1
00:00:01,110 --> 00:00:02,445
>> IT'S TIME TO CHECK IN ON THE
2
00:00:02,512 --> 00:00:03,746
BOYS IN THE BAND TO SEE WHO'S
3
00:00:03,813 --> 00:00:04,647
DATING WHO.
4
00:00:04,714 --> 00:00:05,782
THEY'RE LIVING THE CHARMED LIFE,
5
00:00:05,848 --> 00:00:07,183
WITH A NEW GIRL FOR EACH DAY OF
6
00:00:07,250 --> 00:00:08,084
THE WEEK.
7
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BUT WILL THESE BAD BOYS OF METAL
8
00:00:09,786 --> 00:00:10,887
EVER SETTLE DOWN?
9
00:00:10,953 --> 00:00:11,687
MAYBE NOT.
10
00:00:11,754 --> 00:00:12,789
REMEMBER "NateBecca"?
11
00:00:12,855 --> 00:00:14,190
IT WAS THE STORYBOOK ROMANCE
12
00:00:14,257 --> 00:00:15,725
THAT TOOK A TURN FOR THE TRAGIC
13
00:00:15,792 --> 00:00:16,726
WHEN ACTRESS/MODEL
14
00:00:16,793 --> 00:00:18,027
REBECCA NIGHTROD FELL DOWN
15
00:00:18,094 --> 00:00:19,495
SEVERAL FLIGHTS OF STAIRS AND
16
00:00:19,562 --> 00:00:20,763
LANDED HERSELF IN A COMA.
17
00:00:20,830 --> 00:00:22,365
BUT NATHAN EXPLOSION STAYED BY
18
00:00:22,432 --> 00:00:23,800
HER SIDE THROUGH IT ALL...
19
00:00:23,866 --> 00:00:25,301
UNTIL IT BECAME CLEAR TO THE
20
00:00:25,368 --> 00:00:26,636
PUBLIC THAT IT WAS OVER.
21
00:00:26,702 --> 00:00:28,071
REBECCA NIGHTROD, STILL IN A
22
00:00:28,137 --> 00:00:29,439
COMA, WAS SPOTTED IN PUBLIC
23
00:00:29,505 --> 00:00:30,807
CANOODLING WITH BILLIONAIRE
24
00:00:30,873 --> 00:00:32,575
HOTEL HEIR WALT PERKINS.
25
00:00:32,642 --> 00:00:34,744
EXPLOSION WAS OUT OF THE PICTURE
26
00:00:34,811 --> 00:00:35,978
AND LEFT BEHIND.
27
00:00:36,045 --> 00:00:38,147
>> Nathan: RAA!
28
00:00:38,214 --> 00:00:40,650
RAA!
29
00:00:40,716 --> 00:00:41,918
RAA!
30
00:00:41,984 --> 00:00:43,152
>> Pickles: YOU'RE BETTER OFF
31
00:00:43,219 --> 00:00:44,020
WITHOUT HER, BRO.
32
00:00:44,087 --> 00:00:45,154
>> Murderface: YEAH, DUDE, WE
33
00:00:45,221 --> 00:00:46,389
CAN HANG OUT LIKE WE USED TO,
34
00:00:46,456 --> 00:00:47,223
YOU KNOW?
35
00:00:47,290 --> 00:00:48,291
>> Nathan: YOU DON'T GET IT.
36
00:00:48,357 --> 00:00:49,892
SHE WAS THE ULTIMATE GIRLFRIEND.
37
00:00:49,959 --> 00:00:51,394
>> Pickles: DUDE, SHE WAS IN A
38
00:00:51,461 --> 00:00:52,228
COMA.
39
00:00:52,295 --> 00:00:53,229
>> Murderface: YOU WERE JUST
40
00:00:53,296 --> 00:00:54,263
INFATUATED WITH HER
41
00:00:54,330 --> 00:00:55,131
UNCONSCIOUSNESS.
42
00:00:55,198 --> 00:00:56,599
>> Skwisgaar: THAT CAN'T LAST
43
00:00:56,666 --> 00:00:57,500
FOREVERS.
44
00:00:57,567 --> 00:00:58,734
>> Pickles: COME ON, DON'T LEAVE
45
00:00:58,801 --> 00:00:59,769
US HANGING OUT HERE.
46
00:00:59,836 --> 00:01:00,536
IT'S FREEZING!
47
00:01:00,603 --> 00:01:02,138
>> Nathan: GUYS, I BEEN
48
00:01:02,205 --> 00:01:03,039
THINKING.
49
00:01:03,106 --> 00:01:05,842
[ THUNDER CRASHES ]
50
00:01:05,908 --> 00:01:08,511
IT'S TIME I START DATING AGAIN.
51
00:01:08,578 --> 00:01:09,745
>> ♪ TICK-TOCK TICK-TOCK ♪
52
00:01:09,812 --> 00:01:11,080
♪ TICK-TOCK TICK-TOCK ♪
53
00:01:11,147 --> 00:01:12,014
♪ TICK-TOCK TICK-TOCK ♪
54
00:01:12,081 --> 00:01:13,916
♪ DETHKLOK! DETHKLOK! DETHKLOK!
55
00:01:13,983 --> 00:01:17,854
DETHKLOK! ♪
56
00:01:17,920 --> 00:01:18,588
>> Toki: SLUT!
>> Murderface: TOKI!
57
00:01:19,622 --> 00:01:20,490
>> Toki: SHE'S SLUT.
LOOK AT HER.
58
00:01:21,390 --> 00:01:22,425
>> Murderface: TAKE IT EASY,
59
00:01:22,492 --> 00:01:23,326
MAN.
60
00:01:23,392 --> 00:01:24,727
YOU DON'T CALL WOMEN BAD WORDS,
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00:01:24,794 --> 00:01:25,328
MAN.
THAT'S WOMEN.
62
00:01:26,295 --> 00:01:27,163
YOU GOT TO RESPECT THEM.
63
00:01:27,230 --> 00:01:28,364
>> Pickles: WHAT ARE YOU TALKING
64
00:01:28,431 --> 00:01:29,065
ABOUT?
>> Murderface: WHAT?
65
00:01:29,832 --> 00:01:30,633
>> Pickles: NOTHING.
I JUST PINNED YOU AS A CLASSIC
66
00:01:31,567 --> 00:01:32,335
WOMAN HATER.
>> Murderface: WELL, THAT'S
67
00:01:33,302 --> 00:01:34,203
DISAPPOINTING, PICKLES, THAT YOU
68
00:01:34,270 --> 00:01:35,204
WOULD JUST BLINDLY LABEL A
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00:01:35,271 --> 00:01:36,072
PERSON.
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THAT'S, UH, THAT'S JUST PRETTY
71
00:01:37,140 --> 00:01:37,974
DISAPPOINTING.
72
00:01:38,040 --> 00:01:39,208
>> Skwisgaar: WELL, YOU ARE THE
73
00:01:39,275 --> 00:01:40,543
ONE THAT WALKS AROUND TALKING
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00:01:40,610 --> 00:01:41,811
ABOUT HOW THEY ARE -- I DON'T
75
00:01:41,878 --> 00:01:43,146
KNOW -- POISONOUS SERPENTS WITH
76
00:01:43,212 --> 00:01:43,913
TITS.
>> Murderface: YEAH? SO?
77
00:01:44,814 --> 00:01:45,448
>> Pickles: WHAT DO YOU MEAN
"YEAH? SO?"
78
00:01:46,315 --> 00:01:47,150
YOU SAID THAT ABOUT WOMEN.
NOW YOU'RE DEFENDING THEM A LOT.
79
00:01:48,117 --> 00:01:50,052
>> Murderface: OKAY, FINE, LOOK.
80
00:01:50,119 --> 00:01:51,320
OH, BOY, YOU GUYS.
81
00:01:51,387 --> 00:01:53,122
I MAY HAVE SAID A COUPLE KOOKY
82
00:01:53,189 --> 00:01:54,790
THINGS ABOUT THE LADIES, BUT
83
00:01:54,857 --> 00:01:56,125
THAT WAS BEFORE, MAN.
84
00:01:56,192 --> 00:01:57,927
YOU GOT TO DEFEND THEIR HONOR,
85
00:01:57,994 --> 00:01:58,628
YOU KNOW?
LIKE A HERO.
86
00:01:59,562 --> 00:02:00,263
>> Pickles: AND?
>> Murderface: AND WHAT?
87
00:02:01,264 --> 00:02:02,298
>> Skwisgaar: WELL, YOU WILL
88
00:02:02,365 --> 00:02:03,866
DEFEND THEIR HONOR IN THE EYES
89
00:02:03,933 --> 00:02:05,334
OF THE WOMEN, AND THEN WHAT
90
00:02:05,401 --> 00:02:06,202
HAPPENS?
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00:02:06,269 --> 00:02:07,503
>> Murderface: WELL, YOU KNOW,
92
00:02:07,570 --> 00:02:09,305
JUST...
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00:02:09,372 --> 00:02:10,806
WELL, THEN THEY SLEEP WITH YOU.
94
00:02:10,873 --> 00:02:12,041
>> Pickles: YEAH! I KNEW IT!
95
00:02:12,108 --> 00:02:13,276
>> Murderface: AW, COME ON.
96
00:02:13,342 --> 00:02:14,544
>> Skwisgaar: AW, THAT IS THE
97
00:02:14,610 --> 00:02:15,611
ANGLES RIGHT THERE!
98
00:02:15,678 --> 00:02:16,712
>> Toki: OH, BUSTED.
99
00:02:16,779 --> 00:02:18,281
>> Pickles: ANOTHER CHEAP PLOY
100
00:02:18,347 --> 00:02:19,949
TO TRICK THE GIRLS INTO SLEEPING
101
00:02:20,016 --> 00:02:21,417
WITH YOU BY PRETENDING TO BE
102
00:02:21,484 --> 00:02:22,118
VALIANT.
>> Murderface: SO?!
103
00:02:22,919 --> 00:02:23,653
>> Skwisgaar: CLASSIC
MURDERFACE.
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00:02:24,453 --> 00:02:25,254
>> Nathan: HEY, GUYS.
105
00:02:25,321 --> 00:02:26,722
YOU KNOW I'VE DECIDED TO START
106
00:02:26,789 --> 00:02:28,291
DATING, AND I'LL PROBABLY BE
107
00:02:28,357 --> 00:02:29,959
BRINGING SOME GIRLS BACK HERE,
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00:02:30,026 --> 00:02:31,594
SO, UH, I'D REALLY LIKE IT IF
109
00:02:31,661 --> 00:02:33,162
YOU GUYS MADE A POINT TO NOT
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00:02:33,229 --> 00:02:34,497
[BLEEP] THAT UP FOR ME.
111
00:02:34,564 --> 00:02:35,398
THERE.
112
00:02:35,464 --> 00:02:36,632
I FEEL BETTER HAVING SAID THAT.
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00:02:36,699 --> 00:02:37,667
>> Pickles: WHAT DOES THAT MEAN?
114
00:02:37,733 --> 00:02:38,467
I MEAN, HOW DO WE [BLEEP]
ANYTHING UP?
115
00:02:39,402 --> 00:02:39,936
>> Murderface: IF ANYTHING, WE
MAKE IT BETTER.
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00:02:40,836 --> 00:02:41,637
>> Toki: WE MAKES IT BETTER.
>> Pickles: MAYBE WE COME OFF,
117
00:02:42,605 --> 00:02:43,439
YOU KNOW, LIKE ROCK STARS AROUND
118
00:02:43,506 --> 00:02:44,440
PEOPLE, AND MAYBE WE COULD JUST
119
00:02:44,507 --> 00:02:45,274
BE A LITTLE BIT NICER.
>> Toki: WE CAN'T HELPS IT.
120
00:02:46,209 --> 00:02:47,009
WE ARE ROCK STARS.
>> Murderface: WHAT AM I GONNA
121
00:02:47,910 --> 00:02:48,644
DO, STAND THERE LIKE A
122
00:02:48,711 --> 00:02:49,979
CIGAR-STORE INDIAN?
123
00:02:50,046 --> 00:02:51,480
I GOT TO BE CHARMING!
124
00:02:51,547 --> 00:02:52,348
I CAN'T HELP IT!
>> Pickles: OKAY.
125
00:02:53,282 --> 00:02:54,483
I MEAN, LET'S SUPPORT HIM.
126
00:02:54,550 --> 00:02:55,952
I GUESS THAT'S WHAT I'M SAYING.
127
00:02:56,018 --> 00:02:56,986
>> Stampingston: GENTLEMEN,
128
00:02:57,053 --> 00:02:58,921
NATHAN EXPLOSION IS NOW
129
00:02:58,988 --> 00:03:00,523
OFFICIALLY SINGLE.
130
00:03:00,590 --> 00:03:02,191
>> Crozier: THIS INFORMATION HAS
131
00:03:02,258 --> 00:03:03,826
ONLY RECENTLY REACHED THE FEMALE
132
00:03:03,893 --> 00:03:05,428
PUBLIC, AND ALREADY WOMEN AROUND
133
00:03:05,494 --> 00:03:06,862
THE WORLD ARE IN A STATE OF
134
00:03:06,929 --> 00:03:07,730
CHAOS.
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00:03:07,797 --> 00:03:08,998
>> Orlaag: AND NOW THESE WOMEN
136
00:03:09,065 --> 00:03:10,633
ARE DOING EVERYTHING THAT THEY
137
00:03:10,700 --> 00:03:12,201
CAN TO GET NATHAN EXPLOSION'S
138
00:03:12,268 --> 00:03:13,035
ATTENTION.
139
00:03:13,102 --> 00:03:14,437
>> Crozier: YES, BUT THERE'S
140
00:03:14,503 --> 00:03:15,871
ANOTHER GROUP OF EVEN MORE
141
00:03:15,938 --> 00:03:17,306
DANGEROUS WOMEN -- A GROUP
142
00:03:17,373 --> 00:03:18,975
CALLED SUCCUBOSO EXPLOSION, LED
143
00:03:19,041 --> 00:03:19,942
BY A WOMAN NAMED
144
00:03:20,009 --> 00:03:21,811
LAVONA SUCCUBOSO, WHO HAS VOWED
145
00:03:21,877 --> 00:03:23,646
TO CAPTURE EXPLOSION AND BREED
146
00:03:23,713 --> 00:03:25,181
HIM WITH HER FEMALE FOLLOWERS.
147
00:03:25,248 --> 00:03:26,916
WE BELIEVE THAT SHE WILL SURFACE
148
00:03:26,983 --> 00:03:28,251
ON THE NIGHT OF THE NEXT
149
00:03:28,317 --> 00:03:29,285
DETHKLOK CONCERT.
150
00:03:29,352 --> 00:03:30,886
I BELIEVE THAT LAVONA HAS THE
151
00:03:30,953 --> 00:03:32,288
POWER TO RID THE WORLD OF
152
00:03:32,355 --> 00:03:33,856
NATHAN EXPLOSION.
153
00:03:33,923 --> 00:03:35,057
>> Pickles: GO, SKWISGAAR.
154
00:03:35,124 --> 00:03:35,858
IT'S YOUR TURN.
155
00:03:35,925 --> 00:03:36,926
GO. GO-GO-GO-GO-GO-GO.
156
00:03:36,993 --> 00:03:38,094
>> Skwisgaar: I AM GOING.
157
00:03:38,160 --> 00:03:39,195
HOLD ON. I AM THINKING.
158
00:03:39,262 --> 00:03:41,297
UH, OKAY. IS THIS A WORD?
159
00:03:41,364 --> 00:03:42,732
Q-U-H-Z-K?
160
00:03:42,798 --> 00:03:43,933
>> Toki: "QUHZK."
161
00:03:44,000 --> 00:03:45,067
THAT'S WHAT THE DUCK SAYS.
162
00:03:45,134 --> 00:03:46,469
>> Pickles: ALL RIGHT, WHATEVER.
163
00:03:46,535 --> 00:03:47,336
QUHZK.
164
00:03:47,403 --> 00:03:48,471
THAT'S 1, 2, 3, 4, 5, 6, 7, 8,
165
00:03:48,537 --> 00:03:49,071
9, 10...
166
00:03:49,138 --> 00:03:50,373
52 POINTS.
167
00:03:50,439 --> 00:03:51,841
52 POINTS -- THAT'S GOOD.
168
00:03:51,907 --> 00:03:53,709
[ DOOR CLOSES ]
169
00:03:53,776 --> 00:03:54,944
OKAY, GUYS, NATHAN'S HERE WITH
170
00:03:55,011 --> 00:03:56,245
A GIRL, SO, REMEMBER, LET'S JUST
171
00:03:56,312 --> 00:03:57,146
HELP HIM OUT.
JUST HELP HIM GET THROUGH THIS,
172
00:03:58,180 --> 00:03:58,948
ALL RIGHT?
>> Murderface: DON'T WORRY.
173
00:03:59,849 --> 00:04:00,850
I WON'T DO THE HERO THING,
174
00:04:00,916 --> 00:04:01,984
'CAUSE WE DON'T WANT HER TO
175
00:04:02,051 --> 00:04:02,852
FOCUS ON ME.
176
00:04:02,918 --> 00:04:04,654
>> Nathan: UH, HEY, GUYS, THIS
177
00:04:04,720 --> 00:04:05,821
IS, UM, RACHEL.
178
00:04:05,888 --> 00:04:07,857
UH, WE'RE JUST GONNA HANG OUT.
179
00:04:07,923 --> 00:04:09,992
I WAS GONNA SHOW HER STUFF, UH,
180
00:04:10,059 --> 00:04:10,926
IN MY ROOM.
181
00:04:10,993 --> 00:04:12,595
>> Pickles: OH, WELL, THAT'S
182
00:04:12,662 --> 00:04:13,462
INTERESTING.
183
00:04:13,529 --> 00:04:14,730
RACHEL? I'M PICKLES.
184
00:04:14,797 --> 00:04:16,465
SORRY THAT NATHAN IS SO RUDE.
185
00:04:16,532 --> 00:04:17,033
HELLO.
>> HI.
186
00:04:17,867 --> 00:04:18,567
>> Pickles: OH, MY GOD.
187
00:04:18,634 --> 00:04:19,602
YOU HAVE GOT SOFT HANDS.
188
00:04:19,669 --> 00:04:21,771
>> Skwisgaar: AW, LOOKS AT YOU.
189
00:04:21,837 --> 00:04:23,372
YOU LIKES THE PRETTIEST LITTLE
190
00:04:23,439 --> 00:04:24,340
PORCELAINS DOLL.
191
00:04:24,407 --> 00:04:25,641
COULD YOU GETS ANY CUTER?
192
00:04:25,708 --> 00:04:26,509
I DON'T THINK SO.
>> Murderface: LET ME JUST PUT
193
00:04:27,443 --> 00:04:28,210
THIS OUT HERE.
IF ANYBODY SAYS ONE THING TO
194
00:04:29,145 --> 00:04:30,913
YOU, I WILL CRUSH THEIR SKULL!
195
00:04:30,980 --> 00:04:32,348
MY HANDS ARE LETHAL WEAPONS!
196
00:04:32,415 --> 00:04:33,516
>> Nathan: OKAY, GUYS.
197
00:04:33,582 --> 00:04:34,517
ENOUGH, ALL RIGHT?
198
00:04:34,583 --> 00:04:36,018
OKAY, WE'RE GONNA SPLIT, SO,
199
00:04:36,085 --> 00:04:36,852
UH...
200
00:04:36,919 --> 00:04:37,953
>> Toki: HOLDS ON, HOLDS ON.
201
00:04:38,020 --> 00:04:39,422
WE NEVER GETS TO MEET ANYBODY
202
00:04:39,488 --> 00:04:40,056
UP HERE.
ALWAYS WORKING.
203
00:04:40,956 --> 00:04:42,058
DON'T YOU WANTS TO MEET US,
204
00:04:42,124 --> 00:04:42,892
RACHEL?
>> I WOULD LIKE TO MEET YOU
205
00:04:43,926 --> 00:04:44,760
GUYS.
206
00:04:44,827 --> 00:04:46,395
I'VE HEARD SO MUCH ABOUT ALL OF
207
00:04:46,462 --> 00:04:47,263
YOU.
>> Skwisgaar: I AM AFRAID THAT
208
00:04:48,297 --> 00:04:49,031
IT'S ALL TRUE.
209
00:04:49,098 --> 00:04:50,232
TAKE US IN TO THE POLICE
210
00:04:50,299 --> 00:04:51,067
OFFICERS.
211
00:04:51,133 --> 00:04:52,201
>> Pickles: WE ARE GUILTY AS
212
00:04:52,268 --> 00:04:53,102
CHARGED.
213
00:04:53,169 --> 00:04:54,270
>> Murderface: [ CLEARS THROAT ]
214
00:04:54,337 --> 00:04:55,104
INTRODUCTION.
215
00:04:55,171 --> 00:04:56,405
>> Nathan: SORRY. I'M SORRY.
216
00:04:56,472 --> 00:04:57,807
THAT'S PICKLES AND MURDERFACE
217
00:04:57,873 --> 00:04:58,774
AND -- YOU GET THE IDEA.
THEY ALL HAVE NAMES AND
218
00:04:59,742 --> 00:05:00,576
EVERYTHING.
>> WHAT ARE YOU GUYS DOING OVER
219
00:05:01,444 --> 00:05:02,078
THERE?
>> Nathan: NOTHING.
220
00:05:02,912 --> 00:05:03,746
THEY'RE PLAYING A GAME.
221
00:05:03,813 --> 00:05:04,814
>> Toki: WOULD YOU LIKES TO PLAY
222
00:05:04,880 --> 00:05:05,681
A GAME WITH US?
223
00:05:05,748 --> 00:05:06,749
>> Nathan: SHE DOESN'T WANT TO
224
00:05:06,816 --> 00:05:07,583
PLAY WITH YOU GUYS!
225
00:05:07,650 --> 00:05:08,851
>> Pickles: NATHAN.
226
00:05:08,918 --> 00:05:10,252
>> Skwisgaar: NATHANS.
227
00:05:10,319 --> 00:05:11,821
YOU DON'T RAISE YOUR VOICE TO
228
00:05:11,887 --> 00:05:12,888
YOUR BEST FRIENDS.
229
00:05:12,955 --> 00:05:14,323
>> Nathan: GUYS, I JUST WANT TO
230
00:05:14,390 --> 00:05:15,758
GO UPSTAIRS AND, YOU KNOW, HANG
231
00:05:15,825 --> 00:05:16,659
OUT.
>> Murderface: WHAT DO YOU MEAN
232
00:05:17,626 --> 00:05:18,427
"HANG OUT"?
233
00:05:18,494 --> 00:05:20,696
>> Nathan: I MEAN, YOU KNOW...
234
00:05:20,763 --> 00:05:21,697
HANG OUT -- YOU KNOW, SITTING.
235
00:05:21,764 --> 00:05:22,865
>> Murderface: YOU CAN SIT DOWN
236
00:05:22,932 --> 00:05:23,599
HERE.
WHAT ARE YOU TRYING --
237
00:05:24,500 --> 00:05:25,301
>> Nathan: I'M JUST SAYING,
MAYBE IT WOULD BE A LITTLE BIT
238
00:05:26,268 --> 00:05:27,269
MORE INTIMATE AND QUIET OVER
239
00:05:27,336 --> 00:05:28,070
THERE, YOU KNOW?
>> Skwisgaar: WE ARE YOUR
240
00:05:29,004 --> 00:05:29,805
FRIENDS.
WE CAN'T BE INTIMATE AND QUIET
241
00:05:30,539 --> 00:05:31,307
HERE?
>> Pickles: YEAH, WE CAN BE
242
00:05:31,974 --> 00:05:32,808
REALLY QUIET.
>> Murderface: YEAH, WE CAN PLAY
243
00:05:33,676 --> 00:05:34,510
SCRABBLE SILENTLY.
244
00:05:34,577 --> 00:05:35,544
>> Pickles: NATHAN, YOU KNOW HOW
245
00:05:35,611 --> 00:05:36,445
QUIET WE CAN BE.
>> Murderface: YEAH, SO, IF YOU
246
00:05:37,446 --> 00:05:38,547
WANT US TO BE QUIET, WE'LL JUST
247
00:05:38,614 --> 00:05:39,448
BE QUIET.
>> Nathan: ALL RIGHT! ONE GAME!
248
00:05:40,182 --> 00:05:41,083
FINE!
249
00:05:41,150 --> 00:05:42,218
>> [ Foreign accent ] SOON, MY
250
00:05:42,284 --> 00:05:44,353
SISTERS, WE WILL HAVE WHAT WE
251
00:05:44,420 --> 00:05:46,622
NEED TO BEGIN OUR OWN COLONY OF
252
00:05:46,689 --> 00:05:47,823
EXPLOSIONITES.
253
00:05:47,890 --> 00:05:50,259
WE ARE THE VESSELS THAT HOLD THE
254
00:05:50,326 --> 00:05:51,160
FUTURE.
255
00:05:51,227 --> 00:05:52,895
>> All: WE ARE THE VESSELS THAT
256
00:05:52,962 --> 00:05:54,163
HOLD THE FUTURE.
257
00:05:54,230 --> 00:05:56,031
>> AND YOU, NATHAN.
258
00:05:56,098 --> 00:05:57,733
BEAUTIFUL NATHAN.
259
00:05:57,800 --> 00:06:00,302
YOU WILL PROVIDE THE SEED THAT
260
00:06:00,369 --> 00:06:02,571
WILL GO INSIDE OF EACH US.
261
00:06:02,638 --> 00:06:04,974
WE WILL BUILD POWERFUL WARRIORS
262
00:06:05,040 --> 00:06:06,442
WITH YOUR HELP.
263
00:06:06,509 --> 00:06:10,112
TEST THE LOIN EXTRACTOR.
264
00:06:10,179 --> 00:06:12,181
[ ELECTRICITY CRACKLES ]
265
00:06:14,884 --> 00:06:15,518
>> Murderface: WOW!
>> Skwisgaar: OH!
266
00:06:16,318 --> 00:06:17,052
>> Pickles: APPLAUSE.
267
00:06:17,119 --> 00:06:18,254
>> Murderface: "AQUARIUM"?
268
00:06:18,320 --> 00:06:19,422
WOW, RACHEL, THAT'S...
269
00:06:19,488 --> 00:06:20,623
>> Pickles: "AQUARIUM."
270
00:06:20,689 --> 00:06:22,091
>> Murderface: THAT'S LIKE 37
271
00:06:22,158 --> 00:06:22,958
POINTS.
272
00:06:23,025 --> 00:06:24,093
>> AW, YOU GUYS ARE THE BEST.
273
00:06:24,160 --> 00:06:26,228
>> Nathan: [ GROANING ]
274
00:06:26,295 --> 00:06:27,062
I'M GOING TO BED.
>> Murderface: OKAY, SEE YA.
275
00:06:28,030 --> 00:06:28,664
ANYWAYS...
>> Toki: REAL SMART.
276
00:06:29,632 --> 00:06:30,366
>> Skwisgaar: HOW DID YOU THINKS
OF THAT?
277
00:06:31,333 --> 00:06:31,934
>> Nathan: UH, I'LL CALL YOU, OR
278
00:06:32,001 --> 00:06:33,636
CALL ME.
279
00:06:33,702 --> 00:06:34,670
UGH.
280
00:06:34,737 --> 00:06:35,905
>> Pickles: I LIKED RACHEL.
281
00:06:35,971 --> 00:06:36,705
SHE'S FUN.
>> Murderface: SWEET KID.
282
00:06:37,740 --> 00:06:39,041
>> Toki: I'M GONNA TEXT RACHEL
283
00:06:39,108 --> 00:06:39,909
JUST TO SAY HI.
284
00:06:39,975 --> 00:06:41,210
DO YOU WANTS ME TO SAY HI FROM
285
00:06:41,277 --> 00:06:42,111
YOU GUYS, TOO?
286
00:06:42,178 --> 00:06:43,379
>> Pickles: YEAH, SAY HI FOR ME.
287
00:06:43,446 --> 00:06:44,713
>> Murderface: SAY HI FOR ME.
288
00:06:44,780 --> 00:06:46,182
>> Toki: SEND.
289
00:06:46,248 --> 00:06:47,383
>> Murderface: OH.
290
00:06:47,450 --> 00:06:48,918
CHECK IT OUT OVER THERE.
291
00:06:48,984 --> 00:06:49,718
[ LAUGHS ]
292
00:06:49,785 --> 00:06:51,787
GUYS, WATCH AND LEARN.
293
00:06:51,854 --> 00:06:53,088
>> OH, GOD. DON'T TALK TO US.
294
00:06:53,155 --> 00:06:54,190
PLEASE DON'T TALK TO US.
295
00:06:54,256 --> 00:06:55,057
[ GROANS ]
296
00:06:55,124 --> 00:06:56,292
>> Murderface: DON'T MIND ME,
297
00:06:56,358 --> 00:06:57,126
LADIES.
298
00:06:57,193 --> 00:06:58,160
JUST PATROLLING THESE PARTS
299
00:06:58,227 --> 00:07:00,696
HERE, MAKING SURE IT'S SAFE FOR
300
00:07:00,763 --> 00:07:01,730
YOUR KIND.
301
00:07:01,797 --> 00:07:03,399
YOU KNOW -- WOMEN.
302
00:07:03,466 --> 00:07:04,300
[ CHUCKLES ]
303
00:07:04,366 --> 00:07:06,535
YEAH, WELL, IT SEEMS -- SEEMS
304
00:07:06,602 --> 00:07:07,670
PRETTY SAFE.
305
00:07:07,736 --> 00:07:09,004
BUT I'M SURE SOMEONE'S GONNA
306
00:07:09,071 --> 00:07:10,473
SHOOT THEIR MOUTH OFF, AND THEN
307
00:07:10,539 --> 00:07:11,540
YOU'LL SEE WHAT'S UP!
308
00:07:11,607 --> 00:07:12,975
>> Toki: HEY, WHAT'S GOING ON?
309
00:07:13,042 --> 00:07:14,477
YOU NEED SOME HELP OR SOMETHING?
310
00:07:14,543 --> 00:07:15,344
>> Murderface: NOTHING!
GET OUT OF HERE!
311
00:07:16,078 --> 00:07:16,779
I'M DEFENDING THEM.
I'M KEEPING THEM SAFE.
312
00:07:17,813 --> 00:07:18,581
>> Toki: FROM WHO?
313
00:07:18,647 --> 00:07:19,748
NO ONE'S HERE TO BE MEAN TO
314
00:07:19,815 --> 00:07:20,649
THEM.
>> Skwisgaar: YEAH, WHAT BARS DO
315
00:07:21,550 --> 00:07:22,618
YOU HANGS OUT AT WHERE GIRLS
316
00:07:22,685 --> 00:07:24,186
NEEDS THEIR HONORS CONSTANTLY
317
00:07:24,253 --> 00:07:25,321
DEFENDED, YOU KNOW?
318
00:07:25,387 --> 00:07:26,522
THE DOUBLE DEUCE FROM
319
00:07:26,589 --> 00:07:27,323
"ROAD HOUSE"?
>> OH, MY GOD!
320
00:07:28,257 --> 00:07:29,625
YOU'RE SKWISGAAR SKWIGELF!
321
00:07:29,692 --> 00:07:31,227
>> Skwisgaar: OH, I KNOW YOU.
322
00:07:31,293 --> 00:07:32,595
YOU ARE THE TWO BEAUTIFULS
323
00:07:32,661 --> 00:07:33,896
LADIES AT THE BARS, RIGHT?
324
00:07:33,963 --> 00:07:34,763
>> OH, MY GOD!
325
00:07:34,830 --> 00:07:36,131
>> Murderface: THAT'S ENOUGH,
326
00:07:36,198 --> 00:07:37,032
SKWISGAAR.
327
00:07:37,099 --> 00:07:38,300
CAN'T YOU SEE I WAS HERE FIRST?
328
00:07:38,367 --> 00:07:39,735
>> Skwisgaar: SORRY, LADIES.
329
00:07:39,802 --> 00:07:41,170
MURDERFACE HAS LAID CLAIMS TO
330
00:07:41,237 --> 00:07:41,904
YOUS.
331
00:07:41,971 --> 00:07:43,339
>> NO! HE HATES WOMEN!
332
00:07:43,405 --> 00:07:44,440
>> Murderface: WHO SAID THAT?
333
00:07:44,507 --> 00:07:46,141
ANYONE THAT SAYS ANYTHING
334
00:07:46,208 --> 00:07:48,210
NEGATIVE TOWARDS A WOMAN, I WILL
335
00:07:48,277 --> 00:07:50,145
BEAT THE [BLEEP] OUT OF THEM.
336
00:07:50,212 --> 00:07:51,313
>> WE SAID THAT.
337
00:07:51,380 --> 00:07:52,748
WHAT ARE YOU GONNA DO ABOUT IT?
338
00:07:52,815 --> 00:07:53,649
>> Murderface: UH...
>> WAIT A MINUTE.
339
00:07:54,583 --> 00:07:55,784
AREN'T YOU THE BASS PLAYER?
340
00:07:55,851 --> 00:07:57,219
WHY ARE WE EVEN TALKING TO YOU?
341
00:07:57,286 --> 00:07:58,454
>> SHOULDN'T YOU BE, LIKE,
342
00:07:58,521 --> 00:07:59,522
UNLOADING EQUIPMENT OR
343
00:07:59,588 --> 00:08:00,389
SOMETHING?
344
00:08:00,456 --> 00:08:01,457
>> DON'T YOU NEED TO PUT SOME
345
00:08:01,524 --> 00:08:02,725
WATER BOTTLES ON THE STAGE?
346
00:08:02,791 --> 00:08:03,993
>> DON'T YOU HAVE TO, LIKE,
347
00:08:04,059 --> 00:08:04,994
STEAM THEIR COSTUMES?
348
00:08:05,060 --> 00:08:06,428
>> I LOVE HOW BASS PLAYERS JUST
349
00:08:06,495 --> 00:08:07,897
PRETEND THEY'RE WORKING AS HARD
350
00:08:07,963 --> 00:08:09,265
ONSTAGE AS THE OTHER BANDMATES.
351
00:08:09,331 --> 00:08:10,432
>> Murderface: BASS IS THE
352
00:08:10,499 --> 00:08:11,467
FOUNDATION OF THE BAND!
353
00:08:11,534 --> 00:08:12,701
>> WHY DON'T YOU MAKE LIKE A
354
00:08:12,768 --> 00:08:14,470
BASS GUITAR AND BE INAUDIBLE?
355
00:08:14,537 --> 00:08:16,338
>> Nathan: UH, HEY, GUYS.
356
00:08:16,405 --> 00:08:17,573
THIS IS AMANDA.
357
00:08:17,640 --> 00:08:19,408
THAT'S PICKLES, TOKI, AND
358
00:08:19,475 --> 00:08:21,877
SKWISGAAR, AND, UH, MURDERFACE.
359
00:08:21,944 --> 00:08:24,113
>> HEY!
360
00:08:24,179 --> 00:08:25,614
>> Nathan: WHAT THE HELL IS SHE
361
00:08:25,681 --> 00:08:26,515
DOING HERE?
362
00:08:26,582 --> 00:08:27,816
>> Skwisgaar: UH, I DON'T KNOW.
363
00:08:27,883 --> 00:08:29,351
WE GETS ALONG, SO WE INVITES HER
364
00:08:29,418 --> 00:08:30,319
OVER TO THE HOUSE.
>> Nathan: GREAT.
365
00:08:31,320 --> 00:08:32,755
THAT'S NOT WEIRD OR ANYTHING.
366
00:08:32,821 --> 00:08:34,189
I MEAN, HERE I AM ON ANOTHER
367
00:08:34,256 --> 00:08:35,724
DATE, AND THERE'S THE OLD ONE.
368
00:08:35,791 --> 00:08:37,092
>> Pickles: "THE OLD ONE"?
369
00:08:37,159 --> 00:08:38,260
[ Laughing ] WHAT?
370
00:08:38,327 --> 00:08:39,061
"THE OLD ONE"?
THAT'S WHAT YOU CALL HER?
371
00:08:40,095 --> 00:08:41,163
>> Toki: NATHAN, COME HERE.
372
00:08:41,230 --> 00:08:42,398
I'D LIKE TO TALK TO YOU FOR A
373
00:08:42,464 --> 00:08:43,098
SECOND.
WHAT ARE YOU DOING?
374
00:08:43,966 --> 00:08:44,700
>> Nathan: NOTHING. WHAT?
I'M ON A DATE.
375
00:08:45,534 --> 00:08:46,302
>> Toki: JUST LIKE THAT?
376
00:08:46,368 --> 00:08:47,303
WHAT ABOUT RACHEL?
377
00:08:47,369 --> 00:08:48,637
>> Nathan: WHAT ABOUT HER?
378
00:08:48,704 --> 00:08:49,838
I WENT ON A DATE WITH HER.
379
00:08:49,905 --> 00:08:50,906
>> Toki: SO, THAT'S IT?
380
00:08:50,973 --> 00:08:52,074
JUST POOFS -- SHE'S GONES?
381
00:08:52,141 --> 00:08:53,275
>> Pickles: WAIT A MINUTE.
382
00:08:53,342 --> 00:08:54,410
LET ME GET THIS STRAIGHT,
383
00:08:54,476 --> 00:08:55,311
NATHAN.
384
00:08:55,377 --> 00:08:56,679
ARE YOU BREAKING UP WITH RACHEL?
385
00:08:56,745 --> 00:08:58,247
>> Nathan: I WAS NEVER IN A
386
00:08:58,314 --> 00:08:59,715
RELATIONSHIP WITH RACHEL.
387
00:08:59,782 --> 00:09:01,183
>> Pickles: AND NOW WHAT?
388
00:09:01,250 --> 00:09:02,551
WE CAN'T DO ANYTHING WITH HER?
389
00:09:02,618 --> 00:09:03,652
>> Toki: WE'RE TAKING A
390
00:09:03,719 --> 00:09:05,087
CHINESE-COOKING CLASS TOGETHER.
391
00:09:05,154 --> 00:09:06,522
>> Nathan: WHY DID YOU DO THAT?!
392
00:09:06,589 --> 00:09:07,590
>> Toki: BECAUSE SHE'S
393
00:09:07,656 --> 00:09:08,424
WONDERFUL.
394
00:09:08,490 --> 00:09:09,725
>> Pickles: BECAUSE SHE'S A
395
00:09:09,792 --> 00:09:11,160
WONDERFUL LADY, DUDE, OKAY?
396
00:09:11,226 --> 00:09:12,828
WHY CAN WE SEE THAT AND YOU
397
00:09:12,895 --> 00:09:13,696
CAN'T?
398
00:09:13,762 --> 00:09:15,464
>> Nathan: GET OUT OF MY LIFE!
399
00:09:22,605 --> 00:09:24,173
>> Charles: HEY, UH, NATHAN, I
400
00:09:24,239 --> 00:09:25,941
UNDERSTAND YOU'RE EXPERIENCING A
401
00:09:26,008 --> 00:09:27,443
LITTLE BIT OF GIRL TROUBLE.
402
00:09:27,509 --> 00:09:28,844
JUST WANTED TO LEND YOU A
403
00:09:28,911 --> 00:09:31,146
SHOULDER TO, UH, YOU KNOW, TO...
404
00:09:31,213 --> 00:09:33,449
YOU SEEM LIKE YOU'RE OKAY.
405
00:09:33,515 --> 00:09:34,750
FOR THE RECORD, I TRIED.
406
00:09:34,817 --> 00:09:36,318
>> Pickles: OKAY, YOU ARE ALL
407
00:09:36,385 --> 00:09:37,152
BEAUTIFUL.
408
00:09:37,219 --> 00:09:38,654
YOU'RE BEAUTIFUL, WONDERFUL
409
00:09:38,721 --> 00:09:40,789
LADIES WITH PERSONALITIES,
410
00:09:40,856 --> 00:09:43,726
STYLE, SOPHISTICATION.
411
00:09:43,792 --> 00:09:45,828
AND WE'RE TALKING ABOUT A GUY
412
00:09:45,894 --> 00:09:47,129
WHO DOESN'T KNOW WHAT HE WANTS.
413
00:09:47,196 --> 00:09:48,430
YOU GUYS ARE TOO GOOD FOR HIM.
414
00:09:48,497 --> 00:09:49,665
>> Skwisgaar: HE DOESN'T KNOW
415
00:09:49,732 --> 00:09:50,532
WHAT HE WANTS.
416
00:09:50,599 --> 00:09:51,634
>> Pickles: DOES HE WANT THIS?
417
00:09:51,700 --> 00:09:52,401
HE DOESN'T KNOW.
DOES HE WANT THAT?
418
00:09:53,369 --> 00:09:54,269
>> Skwisgaar: HE GOTS PROBLEMS,
YEAH.
419
00:09:55,204 --> 00:09:55,771
>> Nathan: WHAT THE [BLEEP] IS
HAPPENING HERE?
420
00:09:56,538 --> 00:09:57,206
EVERYONE LEAVE NOW.
GET OUT OF HERE!
421
00:09:58,073 --> 00:09:59,008
>> Skwisgaar: SAMES TIMES
422
00:09:59,074 --> 00:09:59,908
TOMORROWS, LADIES.
423
00:09:59,975 --> 00:10:01,110
>> Nathan: DO YOU KNOW WHAT YOU
424
00:10:01,176 --> 00:10:01,910
ARE?
YOU'RE A BUNCH OF [BLEEP]
425
00:10:02,511 --> 00:10:03,278
BLOCKERS!
>> Murderface: YEAH, YOU'RE
426
00:10:04,013 --> 00:10:04,813
RIGHT!
THEY DON'T WANT US TO GET ANY
427
00:10:05,648 --> 00:10:07,082
OF THAT SWEET POONTANG!
428
00:10:07,149 --> 00:10:08,517
>> Nathan: [ GROWLS ]
429
00:10:08,584 --> 00:10:10,886
LOOK, YOU WANT TO MEET GIRLS?
430
00:10:10,953 --> 00:10:12,721
GO OUT AND MEET THEM.
431
00:10:12,788 --> 00:10:13,555
DON'T TAKE MINE!
432
00:10:13,622 --> 00:10:14,690
>> Murderface: TELL 'EM, BIG
433
00:10:14,757 --> 00:10:15,324
GUY.
>> Nathan: OKAY.
434
00:10:15,924 --> 00:10:16,759
ALL RIGHT.
435
00:10:16,825 --> 00:10:18,727
LOOK, TOMORROW NIGHT IS OUR
436
00:10:18,794 --> 00:10:21,063
FIRST CONCERT SINCE...
437
00:10:21,130 --> 00:10:23,932
SINCE I BROKE UP WITH...REBECCA.
438
00:10:23,999 --> 00:10:25,401
BUT THERE ARE GONNA BE A LOT OF
439
00:10:25,467 --> 00:10:26,735
NICE YOUNG LADIES THERE WHO WILL
440
00:10:26,802 --> 00:10:27,970
REALLY WANT TO YOU-KNOW-WHAT.
441
00:10:28,037 --> 00:10:30,339
IF YOU STOP THAT FROM HAPPENING,
442
00:10:30,406 --> 00:10:32,241
I WILL ACTUALLY KILL YOU.
443
00:10:32,307 --> 00:10:33,642
>> Murderface: YEAH -- DEAD.
444
00:10:33,709 --> 00:10:34,710
>> Nathan: UGH.
445
00:10:34,777 --> 00:10:36,345
[ ROCK GUITAR PLAYING ]
446
00:10:36,412 --> 00:10:38,380
[ AUDIENCE CHEERING ]
447
00:10:44,953 --> 00:10:46,989
♪ DRAGONESS, YOU BURNED OUR
448
00:10:47,056 --> 00:10:47,956
HOMES ♪
449
00:10:48,023 --> 00:10:49,625
♪ YOU TOOK OUR LIVES AND ATE OUR
450
00:10:49,692 --> 00:10:50,492
SOULS ♪
451
00:10:50,559 --> 00:10:52,361
♪ I WILL RIDE TO YOUR TWIN
452
00:10:52,428 --> 00:10:53,228
MOUNTAINS ♪
♪ YOUR CREVASSE AWAITS ♪
453
00:10:54,263 --> 00:10:56,765
♪ I COME FOR YOU TONIGHT ♪
454
00:11:03,305 --> 00:11:04,907
{\an8}>> Murderface: NATHAN, LOOK OUT!
455
00:11:04,973 --> 00:11:06,642
{\an8}N-O-O-O-O!
456
00:11:06,709 --> 00:11:08,677
{\an8}[ ELECTRICITY CRACKLES ]
457
00:11:08,744 --> 00:11:10,813
{\an8}>> N-O-O-O-O!
458
00:11:10,879 --> 00:11:13,315
{\an8}AAAAAAAAAAAH!
459
00:11:13,382 --> 00:11:14,283
{\an8}>> Nathan: WOW.
460
00:11:14,349 --> 00:11:15,918
{\an8}I NEVER ACTUALLY KNEW THAT A
461
00:11:15,984 --> 00:11:17,586
{\an8}[BLEEP] BLOCK COULD SAVE YOUR
462
00:11:17,653 --> 00:11:18,754
{\an8}LIFE.
463
00:11:18,821 --> 00:11:20,022
{\an8}THANK YOU, MURDERFACE.
464
00:11:20,089 --> 00:11:21,390
{\an8}>> Murderface: THAT'S OKAY, MAN.
465
00:11:21,457 --> 00:11:22,858
{\an8}I'M A HERO.
466
00:11:22,925 --> 00:11:23,859
{\an8}I'M A REAL HERO!