1 00:00:16,617 --> 00:00:19,320 ALL CAN I SAY IS CONGRATULATIONS. 2 00:00:19,420 --> 00:00:22,356 AND I NEED A NEW GOVERNESS-- 3 00:00:25,059 --> 00:00:25,959 (Mrs. Mandible) MARGUERITE! 4 00:00:26,060 --> 00:00:26,960 FINALLY! 5 00:00:27,061 --> 00:00:29,263 I EXPECTED AT LEAST A LION. 6 00:00:29,363 --> 00:00:31,399 WELL IT WASN'T THAT TYPE OF HUNT, MRS. MANDIBLE. 7 00:00:31,499 --> 00:00:32,500 MEET SERGIO. 8 00:00:32,600 --> 00:00:34,235 (Mrs. Mandible) OH. 9 00:00:34,335 --> 00:00:35,703 (laughter) 10 00:00:36,470 --> 00:00:37,371 (Marguerite) MR. DAUNTLESS! 11 00:00:37,471 --> 00:00:38,572 BUT YOU'RE DEAD! 12 00:00:40,541 --> 00:00:41,675 CHAUNCEY! 13 00:00:43,711 --> 00:00:45,413 THIS IS GONNA SUCK. 14 00:00:45,513 --> 00:00:46,747 I MEAN ACTORS ARE BAD ENOUGH, 15 00:00:46,847 --> 00:00:48,316 BUT FUCKING COMMUNITY THEATER? 16 00:00:48,416 --> 00:00:50,618 IT'S LIKE A DELUSION OF A DELUSION. 17 00:00:51,652 --> 00:00:53,221 PENELOPE HAS PICTURES OF HER HUSBAND 18 00:00:53,321 --> 00:00:54,255 WITH MRS. MANDIBLE, 19 00:00:54,355 --> 00:00:55,656 SO NOW SHE CAN MARRY MR. DAUNTLESS-- 20 00:00:55,756 --> 00:00:58,025 IF YOU WERE DISGUISED AS THE MAID THE WHOLE TIME, 21 00:00:58,126 --> 00:01:00,128 WHERE IS FATIMA? 22 00:01:01,795 --> 00:01:03,164 (gasps) 23 00:01:04,498 --> 00:01:07,067 COLONEL BEY WAS FATIMA IN DISGUISE! 24 00:01:07,168 --> 00:01:08,302 (Kyle) I DID A SHOW HERE ONCE. 25 00:01:08,402 --> 00:01:10,404 IT WAS COOL, YOU JUST GOTTA GET LIKE IN THE RIGHT MINDSET-- 26 00:01:10,504 --> 00:01:12,072 LIKE PRETENDING IT'S A HUNDRED YEARS AGO 27 00:01:12,173 --> 00:01:14,108 AND ANYONE GIVES A SHIT ABOUT THEATER? 28 00:01:14,208 --> 00:01:15,109 (Roman) WHILE WE'RE AT IT, 29 00:01:15,209 --> 00:01:16,144 WHY DON'T WE GO CHECK OUT 30 00:01:16,244 --> 00:01:18,579 THE EPIC POETRY CHANT AT THE AGORA. 31 00:01:18,679 --> 00:01:21,215 OH, THE COUPLES END UP HAPPILY MATCHED. 32 00:01:21,682 --> 00:01:24,718 OH, FATIMA AND THE GOVERNESS ARE MAKING OUT. 33 00:01:24,818 --> 00:01:26,187 SHIT. 34 00:01:28,122 --> 00:01:30,391 * 35 00:01:39,400 --> 00:01:40,434 HEY. HEY. 36 00:01:40,534 --> 00:01:41,535 GOD, I'M SO SORRY, 37 00:01:41,635 --> 00:01:43,537 MY AUDITION WENT LIKE REALLY, REALLY LONG-- 38 00:01:43,637 --> 00:01:45,306 IT'S ALL RIGHT, YOU DIDN'T MISS MUCH. 39 00:01:45,406 --> 00:01:48,209 OH YOU DID MISS A DELIGHTFUL LITTLE FARCE. 40 00:01:48,309 --> 00:01:49,210 OH GOOD. 41 00:01:49,310 --> 00:01:50,411 'CAUSE I FUCKING HATE FARCE. 42 00:01:50,511 --> 00:01:52,680 REALLY, 'CAUSE GIVEN OUR RELATIONSHIP, 43 00:01:52,780 --> 00:01:54,515 I'D HAVE GUESSED YOU LOVED IT-- 44 00:01:55,516 --> 00:01:57,050 I'M SORRY I MADE A PASS AT YOU-- 45 00:01:57,151 --> 00:01:58,152 NO, NO, NO IT'S-- 46 00:01:58,252 --> 00:01:59,787 I REALLY, REALLY AM, YOU WERE TOTALLY RIGHT, 47 00:02:00,621 --> 00:02:02,456 I TREATED YOU BADLY LAST YEAR, 48 00:02:02,556 --> 00:02:04,458 THEN IT'S LIKE I GET INTO A HOT TUB FOR TWO SECONDS 49 00:02:04,558 --> 00:02:06,560 AND I LOSE ALL OF MY COMMON SENSE, 50 00:02:06,660 --> 00:02:07,561 NO, NO. 51 00:02:07,661 --> 00:02:08,729 WELL, YES. 52 00:02:08,829 --> 00:02:10,164 RIGHT. 53 00:02:10,264 --> 00:02:11,599 I BLAME ALCOHOL. 54 00:02:11,699 --> 00:02:12,600 FUCKING ALCOHOL. ALCOHOL! 55 00:02:12,700 --> 00:02:13,601 WHY IS IT LEGAL? 56 00:02:13,701 --> 00:02:14,735 I DUNNO! THAT'S MY QUESTION. 57 00:02:14,835 --> 00:02:15,769 I WAS THINKING ABOUT THAT. 58 00:02:15,869 --> 00:02:17,805 IT'S LIKE, IF ONLY OUR REPRESENTATIVES 59 00:02:17,905 --> 00:02:20,308 WOULD PASS A LAW BANNING ALCOHOL, 60 00:02:20,408 --> 00:02:22,443 NONE OF THIS SHIT WOULD EVER HAPPEN. 61 00:02:22,543 --> 00:02:24,812 YEAH AND THERE'D BE LESS ORGANIZED CRIME-- 62 00:02:24,912 --> 00:02:27,281 TOTALLY, NONE OF THAT BIG BAND JAZZ-- 63 00:02:27,381 --> 00:02:28,582 RIGHT, NONE OF THOSE ANNOYING FLAPPER PEOPLE 64 00:02:28,682 --> 00:02:29,583 THAT ARE EVERYWHERE THESE DAYS. 65 00:02:29,683 --> 00:02:31,552 GONE, YEAH! 66 00:02:32,620 --> 00:02:34,355 OKAY SO SINCE WE'RE DOING THE SCHTICK AGAIN, 67 00:02:34,455 --> 00:02:35,356 DOES THAT MEAN THAT-- 68 00:02:35,456 --> 00:02:36,557 YEAH, WE'RE COOL. 69 00:02:36,657 --> 00:02:37,791 OKAY. 70 00:02:39,593 --> 00:02:40,528 WAIT, DID YOU-- 71 00:02:40,628 --> 00:02:42,696 DID YOU TELL ANYBODY ABOUT WHAT HAPPENED? 72 00:02:43,731 --> 00:02:44,632 LIKE AM I GONNA WALK IN THERE 73 00:02:44,732 --> 00:02:46,234 AND BE SHUNNED AS A HARLOT? 74 00:02:46,334 --> 00:02:47,235 IT'S OUR LITTLE SECRET. 75 00:02:47,335 --> 00:02:48,236 IT IS. 76 00:02:48,336 --> 00:02:49,370 I MEAN, IF YOU'RE SHUNNED, 77 00:02:49,470 --> 00:02:51,171 IT'LL JUST BE FOR THE USUAL REASONS-- 78 00:02:51,272 --> 00:02:52,540 YEAH BECAUSE I'M A JEW. 79 00:02:52,640 --> 00:02:53,774 YEAH. 80 00:02:53,874 --> 00:02:56,310 AND THEN THE AUDIENCE WOULDN'T STOP LAUGHING! 81 00:02:58,379 --> 00:02:59,947 COOL, GREAT THERE YOU GO. 82 00:03:03,484 --> 00:03:05,686 YOU WERE SIMPLY MAGNIFICENT-- 83 00:03:05,786 --> 00:03:07,521 ME, YOU WERE MAGNIFICENT-- 84 00:03:07,621 --> 00:03:08,589 AS WERE YOU. 85 00:03:08,689 --> 00:03:09,723 ALSO MAGNIFICENT-- 86 00:03:09,823 --> 00:03:10,724 AND THE OTHERS? 87 00:03:10,824 --> 00:03:12,326 MAGNIFICENT! 88 00:03:13,627 --> 00:03:14,762 SO YOU WERE ALL MAGNIFICENT, 89 00:03:14,862 --> 00:03:16,196 WHICH MEANS STATISTICALLY, 90 00:03:16,297 --> 00:03:18,599 MAGNIFICENT IS AVERAGE, AND YOU'RE ALL AVERAGE. 91 00:03:18,699 --> 00:03:20,401 HERE YOU ARE, CONGRATULATIONS-- 92 00:03:20,501 --> 00:03:21,402 (Leland) UH, EVERYONE? 93 00:03:21,502 --> 00:03:22,703 EVERYONE, IF I COULD JUST UH-- 94 00:03:22,803 --> 00:03:25,473 THANK YOU, THANK YOU, GRAZIE, GRAZIE. 95 00:03:25,806 --> 00:03:28,409 AS YOU ALL KNOW, I AM LELAND CORK, 96 00:03:28,509 --> 00:03:30,611 DIRECTOR OF THE LYRE OF ORPHEUS THEATER, 97 00:03:30,711 --> 00:03:31,845 AND I WOULD JUST LIKE TO SAY 98 00:03:31,945 --> 00:03:34,315 CONGRATULATIONS TO THE CAST AND CREW 99 00:03:34,415 --> 00:03:35,316 OF NOT ON YOUR WIFE 100 00:03:35,416 --> 00:03:38,185 FOR A BRILLIANT OPENING NIGHT! 101 00:03:38,286 --> 00:03:40,921 YOU WERE ALL SIMPLY MAGNIFICENT! 102 00:03:41,021 --> 00:03:42,590 (Woman) HERE HERE! 103 00:03:42,690 --> 00:03:44,425 I'D ALSO LIKE TO THANK EVERYONE ELSE 104 00:03:44,525 --> 00:03:46,260 FOR YOUR MAGNIFICENT SUPPORT 105 00:03:46,360 --> 00:03:48,296 OF THE LYRE OF ORPHEUS THEATER. 106 00:03:48,396 --> 00:03:50,398 IT IS ONLY THROUGH YOUR GENEROUS DONATIONS 107 00:03:50,498 --> 00:03:52,466 THAT WE ARE ABLE TO ENSURE, AS ALWAYS, 108 00:03:52,566 --> 00:03:55,703 THAT THE SHOW MUST GO ON. 109 00:03:56,537 --> 00:03:58,906 WE ALL HUMBLY THANK YOU. 110 00:04:00,007 --> 00:04:02,510 AND ENCOURAGE YOU TO WRITE JUST ONE MORE CHECK OF COURSE. 111 00:04:03,711 --> 00:04:05,178 NO, NO, NO SERIOUSLY, 112 00:04:05,279 --> 00:04:08,215 LET US FILL OUR GLASSES, TOAST OUR PLAYERS, 113 00:04:08,316 --> 00:04:13,654 AND ALL GET DRUNK ON THEATER! 114 00:04:15,956 --> 00:04:19,393 ANGELA, DAVID, BRAVA. 115 00:04:21,061 --> 00:04:24,665 MONA, MONA, HOUSE MANAGER, SAVIOR-- 116 00:04:24,765 --> 00:04:26,600 "MAGNIFICENT" SHOW, MR. CORK-- 117 00:04:26,700 --> 00:04:28,769 YES, THE TOILET'S BACKED UP AGAIN, 118 00:04:28,869 --> 00:04:30,671 COULD YOU POSSIBLY FIX? 119 00:04:31,605 --> 00:04:33,341 ON THE PARAPET AT MIDNIGHT, 120 00:04:33,441 --> 00:04:36,344 I SEE THE GHOST OF KYLE BRADWAY-- 121 00:04:36,444 --> 00:04:39,347 YOU THATCH-HEADED WASTREL, COME HERE! 122 00:04:39,447 --> 00:04:40,348 HOW HAVE YOU BEEN? 123 00:04:40,448 --> 00:04:41,549 OH, SO GOOD. 124 00:04:41,649 --> 00:04:42,650 YEAH YOU KNOW, JUST WORKING MY WAY UP, 125 00:04:42,750 --> 00:04:43,651 DOING MY THING, YOU KNOW? 126 00:04:43,751 --> 00:04:45,218 SPLENDID, SPLENDID. 127 00:04:45,319 --> 00:04:47,855 WE LAUNCHED THIS BOY FROM THIS VERY STAGE. 128 00:04:47,955 --> 00:04:50,624 FRESH OFF THE BUS, I CAST HIM AS "LONGSHORMAN" 129 00:04:50,724 --> 00:04:51,625 IN A VIEW FROM THE BRIDGE. 130 00:04:51,725 --> 00:04:52,860 CASTING DIRECTOR SEES HIM, 131 00:04:52,960 --> 00:04:55,262 PUTS HIM ON TELEVISION AND EVER SINCE-- 132 00:04:55,363 --> 00:04:56,364 WHOOSH! 133 00:04:56,464 --> 00:04:57,431 AH, WELL... 134 00:04:57,531 --> 00:04:58,899 GORDON BARBELAR! 135 00:04:58,999 --> 00:05:01,635 COME HERE, YOU BALD-HEADED WASTREL-- 136 00:05:01,735 --> 00:05:04,838 WELL I THINK YOU'RE BETTER OFF WITHOUT PAUL, CASEY. 137 00:05:05,072 --> 00:05:07,641 HEY, NOW YOU'RE SINGLE, I'M SINGLE, 138 00:05:07,741 --> 00:05:09,009 IT'S LIKE, "LOOK OUT, WORLD. 139 00:05:09,109 --> 00:05:11,244 TWO COUGARS ON THE PROWL--" 140 00:05:11,345 --> 00:05:12,646 YEAH EXCEPT THAT-- 141 00:05:12,746 --> 00:05:14,648 I MEAN I WOULDN'T REALLY CALL MYSELF A "COUGAR" BUT-- 142 00:05:14,748 --> 00:05:17,618 NO, DON'T RUN YOURSELF DOWN LIKE THAT. 143 00:05:17,718 --> 00:05:19,820 YOU'RE A SLEEK, SEXY WILDCAT ON THE PROWL-- 144 00:05:19,920 --> 00:05:21,522 NO, THE-- "COUGAR" IS-- 145 00:05:21,622 --> 00:05:24,792 IT'S LIKE A SLANG TERM FOR A WOMAN OF A CERTAIN AGE 146 00:05:24,892 --> 00:05:25,793 WHO GOES AFTER YOUNGER MEN, 147 00:05:25,893 --> 00:05:26,794 THAT'S COUGAR. 148 00:05:26,894 --> 00:05:27,795 IT IS? 149 00:05:27,895 --> 00:05:29,730 REALLY? YEAH. 150 00:05:30,731 --> 00:05:31,865 WHAT ABOUT "BEAR"? 151 00:05:31,965 --> 00:05:33,534 THAT'S NOT SLANG FOR ANYTHING? 152 00:05:33,634 --> 00:05:36,504 "BEAR" IS SLANG FOR A LARGE, HAIRY GAY MAN. 153 00:05:36,604 --> 00:05:39,473 WELL THAT EXPLAINS A LOT. 154 00:05:39,573 --> 00:05:42,376 I GONNA HAVE TO CHANGE MY ONLINE DATING PROFILE-- 155 00:05:42,476 --> 00:05:45,345 HEY, SOON AS YOU CAN, WITH THOSE, YOU GUYS. 156 00:05:45,446 --> 00:05:46,346 YEAH. 157 00:05:46,447 --> 00:05:47,415 WHERE'S RON? 158 00:05:47,515 --> 00:05:49,417 RON IS INDISPOSED. 159 00:05:49,517 --> 00:05:51,284 OKAY, WELL THEN, WHEN YOU GET A SEC CASEY, 160 00:05:51,385 --> 00:05:52,786 CAN YOU HELP ME GET THE WHITE WINE BACKSTAGE? 161 00:05:52,886 --> 00:05:54,021 AYE, AYE-- 162 00:05:54,121 --> 00:05:55,556 WELL, IF ANYONE CATCHES YOUR EYE TONIGHT, 163 00:05:55,656 --> 00:05:56,557 LET ME KNOW. 164 00:05:56,657 --> 00:05:57,791 I'M A GREAT WINGMAN-- 165 00:05:57,891 --> 00:06:00,494 OKAY, JUST NO ACTORS. 166 00:06:00,594 --> 00:06:01,895 HOW ABOUT A FORMER ACTOR? 167 00:06:01,995 --> 00:06:03,764 MAYBE YOU SHOULD GET BACK WITH HENRY HUH? 168 00:06:03,864 --> 00:06:05,298 NO. DID YOU THINK ABOUT IT? 169 00:06:05,399 --> 00:06:06,299 NO? NO! 170 00:06:06,400 --> 00:06:07,468 LOVE HIM AND LEAVE HIM? 171 00:06:07,568 --> 00:06:09,036 BEEN THERE DONE THAT? HE HAS A GIRLFRIEND-- 172 00:06:09,136 --> 00:06:10,037 DOES HE HAVE A BIG ONE? AND NO. 173 00:06:10,137 --> 00:06:11,038 DOES HE? 174 00:06:11,138 --> 00:06:12,039 TELL ME. 175 00:06:12,139 --> 00:06:13,040 JESUS, RON! 176 00:06:13,140 --> 00:06:14,442 YEAH. WHAT IS THAT? 177 00:06:14,542 --> 00:06:16,810 A LITTLE LIGHT BATHROOM READING. 178 00:06:16,910 --> 00:06:18,712 "MANAGEMENT SECRETS OF THE CIA." 179 00:06:18,812 --> 00:06:20,648 THERE. 180 00:06:20,748 --> 00:06:22,349 NOW HOW COME THERE ARE SO MANY 181 00:06:22,450 --> 00:06:23,984 DINGALING ACTOR-MODEL-PRODUCERS 182 00:06:24,084 --> 00:06:24,985 IN THIS TOWN, 183 00:06:25,085 --> 00:06:27,788 AND SO FEW DOWN TO EARTH ACHIEVERS 184 00:06:27,888 --> 00:06:29,957 WHO JUST WANT TO MAKE SOMETHING OF THEMSELVES? 185 00:06:30,057 --> 00:06:32,760 WE'RE A RARE BREED LYDIA. 186 00:06:47,808 --> 00:06:49,076 EXCUSE ME. 187 00:06:49,843 --> 00:06:51,344 (Mr. Dauntless) I HEARD WHAT'S NEXT. 188 00:06:51,445 --> 00:06:53,881 GLENNGARY GLEN ROSS. 189 00:06:53,981 --> 00:06:55,382 "WHAT'S YOUR NAME?" 190 00:06:55,483 --> 00:06:56,684 "FUCK YOU, THAT'S MY NAME--" 191 00:06:58,085 --> 00:07:00,353 I DUNNO, I DON'T SPEAK ACTOR. 192 00:07:00,454 --> 00:07:01,755 I THOUGHT ALL YOU GUYS WERE ACTORS. 193 00:07:01,855 --> 00:07:04,625 NO, SOME OF US PURSUE MORE USEFUL WORK. 194 00:07:04,725 --> 00:07:06,026 YOU'RE AN ENGINEER? 195 00:07:06,126 --> 00:07:07,628 NOPE, HE'S A WRITER. 196 00:07:08,729 --> 00:07:09,730 HEY I NEED A SINGLE MALT, NEAT-- 197 00:07:09,830 --> 00:07:10,731 WE'RE OUT. 198 00:07:10,831 --> 00:07:11,965 I HID SOME IN THE OFFICE-- 199 00:07:12,065 --> 00:07:13,634 A WRITER? 200 00:07:13,734 --> 00:07:16,436 GREAT SCOT WRITER, LET ME BUY YOU A DRINK-- 201 00:07:16,537 --> 00:07:17,437 WHY? 202 00:07:17,538 --> 00:07:18,839 YOU MAKE US EXIST! 203 00:07:18,939 --> 00:07:20,741 IN THE THEATER, THE WRITER IS GOD. 204 00:07:20,841 --> 00:07:22,876 GOD? 205 00:07:28,849 --> 00:07:30,050 OH, KYLE. 206 00:07:30,150 --> 00:07:32,119 BE A GOOD CHAP, GIVE US THAT-- 207 00:07:32,219 --> 00:07:33,721 UH YEAH. 208 00:07:33,821 --> 00:07:35,823 UM, IS EVERYTHING OKAY? 209 00:07:35,923 --> 00:07:39,660 IT'S JUST YOU KNOW, NINA, THE FLIRTING-- 210 00:07:39,760 --> 00:07:41,461 OH MY GOSH, IS YOUR WIFE HAVING AN AFFAIR? 211 00:07:42,630 --> 00:07:44,397 NO, NO, NO, NO, NO, YOU KNOW ACTRESSES, 212 00:07:44,498 --> 00:07:48,135 ALWAYS REQUIRE BUCKET-LOADS OF ADORING ATTENTION. 213 00:07:48,235 --> 00:07:49,837 WHICH I CAN'T ALWAYS PROVIDE, 214 00:07:49,937 --> 00:07:52,540 BECAUSE I'M TOO BUSY STROKING THE OTHER ACTORS, 215 00:07:52,640 --> 00:07:54,074 THE CREW, THE AUDIENCES, 216 00:07:54,174 --> 00:07:58,011 JUST TRYING TO KEEP THIS RAT TRAP FROM FALLING APART. 217 00:07:58,111 --> 00:07:59,813 I FEEL LIKE ATLAS, 218 00:07:59,913 --> 00:08:02,816 SUPPORTING THE WHOLE WORLD ON MY SHOULDERS-- 219 00:08:02,916 --> 00:08:04,685 YOU KNOW, IT SEEMS LIKE YOU'RE DOING A PRETTY GOOD JOB. 220 00:08:04,785 --> 00:08:05,819 "SEEMS." 221 00:08:05,919 --> 00:08:09,222 OH YES, YES, THERE'S THE RUB DEAR BOY. 222 00:08:10,223 --> 00:08:12,960 THE FACT IS WE'RE BROKE. 223 00:08:13,060 --> 00:08:15,696 YES, USUALLY MARGUERITE TAYLER WRITES US A CHECK 224 00:08:15,796 --> 00:08:19,266 FOR TEN GRAND, BUT THIS YEAR, ZIP. 225 00:08:19,700 --> 00:08:21,034 DUDE, I'M SO SORRY-- 226 00:08:21,134 --> 00:08:23,003 KYLE, I AM THE ONLY REALIST 227 00:08:23,103 --> 00:08:26,574 AMONG THIS STARRY-EYED GROUP OF DREAMERS. 228 00:08:26,674 --> 00:08:27,975 I'LL BE FINE. 229 00:08:28,075 --> 00:08:30,443 IT'S THEM I'M WORRIED ABOUT. 230 00:08:30,544 --> 00:08:33,881 THIS THEATER-- IT'S THE ONLY TASTE THEY GET. 231 00:08:33,981 --> 00:08:34,882 WITHOUT THAT CHECK, THEY'RE-- 232 00:08:34,982 --> 00:08:36,684 POOF, JUST-- 233 00:08:36,784 --> 00:08:39,519 LEGAL ASSISTANTS AND LIBRARIANS AGAIN. 234 00:08:40,187 --> 00:08:41,989 YOU CANNOT GIVE UP. 235 00:08:42,089 --> 00:08:43,591 WHAT'S THAT SAYING YOU CAME UP WITH? 236 00:08:43,691 --> 00:08:45,492 "THE SHOW MUST GO ON." 237 00:08:45,593 --> 00:08:46,794 I DIDN'T EXACTLY COIN THAT PHRASE. 238 00:08:46,894 --> 00:08:48,596 I'LL CONVINCE MARGUERITE. 239 00:08:48,696 --> 00:08:50,463 THAT CASTING DIRECTOR DIDN'T EXACTLY CAST ME 240 00:08:50,564 --> 00:08:51,899 BECAUSE I ROCKED ONSTAGE-- 241 00:08:51,999 --> 00:08:54,034 I CONVINCED HER. 242 00:08:54,134 --> 00:08:55,969 IN THE BACKSEAT OF HER RANGE ROVER. 243 00:08:59,139 --> 00:09:02,976 KYLE, YOU THATCH-HEADED DEVIL-- 244 00:09:03,076 --> 00:09:05,045 ALL RIGHT, MARGUERITE, WHAT'S SHE LOOK LIKE? 245 00:09:05,145 --> 00:09:08,616 RED BLOUSE, BROWN HAIR, BIG PERSONALITY, 246 00:09:08,716 --> 00:09:10,050 YOU CAN'T MISS HER. 247 00:09:10,150 --> 00:09:11,551 IF YOU CAN PULL THIS OFF-- 248 00:09:11,652 --> 00:09:12,753 I'M ON IT. 249 00:09:19,192 --> 00:09:21,094 YEAH IT'S RIDICULOUS, 250 00:09:21,194 --> 00:09:23,163 SHE'S GONE ON LIKE TEN BLIND DATES 251 00:09:23,263 --> 00:09:25,599 WITH GAY GUYS WHO LOOK LIKE ROB REINER-- 252 00:09:25,699 --> 00:09:28,702 ALL ENTHUSIASTIC TO DISCUSS ESCAPADE'S DANCE WARDROBE. 253 00:09:28,802 --> 00:09:30,203 YOU'RE SUCH A FUCKING HOMOPHOBE. 254 00:09:30,303 --> 00:09:31,538 MARGUERITE TAYLER! 255 00:09:31,639 --> 00:09:33,173 OH, YEAH CASEY, RIGHT? 256 00:09:33,273 --> 00:09:34,642 YEAH, CASEY KLEIN, RIGHT! 257 00:09:34,742 --> 00:09:36,043 HI. HI. 258 00:09:36,143 --> 00:09:37,044 HOW ARE YOU? 259 00:09:37,144 --> 00:09:39,713 I AM UH, REALLY GOOD NOW. 260 00:09:40,280 --> 00:09:41,514 KEEPING OUT OF TROUBLE? 261 00:09:41,615 --> 00:09:43,083 OH YOU KNOW, TRYING TO! 262 00:09:43,183 --> 00:09:44,918 NOT SUCCEEDING, I HOPE-- NO, NO. 263 00:09:46,319 --> 00:09:50,624 I'M ACTUALLY EVEN CONSIDERING NOT TRYING AT ALL ANYMORE. 264 00:09:51,625 --> 00:09:52,726 I DON'T. 265 00:09:52,826 --> 00:09:55,829 I KNOW, I MEAN I ASSUMED. 266 00:09:56,897 --> 00:09:58,531 IT'S GREAT SEEING YOU, CASEY-- 267 00:09:58,632 --> 00:09:59,700 YOU TOO. 268 00:10:00,834 --> 00:10:02,703 HEY! 269 00:10:02,803 --> 00:10:04,604 DON'T STAY OUT OF TROUBLE-- 270 00:10:05,405 --> 00:10:06,940 OKAY. 271 00:10:10,410 --> 00:10:12,846 YEAH SO IMAGINE, LYDIA AND ROB REINER 272 00:10:12,946 --> 00:10:14,748 JUST TALKING ABOUT TWEEN FASHIONS ALL NIGHT-- 273 00:10:14,848 --> 00:10:18,118 I MEAN WHAT DID THE HAIRY GAY GUY EVEN EXPECT, YOU KNOW? 274 00:10:18,218 --> 00:10:20,688 UNLESS COUGAR MEANS SOMETHING GAY. 275 00:10:20,788 --> 00:10:22,022 WHAT THE HELL WAS THAT? 276 00:10:22,122 --> 00:10:23,556 WHAT? WHAT? 277 00:10:23,657 --> 00:10:26,126 I'VE NEVER SEEN SOMEONE FLIRT SO OUTRAGEOUSLY. 278 00:10:26,226 --> 00:10:27,627 I THOUGHT YOU WERE GOING TO DATE RAPE HER. 279 00:10:27,728 --> 00:10:28,796 WHAT, NO. 280 00:10:28,896 --> 00:10:30,831 THAT'S MARGUERITE TAYLER. 281 00:10:30,931 --> 00:10:32,900 I WENT TO THIS BAR AND THEN IT TURNED OUT TO BE 282 00:10:33,000 --> 00:10:34,668 LIKE A LESBIAN KARAOKE BAR-- 283 00:10:34,768 --> 00:10:35,703 THEY HAVE THOSE? 284 00:10:35,803 --> 00:10:38,238 YES, LESBIANS LOVE KARAOKE, ARE YOU KIDDING? 285 00:10:38,338 --> 00:10:40,774 AND SHE'S ALSO A PRODUCER AT WARNERS 286 00:10:40,874 --> 00:10:42,209 AND SHE MAKES A WHOLE BUNCH OF COMEDIES, 287 00:10:42,309 --> 00:10:44,144 SO, YOU KNOW, SHE THINKS I'M KINDA CUTE, 288 00:10:44,244 --> 00:10:45,846 AND SHE THINKS I'M GAY, 289 00:10:45,946 --> 00:10:46,914 SO I FLIRT WITH HER, 290 00:10:47,014 --> 00:10:48,215 SO THAT SHE'LL CAST ME IN SOMETHING. 291 00:10:48,315 --> 00:10:49,216 OKAY WELL, I HAVE TO SAY 292 00:10:49,316 --> 00:10:50,250 IT MADE ME A LITTLE UNCOMFORTABLE. 293 00:10:50,350 --> 00:10:52,052 WHAT ARE YOU EVEN TALKING ABOUT? 294 00:10:52,152 --> 00:10:53,053 I THOUGHT GUYS WERE SUPPOSED 295 00:10:53,153 --> 00:10:54,287 TO FIND THAT KIND OF THING "HOT." 296 00:10:54,387 --> 00:10:55,756 NO, I MEAN, YOU KNOW, 297 00:10:55,856 --> 00:10:57,825 IF YOU WERE BIG TITTED TWINS MAYBE. 298 00:10:57,925 --> 00:11:03,731 YOU MEN, WITH YOUR DEEP ROOTED FEAR OF FEMALE SEXUALITY. 299 00:11:03,831 --> 00:11:05,032 WELL IT'S MORE A DISGUST, REALLY-- 300 00:11:05,132 --> 00:11:08,235 FEAR I HAVE FOR OTHER KINDS OF SEXUALITY 301 00:11:08,335 --> 00:11:10,303 BEING WEIRDLY SHOVED IN MY FACE. 302 00:11:10,403 --> 00:11:13,140 HEY MAN, MAYBE THIS'S MORE YOUR SPEED? 303 00:11:13,240 --> 00:11:15,943 WOW, YEAH THAT'S MUCH BETTER. 304 00:11:16,043 --> 00:11:18,879 ALTHOUGH I STILL CAN SEE YOUR CRUDELY WANTON ANKLES. 305 00:11:18,979 --> 00:11:20,881 CHECK THESE OUT, I'M WEARING MY PUSH-UP SOCKS-- 306 00:11:20,981 --> 00:11:22,149 OH REALLY? 307 00:11:22,249 --> 00:11:23,851 VERY SEXUAL. 308 00:11:23,951 --> 00:11:25,018 WHOA. 309 00:11:26,119 --> 00:11:27,220 I'M SORRY. THAT'S OKAY. 310 00:11:27,320 --> 00:11:28,989 NO-- NAH, I DON'T CARE. 311 00:11:29,089 --> 00:11:32,359 I'M DOING IT AGAIN, I'M SORRY. 312 00:11:36,163 --> 00:11:38,631 I MEAN, IN THE INTEREST OF FULL DISCLOSURE, 313 00:11:38,732 --> 00:11:40,000 YEAH. 314 00:11:40,100 --> 00:11:42,335 I WAS ALSO UNCOMFORTABLE THE OTHER NIGHT 315 00:11:42,435 --> 00:11:44,905 BECAUSE I WAS REALLY-- 316 00:11:45,005 --> 00:11:46,106 TEMPTED? 317 00:11:46,206 --> 00:11:47,374 YEAH. 318 00:11:48,776 --> 00:11:49,943 YEAH. 319 00:11:51,912 --> 00:11:54,247 SO-- UM-- 320 00:11:59,152 --> 00:12:00,320 HENRY, WE ALSO NEED RED-- 321 00:12:00,420 --> 00:12:01,822 HI LYDIA. 322 00:12:01,922 --> 00:12:02,956 RED WINE? 323 00:12:03,056 --> 00:12:04,124 YEAH. 324 00:12:04,224 --> 00:12:05,358 OKAY YEAH WE HAVE SOME HERE. 325 00:12:05,458 --> 00:12:07,294 NO PROBLEM OKAY THANKS, I'LL BRING IT OUT. 326 00:12:07,394 --> 00:12:08,295 SORRY-- 327 00:12:08,395 --> 00:12:09,296 OKAY, ALL RIGHT? 328 00:12:09,396 --> 00:12:11,264 YEAH, SURE THING. 329 00:12:12,966 --> 00:12:13,901 OKAY, WE HAVE TO STOP THIS. 330 00:12:14,001 --> 00:12:15,668 I KNOW, I KNOW, I KNOW. 331 00:12:15,769 --> 00:12:16,937 I MEAN, ASIDE FROM THE FACT THAT IT'S WRONG, 332 00:12:17,037 --> 00:12:18,038 IF ANYBODY FOUND OUT-- I KNOW! 333 00:12:18,138 --> 00:12:19,973 IT'S A MESS, A COMPLETE DISASTER, I GET IT. 334 00:12:20,073 --> 00:12:21,274 I UNDERSTAND, OKAY. YEAH. 335 00:12:24,077 --> 00:12:25,278 OKAY. OKAY. 336 00:12:27,848 --> 00:12:29,182 (chatter) 337 00:12:30,217 --> 00:12:31,751 OH BUT I HEAR THEY'RE DOING GLENGARRY 338 00:12:31,852 --> 00:12:34,221 WHICH SHOULD BE AN ABSOLUTE HOOT. 339 00:12:35,255 --> 00:12:36,790 MARGUERITE, I PRESUME. 340 00:12:36,890 --> 00:12:38,358 WHY, YES-- 341 00:12:38,458 --> 00:12:39,993 LOOKS LIKE YOU NEED ANOTHER DRINK. 342 00:12:40,093 --> 00:12:41,694 WHITE WINE, RIGHT? 343 00:12:41,795 --> 00:12:42,863 WELL I ALREADY HAVE THIS ONE. 344 00:12:42,963 --> 00:12:44,932 WELL IT LOOKS LIKE YOU NEED ANOTHER. 345 00:12:48,335 --> 00:12:50,871 AND THE WHOLE WORLD IS HUMANOID REPLICATES, 346 00:12:50,971 --> 00:12:52,272 EXCEPT FOR ONE LAST GUY-- 347 00:12:52,372 --> 00:12:54,741 ONE LAST MAN WHO HAS TO BLEND IN, 348 00:12:54,842 --> 00:12:58,846 OR ELSE HE'LL TOO BE SENT TO THE PROCESSOR FARMS-- 349 00:12:58,946 --> 00:13:00,480 THIS IS SO JUICY-- 350 00:13:00,580 --> 00:13:05,853 A HUMAN BEING, FORCED TO REPRESS ALL THAT MAKES HIM HUMAN-- 351 00:13:05,953 --> 00:13:07,254 AND THAT'S HIS WHOLE LIFE. 352 00:13:07,354 --> 00:13:11,158 ALONE, HUNTED BY MACHINES-- 353 00:13:11,258 --> 00:13:14,061 CREATOR BEING REPLACED BY THE CREATION-- 354 00:13:14,161 --> 00:13:15,929 WHERE WOULD YOU EVEN BEGIN TO FIND A SENSE MEMORY 355 00:13:16,029 --> 00:13:17,030 TO BUILD A PERFORMANCE? 356 00:13:17,130 --> 00:13:18,932 WOULD YOU BE SO KIND TO PROVIDE-- 357 00:13:19,032 --> 00:13:19,933 "MARGUERITE--" 358 00:13:20,033 --> 00:13:20,934 WITH A WHITE WINE? 359 00:13:21,034 --> 00:13:22,069 WINE! TO WINE! 360 00:13:22,169 --> 00:13:23,736 (all) TO WINE! 361 00:13:23,837 --> 00:13:25,238 ONE OF THE EARLIEST PRODUCTS 362 00:13:25,338 --> 00:13:27,274 OF HUMAN CIVILIZATION-- 363 00:13:27,374 --> 00:13:28,909 THERE YOU GO, 364 00:13:29,009 --> 00:13:30,777 THANK YOU GOOD SIR. 365 00:13:30,878 --> 00:13:32,913 I LIKE IT. I KNOW ME TOO. 366 00:13:33,013 --> 00:13:34,081 IT'S A GREAT PLACE, HUH? 367 00:13:34,181 --> 00:13:35,282 YOU KNOW, I GOT MY START HERE. 368 00:13:35,382 --> 00:13:36,783 OH YEAH? 369 00:13:36,884 --> 00:13:38,886 YEAH, IT'D BE A SHAME TO SEE A PLACE LIKE THIS VANISH. 370 00:13:40,120 --> 00:13:41,321 WHAT WOULD IT TAKE FOR SOMEONE LIKE YOU TO WRITE 371 00:13:41,421 --> 00:13:43,156 A CHECK TO THIS LITTLE THEATER? 372 00:13:43,256 --> 00:13:44,257 YOU REALLY WANT ME TO TELL YOU? 373 00:13:44,357 --> 00:13:45,258 SO BAD. 374 00:13:45,358 --> 00:13:46,793 IT'S COMPLICATED. OH. 375 00:13:46,894 --> 00:13:48,761 AND NAUGHTY. 376 00:13:48,862 --> 00:13:51,064 THEN I GUESS YOU DON'T NEED TO TELL ME. 377 00:13:56,303 --> 00:13:58,771 HEY HENRY, LEMME ASK YOU SOMETHING. 378 00:13:58,872 --> 00:13:59,772 YEAH? 379 00:13:59,873 --> 00:14:01,975 WHAT'D YOU THINK OF LYDIA? 380 00:14:02,910 --> 00:14:04,411 I MEAN, AS A WOMAN. 381 00:14:05,378 --> 00:14:07,047 YOU MEAN LIKE, YOU AND LYDIA? 382 00:14:07,147 --> 00:14:08,781 YEAH, WE'RE BOTH SINGLE, LONELY PEOPLE. 383 00:14:08,882 --> 00:14:10,317 I MEAN SHE SAID I WAS A CATCH. 384 00:14:10,417 --> 00:14:12,419 I CAUGHT HER CHECKING OUT MY ASS. 385 00:14:12,519 --> 00:14:14,054 AND YOU CLEARLY HAVE NO PROBLEM 386 00:14:14,154 --> 00:14:16,056 WITH WORKPLACE ROMANCE, SO-- 387 00:14:16,156 --> 00:14:17,457 UM... 388 00:14:18,491 --> 00:14:19,392 YOU KNOW, AS TEAM LEADER, 389 00:14:19,492 --> 00:14:20,560 IF YOU TELL ME ABOUT THIS, 390 00:14:20,660 --> 00:14:22,930 I HAVE TO WRITE A REPORT, SO, I CAN'T LISTEN-- 391 00:14:23,030 --> 00:14:25,265 COPY THAT, COPY THAT. 392 00:14:25,365 --> 00:14:26,499 CASEY, YEAH. 393 00:14:26,599 --> 00:14:27,800 LET ME ASK YOU SOMETHING. 394 00:14:27,901 --> 00:14:30,470 IF YOU WERE ME AND YOU CAUGHT LYDIA JUST, 395 00:14:30,570 --> 00:14:33,806 LIKE, FEASTING HER EYES ON YOUR ASS-- 396 00:14:33,907 --> 00:14:35,275 I LEFT MY COMB BACKSTAGE. 397 00:14:37,978 --> 00:14:38,878 (Kyle) THAT'S GREAT. 398 00:14:38,979 --> 00:14:40,948 THIS'S LIKE A DREAM I HAD-- 399 00:14:41,048 --> 00:14:42,382 OH WHICH IS ANOTHER THING 400 00:14:42,482 --> 00:14:43,516 THAT'S SO GREAT ABOUT THE THEATER, 401 00:14:43,616 --> 00:14:47,420 BECAUSE, LIKE, YOU KNOW HERE, DREAMS BECOME-- 402 00:14:52,525 --> 00:14:54,227 OOOH! OOOH! 403 00:14:55,528 --> 00:14:56,596 IT IS NAUGHTY. 404 00:14:57,530 --> 00:14:59,032 AND COMPLICATED. 405 00:15:06,473 --> 00:15:08,175 ANOTHER DAY ANOTHER DOLLAR. 406 00:15:10,143 --> 00:15:11,111 HELLO, LYDIA. 407 00:15:11,211 --> 00:15:12,245 HELLO, RON. 408 00:15:12,345 --> 00:15:14,381 FRESH TRAY, JUST FOR YOU. 409 00:15:14,481 --> 00:15:16,349 ISN'T THAT THOUGHTFUL OF YOU. 410 00:15:16,449 --> 00:15:18,085 OH HEY, HAVE YOU SEEN CASEY? 411 00:15:18,185 --> 00:15:20,020 UH, CASEY LEFT HER COMB BACKSTAGE. 412 00:15:20,120 --> 00:15:21,254 OKAY, GREAT. WHY? 413 00:15:21,354 --> 00:15:23,490 OH JUST A LITTLE GIRL TALK, YOU KNOW. 414 00:15:23,590 --> 00:15:25,658 GIRLS TALKING. YEAH. 415 00:15:26,593 --> 00:15:28,996 WELL, BE SEEING YOU. 416 00:15:29,096 --> 00:15:30,463 NOT IF I SEE YOU FIRST. 417 00:15:32,099 --> 00:15:33,333 PARDON ME? 418 00:15:34,968 --> 00:15:36,636 NOT IF I SEE YOU FIRST. 419 00:15:36,736 --> 00:15:38,405 UH, RIGHT. 420 00:15:40,607 --> 00:15:42,275 LYDIA. 421 00:15:42,375 --> 00:15:44,611 NOT IF I SEE YOU FIRST. 422 00:15:52,485 --> 00:15:53,553 CASEY, CASEY? 423 00:15:53,653 --> 00:15:54,921 FINALLY, YOU'LL NEVER BELIEVE-- 424 00:15:55,022 --> 00:15:56,356 NO, BEAST! 425 00:15:57,324 --> 00:15:59,492 FILTHY, DISGUSTING! 426 00:16:03,463 --> 00:16:06,099 THE AUTHOR IS DRUNK! 427 00:16:07,400 --> 00:16:08,468 (Roman) THIS IS SO INTERESTING 428 00:16:08,568 --> 00:16:10,203 'CAUSE THE FIRST DRAMAS WERE ASSOCIATED 429 00:16:10,303 --> 00:16:11,904 WITH DIONYSIAN RITUALS 430 00:16:12,005 --> 00:16:15,642 WHICH INVOLVED ALCOHOL AND PAN-SEXUAL FRENZY-- 431 00:16:15,742 --> 00:16:18,345 PAN-SEXUAL FRENZY! 432 00:16:20,347 --> 00:16:22,182 PAN-SEXUAL FRENZY! 433 00:16:23,450 --> 00:16:26,053 BE CAREFUL, HE'S A TOTAL COUGAR-- 434 00:16:26,153 --> 00:16:27,387 WHAT DOES THAT MEAN? 435 00:16:34,594 --> 00:16:36,196 SO I RUSH TO THE WINGS WHERE OLIVER HERE-- 436 00:16:36,296 --> 00:16:37,197 IS FAST ASLEEP-- 437 00:16:37,297 --> 00:16:38,198 HE'S FAST ASLEEP, 438 00:16:38,298 --> 00:16:39,332 OF COURSE, AS USUAL. 439 00:16:39,432 --> 00:16:41,068 BUT THE SHOW MUST GO ON. 440 00:16:41,168 --> 00:16:43,436 SO I THINK WHAT I'LL DO IS I'LL SHOUT "BANG". 441 00:16:43,536 --> 00:16:45,438 WELL THE CUE FOR THE GUNSHOT COMES... 442 00:16:45,538 --> 00:16:47,207 OLIVER FALLS OFF HIS STOOL, 443 00:16:47,307 --> 00:16:48,408 THE BROOM HITS THE FLOOR. 444 00:16:48,508 --> 00:16:49,442 BANG! 445 00:16:49,542 --> 00:16:50,677 NO ONE EVER KNEW! 446 00:16:53,480 --> 00:16:55,482 OH GOD, MY TEETH HURT FROM GRINNING-- 447 00:16:55,582 --> 00:16:57,717 WELL, "THE SHOW MUST GO ON!" 448 00:16:59,119 --> 00:17:02,289 KYLE, YOU DIRTY, DEVILISH, USEFUL BOY. 449 00:17:03,190 --> 00:17:04,624 50 DOLLARS? 450 00:17:05,192 --> 00:17:06,226 50 BUCKS? 451 00:17:06,326 --> 00:17:08,095 WAIT A MINUTE, THIS CHECK'S FROM "DONNA MULLENS?" 452 00:17:08,195 --> 00:17:09,162 SHE'S ONE OF OUR ACTRESSES-- 453 00:17:09,262 --> 00:17:11,398 NO, NO, NO, BROWN HAIR, RED BLOUSE? 454 00:17:11,498 --> 00:17:12,499 HER NAME IS MARGUERITE RIGHT? 455 00:17:12,599 --> 00:17:14,267 NO THAT'S THE CHARACTER SHE PLAYS. 456 00:17:14,367 --> 00:17:15,502 WHOM WE NAMED AFTER THE WOMAN 457 00:17:15,602 --> 00:17:17,470 WE WANT TO WRITE US A CHECK FOR TEN GRAND. 458 00:17:17,570 --> 00:17:19,072 GOD! HER! 459 00:17:19,172 --> 00:17:20,440 (Kyle) HER? 460 00:17:20,540 --> 00:17:22,375 NO, THAT IS NOT BROWN, THAT IS LIGHT BROWN. 461 00:17:22,475 --> 00:17:23,443 WHAT? CASEY, CASEY. 462 00:17:23,543 --> 00:17:25,312 WHAT COLOR'S HER HAIR RIGHT THERE? 463 00:17:25,412 --> 00:17:27,314 UH, HAZELNUT. 464 00:17:27,414 --> 00:17:29,716 (Leland) IT DOESN'T MATTER! IT DOESN'T MATTER! 465 00:17:29,816 --> 00:17:32,385 LOOK, LOOK SHE'S EYE FUCKING YOUR BRAINS OUT AS WE SPEAK. 466 00:17:32,485 --> 00:17:33,720 GO, GO, GO ON. 467 00:17:34,854 --> 00:17:37,657 DARYL, YOU WERE ABSOLUTELY DELICIOUS-- 468 00:17:37,757 --> 00:17:39,726 CASEY, I'VE BEEN DYING TO GOSSIP. 469 00:17:39,826 --> 00:17:40,760 WHY? 470 00:17:40,860 --> 00:17:43,296 SO HENRY'S NOT SO TAKEN AFTER ALL-- 471 00:17:43,396 --> 00:17:44,731 NO, NO YOU HAVE THE WRONG IDEA-- 472 00:17:44,831 --> 00:17:47,167 FIRST, I SEE HIM MAKING OUT BACKSTAGE 473 00:17:47,267 --> 00:17:48,735 WITH THE LEADING LADY AND THEN-- 474 00:17:48,835 --> 00:17:51,771 WAIT, WAIT, WAIT, I'M SORRY, WHICH LEADING LADY? 475 00:17:51,871 --> 00:17:53,673 THE PRETTY ONE IN THE VEIL THING. 476 00:17:54,774 --> 00:17:56,409 MY WIFE? 477 00:17:58,211 --> 00:17:59,646 FUCK. 478 00:17:59,746 --> 00:18:01,214 WHAT JUST HAPPENED? 479 00:18:02,115 --> 00:18:03,616 YOU WERE GREAT IN "MISERY". 480 00:18:07,620 --> 00:18:09,021 WHITE WINE? 481 00:18:09,122 --> 00:18:11,258 WHAT SAY YE GOD OF WINE? 482 00:18:11,358 --> 00:18:14,294 WHAT SAY THE LORD OF REVELS? 483 00:18:14,394 --> 00:18:15,795 SHE SHALL RECEIVE... 484 00:18:17,164 --> 00:18:18,064 RED WINE! 485 00:18:18,165 --> 00:18:19,065 RED WINE! 486 00:18:19,166 --> 00:18:20,066 THERE IT IS, READY! 487 00:18:20,167 --> 00:18:22,135 I WANTED WHITE. 488 00:18:22,235 --> 00:18:23,136 RED! 489 00:18:23,236 --> 00:18:24,537 HE SPEAKS IT SO IT SHALL BE. 490 00:18:24,637 --> 00:18:26,072 HE SAYS IT SHALL BE RED-- 491 00:18:26,173 --> 00:18:27,807 RED AS THE BLOOD THAT IS RED. 492 00:18:28,575 --> 00:18:29,642 (Roman) YOU FORGOT YOUR WINE. 493 00:18:29,742 --> 00:18:31,211 HEY, HENRY? 494 00:18:32,212 --> 00:18:33,780 WHAT THE FUCK IS THAT? 495 00:18:33,880 --> 00:18:35,148 I HAVE NO IDEA-- 496 00:18:37,184 --> 00:18:39,085 OKAY LISTEN, THERE'S A PROBLEM. 497 00:18:39,186 --> 00:18:40,620 THANKS TO LYDIA, THE THEATER DIRECTOR GUY, 498 00:18:40,720 --> 00:18:41,621 HE THINKS THAT YOU WERE MAKING OUT 499 00:18:41,721 --> 00:18:42,689 WITH HIS WIFE BACKSTAGE, 500 00:18:42,789 --> 00:18:44,157 WHAT? YEAH IT'S BAD. 501 00:18:44,257 --> 00:18:45,158 HE'S GONNA LIKE KILL HER, 502 00:18:45,258 --> 00:18:46,693 OR KILL HIMSELF OR I DUNNO. 503 00:18:46,793 --> 00:18:48,228 SHIT. 504 00:18:50,930 --> 00:18:52,732 OKAY, SO SEE YOU LATER. 505 00:18:52,832 --> 00:18:55,168 MARGUERITE, I PRESUME? 506 00:18:55,268 --> 00:18:57,069 LOOKS LIKE YOU NEED ANOTHER DRINK. 507 00:18:57,170 --> 00:18:58,305 VODKA TONIC? 508 00:18:58,405 --> 00:18:59,472 THIS IS SODA WATER, ACTUALLY-- 509 00:18:59,572 --> 00:19:00,607 OH. SODA WATER. 510 00:19:00,707 --> 00:19:02,074 EFFERVESCENT-- 511 00:19:02,175 --> 00:19:03,643 HENCE THE NAME, YES. 512 00:19:03,743 --> 00:19:05,445 BECAUSE YOU NEED A LITTLE THRILL-- 513 00:19:05,545 --> 00:19:07,113 BECAUSE I NEED TO DRIVE HOME LATER. 514 00:19:07,214 --> 00:19:09,081 OH, SO YOU DRIVE STICK OR-- 515 00:19:09,182 --> 00:19:10,283 A PRIUS-- 516 00:19:10,383 --> 00:19:11,351 FOR THE ENVIRONMENT. 517 00:19:11,451 --> 00:19:12,352 YEAH TOTALLY DOING WHAT NATURE INTENDED, 518 00:19:12,452 --> 00:19:13,553 I LOVE THAT. 519 00:19:13,653 --> 00:19:14,654 ACTUALLY IT'S FOR THE CARPOOL LANE STICKER. 520 00:19:14,754 --> 00:19:16,189 I'M SORRY, I FIND THIS BAFFLING-- 521 00:19:16,289 --> 00:19:17,190 HELLO, MARGUERITE. 522 00:19:17,290 --> 00:19:18,191 HAVE YOU SEEN WHERE NINA WENT? 523 00:19:18,291 --> 00:19:20,092 NO, I HAVEN'T-- 524 00:19:20,193 --> 00:19:21,093 HEY MR. CORK? 525 00:19:21,194 --> 00:19:22,862 HI, CAN WE TALK TO YOU? 526 00:19:22,962 --> 00:19:24,697 YES HENRY, RIGHT, RIGHT, YES. 527 00:19:24,797 --> 00:19:26,699 YOU'D LIKE TO COMPARE NOTES ON KISSING MY WIFE, 528 00:19:26,799 --> 00:19:28,568 NO, ACTUALLY, THERE'S BEEN A BIG MISUNDERSTANDING-- 529 00:19:28,668 --> 00:19:29,802 OH WHAT'S TO MISUNDERSTAND? 530 00:19:29,902 --> 00:19:31,838 YOU WERE BACKSTAGE, MAKING OUT WITH MY WIFE-- 531 00:19:31,938 --> 00:19:33,240 OKAY, I WAS BACKSTAGE, 532 00:19:33,340 --> 00:19:34,574 BUT I WASN'T WITH YOUR WIFE, ACTUALLY-- 533 00:19:34,674 --> 00:19:35,642 HI. 534 00:19:35,742 --> 00:19:37,377 MAGNIFICENT PARTY. 535 00:19:37,477 --> 00:19:38,845 RIGHT, HENRY? 536 00:19:39,946 --> 00:19:42,215 OKAY, CAN WE TALK TO YOU IN PRIVATE PLEASE? 537 00:19:42,315 --> 00:19:43,250 (Kyle) I DON'T GET IT, YOU KNOW? 538 00:19:43,350 --> 00:19:44,284 I TRIED EVERYTHING. 539 00:19:44,384 --> 00:19:46,286 YOU KNOW, THE LOOKS, THE DOUBLE ENTENDRES. 540 00:19:46,386 --> 00:19:47,420 AND NOTHING-- 541 00:19:47,520 --> 00:19:50,189 WELL, SOME WOMEN LIKE THE DIRECT APPROACH, YOU KNOW? 542 00:19:50,290 --> 00:19:52,325 JUST STEP UP, LOOK 'EM IN THE EYE, 543 00:19:52,425 --> 00:19:53,726 AND MAKE YOUR MOVE. 544 00:19:53,826 --> 00:19:55,127 YEAH, SEEMS A LITTLE CRUDE-- 545 00:19:55,228 --> 00:19:56,529 SOME WOMEN LIKE IT. 546 00:19:56,629 --> 00:19:58,331 (Kyle) ALL RIGHT. 547 00:19:59,499 --> 00:20:00,400 RIGHT? 548 00:20:00,500 --> 00:20:01,668 SURE. 549 00:20:04,904 --> 00:20:06,739 THERE'S ALL KINDS OF WOMEN. 550 00:20:08,375 --> 00:20:09,276 AND ALL KINDS OF MEN. 551 00:20:09,376 --> 00:20:11,744 OH BOY, YOU CAN SAY THAT AGAIN. 552 00:20:22,255 --> 00:20:23,590 HI. 553 00:20:25,425 --> 00:20:26,559 HI. 554 00:20:40,540 --> 00:20:43,242 AHHH! 555 00:20:45,945 --> 00:20:47,380 LYDIA, STOP IT! 556 00:20:47,480 --> 00:20:48,548 RON, WHAT ARE YOU DOING? 557 00:20:48,648 --> 00:20:50,182 WHAT DO YOU MEAN WHAT AM I DOING? 558 00:20:50,283 --> 00:20:52,285 YOU CALLED ME AN ACHIEVER, 559 00:20:52,385 --> 00:20:54,854 YOU SAID YOU WANTED SOMEBODY TO "STEP UP AND MAKE A MOVE," 560 00:20:54,954 --> 00:20:56,656 YOU CHECKED OUT MY ASS-- 561 00:20:56,756 --> 00:20:58,525 THERE WAS FROSTING ON YOUR PANTS-- 562 00:20:58,625 --> 00:20:59,959 IT'S GONE. 563 00:21:00,059 --> 00:21:02,629 OH GOD! OH GOD, 564 00:21:02,729 --> 00:21:03,863 OH, I'M SO SORRY-- 565 00:21:03,963 --> 00:21:05,965 JUST A MISUNDERSTANDING. 566 00:21:06,065 --> 00:21:07,334 IT WAS A TOTAL MISUNDERSTANDING. 567 00:21:07,434 --> 00:21:08,701 YEAH, OH GOD. 568 00:21:09,436 --> 00:21:11,304 IT'S KINDA FUNNY I GUESS. 569 00:21:11,404 --> 00:21:12,639 IT IS FUNNY. 570 00:21:12,739 --> 00:21:15,207 I FEEL BAD. 571 00:21:15,308 --> 00:21:16,509 LET'S KEEP THIS OUR LITTLE SECRET? 572 00:21:16,609 --> 00:21:18,645 YEAH LET'S NOT LET ANYBODY IN ON THIS ONE-- 573 00:21:19,579 --> 00:21:20,480 IT'LL BE OUR LITTLE SECRET. 574 00:21:20,580 --> 00:21:21,481 REALLY GOOD IDEA. 575 00:21:21,581 --> 00:21:22,682 HAVE YOU GUYS SEEN THE BOTTLE OPENER? 576 00:21:26,486 --> 00:21:27,887 UH-- 577 00:21:27,987 --> 00:21:28,888 WE WERE JUST-- 578 00:21:28,988 --> 00:21:29,922 TALKING. 579 00:21:30,022 --> 00:21:31,491 THANK YOU. 580 00:21:32,759 --> 00:21:34,226 YOU KNOW IT SAYS, 581 00:21:34,327 --> 00:21:36,363 "DO NOT RUB OR APPLY SAVS" 582 00:21:36,463 --> 00:21:37,397 SO DON'T DO THAT. 583 00:21:37,497 --> 00:21:38,931 I DON'T KNOW WHAT A SAV IS. 584 00:21:42,435 --> 00:21:44,371 YES, LYDIA DID SEE ME BACKSTAGE 585 00:21:44,471 --> 00:21:45,805 KISSING SOMEONE IN THE COSTUME-- 586 00:21:45,905 --> 00:21:47,707 AND THE POINT OF DRAGGING ME BACK HERE 587 00:21:47,807 --> 00:21:49,876 FOR THIS ROUNDABOUT EXPOSITION- 588 00:21:49,976 --> 00:21:51,511 WE'RE TRYING TO KEEP A SECRET-- 589 00:21:51,611 --> 00:21:53,312 YEAH AND IF YOU CONSIDER THE SPIRIT 590 00:21:53,413 --> 00:21:54,514 OF THE PLAY YOU'RE DOING, 591 00:21:54,614 --> 00:21:56,549 I THINK YOU'LL FIND IT VERY MUCH 592 00:21:56,649 --> 00:21:58,317 IN THE SPIRIT OF-- 593 00:21:58,418 --> 00:22:01,454 OKAY I WAS KISSING SOMEONE IN THE VEIL 594 00:22:01,554 --> 00:22:04,457 BUT IT WASN'T YOUR WIFE, YOU SEE, IT WAS-- 595 00:22:04,557 --> 00:22:05,525 ANOTHER ACTRESS. 596 00:22:05,625 --> 00:22:07,427 HEY. HI! 597 00:22:07,527 --> 00:22:09,929 NINA. OH HI LELAND-- 598 00:22:10,029 --> 00:22:12,465 HI, LOOKING FOR SOMEONE ELSE TO MAKE OUT WITH? 599 00:22:12,999 --> 00:22:14,934 NO, NO, NO, SEE IT WASN'T HER-- 600 00:22:15,034 --> 00:22:16,403 SORRY. 601 00:22:16,503 --> 00:22:17,804 BATHROOM BACKED UP AGAIN-- 602 00:22:17,904 --> 00:22:19,271 YOU SEE, THAT'S WHAT'S FUNNY, 603 00:22:19,372 --> 00:22:20,807 SHE DIDN'T MAKE OUT WITH ANYONE BACK-STAGE, 604 00:22:20,907 --> 00:22:22,341 THE WOMAN IN THE VEIL WAS-- 605 00:22:22,442 --> 00:22:23,676 IT WAS SOME STRAIGHT ACTRESS, 606 00:22:23,776 --> 00:22:25,277 WHOSE FACE IS PROBABLY ALL SCUFFED UP 607 00:22:25,378 --> 00:22:26,479 FROM THE STUBBLE-- 608 00:22:26,579 --> 00:22:28,848 AT LEAST DENY THAT YOU WERE BACKSTAGE MAKING OUT 609 00:22:28,948 --> 00:22:31,484 WITH SOME RANDOM PERSON. 610 00:22:33,085 --> 00:22:36,022 MARGUERITE IS NOT A RANDOM PERSON-- 611 00:22:36,122 --> 00:22:38,491 WAIT, WHAT? 612 00:22:38,591 --> 00:22:39,759 HER? 613 00:22:39,859 --> 00:22:41,594 WE HANG OUT ALL THE TIME, IT'S SO OBVIOUS. 614 00:22:41,694 --> 00:22:42,929 HOW COULD YOU NOT KNOW? 615 00:22:43,029 --> 00:22:44,597 I THOUGHT YOU WERE GETTING HER TO WRITE A CHECK-- 616 00:22:44,697 --> 00:22:46,032 AT LADIES KARAOKE NIGHT? 617 00:22:46,132 --> 00:22:48,835 OH I'M SORRY, SINCE WHEN DID LADIES KARAOKE NIGHT 618 00:22:48,935 --> 00:22:50,703 BECOME LESBIAN SCISSORING NIGHT? 619 00:22:50,803 --> 00:22:51,838 JESUS, NINA-- 620 00:22:51,938 --> 00:22:53,673 LIKE YOU HAVEN'T BEEN HAVING YOUR OWN AFFAIR. 621 00:22:53,773 --> 00:22:55,508 ALL THOSE LATE NIGHTS AT THE THEATER-- 622 00:22:55,608 --> 00:22:57,309 YES, TRYING TO KEEP US AFLOAT-- 623 00:22:57,410 --> 00:22:59,311 SHE'S OBVIOUSLY IN LOVE WITH YOU-- 624 00:22:59,412 --> 00:23:00,312 MONA? 625 00:23:00,413 --> 00:23:01,448 THAT'S PREPOSTEROUS! 626 00:23:01,548 --> 00:23:02,615 WELL THAT'S A SHAME, 627 00:23:02,715 --> 00:23:05,017 BECAUSE I'M MOVING IN WITH MARGUERITE-- 628 00:23:05,117 --> 00:23:06,619 YOU'D LEAVE ME FOR THE WOMAN 629 00:23:06,719 --> 00:23:08,721 WHO HAS DOOMED LYRE OF ORPHEUS? 630 00:23:08,821 --> 00:23:09,989 THIS THEATER IS YOUR LIFE! 631 00:23:10,089 --> 00:23:10,990 YOUR LIFE, LELAND. 632 00:23:11,090 --> 00:23:12,725 OPEN YOUR EYES-- 633 00:23:13,826 --> 00:23:15,127 HERE YOU ARE BEAUTIFUL. 634 00:23:19,432 --> 00:23:20,600 WHAT'S SO FUNNY? 635 00:23:23,736 --> 00:23:25,438 NOTHING. 636 00:23:26,105 --> 00:23:28,107 * 637 00:23:37,984 --> 00:23:40,453 MARGUERITE? 638 00:23:40,553 --> 00:23:41,521 SHE'S GAY? 639 00:23:41,621 --> 00:23:42,755 I KNOW. 640 00:23:42,855 --> 00:23:44,691 IT'S LIKE, ALL THESE LITTLE MISUNDERSTANDINGS 641 00:23:44,791 --> 00:23:46,893 ADDING UP TO THIS TRAGIC ENDING-- 642 00:23:48,461 --> 00:23:51,998 TOILET'S FIXED, MR. CORK. 643 00:23:52,098 --> 00:23:54,100 IT DOESN'T MATTER NOW. 644 00:23:54,200 --> 00:23:55,735 WE'RE BROKE. 645 00:23:55,835 --> 00:23:57,537 THE THEATER IS DONE FOR. 646 00:23:57,637 --> 00:23:58,871 THE THEATER? 647 00:23:58,971 --> 00:24:00,039 IT CAN'T-- 648 00:24:00,139 --> 00:24:01,474 HOW MUCH DO YOU NEED? 649 00:24:01,574 --> 00:24:03,910 MONA, YOU'RE A LEGAL SECRETARY. 650 00:24:04,010 --> 00:24:06,646 WE NEED 10,000 DOLLARS-- 651 00:24:06,746 --> 00:24:07,914 I HAVE ELEVEN-- 652 00:24:12,485 --> 00:24:15,121 HO, HO, HO, SOMEBODY HAD A WILD NIGHT. 653 00:24:15,221 --> 00:24:16,523 I THOUGHT WE WEREN'T GOING TO SAY ANYTHING-- 654 00:24:16,623 --> 00:24:17,524 NO. 655 00:24:17,624 --> 00:24:19,058 NOTHING HAPPENED WITH US IN THE KITCHEN. 656 00:24:19,158 --> 00:24:20,159 I WAS TALKING ABOUT HENRY. 657 00:24:20,259 --> 00:24:21,794 BACKSTAGE. 658 00:24:21,894 --> 00:24:22,795 BACKSTAGE? 659 00:24:22,895 --> 00:24:24,897 (Casey) WHAT, HENRY! 660 00:24:24,997 --> 00:24:26,699 I THOUGHT WE WEREN'T GOING TO SAY ANYTHING. 661 00:24:26,799 --> 00:24:28,000 I-- 662 00:24:28,668 --> 00:24:29,569 WAIT. 663 00:24:29,669 --> 00:24:30,903 BUT I-- I-- 664 00:24:31,003 --> 00:24:31,971 HOW DID-- I DIDN'T-- 665 00:24:32,071 --> 00:24:32,972 I THOUGHT-- YOU-- 666 00:24:33,072 --> 00:24:34,173 HE-- HE SAID-- 667 00:24:34,273 --> 00:24:35,542 YOU? YOU? 668 00:24:36,809 --> 00:24:39,011 THE THEATER IS SAVED! 669 00:24:39,912 --> 00:24:41,413 LYRE OF ORPHEUS LIVES! 670 00:24:41,514 --> 00:24:45,151 THE SHOW WILL GO ON! 671 00:24:48,087 --> 00:24:49,488 MAGNICIFENT! 672 00:24:50,189 --> 00:24:51,991 * 673 00:25:51,718 --> 00:25:52,619 ** 674 00:25:52,719 --> 00:25:54,320 TREE!