1 00:00:02,900 --> 00:00:04,500 [together] * AND RIGHT FROM THE START 2 00:00:04,533 --> 00:00:07,300 * YOU HAD TO BREAK MY HEART 3 00:00:07,333 --> 00:00:10,200 - * AND NOW I CAN'T FIND ALL THE PIECES * 4 00:00:10,233 --> 00:00:11,200 * YEAH 5 00:00:11,233 --> 00:00:13,333 - CUT! CUT! 6 00:00:13,367 --> 00:00:16,367 CARLOS, THIS IS A SONG ABOUT WHEN A GIRL 7 00:00:16,400 --> 00:00:18,300 DESTROYS YOUR HEART. 8 00:00:18,333 --> 00:00:22,667 SO WHY ARE YOU SINGING SO HAPPY? 9 00:00:22,700 --> 00:00:26,367 - UH... BECAUSE I'M HAPPY? 10 00:00:26,400 --> 00:00:28,333 - CARLOS, JUST TRY TO REMEMBER THE FIRST TIME 11 00:00:28,367 --> 00:00:29,733 A GIRL BROKE YOUR HEART. 12 00:00:29,767 --> 00:00:31,033 - UH, FOR THAT TO HAPPEN, 13 00:00:31,067 --> 00:00:32,400 HE'D HAVE TO HAVE A FIRST GIRLFRIEND. 14 00:00:32,433 --> 00:00:34,033 [laughter] 15 00:00:34,067 --> 00:00:36,567 - DIE! 16 00:00:36,600 --> 00:00:38,400 OH! 17 00:00:38,433 --> 00:00:41,033 [all shouting indistinctly] 18 00:00:41,067 --> 00:00:43,333 [alarm buzzing] 19 00:00:43,367 --> 00:00:47,533 - THE NEW "STOP FIGHT" BUTTON WORKS. 20 00:00:47,567 --> 00:00:50,167 - I'LL MAKE SOME CHANGES TO THE BREAKUP SONG, 21 00:00:50,200 --> 00:00:52,467 AND I'LL RECORD YOU ALL LATER-- 22 00:00:52,500 --> 00:00:53,833 SEPARATELY. 23 00:00:53,867 --> 00:00:56,167 UNTIL THEN... 24 00:00:56,200 --> 00:00:59,067 [all screaming] 25 00:00:59,100 --> 00:01:00,900 - THE NEW "EJECT" BUTTON WORKS TOO. 26 00:01:00,933 --> 00:01:02,233 - YEP. 27 00:01:02,267 --> 00:01:04,233 - * MAKE IT COUNT, PLAY IT STRAIGHT * 28 00:01:04,267 --> 00:01:06,000 * DON'T LOOK BACK, DON'T HESITATE * 29 00:01:06,033 --> 00:01:10,167 - * WHEN YOU GO BIG TIME 30 00:01:10,200 --> 00:01:12,000 - * WHAT YOU WANT, WHAT YOU FEEL * 31 00:01:12,033 --> 00:01:13,967 * NEVER QUIT AND MAKE IT REAL * 32 00:01:14,000 --> 00:01:17,067 - * WHEN YOU ROLL BIG TIME 33 00:01:17,100 --> 00:01:18,200 - * OH-OH, OH-OH 34 00:01:18,233 --> 00:01:19,967 - * HEY, HEY 35 00:01:20,000 --> 00:01:22,133 - * LISTEN TO YOUR HEART NOW 36 00:01:22,167 --> 00:01:23,833 - * HEY, HEY 37 00:01:23,867 --> 00:01:26,167 - * DON'T YOU FEEL THE RUSH 38 00:01:26,200 --> 00:01:28,000 - * UH-OH, UH-OH 39 00:01:28,033 --> 00:01:29,167 * UH-OH, UH-OH 40 00:01:29,200 --> 00:01:30,133 - * OH 41 00:01:30,167 --> 00:01:31,633 - * GO AND SHAKE IT UP 42 00:01:31,667 --> 00:01:34,333 * WHATCHA GOTTA LOSE 43 00:01:34,367 --> 00:01:35,500 * GO AND MAKE YOUR LUCK 44 00:01:35,533 --> 00:01:38,200 * WITH THE LIFE YOU CHOOSE 45 00:01:38,233 --> 00:01:41,800 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 46 00:01:41,833 --> 00:01:47,100 * IT'S THE ONLY LIFE YOU GOT SO YOU GOT TO LIVE IT BIG TIME * 47 00:01:55,500 --> 00:01:56,800 - OOH. HOW ABOUT HER? 48 00:01:56,833 --> 00:01:57,967 - MARCY? 49 00:01:58,000 --> 00:02:00,900 SHE HAS ANGER ISSUES. 50 00:02:00,933 --> 00:02:03,300 [chainsaw revving] 51 00:02:03,333 --> 00:02:06,633 - OKAY, HOW ABOUT HER? 52 00:02:06,667 --> 00:02:08,467 - THAT'S A PALM TREE. 53 00:02:08,500 --> 00:02:10,833 - AND SHE'S MINE. 54 00:02:10,867 --> 00:02:12,200 - WELL, I'M DESPERATE. 55 00:02:12,233 --> 00:02:13,967 - CARLOS, LOVE ISN'T JUST GOING TO RUN UP 56 00:02:14,000 --> 00:02:15,233 WITH A CORN DOG IN ONE HAND 57 00:02:15,267 --> 00:02:16,467 AND A HOCKEY STICK IN THE OTHER 58 00:02:16,500 --> 00:02:18,200 AND THROW ITSELF AT YOU. 59 00:02:18,233 --> 00:02:19,333 - WELL, I CAN'T WAIT ANYMORE. 60 00:02:19,367 --> 00:02:20,567 I'M GOING TO GO TALK TO MARCY. 61 00:02:24,333 --> 00:02:26,400 [chainsaw revving] 62 00:02:26,433 --> 00:02:28,200 - HEY, WANT TO HELP ME RUN LINES FOR MY AUDITION? 63 00:02:28,233 --> 00:02:29,667 - CAN'T. 64 00:02:29,700 --> 00:02:31,167 I'M GOING TO THE SOLAR WINDS OF VENUS EXHIBIT 65 00:02:31,200 --> 00:02:32,167 AT THE PLANETARIUM. 66 00:02:32,200 --> 00:02:33,200 YOU WANT TO COME WITH? 67 00:02:33,233 --> 00:02:34,700 - IT'S A REALLY BIG AUDITION. 68 00:02:34,733 --> 00:02:36,167 I PLAY A PRINCESS BOT 69 00:02:36,200 --> 00:02:39,300 WHO FALLS FOR THIS SUPER HANDSOME HAIR MODEL SPY PRINCE. 70 00:02:39,333 --> 00:02:40,533 - I AM IN! 71 00:02:40,567 --> 00:02:42,133 GIVE ME AN HOUR TO ABSORB THE SCRIPT 72 00:02:42,167 --> 00:02:44,233 AND GET INTO CHARACTER. 73 00:02:44,267 --> 00:02:46,800 [water splashes] 74 00:02:46,833 --> 00:02:49,067 I DON'T CARE IF SHE'S A ROBOT. 75 00:02:49,100 --> 00:02:51,700 I'M IN LOVE WITH HER. 76 00:02:51,733 --> 00:02:53,167 - GOOD FOR YOU. 77 00:02:53,200 --> 00:02:54,700 - SORRY. 78 00:02:54,733 --> 00:02:56,333 MY SCENE RAN LATE. 79 00:02:56,367 --> 00:02:58,067 - BUT WE'RE TOGETHER NOW, 80 00:02:58,100 --> 00:03:01,833 AND I GOT US HIS AND HERS SMOOTHIES. 81 00:03:01,867 --> 00:03:03,833 THE PINK ONE'S MINE. 82 00:03:03,867 --> 00:03:06,833 [cell phone ringing] 83 00:03:06,867 --> 00:03:08,067 - UGH. 84 00:03:08,100 --> 00:03:09,200 THEY JUST MOVED UP MY NEXT SCENE. 85 00:03:09,233 --> 00:03:10,500 I HAVE TO GO. 86 00:03:10,533 --> 00:03:12,333 BUT THIS MEANS I'M FREE FOR LUNCH. 87 00:03:12,367 --> 00:03:13,800 - PICNIC IN THE PARK. 88 00:03:13,833 --> 00:03:15,567 - IT'S A DATE. 89 00:03:15,600 --> 00:03:16,833 - OOH. 90 00:03:16,867 --> 00:03:18,300 SOMEBODY BETTER JUMP IN THE POOL, 91 00:03:18,333 --> 00:03:20,167 BECAUSE THEY JUST GOT BURNED. 92 00:03:20,200 --> 00:03:21,500 - WHAT ARE YOU TALKING ABOUT? 93 00:03:21,533 --> 00:03:23,167 SHE JUST MADE ANOTHER DATE FOR LUNCH? 94 00:03:23,200 --> 00:03:25,000 - DON'T YOU GUYS HAVE ANYTHING BETTER TO DO? 95 00:03:25,033 --> 00:03:26,300 - CABLE'S DOWN TILL TOMORROW. 96 00:03:26,333 --> 00:03:27,967 - BUT WATCHING YOUR RELATIONSHIPS 97 00:03:28,000 --> 00:03:30,167 SUCCUMB TO THE PRESSURES OF HOLLYWOOD IS PRETTY GOOD. 98 00:03:30,200 --> 00:03:33,000 - WOW. SOMETHING WE ACTUALLY AGREE ON. 99 00:03:33,033 --> 00:03:35,833 - [chuckles] 100 00:03:35,867 --> 00:03:37,233 - "LOVE ISN'T JUST GOING TO RUN UP 101 00:03:37,267 --> 00:03:41,200 WITH A CORN DOG AND A HOCKEY STICK." 102 00:03:41,233 --> 00:03:44,500 WHAT DO THEY KNOW? 103 00:03:44,533 --> 00:03:46,200 I NEED A GIRLFRIEND BAD. 104 00:03:46,233 --> 00:03:48,633 OH! 105 00:03:48,667 --> 00:03:50,467 DUDE. WHY DON'T YOU-- 106 00:03:50,500 --> 00:03:53,967 [angelic choral music] 107 00:03:54,000 --> 00:03:55,400 - I AM SO SORRY. 108 00:03:55,433 --> 00:03:57,167 I SHOULD HAVE KNOWN NOT TO TRY TO PLAY ROLLER HOCKEY 109 00:03:57,200 --> 00:03:58,800 WHILE EATING A CORN DOG. 110 00:03:58,833 --> 00:04:00,333 - I'M CARLOS. 111 00:04:00,367 --> 00:04:02,133 I LIKE SUMMER BREEZES, WINTER SNOWSTORMS, 112 00:04:02,167 --> 00:04:04,133 AND SEEING CATS GET WHAT'S COMING TO THEM. 113 00:04:04,167 --> 00:04:05,133 - I'M SASHA, 114 00:04:05,167 --> 00:04:07,500 AND I LOVE ALL THOSE THINGS TOO. 115 00:04:11,433 --> 00:04:13,067 - WE MUSTN'T. 116 00:04:13,100 --> 00:04:14,400 YOU'RE A HAIR MODEL PRINCE 117 00:04:14,433 --> 00:04:16,667 WHO'S SPYING ON MY COUNTRY, 118 00:04:16,700 --> 00:04:19,633 AND I'M A ROBOT. 119 00:04:19,667 --> 00:04:21,867 - IF IT'S SO WRONG, 120 00:04:21,900 --> 00:04:25,233 THEN WHY WERE YOU PROGRAMMED TO LOVE? 121 00:04:25,267 --> 00:04:28,400 - BUT WHAT ABOUT THE BOMB? 122 00:04:28,433 --> 00:04:31,967 [clock ticking] 123 00:04:32,000 --> 00:04:33,367 crash! 124 00:04:33,400 --> 00:04:36,167 THEN THE EXPLOSION THROWS US INTO EACH OTHER'S ARMS. 125 00:04:36,200 --> 00:04:37,733 BOOM! 126 00:04:37,767 --> 00:04:39,433 THEN WE, UH... 127 00:04:42,833 --> 00:04:43,833 HMM. 128 00:04:49,233 --> 00:04:50,667 [both scream] 129 00:04:50,700 --> 00:04:51,667 WHAT WAS THAT? 130 00:04:51,700 --> 00:04:52,667 - IT WAS IN THE SCRIPT! 131 00:04:52,700 --> 00:04:53,833 - NOT THAT SECOND ONE! 132 00:04:53,867 --> 00:04:54,967 both: THEN WHY DID YOU KISS ME? 133 00:04:55,000 --> 00:04:55,967 NO, YOU KISSED ME. 134 00:04:56,000 --> 00:04:56,967 NO! 135 00:04:57,000 --> 00:04:57,967 YOU... 136 00:04:58,000 --> 00:04:58,967 - HEY, GUYS. 137 00:04:59,000 --> 00:05:00,167 [both scream] 138 00:05:00,200 --> 00:05:01,500 - HOW'S REHEARSAL GOING? 139 00:05:01,533 --> 00:05:02,967 - UH, A BOMB JUST WENT OFF 140 00:05:03,000 --> 00:05:04,333 AND THEN MY CHARACTER RUNS AWAY. 141 00:05:04,367 --> 00:05:05,667 BYE! 142 00:05:05,700 --> 00:05:09,300 - MINE TOO. BYE. 143 00:05:09,333 --> 00:05:11,333 - OOH, VENUS. [giggles] 144 00:05:13,233 --> 00:05:16,967 [cell phone ringing] 145 00:05:17,000 --> 00:05:18,333 - HEY, I'M AT PALMWOODS PARK. 146 00:05:18,367 --> 00:05:20,167 - I'M STILL AT THE STUDIO. 147 00:05:20,200 --> 00:05:21,833 THE SHOW IS DOING REALLY GREAT, 148 00:05:21,867 --> 00:05:23,333 AND THEY WANT ME TO GO DO SOME INTERVIEWS. 149 00:05:23,367 --> 00:05:25,067 I'M SORRY. 150 00:05:25,100 --> 00:05:28,200 - BUT I SET UP A REALLY GIRLY PICNIC AND EVERYTHING. 151 00:05:30,067 --> 00:05:31,800 - I'LL BE BACK AS SOON AS I CAN. 152 00:05:31,833 --> 00:05:33,733 BYE. 153 00:05:35,767 --> 00:05:37,333 - NOW, THE SCORNED TEEN WONDERS 154 00:05:37,367 --> 00:05:38,900 IF THIS RELATIONSHIP WILL SURVIVE. 155 00:05:38,933 --> 00:05:41,633 - AND REJECTION CAUSES HIM TO LOSE HIS APPETITE, 156 00:05:41,667 --> 00:05:44,300 AND NOW HIS PICNIC WILL GO TO WASTE 157 00:05:44,333 --> 00:05:46,200 UNLESS... 158 00:05:46,233 --> 00:05:48,700 - JUST SIT DOWN AND EAT. 159 00:05:51,433 --> 00:05:53,467 IS THAT CARLOS? 160 00:05:53,500 --> 00:05:57,033 IN SLOW-MOTION? 161 00:05:57,067 --> 00:06:02,300 - * WHOA-OH, WHOA-OH * 162 00:06:02,333 --> 00:06:04,900 * WHOA-OH, WHOA-OH * 163 00:06:04,933 --> 00:06:06,133 * 'CAUSE WE CAN 164 00:06:06,167 --> 00:06:08,700 * WE COULD BE ONTO SOMETHING SO GOOD * 165 00:06:08,733 --> 00:06:11,300 * TELL ME THAT YOU'RE MINE 166 00:06:11,333 --> 00:06:13,667 * I KNOW, YOU KNOW, YOU GOT MY HEART PUMPING * 167 00:06:13,700 --> 00:06:16,967 * I KNOW, YOU KNOW, WE KNOW WE GOT SOMETHING * 168 00:06:17,000 --> 00:06:19,533 * I KNOW THAT I SAID WAIT 169 00:06:19,567 --> 00:06:22,233 * BUT WHAT IF YOU'RE MY SOUL MATE? * 170 00:06:22,267 --> 00:06:23,733 * SLOW DOWN 171 00:06:23,767 --> 00:06:26,033 * WHEN I SAY SLOW DOWN 172 00:06:26,067 --> 00:06:27,167 * 'CAUSE WE CAN 173 00:06:27,200 --> 00:06:30,000 * WE CAN PARTY LIKE THE WEEKEND * 174 00:06:30,033 --> 00:06:32,300 * YOU GOT ME THINKING WE COULD BE A THING, YEAH * 175 00:06:32,333 --> 00:06:34,633 * I KNOW, YOU KNOW, I GOT YOUR HEART PUMPING * 176 00:06:34,667 --> 00:06:39,133 * I KNOW, YOU KNOW, WE KNOW WE GOT SOMETHING RIGHT * 177 00:06:39,167 --> 00:06:41,233 * WE'RE TWO OF A KIND 178 00:06:41,267 --> 00:06:43,667 * SO LET'S PARTY LIKE IT'S '99 * 179 00:06:43,700 --> 00:06:46,600 * YEAH 180 00:06:48,400 --> 00:06:52,167 * WHOA-OH, WHOA-OH * 181 00:06:52,200 --> 00:06:53,800 - YES. 182 00:06:53,833 --> 00:06:57,900 OPERATION "BREAK CARLOS'S HEART" IS GOING EXACTLY AS PLANNED. 183 00:06:57,933 --> 00:06:59,833 - OPERATION WHAT? 184 00:06:59,867 --> 00:07:01,767 - OPERATION NOTHING. 185 00:07:04,933 --> 00:07:06,967 - DON'T TELL ME THAT YOU HIRED AN ACTRESS 186 00:07:07,000 --> 00:07:08,233 TO MAKE CARLOS FALL IN LOVE WITH HER 187 00:07:08,267 --> 00:07:09,833 SO SHE WOULD BREAK HIS HEART 188 00:07:09,867 --> 00:07:11,567 SO THAT HE COULD PERFORM BETTER ON THE BREAKUP SONG? 189 00:07:11,600 --> 00:07:13,067 - IS THAT WRONG? 190 00:07:13,100 --> 00:07:16,200 [ominous music] 191 00:07:18,167 --> 00:07:20,233 - WE HAVE TO TELL LOGAN. 192 00:07:20,267 --> 00:07:21,633 - SEE, THAT WOULD BE WRONG, 193 00:07:21,667 --> 00:07:24,000 BECAUSE THEN HE'D KNOW ABOUT IT. 194 00:07:24,033 --> 00:07:26,900 - JAMES, RELATIONSHIPS ARE NOTHING WITHOUT HONESTY. 195 00:07:26,933 --> 00:07:28,233 LOGAN NEEDS TO KNOW 196 00:07:28,267 --> 00:07:31,333 THAT HIS BEST FRIEND AND HIS GIRLFRIEND KISSED. 197 00:07:31,367 --> 00:07:32,867 NOW GO. 198 00:07:32,900 --> 00:07:34,133 - WHY ME? 199 00:07:34,167 --> 00:07:36,233 YOUR LIPS WEREN'T EXACTLY INNOCENT BYSTANDERS. 200 00:07:36,267 --> 00:07:37,900 - PLEASE DON'T MAKE ME TELL HIM, JAMES. 201 00:07:37,933 --> 00:07:40,867 I CAN'T! I CAN'T TAKE THE HEARTACHE! 202 00:07:40,900 --> 00:07:42,500 [crying] 203 00:07:42,533 --> 00:07:44,167 - OKAY. FINE. 204 00:07:44,200 --> 00:07:45,167 I'LL DO IT. 205 00:07:45,200 --> 00:07:46,533 - GREAT. 206 00:07:46,567 --> 00:07:48,200 I DON'T KNOW WHY I DON'T BOOK MORE ACTING PARTS. 207 00:07:48,233 --> 00:07:51,167 LET'S GO. 208 00:07:51,200 --> 00:07:53,333 - HEY, ANYTHING NEW ON THE KENDALL AND JO FRONT? 209 00:07:53,367 --> 00:07:55,200 - FORGET THAT. 210 00:07:55,233 --> 00:07:57,733 WAIT TILL YOU HEAR WHAT'S GOING ON WITH JAMES AND CAMILLE. 211 00:07:57,767 --> 00:08:00,533 - GET OUT! 212 00:08:02,833 --> 00:08:04,233 - HEY. 213 00:08:04,267 --> 00:08:06,300 - HEY, BUDDY. WHAT'S UP? 214 00:08:06,333 --> 00:08:07,800 - DID YOU KNOW THAT VENUS 215 00:08:07,833 --> 00:08:09,467 IS CONSIDERED EARTH'S BROTHER PLANET 216 00:08:09,500 --> 00:08:11,167 BECAUSE OF ITS SIMILAR SIZE AND SHAPE? 217 00:08:11,200 --> 00:08:15,433 KIND OF LIKE GALACTIC BEST BUDS WHO NEVER LET EACH OTHER DOWN. 218 00:08:17,667 --> 00:08:18,900 - YEAH, LISTEN. 219 00:08:18,933 --> 00:08:20,167 THERE'S SOMETHING I HAVE TO TELL YOU, 220 00:08:20,200 --> 00:08:23,000 SOMETHING THAT I'M REALLY, REALLY SORRY ABOUT. 221 00:08:23,033 --> 00:08:24,733 - THEN, DUDE, COME ON. YOU CAN TELL ME ANYTHING. 222 00:08:24,767 --> 00:08:25,733 WE'RE BEST FRIENDS. 223 00:08:25,767 --> 00:08:28,133 - OKAY, GOOD. GOOD. 224 00:08:28,167 --> 00:08:29,133 THEN HERE IT GOES. 225 00:08:29,167 --> 00:08:31,367 I... 226 00:08:31,400 --> 00:08:33,167 [clears throat] 227 00:08:33,200 --> 00:08:35,800 I... 228 00:08:35,833 --> 00:08:36,800 I... 229 00:08:36,833 --> 00:08:38,333 USED YOUR TOOTHBRUSH. 230 00:08:38,367 --> 00:08:40,700 - OH, WHAT? 231 00:08:43,400 --> 00:08:46,567 - IF THAT GIRL YOU HIRED BREAKS SWEET CARLOS'S HEART, 232 00:08:46,600 --> 00:08:51,300 I WILL BREAK EVERY SINGLE ONE OF YOUR MUSIC AWARDS. 233 00:08:51,333 --> 00:08:52,867 - YOU WOULDN'T DARE. 234 00:08:52,900 --> 00:08:54,800 - MM. 235 00:08:54,833 --> 00:08:56,200 - AH! 236 00:08:56,233 --> 00:08:57,867 - HEY, GUYS. 237 00:08:57,900 --> 00:09:01,400 I WANT YOU TO MEET MY NEW GIRLFRIEND, SASHA. 238 00:09:01,433 --> 00:09:03,400 - YEAH, ACTUALLY, CARLOS, 239 00:09:03,433 --> 00:09:06,867 THERE'S SOMETHING I NEED TO TELL YOU. 240 00:09:06,900 --> 00:09:08,800 - YOU'RE THIRSTY, RIGHT? 241 00:09:08,833 --> 00:09:10,700 CARLOS, BE A GENTLEMAN 242 00:09:10,733 --> 00:09:13,533 AND GET YOUR LADY FRIEND A BEVERAGE FROM THE PANTRY. 243 00:09:13,567 --> 00:09:16,200 - ANYTHING FOR MY SWEETUMS. 244 00:09:16,233 --> 00:09:17,200 - NEW PLAN. 245 00:09:17,233 --> 00:09:19,667 DO NOT BREAK UP WITH HM. 246 00:09:19,700 --> 00:09:21,300 AND DO NOT BREAK THIS. 247 00:09:21,333 --> 00:09:23,333 - WELL, IF YOU DON'T WANT ME TO BREAK UP WITH HIM, 248 00:09:23,367 --> 00:09:25,467 THEN WHAT DO I DO? 249 00:09:25,500 --> 00:09:28,067 - DON'T LOOK AT ME. 250 00:09:28,100 --> 00:09:32,400 [sweeping orchestral music] 251 00:09:32,433 --> 00:09:36,700 [cell phone ringing] 252 00:09:36,733 --> 00:09:40,867 - SORRY? 253 00:09:44,500 --> 00:09:45,467 - HEY. 254 00:09:45,500 --> 00:09:46,633 - SO ARE YOU MAD 255 00:09:46,667 --> 00:09:49,300 ABOUT WHAT JAMES TOLD YOU? 256 00:09:49,333 --> 00:09:50,567 - WE'RE COOL. 257 00:09:50,600 --> 00:09:52,033 I MEAN, I WAS A LITTLE UPSET AT FIRST, 258 00:09:52,067 --> 00:09:53,833 BUT HE WAS HONEST WITH ME. 259 00:09:53,867 --> 00:09:56,200 - YOU WERE ONLY A LITTLE UPSET? 260 00:09:56,233 --> 00:09:57,333 - HEY, IF HE WANTS TO PUT HIS MOUTH 261 00:09:57,367 --> 00:09:59,200 ON SOMETHING WORN-OUT AND GROSS, 262 00:09:59,233 --> 00:10:00,500 THAT'S HIS PROBLEM. 263 00:10:00,533 --> 00:10:02,233 - EXCUSE ME? 264 00:10:02,267 --> 00:10:04,400 - [blows raspberries] I WAS ABOUT TO DUMP IT ANYWAY. 265 00:10:04,433 --> 00:10:06,200 - OH, WELL, IF YOU WERE GOING TO DUMP ME ANYWAY, 266 00:10:06,233 --> 00:10:08,200 MAYBE I'M GLAD JAMES AND I KISSED. 267 00:10:08,233 --> 00:10:09,900 - YOU AND JAMES KISSED? 268 00:10:09,933 --> 00:10:11,233 - LOOK ON THE BRIGHT SIDE, 269 00:10:11,267 --> 00:10:13,033 NOW YOU DON'T NEED A NEW TOOTHBRUSH. 270 00:10:13,067 --> 00:10:15,667 HA. 271 00:10:15,700 --> 00:10:17,700 - OOH, THIS IS GETTING GOOD. 272 00:10:24,600 --> 00:10:27,033 - [exhales deeply] 273 00:10:27,067 --> 00:10:28,533 LOOK... 274 00:10:28,567 --> 00:10:29,867 - LOGAN, HEY, COME BACK, MAN! 275 00:10:29,900 --> 00:10:31,200 LET'S TALK! 276 00:10:31,233 --> 00:10:32,733 - BOO! WHAT A RIP-OFF. 277 00:10:32,767 --> 00:10:34,367 - NO, THIS IS BETTER. 278 00:10:34,400 --> 00:10:35,967 SEE, THE REJECTED MALE STORMS OFF, 279 00:10:36,000 --> 00:10:37,167 WHILE THE BACKSTABBING FRIEND 280 00:10:37,200 --> 00:10:39,033 FEARS FOR THE FUTURE OF THEIR FRIENDSHIP. 281 00:10:39,067 --> 00:10:41,333 - HMM. WHAT ABOUT LOGAN AND CAMILLE? 282 00:10:41,367 --> 00:10:43,167 - OH, THEY ARE TOAST. 283 00:10:43,200 --> 00:10:46,167 - HELLO? I'M STANDING RIGHT HERE. 284 00:10:46,200 --> 00:10:48,500 - [silently] 285 00:10:50,233 --> 00:10:52,000 - IT'S SIMPLE. 286 00:10:52,033 --> 00:10:54,400 JUST DON'T BREAK UP WITH HIM. 287 00:10:54,433 --> 00:10:55,733 - BUT I CAN'T JUST KEEP PRETENDING 288 00:10:55,767 --> 00:10:57,033 TO BE HIS DREAM GIRLFRIEND 289 00:10:57,067 --> 00:10:58,333 FOR THE REST OF MY LIFE. 290 00:10:58,367 --> 00:11:00,133 - WHY NOT? 291 00:11:00,167 --> 00:11:02,333 - ANOTHER FRUIT WATER FOR MY FRUIT CUP. 292 00:11:02,367 --> 00:11:04,133 - OH, COULD YOU GET ME ANOTHER, SWEETIE? 293 00:11:04,167 --> 00:11:06,833 I'M SO THIRSTY. 294 00:11:06,867 --> 00:11:10,467 - OKAY. OKAY. 295 00:11:10,500 --> 00:11:12,000 - WAIT A MINUTE. 296 00:11:12,033 --> 00:11:14,333 WHAT IF WE CAN GET CARLOS TO BREAK UP WITH HER? 297 00:11:14,367 --> 00:11:16,167 - YES. 298 00:11:16,200 --> 00:11:19,000 - YEAH, BUT CARLOS IS REALLY IN LOVE WITH ME. 299 00:11:19,033 --> 00:11:21,800 SO FAR HE'S GIVEN ME A SEVEN-PAGE LOVE POEM, 300 00:11:21,833 --> 00:11:23,700 A BOUQUET OF CORN DOGS, 301 00:11:23,733 --> 00:11:25,700 AND A COUPON BOOK 302 00:11:25,733 --> 00:11:26,967 FOR CARLOS HUGS. 303 00:11:27,000 --> 00:11:28,300 - AWW. 304 00:11:28,333 --> 00:11:30,033 - JUST BE THE WORST GIRLFRIEND EVER. 305 00:11:30,067 --> 00:11:33,000 BE BOSSY, SPEND ALL OF HIS MONEY ON SHOES, 306 00:11:33,033 --> 00:11:35,700 CRY ABOUT EVERYTHING, 307 00:11:35,733 --> 00:11:39,033 AND HATE ALL OF HIS BEST GUY FRIENDS. 308 00:11:39,067 --> 00:11:41,233 - OKAY, AND IF ALL THAT DOESN'T WORK? 309 00:11:41,267 --> 00:11:43,300 - BE DISGUSTING. 310 00:11:43,333 --> 00:11:45,033 - HERE YOU GO, HONEY. 311 00:11:45,067 --> 00:11:47,733 - UGH, I'M SICK OF ALL THIS FRUIT WATER! 312 00:11:47,767 --> 00:11:49,633 JUST BUY ME SHOES. NOW! 313 00:11:49,667 --> 00:11:51,000 - OKAY. ANYTHING YOU-- 314 00:11:51,033 --> 00:11:53,367 - UGH! TAKE ME SHOE SHOPPING NOW! 315 00:11:53,400 --> 00:11:56,167 - OKAY! AH! 316 00:11:56,200 --> 00:11:59,867 - YEAH, I GIVE HIM ABOUT TWO HOURS TOPS. 317 00:11:59,900 --> 00:12:02,233 - OKAY, WE WRAPPED FOR THE DAY. 318 00:12:02,267 --> 00:12:03,333 I'M TOTALLY FREE. 319 00:12:03,367 --> 00:12:05,200 NOW HOW ABOUT THAT DATE? 320 00:12:05,233 --> 00:12:06,667 - YOU BLEW ME OFF AT THE POOL, 321 00:12:06,700 --> 00:12:08,033 THEN AT THE PARK, 322 00:12:08,067 --> 00:12:10,133 THEN AGAIN AT THE POOL. 323 00:12:10,167 --> 00:12:11,400 - AND I'M SORRY. 324 00:12:11,433 --> 00:12:13,467 I MEAN, I LOVE THAT MY CAREER IS TAKING OFF. 325 00:12:13,500 --> 00:12:16,300 I JUST HATE HOW IT'S MAKING THINGS SO-- 326 00:12:16,333 --> 00:12:17,333 [phone rings] 327 00:12:17,367 --> 00:12:18,733 - UNBELIEVABLE. 328 00:12:18,767 --> 00:12:21,900 - UH, THAT WAS YOUR PHONE. 329 00:12:21,933 --> 00:12:24,867 - I HAVE TO GO TO THE STUDIO. 330 00:12:24,900 --> 00:12:27,167 OH, MY ONE TO YOUR THREE. 331 00:12:27,200 --> 00:12:28,733 [grumbles] 332 00:12:28,767 --> 00:12:32,567 [sweeping orchestral music] 333 00:12:32,600 --> 00:12:33,800 - WHAT DID I MISS? 334 00:12:33,833 --> 00:12:36,000 - NOW KENDALL BLEW HER OFF. 335 00:12:36,033 --> 00:12:38,233 - OOH. NICE TWIST. 336 00:12:38,267 --> 00:12:39,333 PASS ME A SODA. 337 00:12:39,367 --> 00:12:41,167 - POPCORN ME. 338 00:12:43,233 --> 00:12:45,200 - LOG, WE NEED TO TALK ABOUT THIS. 339 00:12:45,233 --> 00:12:47,333 - OOH, HEY, THERE, PAL. 340 00:12:47,367 --> 00:12:49,200 YOU'RE JUST IN TIME TO SEE ASTEROID JAMES 341 00:12:49,233 --> 00:12:50,200 CRASH INTO VENUS, 342 00:12:50,233 --> 00:12:53,000 THE PLANET OF LOVE. 343 00:12:53,033 --> 00:12:54,333 crash! 344 00:12:54,367 --> 00:12:55,200 - WE GOT CAUGHT UP IN THE ACTING. 345 00:12:55,233 --> 00:12:57,067 I MEAN, THERE WAS A BOMB! 346 00:12:57,100 --> 00:12:59,833 THEN TELL ME WHAT I CAN DO TO GET BACK TO BEING YOUR FRIEND. 347 00:12:59,867 --> 00:13:01,900 - I DON'T KNOW, OKAY? 348 00:13:01,933 --> 00:13:03,833 I'VE NEVER BEEN CHEATED ON BEFORE. 349 00:13:03,867 --> 00:13:06,667 - WHAT IF WE EVEN THE SCORE, HUH? 350 00:13:10,233 --> 00:13:12,033 GO AHEAD. 351 00:13:12,067 --> 00:13:16,000 BREAK MY LUCKY COMB. 352 00:13:16,033 --> 00:13:19,033 - HI, SORRY TO INTERRUPT. BIG FANS. 353 00:13:19,067 --> 00:13:20,467 - BUT WE WERE THINKING 354 00:13:20,500 --> 00:13:22,133 THAT THE STORYLINE MIGHT BENEFIT FROM MORE ACTION. 355 00:13:22,167 --> 00:13:23,700 - LIKE, SAY, A DUEL. 356 00:13:23,733 --> 00:13:25,833 - I LIKE THAT. 357 00:13:25,867 --> 00:13:27,467 BROADSWORDS AT DAWN. 358 00:13:27,500 --> 00:13:30,367 - ISN'T DAWN REALLY EARLY? 359 00:13:30,400 --> 00:13:33,133 - BROADSWORDS AT 11:00. 360 00:13:33,167 --> 00:13:35,133 - SORRY. NO BLOOD. 361 00:13:35,167 --> 00:13:37,000 PALMWOODS RULE. 362 00:13:37,033 --> 00:13:40,233 both: THEN WHAT DO WE DUEL WITH? 363 00:13:43,600 --> 00:13:46,967 - TELL THEM WHY WE CAME BACK TO ROCQUE RECORDS, CARLOS. 364 00:13:47,000 --> 00:13:49,967 - I JUST WANTED A PLACE TO PUT DOWN YOUR SHOES 365 00:13:50,000 --> 00:13:51,567 SO I CAN BUY YOU SOME MORE. 366 00:13:51,600 --> 00:13:54,133 TURNS OUT I LOVE SHOE SHOPPING. 367 00:13:54,167 --> 00:13:57,233 OH, SWEET! 368 00:13:57,267 --> 00:13:59,633 - [crying violently] 369 00:13:59,667 --> 00:14:01,300 - WHAT'S WRONG, PUMPKIN? 370 00:14:01,333 --> 00:14:02,567 - I DON'T KNOW. 371 00:14:02,600 --> 00:14:07,800 I JUST CRY ALL THE TIME AND FOR NO REASON AT ALL. 372 00:14:07,833 --> 00:14:09,400 - AND THAT'S HOW I KNOW YOU CARE. 373 00:14:09,433 --> 00:14:11,700 - REALLY? 374 00:14:11,733 --> 00:14:13,533 - OKAY. I'M HERE. 375 00:14:13,567 --> 00:14:15,333 - AND YOUR SESSION IS CANCELLED, 376 00:14:15,367 --> 00:14:18,167 CARLOS'S FRIEND. 377 00:14:18,200 --> 00:14:22,300 - UGH! I HATE ALL OF YOUR FRIENDS. 378 00:14:22,333 --> 00:14:24,067 ONLY SPEND TIME WITH ME. 379 00:14:24,100 --> 00:14:25,800 - AND I WILL, 380 00:14:25,833 --> 00:14:28,333 UNTIL YOU SEE WHAT NICE PEOPLE THEY ARE. 381 00:14:31,367 --> 00:14:33,233 - [farts] 382 00:14:33,267 --> 00:14:35,567 - [laughs] THAT WAS ME. 383 00:14:35,600 --> 00:14:38,467 NO MORE BEANS WITH THAT CORN DOG, PLEASE. 384 00:14:38,500 --> 00:14:42,167 LET'S GET SOME SHOES, HUH? 385 00:14:42,200 --> 00:14:44,633 - THAT BOY IS SO SWEET. 386 00:14:44,667 --> 00:14:46,733 AND THAT GIRL IS GOING TO WIN BEST ACTRESS SOMEDAY. 387 00:14:46,767 --> 00:14:49,067 - AH! 388 00:14:49,100 --> 00:14:50,333 - OH, YOU'RE BACK. 389 00:14:50,367 --> 00:14:52,233 - YEAH, GUSTAVO DIDN'T NEED ME, 390 00:14:52,267 --> 00:14:54,200 CARLOS'S NEW GIRLFRIEND SCARES ME, 391 00:14:54,233 --> 00:14:55,633 AND NOW WE CAN-- 392 00:14:55,667 --> 00:14:57,033 WHAT'S WITH THE GLAMOUR? 393 00:14:57,067 --> 00:14:58,367 - YOU SAID YOU HAD TO GO TO ROCQUE RECORDS, 394 00:14:58,400 --> 00:15:01,167 SO I TOLD MY AGENT SHE COULD BOOK ANOTHER INTERVIEW. 395 00:15:05,000 --> 00:15:06,200 - WE CAN'T KEEP DOING THIS. 396 00:15:06,233 --> 00:15:07,333 - BUT I HAVE TO FOCUS ON MY SHOW, 397 00:15:07,367 --> 00:15:09,733 AND YOU NEED TO FOCUS ON YOUR MUSIC. 398 00:15:09,767 --> 00:15:11,367 - AND IT'S ONLY GOING TO GET WORSE. 399 00:15:11,400 --> 00:15:13,167 [horn squeaking] 400 00:15:20,000 --> 00:15:21,833 - WHOA. WHOA. WHAT HAPPENS NEXT? 401 00:15:21,867 --> 00:15:23,333 - THE TROUBLED COUPLE REALIZE 402 00:15:23,367 --> 00:15:26,000 THAT HAVING NO TIME FOR A RELATIONSHIP 403 00:15:26,033 --> 00:15:28,133 MEANS THAT THERE IS NO RELATIONSHIP 404 00:15:28,167 --> 00:15:31,200 AND, I GUESS, END IT. 405 00:15:31,233 --> 00:15:34,033 - DID YOU REALLY THINK THIS WAS GOING TO BE EASY, BIG BROTHER? 406 00:15:34,067 --> 00:15:35,867 JO'S GOING TO BE A TV STAR. 407 00:15:35,900 --> 00:15:37,633 YOU'RE GOING TO BE A POP STAR. 408 00:15:37,667 --> 00:15:39,300 YOU'RE BOTH REALLY BUSY. 409 00:15:39,333 --> 00:15:40,400 BUT WHAT'S WORSE, 410 00:15:40,433 --> 00:15:42,333 SEEING JO FOR ONE MINUTE AT A TIME 411 00:15:42,367 --> 00:15:43,833 OR NEVER SEEING HER AT ALL? 412 00:15:43,867 --> 00:15:47,167 - THAT 59 SECONDS IS LONGER THAN ANY OF MY DATES. 413 00:15:47,200 --> 00:15:48,533 - YOU KNOW WHAT, BABY SISTER, 414 00:15:48,567 --> 00:15:50,900 YOU ARE RIGHT AGAIN. 415 00:15:54,900 --> 00:15:56,333 - WHAT DO YOU WANT ME TO BRING TO THE DUEL? 416 00:15:56,367 --> 00:15:57,333 - SURPRISE ME. 417 00:15:57,367 --> 00:16:00,400 - ALL RIGHT. 418 00:16:00,433 --> 00:16:04,000 [bird squawks] 419 00:16:04,033 --> 00:16:06,267 [whip cracks] 420 00:16:08,433 --> 00:16:12,200 [woman screaming] 421 00:16:12,233 --> 00:16:13,967 - DIDN'T HAVE TO END THIS WAY. 422 00:16:14,000 --> 00:16:16,333 - DIDN'T IT? 423 00:16:16,367 --> 00:16:19,133 DRAW. 424 00:16:19,167 --> 00:16:21,200 [bullets whistling] 425 00:16:21,233 --> 00:16:24,200 [dramatic Western music] 426 00:16:24,233 --> 00:16:26,700 * 427 00:16:26,733 --> 00:16:28,667 - UGH! 428 00:16:28,700 --> 00:16:30,833 - OH! 429 00:16:30,867 --> 00:16:32,200 - OOH! 430 00:16:32,233 --> 00:16:35,167 - WHOA. THE 3-D ON THIS IS AMAZING. 431 00:16:35,200 --> 00:16:38,300 - IT'S LIKE THE SPIT BALLS ARE COMING RIGHT AT YOU. 432 00:16:38,333 --> 00:16:40,000 OW! 433 00:16:42,200 --> 00:16:46,333 * 434 00:16:46,367 --> 00:16:48,833 [music droning] 435 00:16:52,500 --> 00:16:54,467 - I CAN'T HURT YOU. 436 00:16:54,500 --> 00:16:56,133 YOU'RE MY FRIEND. 437 00:16:56,167 --> 00:16:57,167 - SAME HERE. 438 00:16:57,200 --> 00:16:59,000 PLUS, I DON'T-- 439 00:16:59,033 --> 00:17:01,233 I DON'T HAVE ANY SPIT LEFT. 440 00:17:01,267 --> 00:17:03,133 [coughs] 441 00:17:03,167 --> 00:17:04,367 - WE COOL? 442 00:17:04,400 --> 00:17:07,967 - YEAH, WE'RE COOL. 443 00:17:08,000 --> 00:17:10,333 - SO IN THE END, FRIENDSHIP PREVAILS, 444 00:17:10,367 --> 00:17:13,000 BUT LOGAN STILL HAS TO CONFRONT HIS RELATIONSHIP WITH CAMILLE. 445 00:17:13,033 --> 00:17:14,500 - HMM. COULD YOU DO IT AFTER 3:00? 446 00:17:14,533 --> 00:17:16,367 I'VE GOT SOME PAPERWORK TO DO. 447 00:17:21,700 --> 00:17:26,500 - CARLOS, GUSTAVO HAS SOMETHING THAT HE NEEDS TO TELL YOU. 448 00:17:26,533 --> 00:17:28,400 - YOU DIDN'T MEET SASHA BY ACCIDENT. 449 00:17:28,433 --> 00:17:31,467 I HIRED HER TO MAKE YOU FALL IN LOVE WITH HER 450 00:17:31,500 --> 00:17:33,233 AND THEN BREAK UP WITH YOU 451 00:17:33,267 --> 00:17:36,233 SO YOU COULD SING THE BREAKUP SONG BETTER. 452 00:17:36,267 --> 00:17:38,333 AND I'M SORRY. 453 00:17:38,367 --> 00:17:39,333 - IS THAT TRUE? 454 00:17:39,367 --> 00:17:41,233 - NO. NO. NO. NO. 455 00:17:41,267 --> 00:17:43,867 I MEAN YES, BUT NO. 456 00:17:43,900 --> 00:17:47,700 I MEAN, LOOK, WHEN I WAS ACTING SO AWFUL, 457 00:17:47,733 --> 00:17:50,300 YOU WERE SO SWEET. 458 00:17:50,333 --> 00:17:53,167 AND, LOOK, I KNOW THIS MIGHT SOUND STRANGE, 459 00:17:53,200 --> 00:17:55,400 BUT DO YOU THINK WE COULD TRY AGAIN, 460 00:17:55,433 --> 00:17:58,267 FOR REAL THIS TIME? 461 00:18:00,233 --> 00:18:02,200 - WELL, THEN. 462 00:18:02,233 --> 00:18:04,233 WOULD YOU LIKE TO HAVE LUNCH WITH ME? 463 00:18:04,267 --> 00:18:07,400 - I WOULD. 464 00:18:07,433 --> 00:18:08,633 - COME ON, KELLY. 465 00:18:08,667 --> 00:18:10,800 LET'S GET BACK TO WORK. 466 00:18:10,833 --> 00:18:12,167 - ON WHAT? 467 00:18:12,200 --> 00:18:15,900 - A NEW SONG. [grumbles] 468 00:18:17,500 --> 00:18:19,167 - I DON'T UNDERSTAND. 469 00:18:19,200 --> 00:18:22,033 YOU FORGIVE ME BUT YOU'RE BREAKING UP WITH ME? 470 00:18:22,067 --> 00:18:26,133 - CAMILLE, 96% OF ALL FIRST ROMANCES END IN BREAKUPS. 471 00:18:26,167 --> 00:18:28,833 YOU KISSING JAMES GIVES US THE PERFECT OPPORTUNITY 472 00:18:28,867 --> 00:18:31,300 FOR US TO GET OURS OUT OF THE WAY NOW. 473 00:18:31,333 --> 00:18:32,733 - AND YOU'RE NOT SAD ABOUT THAT? 474 00:18:32,767 --> 00:18:34,200 - YES. 475 00:18:34,233 --> 00:18:35,733 BUT I'M GOING TO MASK MY PAIN 476 00:18:35,767 --> 00:18:37,867 BY BUZZ-CUTTING MY HAIR, JOINING A GYM, 477 00:18:37,900 --> 00:18:41,033 AND NICKNAMING MYSELF "THE ISLAND." 478 00:18:41,067 --> 00:18:45,667 - CAN WE BE FRIENDS? 479 00:18:45,700 --> 00:18:49,200 - FRIENDS IT IS. 480 00:18:49,233 --> 00:18:51,533 - UM, MAYBE WOULD COULD HUG TOO? 481 00:18:51,567 --> 00:18:54,033 I MEAN, FRIENDS HUG, RIGHT? 482 00:18:54,067 --> 00:18:56,233 - IT IS THE FRIENDLY THING TO DO. 483 00:19:09,167 --> 00:19:10,500 AH, YEP. 484 00:19:10,533 --> 00:19:12,367 FRIENDS IT IS. 485 00:19:12,400 --> 00:19:15,567 [clears throat] 486 00:19:15,600 --> 00:19:17,333 - SO ARE THEY BACK TOGETHER? 487 00:19:17,367 --> 00:19:18,833 - HARD TO SAY. 488 00:19:18,867 --> 00:19:20,633 MUST BE ONE OF THOSE ON-AGAIN, OFF-AGAIN THINGS. 489 00:19:20,667 --> 00:19:21,800 - HMM. OOH! 490 00:19:21,833 --> 00:19:24,333 KENDALL AND JO! 491 00:19:25,933 --> 00:19:27,333 - THE STUDIO PUSHED UP MY SCENE. 492 00:19:27,367 --> 00:19:28,833 - GUSTAVO'S MAKING US RECORD A NEW SONG. 493 00:19:28,867 --> 00:19:30,667 both: LET'S GO. 494 00:19:30,700 --> 00:19:33,667 [upbeat rock music] 495 00:19:33,700 --> 00:19:37,067 * 496 00:19:37,100 --> 00:19:39,033 - * FIVE, SIX, SEVEN, EIGHT 497 00:19:39,067 --> 00:19:41,333 [horn squeaking] 498 00:19:41,367 --> 00:19:45,700 * 499 00:19:45,733 --> 00:19:48,667 * FIVE, SIX, SEVEN, EIGHT 500 00:19:48,700 --> 00:19:56,700 * 501 00:19:59,933 --> 00:20:02,367 * FIVE, SIX, SEVEN, EIGHT 502 00:20:05,200 --> 00:20:06,333 - THIS WAS FUN. 503 00:20:06,367 --> 00:20:08,533 - BEST ONE MINUTE DATE EVER. 504 00:20:08,567 --> 00:20:11,200 [both sigh] 505 00:20:11,233 --> 00:20:14,533 [applause] 506 00:20:14,567 --> 00:20:17,633 - [crying] THAT WAS SO SWEET. 507 00:20:17,667 --> 00:20:18,867 - OH, STOP YOUR BLUBBERING. 508 00:20:18,900 --> 00:20:20,533 - THANK YOU. 509 00:20:20,567 --> 00:20:24,400 - OKAY, WITH ALL THE RECENT BIG-TIME "LOVE" AROUND HERE, 510 00:20:24,433 --> 00:20:27,067 I'VE DECIDED TO DUMP THE BREAKUP SONG 511 00:20:27,100 --> 00:20:29,000 FOR THE BOYFRIEND SONG. 512 00:20:29,033 --> 00:20:30,500 - BUT I'M NOT ANYONE'S BOYFRIEND. 513 00:20:30,533 --> 00:20:33,467 - DON'T START. JUST SING. 514 00:20:33,500 --> 00:20:37,300 [together] * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 515 00:20:37,333 --> 00:20:39,533 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 516 00:20:39,567 --> 00:20:41,467 - * HAVE YOU EVER HAD THE FEELING * 517 00:20:41,500 --> 00:20:45,167 * YOU'RE DRAWN TO SOMEONE? 518 00:20:45,200 --> 00:20:51,033 * YEAH, AND THERE ISN'T ANYTHING THEY COULD HAVE SAID OR DONE? * 519 00:20:51,067 --> 00:20:53,967 - * I DON'T KNOW WHAT KIND OF GUY THAT YOU PREFER * 520 00:20:54,000 --> 00:20:57,200 * BUT I KNOW I GOTTA PUT MYSELF OR WORSE * 521 00:20:57,233 --> 00:21:01,033 - * SEE, I THINK I GOT THE KIND OF LOVE THAT YOU DESERVE * 522 00:21:01,067 --> 00:21:02,833 * AND I HEARD THAT 523 00:21:02,867 --> 00:21:04,800 - * YOU'RE LOOKING FOR A BOYFRIEND * 524 00:21:04,833 --> 00:21:06,300 * I SEE THAT 525 00:21:06,333 --> 00:21:09,167 * GIVE ME TIME, YOU KNOW I'M GONNA BE THERE * 526 00:21:09,200 --> 00:21:11,967 * DON'T BE SCARED TO COME, PUT YOUR TRUST IN ME * 527 00:21:12,000 --> 00:21:15,167 * CAN'T YOU SEE ALL I REALLY WANT TO BE * 528 00:21:15,200 --> 00:21:16,467 * IS YOUR BOYFRIEND 529 00:21:16,500 --> 00:21:18,067 * CAN'T FIGHT THAT 530 00:21:18,100 --> 00:21:20,700 * LET ME DOWN, YOU KNOW I'M COMING RIGHT BACK * 531 00:21:20,733 --> 00:21:23,567 * I DON'T CARE AT ALL WHAT YOU DONE BEFORE * 532 00:21:23,600 --> 00:21:25,833 * ALL I REALLY WANT IS 533 00:21:25,867 --> 00:21:28,333 - * IF YOU TELL ME WHERE, I'M WAITING HERE * 534 00:21:28,367 --> 00:21:31,300 * EVERY DAY LIKE SLUMDOG MILLIONAIRE * 535 00:21:31,333 --> 00:21:34,333 * BIGGER THEN THE TWILIGHT LOVE AFFAIR * 536 00:21:34,367 --> 00:21:36,667 * I'LL BE HERE, GIRL, I SWEAR 537 00:21:36,700 --> 00:21:38,133 - * LOOKING FOR, LOOKING FOR * 538 00:21:38,167 --> 00:21:39,667 * THAT YOU'RE LOOKING FOR A BOYFRIEND * 539 00:21:39,700 --> 00:21:41,333 * I SEE THAT 540 00:21:41,367 --> 00:21:44,133 * GIVE ME TIME, YOU KNOW I'M GONNA BE THERE * 541 00:21:44,167 --> 00:21:47,133 * DON'T BE SCARED TO COME, PUT YOUR TRUST IN ME * 542 00:21:47,167 --> 00:21:50,000 * CAN'T YOU SEE ALL I REALLY WANT TO BE * 543 00:21:50,033 --> 00:21:52,567 * IS YOUR BOYFRIEND, CAN'T FIGHT THAT * 544 00:21:52,600 --> 00:21:55,967 * LET ME DOWN, YOU KNOW I'M COMING RIGHT BACK * 545 00:21:56,000 --> 00:21:58,867 * I DON'T CARE AT ALL WHAT YOU DONE BEFORE * 546 00:21:58,900 --> 00:22:01,533 * ALL I REALLY WANT IS TO BE YOUR * 547 00:22:01,567 --> 00:22:04,633 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 548 00:22:04,667 --> 00:22:07,500 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 549 00:22:07,533 --> 00:22:10,533 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 550 00:22:10,567 --> 00:22:13,400 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 551 00:22:13,433 --> 00:22:16,233 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 552 00:22:16,267 --> 00:22:19,167 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 553 00:22:19,200 --> 00:22:22,233 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 554 00:22:22,267 --> 00:22:25,133 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 555 00:22:25,167 --> 00:22:28,200 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 556 00:22:28,233 --> 00:22:31,033 * YOUR BOY, BOY, B-B-B-B-B-BOYFRIEND * 557 00:22:31,067 --> 00:22:33,967 * ALL I REALLY WANT IS TO BE YOUR * 558 00:22:34,000 --> 00:22:36,233 [bell ringing] 559 00:22:36,267 --> 00:22:40,000 [soft acoustic guitar] 560 00:22:40,033 --> 00:22:42,167 - I CAN'T BELIEVE THAT YOU WERE ACTING THE WHOLE TIME. 561 00:22:42,200 --> 00:22:43,567 - ARE YOU KIDDING ME? 562 00:22:43,600 --> 00:22:45,467 I HATE SHOE SHOPPING, 563 00:22:45,500 --> 00:22:49,067 I NEVER CRY, AND I TRY NOT TO BE TOO DISGUSTING. 564 00:22:49,100 --> 00:22:50,967 - TWO CORN DOGS, PLEASE. 565 00:22:51,000 --> 00:22:53,333 AND YOU KNOW THE BEST PART? 566 00:22:53,367 --> 00:22:56,033 IS THAT NOW I GET TO KNOW THE REAL YOU. 567 00:22:56,067 --> 00:22:58,033 - YEAH. ONE MORE THING. 568 00:22:58,067 --> 00:23:00,467 I HATE CORN DOGS. 569 00:23:00,500 --> 00:23:03,433 - YEAH. THIS ISN'T GOING TO WORK OUT. 570 00:23:10,700 --> 00:23:13,700 Captioning by CaptionMax www.captionmax.com 571 00:23:13,733 --> 00:23:17,133 - * GOT TO GO BIG TIME 572 00:23:17,167 --> 00:23:19,133 - * MAKE IT WORK, GET IT RIGHT * 573 00:23:19,167 --> 00:23:21,200 * CHANGE THE WORLD OVERNIGHT 574 00:23:21,233 --> 00:23:24,200 - * GOT TO DREAM BIG TIME 575 00:23:24,233 --> 00:23:25,200 - * OH-OH, OH-OH 576 00:23:25,233 --> 00:23:27,033 - * HEY, HEY 577 00:23:27,067 --> 00:23:29,167 - * GIVE IT ALL YOU GOT NOW 578 00:23:29,200 --> 00:23:31,000 - * HEY, HEY 579 00:23:31,033 --> 00:23:32,967 - * ISN'T IT A RUSH 580 00:23:33,000 --> 00:23:34,900 - * UH-OH, UH-OH 581 00:23:34,933 --> 00:23:37,200 * UH-OH, UH-OH 582 00:23:37,233 --> 00:23:38,533 - * GO AND SHAKE IT UP 583 00:23:38,567 --> 00:23:40,967 * WHATCHA GOTTA LOSE 584 00:23:41,000 --> 00:23:45,033 * GO AND MAKE YOUR LUCK WITH THE LIFE YOU CHOOSE * 585 00:23:45,067 --> 00:23:48,300 * IF YOU WANT IT ALL, LAY IT ON THE LINE * 586 00:23:48,333 --> 00:23:53,233 * IT'S THE ONLY LIFE YOU GOT SO YOU GOTTA LIVE IT BIG TIME *