1 00:00:07,675 --> 00:00:11,079 AFTER THAT, WE SCALE FABRICATION OUTPUT BY 20%. 2 00:00:11,112 --> 00:00:13,047 THIS WILL MEAN MORE DOWNSIZING. 3 00:00:13,081 --> 00:00:14,582 THERE ARE 60 NAMES HERE. 4 00:00:14,615 --> 00:00:17,185 10 THIS WEEK, 10 THE NEXT, AND SO ON. 5 00:00:17,218 --> 00:00:18,586 CALL THEIR NAMES, SEND THEM TO H.R. -- 6 00:00:18,619 --> 00:00:20,821 ANY BACKCHAT, MR. CARROLL CAN ASSIST. 7 00:00:20,854 --> 00:00:23,057 MAYBE IF I CUT SOME WORK HOURS, WE CAN SAVE SOMEONE -- 8 00:00:23,091 --> 00:00:27,228 NO ONE IS SAVING ANYONE, ALEX. JUST DO IT. 9 00:00:27,261 --> 00:00:29,363 ALL RIGHT, ALL RIGHT, NEARLY FINISHED, PEOPLE. 10 00:00:29,397 --> 00:00:31,165 JUST A FEW MORE. 11 00:00:31,199 --> 00:00:34,102 NUMBER 462... 12 00:00:36,270 --> 00:00:37,271 809... 13 00:00:38,772 --> 00:00:41,709 791... 14 00:00:41,742 --> 00:00:44,512 [ WORKERS MURMUR ] AND 20. 15 00:00:46,614 --> 00:00:49,750 EDITH, I AM SORRY. IF THERE WAS ANY-- 16 00:00:49,783 --> 00:00:52,686 [ EDITH CRYING ] ALL RIGHT, THAT'S IT, PEOPLE. 17 00:00:52,720 --> 00:00:55,623 BACK ON THE CLOCK. 18 00:00:58,826 --> 00:01:02,096 HALF THE WORKFORCE HAS BEEN CUT IN THE LAST SIX MONTHS. 19 00:01:02,130 --> 00:01:04,398 ENTIRE SECTIONS HAVE BEEN CLOSED. 20 00:01:04,432 --> 00:01:06,234 WHAT CHARLES IS DOING MAKES NO SENSE. 21 00:01:06,267 --> 00:01:08,269 -WHO'S CHARLES? -CHARLES DODGSON III. 22 00:01:08,302 --> 00:01:10,404 HE'S THE "DODGSON" IN "DODGSON ENERGETICS." 23 00:01:10,438 --> 00:01:12,340 I DON'T MEAN TO BE HARSH, MR. LIDDELL, 24 00:01:12,373 --> 00:01:13,374 BUT COMPANIES DO DIE. 25 00:01:13,407 --> 00:01:16,577 D.E. ISN'T DYING, MR. FORD. IT'S BEING KILLED. 26 00:01:16,610 --> 00:01:20,114 AND IF THE FACTORY DIES, OXFORD DIES. 27 00:01:20,148 --> 00:01:21,849 THE FACTORY IS THE TOWN'S LIFE'S BLOOD. 28 00:01:21,882 --> 00:01:23,016 We could just get rid of him. 29 00:01:23,050 --> 00:01:25,286 WHAT? GOOD LORD! NO, I DON'T WANT CHARLES HURT. MY GOD. 30 00:01:25,319 --> 00:01:26,120 NO, NO, NO, WHAT -- WHAT -- 31 00:01:26,154 --> 00:01:27,555 WHAT HE MEANS IS THAT WE COULD -- 32 00:01:27,588 --> 00:01:29,757 WE COULD TAKE HIM... OUT OF PLAY. 33 00:01:29,790 --> 00:01:31,425 LIKE A FORCED RETIREMENT. 34 00:01:31,459 --> 00:01:32,760 YEAH. 35 00:01:32,793 --> 00:01:34,762 YOU -- YOU HAVE TO UNDERSTAND -- 36 00:01:34,795 --> 00:01:37,265 HIS FATHER RAN D.E. LIKE A SWEATSHOP. 37 00:01:37,298 --> 00:01:39,267 WHEN CHARLES TOOK OVER, HE STOPPED ALL THAT. 38 00:01:39,300 --> 00:01:40,801 HE WAS LIKE HIS GRANDFATHER AGAIN. 39 00:01:40,834 --> 00:01:43,404 HE WAS SO FULL OF ENERGY AND NEW IDEAS FOR THE FUTURE. 40 00:01:43,437 --> 00:01:45,239 YOU DON'T WANT HIM TAKEN OUT OF PLAY. 41 00:01:45,273 --> 00:01:47,441 YOU DON'T WANT HIM REMOVED FROM THE COMPANY 42 00:01:47,475 --> 00:01:48,576 OR ANYTHING LIKE THAT. 43 00:01:48,609 --> 00:01:50,578 YOU GOT TO JUST TELL US WHAT YOU WANT. 44 00:01:50,611 --> 00:01:53,514 HE WAS ONCE SOMEONE WE ALL LOVED AND ADMIRED. 45 00:01:53,547 --> 00:01:55,649 I WANT YOU TO FIX HIM. 46 00:01:55,683 --> 00:01:58,752 I WANT YOU TO MAKE CHARLES THE WAY HE USED TO BE. 47 00:01:58,786 --> 00:02:01,455 CAN YOU DO THAT, MR. FORD? 48 00:02:01,489 --> 00:02:03,291 "YES"? YOU SAID "YES" TO THE MAN? 49 00:02:03,324 --> 00:02:05,193 NATE, ARE YOU OUT OF YOUR DAMN MIND? 50 00:02:05,226 --> 00:02:06,794 WE ARE RUNNING THE WHITE RABBIT. 51 00:02:06,827 --> 00:02:09,330 THE WHITE -- WHAT? NO, NATE. NO, THAT'S NOT WHAT WE DO. 52 00:02:09,363 --> 00:02:10,264 THAT'S WHAT I SAID. 53 00:02:10,298 --> 00:02:12,366 ALL RIGHT, LISTEN, WE WRECK THE BAD GUYS. 54 00:02:12,400 --> 00:02:14,902 WE DON'T TURN ONE KIND OF GUY INTO ANOTHER KIND OF GUY. 55 00:02:14,935 --> 00:02:16,370 WAIT -- WHAT IS THE WHITE RABBIT? 56 00:02:16,404 --> 00:02:18,406 IT'S THE UNGRIFTABLE GRIFT. IT'S IMPOSSIBLE. 57 00:02:18,439 --> 00:02:20,808 -YEAH, BUT WE DO IMPOSSIBLE. -NO, PARKER, NOT LIKE THIS. 58 00:02:20,841 --> 00:02:22,543 FOR THIS, YOU HAVE TO GET INSIDE THE MARK -- 59 00:02:22,576 --> 00:02:24,445 LIKE INSIDE THEIR HEAD, INSIDE THEIR DREAMS. 60 00:02:24,478 --> 00:02:25,446 -CAN'T BE DONE. -THAT'S NOT TRUE. 61 00:02:25,479 --> 00:02:26,714 THERE'S A GRIFTER SITTING RIGHT HERE AMONG US 62 00:02:26,747 --> 00:02:29,883 WHO HAS SUCCESSFULLY PULLED OFF THE WHITE RABBIT -- SOPHIE. 63 00:02:33,354 --> 00:02:35,289 -IT'S POSSIBLE. -THERE YOU GO. IT'S POSSIBLE. 64 00:02:35,323 --> 00:02:37,625 A BIT OF NLP, SOME MESMERISM, 65 00:02:37,658 --> 00:02:40,528 SOME OF ELIOT'S SPECIAL SEDATIVES. 66 00:02:40,561 --> 00:02:41,795 ELIOT'S GOT SEDATIVES? 67 00:02:42,796 --> 00:02:44,064 [ LAUGHTER ] 68 00:02:44,097 --> 00:02:47,335 IT'S JUST A LITTLE PSYCHOTROPIC I PICKED UP OUTSIDE OF BOGOTA. 69 00:02:47,368 --> 00:02:50,404 PUTS YOU UNDER FAST, KEEPS YOU DREAMING FOR DAYS. 70 00:02:50,438 --> 00:02:52,373 [ GASPS ] 71 00:02:54,608 --> 00:02:55,943 [ GRUNTS ] 72 00:02:55,976 --> 00:02:59,413 [ GRUNTING, MEN SCREAMING ] 73 00:02:59,447 --> 00:03:02,650 UNLESS YOU TAKE A STIMULANT BEFORE THEY DOSE YOU. 74 00:03:03,651 --> 00:03:05,586 SEE? 75 00:03:05,619 --> 00:03:08,589 POSSIBLE, GRIFTABLE, DOABLE. 76 00:03:08,622 --> 00:03:10,458 THIS GUY HASN'T BROKEN ANY LAWS, ALL RIGHT. 77 00:03:10,491 --> 00:03:12,260 HE'S NOT SKIMMING. HE'S NOT MOBBED-UP. 78 00:03:12,293 --> 00:03:13,794 WHY ARE YOU THINKING OF DOING THIS? 79 00:03:13,827 --> 00:03:15,028 LOOK, WE'RE NOT GOD, NATE. 80 00:03:15,062 --> 00:03:16,997 WHY DO WE GET TO CHOOSE WHAT KIND OF PERSON HE GETS TO BE? 81 00:03:17,030 --> 00:03:18,966 GUYS, IF YOU THINK ABOUT IT, EVERY JOB THAT WE DO, 82 00:03:18,999 --> 00:03:20,768 EVERY SINGLE JOB, WE'RE KIND OF PLAYING GOD. 83 00:03:20,801 --> 00:03:21,935 WE'RE NOT DOING IT FOR PAYBACK. 84 00:03:21,969 --> 00:03:23,404 WE HELP PEOPLE. WE SAVE PEOPLE. 85 00:03:23,437 --> 00:03:24,905 AND I THINK THIS GUY CAN BE SAVED. 86 00:03:24,938 --> 00:03:26,340 I THINK THE TOWN CAN BE SAVED. 87 00:03:26,374 --> 00:03:29,543 SO WE'RE GONNA DO THIS. 88 00:03:32,346 --> 00:03:35,316 UH, WHAT COMES TO ME WHEN I THINK OF D.E.? 89 00:03:35,349 --> 00:03:37,017 UH, HISTORY, EXCELLENCE. 90 00:03:37,050 --> 00:03:39,253 CHARLIE REALLY PUMPS LIFE INTO THIS PLACE. 91 00:03:39,287 --> 00:03:41,455 I MEAN, HE'S THE ONE THAT REALLY KEEPS IT GOING. 92 00:03:41,489 --> 00:03:42,656 YEAH, HE'S LIKE A MAD GENIUS. 93 00:03:42,690 --> 00:03:45,326 HE -- HE MAKES COMING TO WORK REALLY EXCITING. 94 00:03:45,359 --> 00:03:46,527 BUT MOST OF ALL, FAMILY. 95 00:03:46,560 --> 00:03:49,530 I MEAN, ALL THIS HAPPENS BECAUSE D.E.'s A FAMILY. 96 00:03:49,563 --> 00:03:50,831 I MEAN, EVERYBODY WHO WORKS HERE -- 97 00:03:50,864 --> 00:03:51,932 HEY, MAN. 98 00:03:51,965 --> 00:03:54,668 ...IS INVESTED IN OUR FUTURE, 99 00:03:54,702 --> 00:03:57,738 SO WE'RE JUST MOVING FORWARD TOGETHER. 100 00:03:57,771 --> 00:03:59,673 WELL, THAT GUY'S CHANGED. 101 00:03:59,707 --> 00:04:01,909 NOW, THAT'S CHARLES DODGSON FIVE YEARS AGO. 102 00:04:01,942 --> 00:04:04,978 FOUR YEARS AGO, HIS POP HANDS HIM THE KEYS TO THE FAMILY BIZ. 103 00:04:05,012 --> 00:04:07,348 NOW, D.E. USED TO MAKE HIGH-END BATTERIES 104 00:04:07,381 --> 00:04:09,650 FOR MILITARY DRONES, HYBRIDS, LAPTOPS. 105 00:04:09,683 --> 00:04:10,584 I'M SORRY -- "USED TO"? 106 00:04:10,618 --> 00:04:12,520 WELL, THREE YEARS AGO, THEY WERE HIP-DEEP 107 00:04:12,553 --> 00:04:14,288 IN DEVELOPING THE ALPHA BROADCAST BATTERY, 108 00:04:14,322 --> 00:04:16,457 AND THEN ALL OF A SUDDEN, DODGSON STARTED MAKING CUTS -- 109 00:04:16,490 --> 00:04:18,859 DEPARTMENTS, PERSONNEL, CLIENTELE. 110 00:04:18,892 --> 00:04:21,895 YES, QUESTION FROM THE SEXY STUFF IN THE FRONT ROW? 111 00:04:21,929 --> 00:04:23,497 HOW DO WE BREAK INTO HIS HEAD? 112 00:04:23,531 --> 00:04:24,798 WELL, DUDE KEEPS A TIGHT SCHEDULE -- 113 00:04:24,832 --> 00:04:28,035 I MEAN, WORK, HOME, WORK, REPEAT. 114 00:04:28,068 --> 00:04:30,037 NO FRIENDS, NO FAMILY, GROCERIES ARE DELIVERED. 115 00:04:30,070 --> 00:04:31,639 HE DOESN'T EVEN DRIVE HIS OWN CAR. 116 00:04:31,672 --> 00:04:32,806 OKAY, THERE IT IS RIGHT THERE -- CAR SERVICE. 117 00:04:32,840 --> 00:04:34,808 IT'LL BE EASY TO SWAP ELIOT OUT WITH HIS REGULAR DRIVER. 118 00:04:34,842 --> 00:04:36,444 SWAP ELIOT OUT FOR WHAT REASON? 119 00:04:36,477 --> 00:04:38,045 I STILL DON'T SEE AN IN ON THIS GUY. 120 00:04:38,078 --> 00:04:39,647 THAT'S BECAUSE YOU DIDN'T HACK THREE MONTHS' WORTH 121 00:04:39,680 --> 00:04:41,749 OF SATELLITE DATA TO TRACK CHARLIE BOY. 122 00:04:41,782 --> 00:04:44,818 HE DROPS IN HERE ONCE A WEEK -- BEHAVIORAL THERAPY. 123 00:04:44,852 --> 00:04:46,854 NOW, AT FIRST, I THOUGHT IT WAS O.C.D. 124 00:04:46,887 --> 00:04:48,522 TURNS OUT THEY'RE PANIC ATTACKS. 125 00:04:48,556 --> 00:04:50,824 AND HE'S KEEPING THESE LITTLE VISITS SECRET -- 126 00:04:50,858 --> 00:04:52,660 JUST BETWEEN HIM AND HIS DRIVER. 127 00:04:52,693 --> 00:04:53,827 WAIT -- YOU KNOW WHAT? 128 00:04:53,861 --> 00:04:55,563 GIVE ME A WEEK, A WAREHOUSE, 129 00:04:55,596 --> 00:04:57,431 SOME DIGITAL PROJECTORS, ELIOT'S COCKTAIL -- 130 00:04:57,465 --> 00:05:00,401 YEAH, WE CAN PUT THIS GUY IN WONDERLAND. 131 00:05:00,434 --> 00:05:01,935 ALL RIGHT, SOPHIE. 132 00:05:01,969 --> 00:05:04,338 NOW, YOU'RE GONNA TAKE POINT ON THIS, 133 00:05:04,372 --> 00:05:06,507 AND YOU'LL DECIDE WHETHER OR NOT IT'S A GO. 134 00:05:07,841 --> 00:05:09,977 ALL THE WAY THROUGH IT. 135 00:05:13,647 --> 00:05:14,682 [ KNOCK ON DOOR ] 136 00:05:17,818 --> 00:05:19,453 I'M SORRY -- DR. POLITO'S OFFICE? 137 00:05:19,487 --> 00:05:20,621 EMMA RAUSCHENBAUGH. 138 00:05:20,654 --> 00:05:22,890 I'M LOOKING AFTER DR. POLITO'S PATIENTS WHILE HE'S AWAY. 139 00:05:22,923 --> 00:05:24,558 HE HAD A MEDICAL EMERGENCY. 140 00:05:24,592 --> 00:05:27,395 YOU'RE HIS 7:00 -- CHARLES DODGSON? 141 00:05:27,428 --> 00:05:29,930 YEAH, THE THING IS, I REALLY ONLY CAME DOWN HERE 142 00:05:29,963 --> 00:05:31,432 TO TERMINATE DR. POLITO. 143 00:05:31,465 --> 00:05:33,767 OH. BUT I'VE STUDIED YOUR FILE, AND I... 144 00:05:33,801 --> 00:05:38,071 TELL ME, DID YOU NEVER DISCUSS YOUR DREAMS WITH DR. POLITO? 145 00:05:38,105 --> 00:05:40,007 IT WAS ENOUGH OF A... 146 00:05:40,040 --> 00:05:41,842 A CHORE TO COME DOWN TO THIS PLACE. 147 00:05:41,875 --> 00:05:43,043 MY FAMILY -- WE DON'T DO THIS. 148 00:05:43,076 --> 00:05:46,113 YES, I HAVE GIVEN IT QUITE A LOT OF THOUGHT, AND PLEASE, 149 00:05:46,146 --> 00:05:48,949 WHAT WOULD YOU SAY IF I JUST SUGGESTED 150 00:05:48,982 --> 00:05:53,521 THAT I COULD SOLVE YOUR PANIC ISSUES IN 10 DAYS? 151 00:05:54,955 --> 00:05:55,923 10 DAYS? 152 00:05:55,956 --> 00:05:57,591 10 DAYS. 153 00:05:59,860 --> 00:06:03,564 SO, YOUR DREAMS... 154 00:06:03,597 --> 00:06:06,967 IN GUIDED DREAM THERAPY, YOU AND I ENTER YOUR DREAMS 155 00:06:07,000 --> 00:06:09,803 EVEN WHEN YOU'RE NOT HERE AT THE OFFICE. 156 00:06:09,837 --> 00:06:10,671 [ CLEARS THROAT ] 157 00:06:10,704 --> 00:06:12,706 MY FATHER HAD THIS. HE CONTROLLED IT. 158 00:06:12,740 --> 00:06:13,841 HE CONTROLLED HIMSELF. 159 00:06:13,874 --> 00:06:15,108 IF H WAS ABLE TO DO IT, 160 00:06:15,142 --> 00:06:17,511 I'M SURE I CAN TAKE CARE OF THIS MYSELF. 161 00:06:17,545 --> 00:06:18,879 WELL, HE PROBABLY HAD HELP. 162 00:06:18,912 --> 00:06:21,114 DREAM ARCHITECTURES CAN BE QUITE COMPLEX. 163 00:06:21,148 --> 00:06:22,716 YEAH, YOU DIDN'T KNOW HIM. 164 00:06:23,851 --> 00:06:26,086 THANK YOU FOR YOUR TIME, DOCTOR. 165 00:06:26,119 --> 00:06:27,555 [ EXHALES DEEPLY ] [ DOOR CLOSES ] 166 00:06:27,588 --> 00:06:30,958 NATE, I LOST DODGSON. HE QUIT THERAPY. 167 00:06:30,991 --> 00:06:32,860 NO. NO, YOU DIDN'T. AND, NO, HE'S NOT. 168 00:06:32,893 --> 00:06:35,863 NO, DODGSON IS ABOUT TO HAVE A PANIC ATTACK. 169 00:06:35,896 --> 00:06:38,699 PARKER, YOU'RE UP. 170 00:06:38,732 --> 00:06:39,867 ELIOT. 171 00:06:39,900 --> 00:06:41,702 YEAH, I'M GOOD TO GO. 172 00:06:41,735 --> 00:06:43,103 SORRY -- WHAT WAS THAT? 173 00:06:44,638 --> 00:06:46,474 I SAID, IT'S...GOOD TO KNOW... 174 00:06:46,507 --> 00:06:47,641 THAT THERE'S, UH -- 175 00:06:47,675 --> 00:06:50,478 THAT THESE LITTLE TOWNS LIKE THIS OXFORD PLACE EXIST. 176 00:06:50,511 --> 00:06:53,981 MAN, I USED TO DRIVE 18 UP 35 FROM DALLAS TO OKLAHOMA CITY. 177 00:06:54,014 --> 00:06:55,182 AND RIGHT PAST OKLAHOMA CITY, 178 00:06:55,215 --> 00:06:57,050 -YOU JUMP ON THE OLD 66... -HEY! 179 00:06:57,084 --> 00:06:58,619 ...AND THERE'S LITTLE, SMALL TOWNS LITTERED ALL THE WAY -- 180 00:06:58,652 --> 00:06:59,720 LOOK OUT! LOOK OUT! 181 00:07:00,521 --> 00:07:01,822 [ TIRES SCREECH ] 182 00:07:01,855 --> 00:07:03,991 [ GASPS, GRUNTS ] 183 00:07:04,024 --> 00:07:05,693 OH, MY GOD! 184 00:07:09,830 --> 00:07:11,865 What are you doing? That was way too close. 185 00:07:11,899 --> 00:07:13,767 Had to make it look real. Was it good? 186 00:07:13,801 --> 00:07:15,869 YOU ALL RIGHT? YOU OKAY? 187 00:07:15,903 --> 00:07:17,905 I'M OKAY. 188 00:07:17,938 --> 00:07:19,640 [ BREATHING SHAKILY ] 189 00:07:19,673 --> 00:07:21,675 [ Chuckling ] EVERYTHING'S GOOD. IT'S ALL RIGHT, SIR. 190 00:07:21,709 --> 00:07:22,810 GIRL'S GONNA BE FINE. 191 00:07:22,843 --> 00:07:25,546 DON'T TOUCH ME. DON'T TOUCH ME! DON'T -- JUST DRIVE. 192 00:07:27,648 --> 00:07:28,882 WHAT ARE YOU DOING HERE, ALEX? 193 00:07:28,916 --> 00:07:30,984 WELL, UH, I DID AN EXTRAPOLATION OF THE EFFECTS 194 00:07:31,018 --> 00:07:33,053 THE CUTS YOU'VE MADE WILL HAVE ON THE COMPANY. 195 00:07:33,086 --> 00:07:35,689 IF YOU KEEP THIS UP, D.E. WILL GO UNDER IN A YEAR. 196 00:07:35,723 --> 00:07:37,090 SIX MONTHS, AND IT'S NOT GOING UNDER. 197 00:07:37,124 --> 00:07:38,158 I'M SELLING IT OUT. 198 00:07:38,191 --> 00:07:39,292 A YEAR OF CUTS KILLS US, 199 00:07:39,326 --> 00:07:42,195 BUT SIX MONTHS MAKES US LEAN AND ATTRACTIVE TO BUYERS. 200 00:07:42,229 --> 00:07:44,131 SELLING OUT? WHAT -- IS THAT WHAT THIS IS? 201 00:07:44,164 --> 00:07:46,099 EVERY CHIP, EVERY CABLE, EVERY HARD DRIVE. 202 00:07:46,133 --> 00:07:48,035 BUT TO DO THAT, I NEED TO TRIM D.E. DOWN, 203 00:07:48,068 --> 00:07:50,037 CUT THE DEAD WEIGHT, WHICH NOW INCLUDES YOU. 204 00:07:50,070 --> 00:07:52,039 -YOU'RE FIRED. -WHAT?! 205 00:07:52,072 --> 00:07:54,141 -NO, NO. MR. DODGSON -- -YOU'RE DONE. 206 00:07:54,174 --> 00:07:55,943 -CHARLES! -ALEX, YOU'RE DONE. 207 00:07:55,976 --> 00:07:58,178 I WILL MAKE DO WITH MR. CARROLL. AT LEAST HE DOESN'T THINK. 208 00:07:58,211 --> 00:07:59,179 WHAT'S HAPPENED TO YOU? 209 00:08:00,280 --> 00:08:01,782 GET OUT. 210 00:08:02,816 --> 00:08:04,585 [ BREATHING HEAVILY ] 211 00:08:08,722 --> 00:08:11,024 [ SNIFFLES ] [ PILLS RATTLE ] 212 00:08:21,134 --> 00:08:22,636 [ CELLPHONE BEEPS ] 213 00:08:24,572 --> 00:08:27,107 DR. RAUSCHENBAUGH, THIS IS CHARLES DODGSON. 214 00:08:27,140 --> 00:08:29,276 [ SIGHS ] I'VE RECONSIDERED. 215 00:08:29,309 --> 00:08:31,879 THE ATTACKS SEEM TO COME AT RANDOM. 216 00:08:31,912 --> 00:08:34,948 IF I COULD JUST FIGURE OUT WHAT'S CAUSING THEM... 217 00:08:34,982 --> 00:08:37,951 [ HISS ] 218 00:08:37,985 --> 00:08:39,553 ALL RIGHT. 219 00:08:39,587 --> 00:08:43,991 BLUE PATCH MAKES HIM LOOPY. RED PATCH KNOCKS HIM OUT. 220 00:08:44,024 --> 00:08:47,127 Headed your way, Hardison. E.T.A., 10 minutes. 221 00:08:47,160 --> 00:08:50,197 COME ON WITH IT, ELIOT. DREAMNASIUM IS A GO. 222 00:08:58,038 --> 00:09:00,073 [ ENGINE SHUTS OFF ] 223 00:09:04,778 --> 00:09:06,313 Welcome to the Dreamnasium. 224 00:09:06,346 --> 00:09:07,948 Please bring the heavily sedated guest 225 00:09:07,981 --> 00:09:09,917 to the first virtual set. 226 00:09:11,752 --> 00:09:13,821 I GOT DIGITAL PROJECTORS TO CHANGE THE LANDSCAPES, 227 00:09:13,854 --> 00:09:14,755 PLUS STUFF HE CAN TOUCH, 228 00:09:14,788 --> 00:09:16,857 LIKE CHAIRS, TABLES, ANYTHING LIKE THAT. 229 00:09:16,890 --> 00:09:19,192 NOW, SECTION 1 MIRRORS THE SHRINK'S OFFICE. 230 00:09:19,226 --> 00:09:20,861 SECTION 2, ANYTHING WE WANT. 231 00:09:20,894 --> 00:09:23,096 AND THE HALLWAY, WHICH IS IN THE MIDDLE, 232 00:09:23,130 --> 00:09:25,899 THAT'S LIKE NEUTRAL GROUND -- IT'S LIKE BASE CAMP. 233 00:09:25,933 --> 00:09:27,768 We're ready in here. 234 00:09:27,801 --> 00:09:32,239 ALL RIGHT, HAMLET IS A GO IN FIVE, FOUR, THREE, TWO... 235 00:09:33,707 --> 00:09:36,276 [ Distorted ] PROPOSE THE OATH, MY LORD. 236 00:09:39,813 --> 00:09:42,182 PROPOSE THE OATH, MY LORD! 237 00:09:46,954 --> 00:09:49,723 "NEVER TO SPEAK OF THIS THAT YOU HAVE SEEN." 238 00:09:49,757 --> 00:09:51,692 THAT'S YOUR LINE, MAN! 239 00:09:55,696 --> 00:09:57,665 [ DOOR SLAMS ] 240 00:09:57,698 --> 00:09:59,066 [ ELECTRICITY BUZZING ] 241 00:09:59,099 --> 00:10:00,333 [ BREATHING SHAKILY ] 242 00:10:05,205 --> 00:10:06,306 IT'S ALL RIGHT. 243 00:10:06,339 --> 00:10:08,842 EVERYTHING'S FINE. 244 00:10:08,876 --> 00:10:10,377 YOU'RE DREAMING. 245 00:10:10,410 --> 00:10:15,148 THIS IS WHERE WE'LL CONFRONT THE CAUSE OF YOUR PANIC ATTACKS. 246 00:10:21,254 --> 00:10:23,056 WE'RE IN. 247 00:10:23,090 --> 00:10:25,325 LET'S GO STEAL A DREAM. 248 00:10:26,727 --> 00:10:29,229 -I'M DREAMING? -YES. 249 00:10:31,799 --> 00:10:33,667 I'M DREAMING RIGHT NOW? 250 00:10:33,701 --> 00:10:34,768 YES. 251 00:10:36,036 --> 00:10:38,138 -WHY DOES IT FEEL SO... -SOLID? 252 00:10:38,171 --> 00:10:40,440 THIS IS A LUCID DREAM, MR. DODGSON. 253 00:10:40,473 --> 00:10:43,343 YOU HAVE THE DREAM EXPERIENCE, BUT YOU'RE AWARE 254 00:10:43,376 --> 00:10:45,412 SO IT CAN DO YOU SOME GOOD. 255 00:10:49,950 --> 00:10:51,084 AAH! 256 00:10:53,721 --> 00:10:55,856 THERE'S...NOTHING OUT THERE. 257 00:10:55,889 --> 00:10:56,990 BECAUSE YOUR SUBCONSCIOUS 258 00:10:57,024 --> 00:10:58,458 DOESN'T WANT YOU TO BE OUT THERE. 259 00:10:58,491 --> 00:11:00,327 IF IT DID, THERE'D BE SOMETHING TO SEE. 260 00:11:03,096 --> 00:11:04,197 COME WITH ME. 261 00:11:10,037 --> 00:11:12,773 OKAY, FACTORY FLOOR IS UP. 262 00:11:12,806 --> 00:11:15,709 OH, AND REMEMBER, THIS IS ALL VIRTUAL. 263 00:11:15,743 --> 00:11:17,711 YOU CAN'T TOUCH ANYTHING BUT THE DOORS. 264 00:11:17,745 --> 00:11:20,147 None of this is real. It's just a digital illusion. 265 00:11:20,180 --> 00:11:22,249 And I haven't worked out all the bugs yet. 266 00:11:22,282 --> 00:11:23,884 THIS IS MY FACTORY. 267 00:11:23,917 --> 00:11:25,853 WHAT ARE WE DOING HERE? 268 00:11:25,886 --> 00:11:27,454 THIS IS YOUR EMOTIONAL LANDSCAPE. 269 00:11:27,487 --> 00:11:31,859 WHAT'S IMPORTANT TO YOUR WAKING MIND IS REALITY HERE. 270 00:11:31,892 --> 00:11:33,260 OH, LOOK. 271 00:11:33,293 --> 00:11:35,162 UH...W-W-WAIT. 272 00:11:35,195 --> 00:11:37,798 THAT AREA'S CLOSED. WE DON'T USE THAT ANYMORE. 273 00:11:37,831 --> 00:11:40,400 WHO CLOSED IT, MR. DODGSON? 274 00:11:40,433 --> 00:11:41,268 WELL, I DID. 275 00:11:41,301 --> 00:11:43,270 THE FIRST SECTION THAT DODGSON CLOSED 276 00:11:43,303 --> 00:11:45,038 WAS RESEARCH AND DEVELOPMENT. 277 00:11:45,072 --> 00:11:47,140 IT'S BEEN CHAINED UP, UNTOUCHED, FOR YEARS. 278 00:11:47,174 --> 00:11:48,075 VERY IMPORTANT TO HIM. 279 00:11:48,108 --> 00:11:50,243 ALL D.E.'s FUTURE PROJECTS ARE IN THERE. 280 00:11:50,277 --> 00:11:52,412 NOW WE GET HIM TO REOPEN IT IN THE DREAM, GO INSIDE, 281 00:11:52,445 --> 00:11:55,148 AND SEE ALL THE INVENTIONS HE LEFT TO ROT. 282 00:11:55,182 --> 00:11:58,218 AND THEN, WHAT? HE FLIPS BACK TO BEING A GOOD GUY? 283 00:11:58,251 --> 00:12:00,020 WELL, WE GET HIM THINKING ABOUT THE FUTURE, 284 00:12:00,053 --> 00:12:01,889 WHICH WILL BRING HOPE. 285 00:12:01,922 --> 00:12:04,792 I MEAN, JUST OPEN THE DOOR, RIGHT? EASY PEASY. 286 00:12:04,825 --> 00:12:07,527 THIS JUST DOESN'T FEEL RIGHT. I -- CAN WE COME BACK TO THIS? 287 00:12:07,560 --> 00:12:10,130 IF WE'RE HERE, IT'S BECAUSE YOU WANT US TO BE HERE. 288 00:12:10,163 --> 00:12:11,765 WHAT'S LOCKED BEHIND THAT DOOR 289 00:12:11,799 --> 00:12:13,801 IS WHAT'S CAUSING YOUR PANIC ATTACKS. 290 00:12:13,834 --> 00:12:14,768 NO, NO. 291 00:12:14,802 --> 00:12:16,536 THIS IS -- I -- WHAT IF SOMETHING HAPPENS? 292 00:12:16,569 --> 00:12:19,172 IT'S A DREAM. YOU'RE TOTALLY SAFE. 293 00:12:19,206 --> 00:12:21,541 -JUST -- JUST OPEN IT AND SEE. -I -- 294 00:12:21,574 --> 00:12:23,110 WHERE ARE YOU GOING? 295 00:12:23,143 --> 00:12:25,212 I NEED A -- MY OFFICE. I NEED TO TAKE A BREAK. 296 00:12:25,245 --> 00:12:27,380 HE CAN'T GO BACK TO HIS OFFICE. WE DON'T HAVE THAT. 297 00:12:27,414 --> 00:12:28,515 WHY NOT? 298 00:12:28,548 --> 00:12:30,450 YOU DIDN'T ASK FOR IT. NO REQUEST, NO DIGITAL MODEL. 299 00:12:30,483 --> 00:12:32,152 N-NO PROBLEM. NO PROBLEM. 300 00:12:32,185 --> 00:12:34,321 UM, CAN YOU GET THEM BACK IN THE CASTLE? 301 00:12:34,354 --> 00:12:36,189 YEAH, BUT HE'LL SEE THE CHANGE. 302 00:12:36,223 --> 00:12:37,958 IT'S OKAY. JUST D-DO THAT. 303 00:12:37,991 --> 00:12:39,526 OKAY, SOPHIE, WE'RE DONE FOR THE NIGHT. 304 00:12:39,559 --> 00:12:40,928 PARKER. 305 00:12:43,563 --> 00:12:46,099 MR. DODGSON, I URGE YOU AS YOUR THERAPIST 306 00:12:46,133 --> 00:12:48,168 TO CONSIDER THE RAMIFICATIONS OF WHAT YOU'RE DOING. 307 00:12:48,201 --> 00:12:49,236 WHAT THE HELL IS HAPPENING? 308 00:12:49,269 --> 00:12:50,303 -YOU'RE IN CRISIS. -THIS IS INSANE. 309 00:12:50,337 --> 00:12:53,440 THE CHAOS IS BEING REFLECTED IN YOUR DREAM STATE. 310 00:12:53,473 --> 00:12:55,208 IF YOU'LL JUST STOP... 311 00:12:55,242 --> 00:12:56,343 -NO, NO. JUST STOP TALKING. -LISTEN TO ME. 312 00:12:56,376 --> 00:12:57,777 I'M GETTING OUT OF HERE. 313 00:13:00,547 --> 00:13:02,382 [ HISS ] 314 00:13:02,415 --> 00:13:04,051 [ GROANS ] 315 00:13:04,084 --> 00:13:05,585 LOOK, I'M NOT SAYING WE PULL THE PLUG, 316 00:13:05,618 --> 00:13:06,586 BUT WE HAVE TO RETHINK THIS. 317 00:13:06,619 --> 00:13:08,922 THE WHOLE CON HINGES ON HIM OPENING THAT DOOR. 318 00:13:08,956 --> 00:13:11,091 HE DOES NOT WANT TO DO THAT. 319 00:13:11,124 --> 00:13:13,927 HE WANTED TO GO TO HIS OFFICE. HE WAS DESPERATE TO GET THERE. 320 00:13:13,961 --> 00:13:15,328 WHY? 321 00:13:15,362 --> 00:13:17,064 SENTIMENT. IT WAS HIS FATHER'S OFFICE. 322 00:13:17,097 --> 00:13:18,431 THEN WE SHOULD LET HIM GO THERE. 323 00:13:18,465 --> 00:13:20,901 HE WANTS TO TAKE THE LONG WAY AROUND -- 324 00:13:20,934 --> 00:13:23,070 FINE, AS LONG AS HE OPENS THAT DOOR. 325 00:13:23,103 --> 00:13:24,604 I GOT THE FLOOR PLANS. 326 00:13:24,637 --> 00:13:27,340 ALL I NEED TO DO IS GET PICTURES OF HOW IT'S SET UP INSIDE. 327 00:13:27,374 --> 00:13:29,242 YEAH, FINESSE WON'T WORK WITH THIS GUY. 328 00:13:29,276 --> 00:13:31,511 NO, NO, WE GOT TO PUSH HIM. SHORTEN THE LEASH. 329 00:13:45,125 --> 00:13:46,960 [ HISS ] 330 00:13:55,135 --> 00:13:58,305 ARE YOU WITH US, MR. DODGSON? 331 00:13:58,338 --> 00:13:59,372 [ GROANS ] 332 00:13:59,406 --> 00:14:02,242 EXCELLENT. 333 00:14:02,275 --> 00:14:04,111 WELCOME TO STAGE 2. 334 00:14:05,913 --> 00:14:06,947 STAGE 2? 335 00:14:06,980 --> 00:14:11,351 FIRST, WE GOT YOU ACCLIMATED TO THE DREAM STATE. 336 00:14:11,384 --> 00:14:14,154 NOW YOU HAVE TO TAKE CONTROL. 337 00:14:14,187 --> 00:14:16,990 THAT IS THE LAST THING THAT I'VE GOT. 338 00:14:17,024 --> 00:14:17,991 [ SIGHS ] 339 00:14:18,025 --> 00:14:19,659 THE PANIC ATTACKS ARE EVEN WORSE THAN BEFORE. 340 00:14:19,692 --> 00:14:22,896 EXACTLY. PANIC ATTACKS ARE ABOUT LOSS OF CONTROL. 341 00:14:22,930 --> 00:14:26,666 HERE IS WHERE YOU TAKE IT BACK. 342 00:14:26,699 --> 00:14:28,235 BUT YOU HAVE TO WANT IT. 343 00:14:28,268 --> 00:14:30,370 I DO. 344 00:14:30,403 --> 00:14:32,472 I WANT IT. 345 00:14:32,505 --> 00:14:33,506 [ SIGHS ] 346 00:14:33,540 --> 00:14:35,042 LET'S GET STARTED. 347 00:14:35,075 --> 00:14:37,444 WE'VE ALREADY BEGUN. 348 00:14:37,477 --> 00:14:40,180 WHAT -- I'M DREAMING NOW? 349 00:14:44,317 --> 00:14:46,119 HOW CAN I TELL? 350 00:14:46,153 --> 00:14:48,055 [ Echoing ] LIKE THIS. 351 00:14:50,190 --> 00:14:52,225 [ ELECTRONIC BUZZING ] 352 00:14:58,631 --> 00:15:01,068 [ Distorted ] WHY, CHARLES? WHY? 353 00:15:01,101 --> 00:15:03,937 [ Distorted ] WHY, CHARLES? WHY? 354 00:15:03,971 --> 00:15:06,239 WHY, CHARLES? WHY? 355 00:15:06,273 --> 00:15:08,541 CHARLES, WHY? 356 00:15:08,575 --> 00:15:10,077 WHY, CHARLES? WHY? 357 00:15:10,110 --> 00:15:11,244 OR THAT. 358 00:15:11,278 --> 00:15:12,946 CHARLES, WHY? WHY? 359 00:15:12,980 --> 00:15:14,114 -AAH! 360 00:15:14,147 --> 00:15:15,682 -WHY, CHARLES? -CHARLES! 361 00:15:15,715 --> 00:15:18,218 [ GUNFIRE, EXPLOSIONS ] 362 00:15:18,251 --> 00:15:20,153 [ PANTING ] 363 00:15:21,488 --> 00:15:23,123 OH, GOD. 364 00:15:25,758 --> 00:15:29,496 WHO ARE THOSE PEOPLE? WHAT DO THEY WANT? 365 00:15:29,529 --> 00:15:31,664 [ Echoing ] YOU, MR. DODGSON. 366 00:15:31,698 --> 00:15:35,202 [ ALL TALKING INDISTINCTLY, DISTORTED ] 367 00:15:35,235 --> 00:15:37,070 WHY, CHARLES? WHY? 368 00:15:37,104 --> 00:15:39,606 NO, NO. NO! AAH. 369 00:15:39,639 --> 00:15:42,575 YOU CAN'T ESCAPE THEM, MR. DODGSON. 370 00:15:42,609 --> 00:15:43,710 THEY'RE YOU. 371 00:15:43,743 --> 00:15:47,347 ALL OF THIS IS YOU. 372 00:15:47,380 --> 00:15:48,581 [ TALKING CONTINUES ] 373 00:15:48,615 --> 00:15:50,450 [ BREATHING HEAVILY ] 374 00:15:53,653 --> 00:15:55,488 [ PANTING ] 375 00:15:59,259 --> 00:16:02,362 HOW WILL YOU EVER GET BETTER 376 00:16:02,395 --> 00:16:04,331 IF YOU DON'T LISTEN TO YOUR DOCTOR? 377 00:16:04,364 --> 00:16:05,532 IT'S ALL IN MY H-HEAD, RIGHT? 378 00:16:05,565 --> 00:16:07,500 THIS DREAM -- 379 00:16:07,534 --> 00:16:10,203 I'M IN MY OFFICE, MY DAD'S OFFICE. I'M SAFE. 380 00:16:10,237 --> 00:16:11,738 THAT'S UP TO YOUR SUBCONSCIOUS. 381 00:16:11,771 --> 00:16:13,973 [ POUNDING IN DISTANCE ] CAN THEY GET IN? 382 00:16:16,176 --> 00:16:17,710 MR. DODGSON. 383 00:16:19,679 --> 00:16:21,248 FINE. 384 00:16:21,281 --> 00:16:23,116 IF YOU THINK YOU DON'T NEED ME -- 385 00:16:23,150 --> 00:16:24,251 NO, NO, NO, NO, NO. NO, NO, NO. 386 00:16:24,284 --> 00:16:25,552 YOU HAVE TO HELP ME. YOU'RE THE DOCTOR. 387 00:16:25,585 --> 00:16:28,388 OKAY, JUST... JUST TELL ME WHAT THEY WANT. 388 00:16:28,421 --> 00:16:32,159 THAT'S NOT HOW THIS WORKS. I'M JUST THE GUIDE. 389 00:16:32,192 --> 00:16:33,793 THE HARD WORK IS UP TO YOU. 390 00:16:33,826 --> 00:16:35,728 WELL, WHY THE R&D LAB? 391 00:16:35,762 --> 00:16:37,297 WHAT DOES IT MEAN? 392 00:16:37,330 --> 00:16:40,767 MY FEELING IS... ONCE YOU OPEN IT, YOU'LL KNOW. 393 00:16:42,469 --> 00:16:44,304 LET'S GO AND SEE, SHALL WE? 394 00:16:47,440 --> 00:16:49,609 [ POUNDING CONTINUES, INDISTINCT SHOUTING ] 395 00:16:55,848 --> 00:16:58,051 [ POUNDING, SHOUTING INTENSIFY ] 396 00:17:00,453 --> 00:17:03,156 NO, DON'T. DON'T. DON'T. DON'T LET THEM IN! DON'T. 397 00:17:03,190 --> 00:17:05,292 [ POUNDING, SHOUTING STOP ] 398 00:17:05,325 --> 00:17:06,659 COME ON. 399 00:17:11,264 --> 00:17:14,367 -SHE'S GOOD, ISN'T SHE? -NOBODY BETTER. 400 00:17:14,401 --> 00:17:18,371 BUT I'M NOT SURE THAT... 401 00:17:18,405 --> 00:17:20,173 [ KEYS JINGLE ] MR. DODGSON. 402 00:17:20,207 --> 00:17:22,175 I KNOW. I KNOW. 403 00:17:26,346 --> 00:17:29,116 [ SIGHS HEAVILY ] 404 00:17:31,451 --> 00:17:34,354 NO, I CAN'T. I CAN'T. THIS HAS TO STAY LOCKED. 405 00:17:34,387 --> 00:17:36,656 THIS BLOCK IS ACTING LIKE AN ANCHOR. 406 00:17:36,689 --> 00:17:38,458 IF YOU JUST OPEN THE DOOR -- 407 00:17:38,491 --> 00:17:40,593 NO. I AM NOT DOING THIS, OKAY? 408 00:17:40,627 --> 00:17:42,295 AND YOU CANNOT MAKE ME! 409 00:17:43,396 --> 00:17:45,598 [ HISS ] [ GROANS ] 410 00:17:48,868 --> 00:17:51,070 I BELIEVE YOU. 411 00:17:52,372 --> 00:17:53,406 NATE. 412 00:17:53,440 --> 00:17:54,841 [ LIGHTS CLICK ] 413 00:17:54,874 --> 00:17:56,443 I NEED A WORD. 414 00:17:56,476 --> 00:17:58,711 ALL RIGHT, ELIOT BROUGHT DODGSON BACK HOME. 415 00:17:58,745 --> 00:18:00,780 [ EXHALES DEEPLY ] 416 00:18:00,813 --> 00:18:03,183 HE WAS ALMOST THERE -- RIGHT ON THE EDGE. 417 00:18:03,216 --> 00:18:05,618 WE GOT TO FIND SOMETHING THAT... 418 00:18:05,652 --> 00:18:07,354 THAT PUSHES HIM THE RIGHT WAY. 419 00:18:07,387 --> 00:18:09,389 YEAH, WELL, I'M NOT SO SURE PUSHING WORKS SO WELL. 420 00:18:09,422 --> 00:18:10,890 I DON'T KNOW -- THERE'S JUST SOMETHING 421 00:18:10,923 --> 00:18:13,326 ABOUT THE WAY HE'S SO RESISTANT THAT'S BOTHERING ME, 422 00:18:13,360 --> 00:18:14,461 AND I CAN'T SAY WHY. 423 00:18:14,494 --> 00:18:15,728 YEAH, HE'S JUST REALLY STUBBORN. 424 00:18:15,762 --> 00:18:16,896 TO PULL OFF THE WHITE RABBIT, 425 00:18:16,929 --> 00:18:19,466 DODGSON HAS TO BUY INTO THE IDEA THAT THE DREAMS ARE REAL. 426 00:18:19,499 --> 00:18:22,169 ON SOME LEVEL, HE KNOWS IT'S ALL FALSE. 427 00:18:22,202 --> 00:18:24,737 ALL RIGHT, IF HE NEEDS IT TO FEEL REAL... 428 00:18:24,771 --> 00:18:27,207 LET'S MAKE IT REAL. 429 00:18:27,240 --> 00:18:30,577 MR. DODGSON, PLEASE. YOU'RE NOT MAKING ANY SENSE. 430 00:18:30,610 --> 00:18:32,845 LET ME SAY THIS AGAIN IN PLAIN ENGLISH. 431 00:18:32,879 --> 00:18:35,615 I WANT YOU TO MOVE UP THE SALE. 432 00:18:35,648 --> 00:18:37,717 YES, SIR, OF COURSE, BUT...NEXT WEEK? 433 00:18:37,750 --> 00:18:40,653 -I WANT THIS PLACE DONE -- GONE. -[ SCOFFS ] 434 00:18:40,687 --> 00:18:42,222 I WANT TO FORGET ALL ABOUT IT. 435 00:18:42,255 --> 00:18:44,357 WELL, IT'S GONNA TAKE LONGER THAN A WEEK. 436 00:18:44,391 --> 00:18:47,194 I MEAN, THE TERMINATION PAPERWORK ALONE IS GONNA TAKE -- 437 00:18:47,227 --> 00:18:48,127 UH, THIS IS MY COMPANY. 438 00:18:48,161 --> 00:18:49,896 UM, MY FATHER LEFT IT TO ME, NOT YOU, 439 00:18:49,929 --> 00:18:51,898 AND I CAN CLOSE THE DOORS WHENEVER I WANT. 440 00:18:51,931 --> 00:18:53,900 YES, SIR, BUT IF YOU WANT TO MAKE ANY MONEY ON THE AUCTION -- 441 00:18:53,933 --> 00:18:55,001 YOU THINK THIS IS ABOUT MONEY? 442 00:18:55,034 --> 00:18:57,270 MY FATHER WOULD HAVE SOLD THIS COMPANY IN A HEARTBEAT 443 00:18:57,304 --> 00:18:58,771 IF HE THOUGHT HE COULD MAKE A PROFIT. 444 00:18:58,805 --> 00:18:59,806 DID I DO THAT? NO. 445 00:18:59,839 --> 00:19:03,210 I GAVE PEOPLE TIME TO MAKE PLANS, TO FIND JOBS. 446 00:19:03,243 --> 00:19:04,577 I WENT SLOW FOR THEM 447 00:19:04,611 --> 00:19:06,379 BECAUSE, YOU KNOW, HEY, WE'RE A FAMILY HERE. 448 00:19:06,413 --> 00:19:07,547 WELL, FAMILY TIME IS OVER. 449 00:19:07,580 --> 00:19:09,549 MAKE IT HAPPEN, JOHN, OR YOU'RE GONNA GET A PINK SLIP 450 00:19:09,582 --> 00:19:11,251 INSTEAD OF A GOLDEN PARACHUTE -- ARE WE CLEAR? 451 00:19:11,284 --> 00:19:13,553 YEAH -- CLEAR, SIR. 452 00:19:13,586 --> 00:19:15,288 [ SIGHS ] 453 00:19:39,812 --> 00:19:41,548 [ HISS ] 454 00:19:42,882 --> 00:19:45,918 [ DANCE MUSIC PLAYING ON RADIO ] 455 00:19:45,952 --> 00:19:47,387 [ VOLUME DECREASES ] 456 00:19:47,420 --> 00:19:48,755 -HEY, MAN. -HELLO. 457 00:19:48,788 --> 00:19:51,791 JUST GIVING THE, UH, BOSS'S LADY FRIEND A QUICK TOUR. 458 00:19:51,824 --> 00:19:52,959 OKAY. 459 00:19:52,992 --> 00:19:54,126 [ GIGGLES ] 460 00:19:54,160 --> 00:19:57,730 [ American accent ] HEY! HEY, TURN THE MUSIC BACK ON! 461 00:19:57,764 --> 00:19:59,966 I WANT TO DANCE! [ GIGGLES ] 462 00:19:59,999 --> 00:20:02,535 I'M REALLY -- I'M FEELING IT. 463 00:20:02,569 --> 00:20:04,804 [ VOLUME INCREASES ] BYE! [ GIGGLES ] 464 00:20:11,778 --> 00:20:13,546 [ GROANS ] 465 00:20:16,616 --> 00:20:19,852 UH, DR. RAUSCHENBAUGH? 466 00:20:19,886 --> 00:20:22,689 SALLY SPARROW FROM HATTER MERCANTILE. 467 00:20:22,722 --> 00:20:24,791 THIS IS MY PARTNER, MR. STEED. 468 00:20:24,824 --> 00:20:26,859 YOU KNOW, THIS IS TRULY IMPRESSIVE. 469 00:20:26,893 --> 00:20:28,595 WHAT YOU'VE DONE HERE, TRULY, 470 00:20:28,628 --> 00:20:30,697 IT'S A TRIBUTE TO YOUR GRANDFATHER'S WORK. 471 00:20:30,730 --> 00:20:31,698 WHAT WAS HIS MOTTO? 472 00:20:31,731 --> 00:20:33,566 UH... 473 00:20:33,600 --> 00:20:36,303 -"KEEP -- KEEP MOVING FORWARD." -THAT'S THE ONE. 474 00:20:36,336 --> 00:20:38,438 OH, WELL, YOU'VE DONE A STELLAR JOB 475 00:20:38,471 --> 00:20:39,939 GETTING THIS PLACE IN SHAPE. 476 00:20:39,972 --> 00:20:41,741 -YEAH, HASN'T HE? -MM-HMM. 477 00:20:41,774 --> 00:20:45,011 UH...YEAH. I MEAN, WE'VE BEEN T-TRYING TO CUT THE FAT. 478 00:20:45,044 --> 00:20:46,613 THERE'S JUST ONE THING. 479 00:20:46,646 --> 00:20:49,048 IN ORDER FOR US TO MAKE A REAL DECISION, 480 00:20:49,081 --> 00:20:51,651 WE'RE GONNA HAVE TO SEE THAT ALPHA BATTERY. 481 00:20:51,684 --> 00:20:53,886 UM... 482 00:20:53,920 --> 00:20:56,589 THE ALPHA BATTERY? 483 00:20:56,623 --> 00:20:58,691 WE ACTUALLY NEVER FINISHED THAT. 484 00:21:01,461 --> 00:21:02,695 HEY. 485 00:21:04,564 --> 00:21:06,466 HEY. UM... 486 00:21:06,499 --> 00:21:07,467 HEY! 487 00:21:07,500 --> 00:21:10,503 WAIT! STOP! 488 00:21:10,537 --> 00:21:11,671 PLEASE! 489 00:21:12,972 --> 00:21:15,708 HEY. HEY, STOP. 490 00:21:15,742 --> 00:21:16,876 [ PANTING ] 491 00:21:16,909 --> 00:21:18,811 S-STOP. WHO ARE YOU? 492 00:21:18,845 --> 00:21:21,414 I WORK HERE. I'M A WORKER -- WORKING. 493 00:21:21,448 --> 00:21:24,016 NO. THIS IS ALL WRONG. YOU CAN'T BE HERE. 494 00:21:24,050 --> 00:21:26,386 I'M TAKING THE BATTERY FOR A WALK, SIR. SHE NEEDS TO GET OUT. 495 00:21:26,419 --> 00:21:28,020 NO, NO, NO, NO. COME ON. WE HAVE TO GO. COME ON. 496 00:21:28,054 --> 00:21:29,155 LET GO! [ BOTH GRUNT ] 497 00:21:29,188 --> 00:21:32,058 YOU HAVE TO -- I HAVE TO GET YOU OUT OF HERE! COME ON! 498 00:21:32,091 --> 00:21:33,960 Guys, a little help? 499 00:21:33,993 --> 00:21:35,061 AAH! DAMN IT! 500 00:21:35,094 --> 00:21:36,963 PATIENCE, YOU NEVER LISTEN. 501 00:21:36,996 --> 00:21:39,532 I'VE GOT TO GET YOU OUT OF HERE! 502 00:21:39,566 --> 00:21:41,501 [ HISS ] AAH! 503 00:21:44,036 --> 00:21:46,806 WHO THE HELL IS PATIENCE?! 504 00:21:50,042 --> 00:21:51,611 HE CALLED ME "PATIENCE." 505 00:21:51,644 --> 00:21:53,513 LOOK FOR ANYTHING WITH THAT NAME. 506 00:21:54,881 --> 00:21:57,750 SO, WHO THE HELL IS PATIENCE? GIRLFRIEND, RELATIVE, WHAT? 507 00:21:57,784 --> 00:21:59,118 [ COMPUTER BEEPS ] 508 00:21:59,151 --> 00:22:01,020 [ HARDISON STAMMERING ] 509 00:22:01,053 --> 00:22:03,122 -IT'S NOT MY DEPARTMENT. -STOP TAKING STUFF. 510 00:22:03,155 --> 00:22:05,658 HEY, WHAT ABOUT THIS? SHOULD I TAKE THIS? 511 00:22:05,692 --> 00:22:07,827 PUT IT BACK. 512 00:22:07,860 --> 00:22:08,928 DAMN IT. 513 00:22:08,961 --> 00:22:11,464 INTEL. WE'RE NOT HERE TO STEAL. 514 00:22:11,498 --> 00:22:13,400 [ COMPUTER BEEPING ] 515 00:22:13,433 --> 00:22:15,067 LET'S GO. LET'S GO. LET'S GO. LET'S GO. 516 00:22:15,101 --> 00:22:16,703 DONE. 517 00:22:23,109 --> 00:22:25,545 HEY, WHAT ARE YOU DOING? COME ON. COME ON. 518 00:22:27,714 --> 00:22:30,550 MEET PATIENCE MORTELL -- DODGSON'S SECOND COUSIN. 519 00:22:30,583 --> 00:22:31,951 SHE DOESN'T LOOK ANYTHING LIKE ME. 520 00:22:31,984 --> 00:22:33,586 SHE'S A LITTLE YOUNGER THAN DODGSON. 521 00:22:33,620 --> 00:22:35,455 THEY SPENT THEIR SUMMERS GROWING UP AS KIDS, 522 00:22:35,488 --> 00:22:37,857 SPENT THEIR COLLEGE YEARS BACKPACKING IN EUROPE. 523 00:22:37,890 --> 00:22:39,792 SHE'S AN OLYMPIC-CLASS PARTY GIRL. 524 00:22:39,826 --> 00:22:41,828 AND WE'RE JUST FINDING OUT ABOUT THIS NOW? 525 00:22:41,861 --> 00:22:43,095 WELL, SHE FELL OFF THE RADAR 526 00:22:43,129 --> 00:22:45,064 AFTER DODGSON TOOK OVER THE FAMILY BIZ. 527 00:22:45,097 --> 00:22:46,666 SO...YOU MISSED IT. 528 00:22:46,699 --> 00:22:49,769 I DIDN'T MISS NOTHING. I WASN'T LOOKING FOR IT. 529 00:22:49,802 --> 00:22:52,171 ANYWAY, AFTER I DID A SEARCH ON HER, 530 00:22:52,204 --> 00:22:54,106 ALL I COULD FIND WAS HER OBIT. 531 00:22:54,140 --> 00:22:55,975 -PATIENCE IS DEAD? -EXACTAMUNDO. 532 00:22:56,008 --> 00:22:58,110 SEE, SHE SPENT A WEEK PARTYING IN ASPEN, 533 00:22:58,144 --> 00:23:01,781 DROVE HERSELF BACK HOME -- BLACK ICE, PLUS SPIN-OUT, 534 00:23:01,814 --> 00:23:04,016 CAR, PLUS GUARDRAIL, PLUS GRAVITY, 535 00:23:04,050 --> 00:23:06,986 -PLUS 100-FOOT DROPS, PLUS -- -[ MUTTERING ] 536 00:23:07,019 --> 00:23:08,120 I'M SORRY. YOU GOT SOMETHING TO SAY? 537 00:23:08,154 --> 00:23:08,988 I'M JUST SAYING -- 538 00:23:09,021 --> 00:23:10,957 IT'S A PRETTY BIG PIECE OF INFORMATION 539 00:23:10,990 --> 00:23:12,459 FOR YOU TO COMPLETELY MISS! 540 00:23:12,492 --> 00:23:13,493 I DIDN'T MISS IT! I WASN'T LOOKING! 541 00:23:13,526 --> 00:23:15,161 AND SHE FELL OFF THE RAD-- YOU KNOW WHAT, MAN? 542 00:23:15,194 --> 00:23:17,997 I'VE HAD MY HANDS BUSY BUILDING A DIGITAL DREAM WORLD, 543 00:23:18,030 --> 00:23:19,632 BUSY MODDING YOUR JUNGLE DRUGS 544 00:23:19,666 --> 00:23:21,534 SO IT DOESN'T FRY DODGSON'S BRAIN. 545 00:23:21,568 --> 00:23:22,635 I'VE BEEN BUS-- 546 00:23:22,669 --> 00:23:24,604 YOU KNOW, D-D-DON'T YOU HAVE SOME CHAUFFEURING TO DO? 547 00:23:27,774 --> 00:23:28,775 -NATE? -HMM? 548 00:23:28,808 --> 00:23:29,809 A WORD. 549 00:23:33,580 --> 00:23:34,647 DON'T TELL ME. I KNOW. 550 00:23:34,681 --> 00:23:36,916 YOU SAID IT WAS A BAD IDEA, THAT WE SHOULDN'T DO IT. 551 00:23:36,949 --> 00:23:38,618 YOU WARNED ME. I-I KNOW. 552 00:23:38,651 --> 00:23:41,488 NATE, I NEVER COMPLETED THE WHITE RABBIT. 553 00:23:41,521 --> 00:23:42,655 WHAT?! 554 00:23:42,689 --> 00:23:45,658 OF COURSE YOU DID. NO, YOU'RE THE ONLY ONE WHO EVER -- 555 00:23:45,692 --> 00:23:46,626 IT WAS JUST A RUMOR? 556 00:23:46,659 --> 00:23:48,828 SO ALL THIS TIME, YOU'VE LET PEOPLE THINK -- 557 00:23:48,861 --> 00:23:49,996 LOOK, I DID TRY IT ONCE, 558 00:23:50,029 --> 00:23:51,864 BUT THEN HALFWAY THROUGH, IT WENT BAD. 559 00:23:51,898 --> 00:23:52,899 FRIENDS STARTED ARGUING. 560 00:23:52,932 --> 00:23:55,835 SEASONED GRIFTERS STARTING MAKING ROOKIE MISTAKES. 561 00:23:55,868 --> 00:23:57,937 SO IT GOT BUMPY. I MEAN, NOT EVERYTHING'S A CAKEWALK. 562 00:23:57,970 --> 00:23:59,572 DO YOU UNDERSTAND WHAT THIS CON IS? 563 00:23:59,606 --> 00:24:01,040 -WE'RE IN A MAN'S MIND. -YES, I KNOW. 564 00:24:01,073 --> 00:24:02,942 GRIFTER, THERAPIST -- KIND OF THE SAME COIN, RIGHT? 565 00:24:02,975 --> 00:24:04,644 I MEAN, YOU'RE BOTH INSIDE PEOPLE'S HEADS. 566 00:24:04,677 --> 00:24:06,145 NO, I NUDGE PEOPLE INTO DOING SOMETHING 567 00:24:06,178 --> 00:24:07,413 THAT THEY ALREADY WANT TO DO. 568 00:24:07,446 --> 00:24:10,116 I TEMPT THEM HERE AND THERE. I HELP THEM ACCESS THEIR GREED. 569 00:24:10,149 --> 00:24:11,884 BUT, NO -- NO, THIS IS DIFFERENT. 570 00:24:11,918 --> 00:24:13,052 I-I DON'T SEE HOW. 571 00:24:13,085 --> 00:24:15,688 BECAUSE YOU'RE ALL PLANS AND CLOCKWORKS. 572 00:24:15,722 --> 00:24:16,689 THIS CON IS UNPREDICTABLE. 573 00:24:16,723 --> 00:24:18,658 IT CAN BREAK A MARK. IT CAN BREAK A GRIFTER. 574 00:24:18,691 --> 00:24:19,926 IT CAN BREAK A TEAM. 575 00:24:19,959 --> 00:24:21,694 YOU'RE FORGETTING ONE THING -- THIS IS US, ALL RIGHT? 576 00:24:21,728 --> 00:24:22,895 IT'S OUR CREW RUNNING IT, OKAY? 577 00:24:22,929 --> 00:24:24,531 NOTHING'S GONNA HAPPEN TO THIS GUY. 578 00:24:24,564 --> 00:24:26,032 WE'RE NOT GONNA BREAK HIM, ALL RIGHT? 579 00:24:26,065 --> 00:24:26,933 WE'RE -- WE'RE HELPING HIM. 580 00:24:26,966 --> 00:24:28,801 LOOK, I AM TELLING YOU. AS OF RIGHT NOW, 581 00:24:28,835 --> 00:24:30,570 I CANNOT PREDICT HOW THIS IS GONNA FALL OUT. 582 00:24:30,603 --> 00:24:31,838 YOU NEED TO BE CONFIDENT ABOUT THIS. 583 00:24:31,871 --> 00:24:34,707 YOU'RE BETTER. YOU'RE SMARTER. I MEAN, YOU CAN'T FEEL GUILTY -- 584 00:24:40,680 --> 00:24:41,981 WHY DO I BOTHER? 585 00:24:42,014 --> 00:24:45,552 HARDISON, WHAT'S THE DATE OF PATIENCE'S CRASH? 586 00:24:45,585 --> 00:24:47,186 3:00 A.M., MARCH 20, 2009. 587 00:24:47,219 --> 00:24:48,721 OKAY, CAN YOU PUT UP 588 00:24:48,755 --> 00:24:51,558 THE D.E. SECURITY FOOTAGE FROM MARCH 19th? 589 00:24:51,591 --> 00:24:52,925 [ KEYBOARD CLACKING ] 590 00:24:53,960 --> 00:24:54,861 [ INDISTINCT TALKING ] 591 00:24:54,894 --> 00:24:56,796 THERE'S DODGSON WORKING IN THE R&D LAB. 592 00:24:56,829 --> 00:24:58,898 NOW, FAST-FORWARD ONE DAY. 593 00:25:00,867 --> 00:25:01,868 [ HIGH-SPEED TALKING ] 594 00:25:01,901 --> 00:25:04,303 STOP. THERE. 595 00:25:04,336 --> 00:25:06,573 [ NORMAL-SPEED TALKING ] 596 00:25:06,606 --> 00:25:09,609 [ HIGH-SPEED TALKING ] 597 00:25:09,642 --> 00:25:11,911 SEE? DOOR'S CLOSED AND PADLOCKED. 598 00:25:11,944 --> 00:25:14,113 THAT'S IT. 599 00:25:14,146 --> 00:25:15,347 WELL DONE. 600 00:25:15,381 --> 00:25:17,817 WAIT -- WHAT'S IT? WHAT'S WELL DONE? 601 00:25:17,850 --> 00:25:20,787 THE CALL. SEE, DODGSON, HE'S GOT THIS TROUBLED COUSIN, 602 00:25:20,820 --> 00:25:22,689 DISAPPEARS INTO THE JET-SET PARTY WORLD, 603 00:25:22,722 --> 00:25:23,756 CALLS HIM OUT OF THE BLUE, 604 00:25:23,790 --> 00:25:25,958 BUT HE'S BUSY WORKING ON SOME SENSITIVE PROJECT. 605 00:25:25,992 --> 00:25:27,226 THE ALPHA BROADCAST BATTERY. 606 00:25:27,259 --> 00:25:28,795 YEAH, SO HE SEES WHO'S CALLING, 607 00:25:28,828 --> 00:25:30,963 DOESN'T TAKE THE CALL BECAUSE HE'S BUSY. 608 00:25:30,997 --> 00:25:33,299 THE NEXT DAY, HE FINDS OUT PATIENCE IS DEAD. 609 00:25:33,332 --> 00:25:34,500 HE BLAMES HIMSELF. 610 00:25:34,533 --> 00:25:36,736 YES, HENCE THE PADLOCKED DOORS, THE CLOSING OF THE LAB, 611 00:25:36,769 --> 00:25:37,770 THE FIRING OF WORKERS, 612 00:25:37,804 --> 00:25:39,772 AND TRYING TO SELL EVERYTHING OFF THAT'S LEFT. 613 00:25:39,806 --> 00:25:40,773 IT'S NOT FEAR OF THE FUTURE 614 00:25:40,807 --> 00:25:42,742 THAT'S CAUSING THE PANIC ATTACKS -- IT'S GUILT. 615 00:25:42,775 --> 00:25:44,877 SINCE WE GOT HERE, EVERY TIME THIS GUY'S 616 00:25:44,911 --> 00:25:47,246 GOTTEN INTO A PANIC ATTACK, PARKER WAS IN PLAY. 617 00:25:47,279 --> 00:25:48,815 YOU ALL RIGHT? 618 00:25:48,848 --> 00:25:51,017 I'M OKAY. 619 00:25:51,050 --> 00:25:52,785 [ BREATHING SHAKILY ] 620 00:25:55,722 --> 00:25:59,626 PATIENCE, YOU NEVER LISTEN. I'VE GOT TO GET YOU OUT OF HERE! 621 00:25:59,659 --> 00:26:02,328 PARKER REMINDS HIM OF PATIENCE. 622 00:26:02,361 --> 00:26:03,896 SO, I MEAN -- NO, I MEAN, THE ONLY WAY 623 00:26:03,930 --> 00:26:05,164 WE'RE GONNA FLIP THIS GUY, RIGHT, 624 00:26:05,197 --> 00:26:06,999 IS IF WE GET HIM TO STOP BEING GUILTY ABOUT HER. 625 00:26:07,033 --> 00:26:08,000 RIGHT. 626 00:26:08,034 --> 00:26:09,736 -COME WITH ME, YOUNG LADY. -NO. 627 00:26:09,769 --> 00:26:11,370 -IT'S MAKEOVER TIME. -NO, NO, NO, NO, NO. 628 00:26:11,403 --> 00:26:12,271 IT'S MAKEOVER TIME. 629 00:26:12,304 --> 00:26:14,073 WAIT -- ARE WE NOT DOING THE WHITE RABBIT? 630 00:26:14,106 --> 00:26:15,908 AS OF RIGHT NOW, THESE ARE THE COMPANIES 631 00:26:15,942 --> 00:26:17,744 WHO WILL BE PARTICIPATING IN THE AUCTION. 632 00:26:17,777 --> 00:26:20,046 NOW, THERE'LL BE SOME ADVANCE PEOPLE DROPPING IN TO RATE US 633 00:26:20,079 --> 00:26:23,282 AND MORE SECURITY FILINGS, AND TODAY, YOU'LL NEED TO -- 634 00:26:23,315 --> 00:26:25,785 MR. DODGSON? 635 00:26:25,818 --> 00:26:28,955 YES, UM... IT'S FINE. EXCELLENT. 636 00:26:31,824 --> 00:26:34,093 [ INDISTINCT CONVERSATIONS ] 637 00:26:34,126 --> 00:26:35,094 [ CLEARS THROAT ] 638 00:26:35,127 --> 00:26:37,296 SIR, I KNOW I'M GETTING NEAR THE LINE HERE, 639 00:26:37,329 --> 00:26:41,267 BUT YOU HAVEN'T BEEN... YOUR BEST LATELY. 640 00:26:41,300 --> 00:26:43,269 I'M JUST -- I'M JUST HAVING SOME SLEEP ISSUES. 641 00:26:43,302 --> 00:26:45,237 YEAH, WELL, AS WE'VE MOVED UP THE SALE DATE, 642 00:26:45,271 --> 00:26:47,807 YOU'VE LET YOURSELF IN ON A MARATHON OF CONFERENCE CALLS. 643 00:26:47,840 --> 00:26:48,875 YOU CAN HANDLE THOSE. 644 00:26:48,908 --> 00:26:51,243 YOU'RE THE FACE OF THE COMPANY, SIR, LIKE YOUR -- 645 00:26:54,246 --> 00:26:55,982 LIKE YOUR GRANDFATHER. 646 00:26:57,349 --> 00:26:58,785 [ INHALES DEEPLY ] 647 00:26:58,818 --> 00:27:01,053 UH...FINE. I'LL TALK TO THEM. 648 00:27:01,087 --> 00:27:03,022 I CAN PUSH BACK SOME OF THE CALLS TO LATER IN THE WEEK, 649 00:27:03,055 --> 00:27:04,156 BUT THE CARMAKERS FROM FINLAND 650 00:27:04,190 --> 00:27:05,692 ARE WAITING FOR A WEB CONFERENCE. 651 00:27:05,725 --> 00:27:07,393 [ SIGHS ] 652 00:27:07,426 --> 00:27:10,029 IF I MIGHT SUGGEST... 653 00:27:10,062 --> 00:27:11,964 THIS STUFF WOULD KEEP AN ELEPHANT AWAKE. 654 00:27:11,998 --> 00:27:14,400 IT'S TIME-RELEASED. EVERY FIVE HOURS, YOU GET A BOOST. 655 00:27:16,736 --> 00:27:18,104 [ SIGHS ] [ DOOR CLOSES ] 656 00:27:26,112 --> 00:27:28,681 I DON'T KNOW. THERE'S SOMETHING GOING ON WITH HIM. 657 00:27:28,715 --> 00:27:30,883 FIND OUT WHAT HE'S BEEN UP TO FOR THE LAST FEW DAYS. 658 00:27:30,917 --> 00:27:33,052 ANYTHING UNUSUAL, YOU COME SEE ME FIRST, ALL RIGHT? 659 00:27:33,085 --> 00:27:34,286 OKAY. WILL DO. 660 00:28:01,347 --> 00:28:02,514 [ HISS ] 661 00:28:11,457 --> 00:28:13,025 PATIENCE? 662 00:28:24,003 --> 00:28:25,437 PATIENCE? 663 00:28:31,077 --> 00:28:33,479 PATIENCE? 664 00:28:33,512 --> 00:28:34,781 [ FOOTSTEPS ] 665 00:28:38,417 --> 00:28:40,019 PATIENCE. 666 00:28:43,289 --> 00:28:45,391 [ BREATHING SHAKILY ] 667 00:28:53,432 --> 00:28:54,400 OH, MY GOD. 668 00:28:54,433 --> 00:28:56,268 IT'S -- IT'S REALLY YOU. 669 00:28:56,302 --> 00:28:57,336 [ CHUCKLES ] 670 00:28:59,005 --> 00:29:00,873 I MISSED YOU SO MUCH. 671 00:29:00,907 --> 00:29:03,009 PARKER, THIS IS YOUR SHOW. 672 00:29:03,042 --> 00:29:04,176 REMEMBER, JUST... 673 00:29:04,210 --> 00:29:05,945 keep it simple. 674 00:29:05,978 --> 00:29:07,379 YOU LOOK SAD. 675 00:29:07,413 --> 00:29:08,981 WHY ARE YOU SAD? 676 00:29:09,015 --> 00:29:10,316 I'M IN TROUBLE. 677 00:29:10,349 --> 00:29:13,152 THIS PLACE, THE WHOLE TOWN -- IT'S JUST -- 678 00:29:13,185 --> 00:29:15,221 IT'S JUST TOO MUCH NOW. 679 00:29:15,254 --> 00:29:17,089 WELL, I'M HERE NOW. 680 00:29:19,926 --> 00:29:21,327 YOU LOOK DIFFERENT. 681 00:29:21,360 --> 00:29:24,396 WHY DO YOU LOOK DIFFERENT? 682 00:29:27,199 --> 00:29:28,334 YOU'RE DEAD. 683 00:29:30,069 --> 00:29:31,370 [ EXHALES SHARPLY ] 684 00:29:31,403 --> 00:29:32,905 PATIENCE -- OH! 685 00:29:32,939 --> 00:29:34,006 WHAT'S GOING ON! 686 00:29:34,040 --> 00:29:35,507 GUYS, I THINK SOMETHING'S WRONG. 687 00:29:36,976 --> 00:29:38,044 CONFIRMED. 688 00:29:38,077 --> 00:29:41,047 WRONG, SOMETHING IS. 689 00:29:41,080 --> 00:29:42,148 DAMN IT. 690 00:29:42,181 --> 00:29:43,916 PARKER, HE TOOK AN ENERGY SHOT. 691 00:29:43,950 --> 00:29:45,918 IT'S WORKING AGAINST THE SEDATIVE. 692 00:29:45,952 --> 00:29:48,287 SO, NATE, WE -- I MEAN, WE PULL THE PLUG, RIGHT? 693 00:29:48,320 --> 00:29:49,822 [ PANTING ] 694 00:29:57,329 --> 00:30:00,466 GUYS, I HATE TO PILE ON, BUT WE GOT COMPANY AT THE GATE. 695 00:30:00,499 --> 00:30:03,469 GENTLEMEN. HOW CAN I HELP YOU TONIGHT? 696 00:30:03,502 --> 00:30:05,237 WHAT ARE YOU DOING HERE? 697 00:30:05,271 --> 00:30:08,941 THE BOSS HAS A...LADY FRIEND -- WANTS TO ENTERTAIN. 698 00:30:08,975 --> 00:30:10,076 [ CHUCKLES ] 699 00:30:10,109 --> 00:30:12,311 MR. DODGSON NEVER ENTERTAINS. 700 00:30:12,344 --> 00:30:14,313 AND IF HE DID, HE WOULDN'T DO IT HERE. 701 00:30:14,346 --> 00:30:16,949 WELL, I DON'T ASK QUESTIONS. I'M JUST THE DRIVER, MAN. 702 00:30:16,983 --> 00:30:17,984 NO, I THINK YOU'RE A MOLE. 703 00:30:18,017 --> 00:30:20,219 I THINK ONE OF THE SHARKS CIRCLING THIS COMPANY 704 00:30:20,252 --> 00:30:22,221 SENT YOU HERE TO DIG UP SCANDAL ON MR. DODGSON, 705 00:30:22,254 --> 00:30:24,090 LOWBALL THE SALE PRICE, YEAH? 706 00:30:24,123 --> 00:30:25,624 WHAT ARE YOU -- ASK MY BOY HERE, MAN. 707 00:30:25,657 --> 00:30:27,359 I -- HE SAW US ALL COME IN. 708 00:30:27,393 --> 00:30:29,061 WE WERE ALL TOGETHER JUST A MIN-- 709 00:30:29,095 --> 00:30:30,629 Need some options here, guys. 710 00:30:30,662 --> 00:30:32,932 STALL THEM. THERE'S A SITUATION INSIDE. 711 00:30:32,965 --> 00:30:34,366 WHAT IS THIS? 712 00:30:35,667 --> 00:30:36,635 SO...PFFT. 713 00:30:36,668 --> 00:30:39,538 THAT'S...A HELL OF A THEORY, MAN. [ CHUCKLES ] 714 00:30:39,571 --> 00:30:41,640 LOOK, I DON'T KNOW EXACTLY WHAT'S GOING ON HERE, 715 00:30:41,673 --> 00:30:44,110 BUT I DO KNOW THAT SOMEONE CANCELED MR. DODGSON'S CAR 716 00:30:44,143 --> 00:30:45,211 FOR THE LAST MONTH. 717 00:30:45,244 --> 00:30:46,245 [ SIGHS ] 718 00:30:46,278 --> 00:30:48,480 WHOEVER YOU ARE, YOU'RE NO DRIVER. 719 00:30:48,514 --> 00:30:50,382 I DON'T SUPPOSE WE CAN FORGET ABOUT THIS 720 00:30:50,416 --> 00:30:51,717 AND JUST CALL IT A NIGHT, HUH? 721 00:30:55,587 --> 00:30:57,623 LOOK. 722 00:30:57,656 --> 00:30:59,992 LET ME EXPLAIN SOMETHING. 723 00:31:00,026 --> 00:31:01,160 [ GRUNTS ] 724 00:31:03,062 --> 00:31:04,263 OH, LOOK OUT. 725 00:31:09,936 --> 00:31:11,603 OOH! THAT ONE CONNECTED, DIDN'T IT? COME HERE. 726 00:31:11,637 --> 00:31:12,905 STAY DOWN. 727 00:31:14,606 --> 00:31:16,175 WHAT ARE YOU -- 728 00:31:19,211 --> 00:31:21,647 [ Breathlessly ] WHO ARE YOU -- WHO ARE YOU PEOPLE? 729 00:31:21,680 --> 00:31:24,050 WHAT THE HELL'S -- WHAT THE HELL'S GOING ON? 730 00:31:24,083 --> 00:31:25,317 [ PANTING ] 731 00:31:25,351 --> 00:31:26,352 HUH. 732 00:31:26,385 --> 00:31:27,486 MR. DODGSON... 733 00:31:27,519 --> 00:31:29,488 [ THUD ] 734 00:31:29,521 --> 00:31:32,224 LOOK, T-THIS ISN'T WHAT... 735 00:31:32,258 --> 00:31:35,627 MR. DODGSON. MR. DODGSON! WAIT! 736 00:31:37,063 --> 00:31:38,564 I GOT HIM. HE'S IN THE WEST WING, HEADED NORTH. 737 00:31:38,597 --> 00:31:39,999 HEY, RICH DUDE! 738 00:31:40,967 --> 00:31:42,334 NATE -- 739 00:31:42,368 --> 00:31:44,570 [ GRUNTING ] 740 00:31:44,603 --> 00:31:47,306 ANYBODY WANT TO TELL ME WHAT'S GOING ON IN THERE? 741 00:31:48,674 --> 00:31:50,342 STOP. 742 00:31:51,377 --> 00:31:52,945 A LITTLE BUMP -- WE'RE HANDLING IT. 743 00:31:52,979 --> 00:31:54,280 I JUST NEED YOU TO KEEP STALLING. 744 00:31:54,313 --> 00:31:56,615 Fine. [ GRUNTING ] 745 00:31:56,648 --> 00:31:58,484 [ GROANING ] 746 00:32:03,155 --> 00:32:04,490 GIVE ME THE GUN! 747 00:32:08,227 --> 00:32:10,296 CHARLIE! 748 00:32:16,068 --> 00:32:18,137 CHARLIE, STOP! 749 00:32:19,771 --> 00:32:21,073 [ LOCK CLICKS ] 750 00:32:21,107 --> 00:32:23,509 [ PANTING ] 751 00:32:29,281 --> 00:32:31,650 [ BREATHING HEAVILY ] 752 00:32:31,683 --> 00:32:33,085 CHARLIE! 753 00:32:34,753 --> 00:32:36,388 -CHARLIE. -NO. 754 00:32:36,422 --> 00:32:39,358 DON'T COME OVER HERE, OKAY? 755 00:32:39,391 --> 00:32:40,659 JUST STAY RIGHT THERE. 756 00:32:40,692 --> 00:32:44,496 CHARLIE, W-WHAT ARE YOU DOING UP HERE? 757 00:32:44,530 --> 00:32:46,698 [ Panting ] THE BALL DIDN'T -- 758 00:32:46,732 --> 00:32:49,401 THE BALL DIDN'T -- DIDN'T FLOAT. 759 00:32:49,435 --> 00:32:53,172 YEAH, WELL...THEY USUALLY DON'T. 760 00:32:55,341 --> 00:32:57,143 WHAT ARE WE TALKING ABOUT HERE? 761 00:32:57,176 --> 00:32:59,445 I JUS-- I-I DON'T KNOW WHAT'S REAL ANYMORE. 762 00:32:59,478 --> 00:33:01,647 YOU DON'T -- YOU DON'T LOOK LIKE YOU. 763 00:33:01,680 --> 00:33:05,384 NOTHING FEELS...SOLID. 764 00:33:06,218 --> 00:33:07,553 [ GASPS ] 765 00:33:07,586 --> 00:33:09,588 JUST TELL ME... 766 00:33:09,621 --> 00:33:13,092 AM I DREAMING NOW, OR WAS I JUST DREAMING THEN? 767 00:33:14,826 --> 00:33:18,330 WHICH ANSWER GETS YOU DOWN HERE WITH ME? 768 00:33:18,364 --> 00:33:20,166 [ BREATHING SHAKILY ] 769 00:33:20,199 --> 00:33:23,369 YOU KNOW, THEY SAY -- THEY SAY YOU CAN'T DIE IN YOUR DREAMS. 770 00:33:23,402 --> 00:33:25,804 IT'S JUST -- YOU JUST WAKE UP. 771 00:33:25,837 --> 00:33:27,706 [ BREATHING HEAVILY ] 772 00:33:27,739 --> 00:33:30,309 I JUST WANT TO WAKE UP, PATIENCE. 773 00:33:30,342 --> 00:33:32,044 [ EXHALES SLOWLY ] 774 00:33:34,480 --> 00:33:36,615 IT'S NOT ACTUALLY ALWAYS THE CASE. 775 00:33:36,648 --> 00:33:38,717 I AM TIRED. 776 00:33:38,750 --> 00:33:40,652 I AM SO -- [ SIGHS ] 777 00:33:40,686 --> 00:33:42,488 SO TIRED. 778 00:33:42,521 --> 00:33:43,389 [ SNIFFLES ] 779 00:33:43,422 --> 00:33:46,058 [ Voice breaking ] I JUST -- [ CRYING ] 780 00:33:46,092 --> 00:33:47,626 I JUST WANT TO WAKE UP. 781 00:33:47,659 --> 00:33:49,161 NO, WAIT! STOP! 782 00:33:49,195 --> 00:33:50,362 [ PANTING ] 783 00:33:50,396 --> 00:33:51,363 WHY?! 784 00:33:51,397 --> 00:33:53,599 BECAUSE -- BECAUSE YOU'RE NOT DREAMING, OKAY? 785 00:33:53,632 --> 00:33:55,767 IF YOU STEP OFF THAT LEDGE, YOU'RE GONNA DIE. 786 00:33:59,105 --> 00:34:00,139 WHAT? WHAT'S THE PROBLEM? 787 00:34:00,172 --> 00:34:01,673 I THOUGHT YOU WERE HACKED INTO THE SECURITY SYSTEM. 788 00:34:01,707 --> 00:34:03,509 No, it's a machine lock. 789 00:34:03,542 --> 00:34:05,811 -WHAT THE HELL ARE YOU DOING? -I'M HACKING. 790 00:34:05,844 --> 00:34:07,579 WELL, STOP IT! JUST...STEP BACK. 791 00:34:07,613 --> 00:34:09,415 SHE'S ON THE ROOF WITH THE GUY 792 00:34:09,448 --> 00:34:11,750 WE JUST SPENT THE LAST FOUR DAYS DRIVING CRAZY. 793 00:34:11,783 --> 00:34:15,421 WELL, I'M NOT HAPPY ABOUT IT, EITHER, BUT WE JUST... 794 00:34:15,454 --> 00:34:18,290 WE HAVE TO TRUST THAT PARKER'S GONNA SEE IT THROUGH TO THE END. 795 00:34:19,658 --> 00:34:21,860 NO. THIS IS -- THIS IS A DREAM. IT'S MY DREAM. 796 00:34:21,893 --> 00:34:24,096 IT'S A LUCID DREAM. I CAN'T GET HURT. 797 00:34:24,130 --> 00:34:25,464 IT'S A DREAM. IT'S MY DREAM. IT'S A LUCID DREAM. 798 00:34:25,497 --> 00:34:26,865 CHARLIE, LISTEN TO ME! YOU'RE NOT DREAMING, OKAY? 799 00:34:26,898 --> 00:34:28,467 JUST STEP ON DOWN OFF THAT LEDGE. 800 00:34:28,500 --> 00:34:30,602 DON'T. DON'T. PLEASE DON'T -- DON'T COME ANY CLOSER. 801 00:34:30,636 --> 00:34:34,340 -OKAY. -PLEASE. I DON'T... 802 00:34:34,373 --> 00:34:36,808 I'M NOT GONNA DO ANYTHING. OKAY? I PROMISE. 803 00:34:36,842 --> 00:34:38,510 -OKAY. OKAY. -I PROMISE. 804 00:34:38,544 --> 00:34:40,746 I'M GONNA SIT DOWN HERE NEXT TO YOU, OKAY? 805 00:34:40,779 --> 00:34:42,314 [ BREATHING SHAKILY ] 806 00:34:42,348 --> 00:34:43,449 HEY. LOOK AT ME. 807 00:34:43,482 --> 00:34:45,784 I'M NOT GONNA DO ANYTHING, OKAY? 808 00:34:45,817 --> 00:34:48,120 IT'S ALL RIGHT. IT'S ALL RIGHT. 809 00:34:48,154 --> 00:34:50,389 JUST STAY BACK. 810 00:34:50,822 --> 00:34:52,224 -NO! -AAH! 811 00:34:53,159 --> 00:34:54,260 [ GRUNTS ] 812 00:34:54,293 --> 00:34:56,628 LET ME GO. JUST LET ME GO. 813 00:34:56,662 --> 00:34:58,497 [ Strained ] KEEP SQUIRMING, IT WON'T BE UP TO ME! 814 00:34:58,530 --> 00:35:00,599 IT'S A DREAM. IT'S A DREAM. IT'S GOT TO BE A DREAM. 815 00:35:00,632 --> 00:35:02,901 I SWEAR TO GOD, CHARLIE, IT IS NOT. 816 00:35:02,934 --> 00:35:04,370 I PROMISE YOU, OKAY? 817 00:35:04,403 --> 00:35:06,238 PATIENCE, LET ME GO. 818 00:35:06,272 --> 00:35:07,473 I'M NOT DOING THAT. 819 00:35:07,506 --> 00:35:09,675 I'LL FALL, AND I'LL WAKE UP, 820 00:35:09,708 --> 00:35:11,610 AND MAYBE -- AND MAYBE YOU'LL STILL 821 00:35:11,643 --> 00:35:13,245 MAYBE YOU'LL STILL BE ALIVE, TOO. 822 00:35:13,279 --> 00:35:16,248 [ BOTH GRUNTING ] 823 00:35:16,282 --> 00:35:17,349 I'M NOT PATIENCE! 824 00:35:17,383 --> 00:35:19,651 PATIENCE IS DEAD, OKAY?! 825 00:35:19,685 --> 00:35:22,921 SHE'S DEAD, AND IT SUCKS, AND THAT'S THE WAY IT IS! 826 00:35:22,954 --> 00:35:24,190 [ GROANS ] 827 00:35:24,223 --> 00:35:25,391 BUT YOU'RE ALIVE! 828 00:35:25,424 --> 00:35:26,758 YOU'RE HERE! 829 00:35:26,792 --> 00:35:29,461 [ BOTH BREATHING HEAVILY ] 830 00:35:30,896 --> 00:35:33,665 YOU DON'T UND-- YOU DON'T UNDERSTAND. 831 00:35:33,699 --> 00:35:35,934 SHE WAS THE ONLY ONE WHO -- 832 00:35:35,967 --> 00:35:37,403 I'M ALONE. 833 00:35:37,436 --> 00:35:39,338 I DON'T UNDERSTAND? I HAD SOMEBODY. 834 00:35:39,371 --> 00:35:42,241 I LOST SOMEONE ONCE, OKAY? AND I THOUGHT I WAS ALONE, TOO. 835 00:35:42,274 --> 00:35:43,575 BUT YOU KNOW WHAT? I WASN'T. 836 00:35:43,609 --> 00:35:46,945 PEOPLE THOUGHT I WAS CRAZY, BUT I NEVER WAS. 837 00:35:46,978 --> 00:35:50,148 I-I NEVER WAS, AND NEITHER ARE YOU. 838 00:35:51,850 --> 00:35:53,519 AND YOU'RE NOT ALONE. 839 00:35:53,552 --> 00:35:56,855 YOUR OWN PEOPLE SENT US BECAUSE THEY CARE ABOUT YOU. 840 00:35:56,888 --> 00:35:58,424 I NE-- 841 00:35:58,457 --> 00:35:59,791 [ CRYING ] 842 00:35:59,825 --> 00:36:00,926 I NEVER WANTED ANY OF THIS. 843 00:36:00,959 --> 00:36:03,862 I JUST -- I DIDN'T WANT THE BUSINESS OR THE LEGACY. 844 00:36:03,895 --> 00:36:05,697 I JUST WANTED -- 845 00:36:05,731 --> 00:36:09,268 I JUST -- I JUST WANTED TO MAKE THINGS. 846 00:36:09,301 --> 00:36:11,703 WHAT HAPPENED TO PATIENCE WASN'T YOUR FAULT. 847 00:36:11,737 --> 00:36:14,940 BUT WHAT HAPPENS NEXT IS. 848 00:36:16,007 --> 00:36:18,344 IT'S YOUR LIFE, CHARLIE. 849 00:36:18,377 --> 00:36:20,979 IT'S YOUR CHOICE. 850 00:36:21,012 --> 00:36:22,881 MAKE SOMETHING. 851 00:36:36,495 --> 00:36:38,430 BUT NOBODY'S SEEN CHARLES FOR A WEEK. 852 00:36:38,464 --> 00:36:40,366 BRIGHT SIDE -- NO ONE'S BEEN FIRED IN A WEEK, 853 00:36:40,399 --> 00:36:42,301 AND THE BUSINESS HASN'T GONE UP FOR AUCTION. 854 00:36:42,334 --> 00:36:44,770 NOW, PARKER WAS THE LAST ONE WITH HIM. 855 00:36:44,803 --> 00:36:46,938 UM...PARKER? 856 00:36:48,039 --> 00:36:49,308 SHE'S NOT HERE. 857 00:36:49,341 --> 00:36:51,743 YEAH, WE CAN SEE THAT. WHERE IS SHE? 858 00:36:51,777 --> 00:36:54,380 SAID SHE WANTED TO GO SEE THE FINNS. 859 00:36:54,413 --> 00:36:55,547 I'LL PULL IT UP. 860 00:36:55,581 --> 00:36:57,516 [ KEYBOARD CLACKING, COMPUTER BEEPING ] 861 00:37:00,886 --> 00:37:02,754 HE'S DOING IT. THIS IS IT. 862 00:37:02,788 --> 00:37:04,256 HE'S SELLING TO THE FINNISH CAR COMPANY. 863 00:37:05,924 --> 00:37:08,927 MY GRANDFATHER FOUNDED THIS COMPANY IN 1937. 864 00:37:08,960 --> 00:37:12,364 WELCOME TO DODGSON ENERGETICS. FOLLOW ME, PLEASE. 865 00:37:12,398 --> 00:37:14,600 HE PASSED IT ON TO MY FATHER. 866 00:37:14,633 --> 00:37:16,535 WHEN HE DIED, IT CAME TO ME. 867 00:37:17,969 --> 00:37:20,306 -MY GRANDFATHER'S MOTTO... -WATCH YOUR STEP. 868 00:37:20,339 --> 00:37:21,640 ...WAS "KEEP MOVING FORWARD." 869 00:37:21,673 --> 00:37:23,375 MY FATHER THOUGHT THAT MEANT 870 00:37:23,409 --> 00:37:25,511 "KEEP MOVING FORWARD TO THE BANK." 871 00:37:25,544 --> 00:37:27,746 MY DAD WAS...KIND OF A JERK. 872 00:37:27,779 --> 00:37:31,383 TO HIM, THIS -- THIS PLACE WAS JUST A CASH BOX. 873 00:37:31,417 --> 00:37:34,052 BUT TO ME, IT WAS A PLAYGROUND. 874 00:37:34,085 --> 00:37:35,654 IT WAS CHURCH. 875 00:37:35,687 --> 00:37:38,524 WHEN I TOOK OVER... 876 00:37:38,557 --> 00:37:40,792 WELL, I WANTED TO DO A LOT. 877 00:37:40,826 --> 00:37:43,829 AND I KIND OF LOST SIGHT OF THAT. 878 00:37:43,862 --> 00:37:47,399 AND I HURT PEOPLE -- YOU. 879 00:37:47,433 --> 00:37:49,768 I HURT YOU. 880 00:37:49,801 --> 00:37:52,404 AND I'M SORRY FOR THAT. 881 00:37:52,438 --> 00:37:57,943 BELIEVE ME, IF I COULD GO BACK IN TIME AND CHANGE IT, I WOULD, 882 00:37:57,976 --> 00:38:01,547 BUT I GUESS WE ALL HAVE REGRETS. 883 00:38:01,580 --> 00:38:04,683 BUT RECENTLY, I HAD A... 884 00:38:04,716 --> 00:38:07,819 I GUESS YOU'D CALL IT AN INTERVENTION. 885 00:38:07,853 --> 00:38:09,921 SOMEBODY REMINDED ME -- 886 00:38:09,955 --> 00:38:11,690 [ CROWD MURMURING ] 887 00:38:11,723 --> 00:38:14,426 HEY! THE FINNS! 888 00:38:16,094 --> 00:38:17,696 WELL, THANK YOU FOR COMING. 889 00:38:17,729 --> 00:38:21,567 YOU, UH, YOUR TIMING IS IMPECCABLE. 890 00:38:21,600 --> 00:38:25,637 HAVE I GOT SOMETHING TO SHOW YOU. 891 00:38:27,973 --> 00:38:30,609 YOU'RE GONNA LOVE THIS. 892 00:38:30,642 --> 00:38:32,478 [ MURMURING CONTINUES ] 893 00:38:50,796 --> 00:38:52,398 [ SIGHS ] 894 00:38:59,170 --> 00:39:00,772 [ CHAINS JANGLE ] 895 00:39:06,778 --> 00:39:09,848 EVERYBODY, COME IN. COME ON. GATHER AROUND. 896 00:39:09,881 --> 00:39:11,617 [ MACHINE POWERING UP ] 897 00:39:11,650 --> 00:39:15,854 SO, SOMEONE REMINDED ME... 898 00:39:15,887 --> 00:39:18,457 THAT WE CAN'T CHANGE THE PAST... 899 00:39:18,490 --> 00:39:22,728 BUT WE CAN MAKE THE FUTURE. 900 00:39:22,761 --> 00:39:27,833 SO, I WOULD LIKE TO ANNOUNCE OUR PARTNERSHIP 901 00:39:27,866 --> 00:39:29,501 WITH AURINKO MOTORS. 902 00:39:29,535 --> 00:39:31,069 [ CROWD MURMURS ] 903 00:39:31,102 --> 00:39:33,972 BECAUSE THEIR NEW HYBRID CITY CAR 904 00:39:34,005 --> 00:39:35,907 IS GONNA NEED SOMETHING TO MAKE IT GO. 905 00:39:35,941 --> 00:39:39,177 SO... 906 00:39:39,210 --> 00:39:41,179 WE'RE GONNA NEED A LOT MORE HANDS AROUND HERE. 907 00:39:41,212 --> 00:39:44,550 [ CHEERS AND APPLAUSE ] 908 00:40:15,981 --> 00:40:17,549 WHY THE LONG FACE? 909 00:40:17,583 --> 00:40:20,218 OH, JUST...SORTING STUFF. 910 00:40:20,251 --> 00:40:24,623 YEAH, SO, THE CON FAILED -- TECHNICALLY. 911 00:40:24,656 --> 00:40:27,926 [ SCOFFS ] THE CON DIDN'T FAIL. THE CON WORKED. 912 00:40:27,959 --> 00:40:29,961 IF BY "WORKED," YOU MEAN "COMPLETELY FELL APART." 913 00:40:29,995 --> 00:40:31,497 HUH? [ SCOFFS ] 914 00:40:31,530 --> 00:40:33,131 SORRY -- WHICH ONE OF US IS THE GRIFTER? 915 00:40:33,164 --> 00:40:34,132 I'M TELLING YOU -- 916 00:40:34,165 --> 00:40:36,568 WE PULLED OFF THE WHITE RABBIT SUCCESSFULLY. 917 00:40:36,602 --> 00:40:38,604 PULLED OFF THE WHITE RABBIT -- HOW SO? 918 00:40:38,637 --> 00:40:41,239 WELL, THE WHITE RABBIT IS ABOUT TAKING THE TRUTH, 919 00:40:41,272 --> 00:40:43,942 WHAT'S UNDERNEATH, AND -- AND BRINGING IT OUT. 920 00:40:43,975 --> 00:40:47,245 AND NOT BREAKING THE MARK IN THE PROCESS. 921 00:40:47,278 --> 00:40:48,814 EVERY GRIFT IS AN EXCHANGE. 922 00:40:48,847 --> 00:40:51,116 THE TRICK IS TO GIVE ENOUGH TO HOLD THEM UP, 923 00:40:51,149 --> 00:40:54,720 BUT NOT SO MUCH THAT YOU GET PULLED OVER WITH HIM. 924 00:40:56,922 --> 00:40:59,525 PARKER, HUH? 925 00:40:59,558 --> 00:41:00,692 PARKER. 926 00:41:00,726 --> 00:41:03,061 WE GOOD? 927 00:41:04,530 --> 00:41:05,797 YOU TELL US. 928 00:41:07,833 --> 00:41:10,101 YEAH. WE'RE GOOD.