1
00:00:03,170 --> 00:00:05,371
(POLICE SIRENS WAIL)
2
00:00:11,645 --> 00:00:14,046
(POLICE SIRENS WAIL)
3
00:00:17,551 --> 00:00:21,220
(VEHICLES WHIR,
POLICE SIRENS WAIL)
4
00:00:28,129 --> 00:00:29,612
PARKER:
ATTENTION, SHOPPERS.
5
00:00:29,613 --> 00:00:31,096
MAY I HAVE YOUR ATTENTION
PLEASE.
6
00:00:31,098 --> 00:00:32,598
MY NAME IS
SERGEANT GREGORY PARKER
7
00:00:32,600 --> 00:00:34,733
WITH THE POLICE
STRATEGIC RESPONSE UNIT.
8
00:00:34,735 --> 00:00:36,802
THERE HAS BEEN A SECURITY
INCIDENT IN THE MALL
9
00:00:36,804 --> 00:00:41,540
AND WE ARE WORKING QUICKLY
TO ENSURE YOUR SAFETY.
10
00:00:42,777 --> 00:00:45,077
(PARKER SPEAKS INTO HEADSET)
'KAY, LET'S SWEEP AND CLEAR
WITH EXTREME CAUTION.
11
00:00:45,079 --> 00:00:47,546
SUBJECT IS ARMED
AND VOLATILE.
12
00:00:54,321 --> 00:00:56,088
SALESGIRL:
POLICE WANT EVERYBODY OUT NOW!
13
00:00:56,090 --> 00:00:58,457
CUSTOMERS:
(CONFUSED CHATTER)
14
00:01:00,428 --> 00:01:03,629
(SCUFFLE OF FEET
AND SQUEAK OF SHOES)
15
00:01:03,631 --> 00:01:07,699
SALESGIRL:
PLEASE HURRY!
ANYONE ELSE HERE?
16
00:01:15,076 --> 00:01:17,409
(CELL PHONE BUTTONS BEEP)
17
00:01:18,345 --> 00:01:21,146
(WEEPING QUIETLY,
PHONE RINGING)
18
00:01:23,117 --> 00:01:24,116
WOMAN:
TASHA?
19
00:01:24,118 --> 00:01:25,684
(SHAKY, TEARY BREATH)
20
00:01:25,686 --> 00:01:27,686
I JUST KILLED A GIRL.
21
00:01:27,688 --> 00:01:30,622
WOMAN:
TASHA! WHERE ARE YOU?
22
00:01:32,159 --> 00:01:33,659
SO...
23
00:01:33,661 --> 00:01:36,528
I JUST WANTED TO SAY...
(SNIVELLING)
24
00:01:38,299 --> 00:01:40,866
I JUST WANTED TO SAY
I'M SORRY.
25
00:01:42,636 --> 00:01:44,203
(DISTORTED SOUND
OF TAPE REWINDING)
26
00:01:45,139 --> 00:01:47,272
(CELL PHONE BUTTONS BEEP)
27
00:01:48,175 --> 00:01:50,309
JULES:
OH, HEY.
HOW'D IT GO LAST NIGHT?
28
00:01:50,311 --> 00:01:52,377
AW, I HAD HER IN THE PALM
OF MY HAND.
29
00:01:52,379 --> 00:01:54,213
CANDLES,
A LITTLE EGYPTIAN MUSK.
30
00:01:54,215 --> 00:01:56,415
SPIKE:
A LITTE BOOM-SHACKA-LACKA
ON THE IPOD.
31
00:01:56,417 --> 00:01:57,749
JULES:
SO WHAT WENT WRONG?
32
00:01:57,751 --> 00:01:59,562
LEWIS:
STEAKS.
33
00:01:59,563 --> 00:02:01,374
MIGHT AS WELL HAVE BEEN
COOKED IN MY SHOE.
34
00:02:01,375 --> 00:02:03,186
WORDSWORTH:
BUT I TOLD YOU BEFORE
ABOUT THE CHARCOAL GRILL.
35
00:02:03,190 --> 00:02:04,356
LEWIS:
YEAH.
36
00:02:04,357 --> 00:02:05,523
WORDSWORTH:
CHARCOAL? NO WONDER!
37
00:02:05,526 --> 00:02:07,192
YOU CAN'T CONTROL THE HEAT.
38
00:02:07,194 --> 00:02:09,211
GAS, ALL THE WAY,
39
00:02:09,212 --> 00:02:11,229
AND YOU MARINATE THE THING
OVERNIGHT.
40
00:02:11,232 --> 00:02:12,831
YEAH, YOU DO,
YOU MARINATE IT.
41
00:02:12,833 --> 00:02:14,433
ED:
YOU'RE GONNA BE LIKE THAT?
42
00:02:14,435 --> 00:02:16,168
T-BONE.
THERE'S A NICE CUT.
43
00:02:16,170 --> 00:02:17,402
WORDY: BE LIKE WHAT?
ED: MY STEAKS -
44
00:02:17,404 --> 00:02:19,138
NOTHING BUT THE JUICES
THEY'RE BORN IN.
45
00:02:19,140 --> 00:02:20,239
PARKER:
MARBLED WITH FAT.
46
00:02:20,241 --> 00:02:21,440
PORTERHOUSE,
RIBEYE...
47
00:02:21,442 --> 00:02:23,709
SOME OLIVE OIL,
TOMATO PASTE.
48
00:02:23,711 --> 00:02:24,776
(LAUGHS)
49
00:02:28,449 --> 00:02:31,250
(WATER RUNS NEARBY)
50
00:02:44,698 --> 00:02:46,765
(CLEANSING EXHALE)
51
00:02:47,768 --> 00:02:48,834
MOM?
52
00:02:52,373 --> 00:02:54,740
MOM, I GOTTA GO
TO WORK.
53
00:02:54,742 --> 00:02:57,342
VICKI:
WHAT TIME IS IT?
54
00:02:57,344 --> 00:02:59,378
IT'S ALMOST FIVE,
55
00:03:00,881 --> 00:03:03,248
I DON'T WANNA BE LATE.
56
00:03:03,250 --> 00:03:05,417
(GROANS)
57
00:03:06,353 --> 00:03:07,419
(WHINING)
TASHA...
58
00:03:11,425 --> 00:03:13,358
DINNER'S IN THE MICROWAVE.
59
00:03:13,360 --> 00:03:15,294
JUST GOTTA REMEMBER TO TAKE
THE TINFOIL OFF-
60
00:03:15,296 --> 00:03:16,895
I KNOW HOW TO DO IT.
61
00:03:19,733 --> 00:03:21,567
ARE YOU UP?
62
00:03:21,569 --> 00:03:23,969
OR... DO YOU WANT ME
TO SET AN ALARM?
63
00:03:23,971 --> 00:03:26,271
I'M FINE, ALL RIGHT?
64
00:03:26,273 --> 00:03:28,407
I JUST NEED ANOTHER HOUR.
65
00:03:34,748 --> 00:03:35,814
MOM...
66
00:03:38,619 --> 00:03:41,386
I KNOW IT CAN BE HARD
SOMETIMES,
67
00:03:41,388 --> 00:03:44,790
BUT IF YOU JUST GET UP,
YOU'RE GONNA FEEL BETTER.
68
00:03:44,792 --> 00:03:46,892
OKAY,
I KNOW YOU CAN DO THIS.
69
00:03:47,828 --> 00:03:49,494
NOT RIGHT NOW.
70
00:03:49,496 --> 00:03:50,562
PLEASE.
71
00:03:52,800 --> 00:03:53,865
OKAY.
72
00:03:56,904 --> 00:03:57,970
YEAH.
73
00:04:01,375 --> 00:04:03,375
SO, I'LL SEE YOU LATER?
74
00:04:04,912 --> 00:04:05,978
MM.
75
00:04:05,980 --> 00:04:09,982
(BASS OF HIP-HOP SONG THUDS,
LOW DIN OF CHATTER)
76
00:04:27,968 --> 00:04:29,801
GROUP OF GIRLS:
(INDISCERNIBLE CHATTER
AND COMMENTS OF DISLIKE)
77
00:04:29,803 --> 00:04:31,703
GIRL:
OH, WHAT'S HAPPENING?
78
00:04:31,705 --> 00:04:32,971
GIRL:
WE GOT A VISITOR!
79
00:04:32,973 --> 00:04:34,873
GIRLS:
WHAT'S GOIN' ON?
LIAR! LIAR!
80
00:04:34,875 --> 00:04:35,941
GIRL:
SLUT!
81
00:04:36,877 --> 00:04:37,943
STICKING AROUND,
LIAR?
82
00:04:37,945 --> 00:04:40,012
(HIP-HOP SONG CONTINUES)
83
00:04:46,720 --> 00:04:47,853
ED:
SAM, VEST.
84
00:04:47,855 --> 00:04:48,854
I JUST QUALIFIED.
85
00:04:48,856 --> 00:04:50,355
THAT WAS LAST WEEK.
COME ON.
86
00:04:50,357 --> 00:04:51,923
YOU START HANGIN' OUT
IN THE DONUT SHOP,
87
00:04:51,925 --> 00:04:53,525
WE'RE GONNA KNOW.
88
00:04:54,328 --> 00:04:55,727
(CELL PHONE RINGING)
89
00:04:55,729 --> 00:04:57,513
ED:
YOU GONNA GET THAT?
90
00:04:57,514 --> 00:04:59,298
JULES:
NONE OF YOUR BUSINESS.
91
00:04:59,300 --> 00:05:00,599
WHO IS IT?
92
00:05:00,601 --> 00:05:02,501
IT'S NO ONE.
ED.
93
00:05:02,503 --> 00:05:04,670
HELLO, JULES PHONE.
WHO'S THIS?
94
00:05:04,672 --> 00:05:05,837
TODD?
95
00:05:05,839 --> 00:05:07,773
OH, SCOTT! SCOTTY!
96
00:05:07,775 --> 00:05:09,741
OH, IT'S JUST SCOTT.
OKAY, SORRY.
97
00:05:09,743 --> 00:05:11,843
NO, IT'S EDWARD,
HER PERSONAL ASSISTANT.
98
00:05:11,845 --> 00:05:12,978
RIGHT.
99
00:05:12,980 --> 00:05:14,813
WELL, I WILL ASK HER.
100
00:05:14,815 --> 00:05:16,615
YOU, UH, YOU WANNA GO OUT
WITH HIM TONIGHT?
101
00:05:16,617 --> 00:05:18,684
YOU'RE...
IS THIS THE... SECOND DATE?
102
00:05:20,788 --> 00:05:22,487
IT'S THE THIRD?!
103
00:05:22,489 --> 00:05:24,022
SHE WOULD LOVE TO SEE YOU AGAIN,
SCOOTER.
104
00:05:24,024 --> 00:05:26,458
LL ASK HER.
HOLLERAN:
CALLAGHAN, 125.
105
00:05:26,460 --> 00:05:28,327
MOVIE?
106
00:05:28,329 --> 00:05:30,362
YOU KNOW WHAT, WE CAN'T DO THAT,
WE'RE-WE'RE WORKING LATE.
107
00:05:30,364 --> 00:05:32,631
(STAMMERING)
WHAT ABOUT UH... BOWLING?
108
00:05:32,633 --> 00:05:34,216
RIGHT.
109
00:05:34,217 --> 00:05:35,800
EXCELLENT!
I'LL HAVE HER CALL YOU.
110
00:05:35,803 --> 00:05:37,502
THANK YOU, SIR.
BYE.
111
00:05:37,504 --> 00:05:38,770
HOLLERAN:
BRADDOCK, 180.
112
00:05:38,772 --> 00:05:39,771
WHAT'S THE WORD?
113
00:05:39,773 --> 00:05:41,440
SORRY, GREG.
YOU'RE IT.
114
00:05:41,442 --> 00:05:43,508
PARKER: WHAT?
WORDSWORTH: OH, AN OUTRAGE!
115
00:05:43,510 --> 00:05:46,345
PARKER:
COME ON, I DEMAND A REWEIGHING.
116
00:05:46,347 --> 00:05:48,914
HOLLERAN:
YOU'RE FIRST, MR. WORDSWORTH.
LET'S GO, YOU'RE FIRST UP.
117
00:05:48,916 --> 00:05:50,482
COME ON, BOSS,
YOU AND ME.
118
00:05:50,484 --> 00:05:51,783
LET'S GO, CHUBBY.
119
00:05:51,785 --> 00:05:53,852
LEWIS:
IF YOU CAN DRAG
THE HEAVIEST GUY,
120
00:05:53,853 --> 00:05:55,920
YOU CAN SAVE EVERYBODY
ON YOUR TEAM.
121
00:05:55,923 --> 00:05:57,723
PARKER:
OKAY...
122
00:05:57,725 --> 00:05:59,458
ALL RIGHT, BE GENTLE!
123
00:05:59,460 --> 00:06:00,659
YOU'RE GONNA HURT ME
MORE THAN IT HURTS YOU,
124
00:06:00,661 --> 00:06:01,793
YOU KNOW THAT, RIGHT?
125
00:06:01,795 --> 00:06:03,628
(BOOTS CLOMP)
126
00:06:04,565 --> 00:06:05,564
SAM:
(IMPRESSED CLAPPING)
YEAH!
127
00:06:05,566 --> 00:06:06,598
OH!
128
00:06:07,534 --> 00:06:09,101
SAM:
YEAH, JULES!
129
00:06:10,537 --> 00:06:11,770
WHAT? THAT WAS GREAT.
130
00:06:11,772 --> 00:06:13,138
SHE JUST MOVED LIKE 250 POUNDS.
131
00:06:13,140 --> 00:06:15,124
I WAS BEING SUPPORTIVE.
132
00:06:15,125 --> 00:06:17,109
HEY, REMEMBER WHAT YOU SAW,
A GIRL JUST SAVED YOUR LIFE.
133
00:06:20,481 --> 00:06:22,013
WOMAN:
YOU DON'T HAVE
TO CLOSE TONIGHT.
134
00:06:22,015 --> 00:06:23,582
I CAN DO IT.
135
00:06:23,584 --> 00:06:25,684
YOU LOOK TIRED.
136
00:06:25,685 --> 00:06:27,785
TASHA:
NO, IT'S MY TURN,
I'LL CLOSE.
137
00:06:28,922 --> 00:06:30,389
JACKIE, I'M FINE.
138
00:06:30,391 --> 00:06:33,692
JACKIE:
IT'S BEEN TWO WEEKS NOW
LIKE THIS.
139
00:06:33,694 --> 00:06:35,727
WHAT IS GOING ON?
140
00:06:36,530 --> 00:06:37,596
TASH.
141
00:06:39,566 --> 00:06:42,567
MOM'S A NIGHTMARE,
SCHOOL'S WORSE...
142
00:06:42,569 --> 00:06:43,635
SAME OLD.
143
00:06:44,438 --> 00:06:46,638
CAN I TAKE MY BREAK NOW?
144
00:06:47,608 --> 00:06:49,007
YEAH. SURE.
145
00:06:50,043 --> 00:06:51,777
I'LL BE HERE.
146
00:06:53,747 --> 00:06:55,614
(LOW HUM OF MALL CHATTER)
147
00:07:08,929 --> 00:07:11,797
(DOOR CLICKS OPEN
AND THUDS SHUT)
148
00:07:14,635 --> 00:07:15,834
HEY, TASHA.
149
00:07:15,836 --> 00:07:17,986
I GOTTA GO.
150
00:07:17,987 --> 00:07:20,137
BRIANNA:
TASHA DOESN'T WASH HER HANDS
AFTER SHE GOES TO THE BATHROOM.
151
00:07:20,140 --> 00:07:21,706
SPREADING HER GERMS
EVERYWHERE.
152
00:07:21,708 --> 00:07:23,809
YEAH, JUST LIKE HER LIES.
153
00:07:24,678 --> 00:07:26,478
(TURNS FAUCET ON)
154
00:07:26,480 --> 00:07:28,747
SO WHY'D YOU DO IT,
TASHA?
155
00:07:28,749 --> 00:07:30,215
(TOILED FLUSHES,
GIRL SHUSHES BRIANNA)
156
00:07:34,087 --> 00:07:35,620
(HURRIED FOOTSTEPS,
DOOR OPENS)
157
00:07:35,622 --> 00:07:39,157
WHY'D YOU OPEN YOUR MOUTH
TO THE COPS?
158
00:07:39,159 --> 00:07:40,892
CASSAUNDRA:
YO, IS SHE IGNORING YOU?
159
00:07:40,894 --> 00:07:42,527
ASHLEY:
SHE SAID,
160
00:07:42,529 --> 00:07:44,896
(SPEAKING SLOWLY
WHY... DID YOU LIE...
161
00:07:44,898 --> 00:07:46,898
TO THE COPS?
162
00:07:46,900 --> 00:07:48,066
IT WASN'T A LIE.
163
00:07:49,002 --> 00:07:51,236
(WHIMPERS,
RESOUNDING THUD)
164
00:07:51,238 --> 00:07:54,606
BRIANNA:
NO WAY MICHAEL
WOULD DO THAT.
165
00:07:54,608 --> 00:07:56,208
BELIEVE WHAT YOU WANT.
MY BREAK IS OVER.
166
00:07:56,210 --> 00:07:58,877
BRIANNA:
OH, YOU GOTTA GO, HUH?
167
00:07:58,879 --> 00:08:00,245
(FRIGHTENED YELP)
168
00:08:05,686 --> 00:08:06,718
GIRL:
IN THE HEAD!
169
00:08:06,720 --> 00:08:08,053
(PAINED GRUNTS,
HARD PUNCHES)
170
00:08:08,055 --> 00:08:09,688
GIRL:
PUNCH HER!
171
00:08:09,690 --> 00:08:10,689
(GRUNT OF EFFORT)
172
00:08:10,691 --> 00:08:11,690
BRIANNA:
GRAB HER ARMS.
173
00:08:11,692 --> 00:08:12,691
BRING HER OVER HERE!
174
00:08:12,693 --> 00:08:14,593
TASHA:
GET OFF OF ME!
175
00:08:14,595 --> 00:08:15,861
GET OFF OF ME!
176
00:08:15,863 --> 00:08:17,229
GIRL:
HOLD STILL!
177
00:08:17,231 --> 00:08:19,731
TASHA:
NO, STOP IT!
178
00:08:20,667 --> 00:08:22,067
(SCISSORS SNIP)
179
00:08:22,069 --> 00:08:24,202
BRIANNA:
WHEN WE'RE DONE WITH YOU,
180
00:08:24,204 --> 00:08:26,238
NO ONE WILL WANNA GET
WITH YOU EVER AGAIN.
181
00:08:26,240 --> 00:08:27,639
TASHA: HELP!
CASSAUNDRA: SHUT UP!
182
00:08:27,641 --> 00:08:28,874
TASHA:
HELP ME PLEASE!
183
00:08:28,876 --> 00:08:30,876
BRIANNA:
KEEP HER MOUTH SHUT!
184
00:08:30,878 --> 00:08:32,744
CASSAUNDRA:
AY! BITCH!
185
00:08:32,746 --> 00:08:34,946
CASSAUNDRA, WATCH THE DOOR.
186
00:08:34,948 --> 00:08:36,515
TASHA:
NO! NO!
187
00:08:36,517 --> 00:08:38,917
(CRYING OUT IN PROTEST)
188
00:08:39,853 --> 00:08:41,903
(CRYING)
NO! PLEASE!
189
00:08:41,904 --> 00:08:43,954
CASSAUNDRA:
OH, YOU LOOK SO MUCH BETTER
ALREADY.
190
00:08:43,957 --> 00:08:46,958
TASHA:
(PITIFUL CRIES)
191
00:08:46,960 --> 00:08:49,094
SOMEBODY HELP ME!
192
00:08:49,096 --> 00:08:50,962
BRIANNA:
SHUT UP!
193
00:08:50,964 --> 00:08:52,664
(PLEASED)
OH...
194
00:08:52,666 --> 00:08:54,299
TASHA:
(SOBBING)
195
00:08:55,235 --> 00:08:56,568
BRIANNA:
OH NO...
196
00:08:56,570 --> 00:08:58,570
LOOK AT HER.
197
00:08:59,306 --> 00:09:00,572
(GRUNTS)
198
00:09:00,574 --> 00:09:02,073
BRIANNA:
SEE, THIS?
199
00:09:02,075 --> 00:09:04,209
THIS IS NOTHING COMPARED
TO WHAT I'M GONNA DO TO YOU
200
00:09:04,211 --> 00:09:07,746
IF YOU EVER LIE
TO THE COPS AGAIN.
201
00:09:07,748 --> 00:09:09,214
(GASPS)
202
00:09:09,216 --> 00:09:12,284
OR MAYBE WE SHOULD
JUST DO THIS NOW?
203
00:09:13,687 --> 00:09:14,920
MICHAEL'S HEAT?
204
00:09:14,922 --> 00:09:16,588
YOU HAD IT COMIN'.
205
00:09:16,590 --> 00:09:18,990
NOW NOBODY HAS TO LOOK AT HER
NASTY LITTLE FACE AGAIN.
206
00:09:18,992 --> 00:09:21,560
(GIRLS GIGGLE,
TASHA GRUNTS)
207
00:09:21,562 --> 00:09:23,728
ERIN:
BRIANNA!
(GUN CLATTERS)
208
00:09:23,730 --> 00:09:25,664
BRIANNA!
209
00:09:25,666 --> 00:09:27,732
(GUNSHOT BLASTS, GIRL GRUNTS,
CASSAUNDRA GASPS)
210
00:09:36,810 --> 00:09:38,109
OH MAN.
211
00:09:38,111 --> 00:09:39,911
OH MAN!
212
00:09:39,912 --> 00:09:41,712
BRIANNA:
COME ON, WE HAVE TO GO!
WE HAVE TO GO RIGHT NOW!
213
00:09:41,715 --> 00:09:43,915
WHAT ABOUT CASSAUNDRA?!
WE CAN'T LEAVE HER HERE!
214
00:09:43,917 --> 00:09:45,150
WE GOT NO CHOICE!
215
00:09:45,152 --> 00:09:47,118
WE FIND TASHA RIGHT NOW
AND WE KILL HER.
216
00:09:48,055 --> 00:09:49,854
LET'S GO!
217
00:10:02,169 --> 00:10:12,210
¶¶¶
218
00:10:12,212 --> 00:10:17,182
¶¶¶
219
00:10:17,184 --> 00:10:30,395
¶¶¶
220
00:10:33,767 --> 00:10:35,734
SALLY:
TEAM ONE, GEAR UP.
PARADISE SQUARE.
221
00:10:35,736 --> 00:10:37,202
SHOTS FIRED.
UNKNOWN SUBJECT.
222
00:10:37,204 --> 00:10:40,038
FIRST RESPONDENT,
ESTABLISH A PERIMETER.
223
00:10:40,040 --> 00:10:41,106
(SIRENS WAILING)
224
00:10:53,920 --> 00:10:55,387
PARKER: HEAD OF SECURITY?
SECURITY GUARD: YES, SIR.
225
00:10:55,389 --> 00:10:56,388
SECURITY GUARD:
ALL THE EXITS ARE LOCKED.
226
00:10:56,390 --> 00:10:58,290
THAT'S GOOD.
227
00:10:58,291 --> 00:11:00,191
YOU PROBABLY TRAPPED
OUR SHOOTER, OR SHOOTERS.
228
00:11:00,193 --> 00:11:02,661
ALONG WITH ABOUT FOUR
OR FIVE HUNDRED CIVILIANS.
229
00:11:02,663 --> 00:11:03,762
SECURITY GUARD:
THE MALL EMPLOYEES
ARE ON ALERT,
230
00:11:03,764 --> 00:11:04,796
BUT SHOPPERS ARE STARTING
TO REALIZE
231
00:11:04,798 --> 00:11:06,364
THEY CAN'T GET OUT.
232
00:11:06,366 --> 00:11:07,666
GOT ANYTHING ELSE?
233
00:11:07,668 --> 00:11:08,867
SECURITY GUARD:
THAT'S IT.
234
00:11:08,868 --> 00:11:10,067
PARKER: I'M GONNA NEED YOUR PA.
SECURITY GUARD: YOU GOT IT.
235
00:11:10,070 --> 00:11:11,069
LET'S FIND OUT "WHO"
236
00:11:11,071 --> 00:11:12,704
AND "WHAT"
WE'RE DEALING WITH.
237
00:11:14,174 --> 00:11:15,373
WHAT DO YOU GOT,
LEW?
238
00:11:15,375 --> 00:11:17,208
GANG.
239
00:11:17,210 --> 00:11:19,811
NUMBERS ON HER ARM.
240
00:11:19,813 --> 00:11:21,613
ED:
DEFINITELY NOT RANDOM.
241
00:11:21,614 --> 00:11:23,414
PARKER:
ALL RIGHT, LEW,
YOU'RE GONNA BE WITH ME.
242
00:11:26,887 --> 00:11:28,720
ED:
JULES AND SAM,
TAKE A LOOK AT THE SCENE.
243
00:11:28,722 --> 00:11:30,266
JULES AND SAM:
YOU GOT IT.
SIR.
244
00:11:30,267 --> 00:11:31,811
PARKER: SPIKE, WORDY, WITNESSES.
WORDY: COPY.
245
00:11:31,812 --> 00:11:33,356
PARKER:
HEY, BUDDY, WE'RE GONNA NEED
FULL ACCESS TO FLOOR PLANS
246
00:11:33,360 --> 00:11:35,860
AND CCTV FOOTAGE
FOR THE LAST 30 MINUTES.
247
00:11:35,862 --> 00:11:36,995
SECURITY GUARD:
NO PROBLEM.
FOLLOW ME.
248
00:11:36,997 --> 00:11:39,698
SECURITY OFFICE,
TOP FLOOR.
249
00:11:39,700 --> 00:11:42,100
(ELEVATOR DOOR WHIRS SHUT)
250
00:11:42,102 --> 00:11:43,468
(ELEVATOR BUZZES)
251
00:11:48,709 --> 00:11:51,009
NEEDLE IN A HAYSTACK.
252
00:11:57,184 --> 00:11:58,249
TASHA:
(WHIMPERING)
253
00:12:08,028 --> 00:12:09,427
(QUIVERING CRIES)
254
00:12:14,034 --> 00:12:16,000
CRITICAL INCIDENT,
PARADISE SQUARE.
255
00:12:16,002 --> 00:12:19,471
SHOT FIRED 7:51 PM,
ESTABLISHING COMMAND POST.
256
00:12:19,473 --> 00:12:21,005
ED:
START SWEEPING
STREET LEVEL.
257
00:12:21,007 --> 00:12:22,507
WORDSWORTH:
COPY THAT.
258
00:12:22,509 --> 00:12:24,909
SALLY, CALL IN TEAM TWO.
259
00:12:24,911 --> 00:12:26,328
SALLY:
COPY.
260
00:12:26,329 --> 00:12:27,746
ED:
WE'RE GONNA NEED
EXTRA COPPERS
261
00:12:27,748 --> 00:12:29,280
ON THE ESCALATORS,
THE ELEVATORS,
262
00:12:29,282 --> 00:12:31,316
AND THE STREET PARKING.
263
00:12:33,186 --> 00:12:34,252
(POLICE TAPE RUSTLES)
264
00:12:35,789 --> 00:12:37,889
BUT YOU DON'T KNOW WHETHER
IT WAS THREE OR FOUR GIRLS
265
00:12:37,891 --> 00:12:39,290
THAT RAN PAST YOU
ON THE STAIRS?
266
00:12:39,292 --> 00:12:40,592
SPIKE:
'KAY, NOW THINK BACK,
267
00:12:40,593 --> 00:12:41,893
TRY TO NARROW IT DOWN
A LITTLE BIT.
268
00:12:41,894 --> 00:12:43,194
I MEAN, THESE KIDS,
WERE THEY ABOUT THIS BIG?
269
00:12:43,196 --> 00:12:44,195
THIS BIG?
270
00:12:44,197 --> 00:12:45,563
(BABY CRIES)
271
00:12:45,564 --> 00:12:46,930
I DON'T, I DON'T KNOW
WHAT I SAW.
272
00:12:46,931 --> 00:12:48,297
WORDY:
IT'S ALL RIGHT.
IT'S OKAY.
273
00:12:48,298 --> 00:12:49,664
SPIKE:
ALL RIGHT, THANKS.
THANKS VERY MUCH.
274
00:12:49,665 --> 00:12:51,031
WORDSWORTH:
BOSS, WITNESSES SAW TEENAGERS
275
00:12:51,037 --> 00:12:52,937
BOLT OUT OF THE RESTROOM
AND THEN UP THE STAIRS.
276
00:12:52,939 --> 00:12:54,906
THREE TEENAGE GIRLS.
FOUR TEENAGE GIRLS.
277
00:12:54,908 --> 00:12:57,542
THREE GIRLS AND A BOY.
COULD BE SEVEN ORANGUTANS.
278
00:12:57,544 --> 00:12:59,177
PARKER:
HOW ABOUT A LITTLE LESS
INFORMATION
279
00:12:59,179 --> 00:13:00,979
AND A LITTLE MORE
INTELLIGENCE?
280
00:13:00,981 --> 00:13:02,180
SPIKE:
COPY.
281
00:13:02,182 --> 00:13:03,348
LEW, YOU CRACK THE TAT?
282
00:13:03,350 --> 00:13:04,716
LEWIS:
NO, NOT YET.
283
00:13:04,717 --> 00:13:06,083
WORDSWORTH:
SARGE, WE'RE STARTING
THE SWEEP,
284
00:13:06,084 --> 00:13:07,450
BUT WE GOT PEOPLE MOVING
ALL OVER THE PLACE.
285
00:13:07,451 --> 00:13:08,817
HOW ABOUT A LITTLE
CROWD CONTROL?
286
00:13:08,822 --> 00:13:10,097
PARKER:
NEGATIVE. NOT YET.
287
00:13:10,098 --> 00:13:11,373
OUR SHOOTERS
MIGHT STILL THINK
288
00:13:11,374 --> 00:13:12,649
THEY'RE GETTING OUT OF HERE
TONIGHT.
289
00:13:12,650 --> 00:13:13,925
AND, IF I ANNOUNCE OUR PRESENCE
TO THE WHOLE MALL,
290
00:13:13,927 --> 00:13:15,393
WE'LL HAVE MASS PANIC;
291
00:13:15,394 --> 00:13:16,860
THEY MIGHT TRY TO FIRE
THEIR WAY OUT.
292
00:13:16,863 --> 00:13:18,346
THEY'RE DORMANT,
WE WAIT.
293
00:13:18,347 --> 00:13:19,830
PARKER:
YEAH. GIMME MORE "WHO"
AND "WHY".
294
00:13:19,833 --> 00:13:21,800
WORDSWORTH:
COPY THAT.
295
00:13:21,802 --> 00:13:23,802
'KAY. OUR VICTIM'S TATTOO
WAS A NUMBER.
296
00:13:23,804 --> 00:13:24,869
23318523.
297
00:13:26,439 --> 00:13:28,373
IT'S CODE FOR "W-CREW".
298
00:13:28,375 --> 00:13:30,208
WINCHESTER CREW.
NICE, LEW.
299
00:13:30,210 --> 00:13:32,177
JULES, SAM,
WHAT DO YOU GOT?
300
00:13:32,179 --> 00:13:35,346
SINGLE BULLET HOLE.
LOOKS LIKE A .38.
301
00:13:35,348 --> 00:13:37,282
THERE WAS ALSO A STRAY BACKPACK
LEFT BEHIND,
302
00:13:37,284 --> 00:13:39,284
BUT THERE'S NO WALLET
OR APPARENT ID.
303
00:13:39,286 --> 00:13:40,351
ED:
ALL RIGHT.
304
00:13:40,353 --> 00:13:42,487
COPY THAT.
WE'LL GET K-9 DOWN.
305
00:13:42,489 --> 00:13:43,989
JULES:
SARGE.
306
00:13:43,990 --> 00:13:45,490
PARKER:
YEAH, JULES.
307
00:13:45,492 --> 00:13:48,860
THERE'S BLOOD ON THE FLOOR,
BLOND HAIR.
308
00:13:48,862 --> 00:13:50,962
I'M GUESSING MAKEOVER,
I'M GUESSING FEMALE,
309
00:13:50,964 --> 00:13:53,031
AND I'M GUESSING
THAT IT WAS NOT VOLUNTARY.
310
00:13:53,033 --> 00:13:55,366
LEWIS:
I'VE CHECKED SECURITY PHOTOS
OF KNOWN GANG MEMBERS.
311
00:13:55,368 --> 00:13:56,734
SHE'S NOT UP HERE,
312
00:13:56,735 --> 00:13:58,101
BUT SHE'S DEFINITELY
WINCHESTER CREW.
313
00:13:58,104 --> 00:13:59,470
SO IF HER SHOOTER'S
IN A RIVAL GANG,
314
00:13:59,472 --> 00:14:02,006
WE'RE LOOKING
AT A HIGH-RISK SUBJECT.
315
00:14:02,008 --> 00:14:04,042
NOT AVERSE TO HANDS-ON VIOLENCE.
316
00:14:04,044 --> 00:14:08,213
JULES:
COULD BE INTER-GANG STUFF,
VENDETTA MAYBE, BUT...
317
00:14:08,215 --> 00:14:10,348
I DON'T KNOW, I'M THINKING THAT
THERE'S ANOTHER VICTIM HERE
318
00:14:10,350 --> 00:14:11,916
AND IT FEELS PERSONAL TO ME.
319
00:14:11,918 --> 00:14:13,451
WELL, IT'S NOT RANDOM.
IT'S NOT TROLLEY SQUARE.
320
00:14:13,453 --> 00:14:16,454
POSSIBLE GRUDGE MATCH.
OKAY, TIME TO GO WIDE.
321
00:14:16,456 --> 00:14:18,256
KURLANSKY:
GO AHEAD.
322
00:14:19,259 --> 00:14:20,425
PARKER:
ATTENTION SHOPPERS,
323
00:14:20,427 --> 00:14:22,627
MAY I HAVE YOUR ATTENTION
PLEASE.
324
00:14:22,629 --> 00:14:24,262
MY NAME IS
SERGEANT GREGORY PARKER,
325
00:14:24,264 --> 00:14:26,397
WITH THE POLICE
STRATEGIC RESPONSE UNIT.
326
00:14:26,399 --> 00:14:28,333
THERE'S BEEN A SECURITY
INCIDENT IN THE MALL
327
00:14:28,335 --> 00:14:31,336
AND WE ARE WORKING QUICKLY
TO ENSURE YOUR SAFETY.
328
00:14:31,338 --> 00:14:34,272
BUT YOU CAN HELP US
BY EXITING ALL SHOPS
329
00:14:34,274 --> 00:14:37,976
AND CALMLY WALKING TOWARD
THE CENTRAL AREAS OF THE MALL.
330
00:14:37,978 --> 00:14:39,577
ONCE IN THE CENTRAL AREAS,
331
00:14:39,579 --> 00:14:41,980
KINDLY SIT ON THE FLOOR
332
00:14:41,982 --> 00:14:44,315
AND CLASP YOUR HANDS
BEHIND YOUR HEAD.
333
00:14:44,317 --> 00:14:47,018
THIS'LL MAKE OUR JOB
MUCH EASIER, MUCH FASTER,
334
00:14:47,020 --> 00:14:48,887
AND WE CAN ALL GET OUT OF HERE.
335
00:14:48,889 --> 00:14:49,954
THANK YOU.
336
00:14:50,891 --> 00:14:53,024
(HUM OF CONFUSED MURMURS)
337
00:14:53,026 --> 00:14:54,359
ERIN:
BRI, COME ON,
WE GOTTA GET OUT OF HERE.
338
00:14:54,361 --> 00:14:55,894
YO, LOCKDOWN.
339
00:14:55,896 --> 00:14:57,528
IT DOESN'T MATTER,
EITHER WAY.
340
00:14:57,530 --> 00:14:59,564
WE HAVE TO FIND TASHA NOW.
341
00:14:59,566 --> 00:15:01,466
LOOK AT YOUR ARM, ERIN.
342
00:15:01,468 --> 00:15:03,167
WHAT IF YOU WERE TWO INCHES
TO THE RIGHT?
343
00:15:03,169 --> 00:15:04,168
BRI, COME ON.
344
00:15:04,170 --> 00:15:05,637
THIS IS ON US.
345
00:15:05,639 --> 00:15:07,605
ALL RIGHT. CREW FINDS OUT
WE DIDN'T DEAL WITH THIS,
346
00:15:07,607 --> 00:15:09,474
WE'RE THE ONES
THEY'RE GONNA BLAME.
347
00:15:09,476 --> 00:15:11,175
SO YOU WANNA LIVE
YOUR LIFE?
348
00:15:11,177 --> 00:15:13,978
HUH?!
YOU WANNA LIVE YOUR LIFE?
349
00:15:13,980 --> 00:15:15,580
NOTHING'S CHANGED.
350
00:15:15,582 --> 00:15:17,649
WE KILL TASHA. NOW.
351
00:15:22,188 --> 00:15:24,022
(DOG SNIFFS AND PANTS)
352
00:15:25,492 --> 00:15:27,058
K-9'S GOT A SCENT.
353
00:15:27,060 --> 00:15:29,027
PARKER:
ALL RIGHT, LET THE DOGS GO.
354
00:15:29,029 --> 00:15:31,529
JULES, PAINT ME A PICTURE.
355
00:15:31,531 --> 00:15:33,631
OKAY, TEXTBOOK, GRADE 11.
356
00:15:33,633 --> 00:15:36,601
JUNCTION HIGH,
NO NAME.
357
00:15:36,603 --> 00:15:39,404
FEW BOOKS -
SHE'S A READER.
358
00:15:40,340 --> 00:15:41,706
KEY CHAIN, TWO KEYS.
359
00:15:41,708 --> 00:15:44,475
SALLY, GET ME NAMES OF KIDS
AT JUNCTION STREET HIGH
360
00:15:44,477 --> 00:15:46,945
WITH KNOWN GANG ASSOCIATION.
361
00:15:46,947 --> 00:15:48,012
SALLY:
COPY.
362
00:15:49,115 --> 00:15:50,114
SERGEANT,
WE GOT IT.
363
00:15:50,116 --> 00:15:51,416
ED:
THERE'S OUR .38.
364
00:15:51,418 --> 00:15:53,685
PARKER:
ROLL IT BACK.
365
00:15:54,955 --> 00:15:56,020
(COMPUTER BEEPS)
366
00:15:59,092 --> 00:16:00,692
PARKER:
MM-MM.
367
00:16:04,197 --> 00:16:05,263
THERE.
368
00:16:06,633 --> 00:16:08,533
FREEZE IT THERE.
369
00:16:09,469 --> 00:16:11,235
LEWIS, CHECK THOSE IMAGES
AGAINST THE WALL.
370
00:16:11,237 --> 00:16:13,471
(COMPUTER KEYS CLACK,
COMPUTER BEEPS)
371
00:16:13,472 --> 00:16:15,706
TEAM ONE, WE GOT FOUR FEMALES:
ONE SHOOTER, THREE WITNESSES.
372
00:16:15,709 --> 00:16:18,242
5'4 TO 5'8,
JEANS AND HOODIES.
373
00:16:18,244 --> 00:16:19,677
SWEEP AND CLEAR.
FAST IS GOOD.
374
00:16:19,679 --> 00:16:20,979
FAN OUT FROM THE HOT SPOT.
375
00:16:20,981 --> 00:16:22,981
JULES AND SAM,
NORTH END.
376
00:16:22,983 --> 00:16:24,082
JULES AND SAM:
COPY.
377
00:16:24,084 --> 00:16:26,117
ED:
WORDY, SPIKE, SOUTH.
378
00:16:26,119 --> 00:16:28,019
WORDSWORTH AND SPIKE:
COPY.
379
00:16:28,021 --> 00:16:29,754
THEY'RE ALL HOODRATS, SARGE.
IT'S HARD TO SAY.
380
00:16:29,756 --> 00:16:31,940
ED:
THEN YOU'RE WITH ME.
LET'S GO.
381
00:16:31,941 --> 00:16:34,125
PARKER:
SALLY, NAMES OF FEMALE
WINCHESTER CREW FIRST
382
00:16:34,127 --> 00:16:36,527
AND PUT DR. LURIA ON STANDBY.
383
00:16:39,632 --> 00:16:40,698
TASHA:
(SOBBING)
384
00:16:46,239 --> 00:16:48,039
(BREATHING FASTER)
385
00:16:52,278 --> 00:16:53,344
(SOBBING)
386
00:16:58,651 --> 00:17:00,685
WORDSWORTH:
EYES ON POSSIBLE
PRIMARY SUBJECT,
387
00:17:00,687 --> 00:17:02,387
LOWER LEVEL,
NEAR THE ESCALATOR,
388
00:17:02,389 --> 00:17:03,905
PROCEEDING NORTH.
389
00:17:03,906 --> 00:17:05,422
ED:
COPY THAT.
STAY CONCEALED UNTIL MY GO.
390
00:17:05,425 --> 00:17:07,725
JULES:
COPY. CAN'T SEE HER YET,
ON OUR WAY.
391
00:17:07,727 --> 00:17:09,660
CAREFUL, GUYS.
SUBJECT IS ARMED.
392
00:17:17,570 --> 00:17:19,437
ED:
I SEE HER.
STANDBY.
393
00:17:19,439 --> 00:17:23,674
WHEN SHE REACHES THE CENTRE,
VERBALS ON MY GO.
394
00:17:23,676 --> 00:17:25,543
(SHAKY, DISTRAUGHT BREATHS)
395
00:17:28,381 --> 00:17:29,447
(GASPS)
396
00:17:31,484 --> 00:17:34,152
(RAPID SUCCESSION OF GUNSHOTS,
GLASS SHATTERS)
397
00:17:36,723 --> 00:17:38,189
GO, GO, GO, GO!
398
00:17:38,191 --> 00:17:40,658
SHOPPERS:
(PANICKED SCREAMING)
399
00:17:41,428 --> 00:17:43,461
PARKER:
ALL UNITS!
400
00:17:43,462 --> 00:17:45,495
ALL UNITS, TIGHTEN PERIMETER
AROUND LOWER CONCOURSE AREA,
401
00:17:45,498 --> 00:17:47,465
NEAR THE MARKET.
402
00:17:47,466 --> 00:17:49,433
WE'VE GOT AN ACTIVE SHOOTER,
CIVILIANS! MOVE!
403
00:17:49,436 --> 00:17:51,235
(PANICKED SCREAMING)
404
00:17:53,606 --> 00:17:55,473
GO! GO, GO, GO!
405
00:17:56,576 --> 00:17:58,509
SAM:
OUT OF THE WAY!
COME ON, MOVE! MOVE!
406
00:18:03,383 --> 00:18:05,383
WORDY AND LEWIS:
NO JOY. NO JOY.
407
00:18:05,385 --> 00:18:06,717
NO JOY.
408
00:18:06,719 --> 00:18:07,585
NO JOY.
409
00:18:07,587 --> 00:18:08,319
NO JOY.
410
00:18:08,321 --> 00:18:10,521
ED:
BOSS, WE'VE LOST SIGHT HER.
411
00:18:10,522 --> 00:18:12,722
KEEP YOUR EYES ON THE CAMERA,
KEEP THE EXITS TIGHT.
412
00:18:12,725 --> 00:18:14,525
WORDY, WHERE ARE YA?
413
00:18:15,728 --> 00:18:19,564
WORDSWORTH:
I'VE GOT A SUBJECT,
NORTH OF YOU.
414
00:18:22,135 --> 00:18:23,568
BOTH:
(GRUNT ON IMPACT)
415
00:18:23,570 --> 00:18:25,636
HOLD STILL.
OKAY, COME ON.
416
00:18:25,638 --> 00:18:27,772
ERIN:
(STRUGGLING GRUNTS)
417
00:18:28,408 --> 00:18:30,174
ONE IN CUSTODY.
418
00:18:30,176 --> 00:18:32,643
WORDY, GOOD JOB.
LEWIS, GET HER UP HERE FAST.
419
00:18:32,645 --> 00:18:34,879
SARGE,
WE GOT A PROBLEM.
420
00:18:34,881 --> 00:18:36,647
WE NEED EVERYONE OUT
WHERE WE CAN SEE 'EM,
421
00:18:36,649 --> 00:18:39,450
BUT UH...
BUT THEY'RE SPOOKED.
422
00:18:39,452 --> 00:18:41,419
YOU FEEL LIKE TALKING DOWN
A CROWD OF ABOUT 500
423
00:18:41,421 --> 00:18:42,587
OVER THE PA SYSTEM?
424
00:18:42,589 --> 00:18:44,522
YEAH. COPY THAT.
HELP ME OUT?
425
00:18:44,524 --> 00:18:45,590
KURLANSKY:
YEAH.
426
00:18:46,326 --> 00:18:47,492
(PA SWITCH CLICKS)
427
00:18:47,494 --> 00:18:48,759
CAN I HAVE YOUR ATTENTION,
PLEASE.
428
00:18:48,761 --> 00:18:50,661
AGAIN,
THIS IS GREGORY PARKER
429
00:18:50,663 --> 00:18:52,897
WITH THE STRATEGIC
RESPONSE UNIT.
430
00:18:52,899 --> 00:18:54,765
WHILE I UNDERSTAND THAT
YOU'RE FRIGHTENED,
431
00:18:54,767 --> 00:18:58,369
I MUST INSIST ON
YOUR IMMEDIATE COOPERATION.
432
00:18:58,371 --> 00:19:00,116
SHOPKEEPERS...
433
00:19:00,117 --> 00:19:01,862
ASHLEY:
WE GOTTA DITCH THE GUN
AND GET SOME CLOTHES.
434
00:19:01,863 --> 00:19:03,608
PARKER:
...BACK OUT OF THE STORES
IMMEDIATELY.
435
00:19:03,610 --> 00:19:05,193
WHERE'S ERIN?
436
00:19:05,194 --> 00:19:06,777
PARKER:
SHOPPERS, PLEASE,
437
00:19:06,779 --> 00:19:08,779
CALMLY WALK TO THE CENTRAL AREA
438
00:19:08,781 --> 00:19:10,915
AND FORM A SINGLE LINE.
439
00:19:10,917 --> 00:19:12,517
WE'LL LET YOU OUT SHORTLY.
440
00:19:12,519 --> 00:19:14,385
SALESGIRL:
POLICE WANT EVERYONE OUT NOW!
441
00:19:14,387 --> 00:19:16,571
PARKER:
AGAIN, THANK YOU
FOR YOUR PATIENCE
442
00:19:16,572 --> 00:19:18,756
AS WE INVESTIGATE
THIS INCIDENT.
443
00:19:20,360 --> 00:19:22,160
SALESGIRL:
QUICKLY. COME ON.
444
00:19:22,162 --> 00:19:25,229
PLEASE HURRY!
ANYONE ELSE HERE?
445
00:19:26,599 --> 00:19:29,267
(WEEPING QUIETLY
AND SNIVELLING)
446
00:19:36,609 --> 00:19:37,675
(SOBBING)
447
00:20:02,802 --> 00:20:04,969
'KAY, LET'S SWEEP AND CLEAR
WITH EXTREME CAUTION,
448
00:20:04,971 --> 00:20:07,672
SUBJECT IS ARMED AND VOLATILE.
449
00:20:07,674 --> 00:20:09,840
KIDDIE KIDSWEAR SECURE.
450
00:20:09,842 --> 00:20:10,741
LEWIS:
COPY.
451
00:20:10,743 --> 00:20:12,343
FIFTEEN-YEAR-OLD GIRLS.
452
00:20:12,345 --> 00:20:13,578
ONE DAY THEY'RE PLAYING
WITH BARBIES,
453
00:20:13,580 --> 00:20:15,513
THE NEXT IT'S A SEMI.
454
00:20:15,515 --> 00:20:17,548
BETTER TO BE IN THE GANG
THAN TO GET BEAT UP BY THE GANG.
455
00:20:17,550 --> 00:20:19,217
"TALL GIRL" SECURE.
456
00:20:19,219 --> 00:20:20,284
LEWIS:
COPY.
457
00:20:22,522 --> 00:20:23,888
8:48 PM,
458
00:20:23,890 --> 00:20:25,423
SERGEANT PARKER INTERVIEWS
ERIN PERRETTI.
459
00:20:30,597 --> 00:20:32,430
HERE, TAKE IT.
460
00:20:32,432 --> 00:20:34,232
IN YOUR HANDS.
461
00:20:35,902 --> 00:20:37,335
YOU KNOW HER,
RIGHT, ERIN?
462
00:20:37,337 --> 00:20:38,936
WHAT'S HER NAME?
463
00:20:39,872 --> 00:20:41,872
TASHA REDFORD.
464
00:20:41,873 --> 00:20:43,873
TASHA REDFORD.
THANK YOU VERY MUCH, ERIN.
465
00:20:43,876 --> 00:20:45,810
SHE GO TO SCHOOL?
466
00:20:45,812 --> 00:20:47,478
YEAH, SHE GOES
TO JUNCTION STREET.
467
00:20:47,480 --> 00:20:49,513
PARKER:
LEWIS, CALL DR. LURIA.
468
00:20:49,515 --> 00:20:50,982
(CELL PHONE RINGS)
469
00:20:51,918 --> 00:20:55,253
HELLO, DOC, WE FINALLY GOT
A NAME ON OUR PRIMARY SUBJECT,
470
00:20:55,255 --> 00:20:57,288
TASHA REDFORD.
JUNCTION STREET HIGH.
471
00:20:57,290 --> 00:20:58,523
DR. LURIA:
TOUGH SCHOOL.
472
00:20:58,524 --> 00:20:59,757
YOU GOT A HOME ADDRESS
FOR ME YET?
473
00:20:59,759 --> 00:21:01,359
HOLD ON.
474
00:21:01,361 --> 00:21:02,760
SALLY, I NEED YOU
TO RUN THAT NAME -
475
00:21:02,762 --> 00:21:04,629
TASHA REDFORD -
WE'RE LOOKING FOR AN ADDRESS.
476
00:21:04,631 --> 00:21:06,131
SALLY:
COPY.
477
00:21:06,132 --> 00:21:07,632
PARKER:
I WANT YOU TO KNOW YOU'RE BEING
VERY CO-OPERATIVE, ERIN,
478
00:21:07,634 --> 00:21:10,001
AND I REALLY APPRECIATE THAT.
479
00:21:11,738 --> 00:21:13,388
WE'RE JUST THERE,
IN THE BATHROOM,
480
00:21:13,389 --> 00:21:15,039
GOING ABOUT OUR BUSINESS,
YOU KNOW?
481
00:21:15,041 --> 00:21:17,541
AND THEN SHE COMES IN,
TASHA'S PULLING OUT A GUN,
482
00:21:17,543 --> 00:21:19,010
SHE'S LIKE A PSYCHOPATH
OR SOMETHING.
483
00:21:19,012 --> 00:21:20,278
MM.
484
00:21:20,280 --> 00:21:23,514
ERIN:
SHE KILLED CASSAUNDRA.
485
00:21:23,516 --> 00:21:24,582
SHOT ME IN THE ARM, TOO.
486
00:21:24,584 --> 00:21:25,850
SHE DID, HUH?
487
00:21:26,786 --> 00:21:29,520
MIND IF I TAKE A LOOK?
488
00:21:29,522 --> 00:21:30,988
I MEAN, ERIN,
YOU MIGHT NEED A BANDAGE
489
00:21:30,990 --> 00:21:32,723
OR SOMETHING.
490
00:21:36,562 --> 00:21:38,329
OKAY, ERIN,
NOW YOU'RE GONNA GIVE US
491
00:21:38,331 --> 00:21:40,931
THE NAMES
OF ALL YOUR FRIENDS.
492
00:21:40,933 --> 00:21:43,601
I'M ASSUMING THEY'RE
WINCHESTER CREW TOO, RIGHT?
493
00:21:43,603 --> 00:21:45,936
SO TAKE A LOOK
AT THE BOARD HERE;
494
00:21:45,938 --> 00:21:48,472
YOU RECOGNIZE ANYBODY?
495
00:21:53,646 --> 00:21:54,812
LEWIS:
HMM.
496
00:21:54,814 --> 00:21:56,414
BRIANNA TULLEY.
497
00:21:56,416 --> 00:21:57,899
I DIDN'T SAY THAT!
498
00:21:57,900 --> 00:21:59,383
PARKER:
SO, NOW, LET'S TALK
ABOUT WHAT HAPPENED
499
00:21:59,385 --> 00:22:02,019
AFTER YOU GAVE TASHA
THE HAIRCUT.
500
00:22:03,323 --> 00:22:04,822
JULES:
THESE GIRLS ARE TOUGH AS NAILS.
501
00:22:04,824 --> 00:22:06,357
THEY HOLD THE GUNS,
THE DRUGS;
502
00:22:06,359 --> 00:22:08,459
THEIR BOYFRIENDS GET IN TROUBLE,
THEY TAKE THE FALL.
503
00:22:08,461 --> 00:22:10,495
SAM:
SO WHAT,
SHE MOVES UP THE RANKS?
504
00:22:10,496 --> 00:22:12,530
JULES:
YEAH. MAYBE SHE DOESN'T
HAVE TO DO ALL THOSE BOOTY-CALLS
505
00:22:12,532 --> 00:22:15,333
FOR ALL HER BOYFRIEND'S BUDDIES.
506
00:22:21,674 --> 00:22:24,742
(SCANNER WHIRS)
507
00:22:31,718 --> 00:22:33,918
POLICE! COME OUT NOW
WITH YOUR HANDS ON YOUR HEAD.
508
00:22:40,426 --> 00:22:41,659
BOY:
OKAY, WE'RE COMIN'.
WE'RE COMIN'.
509
00:22:41,661 --> 00:22:43,861
JULES:
OUT! COME ON.
510
00:22:46,399 --> 00:22:47,732
COME ON.
511
00:22:47,733 --> 00:22:49,066
ALL RIGHT, YOU GUYS GO OUT
WITH THE OTHERS.
512
00:22:49,068 --> 00:22:50,901
SAM:
HEY! AFTER YOU PUT
THE CAMERAS BACK.
513
00:22:56,542 --> 00:22:58,075
(STORE ALARM BEEPS)
514
00:23:06,886 --> 00:23:08,386
BRI,
WE GOTTA DUMP IT.
515
00:23:08,388 --> 00:23:10,054
UNH-UNH.
MICHAEL GOT IT FROM DEE-MAC.
516
00:23:10,056 --> 00:23:12,340
I LOST A GUN ALREADY,
517
00:23:12,341 --> 00:23:14,625
HE'LL KILL ME
IF I DON'T BRING IT BACK.
518
00:23:14,627 --> 00:23:16,494
I DON'T KNOW YOU.
GO SIT DOWN.
519
00:23:16,496 --> 00:23:17,561
SIT.
520
00:23:32,044 --> 00:23:34,078
MY STORES ARE SECURE.
HEADLINES, BOSS?
521
00:23:34,080 --> 00:23:36,714
PARKER:
THE GIRL WITH THE HAIRCUT
IS TASHA REDFORD.
522
00:23:36,716 --> 00:23:38,516
THESE GIRLS
ARE ALL THE SAME GANG.
523
00:23:38,518 --> 00:23:39,884
EXCEPT FOR TASHA REDFORD.
524
00:23:39,886 --> 00:23:41,118
THAT'S NOT CONFIRMED.
525
00:23:41,120 --> 00:23:42,653
ED:
INITIATION GONE WRONG?
526
00:23:42,655 --> 00:23:44,522
THAT SCENE IN THE WASHROOM?
527
00:23:44,524 --> 00:23:46,524
THAT GIRL'S NOT A FOLLOWER;
SHE FOUGHT BACK.
528
00:23:46,526 --> 00:23:48,692
MAYBE THEY'RE AFTER HER
FOR SOMETHING.
529
00:23:48,694 --> 00:23:50,494
COOL.
(CELL PHONE BEEPS OFF)
530
00:23:50,496 --> 00:23:52,463
BOSS, I GOT TASHA REDFORD'S
NAME FLAGGED
531
00:23:52,465 --> 00:23:54,532
ON AN ATTEMPTED RAPE.
532
00:23:55,501 --> 00:24:00,104
GUY NAMED MICHAEL DONACOSTA,
WHO IS... THAT GUY.
533
00:24:01,040 --> 00:24:02,673
TASHA WENT TO THE COPS
ABOUT THAT GUY?
534
00:24:02,675 --> 00:24:03,741
LEWIS:
YEAH.
535
00:24:04,911 --> 00:24:07,445
WELL, I SMELL THE REVENGE
A MILE AWAY.
536
00:24:07,447 --> 00:24:09,113
HEY, JULES,
YOU WERE RIGHT ABOUT TASHA.
537
00:24:09,115 --> 00:24:10,147
GOOD JOB.
538
00:24:10,149 --> 00:24:12,616
(CELL PHONE BEEPS,
RINGING)
539
00:24:15,488 --> 00:24:17,688
TASHA'S MOTHER'S VOICE:
REDFORD HOUSE.
LEAVE A MESSAGE.
540
00:24:17,690 --> 00:24:20,057
(ANSWERING MACHINE BEEPS,
SHAKY INHALE)
541
00:24:20,059 --> 00:24:23,027
MOM...
542
00:24:23,029 --> 00:24:24,762
ARE YOU THERE?
MOM?
543
00:24:28,000 --> 00:24:29,967
OH, PICK UP THE PHONE,
PLEASE.
544
00:24:29,969 --> 00:24:32,102
PLEASE, PICK UP THE PHONE.
545
00:24:33,039 --> 00:24:34,104
(SNIVELS)
546
00:24:37,844 --> 00:24:38,909
OKAY.
547
00:24:42,548 --> 00:24:44,515
I LOVE YOU.
548
00:24:46,719 --> 00:24:47,985
(BEEPS PHONE OFF)
549
00:24:47,986 --> 00:24:49,252
PROPERTY MANAGER:
IF YOU'RE LOOKING
FOR TASHA'S MOM,
550
00:24:49,255 --> 00:24:50,654
TRY THE BAR.
551
00:24:50,656 --> 00:24:52,857
(CAR ALARM WAILS
IN THE DISTANCE)
552
00:24:52,859 --> 00:24:54,625
QUITE THE WELCOME MAT.
553
00:24:57,163 --> 00:24:58,929
(DOOR SQUEAKS OPEN)
554
00:25:28,628 --> 00:25:30,261
(LIGHT SWITCH CLICKS)
555
00:25:40,673 --> 00:25:42,806
(QUIET CHATTER OF MALL PATRONS)
556
00:25:51,284 --> 00:25:54,085
COP:
HOLD IT THERE.
557
00:25:54,086 --> 00:25:56,887
(SECURITY ALARM BEEPS,
MALL PATRONS SCREAM IN PANIC)
558
00:25:56,889 --> 00:25:57,955
(GUTTURAL GRUNT)
559
00:25:58,891 --> 00:26:00,958
(FIREARM CLICKS,
HUFFY BREATHS)
560
00:26:04,330 --> 00:26:05,663
MALL PATRONS:
(PANICKED SCREAMS)
561
00:26:05,665 --> 00:26:07,197
I DON'T THINK SO.
562
00:26:07,199 --> 00:26:09,300
HANDS ON YOUR HEAD.
TURN AROUND.
563
00:26:09,302 --> 00:26:11,068
COME ON.
564
00:26:11,070 --> 00:26:12,169
THAT'S IT.
565
00:26:12,171 --> 00:26:13,337
(APPROACHING FOOTSTEPS)
566
00:26:14,273 --> 00:26:15,839
GET THIS TO FORENSICS.
567
00:26:15,841 --> 00:26:17,107
BAG HER HANDS
FOR RESIDUE.
568
00:26:17,109 --> 00:26:18,776
WE DIDN'T DO NOTHIN'.
569
00:26:18,778 --> 00:26:20,978
YOU DIDN'T DO
"ANYTHING".
570
00:26:20,980 --> 00:26:23,280
GET 'EM UP TO PARKER.
571
00:26:29,822 --> 00:26:32,089
OKAY.
THANKS, DOC.
572
00:26:32,091 --> 00:26:34,325
SINGLE MOM,
DRINKING PROBLEM.
573
00:26:34,327 --> 00:26:36,961
MULTIPLE CALLS
TO FAMILY SERVICES.
574
00:26:36,963 --> 00:26:38,329
KID KEEPS HER ROOM TIDY,
575
00:26:38,331 --> 00:26:39,863
BUT REST OF THE PLACE
IS A DISASTER.
576
00:26:39,865 --> 00:26:41,048
WELL, THAT'S GOOD,
577
00:26:41,049 --> 00:26:42,232
SHE'S TRYING TO CONTROL
HER OWN SPACE;
578
00:26:42,234 --> 00:26:44,301
STILL HAS HOPE
FOR THE FUTURE.
579
00:26:50,743 --> 00:26:53,877
(JACKIE'S CELL PHONE RINGS)
580
00:26:53,879 --> 00:26:54,912
TASHA!
581
00:26:54,914 --> 00:26:55,980
(SOBBING)
582
00:26:56,749 --> 00:26:58,749
I JUST KILLED A GIRL.
583
00:26:58,751 --> 00:27:01,785
JACKIE:
TASHA, WHERE ARE YOU?
584
00:27:03,122 --> 00:27:04,788
SO...
585
00:27:04,790 --> 00:27:06,790
I JUST WANTED TO SAY...
586
00:27:08,327 --> 00:27:11,695
(SNIVELLING)
I JUST WANTED TO SAY I'M SORRY.
587
00:27:12,632 --> 00:27:15,666
JACKIE:
TASHA, WHERE ARE YOU?
588
00:27:16,235 --> 00:27:19,637
THANK YOU FOR BEING
SO NICE TO ME.
589
00:27:19,639 --> 00:27:21,005
JACKIE:
I CAN HELP YOU.
590
00:27:21,007 --> 00:27:23,374
I'LL COME GET YOU.
591
00:27:23,376 --> 00:27:24,742
BYE, JACKIE.
592
00:27:24,744 --> 00:27:26,243
JACKIE:
TASHA.
593
00:27:26,245 --> 00:27:27,311
(CELL PHONE BEEPS OFF)
594
00:27:33,386 --> 00:27:35,919
THERE'S A GIRL;
SHE'S IN TROUBLE.
595
00:27:46,098 --> 00:27:48,165
(SOBBING PITIFULLY)
596
00:27:52,071 --> 00:27:53,103
JULES:
POLICE!
597
00:27:53,105 --> 00:27:54,738
ANYBODY STILL IN HERE?
598
00:27:54,740 --> 00:27:56,206
(PANICKED BREATHS)
599
00:28:25,337 --> 00:28:27,304
PARKER:
'KAY, TEAM, LISTEN UP.
600
00:28:27,306 --> 00:28:29,773
PRIMARY SUBJECT
WORKS IN THIS MALL.
601
00:28:29,775 --> 00:28:31,909
SHE WAS ON SHIFT
AT ONE OF THE KIOSKS
602
00:28:31,911 --> 00:28:33,410
EARLIER THIS EVENING.
603
00:28:33,412 --> 00:28:34,478
COPY, BOSS.
604
00:28:53,499 --> 00:28:56,100
(DOORS THUD AS THEY'R OPENED)
605
00:29:06,846 --> 00:29:09,012
(HARD BANG)
606
00:29:09,949 --> 00:29:12,950
JULES:
FOUND THE .38
IN THE FITTING ROOM.
607
00:29:12,952 --> 00:29:14,635
SHE'S GONE.
608
00:29:14,636 --> 00:29:16,319
LEWIS:
SHE PROBABLY KNOWS THIS MALL
INSIDE OUT.
609
00:29:16,322 --> 00:29:18,355
JULES:
TRACKING HEAT PRINTS.
610
00:29:18,357 --> 00:29:19,423
(TRACKER HUMS)
611
00:29:26,198 --> 00:29:28,866
(TRACKER CLICKS OFF,
SAM EXHALES)
612
00:29:33,005 --> 00:29:34,538
(VENT SQUEAKS OPEN)
613
00:29:36,909 --> 00:29:38,242
LEWIS:
LET'S GO.
614
00:29:41,080 --> 00:29:45,149
PARKER:
STEP RIGHT UP, LADIES.
RIGHT HERE.
615
00:29:46,852 --> 00:29:51,355
YOU KNOW THIS GUY, RIGHT?
MICHAEL DONACOSTA?
616
00:29:51,357 --> 00:29:54,558
MICHAEL DONACOASTA?
617
00:30:00,232 --> 00:30:01,565
SAM:
HUH.
618
00:30:01,567 --> 00:30:04,067
THERE'S NO WAY
I'LL BE ABLE TO FIT.
619
00:30:04,069 --> 00:30:05,068
I'LL FIND ANOTHER WAY.
620
00:30:07,306 --> 00:30:08,839
JULES:
OKAY.
621
00:30:08,840 --> 00:30:10,373
(GUN RATTLES,
METALLIC CLANK OF VENTS)
622
00:30:12,244 --> 00:30:14,511
(GUN RATTLES ON FLOOR)
623
00:30:16,916 --> 00:30:19,316
TASHA'S A GOOD KID,
SHE WORKS HARD.
624
00:30:19,318 --> 00:30:22,853
SHE'S NOT IN A GANG,
SHE'S NOT DOIN' DRUGS.
625
00:30:22,855 --> 00:30:24,855
SHE'S TRYING TO DO IT
THE RIGHT WAY,
626
00:30:24,857 --> 00:30:27,457
WHICH IS HARD WHEN YOU LIVE
WHERE SHE LIVES.
627
00:30:27,459 --> 00:30:29,560
IT'S KIDS LIKE THAT
THEY SHOULD GIVE MEDALS TO.
628
00:30:29,562 --> 00:30:30,561
PARKER:
JULES, YOU GET THAT?
629
00:30:30,563 --> 00:30:31,829
JULES:
COPY.
630
00:30:38,404 --> 00:30:41,872
(METALLIC CLANG
OF FOOTSTEPS ON STAIRS)
631
00:30:45,978 --> 00:30:47,511
JULES:
TASHA, STOP!
632
00:30:48,948 --> 00:30:50,547
(HOLLOW METALLIC CLANGING)
633
00:30:50,549 --> 00:30:52,516
JULES: STOP, TASHA!
TASHA: GET AWAY FROM ME!
634
00:30:52,518 --> 00:30:55,085
(METALLIC CLANG OF FOOTSTEPS)
635
00:30:56,522 --> 00:30:58,922
(ASCENDING FOOTSTEPS CLANG)
636
00:31:19,511 --> 00:31:20,577
(PANICKED)
637
00:31:22,214 --> 00:31:23,447
(CRYING)
638
00:31:23,449 --> 00:31:24,982
(HURRIED FOOTSTEPS THUD
AGAINST METAL SURFACE)
639
00:31:24,984 --> 00:31:26,383
GET AWAY FROM ME!
640
00:31:33,926 --> 00:31:34,692
(GRUNT OF EFFORT)
641
00:31:34,693 --> 00:31:35,459
(INTO HEADSET)
SHE'S OUT ON A LEDGE.
642
00:31:38,163 --> 00:31:40,230
(LOW WHIR OF TRAFFIC)
643
00:31:43,602 --> 00:31:45,469
ED:
WHERE ARE YOU?
644
00:31:45,471 --> 00:31:47,204
SAM:
THE MEDIA TOWER.
LEVEL 8.
645
00:31:47,206 --> 00:31:48,672
THE EDGE FACING
YONGE STREET.
646
00:31:48,674 --> 00:31:50,674
(BREATHING HEAVILY)
647
00:31:51,477 --> 00:31:53,310
ED:
JULES, WE'RE ON OUR WAY UP.
648
00:31:53,312 --> 00:31:57,381
JULES, DON'T GO FACE TO FACE
IF SHE'S ARMED.
649
00:31:57,383 --> 00:31:59,449
NO VISIBLE WEAPON.
JUST THE GIRL,
650
00:31:59,451 --> 00:32:01,618
AND THE PAVEMENT
200-FEET BELOW.
651
00:32:01,620 --> 00:32:03,553
SPIKE:
EXCUSE ME. EXCUSE ME.
652
00:32:03,555 --> 00:32:05,956
THERE! EVERYBODY MOVE BACK!
653
00:32:05,958 --> 00:32:07,441
LEWIS: BACK IT UP!
SPIKE: GET BACK! BACK!
654
00:32:07,442 --> 00:32:08,925
LEWIS:
BACK IT UP!
CLEAR THE AREA!
655
00:32:08,928 --> 00:32:09,960
SPIKE:
EVERYBODY BACK!
656
00:32:09,962 --> 00:32:11,295
(BREATHING HEAVILY)
657
00:32:13,299 --> 00:32:15,132
YOU UP TO INTERVENTION?
658
00:32:15,134 --> 00:32:16,550
COPY.
659
00:32:16,551 --> 00:32:17,967
PARKER:
OKAY, YOU'RE TALKING
TO A VICTIM
660
00:32:17,970 --> 00:32:19,470
OF AN ATTEMPTED RAPE.
661
00:32:19,471 --> 00:32:20,971
SHE WAS BRUTALIZED
IN RETALIATION
662
00:32:20,973 --> 00:32:22,506
FOR GOIN' TO THE COPS.
663
00:32:22,508 --> 00:32:24,341
SHE'S GOT NO HOME SUPPORT.
664
00:32:24,343 --> 00:32:27,077
BUT FROM WHAT LURIA SAYS,
SHE WAS HOLDING ON,
665
00:32:27,079 --> 00:32:28,378
SHE WAS DOING EVERYTHING
SHE COULD
666
00:32:28,380 --> 00:32:30,213
TO KEEP HER LIFE TOGETHER.
667
00:32:30,215 --> 00:32:31,581
ALL RIGHT?
AND I'M HERE IF YOU NEED ME.
668
00:32:33,552 --> 00:32:34,584
JULES:
TASHA?
669
00:32:36,555 --> 00:32:38,155
MY NAME IS JULES.
670
00:32:38,157 --> 00:32:40,290
(BREATHING HEAVILY)
671
00:32:43,128 --> 00:32:44,194
TASHA?
672
00:32:46,131 --> 00:32:48,131
YOU DON'T HAVE
TO TALK TO ME,
673
00:32:48,133 --> 00:32:50,067
BUT I WOULD REALLY LIKE IT
IF YOU WOULD.
674
00:32:51,003 --> 00:32:55,138
I'M NOT HERE TO HURT YOU;
I'M HERE TO HELP.
675
00:32:57,409 --> 00:33:00,344
I'M JUST GONNA STEP CLOSER,
SO THAT YOU CAN HEAR ME BETTER.
676
00:33:02,147 --> 00:33:04,348
I'M STEPPING CLOSER.
677
00:33:05,017 --> 00:33:07,084
(SNIVELLING)
678
00:33:08,587 --> 00:33:09,653
JULES:
GOOD.
679
00:33:11,156 --> 00:33:13,523
SO...
THANKS FOR NOT JUMPING.
680
00:33:17,262 --> 00:33:20,097
ARE YOU THINKING
YOU MIGHT?
681
00:33:22,101 --> 00:33:25,102
WELL, I'M SORRY TO HEAR THAT.
682
00:33:25,471 --> 00:33:28,105
YOU KNOW, I'VE NEVER SEEN
SOMEBODY WHO'S READY TO DIE
683
00:33:28,107 --> 00:33:31,441
PUT UP SUCH AN AWESOME FIGHT
TO STAY ALIVE.
684
00:33:33,178 --> 00:33:34,244
YEAH.
685
00:33:40,019 --> 00:33:42,419
CAN YOU TELL ME
WHAT HAPPENED TODAY?
686
00:33:42,421 --> 00:33:43,487
WITH THOSE GIRLS?
687
00:33:46,025 --> 00:33:47,491
WHY DON'T YOU ASK THEM?
688
00:33:47,493 --> 00:33:49,593
(QUIET METALLIC JINGLING)
689
00:33:52,297 --> 00:33:53,563
(CLAMP CLANKS AGAINST RAIL)
690
00:33:53,565 --> 00:33:55,632
THEY GAVE YOU QUITE A HAIRCUT,
DIDN'T THEY?
691
00:33:55,634 --> 00:33:58,235
(CRIES PITIFULLY)
692
00:34:02,775 --> 00:34:04,775
(GASPING BREATHS)
693
00:34:05,677 --> 00:34:09,212
I THOUGHT THEY WERE
GONNA KILL ME.
694
00:34:09,214 --> 00:34:11,314
I KNOW. I KNOW.
695
00:34:11,316 --> 00:34:13,683
YOU WERE REALLY SCARED,
WEREN'T YOU?
696
00:34:13,685 --> 00:34:16,153
THEY THINK I LIED
TO THE COPS...
697
00:34:16,155 --> 00:34:18,288
ABOUT BRIANNA'S BOYFRIEND,
698
00:34:18,290 --> 00:34:20,524
ABOUT WHAT HE DID TO ME.
699
00:34:20,526 --> 00:34:22,292
BUT YOU DIDN'T,
DID YOU?
700
00:34:22,294 --> 00:34:23,293
YOU DIDN'T.
701
00:34:23,295 --> 00:34:26,163
(SHAKILY)
IT DOESN'T MATTER.
702
00:34:26,165 --> 00:34:27,197
(BREAKS DOWN CRYING)
IT DOESN'T MATTER.
703
00:34:27,199 --> 00:34:29,299
TASHA, IT MATTERS.
704
00:34:29,301 --> 00:34:30,767
IT DOES MATTER.
705
00:34:31,703 --> 00:34:34,371
IT WAS SO BRAVE,
WHAT YOU DID.
706
00:34:35,174 --> 00:34:37,340
YOU TOLD THE TRUTH
ABOUT WHAT HAPPENED TO YOU.
707
00:34:37,342 --> 00:34:38,708
YOU STOOD UP TO THAT GUY.
708
00:34:38,710 --> 00:34:40,243
YOU FOUGHT BACK.
709
00:34:43,582 --> 00:34:46,183
SAME WITH THOSE GIRLS.
710
00:34:46,185 --> 00:34:48,585
COME ON, TASHA,
STAY WITH ME.
711
00:34:48,587 --> 00:34:49,653
STAY WITH ME.
712
00:34:54,126 --> 00:34:56,493
I KILLED A GIRL TODAY.
713
00:34:57,463 --> 00:34:58,728
PARKER:
THAT'S NEGATIVE.
THE GIRL'S IN SURGERY.
714
00:34:58,730 --> 00:35:00,530
SHE'S DOING FINE.
715
00:35:03,569 --> 00:35:05,735
NO YOU DIDN'T.
716
00:35:05,737 --> 00:35:07,337
YOU DIDN'T.
717
00:35:07,339 --> 00:35:08,989
YOU DID NOT KILL ANYONE.
718
00:35:08,990 --> 00:35:10,640
THE DOCTORS ARE FIXING HER
RIGHT NOW.
719
00:35:10,642 --> 00:35:12,442
SHE'S GONNA BE OKAY.
720
00:35:13,712 --> 00:35:15,378
YEAH.
721
00:35:15,380 --> 00:35:16,780
COME ON, TASHA.
722
00:35:16,782 --> 00:35:19,850
PLEASE,
WILL YOU GIVE ME YOUR HAND?
723
00:35:19,852 --> 00:35:21,451
LET'S CLIMB OVER.
724
00:35:21,820 --> 00:35:24,321
I CAN'T.
I CAN'T!
725
00:35:24,323 --> 00:35:26,590
I CAN'T,
I'M DEAD ANYWAY.
726
00:35:26,592 --> 00:35:29,292
TASHA, I KNOW THAT
IT FEELS LIKE THAT.
727
00:35:29,294 --> 00:35:30,727
I KNOW,
BUT YOU'RE NOT.
728
00:35:30,729 --> 00:35:31,795
(CRYING)
729
00:35:31,797 --> 00:35:34,631
IT IS.
IT'S JUST HOW IT IS.
730
00:35:35,801 --> 00:35:39,503
I CAN'T GO TO SCHOOL,
I CAN'T GO TO WORK,
731
00:35:39,505 --> 00:35:40,871
I CAN'T GO HOME.
732
00:35:40,873 --> 00:35:42,339
FOR WHAT?
733
00:35:43,442 --> 00:35:45,375
MY MOM?!
I GOT NOBODY!
734
00:35:45,377 --> 00:35:47,277
I HAVE NOBODY!
735
00:35:47,279 --> 00:35:48,812
YOU DON'T UNDERSTAND!
736
00:35:48,814 --> 00:35:50,380
YOU DON'T HOW IT IS.
(BREAKS DOWN CRYING)
737
00:35:50,382 --> 00:35:54,651
OKAY, ACTUALLY, TASHA -
LOOK AT ME, LOOK AT ME! -
738
00:35:54,653 --> 00:35:55,785
I DO UNDERSTAND.
739
00:35:55,787 --> 00:35:58,255
ACTUALLY, I DO.
I DO.
740
00:35:58,257 --> 00:36:00,423
AND THAT'S WHY I'M STANDING
RIGHT HERE.
741
00:36:00,425 --> 00:36:02,626
THAT'S WHY I'M HERE.
OKAY?
742
00:36:03,562 --> 00:36:04,861
AND I WANT YOU
TO TAKE MY HAND
743
00:36:04,863 --> 00:36:07,497
AND I WANNA HELP YOU OVER,
744
00:36:07,499 --> 00:36:10,734
AND YOU ARE GONNA
GET THROUGH THIS.
745
00:36:10,736 --> 00:36:13,320
IT MIGHT FEEL IMPOSSIBLE,
746
00:36:13,321 --> 00:36:15,905
BUT YOU HAVE THE REST
OF YOUR LIFE, OKAY?
747
00:36:17,209 --> 00:36:19,709
AND IT'S GONNA BE TOUGH,
748
00:36:19,711 --> 00:36:23,647
BUT IT'S ALSO GONNA BE
REALLY, REALLY AMAZING.
749
00:36:24,917 --> 00:36:28,718
IF YOU GET THROUGH THIS,
750
00:36:28,720 --> 00:36:31,354
YOU CAN GET THROUGH
ANYTHING.
751
00:36:31,356 --> 00:36:32,422
I PROMISE.
752
00:36:37,462 --> 00:36:39,729
WILL YOU GIVE ME YOUR HAND?
753
00:36:40,666 --> 00:36:42,265
GIVE ME YOUR HAND.
754
00:36:43,235 --> 00:36:44,301
OKAY?
755
00:36:47,873 --> 00:36:49,973
COME ON, TASHA.
756
00:36:49,975 --> 00:36:51,775
COME ON.
757
00:36:57,816 --> 00:37:02,552
TASHA AND JULES:
(STARTLED GASP,
TERRIFIED SCREAM)
758
00:37:02,554 --> 00:37:06,623
(LOUD, RESOUNDING BOOM
AS THEY BOUNCE OFF METAL BEAMS)
759
00:37:06,625 --> 00:37:08,625
JULES:
WE'RE OKAY!
760
00:37:08,627 --> 00:37:09,693
YOU'RE OKAY.
OKAY.
761
00:37:10,762 --> 00:37:12,762
JULES:
HANG ON.
762
00:37:12,764 --> 00:37:15,232
ED:
JULES CAUGHT HER.
WE'RE GONNA PULL THEM UP.
763
00:37:16,735 --> 00:37:18,268
LET'S GET HER UP.
764
00:37:36,255 --> 00:37:38,455
(COP CAR WHIRS BY SLOWLY)
765
00:37:39,791 --> 00:37:41,391
(POLICE SIREN WAILS)
766
00:37:44,830 --> 00:37:45,895
JULES:
HI.
767
00:37:46,265 --> 00:37:47,330
TASHA:
HEY.
768
00:37:50,869 --> 00:37:53,536
WHY DID YOU DO THAT
FOR ME?
769
00:37:54,473 --> 00:37:56,640
'CAUSE I DON'T GIVE UP
WITHOUT A FIGHT,
770
00:37:56,642 --> 00:37:58,441
JUST LIKE YOU.
771
00:38:01,813 --> 00:38:03,780
I'M REALLY SORRY.
772
00:38:04,716 --> 00:38:06,549
DON'T BE, OKAY?
773
00:38:10,922 --> 00:38:12,989
THESE GUYS ARE GONNA
FIX YOU UP.
774
00:38:15,327 --> 00:38:16,393
ALL RIGHT?
775
00:38:17,696 --> 00:38:18,762
THANKS.
776
00:38:18,764 --> 00:38:21,831
(Amy Jo Johnson's
"Dancing In-Between" plays)
777
00:38:23,969 --> 00:38:35,545
¶¶¶
778
00:38:35,547 --> 00:38:37,881
¶ Got so scared
It made me cry ¶
779
00:38:40,085 --> 00:38:42,619
¶ The world took me
for a ride ¶
780
00:38:44,923 --> 00:38:47,590
¶ Got so scared
it made me laugh ¶
781
00:38:50,362 --> 00:38:52,595
¶ Tickled my pride ¶
782
00:38:54,666 --> 00:38:56,866
¶ Now I'm dancing in-between ¶
783
00:38:59,404 --> 00:39:01,871
¶ 'Cause I've got nowhere
to hide ¶
784
00:39:04,109 --> 00:39:06,876
¶ Romancing the seams ¶
785
00:39:08,814 --> 00:39:10,914
¶ Of my battered up insides ¶
786
00:39:13,685 --> 00:39:17,354
¶ Wonderful is the falling
of a broken dream ¶
787
00:39:18,357 --> 00:39:21,891
¶ Written on the cover
of a New York magazine ¶
788
00:39:22,961 --> 00:39:24,527
¶ Stomp my hands, Jo baby, ¶
789
00:39:24,529 --> 00:39:25,895
¶ I'll clap my feet ¶
790
00:39:27,432 --> 00:39:28,965
¶ 'Cause there's always another
Firstman to beat ¶
791
00:39:28,967 --> 00:39:31,701
HEY, JULES...
BREATH)
792
00:39:31,703 --> 00:39:33,370
UM, WELCOME?
793
00:39:33,372 --> 00:39:35,038
SORRY.
I, I KNOCKED.
794
00:39:35,974 --> 00:39:37,540
YOU USE A CURLING IRON?
795
00:39:37,542 --> 00:39:40,377
SAM...
796
00:39:40,379 --> 00:39:42,979
I, UH,
I JUST WANTED TO SAY...
797
00:39:42,981 --> 00:39:45,448
NICE SAVE OUT THERE.
798
00:39:45,450 --> 00:39:48,051
DIDN'T KNOW
YOU COULD FLY.
799
00:39:50,389 --> 00:39:51,888
IT WAS A...
800
00:39:51,890 --> 00:39:54,391
LONG FOUR SECONDS
BEFORE WE KNEW YOU WERE OKAY.
801
00:39:55,727 --> 00:39:57,160
AND I'M OKAY.
802
00:39:57,162 --> 00:40:00,864
YOU SMASHED HARD AGAINST
THE SIDE OF THAT TOWER.
803
00:40:00,866 --> 00:40:02,399
AND I'M OKAY.
804
00:40:03,869 --> 00:40:05,935
YOU WANT A SECOND OPINION?
805
00:40:10,108 --> 00:40:15,178
¶ Dancing... ¶
806
00:40:15,180 --> 00:40:16,579
¶ Oh, in-between ¶
807
00:40:18,817 --> 00:40:20,650
HOW'S IT LOOK?
808
00:40:20,652 --> 00:40:22,419
LIKE A DOUBLE BACON BURGER.
809
00:40:22,421 --> 00:40:23,486
(HALF LAUGHS)
810
00:40:25,557 --> 00:40:26,623
THANKS.
- ANY TIME.
811
00:40:28,760 --> 00:40:30,827
SO, WE'RE GOING TO THE DINER
FOR BREAKFAST.
812
00:40:30,829 --> 00:40:31,828
YOU HUNGRY?
813
00:40:31,830 --> 00:40:33,797
(JULES' PHONE RINGS)
814
00:40:33,799 --> 00:40:35,632
YOU CAN BRING, UM,
WHAT'S-HIS-NAME...
815
00:40:35,634 --> 00:40:38,668
SCOTT.
SCOTT, IF YOU WANT.
816
00:40:38,670 --> 00:40:41,638
¶ Dancing... ¶
817
00:40:41,640 --> 00:40:44,541
ARE YOU RIDING WITH WORDY?
818
00:40:44,543 --> 00:40:45,608
MINI-VAN EXPRESS.
819
00:40:46,912 --> 00:40:48,077
WILL YOU SAVE ME A SEAT?
820
00:40:48,079 --> 00:40:50,613
¶ Got so scared
it made me cry ¶
821
00:40:53,084 --> 00:40:55,118
¶ Life took me for a ride ¶