1 00:00:12,100 --> 00:00:13,633 - THIS IS SO EXCITING! 2 00:00:13,633 --> 00:00:14,867 - I KNOW! 3 00:00:14,867 --> 00:00:16,267 I CAN'T BELIEVE YOU'RE UP FOR EMILY 4 00:00:16,267 --> 00:00:17,767 IN THE NEW CHAUNCY JACKSON FILM. 5 00:00:17,767 --> 00:00:20,700 - JO TAYLOR STARRING IN CHAUNCY JACKSON AND THE MAGIC GALLOWS. 6 00:00:20,700 --> 00:00:22,367 - I'VE READ EVERY BOOK IN THE SERIES. 7 00:00:22,367 --> 00:00:24,933 - YEAH, AND EVERY ACTRESS IN TOWN WANTS THIS ROLE. 8 00:00:24,933 --> 00:00:26,133 - HA-HA! 9 00:00:26,133 --> 00:00:28,200 IT WOULD AWFUL IF THEY DIDN'T HIRE YOU. 10 00:00:28,200 --> 00:00:29,667 [together] CARLOS. 11 00:00:29,667 --> 00:00:32,300 - I MEAN, TO GET THIS CLOSE TO THE ROLE OF A LIFETIME 12 00:00:32,300 --> 00:00:34,067 AND NOT GET IT? 13 00:00:34,067 --> 00:00:35,367 [together] CARLOS! 14 00:00:35,367 --> 00:00:37,167 - GUYS, I'M FINE IF I I DON'T GET THE PART. 15 00:00:37,167 --> 00:00:39,167 I JUST WANT THE PHONE TO RING. 16 00:00:39,167 --> 00:00:40,167 [cell phone ringing] 17 00:00:40,167 --> 00:00:41,200 [all scream] 18 00:00:41,200 --> 00:00:43,567 [together] TAKE IT! TAKE IT! 19 00:00:43,567 --> 00:00:45,433 - HELLO? UH-HUH. 20 00:00:45,433 --> 00:00:46,433 I GOT THE PART? 21 00:00:46,433 --> 00:00:49,733 [all scream] 22 00:00:49,733 --> 00:00:51,267 IT'S A THREE-MOVIE DEAL? 23 00:00:51,267 --> 00:00:53,433 [together] YEAH! 24 00:00:53,433 --> 00:00:55,433 - IT'S SHOOTING IN NEW ZEALAND FOR THREE YEARS? 25 00:00:55,433 --> 00:00:57,767 [together] YEAH! 26 00:00:57,767 --> 00:00:59,500 - THEY WANT ME TO LEAVE THIS WEEK? 27 00:00:59,500 --> 00:01:02,067 - OH, YES! 28 00:01:02,067 --> 00:01:03,733 - * AH, AH, AH-AH, OH * 29 00:01:03,733 --> 00:01:05,767 - OH. 30 00:01:05,767 --> 00:01:07,733 - * MAKE IT COUNT, PLAY IT STRAIGHT * 31 00:01:07,733 --> 00:01:09,567 * DON'T LOOK BACK, DON'T HESITATE * 32 00:01:09,567 --> 00:01:13,700 - * WHEN YOU GO BIG TIME * 33 00:01:13,700 --> 00:01:15,567 - * WHAT YOU WANT, WHAT YOU FEEL * 34 00:01:15,567 --> 00:01:17,533 * NEVER QUIT AND MAKE IT REAL * 35 00:01:17,533 --> 00:01:20,633 - * WHEN YOU ROLL BIG TIME * 36 00:01:20,633 --> 00:01:21,800 - * OH-OH, OH-OH * 37 00:01:21,800 --> 00:01:23,533 - * HEY, HEY * 38 00:01:23,533 --> 00:01:25,667 - * LISTEN TO YOUR HEART NOW * 39 00:01:25,667 --> 00:01:27,400 - * HEY, HEY * 40 00:01:27,400 --> 00:01:29,567 - * DON'T YOU FEEL THE RUSH * 41 00:01:29,567 --> 00:01:31,267 - * UH-OH, UH-OH * 42 00:01:31,267 --> 00:01:32,633 * UH-OH, UH-OH * 43 00:01:32,633 --> 00:01:33,567 - * OH * 44 00:01:33,567 --> 00:01:34,967 - * GO AND SHAKE IT UP * 45 00:01:34,967 --> 00:01:37,533 * WHATCHA GOTTA LOSE * 46 00:01:37,533 --> 00:01:38,867 * GO AND MAKE YOUR LUCK * 47 00:01:38,867 --> 00:01:41,433 * WITH THE LIFE YOU CHOOSE * 48 00:01:41,433 --> 00:01:45,067 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 49 00:01:45,067 --> 00:01:50,267 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 50 00:01:52,700 --> 00:01:55,400 - OH. OH. 51 00:01:55,400 --> 00:01:58,267 REALLY? OKAY, BYE. 52 00:01:58,267 --> 00:01:59,467 - "REALLY? REALLY? REALLY?" 53 00:01:59,467 --> 00:02:00,867 WHAT "REALLY"? 54 00:02:00,867 --> 00:02:02,567 - THE AGENT SAID I CAN'T DO THE MOVIE 55 00:02:02,567 --> 00:02:04,700 IF I CAN'T GET OUT OF MY NEW TOWN HIGH CONTRACT. 56 00:02:04,700 --> 00:02:06,367 - BUT IF YOU DO GET OUT OF THE CONTRACT, 57 00:02:06,367 --> 00:02:09,067 THEN YOU GO TO NEW ZEALAND FOR THREE YEARS, 58 00:02:09,067 --> 00:02:10,967 AND YOUR RELATIONSHIP IS [ blows raspberries]. 59 00:02:10,967 --> 00:02:12,867 [together] CARLOS! 60 00:02:12,867 --> 00:02:14,233 - SIT DOWN. 61 00:02:14,233 --> 00:02:16,233 - I'LL FIND OUT MORE AFTER I TALK TO MY AGENT. 62 00:02:16,233 --> 00:02:18,500 GOOD-BYE KISS? 63 00:02:21,167 --> 00:02:24,067 - I'LL MEET YOU IN THE LOBBY LATER, OKAY? 64 00:02:24,067 --> 00:02:25,467 - HE'S GOING TO NEED US THIS WEEK. 65 00:02:25,467 --> 00:02:27,233 - HE'S ALSO GOING TO NEED MY LIST OF GIRLS 66 00:02:27,233 --> 00:02:28,367 WHO AREN'T HOT ENOUGH FOR ME, 67 00:02:28,367 --> 00:02:30,933 BUT ARE PERFECT FOR YOU. 68 00:02:30,933 --> 00:02:32,100 - AND HUGS. - HUH? 69 00:02:32,100 --> 00:02:35,467 - SHE MIGHT NOT BE LEAVING, OKAY? 70 00:02:35,467 --> 00:02:38,400 - DAWGS, HERE IS WHAT YOU'RE GOING TO DO THIS WEEK 71 00:02:38,400 --> 00:02:40,867 BECAUSE I SAY SO! 72 00:02:40,867 --> 00:02:42,367 - LEARN THE LYRICS 73 00:02:42,367 --> 00:02:45,800 AND LISTEN TO THE DEMO TRACK FOR OUR NEXT SONG, WORLDWIDE. 74 00:02:45,800 --> 00:02:49,100 - IT'S A SONG ABOUT A LOVE TORN APART 75 00:02:49,100 --> 00:02:54,833 WHEN THAT SPECIAL SOMEONE MOVES HALFWAY ACROSS THE WORLD. 76 00:02:54,833 --> 00:02:56,533 - SHE MIGHT NOT BE GOING! 77 00:02:56,533 --> 00:02:58,100 - OKAY, NEXT UP ON THE AGENDA, 78 00:02:58,100 --> 00:03:02,167 CARLOS, YOU NEED TO GET RID OF YOUR HELMET. 79 00:03:02,167 --> 00:03:03,933 - AH! WHAT? WHY? 80 00:03:03,933 --> 00:03:05,233 - BECAUSE ON PHOTO SHOOTS, 81 00:03:05,233 --> 00:03:07,100 I'M GOING FOR HOT BOY BAND, 82 00:03:07,100 --> 00:03:10,533 NOT "HELLO, I'M ODD." 83 00:03:10,533 --> 00:03:14,133 AND DIGITALLY REMOVING IT IS NOT MUCH BETTER. 84 00:03:14,133 --> 00:03:15,667 CLEARLY. 85 00:03:15,667 --> 00:03:20,267 NOW, HAND IT OVER. 86 00:03:20,267 --> 00:03:22,700 - [screams] 87 00:03:22,700 --> 00:03:26,833 - OKAY, KELLY, YOU ARE NOW ON HELMET DUTY ALL WEEK. 88 00:03:26,833 --> 00:03:28,600 AND THE REST OF YOU DAWGS, 89 00:03:28,600 --> 00:03:31,867 STAY OVER FROM ROCQUE RECORDS FOR THE NEXT THREE DAYS. 90 00:03:31,867 --> 00:03:34,433 LATIN POP SENSATION SELANA 91 00:03:34,433 --> 00:03:37,233 IS RECORDING HER FIRST ENGLISH ALBUM HERE, 92 00:03:37,233 --> 00:03:43,100 AND I DON'T NEED ANY OF YOU FALLING IN LOVE WITH HER. 93 00:03:43,100 --> 00:03:47,800 [lively mariachi music] 94 00:03:47,800 --> 00:03:49,100 - TOO LATE. 95 00:03:49,100 --> 00:03:50,767 - OKAY, SO WE'RE DONE HERE, RIGHT? 96 00:03:50,767 --> 00:03:54,433 I GOTTA GO MEET JO. BYE. 97 00:03:54,433 --> 00:03:56,633 HEY! 98 00:03:56,633 --> 00:03:58,467 - I... 99 00:03:58,467 --> 00:04:00,833 CAN'T DO THE MOVIE. 100 00:04:00,833 --> 00:04:02,467 - UGH. 101 00:04:02,467 --> 00:04:05,967 AND YOU WANTED THAT ROLE SO BAD. 102 00:04:05,967 --> 00:04:07,933 [angelic choral music] 103 00:04:07,933 --> 00:04:09,333 ARE YOU BUMMED? 104 00:04:09,333 --> 00:04:10,333 - NO. 105 00:04:10,333 --> 00:04:11,533 I LOVE BEING ON NEW TOWN HIGH, 106 00:04:11,533 --> 00:04:14,233 AND I LOVE... 107 00:04:14,233 --> 00:04:16,233 LIVING HERE AT THE PALMWOODS, 108 00:04:16,233 --> 00:04:18,633 AND YOU LIVE HERE, TOO. 109 00:04:18,633 --> 00:04:20,167 - WELL, I MADE A RESERVATION 110 00:04:20,167 --> 00:04:22,867 FOR A BIG FANCY CELEBRATION DINNER TONIGHT, 111 00:04:22,867 --> 00:04:26,333 AND WE COULD STILL GO AND UN-CELEBRATE. 112 00:04:26,333 --> 00:04:28,067 - IT'S A DATE. 113 00:04:28,067 --> 00:04:30,967 - GOOD-BYE KISS? 114 00:04:35,067 --> 00:04:36,367 HAPPY DANCE. 115 00:04:36,367 --> 00:04:38,867 [upbeat country music] 116 00:04:38,867 --> 00:04:40,367 - WHAT'S THE HAPPY DANCE FOR? 117 00:04:40,367 --> 00:04:43,067 - JO NOT GETTING OUT OF HER NEW TOWN HIGH CONTRACT 118 00:04:43,067 --> 00:04:46,133 AND NOT GOING TO NEW ZEALAND FOR THREE YEARS. 119 00:04:46,133 --> 00:04:47,233 - YEAH, SHE'S LYING. 120 00:04:47,233 --> 00:04:48,833 SHE CAN TOTALLY GET OUT OF HER CONTRACT. 121 00:04:48,833 --> 00:04:52,333 - COME AGAIN? 122 00:04:52,333 --> 00:04:55,433 - SUBSECTION "C" STATES THAT ARTISTS, THAT'S JO, 123 00:04:55,433 --> 00:04:57,833 MAY BE RELEASED FROM THE PROJECT NEW TOWN HIGH 124 00:04:57,833 --> 00:04:59,900 IF OFFERED A MAJOR MOTION PICTURE. 125 00:04:59,900 --> 00:05:01,267 - YOU READ HER CONTRACT? 126 00:05:01,267 --> 00:05:02,633 - I READ EVERYBODY'S CONTRACT. 127 00:05:02,633 --> 00:05:04,833 DID YOU KNOW THAT IF YOUR NEXT ALBUM GOES PLATINUM, 128 00:05:04,833 --> 00:05:06,700 YOU ALL GET ALPACAS? 129 00:05:06,700 --> 00:05:07,833 - HUH. 130 00:05:07,833 --> 00:05:09,500 THEN WHY DIDN'T JO TAKE THE JOB? 131 00:05:09,500 --> 00:05:11,400 - OH, UM, LET ME THINK. 132 00:05:11,400 --> 00:05:13,100 YOU. 133 00:05:13,100 --> 00:05:14,433 - WHY WOULD SHE LIE TO ME? 134 00:05:14,433 --> 00:05:17,233 - BECAUSE PASSING UP THE ROLE OF A LIFETIME 135 00:05:17,233 --> 00:05:19,733 AND INTERNATIONAL SUPERSTARDOM FOR A BOY 136 00:05:19,733 --> 00:05:21,467 PUTS A LOT OF PRESSURE ON THAT BOY. 137 00:05:21,467 --> 00:05:22,867 - I'M THE BOY, RIGHT? 138 00:05:22,867 --> 00:05:25,333 - YEP. 139 00:05:25,333 --> 00:05:29,133 - CARLOS! WHERE ARE YOU? 140 00:05:29,133 --> 00:05:30,667 - NOT IN THE BALCONY. 141 00:05:30,667 --> 00:05:33,100 - CARLOS, YOU KNOW I HAVE A BLACK BELT, 142 00:05:33,100 --> 00:05:35,967 AND YOU DO NOT WANT ME TO COME UP THERE 143 00:05:35,967 --> 00:05:37,267 AND TAKE THAT HELMET FROM YOU. 144 00:05:37,267 --> 00:05:38,400 - BRING IT! 145 00:05:38,400 --> 00:05:41,067 - OOH! 146 00:05:41,067 --> 00:05:42,600 OH! 147 00:05:42,600 --> 00:05:45,100 A BOWLING BALL? REALLY? 148 00:05:45,100 --> 00:05:47,200 WHAT IS IT WITH HIM AND THAT HELMET? 149 00:05:47,200 --> 00:05:49,067 - I HAVE TWO THEORIES. 150 00:05:49,067 --> 00:05:51,933 ONE, HE PROJECTED HIS LOVE OF HOCKEY INTO HIS HELMET, 151 00:05:51,933 --> 00:05:53,400 AND THEN FELL IN LOVE WITH HIS HELMET. 152 00:05:53,400 --> 00:05:56,233 AND, TWO, HE'S AN IDIOT. 153 00:05:56,233 --> 00:05:57,700 AND JUMP. 154 00:05:57,700 --> 00:06:00,167 - WHOA! 155 00:06:00,167 --> 00:06:01,300 - THE BOWLING BALL'S A RESULT 156 00:06:01,300 --> 00:06:02,800 OF ME TRYING TO GET RID OF THE HELMET. 157 00:06:02,800 --> 00:06:04,467 - WAIT--YOU DON'T LIKE THE HELMET. 158 00:06:04,467 --> 00:06:07,067 - [mouthing] - WHY? 159 00:06:07,067 --> 00:06:10,700 [upbeat rock music] 160 00:06:10,700 --> 00:06:12,067 - OH-- CARLOS! 161 00:06:12,067 --> 00:06:15,833 HELMETS HAVE HOLES! 162 00:06:15,833 --> 00:06:16,833 HEY, GUYS. I'M-- 163 00:06:16,833 --> 00:06:20,867 - HELMET'S SITTING THERE. 164 00:06:20,867 --> 00:06:23,933 AH-- WE'RE GOING COUNTERCLOCKWISE. 165 00:06:23,933 --> 00:06:25,767 - OKAY. 166 00:06:25,767 --> 00:06:28,433 HELMET, DO YOU HAVE ANY THREES? 167 00:06:28,433 --> 00:06:29,967 I HAVE MY REASONS. 168 00:06:29,967 --> 00:06:31,300 - THIS IS GREAT. 169 00:06:31,300 --> 00:06:32,467 WE'LL TEAM UP, OVERPOWER HIM, 170 00:06:32,467 --> 00:06:34,267 AND GET RID OF THE HELMET TOGETHER. 171 00:06:34,267 --> 00:06:36,633 - NO. I'M DONE BATTLING THAT HELMET. 172 00:06:36,633 --> 00:06:38,067 [mouthing] 173 00:06:38,067 --> 00:06:42,633 - I KNOW YOU NODDED "YES." 174 00:06:42,633 --> 00:06:45,633 - OKAY, SO SELANA'S MANAGER AND I HAVE TALKED, 175 00:06:45,633 --> 00:06:48,467 AND WE HAVE DECIDED THAT YOU TWO 176 00:06:48,467 --> 00:06:50,733 ARE NOT ALLOWED TO BE IN LOVE! 177 00:06:50,733 --> 00:06:53,067 - YOU CAN TELL US HOW TO SING, GUSTAVO, 178 00:06:53,067 --> 00:06:58,167 BUT YOU CANNOT TELL US HOW TO FEEL. 179 00:06:58,167 --> 00:07:00,067 - THIS FEELS REALLY GOOD. 180 00:07:00,067 --> 00:07:03,300 - SELANA, YOU'RE ONLY HERE FOR THREE DAYS. 181 00:07:03,300 --> 00:07:06,533 - THEN SELANA AND I WILL PACK AN ENTIRE LIFETIME OF LOVE 182 00:07:06,533 --> 00:07:07,833 INTO THREE DAYS. 183 00:07:07,833 --> 00:07:11,367 - YES, AND THEN IT WILL BE OVER. 184 00:07:11,367 --> 00:07:12,833 - OVER. AS IN, TOTAL BREAKUP? 185 00:07:12,833 --> 00:07:13,833 IN THREE DAYS? 186 00:07:13,833 --> 00:07:15,167 - NO CRYING? 187 00:07:15,167 --> 00:07:17,167 NO "OH, I MISS HIM"? 188 00:07:17,167 --> 00:07:18,867 ARE THOSE PROMISE RINGS? 189 00:07:18,867 --> 00:07:20,300 - HEY, WE ONLY HAVE THREE DAYS. 190 00:07:20,300 --> 00:07:24,200 THIS RELATIONSHIP HAS GOT TO MOVE FAST. 191 00:07:24,200 --> 00:07:26,867 [lively mariachi music] 192 00:07:26,867 --> 00:07:28,467 - [Katie] JO STAYED HERE BECAUSE OF YOU. 193 00:07:28,467 --> 00:07:30,667 [echoing] 194 00:07:30,667 --> 00:07:32,967 SHE PASSED UP HE ROLE OF A LIFETIME. 195 00:07:32,967 --> 00:07:33,967 [echoing] 196 00:07:33,967 --> 00:07:35,400 - KATIE, ARE YOU INSIDE MY HEAD 197 00:07:35,400 --> 00:07:37,467 OR ARE YOU HIDING BEHIND THE COUNTER? 198 00:07:37,467 --> 00:07:38,800 - SO WHAT'S THE PLAN, BIG BROTHER? 199 00:07:38,800 --> 00:07:40,833 - I GOT TO TELL HER TO DO THE MOVIE. 200 00:07:40,833 --> 00:07:42,067 - WON'T WORK. 201 00:07:42,067 --> 00:07:43,567 YOU'RE ASKING HER TO PICK ACTING OVER YOU. 202 00:07:43,567 --> 00:07:45,100 SHE WOULDN'T DO THAT. 203 00:07:45,100 --> 00:07:47,333 - SO WHAT--I BREAK UP WITH HER SO SHE HAS NO EXCUSE TO STAY? 204 00:07:47,333 --> 00:07:48,633 - ERR! 205 00:07:48,633 --> 00:07:50,200 SHE CAN'T PERFORM THE ROLE OF A LIFETIME 206 00:07:50,200 --> 00:07:51,233 WITH A BROKEN HEART. 207 00:07:51,233 --> 00:07:52,700 - KATIE, JUST TELL ME WHAT TO DO. 208 00:07:52,700 --> 00:07:54,900 - YOU HAVE TO GET HER TO WANT TO BREAK UP WITH YOU. 209 00:07:54,900 --> 00:07:58,067 - AND HOW DO I DO THAT? 210 00:08:00,300 --> 00:08:03,300 [romantic accordion music] 211 00:08:03,300 --> 00:08:05,067 * * 212 00:08:05,067 --> 00:08:08,500 CAN I GET SOME SERVICE FROM A WOMAN? 213 00:08:08,500 --> 00:08:13,200 [crickets chirping] 214 00:08:13,200 --> 00:08:15,200 OH, YEAH! 215 00:08:15,200 --> 00:08:18,533 THAT'S THE SPOT. YEP. 216 00:08:18,533 --> 00:08:19,733 crash! 217 00:08:21,367 --> 00:08:24,567 - * YOU'RE WORLDWIDE, WORLDWIDE * 218 00:08:24,567 --> 00:08:25,800 [censor beep] 219 00:08:25,800 --> 00:08:27,600 * GIRL, I BEEN THINKING ABOUT YOU, YES * 220 00:08:27,600 --> 00:08:28,900 - NOW WITH THE CENSOR IN PLACE, 221 00:08:28,900 --> 00:08:30,667 WE CAN WIRELESSLY SEND ELECTRONIC SHOCKS 222 00:08:30,667 --> 00:08:31,967 TO THE HELMET. 223 00:08:31,967 --> 00:08:33,567 - THEN HE ASSOCIATES PAIN WITH THE HELMET 224 00:08:33,567 --> 00:08:34,800 AND NOT LOVE. 225 00:08:34,800 --> 00:08:38,433 NEVER WEARS IT AGAIN. 226 00:08:38,433 --> 00:08:40,967 - * WORLDWIDE, WORLDWIDE * 227 00:08:40,967 --> 00:08:43,433 - IT'S NOT WORKING. GIVE ME IT. 228 00:08:43,433 --> 00:08:46,733 [humming intensely] 229 00:08:46,733 --> 00:08:48,667 - OKAY, YOU OBVIOUSLY DON'T HAVE THE RIGHT TOUCH, 230 00:08:48,667 --> 00:08:50,467 SO I'M GOING TO TRY IT. 231 00:08:50,467 --> 00:08:53,433 - [yawns] 232 00:08:53,433 --> 00:08:54,800 - I DON'T KNOW WHAT'S GOING ON. 233 00:08:54,800 --> 00:08:56,467 I MEAN, TECHNICALLY HE SHOULD BE DEAD. 234 00:08:56,467 --> 00:08:58,500 - IT'S BECAUSE IT'S NOT WORKING. 235 00:08:58,500 --> 00:09:01,133 [zapping] 236 00:09:01,133 --> 00:09:03,167 IT'S WORKING! 237 00:09:03,167 --> 00:09:04,467 IT'S WORKING! 238 00:09:04,467 --> 00:09:07,867 - * THINKIN' ABOUT YOU WORLDWIDE * 239 00:09:10,500 --> 00:09:12,300 YOU DO KNOW THAT THE METAL PLATE IN MY HEAD 240 00:09:12,300 --> 00:09:15,200 ACTS AS A COUNTERVALENCE AGAINST ELECTRICAL CURRENTS. 241 00:09:15,200 --> 00:09:18,067 - YOU HAVE NO IDEA WHAT THAT--MEANS. 242 00:09:18,067 --> 00:09:19,600 - HO-HO! 243 00:09:21,367 --> 00:09:24,067 - WE'VE GOT HIM RIGHT WHERE WE WANT HIM. 244 00:09:24,067 --> 00:09:25,533 - * I LOVE YOU, I LOVE YOU * 245 00:09:25,533 --> 00:09:27,333 * I LOVE YOU, YOU KNOW * 246 00:09:27,333 --> 00:09:29,333 * I LOVE YOU, I LOVE YOU * 247 00:09:29,333 --> 00:09:30,800 * SO DON'T LET ME GO * 248 00:09:30,800 --> 00:09:34,367 * I GAVE YOU MY HEART, YOU GAVE ME YOUR SOUL * 249 00:09:34,367 --> 00:09:35,933 * I HAVE LOOKS THAT KILL * 250 00:09:35,933 --> 00:09:37,767 * YOU SING ROCK AND ROLL * 251 00:09:37,767 --> 00:09:41,300 * FROM TWO DIFFERENT WORLDS, BUT STILL WE STAY STRONG * 252 00:09:41,300 --> 00:09:44,767 * THEY SAY IT WON'T LAST, BUT WE'LL PROVE THEM WRONG * 253 00:09:44,767 --> 00:09:46,500 * I LOVE YOU, I LOVE YOU * 254 00:09:46,500 --> 00:09:48,200 * I LOVE YOU, YOU KNOW * 255 00:09:48,200 --> 00:09:50,133 * I LOVE YOU, I LOVE YOU * 256 00:09:50,133 --> 00:09:51,900 * DON'T LEAVE ME, I LOVE YOU * 257 00:09:57,600 --> 00:09:58,633 - I CANNOT BELIEVE 258 00:09:58,633 --> 00:10:04,333 YOU GUYS DIDN'T FINISH THIS. 259 00:10:04,333 --> 00:10:06,500 - I NEVER SEEN YOU LIKE THIS. 260 00:10:06,500 --> 00:10:10,033 - JO, WE'RE GOING TO BE TOGETHER FOR A LONG TIME, 261 00:10:10,033 --> 00:10:11,567 SO IT'S TIME YOU GOT TO KNOW 262 00:10:11,567 --> 00:10:13,833 THE REAL ME. 263 00:10:13,833 --> 00:10:16,400 FORK CHOP! 264 00:10:16,400 --> 00:10:18,367 [man screams] 265 00:10:18,367 --> 00:10:19,367 - FORK CHOP? 266 00:10:19,367 --> 00:10:21,033 - YEAH. 267 00:10:21,033 --> 00:10:23,333 YOU KNOW, I'M REALLY GLAD YOU COULDN'T GET THAT MOVIE ROLE. 268 00:10:23,333 --> 00:10:27,367 SAVED ME THE EFFORT TO TELL YOU YOU COULDN'T GO. 269 00:10:27,367 --> 00:10:30,000 - DO YOU REALIZE WHAT A TOTAL JERK YOU'RE BEING RIGHT NOW? 270 00:10:30,000 --> 00:10:33,867 - DO YOU REALIZE YOU WOULD HAVE BOMBED IN THAT ROLE ANYWAY? 271 00:10:33,867 --> 00:10:35,867 NOW WHY DON'T YOU PUT LITTLE MISS MUFFET 272 00:10:35,867 --> 00:10:37,067 BACK ON THE TUFFET 273 00:10:37,067 --> 00:10:39,700 [whispering] BECAUSE YOU'RE CAUSING A SCENE. 274 00:10:39,700 --> 00:10:41,367 FORK CHOP! 275 00:10:41,367 --> 00:10:43,867 [man screams] 276 00:10:43,867 --> 00:10:45,600 - THEY TOLD ME THIS MORNING 277 00:10:45,600 --> 00:10:47,000 THAT I COULD GET OUT OF MY CONTRACT 278 00:10:47,000 --> 00:10:48,567 AND DO THE MOVIE IN NEW ZEALAND. 279 00:10:48,567 --> 00:10:51,267 BUT WHEN I SAW YOU IN THE LOBBY, 280 00:10:51,267 --> 00:10:52,600 I DECIDED TO STAY. 281 00:10:52,600 --> 00:10:53,633 - [sighs] 282 00:10:53,633 --> 00:10:55,433 LOOK. 283 00:10:55,433 --> 00:10:57,067 YOU CAN EITHER SIT DOWN AND LISTEN TO ME 284 00:10:57,067 --> 00:11:00,433 OR YOU CAN GO DO YOUR MOVIE AND BREAK UP WITH ME. 285 00:11:00,433 --> 00:11:02,233 LADIES' CHOICE. 286 00:11:02,233 --> 00:11:05,467 - I'M GOING TO DO THE MOVIE. 287 00:11:05,467 --> 00:11:08,400 AND BREAK UP WITH YOU. 288 00:11:10,233 --> 00:11:14,100 - WHAT? NO GOOD-BYE KISS? 289 00:11:14,100 --> 00:11:16,233 MISSED ME! 290 00:11:21,067 --> 00:11:24,067 I'M GOING TO MISS YOU. 291 00:11:24,067 --> 00:11:25,567 - YOUR BILL. 292 00:11:25,567 --> 00:11:28,333 - * AH, AH, AH-AH, OH * 293 00:11:33,433 --> 00:11:35,233 - HE NEEDS US, 294 00:11:35,233 --> 00:11:37,833 WHICH IS WHY WE'RE SUSPENDING ALL HELMET SNATCHING ACTIVITY 295 00:11:37,833 --> 00:11:39,067 TO HANG OUT WITH YOU. 296 00:11:39,067 --> 00:11:40,867 - AND I'M TEXTING SELANA RIGHT NOW. 297 00:11:40,867 --> 00:11:42,833 IT'S GOING TO BE A BOYS NIGHT OUT. 298 00:11:42,833 --> 00:11:44,433 [together] WHOO! WHOO! 299 00:11:44,433 --> 00:11:45,467 - GUYS, I'LL BE FINE. 300 00:11:45,467 --> 00:11:47,633 DON'T WORRY ABOUT ME. 301 00:11:47,633 --> 00:11:50,633 - SELANA, I'M ON MY WAY. 302 00:11:50,633 --> 00:11:55,100 - GIVE ME THE HELMET. - NEVER! 303 00:11:55,100 --> 00:11:57,667 - I THINK SOME TV MIGHT CHEER UP MY BIG BROTHER. 304 00:11:57,667 --> 00:11:59,600 - ON THE NEXT NEW TOWN HIGH, 305 00:11:59,600 --> 00:12:02,200 RACHEL'S GOING ON A FIELD TRIP. 306 00:12:02,200 --> 00:12:03,533 - I DON'T KNOW. 307 00:12:03,533 --> 00:12:07,700 SOMETHING TELLS ME I'M NEVER COMING BACK. 308 00:12:07,700 --> 00:12:11,100 - OKAY, HOW ABOUT A PUZZLE? 309 00:12:11,100 --> 00:12:12,933 - SO I WAS ORIGINALLY WORRIED 310 00:12:12,933 --> 00:12:15,300 THAT YOU WERE GOING TO FALL FOR SELANA 311 00:12:15,300 --> 00:12:17,067 AND THEN BE CRUSHED WHEN SHE LEFT, 312 00:12:17,067 --> 00:12:19,233 BUT NOW I'M WORRIED 313 00:12:19,233 --> 00:12:21,267 YOU'RE GOING TO ELOPE! 314 00:12:21,267 --> 00:12:23,933 - DO YOU KNOW HOW LIBERATING IT IS TO BE IN A RELATIONSHIP 315 00:12:23,933 --> 00:12:26,767 THAT YOU KNOW IS ONLY GOING TO LAST FOR THREE DAYS? 316 00:12:26,767 --> 00:12:29,067 - UM, NO. 317 00:12:29,067 --> 00:12:32,233 - YAMES, THERE YOU ARE. 318 00:12:32,233 --> 00:12:33,400 [gasps] 319 00:12:33,400 --> 00:12:35,633 IT'S OUR 18-HOUR ANNIVERSARY, 320 00:12:35,633 --> 00:12:37,567 AND YOU DIDN'T GET MY FLOWERS? 321 00:12:37,567 --> 00:12:39,500 HOW COULD YOU, YAMES? 322 00:12:39,500 --> 00:12:42,967 HOW COULD YOU FORGET SUCH A SPECIAL OCCASION? 323 00:12:42,967 --> 00:12:44,967 - SEE, NOW I DON'T NEED TO APOLOGIZE 324 00:12:44,967 --> 00:12:46,733 AND RACE OUT TO GET HER FLOWERS. 325 00:12:46,733 --> 00:12:47,867 'CAUSE GUESS WHAT. 326 00:12:47,867 --> 00:12:49,900 OUR RELATIONSHIP IS ALMOST OVER ANYWAYS. 327 00:12:49,900 --> 00:12:51,600 [chuckles] 328 00:12:51,600 --> 00:12:53,067 BUT I WANT TO BECAUSE I MISS THE WAY SHE 329 00:12:53,067 --> 00:12:54,800 SMOOSHES OUR FACES TOGETHER. 330 00:12:54,800 --> 00:12:57,267 - [groans] 331 00:12:57,267 --> 00:12:59,500 HERE. 332 00:12:59,500 --> 00:13:02,200 - SELANA, WAIT! 333 00:13:02,200 --> 00:13:03,833 - [sighs] 334 00:13:03,833 --> 00:13:05,967 - I'M SORRY. 335 00:13:05,967 --> 00:13:08,933 - [inhales deeply] 336 00:13:08,933 --> 00:13:11,533 LET'S NEVER FIGHT AGAIN. 337 00:13:15,767 --> 00:13:17,533 - * FAR AWAY YOU SEEM * 338 00:13:17,533 --> 00:13:19,067 - SO HERE'S THE PLAN: 339 00:13:19,067 --> 00:13:20,733 WE LULLABY HIM TO SLEEP, 340 00:13:20,733 --> 00:13:22,267 PULL OFF THE BLACK HELMETE... 341 00:13:22,267 --> 00:13:23,500 - THROW IT IN THE DUMPSTER, 342 00:13:23,500 --> 00:13:26,933 NEVER TO BE SEEN AGAIN. 343 00:13:26,933 --> 00:13:27,933 - MOVE OUT! 344 00:13:27,933 --> 00:13:28,933 [lullaby music] 345 00:13:28,933 --> 00:13:30,400 - [yawns] 346 00:13:30,400 --> 00:13:35,433 * * 347 00:13:39,800 --> 00:13:41,567 [alarm blaring] 348 00:13:41,567 --> 00:13:43,733 - WHAT? 349 00:13:43,733 --> 00:13:45,300 AN ALARM? REALLY? 350 00:13:45,300 --> 00:13:46,767 - YEP. 351 00:13:46,767 --> 00:13:50,967 AND I ADDED A GPS SO I CAN FIND IT IN ANY DUMPSTER WORLDWIDE. 352 00:13:53,933 --> 00:13:55,633 - HOW CAN WE NOT BEAT CARLOS 353 00:13:55,633 --> 00:13:57,367 IN A PLASTIC HELMET! 354 00:13:57,367 --> 00:13:59,633 - I DON'T KNOW! 355 00:13:59,633 --> 00:14:01,333 - IT'S CHEER-UP TIME, 356 00:14:01,333 --> 00:14:03,933 WITH PB AND "J," HOCKEY MAGS, 357 00:14:03,933 --> 00:14:05,667 NACHOS-- EXTRA CHEESE-- 358 00:14:05,667 --> 00:14:07,833 ONE SMOOTHIE, THREE VIOLENT VIDEO GAMES, 359 00:14:07,833 --> 00:14:09,567 AND MAMBO THE CLOWN. 360 00:14:09,567 --> 00:14:12,400 - HEY, 'CAUSE NOTHING CHEERS UP BROKEN-HEARTED BOYS 361 00:14:12,400 --> 00:14:17,167 LIKE BALLOONS. 362 00:14:17,167 --> 00:14:18,433 - NOTHING. 363 00:14:18,433 --> 00:14:19,700 - WOW. 364 00:14:19,700 --> 00:14:21,133 MUST HAVE BEEN ONE SPECIAL GIRL, MAN. 365 00:14:21,133 --> 00:14:22,733 - I'M SORRY, KATIE, 366 00:14:22,733 --> 00:14:24,200 BUT THERE'S ONLY ONE THING 367 00:14:24,200 --> 00:14:29,733 THAT'S GOING TO CHEER ME UP RIGHT NOW. 368 00:14:29,733 --> 00:14:31,467 - I REALIZED I FORGOT TO DO SOMETHING 369 00:14:31,467 --> 00:14:33,067 LAST NIGHT AT THE RESTAURANT. 370 00:14:33,067 --> 00:14:38,067 - WHAT? 371 00:14:38,067 --> 00:14:41,067 - GIVE YOU A GOOD-BYE KISS. 372 00:14:41,067 --> 00:14:43,567 - WE'RE GOING TO LEAVE YOU TWO ALONE. 373 00:14:43,567 --> 00:14:48,167 - GIVE HER THIS. 374 00:14:48,167 --> 00:14:52,467 - I'M CONFUSED. 375 00:14:52,467 --> 00:14:56,167 - SO I WAS I UNTIL I REALIZED WHAT YOU WERE DOING LAST NIGHT. 376 00:14:56,167 --> 00:14:57,533 GETTING ME TO BREAK UP WITH YOU 377 00:14:57,533 --> 00:15:00,167 SO I WOULD TAKE THE ROLE. 378 00:15:00,167 --> 00:15:03,300 - THIS OPPORTUNITY ONLY COMES ONCE IN A LIFETIME. 379 00:15:03,300 --> 00:15:06,867 - MAYBE YOU ONLY COME ONCE IN A LIFETIME. 380 00:15:12,100 --> 00:15:16,400 - YOU ARE GOING TO BE AMAZING. 381 00:15:20,167 --> 00:15:22,833 - HEY, IT'S ME. 382 00:15:22,833 --> 00:15:25,067 I'M GOING TO DO THE MOVIE. 383 00:15:25,067 --> 00:15:29,667 OKAY, YEAH. BYE. 384 00:15:29,667 --> 00:15:33,367 I LEAVE FOR NEW ZEALAND TOMORROW. 385 00:15:33,367 --> 00:15:35,800 - WELL, THAT ONLY GIVES US ONE DAY LEFT IN L.A. 386 00:15:35,800 --> 00:15:38,867 TO DO WHATEVER YOU WANT. 387 00:15:38,867 --> 00:15:41,833 - THERE'S SO MUCH HERE I STILL HAVEN'T DONE. 388 00:15:41,833 --> 00:15:43,767 - WELL, THEN. 389 00:15:43,767 --> 00:15:45,400 WHAT DO YOU WANT TO DO? 390 00:16:01,733 --> 00:16:03,800 [lively mariachi music] 391 00:16:03,800 --> 00:16:06,967 [music drones] 392 00:16:06,967 --> 00:16:09,067 - HONEY, WHERE IS THE MILK 393 00:16:09,067 --> 00:16:10,833 YOU SAID YOU WOULD PICK UP ON YOUR WAY TO WORK? 394 00:16:10,833 --> 00:16:16,333 - YOU KNOW, I JUST DIDN'T GET AROUND TO IT, 'KAY? 395 00:16:16,333 --> 00:16:17,333 [glass smashes] 396 00:16:17,333 --> 00:16:19,067 HEY! 397 00:16:19,067 --> 00:16:21,100 - I GAVE YOU EVERYTHING, YAMES! 398 00:16:21,100 --> 00:16:23,300 AND NOW I GIVE YOU BACK YOUR RING. 399 00:16:23,300 --> 00:16:25,300 - [screams] 400 00:16:25,300 --> 00:16:26,800 THE ONLY REGRET I HAVE 401 00:16:26,800 --> 00:16:29,233 IS THAT I DIDN'T LEAVE YOU YEARS AGO. 402 00:16:29,233 --> 00:16:30,467 BY THAT I MEAN YESTERDAY. 403 00:16:30,467 --> 00:16:32,167 - [gasps] 404 00:16:32,167 --> 00:16:35,133 - GOOD-BYE, SELANA. - GOOD-BYE, YAMES. 405 00:16:36,833 --> 00:16:38,067 - THEY DID IT. 406 00:16:38,067 --> 00:16:40,300 THEY HAD AN ENTIRE RELATIONSHIP IN THREE DAYS. 407 00:16:40,300 --> 00:16:41,733 - YES, BUT AT WHAT COST? 408 00:16:41,733 --> 00:16:45,333 SELANA IS MORE ENRAGED THAN EVER. 409 00:16:45,333 --> 00:16:51,167 * * 410 00:16:51,167 --> 00:16:52,200 - GOOD LUCK ON YOUR ALBUM. 411 00:16:52,200 --> 00:16:55,167 - YOU TOO. 412 00:16:55,167 --> 00:16:58,700 - YEAH, I STILL DON'T GET THE WHOLE FACE SMOOSH THING. 413 00:16:58,700 --> 00:17:00,633 OH, THAT--THAT DOES FEEL GOOD. 414 00:17:00,633 --> 00:17:02,400 - MM-HMM. YEAH. 415 00:17:06,433 --> 00:17:09,567 - DON'T FORGET YOUR BALLOON POODLE. 416 00:17:09,567 --> 00:17:11,367 pop! 417 00:17:11,367 --> 00:17:15,400 WITH DEFLATED LEG. 418 00:17:15,400 --> 00:17:19,767 - AND MY BTR CD SO I CAN HEAR YOU SING ALL THE TIME. 419 00:17:19,767 --> 00:17:21,600 - OH, AND I FIGURED OUT 420 00:17:21,600 --> 00:17:23,767 THAT YOU'RE GOING TO BE GOING TO BED WHEN I'M GETTING UP, 421 00:17:23,767 --> 00:17:26,200 SO THAT'S WHEN WE CAN FACE TALK. 422 00:17:26,200 --> 00:17:29,533 - YOU CAN TUCK ME IN AT NIGHT. 423 00:17:29,533 --> 00:17:32,333 - WE'RE RUNNING LATE, MS. TAYLOR. 424 00:17:35,633 --> 00:17:38,367 [engine turns over] 425 00:17:38,367 --> 00:17:40,800 - ARE WE FORGETTING ANYTHING ELSE? 426 00:17:40,800 --> 00:17:44,133 - I KNOW I'M NOT GOING TO FORGET YOU. 427 00:17:50,067 --> 00:17:51,433 [horn honks] 428 00:18:03,067 --> 00:18:05,267 [glass breaks] 429 00:18:05,267 --> 00:18:09,433 - [screaming] 430 00:18:09,433 --> 00:18:11,067 - CARLOS, JUST GIVE US THE HELMET! 431 00:18:11,067 --> 00:18:12,700 - I CAN'T DO THAT. 432 00:18:12,700 --> 00:18:15,967 [all screaming] 433 00:18:15,967 --> 00:18:17,333 UGH! 434 00:18:21,933 --> 00:18:23,733 [cat screeches] 435 00:18:23,733 --> 00:18:25,867 [chicken clucking] 436 00:18:25,867 --> 00:18:28,267 - CARLOS, IT LOOKS SILLY DURING PHOTO SHOOTS. 437 00:18:28,267 --> 00:18:30,233 - AND I DON'T WANT TO SEE IT AT THE DINNER TABLE. 438 00:18:30,233 --> 00:18:31,633 - FINE. 439 00:18:31,633 --> 00:18:33,467 WHY DON'T I JUST NOT WEAR IT DURING PHOTO SHOOTS 440 00:18:33,467 --> 00:18:37,400 OR BRING IT TO THE DINNER TABLE? 441 00:18:37,400 --> 00:18:40,700 - ARE YOU KIDDING ME? 442 00:18:40,700 --> 00:18:42,800 TAKE IT. 443 00:18:42,800 --> 00:18:44,867 [fanfare] 444 00:18:44,867 --> 00:18:45,933 - OOH! 445 00:18:45,933 --> 00:18:47,300 KENDALL, GUESS WHAT. 446 00:18:47,300 --> 00:18:50,800 MY HELMET AND I ARE TOGETHER. FOREVER. 447 00:18:50,800 --> 00:18:54,500 - CARLOS. 448 00:18:54,500 --> 00:18:55,567 DOING OKAY, BUDDY? 449 00:18:55,567 --> 00:18:56,733 - YEAH, I'M GOOD. 450 00:18:56,733 --> 00:18:58,333 JUST FEEL LIKE WE FORGOT SOMETHING. 451 00:18:58,333 --> 00:19:00,067 - WHO CARES? 452 00:19:00,067 --> 00:19:04,067 I BET YOU'RE NEVER GOING TO FORGET THAT GOOD-BYE KISS. 453 00:19:04,067 --> 00:19:05,867 - NO. 454 00:19:05,867 --> 00:19:06,867 - [gasps] 455 00:19:06,867 --> 00:19:08,533 - YOU FORGOT THE GOOD-BYE KISS? 456 00:19:08,533 --> 00:19:10,133 - HOW COULD YOU FORGET THE GOOD-BYE KISS? 457 00:19:10,133 --> 00:19:11,133 THAT'S YOUR THING! 458 00:19:11,133 --> 00:19:12,267 - I DON'T KNOW. 459 00:19:12,267 --> 00:19:13,800 SHE WAS LATE, AND THE HORN WAS HONKING. 460 00:19:13,800 --> 00:19:15,500 AND THE BALLOON POODLE'S LEG POPPED, AND-- 461 00:19:15,500 --> 00:19:16,833 - HEY, WHAT'S GOING ON? 462 00:19:16,833 --> 00:19:19,067 - UH, KENDALL AND JO FORGOT THE GOOD-BYE KISS. 463 00:19:19,067 --> 00:19:21,100 - HOW COULD YOU FORGET THE GOOD-BYE KISS? 464 00:19:21,100 --> 00:19:22,100 THAT'S YOUR THING! 465 00:19:22,100 --> 00:19:23,433 - I KNOW! 466 00:19:23,433 --> 00:19:25,500 - WE HAVE TO GET TO THE AIRPORT TO KISS JO GOOD-BYE. 467 00:19:25,500 --> 00:19:26,900 [all shouting] 468 00:19:26,900 --> 00:19:27,900 - GO! GO! 469 00:19:27,900 --> 00:19:29,133 STOP. 470 00:19:29,133 --> 00:19:31,633 YOU NEED KENDALL. 471 00:19:31,633 --> 00:19:33,633 [together] COME ON! LET'S GO! 472 00:19:36,933 --> 00:19:41,333 - ATTENTION, LADIES AND GENTLEMEN... 473 00:19:41,333 --> 00:19:43,533 - WE NEED TO CATCH HER BEFORE SHE PASSES SECURITY! 474 00:19:43,533 --> 00:19:45,067 SECURITY CHECK-IN IS THAT WAY. 475 00:19:45,067 --> 00:19:46,600 - RUN! 476 00:19:46,600 --> 00:19:50,300 - GO! GO! GO! 477 00:19:50,300 --> 00:19:53,067 - SORRY! 478 00:19:53,067 --> 00:19:55,133 - GO! GO! 479 00:19:55,133 --> 00:19:59,767 [dramatic music] 480 00:19:59,767 --> 00:20:01,700 - HEY. 481 00:20:01,700 --> 00:20:03,367 WE FORGOT TO GOOD-BYE KISS. 482 00:20:03,367 --> 00:20:05,667 - I KNOW. 483 00:20:08,300 --> 00:20:09,333 - COME ON! 484 00:20:09,333 --> 00:20:11,133 YOU'RE HOLDING UP THE LINE. 485 00:20:11,133 --> 00:20:12,367 - HEY, BUSINESSMAN. 486 00:20:12,367 --> 00:20:14,467 DON'T MAKE ME TAZE YOU. 487 00:20:14,467 --> 00:20:16,367 GO AHEAD, KIDS. FINISH UP. 488 00:20:16,367 --> 00:20:19,367 [sweeping orchestral music] 489 00:20:19,367 --> 00:20:27,333 * * 490 00:20:28,867 --> 00:20:30,900 - HECK OF A WAY TO BREAK UP, HUH? 491 00:20:30,900 --> 00:20:33,933 - FLIGHT 123 TO NEW ZEALAND IS NOW BOARDING. 492 00:20:33,933 --> 00:20:35,967 FLIGHT 123. 493 00:20:37,300 --> 00:20:40,433 - I GOTTA GO. 494 00:20:40,433 --> 00:20:41,967 - I KNOW. 495 00:20:41,967 --> 00:20:44,867 - * OH * 496 00:20:44,867 --> 00:20:48,167 * WAIT A MINUTE * 497 00:20:48,167 --> 00:20:49,800 * BEFORE YOU TELL ME ANYTHING * 498 00:20:49,800 --> 00:20:51,000 * HOW WAS YOUR DAY? * 499 00:20:51,000 --> 00:20:53,233 * 'CAUSE I BEEN MISSING * 500 00:20:53,233 --> 00:20:56,833 - * YOU BY MY SIDE, YEAH * 501 00:20:56,833 --> 00:20:59,800 - * IT AIN'T EASY * 502 00:20:59,800 --> 00:21:02,400 * TO KEEP ON MOVING CITY TO CITY, JUST GET UP AND GO * 503 00:21:02,400 --> 00:21:04,633 - * THE SHOW MUST GO ON * 504 00:21:04,633 --> 00:21:07,667 * SO I NEED YOU TO BE STRONG * 505 00:21:07,667 --> 00:21:08,667 - * I, I, I, I * 506 00:21:08,667 --> 00:21:11,400 * NEVER, NEVER * 507 00:21:11,400 --> 00:21:13,167 - * NEVER AS FAR AWAY AS IT MAY SEEM * 508 00:21:13,167 --> 00:21:14,433 - * NO, NEVER * 509 00:21:14,433 --> 00:21:17,667 - * SOON WE'LL BE TOGETHER * 510 00:21:17,667 --> 00:21:20,800 - * WE'LL PICK UP RIGHT WHERE WE LEFT OFF * 511 00:21:20,800 --> 00:21:23,867 - * PARIS, LONDON, TOKYO * 512 00:21:23,867 --> 00:21:26,300 * IT'S JUST ONE THING THAT I GOTTA DO * 513 00:21:26,300 --> 00:21:29,100 - * HELLO, TUCK YOU IN EVERY NIGHT ON THE PHONE * 514 00:21:29,100 --> 00:21:30,967 * HELLO, TUCK YOU IN EVERY NIGHT * 515 00:21:30,967 --> 00:21:33,767 - * AND I CAN HARDLY TAKE ANOTHER GOOD-BYE * 516 00:21:33,767 --> 00:21:35,767 * BABY, WON'T BE LONG * 517 00:21:35,767 --> 00:21:38,733 * YOU'RE THE ONE THAT I'M WAITING ON * 518 00:21:38,733 --> 00:21:42,133 - * HELLO, TUCK YOU IN EVERY NIGHT ON THE PHONE * 519 00:21:42,133 --> 00:21:44,067 - * GIRL, I'LL BE THINKING ABOUT YOU * 520 00:21:44,067 --> 00:21:48,433 * WORLDWIDE, WORLDWIDE, WORLDWIDE * 521 00:21:48,433 --> 00:21:50,267 - * GIRL, I'LL BE THINKING ABOUT YOU * 522 00:21:50,267 --> 00:21:54,533 - * WORLDWIDE, WORLDWIDE, WORLDWIDE * 523 00:21:54,533 --> 00:21:56,367 - * GIRL, I'LL BE THINKING ABOUT YOU * 524 00:21:56,367 --> 00:21:58,367 - * WHOA * 525 00:21:58,367 --> 00:22:01,800 * WHEREVER THE WIND BLOWS ME * 526 00:22:01,800 --> 00:22:04,700 * YOU'RE STILL THE ONE AND ONLY * 527 00:22:04,700 --> 00:22:08,500 * GIRL ON MY MIND * 528 00:22:08,500 --> 00:22:11,633 - * PARIS, LONDON, TOKYO * 529 00:22:11,633 --> 00:22:14,233 * IT'S JUST ONE THING THAT I GOTTA DO * 530 00:22:14,233 --> 00:22:18,700 - * HELLO, TUCK YOU IN EVERY NIGHT ON THE PHONE * 531 00:22:18,700 --> 00:22:20,433 - * GIRL, I'LL BE THINKING ABOUT YOU * 532 00:22:20,433 --> 00:22:24,267 * WORLDWIDE, WORLDWIDE, WORLDWIDE * 533 00:22:24,267 --> 00:22:27,200 - * GIRL, I'LL BE THINKING ABOUT YOU * 534 00:22:27,200 --> 00:22:29,733 - * YES, I MAY * 535 00:22:29,733 --> 00:22:33,300 * MEET A MILLION PRETTY GIRLS THAT KNOW MY NAME * 536 00:22:33,300 --> 00:22:35,333 * BUT DON'T YOU WORRY * 537 00:22:35,333 --> 00:22:41,333 - * 'CAUSE YOU HAVE MY HEART * 538 00:22:41,333 --> 00:22:44,333 [soft orchestral music] 539 00:22:44,333 --> 00:22:52,333 * * 540 00:22:57,367 --> 00:23:00,433 Captioning by CaptionMax www.captionmax.com 541 00:23:00,433 --> 00:23:03,800 - * GOT TO GO BIG TIME * 542 00:23:03,800 --> 00:23:05,800 - * MAKE IT WORK, GET IT RIGHT * 543 00:23:05,800 --> 00:23:07,833 * CHANGE THE WORLD OVERNIGHT * 544 00:23:07,833 --> 00:23:10,867 - * GOT TO DREAM BIG TIME * 545 00:23:10,867 --> 00:23:11,867 - * OH-OH, OH-OH * 546 00:23:11,867 --> 00:23:13,700 - * HEY, HEY * 547 00:23:13,700 --> 00:23:15,833 - * GIVE IT ALL YOU GOT NOW * 548 00:23:15,833 --> 00:23:17,733 - * HEY, HEY * 549 00:23:17,733 --> 00:23:19,633 - * ISN'T IT A RUSH * 550 00:23:19,633 --> 00:23:21,633 - * OH-OH, OH-OH * 551 00:23:21,633 --> 00:23:23,867 * OH-OH, OH-OH * 552 00:23:23,867 --> 00:23:25,300 - * GO AND SHAKE IT UP * 553 00:23:25,300 --> 00:23:27,667 * WHATCHA GOTTA LOSE * 554 00:23:27,667 --> 00:23:31,700 * GO AND MAKE YOUR LUCK WITH THE LIFE YOU CHOOSE * 555 00:23:31,700 --> 00:23:35,100 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 556 00:23:35,100 --> 00:23:39,933 * IT'S THE ONLY LIFE YOU GOT SO YOU GOTTA LIVE IT BIG TIME *