1 00:00:09,343 --> 00:00:13,114 I'D RATHER DO THIS IN A BACK ALLEY OR SOMEWHERE. 2 00:00:13,147 --> 00:00:15,249 [ French accent ] YOU WATCH TOO MANY MOVIES. 3 00:00:15,283 --> 00:00:17,118 THE CASH. 4 00:00:17,151 --> 00:00:19,087 [ SIGHS ] 5 00:00:24,425 --> 00:00:26,394 YEAH, YOUR PRODUCT'S GREAT, 6 00:00:26,427 --> 00:00:28,129 BUT I CAN'T AFFORD YOUR PRICES ANYMORE. 7 00:00:28,162 --> 00:00:30,398 PRICE IS NON-NEGOTIABLE. 8 00:00:30,431 --> 00:00:32,666 WHAT WERE YOU THINKING, DAVID -- 9 00:00:32,700 --> 00:00:34,668 BANNING MY STUDENTS FROM THE SCHOOL? 10 00:00:34,702 --> 00:00:36,404 THIS IS NOT THE TIME OR PLACE. 11 00:00:36,437 --> 00:00:40,374 $12,000 A KILO, LAMPARD. NON-NEGOTIABLE. 12 00:00:42,176 --> 00:00:44,312 OH, MY GOD. 13 00:00:44,345 --> 00:00:48,482 YOU TWO ARE -- YOU WON'T GET AWAY WITH THIS. 14 00:00:49,617 --> 00:00:51,152 OHH! 15 00:00:51,185 --> 00:00:52,286 [ GASPS ] 16 00:00:52,320 --> 00:00:53,454 [ CHOKING ] 17 00:00:55,356 --> 00:00:58,826 THIS SCHOOL IS NO LONGER A SCHOOL FOR TROUBLED YOUTH, 18 00:00:58,859 --> 00:01:03,231 AS YOU CALL IT, AND YOU NO LONGER WORK HERE. 19 00:01:03,264 --> 00:01:05,233 [ GRUNTS, SCREAMS ] 20 00:01:05,266 --> 00:01:07,101 [ CLATTERING ] 21 00:01:07,135 --> 00:01:09,137 [ SCREAMS ] 22 00:01:14,475 --> 00:01:17,578 LOOK -- MY BODY WILL HEAL. 23 00:01:17,611 --> 00:01:18,846 IT'S ABOUT MY STUDENTS. 24 00:01:18,879 --> 00:01:20,348 THESE KIDS, THEY COME FROM FOSTER HOMES. 25 00:01:20,381 --> 00:01:22,450 A LOT OF THEM HAVE A-ARREST RECORDS. 26 00:01:22,483 --> 00:01:24,518 THEY CAN'T AFFORD NORMAL TRADE SCHOOL, 27 00:01:24,552 --> 00:01:25,653 NEVER MIND CULINARY SCHOOL. 28 00:01:25,686 --> 00:01:27,655 I WAS GIVING THEM A SECOND CHANCE. 29 00:01:27,688 --> 00:01:31,392 WE'RE ABOUT TO OPEN A RESTAURANT AT THE SCHOOL, GIVE THEM JOB OPPORTUNITIES. 30 00:01:31,425 --> 00:01:32,560 NOW THEY HAVE NOWHERE TO GO. 31 00:01:32,593 --> 00:01:36,397 AND ALL THIS SO LAMPARD CAN JACK UP THE TUITION COSTS? 32 00:01:36,430 --> 00:01:37,665 HE SAYS NOBODY CARES ABOUT THE ART, 33 00:01:37,698 --> 00:01:39,800 THAT THEY ALL JUST WANT TO BE CELEBRITY CHEFS, 34 00:01:39,833 --> 00:01:41,635 GET THEIR OWN TV SHOW. 35 00:01:41,669 --> 00:01:44,272 HE'S CHARGING 30 GRAND TUITION, 36 00:01:44,305 --> 00:01:47,208 PROMISING FOLKS THEY CAN BECOME ROCK-STAR CHEFS OR SOMETHING. 37 00:01:47,241 --> 00:01:49,610 THIS DOESN'T EXPLAIN THE BEATING THAT YOU TOOK. 38 00:01:49,643 --> 00:01:51,912 I'M PRETTY SURE LAMPARD'S DEALING DRUGS. 39 00:01:51,945 --> 00:01:52,846 HOW DO YOU KNOW? 40 00:01:52,880 --> 00:01:54,882 I WALKED IN ON HIM AND A COUPLE OF GUYS. 41 00:01:54,915 --> 00:01:57,351 THEY EXCHANGED A BRIEFCASE FULL OF CASH 42 00:01:57,385 --> 00:01:59,220 FOR A BIG DUFFEL BAG. 43 00:01:59,253 --> 00:02:01,155 DID -- DID YOU SEE ANY DRUGS? 44 00:02:01,189 --> 00:02:03,691 I DID HEAR SOMEONE SAY THE PRICE WAS $12,000 A KILO. 45 00:02:03,724 --> 00:02:05,693 -COCAINE. -COCAINE. 46 00:02:05,726 --> 00:02:07,795 CAN YOU HELP ME? 47 00:02:09,930 --> 00:02:11,799 CAN I TALK TO YOU? 48 00:02:19,840 --> 00:02:22,410 IT JUST -- IT SEEMS LIKE HE SHOULD GO TO THE POLICE. 49 00:02:22,443 --> 00:02:23,644 I KNOW WHAT YOU'RE GONNA SAY, NATE, 50 00:02:23,677 --> 00:02:25,846 BUT I WANT TO TELL YOU SOMETHING ABOUT TOBY. 51 00:02:25,879 --> 00:02:27,848 HE TAUGHT ME HOW TO USE A KNIFE. 52 00:02:27,881 --> 00:02:30,818 -USE A KNIFE? -NO. NOT LIKE I USE A KNIFE. 53 00:02:30,851 --> 00:02:32,853 HE TAUGHT ME HOW TO COOK. 54 00:02:33,954 --> 00:02:36,790 I WAS OUT OF THE SERVICE, AND I WAS WORKING FOR MY SECOND PMC. 55 00:02:36,824 --> 00:02:39,793 AND THE JOBS WE WERE TAKING WERE WAY ACROSS THE LINE -- 56 00:02:39,827 --> 00:02:42,296 PAST EXTRACTIONS AND SECURITY ACTIONS. 57 00:02:42,330 --> 00:02:43,597 WETWORK. 58 00:02:44,632 --> 00:02:46,734 YEAH. 59 00:02:46,767 --> 00:02:47,735 ANYWAY, I MET TOBY. 60 00:02:47,768 --> 00:02:49,937 WE WERE RECONNING THIS RESTAURANT IN BELGIUM. 61 00:02:49,970 --> 00:02:52,406 AND I SHOULD HAVE CLOSED HIM OUT. 62 00:02:52,440 --> 00:02:54,275 I SHOULD HAVE BEEN IN AND OUT IN UNDER 90 SECONDS. 63 00:02:54,308 --> 00:02:56,877 BUT I ENDED UP TALKING TO HIM FOR THREE HOURS. 64 00:02:56,910 --> 00:02:59,980 HE SHOWED ME THAT I COULD USE MY KNIFE 65 00:03:00,013 --> 00:03:02,916 TO CREATE INSTEAD OF DESTROY. 66 00:03:04,918 --> 00:03:06,687 I STUCK AROUND FOR A COUPLE OF MONTHS. 67 00:03:06,720 --> 00:03:08,322 HE TAUGHT ME EVERYTHING THERE WAS 68 00:03:08,356 --> 00:03:09,757 ABOUT THE ART OF FOOD, AND I... 69 00:03:14,328 --> 00:03:15,263 HE'S ONE OF THE GUYS 70 00:03:15,296 --> 00:03:19,767 THAT KEPT ME FROM FALLING ALL THE WAY DOWN. 71 00:03:19,800 --> 00:03:21,969 SO NOW, I'M ASKING THE OTHER GUY 72 00:03:22,002 --> 00:03:28,542 TO UNDERSTAND WHY I'M GONNA HELP HIM. 73 00:03:34,782 --> 00:03:37,851 HEY. YOU SEEM KIND OF DOWN LATELY, GIRL. 74 00:03:37,885 --> 00:03:39,487 WHAT'S UP? TALK TO ME. 75 00:03:39,520 --> 00:03:40,588 [ CHUCKLES ] 76 00:03:40,621 --> 00:03:42,256 -HARDISON -- DELIVERY! -WELL, I FEEL -- 77 00:03:42,290 --> 00:03:44,525 OH, THAT'S MY STUFF. 78 00:03:44,558 --> 00:03:46,827 [ SIGHS ] 79 00:03:48,529 --> 00:03:51,399 [ CHUCKLES ] YEAH. 80 00:03:51,432 --> 00:03:53,601 YOU KNOW, I USUALLY HAVE TO ORDER THESE FROM HOLLAND. 81 00:03:53,634 --> 00:03:56,670 BUT THEY HAVE A STORE RIGHT HERE IN PORTLAND, MAN. 82 00:03:56,704 --> 00:03:57,938 WHOA. 83 00:03:57,971 --> 00:03:59,340 WHAT? 84 00:03:59,373 --> 00:04:01,775 -YOU GOT TO TIP THE GUY. -FOR DOING HIS JOB? 85 00:04:01,809 --> 00:04:03,010 HARDISON, HE RODE ALL THE WAY 86 00:04:03,043 --> 00:04:04,912 OVER HERE ON A BIKE TO DELIVER YOUR... 87 00:04:04,945 --> 00:04:07,047 -THAT AIN'T NOTHING SPECIAL. HE GOT SOME EXERCISE. -...DUNGEONS & DRAGONS CRAP YOU ORDERED. 88 00:04:07,080 --> 00:04:08,949 HE DIDN'T BRING ME NO CUPCAKES, NO FLOWERS, CARDS -- NOTHING. 89 00:04:08,982 --> 00:04:11,819 YOU WANT A TIP, LITTLE STANLEY TUCCI-LOOKING... 90 00:04:11,852 --> 00:04:12,986 BOOM, BOOM, BOOM. 91 00:04:13,020 --> 00:04:16,424 TWO QUARTERS, TWO PENNIES. GO BUY YOUR MAMA SOMETHING. 92 00:04:23,664 --> 00:04:27,067 [ LAUGHS ] OH, THIS TOWN ROCKS. 93 00:04:27,100 --> 00:04:28,502 WHO WOULD HAVE KNOWN 94 00:04:28,536 --> 00:04:30,671 THAT YOU CAN GET A NEGATIVE ION CAPACITOR HERE? 95 00:04:30,704 --> 00:04:31,505 SERIOUSLY. 96 00:04:31,539 --> 00:04:34,375 OKAY, SOPHIE IS STILL AT THE THEATER, 97 00:04:34,408 --> 00:04:36,544 DOING WHATEVER SHE'S DOING, SO LET'S JUST DO THIS. 98 00:04:36,577 --> 00:04:39,046 ALL RIGHT. 99 00:04:39,079 --> 00:04:41,849 DAVID LAMPARD. HE'S A FORMER CHEF. 100 00:04:41,882 --> 00:04:44,452 HE WANTED TO BE LIKE AN EMERIL OR MARIO BATALI, 101 00:04:44,485 --> 00:04:46,454 BUT HE COULDN'T CUT IT IN THE BIG KITCHENS, 102 00:04:46,487 --> 00:04:47,488 SO HE TURNED TO INVESTING. 103 00:04:47,521 --> 00:04:49,557 HE TAKES OVER COOKING SCHOOLS THAT NEED HELP. 104 00:04:49,590 --> 00:04:50,958 HE CHARGES RIDICULOUS TUITION, 105 00:04:50,991 --> 00:04:53,694 BUT HE OFFERS LOANS AT A BARGAIN INTEREST RATE OF 30%. 106 00:04:53,727 --> 00:04:55,429 NOW, IF PEOPLE CAN'T PAY, 107 00:04:55,463 --> 00:04:57,097 HE TAKES THEIR CARS, THEIR HOMES, WHATEVER. 108 00:04:57,130 --> 00:04:59,433 I MEAN, HE'S BASICALLY A LOAN SHARK, BUT THE LEGAL KIND. 109 00:04:59,467 --> 00:05:00,734 I MEAN, ALL HIS ACCOUNTS ARE LEGIT. 110 00:05:00,768 --> 00:05:02,069 ALL THE MONEY'S IN THE RIGHT SPOTS. 111 00:05:02,102 --> 00:05:03,804 OKAY, YEAH, BUT ACCORDING TO ELIOT'S FRIEND, 112 00:05:03,837 --> 00:05:05,439 IT'S NOT ABOUT MONEY. IT'S ABOUT DRUGS. 113 00:05:05,473 --> 00:05:06,674 AHA. [ BEEP ] 114 00:05:06,707 --> 00:05:08,809 YOU SEE, LAMPARD TOOK THREE TRIPS 115 00:05:08,842 --> 00:05:10,344 TO FRANCE IN THE LAST SIX MONTHS, 116 00:05:10,378 --> 00:05:11,945 WHICH, FOR A GUY IN THE FOOD BIZ, IS NOT WEIRD 117 00:05:11,979 --> 00:05:14,415 EXCEPT FOR THE FACT THAT, ACCORDING TO HIS GPS, 118 00:05:14,448 --> 00:05:16,350 HE NEVER SPENT ANY TIME IN THE FOOD WORLD. 119 00:05:16,384 --> 00:05:17,818 WHERE WAS HE? 120 00:05:17,851 --> 00:05:19,086 [ BEEP ] 121 00:05:19,119 --> 00:05:22,723 OUT IN THE MIDDLE OF NOWHERE, UNDER BRIDGES, IN BACK ALLEYS. 122 00:05:22,756 --> 00:05:24,324 SO, WHAT? THEY'RE BRINGING DRUGS IN FROM FRANCE? 123 00:05:24,358 --> 00:05:27,094 HE'S PROBABLY BUYING THEM WHOLESALE FROM THE FRENCH AND THEN SHIPPING THEM HERE. 124 00:05:27,127 --> 00:05:28,829 YEAH, BUT, I MEAN, IT DOESN'T SURPRISE ME 125 00:05:28,862 --> 00:05:30,464 THAT HIS ACCOUNTS ARE CLEAN. 126 00:05:30,498 --> 00:05:32,433 I MEAN, DEALERS DON'T HIDE THEIR MONEY IN ACCOUNTS. 127 00:05:32,466 --> 00:05:33,534 SO, WHERE ARE THEY HIDING IT? 128 00:05:33,567 --> 00:05:36,003 SAFEST PLACE THEY KNOW -- RIGHT NEXT TO THEIR STASH. 129 00:05:36,036 --> 00:05:38,472 SO WHAT WE GOT TO DO IS WE GOT TO STEAL THE STASH, 130 00:05:38,506 --> 00:05:40,774 FORCING LAMPARD TO GIVE THE NEW RESTAURANT 131 00:05:40,808 --> 00:05:42,843 AND THE SCHOOL BACK TO TOBY HEATH. 132 00:05:42,876 --> 00:05:45,713 SOPHIE, WE NEED YOU TO COME IN. 133 00:05:45,746 --> 00:05:49,517 NATE, WE'RE IN THE MIDDLE OF A MEISNER EXERCISE. 134 00:05:49,550 --> 00:05:50,618 YOU'RE HAPPY. 135 00:05:50,651 --> 00:05:51,652 I'M HAPPY. 136 00:05:51,685 --> 00:05:54,455 -YOU'RE HAPPY. -I'M HAPPY. 137 00:05:54,488 --> 00:05:57,124 Glad everyone's happy. Um, your day job needs you. 138 00:05:57,157 --> 00:05:58,792 UGH! 139 00:05:58,826 --> 00:05:59,660 OH, GOD, DID I DO IT WRONG? 140 00:05:59,693 --> 00:06:01,128 NO, NO, NO, NO, NO, NO. YOU'RE FINE. 141 00:06:01,161 --> 00:06:04,598 I JUST HAVE THESE... VOICES IN MY HEAD. 142 00:06:04,632 --> 00:06:07,167 TAKE FIVE, EVERYBODY. [ SIGHS ] 143 00:06:07,200 --> 00:06:10,971 [ STUDENTS MURMURING ] 45. 144 00:06:12,940 --> 00:06:14,642 I KNOW IT'S SHORT NOTICE, 145 00:06:14,675 --> 00:06:15,743 BUT OUR CELEBRITY CHEF JUST DROPPED OUT, 146 00:06:15,776 --> 00:06:17,911 AND THE NETWORK THINK YOU'RE A PERFECT REPLACEMENT 147 00:06:17,945 --> 00:06:19,913 FOR THE U.S. LAUNCH. 148 00:06:19,947 --> 00:06:23,417 THE SHOW IS CALLED "FROM POLE TO PLATE: COOKING WITH STRIPPERS." 149 00:06:23,451 --> 00:06:25,653 -HMM? -BUT WE HAVEN'T SORTED THE ACCOMMODATION YET, 150 00:06:25,686 --> 00:06:27,054 SO YOU'D HAVE TO LIVE WITH THE STRIPPERS TO START OFF WITH. 151 00:06:27,087 --> 00:06:31,058 -HELL, YEAH. -I HOPE THAT'S NOT GONNA BE A... 152 00:06:31,091 --> 00:06:34,795 AH, NATE, ONE TEACHING CHEF CLEARED OUT. 153 00:06:34,828 --> 00:06:36,797 GREAT. OKAY, NOW, HARDISON, REMEMBER, 154 00:06:36,830 --> 00:06:38,499 THE OBJECTIVE HERE IS TO BLEND IN. 155 00:06:38,532 --> 00:06:39,433 But we need to find out 156 00:06:39,467 --> 00:06:41,168 where Lampard keeps his money and drugs. 157 00:06:41,201 --> 00:06:42,536 NO WORRIES, NATE. 158 00:06:42,570 --> 00:06:45,806 MAN, MY FOCUS IS LIKE A -- LASER! OH! 159 00:06:45,839 --> 00:06:48,542 [ LAUGHS ] SQUIGGLES. YEAH! 160 00:06:48,576 --> 00:06:49,810 WE GOT A CLASS-FOUR LASER. 161 00:06:49,843 --> 00:06:52,179 OH, LIQUID NITROGEN TUBES, CRYO GUN. 162 00:06:52,212 --> 00:06:55,048 IT'S GOING DOWN. 163 00:06:55,082 --> 00:06:57,184 THIS IS WHY YOU'RE ALL HERE, RIGHT? 164 00:06:57,217 --> 00:07:00,688 DADDY TOOK AWAY MY BEEMER UNTIL I GET SOME KIND OF DEGREE. 165 00:07:00,721 --> 00:07:02,122 I WANT TO START AN ORGANIC RESTAURANT 166 00:07:02,155 --> 00:07:04,925 THAT'S ONLY OPEN ON THE VERNAL EQUINOX. 167 00:07:04,958 --> 00:07:07,595 -THE HELL'S AN EQUINOX? -I'M JUST SICK OF THE WAY MY HUSBAND LOOKS AT MARTA, 168 00:07:07,628 --> 00:07:09,096 OUR HOUSEKEEPER, WHEN SHE'S COOKING. 169 00:07:09,129 --> 00:07:12,833 ALL RIGHT, EVERYBODY, LISTEN UP. COME DOWN TO TABLE TWO, LINE UP. 170 00:07:12,866 --> 00:07:15,803 HMM. 171 00:07:15,836 --> 00:07:17,838 THE CHEF THAT WAS GONNA BE WITH YOU TODAY 172 00:07:17,871 --> 00:07:20,574 HAS BOOKED ANOTHER GIG, SO I AM YOUR NEW INSTRUCTOR. 173 00:07:20,608 --> 00:07:21,975 WHAT'S YOUR NAME? 174 00:07:22,009 --> 00:07:24,478 CHEF. 175 00:07:31,619 --> 00:07:33,854 [ SIGHS ] 176 00:07:33,887 --> 00:07:36,256 THIS IS NOT A CLASS ABOUT COOKING. 177 00:07:36,289 --> 00:07:38,826 DOESN'T HAVE ANYTHING TO DO WITH TEMPERATURES. 178 00:07:38,859 --> 00:07:40,861 ALL RIGHT, IT'S NOT ABOUT MEASUREMENTS. 179 00:07:40,894 --> 00:07:44,131 IT HAS NOTHING TO DO WITH WHAT INGREDIENTS GO WITH WHAT. 180 00:07:44,164 --> 00:07:45,699 W-W-WHAT ARE YOU DOING? 181 00:07:45,733 --> 00:07:47,000 I'M TEXTING SYDNEY. 182 00:07:47,034 --> 00:07:49,603 WE'RE SUPPOSED TO GO SHOPPING AFTER THE -- 183 00:07:49,637 --> 00:07:51,639 [ WATER SPLASHES ] [ GASPS ] 184 00:07:52,773 --> 00:07:54,908 FOOD IS LIFE. 185 00:07:56,610 --> 00:08:00,981 FOOD...IS LIFE. 186 00:08:01,014 --> 00:08:02,716 FOOD IS LIFE. WHAT IS FOOD? 187 00:08:02,750 --> 00:08:03,917 FOOD IS LIFE? 188 00:08:03,951 --> 00:08:06,754 FOOD IS LIFE. LEARN IT. 189 00:08:06,787 --> 00:08:09,289 YOU WILL TAKE THIS CLASS SERIOUSLY. 190 00:08:09,322 --> 00:08:12,159 BECAUSE IF YOU DON'T, I'LL THROW YOUR ASS OUT OF HERE 191 00:08:12,192 --> 00:08:14,027 QUICKER THAN YOU -- 192 00:08:16,329 --> 00:08:18,666 I GET TO FIRE A LASER. 193 00:08:18,699 --> 00:08:20,167 [ Chuckling ] YEAH. 194 00:08:20,200 --> 00:08:24,004 GEEKING IN THE KITCHEN. UH, MAKE YOU WANT TO DANCE. 195 00:08:24,037 --> 00:08:26,807 We're here to cook food, not play with lasers. 196 00:08:26,840 --> 00:08:29,910 WHY IS ELIOT SO "AAH!" ABOUT FOOD? 197 00:08:29,943 --> 00:08:30,944 IT'S HIS PASSION. 198 00:08:32,245 --> 00:08:34,615 YOU OKAY? 199 00:08:34,648 --> 00:08:36,316 UH-HUH. 200 00:08:36,349 --> 00:08:39,286 HOW, UM -- HOW DO YOU LIKE BEING IN PORTLAND? 201 00:08:39,319 --> 00:08:42,089 IT'S FINE. [ SIGHS ] 202 00:08:42,122 --> 00:08:43,691 HARDISON AND I ARE FINE, 203 00:08:43,724 --> 00:08:46,660 AND EVERYTHING WITH THE NEW LEVERAGE IS FINE. 204 00:08:46,694 --> 00:08:49,830 PARKER, WHAT'S GOING ON? 205 00:08:49,863 --> 00:08:51,799 I JUST -- I DON'T HAVE A THING. 206 00:08:51,832 --> 00:08:53,634 WHAT DO YOU MEAN, "A THING"? 207 00:08:53,667 --> 00:08:55,636 ELIOT HAS A THING. HE LOVES FOOD. 208 00:08:55,669 --> 00:08:56,637 SOPHIE LOVES THEATER. 209 00:08:56,670 --> 00:08:59,339 YOU HAVE A SICKO LOVE OF CONTROLLING PEOPLE. 210 00:08:59,372 --> 00:09:01,942 [ LAUGHS ] I DON'T HAVE A SICKO LOVE -- 211 00:09:01,975 --> 00:09:03,577 LET'S STAY ON YOU. 212 00:09:03,611 --> 00:09:04,978 ART. WHAT DO YOU -- WHAT DO YOU SEE 213 00:09:05,012 --> 00:09:06,680 WHEN YOU LOOK AT MICHELANGELO'S DAVID? 214 00:09:06,714 --> 00:09:10,083 MARK TWO LASER GRID AROUND IT, INFRARED ON THE FLOOR, 215 00:09:10,117 --> 00:09:13,821 NEED A HARNESS RATED FOR SIX TONS ATTACHED TO A CHOPPER 216 00:09:13,854 --> 00:09:15,222 TO LIFT IT OUT THROUGH A SKYLIGHT. 217 00:09:15,255 --> 00:09:17,725 ELIOT, HARDISON, HOW ARE WE DOING? 218 00:09:20,227 --> 00:09:24,665 NATE, I ALREADY SWEPT THE KITCHEN TWICE. THERE'S NO DRUGS. 219 00:09:24,698 --> 00:09:25,933 DID YOU FIND ANYTHING? 220 00:09:25,966 --> 00:09:28,235 I THINK I DID, MAN. 221 00:09:28,268 --> 00:09:31,071 CHECK IT OUT. 222 00:09:31,104 --> 00:09:34,842 [ LASER HUMMING ] 223 00:09:34,875 --> 00:09:37,978 [ Laughing ] WHAT? 224 00:09:38,011 --> 00:09:40,047 WHA-- WHAT? WHAT?! 225 00:09:41,281 --> 00:09:43,250 HEY. THINK ABOUT IT. 226 00:09:43,283 --> 00:09:44,818 LEVITATING FOOD COULD REPLACE WAITERS. 227 00:09:44,852 --> 00:09:47,387 I WILL STAB YOU IN THE NECK. 228 00:09:47,420 --> 00:09:49,256 DON'T HATE THE BARBECUE. HATE THE SAUCE. 229 00:09:49,289 --> 00:09:52,025 I'M GONNA MAKE ONE MORE SWEEP. I SUGGEST YOU DO THE SAME. 230 00:09:52,059 --> 00:09:54,161 EVERYBODY, KEEP DOING WHAT YOU'RE DOING. 231 00:09:54,194 --> 00:09:55,763 -I'LL BE RIGHT BACK. -WELL, I'M-A -- 232 00:09:55,796 --> 00:09:58,031 I'M GONNA HIT THE HEAD -- OR THE -- UH, THE BATHROOM, 233 00:09:58,065 --> 00:10:00,300 OR WHAT-- WHATEVER Y'ALL CALL IT IN COOKING SCHOOL. 234 00:10:00,333 --> 00:10:01,769 IT'S A CULINARY INSTITUTE. 235 00:10:01,802 --> 00:10:03,737 CULINARY FOOD AND SCHOOL INSTITUTE, GOT IT. 236 00:10:03,771 --> 00:10:05,305 You're screwing this up! 237 00:10:07,207 --> 00:10:08,909 WHOA. 238 00:10:08,942 --> 00:10:10,177 IT'S MY DAMN GUN. 239 00:10:10,210 --> 00:10:11,278 SORRY. 240 00:10:44,244 --> 00:10:47,247 NATE, I'VE CHECKED EVERY KITCHEN AND REFRIGERATOR IN... 241 00:10:48,782 --> 00:10:50,317 WAIT A MINUTE. 242 00:10:55,322 --> 00:10:58,926 WHAT ARE YOU DOING IN HERE? 243 00:11:00,794 --> 00:11:02,429 I WAS, UH... I WAS LOOKING FOR SOME ICE. 244 00:11:02,462 --> 00:11:06,767 THE, UH, WELL, ICE MACHINE GOT BUSTED. 245 00:11:06,800 --> 00:11:09,302 -WELL, THIS FREEZER'S OFF-LIMITS. -OKAY. 246 00:11:09,336 --> 00:11:11,171 -I'LL CHECK THE ICE MACHINE. -ALL RIGHT. 247 00:11:11,204 --> 00:11:16,109 MR. LAMPARD WOULD LIKE TO SEE YOU IN HIS KITCHEN. 248 00:11:16,143 --> 00:11:19,379 [ DOOR OPENS ] 249 00:11:24,384 --> 00:11:27,821 FOUND HIM. HE WAS LOOKING FOR ICE. 250 00:11:27,855 --> 00:11:29,489 OH, THERE YOU ARE. 251 00:11:29,522 --> 00:11:33,226 LISTEN, I NEED AN EXECUTIVE CHEF FOR THE NEW RESTAURANT, 252 00:11:33,260 --> 00:11:35,362 AND I WANT IT TO BE YOU. 253 00:11:35,395 --> 00:11:37,130 YOU HAVEN'T EVEN TASTED MY FOOD. 254 00:11:37,164 --> 00:11:38,265 WELL, TASTE IS OVERRATED. 255 00:11:38,298 --> 00:11:41,802 TRUST ME. FOOD IS ALL ABOUT THE HYPE. 256 00:11:41,835 --> 00:11:43,336 PEOPLE PAY 100 BUCKS FOR A BURGER 257 00:11:43,370 --> 00:11:45,372 BECAUSE THEY THINK IT'S FROM A JAPANESE COW. 258 00:11:45,405 --> 00:11:48,508 IT'S THE SIZZLE THAT SELLS, AND I LIKE YOUR SIZZLE. 259 00:11:48,541 --> 00:11:50,978 THIS WHOLE NINJA VIBE YOU'VE GOT GOING ON. 260 00:11:51,011 --> 00:11:52,813 CUSTOMERS ARE GONNA LOVE IT. 261 00:11:52,846 --> 00:11:54,014 LISTEN, MY STUDENTS, THEY'RE -- 262 00:11:54,047 --> 00:11:55,082 THEY'RE NOT READY TO PUT FOOD OUT. 263 00:11:55,115 --> 00:11:57,217 HEY, THEY'RE PAYING 30 G's TO GO TO THIS SCHOOL. 264 00:11:57,250 --> 00:11:59,386 ANY ONE OF THEM COULD BE THE NEXT CULINARY SUPERSTAR. 265 00:12:00,854 --> 00:12:03,390 [ INDISTINCT CONVERSATIONS ] 266 00:12:03,423 --> 00:12:05,225 DID YOU GLUE THIS TO THE PLATE? 267 00:12:05,258 --> 00:12:07,527 YOU DON'T DECORATE THE PLATE. 268 00:12:07,560 --> 00:12:09,129 DON'T HARSH MY MELLOW. 269 00:12:09,162 --> 00:12:11,765 [ SIGHS ] 270 00:12:11,799 --> 00:12:14,201 YEAH, I DON'T KNOW ABOUT THAT. 271 00:12:39,059 --> 00:12:40,560 JUST PUT TOGETHER A GOOD MENU, 272 00:12:40,593 --> 00:12:43,797 DON'T KILL ME ON THE FOOD COSTS, AND DO YOUR ACT. 273 00:12:43,831 --> 00:12:46,199 MAYBE KICK A CUSTOMER OR TWO OUT OF THE RESTAURANT. 274 00:12:46,233 --> 00:12:48,936 BUT NOT ON OPENING NIGHT -- THAT HAS TO GO PERFECTLY. 275 00:12:48,969 --> 00:12:51,004 YOU'RE NOT LI-- 276 00:12:51,038 --> 00:12:53,206 [ SIGHS ] JEAN-LUC IS HERE. 277 00:12:53,240 --> 00:12:54,942 GO BACK TO THE KITCHEN. 278 00:12:54,975 --> 00:12:57,210 I TOLD HIM I DIDN'T WANT TO MEET HERE ANYMORE. 279 00:12:57,244 --> 00:12:58,778 [ EXHALES SHARPLY ] 280 00:13:06,987 --> 00:13:09,222 [ SNIFFS ] 281 00:13:09,256 --> 00:13:13,093 JEAN-LUC, I SAID NOT HERE. 282 00:13:13,126 --> 00:13:17,564 WHEN I HAVE PRODUCT, YOU TAKE DELIVERY. 283 00:13:17,597 --> 00:13:19,566 NATE, IT'S NOT DRUGS LAMPARD'S DEALING. 284 00:13:19,599 --> 00:13:22,035 IT'S BIGGER. IT'S A LOT BIGGER. 285 00:13:22,069 --> 00:13:24,504 OH, YEAH? WELL, IF IT'S NOT DRUGS, WHAT IS IT? 286 00:13:24,537 --> 00:13:28,108 TRUFFLES. 287 00:13:41,154 --> 00:13:43,090 IT'S THE FRENCH WINTER TRUFFLE. 288 00:13:43,123 --> 00:13:45,225 BLACK MARKET ON THESE THINGS ARE OFF THE CHARTS. 289 00:13:45,258 --> 00:13:46,493 -[ SNIFFS ] -YOU CAN'T GROW 'EM, YOU CAN'T MAKE 'EM. 290 00:13:46,526 --> 00:13:49,129 THEY JUST APPEAR, LIKE MUSHROOMS. 291 00:13:49,162 --> 00:13:52,099 HIGH-END RESTAURANTS WILL PAY FIVE, UP TO SIX GRAND A POUND. 292 00:13:52,132 --> 00:13:54,501 13 GRAND A KILO WHOLESALE. 293 00:13:54,534 --> 00:13:58,371 COCAINE'S WHAT -- $12,000 A KEY AND HEROIN'S $18,000? 294 00:13:58,405 --> 00:14:01,241 LESS THAN THAT IN MEXICO, A LITTLE MORE IN SOUTHEAST ASIA. 295 00:14:01,274 --> 00:14:04,577 SO, TRUFFLES ARE THE COCAINE OF THE FOOD WORLD. 296 00:14:04,611 --> 00:14:06,279 WHEN I WAS WALKING BY THOSE GUYS, THEY HAD A BAG. 297 00:14:06,313 --> 00:14:08,415 AND I SMELLED IT. 298 00:14:08,448 --> 00:14:10,417 NOTHING SMELLS LIKE A FRENCH TRUFFLE. 299 00:14:10,450 --> 00:14:13,586 LAMPARD'S SELLING THEM TO RESTAURANTS, OTHERS CHEFS. 300 00:14:13,620 --> 00:14:15,455 HIM AND JEAN-LUC ARE SPLITTING THE PROFIT. 301 00:14:15,488 --> 00:14:17,925 -WHAT NOW? -COCAINE OR TRUFFLES, THE PLAY'S THE SAME. 302 00:14:17,958 --> 00:14:19,426 WE GOT TO FIND OUT WHERE HE'S HIDING THEM. 303 00:14:19,459 --> 00:14:22,162 I WAS IN THE REFRIGERATOR. THAT'S WHERE RAMPONE FOUND ME. 304 00:14:22,195 --> 00:14:26,033 ACTUALLY, HE CALLED IT A FREEZER. SAID IT WAS OFF-LIMITS. 305 00:14:26,066 --> 00:14:28,168 -OFF-LIMITS? -YEAH, IN A COOKING SCHOOL. 306 00:14:28,201 --> 00:14:30,037 THAT'S WHERE THEY ARE. 307 00:14:30,070 --> 00:14:32,305 SOPHIE, WE'RE GONNA RUN A VERSION 308 00:14:32,339 --> 00:14:34,307 OF THE WHITE VAN SPEAKERS. 309 00:14:34,341 --> 00:14:36,176 YOUR ACTING STUDENTS -- UH... 310 00:14:36,209 --> 00:14:37,444 do you think they can handle it? 311 00:14:37,477 --> 00:14:39,046 OF COURSE THEY CAN. THEY'RE MY STUDENTS. 312 00:14:39,079 --> 00:14:41,581 [ ULULATING ] 313 00:14:41,614 --> 00:14:43,583 What was that? 314 00:14:43,616 --> 00:14:47,921 IT'S JUST ZACHARY GETTING TO HIS AUTHENTIC PLACE. 315 00:14:51,091 --> 00:14:55,462 I'M GONNA TURN THIS PLACE FROM A MICROBREWERY INTO A GASTROPUB. 316 00:14:55,495 --> 00:14:57,230 WHAT DO YOU THINK ABOUT THAT? 317 00:15:00,200 --> 00:15:03,403 TEACH ME TO LIKE STUFF. 318 00:15:05,105 --> 00:15:06,940 PARKER, I DON'T HAVE TIME FOR THIS, ALL RIGHT? 319 00:15:06,974 --> 00:15:08,475 I GOT TO GET THIS STUFF DONE. 320 00:15:08,508 --> 00:15:11,979 THEN I GOT TO GET BACK TO THE SCHOOL. 321 00:15:12,012 --> 00:15:14,081 [ WHISK SCRAPING ] 322 00:15:14,114 --> 00:15:17,084 SO, I FILLED THE INK CARTRIDGES WITH ORANGE JUICE, 323 00:15:17,117 --> 00:15:20,954 AND I RAN A SHEET OF POTATO STARCH THROUGH THE PRINTER, AND VOILà! 324 00:15:20,988 --> 00:15:22,355 [ SMACKS LIPS ] EDIBLE PAPER. 325 00:15:22,389 --> 00:15:24,591 IT'S DELICIOUS. 326 00:15:24,624 --> 00:15:26,493 NOW...GOGGLES. 327 00:15:26,526 --> 00:15:30,998 PLACE THE PAPER RIGHT HERE, AND WHEN I FIRE THE LASER AT IT, 328 00:15:31,031 --> 00:15:32,599 IT WILL CREATE A VAPOR 329 00:15:32,632 --> 00:15:37,237 THAT IS GOING TO FLOAT AND RISE INTO THE INVERTED WINE GLASSES. 330 00:15:37,270 --> 00:15:39,106 I DON'T THINK CHEF SCARY GUY IS GONNA LIKE THIS. 331 00:15:39,139 --> 00:15:42,109 HE SAID WE WERE JUST SUPPOSED TO PREP TILL HE GETS HERE. 332 00:15:42,142 --> 00:15:45,212 OKAY. EXCUSE YOU, MISS THING. I AM PREPPING. 333 00:15:45,245 --> 00:15:49,316 I AM PREPPING A CITRUS WINE COMPLEMENT WITH A LASER. 334 00:15:52,285 --> 00:15:55,122 HI. 335 00:15:55,155 --> 00:15:57,524 [ CRUNCHES ] 336 00:15:57,557 --> 00:15:59,659 IF YOU'RE LOOKING FOR CHEF, HE'S RUNNING LATE. 337 00:16:04,531 --> 00:16:06,633 RAWR! 338 00:16:06,666 --> 00:16:09,269 SURE ARE A LOT OF SHIFTY PEOPLE AROUND HERE. 339 00:16:09,302 --> 00:16:11,104 -OH, MR. RAMPONE? -YES? 340 00:16:11,138 --> 00:16:13,406 LOOKS LIKE YOU'VE GOT COMPETITION IN THE MALE COUGAR DEPARTMENT. 341 00:16:13,440 --> 00:16:16,443 YEAH, MAN, HE WAS JUST HERE, LOOKING ALL KINDS OF SHIFTY. 342 00:16:16,476 --> 00:16:17,710 WHAT DO YOU MEAN, "SHIFTY?" 343 00:16:17,744 --> 00:16:19,179 WHAT DO YOU MEAN, WHAT DO I MEAN? SH-SH-SHIFTY. 344 00:16:19,212 --> 00:16:20,447 IT'S JUST -- LIKE YOU. SHIFTY. 345 00:16:20,480 --> 00:16:23,416 LIKE, DRESSED IN BLACK, EVERYTHING -- SHIFTY. 346 00:16:28,321 --> 00:16:29,656 GOGGLES. 347 00:16:29,689 --> 00:16:32,759 [ BEEPING ] UNH. 348 00:16:47,340 --> 00:16:49,276 WHO ARE YOU? 349 00:16:49,309 --> 00:16:53,446 OH, HELLO. GNAR SLABDASH. 350 00:16:53,480 --> 00:16:55,148 THE "N" IS MOSTLY SILENT. 351 00:16:55,182 --> 00:16:57,284 WHAT ARE YOU DOING IN HERE? 352 00:16:57,317 --> 00:17:00,587 BOSS, SOME OF THE GUYS SAW A... GUY SNEAKING AROUND. 353 00:17:00,620 --> 00:17:02,589 GOOD WORK, RAMPONE. 354 00:17:02,622 --> 00:17:04,191 MISTER... 355 00:17:04,224 --> 00:17:07,060 UH, SLABDASH. UM, I'M A FOOD MOVER. 356 00:17:07,094 --> 00:17:08,461 WHAT EXACTLY ARE YOU SAYING? 357 00:17:08,495 --> 00:17:11,198 I THINK YOU KNOW EXACTLY WHAT I'M SAYING. 358 00:17:11,231 --> 00:17:12,699 SPELL IT OUT. 359 00:17:12,732 --> 00:17:16,436 WELL, IF YOU WANT TO MAKE A SMOOTHIE, YOU NEED TO MAKE SURE 360 00:17:16,469 --> 00:17:18,838 THAT YOU'RE GONNA BLEND THE RIGHT FRUIT, YES? 361 00:17:18,871 --> 00:17:20,740 YOU'RE NOT VERY GOOD AT SPELLING. 362 00:17:20,773 --> 00:17:23,476 I DEAL IN CERTAIN FOOD PRODUCTS THAT CERTAIN 363 00:17:23,510 --> 00:17:26,213 HIGH-END RESTAURANTS FIND EXTREMELY VALUABLE. 364 00:17:26,246 --> 00:17:28,481 YOU OFFERING ME A DEAL 365 00:17:28,515 --> 00:17:32,619 ON SOME KIND OF A RARE FRUIT, LIKE A CHERIMOYA? 366 00:17:32,652 --> 00:17:36,489 OH, NO. I-I ACTUALLY DON'T GET OUT OF THE TUB FOR CHERIMOYA. 367 00:17:36,523 --> 00:17:39,092 NO. TRUFFLES -- LOOKING TO MOVE TRUFFLES. 368 00:17:39,126 --> 00:17:41,194 BLACK WINTER -- LOOKING TO MOVE THEM FAST AND QUICK. 369 00:17:41,228 --> 00:17:42,162 INTERESTED? 370 00:17:42,195 --> 00:17:44,331 -I HAVE PLENTY. -LET ME ASK YOU SOMETHING. 371 00:17:44,364 --> 00:17:46,599 ARE YOU STILL GETTING THEM FROM FRANCE? 372 00:17:46,633 --> 00:17:49,469 IS NAPOLéON BRINGING THEM TO YOU ON HIS HORSE? 373 00:17:49,502 --> 00:17:51,338 NAPOLéON'S DEAD. 374 00:17:51,371 --> 00:17:53,506 THANK YOU, RAMPONE. 375 00:17:53,540 --> 00:17:54,674 WOW. 376 00:17:54,707 --> 00:17:57,410 WHERE ELSE AM I SUPPOSED TO GET FRENCH TRUFFLES FROM? 377 00:17:57,444 --> 00:17:59,412 FORGET IT, LAMPARD. I THOUGHT YOU WERE LIVING IN THE MODERN WORLD. 378 00:17:59,446 --> 00:18:01,381 I'M IN THE WRONG PLACE. [ CHUCKLES ] 379 00:18:03,683 --> 00:18:07,787 I'M GOING OUT FOR A WHILE. 380 00:18:13,426 --> 00:18:16,363 IT'S JUST FOOD. 381 00:18:16,396 --> 00:18:18,665 IT'S NOT JUST FOOD, ALL RIGHT? 382 00:18:18,698 --> 00:18:21,134 SOME PEOPLE COULD LOOK AT IT AND SEE JUST FOOD, BUT NOT ME. 383 00:18:21,168 --> 00:18:22,369 I SEE ART. 384 00:18:22,402 --> 00:18:23,370 WHEN I'M IN THE KITCHEN, 385 00:18:23,403 --> 00:18:25,805 I'M -- I'M CREATING SOMETHING OUT OF NOTHING. 386 00:18:25,838 --> 00:18:26,873 YOU KNOW WHAT I MEAN? 387 00:18:26,906 --> 00:18:29,176 AND SOMETIMES, I CRUSH IT. SOMETIMES, IT'S CRAP. 388 00:18:29,209 --> 00:18:31,178 BUT EITHER WAY, IT MAKES ME FEEL SOMETHING. 389 00:18:31,211 --> 00:18:32,679 FEEL WHAT? 390 00:18:32,712 --> 00:18:34,847 JUST...FEEL. 391 00:18:34,881 --> 00:18:37,717 FEEL. OKAY. 392 00:18:37,750 --> 00:18:38,785 [ INHALES SHARPLY ] 393 00:18:38,818 --> 00:18:41,421 YOU KNOW, I DIDN'T FEEL ANYTHING FOR A LONG TIME, 394 00:18:41,454 --> 00:18:42,822 AND TOBY TAUGHT ME HOW TO COOK, 395 00:18:42,855 --> 00:18:44,824 AND AFTER HE DID, I STARTED TO FEEL STUFF AGAIN. 396 00:18:44,857 --> 00:18:47,160 THAT'S WHY I SHARE IT THROUGH MY FOOD. 397 00:18:47,194 --> 00:18:49,829 THIS IS MY ART. THIS IS MY ART, PARKER. 398 00:18:49,862 --> 00:18:53,833 IT'S LIKE LETTING A STRANGER IN YOUR HEAD JUST FOR A SECOND. 399 00:18:53,866 --> 00:18:57,470 AND YOU ALLOW THEM TO FEEL WHAT YOU'RE FEELING. 400 00:18:59,872 --> 00:19:02,609 LOOK AGAIN. 401 00:19:10,617 --> 00:19:12,552 -[ GRUNTS ] -[ SNIFFS ] 402 00:19:12,585 --> 00:19:16,623 THE CLIMATE, THE LAND... 403 00:19:16,656 --> 00:19:19,426 [ CHUCKLES ] THIS IS FRANCE. 404 00:19:19,459 --> 00:19:22,362 OH, LAMPARD. 405 00:19:22,395 --> 00:19:23,863 THIS YOUR LAND, MISTER, UH...? 406 00:19:23,896 --> 00:19:27,200 GNAR SLABDASH. THE "N" IS MOSTLY SILENT. 407 00:19:27,234 --> 00:19:28,635 NO, ACTUALLY, THE LAND HERE, 408 00:19:28,668 --> 00:19:31,904 IT BELONGS TO THIS LOVELY CREATURE -- REBECCA WAMBACH. 409 00:19:31,938 --> 00:19:33,473 DAVID LAMPARD. 410 00:19:33,506 --> 00:19:34,874 ARE YOU A FRIEND OF GNAR'S? 411 00:19:34,907 --> 00:19:36,876 I'M WORKING ON IT. 412 00:19:36,909 --> 00:19:39,346 MAY I SEE IT? THE TRUFFLE? 413 00:19:39,379 --> 00:19:42,349 OH, THIS? SURE. 414 00:19:42,382 --> 00:19:44,951 THANK YOU. [ SNIFFS ] 415 00:19:51,491 --> 00:19:53,860 THIS IS A FRENCH TRUFFLE. 416 00:19:53,893 --> 00:19:56,596 EXCEPT WE'RE IN OREGON. 417 00:19:56,629 --> 00:19:58,465 ARE THERE OTHERS? 418 00:19:58,498 --> 00:20:00,233 -A FEW. -THOUSANDS OF THEM. 419 00:20:00,267 --> 00:20:01,534 [ CLEARS THROAT ] 420 00:20:01,568 --> 00:20:03,236 I THOUGHT YOU SAID YOU HAD PLENTY. 421 00:20:03,270 --> 00:20:05,238 ONE CAN NEVER HAVE ENOUGH TRUFFLES. 422 00:20:05,272 --> 00:20:08,508 YOU SEE, THAT'S WHY I'M DONATING THESE TO THE LOCAL CO-OPS. 423 00:20:08,541 --> 00:20:11,644 -[ COUGHS ] -SHE MIGHT, UH, YOU KNOW, TAKE A FEW AND SELL THEM 424 00:20:11,678 --> 00:20:14,247 AND -- AND USE THE PROCEEDS TO DO SOMETHING FOR THE LOCALS, 425 00:20:14,281 --> 00:20:16,383 LIKE OPEN UP ANOTHER BOOKSTORE. 426 00:20:16,416 --> 00:20:18,651 NO, THESE TRUFFLES BELONG TO THE CITY OF PORTLAND. 427 00:20:18,685 --> 00:20:19,952 YOU KNOW, THAT'S WHAT I DID BACK IN THE U.K., SEE? 428 00:20:19,986 --> 00:20:23,256 YEAH -- OPEN-SOURCE FOOD. THAT'S WHAT IT'S ALL ABOUT THESE DAYS. 429 00:20:23,290 --> 00:20:25,525 REBECCA, DARLING, LOVELY, UH, I -- 430 00:20:25,558 --> 00:20:28,528 IF MY NEW FRIEND AND I COULD JUST HAVE A WORD. 431 00:20:28,561 --> 00:20:30,029 OH, RIGHT. [ SNIFFS ] 432 00:20:30,062 --> 00:20:32,832 I'LL GO AND CHECK ON MY CROOKNECKS, THEN. 433 00:20:35,735 --> 00:20:40,307 THIS IS YOUR MODERN WORLD -- RIPPING OFF SOME HIPPIE CHICK. 434 00:20:40,340 --> 00:20:42,542 [ Laughing ] WELL... 435 00:20:42,575 --> 00:20:45,312 OKAY. HOW MUCH LAND DOES SHE HAVE? 436 00:20:45,345 --> 00:20:46,713 UH, 16,000 ACRES. 437 00:20:46,746 --> 00:20:48,448 AND HOW MUCH HAS TRUFFLES GROWING ON IT? 438 00:20:48,481 --> 00:20:50,750 16,000 ACRES. 439 00:20:54,854 --> 00:20:58,825 GET ME 20 POUNDS BY TONIGHT, I'LL PAY YOU FIVE GRAND. 440 00:20:58,858 --> 00:21:01,694 HMM. DO YOU KNOW WHAT MY, UM -- MY FIRST SQUASH TEACHER TOLD ME? 441 00:21:01,728 --> 00:21:03,830 IF YOU'RE GONNA PLAY WITH A BROKEN RACQUET, 442 00:21:03,863 --> 00:21:06,566 TAKE CARE TO LOB YOUR SHOTS. 443 00:21:06,599 --> 00:21:09,068 DOES THAT MEAN YOU'RE IN? 444 00:21:09,101 --> 00:21:10,537 NO, ACTUALLY, IT DOESN'T MEAN I'M IN. 445 00:21:10,570 --> 00:21:11,971 IT MEANS THAT YOU NEED TO PAY FAIR MARKET PRICE 446 00:21:12,004 --> 00:21:13,706 IF YOU WANT MY TRUFFLES. 447 00:21:13,740 --> 00:21:16,443 $2,000 A POUND. 448 00:21:16,476 --> 00:21:17,710 WELL, I CAN SEE 449 00:21:17,744 --> 00:21:20,347 I CAN'T PULL ONE OVER ON YOU, MISTER, UH... 450 00:21:20,380 --> 00:21:22,882 SLABDASH. IT'S GNAR SLABDASH. 451 00:21:22,915 --> 00:21:23,983 THE "N" IS -- 452 00:21:24,016 --> 00:21:26,018 MOSTLY SILENT, YEAH. 453 00:21:27,720 --> 00:21:31,691 $40,000. THREE HOURS. 454 00:21:31,724 --> 00:21:33,426 OH, AND UM, IF YOU... 455 00:21:33,460 --> 00:21:34,827 [ CLICKS TONGUE ] 456 00:21:34,861 --> 00:21:35,962 THANK YOU. 457 00:21:35,995 --> 00:21:38,665 [ SNIFFS ] 458 00:21:40,400 --> 00:21:42,369 16 POUNDS IS ALL I COULD GET. 459 00:21:42,402 --> 00:21:45,037 -[ SNIFFS ] -A FORMER STUDENT OF MINE IN SEATTLE GAVE ME ALL HE HAD. 460 00:21:45,071 --> 00:21:46,873 HAS TO TAKE TRUFFLES OFF HIS MENU FOR A WHILE. 461 00:21:46,906 --> 00:21:50,643 [ SNIFFS ] AHH. HE'LL GET THEM BACK WITH INTEREST. 462 00:21:50,677 --> 00:21:52,579 OKAY, SO ONCE LAMPARD BUYS THESE FROM US, 463 00:21:52,612 --> 00:21:55,047 WE'LL TRACK WHERE HE KEEPS HIS FRENCH TRUFFLES AND HIS CASH. 464 00:21:55,081 --> 00:21:56,649 EVERYTHING ALL SET WITH YOUR STUDENTS? 465 00:21:56,683 --> 00:21:58,485 YES. IT'S GONNA BE TONY-WORTHY. 466 00:21:58,518 --> 00:22:00,753 WELL, I HOPE IT'S GRIFTER-WORTHY. 467 00:22:00,787 --> 00:22:02,054 HARDISON, HOW ARE WE DOING BACK THERE? 468 00:22:02,088 --> 00:22:06,058 WE ARE GOOD. THE CAMERA'S OPERATIONAL. 469 00:22:06,092 --> 00:22:09,462 NO MATTER WHERE HE HIDES THOSE TRUFFLES, WE'LL SEE IT. 470 00:22:09,496 --> 00:22:11,931 OKAY. WISH ME LUCK. 471 00:22:11,964 --> 00:22:16,736 LISTEN, I DON'T TRUST LAMPARD OR RAMPONE, SO BE CAREFUL. 472 00:22:16,769 --> 00:22:19,906 I'M ALWAYS CAREFUL. 473 00:22:32,919 --> 00:22:35,755 IF I KEEP THIS IDIOT ON A LEASH -- 474 00:22:35,788 --> 00:22:38,157 SELLING TRUFFLES AT HALF THEIR VALUE -- 475 00:22:38,190 --> 00:22:42,161 I CAN CUT OUT JEAN-LUC AND THE FROGS FOR GOOD. 476 00:22:42,194 --> 00:22:44,564 LET'S SEE THE MERCH. 477 00:22:48,200 --> 00:22:49,769 [ SNIFFS ] 478 00:22:49,802 --> 00:22:52,171 [ SIGHS ] DOESN'T LOOK LIKE 20 POUNDS. 479 00:22:52,204 --> 00:22:55,508 LET ME SEE THE CASH. 480 00:22:55,542 --> 00:22:58,511 DOESN'T LOOK LIKE $40,000. 481 00:22:58,545 --> 00:23:01,080 WELL, YOU CAN COUNT IT AFTER I WEIGH YOUR BAG. 482 00:23:09,556 --> 00:23:12,024 NOW, MY GUESS IS AS GOOD AS ANY SCALE. 483 00:23:12,058 --> 00:23:13,526 AND YOU'RE LIGHT. 484 00:23:15,662 --> 00:23:18,431 ALMOST AN EIGHTH OF A POUND. 485 00:23:18,465 --> 00:23:20,967 THAT'S, UH... THAT'S REMARKABLE. 486 00:23:21,000 --> 00:23:23,436 THANK YOU. I'LL TAKE IT ANYWAY. 487 00:23:23,470 --> 00:23:25,838 CAN I HAVE THE CASH, PLEASE? 488 00:23:25,872 --> 00:23:28,107 HEY, DROP BY THE RESTAURANT TOMORROW NIGHT. 489 00:23:28,140 --> 00:23:29,909 I'LL GIVE YOU THE FRIENDS-AND-FAMILY DISCOUNT. 490 00:23:29,942 --> 00:23:33,546 YEAH, I'M TAKING MS. WAMBACH TO DINNER, SO... 491 00:23:33,580 --> 00:23:34,781 BRING HER ALONG. 492 00:23:34,814 --> 00:23:37,850 YOU CAN TRY ONE OF OUR NEW SIGNATURE BLACK TRUFFLE DISHES. 493 00:23:37,884 --> 00:23:38,885 [ LAUGHS ] 494 00:23:44,624 --> 00:23:47,460 OKAY, WHAT DO WE GOT? 495 00:23:47,494 --> 00:23:49,462 WELL, THEY'RE JUST COMING IN NOW. 496 00:23:49,496 --> 00:23:51,130 OKAY, OPEN IT UP, RAMPONE. 497 00:24:01,140 --> 00:24:04,143 OKAY, WE'RE GONNA DO THIS WHEN LAMPARD'S DISTRACTED -- 498 00:24:04,176 --> 00:24:05,845 TOMORROW NIGHT, OPENING NIGHT OF THE RESTAURANT. 499 00:24:05,878 --> 00:24:07,246 TO-- HOW ARE WE GONNA DO THAT? 500 00:24:07,279 --> 00:24:09,081 HE'S GONNA BE ALL OVER THAT KITCHEN. 501 00:24:09,115 --> 00:24:10,249 WELL, NOT IF A FOOD CRITIC IS THERE. 502 00:24:10,282 --> 00:24:11,951 I'M ON IT. 503 00:24:11,984 --> 00:24:14,453 BUT YOU KNOW SOPHIE BURNED HER I.D. WITH THE TRUFFLE HIPPIE. 504 00:24:15,888 --> 00:24:17,123 PARKER CAN DO IT. 505 00:24:17,156 --> 00:24:19,125 NO, I CAN'T. I DON'T EVEN LIKE FOOD. 506 00:24:19,158 --> 00:24:20,593 Except for chocolate and doughnuts. 507 00:24:20,627 --> 00:24:23,730 LISTEN TO ME, PARKER, YOU CAN DO IT, ALL RIGHT? 508 00:24:23,763 --> 00:24:25,898 REMEMBER EVERYTHING THAT WE TALKED ABOUT. 509 00:24:25,932 --> 00:24:26,966 Nate, she can do it. 510 00:24:26,999 --> 00:24:30,269 YEAH, OKAY. SO, PARKER, YOU'RE THE FOOD CRITIC. 511 00:24:30,302 --> 00:24:33,239 I GIVE YOU THE FOODIE QUEEN. 512 00:24:33,272 --> 00:24:35,141 I CAN MAKE OR BREAK A RESTAURANT WITH JUST ONE REVIEW? 513 00:24:35,174 --> 00:24:37,009 MM-HMM. 514 00:24:37,043 --> 00:24:39,278 NOW, NO ONE KNOWS WHAT THE FOODIE QUEEN LOOKS LIKE, 515 00:24:39,311 --> 00:24:41,881 EXCEPT FOR THIS WEIRD BIRTHMARK ON HER WRIST, AND THIS. 516 00:24:41,914 --> 00:24:44,150 AH. NICE. 517 00:24:44,183 --> 00:24:45,217 WAIT -- WAIT A MINUTE. 518 00:24:45,251 --> 00:24:47,153 IF PARKER'S ON THE FLOOR, ELIOT'S IN THE KITCHEN... 519 00:24:47,186 --> 00:24:48,888 -YEAH. -...WHO'S ON THE SAFE? 520 00:24:48,921 --> 00:24:50,156 [ CLEARS THROAT ] 521 00:24:50,189 --> 00:24:52,759 NO. MNH-MNH. NO, NO. 522 00:24:52,792 --> 00:24:55,161 YOU ARE NOT TEARING ME AWAY FROM MY MOLECULAR GASTRONOMY GENIUS. 523 00:24:55,194 --> 00:24:56,262 I THINK NOT. 524 00:24:56,295 --> 00:24:57,997 IT'S WHAT WE WERE COUNTING ON. 525 00:24:58,030 --> 00:24:58,998 YOU CAN COUNT ON SOMETHING ELSE. 526 00:24:59,031 --> 00:25:00,933 EVERYONE, YOU KNOW, HAS TO HAVE A ROLE, YEAH. 527 00:25:00,967 --> 00:25:02,301 [ INDISTINCT SHOUTING ] I GOT A LASER. 528 00:25:02,334 --> 00:25:03,603 DO YOU HEAR THAT? WHAT IS THAT? 529 00:25:03,636 --> 00:25:07,273 I-I CAN'T BELIEVE YOU THINK THAT I WOULD DO SOMETHING LIKE THAT! 530 00:25:07,306 --> 00:25:09,742 I MEAN, WE HAVE BEEN TOGETHER FOR THREE YEARS NOW. 531 00:25:09,776 --> 00:25:10,943 THREE YEARS. 532 00:25:10,977 --> 00:25:13,179 AND APPARENTLY, THAT HAS MEANT ABSOLUTELY NOTHING TO YOU. 533 00:25:13,212 --> 00:25:16,048 I THOUGHT THAT WE HAD A BOND OF TRUST, AND APPARENTLY -- 534 00:25:16,082 --> 00:25:17,684 WHAT'S GOING ON HERE? 535 00:25:17,717 --> 00:25:19,218 HUH? OH, OH, OH! IT'S VERY EXCITING. 536 00:25:19,251 --> 00:25:22,188 SHE'S ACCUSING HIM OF CHEATING ON HER WITH HER SISTER-IN-LAW. 537 00:25:22,221 --> 00:25:24,190 YES, BUT THE TRUTH IS, HE'S IN LOVE WITH HER BROTHER 538 00:25:24,223 --> 00:25:26,325 WHO WORKS AS A LONGSHOREMAN ON THE SAME DOCKS 539 00:25:26,358 --> 00:25:28,661 WHERE KITTY DUKAKIS ONCE SLAPPED A DRAG QUEEN IN A FIT OF -- 540 00:25:28,695 --> 00:25:30,663 OH, I'M SOR-- I GET IT. 541 00:25:30,697 --> 00:25:32,799 THEY'RE ACTING STUDENTS OF YOURS. 542 00:25:32,832 --> 00:25:35,802 -I SEE. -YES! YES. NATE, WE'RE WORKING ON CHARACTER 543 00:25:35,835 --> 00:25:39,071 AND THEIR BACKGROUNDS AND THEIR MOTIVATION, EVERYONE. 544 00:25:39,105 --> 00:25:41,974 GOOD JOB. 545 00:25:42,008 --> 00:25:44,977 OH, NATE, YOU KNOW THAT THE CORE OF GOOD ACTING 546 00:25:45,011 --> 00:25:47,213 COMES FROM THE PERSISTENCE OF TECTONICS. 547 00:25:47,246 --> 00:25:49,782 NO IDEA WHAT THAT MEANS. VERY CONCERNED THAT YOU DO. 548 00:25:49,816 --> 00:25:53,720 IGNORE HIM. HE'S NOT HERE. 549 00:25:53,753 --> 00:25:55,655 NOW, REMEMBER THE TIME WE DID IT IN SIGN LANGUAGE? 550 00:25:55,688 --> 00:25:58,090 THIS TIME, YOU'RE BLIND. 551 00:25:58,124 --> 00:26:03,029 OH, MY GOD. ARE YOU KIDDING ME?! 552 00:26:05,765 --> 00:26:07,333 ALL RIGHT, PEOPLE, LISTEN UP. [ CLAPS HANDS ] 553 00:26:07,366 --> 00:26:09,602 YOU HAVE MADE VARSITY. YOU'RE NO LONGER ON THE J.V. TEAM. 554 00:26:09,636 --> 00:26:11,270 LEO, YOU'RE ON SEAFOOD ALL NIGHT. RIGHT THERE. DON'T MOVE. 555 00:26:11,303 --> 00:26:13,606 HOPE, YOU'RE ON VEGETABLES. GARNISH, ALL RIGHT? 556 00:26:13,640 --> 00:26:14,874 REMEMBER THE PAIRING WORK THAT WE WENT OVER. 557 00:26:14,907 --> 00:26:16,375 WHITNEY, COME WITH ME. 558 00:26:16,408 --> 00:26:17,844 YOU ARE GONNA BE ON THE GRILL, SWEETHEART, 559 00:26:17,877 --> 00:26:19,378 RIGHT HERE ALL NIGHT -- MY SIDEKICK, OKAY? 560 00:26:19,411 --> 00:26:22,114 YOU -- YOU'RE ON SUPPLIES. 561 00:26:22,148 --> 00:26:23,716 SUPPLY. 562 00:26:23,750 --> 00:26:26,986 -YOU GO... -NO. GO. 563 00:26:27,019 --> 00:26:29,255 [ INDISTINCT CONVERSATIONS ] 564 00:26:29,288 --> 00:26:30,990 STOP EATING MY FOOD. 565 00:26:31,023 --> 00:26:33,626 RIGHT THIS WAY, MA'AM. 566 00:26:35,427 --> 00:26:37,096 KEEP AN EYE OUT FOR THIS ONE. 567 00:26:37,129 --> 00:26:38,965 WORD IS SHE'S GONNA BE HERE TONIGHT. 568 00:26:38,998 --> 00:26:40,733 I'M ON IT. 569 00:26:43,402 --> 00:26:47,239 AH, LAMPARD. YOU REMEMBER REBECCA. 570 00:26:47,273 --> 00:26:48,841 YES, WELCOME. WELCOME. 571 00:26:48,875 --> 00:26:51,377 WE HAVE AN OUTSTANDING ARRAY OF VEGAN CHOICES. 572 00:26:51,410 --> 00:26:53,245 OH, IS IT ORGANICALLY GROWN, 573 00:26:53,279 --> 00:26:55,715 ETHICALLY SOURCED, ORGANICALLY LOCAL? 574 00:26:55,748 --> 00:26:56,949 -OF COURSE. -AHH. 575 00:26:56,983 --> 00:27:01,153 I USE NOTHING BUT THE FINEST PORTLAND FARMERS FOR EVERYTHING. 576 00:27:01,187 --> 00:27:02,288 ENJOY. 577 00:27:02,321 --> 00:27:04,323 [ INDISTINCT CONVERSATIONS ] 578 00:27:09,195 --> 00:27:10,897 THE CRITIC -- SHE'S HERE. 579 00:27:10,930 --> 00:27:12,298 -FOODIE QUEEN? -MM-HMM. 580 00:27:12,331 --> 00:27:14,767 HOW DO YOU KNOW? 581 00:27:16,235 --> 00:27:17,804 WELL, IT LOOKS LIKE HER. 582 00:27:17,837 --> 00:27:19,806 YOU KNOW, I READ ONE THING ABOUT HER 583 00:27:19,839 --> 00:27:22,709 HAVING A CRESCENT-SHAPED BIRTHMARK ON ONE OF HER -- OH. 584 00:27:24,811 --> 00:27:26,212 IT'S HER. 585 00:27:29,048 --> 00:27:30,750 -AH. -WHAT? 586 00:27:30,783 --> 00:27:32,284 YOU'RE NOT SERVING TABLE SIX. I AM. 587 00:27:32,318 --> 00:27:34,286 NO ONE SERVES TABLE SIX BUT ME, GOT IT? 588 00:27:34,320 --> 00:27:36,823 Sí, SENOR. 589 00:27:36,856 --> 00:27:38,357 -HELLO. -B-B-BUP! 590 00:27:38,390 --> 00:27:41,460 [ CHUCKLES NERVOUSLY ] JOLLY GOOD. 591 00:27:41,493 --> 00:27:43,930 OKAY, BARRING ANY UNFORESEEN CIRCUMSTANCES, 592 00:27:43,963 --> 00:27:45,131 WE ARE GOOD TO GO. 593 00:27:50,269 --> 00:27:53,706 LAMPARD THINKS HE CAN CUT ME OUT, HUH? 594 00:27:53,740 --> 00:27:54,774 [ CHUCKLES ] 595 00:27:54,807 --> 00:27:58,310 HE WANTS TO TAKE MY TRUFFLE BUSINESS. 596 00:27:58,344 --> 00:28:01,380 THEN I WILL TAKE HIS MOST PRECIOUS COMMODITY. 597 00:28:01,413 --> 00:28:07,219 PATRICE, GO IN THERE AND BRING ME HIS CHEF. 598 00:28:18,030 --> 00:28:20,266 HERE WE GO. 599 00:28:20,299 --> 00:28:22,869 ENJOY. 600 00:28:22,902 --> 00:28:24,103 Parker, let's give them some micro-expressions. 601 00:28:24,136 --> 00:28:28,307 WHEN YOU TAKE YOUR FIRST BITE, JUST GIVE A HINT OF A SMILE. 602 00:28:28,340 --> 00:28:30,442 Remember, the key is micro. 603 00:28:30,476 --> 00:28:32,178 [ SNIFFS ] 604 00:28:32,211 --> 00:28:34,180 [ CRUNCHES ] 605 00:28:34,213 --> 00:28:35,782 [ GAGS ] 606 00:28:39,085 --> 00:28:41,153 [ SCOFFS ] WELL, THAT DIDN'T WORK. 607 00:28:41,187 --> 00:28:42,354 OKAY, SO, WHAT'S WRONG? 608 00:28:42,388 --> 00:28:44,924 WHEN SOMEONE REALLY SMILES, THEN THEIR EYES WRINKLE UP. 609 00:28:44,957 --> 00:28:46,258 YOU KNOW, YOU JUST CAN'T HELP IT. 610 00:28:46,292 --> 00:28:49,161 BUT IF A SMILE'S FAKE, THEN THE MUSCLES -- THEY DON'T CONTRACT. 611 00:28:49,195 --> 00:28:52,164 THERE ISN'T ANYTHING SHE LIKES OR CAN CONNECT WITH. 612 00:28:52,198 --> 00:28:53,232 PARKER, 613 00:28:53,265 --> 00:28:54,233 this time, when you take a bite, 614 00:28:54,266 --> 00:28:57,136 think of the first time you stole something. 615 00:28:59,839 --> 00:29:03,810 [ SIGHS ] 616 00:29:03,843 --> 00:29:06,078 YEAH, LISTEN -- LAMPARD NEEDS TO SEE SOME ANXIETY IN HER, 617 00:29:06,112 --> 00:29:08,480 YOU KNOW, JUST TO HAVE HIM STICK AROUND. 618 00:29:08,514 --> 00:29:11,083 Parker, take a bite, 619 00:29:11,117 --> 00:29:13,853 THEN BLINK, THEN THINK OF...JAZZ. 620 00:29:13,886 --> 00:29:16,956 [ GAGS, COUGHS ] 621 00:29:16,989 --> 00:29:18,991 EVERYTHING OKAY? CAN I GET YOU SOMETHING? 622 00:29:19,025 --> 00:29:20,059 MM, AH, SPRING ROLLS. 623 00:29:20,092 --> 00:29:21,093 SPRING ROLLS. [ SNAPS FINGERS ] 624 00:29:21,127 --> 00:29:22,228 NICELY DONE. 625 00:29:22,261 --> 00:29:24,063 [ CHUCKLES ] 626 00:29:24,096 --> 00:29:25,197 ALL RIGHT, LISTEN UP. 627 00:29:25,231 --> 00:29:27,233 I NEED A WEDGE SALAD, TWO DELMONICOS. 628 00:29:27,266 --> 00:29:28,534 I NEED ANOTHER BLACK TAG. 629 00:29:28,567 --> 00:29:29,468 -YES, CHEF. -YES, CHEF. 630 00:29:29,501 --> 00:29:31,337 OH, AND I'M OUT OF THESE PURPLE TOMATOES. 631 00:29:31,370 --> 00:29:34,273 HOPE, THOSE ARE RED ONIONS. HARDISON! 632 00:29:34,306 --> 00:29:36,843 -WHAT? -I NEED SOME MORE RED ONIONS IN HERE. 633 00:29:36,876 --> 00:29:38,477 -HOW LONG ON THOSE PRAWNS, LEO? -30 SECONDS, CHEF. 634 00:29:38,510 --> 00:29:40,346 I NEED THEM IN 20, BUDDY. 635 00:29:40,379 --> 00:29:43,816 ALL RIGHT, LET'S GO. RUNNERS! WE NEED SOME RUNNERS IN HERE! 636 00:29:43,850 --> 00:29:45,852 IF YOU'RE NOT COOKING, STAY OUT OF MY KITCHEN. 637 00:29:45,885 --> 00:29:48,387 [ French accent ] CHEF, YOU COME WITH ME. 638 00:29:48,420 --> 00:29:50,289 [ GROANS ] 639 00:29:56,162 --> 00:29:59,932 WHAT? PLATE 'EM! 640 00:30:04,303 --> 00:30:07,006 RUNNERS! 641 00:30:07,039 --> 00:30:08,841 IS THIS HOW IT'S GONNA BE NOW, HMM? 642 00:30:08,875 --> 00:30:10,076 I'M THE SUPPLIES GUY? 643 00:30:10,109 --> 00:30:13,512 -TAKE THOSE DOWN TO HOPE. AND STOP EATING MY FOOD. -TO HOPE? 644 00:30:13,545 --> 00:30:17,950 OKAY. LAMPARD'S LOCKED ON. GO, HARDISON. 645 00:30:19,151 --> 00:30:21,120 WHERE IS PATRICE? 646 00:30:21,153 --> 00:30:24,423 SAMIR, GO GET ME THE CHEF. 647 00:30:34,200 --> 00:30:35,567 UH... 648 00:30:35,601 --> 00:30:38,604 NATE, IT IS TIME FOR PLAN "B." 649 00:30:38,637 --> 00:30:40,907 YEAH, ACTUALLY, THAT WAS PLAN "B." 650 00:30:40,940 --> 00:30:42,608 OKAY, PARKER, YOU NEED TO GET HARDISON INSIDE 651 00:30:42,641 --> 00:30:44,610 WITHOUT TIPPING OFF LAMPARD. 652 00:30:48,347 --> 00:30:49,581 [ CLEARS THROAT ] [ RECORDER BEEPS ] 653 00:30:49,615 --> 00:30:51,583 THE SPRING ROLLS SNEAK UP ON YOU. 654 00:30:51,617 --> 00:30:55,021 THE FLAVORS COME FROM SOMEWHERE ELSE, 655 00:30:55,054 --> 00:30:58,557 LIKE A SECRET PASSAGE IN THE BACK OF MY -- 656 00:30:58,590 --> 00:31:01,327 WHAT'S IT CALLED? -- PALATE. 657 00:31:01,360 --> 00:31:02,361 AIR DUCT. 658 00:31:02,394 --> 00:31:05,564 Got it. 659 00:31:05,597 --> 00:31:08,901 [ Muffled ] HOW'S IT TASTE, PARKER? YOU FEELING ANYTHING? 660 00:31:08,935 --> 00:31:11,170 [ BEEP ] 661 00:31:11,203 --> 00:31:13,572 THE SALSA VERDE IS A NICE MARRIAGE WITH THE SPRING ROLLS, 662 00:31:13,605 --> 00:31:15,307 BUT WHILE TOTALLY YUMMY, 663 00:31:15,341 --> 00:31:19,211 I JUST FEEL LIKE... I SHOULD BE FEELING MORE. 664 00:31:19,245 --> 00:31:20,479 [ GRUNTS ] 665 00:31:20,512 --> 00:31:22,614 WHY DIDN'T I THINK OF THAT? 666 00:31:22,648 --> 00:31:26,218 ALL RIGHT, LISTEN, I WANT TO PUT BONE MARROW IN THE SALSA VERDE. 667 00:31:26,252 --> 00:31:27,920 SO GROSS. 668 00:31:27,954 --> 00:31:29,321 NO, IT'S NOT. IT GIVES IT THE CONSISTENCY THAT IT'S LACKING. 669 00:31:29,355 --> 00:31:30,656 GO, RIGHT NOW. BONE MARROW. 670 00:31:30,689 --> 00:31:33,592 NO SALSA VERDE FLIES OUT OF THIS KITCHEN WITHOUT BONE MARROW. 671 00:31:33,625 --> 00:31:34,626 "YES, CHEF"? 672 00:31:34,660 --> 00:31:36,095 -YES, CHEF. -YES, CHEF. 673 00:31:36,128 --> 00:31:38,965 [ GRUNTS ] 674 00:31:38,998 --> 00:31:40,499 How we doing, Hardison? 675 00:31:40,532 --> 00:31:42,101 OH, WE'RE GOOD. 676 00:31:42,134 --> 00:31:46,505 JUST SWIMMING THROUGH AN OCEAN OF FOOD. 677 00:31:46,538 --> 00:31:48,507 SIDE NOTE -- DON'T ORDER THE SPINACH. 678 00:31:50,142 --> 00:31:55,381 [ Muffled ] I CAN TASTE GARLIC AND MUSHROOMS. 679 00:31:55,414 --> 00:31:58,217 AND SOMETHING ELSE THAT MAKES ME FEEL DIFFERENT. 680 00:31:58,250 --> 00:32:00,987 WAIT -- WAS THAT FOR ME? 'CAUSE I-I DON'T GET IT. 681 00:32:01,020 --> 00:32:04,390 NO. IT'S THE FOOD. 682 00:32:04,423 --> 00:32:07,659 [ CHUCKLES ] I GET IT. 683 00:32:07,693 --> 00:32:09,128 I FEEL SOMETHING. 684 00:32:09,161 --> 00:32:11,263 [ CHUCKLES ] 685 00:32:11,297 --> 00:32:14,000 [ CHUCKLES ] 686 00:32:14,033 --> 00:32:15,634 WHAT IS GOING ON IN THERE, HUH? 687 00:32:15,667 --> 00:32:18,437 THIERRY, GO BRING THEM ALL BACK -- 688 00:32:18,470 --> 00:32:21,407 PATRICE, SAMIR, AND THAT STUPID CHEF. 689 00:32:21,440 --> 00:32:24,576 WHAT'S YOUR PROBLEM, HUH? HE'S JUST A CHEF. 690 00:32:24,610 --> 00:32:25,611 HE'S NOT A MAN. 691 00:32:25,644 --> 00:32:28,380 HE COOKS LITTLE FOOD WITH LITTLE POTS AND PANS. 692 00:32:28,414 --> 00:32:32,018 COME ON. [ SPEAKS FRENCH ] 693 00:32:33,585 --> 00:32:36,055 YOU GONNA PUT ME ON SUPPLIES. 694 00:32:36,088 --> 00:32:38,690 THIS IS COOKING WITH LIQUID NITROGEN. 695 00:32:42,428 --> 00:32:44,997 MMM. 696 00:32:45,031 --> 00:32:46,665 THESE BLACK NOODLES ARE AMAZING! 697 00:32:46,698 --> 00:32:49,268 Parker, it's tagliolini nero con gamberi. 698 00:32:49,301 --> 00:32:52,271 MMM. 699 00:32:52,304 --> 00:32:54,673 [ Muffled ] MMM. MMM. 700 00:32:54,706 --> 00:32:56,342 THESE ARE REALLY GOOD. 701 00:33:11,390 --> 00:33:15,094 I CAN MAKE BLUE SPAGHETTI, OR I CAN BLOW A SAFE. 702 00:33:15,127 --> 00:33:16,728 [ BEEPING ] 703 00:33:27,406 --> 00:33:29,075 [ INDISTINCT CONVERSATIONS ] 704 00:33:33,145 --> 00:33:34,280 TASTE THIS. 705 00:33:36,382 --> 00:33:37,483 MMM. 706 00:33:37,516 --> 00:33:40,018 -NOT TOO MUCH GINGER? -MNH-MNH. 707 00:33:41,653 --> 00:33:44,623 UH, CHEF? CHEF? 708 00:33:44,656 --> 00:33:45,791 WHAT? 709 00:33:45,824 --> 00:33:48,127 SHOULD I PLATE THE DELMONICO? 710 00:33:48,160 --> 00:33:50,496 PERFECT TEMPERATURE. GOOD JOB, WHITNEY. 711 00:33:50,529 --> 00:33:52,498 OH, MY GOD! THANK YOU, THANK YOU! 712 00:33:52,531 --> 00:33:55,101 PUT IT ON THE PLATE. YOU GOT TO PUT IT ON THE PLATE. 713 00:33:55,134 --> 00:33:56,768 SORRY. SORRY. I KNOW. I KNOW. 714 00:33:56,802 --> 00:33:58,104 RUNNERS! 715 00:33:58,137 --> 00:34:01,073 AW, YEAH, BABY. 716 00:34:01,107 --> 00:34:02,274 [ CHUCKLES ] 717 00:34:02,308 --> 00:34:03,409 MONEY, MONEY, MONEY. 718 00:34:08,547 --> 00:34:11,683 I'LL BITE YOU. I'LL BITE YOU! 719 00:34:11,717 --> 00:34:13,652 [ SCREAMS ] 720 00:34:13,685 --> 00:34:16,388 NATE, COMING IN HOT. 721 00:34:16,422 --> 00:34:17,656 OKAY, SOPHIE, YOU'RE ON. 722 00:34:17,689 --> 00:34:19,525 [ SILVERWARE CLINKS ] 723 00:34:19,558 --> 00:34:23,795 LADIES AND GENTLEMEN, I THINK WE SHOULD ALL STAND UP -- 724 00:34:23,829 --> 00:34:26,532 STAND UP AND GIVE A BIG THANK-YOU TO DAVID LAMPARD 725 00:34:26,565 --> 00:34:28,567 FOR THIS LOVELY FOOD THAT WE'RE ENJOYING. 726 00:34:28,600 --> 00:34:30,502 YOU DON'T HAVE TO -- 727 00:34:30,536 --> 00:34:32,771 I KNOW YOU ALL KNOW WHAT TREE HUGGING IS, BUT I THINK -- 728 00:34:32,804 --> 00:34:35,541 WHY DON'T WE TRY HUGGING A CHEF? 729 00:34:35,574 --> 00:34:39,578 HUG A CHEF, WHY DON'T YOU? 730 00:34:39,611 --> 00:34:41,780 -ALL RIGHT. -LOVELY. OH, THAT'S A LOVELY HUG. 731 00:34:41,813 --> 00:34:44,183 OKAY, YOU CAN LET GO. PLEASE. 732 00:34:44,216 --> 00:34:46,585 MY GOODNESS. 733 00:34:46,618 --> 00:34:48,620 COME HERE. 734 00:34:50,189 --> 00:34:53,225 OH, LOOK. THERE'S A GROUP HUG. 735 00:35:00,166 --> 00:35:03,535 [ ENGINE TURNS OVER, TIRES SCREECH ] 736 00:35:03,569 --> 00:35:06,138 ISN'T HE JUST GONNA GRAB THE TRUFFLES AND RUN? 737 00:35:06,172 --> 00:35:07,273 I HOPE SO. 738 00:35:07,306 --> 00:35:10,576 MOVE, MOVE, MOVE, MOVE! 739 00:35:18,484 --> 00:35:23,189 SPENCER, RIGHT? I THOUGHT I RECOGNIZED YOU. 740 00:35:23,222 --> 00:35:26,225 EVERYBODY OUT -- NOW! 741 00:35:27,759 --> 00:35:29,761 -GOOD JOB TONIGHT. -THANKS. 742 00:35:32,598 --> 00:35:35,867 SEE, THE WHOLE HIPPIE THING THREW ME OFF. 743 00:35:40,206 --> 00:35:42,874 I'M GONNA EAT THAT WHEN I'M DONE WITH YOU. 744 00:35:42,908 --> 00:35:46,645 YEAH, YOU WERE A GOOD OPERATOR, IF I REMEMBER CORRECTLY. 745 00:35:46,678 --> 00:35:48,480 IT'S A DIFFERENT GUY. 746 00:35:48,514 --> 00:35:51,317 BAD ATTITUDE. 747 00:35:51,350 --> 00:35:55,321 SAME BAD ATTITUDE, THOUGH. 748 00:35:55,354 --> 00:35:57,356 YOU HURT MY FRIEND, RAMPONE. 749 00:35:57,389 --> 00:36:00,559 I SHOULD HAVE KILLED HIM. 750 00:36:04,363 --> 00:36:05,931 LIKE I'M GONNA DO TO YOU. 751 00:36:09,501 --> 00:36:11,403 [ GRUNTING ] 752 00:36:12,704 --> 00:36:14,240 AAH! 753 00:36:19,411 --> 00:36:21,913 COME ON. 754 00:36:31,523 --> 00:36:33,859 [ CLATTERING ] 755 00:36:58,617 --> 00:37:00,619 NOT ONLY DID YOU AND LAMPARD RUIN MY FRIEND TOBY'S LIFE, 756 00:37:02,354 --> 00:37:05,457 BUT YOU RUINED THE LIVES OF THE KIDS HE WAS TRYING TO HELP. 757 00:37:09,027 --> 00:37:10,996 ELIOT -- 758 00:37:11,029 --> 00:37:14,333 NOT WORTH IT. GIVE HIM TO THE COPS. 759 00:37:14,366 --> 00:37:15,867 CALL OFF YOUR DOG. HE'S CRAZY. 760 00:37:15,901 --> 00:37:17,135 CRAZY? 761 00:37:17,168 --> 00:37:21,006 I'M GONNA CUT YOUR FREAKING HEAD OFF AND SERVE IT ON A PLATTER. 762 00:37:22,574 --> 00:37:26,312 CALL HIM OFF. 763 00:37:35,887 --> 00:37:38,624 THAT'S ENOUGH, ELIOT. 764 00:37:41,527 --> 00:37:42,794 [ SIGHS ] 765 00:37:46,398 --> 00:37:48,734 THANKS. 766 00:37:53,372 --> 00:37:55,874 SERVE HIS -- HIS HEAD ON A PLATTER, HUH? 767 00:37:55,907 --> 00:37:57,743 -WAS IT TOO MUCH? -NO, ACTUALLY, I LIKED IT. 768 00:37:57,776 --> 00:37:59,044 I FELT LIKE IT WAS A LOT. 769 00:37:59,077 --> 00:38:01,480 LIKE, RIGHT WHEN I SAID IT, I FELT LIKE I MAY HAVE GONE TOO FAR. 770 00:38:05,484 --> 00:38:06,985 [ INDISTINCT TALKING OVER P.A. ] 771 00:38:07,018 --> 00:38:08,620 DAVID LAMPARD? 772 00:38:12,023 --> 00:38:14,593 I'M AGENT PALMER, AND THIS IS AGENT SNEAD -- 773 00:38:14,626 --> 00:38:16,462 LIKE THE GOLFERS, ONLY WE'RE NOT GOLFERS. 774 00:38:16,495 --> 00:38:19,331 WE'RE GOVERNMENT AGENTS. WE NEED TO LOOK IN YOUR BAGS. 775 00:38:19,365 --> 00:38:22,334 WHAT ARE YOU -- D.E.A., EH? LOOKING FOR DRUGS? 776 00:38:22,368 --> 00:38:25,904 SURE, LOOK ALL YOU WANT. NO DRUGS. 777 00:38:25,937 --> 00:38:27,906 WHAT'S THIS? 778 00:38:27,939 --> 00:38:30,376 CHARCOAL BRIQUETTES. 779 00:38:30,409 --> 00:38:31,777 I'M A BIT OF A GRILL MASTER. 780 00:38:31,810 --> 00:38:33,945 SMELLS LIKE TUBER MELANOSPORUM. 781 00:38:33,979 --> 00:38:36,515 -WHAT'S THAT? -TRUFFLES. 782 00:38:36,548 --> 00:38:41,086 OH, WELL, YOU SEE, I'M A RESTAURANT OWNER AND A CHEF. 783 00:38:41,119 --> 00:38:43,021 YEAH, THESE ARE ACTUALLY FRENCH TRUFFLES. 784 00:38:43,054 --> 00:38:45,524 THEY'RE NOT MINE. I'M JUST TAKING THEM BACK TO FRANCE. 785 00:38:45,557 --> 00:38:49,395 THERE'S A LOT OF SHADY PEOPLE IN THE TRUFFLE BUSINESS AND, YOU KNOW... 786 00:38:49,428 --> 00:38:51,930 HOLD ON A SECOND. WHAT DOES THE D.E.A. CARE ABOUT TRUFFLES? 787 00:38:51,963 --> 00:38:54,533 WE'RE WITH U.S. FISH AND WILDLIFE. 788 00:38:54,566 --> 00:38:56,802 OH, WELL, THEN YOU'RE NOT REAL POLICE. LEAVE ME ALONE. 789 00:38:56,835 --> 00:38:58,804 BUT YOU ARE IN VIOLATION 790 00:38:58,837 --> 00:39:01,407 OF SECTIONS FOUR AND NINE OF THE ENDANGERED SPECIES ACT. 791 00:39:01,440 --> 00:39:02,841 [ Laughing ] THAT'S FOR ANIMALS. 792 00:39:02,874 --> 00:39:04,810 FISH, WILDLIFE, AND PLANTS. 793 00:39:04,843 --> 00:39:07,078 [ SCOFFS ] THIS IS OUTRAGEOUS. THEY'RE JUST TRUFFLES. 794 00:39:07,112 --> 00:39:10,682 IT IS ILLEGAL TO POSSESS OR SHIP ANY FISH, WILDLIFE, OR PLANT 795 00:39:10,716 --> 00:39:11,950 THAT HAS BEEN TAKEN ILLEGALLY. 796 00:39:11,983 --> 00:39:13,552 CUFF HIM. 797 00:39:13,585 --> 00:39:15,821 -NO, I AM NOT -- NO, I'M NOT GOING. -TASE HIM, SNEAD! 798 00:39:15,854 --> 00:39:16,855 [ TASER CRACKLES ] AAH! 799 00:39:16,888 --> 00:39:18,590 [ GASPS ] 800 00:39:18,624 --> 00:39:22,127 HANDS BEHIND YOUR BACK. COME ON. 801 00:39:22,160 --> 00:39:23,395 [ HANDCUFFS CLICK ] 802 00:39:23,429 --> 00:39:25,831 [ INDISTINCT CONVERSATIONS ] 803 00:39:38,109 --> 00:39:40,479 I CAN'T THANK YOU ENOUGH. 804 00:39:40,512 --> 00:39:43,749 I HAVE MY STUDENTS BACK, MY REPUTATION BACK. 805 00:39:43,782 --> 00:39:46,618 AND NOW I'LL BE ABLE TO KEEP THE DOORS OPEN FOR A WHILE. 806 00:39:46,652 --> 00:39:48,920 THE DOORS AREN'T GONNA CLOSE -- NOT WHILE WE'RE NEARBY. 807 00:39:55,126 --> 00:39:56,094 WHAT IS THAT? 808 00:39:56,127 --> 00:39:58,564 WHAT -- WHAT ARE YOU -- DON'T -- 809 00:39:58,597 --> 00:40:01,433 PACKAGE FOR...ALEC HARDISON. 810 00:40:01,467 --> 00:40:03,001 [ LAUGHS ] OH, YEAH. 811 00:40:03,034 --> 00:40:04,970 GOT MYSELF A LASER. 812 00:40:05,003 --> 00:40:05,804 ABSOLUTELY NOT. 813 00:40:05,837 --> 00:40:07,973 DON'T GIVE -- DON'T SIGN FOR THAT. 814 00:40:08,006 --> 00:40:09,407 DON'T SIGN FOR...? 815 00:40:09,441 --> 00:40:11,710 HEY, DO YOU KNOW WHAT WE'RE GONNA BE ABLE TO PUT ON THE PUB'S MENU? 816 00:40:11,743 --> 00:40:13,612 ON THE PUB'S EDIBLE MENU? 817 00:40:13,645 --> 00:40:16,181 -NATE, YOU KNOW... -YEAH, I KNOW. YOU WANT TO STAB HIM IN THE... 818 00:40:16,214 --> 00:40:17,983 STAB WHAT? OH, HOLD ON. 819 00:40:18,016 --> 00:40:19,985 LET ME ASK YOU SOMETHING, MAN. 820 00:40:20,018 --> 00:40:22,588 WOULDN'T YOU LIKE TO BE ABLE TO SLURP A BLOCK OF FOAM 821 00:40:22,621 --> 00:40:24,890 THAT TASTES JUST LIKE A SUCCULENT NEW YORK STEAK, 822 00:40:24,923 --> 00:40:26,124 OR HAVE A SHOT OF LIQUID 823 00:40:26,157 --> 00:40:28,627 THAT TASTES LIKE A THREE-COURSE ITALIAN MEAL? 824 00:40:28,660 --> 00:40:30,796 NO, HE WOULD RATHER HAVE THE THREE-COURSE MEAL. 825 00:40:30,829 --> 00:40:32,898 YOU DON'T KNOW THAT MAN'S LIFE, OKAY? 826 00:40:32,931 --> 00:40:35,501 HE'S DELIVERING PACKAGES ALL AROUND PORTLAND. 827 00:40:35,534 --> 00:40:38,136 HE'S TOO BUSY TO SIT DOWN AND HAVE A THREE-COURSE MEAL, OKAY? HE'S A MOVER, A SHAKER, A DOER. 828 00:40:38,169 --> 00:40:40,038 HE'D RATHER HAVE A TIP. HARDISON? 829 00:40:40,071 --> 00:40:41,039 [ WHISTLES ] 830 00:40:41,072 --> 00:40:43,509 FOR WHAT? FOR...? 831 00:40:43,542 --> 00:40:44,910 FOR YOUR LASER. 832 00:40:44,943 --> 00:40:46,645 [ COINS JINGLE ] HOW ABOUT THIS, MAN? HOW ABOUT THIS? 833 00:40:46,678 --> 00:40:47,879 HOW ABOUT I GIVE YOU A PICTURE OF ICE CREAM 834 00:40:47,913 --> 00:40:51,016 THAT LOOK LIKE A-A-A CHOCOLATE TASTE JUST LIKE ROCKY ROAD? 835 00:40:51,049 --> 00:40:54,185 HOW ABOUT A DOLLAR THAT TASTES LIKE A DOLLAR? 836 00:40:54,219 --> 00:40:56,655 UH-HUH. YOU GOT BRAVE. 837 00:40:56,688 --> 00:41:00,191 OKAY, I SEE WHAT THIS IS. GOT A LITTLE -- THAT'S ONE, TWO. 838 00:41:00,225 --> 00:41:04,563 AND THERE YOU GO. PUT THAT IN THE PIGGY BANK. 839 00:41:04,596 --> 00:41:07,098 THERE YOU GO. BE HAPPY. 840 00:41:07,132 --> 00:41:08,900 I DON'T CARE NO MORE. I'M DONE. 841 00:41:08,934 --> 00:41:11,036 YOU KNOW WHAT? IF PARKER WAS HERE, SHE WOULD HAVE MY BACK, OKAY? 842 00:41:11,069 --> 00:41:12,504 SHE'S A FORWARD THINKER. 843 00:41:12,538 --> 00:41:16,174 SHE AIN'T STUCK IN A TIME WARP LIKE Y'ALL. 844 00:41:16,207 --> 00:41:18,176 WHERE IS PARKER? 845 00:41:18,209 --> 00:41:23,114 OH, UH, SHE'S, UM, ON A LITTLE TRIP.