1 00:00:09,567 --> 00:00:12,133 - * AND YOU ALREADY KNOW THAT YOU'RE A STAR * 2 00:00:12,133 --> 00:00:13,233 - * AH AH AH AH 3 00:00:13,233 --> 00:00:14,767 - * A SUPERSTAR 4 00:00:14,767 --> 00:00:15,800 [electricity zaps] 5 00:00:15,800 --> 00:00:17,300 [all shouting] 6 00:00:17,300 --> 00:00:18,933 - WHAT WAS THAT? 7 00:00:18,933 --> 00:00:20,700 - YOU WERE OFF-KEY. 8 00:00:20,700 --> 00:00:23,467 - NO! THE SHOCKING FLOOR THING! 9 00:00:23,467 --> 00:00:26,333 - OH, THAT'S MY NEW STUDIO SHOCK SYSTEM. 10 00:00:26,333 --> 00:00:27,733 IT'S GOING TO HELP ME TRAIN YOU DOGS 11 00:00:27,733 --> 00:00:29,567 THROUGH NEGATIVE REINFORCEMENT. 12 00:00:29,567 --> 00:00:31,433 THAT WAY, BTR'S SECOND ALBUM 13 00:00:31,433 --> 00:00:33,567 WILL BE EVEN GREATER THAN THE FIRST. 14 00:00:33,567 --> 00:00:34,567 - THAT IS NOT FAIR! 15 00:00:34,567 --> 00:00:35,567 - ARE YOU SERIOUS? 16 00:00:35,567 --> 00:00:36,567 [electricity zaps] 17 00:00:36,567 --> 00:00:38,667 [all shouting] 18 00:00:38,667 --> 00:00:39,800 - BACK TALK BAD! 19 00:00:39,800 --> 00:00:42,733 NOW, GRIFFIN WANTS A NEW SONG TOMORROW, 20 00:00:42,733 --> 00:00:46,100 AND MY SILVER FRIEND HERE IS GONNA HELP US GET THERE. 21 00:00:46,100 --> 00:00:47,500 all: KELLY! 22 00:00:47,500 --> 00:00:50,033 - GUYS, NORMALLY, I WOULD TOTALLY OBJECT TO THIS ABUSE. 23 00:00:50,033 --> 00:00:51,867 WE REALLY NEED THAT SONG FAST. 24 00:00:51,867 --> 00:00:55,067 - GUSTAVO, WE KNOW THE SECOND ALBUM IS IMPORTANT. 25 00:00:55,067 --> 00:00:57,567 - YES, AND WE KNOW THAT WE HAVE TO WORK OUR BUTTS OFF. 26 00:00:57,567 --> 00:00:59,267 - YEAH, SO TRY TRUSTING US. 27 00:00:59,267 --> 00:01:00,800 - INSTEAD OF SHOCKING US. 28 00:01:00,800 --> 00:01:04,067 - HMM, LET ME THINK ABOUT IT. 29 00:01:04,067 --> 00:01:05,067 [electricity zaps] 30 00:01:05,067 --> 00:01:05,967 [all shouting] 31 00:01:08,667 --> 00:01:09,900 MORE RHYTHM! 32 00:01:09,900 --> 00:01:10,900 [electricity zaps] 33 00:01:10,900 --> 00:01:12,467 [all shouting] 34 00:01:12,467 --> 00:01:13,867 - LESS BATHROOM! 35 00:01:13,867 --> 00:01:15,167 [electricity zaps] 36 00:01:15,167 --> 00:01:16,167 [all shouting] 37 00:01:16,167 --> 00:01:18,200 [toilet flushing] 38 00:01:18,200 --> 00:01:19,767 NO BREAKS! 39 00:01:19,767 --> 00:01:20,767 [electricity zaps] 40 00:01:20,767 --> 00:01:22,200 [all shouting] 41 00:01:23,333 --> 00:01:24,967 IT'S JUST THE FIRST SETTING. 42 00:01:24,967 --> 00:01:29,133 - PUSH THAT BUTTON ONE MORE TIME... 43 00:01:29,133 --> 00:01:32,067 - AND WE'LL DO THAT THING WHERE WORKERS WALK OFF, 44 00:01:32,067 --> 00:01:35,300 HOLD UP SIGNS, AND CHANT RHYMING DEMANDS. 45 00:01:35,300 --> 00:01:36,300 - STRIKE. 46 00:01:36,300 --> 00:01:37,333 - THAT! 47 00:01:37,333 --> 00:01:38,367 - YEAH. 48 00:01:38,367 --> 00:01:40,767 - OH, WHAT, THIS BUTTON? 49 00:01:40,767 --> 00:01:44,300 THIS LITTLE BUTTON RIGHT HERE? 50 00:01:44,300 --> 00:01:45,333 [electricity zaps] 51 00:01:45,333 --> 00:01:49,067 [all shouting] 52 00:01:49,067 --> 00:01:50,800 - THAT IS IT! 53 00:01:50,800 --> 00:01:54,700 all: BIG TIME RUSH IS ON STRIKE! 54 00:01:54,700 --> 00:01:56,533 - * MAKE IT COUNT, PLAY IT STRAIGHT * 55 00:01:56,533 --> 00:01:58,500 * DON'T LOOK BACK, DON'T HESITATE * 56 00:01:58,500 --> 00:02:02,400 - * WHEN YOU GO BIG TIME 57 00:02:02,400 --> 00:02:04,500 - * WHAT YOU WANT, WHAT YOU FEEL * 58 00:02:04,500 --> 00:02:06,433 * NEVER QUIT AND MAKE IT REAL * 59 00:02:06,433 --> 00:02:09,633 - * WHEN YOU ROLL BIG TIME 60 00:02:09,633 --> 00:02:10,867 - * OH-OH, OH-OH 61 00:02:10,867 --> 00:02:12,433 - * HEY, HEY 62 00:02:12,433 --> 00:02:14,567 - * LISTEN TO YOUR HEART NOW 63 00:02:14,567 --> 00:02:16,267 - * HEY, HEY 64 00:02:16,267 --> 00:02:18,467 - * DON'T YOU FEEL THE RUSH * 65 00:02:18,467 --> 00:02:20,300 - * UH-OH, UH-OH 66 00:02:20,300 --> 00:02:21,700 * UH-OH, UH-OH 67 00:02:21,700 --> 00:02:22,733 - * OH 68 00:02:22,733 --> 00:02:23,933 - * GO AND SHAKE IT UP 69 00:02:23,933 --> 00:02:26,500 * WHATCHA GOTTA LOSE 70 00:02:26,500 --> 00:02:27,833 * GO AND MAKE YOUR LUCK 71 00:02:27,833 --> 00:02:30,333 * WITH THE LIFE YOU CHOOSE 72 00:02:30,333 --> 00:02:34,067 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 73 00:02:34,067 --> 00:02:37,933 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 74 00:02:41,733 --> 00:02:42,733 - WHOO! 75 00:02:42,733 --> 00:02:43,733 WE'LL SHOW GUSTAVO. 76 00:02:43,733 --> 00:02:44,800 - WE'RE ON STRIKE. 77 00:02:44,800 --> 00:02:47,067 - STRIKING BIG-TIME. 78 00:02:49,067 --> 00:02:51,767 - NOW, HOW DO YOU STRIKE? 79 00:02:51,767 --> 00:02:53,067 - LOGAN? 80 00:02:53,067 --> 00:02:55,067 - WELL, FIRST, WE HAVE TO ELECT A NEGOTIATOR, 81 00:02:55,067 --> 00:02:58,333 SOMEBODY WHO'S WILLING TO ENDURE HOURS OF AGONIZING NEGOTIATIONS 82 00:02:58,333 --> 00:03:01,367 TRAPPED IN A ROOM WITH GUSTAVO. 83 00:03:01,367 --> 00:03:02,433 - KENDALL! 84 00:03:02,433 --> 00:03:04,067 - WHAT? 85 00:03:04,067 --> 00:03:07,300 FINE. BUT I'M GOING TO NEED SOME MUSCLE, 86 00:03:07,300 --> 00:03:11,233 SOMEONE I CAN SCARE GUSTAVO WITH IF NEGOTIATIONS STALL. 87 00:03:11,233 --> 00:03:12,233 CARLOS. 88 00:03:12,233 --> 00:03:13,300 - YES! 89 00:03:13,300 --> 00:03:14,767 - WHAT? CARLOS? HA. 90 00:03:14,767 --> 00:03:16,367 ACCORDING TO THE BENCH PRESS IN THE GYM, 91 00:03:16,367 --> 00:03:19,067 I'M THE STRONGEST ONE IN THE GROUP. 92 00:03:19,067 --> 00:03:21,767 - YES, BUT CARLOS IS UNPREDICTABLE, 93 00:03:21,767 --> 00:03:23,100 AND AS YOU RECALL, 94 00:03:23,100 --> 00:03:26,067 HE TOOK ON THE ENTIRE EIGHTH GRADE IN MIDDLE SCHOOL. 95 00:03:26,067 --> 00:03:27,100 - IT WAS IMPRESSIVE. 96 00:03:27,100 --> 00:03:28,367 - AH, THANK YOU. 97 00:03:28,367 --> 00:03:29,867 - JAMES AND I WILL MAN THE PICKET LINES, 98 00:03:29,867 --> 00:03:32,600 MAKE SIGNS, AND CREATE HAVOC OUTSIDE OF ROCQUE RECORDS. 99 00:03:32,600 --> 00:03:34,067 - [chuckles] 100 00:03:34,067 --> 00:03:35,167 - HEY, WHAT'S GOING ON? 101 00:03:35,167 --> 00:03:36,800 all: WE'RE STICKING IT TO THE MAN. 102 00:03:36,800 --> 00:03:38,333 - HEY, I WANT TO STICK IT TO THE MAN. 103 00:03:38,333 --> 00:03:39,933 - GREAT. YOU'RE IN CHARGE OF PROVISIONS. 104 00:03:39,933 --> 00:03:42,233 YOU CAN BRING US FOOD, WATER, AND SUPPLIES TO THE FRONT LINE 105 00:03:42,233 --> 00:03:43,333 WHEN WE NEED IT. 106 00:03:43,333 --> 00:03:44,467 - COOL. 107 00:03:44,467 --> 00:03:45,933 - NOW WHAT DO WE WANT? 108 00:03:45,933 --> 00:03:48,067 - NO MORE SHOCK FLOORS. 109 00:03:48,067 --> 00:03:49,467 - OR SHOCK TOILETS. 110 00:03:49,467 --> 00:03:51,367 - A 30-MINUTE BREAK PER DAY. 111 00:03:51,367 --> 00:03:53,333 - OH, AND MORE RESPECT. 112 00:03:53,333 --> 00:03:55,233 WE WANT OUR SECOND ALBUM TO BE GREAT 113 00:03:55,233 --> 00:03:56,900 JUST AS MUCH AS HE DOES. 114 00:03:56,900 --> 00:03:57,900 all: SHBINGO! 115 00:03:57,900 --> 00:03:59,067 - THAT'S IT? 116 00:03:59,067 --> 00:04:00,833 I THOUGHT WE WERE STICKING IT TO THE MAN. 117 00:04:00,833 --> 00:04:02,533 YOU GUYS HOLD ALL THE CARDS HERE. 118 00:04:02,533 --> 00:04:04,633 all: GO ON. 119 00:04:04,633 --> 00:04:05,767 - GUSTAVO NEEDS SONGS 120 00:04:05,767 --> 00:04:08,167 FOR THE NEW BIG TIME RUSH ALBUM ASAP, 121 00:04:08,167 --> 00:04:11,267 AND HE CAN'T DO THAT WITHOUT BIG TIME RUSH. 122 00:04:11,267 --> 00:04:14,333 SO AGAIN... 123 00:04:14,333 --> 00:04:16,900 WHAT DO YOU GUYS WANT? 124 00:04:16,900 --> 00:04:18,467 - AN ICE CREAM SUNDAE BAR. 125 00:04:18,467 --> 00:04:22,133 A PERSONAL HAIR SALON OPEN 24-7. 126 00:04:22,133 --> 00:04:24,533 A PRIVATE EXOTIC PETTING ZOO. 127 00:04:24,533 --> 00:04:26,867 A STUDIO HOT TUB. 128 00:04:26,867 --> 00:04:28,267 OOH, A BACKUP STUDIO HOT TUB 129 00:04:28,267 --> 00:04:30,567 IN CASE THE FIRST STUDIO HOT TUB GETS BROKEN. 130 00:04:30,567 --> 00:04:32,933 - SUNDAY BRUNCHES WITH WAYNE GRETZKY. 131 00:04:32,933 --> 00:04:34,900 AND WHEEL SURGICALLY MOUNTED ON FEET 132 00:04:34,900 --> 00:04:37,367 WHEN PROCEDURE BECOMES AVAILABLE. 133 00:04:37,367 --> 00:04:39,367 - THAT ONE WAS MINE. 134 00:04:39,367 --> 00:04:42,200 - MEET THESE DEMANDS AND GET RID OF YOUR SHOCK SYSTEM, 135 00:04:42,200 --> 00:04:44,433 AND BTR WILL RETURN TO THE STUDIO 136 00:04:44,433 --> 00:04:47,867 AND BEGIN WORKING ON OUR SECOND ALBUM. 137 00:04:47,867 --> 00:04:48,933 - HMM. 138 00:04:48,933 --> 00:04:49,933 [electricity zaps] 139 00:04:49,933 --> 00:04:52,633 [both shouting] 140 00:04:52,633 --> 00:04:54,100 - PLAYING HARDBALL, HUH? 141 00:04:54,100 --> 00:04:56,100 WELL, TWO CAN PLAY THAT GAME. 142 00:04:56,100 --> 00:04:57,800 CARLOS... 143 00:04:57,800 --> 00:04:59,333 DO YOUR THING. 144 00:04:59,333 --> 00:05:01,167 - RIGHT. 145 00:05:02,733 --> 00:05:04,267 [whispering] WAIT, WHAT'S MY THING? 146 00:05:04,267 --> 00:05:06,200 - [whispering] MUSCLE OF THE OPERATION. 147 00:05:10,800 --> 00:05:13,367 WELL, BREAK HIS MUG TO SCARE HIM TO PROVE THAT WE'RE SERIOUS. 148 00:05:13,367 --> 00:05:15,333 - [wails] BUT WE BOUGHT HIM THAT MUG. 149 00:05:15,333 --> 00:05:16,567 IT'S HIS FAVORITE. 150 00:05:16,567 --> 00:05:18,067 [deflated trumpet fanfare] 151 00:05:18,067 --> 00:05:21,233 - LET ME HELP YOU MOVE THESE NEGOTIATIONS ALONG, OKAY? 152 00:05:21,233 --> 00:05:24,733 [dramatic music] 153 00:05:24,733 --> 00:05:26,633 - NO! 154 00:05:26,633 --> 00:05:27,967 [distant chanting] - HEY, HEY! HO, HO! 155 00:05:27,967 --> 00:05:29,667 - WHAT IS THAT NOISE? 156 00:05:30,967 --> 00:05:31,967 - [chuckles] 157 00:05:31,967 --> 00:05:33,067 - [wails] 158 00:05:33,067 --> 00:05:34,733 [distant chanting] - HEY, HEY! HO, HO! 159 00:05:34,733 --> 00:05:36,500 GUSTAVO'S GOT TO GO! 160 00:05:36,500 --> 00:05:39,100 HEY, HEY! HO, HO! GUSTAVO'S GOT TO GO! 161 00:05:39,100 --> 00:05:41,067 - OH, NO. 162 00:05:41,067 --> 00:05:42,167 - WHAT DO WE WANT? 163 00:05:42,167 --> 00:05:43,967 - AN ICE CREAM SUNDAE BAR! 164 00:05:43,967 --> 00:05:46,067 A PERSONAL HAIR SALON! 165 00:05:46,067 --> 00:05:48,200 A PRIVATE EXOTIC PETTING ZOO! 166 00:05:48,200 --> 00:05:50,100 BRUNCH WITH WAYNE GRETZKY! 167 00:05:50,100 --> 00:05:52,467 A HOT TUB! A SECOND HOT TUB! 168 00:05:52,467 --> 00:05:56,200 OKAY, YOU KNOW WHAT? WE NEED A SHORTER CHANT. 169 00:05:56,200 --> 00:05:58,267 - WAIT, HAVE YOU BEEN HOLDING THAT SIGN THE WHOLE TIME? 170 00:05:58,267 --> 00:05:59,367 - YEAH. 171 00:05:59,367 --> 00:06:01,067 - WHAT DOES THAT HAVE TO DO WITH STRIKING? 172 00:06:01,067 --> 00:06:03,800 - UM, I'M STRIKING. 173 00:06:03,800 --> 00:06:05,367 AND IF I'M GOING TO BE HERE ALL DAY, 174 00:06:05,367 --> 00:06:07,667 I WANT TO MAKE GOOD USE OF MY TIME. 175 00:06:07,667 --> 00:06:10,667 [funky music] 176 00:06:10,667 --> 00:06:13,767 * 177 00:06:13,767 --> 00:06:14,767 - GIVE ME THAT. 178 00:06:16,900 --> 00:06:18,767 USE ONE OF MY SIGNS. 179 00:06:20,933 --> 00:06:21,933 - YOUR SIGN IS BORING. 180 00:06:21,933 --> 00:06:23,900 - IT STATES ALL OF OUR DEMANDS 181 00:06:23,900 --> 00:06:27,267 AND WHY WE FEEL GUSTAVO'S WORK PRACTICES ARE UNJUST AND UNFAIR. 182 00:06:27,267 --> 00:06:29,233 - YEAH, BORING! 183 00:06:29,233 --> 00:06:30,233 - [huffs] 184 00:06:30,233 --> 00:06:32,133 IT'S NOT BORING! 185 00:06:32,133 --> 00:06:34,067 - WHERE'S KATIE WITH THE FOOD? 186 00:06:34,067 --> 00:06:35,300 - I KNOW, RIGHT? 187 00:06:35,300 --> 00:06:36,767 I'M HUNGRY. 188 00:06:36,767 --> 00:06:38,433 [trumpet fanfare] 189 00:06:38,433 --> 00:06:39,433 YOU'RE STUPID! 190 00:06:39,433 --> 00:06:40,433 - YOU'RE STUPID. 191 00:06:40,433 --> 00:06:41,433 YOU WANT TO GO? 192 00:06:41,433 --> 00:06:44,400 [both shouting] 193 00:06:44,400 --> 00:06:47,433 - MOM, THE GUYS NEED THEIR SANDWICHES ASAP. 194 00:06:47,433 --> 00:06:48,633 STRIKING IS HARD WORK. 195 00:06:48,633 --> 00:06:49,967 - YEAH, WELL, SO IS BEING A MOM. 196 00:06:49,967 --> 00:06:51,700 AND I HAVE A LOT OF OTHER THINGS TO DO 197 00:06:51,700 --> 00:06:53,500 BESIDES FEEDING THE PICKET LINES. 198 00:06:53,500 --> 00:06:54,500 - LIKE WHAT? 199 00:06:54,500 --> 00:06:57,300 [dramatic music] 200 00:06:57,300 --> 00:07:00,300 - I WILL HAVE YOU KNOW THAT BEING A FULL-TIME MOM 201 00:07:00,300 --> 00:07:01,767 IS ONE OF THE HARDEST JOBS THERE IS. 202 00:07:01,767 --> 00:07:05,200 YOU HAVE TO BE A CHEF, HOUSEKEEPER, NURSE, TUTOR, 203 00:07:05,200 --> 00:07:07,300 REFEREE, SEAMSTRESS, CHAUFFEUR. 204 00:07:07,300 --> 00:07:08,967 SHALL I GO ON? 205 00:07:08,967 --> 00:07:10,867 - MOM, I LOVE YOU. YOU'RE THE BEST. 206 00:07:10,867 --> 00:07:12,900 BUT COME ON. IT'S NOT THAT HARD. 207 00:07:12,900 --> 00:07:14,167 - OH, REALLY? 208 00:07:14,167 --> 00:07:16,667 WELL, MAYBE I SHOULD GO ON STRIKE. 209 00:07:16,667 --> 00:07:20,067 AND THEN MAYBE YOU'D KNOW HOW HARD I WORK AROUND HERE. 210 00:07:20,067 --> 00:07:21,300 WHAT DO YOU THINK ABOUT THAT? 211 00:07:21,300 --> 00:07:22,667 - [sarcastically] OOH, I'M SCARED. 212 00:07:24,267 --> 00:07:25,400 - WHAT DO I WANT? 213 00:07:25,400 --> 00:07:26,967 KIDS WHO APPRECIATE HOW HARD MOMS WORK. 214 00:07:26,967 --> 00:07:27,967 WHEN DO I WANT IT? NOW! 215 00:07:27,967 --> 00:07:28,967 - WHAT DO I WANT? KIDS WHO-- 216 00:07:28,967 --> 00:07:30,700 - YOU GO, GIRL. 217 00:07:30,700 --> 00:07:32,633 - WHEN DO I WANT IT? NOW! 218 00:07:32,633 --> 00:07:33,833 - UNBELIEVABLE. 219 00:07:33,833 --> 00:07:35,433 - KIDS WHO APPRECIATE HOW HARD MOMS WORK! 220 00:07:35,433 --> 00:07:36,500 WHEN DO I WANT IT? NOW! 221 00:07:36,500 --> 00:07:37,633 WHAT DO I WANT? 222 00:07:37,633 --> 00:07:39,633 KIDS WHO APPRECIATE HOW HARD MOMS WORK! 223 00:07:39,633 --> 00:07:40,900 WHEN DO I WANT IT? NOW! 224 00:07:40,900 --> 00:07:43,833 [both shouting] 225 00:07:45,567 --> 00:07:46,967 - [cackles] PERFECT. 226 00:07:46,967 --> 00:07:49,067 FIGHTING AMONGST THEMSELVES, 227 00:07:49,067 --> 00:07:52,167 THE FIRST SIGN OF A DYING STRIKE. 228 00:07:52,167 --> 00:07:53,500 [cackles] 229 00:07:53,500 --> 00:07:55,567 - WHY ARE YOU SO HAPPY ABOUT THIS? 230 00:07:55,567 --> 00:07:58,733 - BECAUSE THE DOGS WILL EXHAUST THEMSELVES, 231 00:07:58,733 --> 00:08:01,400 REALIZE THEIR STRIKE IS STUPID, 232 00:08:01,400 --> 00:08:03,633 AND THEN COME CRAWLING BACK TO PAPA BEAR. 233 00:08:03,633 --> 00:08:05,267 - WELL, THEY BETTER CRAWL FAST, 234 00:08:05,267 --> 00:08:06,767 BECAUSE ACCORDING TO MY SCHEDULE, 235 00:08:06,767 --> 00:08:07,900 GRIFFIN WANTS TO HEAR 236 00:08:07,900 --> 00:08:09,700 THE NEW SONG FOR THE NEW ALBUM TOMORROW, 237 00:08:09,700 --> 00:08:12,367 AND THERE'S JUST ONE TINY THING WE'RE MISSING: 238 00:08:12,367 --> 00:08:14,333 THE NEW SONG FOR THE NEW ALBUM. 239 00:08:14,333 --> 00:08:15,567 - THEY STARTED IT! 240 00:08:15,567 --> 00:08:17,067 - YEAH, BUT DID YOU HAVE TO SHOCK THEM? 241 00:08:17,067 --> 00:08:18,467 - YES! 242 00:08:18,467 --> 00:08:20,233 MAYBE NOT. 243 00:08:20,233 --> 00:08:21,500 FINE. 244 00:08:21,500 --> 00:08:24,667 JUST GET THE DOGS UP HERE SO WE CAN SETTLE THIS. 245 00:08:27,200 --> 00:08:28,700 - [whispering] HI, KELLY. 246 00:08:28,700 --> 00:08:30,167 - STOP BEING NICE. YOU'RE THE MUSCLE. 247 00:08:30,167 --> 00:08:32,367 - BUT I MISS HER, AND I MISS SINGING. 248 00:08:32,367 --> 00:08:34,500 - YOU CAN'T TELL THEM THAT. 249 00:08:34,500 --> 00:08:36,433 - I TAPED BACK TOGETHER YOUR DEMANDS, 250 00:08:36,433 --> 00:08:38,200 AND IF BIG TIME RUSH AGREES 251 00:08:38,200 --> 00:08:40,333 TO GET BACK IN THE STUDIO RIGHT NOW, 252 00:08:40,333 --> 00:08:42,700 I WILL STOP MOST OF THE SHOCKING. 253 00:08:42,700 --> 00:08:43,667 [loud smack] 254 00:08:43,667 --> 00:08:44,667 OW! 255 00:08:44,667 --> 00:08:46,400 ALL OF THE SHOCKING. 256 00:08:46,400 --> 00:08:47,933 - AND OUR OTHER DEMANDS? 257 00:08:47,933 --> 00:08:49,933 - GUYS, YOUR OTHER DEMANDS ARE RIDICULOUS. 258 00:08:49,933 --> 00:08:52,567 YOU KNOW WE CAN'T HAVE A PETTING ZOO IN THE STUDIO. 259 00:08:52,567 --> 00:08:55,567 - [whispering] THEY SOUND SCARED. 260 00:08:55,567 --> 00:08:57,833 - I AM NOT SCARED OF YOU. 261 00:08:59,300 --> 00:09:01,367 DON'T YOU PUSH IT. 262 00:09:04,100 --> 00:09:05,767 - HERE WE GO. 263 00:09:05,767 --> 00:09:09,100 - GUSTAVO, WE BOTH KNOW THAT I'M WEARING A TIE. 264 00:09:09,100 --> 00:09:10,833 AND WE ALSO KNOW 265 00:09:10,833 --> 00:09:13,600 THAT GRIFFIN WANTS A NEW SONG FROM BIG TIME RUSH TOMORROW. 266 00:09:13,600 --> 00:09:16,433 - AND WE'RE BIG TIME RUSH, WHICH MEANS... 267 00:09:16,433 --> 00:09:17,367 WHERE'S MY HAIR SALON? 268 00:09:19,467 --> 00:09:21,433 - AND I'M GUSTAVO ROCQUE, 269 00:09:21,433 --> 00:09:24,633 WHICH MEANS I CAN HAVE ANYONE RECORD THE NEW SONG, 270 00:09:24,633 --> 00:09:26,533 WORK MY MAGIC ON THE SOUND BOARD, 271 00:09:26,533 --> 00:09:28,867 AND JUST TELL GRIFFIN IT'S YOU DOGS. 272 00:09:30,933 --> 00:09:32,200 - IS THAT A THREAT? 273 00:09:32,200 --> 00:09:34,300 BECAUSE WE CAN BE THREATENING TOO. 274 00:09:34,300 --> 00:09:35,867 CARLOS, SHOW HIM. 275 00:09:35,867 --> 00:09:37,167 - YEAH. 276 00:09:37,167 --> 00:09:38,700 YOU SEE THIS? 277 00:09:38,700 --> 00:09:41,100 YOU CAN'T HAVE IT BACK UNTIL YOU'RE NICER TO US. 278 00:09:41,100 --> 00:09:42,200 [deflated trumpet fanfare] 279 00:09:42,200 --> 00:09:44,433 - [sighs] 280 00:09:44,433 --> 00:09:46,400 - YEAH, SUPER TALENTED TALENT AGENCY? 281 00:09:46,400 --> 00:09:50,233 YEAH, SEND OVER EVERY HOT SINGING BOY TEEN IN L.A. 282 00:09:50,233 --> 00:09:53,900 TO ROCQUE RECORDS NOW. 283 00:09:53,900 --> 00:09:55,567 - OH, YEAH, GOOD LUCK WITH THAT. 284 00:09:55,567 --> 00:09:59,333 - BECAUSE THEY'LL NEVER GET PAST OUR PICKET LINE. 285 00:09:59,333 --> 00:10:00,867 - YOU MEAN THE PICKET LINE THAT'S UP HERE 286 00:10:00,867 --> 00:10:02,667 INSTEAD OF OUT FRONT? 287 00:10:02,667 --> 00:10:04,667 all: YEAH! 288 00:10:04,667 --> 00:10:06,600 [all shouting] 289 00:10:09,167 --> 00:10:10,967 [tires screeching] 290 00:10:10,967 --> 00:10:12,867 - HEY, I BROUGHT YOU GUYS SOME LUNCH. 291 00:10:12,867 --> 00:10:15,300 I HOPE YOU LIKE MUSTARD, BECAUSE I MADE MUSTARD SANDWICHES. 292 00:10:15,300 --> 00:10:17,833 - BAD TIMING, KATIE. WE MIGHT BE UNDER ATTACK. 293 00:10:17,833 --> 00:10:21,567 - I BROUGHT SOME WATER TOO. 294 00:10:21,567 --> 00:10:24,767 [dramatic music] 295 00:10:24,767 --> 00:10:26,200 - IT'S STARTING... 296 00:10:26,200 --> 00:10:28,833 [people shouting] 297 00:10:28,833 --> 00:10:30,100 - I'M FREAKING OUT! 298 00:10:30,100 --> 00:10:32,733 - WE JUST NEED TO MAKE SURE NO ONE GETS INSIDE. 299 00:10:32,733 --> 00:10:33,933 I MEAN, HOW MANY CAN THERE BE? 300 00:10:37,867 --> 00:10:39,833 - OH, THIS IS GOOD. 301 00:10:39,833 --> 00:10:42,800 [crowd shouting] 302 00:10:42,800 --> 00:10:43,867 - THIS IS BAD! 303 00:10:43,867 --> 00:10:45,200 - THIS IS SO BAD! 304 00:10:45,200 --> 00:10:46,867 [crowd shouting] 305 00:10:46,867 --> 00:10:49,767 - * AH, AH, AH-AH, OH 306 00:10:54,100 --> 00:10:55,367 - SPLIT UP! 307 00:10:55,367 --> 00:10:57,533 - AH! 308 00:10:57,533 --> 00:10:58,533 - BACK OFF! 309 00:10:58,533 --> 00:11:00,700 I'M NOT AFRAID TO USE IT. 310 00:11:00,700 --> 00:11:04,200 [rock music] 311 00:11:04,200 --> 00:11:05,233 - WAIT! 312 00:11:05,233 --> 00:11:06,400 YOU'RE MISSING THE AUDITIONS 313 00:11:06,400 --> 00:11:08,933 FOR THE NEW TAYLOR LAUTNER BUDDY COMEDY! 314 00:11:08,933 --> 00:11:12,533 [crowd murmuring] 315 00:11:12,533 --> 00:11:14,467 - WHOA, WHOA, WHOA, FELLAS, FELLAS, FELLAS, HEY! 316 00:11:14,467 --> 00:11:17,433 LET'S NOT FIGHT. LET'S TALK THIS OUT, HUH? 317 00:11:17,433 --> 00:11:19,733 CARLOS, WHAT KIND OF MUSCLE ARE YOU? 318 00:11:19,733 --> 00:11:20,767 - HE'S GOT MUSTARD! 319 00:11:20,767 --> 00:11:21,767 - YEAH! 320 00:11:21,767 --> 00:11:25,567 [crowd shouting] 321 00:11:25,567 --> 00:11:26,600 YEAH! [laughs] 322 00:11:28,733 --> 00:11:31,400 - WHOA! HEY! 323 00:11:31,400 --> 00:11:32,500 - LET'S TALK IT OUT! 324 00:11:32,500 --> 00:11:33,500 - ANOTHER SANDWICH? 325 00:11:33,500 --> 00:11:36,567 [crowd shouting frantically] 326 00:11:36,567 --> 00:11:39,500 [chainsaw buzzing] 327 00:11:42,500 --> 00:11:44,267 all: AND DON'T COME BACK! 328 00:11:46,067 --> 00:11:47,700 - REALLY? THE CHAINSAW? 329 00:11:47,700 --> 00:11:49,600 - IT DOESN'T HAVE A CHAIN ON IT. 330 00:11:49,600 --> 00:11:52,533 [all cheering] 331 00:11:55,700 --> 00:11:57,233 - DARN IT! 332 00:11:57,233 --> 00:12:02,067 DARN IT! DARN IT! DARN IT! DARN IT! DARN IT! DARN IT! 333 00:12:02,067 --> 00:12:05,300 - OKAY, I CAN PROBABLY GET THEM THE ICE CREAM SUNDAE BAR, 334 00:12:05,300 --> 00:12:07,333 BUT I HAVE NO IDEA HOW TO GET THEM 335 00:12:07,333 --> 00:12:08,567 BRUNCH WITH WAYNE GRETZKY. 336 00:12:08,567 --> 00:12:11,333 - THEY ARE NOT GETTING ANYTHING! 337 00:12:11,333 --> 00:12:13,900 WE ARE GOING TO WIN THIS STRIKE 338 00:12:13,900 --> 00:12:17,167 AND GET GRIFFIN HIS SONG BY TOMORROW. 339 00:12:17,167 --> 00:12:18,267 - HOW? 340 00:12:18,267 --> 00:12:19,333 - YOU'LL SEE. 341 00:12:19,333 --> 00:12:22,200 AND IT'S GOING TO BE SHOCKING. 342 00:12:22,200 --> 00:12:23,200 [electricity zaps] 343 00:12:23,200 --> 00:12:24,967 [screams] 344 00:12:27,067 --> 00:12:28,600 - SO WHAT HAPPENS NOW? 345 00:12:28,600 --> 00:12:30,300 - I'LL TELL YOU WHAT HAPPENS NOW. 346 00:12:30,300 --> 00:12:32,500 GUSTAVO STARTS SWEATING. 347 00:12:32,500 --> 00:12:36,133 "OH, I'M GUSTAVO, AND I'M SWEATING, DOGS." 348 00:12:36,133 --> 00:12:37,800 - THEN GRIFFIN CALLS. 349 00:12:37,800 --> 00:12:39,833 "HELLO, GUSTAVO, I'M WEIRD AND RICH, 350 00:12:39,833 --> 00:12:41,233 AND WHERE'S MY NEW SONG?" 351 00:12:41,233 --> 00:12:45,167 - AND THEN GUSTAVO CALLS US UP, GIVES IN TO ALL OUR DEMANDS, 352 00:12:45,167 --> 00:12:46,533 AND STRIKE OVER. 353 00:12:46,533 --> 00:12:48,067 - STRIKE OVER! 354 00:12:48,067 --> 00:12:49,267 - [laughs] 355 00:12:49,267 --> 00:12:53,200 NOW, ALL WE NEED ARE SANDWICHES THAT ARE TASTY... 356 00:12:53,200 --> 00:12:57,067 AND NOT TERRIFYING. 357 00:12:57,067 --> 00:12:58,600 - HEY, I MADE THOSE SANDWICHES. 358 00:12:58,600 --> 00:13:00,567 - AND DON'T EVER DO THAT AGAIN. 359 00:13:00,567 --> 00:13:03,367 - OKAY, MOM IS ON STRIKE TOO, AND, FRANKLY, 360 00:13:03,367 --> 00:13:04,767 SHE IS OVERREACTING 361 00:13:04,767 --> 00:13:07,067 AND OVERSTATING HER JOB DESCRIPTION. 362 00:13:07,067 --> 00:13:09,533 - WELL, FRANKLY, MAMA MAKES A GREAT SAMMICH. 363 00:13:09,533 --> 00:13:13,233 NOW GO BACK TO THE PALMWOODS, JUST ADMIT THAT YOU'RE WRONG, 364 00:13:13,233 --> 00:13:15,233 AND HAVE HER WHIP UP FOUR TURKEY AND CHEESE 365 00:13:15,233 --> 00:13:16,233 WITH LETTUCE AND MAYO? 366 00:13:16,233 --> 00:13:17,233 - YEP. - YEAH. 367 00:13:17,233 --> 00:13:18,267 - YEAH. 368 00:13:18,267 --> 00:13:20,067 - OOH, AND GRAB MY NEW WHITE JACKET. 369 00:13:20,067 --> 00:13:21,333 IT'S, UH--IT'S CHILLY. 370 00:13:21,333 --> 00:13:22,333 - FINE. 371 00:13:22,333 --> 00:13:25,933 [cell phone ringing] 372 00:13:25,933 --> 00:13:27,167 - IT'S GUSTAVO. 373 00:13:27,167 --> 00:13:28,600 PROBABLY WANTS TO TALK. 374 00:13:28,600 --> 00:13:32,700 - SOUNDS LIKE SOMEBODY IS MISSING HIS MUG. 375 00:13:32,700 --> 00:13:34,600 - REALLY? 376 00:13:37,600 --> 00:13:39,867 - [sighs] MOM, I'M SORRY. 377 00:13:39,867 --> 00:13:42,067 AND WHAT WILL IT TAKE TO GET YOU TO STOP STRIKING? 378 00:13:44,067 --> 00:13:46,200 - I WILL STOP WHEN YOU ADMIT THAT A MOM'S JOB 379 00:13:46,200 --> 00:13:48,733 IS JUST AS HARD AS ANY OTHER JOB IN THE WORLD. 380 00:13:48,733 --> 00:13:51,333 - YOUR JOB IS JUST AS HARD AS ANY OTHER JOB IN THE WORLD. 381 00:13:51,333 --> 00:13:52,667 NOW, WILL YOU MAKE FOUR SANDWICHES 382 00:13:52,667 --> 00:13:54,700 AND DO A QUICK WASH ON JAMES' JACKET? 383 00:13:54,700 --> 00:13:56,500 HE'S COLD. 384 00:13:56,500 --> 00:13:58,900 - YOU STILL DON'T BELIEVE ME, DO YOU? 385 00:13:58,900 --> 00:14:00,900 - MOM, I WANT TO STRESS TO YOU THAT I LOVE YOU, 386 00:14:00,900 --> 00:14:03,167 BUT WHAT YOU DO IS NOT ROCKET SCIENCE. 387 00:14:03,167 --> 00:14:04,167 - OH, REALLY? 388 00:14:04,167 --> 00:14:05,333 - YEAH. 389 00:14:05,333 --> 00:14:06,767 - THEN YOU WASH THE BOYS' CLOTHES. 390 00:14:06,767 --> 00:14:09,067 OH, AND DON'T FORGET TO SEPARATE THE WHITES FROM THE COLORS 391 00:14:09,067 --> 00:14:10,067 AND THE BRIGHT COLORS. 392 00:14:10,067 --> 00:14:11,400 WASH THE COLORS ON HEAVY SOIL. 393 00:14:11,400 --> 00:14:13,067 BLEACH THE WHITES ON HOT-COLD HOT, 394 00:14:13,067 --> 00:14:15,067 DO EVERYTHING ELSE ON COLD-COLD COLD. 395 00:14:15,067 --> 00:14:17,700 OH, EXCEPT FOR JAMES' DELICATES, THOSE REQUIRE PERMANENT PRESS. 396 00:14:17,700 --> 00:14:20,500 AND ADD STEAM FOR COTTONS, NO STEAM FOR POLY-COTTON BLENDS. 397 00:14:20,500 --> 00:14:22,733 AND DO NOT WASH ANYTHING RED WITH ANYTHING ELSE 398 00:14:22,733 --> 00:14:23,867 ON HOT-COLD HOT, 399 00:14:23,867 --> 00:14:27,800 OR THE ENTIRE LOAD WILL COME OUT PINK. 400 00:14:27,800 --> 00:14:29,467 - ISN'T THERE JUST A "CLEAN" BUTTON? 401 00:14:29,467 --> 00:14:30,900 - NO. 402 00:14:33,233 --> 00:14:37,133 - SO I ASSUME YOU'VE DECIDED TO MEET ALL OF YOUR DEMANDS, 403 00:14:37,133 --> 00:14:38,433 AND WE ACCEPT. 404 00:14:38,433 --> 00:14:40,433 - CLOSE. 405 00:14:40,433 --> 00:14:41,800 YOU'RE FIRED! 406 00:14:41,800 --> 00:14:42,800 all: WHAT? 407 00:14:42,800 --> 00:14:44,100 - WHAT? 408 00:14:44,100 --> 00:14:45,667 - YOU CAN'T FIRE US. WE'RE BIG TIME RUSH. 409 00:14:45,667 --> 00:14:47,900 - YEAH, AND YOU CAN'T MAKE A SECOND BIG TIME RUSH ALBUM 410 00:14:47,900 --> 00:14:49,733 WITHOUT BIG TIME RUSH. 411 00:14:49,733 --> 00:14:54,067 - WRONG, BECAUSE I AM BIG TIME RUSH. 412 00:14:54,067 --> 00:14:56,900 I OWN ALL THE SONGS. I OWN THE STUDIO. 413 00:14:56,900 --> 00:14:58,533 I OWN YOUR LIKENESSES, 414 00:14:58,533 --> 00:15:01,967 AND I CAN MAKE THE ALBUM WITHOUT YOU. 415 00:15:01,967 --> 00:15:04,333 YOU LOSE. I WIN. STRIKE OVER. 416 00:15:04,333 --> 00:15:05,600 - UH... 417 00:15:05,600 --> 00:15:07,500 CARLOS, TIME TO FLEX A LITTLE BIG-TIME MUSCLE. 418 00:15:07,500 --> 00:15:08,800 - YES. 419 00:15:08,800 --> 00:15:10,067 - CHECK IT. 420 00:15:10,067 --> 00:15:11,967 YOU'RE NOT GONNA GET YOUR MUG BACK. 421 00:15:11,967 --> 00:15:13,400 both: OH! 422 00:15:13,400 --> 00:15:14,400 - I DON'T NEED IT. 423 00:15:14,400 --> 00:15:16,900 I GOT A NEW ONE. 424 00:15:16,900 --> 00:15:18,067 all: AW. 425 00:15:18,067 --> 00:15:19,667 - GUSTAVO, LET'S TALK ABOUT THIS. 426 00:15:19,667 --> 00:15:20,667 - NO. 427 00:15:20,667 --> 00:15:22,067 THE TIME FOR TALK IS OVER. 428 00:15:22,067 --> 00:15:23,567 YOU GOT GREEDY. 429 00:15:23,567 --> 00:15:28,067 YOU PUSHED ME, AND NOW YOU GOT FIRED. 430 00:15:28,067 --> 00:15:29,133 - YEAH? 431 00:15:29,133 --> 00:15:30,900 WELL, WE'RE NOT LEAVING. 432 00:15:30,900 --> 00:15:32,700 WHAT DO YOU THINK OF THAT? - YEAH. 433 00:15:32,700 --> 00:15:35,267 - I THINK WE SHOULD TRY SETTING FIVE. 434 00:15:35,267 --> 00:15:36,533 [electrical hum] 435 00:15:36,533 --> 00:15:38,867 - OH, NO. 436 00:15:38,867 --> 00:15:40,433 [electricity zaps] 437 00:15:40,433 --> 00:15:41,867 - I DON'T LIKE-- [crackle] 438 00:15:41,867 --> 00:15:43,100 ZZ-ZZ-SETTING NUMBER FIVE. 439 00:15:43,100 --> 00:15:44,733 - I CAN'T BELIEVE GU-- ZZ-STAVO BEAT US 440 00:15:44,733 --> 00:15:45,933 WHEN WE HAVE ALL THE CARDS. 441 00:15:45,933 --> 00:15:47,367 - AND NOW WE'RE NOT GONNA BE ABLE TO SING 442 00:15:47,367 --> 00:15:49,100 ON OUR SECOND ALBUM! 443 00:15:51,600 --> 00:15:52,767 [record scratches] 444 00:15:52,767 --> 00:15:55,367 - OH, NOW YOU GET ALL MUSCLEY-- EE-EE? 445 00:15:55,367 --> 00:15:57,900 - YOU KNOW I CAN'T CONTROL IT. 446 00:15:57,900 --> 00:16:00,133 - WE ARE NOT BEATEN YET, 447 00:16:00,133 --> 00:16:03,233 BECAUSE WE HAVE SOMETHING THAT GUSTAVO DOESN'T. 448 00:16:03,233 --> 00:16:04,467 - HAIR. 449 00:16:04,467 --> 00:16:05,467 - A SOUL. 450 00:16:05,467 --> 00:16:07,900 - HIS COFFEE MUG. 451 00:16:07,900 --> 00:16:09,133 - OUR FANS, 452 00:16:09,133 --> 00:16:12,667 AND THEY WANT US, NOT... 453 00:16:12,667 --> 00:16:14,467 NOT US. 454 00:16:14,467 --> 00:16:16,267 all: I SMELL PLAN. 455 00:16:16,267 --> 00:16:19,833 - WE ARE GOING TO MAKE A VIDEO, UPLOAD IT TO THE WEB, 456 00:16:19,833 --> 00:16:22,400 OUR FANS ARE GOING TO SEE IT, RISE UP, 457 00:16:22,400 --> 00:16:25,267 AND GUSTAVO WILL COME CRAWLING BACK TO THE NEGOTIATING TABLE. 458 00:16:25,267 --> 00:16:27,733 - A VIDEO? HOW ARE WE GOING TO MAKE A VIDEO? 459 00:16:27,733 --> 00:16:29,067 GUSTAVO OWNS THE NAME OF THE BAND 460 00:16:29,067 --> 00:16:32,400 AND ALL OF OUR PERFORMANCE CLOTHES. 461 00:16:32,400 --> 00:16:33,533 - WE CAN USE OUR OWN CLOTHES. 462 00:16:34,833 --> 00:16:38,300 - YEAH, ABOUT THE CLOTHES... 463 00:16:38,300 --> 00:16:40,233 - AH, ONE MORE SMALL PROBLEM. 464 00:16:40,233 --> 00:16:43,667 GUSTAVO ALSO OWNS EVERY BIG TIME RUSH SONG. 465 00:16:43,667 --> 00:16:47,633 - NOT EVERY SONG. 466 00:16:47,633 --> 00:16:49,200 - * OH, YOU'RE SUCH A TURD * 467 00:16:49,200 --> 00:16:51,233 * OH, YEAH, A GIANT TURD * 468 00:16:51,233 --> 00:16:52,833 * AND YOU LOOK LIKE A TURD 469 00:16:52,833 --> 00:16:54,933 * AND YOU SMELL LIKE A TURD 470 00:16:54,933 --> 00:16:56,700 * OH, YOU'RE SUCH A TURD * 471 00:16:56,700 --> 00:16:58,767 * OH, YEAH, A GIANT TURD * 472 00:16:58,767 --> 00:17:00,500 * AND YOU LOOK LIKE A TURD 473 00:17:00,500 --> 00:17:02,500 * AND YOU SMELL 474 00:17:02,500 --> 00:17:05,067 - * LIKE A TU-URD 475 00:17:05,067 --> 00:17:06,367 - HA. 476 00:17:07,467 --> 00:17:08,800 - YEAH, WE CANNOT POST THIS VIDEO. 477 00:17:08,800 --> 00:17:10,867 - UGH! OUR FANS WILL NOT RISE UP. 478 00:17:10,867 --> 00:17:12,133 - YEAH, BUT THEY MAY THROW UP. 479 00:17:12,133 --> 00:17:13,367 - AND THIS JACKET... 480 00:17:13,367 --> 00:17:14,467 AND EVERYTHING IS PINK! 481 00:17:14,467 --> 00:17:17,300 - HEY, BEING A MOM IS HARD WORK, OKAY? 482 00:17:17,300 --> 00:17:18,833 - WHAT WAS THAT AGAIN? 483 00:17:18,833 --> 00:17:20,133 - I ADMIT IT. 484 00:17:20,133 --> 00:17:22,067 YOUR JOB IS SUPER HARD, 485 00:17:22,067 --> 00:17:24,800 AND WE NEED OUR CHEF, CHAUFFEUR, SEAMSTRESS, HOUSEKEEPER, 486 00:17:24,800 --> 00:17:29,833 TUTOR, NURSE, REFEREE, AND LAUNDRY SCIENTIST MOM BACK. 487 00:17:29,833 --> 00:17:30,900 - DEAL. 488 00:17:30,900 --> 00:17:32,533 - YES! 489 00:17:32,533 --> 00:17:35,267 - NOW, IS THERE ANYTHING I CAN HELP THE PINK BOYS WITH? 490 00:17:37,067 --> 00:17:38,267 - AS A MATTER OF FACT, 491 00:17:38,267 --> 00:17:40,900 HOW GOOD ARE MOMS AT BEING STRIKE NEGOTIATORS? 492 00:17:40,900 --> 00:17:42,833 - [whispers] OH, PLEASE. 493 00:17:46,833 --> 00:17:49,700 - WHY DO YOU LOOK LIKE A TERRIFYING VERSION OF KENDALL? 494 00:17:49,700 --> 00:17:53,967 - BECAUSE I'M GONNA SING ALL THE GUYS' PARTS ON THE SONG, 495 00:17:53,967 --> 00:17:58,200 AND WITH A LITTLE GUSTAVO ROCQUE POST-PRODUCTION MAGIC, 496 00:17:58,200 --> 00:18:03,467 GRIFFIN AND EVERY BTR FAN WILL NEVER KNOW THE DIFFERENCE. 497 00:18:03,467 --> 00:18:04,633 HIT IT! 498 00:18:06,400 --> 00:18:09,700 - * ALREADY KNOW THAT YOU'RE A STAR * 499 00:18:09,700 --> 00:18:11,100 * A SUPERSTAR 500 00:18:11,100 --> 00:18:13,567 * THAT YOU'RE A STAR * 501 00:18:13,567 --> 00:18:14,767 * A SUPERSTAR 502 00:18:14,767 --> 00:18:16,900 * THAT YOU'RE A STAR * 503 00:18:16,900 --> 00:18:18,667 * AND YOU ALREADY KNOW 504 00:18:18,667 --> 00:18:21,067 * YOU WANT TO WILD OUT, THEN WILD OUT * 505 00:18:21,067 --> 00:18:22,567 * ALL EYES ON YOU 506 00:18:22,567 --> 00:18:25,133 * IT'S GOING DOWN, DOWN RIGHT NOW * 507 00:18:25,133 --> 00:18:26,333 * AND YOU CAN'T LOSE * 508 00:18:26,333 --> 00:18:28,367 * YOU GONNA WILD OUT, THEN WILD OUT * 509 00:18:28,367 --> 00:18:30,133 * THAT'S WHAT YOU DO * 510 00:18:30,133 --> 00:18:31,767 * TALK OF THE TOWN 511 00:18:31,767 --> 00:18:35,800 * AND YOU ALREADY KNOW THAT YOU'RE A STAR * 512 00:18:35,800 --> 00:18:37,467 * A SUPERSTAR 513 00:18:37,467 --> 00:18:39,167 * THAT YOU'RE A STAR * 514 00:18:39,167 --> 00:18:42,933 * AND YOU ALREADY KNOW 515 00:18:42,933 --> 00:18:44,600 - SO HOW WAS THAT? 516 00:18:46,533 --> 00:18:48,067 FINE! 517 00:18:48,067 --> 00:18:50,967 JUST GET THE DOGS DOWN HERE NOW! 518 00:18:50,967 --> 00:18:52,067 all: WE'RE HERE. 519 00:18:52,067 --> 00:18:55,567 - WITH NEW REPRESENTATION. 520 00:18:57,267 --> 00:18:58,633 - IS THAT ONE OF MY HELMETS? 521 00:19:02,267 --> 00:19:04,600 - IN EXCHANGE FOR THE BOYS ENDING THE STRIKE, 522 00:19:04,600 --> 00:19:07,467 YOU PROMISE NO MORE SHOCK SYSTEM, 523 00:19:07,467 --> 00:19:09,233 ONE 30-MINUTE BREAK A DAY, 524 00:19:09,233 --> 00:19:11,533 AND GIVE THE BOYS A LITTLE RESPECT 525 00:19:11,533 --> 00:19:13,467 FOR ALL THE HARD WORK THEY'VE GIVEN YOU. 526 00:19:14,567 --> 00:19:16,567 - NO MORE SHOCK SYSTEM. 527 00:19:16,567 --> 00:19:17,733 - AH! - YES! 528 00:19:17,733 --> 00:19:18,800 - THEY CAN HAVE THEIR BREAK. 529 00:19:18,800 --> 00:19:19,800 - YES! 530 00:19:19,800 --> 00:19:20,833 - BUT NO RESPECT! 531 00:19:20,833 --> 00:19:23,333 [ominous music] 532 00:19:23,333 --> 00:19:24,333 [mug shatters] 533 00:19:24,333 --> 00:19:25,600 [all gasp] 534 00:19:25,600 --> 00:19:27,533 OKAY, THEY CAN HAVE RESPECT. 535 00:19:27,533 --> 00:19:29,100 - MOMS ARE GOOD NEGOTIATORS. 536 00:19:29,100 --> 00:19:30,100 - YEP. 537 00:19:30,100 --> 00:19:31,433 - YEP. - YEAH. 538 00:19:31,433 --> 00:19:33,733 - SO...WE HAVE A DEAL? 539 00:19:35,833 --> 00:19:37,300 - WHAT, NO CONTRACT? 540 00:19:37,300 --> 00:19:41,067 - LIKE IT OR NOT, GUSTAVO, WE ARE A FAMILY, 541 00:19:41,067 --> 00:19:43,933 AND THERE ARE NO CONTRACTS NEEDED BETWEEN FAMILY. 542 00:19:54,200 --> 00:19:56,300 all: THE STRIKE IS OVER! 543 00:19:56,300 --> 00:19:58,833 - WHICH MEANS WE NEED TO GET BACK TO WORK, 544 00:19:58,833 --> 00:20:00,133 SO GET IN THE BOOTH 545 00:20:00,133 --> 00:20:02,900 SO WE CAN GET STARTED ON OUR SECOND ALBUM. 546 00:20:02,900 --> 00:20:04,767 [all cheering] 547 00:20:04,767 --> 00:20:06,467 all: * A SUPERSTAR 548 00:20:06,467 --> 00:20:08,800 * THAT YOU'RE A STAR * 549 00:20:08,800 --> 00:20:10,933 * A SUPERSTAR 550 00:20:10,933 --> 00:20:12,567 - * OH, NO 551 00:20:12,567 --> 00:20:13,933 * IT'S ON TONIGHT * 552 00:20:13,933 --> 00:20:16,433 * AND HERE WE GO, OH 553 00:20:16,433 --> 00:20:20,033 - * TO THE BEGINNING OF THIS CRAZY NIGHT * 554 00:20:20,033 --> 00:20:24,633 * SO, BABY, WE CAN LET IT GO, GO, GO * 555 00:20:24,633 --> 00:20:25,767 * HEY 556 00:20:25,767 --> 00:20:27,900 - * YOU'RE SHINING LIKE A STAR * 557 00:20:27,900 --> 00:20:31,100 * I WANT TO BE WHERE YOU ARE, ARE * 558 00:20:31,100 --> 00:20:33,400 both: * OH, NO, OH, NO * 559 00:20:33,400 --> 00:20:35,233 - * LET'S TAKE OVER THIS CLUB * 560 00:20:35,233 --> 00:20:38,067 * YOU'RE SHINING BRIGHT IN THE DARK, DARK * 561 00:20:38,067 --> 00:20:39,933 * YOU LIGHT UP THE NIGHT 562 00:20:39,933 --> 00:20:42,367 all: * YOU WANT TO WILD OUT, THEN WILD OUT * 563 00:20:42,367 --> 00:20:43,567 * ALL EYES ON YOU 564 00:20:43,567 --> 00:20:46,133 * IT'S GOING DOWN, DOWN RIGHT NOW * 565 00:20:46,133 --> 00:20:47,533 * YOU CAN'T LOSE * 566 00:20:47,533 --> 00:20:49,700 * YOU WANT TO WILD OUT, THEN WILD OUT * 567 00:20:49,700 --> 00:20:51,167 * THAT'S WHAT YOU DO * 568 00:20:51,167 --> 00:20:53,200 * TALK OF THE TOWN NOW 569 00:20:53,200 --> 00:20:57,267 * AND YOU ALREADY KNOW THAT YOU'RE A STAR * 570 00:20:57,267 --> 00:20:58,733 * A SUPERSTAR 571 00:20:58,733 --> 00:21:01,133 * THAT YOU'RE A STAR * 572 00:21:01,133 --> 00:21:02,500 * A SUPERSTAR 573 00:21:02,500 --> 00:21:04,333 * THAT YOU'RE A STAR * 574 00:21:04,333 --> 00:21:07,133 * AND YOU ALREADY KNOW 575 00:21:07,133 --> 00:21:09,433 - * FORGET THE MOON 576 00:21:09,433 --> 00:21:11,900 * IGNORE THE SKY 577 00:21:11,900 --> 00:21:15,067 * 'CAUSE THE WHOLE WORLD IS ALL YOURS TONIGHT * 578 00:21:15,067 --> 00:21:17,167 * GET IT, GIRL 579 00:21:17,167 --> 00:21:19,700 * IT'S YOUR TIME * 580 00:21:19,700 --> 00:21:23,333 * SHINE UNTIL THE MORNING LIGHT * 581 00:21:23,333 --> 00:21:24,933 - * A SUPERSTAR 582 00:21:24,933 --> 00:21:27,167 all: * YOU WANT TO WILD OUT, THEN WILD OUT * 583 00:21:27,167 --> 00:21:28,567 * ALL EYES ON YOU 584 00:21:28,567 --> 00:21:31,067 * IT'S GOING DOWN, DOWN RIGHT NOW * 585 00:21:31,067 --> 00:21:32,533 * YOU CAN'T LOSE * 586 00:21:32,533 --> 00:21:34,767 * YOU WANT TO WILD OUT, THEN WILD OUT * 587 00:21:34,767 --> 00:21:36,100 * THAT'S WHAT YOU DO * 588 00:21:36,100 --> 00:21:38,133 * TALK OF THE TOWN 589 00:21:38,133 --> 00:21:42,333 * AND YOU ALREADY KNOW THAT YOU'RE A STAR * 590 00:21:42,333 --> 00:21:43,700 * A SUPERSTAR 591 00:21:43,700 --> 00:21:45,967 * THAT YOU'RE A STAR * 592 00:21:45,967 --> 00:21:47,433 * A SUPERSTAR 593 00:21:47,433 --> 00:21:49,167 * THAT YOU'RE A STAR * 594 00:21:49,167 --> 00:21:51,967 * AND YOU ALREADY KNOW 595 00:21:51,967 --> 00:21:55,467 [upbeat electronic music] 596 00:21:55,467 --> 00:21:56,467 - YEAH, BRAVO! 597 00:21:56,467 --> 00:21:58,333 [applause] 598 00:21:58,333 --> 00:22:00,067 THE SONG SOUNDS GREAT, FELLAS, 599 00:22:00,067 --> 00:22:01,867 AND YOUR SECOND ALBUM IS GOING TO BE EVEN BIGGER 600 00:22:01,867 --> 00:22:02,900 THAN YOUR FIRST. 601 00:22:02,900 --> 00:22:04,300 - WHOO! 602 00:22:04,300 --> 00:22:06,700 - BUT I ALSO WANT THIS ALBUM OUT FASTER THAN YOUR FIRST, 603 00:22:06,700 --> 00:22:09,400 SO GET YOUR LITTLE SUPERSTARS BACK INTO THE STUDIO 604 00:22:09,400 --> 00:22:13,500 AND RECORD ME ANOTHER BIG-TIME HIT. 605 00:22:13,500 --> 00:22:16,367 - UM, GRIFFIN, IT'S BEEN A LONG COUPLE OF DAYS FOR US HERE, 606 00:22:16,367 --> 00:22:19,567 AND WE PROMISED THE BOYS A 30-MINUTE BREAK, SO... 607 00:22:19,567 --> 00:22:22,933 - AND I SAY NO BREAKS, BECAUSE I OWN ALL OF YOU, 608 00:22:22,933 --> 00:22:27,700 AND I'M NOT LEAVING THIS COUCH UNTIL I GET MY NEXT SONG. 609 00:22:27,700 --> 00:22:30,467 - OH, PLAYING HARDBALL, HUH? 610 00:22:30,467 --> 00:22:33,900 - YES, I LOVE PLAYING HARDBALL, SO COME ON. 611 00:22:33,900 --> 00:22:35,433 GIVE ME EVERYTHING YOU GOT. 612 00:22:38,667 --> 00:22:40,700 - OKAY. 613 00:22:40,700 --> 00:22:43,433 A LITTLE HELP FROM MY DOGS. 614 00:22:43,433 --> 00:22:44,467 [electricity zaps] 615 00:22:44,467 --> 00:22:45,733 - WHOA! 616 00:22:45,733 --> 00:22:47,667 - * AH, AH, AH-AH, OH 617 00:22:47,667 --> 00:22:49,933 - OKAY, LET'S TAKE A BREAK. 618 00:22:49,933 --> 00:22:51,867 [all cheering] 619 00:22:57,067 --> 00:23:00,067 Captioning by CaptionMax www.captionmax.com 620 00:23:00,067 --> 00:23:03,367 - * GOT TO GO BIG TIME 621 00:23:03,367 --> 00:23:05,367 - * MAKE IT WORK, GET IT RIGHT * 622 00:23:05,367 --> 00:23:07,400 * CHANGE THE WORLD OVERNIGHT 623 00:23:07,400 --> 00:23:10,500 - * GOT TO DREAM BIG TIME 624 00:23:10,500 --> 00:23:11,433 - * OH-OH, OH-OH 625 00:23:11,433 --> 00:23:13,267 - * HEY, HEY 626 00:23:13,267 --> 00:23:15,433 - * GIVE IT ALL YOU GOT NOW 627 00:23:15,433 --> 00:23:17,233 - * HEY, HEY 628 00:23:17,233 --> 00:23:19,200 - * ISN'T IT A RUSH * 629 00:23:19,200 --> 00:23:21,200 - * OH-OH, OH-OH 630 00:23:21,200 --> 00:23:23,433 * OH-OH, OH-OH 631 00:23:23,433 --> 00:23:24,867 - * GO AND SHAKE IT UP 632 00:23:24,867 --> 00:23:27,233 * WHATCHA GOTTA LOSE 633 00:23:27,233 --> 00:23:31,267 * GO AND MAKE YOUR LUCK WITH THE LIFE YOU CHOOSE * 634 00:23:31,267 --> 00:23:34,667 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 635 00:23:34,667 --> 00:23:39,467 * IT'S THE ONLY LIFE YOU GOT SO YOU GOTTA LIVE IT BIG TIME *