1 00:00:10,010 --> 00:00:12,813 - YOU'RE MY STUDENT. - NOT ANYMORE, I'M NOT. 2 00:00:12,846 --> 00:00:14,748 - THIS IS SO NOT FAIR. 3 00:00:14,782 --> 00:00:16,517 PREVIOUSLY ON CALIFORNICATION... 4 00:00:16,550 --> 00:00:19,387 - I'VE NEVER STEPPED OUTSIDE OF MY MARRIAGE BEFORE. 5 00:00:19,420 --> 00:00:20,254 - WHO IN THEIR RIGHT MINDS 6 00:00:20,288 --> 00:00:24,058 WOULD STEP OUT ON HIS ROYAL DEANNESS? 7 00:00:24,092 --> 00:00:27,128 OH, I AM FLATTERED, BUT I... 8 00:00:27,161 --> 00:00:28,429 MMM! 9 00:00:28,462 --> 00:00:30,464 - AND I'M WET. 10 00:00:30,498 --> 00:00:33,301 - OOH, HARD AND WET-- THAT'S A WINNING COMBINATION. 11 00:00:33,334 --> 00:00:35,336 [crunch] 12 00:00:37,205 --> 00:00:38,306 HEY! 13 00:00:39,440 --> 00:00:41,475 WHAT? NOT EVEN A HELLO. 14 00:00:41,509 --> 00:00:44,278 - WHAT, WERE YOU JUST GONNA LEAVE ME BEHIND? 15 00:00:44,312 --> 00:00:46,080 - YOU'RE SAYING WE JUST PACK UP AND LEAVE L.A.? 16 00:00:46,114 --> 00:00:48,249 THE THREE OF US MOVE BACK TO NEW YORK TOGETHER? 17 00:00:48,282 --> 00:00:49,750 - YEAH, END OF THE SEMESTER. 18 00:00:49,783 --> 00:00:51,485 - FOR THE FIRST TIME IN MY LIFE, I'M ACTUALLY HAPPY, 19 00:00:51,519 --> 00:00:52,820 AND NOW YOU WANT ME TO PACK UP 20 00:00:52,853 --> 00:00:53,721 AND MOVE SOMEPLACE I HAVE NO FRIENDS? 21 00:00:53,754 --> 00:00:55,289 - WHAT DID YOU SAY YOUR NAME WAS AGAIN? 22 00:00:55,323 --> 00:00:57,725 - SHE DIDN'T. NEXT. 23 00:00:57,758 --> 00:00:59,193 - AAAAH! 24 00:00:59,227 --> 00:01:02,163 RUNKLE IS ANKLING! 25 00:01:02,196 --> 00:01:05,699 - RICK FUCKING SPRINGFIELD IS HERE IN MY HOUSE 26 00:01:05,733 --> 00:01:07,101 RIGHT FUCKING NOW? 27 00:01:07,135 --> 00:01:08,636 - '80s POP LEGEND RICK SPRINGFIELD 28 00:01:08,669 --> 00:01:10,104 IS IN THERE STEALING YOUR GIRL. 29 00:01:10,138 --> 00:01:12,573 - YOU HAVE TO OUT-FUCK RICK SPRINGFIELD. 30 00:01:12,606 --> 00:01:14,575 - THE ONLY TIME I EVER MADE MARCY SQUEAL LIKE THAT 31 00:01:14,608 --> 00:01:16,510 WAS WHEN I PUT THE RING ON HER FINGER. 32 00:01:16,544 --> 00:01:19,447 [Marcy and Rick moaning] 33 00:01:19,480 --> 00:01:21,615 - DESTROY ME, RICK SPRINGFIELD! 34 00:01:23,351 --> 00:01:24,752 - CHRIST ON THE CROSS, HANK. 35 00:01:24,785 --> 00:01:26,854 MY LUNGS ARE ABOUT TO EXPLODE. 36 00:01:26,887 --> 00:01:28,322 - YOU DIDN'T HAVE TO COME. 37 00:01:28,356 --> 00:01:29,290 YOU COULD HAVE STAYED HOME 38 00:01:29,323 --> 00:01:31,559 AND MADE THE FUCKY-FUCKY WITH THE BOSS LADY. 39 00:01:31,592 --> 00:01:33,427 - HEY, LAUGH ALL YOU WANT. 40 00:01:33,461 --> 00:01:34,528 HOW MANY PEOPLE CAN SAY 41 00:01:34,562 --> 00:01:35,596 THEY'VE BEEN IN THE SAME HONEY POT 42 00:01:35,629 --> 00:01:36,530 AS JACK NICHOLSON? 43 00:01:36,564 --> 00:01:38,399 - HOW MANY PEOPLE IN THE L.A. PHONE BOOK? 44 00:01:38,432 --> 00:01:39,733 - AH, WHO AM I KIDDING? 45 00:01:39,767 --> 00:01:42,336 I USED TO BE CHARLIE RUNKLE. 46 00:01:42,370 --> 00:01:44,205 NOW... 47 00:01:44,238 --> 00:01:46,574 [imitating Collini] I'M RUNKLE! 48 00:01:46,607 --> 00:01:49,143 - HMM. LOOK AT US, RUNKLE. 49 00:01:49,177 --> 00:01:50,344 L.A. HAS MADE US SOFT. 50 00:01:50,378 --> 00:01:52,680 YOU USED TO BE ABLE TO RUN FOR THE LEXINGTON AVENUE EXPRESS 51 00:01:52,713 --> 00:01:54,348 WITH THE BEST OF THEM, 52 00:01:54,382 --> 00:01:56,550 ELBOWING INVESTMENT WANKERS OUT OF THE WAY. 53 00:01:56,584 --> 00:01:57,751 YOUR CELL PHONE IN ONE HAND, 54 00:01:57,785 --> 00:01:58,819 YOUR MAMMOTH BALL SACK IN THE OTHER, 55 00:01:58,852 --> 00:02:00,921 A HOLLYWOOD REPORTER BETWEEN YOUR TEETH, 56 00:02:00,954 --> 00:02:02,890 NOT EVEN BREATHING SO YOU WOULDN'T 57 00:02:02,923 --> 00:02:04,825 INHALE THE FUCKING PISS STENCH. 58 00:02:04,858 --> 00:02:06,560 - JESUS CHRIST, WE'RE OUT HERE 'CAUSE OF KAREN, 59 00:02:06,594 --> 00:02:07,761 AREN'T WE? 60 00:02:07,795 --> 00:02:08,762 - THAT'S RIGHT. 61 00:02:08,796 --> 00:02:10,764 THE GODS HAVE SEEN FIT TO GIVE ME ANOTHER SHOT 62 00:02:10,798 --> 00:02:11,899 WITH THE SOUL MATE. 63 00:02:11,932 --> 00:02:13,901 SHE'S IN NEW YORK, FEATHERING THE NEST, 64 00:02:13,934 --> 00:02:15,503 AND I GOT TO BE READY FOR HER, 65 00:02:15,536 --> 00:02:18,272 MENTALLY... PHYSICALLY... 66 00:02:18,306 --> 00:02:19,640 SEXUALLY. 67 00:02:19,673 --> 00:02:21,342 - MAYBE IT'S TIME TO STOP BANGING 68 00:02:21,375 --> 00:02:22,776 THE ENTIRE COLLEGE CAMPUS. 69 00:02:22,810 --> 00:02:23,911 - RIGHT YOU ARE... 70 00:02:23,944 --> 00:02:25,779 * MOTHERFUCKER 71 00:02:25,813 --> 00:02:27,515 RIGHT AS RAIN. 72 00:02:27,548 --> 00:02:30,251 IT'S TIME FOR ME TO GROW UP, DO THE RIGHT THING. 73 00:02:30,284 --> 00:02:32,553 - EASIER SAID THAN DONE, THOUGH, HUH? 74 00:02:32,586 --> 00:02:35,289 - NAH, JACKIE'S 23. 75 00:02:35,323 --> 00:02:37,425 SHE'S NOT LOOKING TO MAKE THOSE BREASTESES EXCLUSIVE. 76 00:02:37,458 --> 00:02:39,327 AND JILL, SHE KNOWS I GOT A SNIP AND A BABY. 77 00:02:39,360 --> 00:02:42,796 AND FELICIA, I'M JUST A DAYDREAM TO HER-- 78 00:02:42,830 --> 00:02:44,665 AN ESCAPE HATCH FROM THE DEANERY. 79 00:02:44,698 --> 00:02:46,534 SHIT, I CAN GET THIS DONE IN ONE DAY-- 80 00:02:46,567 --> 00:02:47,935 BREAKFAST, LUNCH, DINNER, 81 00:02:47,968 --> 00:02:50,671 THEN HOME FOR SOME CYBERSEX WITH THE SOUL MATE. 82 00:02:50,704 --> 00:02:52,406 - THAT'S NOT A BAD IDEA. 83 00:02:52,440 --> 00:02:54,308 - YOU KIDDING? IT'S A TERRIBLE IDEA. 84 00:02:54,342 --> 00:02:55,843 THE LIGHTING IS SUBPAR, 85 00:02:55,876 --> 00:02:57,945 VERY DIFFICULT TO PROPERLY SHOWCASE 86 00:02:57,978 --> 00:02:59,313 ONE'S DANGLING MAJESTY. 87 00:02:59,347 --> 00:03:01,215 BUT IT SURE BEATS PHONE-ILINGUS. 88 00:03:01,249 --> 00:03:04,218 [upbeat music] 89 00:03:04,252 --> 00:03:12,192 * 90 00:03:47,728 --> 00:03:48,996 [knock at door] 91 00:03:49,029 --> 00:03:51,031 - YOU WANTED TO SEE ME, PROFESSOR MOODY? 92 00:03:51,064 --> 00:03:52,966 - JACKIE, MY PRIZED PUPIL. 93 00:03:53,000 --> 00:03:54,702 COME ON IN. HAVE A SEAT AND SHUT THE DOOR. 94 00:03:54,735 --> 00:03:56,704 OR--OR WAIT. DON'T--DON'T SHUT THE DOOR. 95 00:03:56,737 --> 00:03:58,906 I DON'T KNOW. WHAT--WHAT DO YOU THINK? 96 00:03:58,939 --> 00:04:01,709 - WELL, I THINK YOU'RE MORE OF A THRILL-SEEKER 97 00:04:01,742 --> 00:04:04,445 THAN I THOUGHT IF YOU WANT TO FUCK ME WITH THE DOOR OPEN. 98 00:04:04,478 --> 00:04:06,280 - I KNOW. YOU KNOW, I-I THINK, 99 00:04:06,314 --> 00:04:07,981 A-AS YOU GOT TO KNOW ME, YOU'D FIND THAT I WAS 100 00:04:08,015 --> 00:04:09,350 PRETTY MUCH OF A FUDDY-DUDDY, 101 00:04:09,383 --> 00:04:10,484 JUST AN OLD-FASHIONED-- 102 00:04:10,518 --> 00:04:12,920 - YEAH, I ACTUALLY WANTED TO TALK TO YOU ABOUT THAT. 103 00:04:12,953 --> 00:04:15,055 I THINK THAT WE NEED TO SPICE THINGS UP A LITTLE BIT. 104 00:04:15,088 --> 00:04:17,758 I'M GETTING SORT OF TIRED OF BEING ON TOP ALL THE TIME. 105 00:04:17,791 --> 00:04:20,060 - OH, WELL, DON'T--DON'T KNOCK COWGIRL. 106 00:04:20,093 --> 00:04:21,929 THAT'S--THAT'S MY FAVORITE "POSISH." 107 00:04:21,962 --> 00:04:23,897 YOU KNOW, I DO SOME OF MY BEST WORK FROM THE BOTTOM. 108 00:04:23,931 --> 00:04:25,499 YOU KNOW WHY? - WHY? 109 00:04:25,533 --> 00:04:26,600 - I GOT MY HANDS FREE. 110 00:04:26,634 --> 00:04:30,338 IT'S LIKE SEXUAL BLUETOOTH. 111 00:04:30,371 --> 00:04:32,773 - I MISSED YOU. IT'S BEEN A WHILE. 112 00:04:32,806 --> 00:04:34,041 - YEAH, ABOUT THAT... 113 00:04:34,074 --> 00:04:35,309 - DID YOU MISS ME? 114 00:04:35,343 --> 00:04:37,745 - WELL, SURE I DID, 115 00:04:37,778 --> 00:04:39,380 TONS. 116 00:04:39,413 --> 00:04:42,082 UM...LOOK, HERE'S THE THING. 117 00:04:42,115 --> 00:04:45,018 - OH, MY GOD. SERIOUSLY? 118 00:04:45,052 --> 00:04:47,054 YOU'RE TRYING TO END THIS THING. 119 00:04:47,087 --> 00:04:48,155 - UH, A THING, IS IT? 120 00:04:48,188 --> 00:04:51,892 - WOW, WELL, IT SOUNDS TO ME LIKE YOU'RE DUMPING ME. 121 00:04:51,925 --> 00:04:54,562 - THAT'S HARSH WHEN YOU PUT IT THAT WAY, 122 00:04:54,595 --> 00:04:55,763 BUT, UH, THAT'S EXACTLY RIGHT, 123 00:04:55,796 --> 00:04:56,897 IN A MANNER OF SPEAKING. 124 00:04:56,930 --> 00:04:59,533 YOU'RE A LOVELY GIRL, THE LOVELIEST OF THE LOVELIEST. 125 00:04:59,567 --> 00:05:01,702 - THIS IS BECAUSE OF THAT WOMAN, ISN'T IT? 126 00:05:01,735 --> 00:05:03,404 WHO WAS IN CLASS THE OTHER DAY-- 127 00:05:03,437 --> 00:05:05,339 YOUR OLD LADY. 128 00:05:05,373 --> 00:05:07,074 - THAT'S THE WOMAN WHAT DONE IT, YES. 129 00:05:07,107 --> 00:05:08,876 - SO, UM... 130 00:05:08,909 --> 00:05:10,678 YOU'RE BACK WITH HER NOW? 131 00:05:10,711 --> 00:05:12,513 - SHE IS THE MOTHER OF MY CHILD. 132 00:05:12,546 --> 00:05:16,083 - OH, AND SHE DOESN'T MIND YOU SLEEPING WITH STUDENTS 133 00:05:16,116 --> 00:05:18,686 WHO AREN'T VERY MUCH OLDER THAN THAT CHILD? 134 00:05:18,719 --> 00:05:20,988 - WELL, THAT IS...LOW. 135 00:05:21,021 --> 00:05:23,691 - OH, COMING FROM THE GUY WHO LOVED MY WORK 136 00:05:23,724 --> 00:05:24,858 AND FOUND ME OH-SO-TALENTED, 137 00:05:24,892 --> 00:05:27,595 BUT NOW HAS GROWN TIRED OF FUCKING ME. 138 00:05:27,628 --> 00:05:30,063 - REALLY? HAVE I-- HAVE I MADE YOU FEEL THAT WAY? 139 00:05:30,097 --> 00:05:31,465 - IT'S COOL. DON'T SWEAT IT. 140 00:05:31,499 --> 00:05:34,101 IT'S NOT LIKE IT WAS SERIOUS, RIGHT? 141 00:05:34,134 --> 00:05:35,403 JUST FUN? 142 00:05:35,436 --> 00:05:37,638 - FUN IT WAS. 143 00:05:37,671 --> 00:05:40,140 - BESIDES, I'M A SEX WORKER, RIGHT? 144 00:05:40,173 --> 00:05:41,442 - WHAT DOES THAT MEAN? 145 00:05:41,475 --> 00:05:43,511 - DON'T WORRY ABOUT ME. 146 00:05:43,544 --> 00:05:44,712 I CAN'T GET HURT. 147 00:05:44,745 --> 00:05:47,648 I'M JUST A HOT PIECE OF STRIPPER ASS. 148 00:05:47,681 --> 00:05:49,650 YOU HAVE YOUR FUN WITH ME, AND THEN YOU'RE DONE. 149 00:05:49,683 --> 00:05:51,885 I GOT IT, LOUD AND CLEAR. 150 00:05:51,919 --> 00:05:53,454 - I DON'T LIKE THE WAY THAT SOUNDS. 151 00:05:53,487 --> 00:05:55,489 - WELL, MAYBE I DON'T LIKE THE WAY IT FEELS. 152 00:05:55,523 --> 00:05:57,725 - [sighs] JACKIE, I'M SORRY. 153 00:05:57,758 --> 00:05:59,026 - [chuckles] SORRY. 154 00:05:59,059 --> 00:06:05,032 I'M SORRY. I AM SO, SO SORRY. 155 00:06:05,065 --> 00:06:07,067 NO NEED TO MAKE A FUSS. 156 00:06:07,100 --> 00:06:08,869 WE CAN HANDLE THIS LIKE ADULTS. 157 00:06:08,902 --> 00:06:10,871 IN FACT, SINCE I'M... 158 00:06:10,904 --> 00:06:12,440 [scoffs] RIGHT HERE... 159 00:06:12,473 --> 00:06:13,407 - MM-HMM. 160 00:06:13,441 --> 00:06:16,143 - WHY NOT JUST, UH, BLOW YOU ONE MORE TIME? 161 00:06:16,176 --> 00:06:19,480 - OH. WELL... 162 00:06:19,513 --> 00:06:21,482 NO, THAT'S REALLY NOT NECESSARY. 163 00:06:21,515 --> 00:06:23,751 - OH, COME ON, JUST LET THE SEX WORKER 164 00:06:23,784 --> 00:06:25,553 DO WHAT THE SEX WORKER DOES BEST. 165 00:06:25,586 --> 00:06:26,754 - NO, NO, NO, NO. 166 00:06:26,787 --> 00:06:27,755 - MOODY, I-- 167 00:06:27,788 --> 00:06:31,759 JESUS, MARY, AND JOSEPH, WHAT IS GOING ON HERE? 168 00:06:31,792 --> 00:06:35,463 - OH! THIS IS SO NOT WHAT IT SEEMS. 169 00:06:35,496 --> 00:06:38,165 - I KNEW IT. I KNEW YOU WERE A DEPRAVED LUNATIC. 170 00:06:38,198 --> 00:06:40,000 - WELL, THAT MAY VERY WELL BE THE CASE, 171 00:06:40,033 --> 00:06:41,769 BUT THINGS ARE NOT ALWAYS AS THEY APPEAR. 172 00:06:41,802 --> 00:06:44,772 - GOOD GOD, MAN, YOUR FLY IS OPEN. 173 00:06:44,805 --> 00:06:47,741 - THANK YOU FOR EMBARRASSING ME IN FRONT OF MY STUDENT. 174 00:06:47,775 --> 00:06:50,911 - WHAT DO YOU HAVE TO SAY FOR YOURSELF, JACKIE? 175 00:06:50,944 --> 00:06:52,913 - WELL, HE SAID HE'D GIVE ME AN "A." 176 00:06:52,946 --> 00:06:54,915 - OH, THAT IS SOME FUCKED-UP SHIT RIGHT THERE, WOMAN. 177 00:06:54,948 --> 00:06:55,849 REVERSE COURSE. 178 00:06:55,883 --> 00:06:58,051 - I'M GONNA HAVE YOU DRAWN AND QUARTERED. 179 00:06:58,085 --> 00:07:00,521 MAYBE JACKIE'S GONNA WANT TO PRESS CHARGES 180 00:07:00,554 --> 00:07:01,722 AGAINST THE AGING DEGENERATE 181 00:07:01,755 --> 00:07:03,557 WHO COMPROMISED HER COLLEGE EXPERIENCE. 182 00:07:03,591 --> 00:07:04,658 - MAYBE I WILL. 183 00:07:04,692 --> 00:07:05,959 - [whispering] WHAT THE FUCK? 184 00:07:05,993 --> 00:07:07,795 - BUT I CAN'T. 185 00:07:07,828 --> 00:07:09,663 - WHY ON EARTH NOT? 186 00:07:09,697 --> 00:07:11,599 - [laughing] 'CAUSE I WAS JUST KIDDING. 187 00:07:11,632 --> 00:07:13,934 - YOU WERE KIDDING? 188 00:07:13,967 --> 00:07:15,869 - LOOK, I'M SORRY, BUT THIS IS RIDICULOUS. 189 00:07:15,903 --> 00:07:17,838 HE WAS JUST GIVING ME NOTES ON A STORY. 190 00:07:17,871 --> 00:07:18,906 WE WERE TALKING 191 00:07:18,939 --> 00:07:21,675 ABOUT THE ENDING, ACTUALLY, OF THE STORY, RIGHT? 192 00:07:21,709 --> 00:07:22,743 - MM-HMM. YES. 193 00:07:22,776 --> 00:07:24,712 - AND HE THINKS IT'S OVER. - RIGHT. 194 00:07:24,745 --> 00:07:27,581 - BUT I KNOW THAT IT'S JUST BEGUN. 195 00:07:27,615 --> 00:07:28,716 - RIGHT. 196 00:07:28,749 --> 00:07:30,684 - BUT DON'T WORRY, DEAN KOONS, REALLY. 197 00:07:30,718 --> 00:07:33,821 HE'S NEVER DONE ANYTHING EVEN REMOTELY INAPPROPRIATE. 198 00:07:33,854 --> 00:07:36,223 REALLY, HE'S VERY BORING 199 00:07:36,256 --> 00:07:38,759 AND SO NOT MY TYPE. 200 00:07:38,792 --> 00:07:40,828 I LIKE THEM DARKER, 201 00:07:40,861 --> 00:07:42,563 HANDSOMER. 202 00:07:42,596 --> 00:07:44,965 GOD, YOU HAVE GREAT EYEBROWS, SIR. 203 00:07:44,998 --> 00:07:47,234 A GIRL COULD REALLY GET LOST IN THOSE THINGS. 204 00:07:47,267 --> 00:07:48,869 - HE'S GOT, UH, PRETTY BLUE EYES, TOO, DOESN'T HE? 205 00:07:48,902 --> 00:07:50,103 - GORGEOUS. 206 00:07:50,137 --> 00:07:51,739 - WELL, THANK YOU. THANK YOU, JACKIE. 207 00:07:51,772 --> 00:07:52,740 THAT'S VERY KIND OF YOU. 208 00:07:52,773 --> 00:07:53,741 - YOU'RE WELCOME. 209 00:07:53,774 --> 00:07:55,576 THANKS FOR THE HELP. 210 00:07:55,609 --> 00:07:57,878 I'LL SHOW MYSELF OUT. 211 00:08:00,781 --> 00:08:03,283 [door opens, indistinct chatter from hall] 212 00:08:03,316 --> 00:08:05,252 - YOU HAVE A THUNDEROUS ERECTION RIGHT NOW, DON'T YOU? 213 00:08:05,285 --> 00:08:06,720 - OHH! [grunts with frustration] 214 00:08:06,754 --> 00:08:09,056 [phone ringing] 215 00:08:09,089 --> 00:08:11,759 - I'LL CLOSE THE DOOR, GIVE YOU SOME PRIVACY. 216 00:08:14,595 --> 00:08:17,565 - OH, YEAH. THAT'S-- OH, THAT'S MAMA'S SWEET SPOT. 217 00:08:17,598 --> 00:08:18,999 LOWER. AH, LOWER. 218 00:08:19,032 --> 00:08:21,268 AH! ANOTHER TWO INCHES, I'LL READ YOUR SPEC SCRIPT. 219 00:08:21,301 --> 00:08:22,836 - OH, NO, I DON'T DO THAT. 220 00:08:22,870 --> 00:08:24,171 - OH, YOU'RE ONE OF THOSE, HUH? 221 00:08:24,204 --> 00:08:26,940 NO HAPPY ENDINGS, JUST CLIFF-HANGERS. 222 00:08:26,974 --> 00:08:28,609 WELL, GET THE FUCK OUT OF HERE! 223 00:08:28,642 --> 00:08:30,611 I'VE GROWN WEARY. I HAVE WORK TO DO. 224 00:08:30,644 --> 00:08:33,614 RUNKLE! I NEED YOU ON MY CARPET! 225 00:08:35,916 --> 00:08:38,586 - CRAZY BITCH. 226 00:08:38,619 --> 00:08:40,120 - MORNING, SUE. 227 00:08:40,153 --> 00:08:43,090 - AGH! THAT GUY... FIRED UP THE GRILL 228 00:08:43,123 --> 00:08:45,025 AND WALKED OUT OF HERE WITH AN UNCOOKED WIENER. 229 00:08:45,058 --> 00:08:46,794 CAN YOU BELIEVE THAT? 230 00:08:46,827 --> 00:08:48,195 - IT'S WHAT HAPPENS WHEN BUDDHISTS 231 00:08:48,228 --> 00:08:49,830 COMMANDEER A PROFESSION 232 00:08:49,863 --> 00:08:52,933 THAT RIGHTFULLY BELONGS TO WELL-HUNG SWEDES. 233 00:08:52,966 --> 00:08:54,201 - SO IT IS. 234 00:08:54,234 --> 00:08:55,969 WHAT ABOUT YOU? 235 00:08:56,003 --> 00:08:57,237 HAVE YOU EMPTIED THE CHAMBER TODAY? 236 00:08:57,270 --> 00:08:59,006 - [chuckles] WELL, AS A MATTER OF FACT-- 237 00:08:59,039 --> 00:09:01,174 - OF COURSE YOU HAVE. YOU'RE RUNKLE. 238 00:09:01,208 --> 00:09:05,178 YOU'D WHACK IT TO A CAT DANCING ON YOUTUBE. 239 00:09:05,212 --> 00:09:06,980 BUT I'M IN THE MOOD. 240 00:09:07,014 --> 00:09:09,216 WANT TO FIRE OFF ANOTHER ROUND, HUH? 241 00:09:09,249 --> 00:09:10,250 - PHONE CALL FOR YOU, SUE. 242 00:09:10,283 --> 00:09:12,152 - RHONDA, YOU KNOW BETTER THAN TO INTERRUPT ME 243 00:09:12,185 --> 00:09:13,754 WHEN I'M ENTERTAINING A GENTLEMAN. 244 00:09:13,787 --> 00:09:14,922 - IT'S HIM. 245 00:09:14,955 --> 00:09:16,657 - HIM? 246 00:09:16,690 --> 00:09:17,691 - MM-HMM. 247 00:09:17,725 --> 00:09:20,060 - EVERYBODY OUT. 248 00:09:20,093 --> 00:09:22,663 - UH-HUH. 249 00:09:24,965 --> 00:09:26,834 MM-HMM. 250 00:09:26,867 --> 00:09:28,669 - HOW YOU DOING? 251 00:09:28,702 --> 00:09:30,337 - [scoffs] 252 00:09:30,370 --> 00:09:33,040 - EVERYTHING GOOD OUT HERE? YOU--YOU HIP-POCKETING ANYONE? 253 00:09:33,073 --> 00:09:35,108 THAT WAS ALWAYS MY MOVE AS AN ASSISTANT. 254 00:09:35,142 --> 00:09:36,610 - [scoffs] 255 00:09:36,644 --> 00:09:39,680 I KNOW SHE'S SEEN YOUR PENIS. 256 00:09:39,713 --> 00:09:41,314 - GUESS WHAT, RHONDA? 257 00:09:41,348 --> 00:09:42,783 SHE'S NOT ALONE. 258 00:09:42,816 --> 00:09:44,852 11,000 HITS ON REDTUBE. 259 00:09:44,885 --> 00:09:46,319 WHOO. 260 00:09:46,353 --> 00:09:47,955 [chuckles] 261 00:09:47,988 --> 00:09:51,091 - DON'T GO ANYWHERE, RUNKLE. [breathes deeply] 262 00:09:51,124 --> 00:09:52,860 I NEED YOU. 263 00:09:59,432 --> 00:10:00,968 - JILLYBEAN. 264 00:10:01,001 --> 00:10:01,969 - [laughs] 265 00:10:02,002 --> 00:10:03,704 - NICE TO SEE YOU. 266 00:10:03,737 --> 00:10:06,106 - WOW, CLASSY. - AH. 267 00:10:06,139 --> 00:10:08,709 - MOODY, REAL TABLECLOTHS. 268 00:10:08,742 --> 00:10:10,143 YOU TRYING TO TELL ME SOMETHING? 269 00:10:10,177 --> 00:10:12,980 'CAUSE I DIDN'T EVEN THINK WE WERE DATING, PER SE. 270 00:10:13,013 --> 00:10:15,382 - THAT'S INTERESTING, BECAUSE... 271 00:10:15,415 --> 00:10:16,984 I'VE BEEN DOING SOME THINKING, 272 00:10:17,017 --> 00:10:18,385 AND I WANTED TO-- - YEAH, ME TOO. 273 00:10:18,418 --> 00:10:19,887 - YOU HAVE? - MM-HMM. 274 00:10:19,920 --> 00:10:21,855 - LADIES FIRST. 275 00:10:21,889 --> 00:10:23,090 - ACTUALLY, NOT THAT MUCH THINKING, 276 00:10:23,123 --> 00:10:24,291 JUST A MEDIUM AMOUNT OF THINKING, 277 00:10:24,324 --> 00:10:25,926 'CAUSE TOO MUCH WITH THE THINKING, 278 00:10:25,959 --> 00:10:27,160 THAT DOES ME IN. 279 00:10:27,194 --> 00:10:28,328 THAT'S HOW I JINX THINGS. 280 00:10:28,361 --> 00:10:30,230 SO NOW I'M JUST TAKING IT SLOW, 281 00:10:30,263 --> 00:10:32,332 GOING DAY BY DAY. 282 00:10:32,365 --> 00:10:34,067 - MM-HMM. MM-HMM. 283 00:10:34,101 --> 00:10:36,003 - WHAT WERE YOU GONNA SAY? 284 00:10:36,036 --> 00:10:38,038 [giggles] 285 00:10:39,907 --> 00:10:42,009 - OKAY. 286 00:10:42,042 --> 00:10:43,343 OKAY, LOOK, HERE'S THE THING. 287 00:10:43,376 --> 00:10:46,980 - OH, MY GOD. OH, MY SWEET FUCKING GOD. 288 00:10:47,014 --> 00:10:49,016 - WHAT? - JACK. 289 00:10:49,049 --> 00:10:50,984 MY EGG-WASTER. OHH! 290 00:10:51,018 --> 00:10:52,886 - THAT'S THE EX DULL NORMAL? - YEAH. 291 00:10:52,920 --> 00:10:55,322 THE GUY I WAITED HALF A FUCKING DECADE 292 00:10:55,355 --> 00:10:56,389 TO PROPOSE TO ME. 293 00:10:56,423 --> 00:10:57,991 - THAT GUY? - YES! 294 00:10:58,025 --> 00:11:01,228 AND HE DUMPED ME, IN A PLACE JUST LIKE THIS-- 295 00:11:01,261 --> 00:11:03,030 FUCKING ITALIAN FOOD. - REALLY? 296 00:11:03,063 --> 00:11:04,164 THAT IS A DICK MOVE. 297 00:11:04,197 --> 00:11:06,466 - YEAH. AND YOU KNOW WHAT ELSE? 298 00:11:06,499 --> 00:11:08,969 HE SAID IT WAS UNETHICAL FOR HIM 299 00:11:09,002 --> 00:11:11,939 TO KEEP DATING ME, KNOWING THAT I WANTED TO GET MARRIED 300 00:11:11,972 --> 00:11:13,073 AND HAVE KIDS, 301 00:11:13,106 --> 00:11:14,374 AND HE WASN'T READY FOR THOSE THINGS. 302 00:11:14,407 --> 00:11:16,043 - WELL, SEE, THAT--THAT SOUNDS 303 00:11:16,076 --> 00:11:18,311 PRETTY MORALLY UPSTANDING TO ME. 304 00:11:18,345 --> 00:11:19,446 IN FACT-- - REALLY? 305 00:11:19,479 --> 00:11:21,014 'CAUSE IT DIDN'T STOP HIM 306 00:11:21,048 --> 00:11:23,216 FROM HAVING REGULAR SEX WITH ME FOR FIVE YEARS. 307 00:11:23,250 --> 00:11:25,118 - BUT YOU COULD HAVE GOTTEN RID OF HIM, RIGHT? 308 00:11:25,152 --> 00:11:26,386 WASH THAT MAN RIGHT OUT OF YOUR HAIR. 309 00:11:26,419 --> 00:11:27,387 BOOM! END OF PROBLEM. 310 00:11:27,420 --> 00:11:29,156 HAVE YOU EVER THOUGHT ABOUT BEING THE DUMPER 311 00:11:29,189 --> 00:11:30,758 INSTEAD OF THE DUMPEE? 312 00:11:30,791 --> 00:11:32,092 THAT'S NOT A BAD IDEA. 313 00:11:32,125 --> 00:11:33,961 WHY DON'T YOU PRACTICE ON ME? - OH, MY GOD! 314 00:11:33,994 --> 00:11:36,396 UHH! SHE HAS A RING. LOOK. 315 00:11:36,429 --> 00:11:37,364 LOOK AT HER FINGER. 316 00:11:37,397 --> 00:11:39,900 DO YOU SEE THAT MONSTROSITY ON HER FINGER? 317 00:11:39,933 --> 00:11:41,802 THEY'RE FUCKING ENGAGED! 318 00:11:41,835 --> 00:11:42,970 - I, UH-- - OH! 319 00:11:43,003 --> 00:11:45,472 OH, MY GOD, I... 320 00:11:45,505 --> 00:11:47,207 WHAT IS MY MOVE HERE? WHAT DO I DO? 321 00:11:47,240 --> 00:11:48,508 - NOTHING. THERE IS NO MOVE. 322 00:11:48,541 --> 00:11:49,777 - I HAVE TO GO AND SAY HI? 323 00:11:49,810 --> 00:11:51,178 - NO! FUCK, NO. YOU DON'T SAY HI. 324 00:11:51,211 --> 00:11:52,445 - BUT THAT'S WHAT NORMAL PEOPLE DO. 325 00:11:52,479 --> 00:11:54,481 - JILL, YOU'VE GOT TO GET OUT OF YOUR OWN WAY. 326 00:11:54,514 --> 00:11:56,750 THE ONLY THOUGHT IN YOUR HEAD RIGHT NOW 327 00:11:56,784 --> 00:11:57,885 SHOULD BE, "FUCK THAT GUY." 328 00:11:57,918 --> 00:11:59,920 - I'M REALLY STARTING TO THINK 329 00:11:59,953 --> 00:12:02,022 THAT'S THE ONLY PIECE OF ADVICE YOU HAVE. 330 00:12:02,055 --> 00:12:04,825 - THIS IS WHAT YOU SHOULD DO. 331 00:12:04,858 --> 00:12:06,093 - WHAT ARE YOU DOING? 332 00:12:06,126 --> 00:12:08,195 - OH, MY GOD, MOODY. 333 00:12:08,228 --> 00:12:09,396 MOODY. 334 00:12:11,398 --> 00:12:13,433 - OH, MY GOD, IT IS YOU. 335 00:12:13,466 --> 00:12:15,969 - YEAH, IT'S ME, BUDDY. KIND OF BUSY HERE. 336 00:12:16,003 --> 00:12:18,238 - WELL, EXCUSE ME FOR HAVING THE NERVE TO COME UP TO YOU 337 00:12:18,271 --> 00:12:19,339 AND SAY HI IN PUBLIC. 338 00:12:19,372 --> 00:12:20,340 DON'T BLOW ME OFF. 339 00:12:20,373 --> 00:12:21,508 I JUST WANTED YOU TO KNOW 340 00:12:21,541 --> 00:12:23,944 THAT I GOT THE TEST RESULTS BACK. 341 00:12:23,977 --> 00:12:26,213 AND, UH, SHIT, I HOPE YOU HAVE THE COURAGE 342 00:12:26,246 --> 00:12:28,315 TO INFORM THE REST OF YOUR SEXUAL PARTNERS, 343 00:12:28,348 --> 00:12:30,250 BECAUSE LORD KNOWS I NEVER HAD THE HERP 344 00:12:30,283 --> 00:12:32,185 BEFORE YOU BLEW ME UNTIL I WAS SHOOTING BLOOD 345 00:12:32,219 --> 00:12:34,054 AT THE PALM SPRINGS WHITE PARTY. 346 00:12:34,087 --> 00:12:35,222 WHATEVER. 347 00:12:35,255 --> 00:12:37,791 I HOPE YOU AND YOUR BEARD 348 00:12:37,825 --> 00:12:39,927 HAVE A WONDERFUL REST OF THE DAY. 349 00:12:39,960 --> 00:12:42,963 [snaps fingers three times] 350 00:12:42,996 --> 00:12:45,899 - [laughing] 351 00:12:50,570 --> 00:12:51,704 - NOW... - OH, GOD. 352 00:12:51,738 --> 00:12:54,374 OKAY, CAN I JUST TELL YOU THAT BEING INCREDIBLY SWEET 353 00:12:54,407 --> 00:12:56,543 AND SENSITIVE TO MY SITUATION RIGHT NOW 354 00:12:56,576 --> 00:12:59,346 IS NOT MAKING ME WANT TO FUCK YOU ANY LESS. 355 00:12:59,379 --> 00:13:02,215 - [chuckling] - LET'S GO, BABY. 356 00:13:02,249 --> 00:13:04,151 - OKAY, SO HERE'S THE THING. 357 00:13:10,323 --> 00:13:12,325 - UGH. HE'S MY LIFE, CHARLIE. 358 00:13:12,359 --> 00:13:13,894 HE'S MY FIRST CLIENT. 359 00:13:13,927 --> 00:13:16,163 I CAN'T LOSE HIM. I AM FUCKED IF I LOSE HIM. 360 00:13:16,196 --> 00:13:17,797 - LET ME HANDLE THIS FOR YOU, SUE. 361 00:13:21,368 --> 00:13:24,337 KNOCK-KNOCK. RUNKLE CALLING. 362 00:13:24,371 --> 00:13:26,940 HOW YOU DOING THERE? 363 00:13:26,974 --> 00:13:28,041 HELLO, HELLO. 364 00:13:28,075 --> 00:13:30,277 I'M CHARLIE RUNKLE AND... 365 00:13:30,310 --> 00:13:33,180 - ARE YOU THE LAW? 366 00:13:33,213 --> 00:13:35,515 OR ARE YOU AN OUTLAW? 367 00:13:35,548 --> 00:13:37,584 'CAUSE THERE'S ONLY ONE I CAN ABIDE. 368 00:13:37,617 --> 00:13:40,187 - SUE, UH... 369 00:13:40,220 --> 00:13:41,454 - SUSAN. 370 00:13:42,990 --> 00:13:45,592 NO HARM, MAN. 371 00:13:45,625 --> 00:13:47,895 COME IN PEACE. 372 00:13:49,963 --> 00:13:51,965 I OWE YOU AN APOLOGY. 373 00:13:51,999 --> 00:13:53,166 - DON'T DO THIS. 374 00:13:53,200 --> 00:13:55,068 JUST GET YOUR HEAD OUT OF YOUR ASS, 375 00:13:55,102 --> 00:13:56,169 AND YOU DON'T HAVE TO APOLOGIZE. 376 00:13:56,203 --> 00:13:57,570 - COME ON, SUE, YOU KNOW I LOVE YOU. 377 00:13:57,604 --> 00:13:59,239 - THEN WHY CHANGE? 378 00:13:59,272 --> 00:14:02,976 - IT'S--IT'S NOT ABOUT CHASING SOME SHINY HOLLYWOOD DREAM. 379 00:14:03,010 --> 00:14:04,211 HELL, I'VE-- 380 00:14:04,244 --> 00:14:06,113 I'VE SNORTED, FUCKED, AND SMOKED EVERYTHING 381 00:14:06,146 --> 00:14:07,580 HOLLYWOOD HAS TO OFFER. 382 00:14:07,614 --> 00:14:09,482 - HEH. 383 00:14:09,516 --> 00:14:11,618 - IT'S... 384 00:14:11,651 --> 00:14:14,221 IT'S ABOUT MY LEGACY. 385 00:14:14,254 --> 00:14:18,125 THESE YOUNG BULLDOGS FROM UTK CAME UP NIPPING AT MY HEELS, 386 00:14:18,158 --> 00:14:21,028 SAYING THEY COULD PUT MY FACE ON A SALAD-DRESSING BOTTLE 387 00:14:21,061 --> 00:14:23,563 AND SELL MILLIONS FOR CHARITY-- 388 00:14:23,596 --> 00:14:24,664 PAUL NEWMAN-TYPE SHIT. 389 00:14:24,697 --> 00:14:27,968 - SHIT IS EXACTLY WHAT IT IS. 390 00:14:28,001 --> 00:14:29,502 UTK GIVES THAT SPEECH 391 00:14:29,536 --> 00:14:31,604 TO EVERY POTENTIAL CLIENT OVER 50. 392 00:14:31,638 --> 00:14:35,408 IT'S HOW THEY POACH BOOMERS-- BY PREYING ON IDEALISM. 393 00:14:35,442 --> 00:14:37,377 - WHO THE FUCK ARE YOU? 394 00:14:37,410 --> 00:14:40,247 - I AM CHARLIE RUNKLE. 395 00:14:40,280 --> 00:14:42,515 YOU CAN CALL ME CHUCK. 396 00:14:42,549 --> 00:14:44,117 LOOK, WHAT THEY WANT TO DO 397 00:14:44,151 --> 00:14:46,353 IS TURN YOU INTO A CORPORATE BRAND, MAN. 398 00:14:46,386 --> 00:14:47,654 FORGET PAUL NEWMAN. 399 00:14:47,687 --> 00:14:49,089 UH, UTK IS MORE LIKELY 400 00:14:49,122 --> 00:14:50,523 TO PUT YOUR NAME ON A MCDONALD'S CUP. 401 00:14:50,557 --> 00:14:53,360 SUE HERE IS THE ONE-- - STOP THE VOMIT. 402 00:14:55,562 --> 00:14:57,998 LISTEN, SUE. 403 00:14:58,031 --> 00:15:00,533 DID YOU BRING ME ONE OF THOSE MBA TWERPS, 404 00:15:00,567 --> 00:15:02,269 OR IS THIS GUY A MAN? 405 00:15:02,302 --> 00:15:04,637 - OH, NO. HE'S A MAN. 406 00:15:04,671 --> 00:15:06,306 - RIGHT. 407 00:15:06,339 --> 00:15:09,009 WELL, THEN LET'S SETTLE THIS LIKE MEN. 408 00:15:18,551 --> 00:15:20,553 - YOU WANT ME TO FIGHT YOU? 409 00:15:20,587 --> 00:15:24,557 - YOU LICK ME, I GO WITH HER. 410 00:15:24,591 --> 00:15:28,128 I LICK YOU, YOU WILL LEAVE THE PREMISES. 411 00:15:28,161 --> 00:15:29,162 - [laughing] 412 00:15:29,196 --> 00:15:30,697 - ALL RIGHT, RUNKLE. 413 00:15:30,730 --> 00:15:32,365 - I--WHA-- - UHH! 414 00:15:32,399 --> 00:15:34,367 POUND HIM! 415 00:15:34,401 --> 00:15:36,169 - I'M NOT GONNA HIT AN OLD MAN. 416 00:15:36,203 --> 00:15:38,271 - I HEARD THAT, PANTYWAIST. 417 00:15:38,305 --> 00:15:41,274 FORGET TO TAKE YOUR PAMPRIN THIS MORNING? 418 00:15:44,044 --> 00:15:45,578 - OKAY, THEN. 419 00:15:48,215 --> 00:15:50,717 HOW DO YOU PROPOSE WE DO THIS, HUH? 420 00:15:50,750 --> 00:15:52,685 WE'RE GONNA DO IT TIGER STYLE? 421 00:15:52,719 --> 00:15:54,721 OR DO YOU LIKE THE SPIDER, HMM? 422 00:15:54,754 --> 00:15:56,056 HMM? 423 00:15:56,089 --> 00:15:58,125 AAH! UNH! 424 00:15:58,158 --> 00:15:59,259 - COME ON. 425 00:15:59,292 --> 00:16:01,261 - SUE IS SUE! 426 00:16:01,294 --> 00:16:03,396 SHE BELIEVES IN PEOPLE, NOT BRANDS. 427 00:16:03,430 --> 00:16:05,332 SHE HAD YOUR BACK WHEN YOU WERE LIVING IN HER VAN. 428 00:16:05,365 --> 00:16:07,100 SHE'LL HAVE IT TILL THE DAY YOU DI--OW! 429 00:16:07,134 --> 00:16:08,768 THAT'S MY FUCKING BAD NIPPLE! 430 00:16:08,801 --> 00:16:10,770 [both grunting] 431 00:16:10,803 --> 00:16:13,506 YOU WANT YOUR FACE ON SOME SALAD DRESSING, 432 00:16:13,540 --> 00:16:15,775 SUE WILL GET YOU SOME MOTHERFUCKING SALAD DRESSING. 433 00:16:15,808 --> 00:16:17,410 AGH! 434 00:16:17,444 --> 00:16:19,046 - ARRGH! 435 00:16:19,079 --> 00:16:21,214 OHH! GOD, FUCK. 436 00:16:21,248 --> 00:16:23,383 MY GODDAMN SCIATICA. 437 00:16:23,416 --> 00:16:25,585 - FUCK THE WHIMPERING DOG PACK! 438 00:16:25,618 --> 00:16:28,255 GO WITH THE LIONESS! 439 00:16:28,288 --> 00:16:29,489 - I'M IN. 440 00:16:29,522 --> 00:16:33,293 GET THE FUCK OFF ME. 441 00:16:33,326 --> 00:16:35,195 - RUNKLE. 442 00:16:35,228 --> 00:16:36,496 [grunts] 443 00:16:36,529 --> 00:16:37,764 COME ON, YOU. 444 00:16:37,797 --> 00:16:39,466 - [grunts] 445 00:16:39,499 --> 00:16:41,101 - [grunts] COME ON. 446 00:16:41,134 --> 00:16:43,670 YOU ALMOST GAVE ME A HEART ATTACK, YOU OLD BEAR. 447 00:16:43,703 --> 00:16:46,373 - OH, SUSIE, YOU KNOW I NEVER WOULD HAVE LEFT YOU. 448 00:16:46,406 --> 00:16:50,577 I DIDN'T WANT TO SIGN WITH THOSE UTK GUYS. 449 00:16:50,610 --> 00:16:52,112 THEY'RE THE LAUGH OF THE TOWN 450 00:16:52,145 --> 00:16:54,647 WITH THAT AGENT THAT'S MASTURBATING ALL THE TIME. 451 00:16:54,681 --> 00:16:56,749 - [laughs] YEAH. TELL ME ABOUT IT. 452 00:16:56,783 --> 00:16:59,086 THAT PLACE IS UNSAVORY. 453 00:17:15,535 --> 00:17:17,170 - [knocks] 454 00:17:19,239 --> 00:17:20,373 - [gasps] 455 00:17:20,407 --> 00:17:21,674 OH, PROFESSOR MOODY. 456 00:17:21,708 --> 00:17:23,643 OH, YOU SHOULDN'T HAVE. - CAN I COME IN? 457 00:17:23,676 --> 00:17:26,546 - UH, NOT THE BEST OF TIMES, ACTUALLY. 458 00:17:26,579 --> 00:17:29,449 - WELL, I HAVE SOME IMPORTANT THINGS TO DISCUSS, 459 00:17:29,482 --> 00:17:30,550 WEIGHTY THINGS-- 460 00:17:30,583 --> 00:17:33,120 STUFF I'D LIKE TO GET OFF MY CHEST. 461 00:17:34,587 --> 00:17:35,688 - WELL... 462 00:17:35,722 --> 00:17:36,756 BY ALL MEANS, THEN. 463 00:17:36,789 --> 00:17:39,126 - [clears throat] 464 00:17:39,159 --> 00:17:40,793 - I REALLY DO HAVE A MEETING. 465 00:17:40,827 --> 00:17:42,362 - OKAY, OKAY. 466 00:17:42,395 --> 00:17:43,763 [clears throat] 467 00:17:43,796 --> 00:17:45,832 [inhales sharply] SO LOOK, HERE'S THE THING. 468 00:17:45,865 --> 00:17:47,434 NO. NO, NO. 469 00:17:47,467 --> 00:17:49,436 THIS IS YUMMIER. 470 00:17:49,469 --> 00:17:51,638 - YOU'RE QUITTING. I KNOW. 471 00:17:51,671 --> 00:17:54,407 YOU'RE MOVING BACK TO NEW YORK, AREN'T YOU? 472 00:17:54,441 --> 00:17:56,409 YOU AND KELLY ARE GOING TO GIVE IT ANOTHER GO. 473 00:17:56,443 --> 00:17:57,510 - KAREN. KAREN. 474 00:17:57,544 --> 00:17:58,511 - WHATEVER. 475 00:17:58,545 --> 00:18:00,713 THE POINT IS, I ASSUMED YOU'D BE MOVING BACK. 476 00:18:00,747 --> 00:18:02,382 NOT TO WORRY, WE'LL BE FINE. 477 00:18:02,415 --> 00:18:03,750 LIFE GOES ON. 478 00:18:03,783 --> 00:18:05,752 I'M SURE I COULD JUST CRUISE BY HOME DEPOT 479 00:18:05,785 --> 00:18:09,222 AND FIND SOMEONE MORE SUITABLE FOR THE JOB. 480 00:18:09,256 --> 00:18:10,523 - HMM. 481 00:18:10,557 --> 00:18:11,624 - [sighs] 482 00:18:11,658 --> 00:18:12,892 - WELL... 483 00:18:12,925 --> 00:18:15,595 YOU CAN'T SAY WE DIDN'T GIVE IT A SHOT, RIGHT? 484 00:18:15,628 --> 00:18:17,864 WE GAVE IT THE OLD COLLEGE TRY, DIDN'T WE? 485 00:18:17,897 --> 00:18:19,666 - DID YOU, HANK? 486 00:18:19,699 --> 00:18:20,867 - I LIKE TO THINK SO. 487 00:18:20,900 --> 00:18:23,336 - OH, WELL, THAT'S ALL THAT MATTERS, THEN. 488 00:18:23,370 --> 00:18:25,872 - YOU SEEM RATHER ANNOYED WITH ME. 489 00:18:25,905 --> 00:18:28,741 - AH, IT'S ALL FOR THE BEST, REALLY. 490 00:18:28,775 --> 00:18:30,543 - WHAT'S FOR THE BEST? 491 00:18:30,577 --> 00:18:31,811 - WELL, SEEING AS THOUGH 492 00:18:31,844 --> 00:18:33,613 I MADE AN ABSOLUTE FOOL OUT OF MYSELF, 493 00:18:33,646 --> 00:18:36,483 I CAN'T SAY THAT I'M ENTIRELY SAD TO SEE YOU GO. 494 00:18:36,516 --> 00:18:37,650 NO, IT'S TRUE, REALLY. 495 00:18:37,684 --> 00:18:38,751 YOU KNOW... 496 00:18:38,785 --> 00:18:42,222 I OFFERED MYSELF TO YOU, AND YOU WEREN'T INTERESTED. 497 00:18:42,255 --> 00:18:44,224 - WHOA, FELICIA, THAT'S NOT EXACTLY HOW IT WENT DOWN. 498 00:18:44,257 --> 00:18:46,359 Y-YOU HAVE SOME SERIOUS RELATIONSHIP ISSUES 499 00:18:46,393 --> 00:18:47,894 TO ATTEND TO, AS DO I. 500 00:18:47,927 --> 00:18:49,862 AND THE MOST THAT WE COULD HAVE OFFERED EACH OTHER 501 00:18:49,896 --> 00:18:52,665 IS SOME... [sniffs] SEXUAL HEALING-- 502 00:18:52,699 --> 00:18:54,767 PLEASURES OF THE FLESH AND WHATNOT, THAT'S ALL. 503 00:18:54,801 --> 00:18:56,803 - OH, BUT THAT'S EXACTLY WHAT I WAS LOOKING FOR. 504 00:18:56,836 --> 00:18:58,505 - OH, NO, NO, NO. YOU SAY THAT, BUT-- 505 00:18:58,538 --> 00:19:00,173 - NO, IT IS. - NO, BUT--BUT-- 506 00:19:00,207 --> 00:19:02,375 AFTER A WHILE, I WOULD WORK MY WAY UNDER YOUR SKIN 507 00:19:02,409 --> 00:19:04,844 LIKE THE SLOW-MOVING FUNGUS THAT I AM. 508 00:19:04,877 --> 00:19:07,347 AND YOU--I'VE ALWAYS BEEN A SUCKER FOR A WOMAN 509 00:19:07,380 --> 00:19:10,317 WHO'S A BOY ON MY ARM AND A PUMA IN THE BEDROOM. 510 00:19:10,350 --> 00:19:13,520 - IF ONLY I COULD HAVE JUST HAD ONE LITTLE NIBBLE. 511 00:19:13,553 --> 00:19:15,655 - A NIBBLE'S NOT ENOUGH. WE BOTH KNOW THAT, FELICIA. 512 00:19:15,688 --> 00:19:16,889 - YEAH. IT'S ALL FOR THE BEST. 513 00:19:16,923 --> 00:19:19,659 - SO WE'RE COOL? - YES, WE'RE COOL. 514 00:19:19,692 --> 00:19:21,894 [doorbell rings] - OKAY. 515 00:19:21,928 --> 00:19:23,530 - THAT'S MY MEETING. 516 00:19:23,563 --> 00:19:25,398 YOU KNOW WHAT? YOU CAN-- YOU CAN GO OUT THIS DOOR 517 00:19:25,432 --> 00:19:26,666 IF--IF YOU'D LIKE, IF IT'S MORE CONVENIENT. 518 00:19:26,699 --> 00:19:28,668 - BUT I-- MY--MY CAR IS RIGHT OUT FRONT, 519 00:19:28,701 --> 00:19:29,969 SO WHY DON'T I JUST-- - OH, OF COURSE. 520 00:19:30,002 --> 00:19:30,970 I'LL SEE YOU OUT. 521 00:19:31,003 --> 00:19:32,539 OH, OH, WAIT, WAIT. 522 00:19:33,840 --> 00:19:35,542 - DAVID. - HEY. 523 00:19:35,575 --> 00:19:36,543 OOH. 524 00:19:36,576 --> 00:19:38,378 - COME IN. - YOU LOOK GOOD. 525 00:19:38,411 --> 00:19:40,680 OH, I'M--I'M SORRY. UH, AM I EARLY? 526 00:19:40,713 --> 00:19:41,981 AM I INTERRUPTING SOMETHING? - NOT AT ALL. 527 00:19:42,014 --> 00:19:43,015 - YEAH, WELL, HE KIND OF IS. 528 00:19:43,049 --> 00:19:45,285 - NONSENSE. PROFESSOR MOODY WAS JUST LEAVING. 529 00:19:45,318 --> 00:19:46,819 - HANK MOODY. DAVID WILDER. 530 00:19:46,853 --> 00:19:48,321 BIG FAN. BIG, BIG FAN. 531 00:19:48,355 --> 00:19:50,823 - DAVID'S ANOTHER OF OUR NOTORIOUS WRITERS 532 00:19:50,857 --> 00:19:52,725 AT THE UNIVERSITY. - YEAH, THE HARDEST OF WOODS. 533 00:19:52,759 --> 00:19:53,560 - YEAH. - I'M AWARE. 534 00:19:53,593 --> 00:19:54,561 - YOU KNOW, BEFORE YOU CAME ALONG, 535 00:19:54,594 --> 00:19:56,829 I WAS IN A FAIR AMOUNT OF TROUBLE WITH THIS ONE 536 00:19:56,863 --> 00:19:58,598 FOR BEDDING THE LOCAL TALENT. 537 00:19:58,631 --> 00:20:00,600 SO THANK YOU FOR TAKING THE PRESSURE OFF ME. 538 00:20:00,633 --> 00:20:02,269 - AH, YOU'RE WELCOME... 539 00:20:02,302 --> 00:20:03,903 I GUESS. 540 00:20:03,936 --> 00:20:05,605 - YEAH, IT'S, UH-- IT'S GIVEN ME 541 00:20:05,638 --> 00:20:07,440 A HELL OF A LOT OF TIME TO WORK ON MY WRITING, 542 00:20:07,474 --> 00:20:08,775 WHICH IS NICE, 'CAUSE YOU KNOW WHAT I LIKE TO DO? 543 00:20:08,808 --> 00:20:09,776 I LIKE TO SIT AT MY DESK, 544 00:20:09,809 --> 00:20:12,979 AND I LIKE TO BREW UP A BIG MUG OF WORD TEA. 545 00:20:13,012 --> 00:20:14,581 - WORD TEA? SURE. 546 00:20:14,614 --> 00:20:15,915 - [laughing] - YOU SHOULD PROBABLY GO. 547 00:20:15,948 --> 00:20:17,016 WE HAVE WORK TO DISCUSS. 548 00:20:17,049 --> 00:20:19,252 - WHERE--WHERE EXACTLY IS, UH, 549 00:20:19,286 --> 00:20:21,020 HIS ROYAL DEANNESS THIS EVENING? 550 00:20:21,053 --> 00:20:22,455 - OH, HE'S OUT WITH FRIENDS, 551 00:20:22,489 --> 00:20:25,592 RE-CREATING, UH, THE BATTLE OF CHICKAMAUGA. 552 00:20:25,625 --> 00:20:27,594 - THAT'S INTERESTING. THAT'S VERY INTERESTING. 553 00:20:27,627 --> 00:20:29,496 - NO, IT'S NOT, ACTUALLY. IT'S DULL AS SHIT. 554 00:20:29,529 --> 00:20:30,630 - YOU'RE DOING IT, AREN'T YOU? 555 00:20:30,663 --> 00:20:32,999 YOU'RE CASHING IN YOUR FREEBIE, YOUR MARITAL HALL PASS. 556 00:20:33,032 --> 00:20:34,634 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 557 00:20:34,667 --> 00:20:36,369 - YEAH, YOU DO. YOU'RE GONNA STICK IT TO THE DEANER 558 00:20:36,403 --> 00:20:38,605 BY LETTING WILDER HERE SHOW YOU HIS HARDEST OF WOODS. 559 00:20:38,638 --> 00:20:39,672 - I BEG YOUR PARDON. 560 00:20:39,706 --> 00:20:41,741 - UH, HEY, BUDDY, THAT IS COMPLETELY OUT OF LINE. 561 00:20:41,774 --> 00:20:42,742 - DON'T-- DON'T DO IT, FELICIA. 562 00:20:42,775 --> 00:20:45,011 DON'T THROW IT ALL AWAY FOR A FEW CLUMSY MINUTES 563 00:20:45,044 --> 00:20:46,479 WITH THE POOR MAN'S VERSION OF ME, 564 00:20:46,513 --> 00:20:47,780 THE ROAD-SHOW VERSION OF ME. 565 00:20:47,814 --> 00:20:48,915 - HEY, YOU KNOW WHAT? 566 00:20:48,948 --> 00:20:51,551 BRAGGING'S NOT MY THING, BUT I CAN GO FOR HOURS, MOODY. 567 00:20:51,584 --> 00:20:52,685 STAY AND WATCH. BE MY GUEST. 568 00:20:52,719 --> 00:20:53,986 MAYBE SHE'LL TAKE US BOTH ON. 569 00:20:54,020 --> 00:20:55,822 - HANK, THIS IS NONE OF YOUR BUSINESS. 570 00:20:55,855 --> 00:20:58,491 EVEN IF I WAS CASHING SOMETHING IN OR WHATEVER-- 571 00:20:58,525 --> 00:20:59,692 - FELICIA, DON'T DO IT. 572 00:20:59,726 --> 00:21:01,528 DON'T--DON'T-- DON'T CHUCK IT ALL 573 00:21:01,561 --> 00:21:03,430 FOR THE FUCKING NUTTY PROFESSOR HERE. 574 00:21:03,463 --> 00:21:04,297 THIS IS BULLSHIT. 575 00:21:04,331 --> 00:21:05,598 - YOU KNOW WHAT? THAT IS UNCALLED FOR. 576 00:21:05,632 --> 00:21:06,966 AND WE BOTH KNOW THAT I'M NOT BLACK. 577 00:21:06,999 --> 00:21:09,369 WHEN WAS THE LAST TIME, BY THE WAY, 578 00:21:09,402 --> 00:21:10,837 THAT YOU PUBLISHED ANYTHING, MOODY? 579 00:21:10,870 --> 00:21:12,038 - YOU KNOW WHAT? EASY FOR YOU TO SAY. 580 00:21:12,071 --> 00:21:13,473 NO, NO, NO, NO, NO, NO. YOU HAVE NO-- 581 00:21:13,506 --> 00:21:15,007 YOU JUST GOT BACK WITH YOUR EX-WHATEVER, 582 00:21:15,041 --> 00:21:17,444 JUST AS THINGS WERE STARTING TO HEAT UP BETWEEN US. 583 00:21:17,477 --> 00:21:18,645 - YOU KNOW WHAT, FELICIA? 584 00:21:18,678 --> 00:21:19,912 IT'S UP TO YOU. 585 00:21:19,946 --> 00:21:21,714 YOU KNOW THAT I WOULD JUMP AT THE OPPORTUNITY 586 00:21:21,748 --> 00:21:22,915 TO MAKE SWEET, HARD LOVE TO YOU. 587 00:21:22,949 --> 00:21:24,651 YOU HAVE THE-- YOU HAVE THE ASS 588 00:21:24,684 --> 00:21:26,953 OF A TEN-YEAR-OLD BOY. 589 00:21:26,986 --> 00:21:28,955 - HANK, PLEASE, JUST GO. 590 00:21:28,988 --> 00:21:30,657 IT'S TOO LITTLE, TOO LATE. 591 00:21:30,690 --> 00:21:32,692 I CAN'T. 592 00:21:32,725 --> 00:21:35,928 - FINE. YOU'RE A BIG GIRL. 593 00:21:35,962 --> 00:21:38,097 YOU CAN MAKE YOUR OWN DECISIONS. 594 00:21:38,130 --> 00:21:39,932 BE GOOD TO HER, WILDER. 595 00:21:39,966 --> 00:21:41,334 SHE'S WAY OUT OF YOUR LEAGUE. 596 00:21:41,368 --> 00:21:42,802 - I CONCUR. 597 00:21:42,835 --> 00:21:44,337 HEY, UH, MOODY... 598 00:21:44,371 --> 00:21:46,406 I HAVE A BOOK COMING OUT THIS SPRING. 599 00:21:46,439 --> 00:21:49,476 DO YOU THINK MAYBE YOU CAN WRITE ME UP A BLURB? 600 00:21:49,509 --> 00:21:52,479 - WHAT'S THIS ONE CALLED, THE BUOYANCY OF TURDS? 601 00:21:52,512 --> 00:21:54,781 - THINK ABOUT IT. I'LL SEND YOU A COPY, OKAY? 602 00:21:58,150 --> 00:21:59,552 I THINK HE'S DRUNK. 603 00:22:10,597 --> 00:22:12,699 - SO HOW DO YOU WANT TO DO THIS? 604 00:22:12,732 --> 00:22:14,567 DO YOU WANT TO JUST KICK BACK 605 00:22:14,601 --> 00:22:16,469 AND START WITH A LITTLE ORAL, HUH? 606 00:22:16,503 --> 00:22:17,937 DO YOU WANT A LITTLE BIT OF THIS? 607 00:22:17,970 --> 00:22:19,706 OR SHOULD I GO FOR A LITTLE BIT OF THAT, YOU KNOW? 608 00:22:19,739 --> 00:22:21,408 BECAUSE I'LL TELL YOU SOMETHING, 609 00:22:21,441 --> 00:22:23,743 I COULD EAT THAT PEACH ALL NIGHT LONG. 610 00:22:23,776 --> 00:22:26,112 I JUST CAMP OUT... 611 00:22:26,145 --> 00:22:27,647 S'MORES. 612 00:22:27,680 --> 00:22:29,649 [chuckles] 613 00:22:29,682 --> 00:22:30,850 YEAH, I THINK YOU'LL FIND 614 00:22:30,883 --> 00:22:32,785 THAT I'M A VERY GIVING AND CARING LOVER... 615 00:22:32,819 --> 00:22:34,621 [door slams] SO YOU DON'T HAVE TO WORRY-- 616 00:22:34,654 --> 00:22:37,757 - FINE, I'LL DO IT. 617 00:22:37,790 --> 00:22:40,126 YOU WANT TO THROW YOUR LIFE AWAY, USE ME. 618 00:22:40,159 --> 00:22:42,795 - WHAT? THAT'S THE MOST RIDICULOUS THING I'VE-- 619 00:22:42,829 --> 00:22:44,597 PLEASE! GO! 620 00:22:44,631 --> 00:22:47,867 MMM, MMM. 621 00:22:49,836 --> 00:22:52,472 OHH. 622 00:22:52,505 --> 00:22:55,842 - WILDER, GO BREW YOURSELF A BIG MUG OF WORD TEA... 623 00:22:55,875 --> 00:22:57,877 AND DIP YOUR BALLS IN IT. 624 00:23:01,814 --> 00:23:03,783 - HUH. 625 00:23:03,816 --> 00:23:06,553 BEHIND THE GREEN DOOR IS AVAILABLE ON BLU-RAY. 626 00:23:06,586 --> 00:23:08,521 - LASER DISC. 627 00:23:08,555 --> 00:23:10,156 PEOPLE WHO SOLD THEIR LASER DISCS 628 00:23:10,189 --> 00:23:12,525 WERE ABSOLUTE ASSHOLES, 629 00:23:12,559 --> 00:23:14,794 FOOLS AND ASSHOLES. 630 00:23:14,827 --> 00:23:16,496 - OH! WHAT? 631 00:23:16,529 --> 00:23:17,497 - FLIP IT. 632 00:23:17,530 --> 00:23:20,099 - AH, FLIP IT! 633 00:23:25,538 --> 00:23:26,806 WOW. 634 00:23:26,839 --> 00:23:28,608 OKAY. 635 00:23:30,009 --> 00:23:32,645 SO WHERE IS THE MAN OF THE HOUSE THIS EVENING? 636 00:23:32,679 --> 00:23:34,481 - BERLIN. 637 00:23:34,514 --> 00:23:37,784 DICKIE IS BIDDING ON AN EGYPTIAN FERTILITY AMULET. 638 00:23:37,817 --> 00:23:39,652 IT'S QUITE RARE, REALLY. 639 00:23:39,686 --> 00:23:42,655 IT'S THE WORLD'S FIRST DEPICTION OF A BUTT PLUG. 640 00:23:42,689 --> 00:23:44,624 - EXCELLENT. EXCELLENT. 641 00:23:44,657 --> 00:23:46,759 GOOD FOR HIM. 642 00:23:49,195 --> 00:23:51,163 - I MUST TOAST YOU. 643 00:23:51,197 --> 00:23:52,932 WHAT YOU DID TODAY WAS ASTONISHING. 644 00:23:52,965 --> 00:23:54,133 - THANK YOU, SUE. 645 00:23:54,166 --> 00:23:56,135 - WHEN YOU STARTED, I THOUGHT, 646 00:23:56,168 --> 00:23:58,805 "MY GOD, THIS MAN HAS DIARRHEA OF THE MOUTH 647 00:23:58,838 --> 00:24:00,840 AND THERE IS NO KAOPECTATE IN SIGHT." 648 00:24:00,873 --> 00:24:03,510 BUT THE POETRY... 649 00:24:03,543 --> 00:24:05,244 THAT POURED OUT OF YOU-- 650 00:24:05,277 --> 00:24:08,180 I MEAN, YOU CAST YOUR ROD, 651 00:24:08,214 --> 00:24:10,216 AND YOU HOOKED THE OLD SWORDFISH, 652 00:24:10,249 --> 00:24:12,952 AND YOU REELED HIM IN BY HIS TAINT. 653 00:24:12,985 --> 00:24:15,555 TO CHARLES W. RUNKLE, 654 00:24:15,588 --> 00:24:16,723 MY HERO. 655 00:24:16,756 --> 00:24:18,691 - NO. NO. 656 00:24:18,725 --> 00:24:20,927 TO YOU, SUE. 657 00:24:27,967 --> 00:24:30,002 - AHH. - WELL, LOOK AT THAT. 658 00:24:30,036 --> 00:24:31,237 - SO LET'S GET THIS PARTY STARTED! 659 00:24:31,270 --> 00:24:32,672 - HMM. 660 00:24:32,705 --> 00:24:33,873 - TOOT? 661 00:24:35,174 --> 00:24:36,843 - UH... 662 00:24:36,876 --> 00:24:37,844 WHY NOT? 663 00:24:37,877 --> 00:24:39,846 [chuckles] 664 00:24:39,879 --> 00:24:42,114 WOW, THAT'S, UH... 665 00:24:42,148 --> 00:24:43,683 THAT'S A NICE COKE STRAW. 666 00:24:43,716 --> 00:24:45,952 [clicks tongue] VERY CLASSY. 667 00:24:45,985 --> 00:24:47,887 - YEAH. IT WAS GIVEN TO ME BY A FEMALE MEMBER 668 00:24:47,920 --> 00:24:48,988 OF FLEETWOOD MAC. 669 00:24:49,021 --> 00:24:51,223 - [nose honks] AHH. 670 00:24:51,257 --> 00:24:52,792 WHEW! [sniffs] 671 00:24:52,825 --> 00:24:54,026 STEVIE NICKS? 672 00:24:54,060 --> 00:24:55,862 - OH, I CAN'T SAY. 673 00:24:55,895 --> 00:24:57,764 BUT IT WASN'T CHRISTINE MCVIE 674 00:24:57,797 --> 00:24:59,866 OR LINDSEY BUCKINGHAM. 675 00:24:59,899 --> 00:25:01,601 - YEAH, LINDSEY'S A DUDE. 676 00:25:01,634 --> 00:25:03,770 - EXACTLY. 677 00:25:05,337 --> 00:25:07,940 I HAVE A DEVIATED SEPTUM. 678 00:25:07,974 --> 00:25:09,008 - OH... 679 00:25:09,041 --> 00:25:10,810 WELL, YOU REALLY SHOULDN'T TOUCH THIS STUFF AT ALL. 680 00:25:10,843 --> 00:25:13,212 YOU KNOW, THAT REALLY BURNS. 681 00:25:13,245 --> 00:25:15,715 - I WANT YOU TO DO ME A SOLID, RUNKLE. 682 00:25:15,748 --> 00:25:19,752 I NEED YOU TO BLOW THIS UP MY BUM-- 683 00:25:19,786 --> 00:25:22,689 YOU KNOW, A TUSH TOOT. 684 00:25:22,722 --> 00:25:27,594 THE OLD COKE IN THE CAN, HUH? 685 00:25:27,627 --> 00:25:28,828 [laughs] NO BIGGIE. 686 00:25:28,861 --> 00:25:31,297 - HA! HEH, NO, IT'S NO BIGGIE... 687 00:25:31,330 --> 00:25:32,832 - [laughing] 688 00:25:32,865 --> 00:25:34,100 - NO BIGGIE AT ALL. 689 00:25:34,133 --> 00:25:36,202 [both laughing] 690 00:25:41,073 --> 00:25:42,642 - GOT ANYTHING A LITTLE LONGER? 691 00:25:42,675 --> 00:25:44,110 - [laughs] - WE'LL USE THIS. 692 00:25:47,814 --> 00:25:49,115 - WHOA. NOT SO FAST. 693 00:25:49,148 --> 00:25:51,584 WHERE YOU GOING ON A SCHOOL NIGHT, YOUNG LADY? 694 00:25:51,618 --> 00:25:53,185 - ACTUALLY, I WAS HOPING 695 00:25:53,219 --> 00:25:55,588 WE COULD GO GRAB SOME ICE CREAM, 696 00:25:55,622 --> 00:25:58,124 MAKE THOSE COLDSTONE GUYS WORK FOR THEIR TIPS. 697 00:25:58,157 --> 00:25:59,158 - REALLY? 698 00:25:59,191 --> 00:26:00,927 WHAT, LIKE ME AND YOU? 699 00:26:00,960 --> 00:26:02,995 TOGETHER? 700 00:26:03,029 --> 00:26:05,965 LIKE FATHER AND DAUGHTER, ALMOST, TOGETHER? 701 00:26:05,998 --> 00:26:08,200 TO THE STONE THAT IS COLD, TOGETHER? 702 00:26:08,234 --> 00:26:11,037 [door opens] THAT'S COOL. 703 00:26:11,070 --> 00:26:12,772 WHAT THE FUCK? 704 00:26:16,843 --> 00:26:18,778 - HANK! [chuckles] MR. MOODY. 705 00:26:18,811 --> 00:26:19,612 - YOU'RE NOT GONNA "MR. HANK" 706 00:26:19,646 --> 00:26:21,213 YOUR WAY OUT OF THIS ONE, CHELSEA. 707 00:26:21,247 --> 00:26:23,650 JESUS CHRIST. - BECCA SAID YOU'D BE GONE. 708 00:26:23,683 --> 00:26:25,985 - DAD, CAN YOU PLEASE BE COOL? 709 00:26:26,018 --> 00:26:27,754 - BE COOL? 710 00:26:27,787 --> 00:26:29,155 I DON'T KNOW HOW MUCH SPUNK 711 00:26:29,188 --> 00:26:30,957 THIS KID HAS DEPOSITED ALL OVER YOUR BEDROOM! 712 00:26:30,990 --> 00:26:33,826 OKAY, THAT WAS UNSAVORY, ALL RIGHT? 713 00:26:33,860 --> 00:26:36,663 BUT IT HAD TO BE SAID. NOW, TIME TO GO! 714 00:26:39,265 --> 00:26:40,366 COME ON, CHELSEA. 715 00:26:40,399 --> 00:26:42,234 OW. 716 00:26:42,268 --> 00:26:43,335 - YOU LIMPING, HANK? 717 00:26:43,369 --> 00:26:45,137 - YES, I WENT JOGGING THIS MORNING, CHELSEA, OKAY? 718 00:26:45,171 --> 00:26:46,372 NOW GO. 719 00:26:46,405 --> 00:26:48,240 YOU'RE NOT INTERESTED IN WHAT I'M DOING. 720 00:26:48,274 --> 00:26:49,441 [door closes] 721 00:26:49,475 --> 00:26:52,111 IS THIS REALLY HOW YOU WANT TO SPEND YOUR SCHOOL NIGHTS? 722 00:26:52,144 --> 00:26:54,380 - I WASN'T DOING ANYTHING WRONG. 723 00:26:54,413 --> 00:26:56,115 - YOU WEREN'T DOING ANYTHING WRONG? 724 00:26:56,148 --> 00:26:58,050 BECCA, YOU INVITED YOUR FRIENDS OVER 725 00:26:58,084 --> 00:27:00,252 TO FUCK IN YOUR BEDROOM WHILE YOU WAITED OUTSIDE. 726 00:27:00,286 --> 00:27:01,921 THAT IS DISGUSTING. 727 00:27:01,954 --> 00:27:04,891 - AND THAT'S HILARIOUS, COMING FROM YOU AND ALL. 728 00:27:04,924 --> 00:27:07,259 - WHAT? I DON'T UNDERSTAND YOU. 729 00:27:07,293 --> 00:27:09,028 WHAT THE FUCK ARE YOU THINKING? 730 00:27:09,061 --> 00:27:11,163 DO YOU THINK THIS HOUSE IS A BORDELLO? 731 00:27:15,735 --> 00:27:17,269 OKAY, LOOK... 732 00:27:17,303 --> 00:27:19,371 HERE'S THE THING. - ACTUALLY, DAD, YES. 733 00:27:19,405 --> 00:27:21,207 THIS HOUSE IS A BORDELLO, 734 00:27:21,240 --> 00:27:22,374 BECAUSE THAT'S HOW IT'S RUN BY YOU! 735 00:27:22,408 --> 00:27:25,011 - NOW, DON'T YOU TRY TO TURN THIS AROUND ON ME. BECCA! 736 00:27:25,044 --> 00:27:27,079 BECCA! DON'T GO OUT THAT DOOR! 737 00:27:27,113 --> 00:27:29,949 - MIGHT AS WELL LIVE WHATEVER LIFE I HAVE LEFT 738 00:27:29,982 --> 00:27:31,918 BEFORE YOU SHIP ME OFF TO NEW YORK! 739 00:27:31,951 --> 00:27:33,219 - BECCA. 740 00:27:33,252 --> 00:27:34,653 BECCA! 741 00:27:35,755 --> 00:27:36,923 BECCA. 742 00:27:36,956 --> 00:27:37,990 [door closes] 743 00:27:38,024 --> 00:27:41,160 Captioning by CaptionMax www.captionmax.com