1 00:00:09,067 --> 00:00:12,067 [sweeping upbeat music] 2 00:00:12,067 --> 00:00:13,867 * 3 00:00:13,867 --> 00:00:15,433 - HEY, MADISON MICHELE HERE. 4 00:00:15,433 --> 00:00:17,933 WELCOME TO A VERY SPECIAL BACKSTAGE ACCESS 5 00:00:17,933 --> 00:00:20,267 WHERE WE'RE USING THE ENTIRE HALF HOUR 6 00:00:20,267 --> 00:00:23,533 TO GIVE YOU A BIG TIME RUSH. 7 00:00:23,533 --> 00:00:25,433 WE'LL GIVE YOU EXCLUSIVE ACCESS 8 00:00:25,433 --> 00:00:27,767 TO WHERE THE BOYS LIVE AND PLAY 9 00:00:27,767 --> 00:00:29,033 AND VISIT THE STUDIO 10 00:00:29,033 --> 00:00:31,500 WHERE THEY TRADED THE HOCKEY ICE FOR HOLLYWOOD LIGHTS 11 00:00:31,500 --> 00:00:35,100 AND RECORDED THE HIT SONG THAT STARTED IT ALL. 12 00:00:35,100 --> 00:00:38,933 - * AH, AH, AH-AH, OH 13 00:00:38,933 --> 00:00:40,900 - * MAKE IT COUNT, PLAY IT STRAIGHT * 14 00:00:40,900 --> 00:00:42,733 * DON'T LOOK BACK, DON'T HESITATE * 15 00:00:42,733 --> 00:00:46,867 - * WHEN YOU GO BIG TIME 16 00:00:46,867 --> 00:00:48,733 - * WHAT YOU WANT, WHAT YOU FEEL * 17 00:00:48,733 --> 00:00:50,700 * NEVER QUIT AND MAKE IT REAL * 18 00:00:50,700 --> 00:00:53,800 - * WHEN YOU ROLL BIG TIME 19 00:00:53,800 --> 00:00:54,900 - * OH-OH, OH-OH 20 00:00:54,900 --> 00:00:56,700 - * HEY, HEY 21 00:00:56,700 --> 00:00:58,833 - * LISTEN TO YOUR HEART NOW 22 00:00:58,833 --> 00:01:00,633 - * HEY, HEY 23 00:01:00,633 --> 00:01:02,800 - * DON'T YOU FEEL THE RUSH * 24 00:01:02,800 --> 00:01:04,500 - * UH-OH, UH-OH 25 00:01:04,500 --> 00:01:05,800 * UH-OH, UH-OH 26 00:01:05,800 --> 00:01:06,800 - * OH 27 00:01:06,800 --> 00:01:08,200 - * GO AND SHAKE IT UP 28 00:01:08,200 --> 00:01:10,767 * WHATCHA GOTTA LOSE 29 00:01:10,767 --> 00:01:12,100 * GO AND MAKE YOUR LUCK 30 00:01:12,100 --> 00:01:14,667 * WITH THE LIFE YOU CHOOSE 31 00:01:14,667 --> 00:01:18,300 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 32 00:01:18,300 --> 00:01:23,067 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 33 00:01:26,367 --> 00:01:28,067 - ON THE EVE OF THEIR SECOND ALBUM RELEASE, 34 00:01:28,067 --> 00:01:30,467 WE SAT DOWN WITH KENDALL, JAMES, CARLOS, AND LOGAN 35 00:01:30,467 --> 00:01:33,267 AS THEY DISH ON THE INS AND OUTS AND UPS AND DOWNS 36 00:01:33,267 --> 00:01:34,667 OF CREATING THE BIG TIME POP BAND 37 00:01:34,667 --> 00:01:37,900 THAT IS HOPING TO RULE THE WORLD. 38 00:01:37,900 --> 00:01:39,733 - * SO EVERYBODY GET UP, UP 39 00:01:39,733 --> 00:01:40,733 * OUT OF YOUR SEATS 40 00:01:40,733 --> 00:01:41,900 * KICK OFF YOUR SHOES 41 00:01:41,900 --> 00:01:43,133 * LIKE YOU'RE DOWN AT THE BEACH * 42 00:01:43,133 --> 00:01:45,667 * JUMP UP, UP, UP ON THE BEAT * 43 00:01:45,667 --> 00:01:46,967 * SINGING "AYE OH!" 44 00:01:46,967 --> 00:01:48,800 * IF I RULED THE WORLD 45 00:01:48,800 --> 00:01:50,200 * I'D GIVE IT, GIVE IT ALL TO YOU * 46 00:01:50,200 --> 00:01:52,333 * GIVE IT, GIVE IT, GIVE IT ALL TO YOU * 47 00:01:52,333 --> 00:01:56,467 * IF I RULED THE WORLD 48 00:01:56,467 --> 00:01:58,333 * SO EVERYBODY GET UP, UP 49 00:01:58,333 --> 00:01:59,333 * OUT OF YOUR SEATS 50 00:01:59,333 --> 00:02:00,567 * KICK OFF YOUR SHOES 51 00:02:00,567 --> 00:02:01,800 * LIKE YOU'RE DOWN AT THE BEACH * 52 00:02:01,800 --> 00:02:04,167 * AND JUMP UP, UP, UP ON THE BEAT * 53 00:02:04,167 --> 00:02:05,400 * SINGING "AYE OH!" 54 00:02:05,400 --> 00:02:08,200 * IF I RULED THE WORLD 55 00:02:08,200 --> 00:02:11,133 - ALL RIGHT, GUYS, SO SAY HELLO TO YOUR NATIONAL AUDIENCE. 56 00:02:11,133 --> 00:02:13,967 all: HI, NATIONAL AUDIENCE. HELLO! 57 00:02:13,967 --> 00:02:15,567 - OKAY, WE'RE GONNA GET INTO THE NEW ALBUM 58 00:02:15,567 --> 00:02:17,100 AND THE UPCOMING TOUR IN JUST A SECOND. 59 00:02:17,100 --> 00:02:18,300 BUT FIRST, IS IT TRUE THAT 60 00:02:18,300 --> 00:02:20,333 YOU GUYS DIDN'T PLAN FOR ANY OF THIS? 61 00:02:20,333 --> 00:02:21,733 - NO. - I WANTED TO PLAY HOCKEY. 62 00:02:21,733 --> 00:02:23,200 - ACTUALLY, IT WAS THIS DUDE'S FAULT. 63 00:02:23,200 --> 00:02:24,833 JAMES' FAULT. - MY FAULT? 64 00:02:24,833 --> 00:02:27,067 YOU GUYS CAN ALL THANK ME NOW. 65 00:02:27,067 --> 00:02:28,267 all: NO, NO, NO, NO, NO! 66 00:02:28,267 --> 00:02:29,733 - I'M GONNA BE FAMOUS. 67 00:02:29,733 --> 00:02:30,900 SING TO SOLD-OUT ARENAS, 68 00:02:30,900 --> 00:02:32,367 HAVE, LIKE, FIVE HOUSES, 69 00:02:32,367 --> 00:02:36,867 * MAKE THE GIRLS GO CRAZY * 70 00:02:36,867 --> 00:02:39,667 - [grunting] 71 00:02:39,667 --> 00:02:41,233 - DO YOU WANT TO BE A POP STAR? 72 00:02:41,233 --> 00:02:42,300 - YES. 73 00:02:42,300 --> 00:02:43,367 - WELL, TODAY'S YOUR CHANCE 74 00:02:43,367 --> 00:02:45,333 IF YOU'RE IN MINNESOTA. 75 00:02:45,333 --> 00:02:46,900 ARE YOU READY? 76 00:02:49,533 --> 00:02:51,900 - MY NAME IS JAMES DIAMOND, AND I WANT TO BE FAMOUS. 77 00:02:51,900 --> 00:02:53,167 * WHOO-WHOA-OH-WHOA * 78 00:02:53,167 --> 00:02:54,167 smack! OW! 79 00:02:54,167 --> 00:02:57,100 - YOU HAVE NO TALENT! 80 00:02:57,100 --> 00:02:58,300 - NO TALENT? 81 00:02:58,300 --> 00:02:59,567 YOU'RE THE ONE WITH NO TALENT. 82 00:02:59,567 --> 00:03:01,067 * OH, YOU'RE SUCH A TURD * 83 00:03:01,067 --> 00:03:02,700 * OH, YEAH, A GIANT TURD * 84 00:03:02,700 --> 00:03:04,200 * AND YOU LOOK LIKE A TURD* 85 00:03:04,200 --> 00:03:06,367 * AND YOU SMELL LIKE A TURD* 86 00:03:06,367 --> 00:03:07,900 - MRS. KNIGHT, 87 00:03:07,900 --> 00:03:10,800 I WANT TO TAKE YOUR FAMILY TO LOS ANGELES 88 00:03:10,800 --> 00:03:13,500 AND PRODUCE SOME DEMO TRACKS WITH KENDALL. 89 00:03:13,500 --> 00:03:14,767 - OKAY. 90 00:03:14,767 --> 00:03:17,067 I'LL GO TO L.A. WITH YOU AND RECORD SOME DEMOS. 91 00:03:17,067 --> 00:03:18,133 IF... 92 00:03:18,133 --> 00:03:20,633 YOU TAKE MY BUDS AND MAKE US A SINGING GROUP. 93 00:03:20,633 --> 00:03:21,700 - [chokes] - DUDE! 94 00:03:24,700 --> 00:03:26,267 - * GO AND SHAKE IT UP 95 00:03:26,267 --> 00:03:28,667 * WHATCHA GOTTA LOSE 96 00:03:28,667 --> 00:03:30,267 * GO AND MAKE YOUR LUCK 97 00:03:30,267 --> 00:03:32,600 * WITH THE LIFE YOU CHOOSE 98 00:03:32,600 --> 00:03:35,967 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 99 00:03:35,967 --> 00:03:41,600 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 100 00:03:41,600 --> 00:03:42,767 - ALL RIGHT, GUYS, 101 00:03:42,767 --> 00:03:44,733 SO THE NEW ALBUM IS CALLED ALL OVER AGAIN. 102 00:03:44,733 --> 00:03:47,333 SO KENDALL, IF YOU HAD THE CHANCE, 103 00:03:47,333 --> 00:03:49,067 WOULD YOU DO IT ALL OVER AGAIN? 104 00:03:49,067 --> 00:03:50,533 - DRUMROLL. 105 00:03:50,533 --> 00:03:51,533 [all mimicking drumroll] 106 00:03:51,533 --> 00:03:52,900 - AND THE ANSWER IS... 107 00:03:52,900 --> 00:03:54,400 - BIG TIME. 108 00:03:54,400 --> 00:03:56,667 - KENDALL KNIGHT, BORN IN SHAKOPEE, MINNESOTA, 109 00:03:56,667 --> 00:03:59,833 GREW UP A SKATING PHENOM WITH A SECRET LOVE OF MUSIC. 110 00:03:59,833 --> 00:04:03,067 AND DESPITE BEING KNOWN AS COOL RUSH AROUND THE STUDIO, 111 00:04:03,067 --> 00:04:06,733 HE HAS, ON OCCASION, BEEN KNOWN TO LOSE THAT COOL. 112 00:04:06,733 --> 00:04:09,100 - EVERYBODY JUST CALM DOWN! 113 00:04:09,100 --> 00:04:10,900 EVERYBODY CALM DOWN! 114 00:04:10,900 --> 00:04:12,500 EVERYBODY CHILL! AND THEY ARE EVIL! 115 00:04:12,500 --> 00:04:14,567 I DON'T KNOW! ALL RIGHT, THAT'S IT! 116 00:04:14,567 --> 00:04:16,067 THIS IS NOT BETTER! 117 00:04:16,067 --> 00:04:18,300 WHO INVITED ALL OF THESE PEOPLE? 118 00:04:18,300 --> 00:04:19,467 WHOA! 119 00:04:19,467 --> 00:04:21,800 WHOA! WHOA! WHOA! 120 00:04:21,800 --> 00:04:22,933 WHAT IS THIS? 121 00:04:22,933 --> 00:04:23,933 HOW COULD YOU? 122 00:04:23,933 --> 00:04:25,233 WHO'S THE DUDE? 123 00:04:25,233 --> 00:04:27,733 GIRL SUPPOSED TO KISS ME BOY. 124 00:04:27,733 --> 00:04:28,867 BACK OFF. 125 00:04:28,867 --> 00:04:30,900 - AND EVEN WHEN THINGS GET INTENSE, 126 00:04:30,900 --> 00:04:34,067 THIS GOOD GUY IS NOT AFRAID TO BE THE BAD BOY. 127 00:04:34,067 --> 00:04:36,700 - OOH! IT'S A BAD BOY OFF! 128 00:04:36,700 --> 00:04:38,733 - BAD BOY OFF. 129 00:04:38,733 --> 00:04:40,067 THAT SOUNDS INTERESTING. 130 00:04:40,067 --> 00:04:41,800 DOESN'T THAT SOUND INTERESTING? 131 00:04:41,800 --> 00:04:45,667 - YOU KNOW ONE THING I KNOW ABOUT BAD BOYS IS, 132 00:04:45,667 --> 00:04:47,667 THEY LIKE BREAKING STUFF. 133 00:04:47,667 --> 00:04:49,100 smash! 134 00:04:49,100 --> 00:04:52,167 - [screams] 135 00:04:52,167 --> 00:04:54,667 smash! 136 00:04:54,667 --> 00:04:56,500 HE DESTROYED MY OFFICE. 137 00:04:56,500 --> 00:04:58,233 MY MUSIC AWARDS! 138 00:04:58,233 --> 00:05:02,067 AND HE USED MY DRAWER AS A BATHROOM. 139 00:05:02,067 --> 00:05:04,400 - BAD BOYS GO WHERE THEY WANT. 140 00:05:04,400 --> 00:05:05,600 - THAT'S A NEW ONE. 141 00:05:05,600 --> 00:05:07,867 - AND THIS FORMER HIGH SCHOOL HOCKEY CAPTAIN 142 00:05:07,867 --> 00:05:10,367 IS ALSO KNOWN FOR HIS FAMOUS PEP TALKS. 143 00:05:10,367 --> 00:05:11,733 - I SMELL SPEECH. 144 00:05:11,733 --> 00:05:13,800 - WE ARE NOT BEATEN YET. 145 00:05:13,800 --> 00:05:15,500 WE HAVE TO DO THIS ON OUR OWN. 146 00:05:15,500 --> 00:05:17,267 WE'RE ALMOST HALFWAY THERE. 147 00:05:17,267 --> 00:05:21,067 GUSTAVO MIGHT BE LOUD, MEAN, OBNOXIOUS, 148 00:05:21,067 --> 00:05:23,900 SELF-ABSORBED, UNATTRACTIVE... 149 00:05:23,900 --> 00:05:25,067 both: GET TO THE POINT. 150 00:05:25,067 --> 00:05:27,567 - WE CAN DO THIS TOGETHER. 151 00:05:27,567 --> 00:05:28,900 all: ALL RIGHT! 152 00:05:28,900 --> 00:05:30,300 [all cheer] 153 00:05:30,300 --> 00:05:31,900 - HEY, MADISON MICHELE HERE. 154 00:05:31,900 --> 00:05:34,400 STILL HANGING POOLSIDE WITH BIG TIME RUSH. 155 00:05:34,400 --> 00:05:35,733 ALL RIGHT, GUYS, 156 00:05:35,733 --> 00:05:37,667 SO WHAT CAN YOU TELL ME ABOUT WHERE WE'RE HANGING? 157 00:05:37,667 --> 00:05:40,200 - WELL, WE'RE AT L.A.'S FAMOUS PALMWOODS. 158 00:05:40,200 --> 00:05:42,400 - ACTORS, SINGERS, DANCERS, 159 00:05:42,400 --> 00:05:45,300 BASICALLY ANYONE WITH BIG DREAMS USUALLY STOPS HERE FIRST. 160 00:05:45,300 --> 00:05:49,167 - IT'S PRETTY MUCH KNOWN AS THE HOME FOR THE FUTURE FAMOUS. 161 00:05:49,167 --> 00:05:50,833 - BINGO. 162 00:05:50,833 --> 00:05:52,067 slap! 163 00:05:52,067 --> 00:05:53,333 - HOW COULD YOU? 164 00:05:53,333 --> 00:05:55,067 WITH MY MOM IN THE HOSPITAL 165 00:05:55,067 --> 00:05:57,533 AND MY HUGE FIGHT WITH MY BEST FRIEND 166 00:05:57,533 --> 00:05:58,933 AND MY ZIT! 167 00:05:58,933 --> 00:06:00,267 all: DEGRASSI AUDITION? 168 00:06:00,267 --> 00:06:01,333 - WISH ME LUCK. 169 00:06:01,333 --> 00:06:04,900 [slapping] 170 00:06:10,300 --> 00:06:11,933 - WHOA! 171 00:06:11,933 --> 00:06:13,733 * YOU GOT PRANKED, YOU GOT PRANKED * 172 00:06:13,733 --> 00:06:15,633 * YOU GOT P-R-A-N-K 173 00:06:15,633 --> 00:06:17,133 smash! - LOOK! 174 00:06:17,133 --> 00:06:18,533 I'M A LIFE-SIZED DOLL OF MYSELF! 175 00:06:18,533 --> 00:06:20,300 - JETT IS RIGHT HERE. 176 00:06:20,300 --> 00:06:21,733 AND I WOULD EXPECT A WARMER RECEPTION 177 00:06:21,733 --> 00:06:23,167 CONSIDERING I'M THE ONLY ONE 178 00:06:23,167 --> 00:06:24,700 WHO THOUGHT TO BRING A CHEESE PLATTER. 179 00:06:24,700 --> 00:06:27,167 - EENY, MEENY, MINY... NO. 180 00:06:27,167 --> 00:06:28,167 - YOU'RE IN ON IT. 181 00:06:28,167 --> 00:06:29,500 - I'M NOT IN ON ANYTHING 182 00:06:29,500 --> 00:06:31,400 EXCEPT REALIZING YOU'RE ALL WEIRD. 183 00:06:31,400 --> 00:06:32,900 - HAVE YOU SEEN YOUR HAIR LATELY? 184 00:06:32,900 --> 00:06:34,433 - WHAT? I'M BUSY. 185 00:06:34,433 --> 00:06:36,067 COME BACK NEVER. 186 00:06:39,833 --> 00:06:43,267 LOOKS LIKE IT'S TIME FOR BITTERS TO CRASH THE PARTY. 187 00:06:43,267 --> 00:06:45,667 [farts] 188 00:06:45,667 --> 00:06:47,667 - DUDE. 189 00:06:47,667 --> 00:06:49,667 - DID YOU HEAR THAT? 190 00:06:49,667 --> 00:06:51,400 IT WAS THE GHOST. 191 00:06:51,400 --> 00:06:53,433 [whirring] 192 00:06:53,433 --> 00:06:54,767 [chainsaw buzzing] 193 00:06:54,767 --> 00:06:56,100 - [laughing] 194 00:06:56,100 --> 00:06:57,433 [grunts] 195 00:06:57,433 --> 00:06:58,733 - [screams] 196 00:06:58,733 --> 00:07:00,467 - HEY, FELLAS. 197 00:07:00,467 --> 00:07:01,933 I HEARD YOU GOT A NASTY CLOG. 198 00:07:01,933 --> 00:07:02,933 - WHAT DO YOU GOT? 199 00:07:02,933 --> 00:07:06,600 - OH, THE CITY IS OURS. 200 00:07:06,600 --> 00:07:07,800 FOR ONE NIGHT, 201 00:07:07,800 --> 00:07:10,900 MAKE YOUR CITY YOURS. 202 00:07:10,900 --> 00:07:12,800 - INTERESTING. 203 00:07:12,800 --> 00:07:14,433 GO ON. 204 00:07:14,433 --> 00:07:15,433 - WHAT? 205 00:07:15,433 --> 00:07:17,167 UH... 206 00:07:17,167 --> 00:07:21,333 THERE'S A BUNCH OF KIDS IN IT. 207 00:07:21,333 --> 00:07:24,067 TALL KIDS. 208 00:07:24,067 --> 00:07:27,667 WEIRD TALL KIDS. 209 00:07:27,667 --> 00:07:28,733 GIRLS! 210 00:07:28,733 --> 00:07:30,900 UH, TEENAGE GIRLS. 211 00:07:30,900 --> 00:07:33,233 ITCHY, ITCHY TEENAGE GIRLS. 212 00:07:33,233 --> 00:07:34,433 NO, ROCKING OUT! 213 00:07:34,433 --> 00:07:38,233 TEENAGE BOYS AND GIRLS ROCKING OUT TO B.T.R. 214 00:07:38,233 --> 00:07:40,633 - OKAY, SO THIS NEXT QUESTION IS FOR JAMES. 215 00:07:40,633 --> 00:07:43,933 WHO DO YOU THINK IS BEST LOOKING IN THE BAND? 216 00:07:43,933 --> 00:07:45,467 - [scoffs] - YOU HAVE GOT TO BE KIDDING. 217 00:07:45,467 --> 00:07:47,500 - OH, THIS WILL BE GOOD. - HIS BEST FRIEND IS HIS COMB. 218 00:07:47,500 --> 00:07:49,167 - WELL, MADISON, 219 00:07:49,167 --> 00:07:51,967 THAT'S GONNA TAKE A LOT OF THOUGHT, BUT... 220 00:07:51,967 --> 00:07:54,167 IT'S ME. 221 00:07:54,167 --> 00:07:55,833 - ACCORDING TO BIG TIME LEGEND, 222 00:07:55,833 --> 00:07:59,233 JAMES DIAMOND STARTED SINGING AND DANCING AT THE AGE OF TWO 223 00:07:59,233 --> 00:08:00,900 AND STARTED USING HAIR CARE PRODUCTS 224 00:08:00,900 --> 00:08:02,400 BY THE AGE OF THREE. 225 00:08:02,400 --> 00:08:06,067 OWNER OF ONE VERY LUCKY COMB AND TEN FULL-LENGTH MIRRORS, 226 00:08:06,067 --> 00:08:07,133 IT'S NO SURPRISE 227 00:08:07,133 --> 00:08:10,200 THEY CALL THIS RUSH THE PRETTY ONE. 228 00:08:10,200 --> 00:08:11,333 - I'M JAMES. 229 00:08:11,333 --> 00:08:13,167 LET'S SHOW THEM SOME HANDSOME. 230 00:08:16,200 --> 00:08:17,133 OOH. 231 00:08:21,733 --> 00:08:23,133 BETTER WEAR YOUR CUDA. 232 00:08:23,133 --> 00:08:25,567 ONE BOY NEXT DOOR; ONE BAD BOY. 233 00:08:25,567 --> 00:08:28,933 ONE HOT YOUNG DOCTOR; ONE HOT GREASY MECHANIC. 234 00:08:28,933 --> 00:08:30,400 ATHLETIC DOG TRAINER, 235 00:08:30,400 --> 00:08:31,767 SASSY SPEED SKATER, 236 00:08:31,767 --> 00:08:33,767 CONFUSED ASTRONAUT. 237 00:08:33,767 --> 00:08:36,400 GIRLS LOVE IT WHEN YOU'RE FUN AND CREATIVE. 238 00:08:36,400 --> 00:08:40,167 LIKE USING MY "WILL YOU GO TO THE DANCE WITH ME?" FLYING DISC. 239 00:08:40,167 --> 00:08:41,100 OBSERVE. 240 00:08:44,200 --> 00:08:45,200 SEE? 241 00:08:45,200 --> 00:08:46,200 LOOK AT YOURSELF. 242 00:08:46,200 --> 00:08:48,067 WHO'S HANDSOMER THAN YOU? 243 00:08:48,067 --> 00:08:49,200 NO ONE. 244 00:08:49,200 --> 00:08:51,067 WHO'S GOT MORE STYLE THAN YOU? 245 00:08:51,067 --> 00:08:52,500 NO ONE. 246 00:08:52,500 --> 00:08:54,433 WHO'S SMARTER THAN YOU? 247 00:08:54,433 --> 00:08:55,833 WELL, LOTS OF PEOPLE, 248 00:08:55,833 --> 00:08:57,900 BUT THAT HAS NOTHING TO DO WITH BEING A MODEL. 249 00:08:57,900 --> 00:08:58,900 HEY, I'M STILL ME. 250 00:08:58,900 --> 00:09:01,233 JUST BETTER. 251 00:09:01,233 --> 00:09:02,433 AND WE COULD ALL WEAR BANDANAS. 252 00:09:02,433 --> 00:09:04,067 IT COULD BE OUR THING. 253 00:09:04,067 --> 00:09:06,567 BANDANAS. 254 00:09:06,567 --> 00:09:07,833 LET'S DO THIS. 255 00:09:12,500 --> 00:09:13,567 [screams] 256 00:09:13,567 --> 00:09:17,900 - [screams] 257 00:09:17,900 --> 00:09:19,967 all: WE'RE NOT WEARING BANDANAS. 258 00:09:19,967 --> 00:09:21,900 - BANDANAS ARE COOL! 259 00:09:21,900 --> 00:09:23,933 - OKAY, GUYS, THAT WAS GREAT. CUT. 260 00:09:23,933 --> 00:09:25,400 AFTER OUR INTERVIEW, 261 00:09:25,400 --> 00:09:29,133 WE WERE GIVEN EXCLUSIVE ACCESS TO APARTMENT 2J 262 00:09:29,133 --> 00:09:31,567 WHERE WE MET THE BAND'S OFFICIAL BABY SISTER 263 00:09:31,567 --> 00:09:33,400 AND UNOFFICIAL MOMAGER. 264 00:09:33,400 --> 00:09:37,433 - SHE'S ALWAYS BEEN KIND OF NERVOUS IN FRONT OF THE CAMERA. 265 00:09:37,433 --> 00:09:41,067 BUT IF SHE COULD TALK, SHE'D PROBABLY SAY 266 00:09:41,067 --> 00:09:43,067 EVEN THOUGH WE'RE NOT ALL RELATED, 267 00:09:43,067 --> 00:09:45,733 WE'RE STILL ONE BIG HAPPY FAMILY. 268 00:09:45,733 --> 00:09:47,067 [both scream] 269 00:09:47,067 --> 00:09:49,700 - BOYS, BOYS, NO FIGHTING. 270 00:09:49,700 --> 00:09:51,400 HOW ABOUT A HEALTHY SNACK INSTEAD? 271 00:09:51,400 --> 00:09:52,933 [yelps] [all gasp] 272 00:09:52,933 --> 00:09:53,933 [grunting and smacking] 273 00:09:53,933 --> 00:09:56,133 OKAY, THAT IS ENOUGH! 274 00:09:56,133 --> 00:09:58,733 - I LOVE YOU, BUT I'M A LITTLE BUSY RIGHT NOW. 275 00:09:58,733 --> 00:09:59,800 OW! OW! 276 00:09:59,800 --> 00:10:01,000 - OW! OW! OW! 277 00:10:01,000 --> 00:10:02,100 - OW! OW! OW! OW! OW! 278 00:10:02,100 --> 00:10:03,167 - OW! OW! OW! 279 00:10:03,167 --> 00:10:04,633 I HAVE SENSITIVE EARS. YOU KNOW THAT. 280 00:10:04,633 --> 00:10:06,000 - HEY, WHAT'S GOING ON? 281 00:10:06,000 --> 00:10:07,900 all: WE'RE STICKING IT TO THE MAN. 282 00:10:07,900 --> 00:10:09,067 - I WANT TO STICK IT TO THE MAN. 283 00:10:09,067 --> 00:10:11,100 - YOU CAN'T JUST SELL BIG TIME RUSH GEAR. 284 00:10:11,100 --> 00:10:12,667 - YES, I CAN. IT'S CALLED BOOT-LEGGING. 285 00:10:12,667 --> 00:10:13,833 - [spits] 286 00:10:13,833 --> 00:10:15,700 HONEY, YOU HAVE GOT TO BE FIRM WITH THIS GIRL. 287 00:10:15,700 --> 00:10:18,233 JUST TELL HER THAT YOU ARE NEVER, EVER GOING TO DATE HER 288 00:10:18,233 --> 00:10:20,867 AND SHE SHOULD GO BACK TO HER BOYFRIEND. 289 00:10:20,867 --> 00:10:23,900 YOU HAVE TO TELL CAMILLE YOU WANT TO DATE OTHER PEOPLE. 290 00:10:23,900 --> 00:10:25,233 - WHAT IS WITH YOU PARENTS 291 00:10:25,233 --> 00:10:27,533 AND TELLING THE TRUTH ALL THE TIME? 292 00:10:27,533 --> 00:10:30,633 slam! [spraying] 293 00:10:30,633 --> 00:10:31,800 - SORRY, BOYS, 294 00:10:31,800 --> 00:10:33,300 BUT THAT CROWN WILL BE MINE. 295 00:10:33,300 --> 00:10:37,500 [spraying, boys yelping] 296 00:10:37,500 --> 00:10:39,133 - MY WORK HERE IS DONE. 297 00:10:39,133 --> 00:10:40,800 - YOU KNOW THAT PRODUCER LADY'S GONNA HAVE 298 00:10:40,800 --> 00:10:42,633 EVERY SECURITY GUARD ON THE LOT AFTER YOU. 299 00:10:42,633 --> 00:10:45,333 - NOT IF MY BABY SISTER, WHOM I LOVE, 300 00:10:45,333 --> 00:10:48,300 CREATES A DISTRACTION. 301 00:10:48,300 --> 00:10:50,900 [helicopter blades whirring, sirens wail] 302 00:10:50,900 --> 00:10:54,167 - WAIT, WAIT, WAIT TILL I BEAT THE GAME! 303 00:10:54,167 --> 00:10:55,167 [snickers] thud! 304 00:10:55,167 --> 00:10:56,333 - [screaming] 305 00:10:56,333 --> 00:10:59,567 [helicopter blades whirring, sirens wail] 306 00:10:59,567 --> 00:11:01,300 - YOU KNOW YOU WERE REALLY ANNOYING TODAY 307 00:11:01,300 --> 00:11:02,733 WITH ALL THAT OVERPROTECTIVE STUFF. 308 00:11:02,733 --> 00:11:03,700 - [sighs] 309 00:11:03,700 --> 00:11:06,567 YEAH, I KNOW. 310 00:11:06,567 --> 00:11:08,500 - THANKS. 311 00:11:08,500 --> 00:11:11,167 - MOM! 312 00:11:11,167 --> 00:11:12,467 THANKS. 313 00:11:12,467 --> 00:11:13,567 - smooch! 314 00:11:13,567 --> 00:11:14,900 - COME ON! 315 00:11:14,900 --> 00:11:16,567 - OKAY, WE'RE TAKING A BREAK, 316 00:11:16,567 --> 00:11:19,233 BUT STICK AROUND AS WE LEAVE THE FAMOUS PALMWOODS 317 00:11:19,233 --> 00:11:21,567 FOR THE LEGENDARY ROCQUE RECORDS 318 00:11:21,567 --> 00:11:23,933 WHERE WE ASK THE BOYS THE ONE QUESTION 319 00:11:23,933 --> 00:11:25,233 THEY WON'T WANT TO ANSWER. 320 00:11:25,233 --> 00:11:26,633 - WAIT, WHAT? - WHAT QUESTION? 321 00:11:26,633 --> 00:11:29,700 - ALL THAT AND MORE WHEN BACKSTAGE ACCESS RETURNS. 322 00:11:29,700 --> 00:11:30,767 - WHAT'S THE QUESTION? 323 00:11:30,767 --> 00:11:32,233 - JUST GIVE US A HINT! 324 00:11:32,233 --> 00:11:33,733 - * I TRY TO SPEAK 325 00:11:33,733 --> 00:11:36,067 * BUT GIRL, YOU GOT ME TONGUE-TIED * 326 00:11:36,067 --> 00:11:37,467 * I TRY TO BREATHE 327 00:11:37,467 --> 00:11:39,733 * BUT I'M F-F-F-FROZEN INSIDE * 328 00:11:39,733 --> 00:11:40,833 * I TRY TO MOVE 329 00:11:40,833 --> 00:11:42,500 * BUT I'M STUCK IN MY SHOES * 330 00:11:42,500 --> 00:11:44,067 * YOU GOT ME PARALYZED 331 00:11:44,067 --> 00:11:45,367 * PARALYZED 332 00:11:45,367 --> 00:11:46,900 * P-P-P-PARALYZED 333 00:11:46,900 --> 00:11:47,900 * I SEE YOU WALKING 334 00:11:47,900 --> 00:11:50,267 * BUT ALL YOU DO IS PASS ME BY 335 00:11:50,267 --> 00:11:51,667 * CAN'T EVEN TALK * 336 00:11:51,667 --> 00:11:54,067 * 'CAUSE WORDS DON'T COME INTO MY MIND * 337 00:11:54,067 --> 00:11:55,067 * I'D MAKE A MOVE * 338 00:11:55,067 --> 00:11:56,500 * IF I HAD THE GUTS TO 339 00:11:56,500 --> 00:11:58,133 * BUT I'M PARALYZED * 340 00:11:58,133 --> 00:11:59,433 * PARALYZED 341 00:11:59,433 --> 00:12:00,667 * P-P-P-PARALYZED 342 00:12:03,600 --> 00:12:04,600 - * TALK OF THE TOWN NOW 343 00:12:04,600 --> 00:12:06,400 * AND YOU ALREADY KNOW 344 00:12:06,400 --> 00:12:08,600 * THAT YOU'RE A STAR * 345 00:12:08,600 --> 00:12:09,867 * A SUPERSTAR 346 00:12:09,867 --> 00:12:12,067 * THAT YOU'RE A STAR * 347 00:12:12,067 --> 00:12:13,667 * A SUPERSTAR 348 00:12:13,667 --> 00:12:15,933 * THAT YOU'RE A STAR * 349 00:12:15,933 --> 00:12:19,667 * AND YOU ALREADY KNOW 350 00:12:19,667 --> 00:12:22,067 - HEY, MADISON MICHELE BACK HERE WITH BIG TIME RUSH. 351 00:12:22,067 --> 00:12:25,733 WHERE THE QUESTION ON EVERYBODY'S MIND IS... 352 00:12:25,733 --> 00:12:27,800 - COME ON, TELL US. - BRING IT ON. 353 00:12:27,800 --> 00:12:29,233 - COMING UP LATER. 354 00:12:29,233 --> 00:12:30,500 all: OH! 355 00:12:30,500 --> 00:12:32,500 - WHY DO YOU GUYS ALWAYS DO THIS KIND OF STUFF? 356 00:12:32,500 --> 00:12:35,067 - BUT THE BURNING QUESTION ON MY MIND IS, 357 00:12:35,067 --> 00:12:36,500 CARLOS, WHERE'S THE HELMET? 358 00:12:36,500 --> 00:12:37,667 - OH! [all mutter] 359 00:12:37,667 --> 00:12:39,667 - OKAY, LOOK, I AGREED NOT TO WEAR IT 360 00:12:39,667 --> 00:12:41,200 DURING PHOTO SHOOTS AND INTERVIEWS. 361 00:12:41,200 --> 00:12:42,200 - BUT WHY? 362 00:12:42,200 --> 00:12:43,600 I THINK THE HELMET IS CUTE. 363 00:12:43,600 --> 00:12:45,067 - WELL, SO DO I. 364 00:12:45,067 --> 00:12:46,467 - MUCH BETTER. - I KNEW HE'D BRING IT. 365 00:12:46,467 --> 00:12:50,167 - YOU JUST RUINED YOUR HAIR. - HEY, MADISON LIKES IT. 366 00:12:50,167 --> 00:12:52,500 - SON OF A MINNEAPOLIS POLICE OFFICER, 367 00:12:52,500 --> 00:12:55,833 CARLOS GARCIA WAS VOTED MOST LIKELY TO MARRY A CORNDOG 368 00:12:55,833 --> 00:12:57,333 BY HIS SOPHOMORE CLASS. 369 00:12:57,333 --> 00:12:58,833 NICKNAMED THE WILD RUSH, 370 00:12:58,833 --> 00:13:00,400 HE LEARNED EARLY ON THAT 371 00:13:00,400 --> 00:13:04,233 A LITTLE EXTRA HEAD PROTECTION CAN GO A LONG WAY. 372 00:13:04,233 --> 00:13:05,600 - WHOO-HOO! 373 00:13:05,600 --> 00:13:09,833 [tapping] 374 00:13:09,833 --> 00:13:12,167 - THE HARDEST PART OF ANY DATE IS STARTING A CONVERSATION. 375 00:13:12,167 --> 00:13:13,500 SO JUST GO IN THERE 376 00:13:13,500 --> 00:13:16,333 AND TELL HER SOMETHING INTERESTING ABOUT YOURSELF. 377 00:13:16,333 --> 00:13:19,167 - HERE IS SOMETHING INTERESTING ABOUT MYSELF. 378 00:13:19,167 --> 00:13:21,833 [tapping] 379 00:13:21,833 --> 00:13:23,133 - NO HELMETS. 380 00:13:23,133 --> 00:13:25,633 HE HATES HELMETS. 381 00:13:25,633 --> 00:13:26,667 [bell dings] 382 00:13:26,667 --> 00:13:29,067 - THEN I STARTED TAKING MY RASH MEDICINE, 383 00:13:29,067 --> 00:13:33,067 AND IT GOT MOSTLY BETTER. 384 00:13:33,067 --> 00:13:34,367 [bell dings] 385 00:13:34,367 --> 00:13:36,667 SO THEN KENDALL SAYS HE'S GONNA GET ME A GIRLFRIEND. 386 00:13:36,667 --> 00:13:37,933 AND HERE YOU ARE. 387 00:13:37,933 --> 00:13:39,067 [laughs, chomping] 388 00:13:39,067 --> 00:13:42,067 WHEN DO WE MOUTH KISS? 389 00:13:42,067 --> 00:13:44,067 [bell dings] 390 00:13:44,067 --> 00:13:47,933 [belches loudly] 391 00:13:47,933 --> 00:13:48,933 SWEET. 392 00:13:48,933 --> 00:13:51,133 NOW I CAN DRINK MORE. 393 00:13:51,133 --> 00:13:53,167 [bell dings] 394 00:13:53,167 --> 00:13:54,333 STEP ASIDE, BOYS. 395 00:13:54,333 --> 00:13:56,067 MY UNCLE WAS A LOCKSMITH. 396 00:13:56,067 --> 00:13:58,367 YOU JUST PLACE YOUR HANDS BETWEEN THE CYLINDER 397 00:13:58,367 --> 00:13:59,667 AND THE CENTRAL HOUSING, 398 00:13:59,667 --> 00:14:02,233 AND THEN HIT IT WITH A SLEDGEHAMMER! 399 00:14:02,233 --> 00:14:03,900 [screams] 400 00:14:03,900 --> 00:14:05,233 WHAT HAVE I DONE? 401 00:14:05,233 --> 00:14:07,500 ALL MY FRIENDS ARE ALL TRAPPED IN A WELL. 402 00:14:07,500 --> 00:14:11,067 THERE'S ONLY ONE THING TO DO. 403 00:14:11,067 --> 00:14:12,500 [screams] 404 00:14:12,500 --> 00:14:13,667 thud! OOH! 405 00:14:13,667 --> 00:14:16,500 [coughs] 406 00:14:16,500 --> 00:14:17,733 all: WHAT'D YOU DO THAT FOR? 407 00:14:17,733 --> 00:14:19,833 - I WAS LONELY. 408 00:14:19,833 --> 00:14:21,500 THIS LOOKS LIKE A JOB FOR... 409 00:14:21,500 --> 00:14:26,167 EL HOMBRE EL FLAMING SPACE ROCK MAN. 410 00:14:26,167 --> 00:14:27,167 - [mimics buzzer] 411 00:14:27,167 --> 00:14:29,500 - NOT EVEN A LITTLE. 412 00:14:29,500 --> 00:14:30,500 - HUH! 413 00:14:30,500 --> 00:14:32,067 YOU REALLY ARE A SUPERHERO! 414 00:14:32,067 --> 00:14:33,933 - NO, I'M A POP STAR. 415 00:14:36,833 --> 00:14:39,400 - NOW, SINCE WE'RE HERE AT ROCQUE RECORDS, 416 00:14:39,400 --> 00:14:40,667 TELL ME, WHAT IS IT LIKE 417 00:14:40,667 --> 00:14:43,567 TO WORK WITH THE LEGENDARY GUSTAVO ROCQUE? 418 00:14:43,567 --> 00:14:45,067 [all stammer] 419 00:14:45,067 --> 00:14:47,300 - "WORKING WITH GUSTAVO IS WONDERFUL." 420 00:14:47,300 --> 00:14:49,567 - "HE IS THE BEST IN THE BUSINESS." 421 00:14:49,567 --> 00:14:50,733 - [reads gibberish] 422 00:14:50,733 --> 00:14:51,900 OH. 423 00:14:51,900 --> 00:14:52,967 "HE'S NICE." 424 00:14:52,967 --> 00:14:57,333 - "WE COULD NOT DO IT WITHOUT HIM." 425 00:14:57,333 --> 00:14:59,500 - WANTING TO TALK TO THE MAN BEHIND THE BAND, 426 00:14:59,500 --> 00:15:01,067 WE SAT DOWN WITH GUSTAVO 427 00:15:01,067 --> 00:15:03,300 AND HIS ASSOCIATE, KELLY WAINRIGHT. 428 00:15:03,300 --> 00:15:05,300 NOW, I'VE SPENT A GOOD PART OF THE DAY WITH THE BOYS, 429 00:15:05,300 --> 00:15:06,300 AND THEY CAN BE WILD. 430 00:15:06,300 --> 00:15:07,667 HOW DO YOU KEEP THEM IN LINE? 431 00:15:07,667 --> 00:15:10,167 - HOW DO I KEEP THE DOGS IN LINE, MADISON? 432 00:15:10,167 --> 00:15:12,167 OH, BY THE WAY, I CALL THEM DOGS. 433 00:15:12,167 --> 00:15:13,767 WITH A LOOK. 434 00:15:13,767 --> 00:15:14,967 YEAH. 435 00:15:14,967 --> 00:15:17,067 THAT'S RIGHT. THAT'S ALL IT TAKES. 436 00:15:17,067 --> 00:15:18,100 A LOOK. 437 00:15:24,500 --> 00:15:27,667 - ACTUALLY, IT TAKES MORE THAN A LOOK. 438 00:15:27,667 --> 00:15:29,633 IT TAKES THE FACE. 439 00:15:29,633 --> 00:15:32,667 - THE FACE DOES NOT BEAT THE LOOK. 440 00:15:32,667 --> 00:15:34,267 - YES, IT DOES. 441 00:15:52,467 --> 00:15:54,833 - WITH 27 GOLD RECORDS TO HIS CREDIT, 442 00:15:54,833 --> 00:15:56,833 GUSTAVO ROCQUE MADE A NAME IN THE '90s 443 00:15:56,833 --> 00:15:59,067 AS THE VOLCANIC PRODUCER OF HIT BANDS 444 00:15:59,067 --> 00:16:01,233 LIKE BOYZ IN THE ATTIC AND BOYZ CITY. 445 00:16:01,233 --> 00:16:03,733 BUT NOW THAT HIS NEW BAND IS CLIMBING THE CHARTS, 446 00:16:03,733 --> 00:16:05,500 HE CLAIMS HE'S CALMING DOWN. 447 00:16:05,500 --> 00:16:07,367 - [growling, roars] 448 00:16:07,367 --> 00:16:12,067 [screaming] 449 00:16:12,067 --> 00:16:15,067 ALL TALENT ARE DOGS. 450 00:16:15,067 --> 00:16:18,167 AND DOGS NEED TO KNOW WHO'S IN CHARGE 451 00:16:18,167 --> 00:16:21,067 OR THEY WILL NOT LISTEN TO COMMANDS 452 00:16:21,067 --> 00:16:23,667 AND POOP ON YOUR CARPET. 453 00:16:23,667 --> 00:16:25,167 DOGS. DOGS. 454 00:16:25,167 --> 00:16:26,633 DOGS! DOGS. 455 00:16:26,633 --> 00:16:28,267 I NEED TO STAY WITH YOU DOGS TONIGHT. 456 00:16:28,267 --> 00:16:29,833 DOGS. HEY, DOGS. 457 00:16:29,833 --> 00:16:30,833 I HATE THOSE DOGS. 458 00:16:30,833 --> 00:16:32,267 DOGS. DOGS. 459 00:16:32,267 --> 00:16:34,333 DOGS! 460 00:16:34,333 --> 00:16:37,700 WHAT ELSE DO YOU DOGS DO ON FISH STICK FRIDAYS? 461 00:16:37,700 --> 00:16:40,467 YOU WANT ME TO LET THE MONKEYS MATCH THE SET? 462 00:16:40,467 --> 00:16:42,500 - I THOUGHT WE WERE DOGS. 463 00:16:42,500 --> 00:16:43,667 - YOU'RE MONKEY DOGS! 464 00:16:43,667 --> 00:16:46,067 * THAT YOU'RE A STAR * 465 00:16:46,067 --> 00:16:47,533 * A SUPERSTAR 466 00:16:47,533 --> 00:16:49,233 * THAT YOU'RE A STAR * 467 00:16:49,233 --> 00:16:53,067 * AND YOU ALREADY KNOW 468 00:16:53,067 --> 00:16:55,167 SO HOW WAS THAT? 469 00:16:55,167 --> 00:16:58,700 - AND NOW, THE QUESTION YOU'VE ALL BEEN WAITING FOR. 470 00:16:58,700 --> 00:17:00,167 - DO YOUR WORST. 471 00:17:00,167 --> 00:17:01,300 - BUT FIRST... 472 00:17:01,300 --> 00:17:02,300 - OH, WHAT? - AGAIN? 473 00:17:02,300 --> 00:17:03,400 - YOU KEEP DOING THIS. 474 00:17:03,400 --> 00:17:04,667 - A POP QUIZ FOR THE GROUP. 475 00:17:04,667 --> 00:17:05,867 - A POP QUIZ. 476 00:17:05,867 --> 00:17:08,067 - WHO IS THE ONLY POP STAR ON THE CHARTS 477 00:17:08,067 --> 00:17:10,667 WHO'S ALSO A MEMBER OF THE FUTURE DOCTORS OF AMERICA? 478 00:17:10,667 --> 00:17:12,167 - [stammers] I GOT THIS ONE. 479 00:17:12,167 --> 00:17:13,333 I KNOW THIS. UM... 480 00:17:13,333 --> 00:17:15,067 - IT'S ME. - NO, JUST--LOGAN, STOP. 481 00:17:15,067 --> 00:17:16,067 IT'S, UM... 482 00:17:16,067 --> 00:17:17,200 - NO, IT'S ME. 483 00:17:17,200 --> 00:17:18,733 - YOU'RE MESSING UP MY CONCENTRATION. 484 00:17:18,733 --> 00:17:19,733 STOP IT. I KNOW THIS. 485 00:17:19,733 --> 00:17:21,567 - IT'S ME! 486 00:17:21,567 --> 00:17:23,100 - THE QUARTET'S LOGAN MITCHELL 487 00:17:23,100 --> 00:17:24,833 WAS THE LAST TO JOIN THE GROUP OF FRIENDS 488 00:17:24,833 --> 00:17:27,233 WHEN HE MOVED TO MINNESOTA IN THE THIRD GRADE 489 00:17:27,233 --> 00:17:29,333 WHERE THE BOYS SAY THEY QUICKLY BONDED 490 00:17:29,333 --> 00:17:31,433 BECAUSE HE DID THEIR HOMEWORK FOR THEM. 491 00:17:41,767 --> 00:17:45,667 - [screams] 492 00:17:45,667 --> 00:17:48,333 - EVERYBODY CHILL IT OUT. 493 00:17:48,333 --> 00:17:50,433 AND HOP ABOARD THE LOGAN TRAIN... 494 00:17:50,433 --> 00:17:51,667 WHOO-WHOO! 495 00:17:51,667 --> 00:17:53,167 TO MELLOW VILLE. 496 00:17:53,167 --> 00:17:54,367 BINK! 497 00:17:54,367 --> 00:17:55,900 CHILL. 498 00:17:55,900 --> 00:17:56,900 - HOW'S IT GOING? 499 00:17:56,900 --> 00:17:57,900 - HEY, CHILLING. 500 00:17:57,900 --> 00:17:59,067 YOU KNOW, DOING MY THING. 501 00:17:59,067 --> 00:18:00,167 BLEEP, BLOP, BLOOP. 502 00:18:00,167 --> 00:18:02,167 - OKAY, YOU FAILED THE FIRST TEST. 503 00:18:02,167 --> 00:18:05,067 - WELL, I CAN'T BELIEVE WE CAN'T GET RID OF A GHOST. 504 00:18:05,067 --> 00:18:06,567 both: YOU BELIEVE IN GHOSTS? 505 00:18:06,567 --> 00:18:09,233 - I BELIEVE IN THE DOODOOS IN MY PANTS. 506 00:18:09,233 --> 00:18:13,133 - I HAVE YET TO MEET ONE BOY WHO FULLY UNDERSTANDS MY BOOK. 507 00:18:13,133 --> 00:18:15,333 - YEAH, WELL, UM, HMM, THAT'S CRAZY, 508 00:18:15,333 --> 00:18:17,667 BECAUSE I UNDERSTOOD IT, AND... 509 00:18:17,667 --> 00:18:18,833 I'M A BOY. 510 00:18:18,833 --> 00:18:20,067 [all gasping] 511 00:18:20,067 --> 00:18:21,600 YEAH, WHAT DO YOU GIRLS THINK ABOUT THAT? 512 00:18:21,600 --> 00:18:25,067 YOU LIKE THAT? YOU LIKE THAT? 513 00:18:25,067 --> 00:18:27,067 SO YOU DON'T LIKE THAT. 514 00:18:27,067 --> 00:18:28,167 all: BOY! 515 00:18:28,167 --> 00:18:29,367 - WHAT? WHERE? 516 00:18:29,367 --> 00:18:31,833 BECAUSE I'M A GIRL, AND BOYS ARE STUPID. 517 00:18:31,833 --> 00:18:34,067 [girls growl, Logan shrieks] 518 00:18:34,067 --> 00:18:35,700 [gasps] 519 00:18:35,700 --> 00:18:38,167 DON'T WANT TO GET NASTY, BUT THIS IS HOW IT ROCKS 520 00:18:38,167 --> 00:18:39,267 THIS IS BIG TIME RUSH'S HOUSE 521 00:18:39,267 --> 00:18:40,567 NOT A KITTY LITTER BOX. 522 00:18:40,567 --> 00:18:42,667 YOU GOT POSTERS ON THE WALL, BUT AIN'T NO THING 523 00:18:42,667 --> 00:18:44,333 'CAUSE WE GONNA ROCK THIS OUT 524 00:18:44,333 --> 00:18:46,067 AND PUT POSTERS 525 00:18:46,067 --> 00:18:47,500 ON THE WALL... 526 00:18:47,500 --> 00:18:49,133 EVENTUALLY. 527 00:18:49,133 --> 00:18:51,067 SHICKA-JIGGA-WHAT? 528 00:18:51,067 --> 00:18:55,267 - AND NOW THE QUESTION EVERYONE HAS BEEN WAITING FOR. 529 00:18:55,267 --> 00:18:56,700 all: AND US. 530 00:18:56,700 --> 00:18:57,933 - ROMANCE. 531 00:18:57,933 --> 00:18:59,100 - OH. - WHOA. 532 00:18:59,100 --> 00:19:01,233 - WHO'S TAKEN AND WHO'S AVAILABLE? 533 00:19:01,233 --> 00:19:02,567 - WE ARE ALL SINGLE. 534 00:19:02,567 --> 00:19:04,067 - FREE AND CLEAR. 535 00:19:04,067 --> 00:19:05,900 - CALL ME. RIGHT HERE. 536 00:19:05,900 --> 00:19:07,067 - YOU KNOW, WE'VE DISCOVERED 537 00:19:07,067 --> 00:19:09,167 THAT DATING IN HOLLYWOOD CAN BE... 538 00:19:09,167 --> 00:19:10,367 COMPLICATED. 539 00:19:10,367 --> 00:19:12,167 - COMPLICATED. - YES. 540 00:19:12,167 --> 00:19:15,067 - WILL YOU BE MY DATE TO THE PROM? 541 00:19:15,067 --> 00:19:16,900 - NO. - WHAT? 542 00:19:16,900 --> 00:19:18,200 - WILL YOU GO TO THE DANCE WITH ME? 543 00:19:18,200 --> 00:19:19,200 - NO. 544 00:19:19,200 --> 00:19:20,500 - WILL YOU GO TO THE DANCE WITH ME? 545 00:19:20,500 --> 00:19:21,500 - NO. 546 00:19:21,500 --> 00:19:23,567 - DON'T EVEN GO THERE. 547 00:19:23,567 --> 00:19:26,300 - LOGAN MITCHELL, WILL YOU GO OUT WITH ME? 548 00:19:26,300 --> 00:19:28,067 - YES. 549 00:19:28,067 --> 00:19:29,100 slap! 550 00:19:29,100 --> 00:19:30,400 IT IS OVER, LOGAN MITCHELL, 551 00:19:30,400 --> 00:19:34,067 AND I NEVER WANT TO SEE YOU AGAIN. 552 00:19:34,067 --> 00:19:35,567 - * I LOVE YOU, I LOVE YOU 553 00:19:35,567 --> 00:19:37,400 * I LOVE YOU, YOU KNOW 554 00:19:37,400 --> 00:19:40,833 * I LOVE YOU, I LOVE YOU, SO DON'T LET ME GO * 555 00:19:40,833 --> 00:19:42,400 * I GAVE YOU MY HEART 556 00:19:42,400 --> 00:19:44,233 * YOU GAVE ME YOUR SOUL 557 00:19:44,233 --> 00:19:45,900 * I HAVE LOOKS THAT KILL 558 00:19:45,900 --> 00:19:47,733 * YOU SING ROCK AND ROLL 559 00:19:47,733 --> 00:19:49,467 * FROM TWO DIFFERENT WORLDS 560 00:19:49,467 --> 00:19:51,233 * BUT STILL WE STAY STRONG 561 00:19:51,233 --> 00:19:53,167 * THEY SAY IT WON'T LAST * 562 00:19:53,167 --> 00:19:54,833 * BUT WE'LL PROVE THEM WRONG * 563 00:19:54,833 --> 00:19:56,400 * I LOVE YOU, I LOVE YOU 564 00:19:56,400 --> 00:19:57,700 * I LOVE YOU, YOU KNOW 565 00:19:57,700 --> 00:20:00,733 * I LOVE YOU, I LOVE YOU, DON'T LEAVE ME * 566 00:20:00,733 --> 00:20:02,067 * I LOVE YOU 567 00:20:02,067 --> 00:20:03,067 - HELLO? 568 00:20:03,067 --> 00:20:04,067 UH-HUH. 569 00:20:04,067 --> 00:20:05,067 I GOT THE PART? 570 00:20:05,067 --> 00:20:07,067 [all cheer] 571 00:20:07,067 --> 00:20:08,933 IT'S SHOOTING IN NEW ZEALAND FOR THREE YEARS? 572 00:20:08,933 --> 00:20:11,333 [all cheer] 573 00:20:11,333 --> 00:20:13,033 THEY WANT ME TO LEAVE THIS WEEK? 574 00:20:13,033 --> 00:20:15,400 - OH, YES! [laughs] 575 00:20:15,400 --> 00:20:19,167 - THIS OPPORTUNITY ONLY COMES ONCE IN A LIFETIME. 576 00:20:19,167 --> 00:20:21,867 - MAYBE YOU ONLY COME ONCE IN A LIFETIME. 577 00:20:21,867 --> 00:20:26,000 - YOU ARE GONNA BE AMAZING. 578 00:20:26,000 --> 00:20:29,233 - * WAIT A MINUTE 579 00:20:29,233 --> 00:20:31,000 * BEFORE YOU TELL ME ANYTHING 580 00:20:31,000 --> 00:20:32,167 * HOW WAS YOUR DAY? 581 00:20:32,167 --> 00:20:34,667 * 'CAUSE I BEEN MISSING * 582 00:20:34,667 --> 00:20:38,000 * YOU BY MY SIDE 583 00:20:38,000 --> 00:20:39,167 * I'M NEVER * 584 00:20:39,167 --> 00:20:40,667 * NEVER 585 00:20:40,667 --> 00:20:43,667 * NEVER AS FAR AWAY AS IT MAY SEEM * 586 00:20:43,667 --> 00:20:46,833 * SOON WE'LL BE TOGETHER * 587 00:20:46,833 --> 00:20:49,933 * WE'LL PICK UP RIGHT WHERE WE LEFT OFF * 588 00:20:49,933 --> 00:20:52,833 * PARIS, LONDON, TOKYO 589 00:20:52,833 --> 00:20:55,800 * THERE'S JUST ONE THING THAT I GOTTA DO * 590 00:20:55,800 --> 00:20:58,733 * HELLO, TUCK YOU IN EVERY NIGHT ON THE PHONE * 591 00:20:58,733 --> 00:21:01,400 * GIRL, I'LL BE THINKING ABOUT YOU * 592 00:21:01,400 --> 00:21:02,733 * WORLDWIDE 593 00:21:02,733 --> 00:21:04,233 * WORLDWIDE 594 00:21:04,233 --> 00:21:05,733 * WORLDWIDE 595 00:21:05,733 --> 00:21:08,567 * GIRL, I'LL BE THINKING ABOUT YOU WORLDWIDE * 596 00:21:08,567 --> 00:21:11,067 * YES, I MAY 597 00:21:11,067 --> 00:21:14,333 * MEET A MILLION PRETTY GIRLS THAT KNOW MY NAME * 598 00:21:14,333 --> 00:21:16,633 * BUT DON'T YOU WORRY * 599 00:21:16,633 --> 00:21:21,167 * 'CAUSE YOU HAVE MY HEART * 600 00:21:21,167 --> 00:21:23,533 - WELL, WE'RE ABOUT OUT OF TIME. 601 00:21:23,533 --> 00:21:25,333 - BOO. - AWW. 602 00:21:25,333 --> 00:21:27,900 - BUT BEFORE WE GO, IS THERE ANYTHING YOU WANT TO SAY? 603 00:21:27,900 --> 00:21:29,067 - WE LOVE OUR FANS. 604 00:21:29,067 --> 00:21:30,400 - WE HAVE THE BEST FANS IN THE WORLD. 605 00:21:30,400 --> 00:21:31,567 - EVERYBODY CALL ME. CALL ME. 606 00:21:31,567 --> 00:21:32,767 YOU CAN CALL ME. CALL ME, GUYS. 607 00:21:32,767 --> 00:21:33,967 - WELL, THAT ABOUT WRAPS UP 608 00:21:33,967 --> 00:21:36,067 THIS SPECIAL EDITION OF BACKSTAGE ACCESS, 609 00:21:36,067 --> 00:21:38,667 AND EVEN THOUGH IT'S ONLY THEIR SECOND ALBUM, 610 00:21:38,667 --> 00:21:40,433 WE WANT TO LEAVE YOU WITH A LOOK BACK 611 00:21:40,433 --> 00:21:43,467 AT SOME OF BIG TIME RUSH'S GREATEST HITS. 612 00:21:43,467 --> 00:21:45,333 [all cheering] - ALL RIGHT, WE'LL SEE YOU GUYS. 613 00:21:45,333 --> 00:21:46,300 - DON'T FORGET TO CALL ME. 614 00:21:46,300 --> 00:21:49,067 - FIVE, SIX, SEVEN, EIGHT. 615 00:21:49,067 --> 00:21:51,700 [explosion] 616 00:21:51,700 --> 00:21:53,833 - DUH! 617 00:21:53,833 --> 00:21:55,767 [horn honks] 618 00:21:55,767 --> 00:21:58,100 - [screams] 619 00:21:58,100 --> 00:21:59,767 [all yelping] 620 00:21:59,767 --> 00:22:01,533 smack! [all scream] 621 00:22:01,533 --> 00:22:04,167 [explosion] 622 00:22:04,167 --> 00:22:05,367 [glass shatters] 623 00:22:14,200 --> 00:22:15,633 smack! 624 00:22:15,633 --> 00:22:16,567 smack! 625 00:22:25,567 --> 00:22:26,933 [screams] 626 00:22:26,933 --> 00:22:28,100 splash! 627 00:22:33,300 --> 00:22:36,067 [screaming] 628 00:22:40,300 --> 00:22:43,233 [smashing] 629 00:22:53,333 --> 00:22:54,267 thud! 630 00:22:57,467 --> 00:22:58,467 - * STEP IT UP, GET IN GEAR * 631 00:22:58,467 --> 00:23:00,267 * GO FOR BROKE, MAKE IT CLEAR * 632 00:23:00,267 --> 00:23:02,667 - * GOT TO GO BIG TIME 633 00:23:02,667 --> 00:23:04,267 - * HEY, HEY 634 00:23:04,267 --> 00:23:06,200 - * MAKE IT WORK, GET IT RIGHT * 635 00:23:06,200 --> 00:23:08,067 * CHANGE THE WORLD OVERNIGHT 636 00:23:08,067 --> 00:23:11,433 - * GOT TO DREAM BIG TIME 637 00:23:11,433 --> 00:23:12,467 - * OH-OH, OH-OH 638 00:23:12,467 --> 00:23:14,267 - * HEY, HEY 639 00:23:14,267 --> 00:23:16,233 - * GIVE IT ALL YOU GOT NOW 640 00:23:16,233 --> 00:23:18,200 - * HEY, HEY 641 00:23:18,200 --> 00:23:20,233 - * ISN'T IT A RUSH * 642 00:23:20,233 --> 00:23:22,367 - * OH-OH, OH-OH 643 00:23:22,367 --> 00:23:24,333 * OH-OH, OH-OH 644 00:23:24,333 --> 00:23:25,800 - * GO AND SHAKE IT UP 645 00:23:25,800 --> 00:23:28,333 * WHATCHA GOTTA LOSE 646 00:23:28,333 --> 00:23:32,500 * GO AND MAKE YOUR LUCK WITH THE LIFE YOU CHOOSE * 647 00:23:32,500 --> 00:23:35,500 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 648 00:23:35,500 --> 00:23:40,433 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME *