1 00:00:09,477 --> 00:00:12,046 - I HAVE DECIDED TO GO ABROAD, 2 00:00:12,080 --> 00:00:13,447 FOR AN INDETERMINATE AMOUNT OF TIME. 3 00:00:13,481 --> 00:00:15,583 I WANT TO MAKE A LITERARY PILGRIMAGE. 4 00:00:15,616 --> 00:00:17,118 - WATCHING HER GO, I DON'T KNOW, 5 00:00:17,151 --> 00:00:19,220 IT KIND OF FEELS LIKE THE END OF SOMETHING. 6 00:00:19,253 --> 00:00:20,554 IT MAKES YOU WONDER IF SHE WAS 7 00:00:20,588 --> 00:00:24,125 THE ONLY THING THAT WAS STILL KEEPING US TOGETHER. 8 00:00:24,158 --> 00:00:25,226 - WE'RE GETTIN' MARRIED. 9 00:00:25,259 --> 00:00:26,527 - AHH! - THE RUNKLES! 10 00:00:26,560 --> 00:00:29,730 - I NOW PRONOUNCE YOU WIFE AND EARLY MAN. 11 00:00:29,763 --> 00:00:30,664 - WHAT THE FUCK? 12 00:00:30,698 --> 00:00:32,466 DUDE, I TOLD YOU I NEVER WANNA SEE HIS ASS 13 00:00:32,500 --> 00:00:33,834 ON ONE OF MY SETS EVER AGAIN. 14 00:00:33,867 --> 00:00:36,337 - LISTEN, THIS IS A PRODUCER-DRIVEN MEDIUM, 15 00:00:36,370 --> 00:00:37,738 YOU INEFFECTUAL LITTLE SHIT BIRD. 16 00:00:37,771 --> 00:00:39,407 - SHUT THE FUCK UP, BOTH OF YOU. 17 00:00:39,440 --> 00:00:40,774 - I WAS JUST THINKING ABOUT 18 00:00:40,808 --> 00:00:42,543 WHAT I WANT FOR ALL THE PEOPLE IN MY LIFE. 19 00:00:42,576 --> 00:00:44,812 AND I REALIZED THAT I JUST WANT YOU TO BE HAPPY. 20 00:00:44,845 --> 00:00:47,515 I WANNA SEE YOU SMILE AND KNOW YOU MEAN IT. 21 00:00:47,548 --> 00:00:48,816 - HANK HAS TO GO. 22 00:00:48,849 --> 00:00:50,451 HE'S GOTTA SEE A HORSE ABOUT A GIRL. 23 00:00:50,484 --> 00:00:52,386 - SO THIS IS ABOUT FOLLOWING YOUR BLISS? 24 00:00:52,420 --> 00:00:54,588 IS THIS ABOUT LOVE? 25 00:00:54,622 --> 00:00:55,523 - IT IS. 26 00:00:55,556 --> 00:00:58,659 - THEN YOU MUST GO. 27 00:01:00,661 --> 00:01:03,631 - GO AND GET HER, PAL. 28 00:01:12,740 --> 00:01:16,877 [Pete Townshend's Let My Love Open the Door] 29 00:01:16,910 --> 00:01:18,512 [knock at door] 30 00:01:18,546 --> 00:01:20,748 - * LET MY LOVE OPEN THE DOOR * 31 00:01:20,781 --> 00:01:23,617 * LET MY LOVE OPEN THE DOOR * 32 00:01:23,651 --> 00:01:26,454 * LET MY LOVE OPEN THE DOOR * 33 00:01:26,487 --> 00:01:28,789 * TO YOUR HEART 34 00:01:28,822 --> 00:01:33,227 * 35 00:01:33,261 --> 00:01:36,430 - KAREN, HELLO. 36 00:01:36,464 --> 00:01:39,867 - WHAT ARE YOU DOING HERE? 37 00:01:39,900 --> 00:01:42,670 I THOUGHT YOU RAN OFF WITH THE ROCK AND ROLL CIRCUS. 38 00:01:42,703 --> 00:01:44,405 - I DID. 39 00:01:44,438 --> 00:01:47,441 BUT I CAME BACK FOR YOU. 40 00:01:47,475 --> 00:01:49,777 - * LET MY LOVE OPEN THE DOOR * 41 00:01:49,810 --> 00:01:52,780 * LET ME LOVE OPEN THE DOOR * 42 00:01:52,813 --> 00:01:55,449 * LET MY LOVE OPEN THE DOOR * 43 00:01:55,483 --> 00:01:57,385 * TO YOUR HEART 44 00:01:57,418 --> 00:02:01,589 * 45 00:02:01,622 --> 00:02:04,592 * WHEN EVERYTHING FEELS ALL OVER * 46 00:02:04,625 --> 00:02:07,861 * WHEN EVERYBODY SEEMS UNKIND * 47 00:02:07,895 --> 00:02:09,897 * I'LL GIVE YOU A FOUR-LEAF CLOVER * 48 00:02:09,930 --> 00:02:12,833 * TAKE ALL THE WORRY OUT OF YOUR MIND * 49 00:02:12,866 --> 00:02:15,769 * LET MY LOVE OPEN THE DOOR * 50 00:02:15,803 --> 00:02:18,772 * LET MY LOVE OPEN THE DOOR * 51 00:02:18,806 --> 00:02:21,375 * LET MY LOVE OPEN THE DOOR * 52 00:02:21,409 --> 00:02:24,345 * TO YOUR HEART 53 00:02:24,378 --> 00:02:25,579 * TO YOUR HEART 54 00:02:25,613 --> 00:02:28,249 * LET MY LOVE OPEN THE DOOR * 55 00:02:28,282 --> 00:02:30,484 * WHEN TRAGEDY BEFALLS YOU 56 00:02:30,518 --> 00:02:33,587 * DON'T LET IT DRAG YOU DOWN * 57 00:02:33,621 --> 00:02:36,224 * LOVE CAN CURE YOUR PROBLEM * 58 00:02:36,257 --> 00:02:38,892 * YOU'RE SO LUCKY I'M AROUND * 59 00:02:38,926 --> 00:02:42,496 * LET MY LOVE OPEN THE DOOR * 60 00:02:42,530 --> 00:02:45,399 - KAREN. 61 00:02:45,433 --> 00:02:48,702 HELLO. 62 00:02:48,736 --> 00:02:50,404 - WHAT ARE YOU DOING HERE? 63 00:02:50,438 --> 00:02:53,507 I-I THOUGHT YOU RAN OFF WITH A ROCK AND ROLL CIRCUS. 64 00:02:53,541 --> 00:02:58,246 - I DID, BUT I CAME BACK FOR YOU. 65 00:02:58,279 --> 00:03:00,881 - OH. 66 00:03:00,914 --> 00:03:04,418 - WELL, I-I KNOW IT'S OVERWHELMING, 67 00:03:04,452 --> 00:03:05,719 DISORIENTING EVEN. 68 00:03:05,753 --> 00:03:07,488 BUT I COULDN'T BE OUT THERE KNOWING THAT 69 00:03:07,521 --> 00:03:11,425 YOU WERE BACK HERE ALONE, BY YOURSELF. 70 00:03:11,459 --> 00:03:12,893 GETTING OLDER, BY THE WAY. 71 00:03:12,926 --> 00:03:13,961 [shushes] 72 00:03:13,994 --> 00:03:15,296 KAREN, I LOVE YOU. 73 00:03:15,329 --> 00:03:16,397 I HAVE ALWAYS LOVED YOU, 74 00:03:16,430 --> 00:03:17,565 AND I WILL ALWAYS LOVE YOU. 75 00:03:17,598 --> 00:03:18,699 BUT WE NEED TO RESOLVE THIS SHIT, 76 00:03:18,732 --> 00:03:20,000 ONE WAY OR THE OTHER. 77 00:03:20,033 --> 00:03:21,869 WOULDN'T YOU AGREE? - SURE, SURE, BUT-- 78 00:03:21,902 --> 00:03:22,836 - NO, NO BUTS. 79 00:03:22,870 --> 00:03:24,705 WE GOTTA ROLL UP OUR SLEEVES 80 00:03:24,738 --> 00:03:25,973 AND DO THE WORK RIGHT NOW. 81 00:03:26,006 --> 00:03:28,309 I-I SAY WE STAY HERE UNTIL WE FIGURE IT OUT, 82 00:03:28,342 --> 00:03:31,312 OR UNTIL WE BOTH GET SO FUCKIN' HORNY WE CAN'T STAND IT. 83 00:03:31,345 --> 00:03:33,914 EITHER WAY, IT'S A WIN-WIN FOR BOTH OF US. 84 00:03:33,947 --> 00:03:34,748 - UH, HELLO. 85 00:03:34,782 --> 00:03:36,917 - DUDE, PLEASE, NO, ABSOLUTELY NOT. 86 00:03:36,950 --> 00:03:38,886 WE ARE NOT SHARING OUR TABLE WITH YOU. 87 00:03:38,919 --> 00:03:40,821 WHAT ARE YOU, EUROPEAN OR SOMETHING? 88 00:03:40,854 --> 00:03:41,989 - I'M SORRY, SHOULD-- - OH, NO. 89 00:03:42,022 --> 00:03:44,425 I'M REALLY SORRY. THIS--THIS IS-- 90 00:03:44,458 --> 00:03:47,027 - THIS IS-- WHAT IS THIS? 91 00:03:47,060 --> 00:03:48,729 EXPLAIN YOURSELF, WOMAN. 92 00:03:48,762 --> 00:03:50,264 - HANK, THIS IS CHRIS. 93 00:03:50,298 --> 00:03:51,765 HE'S IN MY YOGA CLASS. - OH, JESUS. 94 00:03:51,799 --> 00:03:54,001 - AND THIS IS HANK. HE'S-- 95 00:03:54,034 --> 00:03:56,570 - HE IS? HE IS? 96 00:03:56,604 --> 00:03:58,706 - FROM MY LIFE. 97 00:03:58,739 --> 00:03:59,873 - YOGA CLASS? 98 00:03:59,907 --> 00:04:01,642 THAT FUCKIN' OLD CHESTNUT? 99 00:04:01,675 --> 00:04:03,010 KAREN, PLEASE, COME ON. 100 00:04:03,043 --> 00:04:05,479 - UM, I-I'M SORRY. - YOU SHOULD BE. 101 00:04:05,513 --> 00:04:06,547 HEY, WHAT ARE WE TALKING ABOUT HERE? 102 00:04:06,580 --> 00:04:08,048 BIKRAM? 103 00:04:08,081 --> 00:04:09,883 [bad Indian accent] WHO HAS TIME TO MAKE TIME DURING BIKRAM? 104 00:04:09,917 --> 00:04:11,352 IT'S SO FUCKIN' HOT AND FARTY IN THERE. 105 00:04:11,385 --> 00:04:12,786 YOU EVER LET ONE LOOSE IN THERE, COWBOY? 106 00:04:12,820 --> 00:04:14,355 I'M SURE YOU HAVE. 107 00:04:14,388 --> 00:04:15,556 IT'S HARD NOT TO LET A LITTLE PRAIRIE DOG 108 00:04:15,589 --> 00:04:16,957 RUN IN THROUGH THERE, HUH? 109 00:04:16,990 --> 00:04:21,629 - UH, WHY DON'T WE DO THIS ANOTHER TIME? 110 00:04:21,662 --> 00:04:22,796 - NOW THERE'S AN IDEA. 111 00:04:22,830 --> 00:04:24,432 - I'M SORRY. - DON'T BE. 112 00:04:24,465 --> 00:04:25,499 - YEAH, DON'T BE. 113 00:04:25,533 --> 00:04:27,535 - UM, IT'S TOTALLY COOL. 114 00:04:27,568 --> 00:04:28,969 I KNOW WHERE TO FIND YOU. 115 00:04:29,002 --> 00:04:31,772 - STALKER. 116 00:04:31,805 --> 00:04:32,906 - REALLY NICE TO MEET YOU, HANK. 117 00:04:32,940 --> 00:04:34,908 - PLEASURE WAS ALL MINE, YOGA MAN, 118 00:04:34,942 --> 00:04:37,511 ALL FUCKIN' MINE, ALL DAY LONG. 119 00:04:37,545 --> 00:04:38,579 BYE-BYE NOW. 120 00:04:38,612 --> 00:04:39,647 NAMASTE AWAY, BUDDY BOY. 121 00:04:39,680 --> 00:04:41,515 - THANKS. - LOOK. 122 00:04:41,549 --> 00:04:43,050 THIS IS WHAT MAKES US FANTASTIC. 123 00:04:43,083 --> 00:04:44,652 WE'RE LAUGHING ABOUT THAT CREEPER. 124 00:04:44,685 --> 00:04:45,919 - WHAT ARE YOU TALKING ABOUT? 125 00:04:45,953 --> 00:04:48,389 HE'S TOTALLY HOT. - WHAT? 126 00:04:48,422 --> 00:04:49,757 WEST SIDE YOGA GUY? 127 00:04:49,790 --> 00:04:51,525 THAT IS THE OLDEST SCHTICK IN THE BOOK, KAREN. 128 00:04:51,559 --> 00:04:52,693 YOU'RE NOT FALLING FOR THAT. 129 00:04:52,726 --> 00:04:56,797 HIS CUM PROBABLY TASTES LIKE HUMMUS. 130 00:04:56,830 --> 00:04:58,532 CUMMUS. - HANK-- 131 00:04:58,566 --> 00:04:59,600 - [chuckles] 132 00:04:59,633 --> 00:05:01,001 - OH, MY GOD. 133 00:05:01,034 --> 00:05:04,071 - THIS IS NOT GOING AS I HAD HOPED. 134 00:05:04,104 --> 00:05:07,074 [upbeat music] 135 00:05:07,107 --> 00:05:15,048 * 136 00:05:46,614 --> 00:05:49,850 [rock music] 137 00:05:49,883 --> 00:05:52,119 - HANKY PANKY. - AHH. 138 00:05:52,152 --> 00:05:54,622 - I THOUGHT I WOULD FIND YOU HERE. 139 00:05:54,655 --> 00:05:58,459 ONE PEAR COSMO-TINI, PLEASE, MY GOOD MAN. 140 00:05:58,492 --> 00:05:59,760 - HE'S NOT KIDDING. 141 00:05:59,793 --> 00:06:03,964 AND HE'S NOT GAY ANYMORE, ENTIRELY. 142 00:06:03,997 --> 00:06:06,767 - NO. 143 00:06:06,800 --> 00:06:08,702 - I CAME BACK FOR HER, CHARLIE. 144 00:06:08,736 --> 00:06:10,771 - YEP, ATTICUS TOLD ME ALL ABOUT IT. 145 00:06:10,804 --> 00:06:12,840 - I RIPPED MY HEART OUT AND I THREW IT AT HER FEET. 146 00:06:12,873 --> 00:06:14,575 AND WHAT DID SHE GIVE ME IN RETURN? 147 00:06:14,608 --> 00:06:16,677 A SHIT SANDWICH TO CHEW ON. 148 00:06:16,710 --> 00:06:17,945 BUT ENOUGH OF MY HARROWING DESPAIR. 149 00:06:17,978 --> 00:06:19,547 TELL ME ABOUT YOUR HONEYMOON. 150 00:06:19,580 --> 00:06:21,749 DID YOU CRAZY KIDS FUCK EACH OTHER'S FACES OFF? 151 00:06:21,782 --> 00:06:23,116 - NEVER MIND ALL THAT. I GOT NEWS. 152 00:06:23,150 --> 00:06:25,753 - DON'T TELL ME-- ANOTHER GNARLY SKIN TAG 153 00:06:25,786 --> 00:06:27,120 HAS SPROUTED UP ON THE OTHER SIDE OF THAT 154 00:06:27,154 --> 00:06:29,990 HIDEOUS LITTLE POUCH YOU LIKE TO CALL A SCROTUM? 155 00:06:30,023 --> 00:06:32,826 - THAT, AND ATTICUS JUST FIRED ME. 156 00:06:32,860 --> 00:06:35,162 - [chuckles] BUMMER. 157 00:06:35,195 --> 00:06:37,498 - BUT NOT BEFORE HE FIRED YOU TOO. 158 00:06:37,531 --> 00:06:38,866 - THAT'S IMPOSSIBLE. 159 00:06:38,899 --> 00:06:40,668 THAT CUNTY LITTLE FUCKIN' GINGER LOVES ME. 160 00:06:40,701 --> 00:06:41,902 - MM-HMM. 161 00:06:41,935 --> 00:06:43,537 - HE WAS INCREDIBLY MOVED BY MY QUEST. 162 00:06:43,571 --> 00:06:44,772 - YES, HE WAS. YES, HE WAS. 163 00:06:44,805 --> 00:06:46,940 AND THEN HE GOT INCREDIBLY BORED. 164 00:06:46,974 --> 00:06:48,141 AND YOUR ABSENCE MADE HIM GROW 165 00:06:48,175 --> 00:06:49,777 A HELL OF A LOT FONDER OF AARON SORKIN, 166 00:06:49,810 --> 00:06:51,512 WHO SUDDENLY BECAME INCREDIBLY AVAILABLE. 167 00:06:51,545 --> 00:06:52,646 - AARON SORKIN. 168 00:06:52,680 --> 00:06:54,081 - BRINGING YOUR BROADWAY CAREER 169 00:06:54,114 --> 00:06:56,650 TO A SUDDEN SCREECHING HALT. 170 00:06:56,684 --> 00:06:58,619 - [grunts] 171 00:06:58,652 --> 00:07:00,921 OKAY, WELL, WHAT NOW? 172 00:07:00,954 --> 00:07:04,124 I'M WAITIN'. GO ON. SAY IT. 173 00:07:04,157 --> 00:07:05,793 COME ON, JUST SAY IT ALREADY. - SAY WHAT? 174 00:07:05,826 --> 00:07:06,960 - SAY IT. - OH, THAT. 175 00:07:06,994 --> 00:07:08,562 - YEAH. - NO, I WON'T SAY THAT. 176 00:07:08,596 --> 00:07:09,830 - COME ON. MAKE ME HAPPY. 177 00:07:09,863 --> 00:07:11,765 - IT WOULD BE IRRESPONSIBLE OF ME, HANK. 178 00:07:11,799 --> 00:07:13,100 - [grunts] 179 00:07:13,133 --> 00:07:17,237 - I DO NOT HAVE AN OFFER FOR YOU. 180 00:07:17,270 --> 00:07:19,940 OH, THAT'S NOT ENTIRELY TRUE, ACTUALLY. 181 00:07:19,973 --> 00:07:21,609 YEAH, SOME KID KEEPS EMAILING ME 182 00:07:21,642 --> 00:07:22,876 ABOUT WANTING TO INTERVIEW YOU 183 00:07:22,910 --> 00:07:24,077 FOR HIS COLLEGE NEWSPAPER OR SOME SHIT. 184 00:07:24,111 --> 00:07:25,913 - OH, I NEED A FUCKIN' JOB, CHARLIE. 185 00:07:25,946 --> 00:07:27,214 - YEAH, SO DO I, HANK. - I NEED TO PRESENT MYSELF 186 00:07:27,247 --> 00:07:29,817 TO KAREN AS AN ADULT MALE WITH A JOB, 187 00:07:29,850 --> 00:07:31,919 A HUNTER AND A GATHERER, A PROVIDER. 188 00:07:31,952 --> 00:07:34,121 - AW, YOU'RE SWEET. 189 00:07:34,154 --> 00:07:35,823 AND TOTALLY FUCKIN' NAIVE. 190 00:07:35,856 --> 00:07:40,694 THERE ARE NO JOBS, HANK, NOT ANYMORE. 191 00:07:40,728 --> 00:07:41,962 WHY, YOU DON'T ASK? 192 00:07:41,995 --> 00:07:44,498 BECAUSE YOU HAVE PISSED ON AND PISSED OFF 193 00:07:44,532 --> 00:07:47,234 ANYONE AND EVERYONE WHO'S EVER GIVEN YOU ONE. 194 00:07:47,267 --> 00:07:50,037 YOU HAVE TAKEN A SHIT ON ALL OF IT, HANK-- 195 00:07:50,070 --> 00:07:52,039 BOOKS, MOVIES, THEATER-- 196 00:07:52,072 --> 00:07:54,575 - WELL, WHAT ABOUT TELEVISION? - WHAT ABOUT IT? 197 00:07:54,608 --> 00:07:56,877 - I COULD SHIT ON THAT. 198 00:07:56,910 --> 00:07:58,145 - YOU DON'T EVEN WATCH TELEVISION. 199 00:07:58,178 --> 00:08:00,881 - DOESN'T MEAN I CAN'T WRITE IT. 200 00:08:00,914 --> 00:08:02,616 - WHAT ARE WE GONNA DO, HANK? 201 00:08:02,650 --> 00:08:05,853 - IT'S ALL RIGHT. IT'S ALL RIGHT, BABY BOY. 202 00:08:05,886 --> 00:08:07,555 TONIGHT WE DRINK. 203 00:08:07,588 --> 00:08:09,557 TOMORROW YOU START MAKING SOME PHONE CALLS. 204 00:08:09,590 --> 00:08:11,625 AN OPPORTUNITY WILL PRESENT ITSELF. 205 00:08:11,659 --> 00:08:14,161 IF NOT, WE CAN ALWAYS STUFF OUR POCKETS 206 00:08:14,194 --> 00:08:15,996 FULL WITH ROCKS AND WALK HAND-IN-HAND 207 00:08:16,029 --> 00:08:17,865 INTO THE PACIFIC. 208 00:08:17,898 --> 00:08:19,600 - THAT SOUNDS ROMANTIC. 209 00:08:19,633 --> 00:08:21,068 - SPEAKING OF ROMANCE, 210 00:08:21,101 --> 00:08:23,604 I WANNA HEAR ABOUT YOUR HONEYMOON. 211 00:08:23,637 --> 00:08:27,641 DID YOU GIVE YOUR AGING BRIDE A KIDNEY INFECTION? 212 00:08:27,675 --> 00:08:29,276 NO, REALLY? 213 00:08:29,309 --> 00:08:31,979 OKAY. TALK TO ME, BUDDY BOY. 214 00:08:32,012 --> 00:08:33,246 TELL ME ALL YOUR WOES. 215 00:08:33,280 --> 00:08:36,950 DR. HANXTABLE IS MOST DEFINITELY IN. 216 00:08:38,586 --> 00:08:39,887 - WHERE'S MY BRIDE? 217 00:08:39,920 --> 00:08:40,954 - MARCY RUNKLE! 218 00:08:40,988 --> 00:08:42,990 - * MY BEAUTIFUL BRIDE 219 00:08:43,023 --> 00:08:44,091 - COKEY SMURF. 220 00:08:44,124 --> 00:08:46,326 - ARE YOU SERIOUS RIGHT NOW? 221 00:08:46,359 --> 00:08:47,828 - [growls] 222 00:08:47,861 --> 00:08:49,763 - THIS IS JUST WHAT WE NEED, CHARLIE, 223 00:08:49,797 --> 00:08:51,665 A BAD CASE OF WHISKEY DICK. 224 00:08:51,699 --> 00:08:53,634 - OH, NO WHISKEY. - DON'T WORRY ABOUT IT, MARCE. 225 00:08:53,667 --> 00:08:54,835 - I DIDN'T DRINK ANY WHISKEY. - DUDE'S BEEN SLAMMING 226 00:08:54,868 --> 00:08:56,169 PEAR COSMO-TINIS ALL NIGHT LONG. 227 00:08:56,203 --> 00:08:57,204 - THAT'S WHAT I HAD. - HE PROBABLY GREW 228 00:08:57,237 --> 00:08:58,639 A BIG LIPPY PUSS DOWN THERE. 229 00:08:58,672 --> 00:09:00,007 - I'M GONNA FUCK YOU SO HARD, MARCY. 230 00:09:00,040 --> 00:09:02,009 - MM-HMM. - I'M GONNA FUCK YOU. 231 00:09:02,042 --> 00:09:03,611 - YEAH, LET'S NOT WRITE ANY CHECKS 232 00:09:03,644 --> 00:09:05,913 YOUR LIMP BISCUIT CAN'T CASH, OKAY? 233 00:09:05,946 --> 00:09:07,648 - HEY, HEY. - OH. 234 00:09:07,681 --> 00:09:08,882 - BE GENTLE WITH THE BOY. 235 00:09:08,916 --> 00:09:10,918 HE'S DELICATE RIGHT NOW. - WHAT ABOUT ME? 236 00:09:10,951 --> 00:09:13,120 I IMPULSE REMARRIED A DEPRAVED LUNATIC 237 00:09:13,153 --> 00:09:14,922 WHO CAN'T EVEN GET IT UP FOR ME. 238 00:09:14,955 --> 00:09:16,790 - AAH. 239 00:09:16,824 --> 00:09:18,125 I KNOW. IT'S NOT GOOD. 240 00:09:18,158 --> 00:09:19,927 I'M SORRY, MARCY, YOU DESERVE BETTER. 241 00:09:19,960 --> 00:09:21,294 - YEAH, I DO. I DO. - HEY, YOU GUYS. 242 00:09:21,328 --> 00:09:22,930 BRING IT IN. TAKE A KNEE. 243 00:09:22,963 --> 00:09:25,766 - OKAY. 244 00:09:25,799 --> 00:09:28,802 - YOU GUYS GOTTA GET THIS SHIT IN PERSPECTIVE, OKAY? 245 00:09:28,836 --> 00:09:30,037 - [groans] 246 00:09:30,070 --> 00:09:31,138 - I CAME BACK FOR THE LOVE OF MY LIFE 247 00:09:31,171 --> 00:09:32,305 AND SHE REJECTED ME, 248 00:09:32,339 --> 00:09:33,974 WHICH BUMS ME OUT ON MANY LEVELS. 249 00:09:34,007 --> 00:09:36,009 NOT THE LEAST OF WHICH IS THAT YOU FUCKTARDS 250 00:09:36,043 --> 00:09:38,211 GOT YOUR SHIT TOGETHER BEFORE WE DID. 251 00:09:38,245 --> 00:09:41,014 NO YOU, YOU'RE LETTING YOUR PASTY WHITE CONE HEAD 252 00:09:41,048 --> 00:09:42,816 GET IN THE WAY OF THE PRIME DIRECTIVE. 253 00:09:42,850 --> 00:09:44,718 YOURS IS NOT TO REASON WHY. 254 00:09:44,752 --> 00:09:47,087 YOURS IS TO SEEK AND DESTROY HER SHIMMERING SNATCH. 255 00:09:47,120 --> 00:09:49,156 DON'T BE FUCKIN' WITH HER ELF-ESTEEM. 256 00:09:49,189 --> 00:09:51,892 - AW, THANKS, HANKY. 257 00:09:51,925 --> 00:09:53,694 - AND SHE'S GOT THE MAGIC VAGINA. 258 00:09:53,727 --> 00:09:54,828 YOU KNOW YOU WANT IT. 259 00:09:54,862 --> 00:09:56,096 - I DO WANT IT. 260 00:09:56,129 --> 00:09:58,231 I'M GONNA FUCK YOUR FACE OFF, MARCY. 261 00:09:58,265 --> 00:09:59,900 - ALL RIGHT. - FUCK YOUR FACE. 262 00:09:59,933 --> 00:10:01,669 - YOU'RE GONNA FUCKIN' BE SEEING FUCKIN' STARS. 263 00:10:01,702 --> 00:10:03,236 - ONE STEP AT A TIME. - I'M GONNA FUCK YOU. 264 00:10:03,270 --> 00:10:05,005 - LET'S SEE IF WE CAN GET SOME BLOOD FLOWIN' 265 00:10:05,038 --> 00:10:07,841 TO THAT THIN, BENT WANG OF YOURS... 266 00:10:07,875 --> 00:10:09,376 - [growls] - THIS WEEK. 267 00:10:09,409 --> 00:10:11,979 - WAIT--HANK, STAY. 268 00:10:12,012 --> 00:10:13,847 YOU'RE NOT COMING. 269 00:10:13,881 --> 00:10:16,416 [pounding on door] - [groans] 270 00:10:16,449 --> 00:10:19,186 WHAAAT... 271 00:10:19,219 --> 00:10:21,288 CAN I DO FOR YOU? 272 00:10:21,321 --> 00:10:23,090 - SETTLE DOWN, DUDE. ARE YOU CHARLIE RUNKLE? 273 00:10:23,123 --> 00:10:24,925 - WHO'S ASKIN'? 274 00:10:24,958 --> 00:10:27,127 - MY NAME'S LEVON. I'VE BEEN EMAILING YOU ABOUT HANK MOODY. 275 00:10:27,160 --> 00:10:28,929 I WANT TO INTERVIEW HIM. 276 00:10:28,962 --> 00:10:30,130 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 277 00:10:30,163 --> 00:10:32,099 - I SENT YOU, LIKE, 20 EMAILS. 278 00:10:32,132 --> 00:10:35,135 - WH--WHY ARE YOU HERE? WHO--WHO TOLD YOU WHERE I LIVE? 279 00:10:35,168 --> 00:10:37,404 - THE INTERNET TOLD ME. YOU GOT A PRETTY RETARDED NAME. 280 00:10:37,437 --> 00:10:38,872 DO YOU KNOW HOW MANY CHARLIE RUNKLES 281 00:10:38,906 --> 00:10:40,240 THERE AREN'T IN LOS ANGELES? 282 00:10:40,273 --> 00:10:42,876 - YOU GOT THE WRONG RUNKLE, KID. - YOU'RE LYING. 283 00:10:42,910 --> 00:10:45,378 [phone beeps] THAT'S YOU. 284 00:10:45,412 --> 00:10:47,848 YOU'RE THE MASTURBATING AGENT. 285 00:10:47,881 --> 00:10:50,951 - LOOK, WHATEVER. IF HANK'S INTO IT, I'LL BE IN TOUCH. 286 00:10:50,984 --> 00:10:52,119 - NO, COME ON, MAN, CAN I MEET HIM? 287 00:10:52,152 --> 00:10:55,122 - NO! NO, THAT'S IMPOSSIBLE. 288 00:10:55,155 --> 00:10:56,289 - WHAT'S THE RACKET? 289 00:10:56,323 --> 00:10:58,225 HOW THE FUCK A BROTHER SUPPOSED TO GET 290 00:10:58,258 --> 00:10:59,793 SOME BEAUTY SLEEP AROUND HERE? - THAT'S HIM. 291 00:10:59,827 --> 00:11:01,695 Y-YOU'RE HIM. - WHO? 292 00:11:01,729 --> 00:11:02,529 - YOU'RE HANK MOODY. 293 00:11:02,562 --> 00:11:05,232 - HANK MOODY I MUST BE. WHO YOU BE? 294 00:11:05,265 --> 00:11:06,867 - THIS WOULD BE LEVON. 295 00:11:06,900 --> 00:11:08,435 HE'S THE KID I'VE BEEN TELLING YOU ABOUT. 296 00:11:08,468 --> 00:11:10,403 HE WANTS TO INTERVIEW YOU FOR HIS COLLEGE NEWSPAPER. 297 00:11:10,437 --> 00:11:12,105 - WHAT THE FUCK, RUNKS? I DIDN'T TELL YOU TO SET THAT UP. 298 00:11:12,139 --> 00:11:14,207 - YOU LYING, FUCKING MASTURBATING ASSHOLE. 299 00:11:14,241 --> 00:11:15,976 YOU DID GET MY EMAILS. 300 00:11:16,009 --> 00:11:18,912 - I LIKE THIS KID. LEVON, HUH? THAT'S PRETTY GROOVY. 301 00:11:18,946 --> 00:11:20,147 YOUR PARENTS BIG ELTON JOHN FANS? 302 00:11:20,180 --> 00:11:23,150 - MY MOTHER. - MUST HAVE GOOD TASTE. 303 00:11:23,183 --> 00:11:25,252 - THAT'S DEBATABLE. [phone rings] 304 00:11:25,285 --> 00:11:27,821 - HEY, LOOK, ARE YOU OKAY WITH WHATEVER THIS IS? 305 00:11:27,855 --> 00:11:29,422 - YEAH, IT'S FINE. 306 00:11:29,456 --> 00:11:31,258 COME ON IN. 307 00:11:31,291 --> 00:11:32,793 LEVON, YOU GOT 15 MINUTES. 308 00:11:32,826 --> 00:11:34,461 I WANT YOU OUT OF HERE BEFORE I WAKE UP. 309 00:11:34,494 --> 00:11:35,929 NOW, WHAT DO YOU WANT TO TALK ABOUT? 310 00:11:35,963 --> 00:11:37,164 - OKAY, UH, RIGHT. 311 00:11:37,197 --> 00:11:39,432 SO, UH, WHERE WERE YOU BORN? 312 00:11:39,466 --> 00:11:41,034 - OH, YOU WANT TO GO WAY BACK. 313 00:11:41,068 --> 00:11:42,770 I WAS BORN AND BRED IN THE BRONX, 314 00:11:42,803 --> 00:11:44,071 BUT MY PARENTS MOVED TO RAISE ME 315 00:11:44,104 --> 00:11:45,472 LIKE VEAL ON THE ISLAND OF LONG, 316 00:11:45,505 --> 00:11:48,075 WHICH ULTIMATELY INSPIRED ME TO ESCAPE 317 00:11:48,108 --> 00:11:50,377 BACK TO THE BIG, BAD WILDS OF THE CITY 318 00:11:50,410 --> 00:11:52,345 AS SOON AS I WAS VAGUELY ABLE. 319 00:11:52,379 --> 00:11:54,447 - HOW MANY GIRLFRIENDS HAVE YOU HAD? 320 00:11:54,481 --> 00:11:55,816 - UH, A FEW? 321 00:11:55,849 --> 00:11:59,186 - UH, HOW MANY SIGNIFICANT RELATIONSHIPS? 322 00:11:59,219 --> 00:12:01,822 - WHAT, YOU WRITING MY OBITUARY? 323 00:12:01,855 --> 00:12:04,291 - DO YOU CONSIDER YOURSELF A MISOGYNIST? 324 00:12:04,324 --> 00:12:08,228 - NOT REALLY. I MEAN, I'M A BIG FAN OF "WOMANINITY". 325 00:12:08,261 --> 00:12:12,465 I LIKE IT ALL-- BIG, FAT, TALL, SHORT, SMALL, 326 00:12:12,499 --> 00:12:15,235 WHITE, BLACK, YELLOW, PURPLE-- BIG FAN OF LADY-NESS. 327 00:12:15,268 --> 00:12:16,970 I THOUGHT YOU WANTED TO TALK ABOUT MY WRITING. 328 00:12:17,004 --> 00:12:20,140 - I'VE READ YOUR BOOKS. - AND? 329 00:12:20,173 --> 00:12:22,175 - DO YOU HAVE ANY CHILDREN? 330 00:12:22,209 --> 00:12:23,443 - YEAH, ONE, A DAUGHTER. 331 00:12:23,476 --> 00:12:27,314 - DOES SHE THINK THAT YOU ARE A GOOD FATHER? 332 00:12:27,347 --> 00:12:28,882 - I'M SURE SHE HAS ISSUES WITH THE OLD MAN. 333 00:12:28,916 --> 00:12:31,919 DO YOU THINK THAT YOU'RE A GOOD INTERVIEWER? 334 00:12:31,952 --> 00:12:33,887 - HOW MANY HEARTS HAVE YOU BROKEN IN YOUR LIFE? 335 00:12:33,921 --> 00:12:36,223 - HEY, KID, DO YOU HAVE A PROBLEM WITH ME? 336 00:12:36,256 --> 00:12:38,258 DID I FUCK YOUR GIRLFRIEND OR SOMETHING? 337 00:12:38,291 --> 00:12:40,393 - HANK! HANK, YOU WERE RIGHT! 338 00:12:40,427 --> 00:12:41,862 A NEW DAY HAS DAWNED, 339 00:12:41,895 --> 00:12:43,530 AND THE OPPORTUNITY HAS PRESENTED ITSELF. 340 00:12:43,563 --> 00:12:45,332 COME ON, CHANGE YOUR CLOTHES. WE GOT OURSELVES A MEETING. 341 00:12:45,365 --> 00:12:47,267 - WHERE? WHERE? - I'LL TELL YOU ON THE WAY. 342 00:12:47,300 --> 00:12:48,836 COME ON, LET'S GO. YOU, KID, OUTTA HERE. 343 00:12:48,869 --> 00:12:49,702 - WAIT-- - JUST-- 344 00:12:49,736 --> 00:12:51,404 - CAN I-- CAN I COME WITH YOU GUYS? 345 00:12:51,438 --> 00:12:52,840 IT MIGHT BE GOOD FOR THE ARTICLE. 346 00:12:52,873 --> 00:12:54,875 - YOU KNOW WHAT? WE'LL "RE-SHEDULE." 347 00:12:54,908 --> 00:12:57,510 - REALLY GREAT START TODAY! 348 00:12:57,544 --> 00:12:59,246 BYE. 349 00:12:59,279 --> 00:13:00,881 - [laughs] 350 00:13:00,914 --> 00:13:03,150 [stage bell rings] 351 00:13:03,183 --> 00:13:05,418 - JUST DON'T COME OFF AS ONE OF THOSE 352 00:13:05,452 --> 00:13:08,221 SNOTTY, PRETENTIOUS FUCKS WHO LOOKS DOWN ON TELEVISION. 353 00:13:08,255 --> 00:13:11,424 - ME? NEVER. - HOW IS IT? 354 00:13:11,458 --> 00:13:13,593 - TO BE HONEST, IT'S LIKE A COLONOSCOPY OF THE MIND. 355 00:13:13,626 --> 00:13:14,862 - HANK. 356 00:13:14,895 --> 00:13:17,464 - BUT IF HE ASKS, I WILL TELL HIM IT'S "TOTES FUCKIN' BRILL." 357 00:13:17,497 --> 00:13:19,499 I WILL BE MY ABSOLUTE BEST SELF IN THERE. 358 00:13:19,532 --> 00:13:22,569 - GOOD BOY. IT'S WEIRD SEEING YOU LIKE THIS. 359 00:13:22,602 --> 00:13:24,838 ALL DRIVEN AND SHIT. - [laughs] 360 00:13:29,509 --> 00:13:31,578 - FUNNY HOW THESE THINGS COME FULL CIRCLE, HUH? 361 00:13:31,611 --> 00:13:34,481 - WHEN PEOPLE ARE TRULY CONNECTED 362 00:13:34,514 --> 00:13:38,185 THEY CAN NEVER TRULY ESCAPE EACH OTHER. 363 00:13:38,218 --> 00:13:40,053 SPEAKING OF WHICH, HOW'S MARCY? 364 00:13:40,087 --> 00:13:42,289 - GOOD. GREAT. 365 00:13:42,322 --> 00:13:44,524 YEAH. JUST BACK FROM THE HONEYMOON, ACTUALLY. 366 00:13:44,557 --> 00:13:45,258 - AH. 367 00:13:45,292 --> 00:13:48,095 GOSH, RUNKLE, YOU REALLY KNOW 368 00:13:48,128 --> 00:13:49,596 HOW TO KICK A GUY WHEN HE'S DOWN. 369 00:13:49,629 --> 00:13:53,600 I KNOW EXACTLY WHAT THAT WOMAN IS LIKE ON A HONEYMOON. 370 00:13:53,633 --> 00:13:57,938 OUR MAGNIFICENT SEX ORGANS WERE FUSED TEN DAYS STRAIGHT. 371 00:13:57,971 --> 00:14:00,507 I COULDN'T STAND NOT BEING INSIDE OF HER. 372 00:14:00,540 --> 00:14:03,276 I WALKED AROUND THE HOTEL ROOM AND--[snaps]--BOOM. 373 00:14:03,310 --> 00:14:04,277 RIGHT THERE ON MY JOCK. 374 00:14:04,311 --> 00:14:06,646 - STEADY, RUNKS. 375 00:14:06,679 --> 00:14:09,382 KID, NICE TO SEE YOU. HOW YOU DOING? 376 00:14:09,416 --> 00:14:11,251 - OH, I'M GREAT, MOODY. 377 00:14:11,284 --> 00:14:14,187 LAST WE MET, I WAS DIRECTING SANTA MONICA COP THE MOVIE, 378 00:14:14,221 --> 00:14:15,622 NOW I'M PERIPHERALLY INVOLVED 379 00:14:15,655 --> 00:14:18,591 WITH SANTA MONICA COP THE TV SHOW. 380 00:14:18,625 --> 00:14:20,493 SO THINGS ARE GOING REALLY WELL FOR ME. THANKS FOR ASKING. 381 00:14:20,527 --> 00:14:22,195 - SHIT. WHAT THE FUCK HAPPENED? WHERE'D YOU GO WRONG? 382 00:14:22,229 --> 00:14:24,497 - I RECALL THINGS GOING TO SHIT 383 00:14:24,531 --> 00:14:26,433 SOMEWHERE AROUND THE TIME YOU SHOWED UP. 384 00:14:26,466 --> 00:14:28,235 - OH, PSHAW. THE VERY IDEA. 385 00:14:28,268 --> 00:14:29,602 - HEY, HEY, HEY, HEY, HEY, 386 00:14:29,636 --> 00:14:32,272 LET US NOT REHASH ANCIENT HISTORY, RIGHT? 387 00:14:32,305 --> 00:14:35,108 OKAY, SAM WENT OFF THE RAILS, 388 00:14:35,142 --> 00:14:37,344 THEY SHUT THE PICTURE DOWN, 389 00:14:37,377 --> 00:14:39,012 MY BELOVED WIFE DIVORCED ME. 390 00:14:39,046 --> 00:14:42,015 BUT DID I WALLOW? 391 00:14:42,049 --> 00:14:44,384 WELL, YEAH. SURE. 392 00:14:44,417 --> 00:14:47,287 BUT THEN I PICKED MYSELF THE FUCK UP, 393 00:14:47,320 --> 00:14:49,656 I DUSTED MYSELF OFF, 394 00:14:49,689 --> 00:14:53,126 AND I SOLD THAT MESSY, LATE-TERM ABORTION AS A TV PILOT. 395 00:14:53,160 --> 00:14:54,527 BECAUSE THAT IS WHAT A PRODUCER DOES. 396 00:14:54,561 --> 00:14:56,964 HE TAKES A SUDDEN BURST OF RAIN 397 00:14:56,997 --> 00:14:59,266 AND TURNS IT INTO A GOLDEN SHOWER. 398 00:14:59,299 --> 00:15:01,901 [door opens] 399 00:15:03,070 --> 00:15:05,305 - QUIET. 400 00:15:05,338 --> 00:15:06,506 WRITERS START TALKING SHIT ABOUT YOU 401 00:15:06,539 --> 00:15:07,774 THE SECOND YOU LEAVE THE ROOM. 402 00:15:07,807 --> 00:15:11,945 I WANT TO KNOW WHOSE OPTION NOT TO PICK UP WHEN THE TIME COMES. 403 00:15:14,147 --> 00:15:16,016 ROSENBERG. 404 00:15:16,049 --> 00:15:18,485 YOU FUCKIN' DICK. 405 00:15:18,518 --> 00:15:22,589 YOU'LL GET YOURS. HEH! VERY NICE. 406 00:15:22,622 --> 00:15:27,327 TRY PAYING FOR PRIVATE SCHOOL NEXT YEAR WITH NO JOB. 407 00:15:28,328 --> 00:15:29,429 YOU MUST BE HANK. 408 00:15:29,462 --> 00:15:31,164 - HENRY JAMES MOODY THE FIRST. 409 00:15:31,198 --> 00:15:33,400 - RICK RATH. CALL ME RATH. 410 00:15:33,433 --> 00:15:36,036 WHO ARE YOU? WHY ARE YOU HERE? - I'M HIS AGENT. 411 00:15:36,069 --> 00:15:38,738 - HE LIKES TO MAKE SURE I DON'T USE MY FECES AS A CRAYON. 412 00:15:38,771 --> 00:15:41,541 - TAKE A WALK. YOU GUYS TOO. GET OUT. 413 00:15:41,574 --> 00:15:44,544 LEAVE US ALONE. TALENT ONLY. 414 00:15:44,577 --> 00:15:45,712 - REMEMBER WHAT I TOLD YOU. 415 00:15:45,745 --> 00:15:47,714 GUY'S A MONSTER. - LEAVE US ALONE. 416 00:15:47,747 --> 00:15:52,452 - JUST A FUCKING MONSTER. - TALENT ONLY. 417 00:15:53,586 --> 00:15:55,322 I'M NOT GONNA HIRE YOU, HANK. 418 00:15:55,355 --> 00:15:57,124 - REALLY? 419 00:15:57,157 --> 00:15:58,725 - YEAH. 420 00:15:58,758 --> 00:16:00,460 - YOU DON'T EVEN WANT TO HEAR WHAT I THINK ABOUT THE SCRIPT? 421 00:16:00,493 --> 00:16:02,295 I MEAN, I HAD A WHOLE SPEECH PREPARED AND EVERYTHING, 422 00:16:02,329 --> 00:16:04,397 FOLLOWED BY A POWERPOINT PRESENTATION 423 00:16:04,431 --> 00:16:07,067 AND A BRIEF BUT VERY MOVING PUPPET SHOW. 424 00:16:07,100 --> 00:16:09,436 - STU HAD ASKED ME TO SIT DOWN WITH YOU, 425 00:16:09,469 --> 00:16:11,304 I-I ADMIT I WAS INTRIGUED, 426 00:16:11,338 --> 00:16:14,274 BUT THEN I DID MY DUE DILIGENCE. 427 00:16:14,307 --> 00:16:16,576 AND EVERY SINGLE PERSON I REACHED OUT TO 428 00:16:16,609 --> 00:16:18,611 SAID YOU ARE AN ABSOLUTE, FUCKING NIGHTMARE. 429 00:16:18,645 --> 00:16:21,748 SO THERE YOU HAVE IT, CASE CLOSED. 430 00:16:21,781 --> 00:16:23,216 I MEAN, SORRY, BUT THE LAST THING I NEED AROUND HERE 431 00:16:23,250 --> 00:16:24,751 IS SOME SNOTTY, PRETENTIOUS FUCK 432 00:16:24,784 --> 00:16:26,219 WHO'S GONNA LOOK DOWN ON TELEVISION. 433 00:16:26,253 --> 00:16:28,121 - YEAH, BUT IF I'M NOT WRONG, 434 00:16:28,155 --> 00:16:30,123 YOU DO NEED A WRITER WHO CAN ACTUALLY WRITE, RIGHT? 435 00:16:30,157 --> 00:16:32,459 - WELL, YEAH, TALENT'S ALWAYS A PLUS, 436 00:16:32,492 --> 00:16:35,062 BUT LIFE IS TOO SHORT FOR SHENANIGANS, HANK. 437 00:16:35,095 --> 00:16:37,497 I'M--I'M TOO OLD TO BE BABYSITTING 438 00:16:37,530 --> 00:16:38,798 TODDLERS WITH TOXIC PERSONALITIES. 439 00:16:38,831 --> 00:16:42,635 - OKAY, JUST HANG ON AND HEAR ME OUT, OKAY? 440 00:16:42,669 --> 00:16:44,237 IF I'M NOT MISTAKEN, 441 00:16:44,271 --> 00:16:46,473 YOU GOT A ROOM FULL OF HACKS AND WANNABES IN THERE. 442 00:16:46,506 --> 00:16:48,775 THE HACKS GIVE YOU A SAFE, FEAR-DRIVEN MEDIOCRITY 443 00:16:48,808 --> 00:16:51,111 BECAUSE THEY JUST WANT TO KEEP THEIR POOLS HEATED, 444 00:16:51,144 --> 00:16:52,312 AND THE WANNABES WANNA BE 445 00:16:52,345 --> 00:16:53,713 BECAUSE THE LIFESTYLE LOOKS SO SWELL, 446 00:16:53,746 --> 00:16:55,648 BUT THEY HAVE NOTHING TO WRITE ABOUT AND IT SHOWS. 447 00:16:55,682 --> 00:16:58,685 - THAT'S AN INCREDIBLY CYNICAL GENERALIZATION, HANK. 448 00:16:58,718 --> 00:17:00,687 - I AM THE BEST OF BOTH WORLDS. 449 00:17:00,720 --> 00:17:03,590 I HAVE THE--THE SEXY, ENERGETIC BRAIN OF A NEWBIE 450 00:17:03,623 --> 00:17:05,392 AND THE BODY OF A DRUNKEN, OLD HACK. 451 00:17:05,425 --> 00:17:07,127 - AND YOU SHIT THE BED ALL OVER THIS TOWN. 452 00:17:07,160 --> 00:17:10,763 SO WHY WOULD THIS GIG BE ANY DIFFERENT? 453 00:17:10,797 --> 00:17:12,665 - FAIR ENOUGH. THAT'S A GOOD POINT. 454 00:17:12,699 --> 00:17:15,302 AND I HAVE SQUANDERED A LOT OF OPPORTUNITIES, IT'S TRUE. 455 00:17:15,335 --> 00:17:16,536 - YEAH. 456 00:17:16,569 --> 00:17:17,704 - I COULD GIVE YOU A BUNCH OF EXCUSES. 457 00:17:17,737 --> 00:17:19,406 I COULD BLAME IT ON MY MASTURBATING AGENT 458 00:17:19,439 --> 00:17:21,141 OR I COULD CHALK IT UP 459 00:17:21,174 --> 00:17:23,143 TO FEAR AND SELF-LOATHING IN LOS ANGELES, 460 00:17:23,176 --> 00:17:24,644 BUT THE TRUTH IS THAT... 461 00:17:24,677 --> 00:17:27,814 I'M TRYING TO GROW THE FUCK UP FOR ONCE. 462 00:17:27,847 --> 00:17:30,850 YOU KNOW, I'M ON A QUEST TO RECLAIM THE BEST PARTS OF MYSELF 463 00:17:30,883 --> 00:17:32,819 BEFORE IT'S TOO FUCKIN' LATE. 464 00:17:32,852 --> 00:17:35,088 AND IT ALL STARTS WITH ME GETTING A JOB. 465 00:17:35,122 --> 00:17:37,157 - WELL... 466 00:17:37,190 --> 00:17:38,558 THAT'S VERY INSPIRING, 467 00:17:38,591 --> 00:17:40,527 BUT ARE YOU SURE YOU CAN ACTUALLY HANDLE THE JOB? 468 00:17:40,560 --> 00:17:42,162 - YEAH. - YEAH? 469 00:17:42,195 --> 00:17:43,630 - MM-HMM. - CAN YOU SHOW UP ON TIME? 470 00:17:43,663 --> 00:17:45,532 - YEAH. YEAH, YEAH. 471 00:17:45,565 --> 00:17:48,201 - PLAY NICE WITH OTHERS? 472 00:17:48,235 --> 00:17:49,569 - MAY--MAYBE. YEAH. 473 00:17:49,602 --> 00:17:51,571 - CAN YOU TAKE A NOTE WITHOUT GETTING DEFENSIVE? 474 00:17:51,604 --> 00:17:53,540 - POSSIBLY. 475 00:17:53,573 --> 00:17:55,875 - CAN YOU WORK WITH ACTORS WITHOUT FUCKING THEM 476 00:17:55,908 --> 00:17:58,178 OR PUNCHING THEM? - OH, SO YOU HAVE READ MY WORK. 477 00:17:58,211 --> 00:18:00,413 - YEAH, I'VE READ YOUR WORK. I LIKE YOUR WORK. 478 00:18:00,447 --> 00:18:02,715 IT ACTUALLY REMINDS ME OF SOME OF THE SHIT I USED TO WRITE. 479 00:18:02,749 --> 00:18:05,452 ONCE UPON A TIME, BACK IN NEW YORK. 480 00:18:05,485 --> 00:18:09,889 BEFORE ALL OF THIS SHIT SWALLOWED ME WHOLE. 481 00:18:09,922 --> 00:18:12,859 HEY, MAN... 482 00:18:12,892 --> 00:18:15,462 I'M A SUCKER FOR A GOOD REDEMPTION STORY, 483 00:18:15,495 --> 00:18:18,298 BUT I AM SUSPICIOUS OF YOUR MOTIVES. 484 00:18:18,331 --> 00:18:21,868 WHAT IS THIS REALLY ABOUT? 485 00:18:21,901 --> 00:18:23,870 - I GUESS YOU COULD SAY IT'S ABOUT A GIRL. 486 00:18:23,903 --> 00:18:25,238 [knock on door] 487 00:18:25,272 --> 00:18:26,573 - [clears throat] 488 00:18:26,606 --> 00:18:28,608 THE WRITER'S ASSISTANT JUST I.M.ed ME. 489 00:18:28,641 --> 00:18:30,710 ROSENBERG'S DOING HIS IMPRESSION OF YOU AGAIN. 490 00:18:30,743 --> 00:18:32,779 THINK HE'S TRYING TO STAGE A COUP. 491 00:18:32,812 --> 00:18:34,214 - MOTHERFUCKER. 492 00:18:34,247 --> 00:18:35,715 - HEY, I'D GIVE THE FUCKER A TITTIE TWISTER, 493 00:18:35,748 --> 00:18:37,350 BUT THAT'S JUST ME. THANK YOU FOR SEEING ME. 494 00:18:37,384 --> 00:18:40,320 - NO, HEY. SIT. YOU STAY. 495 00:18:40,353 --> 00:18:41,888 I'M NOT GUARANTEEING ANYTHING, 496 00:18:41,921 --> 00:18:44,891 BUT I MIGHT HAVE AN OPEN SEAT IN ABOUT 45 SECONDS. 497 00:18:44,924 --> 00:18:48,661 I GOT EYES AND EARS ALL OVER THIS FUCKING BUILDING, SCUMBAGS. 498 00:18:56,536 --> 00:18:58,571 - [sighs] OKAY. 499 00:18:58,605 --> 00:19:00,507 TO BE PERFECTLY HONEST, I'M JUST-- 500 00:19:00,540 --> 00:19:03,210 I'M FEELING A LITTLE BIT NERVOUS. 501 00:19:03,243 --> 00:19:04,277 - OKAY. 502 00:19:04,311 --> 00:19:06,613 CAN WE JUST NOT BE SUCH A FUCKING GIRL, CHARLIE? 503 00:19:06,646 --> 00:19:09,716 THIS IS JUST ME. IT'S JUST ME. 504 00:19:09,749 --> 00:19:12,685 YOUR SEXY, LITTLE FUCK NINJA. 505 00:19:12,719 --> 00:19:14,787 WHAT? - NOTHING. 506 00:19:14,821 --> 00:19:17,290 IT'S JUST--THAT SEEMS LIKE SOMETHING STU WOULD CALL YOU. 507 00:19:17,324 --> 00:19:19,792 I'M SORRY. 508 00:19:19,826 --> 00:19:22,762 - WELL, YEAH, IT PROBABLY IS. 509 00:19:22,795 --> 00:19:25,732 AMONG OTHER THINGS. AND I'M SORRY, BABY. 510 00:19:25,765 --> 00:19:28,735 I JUST GET CONFUSED. THINGS HAPPENED SO FAST BETWEEN US. 511 00:19:28,768 --> 00:19:31,638 - I KNOW, I KNOW. LOOK, MAYBE-- 512 00:19:31,671 --> 00:19:32,839 MAYBE WE JUST MADE A MISTAKE. 513 00:19:32,872 --> 00:19:35,675 - HEY, YOU SHUT THE FUCK UP. 514 00:19:35,708 --> 00:19:37,644 NO RETREAT, NO SURRENDER. 515 00:19:37,677 --> 00:19:40,480 I AM NOT READY TO CALL THIS SHIT YET. 516 00:19:40,513 --> 00:19:44,317 OKAY? GIMME KISSY. 517 00:19:44,351 --> 00:19:45,718 GIMME MORE. - MM. 518 00:19:45,752 --> 00:19:47,354 - MM? - MM. 519 00:19:47,387 --> 00:19:48,655 - MM? 520 00:19:48,688 --> 00:19:51,791 - OH, HEY, NO, NOT YET. NOT SO FAST, OKAY? 521 00:19:51,824 --> 00:19:55,562 JUST--IT'S, UM-- YOU KNOW, IT'S A LITTLE... 522 00:19:55,595 --> 00:19:56,829 HANDSY. 523 00:19:56,863 --> 00:19:59,999 - [sighs] 524 00:20:00,032 --> 00:20:01,534 OKAY. 525 00:20:01,568 --> 00:20:02,969 OKAY, BABY. 526 00:20:03,002 --> 00:20:07,440 WHY DON'T YOU JUST LET MOMMY WORK HER MOMMY MAGIC? 527 00:20:07,474 --> 00:20:08,708 OKAY? 528 00:20:08,741 --> 00:20:11,444 - OK--OKAY. [chuckles] 529 00:20:11,478 --> 00:20:14,447 YES, PLEASE, MOMMY. 530 00:20:14,481 --> 00:20:16,883 - BUT DON'T--DON'T ACTUALLY CALL ME MOMMY, 531 00:20:16,916 --> 00:20:18,485 BECAUSE THAT'S FUCKING CREEPY, RIGHT? 532 00:20:18,518 --> 00:20:19,952 - RIGHT. YEAH, MY BAD. 533 00:20:19,986 --> 00:20:22,589 - OKAY. - OKAY. 534 00:20:22,622 --> 00:20:24,657 [exhales] 535 00:20:24,691 --> 00:20:25,958 - [moaning] 536 00:20:25,992 --> 00:20:26,959 - OH... 537 00:20:26,993 --> 00:20:28,561 - MM. 538 00:20:28,595 --> 00:20:32,865 MM... 539 00:20:32,899 --> 00:20:33,900 - IT'S NOT WORKING, MARCY. 540 00:20:33,933 --> 00:20:35,935 IT'S JUST--IT--AUGH! 541 00:20:35,968 --> 00:20:37,304 [pounding] - OH, MY GOD! 542 00:20:37,337 --> 00:20:39,572 STOP IT! - I WANT TO FEEL SOMETHING! 543 00:20:39,606 --> 00:20:42,041 ANYTHING! - NO! BE NICE TO MY PENIS! 544 00:20:42,074 --> 00:20:43,476 STOP! 545 00:20:43,510 --> 00:20:46,313 - IT'S JUST-- IT'S SO UPSETTING, MARCY. 546 00:20:46,346 --> 00:20:48,548 - I KNOW, BABY. I GET IT. 547 00:20:48,581 --> 00:20:51,984 OKAY? BUT JUST BREATHE. YOU GOTTA RELAX. 548 00:20:52,018 --> 00:20:53,786 JUST BREATHE. 549 00:20:53,820 --> 00:20:55,622 - OKAY. LOOK, YOU KNOW WHAT? LET ME GO DOWN ON YOU. 550 00:20:55,655 --> 00:20:57,624 - WHAT? NO, NO, NO, NO-- 551 00:20:57,657 --> 00:20:59,392 - YES, MARCY! YES, PLEASE! 552 00:20:59,426 --> 00:21:00,893 I INSIST, OKAY? 553 00:21:00,927 --> 00:21:02,662 I'M GONNA GO DOWN ON YOU 554 00:21:02,695 --> 00:21:04,564 BECAUSE I NEED TO FEEL LIKE A MAN TONIGHT! 555 00:21:04,597 --> 00:21:07,900 - OKAY, SO MUNCHING MY BOX HAS BECOME ALL ABOUT YOU? 556 00:21:07,934 --> 00:21:10,737 YOU'RE SUCH A FUCKING NARCISSIST, CHARLIE. 557 00:21:10,770 --> 00:21:13,373 - I NEED TO GO DOWN ON YOU, MARCY! 558 00:21:16,476 --> 00:21:20,680 - FINE. GO AHEAD. 559 00:21:21,948 --> 00:21:24,651 - [groans] OKAY. 560 00:21:24,684 --> 00:21:25,752 EH-EH-- 561 00:21:25,785 --> 00:21:27,687 - [sobbing] 562 00:21:27,720 --> 00:21:32,425 - OH, MY GOD, CHARLIE. IF YOU'RE GONNA EAT ME OUT YOU CAN'T CRY. 563 00:21:37,530 --> 00:21:38,931 - OKAY. I'M SORRY. 564 00:21:42,402 --> 00:21:44,704 - 'KAY. 565 00:21:47,407 --> 00:21:48,875 [sighs] 566 00:21:48,908 --> 00:21:51,043 YEAH, PAPI, GET IT. - IS THAT GOOD? 567 00:21:51,077 --> 00:21:55,615 - MM. MM. - [sobbing] 568 00:21:55,648 --> 00:21:58,618 [rock music] 569 00:21:58,651 --> 00:22:06,626 * 570 00:22:06,659 --> 00:22:09,095 - PARDON, EXCUSEZ-MOI. 571 00:22:09,128 --> 00:22:11,864 I DON'T WANT YOU TO THINK I AM EUROPEAN OR ANYTHING, 572 00:22:11,898 --> 00:22:15,635 YOU KNOW, BUT MAYBE I COULD SHARE YOUR TABLE? 573 00:22:15,668 --> 00:22:17,870 - OH, I'M SORRY, MADEMOISELLE, 574 00:22:17,904 --> 00:22:19,706 BUT I'M MEETING SOMEBODY FROM MY PILATES CLASS. 575 00:22:19,739 --> 00:22:21,541 - OH, ZUT ALORS. 576 00:22:21,574 --> 00:22:22,609 - A FLEXIBLE GUY. 577 00:22:22,642 --> 00:22:23,910 HE CAN ACTUALLY SUCK HIMSELF OFF 578 00:22:23,943 --> 00:22:24,944 AND CLIP HIS TOENAILS AT THE SAME TIME. 579 00:22:24,977 --> 00:22:26,112 WE'RE TAKING IT SLOW. 580 00:22:26,145 --> 00:22:27,947 JUST GETTING TO KNOW EACH OTHER. 581 00:22:27,980 --> 00:22:29,982 - HANK, I'M NOT INVOLVED WITH ANYONE. 582 00:22:30,016 --> 00:22:33,520 - WELL, THAT'S GOOD TO KNOW. ME NEITHER. 583 00:22:33,553 --> 00:22:35,555 I'M JUST KIDDING ABOUT THE PILATES GUY. 584 00:22:35,588 --> 00:22:38,057 - GOOD TO KNOW. 585 00:22:38,090 --> 00:22:40,593 SO WHAT ARE YOU DOING HERE? 586 00:22:40,627 --> 00:22:42,161 - OH, I'M MEETING THIS KID. 587 00:22:42,194 --> 00:22:44,897 HE'S GONNA INTERVIEW ME FOR A COLLEGE NEWSPAPER. 588 00:22:44,931 --> 00:22:46,866 - OH, DEAR. HAS IT COME TO THAT? 589 00:22:46,899 --> 00:22:48,535 - I KNOW, RIGHT? 590 00:22:48,568 --> 00:22:50,169 YOU REMEMBER THAT NICE LADY FROM THE NEW YORK TIMES 591 00:22:50,202 --> 00:22:53,139 WHO WROTE THAT NICE PROFILE ON ME ALL THOSE YEARS AGO? 592 00:22:53,172 --> 00:22:55,875 - I DO. THE ONE WITH THE AMPLE BOSOM. 593 00:22:55,908 --> 00:22:57,877 - YES, SHE DID HAVE AN AMPLE BOSOM. 594 00:22:57,910 --> 00:22:59,011 YOU KNOW WHAT I DIDN'T DO? 595 00:22:59,045 --> 00:23:00,179 I DIDN'T SAMPLE THAT AMPLE BOSOM 596 00:23:00,212 --> 00:23:01,981 BECAUSE I LOVED YOU SO MUCH THEN. 597 00:23:02,014 --> 00:23:03,115 AND I STILL LOVE YOU. 598 00:23:03,149 --> 00:23:05,685 - BECAUSE YOU'RE AN INCREDIBLE HUMAN BEING, HANK MOODY. 599 00:23:05,718 --> 00:23:09,121 - FINALLY YOU SPEAK THE TRUTH. 600 00:23:09,155 --> 00:23:11,758 - I'M SORRY ABOUT THE OTHER DAY. 601 00:23:11,791 --> 00:23:13,993 - I'M SORRY TOO. 602 00:23:14,026 --> 00:23:15,828 ALTHOUGH I DON'T KNOW WHY I'M APOLOGIZING 603 00:23:15,862 --> 00:23:18,498 'CAUSE I-I CAME BACK FOR YOU AND ALL. 604 00:23:18,531 --> 00:23:21,167 - IT WAS A LOT TO PROCESS, YOU KNOW? 605 00:23:21,200 --> 00:23:23,135 AND--AND THE TIMING WAS ALL OFF, AND-- 606 00:23:23,169 --> 00:23:25,472 - WELL, THAT'S US IN A NUTSHELL. 607 00:23:25,505 --> 00:23:28,508 COUPLE OF GOOD-TIMERS WITH EXCEPTIONALLY BAD TIMING. 608 00:23:28,541 --> 00:23:30,910 - NO-- - [laughs] 609 00:23:30,943 --> 00:23:32,545 - UH, HELLO? 610 00:23:32,579 --> 00:23:35,882 EXCUSE ME. 611 00:23:35,915 --> 00:23:36,883 ARE YOU THE WIFE? 612 00:23:36,916 --> 00:23:38,050 - NO--NO, I'M NOT. 613 00:23:38,084 --> 00:23:40,487 - THIS IS THE MOTHER OF MY CHILD. 614 00:23:40,520 --> 00:23:42,522 - OH, OKAY. - YEAH. 615 00:23:42,555 --> 00:23:44,491 - DI--DID HE LEAVE YOU? 616 00:23:44,524 --> 00:23:45,792 - NO. - WHA-- 617 00:23:45,825 --> 00:23:46,926 - SHE LEFT ME. 618 00:23:46,959 --> 00:23:48,895 - ACTUALLY, IT'S COMPLICATED. 619 00:23:48,928 --> 00:23:51,464 - YEAH, SOUNDS LIKE IT. 620 00:23:51,498 --> 00:23:53,466 WELL, I BELIEVE WE ACTUALLY HAD AN APPOINTMENT. 621 00:23:53,500 --> 00:23:56,503 - OH, YEAH, SURE. I'M GONNA SHOO. 622 00:23:56,536 --> 00:23:58,204 - LET'S TALK LATER ABOUT THINGS BIG AND SMALL. 623 00:23:58,237 --> 00:24:00,673 I WANT TO TELL YOU ALL ABOUT MY NEW JOB. 624 00:24:00,707 --> 00:24:04,076 - I'M INTRIGUED. 625 00:24:04,110 --> 00:24:05,077 STOP IT. 626 00:24:05,111 --> 00:24:07,914 UM, IT WAS NICE TO MEET YOU. 627 00:24:07,947 --> 00:24:10,750 MY NAME'S KAREN, BY THE WAY. 628 00:24:10,783 --> 00:24:14,020 - OKAY. BYE. 629 00:24:14,053 --> 00:24:17,490 - OKAY. GOOD LUCK. 630 00:24:21,293 --> 00:24:23,696 - [clears throat] IS IT COOL IF I RECORD THIS? 631 00:24:23,730 --> 00:24:28,034 - YEAH, WHATEVER YOU GOTTA DO. - OKAY, GREAT. 632 00:24:28,067 --> 00:24:30,136 [recorder beeping] 633 00:24:30,169 --> 00:24:30,970 HI. 634 00:24:31,003 --> 00:24:33,573 - HI YOURSELF. 635 00:24:33,606 --> 00:24:36,843 - OKAY, UH, SO I'M HERE WITH HANK MOODY, 636 00:24:36,876 --> 00:24:40,246 WRITER OF BOOKS AND SOME MOVIES, I GUESS. 637 00:24:40,279 --> 00:24:42,849 ANYTHING ELSE? 638 00:24:42,882 --> 00:24:45,017 - NO, I THINK THAT ABOUT COVERS IT. 639 00:24:45,051 --> 00:24:46,953 THANKS FOR THE INTRO, CHARLIE ROSE. 640 00:24:46,986 --> 00:24:50,222 [phone clatters] 641 00:24:50,256 --> 00:24:52,158 - SHE'S PRETTY HOT. THAT LADY. 642 00:24:52,191 --> 00:24:54,260 - I CONCUR. - LIKE IN A MILF-Y WAY. 643 00:24:54,293 --> 00:24:55,995 - OH, THAT'S THE BEST-Y WAY. 644 00:24:56,028 --> 00:24:58,798 - YEAH, I GUESS. 645 00:24:58,831 --> 00:24:59,966 I GUESS YOU HIT THAT, HUH? 646 00:24:59,999 --> 00:25:02,702 - TOTALLY. I TOTALLY HIT THAT. 647 00:25:02,735 --> 00:25:06,005 - COOL. DID-- DID YOU USED TO LOVE HER? 648 00:25:06,038 --> 00:25:09,075 - I DO. VERY MUCH SO. 649 00:25:09,108 --> 00:25:11,544 - ARE YOU GUYS, LIKE, TOGETHER STILL? 650 00:25:11,578 --> 00:25:14,714 - NOT, LIKE, AT THE MOMENT, LIKE, NO. 651 00:25:14,747 --> 00:25:17,984 - I GUESS IT'S SMART TO KEEP YOUR OPTIONS OPEN. 652 00:25:18,017 --> 00:25:19,285 WOULDN'T WANT ANYTHING TYING YOU DOWN. 653 00:25:19,318 --> 00:25:21,588 - YEAH, BUT "FREEDOM'S" JUST ANOTHER WORD 654 00:25:21,621 --> 00:25:24,190 FOR MISSING SOMEONE. 655 00:25:24,223 --> 00:25:26,325 I THINK TAYLOR SWIFT SAID THAT. 656 00:25:26,358 --> 00:25:29,028 YEAH. YOU WANT TO BE A WRITER, HUH? 657 00:25:29,061 --> 00:25:31,163 - NO. NO, NOT REALLY. SEEMS LIKE HARD WORK. 658 00:25:31,197 --> 00:25:33,332 - IT'S THE WORST. IT SUCKS BALLS. 659 00:25:33,365 --> 00:25:35,602 IT'S HAVING HOMEWORK FOR THE REST OF YOUR LIFE. 660 00:25:35,635 --> 00:25:36,502 WHAT DO YOU WANT TO DO? 661 00:25:36,535 --> 00:25:39,005 - WELL, I KIND OF WANT TO BE AN ACTOR. 662 00:25:39,038 --> 00:25:43,610 - RIGHT ON. NOBLE. PRACTICAL. 663 00:25:43,643 --> 00:25:44,711 - YEAH. 664 00:25:44,744 --> 00:25:47,914 MY GRANDMOTHER SAYS I REMIND HER OF A YOUNG, UM-- 665 00:25:47,947 --> 00:25:49,048 - DUSTIN HOFFMAN. 666 00:25:49,081 --> 00:25:51,183 - NO, MARLON BRANDO. 667 00:25:51,217 --> 00:25:53,052 - AH. 668 00:25:53,085 --> 00:25:54,587 - YEAH, IT SEEMS LIKE FUN, YOU KNOW? 669 00:25:54,621 --> 00:25:55,755 YOU SHOW UP SOMEWHERE, 670 00:25:55,788 --> 00:25:57,323 EVERYONE'S ALWAYS REALLY NICE TO YOU. 671 00:25:57,356 --> 00:25:58,658 GET TO HANG OUT WITH ALL THESE BEAUTIFUL ACTRESSES 672 00:25:58,691 --> 00:26:00,026 AND KISS THEM AND SHIT. 673 00:26:00,059 --> 00:26:01,828 AND YOU HAVE A NUDE SCENE-- TOUCH THEIR BOOBS. 674 00:26:01,861 --> 00:26:02,461 - MM. 675 00:26:02,494 --> 00:26:04,063 - THEN YOU GET TO MOVE ON, 676 00:26:04,096 --> 00:26:06,098 DO THE SAME THING ALL OVER AGAIN SOMEWHERE ELSE. 677 00:26:06,132 --> 00:26:08,067 [sighs] SEEMS LIKE A REALLY GREAT LIFE. 678 00:26:08,100 --> 00:26:09,936 THE LIFE I'M TRYING TO LEAD FOR MYSELF. 679 00:26:09,969 --> 00:26:11,938 - SURE. 680 00:26:11,971 --> 00:26:14,674 - BET YOU FUCK A LOT OF ACTRESSES, HUH? 681 00:26:14,707 --> 00:26:18,144 - I'M SORRY, WHAT IS THIS SUPPOSED TO BE ABOUT AGAIN? 682 00:26:18,177 --> 00:26:20,947 - YOU. THE-- THE TYPE OF GUY YOU ARE. 683 00:26:20,980 --> 00:26:22,314 THINGS OF THAT NATURE. 684 00:26:22,348 --> 00:26:24,016 - WELL, HOW DO YOU THINK YOU KNOW WHAT TYPE OF GUY I AM? 685 00:26:24,050 --> 00:26:26,218 - WELL, I DON'T KNOW. I'M TRYING TO FIGURE IT OUT. 686 00:26:26,252 --> 00:26:27,954 ONE THING I KNOW FOR SURE, YOU SEEM KIND OF INTO YOURSELF. 687 00:26:27,987 --> 00:26:30,389 - AND YOU SEEM TO HAVE SOME KIND OF WEIRD BEEF WITH ME, KID. 688 00:26:30,422 --> 00:26:32,358 YOU SURE I DIDN'T FUCK YOUR GIRLFRIEND OR SOMETHING? 689 00:26:32,391 --> 00:26:35,061 - NO, NO, NOT AT ALL. - YOU SURE ABOUT THAT? 690 00:26:35,094 --> 00:26:36,395 - PRETTY MUCH, YEAH. 691 00:26:36,428 --> 00:26:38,998 NEVER REALLY HAD WHAT YOU'D CALL A GIRLFRIEND. 692 00:26:39,031 --> 00:26:40,733 - WELL, I'M SORRY TO HEAR THAT. 693 00:26:40,767 --> 00:26:43,736 - YEAH. 694 00:26:43,770 --> 00:26:44,871 BUT YOU DID FUCK MY MOM. 695 00:26:44,904 --> 00:26:46,639 - WHAT? 696 00:26:46,673 --> 00:26:48,007 - YOU FUCKED MY MOM. 697 00:26:48,040 --> 00:26:50,009 - REALLY? YOU'RE NOT FUCKING WITH ME? 698 00:26:50,042 --> 00:26:51,110 - MM-MM. 699 00:26:51,143 --> 00:26:53,713 - OH, DEAR. OH, ME, OH, MY. 700 00:26:53,746 --> 00:26:55,114 BELIEVE IT OR NOT, THIS HAS HAPPENED TO ME BEFORE. 701 00:26:55,147 --> 00:26:56,849 IT'S VERY UNPLEASANT. 702 00:26:56,883 --> 00:26:59,385 BUT WE'RE GONNA GET THROUGH IT. JUST KEEP CALM AND CARRY ON. 703 00:26:59,418 --> 00:27:00,653 ALL RIGHT? 704 00:27:00,687 --> 00:27:06,392 NOW, WHEN DID THIS UNFORTUNATE MOMENT OF CARNAL WHIMSY OCCUR? 705 00:27:06,425 --> 00:27:08,661 - MM... 706 00:27:08,695 --> 00:27:12,865 I DON'T KNOW, I GUESS ABOUT NINE MONTHS BEFORE I WAS BORN. 707 00:27:12,899 --> 00:27:16,002 [Pete Townshend's Let My Love Open the Door] 708 00:27:16,035 --> 00:27:24,010 * 709 00:27:24,043 --> 00:27:26,445 - * WHEN PEOPLE KEEP REPEATING * 710 00:27:26,478 --> 00:27:30,016 * THAT YOU'LL NEVER FALL IN LOVE * 711 00:27:30,049 --> 00:27:32,318 * WHEN EVERYBODY KEEPS RETREATING * 712 00:27:32,351 --> 00:27:35,254 * BUT YOU CAN'T SEEM TO GET ENOUGH * 713 00:27:35,287 --> 00:27:38,157 * LET MY LOVE OPEN THE DOOR 714 00:27:38,190 --> 00:27:41,060 * LET MY LOVE OPEN THE DOOR 715 00:27:41,093 --> 00:27:43,830 * LET MY LOVE OPEN THE DOOR 716 00:27:43,863 --> 00:27:45,097 * TO YOUR HEART 717 00:27:45,131 --> 00:27:47,033 - * LET MY LOVE OPEN THE DOOR, OOH * 718 00:27:47,066 --> 00:27:49,769 * LET MY LOVE OPEN THE DOOR 719 00:27:49,802 --> 00:27:53,105 - * WHEN EVERYTHING FEELS ALL OVER * 720 00:27:53,139 --> 00:27:56,075 * EVERYBODY SEEMS UNKIND 721 00:27:56,108 --> 00:27:58,778 * I'LL GIVE YOU A FOUR-LEAF CLOVER * 722 00:27:58,811 --> 00:28:01,413 * TAKE ALL THE WORRY OUT OF YOUR MIND * 723 00:28:01,447 --> 00:28:04,350 * LET MY LOVE OPEN THE DOOR 724 00:28:04,383 --> 00:28:07,319 * LET MY LOVE OPEN THE DOOR 725 00:28:07,353 --> 00:28:10,056 * LET MY LOVE OPEN THE DOOR 726 00:28:10,089 --> 00:28:11,323 * TO YOUR HEART 727 00:28:11,357 --> 00:28:12,825 - * MY LOVE OPEN THE DOOR, OOH * 728 00:28:12,859 --> 00:28:14,093 - * TO YOUR HEART 729 00:28:14,126 --> 00:28:16,228 - * LET MY LOVE OPEN THE DOOR, OOH *