 00:08:35,522
HE SHOULD IMMEDIATELY
BE READMITTED SO WE CAN BEGIN

189
00:08:35,515 --> 00:08:38,115
A MORE AGGRESSIVE,
PHARMACOLOGICAL APPROACH.

190
00:08:38,118 --> 00:08:41,188
THANK YOU, DR. McCRAE.
NEXT CASE.

191
00:08:41,191 --> 00:08:44,151
TREVOR!

192
00:08:44,154 --> 00:08:45,704
HEY!

193
00:08:45,696 --> 00:08:48,156
TREVOR!

194
00:08:48,158 --> 00:08:49,758
TREVOR!

195
00:08:49,760 --> 00:08:53,560
A COUPLE OF NIGHTS A WEEK,
I MEDIATE A GROUP.

196
00:08:53,564 --> 00:08:55,314
LOOK AT THAT.
YOU GOT A CARD.

197
00:08:55,305 --> 00:08:58,565
YES. I'VE GOT A CARD.
IT'S A SINGLES GROUP--

198
00:08:58,569 --> 00:09:01,109
KIND OF AN INFORMAL,
ROUNDTABLE THING.

199
00:09:01,111 --> 00:09:03,241
WE DISCUSS RELATIONSHIPS
AND HEALTHY DATING PATTERNS.

200
00:09:03,243 --> 00:09:06,283
SINGLES GROUP. PERFECT.
FISH IN A BARREL.

201
00:09:06,276 --> 00:09:08,876
WAIT A MINUTE.

202
00:09:08,879 --> 00:09:12,619
WHAT ARE YOU SAYING,
TREVOR?
I'M SAYING I'VE GOT
A JOB TO DO--

203
00:09:12,623 --> 00:09:15,093
FIND HOLLY,
MATCH ANOTHER 99 COUPLES.

204
00:09:15,085 --> 00:09:17,125
I GOT A LOT TO DO
BEFORE I GET TO GO HOME.

205
00:09:17,127 --> 00:09:20,657
I WASN'T GONNA GET IT DONE
IN THAT PLACE.
YOU WERE FAKING.

206
00:09:20,661 --> 00:09:25,141
LOOK, TREVOR, I JUST STAKED MY
PROFESSIONAL REPUTATION ON YOU.

207
00:09:25,135 --> 00:09:29,235
WHICH WAS SWEET. KEEP IT.
YOU WANT ONE? ON ME.
WHAT? NO.

208
00:09:29,239 --> 00:09:33,069
LOOK, TREVOR. YOU ARE
NOT A GOD. YOU ARE A MAN.

209
00:09:33,073 --> 00:09:36,253
I'LL SEE YOU TONIGHT. SOUNDS
LIKE THESE PEOPLE NEED ME.

210
00:09:38,348 --> 00:09:41,208
EXCUSE ME. STOP, PLEASE.
THANK YOU.

211
00:09:43,714 --> 00:09:48,594
♪♪

212
00:09:56,066 --> 00:09:57,996
(man)
♪ SAVOR THE SOFTNESS OF SUMMER ♪

213
00:09:57,998 --> 00:10:03,028
♪ I'LL WRAP UP
WHEN WINTER BLOWS ♪

214
00:10:03,033 --> 00:10:05,343
♪ BUT WHEREVER I'M A-GOING ♪

215
00:10:05,335 --> 00:10:09,605
♪ I'LL GO IN SEARCH OF A ROSE ♪

216
00:10:11,081 --> 00:10:12,711
HEY!

217
00:10:12,713 --> 00:10:15,693
WHERE HAVE YOU BEEN? I-I THOUGHT
THEY SENT YOU UP THE RIVER!

218
00:10:15,686 --> 00:10:18,186
ALL THAT MATTERS IS THAT
WE'RE BACK IN BUSINESS.

219
00:10:18,188 --> 00:10:20,848
YOU GOT PLANS TONIGHT?
(laughs)

220
00:10:20,851 --> 00:10:24,051
(Locksley's
"Don't Make Me Wait" playing)

221
00:10:24,054 --> 00:10:26,104
♪ ONE LOOK WAS ALL IT TOOK ♪

222
00:10:26,096 --> 00:10:27,796
♪ AND EVERYTHING WAS SAID,
MY DARLING ♪

223
00:10:27,798 --> 00:10:30,128
♪ ONE LOOK WAS ALL IT TOOK ♪

224
00:10:30,130 --> 00:10:32,200
♪ AND YOU WERE IN MY HEAD,
MY DARLING ♪

225
00:10:32,202 --> 00:10:34,712
♪ IT'S SOMETHING SO SURREAL ♪

226
00:10:34,705 --> 00:10:37,005
♪ THE STUPID WAY
YOU MAKE ME FEEL ♪

227
00:10:37,007 --> 00:10:39,037
♪ WHEN EVERYTHING
IS SAID AND DONE ♪

228
00:10:39,039 --> 00:10:41,239
♪ SOMEHOW YOU ARE
STILL THE ONE ♪

229
00:10:41,241 --> 00:10:43,941
♪ DON'T MAKE ME WAIT ♪

230
00:10:43,944 --> 00:10:49,024
♪ SO LONG ♪

231
00:10:49,019 --> 00:10:50,979
(knocks)
(speaks indistinctly)

232
00:10:50,981 --> 00:10:53,281
OH, MY GOD.
LOOK WHO'S HERE.
FELIX, ARE YOU
RENTING OUT MY ROOM?

233
00:10:53,283 --> 00:10:56,093
YOU WERE HERE FOR A WEEK,
AND THEN YOU DISAPPEARED

234
00:10:56,086 --> 00:10:59,656
FOR THREE MONTHS.
WHAT WAS I SUPPOSED TO DO?
I'VE BEEN IN THE HOSPITAL,
THANK YOU VERY MUCH.

235
00:10:59,659 --> 00:11:02,729
HOW AM I SUPPOSED TO KNOW THAT?
YOU OKAY?

236
00:11:02,733 --> 00:11:05,203
YEAH, I WAS MISDIAGNOSED.
IT WAS NOTHING.

237
00:11:05,195 --> 00:11:08,735
BUENOS DíAS, LITA.
QUIERO BAÑAR EN TU SUDOR.

238
00:11:08,739 --> 00:11:11,239
UGH. GROW UP.
HEY, HEY, HEY, HEY.
THAT'S MY SISTER.

239
00:11:11,241 --> 00:11:13,301
THE GUYS AT ARRIBA ARRIBA SAID

240
00:11:13,303 --> 00:11:15,413
THAT'S A COMMON
SPANISH GREETING.

241
00:11:15,405 --> 00:11:18,245
"I WANT TO BATHE
IN YOUR SWEAT"? NO, NOT REALLY.

242
00:11:18,248 --> 00:11:20,848
(switch clicks)
AH, LOOK AT THIS.
THIS THING WORKS.

243
00:11:20,851 --> 00:11:22,711
YOU DON'T WANT TO--
THAT'S A FUTURE ANTIQUE.

244
00:11:22,713 --> 00:11:24,993
LEAVE IT ALONE.
HEY, SO LISTEN,
YOU GOT A KEY FOR ME?

245
00:11:24,985 --> 00:11:26,955
(sighs) THAT DEPENDS.
YOU GOT THE RENT?

246
00:11:26,957 --> 00:11:29,287
I WILL IF YOU LET ME PICK UP
A COUPLE SHIFTS AROUND HERE.

247
00:11:29,289 --> 00:11:32,189
HAVEN'T EXACTLY BEEN
PACKIN' 'EM IN LATELY.

248
00:11:32,192 --> 00:11:35,272
KEEP ME ON, CHIEF, AND I PROMISE
YOU'LL BE PACKED TONIGHT.

249
00:11:38,298 --> 00:11:41,228
MARGARET, I RESPECT
YOUR DECISION. I DO.

250
00:11:41,231 --> 00:11:43,101
ALL I'M SUGGESTING IS THAT
IF YOU'RE GOING TO CONTINUE

251
00:11:43,103 --> 00:11:45,083
TO PLACE AN AD
IN THE PERSONALS,

252
00:11:45,075 --> 00:11:48,935
IT MIGHT BE WISE TO MENTION YOUR
CHASTITY PLEDGE WITHIN THE TEXT.

253
00:11:48,939 --> 00:11:51,209
OKAY.

254
00:11:51,211 --> 00:11:56,091
OKAY, IT LOOKS LIKE WE'VE
GOT TIME FOR ONE MORE PERSON.

255
00:11:56,086 --> 00:11:59,116
TREVOR, MAYBE IT'LL BE
A GOOD IDEA

256
00:11:59,119 --> 00:12:01,319
IF YOU JUST AUDITED
THE FIRST COUPLE OF MEETINGS.

257
00:12:01,321 --> 00:12:04,491
IT'S NOT FOR ME.
IT'S FOR MY FRIEND DAVE HERE.

258
00:12:04,494 --> 00:12:07,164
HE NEEDS HELP.
(whispers)
NO, WHAT ARE YOU DOING?

259
00:12:07,157 --> 00:12:10,727
TELL YOUR STORY.
ALL RIGHT, WELCOME, DAVE.
TELL US ABOUT YOUR LOVE LIFE.

260
00:12:10,730 --> 00:12:14,060
UH, OKAY. WELL, UH,
LAST SUMMER I WAS WORKING

261
00:12:14,064 --> 00:12:17,274
IN MY DAD'S PUB,
AND THIS AMERICAN GIRL COMES IN

262
00:12:17,267 --> 00:12:19,837
ASKING FOR DIRECTIONS
TO CONNOLLY STATION.

263
00:12:19,840 --> 00:12:23,240
AND THEN SHE HAD TO GO CATCH
A PLANE BACK TO NEW YORK.

264
00:12:23,243 --> 00:12:27,453
BUT, UM, THOSE 20 MINUTES
WERE ALL IT TOOK, YOU KNOW?

265
00:12:27,447 --> 00:12:30,177
WE--WE JUST HAD
THIS... TRANSCENDENT,

266
00:12:30,180 --> 00:12:32,150
PALPABLE CONNECTION.

267
00:12:32,152 --> 00:12:36,362
OOH.
BUT UNFORTUNATELY I ONLY CAUGHT
HER FIRST NAME--HOLLY.

268
00:12:36,356 --> 00:12:40,226
OH, MY GOD. YOU'RE THE GUY
WHO CHANGED THE BALL DROP SIGN.

269
00:12:40,230 --> 00:12:43,130
(gasps)
UH, YEAH. YEAH. YEAH.
WITH A LITTLE BIT OF HELP.

270
00:12:43,133 --> 00:12:45,073
SO YOU KNOW WHAT DAVE DID?

271
00:12:45,065 --> 00:12:47,165
DAVE TOOK ALL HIS MONEY,

272
00:12:47,167 --> 00:12:49,297
BOUGHT A ONE-WAY TICKET
TO NEW YORK,

273
00:12:49,299 --> 00:12:52,869
AND HE'S BEEN HERE EVER SINCE,
ON THE STREETS, ON A QUEST.

274
00:12:52,873 --> 00:12:54,883
SO SPREAD THE WORD, PEOPLE.

275
00:12:54,875 --> 00:12:57,905
DO YOU KNOW A HOLLY WHO HAD
A MAGIC MOMENT WITH A GUY

276
00:12:57,908 --> 00:13:00,448
IN A PUB IN DUBLIN?
HE'S HERE.

277
00:13:00,450 --> 00:13:05,260
HE'S LOOKING FOR HER, AND THAT,
GOOD PEOPLE, IS LOVE!

278
00:13:05,255 --> 00:13:07,215
(man coughs)

279
00:13:07,217 --> 00:13:10,357
I'M SORRY. THAT MAY BE ROMANTIC,
BUT IT'S NOT LOVE.

280
00:13:10,360 --> 00:13:11,960
WHAT?

281
00:13:11,962 --> 00:13:13,962
DIDN'T YOU HEAR HIM?

282
00:13:13,964 --> 00:13:15,904
"PALPABLE, TRANSCENDENT
CONNECTION"!

283
00:13:15,896 --> 00:13:18,066
PERHAPS WE CAN AGREE
TO CALL IT INFATUATION.

284
00:13:18,068 --> 00:13:22,168
WE COULD AGREE TO DISAGREE.
WHAT ARE YOU PREACHING IN HERE--

285
00:13:22,172 --> 00:13:25,982
JUST DON'T DO IT?
REACH FOR THE COPPER RING?

286
00:13:25,976 --> 00:13:27,936
I TELL PEOPLE, "BE SMART."

287
00:13:27,938 --> 00:13:30,208
LOVE ISN'T SMART.
LOVE IS STUPID.

288
00:13:30,210 --> 00:13:32,340
YOU WANT TO WRESTLE
THAT MINOTAUR? BE BOLD!

289
00:13:32,342 --> 00:13:36,052
LOVE AT FIRST SIGHT
IS A MYTH.

290
00:13:36,046 --> 00:13:38,586
LOVE IS BUILT ON
A STURDIER FOUNDATION, TREVOR--

291
00:13:38,588 --> 00:13:42,088
SHARED INTERESTS,
MUTUAL RESPECT, FRIENDSHIP--

292
00:13:42,092 --> 00:13:45,132
THINGS YOU CAN'T POSSIBLY
ESTABLISH IN A COUPLE OF DAYS,

293
00:13:45,125 --> 00:13:46,995
LET ALONE 20 MINUTES.

294
00:13:46,997 --> 00:13:48,297
NO. LOVE IS PASSION.

295
00:13:48,298 --> 00:13:51,898
LOVE IS HEAT, CHEMISTRY,
SEX.

296
00:13:51,902 --> 00:13:52,902
YEAH!
(murmuring)

297
00:13:52,903 --> 00:13:55,113
NO. LOVE IS WHAT'S LEFT

298
00:13:55,105 --> 00:13:59,135
AFTER THE HEAT
AND THE PASSION DIE.

299
00:13:59,139 --> 00:14:02,409
(man) OUCH.

300
00:14:02,412 --> 00:14:05,452
OR FADES AWAY...

301
00:14:05,445 --> 00:14:08,115
KIND OF SLOWLY.

302
00:14:08,118 --> 00:14:11,218
WOW. WHO RIPPED
YOUR HEART OUT?

303
00:14:14,184 --> 00:14:17,294
I THINK THIS IS
A GOOD PLACE TO WRAP UP.

304
00:14:17,287 --> 00:14:19,227
AN ANNOUNCEMENT, THOUGH.

305
00:14:19,229 --> 00:14:21,959
TRES EQUIS,
JUST DOWN THE STREET,

306
00:14:21,962 --> 00:14:25,642
IS OFFERING HALF-PRICE
MARGARITAS FOR SINGLES TONIGHT.

307
00:14:25,635 --> 00:14:29,335
IT'S MARIACHI/KARAOKE DUETS
NIGHT.

308
00:14:29,339 --> 00:14:32,099
I WILL BE BARTENDING
AND POURING 'EM STRONG.

309
00:14:32,102 --> 00:14:34,272
SEE YOU TONIGHT, PEOPLE!
BE BOLD!

310
00:14:34,274 --> 00:14:36,984
TREVOR, STAY.

311
00:14:39,309 --> 00:14:41,309
15 YEARS OF TRAINING

312
00:14:41,311 --> 00:14:44,151
HAS PREPARED ME
TO HELP THESE PEOPLE.

313
00:14:44,154 --> 00:14:46,264
AND WHAT, AND BEING
THE ROMAN GOD OF LOVE

314
00:14:46,256 --> 00:14:48,556
SINCE THE DAWN OF TIME
HAS PREPARED ME FOR WHAT--

315
00:14:48,558 --> 00:14:50,418
CELEBRITY JUDGE
ON "BLIND DATE"?

316
00:14:50,420 --> 00:14:53,260
LET'S JUST SAY FOR A MINUTE
THAT YOU REALLY ARE CUPID.

317
00:14:53,263 --> 00:14:55,473
REMIND ME AGAIN
HOW YOU MADE YOUR MATCHES.

318
00:14:55,465 --> 00:14:57,525
YOU MEAN--
OOH, THAT'S RIGHT.
YOU SHOT THEM.

319
00:14:57,527 --> 00:15:00,967
RANDOM PEOPLE
FALLING MADLY IN LOVE.

320
00:15:00,971 --> 00:15:04,131
LOOK AROUND YOU, CUPID.
YOUR METHODOLOGY DIDN'T WORK.

321
00:15:04,134 --> 00:15:07,344
SO HOW ABOUT LETTING SOMEONE
WHO ACTUALLY GIVES A DAMN

322
00:15:07,337 --> 00:15:09,177
TAKE A SHOT?
HAVE AT IT.

323
00:15:09,179 --> 00:15:11,579
I PLAN ON IT.
GO TO TOWN.

324
00:15:11,581 --> 00:15:13,541
I'M ALREADY LIVING
IN TOWN--DOWNTOWN.

325
00:15:13,543 --> 00:15:16,553
AND ANOTHER THING--I DON'T WANT
YOU FEEDING DAVE'S FANTASY.

326
00:15:16,546 --> 00:15:21,086
HE'LL END UP GETTING HURT.
OR LIVING HAPPILY EVER AFTER.

327
00:15:21,091 --> 00:15:23,521
I PROMISED THE HOSPITAL BOARD
YOU WERE NO DANGER

328
00:15:23,523 --> 00:15:29,303
TO YOURSELF OR OTHERS.
DON'T MAKE ME REGRET THAT.

329
00:15:29,299 --> 00:15:32,129
(playing Pat Benatar's
"Love Is a Battlefield")

330
00:15:32,132 --> 00:15:33,502
YEAH, YEAH.

331
00:15:33,503 --> 00:15:35,513
♪ HEARTACHE TO HEARTACHE,
WE STAND ♪

332
00:15:35,505 --> 00:15:38,235
HEARTACHE TO HEARTACHE,
WE STAND.

333
00:15:38,238 --> 00:15:40,508
HEY, BOSS.

334
00:15:40,510 --> 00:15:43,340
HEY.
MARGARITAS ARE HALF PRICE, HUH?

335
00:15:43,343 --> 00:15:46,483
IT'S MANHATTAN.
THEY'RE STILL 6 BUCKS.

336
00:15:46,476 --> 00:15:50,616
(both)
♪ BOTH OF US KNOWING ♪

337
00:15:50,620 --> 00:15:55,260
♪ LOVE IS A BATTLEFIELD ♪

338
00:15:55,255 --> 00:15:57,185
♪♪

339
00:15:57,187 --> 00:16:00,257
YOU CAN'T BACK OUT.
I MEAN, WE ALREADY SIGNED UP.

340
00:16:00,260 --> 00:16:01,630
I'LL TELL YOU WHAT.

341
00:16:01,631 --> 00:16:04,161
I'LL GO GET US TEQUILA SHOTS.
A LITTLE LIQUID COURAGE?

342
00:16:04,164 --> 00:16:06,544
FINE, I'LL SING.
DON'T GET ME A SHOT.

343
00:16:06,536 --> 00:16:09,036
I'LL TAKE A COFFEE
IF YOU'RE GETTING UP.

344
00:16:09,039 --> 00:16:10,599
BE RIGHT BACK.

345
00:16:10,600 --> 00:16:13,300
DON'T GO ANYWHERE.
OKAY.

346
00:16:13,303 --> 00:16:15,983
TEQUILA SHOT, NO LIME.

347
00:16:15,975 --> 00:16:17,445
POR FAVOR, SEÑOR.

348
00:16:17,447 --> 00:16:21,047
AND A COFFEE.
THE COFFEE'S GONNA
TAKE A MINUTE.

349
00:16:21,051 --> 00:16:23,251
I GOTTA DRAIN THE DRAGON,
ANYWAY.

350
00:16:23,253 --> 00:16:25,293
THE JAVA'S FOR THE HOTTIE.

351
00:16:25,285 --> 00:16:29,085
YOU'RE MAKING
THAT HAPPEN, HUH?
I'M WORKING ON IT.

352
00:16:29,089 --> 00:16:31,159
SHE'S FROSTY, THOUGH.

353
00:16:31,161 --> 00:16:34,461
REPORTER FROM "THE POST."
SHE'S GOT HER GLOVES UP.

354
00:16:34,464 --> 00:16:37,174
THAT'S OKAY.
JIMMY LIKES A LITTLE FIGHT.

355
00:16:37,167 --> 00:16:40,067
AHH.
I'LL TAKE HER THE COFFEE.

356
00:16:40,070 --> 00:16:43,030
♪♪

357
00:16:43,033 --> 00:16:45,513
(both)
♪ HEARTACHE TO HEARTACHE ♪

358
00:16:45,505 --> 00:16:47,335
♪ WE STAND ♪

359
00:16:47,337 --> 00:16:49,577
HI. I'M TREVOR.
I'LL BE YOUR SERVER TONIGHT.

360
00:16:49,579 --> 00:16:52,239
COFFEE, BLACK.
WORD IS YOU'RE A REPORTER.

361
00:16:52,242 --> 00:16:54,042
THAT'S RIGHT.

362
00:16:54,044 --> 00:16:56,324
HOW ABOUT DOING A STORY
ON MY FRIEND DAVE?

363
00:16:56,316 --> 00:16:59,046
GO WITH ME. WHAT HAPPENS IS,
HOLLY READS IT,

364
00:16:59,049 --> 00:17:02,049
SHOWS UP HERE AT TRES EQUIS
WHERE DAVE IS PERFORMING.

365
00:17:02,052 --> 00:17:05,022
YOU GET NOT ONE, BUT TWO
HEARTWARMING STORIES.

366
00:17:05,024 --> 00:17:08,034
HOW LONG HAVE YOU LIVED
IN NEW YORK, TREVOR?
NOT LONG.

367
00:17:08,027 --> 00:17:10,197
I'LL LET YOU IN
ON A LITTLE SECRET.

368
00:17:10,200 --> 00:17:12,330
PEOPLE DON'T COME HERE
TO FALL IN LOVE.

369
00:17:12,332 --> 00:17:15,642
PEOPLE COME HERE
TO MAKEIT.

370
00:17:15,635 --> 00:17:19,135
(both)
♪ LOVE IS A BATTLEFIELD ♪

371
00:17:19,139 --> 00:17:22,269
(cheers, applause and whistles)

372
00:17:22,272 --> 00:17:24,312
(man) WHOO!

373
00:17:24,314 --> 00:17:28,284
NEXT UP, WE HAVE JIMMY AND...
(singsong voice) MADELYN.

374
00:17:28,278 --> 00:17:30,678
THAT'S MY CUE.
SORRY I CAN'T HELP YOU.

375
00:17:30,680 --> 00:17:33,180
(indistinct conversations)

376
00:17:46,566 --> 00:17:50,096
♪♪

377
00:17:50,100 --> 00:17:52,270
JIMMY, WHERE ARE YOU?

378
00:17:52,272 --> 00:17:54,302
DAVE, GET UP THERE
ON STAGE.

379
00:17:54,304 --> 00:17:55,584
OPPORTUNITY'S KNOCKING,
MY FRIEND.

380
00:17:55,575 --> 00:17:57,575
SHE IS A REPORTER
FOR "THE POST."

381
00:17:57,577 --> 00:17:59,707
SHE CAN HELP US FIND HOLLY.
GO.
♪ DON'T GO BREAKING MY HEART ♪

382
00:17:59,709 --> 00:18:02,579
♪ I COULDN'T IF I TRIED ♪

383
00:18:02,582 --> 00:18:06,122
(deepens voice) ♪ OH, HONEY,
IF I GET RESTLESS ♪

384
00:18:06,116 --> 00:18:08,456
(normal voice) JIMMY, WHEREVER
YOU ARE, YOU'RE A DEAD MAN.

385
00:18:08,458 --> 00:18:10,388
(Jimmy) HEY!

386
00:18:10,390 --> 00:18:12,290
♪♪

387
00:18:12,292 --> 00:18:15,632
♪ DON'T GO BREAKIN'
MY HEART ♪

388
00:18:15,625 --> 00:18:18,365
♪♪

389
00:18:18,368 --> 00:18:22,228
♪ OH, HONEY, WHEN YOU
KNOCKED ON MY DOOR ♪

390
00:18:22,232 --> 00:18:25,212
♪ OOH, I GAVE YOU MY KEY ♪

391
00:18:25,205 --> 00:18:27,135
(man) WHOO!

392
00:18:27,137 --> 00:18:29,207
♪ OOH, OOH ♪

393
00:18:29,209 --> 00:18:31,209
♪ OOH, OOH ♪

394
00:18:31,211 --> 00:18:32,881
(both) ♪ NOBODY KNOWS IT ♪

395
00:18:32,882 --> 00:18:35,152
♪ NOBODY KNOWS ♪

396
00:18:35,145 --> 00:18:37,115
♪ WHEN I WAS DOWN ♪

397
00:18:37,116 --> 00:18:39,216
♪ I WAS YOUR CLOWN ♪

398
00:18:39,219 --> 00:18:40,689
♪ OOH, OOH ♪

399
00:18:40,690 --> 00:18:42,650
♪ OOH ♪

400
00:18:42,652 --> 00:18:44,452
(both)
♪ NOBODY KNOWS IT ♪

401
00:18:44,454 --> 00:18:46,334
♪ NOBODY KNOWS ♪

402
00:18:46,326 --> 00:18:48,226
♪ RIGHT FROM THE START ♪

403
00:18:48,228 --> 00:18:51,328
♪ I GAVE YOU MY HEART ♪

404
00:18:51,331 --> 00:18:52,801
HEY.
(both) ♪ OH, OH ♪

405
00:18:52,802 --> 00:18:56,472
♪ I GAVE YOU MY HEART ♪

406
00:18:56,466 --> 00:18:58,306
(grunts)

407
00:18:58,308 --> 00:19:00,768
♪ DON'T GO BREAKIN'
MY HEART ♪

408
00:19:00,770 --> 00:19:02,810
♪ DON'T GO BREAKIN' MY ♪
♪ DON'T GO BREAKIN' MY ♪

409
00:19:02,812 --> 00:19:07,152
(both) ♪ I WON'T GO
BREAKIN' YOUR HEART ♪

410
00:19:07,146 --> 00:19:09,916
♪ I WON'T GO BREAKIN'
YOUR HEART ♪

411
00:19:09,919 --> 00:19:12,279
(cheers and applause)
(man) WHOO-HOO!

412
00:19:12,282 --> 00:19:14,282
YAY!

413
00:19:14,284 --> 00:19:16,394
(man) WHOO-HOO!

414
00:19:16,386 --> 00:19:18,186
(cheers and applause continue)

415
00:19:18,188 --> 00:19:19,788
(Lita) THAT'S IT FOR THE WEEK.

416
00:19:19,789 --> 00:19:24,289
UM, MARIACHI WILL BE HERE
NEXT TUESDAY.

417
00:19:24,294 --> 00:19:26,474
♪♪

418
00:19:26,466 --> 00:19:29,336
HEY. COULDN'T KEEP AWAY
FROM ME, COULD YA?

419
00:19:29,339 --> 00:19:31,269
I WANTED TO VERIFY
EMPLOYMENT.

420
00:19:31,271 --> 00:19:33,741
I'M RESPONSIBLE FOR YOU,
REMEMBER?

421
00:19:33,743 --> 00:19:36,413
LIKELY STORY.
SO WHAT CAN I GET YOU?

422
00:19:36,406 --> 00:19:38,346
SEX ON THE BEACH?
NO.

423
00:19:38,348 --> 00:19:40,448
ONE SCREAMING ORGASM?
UM...

424
00:19:40,450 --> 00:19:43,710
AFTER-HOURS GROPE
ON A LUNATIC'S FUTON?
(woman) BARTENDER!

425
00:19:43,713 --> 00:19:45,793
THINK ABOUT IT.

426
00:19:47,557 --> 00:19:49,517
(mouths word
and chuckles nervously)

427
00:19:49,519 --> 00:19:50,959
OH, HEY.

428
00:19:50,960 --> 00:19:52,960
YOU WERE SO GREAT
UP THERE.

429
00:19:52,962 --> 00:19:55,272
THANKS. MY PARTNER CARRIED ME.

430
00:19:55,265 --> 00:19:58,295
YEAH, HE WAS REALLY SOMETHING.
THOUGH I...

431
00:19:58,298 --> 00:20:00,498
(whispers) I CAN'T QUITE
GET OVER HIS STORY.

432
00:20:00,500 --> 00:20:02,500
(normal voice) I MEAN,
IF I WERE THAT HOLLY,

433
00:20:02,502 --> 00:20:05,512
I WOULD BE SO UNNERVED
IF I FOUND OUT THAT SOME GUY

434
00:20:05,505 --> 00:20:07,475
HAD FLOWN ALL THE WAY
ACROSS THE COUN--

435
00:20:07,477 --> 00:20:08,707
HEY.
HEY.

436
00:20:08,708 --> 00:20:10,438
THERE YOU GO.

437
00:20:10,440 --> 00:20:12,910
OH. SO YOU TWO
ARE LEAVING, HUH?

438
00:20:12,912 --> 00:20:15,392
YEAH, UH, WE'RE GONNA GO
FIND SOMEPLACE QUIET.

439
00:20:15,385 --> 00:20:17,445
I THINK I'M GONNA DO
A STORY ON DAVE.

440
00:20:17,447 --> 00:20:20,317
WOW. THAT'S A--
THAT'S A GREAT IDEA.

441
00:20:20,320 --> 00:20:22,250
WELL, TREVOR DESERVES
THE CREDIT.

442
00:20:22,252 --> 00:20:25,362
IT WAS HIS SUGGESTION.
GOTTA BOOGIE.

443
00:20:25,355 --> 00:20:26,955
SEE YA.
SEE YA.

444
00:20:32,602 --> 00:20:35,412
(ice rattles)

445
00:20:42,412 --> 00:20:45,282
I ASKED YOU TO DO ONE THING
FOR ME. WHAT WAS IT?

446
00:20:45,275 --> 00:20:47,375
DRAWING A BLANK.

447
00:20:47,377 --> 00:20:49,747
I ASKED YOU NOT TO
FEED DAVE'S FANTASIES.

448
00:20:49,749 --> 00:20:52,919
IT IS ONE THING TO PROCLAIM
YOU ARE CUPID,

449
00:20:52,922 --> 00:20:55,832
THE GOD OF LOVE, BUT IT'S
SOMETHING ELSE ENTIRELY

450
00:20:55,825 --> 00:20:59,825
WHEN YOU INSERT YOURSELF
INTO STRANGERS' LIVES.
YEAH. THEN IT'S CALLED
DIVINE INTERVENTION.

451
00:20:59,829 --> 00:21:02,459
AND BESIDES,
WHAT'S THE BIG DEAL ANYWAY?

452
00:21:02,462 --> 00:21:04,662
I MEAN, IT'S NOT LIKE
I'M TELLING MY FOLLOWERS

453
00:21:04,664 --> 00:21:08,574
TO SEND ME
THEIR SOCIAL SECURITY CHECK.
TREVOR, YOU DO NOT
HAVE FOLLOWERS.

454
00:21:08,568 --> 00:21:10,398
OH, REALLY?

455
00:21:10,400 --> 00:21:12,840
THEN HOW COME THERE'S
A TEMPLE OF EROS IN CHELSEA?

456
00:21:12,842 --> 00:21:15,852
THEY SELL TRASHY LINGERIE.
OF COURSE THEY DO.
IT'S ONE OF THE SACRAMENTS.

457
00:21:15,845 --> 00:21:17,845
WHAT'S NEXT
ON THE AGENDA FOR DAVE

458
00:21:17,847 --> 00:21:19,847
AFTER THE NEWSPAPER INTERVIEW?

459
00:21:19,849 --> 00:21:22,679
WELL, HOLLY TOLD DAVE
ABOUT THIS DEEJAY SHE LIKES

460
00:21:22,682 --> 00:21:25,392
WHO SPINS, LIKE, TWICE A YEAR,
INCLUDING TOMORROW NIGHT

461
00:21:25,385 --> 00:21:28,515
AT THIS CLUB IN BROOKLYN.

462
00:21:28,518 --> 00:21:30,988
WE'RE GONNA SEE
IF WE CAN FIND HER.
(whoosh)

463
00:21:32,562 --> 00:21:34,622
WHAT ARE THE ODDS?

464
00:21:34,624 --> 00:21:37,004
PARLOR TRICK.

465
00:21:36,996 --> 00:21:39,326
I'M GOING WITH YOU TOMORROW.

466
00:21:39,329 --> 00:21:41,369
WHY?

467
00:21:41,371 --> 00:21:43,371
TO MAKE SURE YOU ARE
NO HARM TO OTHERS,

468
00:21:43,373 --> 00:21:45,383
LIKE I PROMISED
THE HOSPITAL BOARD.

469
00:21:47,337 --> 00:21:49,007
(horn honks)

470
00:21:49,008 --> 00:21:52,678
THANKS, YVONNE.

471
00:21:52,682 --> 00:21:54,742
THANKS.

472
00:21:54,744 --> 00:21:57,094
SO HOW DID YOUR FAMILY REACT
WHEN THEY HEARD

473
00:21:57,086 --> 00:21:59,386
YOU WERE FLYING OFF
TO THE STATES

474
00:21:59,389 --> 00:22:02,449
TO TRACK DOWN
THIS MYSTERIOUS STRANGER?
WELL, ME DA
HAD TO SUPPORT ME, YOU KNOW?

475
00:22:02,452 --> 00:22:04,452
UM, HE MET MY MOM
AT A MATCHMAKING FESTIVAL

476
00:22:04,454 --> 00:22:06,704
IN LISDOONVARNA.

477
00:22:06,696 --> 00:22:09,656
(chuckles) I'M NOT SURE WHAT I
HAVE A HARDER TIME BELIEVING--

478
00:22:09,659 --> 00:22:12,699
A MATCHMAKING FESTIVAL
OR A TOWN CALLED "LISDOONVARNA."

479
00:22:12,702 --> 00:22:16,072
THEY'RE BOTH REAL. TRUST ME.
NEVER MET A HAPPIER COUPLE.

480
00:22:16,065 --> 00:22:19,935
SO YOUR MOM MUST HAVE BEEN
REALLY SUPPORTIVE AS WELL.

481
00:22:19,939 --> 00:22:23,869
UH, NO, SHE WAS KILLED
WHEN I WAS 12. DRUNK DRIVER.

482
00:22:23,873 --> 00:22:25,983
I'M SO SORRY.

483
00:22:25,975 --> 00:22:27,475
YEAH, ME, TOO.

484
00:22:27,477 --> 00:22:30,347
HEY, DO YOU WANT TO SEE
A PICTURE OF HER?
MM-HMM.

485
00:22:30,349 --> 00:22:32,349
SHE WAS A MUSIC TEACHER.

486
00:22:32,351 --> 00:22:35,461
SHE'S YOUR SCREEN SAVER.

487
00:22:35,455 --> 00:22:38,425
YEAH.
YOU BETTER BE CAREFUL
WHO YOU SHOW THAT TO.

488
00:22:38,428 --> 00:22:40,428
THIS IS MANHATTAN.
DID YOU NOT SEE

489
00:22:40,430 --> 00:22:42,630
THE "YOU MUST BE THIS COOL
TO ENTER" SIGN?

490
00:22:42,632 --> 00:22:45,472
THEN I'M IN REAL TROUBLE THEN,
BECAUSE I AM ABSURDLY UNCOOL.

491
00:22:45,465 --> 00:22:48,535
(door bells jingle)
BUT YOU KNOW, I NEVER HUNG OUT
WITH THE COOL PEOPLE ANYWAY,

492
00:22:48,538 --> 00:22:50,768
YOU KNOW? THEY ALWAYS
SEEM SUCH A DRAG.

493
00:22:50,770 --> 00:22:52,440
(Trevor) HEY!

494
00:22:52,442 --> 00:22:54,372
WELL!

495
00:22:54,373 --> 00:22:56,513
SO I'M MOPPING UP
BACK AT THE BAR

496
00:22:56,506 --> 00:22:59,506
WHEN I GET THIS IDEA.
WHY DON'T YOU GET THE NEWSPAPER

497
00:22:59,509 --> 00:23:02,579
TO HIRE A SKETCH ARTIST, DO
A COMPOSITE OF DAVE'S DREAM GAL,

498
00:23:02,582 --> 00:23:04,582
RUN IT WITH THE STORY?

499
00:23:04,584 --> 00:23:08,164
SHE'LL SEE IT AND SHOW UP
AT TRES EQUIS.
WE CAN DO THAT.

500
00:23:08,157 --> 00:23:11,017
UH, IT'S BEEN A LONG TIME.

501
00:23:11,020 --> 00:23:13,660
YOU THINK YOU CAN
GIVE A DESCRIPTION?
OH, ABSOLUTELY.

502
00:23:13,663 --> 00:23:14,993
EXCELLENT.

503
00:23:20,029 --> 00:23:22,599
(hammering)

504
00:23:22,602 --> 00:23:25,442
(dog barking)

505
00:23:28,077 --> 00:23:32,177
(hammering continuing)
(whimpers)

506
00:23:32,181 --> 00:23:35,041
YOU'RE NOT PLANNING ON OPENING
A POOL HALL IN HERE, ARE YOU?

507
00:23:35,044 --> 00:23:37,054
(dog barks)
NO.

508
00:23:37,046 --> 00:23:39,786
MY SISTER, UH, SAID SHE HEARD
YOU ARGUING WITH SOME WOMAN

509
00:23:39,789 --> 00:23:41,749
LAST NIGHT AFTER CLOSE.

510
00:23:41,751 --> 00:23:45,761
SAID THE WOMAN
CALLED YOU "TREVOR."
YEAH. THAT WAS MY SHRINK.

511
00:23:45,755 --> 00:23:50,155
SO THEN SHE SAYS THAT YOU,
UH, BELIEVE THAT YOU'RE CUPID.
YEAH. IT'S A REAL BONE
OF CONTENTION BETWEEN US.

512
00:23:50,159 --> 00:23:52,699
YOU TOLD ME YOUR NAME
WAS ED ROSS.

513
00:23:52,702 --> 00:23:55,062
NOW, I TOLD YOU
MY NAME WAS EROS.

514
00:23:55,064 --> 00:23:56,814
IT'S WHAT THE GREEKS CALL ME.

515
00:23:56,806 --> 00:23:59,136
YOU KNOW, THE ITALIANS
SAY "CUPID." TAKE YOUR PICK.

516
00:23:59,138 --> 00:24:02,168
PROBABLY JUST GO WITH TREVOR.
WHATEVER MAKES YOU COMFORTABLE.

517
00:24:02,171 --> 00:24:05,071
SO WHAT'S THIS ALL ABOUT?
I DON'T GET TO GO HOME--

518
00:24:05,074 --> 00:24:07,624
HOME?
MT. OLYMPUS--UNTIL I MATCH UP
A HUNDRED COUPLES.

519
00:24:07,617 --> 00:24:09,477
THIS JUST
HELPS ME KEEP SCORE.

520
00:24:09,479 --> 00:24:11,619
SO WHAT, YOU GET A POINT
FOR EVERY, UH...

521
00:24:11,621 --> 00:24:15,631
IF EVERY COUPLE
YOU HOOK UP DOES A...

522
00:24:15,625 --> 00:24:18,055
YOU KNOW WHAT
I'M TALKING ABOUT... MAKES LOVE?

523
00:24:18,057 --> 00:24:23,457
I WISH. ONLY COUNTS IF THE GODS
DECIDE IT'S TRUE LOVE.

524
00:24:23,462 --> 00:24:25,672
YEAH, THE--THE HAIR IS GOOD.

525
00:24:25,665 --> 00:24:28,195
CAN YOU MAKE THE EYES
MORE, LIKE... PLAYFUL?

526
00:24:29,839 --> 00:24:32,499
I'M STARVING.
IS ANYONE ELSE HUNGRY?

527
00:24:32,502 --> 00:24:34,802
I'M DYING TO FIND
A DECENT GREEK PLACE.

528
00:24:34,804 --> 00:24:36,984
MMM. BAKLAVA.

529
00:24:36,976 --> 00:24:38,946
AREN'T YOU MEETING
A PHOTOGRAPHER

530
00:24:38,948 --> 00:24:41,578
OUT IN CONEY ISLAND IN AN HOUR?
DAMN. SHOULD WE ALL CAB
OUT THERE TOGETHER?

531
00:24:41,581 --> 00:24:44,251
YEAH.
CAN'T. I GOTTA MEET UP
WITH SOMEBODY.

532
00:24:44,253 --> 00:24:48,523
WE'LL CATCH UP WITH YOU
AT THE FERRIS WHEEL.

533
00:24:48,518 --> 00:24:50,818
HEY, DID I JUST SEE
A PICTURE OF YOU,

534
00:24:50,820 --> 00:24:53,520
DARYL HALL
AND JOHN OATES GO BY?
THAT'S RIGHT.

535
00:24:53,523 --> 00:24:56,173
YOU GOT A PROBLEM
WITH THAT, SPORT?
WHY?

536
00:24:56,165 --> 00:24:58,495
BECAUSE THEY ARE AWESOME,
THAT'S WHY.

537
00:24:58,497 --> 00:25:02,827
THEY INVITED THE WEBMASTERS
OF THE TOP TEN FAN SITES

538
00:25:02,832 --> 00:25:05,842
IN THE COUNTRY
TO HANG OUT BACKSTAGE.
THERE ARE TEN
HALL & OATES FANS?

539
00:25:05,835 --> 00:25:08,135
EH.
WELL,
I CERTAINLY FEEL BETTER

540
00:25:08,137 --> 00:25:11,707
ABOUT MY "PROPERTY OF THE BORG"
BOXERS NOW.
GET A LIFE, NERD.

541
00:25:11,711 --> 00:25:14,841
SOMETHING LIKE THIS?

542
00:25:14,844 --> 00:25:16,554
YEAH. THAT'S HER.

543
00:25:16,546 --> 00:25:19,516
THAT'S THE GIRL
I CAME HERE TO FIND.
LET'S SEE.

544
00:25:22,191 --> 00:25:24,821
THAT'D LAUNCH
A THOUSAND SHIPS.

545
00:25:28,658 --> 00:25:32,028
(indistinct conversations)

546
00:25:32,031 --> 00:25:34,261
(camera shutter clicks)
(Madelyn) ACT NATURAL,
MR. COOL.

547
00:25:34,263 --> 00:25:36,913
(click)
I THINK I GOT IT.

548
00:25:36,906 --> 00:25:38,236
THANKS, ROGER.

549
00:25:38,237 --> 00:25:40,837
(screaming)

550
00:25:40,840 --> 00:25:44,010
HEY, "DANCE DANCE REVOLUTION."

551
00:25:44,013 --> 00:25:47,023
(dance music playing)

552
00:25:49,919 --> 00:25:51,749
WHAT ARE YOU DOING?

553
00:25:51,751 --> 00:25:54,851
TEACHING THIS YOUNGSTER HOW WE
USED TO KICK IT IN THE MID '90s.

554
00:25:54,854 --> 00:25:58,764
♪♪

555
00:25:58,758 --> 00:26:02,258
SO IS IT LIKE GOLF--
THE LOWER THE SCORE, THE BETTER?
HUSH.

556
00:26:02,261 --> 00:26:06,341
SO WHAT HAPPENS IF YOU FIND
HOLLY AND SHE HAS A BOYFRIEND?

557
00:26:06,335 --> 00:26:08,335
I'LL GET OVER IT
EVENTUALLY,

558
00:26:08,337 --> 00:26:11,197
BUT, UH, NOT KNOWING
WHETHER IT WAS REAL

559
00:26:11,200 --> 00:26:14,700
WOULD BE WORSE THAN
KNOWING THAT IT WASN'T.
IF YOU SAY SO.

560
00:26:14,704 --> 00:26:17,784
DIDN'T ANYONE TELL YOU THIS
THING WE CALL ROMANTIC LOVE

561
00:26:17,777 --> 00:26:19,977
WAS AN INVENTION
OF THE 19th CENTURY?

562
00:26:19,979 --> 00:26:22,279
HEY, TAKE THESE TWO.
FOR THEM, LOVE IS WINNING

563
00:26:22,281 --> 00:26:25,311
A GIANT STUFFED ANIMAL,
A PHOTO BOOTH MAKE-OUT SESSION,

564
00:26:25,314 --> 00:26:28,024
A RIDE ON THE FERRIS WHEEL,
BUT THAT'S NOT REAL.

565
00:26:28,017 --> 00:26:30,787
I COULDN'T TELL YOU. I'VE NEVER
BEEN ON A FERRIS WHEEL.

566
00:26:30,790 --> 00:26:34,220
INCONCEIVABLE.

567
00:26:34,223 --> 00:26:36,303
BETTER LUCK NEXT TIME,
LADY.

568
00:26:36,295 --> 00:26:38,195
(whoosh, crowd cheers)

569
00:26:38,197 --> 00:26:42,167
UGH. OKAY.
TO THE FERRIS WHEEL.

570
00:26:42,171 --> 00:26:45,981
(crowd screaming)

571
00:26:45,975 --> 00:26:47,975
ARE YOU SURE DAVE REMEMBERS

572
00:26:47,977 --> 00:26:50,177
YOU'RE TAKING HIM
TO THIS CLUB TONIGHT?

573
00:26:50,179 --> 00:26:52,179
HE WAS SUPPOSED
TO BE RIGHT HERE.

574
00:26:52,181 --> 00:26:54,181
MAYBE YOU TWO
WOULD BE BETTER SERVED

575
00:26:54,183 --> 00:26:56,193
BY ALTERING
YOUR EXPECTATIONS.

576
00:26:56,185 --> 00:26:58,015
POPPYCOCK.
THAT'S MORTAL-THINK.

577
00:26:58,017 --> 00:27:00,047
COME ON.

578
00:27:00,049 --> 00:27:02,089
(scoffs)

579
00:27:02,091 --> 00:27:04,021
(laughs)
OKAY.

580
00:27:04,023 --> 00:27:07,103
HERE, GIVE ME THAT.

581
00:27:07,096 --> 00:27:09,226
HOW HIGH ARE WE?

582
00:27:09,228 --> 00:27:10,998
ARE YOU OKAY?

583
00:27:11,000 --> 00:27:13,230
YEAH, I'M F--I'M FINE.
I'M JUST...

584
00:27:13,232 --> 00:27:16,642
I THOUGHT THIS THING WAS LIKE
A KIDDIE'S RIDE, YOU KNOW?

585
00:27:16,635 --> 00:27:19,305
LIKE A... LIKE A MERRY-GO-ROUND
ON ITS SIDE.

586
00:27:19,308 --> 00:27:20,708
(laughs)

587
00:27:20,710 --> 00:27:22,840
OKAY,
THIS THING IS TERRIFYING.

588
00:27:22,842 --> 00:27:24,842
YOU'RE RIGHT.
YOU'RE TOTALLY UNCOOL.

589
00:27:24,844 --> 00:27:27,424
YEAH, BUT YOU HAVE TO ADMIRE
MY KEEN SELF-AWARENESS.

590
00:27:27,416 --> 00:27:29,376
WE'LL GET
THROUGH THIS TOGETHER.

591
00:27:29,378 --> 00:27:31,378
OKAY.

592
00:27:52,702 --> 00:27:56,312
CHALK ONE UP
FOR MORTAL-THINK.

593
00:28:03,913 --> 00:28:06,323
SHE THREW HERSELF AT YOU,
DIDN'T SHE?
NO.

594
00:28:06,315 --> 00:28:09,315
SHE KISSED YOU, THOUGH,
RIGHT?
WELL, YEAH, BUT--

595
00:28:09,318 --> 00:28:12,288
SPILT MILK. BYGONES.
I DIDN'T EXACTLY
FIGHT MADELYN OFF.

596
00:28:12,291 --> 00:28:16,171
MAYBE THAT'S A SIGN.
DAVE, DO YOU THINK IT'S
POSSIBLE THAT YOU'VE CREATED

597
00:28:16,165 --> 00:28:19,225
A PERFECT WOMAN IN HOLLY
THAT NO FLESH AND BONE WOMAN

598
00:28:19,228 --> 00:28:21,228
COULD COMPETE WITH
UP UNTIL NOW?

599
00:28:21,230 --> 00:28:24,370
WHY DO YOU HATE ME?
DAVE?

600
00:28:27,937 --> 00:28:31,177
REMEMBER, WHEN WE GET INSIDE,
WE'RE LOOKING FOR THE WOMAN THAT

601
00:28:31,180 --> 00:28:33,440
INSPIRED YOU TO BUY A ONE-WAY
TICKET TO AMERICA, OKAY?

602
00:28:33,442 --> 00:28:36,292
SO TRY NOT TO TRIP
AND LAND WITH YOUR TONGUE

603
00:28:36,285 --> 00:28:39,745
IN ANYONE ELSE'S MOUTH.
IT'S JUST THAT MADELYN'S
SO EASY TO TALK TO.

604
00:28:39,749 --> 00:28:42,249
FOCUS, DUDE.
EASE OF COMMUNICATION IS
ONE OF MY FOUR PILLARS OF--

605
00:28:42,251 --> 00:28:45,291
ZIP!
YOU KNOW, MADELYN WOULD
PROBABLY LOVE THIS PLACE.

606
00:28:45,294 --> 00:28:47,434
YOU SHOULD SEE HER DANCE.

607
00:28:47,426 --> 00:28:50,096
MADELYN IS BUSY
FILING HER STORY,

608
00:28:50,099 --> 00:28:52,429
BECAUSE MADELYN UNDERSTANDS
HER ROLE IN THIS EPIC JOURNEY.

609
00:28:52,431 --> 00:28:55,361
(whispers) EPIC.
PEOPLE, IF YOU ARE NOT
ON THE LIST,

610
00:28:55,364 --> 00:28:57,444
YOU WILL NOT GET IN TONIGHT.

611
00:28:57,436 --> 00:29:00,206
EXCUSE ME. EXCUSE ME.
EXCUSE ME.
(man) THIS SUCKS!

612
00:29:00,209 --> 00:29:03,009
EXCUSE ME. SORRY. EXCUSE ME.
EXCUSE ME. EXCUSE ME.

613
00:29:03,012 --> 00:29:06,082
HI. WOW. BIG. UH, MY BUDDY
WAS IN THE BAR LAST NIGHT,

614
00:29:06,075 --> 00:29:08,415
AND HE THINKS HE LEFT
HIS CREDIT CARD IN THE BAR.

615
00:29:08,417 --> 00:29:10,377
CAN HE GO INSIDE
REAL QUICK AND CHECK?

616
00:29:10,379 --> 00:29:13,279
QUICK LIKE A BUNNY.
REMEMBER, IN AND OUT.
SEE IF SHE'S IN THERE. GO.

617
00:29:17,857 --> 00:29:21,327
IT'S A HUMAN INTEREST PIECE.
IT'S NOT WATERGATE.

618
00:29:21,330 --> 00:29:24,060
TEN MORE MINUTES.

619
00:29:24,063 --> 00:29:26,043
(Claire) I DON'T GET IT.

620
00:29:26,035 --> 00:29:28,235
YOU SAY YOU'RE ON A MISSION
TO MATCH 100 COUPLES.

621
00:29:28,237 --> 00:29:30,967
WE FIND A MAN AND A WOMAN
YOU INTRODUCED

622
00:29:30,970 --> 00:29:33,900
HITTING IT OFF, KISSING,
AND YOU DRAG HIM AWAY.

623
00:29:33,903 --> 00:29:36,153
HAVE YOU NOT BEEN
PAYING ANY ATTENTION?

624
00:29:36,145 --> 00:29:40,005
(scoffs)
LOOK, I ONLY GET CREDIT
FOR A MATCH IF IT'S TRUE LOVE,

625
00:29:40,009 --> 00:29:43,079
THE--THE KIND OF LOVE
YOU'D CROSS OCEANS TO FIND.

626
00:29:43,082 --> 00:29:45,382
THEY WERE VERY SPECIFIC
ON THAT POINT.

627
00:29:45,384 --> 00:29:47,324
SO ROMEO AND JULIET COUNTS.

628
00:29:47,316 --> 00:29:51,286
ROMEO AND THE COAT CHECK GIRL
DOESN'T.

629
00:29:51,290 --> 00:29:53,320
GUYS.
WHAT'S UP?

630
00:29:53,322 --> 00:29:54,362
NO LUCK.

631
00:29:54,363 --> 00:29:57,273
(sighs) ALL RIGHT,
ON TO PLAN "B."

632
00:30:00,529 --> 00:30:03,069
AH, TREVOR.

633
00:30:03,072 --> 00:30:07,382
THERE ARE TWO GUYS IN THE ALLEY
TRYING TO DROP OFF A P.A.

634
00:30:07,376 --> 00:30:09,236
THEY'RE ASKING ME FOR A CHECK.
EXCEPT I DIDN'T RENT A P.A.

635
00:30:09,238 --> 00:30:11,208
DON'T YOU READ THE PAPER?

636
00:30:11,210 --> 00:30:13,410
HAVING A BIG SHOW HERE
TONIGHT.

637
00:30:17,146 --> 00:30:19,286
YOU SHOULD FIRE HIM.

638
00:30:19,288 --> 00:30:21,218
WHAT IS IT WITH YOU
AND STRAYS?

639
00:30:23,893 --> 00:30:27,363
(man) THE PATIENT WHO WAS GIVEN
THE... (speaks indistinctly)

640
00:30:27,356 --> 00:30:29,896
SUFFERS FROM
SOMATOFORM DISORDER.

641
00:30:29,899 --> 00:30:32,929
NOW SPECIFICALLY SHE SUFFERED
FROM CONVERSION DISORDER

642
00:30:32,932 --> 00:30:35,462
REPRESENTING
A CENTRAL NEUROLOGICAL SYMPTOM

643
00:30:35,464 --> 00:30:37,414
SUCH AS...
(speaking indistinctly)

644
00:30:39,068 --> 00:30:41,308
(Trevor) IT'S TREVOR.

645
00:30:41,310 --> 00:30:43,370
TREVOR PIERCE.

646
00:30:49,548 --> 00:30:53,348
(acoustic guitar playing)

647
00:31:03,392 --> 00:31:05,562
♪ I'VE HEARD SO MANY TIMES ♪

648
00:31:05,564 --> 00:31:08,944
♪ WHEN PEOPLE LEAVE
AND SAY GOOD-BYE ♪

649
00:31:08,938 --> 00:31:11,068
♪ BUT THEY COME BACK ♪

650
00:31:11,070 --> 00:31:14,300
♪ THEY FALL IN LINE ♪

651
00:31:14,303 --> 00:31:17,153
♪ IT NEVER OCCURRED TO ME ♪

652
00:31:17,146 --> 00:31:19,946
♪ THAT SHE MIGHT
CHANGE HISTORY ♪

653
00:31:19,949 --> 00:31:22,049
♪ AND FIND SOMEONE ♪

654
00:31:22,051 --> 00:31:24,911
AHEM. BIG NIGHT.
YEAH.

655
00:31:24,914 --> 00:31:28,464
THEY ALL WANT TO KNOW IF THIS
HOLLY IS GONNA SHOW UP, HUH?

656
00:31:31,020 --> 00:31:34,320
STILL THINK
I SHOULD FIRE HIM?

657
00:31:34,323 --> 00:31:38,033
♪ AND SAD SONGS
AND KILLING MOVES SHE GAVE ♪

658
00:31:38,027 --> 00:31:40,967
YOU SURE CLEAN UP NICE.

659
00:31:40,970 --> 00:31:43,470
AM I BEING STUPID?
HE'S IN LOVE WITH SOMEONE ELSE.

660
00:31:43,472 --> 00:31:46,412
YOU'RE BEING PROACTIVE.
THAT'S CHAPTER ONE OF MY BOOK.

661
00:31:46,405 --> 00:31:49,905
WELL, IF IT ISN'T THE LADY
THAT MADE IT ALL POSSIBLE.

662
00:31:49,908 --> 00:31:52,338
THESE ARE ON THE HOUSE.

663
00:31:52,341 --> 00:31:55,081
WELL, IF IT ISN'T
"TREMOR PIERCED."

664
00:31:55,084 --> 00:31:57,624
♪ I CAN'T HEAR WHAT YOU SAY ♪

665
00:31:57,616 --> 00:32:01,446
♪ AND I DON'T EVEN KNOW
YOUR NAME ♪

666
00:32:01,450 --> 00:32:05,390
(cheering)

667
00:32:05,394 --> 00:32:07,364
CHEERS. THANKS VERY MUCH.

668
00:32:07,356 --> 00:32:10,096
THIS, UH, THIS NEXT SONG

669
00:32:10,099 --> 00:32:12,099
I LEARNED ESPECIALLY
FOR TONIGHT,

670
00:32:12,101 --> 00:32:15,531
AND IT GOES OUT TO SOMEBODY
WHO'S SPECTACULARLY UNCOOL,

671
00:32:15,534 --> 00:32:18,174
BUT, UM,
THAT'S WHAT I DIG ABOUT HER.

672
00:32:18,167 --> 00:32:21,167
(playing Hall & Oates'
"You Make My Dreams Come True")

673
00:32:21,170 --> 00:32:24,610
(woman) ALL RIGHT!

674
00:32:24,613 --> 00:32:27,453
WHOO!
♪ WHAT I WANT, YOU'VE GOT ♪

675
00:32:27,446 --> 00:32:30,416
♪ AND IT MIGHT BE
HARD TO HANDLE ♪

676
00:32:30,419 --> 00:32:32,349
♪ LIKE A FLAME
THAT BURNS A CANDLE ♪

677
00:32:32,351 --> 00:32:34,451
♪ THE CANDLE FEEDS THE FLAME ♪

678
00:32:34,453 --> 00:32:37,093
A COUPLE OF DAYS AGO,
I FELT SORRY FOR THE GIRL

679
00:32:37,086 --> 00:32:40,086
ON THE TIMES SQUARE SIGN,
AND NOW I'M JEALOUS OF HER.
DON'T BE.

680
00:32:40,089 --> 00:32:43,289
HE'S ONLY IN LOVE WITH
THE IDEA OF SOMEONE ELSE.

681
00:32:43,292 --> 00:32:47,272
♪ WELL, WELL, WELL, YOU ♪

682
00:32:47,266 --> 00:32:49,366
(audience joins in) ♪ YOU'RE
MAKIN' MY DREAMS COME TRUE ♪

683
00:32:49,368 --> 00:32:51,998
♪ OOH, OOH, OOH ♪

684
00:32:53,442 --> 00:32:55,702
HOLLY?

685
00:33:04,483 --> 00:33:06,363
I KNEW I'D FIND YOU.

686
00:33:06,355 --> 00:33:10,055
(cheering)

687
00:33:10,059 --> 00:33:12,059
YEAH! YEAH!

688
00:33:22,231 --> 00:33:24,501
M-MADELYN?

689
00:33:24,503 --> 00:33:27,013
MADELYN! MADELYN!

690
00:33:27,005 --> 00:33:29,035
THIS IS IT.
YOU'VE GOT YOUR STORY!

691
00:33:29,038 --> 00:33:31,038
BUT I DIDN'T WANT
TO BE THE GIRL

692
00:33:31,040 --> 00:33:33,510
WHO GOT THE STORY
THIS TIME, TREVOR.

693
00:33:33,512 --> 00:33:36,052
I WANTED TO BE THE GIRL THAT GOT
THE SONG, AND I WAS THIS CLOSE.
BUT, MADELYN--

694
00:33:36,045 --> 00:33:38,645
I TRIED BEING BOLD, TREVOR.

695
00:33:38,647 --> 00:33:41,517
I-I SHOULD'VE STUCK
WITH BEING SMART.

696
00:33:57,236 --> 00:33:59,366
I LOVE THIS PLACE.
ALL IT NEEDS IS THOSE, UH,

697
00:33:59,368 --> 00:34:01,738
LITTLE JUKEBOXES THAT THEY HAVE
IN THE BOOTHS, YOU KNOW?

698
00:34:01,740 --> 00:34:04,510
OH, HEY! TREVOR, TREVOR!
THIS IS HOLLY.

699
00:34:04,513 --> 00:34:07,423
HOLLY, THIS IS A FRIEND
OF MINE--TREVOR.

700
00:34:07,416 --> 00:34:09,416
THIS IS THE GUY WHO'S
RESPONSIBLE FOR TWISTING

701
00:34:09,418 --> 00:34:12,648
THE FABRIC OF SPACE AND TIME
AND GETTING US BACK TOGETHER.
A REGULAR CUPID, HUH?

702
00:34:12,651 --> 00:34:15,121
WHO TOLD YOU?
SO WE WERE JUST TALKING ABOUT

703
00:34:15,124 --> 00:34:19,264
WHAT OUR FIRST
REAL DATE SHOULD BE.
SIMPLE--RED-EYE TO VEGAS.
ELVIS IMPERSONATOR HITCHES YOU.

704
00:34:19,258 --> 00:34:21,758
LIFETIME OF BLISS.
I WAS THINKING A MOVIE.

705
00:34:21,760 --> 00:34:25,160
WELL, YOU CAME A LONG WAY.
ARE YOU SURE YOU DON'T WANT

706
00:34:25,164 --> 00:34:27,574
TO MAKE IT DINNER AND A MOVIE?
I MAKE IT A POINT

707
00:34:27,566 --> 00:34:30,266
TO CLEAR MY SCHEDULE FOR ANY MAN
WHO PUTS MY NAME IN LIGHTS

708
00:34:30,269 --> 00:34:34,399
ON TIMES SQUARE.
WELL, HOW ABOUT A CARRIAGE RIDE
THROUGH THE PARK?

709
00:34:34,403 --> 00:34:36,213
(laughs)

710
00:34:36,205 --> 00:34:39,475
OH, MY GOD. YOU WERE SERIOUS.
I'M SO SORRY.

711
00:34:39,478 --> 00:34:43,448
JADED NEW YORKER COMPLETELY
DEVOID OF A SENSE OF WONDER.

712
00:34:43,452 --> 00:34:46,722
SO... WHAT WAS YOUR REACTION
WHEN YOU SAW DAVE'S PICTURE

713
00:34:46,715 --> 00:34:49,785
IN THE PAPER,
AND YOU READ THE STORY?

714
00:34:49,788 --> 00:34:53,088
MY FIRST REACTION?
"WHO IS THIS GUY?"

715
00:34:53,091 --> 00:34:55,091
BUT I CALLED MY SISTER,
AND SHE REMINDED ME.

716
00:34:55,093 --> 00:34:57,133
I GUESS I'D SENT HER
AN E-MAIL THAT SAID,

717
00:34:57,126 --> 00:34:59,126
"FINALLY MET
A COOL GUY IN IRELAND.

718
00:34:59,128 --> 00:35:01,198
TOO BAD IT WAS MY LAST DAY."

719
00:35:01,200 --> 00:35:03,570
YOU'RE THAT COOL GUY.

720
00:35:03,572 --> 00:35:06,612
OH. WELL...
COOL IS NOT EVERYTHING.

721
00:35:13,182 --> 00:35:14,782
(thud)

722
00:35:14,783 --> 00:35:16,793
(cell phone rings)

723
00:35:16,785 --> 00:35:17,815
(beep)

724
00:35:17,816 --> 00:35:20,346
HELLO?
Hi. It's Trevor.

725
00:35:20,349 --> 00:35:22,349
I THINK I SCREWED UP
LAST NIGHT,

726
00:35:22,351 --> 00:35:25,651
AND I NEED YOU
TO HELP ME FIX IT.
WHAT DID YOU HAVE IN MIND?

727
00:35:25,654 --> 00:35:27,664
THAT PICTURE IN YOUR OFFICE--

728
00:35:27,656 --> 00:35:30,326
THAT WAS TAKEN
FROM YOUR BUILDING, RIGHT?

729
00:35:30,329 --> 00:35:33,329
(telephone ringing

730
00:35:36,405 --> 00:35:38,805
BAKLAVA. YOU AND ME.

731
00:35:38,807 --> 00:35:40,467
I'VE BEEN INVESTIGATING.

732
00:35:40,469 --> 00:35:43,439
I KNOW WHERE WE CAN FIND
THE BEST IN THE CITY.

733
00:35:43,442 --> 00:35:45,612
TO UNDERSTAND
THE HISTORY OF BAKLAVA,

734
00:35:45,614 --> 00:35:48,154
YOU FIRST HAVE TO UNDERSTAND
THE HISTORY OF CYPRUS,

735
00:35:48,146 --> 00:35:50,176
WHICH IS TO SAY
THE ENTIRE NARRATIVE

736
00:35:50,179 --> 00:35:53,519
OF THE GREEK-TURKISH CONFLICT.
(whistles)

737
00:35:53,522 --> 00:35:55,182
(tires screech)

738
00:35:55,184 --> 00:35:57,194
SOME HERETICS
WILL HAVE YOU BELIEVE

739
00:35:57,186 --> 00:35:59,186
THAT SYRUP IS
AN AUTHENTIC TOPPING.

740
00:35:59,188 --> 00:36:00,928
HUMBUG. GIVE ME HONEY.

741
00:36:00,929 --> 00:36:03,889
(elevator bell dings)

742
00:36:03,892 --> 00:36:07,442
AH. WELL,
THEY SAID IT WAS ALFRESCO.

743
00:36:07,436 --> 00:36:09,836
THIS ISN'T A RESTAURANT,
TREVOR.

744
00:36:09,838 --> 00:36:12,668
NO, I--WHAT DO YOU CALL IT?
GOOGLE MAPS'ED IT.

745
00:36:12,671 --> 00:36:14,671
LET ME GO FIND THE MANAGER.

746
00:36:17,406 --> 00:36:18,876
(switch clicks)

747
00:36:18,877 --> 00:36:21,447
♪ I'VE BEEN SO MANY PLACES ♪

748
00:36:21,450 --> 00:36:24,410
♪ IN MY LIFE AND TIME ♪

749
00:36:25,454 --> 00:36:28,894
♪ SUNG A LOT OF SONGS ♪

750
00:36:28,887 --> 00:36:33,517
♪ AND I'VE MADE
SOME BAD RHYMES ♪

751
00:36:40,499 --> 00:36:45,499
♪ I'VE ACTED OUT
MY LOVE ON STAGES ♪

752
00:36:45,504 --> 00:36:47,814
♪ 10,000 PEOPLE WATCHIN' ♪

753
00:36:47,806 --> 00:36:49,536
(mariachi band playing)

754
00:36:49,538 --> 00:36:50,908
♪ WE'RE ALONE NOW ♪

755
00:36:50,909 --> 00:36:54,979
♪ AND I'M SINGING
THIS SONG FOR YOU ♪

756
00:36:54,983 --> 00:36:58,893
♪♪

757
00:37:04,523 --> 00:37:07,363
I WAS SUCH AN IDIOT.

758
00:37:07,356 --> 00:37:09,256
YEAH, YOU WERE.

759
00:37:17,606 --> 00:37:21,606
(laughing)

760
00:37:41,390 --> 00:37:43,990
(Madelyn laughs)

761
00:37:43,992 --> 00:37:47,002
(Claire) IF I HADN'T
SEEN IT WITH MY OWN EYES,

762
00:37:46,995 --> 00:37:48,965
I DOUBT
I WOULD HAVE BELIEVED IT.

763
00:37:48,967 --> 00:37:51,967
CERTAINLY THERE WAS
NO MAGIC BOW AND ARROW,

764
00:37:51,970 --> 00:37:54,540
BUT TREVOR CREATED
A ROMANTIC SCENARIO

765
00:37:54,543 --> 00:37:57,483
THAT WITNESSES WOULD DESCRIBE
AS "MAGICAL."

766
00:37:57,476 --> 00:37:59,776
CASEBOOKS ARE FULL
OF STORIES ABOUT SOLDIERS

767
00:37:59,778 --> 00:38:02,408
WHO HAVE SEEN SO MUCH SUFFERING
ON THE BATTLEFIELD

768
00:38:02,411 --> 00:38:05,481
THAT THE ONLY WAY THEY CAN COPE
IS TO CONVINCE THEMSELVES

769
00:38:05,484 --> 00:38:07,494
THEY'RE JESUS CHRIST.
THE DELUSION SERVES

770
00:38:07,486 --> 00:38:10,556
TO PROTECT THESE SOLDIERS'
FRAGILE MINDS.

771
00:38:10,559 --> 00:38:14,689
I BELIEVE MY MYSTERY PATIENT
WHO CALLS HIMSELF TREVOR PIERCE

772
00:38:14,693 --> 00:38:16,873
HAS EXPERIENCED
NO LESS A TRAGEDY.

773
00:38:16,865 --> 00:38:19,495
THE KEY TO DISPELLING
THE DELUSION, THEREFORE,

774
00:38:19,498 --> 00:38:21,828
IS TO LEARN THE CAUSE,
TREAT THE HEARTBREAK

775
00:38:21,830 --> 00:38:25,500
AND ALLOW THIS CUPID
TO FIND HIS PSYCHE.

776
00:38:25,504 --> 00:38:26,944
(man) ALL RIGHT, LATER!

777
00:38:26,935 --> 00:38:29,575
(tires screech)

778
00:38:29,578 --> 00:38:31,638
DAVE O'LEARY?

779
00:38:31,640 --> 00:38:34,640
I'M AGENT MORRIS, IMMIGRATION
AND CUSTOMS ENFORCEMENT.

780
00:38:34,643 --> 00:38:37,953
I'M AFRAID I'M GONNA NEED YOU
TO COME WITH ME.

781
00:38:37,946 --> 00:38:40,786
NICE STORY ABOUT YOU
IN THE PAPER, BY THE WAY.

782
00:38:49,327 --> 00:38:50,627
HEY, MAN.
HEY.

783
00:38:50,629 --> 00:38:52,629
(man) IT USED TO BE
ON BLEECKER...

784
00:38:52,631 --> 00:38:55,601
HEY. HEY, BOSS.
WHAT'S THE GOOD WORD?

785
00:38:55,604 --> 00:38:57,514
HEY. THAT SINGER DAVE CALLED.

786
00:38:57,506 --> 00:39:00,566
OH, YEAH?
HE WAS HOPING YOU'D BE AROUND.
IMMIGRATION CAUGHT UP WITH HIM,

787
00:39:00,569 --> 00:39:03,809
AND--AND THEY PUT HIM
ON A PLANE BACK TO DUBLIN.
NO.

788
00:39:03,812 --> 00:39:07,382
HE WANTED ME TO TELL YOU THANKS
FOR EVERYTHING AND SAY GOOD-BYE.

789
00:39:07,376 --> 00:39:09,816
YOU MIGHT WANT TO GET
A CELL PHONE.

790
00:39:22,591 --> 00:39:24,431
I MISSED HIS CALL.

791
00:39:24,433 --> 00:39:26,443
I DIDN'T EVEN GET
TO SAY GOOD-BYE.

792
00:39:26,435 --> 00:39:28,695
YOU KNOW, I WAS READING
"MODERN INVENTION" MAGAZINE.

793
00:39:28,697 --> 00:39:30,697
THERE'S THIS RIVETING PIECE
IN THERE.

794
00:39:30,699 --> 00:39:33,569
APPARENTLY, THERE ARE
THESE FLYING CONTRAPTIONS NOW

795
00:39:33,572 --> 00:39:35,972
THAT ALLOW PASSENGERS
TO TRAVEL GREAT DISTANCES.

796
00:39:35,974 --> 00:39:39,484
I HAVE A LIFE HERE, A JOB.
I CAN'T JUST PICK UP.

797
00:39:39,478 --> 00:39:41,578
TRUE LOVE CROSSES OCEANS.

798
00:39:41,580 --> 00:39:43,680
HAVEN'T YOU HEARD, TREVOR?

799
00:39:43,682 --> 00:39:45,712
PEOPLE DON'T FALL IN LOVE
IN TWO DAYS.

800
00:39:45,714 --> 00:39:47,724
SEE, THAT'S WHERE WE DIFFER.

801
00:39:47,716 --> 00:39:49,656
YOU TAKE YOUR ADVICE
FROM DR. McCRAE.

802
00:39:49,658 --> 00:39:52,558
I TAKE MY ADVICE
FROM CAPTAIN KIRK.

803
00:39:52,561 --> 00:39:55,491
I CAN'T. I CAN'T PUT MYSELF
OUT THERE LIKE THAT.

804
00:39:55,494 --> 00:39:58,604
(voice breaking)
THAT'S HOW YOU GET HURT.

805
00:39:58,597 --> 00:40:00,597
OKAY.

806
00:40:00,599 --> 00:40:02,599
OKAY, I GET IT.

807
00:40:02,601 --> 00:40:06,071
WELL, I GOT A PHONE NOW.
DON'T BE A STRANGER.

808
00:40:06,074 --> 00:40:07,984
(normal voice) I WON'T.

809
00:40:07,976 --> 00:40:10,506
BE GOOD.

810
00:40:10,509 --> 00:40:13,509
(Trevor) It was all I could do
to not throw her

811
00:40:13,512 --> 00:40:16,112
over my shoulder
and put her on a plane.

812
00:40:16,114 --> 00:40:18,454
(Claire) I'm pleased
you didn't.

813
00:40:18,447 --> 00:40:23,917
I had one card left to play.
No idea if it worked.

814
00:40:23,922 --> 00:40:27,962
WHY DO MORTALS MAKE
FALLING IN LOVE SO DIFFICULT?

815
00:40:27,956 --> 00:40:29,896
YOU'LL GET USED TO IT,
TREVOR.

816
00:40:29,898 --> 00:40:34,598
"Be bold."
What was I thinking?

817
00:40:34,603 --> 00:40:37,943
There's someone
for everyone, Trevor.

818
00:40:37,936 --> 00:40:40,866
You say that with
your authoritative tone.

819
00:40:40,869 --> 00:40:45,439
EVEN THOUGH I KNOW BETTER,
I ALMOST BELIEVE YOU.

820
00:40:45,443 --> 00:40:48,053
WELL, SOMEONE BROKE YOUR HEART.
I'M SURE OF THAT MUCH.

821
00:40:48,046 --> 00:40:52,076
BUT YOU'LL HEAL.
YOU'LL EVEN FALL IN LOVE AGAIN.

822
00:40:52,080 --> 00:40:54,850
HERE, WITH A MORTAL?
NOT LIKELY.

823
00:40:54,853 --> 00:40:58,933
CUPID FELL IN LOVE WITH PSYCHE.
SHE WAS A MORTAL.
I TOLD YOU,
THAT NEVER HAPPENED.

824
00:40:58,927 --> 00:41:01,957
And I never did get
that baklava.

825
00:41:01,960 --> 00:41:04,090
YOU EVER HEAR OF THIS PLACE--
ST. NICK'S?

826
00:41:04,092 --> 00:41:06,502
GREEK PLACE IN SOHO.
PEOPLE RAVE.

827
00:41:06,495 --> 00:41:09,635
LET'S HAVE LUNCH TOMORROW.
YOU AND ME. I'LL BUY.

828
00:41:09,638 --> 00:41:11,838
THERE ARE RULES, TREVOR.

829
00:41:11,840 --> 00:41:15,570
DOCTOR, PATIENT.
LEST I FORGET.

830
00:41:15,574 --> 00:41:17,654
ALL RIGHT,
HERE'S THE THING--

831
00:41:17,646 --> 00:41:20,576
I could really use some
counseling, Dr. McCrae.

832
00:41:20,579 --> 00:41:23,209
SUDDENLY DOUBTING
YOUR OMNISCIENCE?

833
00:41:23,211 --> 00:41:25,511
No. But from what
people tell me,

834
00:41:25,514 --> 00:41:27,564
you're the best shrink
around.

835
00:41:27,556 --> 00:41:29,556
IT MIGHT TAKE A LITTLE TIME,

836
00:41:29,558 --> 00:41:32,618
BUT... AND WITH
AROUND-THE-CLOCK AVAILABILITY,

837
00:41:32,621 --> 00:41:34,561
SOME ELBOW GREASE,

838
00:41:34,563 --> 00:41:38,273
YOU MIGHT ACTUALLY BE ABLE
TO CURE ME OF THIS.
THIS WHAT?

839
00:41:38,266 --> 00:41:41,626
HOMESICKNESS.

840
00:41:41,630 --> 00:41:45,270
HOMESICKNESS, HUH? ALL RIGHT,
I WILL MEET YOU DOWN THERE,

841
00:41:45,273 --> 00:41:48,083
SEE IF WE CAN'T
MAKE THIS WORK.

842
00:41:48,076 --> 00:41:51,776
DO YOU KNOW
WHERE WE'RE GOIN'?
NO EARTHLY IDEA.

843
00:41:51,780 --> 00:41:54,840
♪ SHE'S GONE ♪

844
00:41:54,843 --> 00:41:57,793
It's on 2nd between
Pacific and Atlantic.

845
00:41:57,786 --> 00:41:59,616
How does 1:00 sound?

846
00:41:59,618 --> 00:42:02,288
♪ SHE'S... ♪

847
00:42:02,290 --> 00:42:05,220
HEY.

848
00:42:07,696 --> 00:42:09,556
TREVOR?

849
00:42:20,569 --> 00:42:22,209
TREVOR?

850
00:42:22,210 --> 00:42:24,940
I'LL BE THERE.

851
00:42:24,943 --> 00:42:27,283
BYE.
(beep)