1
00:00:03,291 --> 00:00:05,333
♪ OHHH OHHH OHHH ♪

2
00:00:08,166 --> 00:00:10,542
(Wham!'s "Everything She Wants"
playing)

3
00:00:10,583 --> 00:00:13,041
♪ AH, HA HA ♪

4
00:00:13,083 --> 00:00:16,083
♪ OH, YEAH ♪

5
00:00:16,125 --> 00:00:19,375
(Pete) "DR. TURNER'S STORY
IS AT ONCE MESMERIZING

6
00:00:19,417 --> 00:00:22,250
"AND INSTRUCTIVE
AND A SIGNIFICANT ACHIEVEMENT

7
00:00:22,291 --> 00:00:25,041
FOR A FIRST-TIME AUTHOR."
(laughs)

8
00:00:25,083 --> 00:00:27,458
OH, I LOVE THE "CHRONICLE."
WE LOVE THE "CHRONICLE."

9
00:00:27,500 --> 00:00:30,041
MOMMY AND DADDY ARE GONNA
SUBSCRIBE TO THE "CHRONICLE."

10
00:00:30,083 --> 00:00:32,041
OKAY, HERE'S THE "POST." "IN HER
FIRST BOOK, VIOLET TURNER

11
00:00:32,083 --> 00:00:34,041
"LETS US INTO HER LIFE
WITH ADMIRABLE CANDIDNESS.

12
00:00:34,083 --> 00:00:36,041
NO SCAR REMAINS UNEXPOSED."

13
00:00:36,083 --> 00:00:40,625
CUTE.
"AN HONEST AND POWERFUL READ."
(laughs)

14
00:00:40,667 --> 00:00:43,041
I CAN'T BELIEVE HOW GOOD
THESE REVIEWS ARE.
ARE YOU KIDDING ME?

15
00:00:43,083 --> 00:00:46,041
OH, YES, SHE CAN. MOMMY IS
NOT THAT MODEST, IS SHE?
(laughs)

16
00:00:46,083 --> 00:00:47,792
UH-OH.

17
00:00:47,834 --> 00:00:49,667
WHAT? WHAT, VI?

18
00:00:49,709 --> 00:00:53,041
UH, "WHAT PORTENDS TO BE
AN HONEST, FORTHRIGHT ACCOUNTING

19
00:00:53,083 --> 00:00:56,000
"OF A PSYCHIATRIST'S
PROFESSIONAL AND PERSONAL LIFE

20
00:00:56,041 --> 00:00:58,000
"ULTIMATELY WINDS UP BEING
TOO HONEST.

21
00:00:58,041 --> 00:01:01,041
"DR. TURNER REVEALS HERSELF
TO BE MORE...

22
00:01:01,083 --> 00:01:03,458
"SELF-INVOLVED
THAN THERAPEUTICALLY MINDED.

23
00:01:03,500 --> 00:01:06,291
SHE LACKS ALL SENSE
OF BOUNDARIES."

24
00:01:06,333 --> 00:01:08,500
WHO WROTE THAT?

25
00:01:08,542 --> 00:01:10,458
UH, MARLA THOMKINS
IN THE "TIMES."

26
00:01:10,500 --> 00:01:12,667
WELL, CLEARLY,
SHE'S AN IDIOT.

27
00:01:12,709 --> 00:01:15,667
WELL, SHE'S NOT JUST A REVIEWER.
SHE'S ALSO A SHRINK.

28
00:01:15,709 --> 00:01:20,041
IT'S ONE BAD REVIEW, VIOLET.
ONE. I MEAN...

29
00:01:20,083 --> 00:01:22,208
YEAH. IT'S ONE BAD REVIEW.

30
00:01:22,250 --> 00:01:25,041
♪ WHY I WORK SO HARD
FOR YOU ♪

31
00:01:25,083 --> 00:01:27,041
UH-OH.

32
00:01:27,083 --> 00:01:29,041
♪ WORK TO GIVE YOU MONEY ♪

33
00:01:29,083 --> 00:01:31,250
♪ OOH ♪

34
00:01:35,709 --> 00:01:37,041
(vomiting)

35
00:01:37,083 --> 00:01:39,667
YOU ALL RIGHT?

36
00:01:39,709 --> 00:01:41,667
(groans)

37
00:01:41,709 --> 00:01:44,041
DO I LOOK OKAY?

38
00:01:44,083 --> 00:01:45,709
WELL, YOU LOOK LIKE...

39
00:01:45,750 --> 00:01:48,041
SOMETHING YOU ATE
LAST NIGHT?

40
00:01:48,083 --> 00:01:50,041
NO. I DIDN'T EAT ANYTHING
LAST NIGHT.

41
00:01:50,083 --> 00:01:53,041
(panting)
I WAS MAD AT YOU.

42
00:01:53,083 --> 00:01:55,041
(sniffles)
AND UNLIKE NAOMI,

43
00:01:55,083 --> 00:01:57,667
WHO I KNOW HAS BEEN VERY MUCH
ON YOUR MIND THESE DAYS,

44
00:01:57,709 --> 00:01:59,333
I DO NOT STRESS EAT.

45
00:01:59,375 --> 00:02:01,375
OKAY, ADDISON.
WE'RE PAST THIS.

46
00:02:01,417 --> 00:02:03,959
NOW I'M SORRY YOU ARE...

47
00:02:04,000 --> 00:02:06,375
WHATEVER YOU ARE...
(moans)

48
00:02:06,417 --> 00:02:08,375
BUT REALLY,
WE'RE GOING BACKWARDS HERE.

49
00:02:08,417 --> 00:02:11,542
I TOLD YOU, NOTHING HAPPENED
WITH NAOMI.

50
00:02:11,583 --> 00:02:13,583
THAT'S THE END OF IT.
(moans)

51
00:02:13,625 --> 00:02:15,083
OKAY? NOW CAN I
GET YOU ANYTHING?

52
00:02:15,125 --> 00:02:16,792
(wretches)

53
00:02:16,834 --> 00:02:20,000
NO. (sniffles)

54
00:02:20,041 --> 00:02:22,166
I'LL SEE YOU AT WORK.
(groans)

55
00:02:22,208 --> 00:02:24,375
(flushes toilet)

56
00:02:24,417 --> 00:02:26,041
♪ AH HA AH, DO DO DO,
DA DA DA DA DA ♪

57
00:02:26,083 --> 00:02:28,917
♪ I CAN'T WORK ANY HARDER
THAN I DO ♪

58
00:02:28,959 --> 00:02:30,458
♪ AH HA AH, OH, OH, OH ♪

59
00:02:30,500 --> 00:02:32,000
DOES THAT HURT?

60
00:02:32,041 --> 00:02:35,083
NO. NOT AT ALL.

61
00:02:35,125 --> 00:02:37,375
HOW IS IT POSSIBLE

62
00:02:37,417 --> 00:02:40,041
THAT I'M CANCER FREE
AND PAIN FREE

63
00:02:40,083 --> 00:02:41,834
AFTER ALL THIS TIME?

64
00:02:41,875 --> 00:02:43,834
GOOD ONCOLOGIST,
EVEN BETTER PAIN SPECIALIST,

65
00:02:43,875 --> 00:02:46,041
AND A PRETTY GOOD
SUPPORT GROUP, RIGHT?

66
00:02:46,083 --> 00:02:48,166
YOU GUYS ARE AMAZING.

67
00:02:48,208 --> 00:02:51,041
YOU'RE THE ONE WHO WENT THROUGH
ALL THE PAINFUL RADIATION.

68
00:02:51,083 --> 00:02:52,417
WE'RE JUST
THE CHEERING SECTION.

69
00:02:52,458 --> 00:02:54,417
YOU HAVE BEEN POSITIVE
FROM THE VERY BEGINNING.

70
00:02:54,458 --> 00:02:56,041
YOU'VE NEVER WAVERED.

71
00:02:56,083 --> 00:02:57,750
AND YOU...

72
00:02:57,792 --> 00:03:00,000
APART FROM THE MINOR DETAIL

73
00:03:00,041 --> 00:03:02,083
OF BEING THE SURROGATE
FOR OUR BABY...

74
00:03:02,125 --> 00:03:03,917
WELL, IT'S AN AUNT'S DREAM.

75
00:03:03,959 --> 00:03:06,709
I GET TO SPEND QUALITY TIME WITH
MY NIECE BEFORE ANYBODY ELSE,

76
00:03:06,750 --> 00:03:08,125
INCLUDING HER MOMMY.

77
00:03:08,166 --> 00:03:09,750
I EXPECT BABY PICTURES.

78
00:03:09,792 --> 00:03:11,041
OH!

79
00:03:11,083 --> 00:03:13,041
CLAUDINE?
SIT BACK DOWN, SLOWLY.

80
00:03:13,083 --> 00:03:15,041
AH.
IS IT THE BABY?

81
00:03:15,083 --> 00:03:17,125
OOH. I DON'T KNOW. UM...

82
00:03:17,166 --> 00:03:19,750
I'M GONNA GO GET OUR O.B.
TO TAKE A LOOK AT YOU, OKAY?
OKAY.

83
00:03:19,792 --> 00:03:21,750
I'M GONNA GO GET THE LAMAZE
PILLOW FROM THE CAR,

84
00:03:21,792 --> 00:03:23,750
JUST IN CASE.
WAIT, WAIT.

85
00:03:23,792 --> 00:03:24,959
(laughs)

86
00:03:25,000 --> 00:03:27,125
THIS COULD BE IT.

87
00:03:27,166 --> 00:03:29,625
ANYONE HEAR ANYTHING
FROM NAOMI?

88
00:03:29,667 --> 00:03:31,542
UH, UH, I-I LEFT HER
A MESSAGE, BUT NO.

89
00:03:31,583 --> 00:03:34,875
MAYBE SHE RECONSIDERED
AND RAN OFF WITH FIFE.
I TALKED TO FIFE.

90
00:03:34,917 --> 00:03:37,250
HE'S STILL HERE
IN A HOTEL ROOM, WAITING.

91
00:03:37,291 --> 00:03:39,333
WHERE IS THE DAMN ANTACID?
SORRY. I NEEDED IT.

92
00:03:39,375 --> 00:03:42,083
(chuckles) I FELT THE SAME
BEFORE MY BOOK PARTY.

93
00:03:42,125 --> 00:03:45,041
THAT'S REVISIONIST HISTORY.
IF YOU RECALL, ON HIS BIG DAY,

94
00:03:45,083 --> 00:03:47,041
THEY MADE A CAKE
THAT LOOKED LIKE SAM,

95
00:03:47,083 --> 00:03:50,083
AND HE WOULDN'T LET ANY OF US
EAT IT. HE WAS STARING AT IT

96
00:03:50,125 --> 00:03:52,875
WITH THIS SMILE ON HIS FACE THAT
MATCHED THE SMILE ON THE CAKE.

97
00:03:52,917 --> 00:03:55,667
HEY, ADDISON,
CAN YOU DO A CONSULT?

98
00:03:55,709 --> 00:03:57,458
SURE. THANK YOU.

99
00:03:57,500 --> 00:04:00,667
NO, IT'S JUST, UH, YOU KNOW,
MY BOOK COMES OUT, UH, TOMORROW,

100
00:04:00,709 --> 00:04:02,458
AND, UH, PEOPLE ARE
GONNA BE READING IT.

101
00:04:02,500 --> 00:04:05,041
THAT'S WHAT PEOPLE DO
WITH BOOKS.
I-I KNOW. I KNOW.

102
00:04:05,083 --> 00:04:07,875
VIOLET, IF THIS IS ABOUT WHAT
THAT PETTY LITTLE PSEUDO SHRINK

103
00:04:07,917 --> 00:04:10,750
WROTE IN THE "TIMES"...
DO YOU THINK
I LACK BOUNDARIES?

104
00:04:12,250 --> 00:04:15,917
I DON'T LACK BOUNDARIES.

105
00:04:15,959 --> 00:04:18,083
COOPER?

106
00:04:18,125 --> 00:04:19,667
I'M NOT AN EXPERT, SO...

107
00:04:19,709 --> 00:04:22,959
(Charlotte) IT DOESN'T TAKE
AN EXPERT TO REALIZE THAT FIRST,

108
00:04:23,000 --> 00:04:25,667
YOU ARE GREAT AT YOUR JOB,
AND SECOND, IF EVERYONE ELSE

109
00:04:25,709 --> 00:04:28,542
LOVES YOUR BOOK EXCEPT ONE
PETTY REVIEWER, SCREW 'EM.

110
00:04:28,583 --> 00:04:31,917
YEAH. WANT ME TO QUOTE YOU WHAT
PEOPLE WROTE ABOUT MY BOOK?

111
00:04:31,959 --> 00:04:33,291
(clears throat)

112
00:04:33,333 --> 00:04:35,291
"THERE IS A CLEAR PATTERN
OF NARCISSISM

113
00:04:35,333 --> 00:04:37,875
"IN VIOLET TURNER'S
BRAND OF THERAPY.

114
00:04:37,917 --> 00:04:39,250
"SHE COMFORTABLY INHABITS

115
00:04:39,291 --> 00:04:40,875
"THE ROLE
OF EMOTIONAL SEDUCTRESS,

116
00:04:40,917 --> 00:04:43,041
"TAKING THE VULNERABLE
TO WHERE SHE WANTS THEM

117
00:04:43,083 --> 00:04:47,667
IN ORDER TO ACHIEVE
HER OWN END GOALS."

118
00:04:47,709 --> 00:04:49,291
(Charlotte)
BLAH, BLAH, BLAH.

119
00:04:49,333 --> 00:04:51,792
LIKE I SAID, SCREW 'EM.

120
00:04:51,834 --> 00:04:54,375
YEAH, I MEAN, THE REVIEW'S
NOT ENTIRELY WRONG, AND...

121
00:04:54,417 --> 00:04:56,333
RIGHT?

122
00:04:56,375 --> 00:04:58,792
SCREW YOU.
NO, SERIOUSLY, COOPER.

123
00:04:58,834 --> 00:05:00,792
I'M PUTTING MYSELF OUT THERE.

124
00:05:00,834 --> 00:05:02,542
WHAT HAVE YOU EVER DONE?

125
00:05:07,834 --> 00:05:12,208
SO WH-WH-WHAT TIME
IS THE PARTY TONIGHT?

126
00:05:16,500 --> 00:05:18,750
OH, GOD. UM,
UH, WE WERE JUST--

127
00:05:18,792 --> 00:05:21,291
NO, PLEASE. THIS IS NOT
THE FIRST TIME WE'VE, UH,

128
00:05:21,333 --> 00:05:23,291
CAUGHT A COUPLE KISSING.

129
00:05:23,333 --> 00:05:25,000
ADDISON, UH...
THIS IS CLAUDINE...

130
00:05:25,041 --> 00:05:27,041
HOW DO YOU DO?
AND ELLIOT.

131
00:05:27,083 --> 00:05:28,375
(clears throat)

132
00:05:28,417 --> 00:05:31,041
ELLIOT IS MARRIED
TO CLAUDINE'S SISTER.

133
00:05:31,083 --> 00:05:33,125
OH. OH.

134
00:05:43,083 --> 00:05:45,041
SO I GET KYLE WASSERMAN
INTO AN ARM BAR,

135
00:05:45,083 --> 00:05:48,041
AND I'M ABOUT TO END IT--
REMEMBER, WASSERMAN
HAS NEVER BEEN PINNED.

136
00:05:48,083 --> 00:05:50,500
(sighs) THEN I JUST GOT DIZZY.
NEXT THING I REMEMBER,

137
00:05:50,542 --> 00:05:53,208
THE COACHES
ARE STANDING OVER ME.
ANY DIZZINESS
BEFORE THAT DAY?

138
00:05:53,250 --> 00:05:55,250
NEVER.
AND HOW ABOUT SINCE?

139
00:05:55,291 --> 00:05:57,417
I WAS A LITTLE LIGHT-HEADED
AFTER PRACTICE YESTERDAY.

140
00:05:57,458 --> 00:05:59,625
YOU'RE BACK
AT PRACTICE ALREADY?

141
00:05:59,667 --> 00:06:01,625
OH, NOT AT SCHOOL.
COACH WON'T LET ME.

142
00:06:01,667 --> 00:06:04,458
JUST AT HOME WITH MY DAD.
CONFERENCE FINALS
ARE TOMORROW, DR. FREEDMAN.

143
00:06:04,500 --> 00:06:06,458
PLACE IS GOING TO BE PACKED
WITH SCOUTS.

144
00:06:06,500 --> 00:06:09,041
AND AFTER THE WASSERMAN MATCH,
TYLER HAS TO PERFORM.

145
00:06:09,083 --> 00:06:12,000
YEAH, WE NEED A FULL RIDE,
DIVISION I.
OKAY.

146
00:06:12,041 --> 00:06:14,041
TYLER'S BEEN WRESTLING
FOR YEARS WITH NO PROBLEM.

147
00:06:14,083 --> 00:06:16,250
HE'S A HEALTHY KID.
OKAY, I DO HEAR
A SLIGHT HEART MURMUR.

148
00:06:16,291 --> 00:06:18,875
SO I WOULD BE MORE COMFORTABLE
IF OUR CARDIAC SPECIALIST,

149
00:06:18,917 --> 00:06:21,333
DR. BENNETT,
TOOK A LOOK AT HIM.

150
00:06:21,375 --> 00:06:23,583
CAN WE DO THIS TODAY?

151
00:06:23,625 --> 00:06:27,041
IT'S JUST--WE HAVE TO MAKE SURE
TY WRESTLES THIS WEEK.

152
00:06:27,083 --> 00:06:29,792
HIS SCHOLARSHIP--EVERYTHING
DEPENDS ON HIM BEING THERE AND--

153
00:06:29,834 --> 00:06:32,041
OKAY, WE NEED YOU
TO SIGN THIS.

154
00:06:32,083 --> 00:06:34,041
COACH PATTERSON WON'T LET HIM
COMPETE WITHOUT IT.

155
00:06:34,083 --> 00:06:36,500
WELL, LOOK, I KNOW
HOW IMPORTANT THIS IS TO YOU.

156
00:06:36,542 --> 00:06:38,500
IF DR. BENNETT SAYS
HIS HEART IS FINE,

157
00:06:38,542 --> 00:06:40,709
I WILL SIGN IT.

158
00:06:45,625 --> 00:06:47,583
THIS ISN'T SOME TAWDRY THING.
IT'S--

159
00:06:47,625 --> 00:06:50,709
CRAZY. I'M--EVEN IF
IT MAKES SENSE TO YOU,

160
00:06:50,750 --> 00:06:53,041
YOU--YOU'RE CHEATING
ON YOUR WIFE WITH HER SISTER--

161
00:06:53,083 --> 00:06:55,083
HER SISTER WHO IS CARRYING
YOUR CHILD.

162
00:06:57,208 --> 00:06:59,041
W-WAIT. THAT BABY IS--

163
00:06:59,083 --> 00:07:01,041
NO, NO.

164
00:07:01,083 --> 00:07:03,959
WE DID IN VITRO WITH MY SPERM
AND CLAUDINE'S EGG

165
00:07:04,000 --> 00:07:06,291
BEFORE ANY OF THIS HAPPENED.

166
00:07:06,333 --> 00:07:08,291
WELL, ELLIOT, I DON'T KNOW
WHAT I CAN SAY.

167
00:07:08,333 --> 00:07:10,917
H-HOW DO YOU THINK
THIS IS GONNA TURN OUT?

168
00:07:10,959 --> 00:07:12,917
I DON'T EXPECT YOU
TO GET IT.

169
00:07:12,959 --> 00:07:15,709
I MEAN,
BEFORE LORRAINE WAS SICK,

170
00:07:15,750 --> 00:07:18,417
THINGS WEREN'T GREAT
BETWEEN US.

171
00:07:18,458 --> 00:07:22,041
AND WE TRIED TO WORK IT OUT,
BUT THEN THE CANCER CAME ON.

172
00:07:22,083 --> 00:07:25,083
AND CLAUDINE AND I,
WE TOOK CARE OF HER.

173
00:07:25,125 --> 00:07:28,458
SPENT A LOT OF TIME TOGETHER,
TALKING AND...

174
00:07:28,500 --> 00:07:32,458
TRYING TO LAUGH THROUGH
HOW SCARED WE WERE.

175
00:07:32,500 --> 00:07:35,542
AND CLAUDINE, SHE--
SHE UNDERSTOOD ME.

176
00:07:35,583 --> 00:07:37,917
THOSE FEELINGS,

177
00:07:37,959 --> 00:07:40,917
THEY KEPT GETTING STRONGER
UNTIL ONE NIGHT--

178
00:07:40,959 --> 00:07:44,041
AND NOW YOU'RE HERE. FINE.

179
00:07:44,083 --> 00:07:46,750
BUT... LORRAINE DESERVES
TO KNOW.

180
00:07:46,792 --> 00:07:48,125
YOU GET THAT, RIGHT?

181
00:07:48,166 --> 00:07:50,667
SH-SHE'LL KNOW. SHE'LL KNOW.

182
00:07:50,709 --> 00:07:52,875
AFTER THE BABY'S BORN...

183
00:07:52,917 --> 00:07:56,000
I'M GONNA LEAVE LORRAINE
TO BE WITH CLAUDINE.

184
00:08:02,208 --> 00:08:03,709
HEY.

185
00:08:03,750 --> 00:08:05,041
HEY.

186
00:08:05,083 --> 00:08:07,709
WHAT WAS THAT ABOUT?

187
00:08:07,750 --> 00:08:09,083
WHAT?

188
00:08:09,125 --> 00:08:11,709
IN THE KITCHEN.
YOU MAD AT VIOLET?

189
00:08:11,750 --> 00:08:12,917
NO.

190
00:08:12,959 --> 00:08:15,041
ARE YOU JEALOUS
OF VIOLET?

191
00:08:15,083 --> 00:08:17,041
(laughs) WHY WOULD I
BE JEALOUS?

192
00:08:17,083 --> 00:08:20,083
WELL, YOU TELL ME.
VIOLET IS A GREAT SHRINK,

193
00:08:20,125 --> 00:08:22,333
AND NOW
SHE'S A PUBLISHED AUTHOR.

194
00:08:22,375 --> 00:08:24,208
NAOMI BUILDS HOSPITALS
ALL AROUND THE WORLD

195
00:08:24,250 --> 00:08:27,500
IN ADDITION TO PERFORMING
MIRACLES AT A FERTILITY CLINIC.

196
00:08:27,542 --> 00:08:29,500
AND PETE,
HE'S ALREADY SAVED LIVES

197
00:08:29,542 --> 00:08:32,083
IN BASICALLY EVERY COUNTRY
NAOMI'S GOING TO, NOT TO MENTION

198
00:08:32,125 --> 00:08:34,709
BEING AN E.R. DOC
AND AN EXPERT IN CRITICAL CARE

199
00:08:34,750 --> 00:08:36,083
AND INFECTIOUS DISEASES.

200
00:08:36,125 --> 00:08:39,083
AND YOU'RE ONE OF THE YOUNGEST
CHIEFS OF STAFFS IN THE COUNTRY,

201
00:08:39,125 --> 00:08:41,083
AND EVERYONE IS DOING
SOMETHING SPECIAL--

202
00:08:41,125 --> 00:08:43,750
EVERYONE EXCEPT FOR ME.

203
00:08:43,792 --> 00:08:45,834
GROW UP, COOPER.

204
00:08:51,792 --> 00:08:54,250
YOU LOOK LIKE CRAP.

205
00:08:54,291 --> 00:08:56,667
UGH. THANK YOU.

206
00:08:56,709 --> 00:08:59,333
FLU?
YOU DON'T FEEL WARM.

207
00:08:59,375 --> 00:09:01,333
DID YOU EAT ANYTHING WEIRD?

208
00:09:01,375 --> 00:09:03,458
NO.
SO WHAT'S WRONG

209
00:09:03,500 --> 00:09:06,250
OTHER THAN, YOU KNOW,
YOU LOOKIN' LIKE--
I DON'T KNOW.

210
00:09:06,291 --> 00:09:08,250
AMELIA, I JUST DON'T
FEEL WELL. OKAY?

211
00:09:08,291 --> 00:09:11,208
I'M EXHAUSTED.
I FEEL NAUSEOUS.

212
00:09:11,250 --> 00:09:13,583
I JUST... I DON'T KNOW.

213
00:09:13,625 --> 00:09:16,208
MAYBE IT'S JUST SOME SORT
OF... DELAYED REACTION

214
00:09:16,250 --> 00:09:18,208
TO THE BIZZY STRESS.

215
00:09:18,250 --> 00:09:21,166
MAYBE.
HAVE YOU GAINED ANY WEIGHT?

216
00:09:21,208 --> 00:09:23,166
OKAY, NOW YOU'RE
JUST BEING MEAN.

217
00:09:23,208 --> 00:09:27,375
ARE YOU PEEING A LOT?
YOUR BOOBS--ARE THEY TENDER?

218
00:09:27,417 --> 00:09:30,250
OKAY, YOU ARE A NEUROSURGEON.
I AM A GYNECOLOGIST.

219
00:09:30,291 --> 00:09:33,583
ALL RIGHT, IF I WERE,
I WOULD KNOW, AND I'M NOT.

220
00:09:33,625 --> 00:09:36,041
OKAY? I CAN'T BE.
DO YOU AND SAM
USE PROTECTION?

221
00:09:36,083 --> 00:09:39,083
AMELIA, I'M TELLING YOU,
I CAN'T--
ARE YOU LATE?

222
00:09:41,083 --> 00:09:42,208
YES.

223
00:09:42,250 --> 00:09:45,667
BUT I CAN'T BE.
I MEAN, I DON'T THINK--

224
00:09:45,709 --> 00:09:47,667
YOU'RE PREGGERS!

225
00:09:47,709 --> 00:09:49,500
THIS IS AWESOME.

226
00:09:56,542 --> 00:09:58,667
AUNTIE AMELIA.

227
00:09:58,709 --> 00:10:00,709
EVEN THOUGH YOU DIVORCED
MY BROTHER,

228
00:10:00,750 --> 00:10:03,083
I'M STILL GONNA BE
YOUR KID'S AUNT, RIGHT?

229
00:10:03,125 --> 00:10:05,083
(sighs) AMELIA,
FOR ME TO GET PREGNANT,

230
00:10:05,125 --> 00:10:07,041
IT WOULD TAKE A MIRACLE.

231
00:10:07,083 --> 00:10:10,041
A MIRACLE THAT I AM
GOING TO SPOIL ROTTEN.

232
00:10:10,083 --> 00:10:13,417
I THINK I'M GONNA TAKE HER
TO PARIS FOR HER 13th BIRTHDAY.

233
00:10:13,458 --> 00:10:16,625
YOU WANT TO COME?
YOU ARE OUT OF YOUR MIND.
I AM NOT PREGNANT.

234
00:10:16,667 --> 00:10:19,834
IF ONLY THERE WAS
SOME WAY TO KNOW FOR SURE.

235
00:10:19,875 --> 00:10:21,417
WAIT. WAIT.

236
00:10:21,458 --> 00:10:25,041
I WAS OUT SHOPPING,
AND I SAW THESE TESTS--

237
00:10:25,083 --> 00:10:27,542
KNOCK IT OFF.
JUST PEE ON A STICK.

238
00:10:27,583 --> 00:10:29,542
I'M BUSY.
YOU ARE STALLING.

239
00:10:29,583 --> 00:10:32,000
YOU LIKE THE IDEA.
(sighs)

240
00:10:32,041 --> 00:10:34,125
ADMIT IT. ADMIT IT.

241
00:10:34,166 --> 00:10:37,417
I AM NOT GONNA GO AWAY
UNTIL YOU ADMIT THAT--
GO!

242
00:10:41,375 --> 00:10:43,583
(door opens)

243
00:10:43,625 --> 00:10:45,667
(door closes)

244
00:10:45,709 --> 00:10:47,083
(Sam) SEE THAT?

245
00:10:47,125 --> 00:10:49,041
THAT SLIGHT THICKENING
OF THE SEPTAL WALL

246
00:10:49,083 --> 00:10:52,458
AND AN ELEVATED FLOW
ACROSS THE L.V. OUTFLOW TRACT.

247
00:10:52,500 --> 00:10:54,458
LOOKS LIKE
HYPERTROPHIC CARDIOMYOPATHY.

248
00:10:54,500 --> 00:10:56,750
IT'S BORDERLINE.

249
00:10:56,792 --> 00:10:58,750
DOES THAT PUT TYLER
AT RISK FOR AN ARRHYTHMIA?

250
00:10:58,792 --> 00:11:00,792
WELL, HE MAY NEVER HAVE
A PROBLEM.

251
00:11:00,834 --> 00:11:03,041
THERE ARE CASES, RARE,
BUT THEY HAPPEN,

252
00:11:03,083 --> 00:11:05,166
WHEN THE MOST
SEEMINGLY HEALTHY KID

253
00:11:05,208 --> 00:11:07,041
COULD JUST DIE SUDDENLY.

254
00:11:07,083 --> 00:11:09,041
IS THERE ANY WAY TO KNOW?

255
00:11:09,083 --> 00:11:11,792
WELL, WE COULD START
WITH AN M.R.I., WATCH HIM

256
00:11:11,834 --> 00:11:14,083
OVER THE NEXT FEW MONTHS.
IN TWO DAYS, IT WON'T MATTER.

257
00:11:14,125 --> 00:11:16,083
I MEAN, THIS KID HAS A CHANCE
TO CHANGE HIS LIFE.

258
00:11:16,125 --> 00:11:18,083
HE CAN GET A SCHOLARSHIP
TO COLLEGE.

259
00:11:18,125 --> 00:11:20,333
I DON'T THINK
HE CAN AFFORD IT OTHERWISE.

260
00:11:20,375 --> 00:11:23,000
BUT HE HAS TO COMPETE
IN THE CONFERENCE FINALS,

261
00:11:23,041 --> 00:11:25,959
AND GIVEN THE CIRCUMSTANCES--
WELL, I'M NOT SAYING
HE CAN'T WRESTLE.

262
00:11:26,000 --> 00:11:28,750
YOU SAID HE COULD DROP DEAD
IF HE DOES.
IS THERE A CHANCE? YES.
BUT IS IT GREATER

263
00:11:28,792 --> 00:11:30,792
THAN THE CHANCE HE COULD GET
INTO AN AUTOMOBILE ACCIDENT

264
00:11:30,834 --> 00:11:33,250
ON THE WAY TO THE MEET?
GIVEN THAT HIS ONLY SYMPTOMS

265
00:11:33,291 --> 00:11:36,959
ARE A LITTLE DIZZINESS,
PROBABLY NOT.
SO YOU'D LET HIM WRESTLE?

266
00:11:37,000 --> 00:11:38,959
I MEAN, IF HIS WHOLE FUTURE
DEPENDS ON IT,

267
00:11:39,000 --> 00:11:41,375
IT'S--IT'S A CALCULATED RISK.
WELL, I MEAN,

268
00:11:41,417 --> 00:11:44,125
YOU NEVER TAKE RISKS
WITH KIDS' LIVES, SAM, EVER.

269
00:11:44,166 --> 00:11:47,166
WELL, THAT'S NOT
THE WAY IT WORKS.

270
00:11:47,208 --> 00:11:49,792
YOU DON'T THINK I WANTED
TO LOCK MAYA IN THE HOUSE

271
00:11:49,834 --> 00:11:53,000
AND NOT LET HER RIDE A BIKE
OR DRIVE A CAR OR SKI?

272
00:11:53,041 --> 00:11:54,375
NO, YOU CAN'T DO THAT.

273
00:11:54,417 --> 00:11:56,375
YOU CAN'T ELIMINATE
ALL RISK IN LIFE.

274
00:11:56,417 --> 00:12:00,291
AND GIVEN WHAT YOU'RE TELLING ME
THIS KID HAS AT STAKE...

275
00:12:03,083 --> 00:12:06,083
(Pete) I DON'T UNDERSTAND.

276
00:12:06,125 --> 00:12:09,041
LORRAINE AND ELLIOT HAVE BEEN
MARRIED FOR WHAT, EIGHT YEARS?

277
00:12:09,083 --> 00:12:11,375
YOU UNDERSTAND IT.
YOU JUST DON'T LIKE IT.

278
00:12:11,417 --> 00:12:14,041
YEAH. IT'S JUST--LIFE ISN'T
A CHEAP ROMANCE NOVEL, YOU KNOW?

279
00:12:14,083 --> 00:12:17,041
IT'S SUPPOSED TO BE ABOUT MAKING
A COMMITMENT AND HONORING IT.

280
00:12:17,083 --> 00:12:19,667
SOMETIMES. AND OTHER TIMES,
FOR OTHER PEOPLE,

281
00:12:19,709 --> 00:12:21,583
IT'S ABOUT PASSION.

282
00:12:21,625 --> 00:12:23,834
YOU THINK PASSION
IS ENOUGH?

283
00:12:23,875 --> 00:12:26,041
YOU DON'T?

284
00:12:26,083 --> 00:12:28,667
TO MAKE AN ADULT RELATIONSHIP
WORK, YOU NEED MORE.

285
00:12:28,709 --> 00:12:30,667
COME ON. YOU'RE TALKING
ABOUT CLAUDINE AND ELLIOT

286
00:12:30,709 --> 00:12:32,667
LIKE THEY'RE
SOME INSUBSTANTIAL FLING.

287
00:12:32,709 --> 00:12:35,458
I MEAN, THEY'RE BOTH GROWN-UPS
WHO ARE TAKING A RISK--

288
00:12:35,500 --> 00:12:38,208
A HUGE RISK--

289
00:12:38,250 --> 00:12:40,417
BECAUSE THEY FOUND EACH OTHER
AND FELL IN LOVE.

290
00:12:40,458 --> 00:12:42,834
JUST BECAUSE A RISK IS BIG
DOESN'T MAKE IT WORTHWHILE.

291
00:12:42,875 --> 00:12:44,834
I FEEL FOR LORRAINE.
OF COURSE I DO.

292
00:12:44,875 --> 00:12:48,291
BUT ON SOME LEVEL, I MEAN,
DON'T YOU THINK IT'S BRAVE,

293
00:12:48,333 --> 00:12:50,750
WHAT ELLIOT AND CLAUDINE
WANT TO DO?

294
00:12:50,792 --> 00:12:54,041
MM. MNH-MNH. STOP LOOKING
AT ME LIKE THAT, PETE.

295
00:12:54,083 --> 00:12:56,041
THIS IS NOT ABOUT
SAM AND ME.

296
00:12:56,083 --> 00:12:57,417
OF COURSE IT IS.

297
00:12:57,458 --> 00:13:00,417
SAM AND I TOLD NAOMI
THAT WE WERE IN A RELATIONSHIP.

298
00:13:00,458 --> 00:13:03,333
OKAY. (sighs)
WHO'S GONNA TELL LORRAINE?

299
00:13:03,375 --> 00:13:05,375
(sighs)

300
00:13:07,583 --> 00:13:10,500
(indistinct conversations)

301
00:13:10,542 --> 00:13:12,709
OKAY, CLAUDINE.

302
00:13:12,750 --> 00:13:15,750
YOU'RE IN THE VERY EARLY STAGES
OF LABOR.

303
00:13:15,792 --> 00:13:17,250
YOU'RE JUST
3 CENTIMETERS DILATED.

304
00:13:17,291 --> 00:13:19,250
SO YOU'RE
GONNA BE HERE A WHILE.

305
00:13:19,291 --> 00:13:22,458
I WILL CALL YOUR REGULAR
OB-GYN.
NO, MY O.B.'s GONE ALL WEEK.

306
00:13:22,500 --> 00:13:25,083
AND I DON'T KNOW THE WOMAN
WHO'S ON CALL FOR HER.

307
00:13:25,125 --> 00:13:27,083
CAN'T YOU DO IT?

308
00:13:27,125 --> 00:13:30,500
OKAY, BUT--
AND MAYBE YOU COULD
CALL LORRAINE.

309
00:13:30,542 --> 00:13:32,375
SHE'S SO EXCITED.
NO.

310
00:13:32,417 --> 00:13:34,792
I THINK
THAT YOU SHOULD CALL LORRAINE.

311
00:13:34,834 --> 00:13:37,166
IF YOU MEAN WE SHOULD
TELL HER, I CAN'T.

312
00:13:37,208 --> 00:13:39,875
WE CAN'T. NOT--NOT YET.

313
00:13:39,917 --> 00:13:42,792
DON'T YOU THINK THAT SHE
HAS A RIGHT TO KNOW?

314
00:13:42,834 --> 00:13:45,417
YOU KNOW I LOVE LORRAINE,
RIGHT?

315
00:13:45,458 --> 00:13:47,709
AND I'D DO ANYTHING FOR HER.

316
00:13:47,750 --> 00:13:50,125
I MEAN, I AM.
I'M DOING THIS.

317
00:13:50,166 --> 00:13:51,750
(monitor beeping rhythmically)

318
00:13:51,792 --> 00:13:55,125
EVER SINCE WE WERE LITTLE,
LORRAINE WANTED TO BE A MOM.

319
00:13:55,166 --> 00:13:58,291
SHE JUST... SHE KNEW.

320
00:13:58,333 --> 00:14:01,041
I NEVER DID.

321
00:14:01,083 --> 00:14:04,208
MAYBE IT WAS TOO MANY
PRINCESS MOVIES GROWING UP,

322
00:14:04,250 --> 00:14:05,834
BUT ME?

323
00:14:05,875 --> 00:14:08,041
I ONLY
WANTED TO FALL IN LOVE.

324
00:14:08,083 --> 00:14:12,750
(chuckles) WHICH IS PROBABLY
WHY IT NEVER HAPPENED FOR ME.

325
00:14:12,792 --> 00:14:14,959
AND THEN THERE WAS ELLIOT.

326
00:14:15,000 --> 00:14:17,375
(clears throat)

327
00:14:17,417 --> 00:14:20,375
AT FIRST, HE WAS JUST
MY BIG SISTER'S BOYFRIEND,

328
00:14:20,417 --> 00:14:25,125
WHO... I MOSTLY RESENTED
FOR TAKING HER AWAY FROM ME.

329
00:14:25,166 --> 00:14:28,959
BUT ONCE MY SISTER GOT SICK

330
00:14:29,000 --> 00:14:32,208
AND WE REALLY
GOT TO KNOW EACH OTHER,

331
00:14:32,250 --> 00:14:34,041
SOMETHING HAPPENED,

332
00:14:34,083 --> 00:14:37,583
SOMETHING... AMAZING.

333
00:14:37,625 --> 00:14:39,792
AND THE MORE WE TRIED
TO HOLD BACK,

334
00:14:39,834 --> 00:14:41,792
THE HARDER IT GOT,

335
00:14:41,834 --> 00:14:43,166
UNTIL...

336
00:14:43,208 --> 00:14:45,041
(sighs)

337
00:14:45,083 --> 00:14:47,417
I LOVE LORRAINE,
DR. MONTGOMERY.

338
00:14:47,458 --> 00:14:49,417
I DO,
AND I ALWAYS WILL,

339
00:14:49,458 --> 00:14:54,041
BUT NOW, ESPECIALLY SINCE
I'M CARRYING ELLIOT'S BABY--

340
00:14:54,083 --> 00:14:55,458
OKAY, STOP, CLAUDINE.
ALL RIGHT?

341
00:14:55,500 --> 00:14:58,041
JUST THINK ABOUT THAT,
ALL RIGHT?

342
00:14:58,083 --> 00:15:01,041
YOU'RE PREGNANT. YOUR HORMONES
ARE ALL OVER THE PLACE.

343
00:15:01,083 --> 00:15:03,375
THEY CAN OVERWHELM YOU,
AND--
NO, THAT'S NOT WHAT IT IS.

344
00:15:03,417 --> 00:15:06,041
I MEAN, I WISH IT WAS.
BELIEVE ME.

345
00:15:06,083 --> 00:15:08,041
BUT... REAL LOVE

346
00:15:08,083 --> 00:15:11,250
CAN'T BE CONFUSED
WITH ANYTHING ELSE.

347
00:15:11,291 --> 00:15:13,000
THEN TELL YOUR SISTER THAT.

348
00:15:13,041 --> 00:15:15,041
I UNDERSTAND THAT
YOU CAN'T CHOOSE

349
00:15:15,083 --> 00:15:17,041
WHO YOU FALL IN LOVE WITH.

350
00:15:17,083 --> 00:15:19,291
BUT YOU CAN CHOOSE
TO BE HONEST.

351
00:15:19,333 --> 00:15:23,166
(beeping continues)

352
00:15:23,208 --> 00:15:25,917
I REVIEWED YOUR SCAN
WITH A HEART SPECIALIST,

353
00:15:25,959 --> 00:15:28,917
AND AS MUCH AS I WOULD LIKE
FOR YOU TO COMPETE AND TO WIN,

354
00:15:28,959 --> 00:15:31,959
I CAN'T LET YOU TAKE
THAT RISK.
(Tyler) BUT I-I FEEL FINE.

355
00:15:32,000 --> 00:15:34,875
I CAN WRESTLE.
I HAVE TO WRESTLE.

356
00:15:34,917 --> 00:15:38,417
IT'S JUST, TYLER HAS WORKED
SO HARD, AND THIS IS HIS DREAM.

357
00:15:38,458 --> 00:15:40,041
WE'RE TALKING ABOUT

358
00:15:40,083 --> 00:15:42,125
A POTENTIALLY
FATAL PROBLEM HERE.
WHAT ARE THE ODDS

359
00:15:42,166 --> 00:15:44,542
THAT SOMETHING BAD HAPPENS TO
TYLER--10 TO 1, 100 TO 1, WHAT?

360
00:15:44,583 --> 00:15:47,625
I CAN'T GIVE YOU ODDS.
THEN WHY SHOULD WE LISTEN
TO YOU?

361
00:15:47,667 --> 00:15:49,291
LOOK,
I KNOW MY OWN BODY.

362
00:15:49,333 --> 00:15:52,041
I HAVEN'T BEEN FEELING DIZZY.
I'M--I'M FEELING GREAT.

363
00:15:52,083 --> 00:15:54,709
I CAN MAKE WEIGHT.
YOU'RE WAY OUT OF LINE HERE.
WE'RE HIS PARENTS,

364
00:15:54,750 --> 00:15:56,959
AND WE SAY WHAT HE CAN
OR CAN'T DO, NOT YOU.
EXCEPT THAT YOU NEED
MY SIGNATURE

365
00:15:57,000 --> 00:15:59,250
ON TYLER'S
MEDICAL RELEASE FORM.
WE'LL GET ANOTHER DOCTOR.

366
00:15:59,291 --> 00:16:01,166
RANDY.
I'M SAYING TYLER COULD DIE.

367
00:16:01,208 --> 00:16:03,417
WHAT ABOUT THAT
DON'T YOU UNDERSTAND?

368
00:16:05,333 --> 00:16:08,041
I'M SORRY, BUT FINALS AREN'T
GONNA HAPPEN FOR YOU, TYLER.

369
00:16:08,083 --> 00:16:11,083
LET'S GO. NOW, TYLER.

370
00:16:27,125 --> 00:16:30,000
(knock on door)
DR. FREEDMAN.

371
00:16:30,041 --> 00:16:31,834
HEY, TYLER.

372
00:16:31,875 --> 00:16:34,041
COME IN.

373
00:16:34,083 --> 00:16:35,750
IS EVERYTHING OKAY?

374
00:16:35,792 --> 00:16:38,041
NOTHING IS OKAY.

375
00:16:38,083 --> 00:16:40,125
UH...

376
00:16:40,166 --> 00:16:42,959
MY MOM GOT LAID OFF
LAST YEAR.

377
00:16:43,000 --> 00:16:46,792
MY DAD IS WORKING DOUBLE SHIFTS
JUST TO PAY THE RENT.

378
00:16:46,834 --> 00:16:48,792
I HAVE A PART-TIME JOB
ON THE WEEKENDS--

379
00:16:48,834 --> 00:16:50,375
YEAH, I UNDERSTAND. I DO.

380
00:16:50,417 --> 00:16:52,792
NO, YOU DON'T.

381
00:16:52,834 --> 00:16:55,000
LOOK, I'M THE ONLY ONE
IN MY FAMILY

382
00:16:55,041 --> 00:16:57,041
WITH THE OPPORTUNITY
TO GO TO COLLEGE.

383
00:16:57,083 --> 00:16:59,166
WITHOUT A SCHOLARSHIP,
I'M JUST GONNA END UP

384
00:16:59,208 --> 00:17:01,375
DOING THE SAME THING
MY PARENTS ARE.
YOU DON'T KNOW THAT.

385
00:17:01,417 --> 00:17:03,625
JUST LIKE YOU DON'T KNOW
SOMETHING BAD WILL HAPPEN TO ME

386
00:17:03,667 --> 00:17:06,041
IF I WRESTLE TOMORROW.
I CAN'T LET YOU
TAKE THAT RISK.

387
00:17:06,083 --> 00:17:07,458
BUT THAT'S MY DECISION.

388
00:17:07,500 --> 00:17:09,959
SOMETIMES, WHEN YOU ARE
SO CLOSE TO A SITUATION...
(sighs)

389
00:17:10,000 --> 00:17:12,333
YOU CAN'T SEE IT--
YOU CAN'T SEE IT CLEARLY.

390
00:17:12,375 --> 00:17:15,333
AND I'M TELLING YOU--
STOP. JUST STOP
TELLING ME THINGS

391
00:17:15,375 --> 00:17:17,583
A-AND JUST HELP ME.

392
00:17:19,083 --> 00:17:22,125
I THINK I AM, EVEN IF IT DOESN'T
SEEM LIKE IT TO YOU.
YOU'RE NOT.

393
00:17:22,166 --> 00:17:24,750
BUT I-I-TH--I THINK I AM,
OKAY?
YOU'RE NOT.

394
00:17:24,792 --> 00:17:27,041
I MADE A CARDIAC M.R.I.
APPOINTMENT FOR YOU TOMORROW,

395
00:17:27,083 --> 00:17:29,041
AND I LEFT WORD
FOR YOUR FOLKS,

396
00:17:29,083 --> 00:17:33,041
I EXPECT TO SEE YOU THERE.
IT'S THE FIRST STEP.
YOU'RE SCARED TO TAKE A RISK.

397
00:17:33,083 --> 00:17:35,875
I'M NOT.

398
00:17:35,917 --> 00:17:38,041
BUT YOU ARE.

399
00:17:38,083 --> 00:17:40,917
AND THAT'S WHY
YOU'RE DOING THIS.

400
00:17:40,959 --> 00:17:43,959
(Chrisette Michele's
"I'm Your Life" playing)

401
00:17:51,125 --> 00:17:54,041
(indistinct conversations)

402
00:17:54,083 --> 00:17:57,458
♪ I GOT A WAY OF FINDING
ALL THE WRONG PLACES TO GO ♪

403
00:17:57,500 --> 00:17:59,458
♪ BEING EVERYWHERE
I AIN'T SUPPOSED TO BE ♪

404
00:17:59,500 --> 00:18:01,500
(whispers) TELL ME
YOU'RE NOT DRINKING.

405
00:18:01,542 --> 00:18:03,375
(lowered voice)
IT'S GINGER ALE.

406
00:18:03,417 --> 00:18:07,041
(lowered voice) IT'S A SMALL
PRICE TO PAY FOR A B-A-B-Y.

407
00:18:07,083 --> 00:18:08,291
SHH.

408
00:18:08,333 --> 00:18:10,500
HEY, EVERYBODY, I WANT
TO PROPOSE A TOAST

409
00:18:10,542 --> 00:18:13,542
TO OUR FAVORITE NEW AUTHOR.

410
00:18:13,583 --> 00:18:15,667
UH, HERE'S HOPING
THAT YOUR BOOK OUTSELLS MINE.
(all laugh)

411
00:18:15,709 --> 00:18:17,834
AND THAT SOMEONE VERY HANDSOME
PLAYS ME

412
00:18:17,875 --> 00:18:19,875
IN THE MOVIE THEY MAKE
FROM IT.
CHEERS.

413
00:18:19,917 --> 00:18:21,041
CHEERS.

414
00:18:21,083 --> 00:18:23,917
GREAT. THANKS. HEY.
HEY, WHAT'D I MISS?

415
00:18:23,959 --> 00:18:25,291
NOT MUCH.

416
00:18:25,333 --> 00:18:27,500
YOU--WILL YOU EXCUSE US
FOR JUST ONE MINUTE?

417
00:18:27,542 --> 00:18:29,041
♪ WHATEVER YOU DON'T WANT ♪

418
00:18:29,083 --> 00:18:30,834
(clears throat)

419
00:18:30,875 --> 00:18:32,834
♪ PROMISE TO GIVE MORE ♪

420
00:18:32,875 --> 00:18:35,667
ALL OF YOUR FRIENDS ARE HERE,

421
00:18:35,709 --> 00:18:37,667
YOUR BOOK IS COMING OUT,
AND YOU'RE SULKING.

422
00:18:37,709 --> 00:18:39,041
IT'S NOT RIGHT.

423
00:18:39,083 --> 00:18:41,125
WHAT IF MARLA THOMKINS
IS RIGHT?

424
00:18:41,166 --> 00:18:43,333
(sighs)
WHAT IF I AM TOO FAMILIAR
WITH MY PATIENTS?

425
00:18:43,375 --> 00:18:45,375
I MEAN, THEIR SUCCESS IS MY--

426
00:18:45,417 --> 00:18:48,125
MY SUCCESS, SO, YOU KNOW,
WHERE ARE THE BOUNDARIES?

427
00:18:48,166 --> 00:18:50,125
I TELL THEM THINGS
ABOUT MYSELF

428
00:18:50,166 --> 00:18:52,125
IN THE HOPES
THAT THEY'LL OPEN UP,

429
00:18:52,166 --> 00:18:55,000
BUT MAYBE I AM DOING IT
TO MAKE MYSELF FEEL BETTER.

430
00:18:55,041 --> 00:18:57,375
I MEAN, I--YES, I DON'T
SLEEP WITH THEM, BUT, YOU KNOW,

431
00:18:57,417 --> 00:19:00,041
SEDUCTION IS, UH, IT'S
COMPLICATED, IT'S ETHEREAL.

432
00:19:00,083 --> 00:19:02,041
AND I CAN BE DISARMING
AND CHARMING.

433
00:19:02,083 --> 00:19:05,041
YOU KNOW, YOU'VE--YOU'VE ALWAYS
SAID THAT THERAPY IS A PROCESS

434
00:19:05,083 --> 00:19:07,083
THAT CAN'T BE
CLEANLY DECONSTRUCTED,

435
00:19:07,125 --> 00:19:09,041
AND THAT ULTIMATELY,
YOUR PATIENTS GET BETTER,

436
00:19:09,083 --> 00:19:11,041
AND THAT'S ALL THAT MATTERS.

437
00:19:11,083 --> 00:19:13,041
IF THAT'S THE CASE,
THEN NO REVIEWER,

438
00:19:13,083 --> 00:19:15,458
SHRINK OR NOT,
CAN CRITICIZE YOUR METHODS.
WELL--

439
00:19:15,500 --> 00:19:18,709
VIOLET, THIS IS YOUR NIGHT.
YOU'VE EARNED THIS.

440
00:19:18,750 --> 00:19:20,709
AFTER EVERYTHING
YOU'VE BEEN THROUGH,

441
00:19:20,750 --> 00:19:23,709
AFTER ALL YOU'VE ACCOMPLISHED,
YOU'VE EARNED THIS.

442
00:19:23,750 --> 00:19:26,417
COME ON. DON'T LET
ANYONE RUIN IT FOR YOU.

443
00:19:26,458 --> 00:19:28,208
♪ I'M YOUR LIFE ♪

444
00:19:28,250 --> 00:19:30,583
MY BOOK LAUNCH
WAS HALF THIS SIZE.

445
00:19:30,625 --> 00:19:31,917
HMM.

446
00:19:31,959 --> 00:19:35,041
♪ WHATEVER YOU DON'T WANT ♪

447
00:19:35,083 --> 00:19:37,917
WHY DON'T YOU STOP LEERING
AND JUST HEAD OVER THERE?

448
00:19:37,959 --> 00:19:39,834
I WAS THINKING ABOUT IT,
BUT EVERYBODY'S WALKING UP,

449
00:19:39,875 --> 00:19:42,041
TALKING TO HER,
AND I HATE CROWDS.

450
00:19:42,083 --> 00:19:44,041
I THOUGHT
YOU WERE SUPPOSED TO BE

451
00:19:44,083 --> 00:19:46,750
SOME KIND OF A LADY SLAYER.
USUALLY I AM.

452
00:19:46,792 --> 00:19:48,750
UH, I HAVE A WEAKNESS
FOR TALL BLONDES.

453
00:19:48,792 --> 00:19:51,750
A-AND DID YOU NOTICE
HOW SHE FILLS OUT THOSE PEARLS?

454
00:19:51,792 --> 00:19:54,041
HI.
I'M MARLA THOMKINS.

455
00:19:54,083 --> 00:19:57,166
♪ I'M YOUR LIFE, YEAH ♪

456
00:19:57,208 --> 00:20:00,208
(speaks indistinctly)
(gasps) OH, MY GOD.
THAT'S MARLA THOMKINS.

457
00:20:00,250 --> 00:20:02,041
SHELDON IS TALKING
TO MARLA THOMKINS.

458
00:20:02,083 --> 00:20:03,667
WHAT'S THAT FACE
HE'S MAKING?

459
00:20:03,709 --> 00:20:05,041
HE'S MAD.

460
00:20:05,083 --> 00:20:07,041
OH, 'CAUSE SHE'S POINTING
AT HIM.

461
00:20:07,083 --> 00:20:10,041
OH, WHAT A BITCH. I BET HE'S
TELLING HER OFF RIGHT NOW.

462
00:20:10,083 --> 00:20:12,458
YOU GAVE THAT LECTURE
AT U.C.L.A. LAST MONTH

463
00:20:12,500 --> 00:20:14,792
ON THE PSYCHOLOGY
OF THE MALE SEX ADDICT.

464
00:20:14,834 --> 00:20:16,875
IT WAS FASCINATING.

465
00:20:16,917 --> 00:20:18,834
WELL... THANK YOU.

466
00:20:18,875 --> 00:20:21,208
YOUR CONCLUSIONS
WERE RIDICULOUS, OF COURSE,

467
00:20:21,250 --> 00:20:23,583
BUT I ASSUME YOU WERE JUST
TRYING TO BE PROVOCATIVE.

468
00:20:23,625 --> 00:20:26,041
OH, AN INVETERATE CRITIC.
OH, IT'S WHAT I DO.

469
00:20:26,083 --> 00:20:28,041
ARE YOU INTERESTED
IN ANYTHING

470
00:20:28,083 --> 00:20:30,041
BUT TEARING APART
OTHER PEOPLE'S IDEAS?

471
00:20:30,083 --> 00:20:34,000
(chuckles) I'M INTERESTED
IN ALL SORTS OF THINGS.

472
00:20:34,041 --> 00:20:36,625
♪ I CAN'T BE YOUR FRIEND,
MY FRIEND ♪

473
00:20:36,667 --> 00:20:38,166
♪ NO ♪

474
00:20:38,208 --> 00:20:40,166
HEY.
THANKS FOR HAVING MY BACK.

475
00:20:40,208 --> 00:20:41,792
OH, OF COURSE.

476
00:20:41,834 --> 00:20:43,792
THANKS, MAN.
YOU MADE HER NIGHT.

477
00:20:43,834 --> 00:20:45,166
THANK YOU.

478
00:20:45,208 --> 00:20:46,583
YEAH, SURE, SURE.

479
00:20:46,625 --> 00:20:50,208
♪ I'M JUST YOUR LIFE ♪

480
00:20:50,250 --> 00:20:53,000
♪ YEAH, I'M YOUR LIFE ♪

481
00:20:55,083 --> 00:20:56,458
(knocks on window)

482
00:20:56,500 --> 00:20:59,834
HEY.
YOU FEELING ANY BETTER?

483
00:20:59,875 --> 00:21:02,041
OH, I'M FINE.

484
00:21:02,083 --> 00:21:04,041
ADDISON, IT'S BEEN TWO DAYS.

485
00:21:04,083 --> 00:21:06,041
YOU NEED TO GO HOME
AND GET BETTER.

486
00:21:06,083 --> 00:21:07,417
I CAN'T.

487
00:21:07,458 --> 00:21:10,041
I HAVE TO SEE HOW A PATIENT'S
LABOR IS PROGRESSING.

488
00:21:10,083 --> 00:21:12,041
(grunts)

489
00:21:12,083 --> 00:21:13,458
(sighs)

490
00:21:16,458 --> 00:21:17,709
WHAT?

491
00:21:17,750 --> 00:21:20,041
NO, IT'S JUST, YOU--
YOU'VE BEEN EXHAUSTED

492
00:21:20,083 --> 00:21:21,959
AND NAUSEOUS

493
00:21:22,000 --> 00:21:24,333
AND, NO OFFENSE,
HORMONAL--

494
00:21:24,375 --> 00:21:27,041
NO, DON'T EVEN SAY IT,
SAM, OKAY?

495
00:21:27,083 --> 00:21:30,041
'CAUSE WE BOTH... KNOW THAT
THAT IS NOT THE CASE.

496
00:21:30,083 --> 00:21:31,625
(pen clatters)

497
00:21:31,667 --> 00:21:33,333
OKAY.

498
00:21:33,375 --> 00:21:35,041
(inhales deeply)

499
00:21:35,083 --> 00:21:36,375
OKAY.

500
00:21:36,417 --> 00:21:38,041
(cell phone chimes)

501
00:21:38,083 --> 00:21:41,625
OH. I HAVE TO GO.

502
00:21:50,625 --> 00:21:52,291
(knock on door)

503
00:21:52,333 --> 00:21:54,750
YOU WERE UP
AND OUT EARLY.

504
00:21:54,792 --> 00:21:57,125
YOU KNOW ME--ALWAYS TRYING
TO GRAB LIFE BY THE BALLS.

505
00:21:57,166 --> 00:21:59,125
THANK YOU.
WHAT ARE YOU WORKING ON?

506
00:21:59,166 --> 00:22:01,166
NOTHING.

507
00:22:01,208 --> 00:22:04,041
COME ON.

508
00:22:04,083 --> 00:22:06,875
GRADUATE CHILD PSYCHOLOGY
COURSES. REALLY, COOP?

509
00:22:06,917 --> 00:22:09,834
EXACTLY WHY
I DON'T TELL YOU.

510
00:22:09,875 --> 00:22:12,041
GET OUT.
COME ON.
I'M NOT BEING CRITICAL.

511
00:22:12,083 --> 00:22:14,166
WHY IS IT SO HARD FOR YOU
TO UNDERSTAND

512
00:22:14,208 --> 00:22:16,583
THAT I MAY
WANT SOMETHING MORE?
WELL, AREN'T I ENOUGH?

513
00:22:16,625 --> 00:22:19,583
OKAY, I'M SERIOUS, CHARLOTTE.
THIS IS IMPORTANT TO ME.
RELAX, COOPER.

514
00:22:19,625 --> 00:22:21,166
I DON'T WANT TO RELAX.

515
00:22:21,208 --> 00:22:23,208
I JUST WANT YOU
TO TAKE ME SERIOUSLY.

516
00:22:23,250 --> 00:22:25,667
IF YOU CAN'T DO THAT,
LEAVE ME ALONE.

517
00:22:37,041 --> 00:22:39,542
WHAT'S GOING ON?
(monitor beeping rhythmically)

518
00:22:39,583 --> 00:22:41,959
LATE DECELS ON THE MONITOR.
WHAT DOES THAT MEAN?

519
00:22:42,000 --> 00:22:44,208
IT HURTS.
THE BABY IS IN DISTRESS.

520
00:22:44,250 --> 00:22:47,375
I NEED TO DO A C-SECTION NOW.
WHY DOES IT HURT SO MUCH?

521
00:22:47,417 --> 00:22:49,333
LISTEN TO ME. LISTEN TO ME.
IT'S GONNA BE OKAY.

522
00:22:49,375 --> 00:22:51,333
I'M GONNA BE RIGHT HERE
WITH YOU THE WHOLE TIME,

523
00:22:51,375 --> 00:22:53,208
JUST LIKE YOU'VE BEEN FOR ME.
AH!

524
00:22:53,250 --> 00:22:55,333
IT'S OKAY, BABY.
IT'S OKAY.
(Claudine) OKAY.

525
00:22:55,375 --> 00:22:57,625
IT'S GONNA BE OKAY, BABY.
ELLIOT?

526
00:22:57,667 --> 00:23:01,291
(woman speaking indistinctly
over p.a.)

527
00:23:01,333 --> 00:23:03,208
E-ELLIOT, ARE--ARE YOU
AND CLAUDINE--

528
00:23:03,250 --> 00:23:11,000
I'M NOT SURE
NOW IS THE TIME--
TELL HER WE'RE SORRY. PLEASE.

529
00:23:21,083 --> 00:23:23,500
NEED TO CLEAR THE FIELD.

530
00:23:23,542 --> 00:23:26,625
DR. MONTGOMERY,
HER PRESSURE'S DROPPING.
ALMOST GOT HER. SUCTION.

531
00:23:26,667 --> 00:23:30,417
(monitor beeping erratically)

532
00:23:30,458 --> 00:23:32,041
♪♪♪

533
00:23:32,083 --> 00:23:34,041
(crying)

534
00:23:34,083 --> 00:23:37,417
(man) ♪ STRONG YET ♪

535
00:23:37,458 --> 00:23:40,250
OKAY.
THERE'S A POSTERIOR TEAR.

536
00:23:40,291 --> 00:23:42,041
0 VICRYL AND A CT-1.

537
00:23:42,083 --> 00:23:44,625
CAN'T HOLD HER B.P.
SOMETHING'S WRONG.
(alarm beeping)

538
00:23:44,667 --> 00:23:47,208
YEAH, YOU THINK?
SHE'S STILL BLEEDING,

539
00:23:47,250 --> 00:23:49,208
AND I CAN'T LOCALIZE THE SOURCE.
SUCTION.

540
00:23:49,250 --> 00:23:52,041
DAMN IT. SHE LACERATED
HER UTERINE ARTERY.

541
00:23:52,083 --> 00:23:55,208
BETTY, GET OVER HERE AND HOLD
PRESSURE ON THE BLEEDER.

542
00:23:55,250 --> 00:23:57,250
♪ ...DEEPEST PART ♪

543
00:23:57,291 --> 00:23:59,875
SORRY I'M LATE.
UH, THIS PLACE IS A MAZE.

544
00:23:59,917 --> 00:24:02,959
UH, THIS IS DR. BENNETT.
I'M GLAD YOU CAME IN.

545
00:24:03,000 --> 00:24:05,041
YEAH, WE TALKED ABOUT IT
IN THE CAR

546
00:24:05,083 --> 00:24:07,667
ON THE WAY HOME YESTERDAY--
ARGUED, REALLY.

547
00:24:07,709 --> 00:24:10,875
BUT WHAT YOU SAID ABOUT TYLER'S
LIFE BEING IN DANGER--

548
00:24:10,917 --> 00:24:13,125
YOU'RE DOING THE RIGHT THING.

549
00:24:13,166 --> 00:24:14,750
WHERE IS TYLER?

550
00:24:14,792 --> 00:24:17,041
DIDN'T STACY BRING HIM IN?

551
00:24:17,083 --> 00:24:19,500
SHE CALLED ME AT WORK AND TOLD
ME THEY WERE ON THEIR WAY.
WESTSIDE TRAFFIC?

552
00:24:19,542 --> 00:24:21,750
NO, I TALKED TO HER
OVER AN HOUR AGO.

553
00:24:21,792 --> 00:24:23,125
♪ THIS TIME ♪

554
00:24:23,166 --> 00:24:25,667
FINALS?

555
00:24:25,709 --> 00:24:29,333
OH, GOD. THEY START
IN TEN MINUTES.

556
00:24:29,375 --> 00:24:31,041
♪ DON'T FIGHT ♪

557
00:24:31,083 --> 00:24:33,917
(Sheldon)
ALL I'M SAYING IS,

558
00:24:33,959 --> 00:24:35,917
YOU WERE HARSH,
VIOLET'S A FRIEND,

559
00:24:35,959 --> 00:24:37,500
AND YOU HURT HER FEELINGS.

560
00:24:37,542 --> 00:24:39,542
IT'S CUTE,
YOU'RE SO PROTECTIVE OF HER.

561
00:24:39,583 --> 00:24:41,375
WELL,
I HATE BEING CALLED CUTE.

562
00:24:41,417 --> 00:24:43,250
NO MAN
LIKES TO BE CALLED CUTE.

563
00:24:43,291 --> 00:24:45,750
I COULD THINK
OF WORSE THINGS TO CALL YOU.

564
00:24:45,792 --> 00:24:49,125
WHAT KIND OF THERAPIST
SPECIALIZES IN INSULTS?

565
00:24:49,166 --> 00:24:51,792
THE KIND WHO SPENDS HER WEEKENDS
READING AND REVIEWING

566
00:24:51,834 --> 00:24:54,500
THE ENDLESS STREAM OF
SELF-INDULGENT POP PSYCH BOOKS

567
00:24:54,542 --> 00:24:56,625
THAT THE NOT-BUSY-ENOUGH
MEMBERS OF OUR PROFESSION

568
00:24:56,667 --> 00:25:00,041
CONTINUE TO VOMIT UP.
(laughs) THEN--
THEN WHY DO YOU DO IT?

569
00:25:00,083 --> 00:25:02,041
IT GIVES ME FLEXIBILITY

570
00:25:02,083 --> 00:25:03,834
TO DO OTHER THINGS.

571
00:25:03,875 --> 00:25:07,083
IN THE LAST COUPLE OF YEARS,
I'VE HIKED MACHU PICCHU,

572
00:25:07,125 --> 00:25:09,041
I TAUGHT A SEMESTER
AT OXFORD,

573
00:25:09,083 --> 00:25:11,583
AND STUDIED
AT THE CORDON BLEU.

574
00:25:11,625 --> 00:25:13,583
OH, WELL,
I LOVE TO EAT.

575
00:25:13,625 --> 00:25:15,000
(sighs)

576
00:25:15,041 --> 00:25:17,834
HOW CAN THIS YOU
BE THE SAME PERSON

577
00:25:17,875 --> 00:25:19,959
WHO WROTE A REVIEW
THAT SKEWERED MY FRIEND?

578
00:25:20,000 --> 00:25:21,959
LOOK, VIOLET WROTE
WHAT SHE WROTE.

579
00:25:22,000 --> 00:25:24,166
I HAVE AN OPINION ABOUT IT.
IT'S NOT PERSONAL.

580
00:25:24,208 --> 00:25:26,166
YEAH, BUT YOU'RE WRONG
ABOUT HER.

581
00:25:26,208 --> 00:25:28,208
SHE HAS A PATTERN
OF SEDUCTIVE MANIPULATION.

582
00:25:28,250 --> 00:25:31,041
SHE GETS PEOPLE
TO DO WHAT SHE WANTS.

583
00:25:31,083 --> 00:25:33,583
SHE STRONG-ARMS A MALE PATIENT
INTO LEAVING HIS WIFE,

584
00:25:33,625 --> 00:25:36,041
SHE ALLOWED A SCHIZOPHRENIC
TO STOP TAKING HER MEDS,

585
00:25:36,083 --> 00:25:38,041
SHE TOLD AN AGORAPHOBE
SHE WAS PREGNANT

586
00:25:38,083 --> 00:25:41,625
BEFORE SHE TOLD
EITHER POTENTIAL FATHER.

587
00:25:41,667 --> 00:25:43,750
OH.

588
00:25:43,792 --> 00:25:46,792
OH, WAIT.
THAT WAS YOU, WASN'T IT?

589
00:25:46,834 --> 00:25:48,208
♪♪♪

590
00:25:48,250 --> 00:25:49,583
OH.

591
00:25:49,625 --> 00:25:53,041
WELL, OBVIOUSLY I DON'T NEED
TO ARGUE MY POINT

592
00:25:53,083 --> 00:25:55,625
SINCE CLEARLY, YOU, TOO,
WERE SEDUCED.

593
00:25:55,667 --> 00:25:57,417
(chuckles)

594
00:25:57,458 --> 00:25:59,041
YOU'RE TOUGH.

595
00:25:59,083 --> 00:26:01,667
BUT FAIR.

596
00:26:01,709 --> 00:26:03,041
♪ OOH, OOH ♪

597
00:26:03,083 --> 00:26:06,375
AND YOU LIKE IT,
DON'T YOU?

598
00:26:06,417 --> 00:26:08,375
♪♪♪

599
00:26:08,417 --> 00:26:11,041
(laughs)

600
00:26:11,083 --> 00:26:13,083
(door opens)
HOW'S THE BABY?

601
00:26:13,125 --> 00:26:14,917
THE BABY'S DOING JUST FINE.

602
00:26:14,959 --> 00:26:17,500
BUT THERE WAS A COMPLICATION
WITH YOUR DELIVERY.

603
00:26:17,542 --> 00:26:19,500
YEAH, ELLIOT SAID THAT
THERE WAS SOME BLEEDING.

604
00:26:19,542 --> 00:26:22,041
YOU HAD TO DO A C-SECTION.

605
00:26:22,083 --> 00:26:23,625
YOUR UTERUS RUPTURED
DURING LABOR,

606
00:26:23,667 --> 00:26:26,041
AND UNFORTUNATELY, I COULDN'T
CONTROL THE HEMORRHAGING.

607
00:26:26,083 --> 00:26:28,250
I HAD TO PERFORM
AN EMERGENCY HYSTERECTOMY.

608
00:26:28,291 --> 00:26:31,667
WAIT. THAT MEANS THAT...

609
00:26:31,709 --> 00:26:34,500
CLAUDINE WON'T BE ABLE
TO HAVE ANY MORE CHILDREN.

610
00:26:34,542 --> 00:26:36,500
UM...

611
00:26:36,542 --> 00:26:39,041
I DIDN'T THINK...

612
00:26:39,083 --> 00:26:42,834
(voice breaking) I NEVER THOUGHT
I WANTED TO BE A MOM, BUT...

613
00:26:42,875 --> 00:26:44,709
BUT AFTER I HAD
THIS BABY--

614
00:26:44,750 --> 00:26:46,291
LORRAINE'S BABY.

615
00:26:46,333 --> 00:26:49,291
IT'S NOT JUST LORRAINE'S BABY.
IT'S MY BABY, TOO,

616
00:26:49,333 --> 00:26:52,208
AND CLAUDINE'S--
IT'S HER EGG.

617
00:26:52,250 --> 00:26:54,208
BUT YOU PROMISED
YOUR SISTER--
THINGS ARE DIFFERENT NOW.

618
00:26:54,250 --> 00:26:56,208
CLAUDINE,
YOU'RE A SURROGATE.

619
00:26:56,250 --> 00:26:59,041
REGARDLESS OF WHAT'S HAPPENING
BETWEEN YOU AND ELLIOT,

620
00:26:59,083 --> 00:27:02,125
YOU PROMISED LORRAINE
A BABY.

621
00:27:02,166 --> 00:27:05,625
CAN I REALLY NEVER HAVE
A BABY?

622
00:27:05,667 --> 00:27:07,417
YOU KNOW,
WITH ALL DUE RESPECT,

623
00:27:07,458 --> 00:27:11,333
IF CLAUDINE AND I WANT
TO KEEP THIS BABY,

624
00:27:11,375 --> 00:27:13,500
YOU CAN'T STOP US.

625
00:27:13,542 --> 00:27:17,041
NOW I WANT TO SEE MY CHILD.

626
00:27:17,083 --> 00:27:21,792
♪ I'M CATCHING MY SECOND WIND ♪

627
00:27:21,834 --> 00:27:24,792
(cheering)

628
00:27:24,834 --> 00:27:28,083
♪♪♪

629
00:27:28,125 --> 00:27:30,041
COACH. COACH PATTERSON,
I'M COOPER FREEDMAN.

630
00:27:30,083 --> 00:27:32,041
I'M TYLER'S DOCTOR.

631
00:27:32,083 --> 00:27:34,291
NOT--NOT RIGHT NOW.
USE YOUR LEGS, TY!

632
00:27:34,333 --> 00:27:36,291
YOU NEED TO STOP
THIS MATCH, COACH.

633
00:27:36,333 --> 00:27:38,375
NO, NO. HIS MED CONSENT FORM
WAS SIGNED.

634
00:27:38,417 --> 00:27:41,208
REVERSE HIM, TY!
REVERSE HIM!
I DIDN'T SIGN
A CONSENT FORM.

635
00:27:41,250 --> 00:27:43,417
WHAT THE HELL DID YOU DO?
STOP THE MATCH.

636
00:27:43,458 --> 00:27:45,125
(cheers and applause)

637
00:27:45,166 --> 00:27:47,625
ROLL HIM, TY!
YOU GOT HIM! ROLL HIM, TY!

638
00:27:47,667 --> 00:27:50,041
YOU GOT HIM!
HOLD ON, TY!
YOU GOT HIM!

639
00:27:50,083 --> 00:27:51,834
YOU GOT HIM, TY.

640
00:27:51,875 --> 00:27:54,041
(crowd cheering)

641
00:27:54,083 --> 00:27:57,500
(whistling)

642
00:27:57,542 --> 00:28:00,000
♪♪♪

643
00:28:00,041 --> 00:28:03,375
(cheering continues)

644
00:28:06,667 --> 00:28:11,000
(indistinct conversations)

645
00:28:11,041 --> 00:28:13,041
I GUESS I WAS WRONG.

646
00:28:13,083 --> 00:28:15,625
I MEAN, I ALMOST TOOK THIS
AWAY FROM HIM,

647
00:28:15,667 --> 00:28:18,625
FROM ALL OF THEM.
NO, YOU MADE THE RIGHT CALL.

648
00:28:18,667 --> 00:28:21,041
NO MATTER WHAT HAPPENED,
YOU MADE THE RIGHT CALL.

649
00:28:21,083 --> 00:28:22,417
(indistinct conversations
continue)

650
00:28:22,458 --> 00:28:24,542
(Randy) DR. FREEDMAN!

651
00:28:24,583 --> 00:28:26,542
TY!
DR. FREEDMAN!

652
00:28:26,583 --> 00:28:29,750
TY. TY, WAKE UP, BABY.
TY.

653
00:28:29,792 --> 00:28:31,333
NO PULSE.
(Stacy) WHAT'S HAPPENING?

654
00:28:31,375 --> 00:28:34,041
IT'S A CARDIAC ARREST.
PLEASE. YOU HAVE TO SAVE HIM.

655
00:28:34,083 --> 00:28:35,792
(Stacy) TY.
YOU TAKE OVER?

656
00:28:35,834 --> 00:28:38,166
(Cooper) YEAH, I GOT IT.
(Stacy) TY. TY, BABY.
WAKE UP, HONEY.

657
00:28:38,208 --> 00:28:39,792
WAKE UP.
TY.

658
00:28:39,834 --> 00:28:42,208
WAKE UP. TY!
COME ON, BUDDY.

659
00:28:46,709 --> 00:28:48,709
(woman speaks indistinctly
over p.a.)

660
00:28:48,750 --> 00:28:51,083
(indistinct conversations)

661
00:28:53,291 --> 00:28:55,500
(Stacy) HOW IS HE?
WE GOT HIS HEART STARTED.

662
00:28:55,542 --> 00:28:58,792
OH, THANK GOD.
HE WAS DEPRIVED OF OXYGEN FOR
AN EXTENDED PERIOD OF TIME.

663
00:28:58,834 --> 00:29:01,250
SO WE'VE HAD TO PUT HIM
IN A MEDICALLY INDUCED COMA

664
00:29:01,291 --> 00:29:03,875
TO GIVE HIS BRAIN
A CHANCE TO RECOVER.

665
00:29:03,917 --> 00:29:06,166
SO HE'S GONNA BE OKAY?

666
00:29:06,208 --> 00:29:10,000
WE DON'T KNOW.
ALL WE CAN DO NOW IS WAIT.

667
00:29:16,625 --> 00:29:18,709
HE CAME TO ME.

668
00:29:18,750 --> 00:29:21,375
HE TOLD ME HOW MUCH
HE WANTED THIS...

669
00:29:21,417 --> 00:29:23,041
NOT JUST FOR HIM,

670
00:29:23,083 --> 00:29:25,250
FOR US, TOO.

671
00:29:25,291 --> 00:29:27,333
HOW COULD I SAY NO TO HIM?

672
00:29:27,375 --> 00:29:30,667
ALL THOSE
EARLY MORNING WORKOUTS,

673
00:29:30,709 --> 00:29:34,041
THE WEEKENDS TRAVELING
TO MEETS,

674
00:29:34,083 --> 00:29:36,208
EVERYTHING TY WORKED FOR,

675
00:29:36,250 --> 00:29:39,041
THAT WE WORKED FOR...

676
00:29:39,083 --> 00:29:42,041
(voice breaks) THIS WAS
HIS CHANCE FOR SOMETHING BETTER.

677
00:29:42,083 --> 00:29:44,041
LOOK AT WHERE WE'RE AT.

678
00:29:44,083 --> 00:29:46,041
(voice breaks)
HOW IS THIS BETTER?

679
00:29:46,083 --> 00:29:49,041
BLAMING EACH OTHER IS NOT
GONNA HELP TYLER. UM...

680
00:29:56,083 --> 00:29:57,500
(baby fusses)

681
00:29:57,542 --> 00:30:00,375
(babies crying)

682
00:30:00,417 --> 00:30:03,542
THEY WON'T LET ME HOLD
MY BABY, DR. WILDER.

683
00:30:03,583 --> 00:30:06,166
WHY WON'T THEY
LET ME HOLD HER?

684
00:30:06,208 --> 00:30:08,041
THERE WERE COMPLICATIONS
DURING THE DELIVERY,

685
00:30:08,083 --> 00:30:10,667
AND DR. MONTGOMERY HAD TO
PERFORM A HYSTERECTOMY.

686
00:30:10,709 --> 00:30:13,250
CLAUDINE WON'T BE ABLE
TO HAVE ANY MORE CHILDREN.

687
00:30:13,291 --> 00:30:15,250
OH, MY GOD.
IS CLAUDINE...

688
00:30:15,291 --> 00:30:19,792
CLAUDINE WILL BE FINE,
BUT...

689
00:30:19,834 --> 00:30:22,917
SHE AND ELLIOT
WANT TO KEEP THE BABY.

690
00:30:22,959 --> 00:30:26,041
(Gareth Dunlop)
♪ HOLD ON TO WHAT MAKES SENSE ♪

691
00:30:26,083 --> 00:30:27,542
NO.

692
00:30:27,583 --> 00:30:29,542
I--YOU'RE NOT ALONE HERE,
LORRAINE.

693
00:30:29,583 --> 00:30:31,542
DO YOU KNOW HOW MANY TIMES
I'VE IMAGINED

694
00:30:31,583 --> 00:30:35,333
WHAT THIS DAY WOULD BE LIKE--
A BEAUTIFUL, HEALTHY BABY?

695
00:30:35,375 --> 00:30:37,333
(voice breaking)
I'VE BEEN CARRYING AROUND

696
00:30:37,375 --> 00:30:39,834
THIS--THIS ONESIE
TO TAKE HER HOME IN

697
00:30:39,875 --> 00:30:43,583
AND I'VE LEARNED ALL THE WORDS
TO "LULLABY AND GOODNIGHT,"

698
00:30:43,625 --> 00:30:46,959
AND... WHAT AM I
SUPPOSED TO DO NOW?

699
00:30:47,000 --> 00:30:48,959
YOU'RE GONNA
TAKE A DEEP BREATH,

700
00:30:49,000 --> 00:30:51,000
PULL YOURSELF TOGETHER,
AND YOU'RE GONNA FIGHT.

701
00:30:51,041 --> 00:30:54,041
I'M SCARED, DR. WILDER.

702
00:30:54,083 --> 00:30:56,166
I'VE LOST MY HUSBAND,

703
00:30:56,208 --> 00:30:59,542
MY SISTER.

704
00:30:59,583 --> 00:31:02,041
I HAVE NOTHING LEFT.

705
00:31:02,083 --> 00:31:05,417
YOU NEED TO DIG DEEPER,
LORRAINE...

706
00:31:05,458 --> 00:31:07,208
FOR YOUR DAUGHTER.

707
00:31:07,250 --> 00:31:09,625
YOU WANTED TO BE A MOTHER,
AND NOW YOU ARE ONE.

708
00:31:09,667 --> 00:31:12,041
IF YOU BELIEVE
THAT YOU CAN BE A GOOD PARENT

709
00:31:12,083 --> 00:31:14,041
TO THAT LITTLE GIRL,
THEN YOU WILL BE,

710
00:31:14,083 --> 00:31:16,250
BUT YOU NEED TO BELIEVE IT.

711
00:31:16,291 --> 00:31:18,208
YOU NEED TO BE WILLING TO DO
ANYTHING TO PROTECT HER,

712
00:31:18,250 --> 00:31:19,834
BECAUSE PARENTHOOD
IS A FIGHT.

713
00:31:19,875 --> 00:31:22,166
YOU HAVE TO BE WILLING
TO GET IN IT.

714
00:31:22,208 --> 00:31:28,125
♪ RUNNING IN CIRCLES AGAIN ♪

715
00:31:28,166 --> 00:31:30,792
♪ MISS PREVIOUSLY LOVED ♪

716
00:31:30,834 --> 00:31:33,166
(footsteps approach)

717
00:31:33,208 --> 00:31:35,458
CAN I DATE MARLA THOMKINS?

718
00:31:35,500 --> 00:31:38,250
THAT'S THE WOMAN
THAT TRASHED VIOLET?

719
00:31:38,291 --> 00:31:41,709
SHE'S BEAUTIFUL AND SMART,
AND I WANT TO DATE HER.

720
00:31:41,750 --> 00:31:43,625
YEAH, YOU CAN'T DO IT.

721
00:31:43,667 --> 00:31:46,041
YOU'RE RIGHT.
IS THERE ANY WAY--

722
00:31:46,083 --> 00:31:47,792
NOPE.

723
00:31:47,834 --> 00:31:49,500
YOU SEEM SURE.

724
00:31:49,542 --> 00:31:51,500
I'M NOT AN EXPERT
ON MANY THINGS, SHELDON.

725
00:31:51,542 --> 00:31:54,291
THAT'S BECOME PRETTY CLEAR
TO ME, BUT I KNOW VIOLET.

726
00:31:54,333 --> 00:31:57,041
AND IF YOU WANT TO BE
HER FRIEND, YOU CAN'T DO IT.

727
00:31:57,083 --> 00:31:59,208
(stammers)

728
00:31:59,250 --> 00:32:02,250
♪♪♪

729
00:32:02,291 --> 00:32:04,625
(door opens)

730
00:32:04,667 --> 00:32:06,625
(monitor beeping rhythmically)

731
00:32:06,667 --> 00:32:08,583
THANKS FOR BRINGING HER.

732
00:32:08,625 --> 00:32:12,041
YOU SAID YOU WANTED
TO SEE HER.

733
00:32:12,083 --> 00:32:13,500
SO...

734
00:32:13,542 --> 00:32:15,041
(baby coos)

735
00:32:15,083 --> 00:32:17,500
I BROUGHT HER BY
FOR A VISIT.

736
00:32:17,542 --> 00:32:18,667
OH.

737
00:32:18,709 --> 00:32:20,875
SHE'S INCREDIBLE.

738
00:32:20,917 --> 00:32:23,041
SHE IS.

739
00:32:23,083 --> 00:32:24,041
(fusses)

740
00:32:24,083 --> 00:32:26,625
THEY WON'T LET YOUR SISTER
HOLD HER.

741
00:32:26,667 --> 00:32:29,667
IS LORRAINE...

742
00:32:29,709 --> 00:32:31,458
HOW IS SHE?

743
00:32:31,500 --> 00:32:34,041
HOW DO YOU THINK SHE IS?

744
00:32:34,083 --> 00:32:35,834
♪ PUT A SMILE
ON YOUR FACE ♪

745
00:32:35,875 --> 00:32:40,291
I KNOW HOW HORRIBLE
THIS LOOKS.

746
00:32:40,333 --> 00:32:42,333
♪ HOLD ON
TO WHAT MAKES SENSE ♪

747
00:32:42,375 --> 00:32:46,125
BUT IT DOESN'T CHANGE
HOW I FEEL.

748
00:32:46,166 --> 00:32:48,500
IF THIS WERE YOU

749
00:32:48,542 --> 00:32:50,375
AND YOU WERE IN LOVE

750
00:32:50,417 --> 00:32:52,917
AND THERE WAS THIS BABY,

751
00:32:52,959 --> 00:32:57,000
AND YOU KNEW YOU COULD
NEVER HAVE ANOTHER ONE...

752
00:32:57,041 --> 00:32:59,041
WHAT WOULD YOU DO?

753
00:32:59,083 --> 00:33:02,375
♪ MISS PREVIOUSLY LOVED ♪

754
00:33:02,417 --> 00:33:04,959
I'VE DONE SOME THINGS

755
00:33:05,000 --> 00:33:07,041
THAT I'M NOT PROUD OF.

756
00:33:07,083 --> 00:33:10,083
I'VE CHOSEN... MYSELF

757
00:33:10,125 --> 00:33:12,041
AND PAID THE CONSEQUENCES.

758
00:33:12,083 --> 00:33:15,500
BUT LORRAINE IS YOUR SISTER,
AND YOU MADE HER A PROMISE.

759
00:33:15,542 --> 00:33:18,041
YOU WANTED LOVE,

760
00:33:18,083 --> 00:33:20,041
AND SHE WANTED TO BE A MOTHER,

761
00:33:20,083 --> 00:33:23,166
AND YOU SAID YOU'D HELP HER,
BUT NOW YOU'RE--
OH.

762
00:33:23,208 --> 00:33:25,792
♪♪♪

763
00:33:25,834 --> 00:33:27,792
♪ TIME WILL PULL THROUGH ♪

764
00:33:27,834 --> 00:33:31,083
IF YOU ARE ASKING ME...

765
00:33:31,125 --> 00:33:34,083
YOU CAN HAVE ELLIOT
OR YOU CAN HAVE THE BABY,

766
00:33:34,125 --> 00:33:36,583
BUT YOU CAN'T HAVE BOTH.

767
00:33:36,625 --> 00:33:39,750
♪♪♪

768
00:33:46,959 --> 00:33:48,625
(siren wails)

769
00:33:57,709 --> 00:34:01,917
YOU WERE GONNA LEAVE
WITHOUT TALKING TO LORRAINE?

770
00:34:01,959 --> 00:34:05,041
WHAT IS THERE TO SAY?

771
00:34:05,083 --> 00:34:07,750
TO START WITH,

772
00:34:07,792 --> 00:34:09,625
I WANT MY BABY.

773
00:34:09,667 --> 00:34:12,041
LORRAINE...
THIS ISN'T YOUR BABY.

774
00:34:12,083 --> 00:34:15,250
IT TAKES MORE THAN AN EGG

775
00:34:15,291 --> 00:34:18,250
AND SPERM AND NINE MONTHS
TO MAKE A MOTHER, CLAUDE.

776
00:34:18,291 --> 00:34:20,959
YOU KNOW THAT.
SHE'S RIGHT, CLAUDINE.

777
00:34:21,000 --> 00:34:24,458
YOU KNOW WHAT? YOU GUYS CAN'T
COME IN HERE AND BULLY US.
(Addison) OKAY, NO ONE IS TRYING
TO BULLY ANYONE, ELLIOT.

778
00:34:24,500 --> 00:34:27,667
LOOK, THIS IS OUR BABY.
AND IF WE WENT TO COURT--

779
00:34:27,709 --> 00:34:30,375
(Pete) YOU WANT TO DO THAT,
GO TO COURT?

780
00:34:30,417 --> 00:34:33,458
BECAUSE I'VE DONE THAT,
AND I'LL TELL YOU,

781
00:34:33,500 --> 00:34:36,500
THE PERSON THAT LOSES THE MOST
IS THE CHILD.
COME ON, CLAUDINE, WE DON'T
HAVE TO LISTEN TO THIS.

782
00:34:36,542 --> 00:34:40,917
STOP! ELLIOT, PLEASE.
JUST... STOP.

783
00:34:40,959 --> 00:34:43,291
THIS BABY...

784
00:34:43,333 --> 00:34:45,792
IS NOT MINE.

785
00:34:45,834 --> 00:34:48,667
IT'S YOURS.

786
00:34:48,709 --> 00:34:50,041
CLAUDINE--

787
00:34:50,083 --> 00:34:53,250
IT'S ALWAYS...
BEEN YOUR BABY.

788
00:34:53,291 --> 00:34:57,041
I COULD TRY TO EXPLAIN
HOW ALL THIS HAPPENED,

789
00:34:57,083 --> 00:35:01,166
BUT... COULD YOU EVER
FORGIVE US?

790
00:35:03,709 --> 00:35:06,625
I'D LIKE TO SAY YES, B--

791
00:35:06,667 --> 00:35:08,709
BUT I'D BE LYING.

792
00:35:08,750 --> 00:35:11,625
SO THAT'S IT?

793
00:35:11,667 --> 00:35:14,041
SO WE'RE...

794
00:35:14,083 --> 00:35:16,875
WE AREN'T FAMILY ANYMORE?

795
00:35:16,917 --> 00:35:21,625
YOU AND ME WILL NEVER BE
WHAT WE WERE.

796
00:35:21,667 --> 00:35:25,917
BUT... NOW YOU HAVE A CHANCE
WITH HER.

797
00:35:25,959 --> 00:35:29,000
BE A GOOD AUNT.

798
00:35:38,750 --> 00:35:41,542
(sniffles)

799
00:35:49,625 --> 00:35:52,000
YOU'RE GONNA BE
A GREAT MOTHER.

800
00:36:02,709 --> 00:36:06,041
(ventilator hissing)

801
00:36:06,083 --> 00:36:09,041
(monitor beeping rhythmically)

802
00:36:09,083 --> 00:36:10,625
(clicks pen)

803
00:36:10,667 --> 00:36:13,041
THIS CAME IN THE MAIL
THIS MORNING...

804
00:36:13,083 --> 00:36:15,750
FROM U.C.L.A.

805
00:36:18,083 --> 00:36:21,041
THEY HAD ALREADY DECIDED
TO TAKE HIM

806
00:36:21,083 --> 00:36:23,625
BEFORE THE FINALS.

807
00:36:23,667 --> 00:36:26,959
HE DIDN'T EVEN
HAVE TO COMPETE.

808
00:36:29,083 --> 00:36:31,041
FULL SCHOLARSHIP.

809
00:36:31,083 --> 00:36:33,667
THE FIRST IN OUR FAMILY.

810
00:36:36,625 --> 00:36:39,250
MY SON
WAS GOING TO COLLEGE.

811
00:36:41,000 --> 00:36:43,333
HE COULD BE OKAY.
I TALKED TO DR. BENNETT.

812
00:36:43,375 --> 00:36:45,250
THERE'S A CHANCE...

813
00:36:46,834 --> 00:36:48,875
(Ry Cuming's
(featuring Sara Bareilles)

814
00:36:48,917 --> 00:36:51,917
"Always Remember Me" playing)

815
00:36:53,083 --> 00:36:55,834
(sniffles)

816
00:36:59,917 --> 00:37:02,000
(sniffles)

817
00:37:04,041 --> 00:37:07,583
(crying)

818
00:37:16,083 --> 00:37:17,875
WELL?

819
00:37:17,917 --> 00:37:19,041
ADDIE?

820
00:37:19,083 --> 00:37:20,458
♪ TWO BY TWO, LOVERS STAND ♪

821
00:37:20,500 --> 00:37:22,417
YOU'RE KILLING ME.

822
00:37:22,458 --> 00:37:24,458
♪ SANTA MONICA ♪

823
00:37:24,500 --> 00:37:26,000
(toilet flushes)

824
00:37:28,542 --> 00:37:30,083
♪ PRETTY EYES ♪

825
00:37:30,125 --> 00:37:31,709
♪ LONG HAIR ♪

826
00:37:31,750 --> 00:37:35,000
♪ SMELLED SO SWEET,
LIKE SUMMER IN THE AIR ♪

827
00:37:37,250 --> 00:37:42,041
♪ WATCH ME AS I FALL ♪

828
00:37:42,083 --> 00:37:45,250
♪ TO THE WATER CALLING ♪

829
00:37:45,291 --> 00:37:46,875
(footsteps approach)

830
00:37:46,917 --> 00:37:48,250
(man sighs)

831
00:37:48,291 --> 00:37:50,041
♪ WATCH ME AS I SINK ♪

832
00:37:50,083 --> 00:37:51,583
(knock on door)

833
00:37:53,709 --> 00:37:55,667
TYLER HATCHER ALMOST DIED.

834
00:37:55,709 --> 00:37:58,041
HE MIGHT NOT WAKE UP.

835
00:37:58,083 --> 00:38:01,417
YOU DID THE BEST YOU COULD.

836
00:38:01,458 --> 00:38:04,458
YEAH, AND I STILL HAVE
A 17 YEAR OLD IN A COMA

837
00:38:04,500 --> 00:38:06,667
AT ST. AMBROSE.

838
00:38:06,709 --> 00:38:08,041
♪ OOH ♪

839
00:38:08,083 --> 00:38:10,041
IF YOU WANT TO BELIEVE
THAT'S YOUR FAILURE,

840
00:38:10,083 --> 00:38:12,542
THEN YOU ARE WORSE OFF
THAN I THOUGHT.

841
00:38:12,583 --> 00:38:14,250
(chuckles)

842
00:38:14,291 --> 00:38:17,458
COOPER,
YOU ARE A GREAT DOCTOR.

843
00:38:17,500 --> 00:38:19,792
I SEE IT EVERY DAY--

844
00:38:19,834 --> 00:38:21,792
HOW HARD
YOU WORK FOR YOUR KIDS,

845
00:38:21,834 --> 00:38:24,041
HOW MUCH YOU CARE,

846
00:38:24,083 --> 00:38:26,041
WHAT YOU'LL DO FOR 'EM,

847
00:38:26,083 --> 00:38:30,458
EVEN IF EVERYONE ELSE IS TRYING
TO MAKE IT IMPOSSIBLE.

848
00:38:30,500 --> 00:38:33,041
TITLE BEFORE YOUR NAME,
LETTERS AFTER YOUR NAME, BOOKS--

849
00:38:33,083 --> 00:38:37,041
THAT'S...
THAT'S ALL JUST COMMENTARY.

850
00:38:37,083 --> 00:38:39,083
WHEN IT COMES DOWN TO IT,

851
00:38:39,125 --> 00:38:42,542
WHAT WE ALL WANT TO BE
IS DOCTORS...

852
00:38:42,583 --> 00:38:44,333
♪ WATCH ME AS I FALL ♪

853
00:38:44,375 --> 00:38:46,291
WHO HELP PEOPLE.

854
00:38:46,333 --> 00:38:49,250
REALLY, TRULY... HELP PEOPLE.

855
00:38:49,291 --> 00:38:51,041
♪ TO THE WATER CALLING ♪

856
00:38:51,083 --> 00:38:53,208
NO ONE...

857
00:38:53,250 --> 00:38:58,542
NO ONE, COOPER,
DOES THAT BETTER THAN YOU.

858
00:38:58,583 --> 00:39:02,041
♪ INTO THE SEA AND ALWAYS ♪

859
00:39:02,083 --> 00:39:05,959
♪ REMEMBER ♪

860
00:39:06,000 --> 00:39:07,333
(doorbell rings)

861
00:39:07,375 --> 00:39:09,500
♪ LOVERS STAND ♪

862
00:39:09,542 --> 00:39:12,709
♪ ON THE BEACH
IN SANTA MONICA ♪

863
00:39:12,750 --> 00:39:15,000
I WAS IN THE NEIGHBORHOOD.

864
00:39:16,875 --> 00:39:19,041
♪ PRETTY EYES, LONG HAIR ♪

865
00:39:19,083 --> 00:39:23,208
♪ SMELLED SO SWEET
LIKE SUMMER IN THE AIR ♪

866
00:39:25,083 --> 00:39:26,834
♪ WATCH ME AS I FALL ♪

867
00:39:26,875 --> 00:39:28,583
I DO.

868
00:39:28,625 --> 00:39:31,041
I WANT PEOPLE TO LIKE ME.

869
00:39:31,083 --> 00:39:34,041
I NEED PEOPLE TO LIKE ME,
AND I GET THEM TO...

870
00:39:34,083 --> 00:39:36,208
BECAUSE I CHARM THEM,

871
00:39:36,250 --> 00:39:38,208
KNOWING THAT
THEY'RE GONNA NEED ME.

872
00:39:38,250 --> 00:39:40,208
AND, YOU KNOW, WITH PATIENTS,
WITH FRIENDS,

873
00:39:40,250 --> 00:39:43,041
WITH EVERYONE, PETE,
I DON'T DO IT FOR THEM.

874
00:39:43,083 --> 00:39:45,250
I DO IT FOR ME.

875
00:39:45,291 --> 00:39:47,542
I DO
EMOTIONALLY SEDUCE PEOPLE.

876
00:39:47,583 --> 00:39:49,542
WELL, YOU DIDN'T SEDUCE ME,
EMOTIONALLY OR OTHERWISE.

877
00:39:49,583 --> 00:39:51,041
I CHOSE YOU.

878
00:39:51,083 --> 00:39:53,041
WELL, THAT'S WHAT
I LED YOU TO BELIEVE.

879
00:39:53,083 --> 00:39:56,041
(laughs) NO, VIOLET. I--
LOOK, LISTEN--LOOK...
(mutes TV)

880
00:39:56,083 --> 00:39:57,625
♪ OOH ♪

881
00:39:57,667 --> 00:40:02,667
WE BOTH WENT INTO THIS
WITH OUR EYES WIDE OPEN.

882
00:40:02,709 --> 00:40:05,041
NOW DID WE PLAY GAMES?

883
00:40:05,083 --> 00:40:06,667
YEAH, MAYBE.

884
00:40:06,709 --> 00:40:08,667
WELL, NOT THAT MUCH MORE
THAN ANY PERSON

885
00:40:08,709 --> 00:40:10,667
TRYING TO FIGURE OUT
IF SOMETHING CAN WORK.

886
00:40:10,709 --> 00:40:12,625
AND YOU KNOW WHAT? WE WORK.
I KNOW--

887
00:40:12,667 --> 00:40:14,625
WE WORK. WHATEVER YOU BROUGHT
TO THIS RELATIONSHIP,

888
00:40:14,667 --> 00:40:16,625
WHATEVER I BROUGHT,
WE HAVE PROVEN THAT WE WORK.

889
00:40:16,667 --> 00:40:19,041
I--PETE, I'M NOT TALKING
JUST ABOUT OUR RELATIONSHIP.

890
00:40:19,083 --> 00:40:21,834
I'M TALKING ABOUT
AS A THERAPIST AND AS--
I DON'T CARE. I DON'T CARE
WHAT MARLA THOMKINS SAYS

891
00:40:21,875 --> 00:40:23,208
OR ANYONE ELSE.

892
00:40:23,250 --> 00:40:26,417
YOU ARE A BRAVE, HONEST,
AMAZING THERAPIST

893
00:40:26,458 --> 00:40:29,041
AND WIFE AND MOTHER AND--

894
00:40:29,083 --> 00:40:31,041
STOP TALKING.

895
00:40:31,083 --> 00:40:35,417
♪ WATCH ME AS I FALL ♪

896
00:40:35,458 --> 00:40:40,875
♪ TO THE WATER CALLING ♪

897
00:40:40,917 --> 00:40:43,041
♪ WATCH ME AS I SINK ♪

898
00:40:43,083 --> 00:40:45,041
I'M NOT PREGNANT.

899
00:40:46,875 --> 00:40:48,834
YEAH. YOU TOLD ME YESTERDAY.

900
00:40:48,875 --> 00:40:51,208
YESTERDAY I WASN'T SURE,
BUT I TOOK A TEST,

901
00:40:51,250 --> 00:40:53,291
♪ REMEMBER ♪

902
00:40:53,333 --> 00:40:55,667
NOW I'M SURE.

903
00:40:55,709 --> 00:40:58,041
GUESS IT WAS JUST
THE FLU.

904
00:40:58,083 --> 00:41:02,667
I SEE.

905
00:41:02,709 --> 00:41:04,750
AND YOU'RE SAD.

906
00:41:04,792 --> 00:41:08,041
♪ OOH ♪

907
00:41:08,083 --> 00:41:10,583
AND YOU'RE NOT.
(clears throat)

908
00:41:10,625 --> 00:41:12,291
WE TALKED ABOUT THIS.

909
00:41:12,333 --> 00:41:14,291
YEAH, YOU SAID THAT
YOU NEEDED MORE TIME.

910
00:41:14,333 --> 00:41:17,583
I SAID I'D GIVE IT TO YOU,
BUT I DIDN'T ASK HOW MUCH.

911
00:41:17,625 --> 00:41:20,291
THREE MONTHS? SIX MONTHS?
A YEAR?

912
00:41:20,333 --> 00:41:23,041
WELL, I-I CAN'T QUANTIFY--

913
00:41:23,083 --> 00:41:25,041
WELL,
THEN HOW WILL YOU KNOW?

914
00:41:25,083 --> 00:41:26,709
♪ ...CALLING ♪

915
00:41:26,750 --> 00:41:30,333
I WILL KNOW WHEN I KNOW.

916
00:41:32,417 --> 00:41:34,041
♪ INTO THE SEA AND ALWAYS ♪

917
00:41:34,083 --> 00:41:35,583
(sets glass down)

918
00:41:35,625 --> 00:41:37,041
I THINK MAYBE...

919
00:41:37,083 --> 00:41:39,125
WHEN PEOPLE SAY
THEY NEED MORE TIME,

920
00:41:39,166 --> 00:41:41,917
IT MEANS
THEY'RE NOT COMMITTED.

921
00:41:41,959 --> 00:41:45,041
AND THAT DOESN'T REALLY
WORK FOR ME ANYMORE, SAM.

922
00:41:45,083 --> 00:41:47,625
I'VE MADE UP MY MIND.
I WANT A CHILD.

923
00:41:47,667 --> 00:41:50,333
SO I NEED TO KNOW...

924
00:41:50,375 --> 00:41:53,041
ARE YOU IN
OR ARE YOU OUT?

925
00:41:53,083 --> 00:41:55,041
♪ ME ♪