1 00:00:01,735 --> 00:00:04,172 [ GUNSHOTS ] 2 00:00:07,508 --> 00:00:10,678 OH! JUST LETTING YOU KNOW, IF WE DIE, I BLAME YOU. 3 00:00:10,711 --> 00:00:12,280 -I KNOW. -NONE OF THIS WOULD HAVE HAPPENED 4 00:00:12,313 --> 00:00:14,482 IF YOU'D JUST GONE TO THE MOVIES LIKE I TOLD YOU. 5 00:00:14,515 --> 00:00:16,084 YEAH, IF I'D GONE TO THE MOVIES, YOU'D BE IN JAIL RIGHT NOW. 6 00:00:16,117 --> 00:00:17,118 [ GUNSHOT ] [ GASPS ] 7 00:00:17,151 --> 00:00:18,752 JAIL IS A BIG IMPROVEMENT ON MY CURRENT PROSPECT 8 00:00:18,786 --> 00:00:20,454 OF SOON TO BE MURDERED. 9 00:00:20,488 --> 00:00:22,690 [ GUNSHOTS ] 10 00:00:29,163 --> 00:00:30,331 OH, HEY. 11 00:00:30,364 --> 00:00:31,699 I JUST HEARD FROM THE OTHERS. THEY'RE GONNA STAY IN D.C. 12 00:00:31,732 --> 00:00:33,434 I KNOW. PARKER TEXTED ME. 13 00:00:33,467 --> 00:00:36,704 I MEAN, FOR THE NEXT TWO DAYS, LEVERAGE CONSULTING IS CLOSED. 14 00:00:36,737 --> 00:00:41,109 NO WORK, NO CASES. HOW WILL WE PASS THAT TIME? 15 00:00:41,142 --> 00:00:43,511 WITH MURDER. 16 00:00:43,544 --> 00:00:46,280 PORTLAND FILM NOIR FESTIVAL? 17 00:00:46,314 --> 00:00:47,548 I KNOW HOW YOU LOVE A MURDER MYSTERY. 18 00:00:47,581 --> 00:00:48,682 THERE ARE FIVE OF THEM. 19 00:00:48,716 --> 00:00:49,817 "MYSTERY STREET," 1950? 20 00:00:49,850 --> 00:00:52,453 NOBODY SHOWS "MYSTERY STREET." I MEAN, IT'S INCREDIBLE. 21 00:00:52,486 --> 00:00:54,755 IT'S THE FIRST MAINSTREAM MOVIE THAT SHOWS FORENSIC SCIENCE 22 00:00:54,788 --> 00:00:56,090 IN MURDER INVESTIGATIONS. 23 00:00:56,124 --> 00:00:57,625 THE ENTIRE PLOT HINGES ON THIS, 24 00:00:57,658 --> 00:00:59,793 UH, FORENSIC ANTHROPOLOGY SLIDE SHOW. 25 00:00:59,827 --> 00:01:02,163 [ GASPS ] UNH-UNH! SPOILERS. 26 00:01:02,196 --> 00:01:04,698 WHAT? ONE TICKET? IT'S ONE TICKET. 27 00:01:04,732 --> 00:01:06,567 WELL, DARLING, I'M SORRY. 28 00:01:06,600 --> 00:01:09,437 I CAN'T JOIN YOU. MY THEATER IS A WRECK. 29 00:01:09,470 --> 00:01:10,638 I'VE GOT TO SORT OUT THE REHEARSAL SCHEDULE, 30 00:01:10,671 --> 00:01:12,840 I'VE GOT A GUY COMING OVER TO LOOK AT THE LIGHTING GRID. 31 00:01:12,873 --> 00:01:13,907 -WAIT, SO YOU'RE NOT GONNA -- -I KNOW. 32 00:01:13,941 --> 00:01:16,144 I'M GONNA BE SLAVING AWAY IN A DUSTY, OLD THEATER 33 00:01:16,177 --> 00:01:17,111 WHILE YOU SIT BACK AND RELAX 34 00:01:17,145 --> 00:01:20,514 AND WATCH ALCOHOLIC, REPRESSED INSURANCE COPS 35 00:01:20,548 --> 00:01:23,817 HARASSING TRAGICALLY MISUNDERSTOOD FEMME FATALES. 36 00:01:23,851 --> 00:01:25,319 MWAH. 37 00:01:26,687 --> 00:01:28,656 YOU'RE NOT SUPPOSED TO ROOT FOR THE CRIMINALS. 38 00:01:28,689 --> 00:01:31,592 ALWAYS ROOT FOR THE HOME TEAM. MWAH! 39 00:01:32,793 --> 00:01:34,662 [ CHUCKLES ] 40 00:01:36,397 --> 00:01:39,800 [ INDISTINCT CONVERSATIONS ] 41 00:01:45,339 --> 00:01:47,708 THANK YOU. 42 00:01:47,741 --> 00:01:49,076 I'M AFRAID MOST OF THE ARTWORK HAS ALREADY BEEN SOLD. 43 00:01:49,109 --> 00:01:51,845 -I'M SORRY, MISS, UM... -COLLINS. FROM THE LONDON MUSEUM OF ART. 44 00:01:51,879 --> 00:01:53,447 NO, NO, NO. YOU MISUNDERSTAND. 45 00:01:53,481 --> 00:01:55,183 WE'RE NOT LOOKING TO ACQUIRE ANY WORK. 46 00:01:55,216 --> 00:01:57,185 I JUST WANT TO VIEW THESE INCREDIBLE PAINTINGS. 47 00:01:57,218 --> 00:01:58,419 OH. I KNOW. 48 00:01:58,452 --> 00:02:01,255 I'VE BEEN CURATING MR. GAULT'S COLLECTION HERE AT THE HOUSE 49 00:02:01,289 --> 00:02:02,790 SINCE I WAS IN GRAD SCHOOL. 50 00:02:02,823 --> 00:02:04,925 JONAS MADE MY CAREER. 51 00:02:04,958 --> 00:02:08,496 SEEING THIS COLLECTION BROKEN UP JUST WEEKS AFTER HIS DEATH IS -- 52 00:02:08,529 --> 00:02:10,364 I KNOW. WHY WOULD THE FAMILY DO THAT? 53 00:02:10,398 --> 00:02:11,499 LIAR! 54 00:02:11,532 --> 00:02:13,901 JONAS WANTED ME TO LIVE IN THE GUEST HOUSE! 55 00:02:13,934 --> 00:02:16,570 HE'S GONE, AND I WANT YOU GONE, AS WELL. 56 00:02:16,604 --> 00:02:17,638 COME ON. I WANT YOU OUT... 57 00:02:17,671 --> 00:02:19,940 HIS DAUGHTER CAN'T CASH THE CHECKS FAST ENOUGH. 58 00:02:19,973 --> 00:02:21,409 BIT OF A LUSH, I SEE. 59 00:02:21,442 --> 00:02:23,677 ACTUALLY, THAT'S HIS FOURTH EX-WIFE. 60 00:02:23,711 --> 00:02:25,413 HIS DAUGHTER'S THE ONE IN THE SUIT. 61 00:02:25,446 --> 00:02:28,582 COULD YOU, UM, PARDON ME, PLEASE? 62 00:02:30,984 --> 00:02:34,555 EXCUSE ME. I'M SORRY. 63 00:02:34,588 --> 00:02:37,291 I KNOW THIS SOUNDS CHEESY, BUT HAVE I MET YOU BEFORE? 64 00:02:37,325 --> 00:02:38,692 OH, NO, I DON'T THINK SO. 65 00:02:38,726 --> 00:02:41,829 UM, LADY COVINGTON-SMYTHE. CHARMED. 66 00:02:41,862 --> 00:02:43,063 WOODMAN GAULT. 67 00:02:43,096 --> 00:02:46,400 OH, JONAS' SON. OH, I'M -- I'M SORRY TO HEAR OF YOUR LOSS. 68 00:02:46,434 --> 00:02:47,835 HE WAS SICK FOR A LONG TIME, 69 00:02:47,868 --> 00:02:50,271 BUT AT LEAST WE GOT CLOSE OVER THE LAST YEAR. 70 00:02:50,304 --> 00:02:53,674 WELL, A FATHER AND SON SHOULD LEAVE NOTHING UNSAID AT THE END. 71 00:02:53,707 --> 00:02:56,410 AH. THANK YOU. 72 00:02:56,444 --> 00:02:57,811 AH, YOU'RE VERY KIND. 73 00:02:57,845 --> 00:02:59,813 WITH THE MISTER TRAGICALLY PASSED, 74 00:02:59,847 --> 00:03:01,815 I HAVE LITTLE ELSE TO DO, MADAM. 75 00:03:01,849 --> 00:03:03,717 I PREFER TO SERVE. 76 00:03:05,719 --> 00:03:09,423 THAT'S PAOLO, MY DAD'S MANSERVANT FOR 20 YEARS. 77 00:03:09,457 --> 00:03:11,825 -MANSERVANT? -[ CHUCKLES ] YEAH. 78 00:03:11,859 --> 00:03:14,562 DO YOU KNOW I AM SURE I'VE MET YOU SOMEWHERE. 79 00:03:14,595 --> 00:03:17,431 -MNH-MNH. MNH-MNH. -I DOUBT THAT. 80 00:03:17,465 --> 00:03:19,433 UM... [ CLEARS THROAT ] 81 00:03:19,467 --> 00:03:22,836 HER LADYSHIP DEALT WITH YOUR FATHER'S OVERSEAS DIVISION. 82 00:03:22,870 --> 00:03:26,974 HUH. WELL, I BETTER BE, UH... 83 00:03:27,007 --> 00:03:29,343 OF COURSE. 84 00:03:30,744 --> 00:03:32,580 YOU THINK YOU'RE SO CLEVER. 85 00:03:32,613 --> 00:03:34,848 I DEDUCED YOUR LOCATION AT A RANDOM EVENT 86 00:03:34,882 --> 00:03:37,351 WITHIN A 100-MILE RADIUS IN UNDER 20 MINUTES. 87 00:03:37,385 --> 00:03:38,486 I'VE HAD WORSE MORNINGS. 88 00:03:38,519 --> 00:03:40,354 IS THIS A, UM, GERMAN RIESLING? 89 00:03:40,388 --> 00:03:41,722 NEW ZEALAND. 90 00:03:41,755 --> 00:03:44,024 -HOW DID YOU FIND ME, EXACTLY? -WHY DID YOU LIE TO ME? 91 00:03:44,057 --> 00:03:45,493 OH, IT'S JUST LIKE OLD TIMES, ISN'T IT? 92 00:03:45,526 --> 00:03:46,560 ME IN THE DRESS 93 00:03:46,594 --> 00:03:48,696 AND UP TO MY NECK IN EASY MARKS AND VALUABLE ART, 94 00:03:48,729 --> 00:03:49,597 AND YOU SHOW UP, ALL SERIOUS. 95 00:03:49,630 --> 00:03:52,032 THERE IS A DISTINCT LACK IN YOU TELLING ME 96 00:03:52,065 --> 00:03:54,034 WHY YOU LIED TO ME IN THAT LAST SPEECH. 97 00:03:54,067 --> 00:03:55,869 -NOW, WHY IS A GRIFTER AND ART THIEF -- -EX-ART THIEF. 98 00:03:55,903 --> 00:03:59,006 -...AT A HIGH-END ART AUCTION? -ASKS THE INSURANCE COP. 99 00:03:59,039 --> 00:04:01,575 EX-INSURANCE INVESTIGATOR. STILL STALLING. 100 00:04:01,609 --> 00:04:05,446 IT'S A PERSONAL THING. I...I'M A FAN OF HIS WORK. 101 00:04:05,479 --> 00:04:08,015 JONAS GAULT, THE TYCOON? 102 00:04:08,048 --> 00:04:09,750 THE ARTIST, JEAN METTIER, 103 00:04:09,783 --> 00:04:12,986 THE GREATEST ARTIST OF THE FRENCH RETRO SCHOOL, 104 00:04:13,020 --> 00:04:17,658 HIS BRIEF CAREER TRAGICALLY CUT SHORT WITH HIS DEATH IN 1989. 105 00:04:17,691 --> 00:04:19,327 SINCE THAT TRAGEDY, 106 00:04:19,360 --> 00:04:21,995 JONAS GAULT PAINSTAKINGLY ASSEMBLED 107 00:04:22,029 --> 00:04:26,334 THE SINGLE GREATEST COLLECTION OF METTIER IN THE WORLD. 108 00:04:26,367 --> 00:04:27,868 THANKS TO HIS DAUGHTER, 109 00:04:27,901 --> 00:04:30,070 FIONA, THE NEW C.E.O. OF GAULT INSTRUMENTS, 110 00:04:30,103 --> 00:04:34,074 AND THE HARD WORK OF THE GAULT FAMILY LAWYER, 111 00:04:34,107 --> 00:04:37,678 MR. REINHOLD SHECTER, WE CAN NOW SHARE THIS COLLECTION 112 00:04:37,711 --> 00:04:40,381 WITH OTHER DISCERNING ART AFICIONADOS. 113 00:04:40,414 --> 00:04:42,816 [ APPLAUSE ] 114 00:04:42,850 --> 00:04:46,554 THERE. I'M JUST A BIG FAN OF METTIER. 115 00:04:46,587 --> 00:04:48,422 WHERE ELSE COULD I HAVE SEEN SO MUCH OF HIS WORK? 116 00:04:48,456 --> 00:04:50,824 THAT'S ALL. BUT THE AUCTION'S OVER. 117 00:04:50,858 --> 00:04:54,828 AND THEY'RE JUST GONNA ANNOUNCE WHO BOUGHT WHAT, SO WE SHOULD... 118 00:04:54,862 --> 00:04:57,431 -HUH? -[ CLEARS THROAT ] 119 00:04:57,465 --> 00:04:59,099 -THAT'S ALL? -THAT'S ALL. 120 00:04:59,132 --> 00:05:02,570 OF COURSE, THAT'S NOT ALL. 121 00:05:02,603 --> 00:05:05,639 WHAT'S LEFT IS MA MYSTèRE. 122 00:05:05,673 --> 00:05:08,442 WOULD THOSE OF YOU WHO HAVE PURCHASED A SPECIAL PASS, 123 00:05:08,476 --> 00:05:12,380 PLEASE JOIN US IN THE VAULT ANTEROOM. 124 00:05:12,413 --> 00:05:13,381 OH, GOD. 125 00:05:13,414 --> 00:05:15,916 [ INDISTINCT CONVERSATIONS ] 126 00:05:15,949 --> 00:05:18,919 HONEY, WHERE'S YOUR TICKET? 127 00:05:18,952 --> 00:05:21,054 I HAD IT. IT WAS IN MY POCKET. 128 00:05:21,088 --> 00:05:22,390 -TICKETS? -HERE YOU ARE. 129 00:05:22,423 --> 00:05:23,924 SO, MA MYSTèRE. 130 00:05:23,957 --> 00:05:27,528 JEAN METTIER'S LEGENDARY FIRST PAINTING, 131 00:05:27,561 --> 00:05:30,531 AND THERE ARE NO PICTURES OF IT, NO REPRODUCTIONS. 132 00:05:30,564 --> 00:05:34,568 IT'S NEVER BEEN SOLD OR EXHIBITED. 133 00:05:34,602 --> 00:05:37,805 HE -- HE DESCRIBED IT ONCE AS HIS INSPIRATION. 134 00:05:37,838 --> 00:05:40,974 HE WROTE THAT IT BELONGED TO NO ONE BUT HIM. 135 00:05:41,008 --> 00:05:43,844 HMM. AND YOU'RE HERE TO STEAL IT? 136 00:05:43,877 --> 00:05:48,115 NO, I JUST... IT'S PERSONAL. 137 00:05:48,148 --> 00:05:50,584 YOU WON'T GIVE UP ANY OF YOUR SECRETS STILL, HUH? 138 00:05:50,618 --> 00:05:51,852 HOW DID YOU FIND ME? 139 00:05:51,885 --> 00:05:53,554 MY FATHER ACQUIRED THE PAINTING 140 00:05:53,587 --> 00:05:56,957 AFTER METTIER'S DEATH AND HONORED THE ARTIST'S WISHES. 141 00:05:56,990 --> 00:05:58,826 FRANKLY, I WOULD HAVE PUT IN A TICKET BOOTH 142 00:05:58,859 --> 00:06:01,028 AND CHARGED ADMISSION. [ LAUGHTER ] 143 00:06:01,061 --> 00:06:03,163 BUT FOR OVER 20 YEARS, 144 00:06:03,196 --> 00:06:06,500 MY FATHER KEPT MA MYSTèRE LOCKED IN THIS VAULT, 145 00:06:06,534 --> 00:06:10,471 WHERE HE AND ONLY HE WOULD COME DOWN AND LOOK AT IT EVERY DAY. 146 00:06:10,504 --> 00:06:14,141 AND NOW, OUR FAMILY LAWYER, MR. SHECTER, 147 00:06:14,174 --> 00:06:16,009 WILL OPEN THE VAULT, 148 00:06:16,043 --> 00:06:20,514 AND YOU WILL BE THE FIRST TO SEE WHAT INSPIRED A GENIUS. 149 00:06:24,452 --> 00:06:26,186 [ BEEPING ] 150 00:06:26,219 --> 00:06:28,656 [ LOCK CLICKS ] 151 00:06:28,689 --> 00:06:31,425 -[ GASPS ] -OH, MY GOD. 152 00:06:31,459 --> 00:06:36,564 MA MYSTèRE'S BEEN STOLEN. MA MYSTèRE'S BEEN STOLEN. 153 00:06:36,597 --> 00:06:39,032 WELL, I'LL BE BUGGERED. 154 00:06:39,066 --> 00:06:40,768 A WORLD-FAMOUS PAINTING GOES MISSING. 155 00:06:40,801 --> 00:06:42,770 AND, OH, LOOK, THERE'S A WORLD-FAMOUS ART THIEF 156 00:06:42,803 --> 00:06:44,037 HAPPENS TO BE ON THE PREMISES. 157 00:06:44,071 --> 00:06:45,806 EX-ART THIEF. AND I DIDN'T DO ANYTHING. 158 00:06:45,839 --> 00:06:47,441 I WAS STANDING RIGHT NEXT TO YOU, 159 00:06:47,475 --> 00:06:50,010 AND I BARELY BELIEVE THAT. 160 00:06:50,043 --> 00:06:51,579 -BUT IF SOMEBODY LIKE -- -HELLO, NATE. 161 00:06:51,612 --> 00:06:55,048 STERLING. 162 00:06:59,853 --> 00:07:01,989 GIVE US BACK THE PAINTING AND SAVE YOURSELF 163 00:07:02,022 --> 00:07:05,025 A LOT OF BOTHER, MISS, UH... STILL GOING BY DEVEREAUX? 164 00:07:05,058 --> 00:07:06,927 STILL A POMPOUS ASS? 165 00:07:06,960 --> 00:07:08,729 CHARMING. 166 00:07:08,762 --> 00:07:11,131 STERLING...WHAT? 167 00:07:11,164 --> 00:07:13,000 [ SIGHS ] 168 00:07:13,033 --> 00:07:14,735 YOU'RE INTERPOL. 169 00:07:14,768 --> 00:07:17,004 YOU DON'T HAVE THE AUTHORITY TO DO ANY OF THIS. 170 00:07:17,037 --> 00:07:20,741 ART THEFT, AS YOU KNOW, IS AN $8 BILLION-A-YEAR BUSINESS 171 00:07:20,774 --> 00:07:23,611 USED TO FUND RACKETEERING AND TERRORISM. 172 00:07:23,644 --> 00:07:26,179 MY NEW DEPARTMENT AT INTERPOL, WHICH I CREATED... 173 00:07:26,213 --> 00:07:27,147 [ GASPS ] CONGRATULATIONS. 174 00:07:27,180 --> 00:07:29,149 -WE SHOULD HAVE SENT A CARD. -WE SHOULD HAVE. 175 00:07:29,182 --> 00:07:31,752 ...INTENDS TO CHOKE OFF THE MONEY AT THE SOURCE. 176 00:07:31,785 --> 00:07:34,622 THE GAULT COLLECTION IS A HIGH-PROFILE TARGET. 177 00:07:34,655 --> 00:07:37,024 AND HERE WE HAVE THE MOST VALUABLE PIECE 178 00:07:37,057 --> 00:07:39,092 IN THAT COLLECTION GONE MISSING 179 00:07:39,126 --> 00:07:41,762 AND MY FAVORITE ART THIEF ON THE PREMISES. 180 00:07:41,795 --> 00:07:42,863 EX-ART THIEF. 181 00:07:42,896 --> 00:07:45,733 EX-ART THIEF! WHY DOES NOBODY TAKE THAT SERIOUSLY? 182 00:07:45,766 --> 00:07:47,267 [ Chuckling ] WELL, I MEAN, BECAUSE -- 183 00:07:47,300 --> 00:07:48,135 YOU KNOW, SOMETIMES 184 00:07:48,168 --> 00:07:50,170 A COINCIDENCE IS JUST A COINCIDENCE. 185 00:07:50,203 --> 00:07:52,906 NOT WHERE ANNIE KROY A.K.A. FELICITY SHAW 186 00:07:52,940 --> 00:07:56,777 A.K.A. INDIRA McCALLISTER A.K.A. SOPHIE DEVEREAUX IS CONCERNED. 187 00:07:56,810 --> 00:07:58,211 OH, WAIT. HOLD ON. EXCUSE ME. 188 00:07:58,245 --> 00:08:00,581 -INDIRA McCALLISTER? SERIOUSLY? -HMM? WHAT? 189 00:08:00,614 --> 00:08:03,984 HOW COME I DON'T KNOW THAT -- I KNOW ALL OF THE ALIASES. 190 00:08:04,017 --> 00:08:05,886 DARLING, NOBODY KNOWS ALL OF THEM, NOT EVEN ME. 191 00:08:05,919 --> 00:08:06,887 EXCUSE ME. 192 00:08:06,920 --> 00:08:08,756 -HUH? -YEAH. HUH? 193 00:08:08,789 --> 00:08:09,857 CAN WE GET BACK ON POINT? 194 00:08:09,890 --> 00:08:11,759 OH. YEAH, YEAH, YEAH. SURE. 195 00:08:11,792 --> 00:08:14,795 THE PAINTING, MA MYSTèRE, VALUED AT 5 MILLION EURO, MISSING. 196 00:08:14,828 --> 00:08:16,029 OH. 197 00:08:16,063 --> 00:08:17,931 WELL, LOOK, I COULDN'T HIDE A COCKTAIL NAPKIN IN THIS DRESS, 198 00:08:17,965 --> 00:08:19,199 LET ALONE A PAINTING, SO... 199 00:08:19,232 --> 00:08:21,201 WHICH, BY THE WAY, LOOKS JUST AMAZING ON YOU. 200 00:08:21,234 --> 00:08:23,937 THANK YOU. I GOT IT IN PARIS WHEN WE WENT ON THAT LITTLE -- 201 00:08:23,971 --> 00:08:26,807 OBVIOUSLY, YOU DON'T HAVE IT ON YOU 202 00:08:26,840 --> 00:08:28,676 AND YOU DIDN'T HAVE TIME TO GET IT OFF THE GROUNDS. 203 00:08:28,709 --> 00:08:30,611 SO, WHERE IS IT? 204 00:08:30,644 --> 00:08:31,945 STERLING, THE THING ABOUT IT IS, 205 00:08:31,979 --> 00:08:35,048 IS THAT YOU DON'T HAVE EVIDENCE ON EITHER ONE OF US ABOUT THIS. 206 00:08:35,082 --> 00:08:37,585 -I MEAN, I KNOW THAT MUST BE VERY ANNOYING -- -YOU'RE RIGHT. 207 00:08:37,618 --> 00:08:39,653 I DON'T HAVE THE PROOF -- YET. 208 00:08:39,687 --> 00:08:42,122 BUT I CAN KEEP YOU HERE -- RIGHT HERE -- 209 00:08:42,155 --> 00:08:44,592 UNTIL I DO GET THE PROOF. 210 00:08:44,625 --> 00:08:47,094 [ SIGHS ] 211 00:08:47,127 --> 00:08:50,764 OH, HANDS. GRABBY. THEY'RE VERY GRABBY. 212 00:08:50,798 --> 00:08:53,166 -STERLING, YOU OWE ME. -YES, I DO. 213 00:08:53,200 --> 00:08:55,302 THAT'S WHY I'M BOTHERING TO GATHER EVIDENCE 214 00:08:55,335 --> 00:08:57,971 BEFORE I SEND YOU TO OUR SECRET PRISON. 215 00:08:58,005 --> 00:08:59,573 HUH? HUH? WHAT? 216 00:08:59,607 --> 00:09:02,342 -AGENTS. -WHAT'D HE SAY? 217 00:09:07,147 --> 00:09:09,850 I HATE THAT MAN. 218 00:09:09,883 --> 00:09:12,119 I DON'T KNOW HOW YOU WERE EVER PARTNERS WITH HIM. 219 00:09:12,152 --> 00:09:13,854 WELL, HE'S FUNNY IN HIS OWN KIND OF WAY. 220 00:09:13,887 --> 00:09:17,224 OH, YEAH. HILARIOUS. THAT CRACK ABOUT SECRET PRISON. 221 00:09:17,257 --> 00:09:18,792 OH, NO, HE WAS SERIOUS ABOUT THAT. 222 00:09:18,826 --> 00:09:19,993 THIS IS ALL YOUR FAULT, NATE. 223 00:09:20,027 --> 00:09:21,795 YOU COULDN'T JUST LEAVE WELL ENOUGH ALONE. 224 00:09:21,829 --> 00:09:23,196 OH, NO, NO, NO, NO. "I'M NATE FORD. 225 00:09:23,230 --> 00:09:25,032 "SOMETHING GOING ON THAT DOESN'T INVOLVE ME. 226 00:09:25,065 --> 00:09:26,199 I CAN'T HAVE THAT!" 227 00:09:27,968 --> 00:09:29,803 "GOING ON"? 228 00:09:29,837 --> 00:09:31,004 WHAT'S GOING ON? 229 00:09:31,038 --> 00:09:34,074 IF YOU'RE GONNA USE YOUR SEXY VOICE, YOU CAN TAKE THESE. 230 00:09:40,013 --> 00:09:42,182 YOU'RE ON HIS SIDE. YOU THINK I STOLE IT. 231 00:09:42,215 --> 00:09:44,752 A SNATCH FROM A VAULT WITH NO EXIT, NO PREP? 232 00:09:44,785 --> 00:09:46,319 I'D NEVER BE SUCH AN AMATEUR. 233 00:09:46,353 --> 00:09:48,221 OH, AND STEALING WOULD BE WRONG. 234 00:09:48,255 --> 00:09:50,090 NOW, THE ONLY WAY WE'RE GONNA GET STERLING OFF YOUR BACK 235 00:09:50,123 --> 00:09:51,358 IS TO GIVE HIM THE PAINTING. 236 00:09:51,391 --> 00:09:53,360 WHICH, BECAUSE I DID NOT STEAL IT, I DO NOT HAVE. 237 00:09:53,393 --> 00:09:56,830 WELL, THEN WE FIND OUT WHO DOES, AND WE HAND HIM OVER. 238 00:09:58,265 --> 00:10:00,968 I KNOW THAT GENTLEMAN UPSTAIRS QUESTIONING EVERYONE 239 00:10:01,001 --> 00:10:02,836 IS INTERPOL. 240 00:10:02,870 --> 00:10:04,972 BUT YOU'RE UNDERCOVER INTERPOL? 241 00:10:05,005 --> 00:10:06,907 WELL, OF COURSE WE ARE. WHO ELSE WOULD WE BE? 242 00:10:06,940 --> 00:10:08,208 I MEAN, IF WE WERE THE THIEVES, 243 00:10:08,241 --> 00:10:10,678 DO YOU REALLY THINK WE'D BE HANGING AROUND HERE? 244 00:10:10,711 --> 00:10:12,345 [ BOTH LAUGH ] OF COURSE. 245 00:10:12,379 --> 00:10:14,214 TELL US ABOUT THE SECURITY ON THE PAINTING. 246 00:10:14,247 --> 00:10:15,816 THE KEYPAD OPENS THE VAULT DOOR. 247 00:10:15,849 --> 00:10:19,352 HERE'S ALSO AN RFID TAG ON MA MYSTèRE ITSELF. 248 00:10:19,386 --> 00:10:21,254 MOVING THE PAINTING SHOULD HAVE TRIGGERED THE ALARM. 249 00:10:21,288 --> 00:10:23,824 AND IS THERE A WAY TO DEACTIVATE THE SYSTEM? 250 00:10:23,857 --> 00:10:26,660 JONAS GAVE ME THE CODE. I WAS THE ONLY ONE HE TRUSTED. 251 00:10:26,694 --> 00:10:27,728 BUT I ONLY USED IT 252 00:10:27,761 --> 00:10:30,163 MOMENTS BEFORE BRINGING PEOPLE DOWN TO THE VAULT. 253 00:10:30,197 --> 00:10:31,765 OH, SO WE WOULD HAVE SEEN SOMEONE 254 00:10:31,799 --> 00:10:33,033 -TRYING TO STEAL THE PAINTING THEN. -YES. 255 00:10:33,066 --> 00:10:34,301 NOW, WITH THE PAINTING GONE, 256 00:10:34,334 --> 00:10:36,770 WHO GETS THE INSURANCE SETTLEMENT? 257 00:10:36,804 --> 00:10:38,839 WOODMAN WAS DISOWNED YEARS AGO, 258 00:10:38,872 --> 00:10:40,708 SO FIONA AND ELEANOR WOULD SPLIT IT. 259 00:10:40,741 --> 00:10:43,944 I ALREADY TOLD THE INTERPOL MAN UPSTAIRS THAT. 260 00:10:43,977 --> 00:10:45,846 YES, OF COURSE. THANK YOU SO MUCH. 261 00:10:45,879 --> 00:10:47,080 WE'LL TAKE IT FROM HERE. 262 00:10:47,114 --> 00:10:48,448 YEAH. THANK YOU FOR YOUR COOPERATION. 263 00:10:48,481 --> 00:10:49,917 THANK YOU SO MUCH. COULD YOU JUST DROP THAT OFF? 264 00:10:49,950 --> 00:10:52,052 THANK YOU. THANK YOU. 265 00:10:52,085 --> 00:10:54,955 [ CHUCKLES ] 266 00:10:54,988 --> 00:10:57,357 YOU DO KNOW THAT HE'S GOING STRAIGHT UP 267 00:10:57,390 --> 00:10:59,226 TO TALK TO STERLING, DON'T YOU? 268 00:10:59,259 --> 00:11:03,363 THIS IS A TWO-TIERED GLEN-REEDER 2700 MUSEUM-QUALITY ALARM. 269 00:11:03,396 --> 00:11:05,866 IT WOULD TAKE TWO DAYS TO CRACK. 270 00:11:05,899 --> 00:11:07,901 SOME OF THE KEYS ARE WORN. 271 00:11:07,935 --> 00:11:10,037 AH, COMBINATION. SAME KEYS USED OVER AND OVER. 272 00:11:10,070 --> 00:11:11,271 LISTEN, YOU DO KNOW 273 00:11:11,304 --> 00:11:13,741 THAT THIS ISN'T ABOUT YOU TAKING STERLING'S SIDE, DON'T YOU? 274 00:11:13,774 --> 00:11:16,243 I'M NOT TAKING ANYONE'S SIDES, ESPECIALLY NOT STERLING'S. 275 00:11:16,276 --> 00:11:18,846 NOW, LISTEN, HE -- SHECTER -- SPILLED A DRINK UPSTAIRS, 276 00:11:18,879 --> 00:11:20,848 AND HIS HAND WHEN HE JUST SHOOK IT, STICKY. 277 00:11:20,881 --> 00:11:22,883 -GIVE ME THE -- GIVE ME THE WORKS. -OH. 278 00:11:24,752 --> 00:11:26,153 OKAY. 279 00:11:29,222 --> 00:11:31,124 YOU THINK I'M LYING. 280 00:11:31,158 --> 00:11:33,026 -WELL, YOU DID LIE TO ME. -ABOUT THE AUCTION. 281 00:11:33,060 --> 00:11:35,829 I JUST THOUGHT YOU'D FIND THE WHOLE THING RATHER BORING. 282 00:11:35,863 --> 00:11:37,397 YEAH, AND IT TURNED OUT TO BE A QUIET EVENT, DIDN'T IT? 283 00:11:37,430 --> 00:11:40,000 HMM. WHAT DO YOU SEE? 284 00:11:40,033 --> 00:11:41,501 SOMEONE WHO CAN'T TURN THEIR BRAIN OFF. 285 00:11:41,534 --> 00:11:45,005 STOP THINKING JUST FOR A SECOND AND FEEL. TRUST ME. 286 00:11:45,038 --> 00:11:46,740 NO, NO. COME HERE. LOOK. 287 00:11:46,774 --> 00:11:48,408 ON THE KEYS, WHAT DO YOU SEE? 288 00:11:48,441 --> 00:11:51,745 OH. UM...FINGERPRINTS. 289 00:11:51,779 --> 00:11:53,446 -YEAH. -BUT NOT ON THE KEYS THAT ARE WORN. 290 00:11:53,480 --> 00:11:56,049 YEAH, NOW, YOU KNOW, SHECTER ENTERED THE COMBINATION. 291 00:11:56,083 --> 00:11:57,450 IT WAS A DIFFERENT COMBINATION 292 00:11:57,484 --> 00:12:00,187 THAN JONAS GAULT HAD BEEN USING FOR THE LAST 20 YEARS. 293 00:12:00,220 --> 00:12:01,922 -SOMEONE CHANGED THE CODE. -SOMEONE CHANGED THE CODE. 294 00:12:01,955 --> 00:12:03,190 NOW, JONAS GAULT IS THE ONLY ONE 295 00:12:03,223 --> 00:12:04,391 WHO HAD ACCESS TO THE COMBINATION, 296 00:12:04,424 --> 00:12:07,928 SO, CLEARLY, HE CHANGED THE COMBINATION BEFORE HE DIED. 297 00:12:07,961 --> 00:12:10,063 AND... [ SIGHS ] 298 00:12:10,097 --> 00:12:11,899 I WOULD SO MUCH LOVE TO TRUST YOU, 299 00:12:11,932 --> 00:12:14,868 BUT YOU MAKE IT SO HARD BECAUSE YOU'RE STILL HIDING SOMETHING. 300 00:12:14,902 --> 00:12:17,137 AND I KNOW YOU'RE JUST TRYING TO CHARM ME INTO, 301 00:12:17,170 --> 00:12:18,906 UH, TELLING YOU HOW I FOUND YOU. 302 00:12:18,939 --> 00:12:20,473 MNH-MNH. NO. THAT'S NOT HOW IT -- 303 00:12:20,507 --> 00:12:21,809 OH, YES, YES, YES, YES. 304 00:12:21,842 --> 00:12:23,911 WAIT. HOW DID YOU FIND ME? 305 00:12:23,944 --> 00:12:25,512 HOW DID YOU FIND ME? 306 00:12:25,545 --> 00:12:28,816 NOTHING'S BEEN TOUCHED SINCE MR. GAULT...YOU KNOW. 307 00:12:28,849 --> 00:12:32,319 I'LL ALWAYS REMEMBER THE TIME HE SENT ME 500 RED ROSES 308 00:12:32,352 --> 00:12:35,288 AND A TROUPE OF BALLADEERS FOR MY SWEET 16. 309 00:12:35,322 --> 00:12:36,890 THAT WAS THE MISTER. 310 00:12:36,924 --> 00:12:39,326 ROMANTIC HEART, BUT WEAK IN THE END. 311 00:12:39,359 --> 00:12:42,796 THANK YOU SO MUCH FOR ALLOWING US THIS TIME TO COMMUNE 312 00:12:42,830 --> 00:12:47,200 WITH WHATEVER BITS OF HIS SPIRIT MAY STILL BE LINGERING. 313 00:12:47,234 --> 00:12:49,069 OF COURSE. 314 00:12:49,102 --> 00:12:50,303 [ DOOR OPENS ] 315 00:12:50,337 --> 00:12:51,805 MANSERVANT? 316 00:12:51,839 --> 00:12:53,807 RIGHT? [ DOOR CLOSES ] 317 00:12:53,841 --> 00:12:55,008 WHAT ARE WE LOOKING FOR? 318 00:12:55,042 --> 00:12:57,945 GLASSES ARE ON THE WRONG SIDE OF THE BED. 319 00:12:57,978 --> 00:13:00,347 HUH. RIGHT. READING LAMP THERE, BOOKS THERE. 320 00:13:00,380 --> 00:13:01,982 WHAT WAS HE READING ON THIS SIDE? 321 00:13:02,015 --> 00:13:03,516 UH, LAST JOB WOULD BE IN THE BUFFER. 322 00:13:03,550 --> 00:13:04,818 HIT "PRINT." 323 00:13:07,520 --> 00:13:10,490 HMM. 324 00:13:10,523 --> 00:13:12,860 ALARM-COMPANY PRINTOUT 325 00:13:12,893 --> 00:13:15,195 OF THE TIMES THAT THE VAULT WAS ACCESSED. 326 00:13:15,228 --> 00:13:16,463 YEAH. 327 00:13:16,496 --> 00:13:19,032 THE FIRST ONES ARE AT REGULAR INTERVALS. 328 00:13:19,066 --> 00:13:20,300 -GAULT'S DAILY VISITS. -RIGHT. 329 00:13:20,333 --> 00:13:22,035 BUT ON THE DAY THAT HE DIED, 330 00:13:22,069 --> 00:13:25,038 THERE ARE SIX ENTRIES AND EXITS ALL CLUSTERED TOGETHER. 331 00:13:25,072 --> 00:13:27,941 OKAY, WELL, THAT WASN'T HIM, NOT WITH THAT WALKER. 332 00:13:27,975 --> 00:13:31,544 SOMETHING MAKES JONAS GAULT SUSPICIOUS. 333 00:13:31,578 --> 00:13:33,847 HE CALLS UP THE VAULT ENTRIES 334 00:13:33,881 --> 00:13:36,850 AND SEES THAT SOMEONE'S BEEN GOING IN AND OUT. 335 00:13:36,884 --> 00:13:38,518 SO HE CHANGES THE ALARM CODE. 336 00:13:38,551 --> 00:13:40,387 AND THEN CONVENIENTLY DIES. 337 00:13:42,055 --> 00:13:44,925 THIS ISN'T JUST AN ART THEFT. 338 00:13:46,293 --> 00:13:49,863 -IT'S MURDER. -IT'S MURDER. 339 00:13:52,299 --> 00:13:55,135 OH, STERLING. GOOD. COME ON. 340 00:13:55,168 --> 00:13:57,404 IS THIS AN ESCAPE? 'CAUSE IF IT IS, YOU'RE VERY BAD AT IT. 341 00:13:57,437 --> 00:13:59,172 GAULT WAS MURDERED BY THE SAME PERSON 342 00:13:59,206 --> 00:14:00,173 WHO STOLE THAT PAINTING. 343 00:14:00,207 --> 00:14:01,374 SOPHIE MURDERED JONAS GAULT? 344 00:14:01,408 --> 00:14:02,242 GAULT WAS ON A FISTFUL OF MEDICATIONS. 345 00:14:02,275 --> 00:14:05,445 NAZAPRINE, ACHNOFOLINE FOR HIS HEART 346 00:14:05,478 --> 00:14:07,447 AND MIRIDIUM FOR BLOOD THINNERS. 347 00:14:07,480 --> 00:14:09,049 LOOK AT THE PRESCRIPTION, THE DATE HE DIED, 348 00:14:09,082 --> 00:14:10,183 AND COUNT THE PILLS. 349 00:14:10,217 --> 00:14:11,451 THERE ARE A DOZEN MISSING. 350 00:14:11,484 --> 00:14:13,320 ANYONE COULD HAVE STOLEN THOSE. 351 00:14:13,353 --> 00:14:16,056 YEAH, OR SOMEBODY COULD CUT OPEN THE GEL CAPS, 352 00:14:16,089 --> 00:14:18,091 TAKE THE MEDICINE OUT, 353 00:14:18,125 --> 00:14:21,561 DUMPED IT INTO THE GLASS THAT GAULT KEPT BY HIS BEDSIDE, HMM? 354 00:14:21,594 --> 00:14:25,032 NOW, AN OLD MAN DIES, NOBODY CARES, RIGHT? 355 00:14:25,065 --> 00:14:26,466 NOW, IF IT WERE ME... 356 00:14:28,335 --> 00:14:32,072 I WOULDN'T JUST THROW AWAY THE EMPTY GEL CAPS. 357 00:14:32,105 --> 00:14:35,275 -I'D FLUSH THEM DOWN THE SINK. -YEAH. 358 00:14:35,308 --> 00:14:37,644 DESIGNED TO DISSOLVE IN THE STOMACH. 359 00:14:37,677 --> 00:14:39,279 TAKES TWO WEEKS TO DISSOLVE IN WATER. 360 00:14:39,312 --> 00:14:40,280 ALSO, JONAS GAULT WAS SURE 361 00:14:40,313 --> 00:14:42,415 THAT SOMEONE HAD GAINED ACCESS TO THE VAULT. 362 00:14:42,449 --> 00:14:46,153 ASSUMING THIS IS TRUE, 363 00:14:46,186 --> 00:14:48,021 THE KILLER WOULD NEED CONSTANT ACCESS 364 00:14:48,055 --> 00:14:49,556 TO GET INTO THE VAULT THIS NUMBER OF TIMES. 365 00:14:49,589 --> 00:14:51,558 IT'S A MEMBER OF THE HOUSEHOLD. 366 00:14:58,165 --> 00:15:02,535 OKAY, SO WE'VE GOT SHECTER, THE FAMILY LAWYER. 367 00:15:02,569 --> 00:15:05,405 THE ESTATE SALE HAS GONE TO HELL. 368 00:15:05,438 --> 00:15:07,540 THEN YOU'VE GOT KATRINA HARDT, THE ART CURATOR. 369 00:15:07,574 --> 00:15:09,276 COLLECTIONS KEPT IN THE HOUSE. 370 00:15:09,309 --> 00:15:11,011 I-I-I'VE NEVER BEEN IN THE VAULT. 371 00:15:11,044 --> 00:15:14,147 NEXT YOU HAVE FIONA GAULT, THE DAUGHTER. 372 00:15:14,181 --> 00:15:16,416 THERE IS ELEANOR, THE LAST EX-WIFE. 373 00:15:16,449 --> 00:15:19,019 I COULD TIE A KNOT IN THIS FOR YOU, IF YOU WANT. 374 00:15:19,052 --> 00:15:20,687 -THAT'S REALLY NICE. -THANK YOU. 375 00:15:20,720 --> 00:15:23,423 AND WOODMAN, THE SON. 376 00:15:23,456 --> 00:15:25,692 WHOEVER WAS IN THE VAULT THE DAY GAULT DIED, 377 00:15:25,725 --> 00:15:27,160 THAT'S YOUR KILLER. 378 00:15:27,194 --> 00:15:28,295 YOU HAVE ONE HOUR. 379 00:15:28,328 --> 00:15:30,430 IF I DON'T HAVE A SUSPECT IN AN HOUR, 380 00:15:30,463 --> 00:15:32,432 YOU'RE BOTH GOING DOWN FOR THIS. 381 00:15:32,465 --> 00:15:35,602 WELL, I DON'T NEED AN HOUR. I GOT A SOPHIE. 382 00:15:37,570 --> 00:15:40,273 Darling, just mute the phone. I can hear everything. 383 00:15:40,307 --> 00:15:41,574 [ BEEP ] 384 00:15:44,077 --> 00:15:45,578 DO YOU REALLY HAVE TO BE HERE? 385 00:15:45,612 --> 00:15:47,047 YOU'RE NOT INNOCENT YET. 386 00:15:47,080 --> 00:15:49,449 SIGN HERE, MA'AM. 387 00:15:49,482 --> 00:15:50,683 MISS HARDT. 388 00:15:50,717 --> 00:15:52,285 OH, MISS COLLINS. THANK YOU. 389 00:15:52,319 --> 00:15:53,553 I'M -- I'M SO SORRY. 390 00:15:53,586 --> 00:15:55,155 I JUST -- I -- THE SHIPPING CREW IS HERE TO TAKE 391 00:15:55,188 --> 00:15:58,025 ALL THE METTIER PAINTINGS THESE PEOPLE PURCHASED, 392 00:15:58,058 --> 00:15:59,292 AND IT'S JUST, UM -- 393 00:15:59,326 --> 00:16:00,460 YOU POOR THING, YOU'RE IN CHARGE 394 00:16:00,493 --> 00:16:02,429 OF EVERY SINGLE METTIER IN THE HOUSE. 395 00:16:02,462 --> 00:16:04,564 YES. JONAS HAD ME HERE EVERY DAY. 396 00:16:04,597 --> 00:16:07,567 REALLY? THAT'S AWFUL. 397 00:16:07,600 --> 00:16:08,701 [ GASPS ] 398 00:16:08,735 --> 00:16:11,504 THAT MEANS YOU WERE HERE THE DAY HE DIED. 399 00:16:11,538 --> 00:16:13,240 YES, I ARRIVED THAT AFTERNOON, 400 00:16:13,273 --> 00:16:17,244 AND I HAD NO IDEA THAT HE HAD ALREADY SLIPPED INTO A COMA. 401 00:16:17,277 --> 00:16:18,778 IT MAKES ME SO SAD THAT... 402 00:16:18,811 --> 00:16:21,114 I was out here arguing with Fiona 403 00:16:21,148 --> 00:16:24,117 while he was just slipping away. 404 00:16:24,151 --> 00:16:26,786 SIX YEARS I HAVE PUT INTO THIS JOB! 405 00:16:26,819 --> 00:16:29,656 YOUR JOB IS OVER, AS FAR AS I'M CONCERNED. 406 00:16:29,689 --> 00:16:32,659 I'VE DECIDED WE NO LONGER NEED A FULL-TIME CURATOR. 407 00:16:32,692 --> 00:16:35,262 THAT IS NOT UP TO YOU. THAT IS UP TO YOUR FATHER. 408 00:16:35,295 --> 00:16:39,266 HOW DARE YOU TRY AND TELL ME WHAT MY FATHER DOES... 409 00:16:39,299 --> 00:16:41,268 WELL, I MEAN, I WASN'T THE C.E.O. AT THE TIME, 410 00:16:41,301 --> 00:16:43,136 BUT NOW THAT FATHER IS GONE, I'VE ACCEPTED 411 00:16:43,170 --> 00:16:45,438 THAT RESPONSIBILITY AS MAJORITY SHAREHOLDER. 412 00:16:45,472 --> 00:16:48,041 AND I MUST SAY, ON BEHALF OF THE U.K. SHAREHOLDERS, 413 00:16:48,075 --> 00:16:51,044 WE COULDN'T BE HAPPIER WITH THE WAY THAT TURNED OUT. 414 00:16:51,078 --> 00:16:53,180 AGREED, CLIVE? 415 00:16:53,213 --> 00:16:55,482 -YES. OF COURSE. -I HAVE TO ADMIT, 416 00:16:55,515 --> 00:16:58,218 I WAS IN A FOUL MOOD AFTER DEALING WITH ELEANOR. 417 00:16:58,251 --> 00:16:59,352 THAT WOMAN IS A... 418 00:16:59,386 --> 00:17:02,089 ...DRUNK PARASITE LEECHING OFF HIS PIT! 419 00:17:02,122 --> 00:17:04,491 YOUR FATHER STILL LOVES ME 420 00:17:04,524 --> 00:17:07,627 AND HE TRUSTS ME A LOT MORE THAN HE TRUSTS YOU. 421 00:17:07,660 --> 00:17:10,230 HOVERING OVER HIM LIKE A VULTURE. 422 00:17:10,263 --> 00:17:12,499 WHEN HE DIES, YOU WILL NOT GET A PENNY. 423 00:17:12,532 --> 00:17:14,234 HE'S NOT GOING TO DIE. 424 00:17:14,267 --> 00:17:18,138 WHEN HE GETS BETTER, WE'LL PROVE OUR LOVE TO YOU. 425 00:17:20,107 --> 00:17:24,077 I MEAN, WHAT BETTER PROOF IS THERE THAN GETTING REMARRIED? 426 00:17:24,111 --> 00:17:26,113 SURE, OUR FIRST MARRIAGE BROKE UP, 427 00:17:26,146 --> 00:17:28,781 -BUT WE'D GROWN SO MUCH SINCE THEN. -AWW. 428 00:17:28,815 --> 00:17:31,384 -THANK YOU. -GOD BLESS YOU. 429 00:17:31,418 --> 00:17:32,752 [ GASPS ] 430 00:17:32,785 --> 00:17:35,755 I JUST HOPE ME AND MY CHAUNCEY 431 00:17:35,788 --> 00:17:39,659 ARE AS HAPPY AS YOU AND YOUR JONAS WERE. 432 00:17:39,692 --> 00:17:42,429 I'M SURE THAT'S WHY HE CHOSE YOU AS OUR WEDDING PLANNER. 433 00:17:42,462 --> 00:17:46,466 NOW, WHEN EXACTLY DID HE PROPOSE? 434 00:17:46,499 --> 00:17:47,667 HE DIDN'T, 435 00:17:47,700 --> 00:17:50,737 BUT I KNOW HE INTENDED TO BECAUSE THE LAWYER EXPLAINED... 436 00:17:50,770 --> 00:17:52,605 THAT'S WHY I'M HERE, ELEANOR. 437 00:17:52,639 --> 00:17:54,741 I HAVE TO GET THE DOCUMENTS TO FILE THE MARRIAGE CERTIFICATE 438 00:17:54,774 --> 00:17:56,209 AND CHANGE THE WILL. 439 00:17:56,243 --> 00:17:57,744 I KNEW IT! 440 00:17:57,777 --> 00:18:00,213 IT'S HIS WISH TO PASS HIS LAST DAYS WITH YOU. 441 00:18:00,247 --> 00:18:03,483 OH! LET'S CELEBRATE WITH A DRINK! 442 00:18:03,516 --> 00:18:04,884 I HAVE SO MUCH WORK, ELEANOR. 443 00:18:04,917 --> 00:18:07,887 BUT PLEASE, DON'T TELL ANYONE I TOLD YOU. 444 00:18:07,920 --> 00:18:10,523 OH, I WON'T. I PROMISE. 445 00:18:10,557 --> 00:18:13,260 BECAUSE I KNEW HE WAS NEVER GOING TO REMARRY THAT WOMAN. 446 00:18:13,293 --> 00:18:16,129 JONAS WAS JUST GETTING SENTIMENTAL IN HIS LAST DAYS, 447 00:18:16,163 --> 00:18:20,500 AND THE HAVOC THAT WOULD WREAK ON THE ESTATE, AGENT...? 448 00:18:20,533 --> 00:18:21,501 AGENT TENNANT. 449 00:18:21,534 --> 00:18:24,804 -ARE YOU GETTING THIS, AGENT SMITH? -YEAH. 450 00:18:24,837 --> 00:18:26,373 INHERITANCE ISSUES? 451 00:18:26,406 --> 00:18:28,908 WELL, THERE WERE ABOUT TO BE. 452 00:18:28,941 --> 00:18:32,412 JONAS HAD MADE A VERY RADICAL DECISION. 453 00:18:33,813 --> 00:18:35,515 HE'S ADDING YOU BACK INTO THE WILL, 454 00:18:35,548 --> 00:18:38,518 YOUR FULL SHARE OF THE INHERITANCE. 455 00:18:38,551 --> 00:18:39,786 I DON'T WANT IT. 456 00:18:39,819 --> 00:18:43,523 WOODY, WE'RE TALKING MILLIONS, PLUS YOUR SHARE OF THE STOCK. 457 00:18:43,556 --> 00:18:46,659 I DON'T WANT THE MONEY. NONE OF IT. 458 00:18:46,693 --> 00:18:48,895 CAN YOU BELIEVE THAT? 459 00:18:48,928 --> 00:18:50,363 [ CELLPHONE RINGS ] 460 00:18:50,397 --> 00:18:52,765 PARDON ME. 461 00:18:52,799 --> 00:18:56,636 -HELLO? YES? -I ADMIT, I DO FIND THAT HARD TO BELIEVE. 462 00:18:56,669 --> 00:18:57,870 WHAT? 463 00:18:57,904 --> 00:19:00,673 -I FINALLY UNDERSTAND WHAT HE SEES IN YOU. -[ SCOFFS ] 464 00:19:00,707 --> 00:19:02,275 WE NEED TO FIND WOODMAN. 465 00:19:02,309 --> 00:19:05,312 Don't worry about it. I'll handle it. 466 00:19:07,747 --> 00:19:10,183 WEIRD, COLD NIGHTS, 467 00:19:10,217 --> 00:19:12,752 YOU GET A LITTLE FROST BUCKLE, IT RUINS EVERYTHING. 468 00:19:12,785 --> 00:19:14,687 THE BRITISH LADY'S FRIEND, RIGHT? 469 00:19:14,721 --> 00:19:16,423 NATE FORD. 470 00:19:16,456 --> 00:19:18,558 [ INDISTINCT CONVERSATIONS ] 471 00:19:18,591 --> 00:19:19,826 WHAT'S A, UH...WHAT'S A MILLIONAIRE'S SON DOING, 472 00:19:19,859 --> 00:19:21,261 UH, WORKING ON A POOL? 473 00:19:21,294 --> 00:19:22,529 [ INHALES DEEPLY ] 474 00:19:22,562 --> 00:19:25,932 I SCREWED THINGS UP FIRST GO-AROUND, YOU KNOW? 475 00:19:25,965 --> 00:19:27,934 HE GAVE ME EVERYTHING -- 476 00:19:27,967 --> 00:19:32,472 PRIVATE TUTORS, APARTMENT IN TOKYO, ART SCHOOL IN PARIS. 477 00:19:32,505 --> 00:19:36,609 I DRANK IT ALL AWAY. HE KICKED ME LOOSE. 478 00:19:36,643 --> 00:19:40,480 AFTER A COUPLE HARD YEARS, I STARTED A CONTRACTING COMPANY. 479 00:19:40,513 --> 00:19:42,749 AFTER DAD GOT REAL SICK, WELL, 480 00:19:42,782 --> 00:19:44,817 I VOLUNTEERED TO FIX THE POOL JUST SO I COULD BE NEAR HIM. 481 00:19:44,851 --> 00:19:47,887 SOMETIMES MONEY JUST GETS IN THE WAY. 482 00:19:47,920 --> 00:19:49,956 [ CHUCKLES ] AIN'T THAT THE TRUTH. 483 00:19:49,989 --> 00:19:52,992 THE, UH, ART GIRL, KATRINA. 484 00:19:53,025 --> 00:19:54,627 CUTE, HUH? 485 00:19:54,661 --> 00:19:56,663 WAS SHE HERE THE DAY YOUR DAD DIED? 486 00:19:56,696 --> 00:19:59,399 SHE WAS UP THERE AS SOON AS THE MAID THAT FOUND HIM SCREAMED. 487 00:19:59,432 --> 00:20:00,767 WHY? 488 00:20:07,039 --> 00:20:09,742 NOT QUITE SURE WHO WANTS GAULT DEAD OUT OF THAT LOT. 489 00:20:09,776 --> 00:20:12,579 ALL OF THEM BUT ONE. 490 00:20:12,612 --> 00:20:13,980 KATRINA WAS ABOUT TO LOSE HER JOB, 491 00:20:14,013 --> 00:20:15,081 BUT IF GAULT DIED FIRST, 492 00:20:15,114 --> 00:20:17,016 SHE'D GET A COMMISSION FOR SELLING THE COLLECTION. 493 00:20:17,049 --> 00:20:19,752 NOW, FIONA NEEDED GAULT TO DIE BEFORE HE REMARRIED ELEANOR 494 00:20:19,786 --> 00:20:21,488 SO THAT SHE'D INHERIT HER SHARES. 495 00:20:21,521 --> 00:20:23,623 ELEANOR SUSPECTED THAT THOSE SHARES 496 00:20:23,656 --> 00:20:25,758 WERE SOON TO BE SPLIT WITH WOODMAN, 497 00:20:25,792 --> 00:20:28,961 WHO, BY THE WAY, IS THE ONLY PERSON WITHOUT MOTIVE. 498 00:20:28,995 --> 00:20:30,763 SHECTER DIDN'T HAVE A MOTIVE. 499 00:20:30,797 --> 00:20:34,434 OH, BUT SHECTER KNEW THAT GAULT WASN'T GONNA MARRY ELEANOR, 500 00:20:34,467 --> 00:20:36,503 SO WHY IS SHECTER IN THAT OFFICE 501 00:20:36,536 --> 00:20:39,539 PULLING FINANCIAL STATEMENTS FOR GAULT INSTRUMENTS? 502 00:20:39,572 --> 00:20:40,707 SHECTER'S EMBEZZLING. 503 00:20:40,740 --> 00:20:41,608 [ GASPS ] 504 00:20:41,641 --> 00:20:43,042 I'D FORGOTTEN HOW ATTRACTIVE THAT IS, 505 00:20:43,075 --> 00:20:44,644 THE RELENTLESS TICK-TICK-TICK 506 00:20:44,677 --> 00:20:46,979 OF YOU PULLING APART SOMEONE'S WELL-LAID PLANS. 507 00:20:47,013 --> 00:20:49,449 OH, INCLUDING YOURS. 508 00:20:49,482 --> 00:20:50,883 OH, YOU'VE NEVER PULLED APART MY PLANS. 509 00:20:50,917 --> 00:20:53,353 WE ARE BACK AT SQUARE ONE. 510 00:20:53,386 --> 00:20:56,356 ON THE MURDER, YES, BUT WHO CARES ABOUT THAT? 511 00:20:56,389 --> 00:20:58,991 WE'RE HERE ABOUT AN ART THEFT. 512 00:21:00,660 --> 00:21:02,395 OKAY, THEY ALL ALIBI EACH OTHER 513 00:21:02,429 --> 00:21:04,964 FOR THE TIMES SOMEONE WAS GOING IN AND OUT OF THE VAULT. 514 00:21:04,997 --> 00:21:08,835 SO, IF THE SAME PERSON WHO KILLED JONAS STOLE THE PAINTING, 515 00:21:08,868 --> 00:21:10,670 THEN NONE OF THEM DID IT. 516 00:21:10,703 --> 00:21:11,804 WHO'S LEFT? 517 00:21:11,838 --> 00:21:13,840 NOBODY. 518 00:21:19,846 --> 00:21:21,481 OOH! 519 00:21:24,451 --> 00:21:27,019 I'M SORRY. 520 00:21:27,053 --> 00:21:28,855 WHAT ARE YOU DOING IN MY ROOM? 521 00:21:28,888 --> 00:21:32,592 SO, THE BUTLER DID IT. 522 00:21:44,604 --> 00:21:45,738 MISS HARDT. 523 00:21:52,479 --> 00:21:54,347 [ SPECTATORS SIGH ] IT'S JUST BEAUTIFUL. 524 00:21:58,851 --> 00:22:01,721 MA MYSTèRE -- CAN YOU BE SURE? 525 00:22:01,754 --> 00:22:03,556 IT'S NEVER BEEN PHOTOGRAPHED OR EXHIBITED. 526 00:22:03,590 --> 00:22:04,724 BUT THANKS TO JONAS, 527 00:22:04,757 --> 00:22:07,627 I AM THE WORLD'S LEADING EXPERT IN PRECISELY ONE ARTIST. 528 00:22:07,660 --> 00:22:09,028 METTIER. 529 00:22:09,061 --> 00:22:11,097 HMM. 530 00:22:18,004 --> 00:22:20,973 BRUSH STROKES ARE RIGHT. TEXTURE ON THE OILS. 531 00:22:21,007 --> 00:22:23,443 COLOR PALETTE IS CONSISTENT WITH HIS EARLY WORKS. 532 00:22:23,476 --> 00:22:25,978 HE STRETCHED HIS OWN CANVAS. THOSE ARE HIS NAILS. 533 00:22:26,012 --> 00:22:29,416 I WOULD HAVE TO DO MORE TESTS, BUT HONESTLY, THIS IS METTIER. 534 00:22:29,449 --> 00:22:33,820 AND THE ONLY ONE I'VE NEVER SEEN BEFORE. 535 00:22:33,853 --> 00:22:35,154 IT'S MA MYSTèRE. 536 00:22:35,187 --> 00:22:38,658 [ APPLAUSE ] 537 00:22:40,527 --> 00:22:43,763 MISS HARDT, YOU CAN RELEASE THE REST OF THE COLLECTION 538 00:22:43,796 --> 00:22:44,931 TO THE BUYERS. 539 00:22:44,964 --> 00:22:47,967 I'LL TAG THIS FOR EVIDENCE AND RETURN IT TO THE ESTATE 540 00:22:48,000 --> 00:22:49,969 -AS SOON AS POSSIBLE. -OF COURSE. THANK YOU. 541 00:22:50,002 --> 00:22:51,771 THANK YOU. 542 00:22:51,804 --> 00:22:54,641 IT'S ALWAYS NICE TO BRING A THIEF TO JUSTICE, 543 00:22:54,674 --> 00:22:57,910 EVEN IF IT'S NOT YOU. [ CHUCKLES ] 544 00:22:57,944 --> 00:22:59,546 OR YOU. 545 00:23:01,013 --> 00:23:03,983 -ONLY ONE PROBLEM. -HMM? 546 00:23:04,016 --> 00:23:06,419 THAT IS NOT MA MYSTèRE. 547 00:23:08,488 --> 00:23:10,122 WHAT DO YOU MEAN, "IT'S NOT MA MYSTèRE"? 548 00:23:10,156 --> 00:23:11,591 IT'S COMPLICATED. LOOK. 549 00:23:11,624 --> 00:23:14,193 WHAT? 550 00:23:14,226 --> 00:23:16,496 GAULT'S OWN CURATOR THINKS IT'S LEGIT. 551 00:23:16,529 --> 00:23:18,531 I'M TELLING YOU THAT IS NOT MA MYSTèRE. 552 00:23:18,565 --> 00:23:20,032 BUT HOW COULD YOU KNOW THAT? 553 00:23:20,066 --> 00:23:23,169 UH...UM... 554 00:23:23,202 --> 00:23:24,771 -DID YOU TRY TO STEAL IT ONCE? -NO. 555 00:23:24,804 --> 00:23:26,506 -HMM. DID YOU ACTUALLY STEAL IT ONCE? -NO. 556 00:23:26,539 --> 00:23:29,909 LOOK, IT COULD BE A METTIER, BUT IT IS NOT MA MYSTèRE. 557 00:23:29,942 --> 00:23:31,678 HOW DO YOU EVEN KNOW WHAT MA MYSTèRE IS? 558 00:23:31,711 --> 00:23:33,012 I MEAN, THERE'S NO PHOTOGRAPHS -- 559 00:23:33,045 --> 00:23:34,581 I JUST... I NEED YOU TO TRUST ME. 560 00:23:34,614 --> 00:23:37,584 AH. YOU. 561 00:23:37,617 --> 00:23:39,952 YOU HAVE ACTUALLY SEEN MA MYSTèRE, HAVEN'T YOU? 562 00:23:39,986 --> 00:23:40,820 NOT EXACTLY. 563 00:23:40,853 --> 00:23:43,756 LOOK, WHAT IF I CAN PROVE IT TO YOU? 564 00:23:43,790 --> 00:23:47,159 [ SIGHS ] LOOK, IF IT'S NOT MA MYSTèRE, 565 00:23:47,193 --> 00:23:49,061 HOW DO WE EVEN KNOW THAT IT'S A REAL METTIER? 566 00:23:49,095 --> 00:23:50,997 WELL, THE WAY TO PROVE THAT IT'S NOT A METTIER 567 00:23:51,030 --> 00:23:52,832 WOULD BE TO COMPARE IT TO ANOTHER METTIER. 568 00:23:52,865 --> 00:23:54,033 THAT'S TRUE, 569 00:23:54,066 --> 00:23:55,735 AND THEY'VE ALL BEEN SOLD TO ALL THESE OTHER RICH PEOPLE, 570 00:23:55,768 --> 00:23:57,737 AND THAT -- 571 00:23:57,770 --> 00:23:59,005 OH, NO, NO, NO, NO. NO, NO, NO, NO. 572 00:23:59,038 --> 00:24:00,172 SOPHIE, NO, NO, NO. 573 00:24:00,206 --> 00:24:02,208 YOU ARE NOT GONNA GO IN THERE AND STEAL A REAL METTIER. 574 00:24:02,241 --> 00:24:03,776 NO, NO, NO. IT WOULDN'T BE STEALING. 575 00:24:03,810 --> 00:24:05,478 I'D JUST BORROW IT JUST FOR A LITTLE WHILE 576 00:24:05,512 --> 00:24:07,547 JUST TO COMPARE IT TO MA MYSTèRE AND PROVE IT'S A FAKE. 577 00:24:07,580 --> 00:24:11,083 WHICH MEANS WE HAVE TO ALSO STEAL MA MYSTèRE. 578 00:24:11,117 --> 00:24:13,152 I JUST GOT YOU OFF THE HOOK FROM STEALING THAT PAINTING. 579 00:24:13,185 --> 00:24:15,187 NOW YOU WANT TO GO STEAL THAT AND ANOTHER PAINTING 580 00:24:15,221 --> 00:24:16,756 -JUST TO PROVE IT ISN'T REAL? -I DON'T WANT TO. 581 00:24:16,789 --> 00:24:18,791 WHAT I WANT IS FOR YOU TO TAKE ME AT MY WORD. 582 00:24:18,825 --> 00:24:20,527 WE'VE BEEN WORKING TOGETHER FOR FIVE YEARS, 583 00:24:20,560 --> 00:24:22,194 SLEEPING TOGETHER FOR TWO. 584 00:24:22,228 --> 00:24:23,930 I MEAN, WHAT IS IT GONNA TAKE? 585 00:24:23,963 --> 00:24:25,565 [ SIGHS ] 586 00:24:28,735 --> 00:24:33,906 STERLING IS SITTING RIGHT ON TOP OF MA MYSTèRE. 587 00:24:33,940 --> 00:24:36,776 ARE YOU TELLING ME YOU CAN'T OUTSMART STERLING? 588 00:24:36,809 --> 00:24:38,177 I CAN'T. 589 00:24:38,210 --> 00:24:41,180 BUT HE CAN'T OUTSMART ME, EITHER. 590 00:24:41,213 --> 00:24:42,214 OKAY, YOU GO GET METTIER. 591 00:24:42,248 --> 00:24:44,817 I'LL DEAL WITH STERLING AND GET MA MYSTèRE. 592 00:24:44,851 --> 00:24:46,252 HMM? 593 00:24:51,658 --> 00:24:56,162 CRATE THAT UP, PUT AN EVIDENCE STICKER ON IT. 594 00:24:56,195 --> 00:24:59,632 WE'LL TAKE IT WITH US WHEN WE FINISH THE INTERVIEWS. 595 00:24:59,666 --> 00:25:01,901 WE'LL HANDLE THE... 596 00:25:01,934 --> 00:25:06,773 JURISDICTIONAL ISSUES. 597 00:25:06,806 --> 00:25:07,907 WHAT DO YOU WANT? 598 00:25:07,940 --> 00:25:09,709 AH, NOTHING. 599 00:25:09,742 --> 00:25:14,981 THAT'S...THAT'S THE WHOLE CASE? YEAH? 600 00:25:15,014 --> 00:25:17,249 JUST... 601 00:25:17,283 --> 00:25:20,119 IF BY WHICH YOU MEAN THE MEANS, THE MOTIVE, THE OPPORTUNITY, 602 00:25:20,152 --> 00:25:22,021 THE FACT THAT I FOUND THE STOLEN ITEM 603 00:25:22,054 --> 00:25:23,856 IN THE POSSESSION OF THE SUSPECT -- 604 00:25:23,890 --> 00:25:25,057 YES, THAT'S MY WHOLE CASE. 605 00:25:25,091 --> 00:25:26,626 I'LL PUT THAT IN FRONT OF A JURY. 606 00:25:26,659 --> 00:25:28,761 YEAH? HMM. 607 00:25:28,795 --> 00:25:30,997 YOU THINK I'VE MISSED SOMETHING? 608 00:25:31,030 --> 00:25:33,032 HMM. 609 00:25:33,065 --> 00:25:36,168 THAT'S IT. 610 00:25:36,202 --> 00:25:38,638 OH, YOU'D LIKE TO SEE MY WHOLE CASE FALL APART 611 00:25:38,671 --> 00:25:40,106 JUST ON SOME LITTLE... 612 00:25:41,373 --> 00:25:43,876 GO BACK TO THE BEGINNING! 613 00:25:43,910 --> 00:25:48,581 TAKE THAT... TO THE BILLIARD ROOM. 614 00:25:52,384 --> 00:25:54,721 UM, ALL THE SHIPPING LABELS ARE ALREADY ON. 615 00:25:54,754 --> 00:25:56,789 ONCE YOU GET THEM TO THE SHIPPING HOUSE, 616 00:25:56,823 --> 00:25:59,626 THEY WILL UNLOAD THEM AND SEND THEM TO THEIR DESTINATION. 617 00:25:59,659 --> 00:26:00,459 OKAY. 618 00:26:00,492 --> 00:26:03,229 OH, GOODIE. OOH, THAT'S MY PAINTING. 619 00:26:03,262 --> 00:26:04,631 MA'AM? 620 00:26:04,664 --> 00:26:06,132 MY PAINTING. I'D LIKE IT, PLEASE. 621 00:26:06,165 --> 00:26:07,299 OH, NO OFFENSE. 622 00:26:07,333 --> 00:26:09,769 YOU AND YOUR COMPANY, I'VE LOST ART IN SHIPPING BEFORE, 623 00:26:09,802 --> 00:26:12,639 YOU SEE, AND I PREFER TO HAVE MY POSSESSIONS IN MY POSSESSION. 624 00:26:12,672 --> 00:26:14,807 WELL, YOU KNOW I CAN'T JUST GIVE YOU THE PAINTING. 625 00:26:14,841 --> 00:26:16,342 OH, I'M SORRY. YOU DON'T KNOW WHO I AM? 626 00:26:16,375 --> 00:26:18,945 I'M THE DUCHESS OF ISLINGTON-BARROW. 627 00:26:18,978 --> 00:26:21,147 THAT IS MY PROPERTY, AND I WOULD LIKE IT. 628 00:26:21,180 --> 00:26:22,248 I NEED TO SEE SOME I.D. 629 00:26:22,281 --> 00:26:26,853 DO I LOOK AS IF I CAME OUT CARRYING I.D., YOUNG MAN? 630 00:26:26,886 --> 00:26:28,621 MISS HARDT? 631 00:26:28,655 --> 00:26:29,722 OH, UH, YES, MISS COLLINS. 632 00:26:29,756 --> 00:26:30,957 OH, MISS HARDT, I'VE GOT TO SAY, 633 00:26:30,990 --> 00:26:32,358 I'M REALLY IMPRESSED WITH YOUR SECURITY. 634 00:26:32,391 --> 00:26:35,094 I WAS THINKING I'D LIKE TO HIRE THEM THE NEXT TIME 635 00:26:35,127 --> 00:26:37,363 THE LONDON ART MUSEUM LOANS SOMETHING OUT. 636 00:26:37,396 --> 00:26:40,132 THE THING IS, I WAS ASKING HIM FOR HIS CONTACT INFO 637 00:26:40,166 --> 00:26:41,333 AND HE WOULDN'T GIVE IT TO ME. 638 00:26:41,367 --> 00:26:42,935 -WHAT? -NO. 639 00:26:42,969 --> 00:26:44,804 WHICH, YOU KNOW, HE SAID IT'S PROTOCOL. I GET IT. 640 00:26:44,837 --> 00:26:46,072 YOU KNOW, IT'S GOOD FOR SECURITY, 641 00:26:46,105 --> 00:26:48,074 BUT IT'S RUBBISH FOR BUSINESS. 642 00:26:48,107 --> 00:26:49,676 DO YOU THINK YOU COULD JUST -- 643 00:26:49,709 --> 00:26:51,944 FRANK, FRANK, DON'T BE PARANOID. JUST GIVE IT TO HER. 644 00:26:51,978 --> 00:26:55,915 -THANK YOU. -FRANK, LET'S BE FRIENDS. DON'T POUT. 645 00:26:55,948 --> 00:26:57,784 COLD. 646 00:27:00,019 --> 00:27:02,722 COLD. 647 00:27:03,923 --> 00:27:05,758 [ SIGHS ] 648 00:27:05,792 --> 00:27:07,059 COLD, COLD. 649 00:27:09,061 --> 00:27:10,663 COLD. 650 00:27:14,400 --> 00:27:15,668 [ COUGHS ] WARM. 651 00:27:16,703 --> 00:27:17,670 ISH. 652 00:27:17,704 --> 00:27:18,938 GET OUT. 653 00:27:18,971 --> 00:27:20,807 HMM? 654 00:27:20,840 --> 00:27:21,908 Very warm. 655 00:27:25,745 --> 00:27:27,179 FOLLOW HIM. 656 00:27:27,213 --> 00:27:28,815 YES, SIR. 657 00:27:46,866 --> 00:27:50,102 [ KNOB TURNS, GAS HISSES ] 658 00:27:50,136 --> 00:27:54,741 I-I JUST LEFT MY PHONE IN HERE. 659 00:27:59,445 --> 00:28:01,280 YOU GUYS, CAKE'S ON FIRE! 660 00:28:01,313 --> 00:28:02,414 OH, GOD! OH! 661 00:28:02,448 --> 00:28:03,883 EXCUSE ME. LET ME THROUGH HERE. 662 00:28:03,916 --> 00:28:05,084 WATCH OUT, PEOPLE. MOVE BACK. 663 00:28:14,126 --> 00:28:15,962 [ SIGHS ] 664 00:28:15,995 --> 00:28:18,264 DARN PHONE. I JUST CAN'T FIND IT. 665 00:28:18,297 --> 00:28:20,232 I CAN'T FIND THE DARN PHONE. 666 00:28:22,534 --> 00:28:25,371 METTIER MIXED HIS OWN PAINT. 667 00:28:25,404 --> 00:28:28,975 HE USED COPAL RESIN AND CLAY EARTH FOUND NEAR HIS HOME. 668 00:28:29,008 --> 00:28:31,978 THERE'S NO WAY A FORGER COULD MATCH 669 00:28:32,011 --> 00:28:34,113 THE EXACT CHEMICAL COMPOSITION OF HIS PAINT. 670 00:28:34,146 --> 00:28:35,748 OKAY. 671 00:28:35,782 --> 00:28:39,151 A LITTLE, UH, SILVER POLISH. RIGHT. 672 00:28:39,185 --> 00:28:40,519 THAT. 673 00:28:40,552 --> 00:28:42,288 BLEACH. 674 00:28:43,923 --> 00:28:46,759 AND TOP IT OFF... 675 00:28:46,793 --> 00:28:47,894 [ HORSE NEIGHS ] 676 00:28:47,927 --> 00:28:50,096 ...WITH SOME FINE VODKA. 677 00:28:50,129 --> 00:28:52,031 I THINK I DRANK THIS IN COLLEGE. 678 00:28:53,499 --> 00:28:57,303 THIS FROM THIS PAINTING. 679 00:28:57,336 --> 00:28:59,872 AND A LITTLE OF THAT FROM THAT PAINTING. 680 00:29:06,512 --> 00:29:08,480 OKAY. IF YOU WILL. 681 00:29:14,821 --> 00:29:16,222 WELL, THAT IS A MATCH. 682 00:29:16,255 --> 00:29:18,524 THEY CAN'T MATCH. 683 00:29:18,557 --> 00:29:20,059 IT'S AS CLOSE AS WE'RE GONNA GET 684 00:29:20,092 --> 00:29:21,293 WITHOUT STEALING A CHEMISTRY LAB, 685 00:29:21,327 --> 00:29:26,432 AND WE'RE NOT GONNA GO, YOU KNOW, STEAL A-A CHEMISTRY L-- 686 00:29:26,465 --> 00:29:29,902 I WAS JUST -- I WAS SO SURE IT WAS GONNA BE... 687 00:29:29,936 --> 00:29:33,172 SOMETHING ELSE. 688 00:29:33,205 --> 00:29:36,775 I WAS WRONG, I GUESS. IT I MA MYSTèRE. 689 00:29:38,210 --> 00:29:41,113 WHAT DID YOU THINK IT WAS GONNA BE? 690 00:29:45,417 --> 00:29:49,221 THERE IS ONE OTHER POSSIBILITY, OF COURSE. 691 00:29:49,255 --> 00:29:52,859 THE PAINTINGS MATCH. 692 00:29:52,892 --> 00:29:57,396 SO EITHER THAT IS THE REAL MA MYSTèRE OR... 693 00:29:57,429 --> 00:29:59,398 IT'S A FAKE METTIER. 694 00:29:59,431 --> 00:30:00,366 THAT DOESN'T MAKE SENSE. 695 00:30:00,399 --> 00:30:02,368 IT CAME STRAIGHT OUT OF GAULT'S COLLECTION. 696 00:30:02,401 --> 00:30:04,370 EVEN IF THERE WAS A FAKE IN THERE, 697 00:30:04,403 --> 00:30:07,073 WHAT ARE THE CHANCES THAT I JUST HAPPENED TO STEAL THAT ONE? 698 00:30:07,106 --> 00:30:09,475 SLIM. 699 00:30:09,508 --> 00:30:12,979 UNLESS ALL THE PAINTINGS ARE FAKE. 700 00:30:14,480 --> 00:30:19,118 OR GAULT'S ENTIRE COLLECTION IS FAKE. 701 00:30:20,452 --> 00:30:22,421 SO, LET ME GET THIS STRAIGHT. 702 00:30:22,454 --> 00:30:24,223 YOU STOLE NOT ONE, BUT TWO PAINTINGS, 703 00:30:24,256 --> 00:30:27,226 ONE OF WHICH YOU SPENT THE ENTIRE DAY 704 00:30:27,259 --> 00:30:29,095 TRYING TO CONVINCE ME YOU DID NOT STEAL, 705 00:30:29,128 --> 00:30:30,629 ALL BECAUSE YOUR GIRLFRIEND HERE, 706 00:30:30,662 --> 00:30:34,133 AN UNREPENTANT, INVETERATE, PROFESSIONAL LIAR -- 707 00:30:34,166 --> 00:30:36,368 THAT'S UNCALLED FOR. 708 00:30:36,402 --> 00:30:38,971 ...TOLD YOU WITH NO EVIDENCE WHATSOEVER 709 00:30:39,005 --> 00:30:40,372 THAT MA MYSTèRE WAS FAKE. 710 00:30:40,406 --> 00:30:42,141 NOW YOU'RE SO SURE THAT SHE'S RIGHT, 711 00:30:42,174 --> 00:30:44,210 THAT YOU NOT ONLY THINK THAT THIS PAINTING IS A FAKE, 712 00:30:44,243 --> 00:30:47,346 BUT EVERY OTHER METTIER THAT WAS IN THE HOUSE, 713 00:30:47,379 --> 00:30:50,316 THE ENTIRE COLLECTION, IS ALSO FAKE? 714 00:30:50,349 --> 00:30:52,084 THAT'S RIGHT. 715 00:30:54,153 --> 00:30:56,956 ARREST THEM BOTH. 716 00:30:56,989 --> 00:30:58,624 ON WHAT CHARGE? 717 00:30:58,657 --> 00:30:59,491 THEFT. 718 00:30:59,525 --> 00:31:01,360 WE'VE BROUGHT YOU BACK THE PAINTINGS. 719 00:31:01,393 --> 00:31:03,429 OBSTRUCTING AN INVESTIGATION. 720 00:31:03,462 --> 00:31:04,964 WE'RE HELPING YOU WITH YOUR INVESTIGATION. 721 00:31:04,997 --> 00:31:06,332 BEING ANNOYING AND CRAZY. 722 00:31:06,365 --> 00:31:10,369 -THAT'S NOT A CRIME. SINCE WHEN WAS THAT A CRIME? -NO, IT'S NOT. 723 00:31:10,402 --> 00:31:12,004 I DON'T CARE! 724 00:31:13,940 --> 00:31:15,241 ALL RIGHT, ALL RIGHT, ALL RIGHT. 725 00:31:15,274 --> 00:31:21,580 SAY, JUST SAY, THAT YOU'RE RIGHT. 726 00:31:21,613 --> 00:31:23,582 DO YOU HAVE ANY IDEA WHAT IT WOULD TAKE 727 00:31:23,615 --> 00:31:26,385 TO REPLACE EVERY ONE OF THESE PAINTINGS WITH A FORGERY? 728 00:31:26,418 --> 00:31:27,586 YEAH, WELL, FOR STARTERS, I MEAN, 729 00:31:27,619 --> 00:31:29,288 YOU WOULD PROBABLY NEED AN ELDERLY VICTIM 730 00:31:29,321 --> 00:31:31,057 WHOSE EYESIGHT WAS SHOT SO MUCH TO THE POINT 731 00:31:31,090 --> 00:31:32,491 WHERE HE WOULDN'T NOTICE THE SWITCHES. 732 00:31:32,524 --> 00:31:36,262 HE'D HAVE TO REPAINT EVERY SINGLE PAINTING. 733 00:31:36,295 --> 00:31:38,530 YES. YES, SO YOU'D NEED TIME. 734 00:31:38,564 --> 00:31:40,132 -MONTHS. -MONTHS. 735 00:31:40,166 --> 00:31:42,434 YOU'D NEED A DETAILED KNOWLEDGE OF METTIER, 736 00:31:42,468 --> 00:31:44,937 PLUS ACCESS TO ALL THE PAINTINGS. 737 00:31:44,971 --> 00:31:46,472 YES, AND MOST IMPORTANT, OF COURSE, 738 00:31:46,505 --> 00:31:48,674 YOU WOULD NEED THE ABILITY TO ESTABLISH PROVENANCE. 739 00:31:48,707 --> 00:31:50,642 YOU WOULD NEED TO DECLARE, WITHOUT QUESTION, 740 00:31:50,676 --> 00:31:52,278 THAT EVERY ONE OF THESE PAINTINGS 741 00:31:52,311 --> 00:31:55,281 IS ABSOLUTELY AND UNDENIABLY LEGITIMATE. 742 00:31:55,314 --> 00:31:58,017 THE CURATOR. 743 00:31:58,050 --> 00:32:00,452 [ INDISTINCT CONVERSATIONS ] 744 00:32:00,486 --> 00:32:02,054 HEY! 745 00:32:02,088 --> 00:32:04,090 I DON'T SUPPOSE ANYONE HERE SPENT THE LAST FEW YEARS 746 00:32:04,123 --> 00:32:07,626 SECRETLY REPLACING EVERY METTIER IN THE HOUSE WITH FORGERIES 747 00:32:07,659 --> 00:32:09,395 WHILE NO ONE WAS LOOKING. 748 00:32:16,435 --> 00:32:18,537 [ CLEARS THROAT ] VERY SLICK INTERROGATION. 749 00:32:18,570 --> 00:32:20,072 I DIDN'T THINK THAT WOULD WORK. 750 00:32:20,106 --> 00:32:21,140 SHE'S GETTING AWAY. 751 00:32:21,173 --> 00:32:24,176 I DIDN'T THINK THAT WOULD WORK! 752 00:32:27,046 --> 00:32:29,281 ALL RIGHT, UH, YOU GO THAT WAY AND I'LL GO THIS -- 753 00:32:29,315 --> 00:32:32,051 [ WOMAN SCREAMS ] [ WATER SPLASHES ] 754 00:32:49,468 --> 00:32:53,172 [ PANTING ] 755 00:32:54,773 --> 00:32:57,076 FLEEING THE SCENE OF THE CRIME, 756 00:32:57,109 --> 00:32:58,610 SHE SLIPPED ON THE EDGE OF THE POOL, 757 00:32:58,644 --> 00:33:00,612 HIT HER HEAD, FELL IN. 758 00:33:00,646 --> 00:33:02,748 ACCIDENTAL DEATH. 759 00:33:02,781 --> 00:33:07,086 NOTHING LIKE BRINGING A THIEF TO JUSTICE AGAIN. 760 00:33:07,119 --> 00:33:09,288 HEY, YOU KNOW WHAT? LOOK AT THE BRIGHT SIDE. 761 00:33:09,321 --> 00:33:10,556 YOU SOLVED A THEFT, A MURDER. 762 00:33:10,589 --> 00:33:12,458 AND ONCE YOU GO THROUGH THAT WOMAN'S RECORDS, 763 00:33:12,491 --> 00:33:15,027 YOU'LL FIND ALL THE PEOPLE THAT BOUGHT THOSE STOLEN PAINTINGS. 764 00:33:15,061 --> 00:33:17,029 I MEAN, IT WAS A PRETTY BIG FORGERY RING. 765 00:33:17,063 --> 00:33:19,765 AND DESPITE YOUR EFFORTS TO DROP OFF THE MAP, 766 00:33:19,798 --> 00:33:22,601 I NOW KNOW YOUR NEW BASE OF OPERATIONS. 767 00:33:22,634 --> 00:33:26,605 EVERYTHING IS SUNSHINE AND RAINBOWS. 768 00:33:26,638 --> 00:33:29,075 BE SEEING YOU. 769 00:33:29,108 --> 00:33:32,611 UGH. HE THINKS HE'S SO INTIMIDATING, BUT HE'S NOT. 770 00:33:32,644 --> 00:33:35,481 LET'S GET THE HELL OUT OF HERE BEFORE HE CHANGES HIS MIND. 771 00:33:35,514 --> 00:33:37,116 YEAH. 772 00:33:43,255 --> 00:33:46,225 I WAS RIGHT. IT WAS LIKE OLD TIMES. 773 00:33:46,258 --> 00:33:48,260 IT WAS. 774 00:33:48,294 --> 00:33:51,630 ART THEFT, CHASES, DRESSES, AND TUXEDOES. 775 00:33:51,663 --> 00:33:54,100 I JUST... 776 00:33:54,133 --> 00:33:56,335 I WISH I HAD GOTTEN TO SEE THE REAL MA MYSTèRE. 777 00:33:56,368 --> 00:33:57,603 EH. 778 00:33:57,636 --> 00:33:59,738 STERLING MIGHT FIND IT ONCE HE GOES THROUGH KATRINA'S FILES. 779 00:33:59,771 --> 00:34:01,407 MM. 780 00:34:01,440 --> 00:34:06,112 I'M SORRY I COULDN'T TELL YOU HOW I KNEW IT WAS A FAKE. 781 00:34:06,145 --> 00:34:08,247 IT'S JUST, IT'S PERSONAL. 782 00:34:08,280 --> 00:34:10,582 BUT I REALLY APPRECIATE YOUR FAITH. 783 00:34:10,616 --> 00:34:11,817 I-I TREASURE IT. 784 00:34:11,850 --> 00:34:13,785 YOU MADE A GOOD POINT. 785 00:34:13,819 --> 00:34:15,787 I SHOULD TRUST YOU. I MEAN, I DO TRUST YOU. 786 00:34:15,821 --> 00:34:18,690 I DO. AND... 787 00:34:21,660 --> 00:34:25,364 LOOK, YOU AND ME, WE'RE... 788 00:34:25,397 --> 00:34:27,733 ME AND YOU, WE'RE... 789 00:34:27,766 --> 00:34:31,503 OH, IT'S JUST THAT... WE ARE, UH... 790 00:34:33,505 --> 00:34:35,741 SHOES. 791 00:34:35,774 --> 00:34:37,343 HUH? 792 00:34:37,376 --> 00:34:40,479 THAT'S HOW I FOUND YOU. YOUR SHOES. 793 00:34:40,512 --> 00:34:42,381 WHEN YOU LEFT THAT DAY, YOU KNOW, 794 00:34:42,414 --> 00:34:45,384 YOU WERE WEARING YOUR FANCY SHOES, UH, THE HIGH HEELS. 795 00:34:45,417 --> 00:34:48,387 THEY'RE HIGH ENOUGH FOR FASHION, LOW ENOUGH TO RUN IN. 796 00:34:48,420 --> 00:34:49,888 YOU NEVER LOOKED AT MY FEET. 797 00:34:49,921 --> 00:34:51,790 DIDN'T HAVE TO. THEY SOUND DIFFERENT ON A WOODEN FLOOR. 798 00:34:51,823 --> 00:34:53,592 -YOU'RE SO CLEVER. -[ CHUCKLES ] 799 00:34:53,625 --> 00:34:55,227 WHAT ABOUT THE PARTY? 800 00:34:55,261 --> 00:34:57,196 WELL, I MEAN, IF YOU WERE WEARING THOSE SHOES, 801 00:34:57,229 --> 00:34:59,665 IT MEANT ONE THING -- AN EVENT, WHICH MEANT CATERING. 802 00:34:59,698 --> 00:35:01,567 SO I CALLED ALL THE HIGH-END CATERERS 803 00:35:01,600 --> 00:35:04,170 AND I FOUND THAT, UH, THERE WAS ONE PARTY. 804 00:35:04,203 --> 00:35:05,304 AN ART AUCTION. 805 00:35:05,337 --> 00:35:08,174 THAT BRAIN OF YOURS IS VERY, VERY SEXY. 806 00:35:08,207 --> 00:35:11,377 OH, THANK YOU VERY MUCH. HOW ABOUT THE REST OF ME? 807 00:35:11,410 --> 00:35:15,381 IT'S A LITTLE BEAT-UP, BUT... 808 00:35:15,414 --> 00:35:19,518 IT HAS ITS CHARM. 809 00:35:19,551 --> 00:35:24,756 I HAVE A CHANGE OF CLOTHES FOR THE MORNING. 810 00:35:28,494 --> 00:35:31,763 [ SIGHS ] 811 00:35:39,405 --> 00:35:42,874 I'M SUCH AN IDIOT. 812 00:35:48,514 --> 00:35:50,349 NATE? 813 00:35:50,382 --> 00:35:53,485 [ GROANS ] 814 00:36:04,730 --> 00:36:07,199 [ ALARM BLARING ] 815 00:36:12,003 --> 00:36:15,707 IT DIDN'T MATTER HOW MANY TIMES SHE CAME IN AND OUT. 816 00:36:15,741 --> 00:36:18,577 SHE STILL COULDN'T CRACK THE SECOND ALARM. 817 00:36:18,610 --> 00:36:20,712 [ GUN COCKS ] 818 00:36:20,746 --> 00:36:23,715 BUT YOU KNEW THAT ALREADY, DIDN'T YOU? 819 00:36:24,650 --> 00:36:27,486 THEY'LL HEAR A GUNSHOT. 820 00:36:27,519 --> 00:36:29,521 PLACE IS EMPTY. 821 00:36:29,555 --> 00:36:31,657 TOO MUCH DEATH. 822 00:36:31,690 --> 00:36:33,725 EVERYBODY'S FREAKED OUT. 823 00:36:33,759 --> 00:36:35,227 ART SCHOOL IN PARIS? 824 00:36:35,261 --> 00:36:37,863 WASN'T TALENTED ENOUGH TO SELL MY STUFF. 825 00:36:37,896 --> 00:36:40,266 BUT AFTER DAD CUT ME OFF, WELL, 826 00:36:40,299 --> 00:36:42,234 TALENTED ENOUGH TO FAKE OTHER PEOPLE'S ART. 827 00:36:42,268 --> 00:36:44,536 GOOD COIN FOR A WHILE, TOO. 828 00:36:44,570 --> 00:36:47,673 THEN HE GOT SICK AND I CAME HOME TO SCAM SOME MONEY, 829 00:36:47,706 --> 00:36:48,640 AND THERE IT WAS. 830 00:36:48,674 --> 00:36:51,410 A WHOLE HOUSE FULL OF VALUABLE PAINTINGS. 831 00:36:51,443 --> 00:36:53,612 HMM. WITH ITS OWN CURATOR. 832 00:36:53,645 --> 00:36:54,680 LONELY CURATOR. 833 00:36:54,713 --> 00:36:57,583 THE INTERPOL AGENT FOUND OUT ABOUT THE FORGERIES. 834 00:36:57,616 --> 00:36:59,685 WOODY, THEY KNOW. THEY KNOW ABOUT THE PAINTINGS. 835 00:36:59,718 --> 00:37:01,687 AAH! 836 00:37:01,720 --> 00:37:04,556 YOU'D, UM, SWITCH OUT ONE PAINTING EVERY COUPLE OF MONTHS. 837 00:37:04,590 --> 00:37:06,958 NICE. 838 00:37:06,992 --> 00:37:09,361 WHEN DID YOU DECIDE TO GO AFTER MA MYSTèRE? 839 00:37:09,395 --> 00:37:11,663 WHEN I SAW THE KEYPAD, AND I KNEW THE NUMBERS. 840 00:37:11,697 --> 00:37:14,833 YOU PAINTED THE DUPLICATE IN ADVANCE. 841 00:37:14,866 --> 00:37:18,570 OF COURSE, YOU'D, UM, HAVE TO GUESS WHAT IT LOOKED LIKE. 842 00:37:18,604 --> 00:37:19,638 NO ONE ELSE HAD SEEN IT. 843 00:37:19,671 --> 00:37:21,440 AH. 844 00:37:21,473 --> 00:37:25,911 BUT TRIED TO KEEP IT CLOSE AT HAND, DIDN'T YOU? 845 00:37:25,944 --> 00:37:28,013 DO YOU THINK THAT'S WHAT TIPPED HIM? 846 00:37:31,850 --> 00:37:34,953 WHEN HE SAW SOMEONE WAS GOING IN AND OUT OF THE VAULT, 847 00:37:34,986 --> 00:37:38,690 HE CALLED THE ALARM COMPANY AND TOOK PRECAUTIONS. 848 00:37:38,724 --> 00:37:39,725 [ BEEPING ] 849 00:37:39,758 --> 00:37:42,528 ALTHOUGH YOU'D GONE IN AND OUT A BUNCH OF TIMES, 850 00:37:42,561 --> 00:37:45,831 HE CHANGED THE CODE ON THAT LAST TRIP. 851 00:37:45,864 --> 00:37:49,034 WHY DID YOU GO IN AND OUT SO MANY TIMES? 852 00:37:49,067 --> 00:37:50,869 THINK YOU GOT IT ALL FIGURED OUT. 853 00:37:50,902 --> 00:37:53,405 BUT YOU'RE NOT AS SMART AS YOU THINK YOU ARE. 854 00:37:53,439 --> 00:37:55,040 I'M SMARTER THAN YOU. 855 00:37:55,073 --> 00:37:57,743 I'M SMART ENOUGH NOT TO KILL MY PARTNER. 856 00:37:57,776 --> 00:38:00,512 [ GUN COCKS ] [ GRUNTS ] 857 00:38:00,546 --> 00:38:03,048 YOU ARE A COMPULSIVE, OBSESSIVE, SELFISH -- 858 00:38:03,081 --> 00:38:05,517 REALLY SHOULD RUN! 859 00:38:05,551 --> 00:38:08,387 RIGHT. 860 00:38:11,957 --> 00:38:14,059 [ GUNSHOTS ] 861 00:38:14,092 --> 00:38:16,395 OH! JUST LETTING YOU KNOW, IF WE DIE, I BLAME YOU. 862 00:38:16,428 --> 00:38:18,397 -I KNOW. -NONE OF THIS WOULD HAVE HAPPENED 863 00:38:18,430 --> 00:38:20,065 IF YOU'D JUST GONE TO THE MOVIES LIKE I TOLD YOU. 864 00:38:20,098 --> 00:38:21,600 YEAH, IF I'D GONE TO THE MOVIES, YOU'D BE IN JAIL RIGHT NOW. 865 00:38:21,633 --> 00:38:23,502 [ GUNSHOT ] [ GASPS ] 866 00:38:23,535 --> 00:38:24,636 JAIL IS A BIG IMPROVEMENT ON MY CURRENT PROSPECT 867 00:38:24,670 --> 00:38:25,771 OF SOON TO BE MURDERED. 868 00:38:29,408 --> 00:38:30,476 Sophie, run. Run. 869 00:38:32,077 --> 00:38:33,945 [ GUNSHOT ] 870 00:38:37,549 --> 00:38:39,050 [ GRUNTS ] 871 00:38:45,724 --> 00:38:48,560 YOU KEPT THE CUFFS. NAUGHTY. 872 00:38:48,594 --> 00:38:51,096 THAT IS THE SHALLOW END, RIGHT? 873 00:38:51,129 --> 00:38:53,599 OOPS. 874 00:38:55,033 --> 00:38:56,001 ANYONE ELSE IN THE VICINITY 875 00:38:56,034 --> 00:38:57,769 YOU'D LIKE ME TO ARREST FOR THE SAME CRIME? 876 00:38:57,803 --> 00:39:00,038 OR IS THREE OUR LUCKY NUMBER? 877 00:39:00,071 --> 00:39:01,139 THIS IS IT. 878 00:39:01,172 --> 00:39:03,609 HE GOT MA MYSTèRE OUT, BUT GAULT CHANGED THE CODE 879 00:39:03,642 --> 00:39:05,844 BEFORE HE COULD GET THE FAKE INTO PLACE. 880 00:39:05,877 --> 00:39:06,878 YES. 881 00:39:06,912 --> 00:39:08,647 COULDN'T LET A PERFECTLY GOOD FAKE GO TO WASTE, 882 00:39:08,680 --> 00:39:09,915 SO HE FRAMED PAOLO WITH IT. 883 00:39:09,948 --> 00:39:11,617 AND THE REAL MA MYSTèRE? 884 00:39:11,650 --> 00:39:13,452 EH, WE'LL GET IT OUT OF HIM. 885 00:39:13,485 --> 00:39:14,986 AGAIN... [ ENGINE TURNS OVER ] 886 00:39:15,020 --> 00:39:16,087 ...BE SEEING YOU. 887 00:39:16,121 --> 00:39:18,824 TURNS OUT, YOU'RE STILL 888 00:39:18,857 --> 00:39:20,826 THE SECOND-BEST DETECTIVE I'VE EVER KNOWN. 889 00:39:20,859 --> 00:39:22,494 AH. SO ARE YOU. 890 00:39:22,528 --> 00:39:26,131 YOU EVER WANT TO DO THIS AGAIN, CALL ME. 891 00:39:26,164 --> 00:39:28,734 I'M HIRING. 892 00:39:28,767 --> 00:39:30,769 AND YOU CAN BRING THE ART THIEF. 893 00:39:30,802 --> 00:39:33,505 EX-ART THIEF. 894 00:39:33,539 --> 00:39:35,774 [ CHUCKLES ] 895 00:39:35,807 --> 00:39:38,410 EX-ART THIEF. 896 00:39:46,552 --> 00:39:50,856 I WOULD REALLY HAVE LIKED TO HAVE SEEN IT, JUST TO KNOW. 897 00:39:50,889 --> 00:39:55,994 HOW DOES A FORGER DEFEAT A TWO-TIERED SECURITY SYSTEM 898 00:39:56,027 --> 00:39:58,664 IN LESS THAN AN AFTERNOON? 899 00:39:58,697 --> 00:40:01,667 I MEAN, WHEN THEY DON'T HAVE THOSE SKILLS, 900 00:40:01,700 --> 00:40:03,902 THE SKILL HE DOES HAVE... 901 00:40:04,870 --> 00:40:06,738 ...IS IN CONSTRUCTION. 902 00:40:12,010 --> 00:40:14,446 [ GASPS ] 903 00:40:14,480 --> 00:40:17,849 SEE, ALL HE HAD TO DO WAS JUST WAIT UNTIL AFTER THE AUCTION. 904 00:40:17,883 --> 00:40:20,452 SHECTER TURNED OFF THE ALARM ON THE PAINTING. 905 00:40:20,486 --> 00:40:21,787 THEN THEY COULD COME BACK ANYTIME. 906 00:40:21,820 --> 00:40:25,657 THEY JUST HAD TO KEEP THE PAINTING HIDDEN. 907 00:40:25,691 --> 00:40:28,159 SO HE BUILT A FALSE WALL AND HID THE PAINTING THERE. 908 00:40:32,063 --> 00:40:34,566 I BARED MY SOUL TO HIM. 909 00:40:34,600 --> 00:40:36,602 YOU BARED MORE THAN YOUR SOUL. 910 00:40:36,635 --> 00:40:38,470 HE VOWED IT WOULD NEVER BE SEEN BY THE WORLD 911 00:40:38,504 --> 00:40:41,139 TILL AFTER MY DEATH. 912 00:40:41,172 --> 00:40:42,741 SO WE'RE GONNA STEAL IT. 913 00:40:42,774 --> 00:40:43,875 OF COURSE WE ARE, DARLING. 914 00:40:43,909 --> 00:40:45,143 TO HONOR HIS WISHES. 915 00:40:45,176 --> 00:40:46,612 OF COURSE. 916 00:40:46,645 --> 00:40:47,713 MA MYSTèRE. 917 00:40:47,746 --> 00:40:50,616 HE NEVER EVEN SHOWED IT TO ME AFTER HE PAINTED IT, 918 00:40:50,649 --> 00:40:54,219 AND THEN I WASN'T REALLY TEMPTED WHEN I KNEW IT WAS LOCKED UP. 919 00:40:54,252 --> 00:40:55,687 THAT'S... 920 00:40:55,721 --> 00:40:57,088 YES. 921 00:40:57,122 --> 00:40:58,590 YOU ARE... 922 00:40:58,624 --> 00:41:00,091 VERY YOUNG. 923 00:41:00,125 --> 00:41:01,860 AND... 924 00:41:03,995 --> 00:41:07,465 VERY NAKED. YES. 925 00:41:15,173 --> 00:41:18,877 [ SIGHS ] 926 00:41:18,910 --> 00:41:20,145 I THINK YOU LOOK BETTER NOW. 927 00:41:20,178 --> 00:41:20,979 OH. 928 00:41:21,012 --> 00:41:25,684 MR. FORD, YOU ARE QUITE THE CHARMER.