1 00:00:10,010 --> 00:00:11,545 - PREVIOUSLY ON CALIFORNICATION... 2 00:00:11,579 --> 00:00:12,746 - NOT HANK'S FAULT? EXCUSE ME. 3 00:00:12,780 --> 00:00:14,782 WHAT DOES THAT MEAN? - IT'S NOT MY FAULT. 4 00:00:14,815 --> 00:00:16,517 - YOU DIDN'T TELL HER. 5 00:00:16,550 --> 00:00:17,585 - TELL ME WHAT? 6 00:00:17,618 --> 00:00:20,154 - BECCA'S FATHER AND I HAD A SLIGHT INDISCRETION. 7 00:00:20,188 --> 00:00:21,355 - SHE'S GOT TO BE KIDDING ME, RIGHT? 8 00:00:21,389 --> 00:00:24,658 I DON'T WANT TO HEAR ABOUT FELICIA AND HER MID-LIFE CRISIS. 9 00:00:24,692 --> 00:00:26,594 - FUCK ME, BONE ME, STUFF ME. 10 00:00:26,627 --> 00:00:28,129 TAKE YOUR PICK. - OH. 11 00:00:28,162 --> 00:00:30,698 - WAIT, WHO ELSE HAS HE BEEN FUCKING? 12 00:00:30,731 --> 00:00:33,401 YOU? OH, GROSS. 13 00:00:33,434 --> 00:00:35,669 - CAN'T BELIEVE YOU SLEPT WITH ALL OF THEM. 14 00:00:35,703 --> 00:00:37,171 - YOU'RE A GODDAMN GIRL-WHISPERER. 15 00:00:37,205 --> 00:00:38,239 - OKAY. 16 00:00:38,272 --> 00:00:40,074 - JULIAN'S A WRITER TOO. - REALLY. 17 00:00:40,108 --> 00:00:41,375 - HE WROTE THE ARTIST WITHIN. 18 00:00:41,409 --> 00:00:42,710 FUCKING GENIUS. 19 00:00:42,743 --> 00:00:44,378 - WHY ARE YOU ASKING ME TO PROCURE YOU DRUGS 20 00:00:44,412 --> 00:00:45,813 LIKE I'M YOUR ASSISTANT? 21 00:00:45,846 --> 00:00:48,282 - I'M DATING MY DREAM CRUSH. 22 00:00:48,316 --> 00:00:50,351 HITTING MY PEAK SEXUALLY. 23 00:00:50,384 --> 00:00:52,486 - JUST GIVE ME MY BLOW, AND LET'S JUST CALL IT A DAY. 24 00:00:52,520 --> 00:00:54,555 - NO FUCKING WAY, RICK SPRINGFIELD. 25 00:00:54,588 --> 00:00:56,690 - YOU JUST DON'T WANT ME TO BE HAPPY, CHARLIE. 26 00:00:56,724 --> 00:00:59,293 - HA HA HA. - [grunts] 27 00:00:59,327 --> 00:01:00,494 SHIT. 28 00:01:00,528 --> 00:01:02,163 YOU'RE GOING TO GET YOUR ASS FIRED? 29 00:01:02,196 --> 00:01:03,697 - IF I FIRE YOU FIRST. - CHARLIE. 30 00:01:03,731 --> 00:01:07,568 YOU WANT TO GO BACK TO SLINGING BEAMERS IN THE VALLEY? 31 00:01:07,601 --> 00:01:09,303 - ALL RIGHT, MAYBE I GOT CARRIED AWAY. 32 00:01:15,476 --> 00:01:18,712 [Black Sabbath's N.I.B.] 33 00:01:18,746 --> 00:01:20,714 - * OH, YEAH 34 00:01:24,418 --> 00:01:28,789 * SOME PEOPLE SAY MY LOVE CANNOT BE TRUE * 35 00:01:28,822 --> 00:01:33,861 * PLEASE BELIEVE ME, MY LOVE, AND I'LL SHOW YOU * 36 00:01:33,894 --> 00:01:38,466 * I WILL GIVE YOU THOSE THINGS YOU THOUGHT UNREAL * 37 00:01:38,499 --> 00:01:42,603 * THE SUN, THE MOON, THE STARS ALL BEAR MY SEAL * 38 00:01:42,636 --> 00:01:44,672 [music stops] 39 00:01:44,705 --> 00:01:46,474 - LIKE ONE GLASS OF THAT WINE, 40 00:01:46,507 --> 00:01:47,475 BUT I DON'T LIKE-- - HEY. 41 00:01:47,508 --> 00:01:48,876 - HEY. - WHAT'S THE DILLY, YO? 42 00:01:48,909 --> 00:01:50,178 WHERE ARE YOU FINE YOUNG WENCHES 43 00:01:50,211 --> 00:01:51,179 OFF TO THIS EVENING? 44 00:01:51,212 --> 00:01:52,746 - OH, DINNER, YEAH. - OH. 45 00:01:52,780 --> 00:01:53,747 GREAT, I COULD EAT. 46 00:01:53,781 --> 00:01:54,815 YOU JUST GIVE ME A SECOND? 47 00:01:54,848 --> 00:01:57,585 I WANT TO CHANGE MY SHIRT. THESE PITS ARE BARKING. 48 00:01:57,618 --> 00:01:59,287 NO, ACTUALLY, THAT'S PRETTY GOOD. 49 00:01:59,320 --> 00:02:00,354 SALTY. 50 00:02:00,388 --> 00:02:01,555 YEAH, YOU GIRLS WANT SOME OF THIS? 51 00:02:01,589 --> 00:02:03,491 CHECK IT OUT? KEEPS YOU REGULAR. 52 00:02:03,524 --> 00:02:05,559 ALL RIGHT, WHAT ARE WE THINKING? 53 00:02:05,593 --> 00:02:08,229 - WE'RE THINKING THAT YOU WEREN'T EXACTLY INVITED. 54 00:02:08,262 --> 00:02:09,463 - OH. 55 00:02:09,497 --> 00:02:11,399 [cell phone rings] THAT SHIT IS COLD. 56 00:02:11,432 --> 00:02:13,534 - YEAH, YOU KNOW MARCY'S IN A FUNK 57 00:02:13,567 --> 00:02:15,503 ABOUT THE WHOLE RICK SPRINGFIELD OF IT ALL. 58 00:02:15,536 --> 00:02:16,504 SO-- - HEY, CHELS. 59 00:02:16,537 --> 00:02:18,506 - WE WERE GOING TO, YOU KNOW, TAKE HER OUT, 60 00:02:18,539 --> 00:02:19,740 SHOW HER A GOOD TIME. 61 00:02:19,773 --> 00:02:21,942 LADY STUFF. - I LIKE THE LADY STUFF. 62 00:02:21,975 --> 00:02:22,810 - I KNOW YOU DO. 63 00:02:22,843 --> 00:02:24,778 - I WAS KIND OF LOOKING FORWARD TO THIS 64 00:02:24,812 --> 00:02:27,781 AS A LITTLE FAMILY TOGETHERNESS TIME. 65 00:02:27,815 --> 00:02:30,518 - OH, WELL, MAYBE NEXT TIME. 66 00:02:30,551 --> 00:02:33,754 - 'CAUSE I THOUGHT IT MIGHT BE GOOD FOREPLAY. 67 00:02:33,787 --> 00:02:36,857 - OH, UM, FAMILY TOGETHERNESS EQUALS FOREPLAY HOW EXACTLY? 68 00:02:36,890 --> 00:02:37,925 - WELL, IT'S BEEN QUITE SOME TIME 69 00:02:37,958 --> 00:02:39,327 SINCE WE'VE LAIN TOGETHER-- 70 00:02:39,360 --> 00:02:40,861 - YEAH. YEAH. - AS MAN AND WOMAN. 71 00:02:40,894 --> 00:02:42,796 - AND IT'S GOING TO BE--IT'S GOING TO BE SOME TIME, HANK. 72 00:02:42,830 --> 00:02:43,864 - REALLY? CAN YOU-- - MM-HMM. 73 00:02:43,897 --> 00:02:46,900 - HOW MANY... DAYS, WEEKS, MONTHS? 74 00:02:46,934 --> 00:02:51,239 - WELL, WHEN I CLOSE MY EYES, AND I DON'T SEE YOU INSIDE 75 00:02:51,272 --> 00:02:53,207 THAT ANNOYING LITTLE SIMP OF A WOMAN. 76 00:02:53,241 --> 00:02:54,342 - OH, THAT'S GROSS. 77 00:02:54,375 --> 00:02:56,277 - THEN--THEN MAYBE I'LL BE GOOD TO GO. 78 00:02:56,310 --> 00:02:57,511 - WHY, WHY-- - I MEAN, ROUGHLY SPEAKING. 79 00:02:57,545 --> 00:02:58,679 - WHY YOU GOT TO BE LIKE THAT? 80 00:02:58,712 --> 00:03:00,414 - WAS IT GOOD, HANK? THE SEX? 81 00:03:00,448 --> 00:03:02,816 - AH, COME ON. - DID SHE ROCK YOUR WORLD? 82 00:03:02,850 --> 00:03:03,851 DID SHE FUCK YOUR BRAINS OUT? 83 00:03:03,884 --> 00:03:06,954 - OH, STOP, I WAS PERFORMING A SERVICE, KAREN. 84 00:03:06,987 --> 00:03:08,456 WHEN A PLUMBER WORKS ON PIPES, 85 00:03:08,489 --> 00:03:10,424 HE DOESN'T THINK ABOUT THE QUALITY OF THE PIPES. 86 00:03:10,458 --> 00:03:11,959 HE JUST FIXES THE SHIT OUT OF THEM, 87 00:03:11,992 --> 00:03:13,561 AND THEN HE GOES THE FUCK HOME. 88 00:03:13,594 --> 00:03:15,496 AND DRINKS TO FORGET. 89 00:03:15,529 --> 00:03:17,731 ALL RIGHT, WELL, YOU GUYS HAVE A LOVELY EVENING. 90 00:03:17,765 --> 00:03:18,999 SAY HI TO THE MARCE FOR ME. 91 00:03:19,032 --> 00:03:20,534 TELL HER TO KEEP HER CHIN UP. 92 00:03:20,568 --> 00:03:22,570 I'LL BE FINE HERE ALONE. 93 00:03:22,603 --> 00:03:25,873 EATING A PB&J UNDER A BARE BULB. 94 00:03:25,906 --> 00:03:28,876 [upbeat music] 95 00:03:28,909 --> 00:03:36,850 * 96 00:04:13,821 --> 00:04:15,989 - GROUND CONTROL TO MAJOR DONG. 97 00:04:20,394 --> 00:04:22,663 - NOT A GOOD TIME, HANK. 98 00:04:22,696 --> 00:04:24,632 - I'M GETTING A SERIOUS RELOCATION VIBE, HERE. 99 00:04:24,665 --> 00:04:26,434 YOU MOVING NORTH OF WILSHIRE? 100 00:04:26,467 --> 00:04:28,001 - I GOT THE AX, HANK. 101 00:04:28,035 --> 00:04:29,202 SHIT-CANNED. 102 00:04:29,236 --> 00:04:32,873 CHARLIE RUNKLE IS ONCE AGAIN AN AGENT WITHOUT AN AGENCY. 103 00:04:32,906 --> 00:04:34,575 - RICK SPRINGFIELD ANKLED? 104 00:04:34,608 --> 00:04:35,743 - THAT'S RIGHT. 105 00:04:35,776 --> 00:04:39,580 THAT HE-MAN, WOMAN-HATING SALAD-TOSSER IS NOW IN PLAY. 106 00:04:39,613 --> 00:04:40,648 - BUCK UP, CHUCK. YOU'VE STILL GOT ME. 107 00:04:40,681 --> 00:04:43,016 I'M BOUND TO PUT PEN TO PAPER ONE OF THESE DAYS. 108 00:04:43,050 --> 00:04:43,817 HEY, FUCK YOU. 109 00:04:43,851 --> 00:04:46,086 - WHOO-HOO. - ALL RIGHT, RUNKLE. 110 00:04:46,119 --> 00:04:47,688 HERE ARE THE REST OF THEM. 111 00:04:47,721 --> 00:04:49,757 I TRUST YOU WILL BE DISCREET, 112 00:04:49,790 --> 00:04:52,526 ESPECIALLY WITH THE ONES WITH MY LEGS AKIMBO. 113 00:04:52,560 --> 00:04:53,827 - SURE THING, SUE. 114 00:04:53,861 --> 00:04:55,963 - AH, THE WRITER WHO DOESN'T WRITE. 115 00:04:55,996 --> 00:04:58,666 I TAKE IT YOU'RE OFF WITH JERRY MAGUIRE, HERE. 116 00:04:58,699 --> 00:04:59,667 - OH, UNDOUBTEDLY. 117 00:04:59,700 --> 00:05:01,502 HOMIES BEFORE HOS, YOU KNOW? 118 00:05:01,535 --> 00:05:04,805 - AH, GOOD. WELL, IT SAVED ME A PHONE CALL. 119 00:05:04,838 --> 00:05:06,073 THERE'S NO HEAT ON YOU. 120 00:05:06,106 --> 00:05:08,676 I MEAN, YOU'RE AS COLD AS A WITCH'S CUNNY. 121 00:05:08,709 --> 00:05:09,977 - OUCHIE-WAHWAH. 122 00:05:10,010 --> 00:05:11,879 THE LADY'S REALLY GOT IT IN FOR ME THIS EVENING. 123 00:05:11,912 --> 00:05:13,414 - HEY, HEY, HEY. IT'S JUST BUSINESS. 124 00:05:13,447 --> 00:05:14,482 - OH, YEAH. - YOU UNDERSTAND. 125 00:05:14,515 --> 00:05:15,483 - I GET IT. - NOTHING PERSONAL. 126 00:05:15,516 --> 00:05:16,884 - NOPE. 127 00:05:16,917 --> 00:05:18,352 - NOW, RUNKLE. 128 00:05:18,386 --> 00:05:19,687 JUST BECAUSE WE NO LONGER HAVE 129 00:05:19,720 --> 00:05:20,688 A PROFESSIONAL RELATIONSHIP 130 00:05:20,721 --> 00:05:25,058 DOES NOT MEAN THAT YOU CANNOT WINE ME, DINE ME, 131 00:05:25,092 --> 00:05:29,029 AND STAND-UP 69 ME ONCE IN A WHILE, HUH? 132 00:05:29,062 --> 00:05:30,564 - DEAR GOD. 133 00:05:30,598 --> 00:05:31,732 - WELL, SHE'S GOT A POINT. 134 00:05:31,765 --> 00:05:33,100 THERE'S NO REASON YOU SHOULD LET 135 00:05:33,133 --> 00:05:35,403 A PROFESSIONAL MISSTEP COME BETWEEN YOU 136 00:05:35,436 --> 00:05:36,837 AND A QUALITY 69. 137 00:05:36,870 --> 00:05:38,439 - SO YOU FIRE ME, 138 00:05:38,472 --> 00:05:41,442 BUT YOU STILL WANT ME AROUND AS SOME SORT OF BOY TOY? 139 00:05:41,475 --> 00:05:43,143 - HOW'S SUNDAYS FOR YOU? 140 00:05:43,176 --> 00:05:46,447 - CHARLIE RUNKLE IS NOT A DOORMAT. 141 00:05:46,480 --> 00:05:49,116 HE'S NOT SOME LITTLE PUPPY THAT COMES TROTTING BACK 142 00:05:49,149 --> 00:05:50,884 AFTER BEING KICKED TO THE CURB. 143 00:05:50,918 --> 00:05:51,885 - YOU GO, GIRL. 144 00:05:51,919 --> 00:05:53,721 - SUIT YOURSELF, STALLION. 145 00:05:53,754 --> 00:05:55,856 YOU KNOW, WE COULD HAVE BEEN 146 00:05:55,889 --> 00:05:58,459 LIFELONG FUCK BUDDIES, RUNKLE. 147 00:05:58,492 --> 00:06:00,628 LEAVE YOUR KEYS WITH RHONDA. 148 00:06:00,661 --> 00:06:04,598 COLLINI, OUT. 149 00:06:04,632 --> 00:06:06,567 - SHE'S A SWEET WOMAN. 150 00:06:06,600 --> 00:06:08,502 SALT OF THE EARTH, REALLY. I'M GOING TO MISS HER. 151 00:06:08,536 --> 00:06:10,137 - REALLY? - NOT REALLY. 152 00:06:10,170 --> 00:06:11,472 WANT TO GET SOME GIN AND JUICE? 153 00:06:11,505 --> 00:06:13,874 - OOH, HOOCHIE-MAMA. 154 00:06:13,907 --> 00:06:15,743 THINK I'M GOING TO TAKE ME ONE OF THESE. 155 00:06:15,776 --> 00:06:17,711 - BAD BOY. 156 00:06:17,745 --> 00:06:20,714 [upbeat music] 157 00:06:20,748 --> 00:06:24,585 * 158 00:06:24,618 --> 00:06:26,053 - TWO HAMSTERS IN A FUCKING CAGE, 159 00:06:26,086 --> 00:06:27,755 GOING ROUND AND ROUND. 160 00:06:27,788 --> 00:06:29,523 WHEN WILL WE EVER LEARN? 161 00:06:29,557 --> 00:06:32,192 - HEY, I'M STILL WORKING OFF LAST YEAR'S SINS. 162 00:06:32,225 --> 00:06:33,761 YOU'RE THE ONE WITH FRESH BLOOD ON YOUR HANDS. 163 00:06:33,794 --> 00:06:35,028 - NO, I DIDN'T COMMIT ANY CRIMES, THOUGH. 164 00:06:35,062 --> 00:06:36,430 THAT'S THE THING. 165 00:06:36,464 --> 00:06:37,631 KAREN WAS CLEAR ACROSS THE COUNTRY. 166 00:06:37,665 --> 00:06:38,632 I THOUGHT WE HAD AN UNDERSTANDING. 167 00:06:38,666 --> 00:06:40,033 WE DID. - OH. 168 00:06:40,067 --> 00:06:41,435 - SHE DID SOME THINGS. 169 00:06:41,469 --> 00:06:44,071 UGH. CLEARLY I DID SOME THINGS. 170 00:06:44,104 --> 00:06:47,074 BUT WE'RE BEING VERY ADULT AND EUROPEAN ABOUT IT. 171 00:06:47,107 --> 00:06:50,611 - NO MATTER WHAT THEY SAY, BITCHES DON'T LIKE IT 172 00:06:50,644 --> 00:06:52,045 WHEN YOU FUCK OTHER BITCHES. 173 00:06:52,079 --> 00:06:53,280 - WORD. 174 00:06:53,313 --> 00:06:55,816 AND THEY DON'T LIKE IT WHEN YOU CALL THEM BITCHES, EITHER. 175 00:06:55,849 --> 00:06:58,519 - OH. - FYI FOR YOU, CHARLIE RUNKLE. 176 00:06:58,552 --> 00:07:00,454 - SO YOU THINK WE'LL EVER GET IT RIGHT? 177 00:07:00,488 --> 00:07:01,922 - MM. 178 00:07:01,955 --> 00:07:03,624 THAT REMAINS TO BE SEEN. 179 00:07:03,657 --> 00:07:04,825 I THINK THAT ULTIMATELY 180 00:07:04,858 --> 00:07:06,193 THEY'RE GOING TO HAVE TO RAISE THE WHITE FLAG 181 00:07:06,226 --> 00:07:08,128 AND JUST ACCEPT US FOR THE EMOTIONAL RETARDS 182 00:07:08,161 --> 00:07:09,129 THAT WE ARE, DON'T YOU THINK? 183 00:07:09,162 --> 00:07:11,064 - ONE WOULD THINK. - YEAH. 184 00:07:11,098 --> 00:07:12,533 - JUST HOPE MY WIENER STILL WORKS. 185 00:07:12,566 --> 00:07:13,667 - MM. 186 00:07:13,701 --> 00:07:14,935 YOU'LL BE PUNISHING THAT THING 187 00:07:14,968 --> 00:07:16,670 WITH GNARLED, ARTHRITIC HANDS. 188 00:07:16,704 --> 00:07:18,706 DON'T YOU WORRY. 189 00:07:18,739 --> 00:07:19,907 - I STILL LOVE HER, THOUGH. 190 00:07:19,940 --> 00:07:20,741 - YEAH. - YOU KNOW? 191 00:07:20,774 --> 00:07:23,043 MY SWEET LITTLE PIECE OF MARCIPAN. 192 00:07:23,076 --> 00:07:24,845 - YEAH. - THOSE BOOBIES? 193 00:07:24,878 --> 00:07:26,680 - MM. - HER TEENY, TINY BAJINIE. 194 00:07:26,714 --> 00:07:27,748 - THAT'S ENOUGH. 195 00:07:27,781 --> 00:07:28,949 - YEAH, AFTER ALL THESE YEARS, 196 00:07:28,982 --> 00:07:30,918 SHE STILL GETS THIS WHITE MAN HARDER THAN IGNEOUS ROCK. 197 00:07:30,951 --> 00:07:32,019 - SETTLE DOWN, WHITE MAN. 198 00:07:32,052 --> 00:07:33,220 TAKE IT TO THE RESTROOM. 199 00:07:33,253 --> 00:07:35,022 - DON'T YOU HAVE THOSE MOMENTS SOMETIMES? 200 00:07:35,055 --> 00:07:38,826 YOU KNOW, WHEN YOU JUST-- YOU THINK TO YOURSELF, GOD-- 201 00:07:38,859 --> 00:07:42,095 I LOVE THIS WOMAN, AND I ALWAYS WILL. 202 00:07:42,129 --> 00:07:43,964 - THERE WAS THIS ONE TIME-- 203 00:07:43,997 --> 00:07:46,567 I FELL ASLEEP IN THE PORSCHE OUTSIDE OF BILL'S HOUSE. 204 00:07:46,600 --> 00:07:49,136 - JUST ONCE? - BECCA FOUND ME. 205 00:07:49,169 --> 00:07:51,805 IT WAS, LIKE, TWO OR THREE YEARS AGO, I THINK. 206 00:07:51,839 --> 00:07:53,273 AND KAREN INVITED ME IN AND MADE ME BREAKFAST. 207 00:07:53,306 --> 00:07:54,307 NOW, I KNOW THAT BECCA, 208 00:07:54,341 --> 00:07:56,810 I'M SURE, STRONG-ARMED HER INTO INVITING ME IN. 209 00:07:56,844 --> 00:07:57,811 BUT, THAT'S NOT THE POINT. 210 00:07:57,845 --> 00:08:00,681 SHE MADE ME BREAKFAST, AND SHE DIDN'T HAVE TO. 211 00:08:00,714 --> 00:08:03,216 YOU KNOW, SHE MADE ME THIS OMELET THAT WAS DELICIOUS. 212 00:08:03,250 --> 00:08:04,184 PERFECT BREAKFAST. 213 00:08:04,217 --> 00:08:05,986 YOU KNOW WHY? BECAUSE SHE MADE IT FOR ME. 214 00:08:06,019 --> 00:08:07,220 - MM. 215 00:08:07,254 --> 00:08:08,722 - AND THEN SHE TOLD ME TO GROW THE FUCK UP 216 00:08:08,756 --> 00:08:09,723 AND GET ON WITH MY LIFE. 217 00:08:09,757 --> 00:08:10,891 BUT THAT DIDN'T MATTER. 218 00:08:10,924 --> 00:08:12,993 BECAUSE IT WAS ONE OF THOSE MOMENTS 219 00:08:13,026 --> 00:08:15,128 WHERE I DECIDED-- I RESOLVED-- 220 00:08:15,162 --> 00:08:17,531 THAT I WAS GOING TO KEEP ON FIGHTING. 221 00:08:17,565 --> 00:08:19,833 YOU KNOW, I'VE-- I'VE LOST MANY BATTLES, 222 00:08:19,867 --> 00:08:22,803 BUT I'VE NEVER LOST SIGHT OF THE WAR. 223 00:08:22,836 --> 00:08:24,071 NO RETREAT, BABY. 224 00:08:24,104 --> 00:08:27,675 NO SURRENDER. 225 00:08:27,708 --> 00:08:30,043 JESUS CHRIST, RUNKLE, ARE YOU WEEPING AGAIN? 226 00:08:30,077 --> 00:08:32,045 - WELL, IT WAS SWEET. YOU--YOU MOVED ME. 227 00:08:32,079 --> 00:08:33,046 [crash] 228 00:08:33,080 --> 00:08:34,582 - JESUS. - HEY, HEY. 229 00:08:34,615 --> 00:08:35,716 - GET A LOAD OF THIS ASSHOLE. 230 00:08:35,749 --> 00:08:38,686 - NO SHIT, BROSEPHINA, YOU SPILLED ON MY BUDDY HERE. 231 00:08:38,719 --> 00:08:41,655 - I DID, SORRY. [snickers] 232 00:08:41,689 --> 00:08:42,856 - HEY, UH, EXCUSE ME. 233 00:08:42,890 --> 00:08:44,024 - JUST, YOU KNOW WHAT, LET IT GO. 234 00:08:44,057 --> 00:08:45,926 - EXCUSE ME. I DON'T MEAN TO BE A NUDGE. 235 00:08:45,959 --> 00:08:47,294 - LET IT GO, HANK, JUST-- YOU KNOW, IT'S NOT WORTH-- 236 00:08:47,327 --> 00:08:49,062 - JUST NOW, WHEN YOU SAID YOU WERE SORRY, 237 00:08:49,096 --> 00:08:50,964 IT DIDN'T REALLY SOUND LIKE YOU WERE SINCERE TO ME. 238 00:08:50,998 --> 00:08:52,933 IT WAS, LIKE, "EH, I'M SORRY." 239 00:08:52,966 --> 00:08:54,635 PERFUNCTORY. - [laughs] 240 00:08:54,668 --> 00:08:56,036 - YOU UNDERSTAND THAT WORD? 241 00:08:56,069 --> 00:08:58,906 - MAN, I AM SORRY. DID I SPILL ON YOUR GIRLFRIEND? 242 00:08:58,939 --> 00:09:00,841 'CAUSE I CAN GET YOU AND YOUR LADY ANOTHER DRINK. 243 00:09:00,874 --> 00:09:02,676 - OH. 244 00:09:02,710 --> 00:09:05,613 I BELIEVE OUR MANHOOD WAS JUST ASSAILED. 245 00:09:05,646 --> 00:09:07,214 - I BELIEVE YOU'RE RIGHT. 246 00:09:07,247 --> 00:09:08,582 WHAT ARE WE GOING TO DO ABOUT THIS? 247 00:09:08,616 --> 00:09:10,651 - I KNOW WHAT I'M GOING TO DO ABOUT IT. 248 00:09:12,686 --> 00:09:14,021 - WHOA. 249 00:09:14,054 --> 00:09:15,288 FUCK, I KNEW IT. 250 00:09:15,322 --> 00:09:18,091 COUPLE OF REAL-LIFE FAGGOTS. 251 00:09:18,125 --> 00:09:19,793 - CHARLIE. 252 00:09:19,827 --> 00:09:21,028 THAT'S RIGHT, BABY. 253 00:09:21,061 --> 00:09:25,232 WE'RE HERE, WE'RE QUEER, AND GET USED TO IT. 254 00:09:25,265 --> 00:09:26,867 [crash] 255 00:09:28,636 --> 00:09:30,203 [crash] 256 00:09:30,237 --> 00:09:31,972 - LET ME AT HIM. 257 00:09:32,005 --> 00:09:34,775 - * LET IT SHINE 258 00:09:34,808 --> 00:09:37,277 * LET IT SHINE 259 00:09:37,310 --> 00:09:39,579 * LET IT SHINE 260 00:09:41,682 --> 00:09:42,816 - THANK YOU. 261 00:09:42,850 --> 00:09:44,351 - YOU MIGHT WANT TO THINK ABOUT POPPING A BREATH MINT 262 00:09:44,384 --> 00:09:46,119 OR CHEWING SOME GUM EVERY NOW AND AGAIN. 263 00:09:46,153 --> 00:09:47,921 YOUR MOUTH TASTES LIKE A HOBO'S TAINT. 264 00:09:47,955 --> 00:09:49,222 - WHY YOU GOT TO DO THAT? 265 00:09:49,256 --> 00:09:50,724 WHY YOU GOT TO MAKE ME FEEL SELF-CONSCIOUS? 266 00:09:50,758 --> 00:09:52,926 DO YOU HAVE GUM OR A BREATH MINT OR SOMETHING? 267 00:09:52,960 --> 00:09:54,061 - WHAT ARE WE GOING TO DO NOW? 268 00:09:54,094 --> 00:09:55,963 - SOMETHING FUN, HUH? 269 00:09:55,996 --> 00:09:58,398 UM, YOU WANT TO GO BACK TO MY PLACE, 270 00:09:58,431 --> 00:09:59,199 WATCH SOME DVDs? 271 00:09:59,232 --> 00:10:01,702 THE GIRLS ARE OUT FOR THE NIGHT. 272 00:10:01,735 --> 00:10:03,003 - I'M NOT GOING TO WATCH PORNOGRAPHY 273 00:10:03,036 --> 00:10:04,137 WITH YOU, CHARLIE RUNKLE. 274 00:10:04,171 --> 00:10:05,639 CREEPS ME OUT. 275 00:10:05,673 --> 00:10:07,841 - WE'LL WATCH A REGULAR MOVIE. I DON'T CARE. 276 00:10:07,875 --> 00:10:09,076 - NO, NO, NO, THE LAST TIME YOU TALKED ME INTO MOVIE NIGHT, 277 00:10:09,109 --> 00:10:12,112 I SAT THERE AND WATCHED YOU PLAY POCKET POOL FOR TWO HOURS. 278 00:10:12,145 --> 00:10:14,147 MEN SHOULD NOT EXPERIENCE PORNOGRAPHY TOGETHER. 279 00:10:14,181 --> 00:10:16,850 IT'S UNSEEMLY. - EXCUSE ME, MR. MORALITY. 280 00:10:16,884 --> 00:10:17,785 I DIDN'T KNOW YOU HAD ALL THESE, YOU KNOW, 281 00:10:17,818 --> 00:10:19,119 SPECIAL RULES, ABOUT HOME ENTERTAINMENT. 282 00:10:19,152 --> 00:10:20,654 - YOU KNOW WHAT? THE NIGHT IS YOUNG. 283 00:10:20,688 --> 00:10:22,856 IT'S IN DIAPERS, FOR CHRIST'S SAKES. 284 00:10:22,890 --> 00:10:23,724 WHAT DO YOU SAY, YOU AND ME, 285 00:10:23,757 --> 00:10:26,059 WE GO ON A GOOD, OLD-FASHIONED BENDER? 286 00:10:26,093 --> 00:10:28,395 - AW, I COULD ROLL WITH THAT. 287 00:10:28,428 --> 00:10:29,897 - YOU CAN ROLL WITH IT? - I CAN ROLL WITH IT. 288 00:10:29,930 --> 00:10:32,365 - WELL, THEN, YOU ROLL WITH IT, MOTHERFUCKER. 289 00:10:32,399 --> 00:10:34,267 - PROCEEDING TO ROLL. 290 00:10:34,301 --> 00:10:37,270 [jazz music] 291 00:10:37,304 --> 00:10:39,006 * 292 00:10:39,039 --> 00:10:40,874 - I THINK I'M SEWING IT UP. 293 00:10:40,908 --> 00:10:43,677 I TELL YOU, SERIOUSLY. IT HAS LED ME ASTRAY. 294 00:10:43,711 --> 00:10:45,879 - THANK YOU. - THAT'S DISGUSTING. 295 00:10:45,913 --> 00:10:49,717 AND, ALSO, WHAT'S IT GOING TO SOLVE? 296 00:10:49,750 --> 00:10:50,784 - I'M LOST. 297 00:10:50,818 --> 00:10:55,055 ARE YOU TALKING ABOUT YOUR HEART OR YOUR VAGINA? 298 00:10:55,088 --> 00:10:56,189 - LOOK AT YOU. 299 00:10:56,223 --> 00:10:58,091 USING ALL THE PROPER NAMES FOR THINGS. 300 00:10:58,125 --> 00:11:00,994 - WELL, IT IS HER FATHER'S FAVORITE WORD. 301 00:11:01,028 --> 00:11:03,764 - I'M SPEAKING OF MY VAGINA, SWEETHEART. 302 00:11:03,797 --> 00:11:05,165 I DON'T HAVE A HEART ANYMORE. 303 00:11:05,198 --> 00:11:07,034 I LOST THAT YEARS AGO. 304 00:11:07,067 --> 00:11:10,303 I THINK IT WAS THE NIGHT OF THE SQUIRTING INCIDENT. 305 00:11:10,337 --> 00:11:12,472 REMEMBER THAT, HUH? 306 00:11:12,505 --> 00:11:16,109 OKAY, I'LL SAY NO MORE. 307 00:11:16,143 --> 00:11:17,711 - YOU KNOW--YOU KNOW WHAT? 308 00:11:17,745 --> 00:11:19,079 YOU HAD THE FANTASY. 309 00:11:19,112 --> 00:11:20,413 I MEAN, HOW MANY PEOPLE CAN SAY 310 00:11:20,447 --> 00:11:22,449 THAT THEY SLEPT WITH THEIR TEEN IDOL, RIGHT? 311 00:11:22,482 --> 00:11:23,450 THAT'S--THAT'S-- 312 00:11:23,483 --> 00:11:24,251 - HOW MANY PEOPLE CAN SAY 313 00:11:24,284 --> 00:11:26,820 THEY SLEPT WITH RICK SPRINGFIELD? 314 00:11:26,854 --> 00:11:30,323 ONLY EVERY TRAMP, HO, AND THIEF IN GREATER L.A. COUNTY. 315 00:11:30,357 --> 00:11:32,392 UGH! BLEH! 316 00:11:32,425 --> 00:11:34,127 AH, WHAT WAS I THINKING? 317 00:11:34,161 --> 00:11:37,197 YOU JUST--YOU DON'T PUT YOURSELF OUT THERE LIKE THAT. 318 00:11:37,230 --> 00:11:38,732 - IT WAS GOOD--IT WAS GOOD-- - TAKE NOTES. 319 00:11:38,766 --> 00:11:41,468 - BECAUSE YOU OWED IT TO YOUR YOUNGER SELF, RIGHT? 320 00:11:41,501 --> 00:11:45,372 I MEAN, YOU NEEDED TO EXPLORE THAT WHOLE AREA. 321 00:11:45,405 --> 00:11:47,207 - REALLY? 322 00:11:47,240 --> 00:11:49,276 WERE THERE ANY AREAS YOU EXPLORED 323 00:11:49,309 --> 00:11:51,178 WHEN YOU WAS IN NEW YORK? 324 00:11:51,211 --> 00:11:53,781 - I DON'T THINK WE NEED TO-- - WHAT, MOM? 325 00:11:53,814 --> 00:11:56,083 - YES, PLEASE, NOT IN FRONT OF THE CHILD. 326 00:11:56,116 --> 00:11:58,185 - NO, SCREW THAT. 327 00:11:58,218 --> 00:11:59,887 TONIGHT, YOU'RE A GROWN'S-UP. 328 00:11:59,920 --> 00:12:02,823 YOU'RE OUT ON GIRLS' NIGHT OUT--G.N.O. 329 00:12:02,856 --> 00:12:04,524 YOU WANT A "ZIP" OF MY WINE? 330 00:12:04,557 --> 00:12:05,959 - MARCE. - MM-HMM. 331 00:12:05,993 --> 00:12:08,962 [upbeat music] 332 00:12:08,996 --> 00:12:16,970 * 333 00:12:22,142 --> 00:12:25,378 - OH, CHECK IT OUT. 334 00:12:25,412 --> 00:12:27,347 SOUTH OF HEAVEN. - NO. 335 00:12:27,380 --> 00:12:29,516 - FIRST EDITION, SIGNED BY THE AUTHOR. 336 00:12:29,549 --> 00:12:31,518 - PORTRAIT OF THE ARTIST AS A DIRTY YOUNG MAN. 337 00:12:31,551 --> 00:12:32,986 WHAT DID I INSCRIBE? 338 00:12:33,020 --> 00:12:35,989 - "TO KELLY: BEST ORAL EVER." 339 00:12:36,023 --> 00:12:39,927 WHO IS KELLY? 340 00:12:39,960 --> 00:12:43,396 - I DON'T KNOW. [laughs] 341 00:12:43,430 --> 00:12:45,365 - I THINK WE SHOULD FIND OUT. - POOR KELLY. 342 00:12:45,398 --> 00:12:48,468 - SOUNDS LIKE SHE HAD MAD SKILLS. 343 00:12:48,501 --> 00:12:52,139 - OH, EARLY HANK MOODY, GOING FOR 100 BIG ONES. 344 00:12:52,172 --> 00:12:53,807 - THAT REAL MONEY? MAYBE IN PESOS. 345 00:12:53,841 --> 00:12:56,576 - THAT'S 100% JOHN WAYNE-STYLE AMERICAN DOLLAR. 346 00:12:56,609 --> 00:12:57,911 - SHIT. 347 00:12:57,945 --> 00:12:59,046 PEOPLE ARE WILLING TO PAY GOOD MONEY 348 00:12:59,079 --> 00:13:00,914 FOR MY EARLY, BEER-SOAKED RAMBLINGS? 349 00:13:00,948 --> 00:13:02,449 I'VE INCREASED IN VALUE. 350 00:13:02,482 --> 00:13:05,853 THE FRANKLIN MINT CAN LICK ME WHERE THE GOOD LORD SPLIT ME. 351 00:13:05,886 --> 00:13:07,187 - IT'S A SHAME THAT MONEY DOESN'T GO TO YOU. 352 00:13:07,220 --> 00:13:09,222 IT GOES TO SLEEPY-EYES OVER THERE. 353 00:13:09,256 --> 00:13:10,257 - NO SHIT. 354 00:13:10,290 --> 00:13:11,825 I DO ALL THE WORK. 355 00:13:11,859 --> 00:13:14,427 AND WEIRD BEARD OVER THERE PROFITS OFF MY WORDS, 356 00:13:14,461 --> 00:13:18,165 MY AUTOGRAPH, MY MEMORIES OF SWEET GIFTED KELLY. 357 00:13:18,198 --> 00:13:20,133 IT PROBABLY COSTS 100 BUCKS A WEEK 358 00:13:20,167 --> 00:13:22,002 TO KEEP HIM IN TIE DYE AND BIRKENSTOCKS 359 00:13:22,035 --> 00:13:23,203 AND CRYSTALS. - TRUE "DAT." 360 00:13:23,236 --> 00:13:24,204 AND YOU KNOW THERE'S NO WAY 361 00:13:24,237 --> 00:13:26,173 I'M SEEING MY 10% EITHER. 362 00:13:26,206 --> 00:13:27,975 - YOU COULD REALLY USE THAT TEN-SPOT RIGHT ABOUT NOW, 363 00:13:28,008 --> 00:13:30,911 COULDN'T YOU. - RIGHT? 364 00:13:30,944 --> 00:13:32,612 - COVER ME--I'M GOING ABBIE HOFFMAN ON THIS SHIT. 365 00:13:32,645 --> 00:13:35,415 - OH, OKAY. HOLD ON, HOLD ON, HOLD ON, HOLD ON, HOLD ON. 366 00:13:35,448 --> 00:13:37,584 I GOT YOU. - YOU KNOW, RUNKLE. 367 00:13:37,617 --> 00:13:39,452 INFORMATION... - TAKE IT ON HOME. 368 00:13:39,486 --> 00:13:41,821 - WANTS TO BE FREE. 369 00:13:44,091 --> 00:13:46,026 I THINK WE'RE GOOD. - GOT IT? 370 00:13:46,059 --> 00:13:47,427 - LET'S GO. 371 00:13:47,460 --> 00:13:49,262 - WE BAD. 372 00:13:49,296 --> 00:13:51,098 WE BAD, WE BAD. - STOP THAT. 373 00:13:51,131 --> 00:13:52,165 - WE BAD. - STOP IT. 374 00:13:52,199 --> 00:13:53,400 - WAIT, LET ME GET YOU. - NO. 375 00:13:53,433 --> 00:13:54,401 - LET ME GET YOU COVERED, HERE. 376 00:13:54,434 --> 00:13:55,969 LET ME GET YOU. - CHARLIE. 377 00:13:56,003 --> 00:13:59,472 - I WHAT? - DON'T DO THAT, YOU'RE AN ASS. 378 00:13:59,506 --> 00:14:02,209 - HOLY FUCK, LOOK AT THIS. 379 00:14:02,242 --> 00:14:04,344 THE ARTIST WITHIN GETS HIMSELF AN ENTIRE TABLE. 380 00:14:04,377 --> 00:14:05,278 - ALL RIGHT, HOW MUCH DOES 381 00:14:05,312 --> 00:14:08,281 A FIRST EJACULATE SIR WALTER DALI GO FOR? 382 00:14:08,315 --> 00:14:10,217 - 95 BUCKS. - YES. 383 00:14:10,250 --> 00:14:11,952 I WIN. 384 00:14:11,985 --> 00:14:15,956 SUCK IT AND TASTE IT, ARTIST WITHIN MY YAM BAG. 385 00:14:20,027 --> 00:14:22,395 HOLD ON A SECOND, I GOT TO LET ONE RIP. 386 00:14:22,429 --> 00:14:24,431 SWITCH WITH ME? 387 00:14:24,464 --> 00:14:28,501 [flatulence] - OKAY, OKAY, OKAY. 388 00:14:28,535 --> 00:14:32,105 [upbeat music] 389 00:14:32,139 --> 00:14:34,007 [indistinct yelling] 390 00:14:34,041 --> 00:14:36,009 - COME ON. - SLOW DOWN! 391 00:14:36,043 --> 00:14:38,078 COME ON, MAN. 392 00:14:38,111 --> 00:14:40,547 WHOA, OW, OW. - GET UP. 393 00:14:40,580 --> 00:14:42,382 - I'M DOWN. MAN DOWN. 394 00:14:42,415 --> 00:14:43,550 - GET UP. GET THE MAN UP. 395 00:14:43,583 --> 00:14:45,385 - OKAY, THE MAN'S UP. OH! 396 00:14:45,418 --> 00:14:48,121 - HEY, DON'T FUCK WITH THE PINKBERRY. 397 00:14:48,155 --> 00:14:50,257 - WE CAN'T STOP. WE CAN'T STOP. 398 00:14:50,290 --> 00:14:53,660 - YOU KNOW THERE'S NO ONE CHASING YOU, RIGHT, DAD? 399 00:14:53,693 --> 00:14:55,528 - NO? - SO THERE ISN'T. 400 00:14:55,562 --> 00:14:57,931 PHEW. 401 00:14:57,965 --> 00:14:59,366 - THIS IS FUN. 402 00:14:59,399 --> 00:15:00,433 WE HAVE FUN. 403 00:15:00,467 --> 00:15:02,635 - WHY ARE YOU LOOKING AT ME LIKE THAT, YOU GOON? 404 00:15:02,669 --> 00:15:04,437 - ARE YOU READY FOR AN ADVENTURE, MARCE? 405 00:15:04,471 --> 00:15:05,305 - NO. 406 00:15:05,338 --> 00:15:07,274 PLEASE STOP DOING THAT WITH YOUR FACE. 407 00:15:07,307 --> 00:15:09,576 - WE SHOULD MOVE TO NEW YORK, HMM, 408 00:15:09,609 --> 00:15:11,211 WITH OUR FRIENDS, THE VAN DER MOODYS. 409 00:15:11,244 --> 00:15:13,080 - WHAT? - I DID IT. 410 00:15:13,113 --> 00:15:14,547 I GOT FIRED. 411 00:15:14,581 --> 00:15:17,517 WHOO! [chuckles] 412 00:15:17,550 --> 00:15:20,287 THAT'S IT--THERE'S NOTHING TYING US HERE, MAN. 413 00:15:20,320 --> 00:15:22,455 YOU GOT DUMPED BY A PERVY ROCK STAR, 414 00:15:22,489 --> 00:15:24,291 AND I LOST MY JOB. - WELL, TELL EVERYBODY. 415 00:15:24,324 --> 00:15:29,096 - * FREEDOM'S JUST ANOTHER WORD FOR * 416 00:15:29,129 --> 00:15:32,199 * I'M A FREE BIRD - HE'S FREAKING ME OUT. 417 00:15:32,232 --> 00:15:33,200 - YEAH, ME TOO. 418 00:15:33,233 --> 00:15:36,603 - THIS IS WHAT TWO WHITE WINTERS WILL DO TO YOU. 419 00:15:36,636 --> 00:15:38,738 - MY DEENY'S SEWN UP TIGHTER THAN EVER. 420 00:15:38,771 --> 00:15:41,041 - THAT WAS GREAT, CHARLIE. CONGRATULATIONS. 421 00:15:41,074 --> 00:15:41,975 - COME ON, COME WITH US. - NO. 422 00:15:42,009 --> 00:15:43,143 - THE NEXT STOP IS THE CONVENIENCE STORE. 423 00:15:43,176 --> 00:15:43,943 HEY, HEY. 424 00:15:43,977 --> 00:15:45,712 WHAT KIND OF SNACKS DO YOU LIKE? 425 00:15:45,745 --> 00:15:46,679 - STOP IT. 426 00:15:46,713 --> 00:15:48,281 - BECAUSE I--I LIKE SNACKS. - YOU KNOW WHAT? 427 00:15:48,315 --> 00:15:50,483 IT'S--IT'S--IT'S PAST OUR, UM, BEDTIME. 428 00:15:50,517 --> 00:15:52,252 - WHAT ABOUT US? WHAT ABOUT OURS? 429 00:15:52,285 --> 00:15:54,054 - WAY PAST YOUR BEDTIME. [laughs] 430 00:15:54,087 --> 00:15:55,288 COME ON. NO, YOU KNOW WHAT? 431 00:15:55,322 --> 00:15:56,523 YOU GET TO PUT YOURSELF TO BED TONIGHT. 432 00:15:56,556 --> 00:15:57,390 - YOU TOO, CHARLES, FROM NOW ON, YOU'RE GOING TO BE CHANGING 433 00:15:57,424 --> 00:16:00,093 YOUR OWN DIAPERS AND WIPING YOUR OWN ASS. 434 00:16:00,127 --> 00:16:02,329 I AM DONE BEING YOUR MOMMY. - OKAY. 435 00:16:02,362 --> 00:16:04,064 BUT COULD YOU JUST PLEASE-- COULD YOU-- 436 00:16:04,097 --> 00:16:05,999 COULD YOU SAY ASS ONE MORE TIME AGAIN? 437 00:16:06,033 --> 00:16:07,234 BECAUSE I CAN WORK WITH THAT FOR DAYS. 438 00:16:07,267 --> 00:16:08,235 - I WANT YOU TO HAVE THIS. 439 00:16:08,268 --> 00:16:10,003 THIS IS YOUR HERITAGE AND YOUR INHERITANCE. 440 00:16:10,037 --> 00:16:11,738 I LIBERATED IT JUST MOMENTS AGO. 441 00:16:11,771 --> 00:16:14,107 - WHAT IS THAT? - STOP IT. 442 00:16:16,343 --> 00:16:18,211 - WHO'S KELLY? 443 00:16:18,245 --> 00:16:19,712 - [laughs] 444 00:16:19,746 --> 00:16:21,548 - I'VE BEEN THINKING ABOUT THAT FOR, LIKE, TEN MINUTES. 445 00:16:21,581 --> 00:16:23,350 SHE'S EITHER 446 00:16:23,383 --> 00:16:26,086 A COCKTAIL WAITRESS FROM TORONTO 447 00:16:26,119 --> 00:16:28,621 OR A VERY PROMISING YOUNG MARINE BIOLOGIST. 448 00:16:28,655 --> 00:16:30,523 - EITHER WAY, YOUR FATHER'S VERY LUCKY TO HAVE KNOWN HER. 449 00:16:30,557 --> 00:16:32,492 - OKAY, THAT'S IT. LET'S GO. 450 00:16:32,525 --> 00:16:33,626 - OKAY. - BYE. 451 00:16:33,660 --> 00:16:36,029 - YOUR LOSS, LADIES. - THANK YOU. 452 00:16:36,063 --> 00:16:37,364 - I GUESS YOU'RE NEVER GOING TO KNOW THE SPLENDOR 453 00:16:37,397 --> 00:16:39,499 OF A CHEESE DOODLE BURP. - STOP SELLING, RUNKLE. 454 00:16:39,532 --> 00:16:40,700 COME ON. - GOOD POINT. 455 00:16:40,733 --> 00:16:43,770 [laughs] 456 00:16:43,803 --> 00:16:45,738 [upbeat music] 457 00:16:45,772 --> 00:16:48,508 - GOOD EVENING. 458 00:16:48,541 --> 00:16:50,043 I THINK SHE LIKED ME. 459 00:16:50,077 --> 00:16:53,346 [laughs] 460 00:16:55,682 --> 00:16:58,418 - KIM, WASABI? - WASABI? 461 00:16:58,451 --> 00:17:00,653 - LIVING THE DREAMS, HANK. LIVING THE DREAM. 462 00:17:00,687 --> 00:17:02,689 - HEY, YOU GET THE BOOZE. I'LL GET THE SNACKS. 463 00:17:02,722 --> 00:17:04,424 - THIS IS ALL THE SNACK A BROTHER NEEDS. 464 00:17:04,457 --> 00:17:05,792 - HEY, YOU GOT YOUR GUILTY PLEASURES. 465 00:17:05,825 --> 00:17:06,793 I GOT MINE. I LIKE-- 466 00:17:06,826 --> 00:17:08,261 [crash] - OH! 467 00:17:08,295 --> 00:17:11,264 OW! THE HUMANITY. 468 00:17:11,298 --> 00:17:14,334 - JESUS CHRIST, HANK, COME ON. - JESUS, HANK. 469 00:17:14,367 --> 00:17:15,135 - I'M SORRY, KIM. I'LL PAY FOR IT. 470 00:17:15,168 --> 00:17:16,803 - YOU BET YOUR ASS YOU PAY FOR IT. 471 00:17:16,836 --> 00:17:18,271 - YEAH. - SHIT, MAN. 472 00:17:18,305 --> 00:17:19,539 - YEAH, YEAH. 473 00:17:19,572 --> 00:17:21,308 - YOU GOT SCOLDED. - YEAH. 474 00:17:21,341 --> 00:17:23,776 - I HEARD IT. 475 00:17:30,117 --> 00:17:31,718 - HEY, I SAW THAT. 476 00:17:31,751 --> 00:17:32,685 - SAW WHAT, HOMIE? 477 00:17:32,719 --> 00:17:34,287 - WHAT ARE YOU DOING? PUT THAT SHIT BACK. 478 00:17:34,321 --> 00:17:35,422 - THE FUCK YOU CARE? 479 00:17:35,455 --> 00:17:36,356 - WHAT DO I CARE? 480 00:17:36,389 --> 00:17:39,359 KIM AND HIS WIFE... KIM ARE GOOD PEOPLE, 481 00:17:39,392 --> 00:17:40,360 AND YOU'RE STEALING FROM THEM. 482 00:17:40,393 --> 00:17:41,694 YOU NEED MONEY, GET A PAPER ROUTE OR SOMETHING. 483 00:17:41,728 --> 00:17:43,163 THAT'S BULLSHIT. - WHATEVER. 484 00:17:43,196 --> 00:17:44,364 - WHATEVER? - LEAVE HIM ALONE, HANK. 485 00:17:44,397 --> 00:17:46,466 - NO, THE KID'S STEALING. THAT'S NOT COOL. 486 00:17:46,499 --> 00:17:47,767 - HE'S A KID, AND NEED I REMIND YOU, 487 00:17:47,800 --> 00:17:49,702 WE BORROWED OURSELVES SOME HARDCOVER NONFICTION 488 00:17:49,736 --> 00:17:50,737 THIS VERY EVENING? 489 00:17:50,770 --> 00:17:52,772 - THAT IS TOTALLY DIFFERENT. - OF COURSE IT IS. 490 00:17:52,805 --> 00:17:55,508 - THERE'S NO LAW AGAINST AN AUTHOR STEALING HIS OWN WORK. 491 00:17:55,542 --> 00:17:57,177 - WHAT ABOUT JULIAN? 492 00:17:57,210 --> 00:17:58,578 - THERE'S NO LAW AGAINST STEALING 493 00:17:58,611 --> 00:18:00,647 FROM A COLOSSAL DOUCHEBAG. 494 00:18:00,680 --> 00:18:02,449 WAIT, CHECK THIS OUT. NO, I GOT AN IDEA. 495 00:18:02,482 --> 00:18:04,851 HEY. NO, NO. NO, IT'S COOL. 496 00:18:04,884 --> 00:18:07,387 YOU PUT THAT SHIT BACK, AND I'LL GIVE YOU THIS BOOK. 497 00:18:07,420 --> 00:18:08,888 PEOPLE SWEAR BY IT. IT'LL CHANGE YOUR LIFE. 498 00:18:08,921 --> 00:18:10,390 PUT YOU ON THE STRAIGHT AND NARROW. 499 00:18:10,423 --> 00:18:12,325 AND IF IT DOESN'T, YOU CAN USE IT AS TOILET PAPER. 500 00:18:12,359 --> 00:18:15,628 CHECK IT OUT. THE ARTIST WITHIN. 501 00:18:15,662 --> 00:18:17,430 - HANK. - MY ASS. 502 00:18:17,464 --> 00:18:18,731 - HERE YOU GO. - HANK. 503 00:18:18,765 --> 00:18:19,732 - YEAH, TAKE IT, TAKE IT. SHUT UP, CHARLIE, 504 00:18:19,766 --> 00:18:21,434 I'M SCHOOLING THIS KID. - HANK. 505 00:18:21,468 --> 00:18:24,337 - WHAT, WHAT? 506 00:18:24,371 --> 00:18:25,272 AH, AH! 507 00:18:25,305 --> 00:18:26,439 - DUDE, GIVE ME YOUR FUCKING WALLET, MAN. 508 00:18:26,473 --> 00:18:27,574 - YEAH, YEAH. - ALL RIGHT. 509 00:18:27,607 --> 00:18:29,142 - OKAY, JUST TAKE IT EASY. - HURRY THE FUCK UP, MAN. 510 00:18:29,176 --> 00:18:30,510 - YOU WIN, ALL RIGHT. SETTLE DOWN. 511 00:18:30,543 --> 00:18:31,878 NO, YOU GOT IT. YOU GOT IT. 512 00:18:31,911 --> 00:18:33,880 - TAKE IT EASY. - SHUT THE FUCK UP. 513 00:18:33,913 --> 00:18:38,451 - JUST TAKE IT. TREAT YOURSELF. 514 00:18:38,485 --> 00:18:39,719 - WHAT, ARE YOU KIDDING ME? 515 00:18:39,752 --> 00:18:41,588 WHAT THE FUCK? WHAT THE FUCK IS THIS? 516 00:18:41,621 --> 00:18:44,224 - I WORK ON COMMISSION, BRO. - SHUT THE FUCK UP. 517 00:18:44,257 --> 00:18:46,293 YOU THINK THIS IS A FUCKING JOKE? 518 00:18:46,326 --> 00:18:51,564 - I GOT A DAUGHTER. 519 00:18:51,598 --> 00:18:52,865 - OH, SHIT. [gun shots] 520 00:18:52,899 --> 00:18:54,834 - GET OUT OF MY STORE, MOTHERFUCKERS! 521 00:18:54,867 --> 00:18:56,603 [gunshots] GET OUT! 522 00:18:56,636 --> 00:18:58,638 [alarm sounds] YOU MOTHERFUCKERS! 523 00:18:58,671 --> 00:19:00,873 [yells indistinctly] FUCK YOU! 524 00:19:00,907 --> 00:19:04,411 GET BACK HERE! - FUCK ME. 525 00:19:16,823 --> 00:19:18,558 - AH, RIGHT ON, LET'S GO. 526 00:19:31,338 --> 00:19:33,306 - I THOUGHT THAT WAS IT, HANK. 527 00:19:33,340 --> 00:19:34,674 THE END. 528 00:19:34,707 --> 00:19:38,845 - I KNOW WHAT YOU MEAN, BROHEME. 529 00:19:38,878 --> 00:19:41,514 - WHAT WAS GOING THROUGH YOUR HEAD? 530 00:19:41,548 --> 00:19:43,683 - WHAT DO YOU THINK? 531 00:19:43,716 --> 00:19:45,552 KAREN AND BECCA. 532 00:19:45,585 --> 00:19:46,953 AND HOW MUCH I LOVE THEM. 533 00:19:46,986 --> 00:19:51,291 AND HOW MUCH TIME I'VE WASTED BEING A SELFISH PRICK. 534 00:19:51,324 --> 00:19:52,692 WHAT A COSMIC FUCK-YOU IT WOULD BE 535 00:19:52,725 --> 00:19:54,361 IF YOU WERE THE LAST PERSON I KISSED 536 00:19:54,394 --> 00:19:55,762 BEFORE I DIED. 537 00:19:55,795 --> 00:19:57,664 - I DON'T KNOW. 538 00:19:57,697 --> 00:19:59,832 I THINK IT WOULD HAVE BEEN KIND OF POETIC, ACTUALLY. 539 00:19:59,866 --> 00:20:03,436 - FOR YOU, MAYBE. 540 00:20:03,470 --> 00:20:04,837 - I KNOW WHAT YOU MEAN, THOUGH. 541 00:20:04,871 --> 00:20:07,740 I HAD MY WHOLE LIFE FLASH BEFORE MY EYES, REALLY. 542 00:20:07,774 --> 00:20:11,278 JUST LIKE, UH, LIKE A TIVO ON FAST-FORWARD. 543 00:20:11,311 --> 00:20:12,845 AND YOU KNOW WHAT? 544 00:20:12,879 --> 00:20:14,914 IT WAS REALLY FUCKING PATHETIC. 545 00:20:14,947 --> 00:20:19,519 - OH, I BELIEVE YOU. 546 00:20:19,552 --> 00:20:24,324 - OKAY, WHAT NOW? WHERE DO WE GO FROM HERE? 547 00:20:24,357 --> 00:20:25,258 - I'M NOT ENTIRELY SURE. 548 00:20:25,292 --> 00:20:26,893 BUT IF YOU THOUGHT WE WERE DRINKING BEFORE, 549 00:20:26,926 --> 00:20:29,396 YOU WERE DEAD WRONG BECAUSE NOW-- 550 00:20:29,429 --> 00:20:30,463 - [snickers] 551 00:20:30,497 --> 00:20:32,499 - WE ARE GOING TO DO SOME DRINKING. YOU WITH ME? 552 00:20:32,532 --> 00:20:34,867 - OH, TILL THE END, MY NUBIAN BROTHER. 553 00:20:34,901 --> 00:20:37,504 TILL THE BITTER END. 554 00:20:38,905 --> 00:20:40,273 I LOVE YOU, BRO. 555 00:20:40,307 --> 00:20:43,343 - HEY, SETTLE DOWN. DON'T SOIL YOURSELF. 556 00:20:43,376 --> 00:20:45,745 AGAIN. 557 00:20:45,778 --> 00:20:47,980 - MAKE THE CAR GO VERY FAST. 558 00:20:49,449 --> 00:20:51,518 - OKAY, JUST ONE DRINK. 559 00:20:51,551 --> 00:20:54,421 SO THAT MISSY HERE DOESN'T SLIT HER WRISTS 560 00:20:54,454 --> 00:20:56,356 WHEN SHE'S LEFT ALL ALONE. 561 00:20:56,389 --> 00:20:57,690 - OH, BUT YOU FORGET. 562 00:20:57,724 --> 00:20:59,359 I WON'T BE ALONE. 563 00:20:59,392 --> 00:21:02,662 'CAUSE I GOT YERTLE THE TURTLE AS MY ROOMMATE. 564 00:21:02,695 --> 00:21:05,832 ALL THE DISADVANTAGES OF BEING MARRIED 565 00:21:05,865 --> 00:21:07,500 AND NONE OF THE ADVANTAGES. 566 00:21:07,534 --> 00:21:10,837 - AND WHAT WOULD THOSE BE, IF YOU DON'T MIND MY ASKING? 567 00:21:10,870 --> 00:21:12,071 - THOSE WHAT? 568 00:21:12,104 --> 00:21:14,073 - THE ADVANTAGES OF BEING MARRIED. 569 00:21:14,106 --> 00:21:17,344 I NEED TO KNOW SO I DON'T END UP AS BITTER AS YOU GUYS. 570 00:21:17,377 --> 00:21:18,478 - SHIT, IS THAT HOW WE SOUND? 571 00:21:18,511 --> 00:21:21,080 - SO FAR I HAVEN'T HEARD MUCH IN THE PRO-MEN COLUMN. 572 00:21:21,113 --> 00:21:23,350 THE BEST YOU CAN HOPE FOR, I GUESS, 573 00:21:23,383 --> 00:21:25,418 IS THAT THEY MAKE YOU LAUGH AND OCCASIONALLY 574 00:21:25,452 --> 00:21:26,919 FIX THINGS AROUND THE HOUSE. 575 00:21:26,953 --> 00:21:30,457 - YEAH, THAT WOULD BE GREAT. WHAT? 576 00:21:30,490 --> 00:21:32,759 I WOULD KILL FOR A GUY TO FIX THINGS AROUND THE HOUSE. 577 00:21:32,792 --> 00:21:35,462 - WHAT WE MEANT TO SAY WAS-- - DON'T LOOK AT ME. 578 00:21:35,495 --> 00:21:37,797 I KNOW I'M BITTER. I OWN THAT SHIT. 579 00:21:37,830 --> 00:21:40,933 I AMS WHO I'S AMS. - WELL, I'M NOT BITTER. 580 00:21:40,967 --> 00:21:43,536 AM I BITTER? 581 00:21:43,570 --> 00:21:45,004 MAYBE I AM. 582 00:21:45,037 --> 00:21:46,673 I'M DISILLUSIONED. THAT'S WHAT I AM. 583 00:21:46,706 --> 00:21:48,875 I'M DEFINITELY DISILLUSIONED. 584 00:21:48,908 --> 00:21:50,777 - COME ON, MOM. WHAT DID YOU THINK WOULD HAPPEN? 585 00:21:50,810 --> 00:21:51,778 DID YOU THINK IF YOU LEFT 586 00:21:51,811 --> 00:21:53,680 HE WOULD GROW UP ALL OF A SUDDEN? 587 00:21:53,713 --> 00:21:54,981 - NO, I JUST-- 588 00:21:55,014 --> 00:21:56,048 YOU KNOW, I WISH WE DIDN'T 589 00:21:56,082 --> 00:21:58,618 HAVE TO PROP HIM UP ALL THE TIME. 590 00:21:58,651 --> 00:21:59,786 - SO WHAT'S THE POINT IN WISHING FOR SOMETHING 591 00:21:59,819 --> 00:22:02,589 THAT'S NEVER GOING TO COME TRUE? 592 00:22:02,622 --> 00:22:04,724 HE'S NEVER GOING TO CHANGE, MOM. 593 00:22:04,757 --> 00:22:07,360 HE'S ALWAYS GOING TO BE THAT DRUNKEN FOOL 594 00:22:07,394 --> 00:22:10,096 IN THE MIDDLE OF ABBOT KINNEY. 595 00:22:10,129 --> 00:22:15,968 THE SAME GUY WHO WROTE THIS BOOK. 596 00:22:16,002 --> 00:22:17,470 AND IF THAT'S NOT WHAT YOU WANT, 597 00:22:17,504 --> 00:22:20,440 THEN YOU HAVE TO BE THE ONE TO WALK AWAY. 598 00:22:20,473 --> 00:22:22,642 BECAUSE HE NEVER WILL. 599 00:22:24,143 --> 00:22:26,379 - GOD, JESUS. 600 00:22:26,413 --> 00:22:28,815 I LOVE THIS LITTLE BUDDHA YOU SHOT OUT OF YOUR VAG. 601 00:22:28,848 --> 00:22:31,350 SO WISE. 602 00:22:36,623 --> 00:22:40,059 [birds chirping] 603 00:22:40,092 --> 00:22:44,397 [dog barking] 604 00:22:49,636 --> 00:22:52,939 - [sighs] 605 00:22:52,972 --> 00:22:54,006 MM. 606 00:22:54,040 --> 00:22:58,478 - JESUS. 607 00:22:58,511 --> 00:23:02,615 FEEL LIKE I'VE BEEN FUCKED IN THE ASS BY GOD HIMSELF. 608 00:23:02,649 --> 00:23:07,587 AND HE--HE--HE PULLED OUT AND JIZZED ALL OVER MY FACE. 609 00:23:07,620 --> 00:23:10,857 GOT IN MY EYES, AND NOW I CAN'T EVEN OPEN THEM PROPERLY. 610 00:23:10,890 --> 00:23:13,493 - I'M HUNGRY. YOU? 611 00:23:13,526 --> 00:23:16,028 - SO OUR LADIES MUST BE WORRIED SICK ABOUT US, HUH? 612 00:23:16,062 --> 00:23:19,599 YOU KNOW WHY? - WHY? 613 00:23:19,632 --> 00:23:21,200 - 'CAUSE WE'RE A COUPLE OF DIRTY STAY-OUTS. 614 00:23:21,233 --> 00:23:23,135 - NO MISSED CALLS. 615 00:23:27,206 --> 00:23:30,477 - HUH, ME NEITHER. 616 00:23:30,510 --> 00:23:32,645 WELL, WHATEVER. 617 00:23:32,679 --> 00:23:37,116 OH, THIS WAS FUN. WE SHOULD DO THIS MORE OFTEN. 618 00:23:37,149 --> 00:23:41,087 - YOU KNOW, I CAN DO THIS BECAUSE I'M AN ARTIST. 619 00:23:41,120 --> 00:23:43,490 BUT YOU? YOU'RE A FUCKING BUSINESSMAN. 620 00:23:43,523 --> 00:23:45,057 A SUCKER IN A THREE-PIECE SUIT. 621 00:23:45,091 --> 00:23:46,926 YOU GOT TO KEEP YOUR SHIT TOGETHER. 622 00:23:46,959 --> 00:23:48,861 - DOESN'T SOUND VERY FAIR AT ALL. 623 00:23:48,895 --> 00:23:50,530 - I DIDN'T MAKE THE RULES. 624 00:23:55,502 --> 00:23:58,905 YOU KNOW, YOU'RE A GOOD FRIEND, YOU BALD MOTHERFUCKER. 625 00:23:58,938 --> 00:24:00,573 I'M LUCKY TO HAVE YOU. 626 00:24:00,607 --> 00:24:02,675 - SAME HERE, BUDDY. 627 00:24:02,709 --> 00:24:04,677 YOU'RE A REALLY GOOD KISSER, TOO, YOU KNOW THAT? 628 00:24:04,711 --> 00:24:08,080 KAREN DOESN'T KNOW WHAT SHE'S MISSING RIGHT NOW. 629 00:24:08,114 --> 00:24:09,215 - THERE'S A GOOD CHANCE I WOULD HAVE 630 00:24:09,248 --> 00:24:10,783 FORGOTTEN ABOUT THAT. - OH, NO. 631 00:24:10,817 --> 00:24:13,953 - THANKS FOR CALLING IT BACK. 632 00:24:13,986 --> 00:24:17,256 - GOD, I AM SORE. 633 00:24:17,289 --> 00:24:19,859 MY FUCKING BACK IS KILLING ME. 634 00:24:19,892 --> 00:24:22,128 GOT QUITE A WORKOUT LAST NIGHT, HUH? 635 00:24:22,161 --> 00:24:24,731 [groans] 636 00:24:28,000 --> 00:24:31,170 - HEY, CHARLIE? - YEAH. 637 00:24:31,203 --> 00:24:33,840 - DID WE GET TATTOOS LAST NIGHT? 638 00:24:33,873 --> 00:24:38,244 - DID WE WHAT? 639 00:24:38,277 --> 00:24:40,279 OH, NO, HANK. 640 00:24:40,312 --> 00:24:42,214 HANK, WHAT DID I DO? 641 00:24:42,248 --> 00:24:44,851 - I DON'T KNOW, BUT WE'RE ABOUT TO FIND OUT. 642 00:24:44,884 --> 00:24:46,853 BEND OVER, BIG BOY, AND DROP YOUR DRAWERS. 643 00:24:46,886 --> 00:24:48,187 AND I HOPE THAT'S THE LAST TIME 644 00:24:48,220 --> 00:24:49,689 I EVER SAY THAT TO YOU. 645 00:24:49,722 --> 00:24:51,991 - JESUS CHRIST, SAY IT AIN'T SO, HANK. 646 00:24:52,024 --> 00:24:53,893 - WHOO. [laughs] 647 00:24:53,926 --> 00:24:54,927 OH, IT IS SO. 648 00:24:54,961 --> 00:24:58,197 IT IS DEFINITELY SO. 649 00:24:58,230 --> 00:24:59,732 - WHY WOULD YOU LET ME DO THAT, HANK? 650 00:24:59,766 --> 00:25:01,200 WHY WOULD YOU LET ME GET A TRAMP STAMP? 651 00:25:01,233 --> 00:25:02,769 WHY--WHY WOULD YOU DO THAT TO ME? 652 00:25:02,802 --> 00:25:05,271 - LOOK ON THE BRIGHT SIDE. IT'S A BEAUTIFUL TATTOO. 653 00:25:05,304 --> 00:25:08,040 THE ARTIST DEFINITELY OUTDID HIS SELF. 654 00:25:08,074 --> 00:25:11,010 - JESUS CHRIST, IT'S A GOD DAMN BUTTERFLY, 655 00:25:11,043 --> 00:25:12,745 ISN'T IT HANK? NOW I REMEMBER. 656 00:25:12,779 --> 00:25:14,814 IT'S ALL COMING BACK TO ME. 657 00:25:14,847 --> 00:25:17,584 I'M SUCH A FUCKING IDIOT. 658 00:25:17,617 --> 00:25:19,619 OKAY, ALL RIGHT, COME ON. LET'S GO. 659 00:25:19,652 --> 00:25:21,287 WE'RE GOING TO THE REMOVAL PLACE RIGHT NOW. 660 00:25:21,320 --> 00:25:23,322 LET'S GO. HEY. 661 00:25:23,355 --> 00:25:27,660 - [sighs] [laughs] 662 00:25:27,694 --> 00:25:30,329 - COME ON, LET'S GO! 663 00:25:30,362 --> 00:25:33,633 - [laughs] 664 00:25:47,914 --> 00:25:50,950 - GOOD MORNING. - MORNING. 665 00:25:50,983 --> 00:25:52,284 - HOW WAS YOUR NIGHT? 666 00:25:52,318 --> 00:25:55,187 - YOU KNOW, IT WAS GREAT. IT WAS REALLY GOOD. 667 00:25:55,221 --> 00:25:57,089 - GREAT. 668 00:25:57,123 --> 00:25:58,224 - YOURS? 669 00:25:58,257 --> 00:25:59,926 - MINE WAS INTERESTING. 670 00:25:59,959 --> 00:26:04,163 DEFINITELY HAD ITS MOMENTS. 671 00:26:04,196 --> 00:26:07,800 I DIDN'T FUCK ANYONE, IF THAT'S WHAT YOU'RE WONDERING. 672 00:26:07,834 --> 00:26:11,704 - UH, NO, I WASN'T, ACTUALLY. 673 00:26:11,738 --> 00:26:13,339 - BULLSHIT. 674 00:26:13,372 --> 00:26:16,242 HOW'S MARCY? 675 00:26:16,275 --> 00:26:18,044 - UH, SHE'LL LIVE, YOU KNOW. 676 00:26:18,077 --> 00:26:20,112 - WELL, THAT'S GOOD. 677 00:26:20,146 --> 00:26:23,883 AND YOU? HOW ARE YOU? 678 00:26:23,916 --> 00:26:26,252 - I'M TRYING. 679 00:26:26,285 --> 00:26:29,956 - THAT'S ALL ANYBODY CAN ASK, HUH? 680 00:26:29,989 --> 00:26:32,258 - RIGHT. 681 00:26:37,229 --> 00:26:39,231 - HEY, CHECK THIS OUT. 682 00:26:39,265 --> 00:26:41,834 - HANK, DON'T-- - NO, NO, NO. NO. 683 00:26:41,868 --> 00:26:44,070 [winces] 684 00:26:48,675 --> 00:26:49,809 HUH? 685 00:26:49,842 --> 00:26:51,644 - [sighs] 686 00:26:51,678 --> 00:26:53,079 AM I SUPPOSED TO BE IMPRESSED? 687 00:26:53,112 --> 00:26:56,849 - THAT'S THE IDEA, YEAH. 688 00:26:56,883 --> 00:26:58,951 - HMM. 689 00:26:58,985 --> 00:27:00,152 - HMM? 690 00:27:00,186 --> 00:27:02,121 I SCAR MYSELF FOR YOU. 691 00:27:02,154 --> 00:27:03,723 I STIGMATIZE MYSELF FOR YOU. 692 00:27:03,756 --> 00:27:08,094 AND THAT'S ALL I GET AS A RESPONSE, IS "HMM?" 693 00:27:08,127 --> 00:27:10,196 HMM? 694 00:27:10,229 --> 00:27:12,999 - * CAN YOU SEE THE LIGHT 695 00:27:13,032 --> 00:27:14,200 - [sighs] 696 00:27:14,233 --> 00:27:18,004 - * CAN YOU HEAR THE HUM 697 00:27:18,037 --> 00:27:19,706 * OF OUR SONG 698 00:27:19,739 --> 00:27:22,241 - ARE YOU HUNGRY? 699 00:27:22,274 --> 00:27:25,745 - * I HOPE THEY GET IT RIGHT * 700 00:27:25,778 --> 00:27:27,413 - WOULD YOU LIKE SOME BREAKFAST? 701 00:27:27,446 --> 00:27:29,982 - * I HOPE WE DANCE TONIGHT * 702 00:27:30,016 --> 00:27:32,451 - I WOULD LOVE SOME BREAKFAST. 703 00:27:32,484 --> 00:27:35,154 - * BEFORE WE GET IT WRONG * 704 00:27:35,187 --> 00:27:38,057 * NOW I SEE YOU 705 00:27:38,090 --> 00:27:39,225 * TILL KINGDOM COME 706 00:27:39,258 --> 00:27:43,029 * YOU'RE THE ONE I WANT TO SEE ME * 707 00:27:43,062 --> 00:27:45,998 * FOR ALL THE STUPID SHIT I'VE DONE * 708 00:27:46,032 --> 00:27:51,971 * 709 00:27:52,004 --> 00:27:57,109 * SOIL AND SIX FEET UNDER 710 00:27:57,143 --> 00:28:01,147 * KILLED JUST LIKE WE WERE 711 00:28:01,180 --> 00:28:04,984 * BEFORE YOU KNEW YOU'D KNOW ME * 712 00:28:05,017 --> 00:28:08,454 * YOU KNOW ME 713 00:28:08,487 --> 00:28:16,462 *